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Kelsier and Anti-Social Personality Disorder: An Essay

Thank you sooo much for editing this @ladyartichokie! You were a massive help!

Kelsier Essay

I hope the dear reader will forgive my use of a proper noun as I write this essay; it removes somewhat of a formal aspect from its words but I must admit, it does come from a personal place of my heart. While this essay is meant to be persuasive, it’s also meant to be constructive and to drive a point home that I have been musing on for quite a while. This essay has major spoilers for the entirety of the Cosmere. If you haven’t read up to SP3, please refrain from reading this.

In the endless expanses of the Cosmere, there are hundreds of characters whom many hold dear and just as many whom people hate. You could say this is due to the brilliance of the author, who, despite his busy schedules and near constant time spent behind a keyboard, finds time to sign sheets and answer questions. Why is signing sheets and answering questions relevant to beloved and reviled characters? Read on.

Brandon Sanderson answers hundreds of questions, many of whom are inane, innocuous, or silly. Some are deeper, others delve into the basis behind some of his choices while writing. Still others pertain to characters. We get to the meat of it. This particular character is known, through the writing, as a brutal man, who let nothing stand in the way of his goal, who, while cleaving the noble class of his society in twain, uplifted the peasants and upended the thousand-year reign of his deity and ruler. Yes, we’re talking of Kelsier, the Survivor of Hathsin, hero of the Final Empire, and a character that leaves many people puzzled.

Reddit forums are frequented by questions about him. r/Mistborn and r/Cosmere alike have had their fair share of debates, and there was one thing I noticed in many of these: they take the words of Sanderson very, very seriously. Why shouldn’t they? He’s the author, is he not? Back in 2013, Sanderson had a Q&A session where someone asked him who his most disturbing character was. The WoB is as follows:

I_are_pant

1.Which of your protagonist characters do you dislike the most as a person? Taking in account that you know all of their inner secrets and motivations. 2. On the flip side, which of your antagonists do you connect with the most? The Lord Ruler seems an obvious choice as he was misunderstood by everyone for so long. But still, I’m curious.

Brandon Sanderson This is a tough one, as while I’m writing, I HAVE to like everyone. However, the most disturbing of them is probably Kelsier. He’s a psychopath—meaning the actual, technical term. Lack of empathy, egotism, lack of fear. If his life had gone differently, he could have been a very, very evil dude.

This Word of Brandon has had a decided effect on the fandom, namely in the fact that critical thought surrounding Kelsier, his motives, his struggles, and his successes, has all but been erased. He has been branded a psychopath, and there is nothing anyone can say against it.

The word “psychopath” is a very negatively charged word. To preface things, I want to be clear that this essay is going to refer to “psychopathy” as Antisocial-Personality Disorder. The term psychopath is very old, and largely refers to individuals with this particular disorder. The traditional definition of psychopath is someone who both lacks a conscience and lacks empathy.

Through this essay, I plan to painstakingly showcase that Kelsier fits neither the outdated term nor the criteria for the actual disorder, through canon book citations. I will break down each diagnostic criteria for Antisocial Personality Disorder (Henceforth shortened to ASPD) and Kelsier’s character traits at large. I wish to not only prove Brandon wrong (It is a very old WoB and I doubt very much he still believes this.) but to prove to the fandom at large that Kelsier is a good man. A flawed man, but a good man. I will also note specific character traits that I feel are of note in discussing him, his motives, and his current ideologies.

(Please note that there are plenty of individuals with ASPD that are not bad people. Your actions make you bad, not your mental health. I will be using terms such as “bad” and “wrong”, but this is in regards to a fictional character, NOT a real life human being.)

Antisocial Personality Disorder is a disorder characterized by the DSM-V as a Cluster-B personality disorder. It shares its family with Narcissistic, Borderline, and Histrionic disorders, and is characterized by a “continuing disregard and violation of the rights of others, occurring since the age of fifteen. To be diagnosed with ASPD, you must show a pattern of three or more of the following characteristics:

· Failure to Conform with Laws and Social Norms

· Deceitfulness (Repeated lying or conning of others for personal profit or pleasure.

· Impulsivity or failure to plan ahead.

· Irritability or Aggressiveness (Repeated physical fights or assaults.)

· Reckless disregard for the safety of others.

· Consistent irresponsibility. (Failure to keep a job or honor financial obligations.

· Lack of remorse.

Psychopathy is a term that was coined before this disorder was identified and refers specifically to a person lacking in both empathy and a conscience. The term is still widely used today, along with the term Sociopath, often interchangeably. For this essay, I’ll be largely relying on the psychiatric standards set in the DSM-V.

With this in mind, let’s jump into the criteria necessary for one (In this case, Kelsier) to be diagnosed with ASPD. While Kelsier waits in the waiting room, rather annoyed, let’s overview his case file. I will be pulling The Final Empire (TFE), Secret History (SH), and Eleventh Metal (EM). To make things clearer, I am using the Arcanum Unbounded version of SH and EM.

Failing to Conform with Laws and Social Norms

“Yes, he pocketed the gemstones in the vault, but that was more out of pragmatism than anything else.” (SH)

“Individual must show a pattern of Failing to conform with laws and social norms.” This one is tricky, as we are speaking of a fictional character in a brutal society hell bent on slaughtering those like Kelsier. Him becoming a thief was his way of surviving. While a thief, he was known as trusting, fair, just, and great to work with. When speaking to Vin after saving her from Camon’s beating, he explains just what sort of thief and crew leader he is, which puzzles her for quite a few pages as she notices the level of trust he places in other people.

“…Well Dox and I, we’re scavengers too, we’re just a higher quality scavenger. We’re more well bred, you might say-or perhaps just more ambitious.” (Chapter 3, page 56, TFE). After Clubs leaves in a huff, Yeden exclaims that he has to be dealt with, and Kelsier shuts him down.

“You’re just going to let him go?” “…I don’t work that way, Yeden. I invited Clubs where I outlined a dangerous plan-one some people might even call stupid. I’m not going to have him assassinated because he decided it was too dangerous. If you do things like that, pretty soon nobody will come listen to your plans in the first place.” (chapter 4, page 80, TFE).

Clubs, upon his return, remarks he’s heard that Kelsier would never use emotional allomancy to sway someone to his side. “You’re a smoker Clubs. He couldn’t do much to you, not if you didn’t want him too.” “I don’t like Soothers…Men like that…well you can’t trust you aren’t being manipulated when they are around. Copper or no copper.” “I wouldn’t rely on something like that to get your loyalty.” “So I’ve heard.” (Chapter 5, page 87, TFE).

If we mark his thieving and conning as a pattern in this trope, we also have to mark it against Doxson, Hammond, Breeze, Vin, and Clubs, not to mention hundreds of other Skaa and half-skaa that are just trying to live. Thus, this particular criterion is being ignored due to the outstanding circumstances of the Final Empire and how it was run.

Deceitfulness for Profit or Pleasure

“And the third…well, that was Kelsier’s favorite. It involved a tongue coated with zinc. Instead of a knife it used confusion, and instead of prowling it worked in the open.” (SH)

As a con-artist and thief, Kelsier throughly enjoys his trade. He made it a mission in life to con his way to the top of the thieving world, becoming the most “Infamous crewleader in Luthadel” (Chapter 5, page 89, TFE). He loved terrifying the Ire out of their possessions and the orb of Investiture. The man enjoys his profession in life; he didn’t fall into it out of necessity or trick. He even states, in narration of his own in the Eleventh Metal, that when he Snapped as a Mistborn, he immediately gravitated towards Zinc and Brass, as they could “manipulate other people’s emotions.” (Eleventh Metal, page 159). “We’re thieves, gentlemen- and we’re extraordinarily good ones. We can rob the unrobbable and fool the unfoolable…” (Chapter 4, page 75, TFE). That being said, he doesn’t lie to his crewmembers. (Ghostblood’s are a bit different, and I’ll get to that later.) He is upfront and honest with his crew members, never expecting them to go into something without all the information. He has never used emotional allomancy to manipulate his friends. “Despite what Breeze says, it’s bad manners to use emotional Allomancy on your friends.” (Chapter 11, page 212, TFE).

His dealings with the Ghostbloods get a little trickier. I do not think lying to them about having powers has anything to do with profit or pleasure, more, it has to do with his position and what he is. A little mystery aids his position, and I’m sure those closest to him know quite well he lacks powers.

To sum it up, Kelsier does meet this criterion. He enjoys the con, lives for it.

Impulsivity with a Failure to Plan Ahead

“Oh hell,” Kelsier said. “There’s actually a God?”“Yes.”Kelsier decked him. (SH) Impulsiveness, in regards to ASPD, is described as someone who is not only impulsive, but also fails to plan ahead. To quote the exact text. “Impulsivity with a failure to plan ahead.” They lack any way of preparing for large tasks or what they are going to do in the future. In regards to Kelsier, he can certainly be impulsive. Heat of the moment decisions is one of his major strengths, along with one of his major flaws. He’s fond of brash decisions against those he deems slighted him or others (Punching Leras/Ruin in Secret History.) He will jump headlong into danger in order to save those in helpless situations. (Running to save the army, only to be stopped by Vin.) His foray into Kredik Shaw could be called impulsive, though I read it as him believing that since he didn’t plan at all, there was no way he could be betrayed, as had happened last time. Him taking Vin was certainly a foolish choice, though I wouldn’t call it impulsive.

Speaking of his impulsiveness, other characters are aware of it as well. Vin, inspecting the crates that will be shipped to the caves, says that “Even the new, more responsible Kelsier was an impulsive man.” upon learning he planned to go to the caves with Yeden to inspect the army. (Chapter 20, page 331, TFE).

His slaughter of the noblemen and women in the town of Longsfellow after they murdered a young girl could be seen as impulsive. He did it without regard for their plan, which angered Mare.

That being said, Kelsier does not fit this criteria, despite being an impulsive man, as he does not fail to plan ahead. All of Kelsier’s life as a thief was nothing but planning; job after job, all planned out and discussed with his friends/crewmates.

“It was an unfamiliar experience for him. [faltering/indecision] He’d always had a plan, before. Plans upon plans…” (Eleventh Metal, page 152).

“…all those plans, all of those heists, all of his grand visions.” (Eleventh Metal, page 164).

Beginning in Eleventh Metal, Kelsier forms his plan that we see enacted in The Final Empire. Specifically, this line. “Nobody fights, he thought, Nobody thinks they can fight. But they’re wrong. We can fight…I can fight.” (Eleventh Metal, page 165). “A plan began to bud, a plan he barely dared consider for its audacity. Vengeance. And more.” (Eleventh Metal, Page 169).

This plan carries us into the main narrative of The Final Empire. Every major event, barring a few hiccups, is fully orchestrated by Kelsier. He planned for the House War, long before he sat down with his friends and discussed it in Club’s Shop. The beginnings of it were at Trestings Plantation, where he “stirred up a little trouble.” (Prologue, page 12, TFE).

His death, at the end of the novel, was part of a plan; hidden deep under other sets of plans, a hidden leaf of paper among many: A plan to get the Skaa to rise up.

I doubt I need to fully list all of Kelsier’s planning and plotting throughout the books; it’s extensive and would fill several sheets of paper. While we can all agree that Kelsier is an impulsive man, I believe a suitable picture has been drawn up that proves that he doesn’t fit this particular criteria.

Irritability or Aggressiveness

“He’d been in street brawls before, but not many. He’d tried to avoid them-brawling had been an old habit of Dockson’s. For once, he wished he’d been less refined in that particular area.”

Kelsier’s anger throughout the first novel, and indeed Eleventh Metal, is mostly internal. In Eleventh Metal, he doesn’t lash out at Gemmel, despite the man deserving it. He instead focuses that anger on other, more deserving targets. Through most of the novel, he’s rather numb, incapable of any emotion, until he finds the Skaa, hanging up and nearly flayed from the experiments at Shezler’s hands. He murders Shezler brutally with a shard of glass punched to the throat. (Eleventh Metal, page 167). His actions with Hoid in the Well of Ascension could certainly be touted as aggressive, however I disagree with this line of thinking, for reasons I’ll outline in greater detail later in the essay. (Part 2, Chapter 1, page 231, SH)

“Kelsier kept smiling. He’d do so until it felt natural. Until that numbness, tied in a knot within him, started to unravel and he began to feel again. If that was possible.” (Eleventh Metal, page 149).

“…the only thing he could feel these days was rage, and that rage couldn’t guide him.”

Irritability generally means lashing out at those around you. Kelsier doesn’t do that. He gets his angriest towards “friends” in the caves, when manipulating Bilg to speak of his doubts. Diction is very important here. Kelsier wanted Bilg to die for speaking against him. (Something that was, unfortunately, very common in military groups in prior eras (of Earth). It was labeled as treason, and execution was the usual punishment.) “Kelsier paused. This man should die, he thought angrily. On the ground, Bilg groaned quiestly. Kelsier could just barely see his twisted arm, its bone shattered by the powerful strike. It was bleeding. No, Kelsier thought. This is enough.” (Chapter 21, Page 351, TFE).

Note that, despite his anger and irritation, he changes his mind quickly. The heat of the moment, the trauma of being back in caverns similar to the ones he was tortured in, the looming threat of their deaths drawing ever closer, got the better of him, and he stoppered it.

Despite Vin disobeying him many, many times, following him, and contradicting him, Kelsier never snaps at her. When he catches her following him to Kredik Shaw, he sits down and speaks to her. Yet more evidence is seen in his speaking with his brother. Marsh gets angry; Marsh snaps; We can’t deny him this. Yet Kelsier, despite his inner monologue saying that Marsh is the only one that can get under his skin, keeps his relative cool.

““Oh?” Marsh asked, tapping the word atium on the board. “Why the games, Kelsier? Why lead Yeden along, pretending to accept him as your ‘employer’? Why act like you care about the skaa? We both know what you’re really after.” Kelsier clenched his jaw, a bit of his humor melting away. He always could do that to me.””(Chapter 7, Page 130, TFE).

During Secret History, though technically before the events of Eleventh Metal and The Final Empire, Kelsier kills seven people in retribution for murdering a girl for spilling tea. He remembers this as he wanders into the town of Longsfollow. You could definitely argue aggression in this case. (Part 4, Chapter 2, page 282, SH).

Kelsier does not fit this criteria. Random acts of aggression spaced throughout a lifetime of traumatic events and death at every corner are to be expected, and throughout it all, he’s a wonderful man to those around him; supportive, charitable, and loyal.

Reckless Disregard for the Safety of Others

“The best practice is doing.” Vin said. “My brother trained me to steal by taking me on burglaries.” Kelsier shook his head. “It’s too dangerous.”

Kelsier is shown to care, deeply, for the safety of those surrounding him. We don’t see much of it in Eleventh Metal, but we can assume, based on him helping the Skaa get out of the city at the end of the novella, that he cared for their safety.

In TFE, he is constantly aware of not only his crew’s safety, but his army’s as well. They walk a very fine line; one that, if broken, would result in their immediate deaths. Multiple lines of safeguards and protections, of smoke and mirrors, goes into making sure there is no chance of betrayal or accidental mis-step.

“...Renoux nodded. Ostensibly we’re sending this all via canal barges to my plantation in the west. However, the barges will stop to drop off supplies–and many of the canalmen–at the rebellion caverns. The barges and a few men will continue on to keep upon appearances.” “Our soldiers don’t even know that Renoux is in on the plan,” Kelsier said, smiling. “They think he’s a nobleman that I’m scamming.” (Chapter 20, page 329, TFE)

The security of his troops, and indeed, all of their heads as well, was paramount. The three guards at the entrances at all times, were stationed to keep everyone in that cavern safe from potential betrayal. After they find Marsh “dead”, Kelsier sends the entire crew to the bolt lair before leaving for the Pits of Hathsin. He also tells them to send for Renoux, to tell him to pull out. This happened after a night of thought; it wasn’t an impulsive act.

Upon the attack on Vin’s former crew…

“Should we move our base?” Ham asked. Kelsier slowly shook his head. “When Clubs came to this lair, he would have worn a disguise to and from the meeting, hiding his limp…We should still be safe. (Abridged, Page 208, 11)

Upon finding Vin tailing him as he observed Camon’s hanging…

“What are you doing here?” “I wanted to see what you were doing!” “This could have been dangerous! What were you thinking?” (Abridged, 211, chapter 11)

Upon Kelsier catching Vin tailing him, beginning a back and forth about Kredick Shaw, and Vin deciding she’ll tail him regardless of what he says, Kelsier reads her thoughts. “I’m serious, Vin! You can’t go with me.” “Why not?” she asked, abandoning pretense. “If what you’re doing is so dangerous, wouldn’t it be safer if you had another Mistborn watching your back?” “You still don’t know all of the metals,” Kelsier said. “Only because you haven’t taught me.” “You need more practice.” “The best practice is doing.” Vin said. “My brother trained me to steal by taking me on burglaries.” Kelsier shook his head. “It’s too dangerous.” (page 241, 13)

Upon Vin awakening from her coma the second time…

“Vin,” Kelsier said hesitantly. “I owe you an apology. I nearly got you killed.” Vin snorted quietly. “It’s not your fault. I made you take me.” “You shouldn’t have been able to make me,” Kelsier said. “My original decision to send you away was the right one. Please accept the apology.” (Page 268, Chapter 16, TFE).

“I don’t want to be responsible for something happening to you, Vin. Not again.” (page 287, Chapter 17, TFE).

Are there instances where he disregards the safety of others? He doesn’t care for noblemen. He certainly doesn’t care much for the Ire, though they were trying to forcibly take his God. Many people may argue he doesn’t care for those on Roshar, but this has never been explicitly mentioned in the novels; we hear from players that are literal lightyears away from Kelsier, operating under his orders but without his oversight: they can bend rules and hurt people without being chastised.

Kelsier does not fit this criteria, as the above examples clearly illustrate he cares deeply for the safety of those under his wing.

Consistent Irresponsibility (Inability to hold a job, etc)

“A successful crewleader needs to know how to divide labor, especially on a job as big as this one.”

