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#You can reblog tho
lolipoptheclown · 10 months
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Bob Velseb tries grimace shake
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nappingpaperclip · 7 months
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if you have a loving ass beautiful boyfriend who lets you constantly stay over despite the fact that his roommates and all of his friends and family hate u for how you treat him and u repay that by always draining the good vibes out of the house you need to get a grip brother!!!
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terunosukenyamoto · 2 years
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L:it’s so weird to have issues with empathy. Like.Yes i have little to no empathy. Yes I care about people, i’m kind, i help people. But i feel like there’s a wall keeping me from being an Actual Good Person because i lack empathy. I feel like there’s something wrong with me. I have compassion. I don’t have empathy. I see fucking pictures like this
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Like fuck. These images piss me off so much. sympathy is depicted as flat and meaningless and empathy is depicted as being the only thing that really counts. Fuck this. 
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Seen a lot of posts about people coming into your notifications out of nothing and liking your entire blog, but here's a shoutout to the people who do Not follow you, who appear out of nowhere, reblog One (1) post that you are Not the op of, and then you never see them again. Where did you come from girl.
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redysetdare · 2 months
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I'll never understand why people assume that something being a phase is a bad thing, especially when it comes to identity. because the thing is that our lives are made up of phases - they always have and always will. nothing, and i mean nothing, stay's completely the same forever. it's always changing ever so slightly - we are always changing ever so slightly.
We grew up in phases. We would grow up and maybe we liked robots as a kid but then as we grew up we instead decided dinosaurs were cooler - you didn't see people getting up in arms about how a kid liking something was just a phase and why that made their experience with that interest invalid.
We grow up choosing random jobs that we think would be cool as a kid but then as we get older we tend to choose something completely different - no one ever shut down those dream jobs for kids because it's understood that changing your mind isn't a bad thing. It's not bad to say "i want to be an astronaut" and then change that later. No one makes a big deal about "how do you know you actually want to be an astronaut, though?" because that's seen as a silly question to be asking.
it shouldn't be any different for identity. "How do you know you're aromantic?" how do you know you're straight? how do you know you won't change your mind later and realize something about yourself as you grow as a person?
sure, i'm aroace now. That may stay the same it may not. I'm a human being who grows and changes just like you are. Just like we all are. that's the whole point, isn't it? to grow and change?
So what if being aro or ace is a phase. The experience isn't any less valid. it still helped build me as a person. my life was richer because of it, even if it was temporary. I'd rather grow as a person and be happy than feel miserable because I forced myself into stagnation.
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originalartblog · 2 years
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Little thing I did for @videogamelover99's Chuuya leaving the PM with Dazai AU!
Enjoy the boys during their 2 years in hiding, driving around Russia (and missing their stupid exit)
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linktotheheart · 3 months
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I feel like so many people misunderstand BOTW/TOTK Link especially (Zelda too, but that's another topic entirely)
His lack of expressiveness IS a personality trait. It's a direct result of the pressure on his soldiers to be a perfect soldier, hero, and savior. No, he's not Skyward Sword Link, and never will be, because his story is completely different.
"But [other Link] hugged Zelda when he got her back!" and this Link maintained a respectful distance as his princess's subordinate - but ALSO out of respect for Zelda as a person, because she spent her whole childhood having her agency denied and he wants to let her initiate even something as simple as platonic contact whenever possible. He's being kind!
(And yes, I know that primarily only the "he is a knight and she is a princess" part is directly supported in the actual game, but I'll remind the people making comparisons that the dynamic was COMPLETELY different in their favorite comparison game, Skyward Sword. But also... look at the gentleness with which Link interacts with Zelda, the tenderness that he shows so few other characters - Mipha probably being the closest example. Look at the way he looks to her first to see what to do in every scene they're in together, unless he's protecting her from an immediate threat to her life. Notice how outside of that, Zelda IS usually the one to initiate any physical contact)
I also personally hate it when people describe quiet, not very expressive people as "lacking personality" because... my partner IRL is like that. If she expressed herself at all around most people, it's in a very flat, reserved way. I've seen how it hurts her that people treat her like she doesn't have a personality, like she isn't even a full person - and I know that's real life and Zelda is fiction, but come on, do you think all the people that aren't highly expressive and extroverted don't hear that about very popular characters and internalize it?
