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#Your views on the characters do not mean that they are correct or that they express your opposite ideals to express hate to others
ghouljams · 1 day
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im not super caught up on ur cowboy au (i LOVE goose n ghost, the dynamic of simon being with price's kid who ACTS like she's prices kid tickles my brain so well) and i dont want to come across as rude... but why is bee with konig lmao. ive been reading the recent discourse and if she's a DA survivor, what draws her to him? what could he possibly do to make her forgive and move on from him being such a piece of shit to goose and making such an ass of himself? like, if he calls a woman a whore and a dog because he was butthurt about getting his ass kicked by someone he doesnt respect just bc she's a woman and small, then why would bee think highly of him or even feel SAFE around him? i really don't mean to be rude about this lmao i just wanna pick your brain
as an abuse victim, even after YEARS of 'calm' and 'changes of ways', i would never be able to completely get rid of the lingering fear after seeing something like that. i can't imagine bee wasn't scared of konig in that moment
and as someone from a small town, making an ass of yourself like that will never be forgiven nor forgotten lol. konig will forever be remembered as the lumbering instigator that fucked around and found out, and if bee stayed with him, that reputation would get stuck to her too
again, i dont know bee's character super well (and i support womens rights and wrongs; she can be flawed and choose to look past things other people won't ignore to stay with someone she cares about) but i just wanna know your author thoughts lol these are your boobahs and i like to hear the thoughts. ill have time later today to read through your posts more too, i havent dug into bee's mostly bc i don't care for konig, but if they're all getting interlinked like this id like more context. just a heads up i might come back later and be like "AND ANOTHER THING-" or whatever lol
thank u hugs kisses i like ur cowboy stories :) <3
GREAT QUESTIONS
So I will say that in the overall context of the cowboy au I will be slotting Goose fighting König into the realm of "very dubiously canon" because you're right, there's no way Bee would trust him again after this.
I'm going to attempt to answer all your questions, but please bear with me because I can get long winded.
So to start off I will say that while Bee's backstory has been hinted at, it's never been officially written down. In my mind, the abuse she suffered at the hands of her (now dead) ex husband was mostly mental and emotional, I think if there was physical abuse that was her last straw that she had to get out.
Bee's relationship with König is interesting because I think in her mind, he is a sort of savior figure. He's always been there when she needed him, he never pressured her into anything, he was always kind and respectful, etc. König is big and scary, but he truly has always treated Bee incredibly well, and despite his *ahem* unorthodox methods has always had her best interest at heart. Bee is also VERY recently divorced, and he took EVERYTHING. König has been her rock since she moved to town and she's sort of imprinted on him to a certain extent.
For König... I have talked before about how I think he views women, but I will condense it into how I think he views Goose specifically before/after/during their fight. König has only met Goose once before in written canon and she pulled a gun on him immediately. It's not that Goose is a woman, it's that she is associated with Ghost. That is what I would consider the bottom line in König's thinking. If Goose was just some random woman in town he wouldn't care but she specifically occupies the space of "enemy combatant" because she's with Ghost.
I will say also König already has a reputation as a weird freak in town. People don't really care for him, but now he's also the guy that Goose beat up. So... not great for him. Bee on the other hand is fairly well liked. She's sort of clueless but she's well meaning and generally willing to learn or correct her mistakes. Like I said this fight fic is pretty dubiously canon I don't think it will actually effect the story the way it would irl, but those are Bee/König's standings in town.
As for whether Bee would take König back after watching him go after someone Bee sees as smaller and weaker than him(though König sees Goose as just another enemy to be taken down, women or not)... I don't know. That's why I say this fic is really dubiously canon, because you're right I don't see her taking him back after this. I think this would be the end of it, and I really love the love story I've crafted for the two of them. So it's a big old shrug from me boss. IDK
I think a genuine apology from König to Goose would help a lot. I think König sitting down and explaining his past to Bee would also help. If there was some added context, that it's a long standing beef between himself and Ghost and he made a bad judgement call, then that would be good for getting on the road to healing. Bee would also have to sit down and explain her feelings to König, all in all it would have to be a complete open communication between them, likely with a therapist moderating. But I don't want to write that because I genuinely don't think I would be able to do it justice.
Bee's story is one of my favorites, it's her fairy tale ending, it's her rebuilding her life and finding love despite her trepidation. It's a story of self healing and love, and I don't want to sabotage it with a fight.
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batista12362585 · 2 years
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Really, like Jonerys Fan.
https://archiveofourown.org/works/19021168/chapters/66228512#main
https://archiveofourown.org/works/31505234/chapters/79837438
Sometimes, I feel disappointed in what the fandom has become. Hate stories no more. The fans, Jon Stan and Daenerys Stan, hating each other. And instead of blaming those responsible for these who are the D&D producers. They just attack each other in your posts whether they're here on Tumblr or anywhere else. No longer can one read any Jonerys story without the attacks on other characters coming out. I understand the hatred of the Stark clan in the last season, but it's toxic hatred, it extends to Pre-Season eight stories, even before the start of the  series/books proper. It has degenerated into a toxic hate culture. Not better than the Jonsa, but they are at least more united. A little.
The next AO3 user, FairyDream, never approved of my comments. You already know him from other posts I made, where the so-called “Jonerys Stan”, which is more of a “Dany Stan”. He only dedicates himself to promoting and writing stories where Jon's character is denigrated. That added to the displays of racism and xenophobia against Northerners, and all those who are from the North. I wouldn't have a problem with this behavior, if they were just “fictional characters”, but when in his last story, he promotes male rape, he is a NO, from me.
Here is my unapproved comment, which explains everything I mean:
“ In this story of yours, while I understand the hatred towards the Starks now, more than anything from the Targaryen loyalists, the inclusion of Jon now bothers me. Because it just presents a sharp divide, as Jon Snow is both Stark and Targaryen. To hate the Stark part of him would be to hate his mother Lyanna for that, and it's a mistake most Jonerys authors don't seem to understand. also the fact that rape was committed against a man here, in this case Jon, who was drugged by Tormund and Ygritte, and such a crime should be reported. Instead, we worry about Daenerys, because her "feelings and emotions of her" are more important than the sexual crime perpetrated against Jon. This case, which should be aberrant, seems to be an indiscriminate display of indifference not only towards Jon Snow, but towards the entire male gender. I have a feeling that, if it were Daenerys, the sexually assaulted one, many who comment here would already ask for justice for her. Denoting her hypocrisy and her double standards. It's a dark time to be a Jon Stan. Like the Daenerys Stan they destroy all the other characters, just in order to put theirs on a pedestal. 
Jon Snow's new TV show coming up. created by Kit and George RR Martin himself. It will further multiply the hate. Too bad this split in the fandom, the Books will never end, is possible with George Martin working on this show post-8th season. We'll never know what Jonerys would have been like in the books. And we will be left with all this eternal hatred within this fandom. Anyway, maybe this comment will be censored, since it does not praise the author, I just hope it is reasonable enough to understand, that it was not a pejorative criticism, but more towards the attitude that lately, populate within this fandom. Peace.“
That's it. The following news of HBO's “next Jon Snow show”, I hope it fester wounds, and make all those Dany Stans foam with rage, who have deserved it for their toxicity.
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astronomodome · 5 months
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Might catch flak for this which is fine but I’ve been seeing posts on here that are like encouraging people to analyze the life series more deeply than the ‘ooh curses’ level, and while I do appreciate this point of view and kind of agree, I think we should also understand that this is a silly block game series and it’s okay to not want to look that deeply into it. It’s okay for people to have shallow takes on things or dumb headcanons (yes, even that one, the one you personally hate) because everyone approaches the series in a different way and doesn’t really want to obsess over every detail until they can fully characterize every player or something. I appreciate the people who are Character Understanders but I don’t think it’s fair to expect everyone engaging with the fandom to be the same. There’s no moral obligation to have the deepest most correct understanding of the underlying themes and meaning or whatever. Let people have fun and cultivate your own garden gamers <3
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surftrips · 4 months
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BAD REPUTATION | LUKE CASTELLAN
DISTRACTION — CHAPTER 03
pairing luke castellan x fem!ares!reader
summary y/n's guitar practicing is interrupted several times.
author's note slowly introducing more of the social media aus into these fics! you can view all of the characters’ twitter accounts here.