Throughout the novels, Kelsier has shown consistent responsibility. Before the novels take place, we know he led a successful crew of thieves to the point of massive wealth and infamy. After the Pits, he takes the downfall of the Final Empire under his wing, organizing and spearheading the entire operation on largely his own dime and merit. (It was a multi-headed approach, yes; without Dockson, many things would not have gotten done as well as they had with him, but this just showcases Kelsier’s ability to organize work well.) If we’re getting into the more psychological definition of responsibility (the feeling of being responsible for a person, place, or thing(s) wellbeing) he takes responsibility for the entire planet in Secret History, going so far as to cheating final death, taking up a shard for safe keeping, and giving it up, all to keep his planet, and those he loves, from Ruin.

Leading the Ghostbloods is similar to him leading his crew, only on a far wider and grander scale.

As for him being consistently irresponsible, it’s safe to say he doesn’t fit this. There are a few times when he makes brash decisions that could be labeled as irresponsible, but they fit being impulsive better, which is a trait we know he has.

Lack of Remorse

“Kelsier stood up, turning his back toward the sight. For all his cleverness, he’d gone and broken the poor girl’s heart. I must be the smartest idiot around, Kelsier thought.”

Probably one of the most contentious topics in the fandom is Kelsier’s feelings towards the nobles he kills. Chapter 5 into the beginning of Chapter 7, we are confronted with how he feels towards the men he kills in pursuit of his goal.

It is very safe to say, he doesn’t feel remorse for these men. It’s explained as he descends from the roof, pushing two guards off the balcony to their deaths. He’s angry, he’s determined, and has no pity for those who hold up the Final Empire, especially if their skaa. He does, however, feel remorse for hurting those he cares about; those he wants to protect. The best example of this is Vin: he feels terrible when she’s nearly killed because of his stunt at Kredick Shaw, he feels bad for how he spoke to her before he died, and he’s stricken by his actions in “killing” Elend in an effort for her to keep the power.

Note the actions at the beginning of this scene: “Kelsier was there when she awoke. He sat on the stool by her bed, hands clasped with his elbows on his knees, watching her by the faint light of a lantern.” (Chapter 16, page 267, TFE) Based on Sanderson’s word choice, it is safe to say he’s been watching her for hours, agonized. This is further cemented by a later observation by Vin. “What did one make of a world where a crewleader agonized over his people?” (Chapter 16, page 269, TFE).

He’s also broken up by how he spoke to the army, leading Yeden to “test” the army by striking against a nearby garrison. The entirety of page 419 showcases Kelsier’s thoughts and emotions about this, but I’ll break it up.

“He sat with hands clasped before him…” Remember when he was watching Vin? Similar behavior. “Kelsier shook his head. So many dead. They’d gathered nearly seven thousand troops before this fiasco, but now most of them lay dead. Yeden had apparently decided to “test” the army by striking at night against the Holstep Garrison. What had led him to such a foolish decision?” “Me, Kelsier thought. This is my fault. He’d promised them supernatural aid. He’d set himself up, had made Yeden a part of the crew, and had talked too casually about doing the impossible. Was it any wonder that Yeden had thought he could attack the Final Empire head on, considering the confidence Kelsier had given him? Was it any wonder the soldiers would go with the man, considering the promises Kelsier had made?” “Now the men were dead, and Kelsier was responsible…But, he couldn’t get over the twisting in his gut…the fact that they’d likely died expecting some sort of divine protection from Kelsier…that was disturbing.”

Kelsier fully feels the weight of hubris here, of the secret plan he’s been working on by himself the past few months, that we get a window into during his time in the caves. He feels terrible for what he caused, he fully understands that this was because of him. Safe to say, he feels remorse. You could say this is the comeuppance for his actions with Bilg.

When witnessing the executions, Kelsier opens up about his remorse, as well.

“I wish to the forgotten gods that those boys hadn’t died. Unfortunately, we can’t change that now—we can only use the opening they gave us.” (Chapter 26, page 439, TFE).

Kelsier does not want remorse; he’s full of it. He knows when to put it aside, however, and not let it flood him. Kelsier does not fit this criteria.

Deep Dives Specific scenes in Mistborn are contentious, especially with Kelsier. I have gotten into many arguments with people whom I feel miss the point of the books, and because they have a grudge on a character, fail to see things from their perspective. Therefore, I’m going to go into these specific scenes, break them down, and lay them flat. Imagine it’s a UV Map of a 3D model; all little edges exposed so we can get a good look!

Kelsier and Bilg: Chapter 20 of TFE

Kelsier’s manipulation of Bilg is a key point in the evidence FOR him to be a psychopath, and I want to point out that while Kelsier had very good reasons for doing what he did, I am by no means saying he was moral in doing it. With that out of the way, let’s discuss WHY Kelsier manipulated Bilg into doing what he did, and the emotions that brought him to this point.

It’s not explained outwardly in the text, but Kelsier has some pretty major PTSD surrounding his time in the pits. He pauses before entering the crack, and uses this moment to impress the men; but inwardly he’s not enjoying having to enter this thin crack in the earth and delve into darkness. We get to hear his inner thoughts, but to all others, he’s putting on an act of confidence and bravado. (Pages 346, 347, 352, 353 of Chapter 21, TFE).

During the first tour of the caves, Kelsier is thinking of Mare, her betrayal, and it gets to be so much he asks Hammond to tell him “what he’s thinking about.” Hammond proceeds to ask him a question that seriously disturbs him.

The question, which was if Skaa are meant to be ruled over by the nobility, stayed with him the rest of the week, along with his darkened mood. He realizes, as he’s eating the feast at the end of his visit, that the skaa don’t really believe they can succeed. They need a symbol, a sign, and Kelsier decides to use himself as that symbol.

The reason he chose Bilg and his friends at the table was to scapegoat them into taking the proverbial L for the army. It was all to use his allomancy to empower Demoux and show them they can and will overpower the Final Empire. The reason BIlg had to die was the keep up appearances; those who question their commanding officers were executed. You can argue we don’t know enough about how a militia is ran in the Final Empire, or that it’s nothing like Earth’s military, but as it’s written by an Earth bound man with Earth bound references, I believe it’s a safe thing to assume. Kelsier, whom we’ve already discussed is an impulsive man, got caught up in the moment: his anger from the week spent cooped up in a cave that reminded of hell overcame him. He truly wanted Bilg to die in that moment. He superseded this thought process, reigned himself in, and let him live.

The morality of his actions here can be discussed, and no, it wasn’t ok to manipulate Bilg and Co’s emotions like that. It wasn’t ok to use them as a scapegoat. But I can sure see how it was necessary for a single man to be sacrificed in order to bolster several thousand.

Hoid in the Well: Secret History

When it comes to this scene, I won’t argue that Kelsier was being extra here. The man has been cooped up in a 5x5 spot for a long time, with no answers and seriously questioning his logic at becoming what he’s become. His only companion is an insane, unraveling god who barely speaks most times he “visits.” So when an actual man comes by, floating on what looks to be a corpse, Kelsier is immediately on edge.

All quotes are taken from pages 228 – 233, of Part 2, Chapter 1, of Secret History.

“ “Who are you?” Kelsier asked, stepping to the edge of his prison, eyes narrowed. “A spirit?” “Alas,” the man said, “death has never really suited me. Bad for the complexion, you see.” He studied Kelsier, lips raised in a knowing smile. Kelsier hated him immediately.” “

Seen from Kelsier’s perspective, this is a man that knows things and is holding back. This is a schemeing, conniving man, that is similar to the nobles he’s dealt with all his life. It doesn’t help that Hoid and Kelsier have similar personalities. Note Hoid’s words, “bad for the complexion.” A similar line is used by Kelsier at the very beginning of TFE.

“Fieldwork hasn’t ever really suited me.” Kelsier said. “It’s far too hard on my delicate skin.” (Prologue, page 6, TFE).

“Got stuck there, did you?” the man said. “In Ati’s prison…” He clicked his tongue. “Fitting recompense, for what you did. Poetic, even.” “What I did?” “Destroying the Pits, O Scarred one. That was the only perpendicularity on this planet with any reasonable ease of access.” Kelsier has no idea what a perpendicularity is. Yes, he destroyed it. Did he know what he was doing on a grand scale? No. He was, to his knowledge, destroying the Empire’s main economic driver. Hoid treats him like a criminal when Kelsier was fighting against an unjust Empire, one that Hoid is very familiar with, having been to Scadrial before. Calling him names doesn’t help.

“Who are you?” Kelsier said. “I?” The man said. “I am a driver. A miscreant. The flame’s last breath, made of smoke at it’s passing.” “That’s…needlessly obtuse.” Well said, Kelsier. Hoid plays games, this we know from dealing with him in Stormlight. However, with Kaladin and Shallan he gives half answers, or none at all, in a playful, non-demeaning way. Here he’s laden with vitriol and spite, for no good reason. It gets worse.

“And you claim to not be dead?” “If I were, would I need this?” the Driver said, knocking his oar against the front of his small loglike vessel. [Kelsier notices Spanky for the first time, not knowing what a cognitive shadow just is yet.] “A corpse,” he whispered. “Oh Spanky here is just a spirit. It’s damnably difficult to get about in this subastral—anyone physical risks slipping through these mists and falling, perhaps forever. So many thoughts pool together here, becoming what you see around, and you need something finer to travel over it all.” “That’s horrible.” “Says the man who built a revolution on the backs of the dead. At least I only need one corpse.” Hoid is being ridiculous here. Yes, Spanky is a cognitive shadow, but as I’ve stated, Kelsier has no idea what that is. To his knowledge, this man is riding a corpse around. Hoid is also forgetting that the people Kelsier murdered were far less than innocent; Kelsier can make distinctions here. A rapist and murderer who regularly abuses his peasants is different from a corpse used to wade down a lake of thoughts.

Kelsier folded his arms. This man was wary—thought he spoke lightheartedly, he watched Kelsier with care, and held back as if contemplating a method of attack.

Note the diction here; Kelsier is reading Hoid’s body language as he should; Hoid is planning to use the well to gain purchase in the spiritual realm and take that bead of Lerasium. He isn’t planning anything wrong per se, but Kelsier has no way of knowing that. All Kelsier sees is a man preparing to attack.

“He wants something, Kelsier guessed. Something that I have, maybe? No, he seemed legitimately surprised that Kelsier was there. He had come here, intending to visit the Well. Perhaps he wanted to enter it, access the power? Or did he, perhaps, just want to have a look at the thing Beyond?”

Wrong guesses, but good ones all the same for an ignorant man. Hoid does want something. So far, Kelsier’s waryness is completely justified. He tries to be polite, asking a simple question. “Well, you’re obviously resourceful,” Kelsier said. “Perhaps you can help me with my predicament.” “Alas,” The Driver said. “Your case is hopeless.” Kelsier felt his heart sink. “Yes, nothing to be done,” the Driver continued. “You are, indeed, stuck with that face. By manifesting those same features on this side, you show that even your soul is resigned to you always looking like one ugly sonofa—" “Bastard!” Kelsier cut in. “You had me for a second.”

Instead of even offering Kelsier a crumb of help, he instead insults him, for…very little reason. Hoid rarely kicks people when they’re down; he instead punches up. We notice this with the Rosharan nobility. He doesn’t insult the peasant waitstaff. Why is he insulting Kelsier? There is no reason to do so; he’s just being an ass to be an ass. Kelsier hasn’t even mouthed off yet.

So far Hoid has treated him like an inferior, insulted him and been “needlessly” obtuse, all while showing suspicious body language. Is it any wonder Kelsier is on edge and ready to defend the Well? He knows it’s for Vin; he means to protect it until she can have it.

The two go back and forth for some time, speaking of Kelsier’s bastard nature, skaa versus nobility, and Hoid applying some (I believe it to be dor, but I’m not sure) glowing stuff to his oar. (in an effort to prevent it from de-manifesting). As they speak, Hoid edges closer to the well. Kelsier has been watching him this entire time.

He begins to ask a question again, despite Hoid’s rudeness. “Is there a way to escape this prison?” Kelsier asked. “How about this?” the Drifter said. “We’ll have an insult battle. Winner gets to ask one question, and the other has to answer truthfull. I’ll start. What’s wet, ugly, and has scars on it’s arms?” Another insult to an innocent question, and now Kelsier is very on edge. He’s obviously deflecting. So Kelsier decides to be as extra as possible in an effort to scare him away. Now, a cognitive shadow would, realistically, be as scary as an earthworm to Hoid if it’s not on Threnody, but Kelsier doesn’t know this. Which is why he brings out his “I’m-going-to-murder-you” routine that goes into lurid detail and leaves Hoid speechless. Kelsier even throws in a shrug.

Hoid then dives for the well, and Kelsier grabs him, determined to disable him, kill him, or just prevent him from doing whatever he wants to do in the well. Which leads to their fight, where Kelsier does zero damage to Hoid and Hoid proceeds to torture him incessantly as a “lesson.” He did not need to go as far as he did. If Hoid had been truthful with who he was, what he was after, and perhaps offered explanations, Kelsier would have been less inclined to act rashly. Instead, Hoid is needlessly obtuse, rude, mocking, condescending and tortures him.

It makes his words at the end of RoW amusing to me, as Hoid cheats in this fight and was the aggressor in every definition of the word. Hoid strikes first by the very fact he jumped for the Well. Kelsier was merely defending it.

“Deal with your own stupid planet, you idiot. Don’t make me come there and slap you around again.” (Chapter 115, page 1238, RoW).

To tie this long, rambling, and somewhat insane essay up, Kelsier is not a psychopath. He fits only one of the criteria, and only somewhat fits another. Since one needs to fit three of the traits in order to be diagnosed, the man is free from ASPD. Through the essay, I have showcased his empathy, his understanding, his patience, his trust, and his love of those around him. Hell, he says as much in Secret History when wandering, his soul cracking from loneliness. He’s a flawed man; he can be arrogant, egotistical, and impulsive, but he wants what is best for his people. No one can deny that.

#kelsier #mistborn #cosmere #mywriting #Essay #The Final Empire #Secret History #Eleventh Metal #Brandon Sanderson #Marsh #Vin #ASPD #DSM-V #academic essay #long post

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archiveikemen · 11 months

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Liam Evans Main Story: Chapter 20

I do not own any of the Ikemen Series content being uploaded on this blog, everything belongs to CYBIRD. Please support them by playing their games and buying stories. Not 100% accurate, expect mistakes.

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The next day, Victor gathered all of Crown in the dining room, something that rarely happens.

Facing the members that had gathered, Liam talked about everything that happened to him.

The encounter with his father, his fate, and — the reason why he chose to end his own life.

Victor: In other words, your father is still alive, told you that “Golden Butterfly” is backing him, and he wants you dead.

Victor: … You weren’t mistaken?

Liam: Yeah, it’s not a mistake, Victor. I’m sure I heard those words directly from his mouth.

(“Golden Butterfly”? I’ve heard that name before…)

(Oh…)

– Flashback Start –

William: “Shut up and stop moving. Answer my question with honesty”.

Mansion Owner: …!

William: “Golden Butterfly” — do you know anything about it?

– Flashback End –

Kate: Is “Golden Butterfly” the one William mentioned on the night I tagged along for my first mission…?

William gave me a wide grin while sitting leisurely in his chair.

William: Yes. “Golden Butterfly” is an organisation’s symbol, in other words — it’s a code name.

Kate: Does having a code name for it mean that this organisation is not meant to be known to the public?

Victor: There was a time in England where there were people who trampled on freedom and dignity.

Victor: That group of people are known as — “Golden Butterfly”.

Kate: “There was a time”...?

Victor: William annihilated “Golden Butterfly” many years ago.

Victor: By punishing every single person who had anything to do with “Golden Butterfly”, one at a time…

William’s blood red eyes didn't even shake, they were like a calm sea.

William: Liam. Your father was part of “Golden Butterfly” when that organisation still existed.

Liam: … This is the first time I’m hearing that.

William: That’s understandable. You were still a child back then. The Evans family built up their fortune in just one generation.

William: Ultimately, even though they had more money than they could ever possibly spend, that was not enough to make them nobles.

Elbert: … You’re saying that he wanted to gain higher peerage by being involved with that organisation?

William: Yes.

Jude: Hah. He’ll never be a nobleman, no matter how far he goes. What’s the point in wanting something so stupid?

Alfons: Different people value things differently.

Alfons: A pebble on the roadside may appear to be a jewel to that person.

William: And so he joins the major organisation called “Golden Butterfly”.

William: He was at the lowest of the lowest ranks in the organisation… and what he did was undeniably evil.

Ellis: What on earth did he do, exactly?

William: Securing distribution channels to obtain raw materials for diacetylmorphine production, and bribery.

Roger: … I see.

Roger: So those guys from “Golden Butterfly” were manufacturing highly addictive drugs behind closed doors. Hah, that’s rather nasty.

Ellis: Nasty? Why?

Roger: The drug can be used to make someone dependent on it, it can also be used to blackmail someone for using that drug… nasty, right?

Roger's words made my skin crawl.

(... I can’t believe such an organisation existed in England.)

Harrison: Will. You’re the type to thoroughly condemn those you deem as evil.

Harrison: Liam’s father is no exception. However…

Harrison: Everyone, including yourself, thought that he “died” in that fire at the Evans family’s mansion.

William: …

Kate: Wait, what…?

Ellis: What’s the matter, Kate?

Kate: If “Golden Butterfly” had already been annihilated by William, then why did that name resurface now?

Kate: Could it be…

Victor: Ah, that's not quite true.

Victor: What William did only made “Golden Butterfly” lay low for a while.

Victor: — However, someone is trying to make the butterfly flap its wings again.

Kate: … Is that why William went to look for “someone” that night?

William: Yes. Evil is something that can always rise back up, isn't it?

The king of self-righteousness, who fought evil with evil, smiled.

William: — Say, Liam.

Liam: What is it, Will?

William: What do you want to do?

Liam: Huh…?

William: I’m not completely certain that your father has ties to the butterfly that is starting to show signs of revival.

William: Victor and I will continue investigating this matter.