Being reserved is a personality trait. Being cautious and not impulsive is a personality trait. In fact, I'd even say just because you as an expressive, extroverted person see Link as a blank slate to project your own personality onto, doesn't mean he actually is or was even intended that way.
(I also think this is a very US-centric point of view, honestly. There's plenty of cultures where even BOTW Link would be considered at least close to average - Finnish culture specifically comes to mind, even if he's still slightly exaggerated in that regard as, y'know, a character.)
Idk, this is as much a silly little vent post as anything, it's not that serious, etc, but whatever
(and don't get me started on "oh Zelda got no agency in TOTK and she learned the powers she was struggling overnight". No, it's called a time skip, and just because she learned her powers before the 13th hour this time - which yeah, she would get them easier this time with a mentor who could actually use the same powers, and having already learned to use her light powers - doesn't mean it just "happened overnight". And... she didn't express agency? She was actively influencing the entire flow of the timeline, changing the actions of her ancestors by convincing her ancestors to act, learning to control her powers and fighting Ganondorf, and finally expressing the ultimate form of autonomy in choosing to sacrifice herself to save the world. Some of the criticisms of TOTK didn't even seem to play the same game. Just because a heroine isn't a pop feminist badass who *gasp* wears pants and easily and perfectly kicks every villain's ass, doesn't mean she "has no agency" and is being sidelined. Like, a princess engaging in courtly politics is neither powerless nor "doing nothing")
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bruciemilf · 2 months
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The Waynes from my ‘cigarette mom! Thomas au’, everyone!!!
“Jeezeus fuckin’ Christ, Martha, look at this hippie jeepie bull-shit. Whole city’s going to hell. “
“Do you think there’ll be more wine at the party?”
“Dad, can I take a cookie from Mayor Mitchel?”
“Hell no.“
“AL!”
“Nope.”
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decolonize-the-left · 3 months
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Artists creating specifically to sell and trading off (some of) their own style to do it, activists begging for attention and shares and media coverage because they aren't being paid enough attention, UNWRA desperate for donations, the percentage of people who don't mask in 2024 compared to deaths and disabilities, ppl who need to be convinced to vote with principles that save lives and that genocide is unacceptable, how a living wage or UBI is believed to be "unrealistic" despite the trillions in shareholder investment accounts.
....I'm starting to think Mainstream People™ fucking suck, ngl. In fact, dare I say that Mainstream People are the biggest obstacle to progress now.
Malcolm X said it was the white liberal as did a lot of other revolutionaries and thinkers.
I, however, think anyone who can hold their own comfort over someone else's suffering is the problem.
Why are the rest of us constantly begging and shouting and changing ourselves and our bodies in an effort to make them care about us? To make them see us? To give us rights? To bless us with the support needed to make a living?
Same shit, different generations. And idk about y'all, but I would love to be the last generations who ever had to hate themselves to survive.
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So.. Timberkon?
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flowercrowngods · 9 months
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written for @steddieas-shegoes as a follow-up to this "can you read the letter for me" post-breakup scene (@artaxlivs wrote a wonderful version over here for you to read!) cw: drug mention, OD mention
Steve's body doesn't quite feel like his own as he walks to the playground with his breath lodged firmly in his throat and his heart trying out an old beat that used to be familiar. It's struggling, though, and Steve tries not to think about it. The cold breeze of the night hits his face, making him shiver for more reasons than one.
He hasn't been to the playground for years now. It used to be their spot when they couldn't sleep, kept awake by nightmares and memories and the worst of scenarios. They would come here and sit on the swings, steal glances at each other and talk into the night air, pretending like the other wouldn't hear, and hoping that he would.
He first took Eddie's hand here, swinging as they were, and Eddie had chuckled through his tears, and then his smile hadn't left all night – nor did his hand.
