Reading Like A Victorian
A while ago, I discovered the website 'Reading Like a Victorian', a digital humanities project from The Ohio State University and collaborators.
Since tumblr's been going through a bit of a serial-literature revival, I thought I would share...
Here are some extracts from the website's 'About Us':
RLV is an interactive timeline of the Victorian period. It focuses on serialized novels [...] and adds volume-format publications for context.
When we read Victorian novels today, we do not read them in the form in which they originally came out. Most Victorian novels appeared either as “triple deckers,” three volumes released at one time, or as serials published monthly or weekly in periodicals or in pamphlet form. Serialized novels’ regularly timed, intermittent appearance made for a reading experience resembling what we do when we are awaiting the next weekly episode of Game of Thrones, watching installments of other TV serials in the meantime. Whenever we pick up a Penguin or Oxford paperback of a Victorian novel today, we are engaged in the equivalent of binge-watching a series that has already reached its broadcast ending [and is] a very different experience from what Victorian audiences were doing with novels. Reading Like a Victorian reproduces the “serial moment” experienced by Victorian readers [...]
More info and screenshots and so on below the cut:
[...] if reading serial installments at their original pace is valuable, it is even more valuable to read them alongside parts of novels and of other kinds of texts that Victorian readers could have been following at the same time [...]
[...] a reader who, in 1847, had been following the part issues of both Dickens’s Dombey and Son and Thackeray’s Vanity Fair and then picked up Jane Eyre, published in volume form in October of that year, might notice in Florence Dombey, Becky Sharp, and Jane Eyre a pattern of motherless or orphaned girls trying to negotiate a hostile world on their own. While this figure is well known to be a character type in Victorian fiction perfectly embodied by Jane Eyre and Florence Dombey, Becky Sharp does not often emerge among the heroines who fit that type; reading the novels simultaneously foregrounds parallels between Becky, Florence, and Jane that are not at all obvious if their storylines are experienced separately
I find that, for browsing, the website is easier to use on a computer or tablet than a phone, but it's ok on phone to search for something specific.
The timeline:
Here's what the timeline looks like:
It shows 12 months at a time, and using the left and right arrows will move you back or forward by a month. You can use the 'Jump To Date' function to navigate to a different twelve-month period. Or you can use the 'Author Search' function to navigate to particular works if you know the author's name.
In the above screenshot of the timeline, which shows the period January to December 1852, there are several works shown, including:
ongoing serialised works which had at least one installment published prior to 1852;
works which began serialisation during 1852;
works published in three-volume format during 1852;
other works published during 1852
Details about each work:
You can click on the bar that represents a book's publication to get a drop-down that provides information about that book, its publication, and links to help you read the relevant serial parts.
Here's what happens if you click on Elizabeth Gaskell's Cranford:
On the left of the drop-down, there's some general information about the work, its publication history, and how to use the links.
On the right, there's information and links to help you experience the book in its serial parts: it separates out the parts, indicates the month and the year they were published, and what chapters of the work were published in that part. It also provides notes on each part where helpful. There is a scroll-bar at the right of the drop-down, so you can scroll down to the later installments of the work.
[I chose Cranford as an example as it helps demonstrate the value of the Reading Like a Victorian website... From what I understand, Gaskell initially wrote 'Our Society at Cranford' as a standalone piece of short fiction, but was encouraged to write more, so further pieces also set in the fictional town of Cranford were published intermittently in the same magazine over the next year or so. While a particularly dedicated Gaskell fan who wanted to 'read along' with Cranford following the original publication could probably search 1.5-years-worth of a weekly magazine to find the 9 issues which included the material which would later be published as Cranford, the Reading Like a Victorian website has already done that work for them... and also for anyone else who might be interested, but not quite that interested.]
The links
You can then click on an individual chapter to get links to various places to read it online:
When available / where possible, the website tends to include links to:
a facsimile copy of either the relevant serial part in the original publication, or in an 'annual' or similar volume collecting together the content of that publication, or a volume-form edition of that work if the work was not published serially or if facsimile copies of the original serialised publication are not available. [Most of the facsimiles are hosted by either the Internet Archive or the Hathi Trust Digital Library, but some are hosted as part of smaller, more specific collections, such as - in the case of Cranford - Dickens Journals Online which provides online access to the journals/magazines edited by Charles Dickens);
the text, usually on Project Gutenberg (this is usually the volume-form text, so the exact content and chapter breaks and so on may be different than originally published in serial parts; the Reading Like A Victorian website will generally explain when this is the case);
audio recordings, usually volunteer recordings from Librivox (again, the recordings are usually based on the volume-form text, so the exact content and chapter breaks and so on may be slightly different than originally published in the serial parts).
So yeah, I just thought it was a cool website and worth sharing. I believe the website is already used as a resource by some University courses and for academic research, but it can also be used by book clubs and to aid personal reading, etc. I'm using it to inform a personal reading project for 2024-26 where I follow along with six or seven novels serialised in 1864-66.
To save a scroll to the top, here's the link to the RLV website again: Reading Like A Victorian (osu.edu)
[If you want to join an already-planned read-along based on the original serialisation schedule, @dickensdaily will be doing Charles Dickens's historical novel Barnaby Rudge: A Tale of the Riots of 'Eighty from mid-February 2024 to late-November 2024, to follow along with the original weekly publication of the novel in Master Humphreys Clock from February 1841 to November 1841. I personally found Barnaby Rudge a really engaging, thought-provoking read, and I'm really looking forward to reading it again. (Anyone with particular triggers or other reasons to be wary of the content or language used in older books may find it helpful to look up content warnings for the book before making a decision to read it.)]
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will never get over the fact that mr. heathcliff and mr. arthur huntington are canonically more attractive than mr. rochester.
aside from the fact that they're both described as being handsome, and mr. rochester is described as being not handsome, we can see this play out in the text. while it's a point that mr. rochester's love interests only want him for his money/status, with arthur and heathcliff that's not entirely the case (you could argue that isabella is partly concerned with heathcliff's newfound wealth, but imo if he wasn't handsome as well, she probably wouldn't bother).
like helen I Love My Bible graham sees arthur and immediately starts drawing and painting him to sublimate her very very obvious attraction that everyone (including him) is aware of. even though she's told he's horrible, she says I CAN FIX HIM!!!! JUST LOOK AT HIM!!! and annabella just openly cheats on her husband with him for years. like helen, isabella linton is told that heathcliff is horrible but she's like BUT HOW CAN THAT BE TRUE WHEN HANDSOME? HAVE YOU SEEN HIM? and as soon as mr. lockwood meets heathcliff in the very beginning he becomes obsessed with him. even after heathcliff lets him be attacked by his vicious dogs, mr. lockwood refuses to leave him alone. not to mention that even the initially biased and usually critical nelly agrees that he's handsome, and cathy literally dying because she regrets not marrying him
— although cathy/heathcliff's bond is much more than skin deep / isn't about looks or regular forms of attraction (bc they have an almost twin-like, spiritual bond) i feel like seeing him healthy and handsome and "glowed up" really hurt cathy 10x more than she was hurt before his return, bc back then she could maybe try to delude herself out of missing him as much by remembering him when he was in his slovenly servant role & embarrassing her infront of the lintons — but seeing proof of his potential & that he always did have it in him to accrue & maintain wealth/education/fashion (and yes, good looks too), & that he could've/would've done so if he'd married her, is really what helped to kill her (aside from... y'know, the whole childbirth thing of course - but the narrative does heavily imply that the drama from heathcliff's return decreased her chances of surviving childbirth, so when i refer to her death, i'm looking at the more internal/emotional causes)
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