Victor: …

William: However, I will not let him off for his past sins.

William: Do you want to make your father pay for his sins with your own hands? Or—

William: If you don’t do it yourself, someone else from here will take care of it.

Urged by William’s blood red eyes, I looked at Harrison.

Harrison: …

(Surely everyone here is prepared to punish Liam’s father.)

(I’ve seen the members of Crown “fight evil with evil”, because that’s who they are.)

William: There’s no need to rush, you can give your answer when your heart is set.

Liam: … Okay.

Victor: Ah, right, William. Liam’s situation aside, we need to come up with a punishment!

Kate: A punishment…?

Victor: If someone is plotting to revive Golden Butterfly…

Victor: I thought I’d make it clear that I will punish that person as many times as necessary.

Elbert: … But how?

Alfons: The person behind its revival has yet to be identified, have they?

Alfons: If we don’t know whose bum we’re spanking, it’ll be hard to torment them.

William: Therefore, it’s Liam’s turn.

Liam: Me?

William: You’re a stage actor who steals the hearts of your audience, right?

William: The plan is for you to use your talent to express our intention to stop the revival of Golden Butterfly.

Jude: Hah. That sounds more like a threat than a statement.

Liam: Erm… in other words…

Liam: “The butterfly will not be revived. Anyone who tries to revive it, will be punished again and again”.

Liam: You want me to convey that message to the audience through my performance?

William: Yes. Through all ages and countries, the arts have moved the hearts of many.

William: During the war, music was heavily regulated because it was said to have the power to influence the hearts and minds of people.

William tapped on the dining table with his red nails.

William: We will add a drop of poison into the play. And it slowly spread to all of England…

Kate: … Then it will kill off any plans to revive “Golden Butterfly”.

William: Very clever, Kate. As expected from Crown’s fairytale writer.

William smiled and stood up.

William: I’ll leave you to decide how to put that into action, Liam.

William: All of you, please lend Liam a hand. Victor, we will continue our investigations.

Victor: Yeah.

Victor: Well then, my beloved cursed ones, I shall leave the rest to you.

Roger: Haha, is that so?

Harrison: Geez, there you go again, doing whatever you want.

…

The sound of William and Victor’s footsteps echoed through the dark hallways.

Victor: — Making use of theatre is a very long winded way of doing things, considering that it's coming from you, Will.

William: I thought that would be your plan as well, is it not?

Victor: Yeah, it is.

Victor: Liam… that kid doesn't realise how beautiful and free he is.

Victor: I’ve always wanted him to realise that and free himself from the binding spell of his past.

William: … Yes, you’re right.

William: We shall do what we must — fight evil with evil.

…

After the meeting had ended, I went to get some fresh air.

Even in the calm of the night, I was enveloped by the fragrance of the beautiful flowers blooming around me.

I took a deep breath and found myself becoming more relaxed.

(William must've given Liam the freedom of choice to let him settle the matter by himself.)

I didn’t know what form of condemnation Liam would choose for his biological father.

What would be the “right thing”? However…

In the world full of uncertainty, I knew one thing for certain and it was that I wanted to stay by Liam’s side.

That was all.

???: London bridge is broken down, broken down, broken down ♪

(That voice…)

???: London bridge is broken down, broken down, broken down ♪

(It’s Liam’s voice.)

I started walking in the direction of the sweet voice.

Liam: London bridge is broken down, broken down, broken down ♪

(... I see him.)

Liam had a somewhat fragile look as he hummed a song without noticing my presence.

Driven by my fear of him disappearing again, I found myself holding his arm.

Liam: Kate…

Liam: Ahaha… that startled me. What's the matter?

Kate: Sorry for startling you. Um…

Liam: …

Liam: … I’m not going to disappear.

(Huh?)

Liam: I don't ever want to disappear before your eyes again.

There was a passionate look in his rose coloured eyes as he gazed at me, and I was so mesmerised that I forgot how to breathe.

(... I don’t think I’ve seen this look in Liam’s eyes before.)

We’ve exchanged glances like this many times, but somehow that felt like it was the first time.

(... What is this?)

The slight change made my heart go crazy.

It made me want to embrace the change.

Liam: Hey, Kate.

Liam: I couldn’t take your hand back then. However—

#ikemen villains #ikemen series #cybird ikemen #cybird otome #otome #ikevil main story #liam main story #niki translates

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twistedtummies2 · 2 years

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The Devils I Know - Number 8

Welcome to “The Devils I Know!” For this spooky time of year, from now till Halloween, I’ll be counting down My Top 31 Depictions of the Devil, from movies, television, video games, and more! Today’s Devil proves that the fast-food industry is the most evil thing in the world. Bua ha ha. Number 8 is…Sadao Maou, from The Devil is a Part-Timer!

It’s been a spell since our good pals from the very weird world of Japan paid a visit on this countdown, hasn’t it? I went over a couple of anime-style Devils in the Honorable Mentions, and believe me, there are plenty more out there…but out of all the different takes on the Demon King one can find, there’s really only one that I felt was worthy of placement in the top ten. That is Satan, a.k.a. Sadao Maou, from “The Devil is a Part-Timer!” Based on the light novels by the same name, “The Devil is a Part-Timer” is a semi-dark comedy anime series. I say “semi-dark” because, for the majority of the show’s runtime, it’s pretty much pure silliness. It doesn’t take itself seriously in the slightest, most of the time, and just about every second there’s something new and crazy to make you giggle and smile. However, at it’s heart, the show is a story about demons, angels, holy warriors, and the freaking Inquisition, so…yeah, it can’t be completely funny ALL the time. But even in its more dramatic moments, there’s usually something in the mix that sort of punctures the pomposity, bringing things back to a comical place. The show recently got its second season going after a several-year hiatus, and I’m happy to say it’s still just as goofy and weird and generally fun as its first season, even if the art style has undergone a slight face change. The plot of the series begins in an parallel world to Earth called “Ente Isla.” In this fantasy landscape, the Devil himself – Satan – attempts to, of course, take over the world. His plans are foiled by the half-angel hero, Emilia, so Satan and his most loyal general, Alciel, flee through a portal to our own world, with Emilia in hot pursuit. This is where things get daffy, because upon reaching the “real” world, these characters have to deal with real world problems on a mundane, low level: the Devil ends up getting a job at a fast food restaurant, his nemesis works at a service call center, both have to live in apartments and deal with bills and coworkers and all that jazz…that’s really where the humor of the show comes from. These fantastical characters being thrown through the ringer in some of the most drab and utterly ordinary positions a person can find themselves in. Satan – who goes by the alias “Sadao Maou” to try and fit in – is an interesting twist on the Devil. I keep hearing people refer to him as a misunderstood character, but I don’t really think that’s the right terminology for him. He meant everything he did, as far as I can tell, and what he did was not necessarily very nice. However, there is a sympathetic edge to his character: the whole reason he tried to take over Ente Isla was because he wanted to make that world a better place for his own kind. It was a noble ideal, but…well…perhaps being a demon, he went to extreme lengths to try and achieve this goal. He admits that he feels the power might have gone to his head, and that he really didn’t fully understand what being human was really like. The great irony is, now that he’s stuck in such a place as he is, he’s gotten to understand humanity on a different level, and even though he still wants to take over the world, it seems to have created a conflict in him. He’s no longer interested in hurting people, and he actually does his best to protect and help people whenever he can. As a result, he becomes a more enigmatic character: we can usually guess what he’ll do, the real question is why he’ll do it. And, of course, he’s freaking hilarious. I think the best way to describe Satan in this series is that his priorities are a complete mess: he’s somehow both a total drama queen and one of the most laid-back characters of the whole bunch at the same time. He’s given to grandiose speeches and has a flair for the dramatic, but it usually comes out in a hilarious way: giving a big monologue while wearing nothing but his underwear, naming his bicycle Dullahan and referring to it as his “royal steed,” and talking about promotions and sales at the restaurant like he’s fighting a great and glorious war. Then, in direct contrast, he’ll just be completely dismissive when Emilia tries to kill him, or when a corrupt priest is trying to make a monologue of their own, or when he’s doing something incredible like holding up an entire building with his magic. It’s that weird sense of taking everything and nothing completely seriously at all that I think makes him so amusing, and it really describes the entire series in a nutshell: nothing is sacred, except when it suddenly is. In the original Japanese version of the show, Satan is voiced by Ryota Osaka. Most people would know him best for the role of Marco in “Attack on Titan.” I, personally, know him best beyond this series for playing Ex in “Grimms Notes.” Osaka does a good job, of course, but in my opinion, this is a series where the English Dub is MUCH better than the original. It’s just so much FUNNIER, in my opinion, as the voice actors are given a lot of liberty that leads to some really hysterical line reads, ad-libs, and performances overall. At the same time, the moments of drama feel even more impactful in the English version; these actors really give it their all and every scene and line hits hard. In the Dub, Satan is voiced by Josh Grelle; he’s also an alumni of Attack on Titan, having played the role of Armin there. He’s also the voice of Tokoyami from My Hero Academia. Whichever version you choose to watch, the series is a riot, and if this campy craziness sounds up your alley, you should definitely give it a try. Tomorrow, the countdown continues with Number 7! HINT: “SAY HELLO TO MY LITTLE FRIEND!”

#the devils i know #top 31 devils #fiction #list #countdown #best #favorites #october special #halloween advent calendar #anime #number 8 #josh grelle #ryota osaka #sadao maou #sadao #satan #the devil is a part-timer

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theoriginalcarnivorousmuffin · 3 years

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"Tom Riddle effectively destroys the country from the inside out, which I believe was his true goal the entire time" (c) wait a second, so you think that he wasn't going to really take over or anything, just destroy the fuck out of w britain?

I have avoided this ask long enough.

I’ll start by saying that asking me about Tom Riddle is like staring down into a bottomless rabbit hole. We could travel down that path, but it is a dark and perilous journey, and by the end of it I will come out looking like the Mad Hatter.

It also requires a few prerequisites that you’re just going to accept as true (or else got off the crazy train here).

We know very little about Tom Riddle or Voldemort

What we do know of Tom Riddle comes to us from suspect sources

I’m just going to go out there and start with the basis that Tom is not crazy

Elaborating a little on number 1. We never actually see much of Tom Riddle or Voldemort directly. He’s a bit like Thanos in the MCU, or Palpatine in the first two movies of the Original Trilogy, he’s this looming threat that we pass by and glimpse every once in a while but never really get quality time with.

Generally, Voldemort makes an appearance in a moment of crisis.

He and Harry fight over the philosopher’s stone for Tom’s very survival. He and Harry fight over the diary for Tom’s very survival. He resurrects himself with Harry as a witness. We get those very strange dreams from Voldemort’s perspective (half of which we later learn are fabricated).

None of these really lend to our, or Harry’s for that matter, understanding of Tom Riddle. There’s too much going on, it usually happens far too fast, and there’s usually something Tom Riddle desperately wants or needs that eclipses all other concerns or else he has an audience.

This is part of the reason we get those Halfblood Prince pensieve lessons: Harry knows nothing of Tom Riddle and doesn’t understand him at all.

Which leads us, of course, to number 2, most of what we know about Tom Riddle comes from Dumbledore. I’ve talked about this before, so I won’t spend much time on it, but Dumbledore has a very clear agenda in relaying these memories to Harry. Dumbledore already has strong suspicions of what objects are horcruxes and where they’re located, he already has Snape as a very reliable agent to continue work when he’s gone, his job here is to convince Harry there is no path but suicide. And that involves portraying Tom Riddle as the most evil man who ever eviled, was born eviler than the antichrist, and will die eviler than the antichrist.

Now, does this make Tom necessarily good or bad? No.

However, it does mean when Dumbledore tells us things like, “See, Harry, an impoverished child was upset when I lit all his belongings on fire! What a monster!” (especially given that, in a similar situation, Harry thought it was hilarious when Hagrid gave Dudley a permanent physical deformity and Harry was told he was an angel child) we should take it with a very large grain of salt.

Right, so, with all that backdrop what I’m getting at is that a) we can’t take Dumbledore at his word b) even if we could he could be wrong c) Harry doesn’t have the introspection to be able to figure himself when a or b is happening. I won’t elaborate on this last much, suffice to say that Harry’s world is very black and white, divided into the camps of those who personally like him and those who don’t.

So, why do I think Tom’s goal was not to rule the wizarding world but instead to destroy it?

A few things.

First, there are so many easier ways he could have ended up ruling the wizarding world. More, even when he effectively does rule the wizarding world in book seven, he takes very strange actions so that he’s never directly in power.

Second, I never really bought Tom’s racism. It’s too convenient and too contradictory with his backstory.

The second first, because we’re going out of order today. I’ve gone over this before, but I don’t believe Tom had minions early and I think he was effectively treated as a muggleborn (see here and here) until he took on the Voldemort persona many decades later. I’m hard pressed to believe someone as intelligent, angry, and proud as Tom Riddle would willingly believe and accept he was inferior to the likes of Abraxas Malfoy. More, even if he wished he was a halfblood, I think the evidence of him being muggleborn would be stacked too high against him to deny even to himself (and when he finds out it’s not true, he has maybe a month or so before he realized that he’s the bastard son of a squib).

And it’s just so convenient. All the people with the power, with the money, who are itching for a cause against a threat that doesn’t really exist believe in blood purity. Ergo, Voldemort shows up suddenly espousing over the top blood purity rhetoric (rhetoric that directly clashes with his “there is only power” philosophy at that).

In other words, I think Tom Riddle gave himself a line that he knew would get him places very quickly.

And now for the first. For a guy who has had the entire country in the palm of his hands twice, one time taking it over in a bloodless coup, he’s really big on causing collateral damage and really small on actually doing the ruling thing.

The first wizarding war, Tom Riddle as Voldemort has the backing of the heirs of the most prestigious and wealthy noble houses save a select few. These are people with seats in the Wizengamot, which has a frightening control over the government itself (including the minister of magic). I imagine, in 1980 had Tom Riddle wanted to be elected as Minister of Magic, he would have been elected as Minister of Magic. If he wanted a friendly face in office then he probably could have made that happen to.

More than even this though, by this point, Tom had already won. By having control over the majority of the Wizengamot he owns the government. He’s done, it’s over, it’s finished, and many of the characters admit as much which is why Harry Potter was such a miracle. So why all the seemingly random, exceptionally pointless, terrorism?

One answer is that Voldemort is crazy bananas. And sure, I guess we can go with that, except for someone insane he’s oddly effective and very consistent.

I believe Tom was systematically destroying the very foundations of the country through its core aristocratic families. Within a few short years Tom decimates the Black family, it goes from having five heirs to none, and while some of this isn’t Tom’s fault he does take care of quite a few of them. He brands Lucius for life, while Lucius rises high in politics he never escapes the stigma of being a known Death Eater and in the end cannot escape the consequences for his actions. The Malfoy family is very nearly destroyed by the end of the series, had Draco died in the Fiendfyre. The LeStrange family, presumably decimated as well.

More, this is mostly me headcanoning, but I imagine Tom fuels an extremism that the Wizarding World had never contemplated. I imagine, previously, anti-muggleborn sentiment was probably fairly rampant among purebloods. Oh, some were very pro-muggleborn I’m sure, but I think most were fairly “eh” on the people and felt they were a drain on society (such as requiring constant funding for the obliviation department).

However, when Diagon Alley starts getting blown up every other week, when muggleborns start being tortured and murdered, when purebloods who aren’t anti-muggleborn enough are being tortured and murdered, this starts wigging people out in a way they’ve never wigged out before.

By the time we get to Harry Potter’s canon, it is now only a minority that are anti-muggleborn, and they’re perceived as raving lunatics. Nobody wants to be grouped with these people. Which, just goes to show, how much Voldemort rattles the wizarding world in a very small amount of time.

Then there’s Deathly Hallows, rather than become minister himself Voldemort installs a puppet minister. He shows no signs of wishing to change this and instead does things like destroy the sorting hat (which again shakes the very foundations of the wizarding world as whta will we do if we don’t know who’s a Gryffindor anymore?!)

So, where is this ramble going?

Given the results we see, that more than any others it seems to be the purebloods and often Tom’s own followers that suffer colossal losses, I think Tom’s actions are, in part, a means of vengeance against the entire damn wizarding world (but especially the purebloods).

He makes fools of these people, brands them as his slaves, and has them participate in the most over the top ridiculous rituals (the cloaks, the masks, the entire theatrics of it feels like Tom got drunk one night and planned this whole thing out). He destroys them entirely, and better, enables them to completely destroy themselves and the country they believe they’re trying to save.

Basically, I think by the time the series begins Tom is fueled by a nihilist rage that knows no bounds. But dammit all, the wizarding world is going to burn.

#ask #tom riddle #voldemort #anon

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theironwarsmith · 2 years

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Today in DnD

So it has been a while since I've posted an update on what was going on in the adventures of the murder-hobo party. So they have journeyed to the island Kingdom of Gonniki, where the Drow Wizard-Princess Evile is from. It is currently in the grips of a horrific civil war between the drow and dwarves of the kingdom.

Long story short, Drow emerged from deeper underground, a few hundred years prior and took over the dwarven kingdom and planted their own nobles, dwarves were treated as equals but the grudge remained in a majority of dwarven houses. A few weeks before, the party spoke to the ambassador of Gonniki whilst they were in the largest empire in this world, felt that something was up, used a truth serum and interrogated him. Found out about a plot to overthrow her parents and the fact that this ambassador had three mistresses. Evile took it upon herself to shave his beard, castrate then mail the pieces to the mistresses. She sent a message detailing the plot and members by raven... That is fired from a didgeridoo (nat 20) at the speed of sound so it gets to the island nation (underground cities) in a few hours. Spies intercept and the dwarven nobles rebel. Genocide ensues.

It takes the party a few weeks to get to the island by ship and sneak into the capital at the heart of the island, as the sole port and main road/tunnel has been taken over by the stout bearded ones. The Halfling bard just up and murders a lighthouse keeper, to keep their appearance on the island a secret (so he claims).