Maybe it's a bad idea, meeting him here. After everything. But some part of him thinks that it might be what they need. If Eddie really is doing as badly as he said, if he really does need a break of several weeks, a tiny part in Steve (the part that would always put himself last as long as it means that the other person gets the tiniest bit of comfort) wants Eddie to have this.
Their little bubble. Or the memory of it at least.
Steve is shaking as he sits down on one of the swings, one of his hands wrapped around the cold chain, the other balled to a fist in the pocket of his jacket. He feels oddly tethered even as the world begins to sway this way and that, even as the breath lodged in his throat solidifies into a lump and he feels as though he's about to cry.
Maybe that, too, comes with the muscle memory of swinging.
He spends an odd second envisioning himself from twenty years ago, laughing and squealing with his friends as they tried to do a looping, and then jump right up into the sky above, see who got farthest.
It brings a smile to his face and a nostalgia to his heart that he hasn't felt in a while.
He feels like he hasn't felt anything in a while. And that he won't until Eddie will apologise. Until he will explain.
The steady squeak–squeak–squeak of the swing is almost eerie in the quiet of the night, but to Steve it brings a certain calm; a safety that he knows is treacherous, but he feels it tingling in his arms, because–
Eddie is there. Slow steps approaching, the gravel crunching underneath his feet that makes Steve want to look up, but, tightening his grip around the chain, he refuses.
I’m sorry for being too much and not enough at the same time.
He knows the letter by heart now, and he wants to see. He wants to see how much space Eddie will be ready to take now, how much he'll let himself be this time. It's unfair, he knows; Eddie's not fine, he should take a step towards him. And he is. He's here. He has agreed to meet with Eddie and hear him out. He has agreed to allow himself a chance at mending his own heart.
Steve feels so torn inside, in more ways than one, that he feels paralysed and petrified and frozen. Part of him wants nothing more than to leap up and take Eddie in his arms, tell him that they'll figure it out, that they can do it, that they can make it work. That second chances are just a thing that happen in life. That it doesn't have to be one and done.
That's another reason he won't look up. There are so many reasons.
"Hey," Eddie's voice cuts through his racing thoughts, though it sounds so gentle and fragile that Steve wonders if it's not Eddie who's been cut.
The steps have stopped, the gravel no longer crunching, and Steve can see a worn pair of Chuck Taylor's in his vision. Not Eddie's usual armour. It throws him off, makes him want to cry, makes him shiver in a way he can't blame on the breeze anymore.
"Thank you," he continues, sounding even more gentle, and Steve squeezes his eyes shut, no longer wanting to hear that voice, not when it sounds like that. So bare. So raw. So vulnerable. "Can I sit with you?"
Steve swallows hard, and doesn't have to consider at all. He nods. Gravel crunches again, then twin chains squeak, the old wood creaking and groaning a little above them, but Steve knows it'll hold. It always does. While Steve is gently swaying, one foot anchored to the ground, Eddie remains impossibly still.
Maybe they're both about to break.
After a while, Eddie speaks up again with the words that Steve has been longing to hear for four years. "I'm sorry."
They're not nearly as satisfying as he always hoped. The world is still broken.
"Okay," he rasps, not really knowing what he's supposed to say. What Eddie wants from this. What he wants from this. If either of them still have the right to want things.
"I had this speech prepared," Eddie continues, still entirely still aside from the way his voice wavers, his laugh a bit breathless and bitter at himself. "But... I didn't... I didn't think you'd come, to be honest."
"Funny," Steve says before he can stop himself, cutting off the rest before it can leave his mouth and make it worse than it is. Coming from the one who left.
"I'm sorry," Eddie says again, and Steve is already tired of it.
So he says nothing, and his silence seems to mute Eddie.
"What does it mean?" he asks eventually, still not daring to look over at the man who used to hold his heart in his hands and then threw it down the quarry before leaving town without another word for four years. But he can feel Eddie's eyes on him. "That you're sorry, what– what does that mean."
"It means that I..." Eddie starts and trails off, considering his words in a way that makes Steve wish he wouldn't.
Just tell me. Take up space. Be enough. Be too much. Just tell me.