→ installment of this au read for context
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The weather outside was beautiful. Kids were strewn out around camp, some were by the lake while others found shade in the armory or stables. You, however, were in your cabin all alone. You knew that this was one of the few times it would be empty, so you snuck away from archery to practice your other instrument– your guitar. 
You began strumming the first few notes to a song you had been working on. Quietly singing the lyrics to yourself, you were reminded of a time before camp.
It was back when you were still with him. You recall how your back leaned against his as he helped move your fingers to the correct strings, how he guided your hands to the right positions, he was always so patient with you. But that had all come crashing down when the monsters in your head became real, too real for him to deal with. 
Anyway, that was a long time ago now. You went back to strumming your guitar and tried to push the memory away, but you couldn’t. You hated that he still occupied your mind, no matter how hard you tried to move on. 
You thought that coming here would help, and it did for a while. Other boys became distractions and temporary fixes, but then there was Luke, who confused and terrified you.
When Annabeth and Clarisse brought him up at your sleepover the other night, you felt the need to hide. The bravest girl in camp, and you couldn’t face your own feelings. It made you feel weak, and you hated that.
Realizing that you got distracted once again, you resumed singing for a third time. 
It wasn’t long before you heard the sound of keys dropping followed by“shit.” You looked up from where you were sitting cross-legged in bed to see who it was.
“Hello?” you called out.
A bashful curly-haired boy peeked his head into your door. You frowned. 
“Hey Y/N, sorry for interrupting you,” Percy said, slowly. 
“Aren’t you supposed to be training right now?”
“Y-yes,” the boy stammered. “But Luke needed me to get something from Hermes cabin for him.”
“You do realize this is Ares, right?” 
“Right, I just-” 
“Just…?” You knew you were being a little rude to the boy, but it had been a while since you messed with the campers. You couldn’t have them thinking you went soft all of a sudden. 
“Sorry, I was just walking by and I heard someone singing and I figured it must be you, so I just stopped for a second to listen.”
“Okay, stalker.” 
“I wasn’t stalking, I swear!”
“Whatever, just get going before Luke gets mad at you too.” 
Not needing you to tell him twice, Percy rushed away. Sighing, you went back to your guitar for the umpteenth time. 
📥 INCOMING MESSAGE FROM: PERCY
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You enjoyed about 30 more minutes of peace before you heard a soft knock on your door. Grumbling, you climbed out of bed, ready to scare the camper away. 
“I swear to god-” you started.
“Hey, hey, I come here in peace,” Luke put his hands up defensively. 
“Ironic because you’re actually disturbing my peace. What is it with everyone bothering me today?” 
“Look, I came here to apologize for Percy earlier.”
“You wasted your time because this could have been a text then,” you said. You were usually nicer to Luke than the rest of the campers, but you hadn’t been in a good mood recently, not since the sleepover and not since you started working on this song. 
He must have noticed your change in attitude toward him because he asked, “Is everything okay?”
“Yes,” you said quickly. “And even if it weren’t, I’m not going to bother you with my problems.” 
“You’re not a bother,” he responded sincerely. 
“Well, I’m glad you think that. But us Ares kids, we have to take care of ourselves. I’m used to it.” 
“Just because you’re used to something doesn’t mean it’s the way things should be.” 
“Oh, my bad, Castellan. I didn’t take you for a philosopher.” 
“Alright, whatever. I just came to apologize for Percy, I’ll leave you to your moping.” 
“Hey! I’m not moping!” you said, defensively. 
“It sure does look like it,” he said, scanning the room and landing on the mess of sheets on your bed and the snack bags you had discarded haphazardly on the floor. 
“I’ll have you know I’m actually working on a very special project, so. This is what the room of an artist looks like.” 
“Oh?” he chuckled. “Is that so?”
“Mhm, I can show you.” 
“Alright, bet,” he found a spot next to you on your bed and watched as you set up your guitar. 
You strummed the first few verses of your song, hyper-aware of how close the boy next to you was right now. You could feel his breath on the back of your neck, and closed your eyes as you slowly allowed yourself to lean into him, softly singing the lyrics. 
When you got to the chorus, you cleared your throat. “Uhm, here is where I’m getting stuck a bit, because everyone keeps barging in here.” 
“Is this the part where you ask me to leave then?”
You stared into his brown eyes. You wondered how anyone’s eyes could look so soft, could hold so much emotion. Did he look at everyone like this? 
“Y/N?” he said, after a moment.
Shit, how long were you staring at him for? And was your mouth open the entire time? 
“Sorry, I thought I saw something in your eye. Probably just a piece of dust,” you laughed nervously. “Uhm, yeah, I think I need another hour or something to finish this song, but I’ll see you at the campfire tonight, yeah?”
If Luke was disappointed, he didn’t look it. “Yeah, of course, I gotta head back to my counselor duties anyway.” 
He saluted you playfully as he turned around to leave, being sure to close the door after him.
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elucubrare · 11 months
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What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?
this is really complicated - i can put it in two boxes, both of which are packed very full.
disconnection from the material reality of the past
when characters display a very specifically modern mindset (about social issues especially, but other stuff too)
(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)
there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.
my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.
Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.
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mypoisonedvine · 4 months
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eddie munson with 90. "is it just me, or does your celebrity crush look a lot like me?", with fem!reader
I didn't use the exact line of dialogue just the concept, I hope you don't mind! I love this request though!!
warnings: just fluff and a wee bit of angst along the way, friends to lovers, 'unrequited' love (the love is requited they are just stupid)
100 random prompts - send me a number and a character!
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"Admit it-- you'd let him do anything he wanted to you," Robin laughed teasingly.
"Honestly? Yeah, probably," you agreed as you bit your lip.
"What if he's, like, a freak or something?" she wondered. "Like what if he's into something really fucked up?"
"It would still be hot, 'cause it's him," you decided.
"So if he came up to you right now, and said 'hey, you're cute, wanna come back to my place and take a bath with me in a tub of mayonnaise?' you would..." she prompted.
"I would ask if he knows where I can get bulk mayonnaise for a discount," you grinned.
"Ew! You hate mayonnaise!" she grimaced.
"Yes, but I love him," you explained.
Just then, Eddie hopped up to your table, straddling one of the attached benches with a smile. "Woah, who do we love?" he asked.
"Eddie, you can't just barge in to a private conversation," Robin corrected with a frown.
"Private? I can hear the girlish giggling from the theater room," he scoffed. "Besides, I wanna know the gossip. You've got it bad for somebody?"
He looked around the room as if he would figure out who it was by examining the students, but Robin shook her head. "It's not, like, a real guy. It's her celebrity crush."
"And future husband," you beamed.
"Would I know who it was if you said it?" Eddie wondered.
You thought about not telling him, but it didn't really matter, because Robin blurted it out. "Probably-- it's Kirk Hammett, from Metallica."
Eddie's eyes went wide for a second, before he grinned and leaned one arm against the table. "I guess I should take that as a compliment."
You laughed softly in confusion. "What?"
"You know-- 'cause I look like him!" he announced excitedly.
Robin tilted her head as he stared at Eddie. "Oh yeah!" she said. "You know, now that you say it--"
"No," you shook your head, "you're not like him."
"Yes I am!" he laughed, though it sounded more like a sound of bewilderment than amusement. "Come on, are you serious? People say it all the time!"
"Well, they probably just say it cause you play guitar."
"And the hair?!" he yelped, shaking his mane around for emphasis which made Robin snort.
"Lots of guys have long hair nowadays!" you rolled your eyes. "That doesn't mean anything. Robin's blonde, doesn't mean she looks like Goldie Hawn!"
"Wait, I don't?" Robin asked sarcastically, feigning offence.
"It's not just that-- you seriously don't see it?" Eddie pouted. "Look at me-- I mean, really look at me."
You did, narrowing your eyes slightly as you examined him; he held his arms out as if to show himself to you, which did give you a better view of his arms and ink, but you frowned and shook your head. "I just see Eddie," you shrugged.
He deflated a bit. "Right, well-- anyways, did we get Robin to share her celebrity crush?"