The initial secret tunnel above the city gets blocked by a cave-in, so they have to divert through long forgotten passages. They then stumble upon various hazards, including grey ooze. However, they start opening chests that they find. The halfling summons his genie, that he has nicknamed 'Manwhore', to open a chest. Except the chest is a mimic and the genie is now dead (surprise attack!). Party annihilates the mimic. They then fumble their way through a magical barrier and into a huge underground cavern that they cannot see the bottom of. However, they can hear moans and groans faintly emitting from below. As they approach the edge, they notice what they thought was a stalagmite is actually a throne and a 8ft tall Vampire in sat in it. Eglath Twice-Orphaned Thunukalathi sits in it. He is seemingly quite friendly and explains that the sounds from below are his zombies, over 36,000 of them. These are made from the bodies of the dead of the city this cavern is near, he plucks them from the graveyard and reanimates them using necromancy, he is asked why and says for fun and companionship.

The party go along with this, Evile believes she can persuade him to aide her parents in this civil war, so they get him to show them the exit into capital, which is via a tomb in the upper levels (each level of the city has its own graveyard). They head to the palace, stopping off at Nigel's Menagerie to buy an Alpaca (Patrick), a Turkey Vulture (Reggie), a Crab (Victor) and a Falcon (Captain).

Once at the palace, Evile's return is announced and they are taken to the war room. Her father (see below) is happy to see her alive and is astonished to see that she made it into the city alive. Also her father looks like the picture below because the player said I could do her backstory, this is what she gets. So picture the below and drowify him.

He has a particularly French accent and she shares, luckily, none of the facial features with him. King Turolt of House Pardieu is married to Queen Ambre, who is a stunningly beautiful drow woman, quite strong and muscular, she is a fearsome Amazonian warrior queen. Evile is quite clearly her daughter. Ambre does have one horrifying attribute, her voice. Not one that strikes fear into the heart of her enemies. No. Unfortunately, I really struggled to find a voice for her so it was either she sounds like a Monty Python lady character (HE'S NOT THE MESSIAH) or something else. I thought deep and ad libbed it on the spot. What came out was hilarious and unholy.

My impression of Gilbert Gottfried emerged as the voice. "MY DAUGHTER"

The party loved it. It was quite a good impression of him and it is now the voice of the beautiful warrior queen who was inspiring her loyal subjects with her stirring speeches and martial prowess. The stunningly pretty drow queen opened her mouth and Iago from Aladdin screeched into existence.

The great thing is was that the party loved it.

Also present in the room was her secret lover, the drow Chevalier-General Dio Sicarius, two further drow lords and the loyalist dwarf lord Robert Ego Schnellwagen. The halfling spoke to Patrick the Alpaca using the spell Speak with Animals, who was also brought into the room, and persuaded him to kick Dio in the balls. Dio keeled over in pain. Turolt laughed. When Dio learned of the party's plan to head to the deep roads, behind enemy lines, he advised them of the best route "I, Dio Sicarius, have been fighting on the frontlines". He also asked them if they trusted the vampire and his minions, to which they said they did.

The secret love was uncovered by the restless nighttime habits of the Halfling, who heard footsteps and followed them. Spotted Ambre and Dio meeting in the dining room and hearing 'OH DIO, MY LOVE' emerge from the mouth of the queen. She does not have an inside voice.

Evile confronted her mother about this, who revealed that she is not Turolt's daughter, but in fact Dio's. The affair had been somehow kept secret from Turolt for an incredibly long time. She explained the marriage was an arranged one and her true love was Dio all along. Her and Dio fight together because it is the only time they can truly be alone together, as Turolt is not a soldier. (all of this was explained in Gilbert Gottfried mode). Evile, shocked, came to terms with this quite quickly.

As they got to the frontlines, a soldier guided them down a passage that led to the lower city, that was completely under rebel control. Smoke, flames and screams filled the air. They encountered a hobgoblin mercenary patrol, where the halfling managed to persuade a dire wolf using speak with animals (the party had rested overnight) to led its pack against its hobgoblin master, who agreed (probably because of the brutality it had been put through). It was at this point two of the party noticed a new sound emerging, moaning. Distant but from thousands of throats, a dull rumble in the air. This frightened the dwarf barbarian of the party as well as Evile because it meant the tide of zombies had begun their march.

The next patrol was dodged and the third was an almighty clash between them and 10 hobgoblins (one was a captain and another was a warlord). Evile took a ton of damage, but the party emerged victorious. At this point they could see, distantly, the rebel forces and their mercenaries fighting or fleeing the devouring horde of decaying corpses. They then entered the deep roads in search of the Left Hand of Doom

#dungeons & dragons #d&d story #drow #dwarves #dwarf #dark elf #french #king turolt #queen ambre #gilbert gottfried #dio #dio sicarius #impression

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thecarnivorousmuffinmeta · 3 years

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For each member of the Cullens, what do you think it would take for them to realize the extent of how unhinged Edward is and what do you think they would do about it, if anything?

Well, we’re going dark places today, aren’t we?

Alice

Alice is already fully aware of what Edward is, she simply doesn’t care.

There are visions that Alice misses, Edward thinks Alice misses the vast majority of Biology due to being hyper focused on Jasper (and likely missed the school massacre that Edward was seriously planning) but there is a lot she doesn’t miss.

Every time Edward thinks about how great it’d be to smash Mike Newton’s head like a watermelon, every time he considers devouring Bella, every time he enters her room unannounced to stare at her while she sleeps unawares, the time Edward considers genocide of the Quileute Tribe because of Jake’s telling Bella a story he doesn’t even believe, Alice knows.

It changes nothing for her.

She roots for Edward and Bella’s relationship, not because she knows for a certainty it will work out, but because it might. And that slim might, where Bella Swan might survive and become Edward’s lover as well as her own Barbie is worth everything they put Bella through to get there.

Also damningly, Alice cares very little for how good Edward is for Bella just as she cares very little for Bella period. Bella is Alice’s excuse to party and a dress up toy, but Alice will cut contact with her to a) please Edward b) prove a point to Edward.

Worse, Alice will take Bella to Italy, a city where she knows Bella will be killed with a 90% chance upon entry, on the slim chance that they might prevent Edward’s suicide. Yes, she vaguely explains the risk Bella’s taking, but she doesn’t say it in clear terms nor does she waste much time arguing.

Edward is far more important to Alice than Bella.

What I’m getting at is, thanks to her gift, Alice is intimately aware of just what Edward is capable of. She doesn’t care. And yes, there’s something to be said that Edward, more often than not, does not act upon these futures and he shouldn’t be condemned for choices he does not make. However, he does make some of them, and Alice knows.

There’s nothing I think Edward could do to either inform her that she was gravely wrong in how she perceived him or drive her away. Alice would be disappointed he’s thrown the family into such disarray but most likely would try to steer him away from whatever choice would cause such a rift.

She would aid, abet, and enable him because that is what will keep the Cullens together. Which is something Alice very much wants.

Carlisle

Carlisle lives in a river in Egypt, the water is made of double think. There are strong hints that Carlisle’s family is not quite as gung ho or altruistic about the diet as he is. Instead of being appalled, Carlisle quietly lowers his standards, and gives enthusiastic applause when Edward does things like choose not to brutally murder the serial rapist who nearly raped Bella. This is big growth for Edward! He also takes measures like sending family members who have accidents to their victims funeral, in the hopes that something, maybe, might make them see humans as people worthy of life.

If you asked him though, he’d talk about how amazing his family and the Denali are for the diet, and how he’s so proud to be a part of this community that values human life. LOOK HOW MUCH THEY VALUE IT.

When it comes to Edward, I think Edward holds a special place in Carlisle’s heart. He was not only the first person he turned, but Edward left and came back, to Carlisle this signaled that he’d found meaning and purpose in preserving human life. More, Edward... is very good at hiding what he is and is desperate that Carlisle above all others never see it.

Rather than have a conscience, most of the time, what stops Edward from “you name horrific action” of the day is the thought of “What would Carlisle say?”

My point being, from the outside, especially to Carlisle, Edward truly does look like a noble soul. There are... flags, but they’re easily ignored or written off as issues with Edward’s emotional maturity.

Where Carlisle starts getting concerned is with Bella. Edward leaves for Alaska, great, Carlisle’s proud he was able to make that decision and know his limits. ThEn EdWArd CoMeS BaCK.

Edward comes back, in a week, nothing has changed, and he refuses to leave. Carlisle talks to him, Edward’s thinking he’s better than Hamburger and he can’t let her win, what he actually says to Carlisle is something along the lines of “I can’t run from my fears” Carlisle does an upside down smiley face then says, “Yes, you can, please do” And Edward doesn’t.

Things with Edward and this girl get progressively weird, but Carlisle is very proud that Edward sees the value of human life and not murdering a girl for being nearly hit by a van (this is how low Carlisle’s standards have become), and then Alice goes, “Oh, by the way, Edward is in love with this girl!”

Carlisle just sits there, “Alright then” and quietly puts aside his dreams of moving to a town where Edward doesn’t eat Bella Swan.

But I’m getting off track, this isn’t about canon where Carlisle can explain Edward’s actions away as noble but extreme, emotionally immature, and misguided.

Eating Bella’s not enough. Carlisle will see this as a tragic accident, something he foresaw, but something he assumes will haunt Edward for eternity. And, as it will haunt Edward for eternity (though not for the reasons Carlisle assumes) there will be nothing to make Carlisle question Edward’s character. He was young and foolish to think his limits were endless, but this was a tragic accident.

And it’s something, that in canon, Carlisle is hoping won’t happen but expects with helplessness.

I think there are a number of things that could do it. Had Edward eaten Biology, had he decided to defy Volturi law by eating Saint Marcus’ Square, but staying closer to the realm of possibility...

Had Edward forcibly aborted Bella, murdering her and her child in the process, or else if Renesmee didn’t have her gift, and Edward murdered her after her birth (assuming Jake didn’t get to it first).

Those actions cannot be excused away nor cannot be seen as tragic accidents. They are premeditated and evil, and yes evil is a strong word, yet here we are. This is Carlisle staring in the face of madness.

And that’s what it will take.

If Edward cheats on Bella, then while Carlisle is sad and disappointed, affairs happen and passion fades. More, Edward and Bella married awfully young and barely knew each other, this perhaps isn’t surprising.

If Edward eats a human Bella on the day she’s supposed to be turned, in very suspicious circumstances right at the last minute. Carlisle will know, deep down, but never allow himself to believe it. He’ll think Edward is utterly devestated and had let his guard down on that last day in anticipation of Bella’s turning.

This though, there’s no denying this.

I don’t believe Carlisle can kill Edward. Murder is not in his nature, and more, Edward is so dear to him. And now that this has happened, Carlisle would blame himself in part because surely, the human Edward Masen would never have become this.

He’d likely reach out to Aro. Eclipse has happened, but not Breaking Dawn, and more everything is in question. He has to know the truth from a man who has seen Edward’s very soul. He goes in person, likely tells Edward his plans, and Edward rages but that doesn’t stop Carlisle.

Rosalie (more on her below) would never forgive Edward, ever, she is done. She and Emmett likely go with Carlisle to Volterra to hear the truth of what Edward is. Esme stays behind with Edward, torn in half, but unable to leave his side in this time of crisis. With that, her and Carlisle’s marriage completely dissolves on the spot. Alice stays with Edward as well, which means Jasper does to, though this likely starts the gears in head and he begins to contemplate leaving his wife. Though I imagine he won’t act for some time.

By the time Emmett, Rosalie, and Carlisle reach Volterra the coven is broken.

If Bella survived, if Edward murdered Renesmee while she was out of commission for three days, then I imagine she too goes to Volterra. Not for truth, but so that Aro can murder her, because there’s no point in living anymore.

Emmett

It would have to be beyond the pale extreme because Emmett gets more hints than most of the family (i.e. Carlisle and Rosalie).

Edward doesn’t really confide in Emmett, per se, but he does say some pretty damning things on their hunting trip in New Moon and give off varying vibes of crazy. Rather than realize that Edward, perhaps, is dangerous, Emmett only gets the feeling that Edward might not be alright in the head. Mostly, Emmett doesn’t want to think about it.

So he gets to listen to Edward raving about how Bella could be crushed by a meteor, wondering why Edward even cares when two days ago he didn’t give a flying fuck about this rando tasty human.

To Emmett, Edward has been laughing madly to himself for days, is now a paranoid wreck, and is starting to creep him out but... Maybe if he ignores it, Edward will go back to normal?

Not helping is that Emmett doesn’t care about human life. He’s constantly telling Edward to treat himself and eat Bella, in a manner that suggests he vicariously wants to live through the delicious experience (as well as get Edward to calm down).

If Edward eats Bella, Emmett will slap him on the back and say “Good job, bro!” If Edward eats Bella after the whole “love” thing, well, that’s weird, but, uh, “Sorry, bro?” If Edward murders all of Biology...

Then Emmet might do a double take and think, you know, maybe something’s not right with Edward.

I think he’d suggest he and Rose take a very long vacation and wait for things to calm down. Hoping that, if he ignores this, it will go away and Edward will return to a... saneish person.

What Rose thinks is a different story.

Esme

There is nothing on this planet that could tear Esme away from Edward. Esme’s purpose in life, the thing that gives her joy each morning and each night, is her family which you can condense down to Edward: the best and brightest of all of us.

We see it in canon.

The day after Edward decides he’s in love he acts like a lunatic. The car smells like Bella, as he kidnapped her for a ride home (Bella did not realize she had, in fact, been abducted. Edward does for two seconds then says to himself, “No, no, this is--completely necessary. I’M A MONSTER”

Jasper, Alice, Rosalie, and Emmett get to ride home in this Bella smelling car. Edward keeps laughing, like he’s in an opium den, it’s fucking weird. Edward offers no explanation, the car always smells like Bella, what are you talking about?

Edward then skips to the piano, giggling to himself, and sits down to compose. An action he hasn’t done in years. He’s still grinning and giggling to himself, by the way. Alice joins him at the piano, being equally cryptic and weird as usual. For some reason, Rosalie leaves the room in complete humiliation and shame. This is never explained to anyone watching.

Esme is sitting in the room, taking this all in, and thinks nothing. Instead she smiles, at beautiful Edward, and asks him to play the song he composed for her. She’s so glad to see him filled with joy again. She tells him that he is the best and brightest of all of them.

Esme later gives Edward her pretty much express permission to eat Bella if the girl is causing him such pain and misery. Luckily for Bella, Edward’s in love. So he passes on that and assures Esme the most wonderful thing has happened, he is in love.

My point being, Edward could drop the corpses of the students he murdered in Biology so he could more efficiently eat Bella at Esme’s feet and she wouldn’t blink. It wouldn’t even process for her. Esme would continue carrying on as Esme, nothing changing, while the rest of the family stares agog at the city Edward just murdered.

There is nothing Edward could do or say that would ever change Esme’s mind and she will always treat him as her favorite child.

Jasper

With his gift, I imagine Jasper suspects. Edward loathes Rosalie, despises him, and his feelings for others are... strange. He holds indifference and contempt for mankind and when it comes to Bella. Woof, what a cocktail.

He has no proof though, but I imagine if the smallest thing comes into his lap, that suspicion would become a certainty.

As for what he’d do, it’s hard to say.

I think, in most scenarios, he’d look the other way. Yes, Edward is a monater, but Jasper to is a monster if for different reasons, he has no room to judge. More, Edward is in many respects the heart of the Cullens, far more than Japser himself is. If Jasper goes causing strife, making accusations the others may or may not believe, then the coven could collapse.

This place, these people, are what Jasper thinks he’s been searching for all his life. For the first time, he knows peace, and is trying to live a life where he doesn’t persist in agony every time he succumbs to eating. Jasper is not going to risk that falling apart, even if he finds Edward unpleasant.

And if Edward keeps it to himself, or if the occasional human is the victim, then that’s a price Jasper is willing to pay.

Jasper might actually get concerned when it comes to Bella. For all Bella’s not very close with him, he holds her in very high regard. He nearly devoured Bella, and she forgave him, she forgave him his monstrously brutal past and has never flinched from him. She is a reminder of what humanity can be and why it’s important.

If he realized the threat Edward is to Bella, not just in eating her, but on a level much darker than that, then he might start to act and would probably try to get Bella to leave while she could. However, he also likely knows Bella would never listen, because she doesn’t see what Edward is and nothing would convince her otherwise. Not to mention, as soon as Jasper knows, Edward will plot against him so that no one in the family will ever listen to a word he says.

Not to mention that Alice, of course, must know and doesn’t care. That will be quite the blow to Jasper taking any action.

Barring extreme circumstances, Jasper does nothing, he just watches and waits to see what the others do.

Rosalie

For all that Edward doesn’t bother to be nice to Rosalie, and is ready to lay into her at a moment’s notice, he’s very dear to her. He is, in all regards, her brother and she cares for him deeply as she does the family as a whole.

Rosalie has no idea what he truly is and it would take a lot for her to accept it. More, unlike Carlisle, although she prizes human values and tries to hold herself to human standards her morals have slipped enough that she genuinely advocates murdering Bella Swan in her sleep so that Rosalie won’t have to move.

Murdering Bella won’t be enough, Rosalie will see it as the accident that could have been avoided if Edward hadn’t insisted on being a fool.

I think, for Rosalie, the best way to drive it home would be a sexual crime. Had Edward forced Bella’s abortion in Breaking Dawn, that would have done it. First, it’d be such a messy, bloody, affair at that point and would look like a horror show (which means Edward’s more than likely to eat Bella in the process). Second, this would be Edward taking the child that Bella wanted, tearing it from her and murdering it, and performing the most vile action that Rosalie can likely even contemplate.

I don’t know what she’d do, I don’t think Rosalie’s capable of killing Edward, she cares for him too much, even after something like this. However, I think she would make an ultimatum to Carlisle “either he goes or I go” and then would never speak of Edward again, he’s dead to her.

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sailormoonandme · 3 years

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Usagi’s Evolution as a Healer Goddess

The other day I saw a post discussing the evolution of Usagi’s fuku and it occurred to me how Eternal Sailor Moon’s costume was her first Senshi uniform to ditch the tiara.