"It means that I wish I hadn't left, but that I know I had to in order to find out that living without you is not living at all. It means that I know that I broke your heart and your soul and your future, maybe, for this need of mine to just... find out. To run away. To be someone I could choose to be. And, God, it wasn't worth it. None of it. And still it happened, still I did it, still I know that I just... I had to do it. Being the person I was then, it... I just. I'm sorry. You didn't deserve this. None of it. And if I could, I would turn back time and just tell you. Or sleep it off. Get help, talk with Wayne, anything. Anything that wouldn't lose me the... That wouldn't lose me you. And I'm sorry."
When Eddie finishes, his voice is hoarse, and Steve can't look away any longer. He opens his eyes and prepares to meet Eddie's beside him even in the dark of night, but he finds that Eddie is looking up instead, towards the sky where the moon is busy painting a cloud in silver light as it moves to cover it incrementally, and Steve takes a second to look back down at Eddie and watch him for a second.
His hands are clenched around the swing's chain, and they're shaking a little – so minutely that Steve's not sure if he's imagining it at all, but he feels like he knows Eddie enough to know that he's shaking, too. That they're in this together still. His thick leather boots are replaced with the worn, dark red Chuck Taylor's, and he's wearing a pair of jeans that aren't ripped at the knees. His black denim jacket is plain, no pins, no patches, no rips or tears or any sign of Eddie.
It leaves Steve feeling bereft, untethered once more; and isn't that unfair. It's not fair for Eddie to come here looking like this, looking so open and plain and vulnerable – how is Steve supposed to talk to him now. To talk at him, knowing his words will only meet armour. Armour that will make Eddie leave again.
How is he supposed to say anything when Eddie might not leave again. Or when he never came back in the first place?
"What happened to you?" he asks, the apology forgotten at this need to know. This need to protect, even after all these years. This need to be Steve and Eddie. If only just for the duration of a question.
Beide him, Eddie huffs and looks away from the now covered moon, meeting Steve's gaze with those big brown eyes that look so much bigger now. So much... sadder.
"I've spent all my life knowing who I didn't want to be. Knowing what to be against. Knowing what to hate. And then I– Then I met you. And I got to be someone for myself, you know? You let me be that. And I didn't see, I never... I never quite saw that, Stevie. Because that sad, scared, angry teenager part of me still wanted to hate and rebel and to leave and to be someone. And it didn't matter who, what kinda person, just... Just someone. So I left, and I– God, I lost myself. That self that you brought out. That self that wanted a life full of, like, love, y'know? Not hate. Not anger. Not... Not battle vest, leather armour, sticking it to the Man. But when I realised, it was too late."
"When did you?"
Eddie breathes out heavily. "Last year? Friend of mine OD-ed. Lou. Found her in the hotel, just..."
He breaks off, and Steve can see him blinking away tears just as he blinks away tears of his own.
"I called the band in this, like, full-on panic attack. Told them it was over. Told them I didn't want this anymore. They– They talked me down, because they're great guys. Helped me through it. All of it. Jeff told me to send the letter. Said, 'If you wanna find yourself again, Ed, you gotta start where you last had it, and you gotta start sending the letters.' Best fucking guy I know."
Eddie is smiling through the tears, telling all of this like it's not worth telling at all – like they're not both crying silent tears at it.
Like Steve's not understanding what he's saying. You made me into someone I liked being. and I did write to you, I just never sent them.
"You wrote me letters?"
Eddie nods. "All the fucking time. Wanted you there with me. Stayed sober for you until I... Until I couldn't anymore, because I'd left you, and I left this fucking swing set, and I... God, I'm so sorry, Steve." Eddie is really crying now, hands covering his face, and it's not really a decision at all when Steve gets up to stand between his legs, wrapping his arms around Eddie's shoulders and letting him cry into his chest.
Eddie wraps around him almost instantly, and Steve holds him, running his hands through his hair, shushing him gently, just allowing Eddie to cry for as long as he needs.
And I got to be someone for myself, you know? You let me be that.
You let me be that.
"I'm sorry," Eddie repeats, over and over, and Steve finds himself saying, "It's okay, Eddie, it's okay. I forgive you."