"That was the next order of business," you explained with a smirk, and you both put your attention on the girl across the table.
"Nope-- my lips are sealed," Robin assured.
"If we can guess her name, will you tell us?" Eddie asked.
"No, I'll never--" she started to insist, but the two of you were blurting out names already.
"Brooke Shields!" "Kim Basinger!" "Ooh, Annie Lennox!"
"Guys," Robin groaned, rolling her eyes, but she was starting to blush, too.
~
You and Eddie were sitting side by side on the ground, backs leaned up against the outer wall of the school; his knees were bent and his arms were draped over them, while you sat with your legs overlapping as you tied wildflowers from the lawn into a daisy chain.
"You're quiet," you noticed.
"So? There's not much to say," he replied.
"When has that ever stopped you from running your mouth?" you smirked, looking up at him, but he wasn't smiling back at you so yours sank. "You've been quiet for a while."
"Guess I'm not that peppy today," he decided, staring forward at his fingers as he mindlessly spun one of his rings around.
"Not today," you explained, "like, all week. Is everything okay?"
He shrugged a little as if to say, it doesn't matter.
"Seriously, just talk to me," you pleaded. "Whatever it is, I wanna help."
"You can't help, okay?" he snapped,
"I can't stop thinking about what you said," he admitted. "When you and Robin were talking about your celebrity crush--"
"Listen, Eddie, I'm sorry if I don't see a resemblance, but it's not that big of a deal--"
"No, no, not that," he sighed, "I meant... what you said after. That you just see Eddie."
You knit your eyebrows together, not sure what he was getting at. He finally looked back at you, and the sadness in his eyes made your breath catch.
"That's all you're ever gonna see, isn't it?"
You sighed a little, looking away for a moment. "Ed, not this again--"
"C'mon, babe, you know I'm crazy about you," he sighed, tilting his head until it leaned against the wall behind him. "And I know every excuse you've given me-- you're not ready for a relationship, you don't want to ruin what we have, you don't want to bring me into your messed up brain-- but if you're into this guy who looks like me but you don't want me then... then it must just be that I'm awful, right?"
"Eddie, no," you denied with a pout, but he scoffed and looked ahead again.
"It's okay, I get it," he sighed. "I wouldn't wanna date me either. You deserve all the fancy stuff, y'know? Getting driven to cool dates in a nice car, hanging out at his house and not, you know, a dirty old trailer--"
"I don't want all that stuff," you assured, moving in closer to him. "I want somebody sweet and fun and smart--"
"I knew it's 'cause I can't fuckin' graduate," he mumbled, but you put your hand on his arm to get his attention.
"Eddie, you're not listening to me," you scolded. "It's not you, it's me. And I know that's a cliche but it's true."
"How can it not be me?" he rolled his eyes. "I'm a freak, and a fuck-up, and a flunk-out, and you're basically perfect--"
"Oh my god, you're, like, my dream guy, okay?!" you spat out, louder than you meant to. He finally shut up, and looked at you like he could finally see it-- like he finally knew. "I always liked you," you continued, a little softer and shier than before, "but I knew if I... if we ever actually, you know, went for it, I'd just mess it all up. And you're the last person I'd ever want to hurt--"
He cut you off with a kiss: a sudden, sweet, hungry kiss that caught you off-guard for a second before you melted into it.
It wasn't that one kiss could make all your fears about a relationship go away... but it sure could make them seem a lot less important. And it definitely could help convince you that it was worth the risk.
When he pulled back, he held your face even as you tried to look away to hide it. "Sorry," he said, taking his hands away slowly, "I just had to do that."
"Oh, Ed," you hummed, "you're so cute I could die."
He got a little red in the face, which only made the cuteness more apparent. "Aw hell," he snorted, scratching the back of his neck nervously. "You think I'm cute 'cause I look like Kirk?"
"No," you smiled, "I like Kirk 'cause he looks like you."
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imyourbratzdoll · 5 months
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𝒂𝒏 𝒐𝒃𝒔𝒆𝒔𝒔𝒊𝒗𝒆 𝒌𝒊𝒏𝒈 𝒂𝒔 𝒂𝒏 𝒆𝒏𝒆𝒎𝒚 𝒍𝒆𝒂𝒅𝒔 𝒕𝒐 𝒉𝒆𝒓 𝒇𝒂𝒕𝒆𝒇𝒖𝒍 𝒌𝒊𝒅𝒏𝒂𝒑𝒑𝒊𝒏𝒈
🍑peaches world (and the men that just exist in it) masterlist🍑
summary - the beginning on how you were kidnapped by the king of koopa kingdom, buckle in your seatbelts and enjoy the ride, because this will be a smutty rollercoaster.
warning - mentions of cock, kidnapping, inappropriate feelings/thoughts, swearing.
18+ only please, the gif isn’t mine, header created by me.
Warnings and Reminders - Please do not plagiarise, copy, repost/republish, adapt, or translate any of my work on any social media platforms, apps, or third-party sites. The only platforms I post my work on are: Tumblr and Wattpad. I do not own any character of any franchise (Marvel etc.) All my works are fiction and may be dark or triggering content: READ ALL WARNINGS BEFORE PROCEEDING.
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You watched your kingdom from above, it was a peaceful day as your people walked around and lived their lives happily. Usually, things were more of a ruckus. With a smile you turned and began to walk out of your room and down the hall, your pretty pink dress falling gracefully to the floor and sways with each step. You were happy, Lloyd and his brother Tangerine were currently out helping the people, so you had the castle to yourself.
You were wondering what you were going to do with your free time. You had many options, you could improve your parkour, do some painting that you always wanted to do but pushed to the side, you could go outside and tend to your flowers. The possibilities were endless and just as you were about to take the last step, a hand wraps around and covers your mouth. Your eyes widen, your hands immediately go up to try and pull whoever it is away. You freeze when they speak, feeling their massive body pressing against you.
“Shh, little Princess. You don’t want to warn the guards now, do you?” Ari Bowser Levinson is the one currently holding you. Your enemy, your rival. The King of The Koopa Kingdom. “That’s a good little Princess, staying nice and quiet for me.” You try to fight the shiver that runs through your body, knowing it’s wrong to feel this way when you are with someone. “Do you know how shit your security system is, Princess? I managed to slip right in, I mean. Someone really bad could’ve broken in and taken you for themselves, don’t you understand how dangerous that is.” He whispers like he isn’t the really bad person. You wiggle, trying to move away but you end up brushing your arse against him instead causing him to groan. “I wouldn’t do that, Princess. Unless you are wanting me to take you right here.”
You stop abruptly and your eyes widen, suddenly everything goes black. You don’t remember anything after that, and when you finally wake with your eyes fluttering open. You look around, confused. The walls and floors are grey, you tilt your head as you notice a large screen resting against the wall. Your attention is brought away from it when Ari enters the room. “Good morning, little Princess! Has my little Princess made herself comfortable in her new home?” He towers over you as he’s around 8 feet tall. He stalks closer, bending over to stare at your sitting form. “I sure hope so, because if I get my way, you will be staying here for the rest of your life!” He grins, and you shiver as it comes off evil-like. His eyes holding something much darker behind them. 
“Screw you and your plan, Ari! I’m sure Lloyd and his brother are already on their way to come rescue me!” You huff, arms crossing over your chest unknowingly pushing your breasts together and giving the older man/monster a lovely view. Your bottom lip juts out and you try to glare at him, failing miserably with how small and cute you are compared to him.
Ari coos, “You are correct, my smart little Princess. As far as I’ve been informed, they are already on their way!” He watches you jump with joy, your breasts bouncing with each movement, and he feels his cock twitch, licking his lips as soon the fun will begin. 
“Really?! They are coming?! That’s great!” You continue to jump, clapping your hands as a giant grin appears on your face. 
Ari laughs, shaking his head and moving closer to you. Backing you into the wall. “Not so fast, little Princess. Not everything is going to be easy for you.” He grins, placing his arm next to you against the wall. Ari directs you toward the screen, his arm wraps around you, making you feel even smaller, those darn tingles appearing again, and you try to push them away knowing how wrong it is. His hand reaches into his pocket, receiving a remote and you eye it. Your eyes move from the remote to his hands, wondering how they can still look so good with the claws. 