That in turn led me to consider how that kind of makes Usagi weaker as it removes a very useful weapon for her. After all, if you include the movies, Usagi uses some variant of Moon Tiara Action in practically every season prior to Stars.

However, dwelling more upon it I realized how this tiny change was all too appropriate for Usagi’s character development.

Firstly, by supplanting the Tiara with her Moon planetary symbol, Eternal Sailor Moon more closely resembles both Queen Serenity, her own Princess Serenity form and her future self as Neo-Queen Serenity.

Since all three are objectively more powerful than Usagi typically is as Sailor Moon I think the change emphasises how she has ‘levelled up’ in her Eternal form. When combined with the angel wings, Eternal Sailor Moon shifts Usagi visually closer to her future self as NQS, which in the anime is implied to be her most powerful incarnation.* It is almost as though the visual was communicating that the Divine Miracle Magic that she’d previously drawn upon as Princess Serenity in Classic-SuperS had now become ingrained in her standard Senshi form and thus was more accessible to her.

It was in thinking of her previous efforts as Princess Serenity that I inevitably recalled her duel with Metalia/Beryl in episode 46 and realized that Eternal Sailor Moon was the first time since Classic that Usagi’s default attack was a healing technique not a destructive one.

Moon Healing Escalation was Usagi’s first healing technique but until Starlight Honeymoon Therapy Kiss (and it’s later upgrade, Silver Moon Crystal Power Kiss) it was also her only healing technique.

Between regaining healing techniques and ditching her tiara/other destructive attacks/weapons, I think this represents her subtle growth in both her power and status. After all, it is a sad fact of life that it is easier to destroy something rather than fix it, thereby making the latter far more impressive.**

This skewing towards healing power rather than destructive power is also (arguably) thematically appropriate given the nature of Sailor Moon as a female power fantasy as (rightly or wrongly) the act of healing is typically coded as feminine.

We can even take this further by examining things from the ‘opposite direction’ as it were.

Consider that in the climactic final episodes of Sailor Stars, Eternal Sailor Moon’s healing technique actually fails her when used against Galaxia. In later episodes, upon adopting her Princess Serenity form (complete with larger and more obviously angelic wings), she uses a sword to duel Galaxia.

Obviously a sword is, at least predominantly, an offensive weapon and can therefore be viewed as symbolic of aggression; let’s leave any Freudian or gendered interpretations alone for today. Her use of the sword is highly uncharacteristic (in the anime). Even her explicitly offencive weapons (like the Cutie Moon Rod or Spiral Moon Heart Rod) weren’t as clearly aggressive nor obviously violent. Desperate times calling for desperate measures? Perhaps, but we might also speculate it was her subconsciously reacting to grief. Not only can grief make you act in ways you wouldn’t normally, but a sword after all was a weapon wielded by her lover in his Prince Endymion incarnation. Her lover whom Usagi had just learned Galaxia had murdered. In other words, amidst her grief she reacts by going too hard in the other direction after healing her enemy proves ineffective.

However, when all is said and done the sword fails her.*** Ultimately is simply escalates the conflict by prompting Galaxia to become Chaos Galaxia and thereby make Usagi’s chances of victory all the slimmer. If we wished to stretch things, you could perhaps say that this is a commentary about how war and violence ultimately begets yet more war and violence.

Even if that is an over extrapolation though, it still served to emphasis the point that a sword is not befitting of Usagi, that she was doomed to lose if she continued to battle with destroying her enemy as the end goal.

In fact, her road to real victory begins when she not doesn’t attack Galaxia but makes it easier for herself to be attacked. In the end, Usagi doesn’t confront her most powerful enemy as the God-Queen of the future, the demi-goddess Princess of the distant past, the sailor-suited soldier of love and justice in the present, nor even a humble school girl.

She does it by literally stripping herself of all those things, of stripping herself of everything in fact.

Her weapons? Gone.

Her other items, like her Tiare? Gone.

Her comrades? Gone, and they’d be powerless against Galaxia anyway.

And finally, even her clothes? Gone!

Beyond the Silver Crystal (an outward visualization of her heart/soul) and the angel wings (symbolic of her role as a saviour) she is completely (but tastefully) naked.

Usagi visually and quite literally is more vulnerable than she’s ever been, even more so than on her first night as Sailor Moon.

And yet this is Usagi at her actual most powerful.

It is her distilled to her absolute essence as a person, all other trappings removed. She’d just one person showing another they will categorically not harm them, that they bear them no malice and they have nothing to hide. That openness and compassion is what ultimately enables her to connect to the good within Galaxia and pull her away from the darkness that had corrupted her.

Usagi in this moment completely fulfilled her character arc.

· In the Dark Kingdom arc Usagi destroys (or seals away depending upon your POV) Beryl/Metalia.

· In the Hell Tree arc, Usagi resolves the over all plot via a healing technique (although it is functionally similar to a destructive attack). However, that only happens because the Hell Tree both instructs Usagi to do that and because it lets her. It is the equivalent of a sickly doctor instructing a nurse on what to do to make them better. The nurse might have the power but their agency as a healer is limited.

· In the Black Moon arc, Usagi, with help, destroys Wiseman/Death Phantom.

· In the Death Busters arc, Usagi does save Hotaru and ‘purify’ her. However, like the Hell Tree, that was something Hotaru wanted. Additionally, her purification functioned as a way to heal the body of someone sick and who wanted to sacrifice themselves, not someone actually evil. The evil in question was Pharaoh 90 and it is presumed that Usagi destroyed him (although it might’ve been Hotaru or the pair of them together).

· Forgive me for skipping the Dead Moon Circus arc as Chibiusa is the real protagonist there, and Usagi’s role is chiefly as a rescuer. It therefore doesn’t really apply, although the Nehelenia mini-arc from Stars is a different story. There, Usagi was a healer again, but she did it with the help of her loved ones and with the aid of her Tiare device. Nevertheless, we can see by this point Usagi’s capacity as a healer heroine had been gradually growing until we get to the battle with Galaxia.

By the end of series, Usagi has successfully healed Galaxia and it is neither with the aid of her comrades, nor with the power of a weapon or device, nor with any instructions from her ‘patient’ or any other third party.

Additionally, Galaxia (unlike Hotaru) wasn’t someone’s who was saved from a noble self-sacrifice or had a physical ailment that needs to be addressed. In Galaxia’s case, her very soul had lost it’s way and become corrupted. She had lost who she was supposed to be and her purpose in life had been perverted.****

When combined with how powerful Galaxia always was, how Chaos and the Star Seeds empowered her further, Usagi’s victory here cannot be understated.

Her ‘patient’ was more powerful than all her other adversaries, was in need of more healing than her other ‘patients’ and was more resistant to being healed. Not to mention, since she’d directly murdered her beloved friends (and indirectly aborted her future daughter), Usagi would’ve been forgiven for not even trying to salvage Galaxia

And yet, with no weapons, no backup and just the power of her heart and soul basically, Usagi succeeded.

After Stars the idea that Usagi could heal the entire planet after a global catastrophe and reshape it into a fairy tale crystalline utopia was all too believable.

What’s healing one planet when her ability to empathise had already healed a whole galaxy?

Who needs a tiara to reduce evil to dust when you can simply convince evil to be good?

*This is arguably symbolized by baby Hotaru’s vision of NQS transforming into Eternal Sailor Moon in episode 1 of Stars.

In fact, we might argue that a low-key subplot running through all of Stars (both the Nehelenia and Galaxia portions of it) is gradually transitioning Usagi closer to the person she is destined to become as Neo-Queen Serenity, hence why the first episode features the most explicit reference to her fate as Queen since R.

**Personally I am an atheist, but nevertheless I and others like me can grasp why deities in most major religions through history weren’t simply capable of mass scale destruction, but also of essentially manipulating reality to create things too.

By that same token, it’s little surprise that perhaps the widest spread religious figure in history was Jesus Christ who rarely (if ever) engaged in aggression or destructive acts, predominantly employing divine healing powers.

I suspect the attraction of such figures to human beings lies in the fact that on some level we know that, given the right time and resources, we mere mortals would be capable of destroying anything. Given time it’s all but certain we will develop the technology to even destroy planetary bodies. On the flipside, I think we also intuitively grasp that reversing such damage, of reattaching a limb, of stanching bleeding, etc, is far more difficult if not impossible. Hence we attributed the ability to do such things to larger than life Divine Entities.

*** Now that I think of it, it’s also poignant that Usagi tries and fails to defeat Galaxia with a sword when we take Sailor Uranus into consideration.

Uranus is of course associated with her weapon, the Space Sword and, like Usagi, tried and failed to use such a weapon against Galaxia.

Giving Uranus a sword is symbolically appropriate given her role as the leader of the more aggressive branch of the Sailor Team. Having her fail against Galaxia and Usagi consequently fail by in some way ‘mimicking her tactics’ is equally symbolically appropriate. Not only because of their ideological conflict in Sailor Moon S but also their tensions in Sailor Stars itself. In both situations Usagi’s more open, less aggressive, ideology was ultimately proven correct.

Thus in using a sword against Galaxia it represented how Usagi was always doomed to fail by taking the aggressive/destructive route and how she was arguably not being true to herself in that moment.

****It’s not to dissimilar to Darth Vader/Anakin Skywalker now that I think about it.

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unmaskedagain · 4 years

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Irredeemable my foot

Hi everyone, I decided to write a fic centered on Chloe; is a sugar fic. I always liked her character. And I would like to dedicate this fic to Sienna, aka @catsandfanfic. Happy 14th birthday. Her birthday is March 6th. In my time zone it’s March 6 so hopefully you’re not getting this too early. I hope your birthday is amazing, and I really hope you enjoy this fic; i heard you like Maribat. And @justdyingontheinside gives you a shout out on your special day.

Chloe knew how everyone expected it to go. The blond could admit… She was spoiled, selfish, petty, and insecure, with mommy issues galore.

But she wasn’t a villain. Yet she could understand why people thought she’d go down like one.

Nevertheless, for people to think she’d ever willingly work for Hawkmoth; a man who ruthlessly used his power to corrupt the hearts and minds of innocents (like her father, mother, Adrien, Sabrina, and everyone else in Paris) and use them to further his own agenda… was too much.

The people who believed that was basically saying Chloe was irredeemable; that there was no way she could ever be anything more than what she was. Like she couldn’t grow. Like she couldn’t better herself; like everyone in the world had that ability except for her. She was fourteen-years-old.

Only fifteen!

Why was it so easy to write her off?

Chloe Bourgeois was a bully, not a freaking serial killer.

She wasn’t a Supervillain. However, Chloe could admit, that for one brief moment when she realized she was passed over yet again by Ladybug for the chance to help save the day, hurt and anger had filled her. That if Hawkmoth had sent a butterfly after her that maybe… MAYBE for a second, she’d take his offer.

At least, he thought she could be of some use.

It wasn’t fair, Chloe remembered stomping her foot as jealously filled her. Why didn’t Ladybug pick her? She was so much better than all those other stupid heroes! So much better than that mangy Chat Noir even. Queen Bee would be a much better partner. If she could just prove it!

And that suddenly it was like a lightbulb went off above her head, the kind you only see in cartoons. A smile spread over her face.

The dark butterfly that was headed her way suddenly changed its course.

Yes, Chloe had thought, that’s what I’ll do. I’ll prove it. I’ll show them all. I’m a hero. And I’m going to save everyone!

She could be better.

She would be better.

(And once she did, maybe Ladybug would think so too)

Nevertheless, even if Ladybug never knew. Chloe would. She would know she did the right thing because it was the right thing to do; no other reason. That would be enough for her. Even if it meant she’d never be Queen Bee again.

Chloe was going to prove she was a hero after all. With or without the mask or magical powers.

The world thought she wasn’t redeemable. Well, she was going to show the world what a real redemption arc looked like.

The first thing needed to do was plan. Hawkmoth was too strong. He needed to be brought down fast before he becomes unbeatable. Ladybug was perfect but she was still just a kid. She needed more help.

Outside help. Chloe knew there were other superheroes out there. The Avengers. The flash and his team in central city. Superman and his superfam in Metropolis. The Teen Titans. The Justice League. But to beat Hawkmoth would take stealth. It took intelligence. And people used to dealing with total nutjobs in costumes. Heroes who could help finally crack the mystery of who Hawkmoth was.

Paris needs the Batfamily.

Which means Chloe was going to Gotham. But she wouldn’t go alone. She needed an Ally, or preferably Allies.

Chloe decided to figure out who was who on the best board of life.

The first was easy Ladybug was the White King; a true, just, and kick-butt hero. Chloe made herself the Queen; because whether Ladybug knew it or not, Chloe had just become her strongest protector. (She only just manage to argue against making Chat Noir a pawn; instead named him a Knight.) Sabrina, though had some major insecurity, was a good friend of Chloe. She was smart enough not to fall for Lila’s fool’s gold.

Sabrina had learned at the heel of her father when it came to detective work. She had mastered computers thanks to her mother who was a high-level computer programmer. She knew self-defense since her parents shoved her into Karate when she was younger. The redheaded was organized to the point of being OCD. She was loyal to a fault.

With a little confidence, Sabrina could be a real asset to Team Ladybug. And she would be. Chloe just needed to show that she trusted the redhead, believed in her.

Chloe wished she could bring Adrien in but he was a civilian with the backbone of a twizzler. He was too forgiving and to sheltered from the real world. It had worked in her benefit before, otherwise, he’d have dropped her as a friend a long time ago. But things had changed. Chloe needed friends who would stand up against her not just threatened to not be her friend anymore. It wouldn’t do any good in the long run after all.

Hawkmoth was the Black king; pure evil. The Peacock shrew was his Queen. And, Chloe decided, Lila was his bishop. The sausage haired was a manipulative, rancid, liar. And from what she had seen of Lila’s akumatization, the Italian girl was fully in control of her actions. Which meant Lila was working with Hawkmoth willingly.

And since Lila was the only bad guy she could give a real name for, Chloe decided she would be the key to bringing down Hawkmoth.

Thus Lila Rossi became public enemy number one.

Lila was dangerous in a way hawkmoth couldn’t be. She lied and twisted minds with no powers whatsoever. She turned nearly all of Bustier’s class into untrustworthy minions. They should’ve been White; on the side of good. But they had proven to be disloyal and easily influenced. The class couldn’t be trusted.

They had turned against the one person even Chloe had a hard time not deeming a Saint.

Marinette Dupain-Cheng.

Chloe strongly disliked the girl, mostly out of envy. The blond didn’t need therapy to know that she wanted what the bluenette had; a mom that adored her, a dad that actually tried to help and not just throw money at any situation, sheer talent, and pretty much the instant admiration of almost anyone she met.

However, she was also strong and fierce. Marinette was a force of good hard to reckoned with. Chloe needed all the help she could get.

Which meant recruiting Dupain-Cheng for the cause.

That might prove harder than getting Batman to help out.

When Chloe and Sabrina showed up at the bakery and politely asked to speak with Marinette, she was given a suspicious look by Marinette’s mother (Sabel or something, Chloe couldn’t remember). Still, she called her daughter downstairs.

Marinette walked into with a bright happy smile that quickly faded when she saw Chloe.

“We need to talk, Marinette,” Chloe forced herself to say the other girl’s first name. “Its an emergency.” Sabrina nudged her. “Please.”

It was obviously the shock of Chloe saying please that got Marinette to take them up to her bedroom.

Marinette tried her best to smile, “So what’ s the emerg-” Chloe cut her off.

“We’re going to Gotham to recruit Batman and his fam,” Chloe told her. “To help Ladybug bring down HawkLoser. You coming or not.”

The bluenette just blinked.

Sabrina winced at her best friend’s lack of tact, “What Chloe is trying to say is… We could really use your help. Ladybug could use your help. Everyone likes you. You can convince Batman to come.”

“…Why?” Marinette asked after a moment of silence.

“Ladybug needs help!” Chloe told her. “Chat Noir throws tantrums all the time. Hawkmoth has the Peacock and Lila at his deposal. Ladybug hasn’t called in Rena or Caraprace in almost a year, so there has to be a reason for that. She needs help! She needs us!”

The Asian girl nodded slowly, “I mean, why come to me? Why help Ladybug like this?”

Chloe frowned, “Because you always do what’s right; the good, noble thing even if it’s utterly ridiculous for you to do so. I’m doing this, helping, Ladybug, because she needs help. I’m a hero, no matter what anyone says or thinks. And Heroes help.”

The bluenette looked at the two girls. They had been a thorn in her side for years. But she always thought they could change. She believed they could. And coming to her, Chloe archenemy, was proof that they were changing. “What’s the plan?”

The blond smiled. “Sabrina managed to outline the patrol routes for the batfamily.”

“They switch who does what route but there is a predictability to it,” Sabrina added. “The idea is to force a confrontation. I’ve gathered evidence to show them so they could understand the gravity.”

“My job is to get us,” Chloe said. “You have plenty of time to come up with one of Disney motivational speeches to get them on board. We leave for Gotham tomorrow.”

It was after midnight. Three girls stood on top of an old condemned building in the heart of Gotham; dressed in black, shivering from the cold.

“By my calculations,” Sabrina said. She held a computer under her arm. “At least two of the bats should be by monitoring the area during this hour.”

“And we’re sure this is going to work?” Marinette asked.

Chloe smirked, “Oh yeah.” She took a deep breath and screamed. “AHHHHHHHH!! Help!! Help! Someone please!!” She gave a fake sob and fell to the ground; causing Marinette to jump back in shock. She looked up at Marinette and Sabrina with a wide grin on her face, “How was that?”

“Become an actress,” Marinette told her. “Let me design the dress you wear when you accept the Oscar.”

There were two loud thuds behind.

“What’s going on?” A tall hero they recognized as Nightwing asked.

“We heard screams,” Red Robin stated.

“Its go time,” Chloe told them as she got up.

Sabrina nodded firmly as she opened up the laptop and started quickly.