They stay like that for a while. Until Eddie calms down enough to breathe normally again, and even longer still before Steve slowly, gently pulls away – ready to move back in and hold him some more. Even though he shouldn't. Maybe.
"I'm sorry that happened to you," he says at last. "And I'm glad you're taking a break. Glad you sent that letter, too."
"Mm-hmm, me too."
Silence settles between them once more as Steve finds his way back to his swing; and that's when he starts thinking again.
"When you left, I was devastated. And I couldn't even tell anyone, not even Robin. It's like... It's like when you left, you took away that part of me, y'know? I didn't know how to talk about you. The words were gone, or something. And then you... You wrote your songs. And it was double unfair, because not only you get to leave, you also got to talk about it? To, like, thousands of people? I never... I still– it's.... It's like I still don't know how to talk about it. About you. Or to you. There are things I wanna say, but... You said them all, I guess. You got to say them."
"Steve," Eddie breathes, and he sounds just as devastated as Steve feels. "I never meant to– I'm sorry. You didn't deserve that."
"No?"
"No! No, you... No."
Their eyes meet again, and Steve swallows hard again. "Tell me."
"What?"
"What you were gonna say. What you want to say."
Eddie breathes deeply and lets it all out in one long breath. "You didn't deserve that," he says at last. "You deserve someone who treats you right. Someone who lets you be who you want to be, too, and who will bring you flowers, and who will buy you an Winnebago and get you everything you could ever wish for. You deserve someone who's not broken, someone who'll do anything for you because they realise that you're everything they could ever dream of and more."
Steve sighs and feels frustrated again, because Eddie still doesn't get it, Eddie still puts him on that pedestal and made him out of reach for himself to the point where he had to leave because Steve was already gone for him.
"Eddie," he says, and his heart breaks a little when the other man flinches a little at his sharp tone. "I don't ask for that, I would never ask for that, God. I just... I just want a simple, sometimes complicated, sometimes dramatic but ultimately worth it life. I want a– a boyfriend who will say weird shit sometimes because he's a fucking nerd, and who will discover things about himself when he's with me, and go to bed with that smile that tells me he's safe with me. And happy. I don't want anyone throwing away anything, I don't need anyone giving me everything, I just..." I just want you.
But the words don't quite make it past his lips, too much history forcing them shut. It's been four years.
"I don't want to make you into someone. I don't want the weight of that, the responsibility that one wrong look could make someone's entire life fall in on itself. I just..." I just want you.
And that's when he realises what he's always sort of known. That Eddie doesn't even need to ask for a second chance for Steve to hand it to him on a silver platter.
He stands again and comes between Eddie's legs again.
"I forgive you. But I want to talk. About all of this. Not just tonight, but every night. I want to know how I can help you, I want to start over, I want it to be right this time. I don't want you to ever run away again. I want you to talk to me, Eddie. And to take me with you next time you need to run. Because you don't get to run from me, okay? You don't– You don't get to do that, Eddie Munson."
Eddie looks up at him, the moonlight catching on the tears in his eyes, making them look even bigger, and Steve wishes he wouldn't look so small.
"You– But... But I'm so... broken." His hands flail a little, an aborted motion that shows nothing of his usual energy.
Steve's hands find his way to Eddie's cheeks if only to stop him from running away again.
"And I'm not gonna fix you. But I can hold you through it, and stay right where you need me to. That's what people do when–" He cuts himself off before he can say it.
But Eddie understands anyway if the way his eyes widen even more, welling up against the moonlight, is any indication at all.
"Still?"
Steve nods, his thumb stroking Eddie's cheek tenderly, wiping away the fresh tears. "Still. All you had to do was come back."
Eddie falls forward, then, and buries his face in Steve's stomach. It's not running away. It's quite the opposite, actually, and Steve holds him as long as he can.
The night is filled with many more tears as four years of anger and sadness and lostness finally find words to express them.
It's dawn when he says goodbye to Eddie at Wayne's new trailer, waving at the man drinking his coffee on the porch. Eddie holds Steve in a tight embrace for a whole minute before either of them are ready to let go, and only with the promise of Same place, same time tonight.