You had always heard stories before Ari turned his attention toward you and your kingdom. (Mostly you, but you didn’t think someone would be so obsessed with just you.) He was once a man that got his karma, being turned into half of a turtle. His already big build helped him mutate into something more monstrous. Horns in certain places, claws, sharp fangs, a larger cock. (Not that anyone got to see, but I guess it’ll be your lucky day.) 
Ari snaps you out of your thoughts, smirking when he catches you staring at his hands. “Two days have passed since I kidnapped you, little Princess. Where do you think Lloyd and his brother are now?” He hums.
“I presume they should be knocking at the door to enter the castle, right about now. I think…” You blink up at him, brows furrowed. 
Ari boops your nose, smirking wider than before. “Alright, if you have that much hope in your little boyfriend. Let’s watch it live to see how they are doing, shall we, little Princess?” You both face the tv, his large finger pressing the on button and he grins at your wide tear-filled eyes. 
“They’re at the beginning?! But how?! What are they still doing there?!” You yell in disbelief. Sure, the brothers were a bit slow sometimes, but you would’ve thought that saving you would make them go a bit faster. You begin to scream at the screen, hoping that they would be able to hear you. “It’s been two days, and you are still there?! I’m not even in that fucking world!” Ari chuckles behind his hand as he hears you swear, you look so cute as your cheeks puff out. “I’m in Bowser’s castle! Everyone knows it’s the biggest and most guarded of them all! Those are just fucking decoys!” You stomp your foot, practically throwing a tantrum, not noticing the big bad King sneaking closer behind you. “You fucking idiots! They’ll kill you now! Fucking watch out! That’s just the first Goomba of that level! Don’t let him touch you, you idiots!” 
“This is going to take a while, little Princess. So… Why don’t we have some fun while we wait.” Ari smirks as you turn with a confused look on your face. Before you can react, he rips your dress from your body, and you stand there with wide eyes. “Oh, we are definitely going to have some fun, little Princess.”
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cripplecharacters · 1 year
Text
Writing Intellectually Disabled Characters
[large text: writing intellectually disabled characters]
Something that very rarely comes up in disability media representation are intellectually disabled characters. There is very little positive representation in media in general (and basically none in media meant specifically for adults or in YA). I hope this post can maybe help someone interested in writing disabled characters understand the topic better and create something nice. This is just a collection of thoughts of only one person with mild ID (me) and I don't claim to speak for the whole community as its just my view. This post is meant to explain how some parts of ID work and make people aware of what ID is.
This post is absolutely not meant for self diagnosis (I promise you would realize before seeing a Tumblr post about it. it's a major disorder that gets most people thrown into special education).
Before: What is (and isn't) intellectual disability?
ID is a single, life-long neurodevelopment condition that affects IQ and causes problems with reasoning, problem‑solving, remembering and planning things, abstract thinking and learning. There is often delay or absence of development milestones like walking (and other kinds of movement), language and self care skills (eating, going to the bathroom, washing, getting dressed etc). Different people will struggle with different things to different degrees. I am, for example, still fully unable to do certain movements and had a lot of delay in self-care, but I had significantly less language-related delay than most of people with ID I know. Usually the more severe a person's ID is the more delay they will have.
Intellectual disability is one single condition and it doesn't make sense to call it "intellectual disabilities" (plural) or "an intellectual disability". It would be like saying "they have a Down Syndrome" or "he has autisms". The correct way would be "she has intellectual disability" or "ze is intellectually disabled".
Around 1-3% of people in the world have intellectual disability and most have mild ID (as opposed to moderate, severe, or profound). It can exist on its own without any identifiable condition or it can be a part of syndrome. There is over a thousand (ranging from very common to extremely rare) conditions that can cause ID but some of the most common are;
Down Syndrome,
Fragile X Syndrome,
Fetal Alcohol Syndrome,
Autism,
Edwards Syndrome,
DiGeorge Syndrome,
Microcephaly.
Not every condition always causes ID and you can have one of the above conditions without having ID as long as it's not necessary diagnostic criteria to be met. For example around 30% of autistic people have ID, meaning that the rest 70% doesn't. It just means that it's comorbid often enough to be counted as a major cause but still, autistic ≠ intellectually disabled most of the time.
A lot of things that cause intellectual disability also come with facial differences, epilepsy, mobility-related disabilities, sensory disabilities, and limb differences. A lot, but not all, intellectually disabled people go to special education schools.
Intellectual disability isn't the same as brain damage. Brain damage can occur at any point of a person's life while ID always starts in or before childhood.
"Can My Character Be [Blank]?"
[large text: "Can my character be [blank]?"]
The difficulty with writing characters with intellectual disability is that unlike some other things you can give your character, ID will very directly impacts how your character thinks and behaves - you can't make the whole character and then just slap the ID label on them.
Intellectually disabled people are extremely diverse in terms of personality, ability, verbality, mobility... And you need to consider those things early because deciding that your character is nonverbal and unable to use AAC might be an issue if you're already in the middle of writing a dialogue scene.
For broader context, a person with ID might be fully verbal - though they would still probably struggle with grammar, what some words mean, or with general understanding of spoken/written language to some degree. Or they could also be non-verbal. While some non-verbal ID people use AAC, it's not something that works for everyone and some people rely on completely language-less communication only. There is also the middle ground of people who are able to speak, but only in short sentences, or in a way that's not fully understandable to people who don't know them. Some might speak in second or third person.
Depending on the severity of your character's disability they will need help with different tasks. For example, I'm mildly affected and only need help with "complex" tasks like shopping or taxes or appointments, but someone who is profoundly affected will probably need 24/7 care. It's not infantilization to have your character receive the help that they need. Disabled people who get help with bathing or eating aren't "being treated like children", they just have higher support needs than me or you. In the same vein, your character isn't "mentally two years old" or "essentially a toddler", they are a twenty-, or sixteen-, or fourty five-year old who has intellectual disability. Mental age isn't real. Intellectually disabled people can drink, have sex, smoke, swear, and a bunch of other things. A thirty year old disabled person is an adult, not a child!
An important thing is that a person with ID has generally bad understanding of cause-and-effect and might not make connections between things that people without ID just instinctively understand. For example, someone could see that their coat is in a different place than they left it, but wouldn't be able to deduce that then it means that someone else moved it or it wouldn’t even occur to them as a thing that was caused by something. I think every (or at least most) ID person struggles with this to some extent. The more severe someone's disability is the less they will be able to connect usually (for example someone with profound ID might not be able to understand the connection between the light switch and the light turning off and on).
People with mild intellectual disability have the least severe problems in functioning and some are able to live independently, have a job, have kids, stuff like that.
What Tropes Should You Avoid?
[large text: what tropes should you avoid?]
The comic relief/punching bag;
The predator/stalker;
The "you could change this character into a sick dog and there wouldn't be much difference";
...and a lot more but these are the most prevalent in my experience.
Most ID characters are either grossly villainized (more often if they have also physical disabilities or facial differences) or extremely dehumanized or ridiculed, or all of the above. It's rarely actually *mentioned* for a character to be intellectually disabled, but negative "representation" usually is very clear that this who they're attempting to portray. The portrayal of a whole group of people as primarily either violent predators, pitiful tragedies or nothing more than a joke is damaging and you probably shouldn't do that. It's been done too many times already.
When those tropes aren't used the ID character is still usually at the very most a side character to the main (usually abled) character. They don't have hobbies, favorite foods, movies or music they like, love interests, friends or pets of their own and are very lucky if the author bothered to give them a last name. Of course it's not a requirement to have all of these but when there is *no* characterization in majority of disabled characters, it shows. They also usually die in some tragic way, often sacrificing themselves for the main character or just disappear in some off-the-screen circumstances. Either way, they aren't really characters, they're more like cardboard cutouts of what a character should be - the audience has no way to care for them because the author has put no care into making the character interesting or likable at all. Usually their whole and only personality and character trait is that they have intellectual disability and it's often based on what the author thinks ID is without actually doing any research.