Marinette smiled at the heroes, “Hi. My name is Marinette. This is Sabrina and Chloe,” She motioned to her friends. “We’ve come from Paris to seek the aid of Batman to stop a supervillain that has been terrorizing our city.”

Red Robin stepped forward, “A supervillain? In Paris?”

“We haven’t heard anything about it,” Nightwing said. “We know there are heroes there that takedown small-time villain, But nothing too damaging that we’ve seen.”

“Hawkmoth possesses people,” Chloe hissed. “Turns them into monsters. Turns kids into monsters. Literal Babies into monsters. A girl who can control the weather and could end the world. Another who absorbed energy from people so she could travel back in time. Until the people she steals energy from will freeze and slowly disappear. A man with the power of the Egyptian gods and tried to revive the dead. A villain who could trap people in pictures. Another that can bring people the worst nightmares to life. How about one that caused most of the citizens of the city of Paris to drown. One man caused all that happened. Our city gets destroyed over and over again. People die over and over again. Hawkmoth is behind it all.”

Sabrina turned her laptop to them, and show the video they clipped together. “This is a news real, videos sent from regular smartphones.” The video showed proof of the fights, the monsters, the deaths, the damages, the terror. “Check any new channel centered in Paris. It will show you. This. IS. Real.”

Marinette fought the urge not to tremble as she remembered every villain she fought. “Ladybug fixes the damage the akuma causes; including bringing people back to life. But the people who die still remember. Ladybug can’t do this alone anymore. Even the help of Chat Noir isn’t enough. If Hawkmoth gets what he wants, it could be the end of everything and everyone.” It hadn’t been for a long time, she thought bitterly. Chat Noir loved the glamor and excitement of being a hero but it was like he never really felt the burden of the weight of Paris on his shoulders like she did. To him, it was all game. Or some stupid action movie. And he was too busy trying to get the girl to realize that they might not be able to save the day.

The bluenette looked hard at the heroes, “We need help. I know it’s not your city. I know you don’ have to care. I know you have your own villains and problems.” Tears burned in her eyes. “But we wouldn’t be here if we had other options; if we could handle it by ourselves. So We’re asking anyway. Will you please help us?”

Two identical horrified looks were on the batkids’ faces. Dick and Tim looked at the three kids, thousands of miles away from home, in the middle of the most dangerous city in the world, at night, to beg for help against what sounded like an undeniable monster. The teen girls were scared, near hopeless, and willing to ask for help from Batman and his family, heroes most civilians were too scared to even cross paths with.

Their situation was dire. Direr than the risk of being three, alone, beautiful, teenage girls in Gotham.

The other bats had been listening and or watching the conversation and were equally horrified. But that quickly gave way to fury.

“Red Robin, I want the intel off Sabrina’s computer,” Batman growled. “Oracle, I want everything you can find on Hawkmoth. We’ll start preparing to leave for Paris”

“On it,” Barabra stated. “I also brought up info on the girls. They’re all clean. Sabrina’s dad a cop. Marinette’s an all-star student, who has quite a few famous friends. Chloe’s the daughter of the Style Queen and the Mayor of Paris.”

“I get to kill Hawkmoth, right, B-man?” Jason asked. “I mean, I’m watching a video where he turned a crying baby who literally just wanted a lollipop into Gigantitan and used him to terrorize people. That’s gotta be a free pass on the killing thing.”

There was silence. No answer from Batman.

“Holy shit, are you considering it?” Jason asked stunned. “Kids really are your Achilles’ heel.”

Nightwing nodded. Batman always had a soft spot for kids. But even Dick was considering beating Hawkmoth to death. “Batman has agreed to help.” He told the girls who visibly sighed in relief as weight had come off them.

“May I use your laptop?” Tim asked the redhead. Sabrina nodded quickly and handed it over.

Nightwing observed the girls, “What else can you tell us about Hawkmoth?”

“No one knows his identity, obviously?” Chloe rolled her eyes. “His Allies include another villain named Mayura, identity unknown. And a civilian named Lila Rossi.”

Sabrina still couldn’t believe Lila stooped so low. “We have evidence that she has been willingly working with the known terrorist Hawkmoth and has allowed herself to be akumatized multiple times.” She pushed up her glasses. “She’s in our class. She has been lying and causing emotional distress to multiple students, increasing Akumas.” Lila had always caused the near break up of Ivan and Mylene, Nino and Alya, and for several friendships to nearly be destroyed. It was awful. “We think she will be the best way to finally snuffing out the villain. She has some connection to him we’re trying to figure out.”

“Suspects?” Damian asked in comms. “Stop being obtuse. We need to know who they suspect.”

“Robin, you shouldn’t be on the comms,” Batman reprimanded. “It’s your day off. Relax.”

Tim nodded, “Any leads on Hawkmoth’s identity.”

“Just one,” Marinette admitted. “A man named Gabriel Agreste. But we ruled him out after he was akumartized.”

Chloe snorted, “That’s stupid.” She said. “If Ladybug’s cure can heal the damage of an akuma, including what’s inflicting to her and that Alley Chat; there’s no logical reason, Hawkmoth can’t use his own powers on himself. To think otherwise, would be ridiculous. Utterly ridiculous.”

Sabrina agreed, “Or he could’ve gotten Mayura to use it. I mean Ladybug and Chat Noir switched before. Why couldn’t they?”

Red Robin nodded, “That’s a good point. We’ll investigate him further.” He told them. “How much are you involved?”

The girls shared a look. Chloe stepped forward proudly, “I was the Hero, Queen Bee.”

“No!” Marinette said strongly. “She is the Hero Queen Bee; a loyal friend and ally of Ladybug.” She swallowed hard as she fought the nervousness. Tikki and her had talked about what would happen next. Chloe had proven herself as far as two were considered. The blond deserved a real chance to prove she what type of hero she could be.

Marinette took a deep breath and reached into her bag and pulled out a necklace and a hair comb that Chloe recognized instantly. A series of emotions flashed over the blonde’s face; recognition, understanding, disbelief, envy, embarrassment, frustration, acceptance, and then finally a look of admiration.

“Here,” She handed the comb to Chloe and the necklace to Sabrina. The kawami’s floated out.

“My queen,” Pollen purred as she landed on Chloe’s shoulder. The blonde looked ready to cry.

Trixx spun around Sabrina’s head, “Kit. I have new Kitt!”

The batfamily was just confused.

Marinette straightens up, “Chloe for your show of loyalty, for your dedication to justice, and for your willingness to help from shadows; I name you an official and permanent member of the miraculous team. Keep moving forward. Keeping bettering yourself. I believe in you. And I welcome Queen Bee back.”

“Wha…” Nightwing said only to be cut off by Chloe

She yelled, “Pollen, Buzz On!" And before they’re eyes, she transformed into the hero Queen Bee. “Eat your heart out, boys,” Chloe smirked at the stunned heroes.

Marinette giggled. She focused on Sabrina who now realized exactly what was about to happen. “Sabrina, when Chloe brought you, I didn’t know what to expect. It turned out you had spent months researching and gathering evidence. I didn’t there was proof Lila was working with Hawkmoth willingly, you did. You saw through the lies and deception to find the truth despite the danger it could bring you. Which why I give you the kwami of Illusion.”

Sabrina shakily put on the necklace. Trixx patted her head, “Now say, Trisx let's pounce.” The redhead did as she was told as was instantly transformed into a fox themed hero. Unlike Alya, Sabrina’s look was grey and a startling silver. It was more like an actual combat uniform.

“Truth is neither right nor wrong,” Sabrina stated. “It's not good or evil. It's not light or dark. Truth just is. I am Renarde Gris.”

Marinette smiled and then said, “Tikki, Spots on.” And was transformed into Ladybug. Her suit was different; darker and better armored. “I am Ladybug.” She told the bats. “And I thank you for help.”

Nightwing opened and closed his mouth repeatedly.

Red Robin just pinched his nose, “Did you just make a civilian into a superhero just like that?”

Ladybug tilted her head innocently, “Why? Isn’t that how batman got you?”

Jason snorted, “She ain’t lying.”

“You were trained before going into the field,” Batman corrected. “You all were. But let’s focus, Ladybug is a child!”

“You’re just a kid,” Nightwing said. “You’ll all just kids.”

Sabrina crossed her arms, “Weren’t you the first Robin? And didn’t you start at like ten-years-old? At least we’re teenagers.”

“And we don’t dress like traffic lights!” Marinette and Chloe snapped together, to their surprise, and then high-fived with a laugh.

Red Robin examined Ladybug in a new light, “You’ve been protective Paris for three years.”

“Alone?” Damian growled in their ears. “Father, you said I was too young. I am the same age as them. I demand to be treated befitting of my status.”

Ladybug shrugged, “The current Robin has protected Gotham on his own many times. He’s even led Teen Titans on missions. He has proven as I have that age is meaningless in the pursuit of justice. “

Nightwing shook his head, “You’re just kids. Robin is just a kid.”

“Tell me, what bothers you more?” She asked. “The line of children that followed in your footsteps. Or that current Robin is better than you ever were.”

“…I love her.” Damian said. “Father, I love her and I will marry her.” It went quiet. “Red Robin, tell her of my affections. Superboy wants Chloe’s number. Spiderman requests Sabrina’s. I still don’t understand, why, you thought a ‘kids’ game night’ was necessary, father?”

Batman just sighed.

Tim cleared his throat, “Robin would like to, uh, court you.” He said. “Superboy would like Queen Bee’s phone number.” He could wait to tell Conner that Jon had a crush. “Spiderman request Renarde Gris’.”

The girls all blushed prettily.

“Then he can hero up and ask me himself,” Sabrina smirked in a way that made Chloe proud.

“Same,” Marinette said with a smile. Chloe nodded in agreement.

“…We’re on our way,” Damian said into the comms.

The sigh that answered that statement clearly belonged to Bruce.

#ml fic #marinette dupain cheng #ml salt #Chloe deserves better #chloe bourgeois #A little bit of Adrien Salt #maribat #daminette

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dwellordream · 3 years

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“…At the same time, however, until the mid-eleventh century, the question of whether women were suited for militant activity had simply not been of any real concern to medieval scholars. To be sure, there were historical examples within Western Europe of women who were significantly involved in military activity, but they had not stimulated major debate on this issue. The legendary Boudicca, for instance, led a military revolt against the Romans in early Britain, yet her existence remained unknown throughout the High and Late Middle Ages and was only rediscovered in the sixteenth century.

Much later, another more well-known female military leader, Æthelflæd, the so-called ‘Lady of the Mercians’, led an army that won several battles within England and even invaded Wales in the early-tenth century, but her actions also aroused little comment in the contemporary sources. Though unusual, the activities of these women were not sufficiently contentious for contemporaries to use them as a basis for an argument in favour of female militancy.

Thus, it was not until the military career of Countess Matilda of Tuscany in the late-eleventh and early-twelfth century that we find the first clear evidence of works written in support of female militancy. Matilda, whose military career is examined in more detail in chapter two, inherited a large territory in northern Italy and became the chief means of military support and main defender of the Gregorian reform papacy in its struggle against the Western Roman Emperor Henry IV (1050- 1106).

Her continued military success raised fresh questions concerning women’s place in war, and forced many intellectuals who were dependant on Matilda to come up with new and inventive ways of defending and justifying her military actions. They were, in particular, driven by a desire to appease Matilda’s apparent reluctance to wage war against other Christians, as indeed she was doing by fighting the imperial German army. To this end, a range of innovative arguments were offered in support of Matilda’s cause and female military leadership in general.

Amongst the first to do so was a grammarian in her entourage, John of Mantua, known only for a biblical commentary he wrote on the Song of Songs in c.1081. In this tract he attempted to convince Matilda that an ‘active’ life fighting heresy and schismatics in the Church was just as noble as and indeed more useful in God’s eyes than leading a more ‘contemplative’ life as a cloistered nun. John also applied an allegorical form of biblical exegesis to argue that Matilda’s efforts in fact represented legitimate use of the ‘secular sword’ in defence of the Church, which itself wielded the ‘spiritual sword’ – an idea that was to later gain much currency amongst Church scholars.

Similarly Donizo, the author of a life of Matilda, employed biblical imagery to frame and contextualise Matilda’s accomplishments – military or otherwise – as the continuation of a long tradition in strong biblical female leaders, such as Deborah, Jael, Esther (an Old Testament queen), and Judith (another Old Testament heroine). Although the use of these biblical figures cannot necessarily be said to have legitimised Matilda’s leadership (none of the figures were actually rulers), they nevertheless still illustrated, to medieval eyes, how certain women throughout history had divine support for their actions, and in Matilda’s case, how her use of military force must have been approved by God.

A further attempt at explaining her success was that of Rangerius, bishop of Lucca, who defended Matilda’s actions by lauding her masculine qualities in ‘overcoming her sex and not fearing the brave deeds of men’. In thus construing Matilda as a sort of ‘honourable man’ as it were, Rangerius was able to avoid questions as to how the supposedly weaker female sex could defeat the other in a militarily battle, especially as women were thought to be ‘inherently...unfit for [military and political] command’.

Two others to defend the Church’s use of secular armies and Matilda’s participation by way of canon law were Bishop Anselm of Lucca and Cardinal Duesdedit. Both men wrote early, yet independent and influential collections of canons in the 1080s, each of which were identically titled the Collectio canonum. Anselm’s Collectio, especially book 13, is particularly notable because it represented the first canonical collection of its kind, in that it was the first canonical collection designed specifically to justify the Church’s armed struggle against heretics and other perceived enemies of the faith.

More importantly however, at least in terms of legitimating female military command, both Anselm and Duesdedit were the first to employ a little known, and previously ignored, letter by Pope St. Gregory I (590-604) to the Frankish queen Brunhild, in which the pope permitted the queen to use military means in order to defeat any aggressive or evil threats. In Anselm’s collection the letter is discussed under the heading ‘That the power to correct evildoers is granted to the queen’. When placed in the context of Anselm’s support for Matilda and considering the significance and importance of his collection as the ‘the first major systematic justification of warfare in the Christian tradition’, this statement constituted a strong endorsement of female military leadership.

Lest we assume that efforts by intellectuals such as John of Mantua or canonists like Anselm to sanction Matilda’s military activities meant that they actually believed all women might be suited for military leadership, one must remember the context in which their works were written. As Hay has suggested, it is important to realise that Matilda’s very support for the papacy and various persecuted clerics is what predisposed polemicists in the first place to find excuses for her military involvement and justify to both themselves and each other why they were supporting one woman’s military activity.

Indeed, were it not for the need to explain and defend Matilda’s continued wartime victories and political savvy, her supporters may never have gone to the extent they did to justify her actions. Although their efforts to go against the centuries of anti-feminine thought in political and religious circles could not hope to change, in the space of one generation, long- standing beliefs about the legitimacy of female military involvement, their efforts indicate, if nothing else, that ‘medieval conceptions of gender [allowed for] the occasional female combatant’, without contradicting the established belief in male superiority.

Some of the more explicit arguments offered against the idea of women in war in the Middle Ages were also promulgated during Matilda’s life by Bishop Bonizo de Sutri (c.1045-c.1094). Interestingly, although his earlier work, the Liber ad amicum, written in 1085 or 1086, represented an endorsement of her military struggle and the others fighting on her side for the Church, his later canonical law collection, the Liber de vita Christiana, completed 1089-1090, offers a decidedly negative assessment of Matilda and her illegitimate usurpation of masculine power. The reasons for this shift in opinion have to do with Bonizo’s career.

Initially bishop of Sutri, he had been expelled and captured by the Emperor Henry in 1082, then forced to find sanctuary in Matilda’s court where he composed the Liber ad amicum. In it he spoke glowingly of Matilda, calling her a soldier of God and a true daughter of St Peter, who must fight to defend the church against the anti-pope Clement III and his supporters, using ‘every means, as long as her resources last’. His circumstances changed however when, after controversially being elected to the see of Piacenza with only weak support from Matilda and the papacy, he proved unable to maintain his position in the face of opposition, and in 1089 was cruelly mutilated and ousted by his opponents from his seat.

The Liber de vita Christiana therefore, reflects Bonizo’s disillusionment with Matilda, an attitude that is evident in its argument that women must always be under male command; moreover, although he concedes that historically some women have held military or political leadership, he contends they have only ever brought destruction or misfortune to their subjects. Invoking various biblical and historical examples of women who he felt had gone against this divine order and suffered for it, Bonizo concludes by exhorting that a woman’s place is at home, performing domestic tasks, not leading armies on the battlefield, the obvious implication being that Matilda’s struggle could only bring harm to those involved and that she ought to desist in her military activities.”

- James Michael Illston, ‘An Entirely Masculine Activity’? Women and War in the High and Late Middle Ages Reconsidered

#matilda of tuscany #james michael illston #history #high middle ages #late middle ages #warfare #gender #religion #medieval

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medusinestories · 3 years

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Aaa Miranda is in this ep and so of course this got Long!

Black Sails, III (S1 ep03)

- I just LOVE the domestic scenes of Flint waking up at home, surrounded by white crisp linen, wearing an oversized shirt, and going straight to a pot of something that smells good (I'm guessing it's tea or a spice he intends to use afterwards). And also how, outside of the rough life at sea, he's actually delicate, wincing when Miranda tends to him a bit roughly.

- I think a reason why I didn't really understand Miranda on my first watch is because she's sulking in a very cool/restrained way in these scenes. She's relieved that Flint's back, but finds small ways to put him down (commenting on the blood on her floor, chiding him for not telling her about the wound, stinging him with disinfectant) that express that she's not altogether happy with him/his behaviour.

- In the meanwhile, Flint's back to being Captain Oblivious. In spite of Miranda's little digs he's so smug about having found the schedule that he doesn't notice that she's unhappy. It's only when she doesn't jump for joy when he gives her the Middleton book that he cottons on that she’s not in a great mood.