It's not a new beginning yet, but it's the closure they both need before the new beginning will happen in due time.
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buglaur · 9 months
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she's live
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now you can see what everyones height is in my head because i refuse to download height sliders. look at ass <3
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linterteatime · 6 months
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All the hollow knight gijinkas i have made so far, with links for easy find (◕_◕)
Troupe Master Grimm, Divine, The Radiance, Brumm, Broken Vessel
Quirrel, Mantis Lords, Traitor Lord, The Knight/Ghost, Tiso
Hornet, Lace, Myla, The Collector, Bretta
Pure Vessel, White Lady, Pale King
Marissa, The Hollow Knight, Iselda, Xero, Eternal Emilitia
Monomon The Teacher, Cornifer, Cloth, Jiji, Soulmaster
Hive Knight, Queen Vespa, Grey Mourner, Traitors Child, Marmu
God Seeker, Blue Child Joni, Herrah The Beast, Midwife
Nightmare King Grimm, Markoth, Gorb, Zote The Mighty, No Eyes
Grimmchild , Dung Defender, Moss Prophet, Grub, Grey Prince Zote
Paint Master Sheo, Nailmaster Oro And Mato, Nailsage Sly, Nailsmith, Lurien The Watcher
Salubra, God Tammer, Pale Lurker, Seer, Thistlewind
Small changes to Pure Vessel, Troupe Master Grimm, The Radiance
Fierce Dryya, Mister Mushroom, The Hunter, Snail Shaman
Isma, Revek, Steel Soul Jinn, Tuk
Flukemarm, Fluke Hermit, Dream Warrior Galien, Relic Seeker Lemm
Milibelle, Nosk, Elderbug, Maggot
Grimmkin Novice, Grimmkin Master, Grimmkin Nightmare, Elder Hu
Distant Villagers, Grimm Steed, Massive Moss Charger, Kingsmould
Unn, Cristal Guardian, False Knight/Mighty Hegemol, Watcher Knights
Gruz Mother, Vengefly King, Leg Eater, Menderbug
Willoh, Grubfather, Hot Spring Bugs, Mask Maker
The Last Stag/Old Stag, Brooding Mawlek, Little Fool, Soul Warrior
Ummu, Bardoon, Soul Twister, Volt Twister, Mistake, Folly
Extra stuff for the gijinkas + Fixes for old ones
Greenpath Vessel, Ellina The Chronicler, oblobbles, royal retainers
White Defender, Lord Fool, Winged Nosk, Grub Mimic
(Greenpath enemies): Mosscreep, Mossfly, Mosskin, Volatile mosskin, Fool eater, Squit, Obble, Gulka, Maskfly, Moss knight, Mossy vagabond, Durandoo, Duranda, Aluba
(I will make more dw)
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xandrikart · 1 year
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qiekzart · 2 months
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look at my bad art👍
[plz reblog]
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demigod-of-the-agni · 6 months
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A DEVIL REBORN
Happy Halloween!!! A detailed ID will be placed under the cut (it's close to being 1K i could literally post this to Ao3)
p1. ड्याम्म (dyamma) - Nepali for "(feeling) full", "hitting something"
p3. Chutiya - Hindi for "idiot", "moron" and other related insults
p5. க்ரீச் (kreech) - Tamil onomatopoeia describing scraping/screeching sounds
[Extended Image ID: DYAMMA! Slamming his hands on a table, Achanba Okram finds himself in the darkness of his laboratory. He is wearing black clothes and a white lab coat on top, and has a bowl cut with rectangular glasses.
His thoughts whirl within boxes that are coloured gold and are outlined with red; they put a voice to the uneasy feelings Okram knows are stirring inside of him. The thought boxes read:
With Pavitr gone, I finally have time to string my thoughts together. Half-drowned answers bleed out of my pores. Coalescing like some great, abysmal creature of unknown origin.
Bracing his hands against the table, Okram is acutely aware of his body, of the gaping holes in his back that bubble with demonic energy. His thoughts narrate, My body quakes when I begin to question, wracked with paranoia. With dread, as if the idea of what I had to face was unbearable.