What Terms to Use and Not Use
[large text: What Terms to Use and Not Use]
Words like: "intellectually disabled" or "with/have intellectual disability" are terms used by people with ID and generally OK to use from how much I know. I believe more people use the latter (person first language) for themselves but i know people who use both. I use the first more often but I don't mind the second. Some people have strong preference with one over the other and that needs to be respected.
Terms like:
"cursed with intellectual disability"
"mentally [R-slur]"
"moron"
"idiot"
"feeble-minded"
"imbecile"
is considered at least derogatory by most people and I don't recommend using it in your writing. The last 5 terms directly come from outdated medical terminology specifically regarding ID and aren't just "rude", they're ableist and historically connected to eugenics in the most direct way they could be. To me personally they're highly offensive and I wouldn't want to read something that referred to its character with ID with those terms.
(Note: there are, in real life, people with ID that refer to themselves with the above... but this is still just a writing guide. Unless you belong to the group i just mentioned I would advise against writing that, especially if this post is your entire research so far.)
Things I Want to See More of in Characters with Intellectual Disability
[large text: Things I Want to See More of in Characters with Intellectual Disability]
[format borrowed from WWC]
I want to see more characters with intellectual disability that...
aren’t only white boys.
are LGBT+.
are adults.
are allowed to be angry without being demonized, and sad without being infantilized.
are not described as "mentally X years old".
are respected by others.
aren't "secretly smart" or “emotionally smart”.
are able to live independently with some help.
aren't able to live independently at all and aren't mocked for that.
are in romantic relationships or have crushes (interabled... or not!).
are non-verbal or semi-verbal.
use mobility aids and/or AAC.
have hobbies they enjoy.
have caregivers.
have disabilities related to their ID.
have disabilities completely unrelated to their ID.
have friends and family who like and support them.
go on cool adventures.
are in different genres: fantasy, romComs, action, slice of life... all of them.
have their own storylines.
aren't treated as disposable.
don't die or disappear at the first possible opportunity.
...and I want to see stories that have multiple intellectually disabled characters.
I hope that this list will give someone inspiration to go and make their first OC with intellectual disability ! This is just a basic overview to motivate writers to do their own research rather than a “all-knowing post explaining everything regarding ID”. I definitely don't know everything especially about the parts of ID that I just don't experience (or not as much as others). This is only meant to be an introduction for people who don't really know what ID is or where to even start.
Talk to people with intellectual disability (you can send ask here but there are also a lot of other people on Tumblr who have ID and I know at least some have previously answered asks as well if you want someone else's opinion!), watch/read interviews with people who have ID (to start - link1, link2, both have captions) and try to rethink what you think about intellectual disability. Because it's really not that rare like a lot of people seem to think. Please listen to us when we speak.
Good luck writing and thank you for reading :-) (smile emoji)
mod Sasza
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the-modern-typewriter · 6 months
Note
Hey! Asking for some writing advice here.
How does one write a villain exactly. In a very simple world with no superpowers and stuff how do you give them motivation. How do you make them slowly descent into villainy. Somehow when the villain actually thinks they're doing the right thing until the very end?
Thx love
There are a few different questions here that I'm going to try to to unpick.
I'll start with a brief overview of the connections between protagonist + antagonist, just because recognising them can be really useful in shaping your own ideas. Then I'll dive into motivation. So.
Antagonist + Protagonist = CONFLICT
If you know your protagonist well, then you have all the ingredients you need to write a great villain/antagonist for them too. Here is why.
Your villain/antagonist is, at the most basic fundamental starting point, something that is between your protagonist and what the protagonist wants/needs. As a very simple example, if your protagonist wants to make sure that everyone is free, then your antagonist is going to in some way be involved with making sure they are not free. Once you know what your antagonist needs to do in a story, then it's a lot easier to pose the question to yourself of 'okay, why would someone do that?'
Villains often reflect an opposite or warped view of the values and motivations that your protagonist has. They mirror or foil your main character. So, your antagonist's motivation will often be either opposite to the protagonist (e.g, your protagonist is motivated by selflessness, so your antagonist is motivated by selfishness in some way) or they will be the same motivation or value gone twisted (e.g. we both have people we love who we would do anything to protect...it's the villains way of acting on that motivation that makes them the villain, not the motivation.)
Of course, you can not have your antagonist + protagonist connected in this way. This is often the case if the source of conflict in your story is not another actual character or if you have a more generic villain. Lots of great stories have generic villains. It typically just means the villain is not a focus. It might be, like, about the friendships made in the journey instead.
Motivations:
I find it helpful to think of all my characters having two motivations.
The external story-specific motivation. This is whatever the antagonist is trying to achieve in your particular story and where things like genre and superpowers etc come into play.
The internal motivation that is more universal. The internal motivation is, while still specific to the character, the driving emotions and values. With a villain, that is often hatred or fear or lust for power because they're villains, but as noted earlier it can be a twisted form of love, or a strong sense of an injustice committed against them. This shapes the external motivation (e.g. 'lust for power = I want the throne, 'fear' = I'm going to kill or belittle or control what scares me so I don't have to feel scared anymore', justice might equal revenge or gaining power to ensure that a wrong is corrected. ) It could also be a bias or a prejudice that they're raised on driving them, that they genuinely believe in. Lots of possibilities!
I think this is true of people as well. We have our foundational core beliefs and desires (to be loved, to succeed, to be accepted whatever) and then we have the things we try to get in the real world to meet those needs (whether they really will or not).
Either way, it's the second one that comes into play with the slow descent into villainy and the villain thinking that they're doing the right thing until the end. Because, initially, their heart genuinely is not in a villainous place. They may actually be doing the right thing at the start. And then bad things happen. They are changed by the journey. They are a protagonist gone tragic.
We all experience emotions that can drive us to behave poorly; the desire for revenge or recognition, to ensure that the people we care about are safe, to get money so that we can provide for ourselves and others etc. None of us are without prejudice or privilege. Those things do not make you a villain, but they can be an excellent starting place for one.
Think about times when you've messed up. A villain is often an exaggerated version of that. You start pushing your own boundaries because there is something you really want/need and, depending on how far you push that...do you feel like you can still go back? Or do you feel like you might as well finish it after everything. At what point do you breathe for air, look up at what you've done, and go shit.
That's the villain who realises way too late that they're the villain.
Final note: I've been using antagonist and villain pretty interchangeably here...but they have slightly different connotations. Your antagonist does not have to be a villain to be effective. They just have to be an obstacle to the protagonist. E.g. if two people are going for the same dream job or trying to win a competition, the other competitors are antagonists to a certain extent, but that doesn't mean they're villainous or bad people. Whether you have an outright villain will depend on your story.
I hope this helps!
Some going further questions to take with you.
Is your villain trying to stop your protagonist from reaching their goal? Or is your protagonist trying to stop the antagonist from reaching their goal?
How does the villain's external goal in the story reflect the inner need? Note. They are aware of their external goal. Most people are not aware of the inner goal in the same way.
Do you know what you want your stories themes to be? (This doesn't have to be complicated and it's fine if you don't, that's what editing is for). Your protagonist and antagonist often weigh in on these themes. For example, your antagonist might be a path the protagonist could have gone down, if they made a different choice or something happened differently in their past.
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blackbirdi · 1 month
Text
Game Night (Not a Good Idea)
Brief Description: Things heard during Wayne family game night.
Point of View: 3rd Person
Word Count: 1334
Character: Batfam x platonic!Reader
Every Sunday Bruce tries to get all his kids (whether adopted or not) back to the manor for supper and a game night. And while some of the time the games are fun and a bonding moment for everyone, most of the time it's a battleground.
Things said playing: Super Smash Bros
A very pissed off Timothy Drake: DAMIAN! I AM ON YOUR TEAM; STOP PUSHING ME OFF!
–––––––––––
A frustrated Stephanie Brown: DODGE IT! WHAT ARE YOU DOING!?
Y/n L/n: *Playing the game for the first time in years* I don't know the controls...
–––––––––––
Jason Todd throwing his controller against the wall after his team lost for the seventh time in a row: THIS IS BULLSHIT!
***
Things said playing: Twister
A defeated before the game even begins Duke Thomas: No. Straight up, no. We all know Dick's going to win; what's the point in even playing?