- Also, I'll die on the "Flint is bi" hill, and to me the way Flint looks at Miranda when she's fixing his bandages is not only smug but also seductive - she’s the one who’s not receptive in this moment. But the fact that Miranda talks of "having you all to myself" in the same conversation also suggests that their relationship is (still) romantic/sexual. (and while I’m on my unpopular opinion spree, I don’t want to hear anything about “straightbaiting”: reducing Flint and Miranda’s relationship to a trick used by the creators to make the audience think Flint is straight is deeply disrespectful of whatever these two characters share)

- We get to see a lot of Silver writing out the contents of the stolen page, and boy is he proficient with a quill and ink. Where/how/why did a little thief he learn to read and write? This definitely isn't the typical education of a London orphan.

- "Don't torture me, my pain threshold is very low, and I'd say anything to make it stop"... so Silver is threatening to be incoherent and/or inaccurate under torture? A pretty weak argument when faced with someone who wants to torture you for information. And this reminds me that Gates (and Flint, and Billy though he looked very ill at ease) was ready to torture Max in the previous episode to get information, though he presented it as a last resort. And yet here Flint snorts and walks away when Billy suggests torture decides to take Silver along with their crew. So how is Silver different from Max, here? Could it possibly be related to the fact that he and Flint eyesex stare at each other all through the conversation, hmm?

- Back to Breaking Billy: Billy wants to do everything in his power to prevent the crew from finding out that Silver is the actual thief, imo mostly because he doesn't want the crew to find out that he lied to them about Singleton. Billy is shown to be a terrible liar: when he brings Silver to Randall, saying Silver lost a bet to him, Randall immediately tells him that there's no betting onboard, catching him out and putting him in an awkward situation. Gates also warned Billy off canvassing to find out if the crew is still angry with Flint, and was quite right: Morley and Turk immediately figure out what he's doing. However, by the end of the episode, he also uses his reputation of being honest to convince Morley that Singleton was, indeed, a thief. I wonder how he feels about using his reputation of honesty to cover up a lie.

- In the meantime Silver actually does what Billy was trying to do very badly: he finds out who's still against Flint. Unlike Captain Oblivious, Silver has somehow intuited that Billy needed to find the dissenters, possibly because he's figured out that Billy hates keeping up the lie. In any case, he plays double agent in order to gain Billy’s trust (perhaps a bad strategy to gain an honest man’s trust... just saying).

- Hornigold, after an incredibly pompous tirade about the noble origins of the chair he’s sitting on, has the gall to call Flint arrogant and presumptuous. Apparently, arrogant and presumptuous is the kind of people who Gates is friends with/drawn to. I also can't help but wonder why Gates believes that Hornigold's crew knows and trusts him and that it'll be easy for him to captain them. I wonder if Hornigold used to have Gates as a Quartermaster, pre-Flint. The fact that Hornigold tells Gates that he's starting to speak like Flint, in a reproachful tone, could also be a clue.

- Gates' advancing age is a major subject in this episode, with Hornigold saying that Gates is one of the rare people who's actually getting dumber with age, and Rackham playing on Gates' doubts about his physical condition and mental alertness to convince him to enrol Vane in their capture of the Urca. Gates himself mentioned previously that he doesn’t plan on pirating all his life. Interestingly, Flint doesn't once suggest that he has any doubt about Gates’ ability to captain a ship, and I really don’t think he has (both a sign of great trust, but also a Captain Oblivious trait, as he’s seemingly blind to Gates’ anxiety and possibly the reality of Rackham’s comment about Gates’ physical condition).

- In this episode, Miranda hands her copy of Meditations to Richard Guthrie. Some people have asked why she'd hand something so revealing about Flint to someone like Guthrie. At the point where she gives the book to him, he: 1) doesn't know who she is (she refuses to answer when asked) 2) is supposedly bedridden and being guarded by an armed man, and therefore 3) wouldn't be able to guess who "T.H." is with the information that he currently has. She didn't expect Richard Guthrie that would be a sneaky bastard who was less wounded than he appeared to be and who’d go snooping around her house at the first occasion (btw, snooping parallel: Guthrie in Flint’s house finds out personal information and Silver in Flint’s cabin finds out strategic information). I think that what Miranda wanted was to have someone she could talk to about Meditations, a book that she, her husband, and Flint had all enjoyed, and that she likely couldn’t share with Flint anymore because it’s too painful a subject for him.

- Which brings me to Miranda's situation: her loneliness and the precariousness of her life is already framed quite clearly in this episode. The pastor sends spies to watch her house when Flint is around, and openly asks her to join his congregation so that he can save her from Flint and the impending arrival of the Navy. In the meantime, the crew believe she's at the centre of Flint's "evil": some believe that she's a witch who controls Flint, and Morley tells Billy that she's the reason why Flint treats the crew like pawns.

- The whole Flint/Gates workplace comedy scenes never fail to crack me up. Flint laughing at the suggestion Vane should captain the second ship, followed by "you're serious", and Gates doing damage control in a very restrained tone at first, then the second time screaming insults at Flint... just... *chef's kiss*

- Rackham is shown to be incredibly devious and persuasive in this episode. He manages to convince Gates to convince Flint to take on his worst enemy as a work partner (in a moment when he's getting into Gates' head, he goes as far as to imitate his Yorkshire accent!). He's also extremely aware that Vane isn't all that interested in money, but definitely interested in what Eleanor will think of him. I’d also note that if someone is callous about Max in this episode, it’s him: he sends Vane to “deal with her”, expecting him to kill her off.

- As much as we know that Flint's "tough captain" behaviour is partly an act, we tend to forget that Vane is also shown to be keeping up appearances in order to remain a leader of an extremely difficult/unruly crew. I didn't address the punch in the face he gives Eleanor in ep 1, but he explicitly says this was to avoid losing face in front of his men after she punched him. The same goes for the capture/beating/rape of Max: "what you did required an answer", he tells her. But then chooses to secretly set her free rather than rape/kill her as he’s expected to do. He's obviously smitten with Eleanor, and is the one who initiates tender moments after sex. This is why I can never really dislike this ship, because it's between two very damaged people who are at odds mostly because they’re in a power struggle where they each have to look strong/powerful.

- I hate hate hate the whole Max-rape plot, as I'm sure most of the fandom also does. I do get that Max is furious with Eleanor, and possibly extra-furious because Eleanor instantly turns saving Max from Vane's crew into a strategic move where she punishes Vane (ironically, the one who wanted to let Max go) by forcing Vane’s crew into joining Flint, rather than focusing on, say, Max’s wellbeing. But "Max wants to hurt Eleanor/is hurting from the breakup so badly that she willingly submits to being raped/beaten by the crew, AGAIN"... hrm. I have trouble connecting this self-destructive side of Max's personality with the character we see after her ordeal. Again, opinions welcome because I may be missing/misunderstanding something, but I feel like the writers didn’t really know what they were doing with her character at this point.

#black sails #flint #miranda #flintmiranda #silver #silverflint #billy #gates #max #maxanor #vane #eleanor #vane x eleanor #rackham #anne #maxanne #hornigold #rape mention #meta #black sails rewatch

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linkspooky · 3 years

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Series I’m Reading in 2021

My favorite manga all come from Shonen Jump. A lot of series ended last year, and a lot of new series started, so I thought I’d do a post with a quick recap of all the manga I’m currently keeping up with in jump, and my favorite things about them.

My Hero Academia - My two favorite manga are both reaching the ends of their biggest arcs yet, and that’s been exciting but also exhausting to read week from week.

MHA’s strength lies in its ideas and the scope of its ambitions. There’s few stories in shonen jump that work with such broad ideas, in trying to define hero and villain and giving the villains so much depth that the main character’s ultimate foil Shigaraki Tomura, feels more like a deuteragonist to the story, a second protagonist for the other side of the story rather than an antagonist.

It’s a creative story, with neat little ideas. Giving an entire arc to the villains was taking an actual risk. From a story that began wrapped entirely around Deku’s perspective, the story has evolved to balance the perspective of multiple different characters who all come into conflict with each other. The best part of the war arc is that there’s no real good guys in a story with clear and distinct entities that label themselves “heroes’ and “villains.” The heroes are allowed to have impure motives, and do impure deeds. The villains are allowed to have noble motivations, and genuinely care for one another. This is all good because it’s not boring. A boring, simple, story where good defeats evil has been told a hundred times, My Hero Academia shines the brightest when it tries to do something different.

Jujutsu Kaisen - If MHA’s strength lies in creativity, then JJK’s is in technical execution. If you compare the first 27 chapters of MHA and JJK just in the way that they develop the stakes, story, and ideals, JJK accomplishes a lot more in the same time.

I’m not saying JJK is better, just that it tells its story better in some ways. MHA is in the middle of a tournament arc, whereas in JJK we see the first major emotional blow of the story. A character which was set up to be saved, and who everyone expected to be saved is instead killed and this has permanent ramifications for both Yuji’s development and the threat the villain presents.

That’s why the Shibuya Arc has so much impact , despite only having 100 chapters of build up before it. Jujutsu Kaisen introduces a lot of characters, and then quickly develops them and the ideas that surround that character in a way that it feels like every time they’re on screen they are growing and changing in a way. It’s because things are continually changing in the story all the time, that every single time the story hits you it feels like a gut punch. There’s no one safe, no status quo, just a world that you know is going to change by the end of the story. Jujutsu Kaisen is good. Everyone should read Jujutsu Kaisen.

Mission: Yozakura Family - Katekyo Hitman Reborn used to be one of my favorite manga in shonen jump, which gave me a weakness for manga with big mafia families where everry single character has one special quirky and eccentric power.

Yozakura Family is also reaching a similiar pont that Reborn did, where after a year of publication it’s not doing well enough as a weekly gag manga and is starting to focus to a more serious with an overarching plot, and a fighter. The main female and main male protagonist have a relationship that actually develops which makes me soft for the two of them because I want to see the story improve and see where the author wants to take them.

Our Blood Oath - There’s been a trend towards horror series in the recent newcomers in jump, which is great because I am all about horror. A series full of vampires using their blood to cut each other up is an easy sell to me.

Stories in jump generally don’t tend to develop until they’ve lasted an entire year, but I like a lot of things that Our Blood Oath has started with. I love the series focus on adopted family, and the relationship between the two brothers. The main character genuinely acts like a bratty younger brother, and wields unlimited power exactly like a twelve year old swinging around a blood scythe would. Which is to say, very badly.

Phantom Seer - Another newcomer series that leaves a strong impression. The things that the series has going for it so far is a really strong main character, who’s a pretty far deviation from the standard shonen protagonist of “I want to save everyone.” Rather than wnating to be the strongest, or wanting to be a hero, he just wants a normal life, and instead gets dragged into heroics by the good intentions of the people he’s surrounded by.

The art is also incredibly strong for this series. I’m glad the artist got another chance to draw a shonen junmp series because their art really shines in both the character designs, and the curse designs. There’s incredibly unique monster designs that are equally parts horrifying and fascinating even though most of them only stick around for one chapter.

Undead Unluck - Most Shonen Manga either figure out right away what the central conflict is, other manga never figure it out. Undead Unluck is like “fuck it, let’s kill god.”

Undead Unluck has a bad start, and normally I would never say “keep reading and give it a chance” if it gives you a negative first impression, but Undead Unluck quickly fixes a lot of mistakes in the first chapter. Andy at first says some creepy things towards the main character, but the author seemed to learn their lesson and made a lot of changes later on to make their relationship into a healthy one of consent and mutual affection.

The main characters and the story premise are what sell this one. A bunch of supernatural beings going out of their way to do the impossible and kill god. The plot is almost pure chaos, but I believe the two main characters are strong enough that you want to follow them all the way through it.

Dr. Stone - The best part of Dr. Stone is trying to unravel the mystery of the premise, how the world became turned to stone. Senku is a compelling protagonist because he’s constantly trying to solve the mystery around him, the same way the audience is.

Senku is a strong character, and there are other interesting ones like Gen, however sometimes the series while being a fun adventure the characters don’t really develop that much. However, there’s nothing better for a protagonist than a good antagonist. The best part of the america arc so far has been the introduction of an antagonist and foil to Senku. Instead of trying to rule through strength. Dr. Xeno views everything as a problem to be solved through science like Senku. He just also sees Science as a tool to rule others, unlike the fairly anarchistic Senku who doesn’t care for leadership.

Some of the most interesting charactermoments for Senku lies in his interactions, his similiarities and differences with Dr. Xeno, and the fact that they’re now forced to cooperate while Senku is technically holding Dr. Xeno hostage is an interesting building tension between these two. I’m following this series for two reasons, one I’m interested in how the mystery will be solved, and two I wonder what kind of person that Senku will become when he completes his goal of restoring humanity. Senku is the main draw of the series with his weird charisma, and his unique interest in science above everything else, and I think there’s still a lot of untapped potential to mine in his character.

#shonen jump #jujutsu kaisen #my hero academia #mission yozakura family #our blood oath #phantom seer #undead unluck #dr. stone #spooky speaks

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lochnessies · 3 years

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I mean to be fair to edelgard, if I found out the popes/president were actually one guy who lived basically forever, I'd probably at the very least question thus popeident's leadership skills. Especially if I found out that a good portions of this hypothetical popes religion was fake and that also this pope was basically jesus. Granted, that'd mostly because of a lack of context since this hypothetical immortal popes motives are largely unknown.

Like without the context of her motives, Rhea CAN seen in a pretty negative light. She suddenly goes from a mother/grandmother/wife/daughter who's got issues and is trying to protect her relatives and fodlann with her position while trying to turn some homuncili into her mom, to a dragon lady who's been in head of a major religion that she made up for centuries who actively stiffled/slowed down fodlann's scientific/academic growth for unknown reasons.

Like if you didn't know about Rhea's whole deal, she'd look pretty suspiscious. This isn't me saying "edelgard completely right church bad! Rhea is evil!".

I'm more trying to say Edelgard was SORT of right in being suspiscious of everyones favorite lizard pope, but jumped to WAY too fast onto the conclusion of "The church is definitely evil, because crest=bad and crest=blessings of the goddess, therefore church=bad!"

Rhea WORST 'crime' at most as leader of the church is that she was pretty passive as leader of the church. Like, apart from trying to keep the peace as a whole and hiding technology for a while until she decided (maybe arbitrarily maybe not) that humanity was ready for it, she seemed *largely* content with the state of things as a whole. Granted, that strikes me less as her not giving a shit and more just her not knowing about some if the bad shit going on behind the scenes in Fodlann, and her going "Okay yeah thats bad. Buuuut when mom's back she'll be a way better leader and she'll make everything way better than I ever could. Back to studying and researching homunculi children so I can maybe shove my moms soul into one."

That's my take anyway. Basically if Rhea and the lords had a group therapy session a lot of tragedy could have been avoided. Alas therapists don't exist in fire emblem, just look at the various characters with underlying trauma that they havent dealt with.

I mean to be fair to edelgard, if I found out the popes/president were actually one guy who lived basically forever, I'd probably at the very least question thus popeident's leadership skills.

why? wouldn’t their longevity make them better leaders? they have much more experience and know how the world works. i mean, agree with the woman or not, rhea’s results are hard to argue with. 1000 years is an extremely long time to help mitigate peace. our world can’t seem to avoid conflict every half decade it would seem. so it’s not like rhea is doing a bad job of it.

Especially if I found out that a good portions of this hypothetical popes religion was fake and that also this pope was basically jesus. Granted, that'd mostly because of a lack of context since this hypothetical immortal popes motives are largely unknown.

that’s when you have a nice little sit down and have a chat. and also, rhea didn’t make up the religion. it already existed before the war of heroes. all she did was change a couple of details to hide the fact that nabeteans existed and the fact that the elites were mad murderers to keep their descendants safe.

as for the tech thing, i mean, we see most of the tech inside garreg mach itself and nobody acknowledges any bans so it clearly was an extremely long time ago that they were taken down. also, edelgard never mentions these things as her reasons for war (or at all) so i don’t even think she’s aware of them so how could they color her view? like edel canonically doesn’t know about the homunculi so why would she find it sus?

Like if you didn't know about Rhea's whole deal, she'd look pretty suspiscious. This isn't me saying "edelgard completely right church bad! Rhea is evil!".

like i said above, all of rhea’s more suspicious behavior is never mentioned by edelgard. and everybody else in the game seems to like rhea well enough and not find her suspicious and all the crimes edelgard espouses are lies so what even is there that would turn her off from the archbishop other than the ‘beasts hiding in human skin’ thing.

the only character that has real legitimate reasons to not trust rhea due to personal experience and rhea’s extremely suspicious behavior is jeralt which he talks about in his journal. but that’s noting war worthy.

i’m sure ionius had a hand in this since edel talks about how she has information about the church from him that’s been passed down from emperor to emperor (basically a centuries old game of telephone). what was told? who fucking know. she never says.

Rhea WORST 'crime' at most as leader of the church is that she was pretty passive as leader of the church.

is that the worst crime though? i mean, it’s a damned if you do and a damned if you don’t situation. rhea isn’t a queen, she isn’t an emperor, she’s a spiritual leader. she can’t force people to do anything outside of her staff at garreg mach. hell, she has no presence in adrestia, the western church hates her, and the eastern tries to help in the alliance but the nobles don’t listen to them.

the alternative is for her to grab actual political power and involve herself in the politics of the other nations and make laws that you have to follow the church’s teachings which is… uh… bad. thank goodness she doesn’t bc i wouldn’t be able to defend that lol

Like, apart from trying to keep the peace as a whole and hiding technology for a while until she decided (maybe arbitrarily maybe not) that humanity was ready for it, she seemed *largely* content with the state of things as a whole.

but she isn’t though. that’s why she’s trying to revive sothis in the first place. she isn’t satisfied with how things are and she’s actively trying to being back fodlan’s golden age through sothis.

Granted, that strikes me less as her not giving a shit and more just her not knowing about some if the bad shit going on behind the scenes in Fodlann, and her going "Okay yeah thats bad. Buuuut when mom's back she'll be a way better leader and she'll make everything way better than I ever could. Back to studying and researching homunculi children so I can maybe shove my moms soul into one."

yeah. when it comes to twsitd and them fucking shit up in the background she isn’t aware that it’s them. after the war of heroes the church had tried to uncover who helped nemesis since the church is suspicious of the fact that a simple bandit was able to commit so much horror on his own. they believed that he had accomplices who helped him, and with good reason. however, no matter how hard they looked they never discovered the puppet masters behind everything since twsitd covered their tracks and nobody knows they exist. the church eventually gave up the search in favor of helping the people and tried their best to put the incident behind them. and by the time of the game it’s been over a thousand years so i’m pretty sure that rhea believes them to be dead lol

then like you said at some point rhea starts her plan to fix fodlan through sothis again.

very true.