The holes in back — four of them, spaced evenly from each other — begin to ooze golden liquid, hot like fire and viscous like tar.
And yet, Okram thinks, I felt it all the same: that crawling, scintillating horror of my reality. Of my tainted flesh and blood. My being here is the work of demonic forces.
Golden arms, fluid yet bony, powered by some otherworldly thing, unravel from the void in his back. They flounder and expand around him, filling the lab with a cold glow. The fingers are tipped with talons, and, if he looked hard enough, Okram swears they are edged with blood.
I died years ago, Okram thinks. I lost my humanity to the fire of the devil's madness. Thus, the question remains: what is the future of Achanba Okram, a DEVIL REBORN?
The lights of the lab suddenly brighten, and Okram hears him before he sees him. His arms register the presence of the other person, immediately unraveling and slipping out of reality. Just outside, Pavitr Prabhakar's voice calls, "HEY, DOCTOR OKRAM! Sorry I'm late! Traffic was abysmal today."
Pavitr's entrance catches Okram by surprise, and he stutters out, "PAVITR?! You- ah- you have one of your shifts today?"
His thoughts reprimand him, You CHUTIYA! Pavitr always has his shifts on Tuesdays!
Pavitr is unaware of Okram's turmoil, sauntering into the laboratory while hefting up a white plastic bag. He's wearing a black and white flannel shirt, and he has circular earrings. Pavitr's eyes are trained on the bag in his hand. He answers Okram's question with, "Yeah, I do. I, uh, got a little hungry along the way (I'm always so hungry)." Pavitr whispers the last part as he lifts the bag up. He continues, "so I went and bought some vada pav, and—"
He suddenly pauses, his eyes locking onto Okram. He can't tell what is going beyond Pavitr's eyes, but the other man's analysing gaze unnerves Okram to a degree beyond description.
(In Pavitr's POV: his Spider-Sense was just triggered. Red and gold squiggly lines emanate from and surround his head in a halo.)
Pavitr lowers the bag slightly in concern. "Uhm," Pavitr says "are you okay, Doctor?"
Dread and fear floods Okram's system. Suddenly he is hyperaware of everything in the room, including the golden arm that has sprouted from his back and was lying on the workbench behind him, right in Pavitr's line of sight.
Play dumb! Okram's mind screams at him. Accordingly, Okram replies, a tad too tightly, "Of course I am, Pavitr! Why wouldn't I be?"
KREECH. The golden arm scrapes its taloned fingers across the table, no doubt giving away its location.
Okram chuckles nervously, sweating almost immediately, at which his mind howls, Not that dumb!
Pavitr narrows his eyes at Okram and at the golden arm on the workbench. "Are those...demonic arms?" he asks Okram, a shadow crossing his face.
(In Pavitr's POV: In the back of his mind, Pavitr sees a vague and faded image forming in response to seeing the arms. He remembers Doctor Octopus, the man with two extra sets of arms who had attacked him many years ago; he was one of the first villains Pavitr fought as Spider-Man. But... Doctor Octopus died a long time ago. Perhaps...?)
"Oh, Doctor..."
Pavitr's gaze softens as he asks, "Are you being haunted by demons? Have you been attacked by them? Why didn't you tell me? I'm so sorry this has been happening to you. I can't imagine how stressful this is for you." A moment, and then, "Do you want to talk about?"
Okram hides his face in his hands, quickly responding, "No, I'm alright, Pavitr."
Pavitr walks forward, placing his bag down and reaching down to place a reassuring hand on Okram's shoulder. "But, Doctor, men of your generation have ignored their mental health for too long."
"Yes, I know," Okram sighs.
"It'll be okay, Doctor," Pavitr promises, "we can figure something out!"
"And what?" Okram asks somewhat sarcastically. "You will be here with me 'every step of the way'?"
"One hundred percent!" Pavitr says.
Behind them, one of Okram's demonic arms reaches out to peer at Pavitr and Okram; if an arm could be happy, it certainly was. The arm is seemingly pleased with Pavitr's helpful and understanding nature. /.End ID]
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