–––––––––––
A very flexible and cocky Dick Grayson: What do you mean you can't reach the green circle? It's literally so easy!
Jason: *His eye twitching* Kill yourself.
–––––––––––
A tired of the complaining, Bruce Wayne: Dick, you're not playing this round.
Dick, heartbroken: What? Why?
The rest of the Batkids: *Cheering*
***
Things said playing: Jenga
Damian Wayne, who just knocked the tower over: DRAKE BUMPED INTO ME! HE MADE ME KNOCK IT OVER JUST SO I WOULD LOSE!
Tim, who is sitting over ten feet from him: What? No, I didn't.
Damian: YES, YOU DID!
–––––––––––
A very confused and slightly disappointed Barbara Gordon: Why did you choose that one?
Y/n, who chose the most difficult one to remove: *Practically in tears* I DON'T KNOW!
–––––––––––
Anyone after knocking the tower over: I fucking hate this game.
***
Things said playing: Among Us
*While they're waiting in the lobby (the game hasn't even begun)*
Tim: It's Damian.
Damian: Fuck you.
–––––––––––
Bruce, after being the first killed for the fifth time in a row: Do you hate me that much?
Steph (a crewmate): *Walking past Bruce's body and not reporting it* Yes.
Babs (a crewmate), who people are now suspecting: You're not supposed to give any hints that you got killed, Bruce.
–––––––––––
*Y/n and Cass being revealed as the imposters*
The Batfamily after being positive that Y/n and Cass were the only ones who weren't the imposters (other than those murdered): WHAT DO YOU MEAN YOU WERE THE IMPOSTER?
Y/n and Cass: *Cackling*
***
Things said playing: Charades
Jason, after they ran out of time and didn't guess it: *Looking at the card* What you acted out was not fucking Ratatouille.
Damian, who was very much not doing anything to hint towards Ratatouille: YES, IT WAS!
–––––––––––
Babs after picking up the most complicated things possible to act out: What the fuck is this?
–––––––––––
Bruce: I burned the zombie card by the way.
Jason, Tim, Steph, Damian, and Y/n: *Groaning in disappointment*
***
Things said playing: Just Dance
Cass: *Doing everything perfectly*
Everyone else: How the fuck are you doing that?
–––––––––––
Cass: *Giggling* What are you doing?
Y/n: I don't fucking know.
–––––––––––
Tim: HOW DID DUKE GET SECOND!?
Duke: I am the epitome of a graceful dancer, Tim. *Proceeds to trip over the coffee table and land flat on his face*
***
Things said playing: Any game involving riddles
Any of the Batkids: I CALL DUKE/STEPH!
–––––––––––
Bruce: *Reading a riddle that was writing in Shakespearean (ye old English)*
All of the Batkids: w h a t
–––––––––––
Duke/Steph: I'm telling you, it's *correct answer*
Jason: No, it's not. It's *very much the wrong answer*
Duke/Steph, feeling petty: Fine, we'll go with *Jason's answer*
Bruce: It's *the answer Duke/Steph originally had*
Duke/Steph: *Waiting for Jason to admit they were right*
Jason:
Jason, who refuses to take the blame: Jeez, you're terrible at this game.
***
Things said playing: Spoons
(if you don't know what Spoons is, search it up because I don't know how to describe it, but it is the most fun game ever and you're missing out.)
Y/n: *Holding onto the spoon like her life depends on it* YOU CAN'T GRAB IT FROM ME! IT'S ALREADY IN MY HAND!
Steph: *Clawing at Y/n's hand* GIVE IT HERE!
–––––––––––
Dick: *Cradling his hand* I think Jason broke my hand.
Jason, with the most "I don't give a shit" voice ever: Damn. That sucks.
–––––––––––
All the Batkids at one point: *Quite literally throwing themselves across the table to grab the last spoon*
Bruce: *Tired Dad SighTM*
***
Things said playing: Monopoly
Jason, who owns all but one railroad: I swear to God, Tim, if you land on the last railroad and buy it...
Tim, lands on the last rail road: *Buys it*
Jason: *Lunges across the table to strangle him*
–––––––––––
Y/n, after buying Park Place a while ago: *Lands on Boardwalk* You bitches are about to be financially murdered.
–––––––––––
*After red hotels have been added to over half the board, and there are at least two green houses on every spot*
Duke: Can I just stay in jail?
***
Things said playing: Uno
Cass: Uno!
Steph: *Places Pick Up 4 card*
Tim: *Places Pick Up 4 card*
Y/n: *Places Pick Up 4 card*
Jason: *Places Pick Up 4 card*
Duke: *Places Pick Up 4 card*
Dick: *Places Pick Up 4 card*
Damian: *Places Pick Up 4 card*
Babs: Sorry, Cass *Places Pick Up 4 card*
Cass:
Cass, trying not to fucking snap: You guys fucking suck.
(I'm sobbing. She's picking up 28 cards. NOOO, CASS)
–––––––––––
*It's down to just Tim and Damian; the others have all gotten rid of their cards*
Tim, after being skipped for the fifth time in a row: *Near tears* HOW MANY FUCKING SKIP CARDS DO YOU HAVE?
Damian: *Placing another one down* Yes.
–––––––––––
*Whenever someone wins*
The rest of the Batkids: *Starts a fist fight*
*Cue Uno getting banned from being played at a Game Night.*
***
Things said playing: Mario Kart
Babs, throwing a green shell: *Bounces off the wall and hits her instead of the person ahead of her* I'm going to kill someone.
–––––––––––
Dick: *Picks Rainbow Road*
The rest of the Batkids: Fuck you.
–––––––––––
Cass, before they start playing: Oh, I suck at this game.
Cass: *Wins over half the races*
–––––––––––
Jason: DID YOU JUST FUCKING BLUE SHELL ME!?
Y/n: Yup.
Jason: YOU FUCKING ASSHOLE! I WAS JUST ABOUT TO WIN!
Y/n: That's why I did it.
–––––––––––
Steph: *Getting pissed that she got 2nd*
Bruce: *Trying to console her* It's fine, Steph. It's just a game.
Steph: JUST A GAME!? JUST A GAME, HUH!? THEN YOU FUCKING PLAY IT, BRUCE!
Bruce: *Too scared to play with his kids because of how angry he's been seeing them getting* No.
Steph: That's what I fucking thought.
–––––––––––
Y/n, after being hit by Jason's red shell for the third time in a row: *Throwing the controller at Jason* I'M DONE! I'M FUCKING DONE!
Jason: *Cackles*
–––––––––––
Tim: *Looking at someone else's screen and not realizing it* I am so good at this.
*His character is actually continuously hitting a wall*
–––––––––––
Duke: *Gets a blue shell* It's over for you, Cass!
Damian: *Uses Thunderbolt, thus getting rid of Duke's blue shell before he can use it*
*Duke, trying to stop himself from attacking Damian*
–––––––––––
Damian: *About to get first place* And victory is–
Duke: *Blue shells him* That's what you get, you little bastard.
*Damian proceeds to literally bite Duke*
––––––––––
*Bruce, trying to ban Mario Kart from Game Night*
All the Batkids: BOO! I'm not coming back if you do.
*Mario Kart has not been banned*
***
Bonus! (Involves only Babs, Dick, Jason, Steph, Cass, Tim, and Y/n)
Things said playing: Cards Against Humanity
Y/n, holding the prompt for this round: *Looking at the responses the rest gave her* You all are fucking terrible human beings.
Babs: It's a damn game, Y/n. No one actually meant it.
Dick: Hey! My card was not that bad!
Cass: Come on, it's funny!
Jason: Yes.
Steph: Thank you.
Tim: You're one to talk.
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suugarbabe · 8 months
Text
foolish flowers | g.w x reader
word count: ~1.5k
summary: little georgie blurb based on an ask I recieved and lost.
warning: fluff
The dinging above the door alerted you that a customer had walked into the shop. You did your best to sound polite as you shouted from the back, “I’ll be right up.” Whoever had walked in told you to take your time, but you still found yourself rushing a bit as to not appear rude. 
You walked from the back with a bushel of Aster flowers in your arms, completely obstructing your view. You feel yourself nearly tripping over a pot as you’re making your way to your work station, quietly cursing to yourself. “Here, let me help you with those,” two large hands grab the bushel from you, placing it on the counter. 