#asks

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puff-yy · 3 years

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Heyo! So as I was writing this I felt that it would be better just to send it as a submission. So here are my ideas for Class 78, minus the Despair Sisters, as Remnants of Despair.

Sayaka Maizono: Using her popularity and idol talent, she would bring in millions of followers with her siren like voice. Legions of fans would turn to despair as her new songs revolve around embracing the beauty of despair and tearing the old world apart. Sometimes she orders her followers to capture rival idol singers and force them to compete against her. The publicity of having her compete, defeat, and execute, the idols would bring upmost despair to any non-fans.

Leon Kuwata: He uses his baseball talent to attack enemies and topple buildings. He uses a specialized bat and explosive balls that can destroy anything on impact. Sometimes he partners with Sayaka on her tours and plays guitar alongside her. The guitar also comes equipped with a flame thrower that can burn people

Chihiro Fujisaki: Is in charge of manufacturing Monokuma drones and weapons for the Remnants. Thanks to Alter Ego, they can hijack the software systems o manufacturing buildings and weapon-themed facilities to use for the despair agenda. During the first stage of the Tragedy, Chihiro implemented virus software on a majority of the world’s government systems making it impossible for them to fight back against the Remnants.

Mondo Oowda: Leads the Crazy Diamonds to destroy everything in their path. They pillage and plunder the largest of cities destroying using their weapons and bikes. Mondo’s bike was modified to use rocket launchers and gadgets capable of taking down foes on the road. Mondo also has a preference for fighting one on one with any rival gang leader or authority figure who stands in his way. His preferred weapons include a heavy chain and the stop sign from his splash art as a hammer.

Kiyotaka Ishimaru: A vigilante hero who hunts down politicians and public figures who claim to be noble/good-natured but have actually committed heinous deeds in their past. Ishimaru would hunt them down and interrogate them on their wrongdoings and force them to confess. All of this is done while recording them for the world to see how corrupt those figures really are. He also wields a katana and kills them using it.

Hifumi Yamada: Creates propaganda themed artwork and posters that celebrate the new era of despair. He and his Monokuma helpers go around plastering his artwork around to highlight the aesthetic of despair in the cities he visits. He rarely kills people but he does use his art supplies to fight back and is quite deadly when provoked.

Celestia Ludenberg: Organizes killing games where she kidnaps elite or wealthy people and forces them to participate. She uses games and traps similar to the ones from the Saw movies only with a casino theme to give it some showmanship flare. When she’s not holding those killing games, she’s residing in her makeshift mansion being attended by her brainwashed servants and treated like the queen she believes herself to be. She also goes all out with Victorian and Gothic dress designs

Sakura Oogami: One of the main fighters in the frontlines. She enjoys the challenge and is always eager to fight back against Future Foundation or anyone who would be a threat to her beloved friends. She’s a strong as ever and isn’t afraid to hold back when it comes to delivering devastating blows. Some people say that she’s capable of destroying buildings if she’s really mad.

Yasuhiro Hagakure: A television preacher who proclaims the word of despair to the public. Using his visions of the future, he would preach about the upcoming horrors that await for them and how the only salvation is by embracing despair. He also gets help from Chihiro as the programmer granted him high tech TV screens that can broadcast his “visions” for the public to see. He’s gained alot of followers who give him all their worldly possessions. Money, gold, fancy cars, deeds to their property, even their own children.

Aoi Asahina: She mainly goes around providing supplies to her fellow Remnants. Either by driving armored cars or going through aquatic systems, she delivers her packages to help her friends continue the despair agenda. She’s also an exceptional fighter and often accompanies Sakura when she fights enemy forces.

Touko Fukawa: She spends her days wandering the ruins of fallen cities to write about them. She now publishes despair inducing novels and retellings of the Despair Wars and how it’s impacted the world around them. She personally enjoys seeing victims and random civilians succumb to despair and tries very hard to copy those emotions for her writings.

Genocider Syo: Now that Gloomy is part of a terrorist organization along with the world having gone to hell, she doesn’t have to worry about holding back anymore so she’s tehcnically the only one who wasn’t tempted by despair. She’s free to continue killing cute boys as she sees fit and isn’t afraid to do so in public. Although she still proclaims that Togami is her one true love no matter what. She often teams up with either Sakura or Mondo when it comes to fighting Future Foundation.

Byakuya Togami: He mainly spends his days inside a makeshift manor that he calls his empire. He employs brainwashed servants to rob people and buildings of their resources and riches to make his empire stronger. He sits in a gold and ivory throne reminiscent of the one Xerxes used in the 300 movie and is dressed like an emperor in white.

Kyoko Kirigiri: Kyoko is the only one I have trouble with as a Remnant. I figure that she would be the only one who didn’t fall into despair as she knew about Junko’s plan and was able to escape and join Future Foundation. But it still eats her that she didn’t stop her in time and allowed her classmates/friends to become monsters.

Makoto Naegi: I imagine he would be the Izuru Kamakura of the group as his grim presence would inspire despair and chaos all around him while he’s too stoic and passive to stop them. He mainly just wanders the ruins of the world as he sees his friends tear it farther while innocent lives continue to be lost. However, once in a blue moon, if he were to meet with an unlucky civilian, he does offer some words of encouragement or helps them through a difficult moment. Even though he disappears, his “kindness” would allow the victim to move forward to confront despair another day. Kinda like the Pandora’s Box fairy tale where all the evils of the world are unleashed, the speck of hope remains and is shared sparingly.

And those are my ideas for Class 78 as the Remnants of Despair. What do you think?

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HOLY SHIT THEY ARE SO GOOD 10/10

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agentnico · 3 years

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The Conjuring: The Devil Made Me Do It (2021) Review

How many doors does Ed Warren need to break in these Conjuring films before he’s defeated the last of the poltergeists and demons? How many I ask you? At this rate Ed probably has developed RoboCop arms of steel!

Plot: Paranormal investigators Ed and Lorraine Warren take on one of the most sensational cases of their careers after a cop stumbles upon a dazed and bloodied young man walking down the road. Accused of murder, the suspect claims demonic possession as his defence, forcing the Warrens into a supernatural inquiry unlike anything they've ever seen before.

I’ve never really given much thought or time to the Conjuring films as to be honest the subject matter never interested me. A bunch of crazed lunatics hunting after some demonic spirits and crazy dolls and we’re supposed to believe that nonsense? Poppy-cock I call this!! Absolute poppy-cock!! However my girlfriend (who I by the way just got engaged too so that’s awesome even though you, my kind reader, probably don’t care about) and her family are light spiritualists who do indeed believe in paranormal presence, so they dig this kind of stuff by watching endless paranormal conspiracy reality TV shows like Kindred Spirits and Ghost Adventures and by naturally spending a decent amount of time with them I’ve also began to learn more about this topic. Now do I believe in this stuff? No, no I don’t. But at least now I find this stuff more interesting. And also there’s a quote in this new Conjuring movie that does argue a good case, and that is the following:

“The Court accepts the existence of God every time a witness swears to tell the truth. I think it's about time they accepted the existence of the Devil.”

I do believe in God, so of course if I have faith in that and existence of guardian angels and such, why wouldn’t I at least consider the possibility of demonic presence. In fact in the New Testament of the Bible Jesus himself restores a demon possessed man named Legion (not like the Bible is full of metaphors or anything, gosh no!) and frees him from the evil spirit, as told in Mark 5:1-20. So as a somewhat religious individual I should at least be more aware and accepting of spiritualist and paranormal believers.

Anyway, enough serious talk, this is way too deep of a conversation for such a film anyway. Cause yes The Devil Made Me Do It is based on a true story of the court case where the guy pleaded not guilty due to demonic possession, but its a very loose element of truth in what at the end of the day is a horror film blockbuster that is part of major horror franchise that is built upon building shock value and jump scares. They take an element of truth to ground the subject matter in reality, but then tack on a lot of additional crazy stuff to result in a thrilling enjoyable if not a bit too ridiculous ride. And so if you’re looking for that, then this film fully delivers on that promise. There are plenty of jump scares and creepy imagery including an opening sequence that involves a possessed kid during an exorcism bending and cracking his bones and limbs in a very unpleasant way. That being said in my opinion the movie wasn’t at all scary. Yes there are some very creepy and unsettling moments, but it was more a feeling of disgust rather than fright. For the jump scares are so obviously telegraphed that it’s easy to tell from a mile away when someone’s going to jump at you from the screen. Hence the horror value is diminished, however the story itself is so fascinating that it balanced things out. Though I do wish the film focused more on the court case itself and seeing the reaction to the defendants plea rather than the usual horror shindigs, but hey, nevertheless the movie is very enjoyable.

This entry also sees the return of franchise regulars Ed and Lorraine Warren played respectively by Patrick Wilson and Vera Farmiga, both of whom are great in these roles. They have fantastic chemistry and also are such loveable protagonists that you can’t help but care for them. At the end of the day for all its horror antics, this movie is actually a romantic movie! Would have played perfectly on Valentine’s Day is all I’m saying. But hey, I’m fresh from getting engaged to my girlfriend (not gonna stop saying that!) so a romantic film perfectly fit the bill. We also have Denethor pop in for a creepy chit chat. Yes, as in Denethor the dude from The Lord of the Rings who ate tomatoes in a very appetising way. Of course when John Noble appears in a movie you immediately consider that he’d be the villain of the whole thing, though the way they treat his character I was actually pleasantly surprised with. Also the main lad who gets demonically possessed does a good job at, well, acting possessed. Though that may have also been due to the very effective eye lenses the make-up department stuck on him. In addition for the franchise regulars there’s a neat reference to Annabelle in a form of an amusing joke that I actually enjoyed. In a nutshell, Annabelle has turned from the creepy evil doll to the best wingman ever!

The Conjuring: The Devil Made Me Do It takes a franchise in a slightly new direction whilst still innkeeping with the lore and style developed by the previous films. So if you’re a fan of this action horror franchise, then you should allow the Devil to make you do it and watch this movie!

Overall score: 6/10

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theoriginalcarnivorousmuffin · 3 years

Note

After that gorgeous sequel rant, would you be willing to share your thoughts on reylo?

Ugh.

Once again, that is the most succinct, easiest, answer I can supply. But it's so short, and that just won't do.

I mentioned in a recent post that Dramione comes in a myriad of disguises. Every fandom usually has at least one Dramione ship, you can usually guess which characters the ship will consist of, and while you might not be able to articulate exactly what about it makes it so damn similar to Dramione you will recognize it on sight.

Usually, to me, a Dramione ship features a strong, independent, female lead who may be varying levels of sexually empowered, varying levels of intelligent (Hermione loves to tell us how smart she is but it's not the heart of the ship), is strong, courageous, and noble who depending on the story du jour might slide into depravity. The real give away is her love interest, always a man, usually a young man of comparable age, who has the bad boy appeal that's not too bad boy where he often is redeemed to the good side for 'reasons' in the course of the story.

Reylo is such a Dramione pairing.

You don't believe me? Look at the authors who write it, I haven't done this too often myself, but I guarantee you that a not small majority of them will either write Draco/Hermione or will have it all over their favorites and bookmarks. It's the same damn pairing.

But worse.

Because Kylo-Ren and Rey aren't really characters.

"Whoa, hold up!", you say, "That's just slander and uncalled for!" Well, change my mind. Rey Palpatine and Kylo-Ren are a series of character tropes and archetypes thrown to us by Disney screaming "LOVE MY CHARACTERS".

Rey is our noble, very Luke like, hero who is a scrappy desert rat with overwhelming mystical powers only acknowledged when the movies feel like acknowledging them (guys, admit Rey kicked Kylo-Ren's ass every time they fought with 0 training, come on, it's not hard).

However, there is nothing underneath her surface. Her hero worship of the resistance feels dull and given to her because it's expected. Of course Rey likes the resistance! The resistance is great! Sign her up! Rey has been living in the desert at the edge of nowhere for presumably 15 years, I'm shocked she's even heard of the new republic let alone the resistance. Despite essentially starving and only having a home that's a broken down old fighter, Rey saves a random droid. We're not really given a compelling reason of why she would do this, that she has a deep respect for droids/is horrified by their use, really really really hates the random trader she sells things to, or really really really hates the empire (if she even realizes it's them behind the bounty). She does it just so that a) the plot keeps moving b) to show Rey is... noble... I guess?

Remember that even Luke (who I have some problems with as a character) started his journey with more backstory and personality than this. Luke loved the empire and desperately wanted to become a pilot. He was very put out that his aunt and uncle kept saying, "Uh, no, bad idea." Luke was ready to skip town and sign on up for flight academy, he just got distracted by pretty women, er, his sister.

So, Rey is never given a compelling reason to do any of the things she does in the series. Just vague feelings of hero worship. And, of course, the drama over her parents. Just... I feel like Disney took out a hat, put a bunch of pieces of paper with words on them, and drew out the one that said "orphan angst about parents" and said "See, now she's conflicted! What a character!"

So yeah, Rey is your cardboard generic hero who is so generic she's not even a person. She has no hopes, no dreams, no fears, just these vague things we're told as an audience she cares about but never shown in any legitimate manner. Rey likes the resistance and rando droids, Rey imprints on Han Solo as the father she never had, Rey has this thing about her parents, Rey is attracted to Kylo Ren.

And that last one, oh boy that last one. It sold me less on the attraction to Kylo Ren than... oh... I don't know... Palpatine's secret Sith planet of doom. I mean, we all saw it coming, The Last Jedi it was very clear where that was going and then Abrams went for it even harder. But what we had was a series of skype conversations where Rey went from "Gr, you killed my pseudo father!" and Kylo-Ren responding, "Yeah, well he was my real father AND HE WAS SO MEAN" to "Oh Ben, I will fly to you through space and we shall save the galaxy together!"

I am given no reason to believe Rey's change of heart. Han Solo's death just suddenly... doesn't really mean much to her anymore (the man was murdered by his son in cold blood so that his son could feel better about himself). She believes Ben Solo is good now because Luke is a dick (never mind that, no matter what a dick Luke is, Ben Solo still murdered dozens of children and then went on to gleefully massacre his way through the galaxy). We're told there's a Force Dyad, which is um... not this thing the writer's made up because they were too lazy to convince me that Kylo-Ren and Rey would end up together in any organic way.

So, yeah, why does Rey like Kylo-Ren? Because the Force told her too? Because it was somehow all Snoke's fault in a way that's never properly described? (Indeed despite us spending quite a bit of time on Kylo-Ren's decision to remain Kylo-Ren being a very internalized thing) Because we saw him shirtless in yoga pants this one time?

It's bad when that last is actually the most legitimate reason I can think of out of the whole lot.

Now let's go to Kylo-Ren. If Rey is boring and nonsensical then Kylo-Ren is a dumpster fire and non-sensical. The guy reminds me a lot of Commodus from the film "Gladiator", the man is cowardly, vile, and murders his father in despair that his father never will be capable of loving him/passes him over for the throne. Kylo-Ren's murder of Han Solo is extremely similar to the murder of Marcus Aurelius in "Gladiator". Han Solo is a flawed father, trying to make his peace with his son, who approaches him unarmed and Kylo-Ren decides to murder him in order to solidify his place in the dark side.

Only, the films never acknowledge that every action Kylo-Ren takes is horrifying.

We're told "oh, Kylo-Ren exists because evil Snoke corrupted him" but also shown repeatedly that Kylo-Ren chooses the darkest path again and again and again. He "struggles with the light" but I don't see it. His opening scene, he has massacred a village and is torturing a man for information (this is presumably a daily routine for him). In the same film he later tortures Rey for information. He serves on a Death Star which wipes out billions in an instant. He murders his father to feel good about himself. He dresses as a man who was reviled and feared throughout the galaxy, a man who murdered countless children, and a man who dressed the way he did because he was barely hanging onto life, because Kylo-Ren thinks it makes him look like a badass. Think about it, this is like if a fully abled Kylo-Ren is wheeling around in a wheel chair, perfectly capable of walking, because he thinks that Professor X is so cool. Now, replace Professor X with Hitler, this is what the movies gave us.

Yet, the films seem to take it for granted that Kylo-Ren is a redeemable character. He's just lost and misguided, he's really struggling with the light and dark side! They don't just tell us this over and over again (which they do) but also just assume we know it.

And base the entire Reylo pairing off of it. Reylo believed Kylo-Ren could be redeemed, they battle Snoke together, then Kylo-Ren stabs her in the back and continues the assault on the Resistance and asks her to be his Dark Queen (TM). Reylo is shocked and appalled, I'm just wondering what movie she thought she was watching, because that was coming a mile away.

Later, when Kylo-Ren is redeemed, we're never given a reason why it happens. Leia just gives him a nagging, one word, phone call and then Han Solo shows up to go, "Ben, are you going to do the right thing?" and Ben goes, "Mumble, grumble, fine" because there's only an hour left in the last film.

Kylo-Ren, like Rey, is the writers' desperate attempt to create a compelling anti-hero with all the anti-hero sauce we love. They just won't admit they made an overgrown genocidal toddler.

Wow, this turned into why I hate both Rey and Kylo Ren, but, uh, back to the ship. Basically, the films give me 0 reason to ever believe it, and even if I wanted to, even if I said "Alright brain, let's make these characters real people for once", I still wouldn't like it. Because the ship itself is just as flat as the characters. It's spicy but not too spicy bad boy gets together with strong female lead.

I know a lot of people enjoy this, and I won't say it's any less legitimate than any of the weirdness I ship, but I'm not one of them. And the whole thing just makes me go "ugh".

#ask #anon #anti reylo #anti kylo ren #anti rey #anti star wars sequels

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