You smoothed out your apron before looking up and meeting quite possibly the softest and kindest green eyes you’ve ever seen, “T-thank you.” The man in front of you just smiled, giving a nod before going back to look at the flowers and arrangements you had around your small shop. 
His brows furrowed reading the different cards associated with certain displays. You found yourself watching him, observing him as he looked around. He was incredibly tall, having to nearly bend in half to read anything on the counter. 
You couldn’t help but find his looks of confusion endearing. You decided it was probably best to offer your assistance, for as much as it seemed like he wanted to appear like he knew what he was looking for, he was completely lost. “Looking for something for your girlfriend?” you kept your tone innocent, but you’d be lying if you said there wasn’t motive behind the question beyond being helpful to a customer. 
“Erm, no, for my mum actually,” a blush crept up the man’s neck, dusting his cheeks along with it and accentuating his freckles. “Well then might I suggest not getting these,” you gestured towards the red salvia’s, “as they typically symbolize meaning ‘forever mine’, not quite sure that’s best for mum.” 
You gave him your sweetest smile and he returned a nervous one, scratching the back of his neck, “What, erm, do you suggest then? It’s her birthday tomorrow, my mum, that is, I just wanted to get her something nice.” 
You tapped your finger against your lips as you thought, glancing around the shop to create a beautiful and meaningful piece in your head. “How about…” you trailed off walking up to the marigolds and grabbing a handful, “and a little of…” you grabbed a small batch of chamomile, “oh and definitely…” you grabbed some fully bloomed clematis, “and lastly…” you grabbed some columbine. 
The man watched and you arranged it all in a beautiful glass vase, the purples, whites and yellows dancing together perfectly. He couldn’t help the smile that spread over his face as he watched you work. “Stunning,” he breathed, “What does it all mean?” 
You clapped your hands together in excitement, explaining pieces was one of your favorite parts of your job. “So, the marigolds here,” you pointed to the flame colored flower, “are her birth month flower and these here,” you pointed to the chamomile, “mean patience in adversity. I assumed because she was a boy mum that she probably dealt with a lot while you grew up,” you shot him a playful wink. 
He laughed lightly at this, “You have no idea.” You continued, pointing next at the clematis, “These mean mental beauty, which is simply true for any mother, and these here,” you pointed at the white flower surrounded by what looked like a purple shell and leaves, “are columbine flowers, they represent foolishness.” 
The man quirked an eyebrow at this one, “And why, pray tell, did you pick these?” You bit your lower lip slightly, “Well, you look awfully close to the moving character atop the joke shop across the street, so I just assumed you probably own it. Thus the additive of some foolishness representation.” 
He smirked at your explanation, leading you to believe that you were correct in your assumption, “Would you believe me if I told you I was born on April fools?” You giggled lightly, “I would expect nothing less coming from the man who owns a joke shop. What is it called again?” 
The man smiled proudly now, “Weasley’s Wizard Wheezes.” You looked at him curiously, “So is that your name? Weasley?” 
He nodded, “Surname. My first name, however, is George.” 
“Well it’s very nice to meet you, George.” You smiled sweetly, then turned to your register, “That’ll be ten galleons.” His smile never faltered as he dug into his pocket, pulling out the coins needed. 
He grabbed the vase, walking towards the door. As he was halfway out, he turned back to you, “I just realized that I told you my name, but you never told me yours.” You shrugged your shoulders, “Guess you’ll have to ask when I stop in your shop next time.” 
George raised his eyebrows, liking the bit of mischief you were flirting with, “Alright, guess I’ll see you then, love.” With a wink, he was out the door. 
—--------
Fred stood at the top of the steps, watching the smiling faces roam around his shop. He loved the kids faces as they discovered a new way to prank, a new toy to cause chaos, or how he could see the light switch in their eyes when they saw something on the shelves that had them plotting. 
He and George would get the same look when they were younger. Godric, they get that same look still to this day, they just try their best to choose the appropriate time and place for their shenanigans. 
What his shop did not often get were beautiful women exploring his shop and looking at… “Puking pastilles?” He looked at you curiously, but you hadn’t yet lifted your head from the package. 
“Seems like they’d come in handy for the family dinner I’m trying to avoid tonight,” Fred laughed with you and you finally turned to look at him. 
“Well, you’re certainly not George are you,” your smile was sweet as Fred cocked an eyebrow at you. “And how could you possibly be certain of that, darling?” 
You looked up at the man in front of you, he looked exactly like George, very obviously a twin brother. However if you paid attention enough, there were subtle differences. You didn’t inform George of this last week but you had noticed him before he walked into your shop that day. 
There were quite a few times you had spotted him through your front window, leaving or coming to work, always dressed colorfully and having a smile on his face. When he smiled the corners of his eyes wrinkled just a little, his eyes downturned just slightly more than the man in front of you. 
But the thing that really gave it away you had noticed just last week, when he was finally close enough for you to really see him properly. Staring into friends eyes you smiled, patting his chest, “George has a beauty mark on his neck, right here.” You pointed towards the spot where George’s mark was on Fred’s neck. 
Fred’s smile seemed to grow impossibly wider, “You’re the flower shop girl aren’t you.” He said it more like a statement rather than a question. “Y/n,” you corrected. 
The redhead laughed, “Oh Georgie is going to hate that I learned your name before him.” You shook your head, “Is Georgie here?”
Fred nodded, “Yeah, boyo’s here alright, but I’m really relishing in me getting to learn more information about the girl he’s been pining after before he does.” 
He was hoping to embarrass his twin a little, so what you said next instead had Fred a bit shocked. “Well I’m glad the feeling has been mutual,” your tone and smirk quite impressed Fred. 
When you looked over his shoulder he turned, seeing his twin on the upper level of the shop, “If you’ll excuse me, not George-”
“Fred,” he interrupted. You smiled, “If you’ll excuse me Fred, I’m going to go find George.” 
Fred watched as you sauntered up the staircase, George still none the wiser as he helped a few customers out. As you made it to the top you stood behind him and started speaking, his ears perking at the sound of your voice, “Got anything here to get out of a dinner party?” 
George turned around, sly smile on his face, “Have you looked into puking pastilles?” You held up the box in your hands, “Ah yes, that’s what the other George suggested.” 
The smile on George’s face quickly turned to laughter, “The other George?” You nodded, “You didn’t tell me you had a twin; Fred was it?” 
He nodded, leaning a hand on the railing beside him now, “And you still haven’t told me your name. I’ve been referring to you as flower shop girl in my head all week.” 
Your grin widened, knowing now (thanks to Fred) that George had probably been referring to you as that for a lot longer than a week, “Y/n. My name’s Y/n.” 
“S’beautiful,” George was bold, tucking a loose strand of hair behind your ear. Fred watched from a few floors below, mentally patting his brother on the back for pulling out the moves they used to use in school.
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alexandraisyes · 5 months
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Eclipse Character Analysis (Sun and Moon Show)
Alternate Title: Why I'm 95% sure Eclipse is a sociopath EDITED TITLE: An Analysis of how Eclipse's ASPD is reflected in his character
A hopefully unnecessary disclaimer: - One, hi, hello I am a sociopath, I do know what I'm talking about. This also means that a lot of what I notice and will describe about Eclipse are similar or the same as my own experiences living life in this mortal realm. What I will touch on in the "redemption" section is heavily based on the kind of intensive treatment I had to get in order to improve my behavior when I was younger, so it's important to note that while Eclipse will never be able to change his personality (like how I can't change mine, and you can't change yours), he can change his thought patterns, mentality, and behavior. The saying that "sociopaths can't change" is specifically talking about how we can't change our personality, which is true for everyone. That doesn't mean we can't learn to function better in civilized society or be taught emotional awareness and morals. - Two, hi, hello this is just what I've noticed and does not mean it's canon unless Reed or Davis themselves come onto my Tumblr and go "Yes, this, this is what is correct", and even then, you're allowed to have your own opinions and views on these characters. I'm just theorizing here EDIT: Reed and Davis confirmed that Eclipse is indeed a sociopath a day after I posted this here, and a week after my initial post in their server that is basically this but slightly messier. - Three, hi, hello I'm also a psychology student so I also know what I'm talking about in that regard too. I've been studying psychology and general medicine for three and a half years now, so I like to think I have some idea of what I'm talking about - Four, I use the terms sociopath, ASPD, sociopathic disorder, and anti-social personality disorder interchangeably since they all describe the same personality disorder - Five, this analysis is long, I cover the basics, an in depth, some potential scenarios, a redemption arc possibility, and some other thoughts I have about him. - Six, I made this disclaimer to address any potential misunderstandings, or harmful stereotypes that I tend to be confronted with any time I talk about ASPD. Now onto the good stuff!
Too Long; Won't Read - Here's a Summary
Attachment and Pride: Eclipse initially cared about Lunar, and his reaction to Lunar leaving suggests a fragile pride. His inability to connect with others is evident in his strained relationships with KC and Bloodmoon.
Masking Emotions: Eclipse keeps his darker thoughts to himself at the beginning, and throughout the show as well. He masks both his emotions, and his intentions throughout the show, and is careful not to show when people have upset or offended him. This behavior stems from a learned experience that letting his guard down leads to resentment.
Manipulation and Brash Communication: Eclipse is straightforward and brash when expressing thoughts, feelings, or opinions. He employs manipulation when needed but is mostly disinterested in others.
Boredom and Stimulation: He seeks reactions from people, often causing chaos for entertainment. Boredom, especially when stuck as an AI, prompts him to instigate situations for amusement.
Lack of Empathy: He also appears to lack empathy, as evidenced by his inability to understand emotions and his focus on getting reactions rather than connecting with others.
Touch Aversion: Eclipse's lack of physical affection aligns with the common aversion to touch seen in individuals with ASPD.
Remorse and Growth: Eclipse shows remorse only in instances where he hurts Lunar in the beginning of the show, indicating a potential area for growth. A redemption arc could explore his struggles without completely erasing his apparent sociopathic nature.
Writer's note: A thoughtful portrayal of Eclipse's sociopathy, should my theory touch on the truth, if continued in a storyline, could provide an authentic exploration of mental health challenges and personal growth. Care should be taken to avoid stereotypes (DON'T USE GOOGLE FOR INFORMATION ABOUT THIS I BEG)
Putting Him Under a Microscope - Full Analysis
1. Attachment and Pride:
Eclipse's initial connection with Lunar suggests a potential attachment, a notable aspect in individuals with ASPD who can form (highly) selective bonds. However, Lunar's departure significantly impacts Eclipse's pride. This reaction aligns with the fragile self-esteem often observed in those with ASPD. The departure becomes a perceived personal betrayal, triggering Eclipse's defensive response.
In individuals with ASPD, relationships often serve specific purposes, and Eclipse's attachment to Lunar may have been driven by a combination of genuine connection but also very clearly the utility Lunar provided in fulfilling certain needs or desires. (Which was helping Eclipse get the star of course)
Moreover, Eclipse's struggle with connecting to others, evident in strained relationships with KC and Bloodmoon, is a characteristic of ASPD. Individuals with this disorder often face challenges in forming and maintaining meaningful relationships due to their limited capacity for empathy and understanding of emotional nuances.
2. Masking Emotions:
Eclipse's tendency to keep darker thoughts to himself reflects a common coping mechanism associated with ASPD. Individuals with this disorder often learn to conceal their true emotions early on due to negative experiences when expressing genuine feelings. This learned behavior serves as a protective measure against potential backlash or social rejection.
The fear of vulnerability and subsequent consequences aligns with the interpersonal difficulties faced by those with ASPD. Eclipse's decision to hide his less socially acceptable thoughts is a strategic choice aimed at avoiding conflict and maintaining control over his image.
Professionally, the concealment of darker thoughts is recognized as a defense mechanism in individuals with ASPD. This protective facade, or 'mask,' becomes an integral part of their social interactions, allowing them to navigate social situations with greater ease. However, this constant need to mask one's true feelings can contribute to internal struggles and further isolate individuals with ASPD from genuine emotional connections.
One may ask, what 'darker thoughts' did Eclipse show, or receive backlash for? Well, let's see, when he was stuck in Sun for the beginning of his life, he was first confused, a bit scared, and completely disoriented. He was forgotten, and during the first parts we can see him trying to reconnect with Moon, however, his delivery, as individuals with ASPD tend to do, was brash. It didn't sugar coat what he wanted, and considering his earlier transgressions previously, they weren't taken well in the slightest. Instead of Moon trying to genuinely talk and explain, all he provided Eclipse with was "I changed, and you didn't." and in general was very annoyed and irate with Eclipse. There were several times during the beginning of Eclipse, where there could have been progress made with him, to help him work through his issues, his internalized fear of being forgotten again, and the accidental neglect, that just… didn't happen. Because Sun and Moon saw him as a virus.
Moon because Moon saw himself as a virus, so what else would he think of something that originated in his code, and acted like he used to? Acted like he still sometimes did, parts of himself that he didn't like about himself, living and breathing once again in the mind of his brother. Corrupting him.
And of course, Sun because he was just so tired and hurt and he finally thought he could have something only for this ball of code to make itself known? This peice of his brother that was left behind, that was formed from Moon's killcode? That was constructed from Moon's literal need to lash out, hurt others, and kill. I'm honestly a little horrified that this is never touched on in the show, because people aren't just born to be awful, that's not how this works. There were so many opportunities where toxic and awful behavior could have been stopped if it was handled properly.
Of course, I'm not blaming Sun and Moon. It's hard to help someone who doesn't understand they need help, and as a result the person won't want help either. Plus, they've said it themselves in the episodes where Lunar had returned from the dead. They were never programmed to understand mental health issues, and they have a hard enough time grasping the concepts of their own mental health issues to deal with other peoples. Especially other people who are actively hurting them, it's hard to feel sympathy for someone who causes you harm as far as I'm aware. (I personally wouldn't know)
But back to my main point, there absolutely were times in the beginning where Eclipse was just honest about his wants and desires, and was shown disgust and hatred for it. Which would absolutely make him be prone to masking, which he does a lot in the show from what I can tell.
3. Manipulation and Brash Communication:
Eclipse's communication style, characterized by being brash and straightforward, aligns with the speech patterns and tendencies often associated with ASPD. When he's not trying to pull a fast one over someone, he's very blunt, and he doesn't beat around the bush. Individuals with this disorder may utilize manipulation as a means to achieve personal goals or navigate social situations, but without a reason to sugar coat, they won't. Although sometimes not sugar coating is also employed as a manipulation tactic, which makes it tricky navigating conversation at times with sociopaths. Eclipse's lack of hesitation in employing manipulation reflects the calculated nature of his interactions, as we see him smoothly switch between fronts, acts he puts on to get people to agree with him.
His disinterest in others, apart from exploiting them for personal gain, is consistent with the self-serving behaviors commonly observed in sociopaths. The use of manipulation as a tool for control and amusement is a manifestation of the disorder's impact on interpersonal dynamics. When he contacts Moon for help with Killcode, even then he has his own motives that are only helped by Moon being distracted with Killcode, as well as having KC out of the picture.
Professionally, manipulation is recognized as a prominent feature of ASPD. Individuals with this disorder may lack the ability to form genuine emotional connections and, instead, view relationships as transactional opportunities. Eclipse's interactions, particularly with Sun and Moon, exemplify this transactional approach, where he derives amusement from creating chaos. This last bit (amusment) is important, and I'll cover it next.
Before I pop on over, this is where I'd like to touch on Servant Eclipse. He is very crafty, and very manipulative, but it doesn't fool Lunar, who he clearly cares about to some degree. (Again, will say it as many times as needed, people with ASPD can care about people, it's just a lot of effort at first, doesn't come naturally, and is reserved for a select few). Lunar in this reality probably knows Eclipse inside and out, and isn't fooled by the not very convincing "I'm just a husk now" act Eclipse is playing out with. I suspect that Eclipse also is aware the Lunar isn't fooled, but it amuses him to some degree to keep up the game. I can only imagine serving a "Lord Lunar" is a fairly excitable life, and it's unlikely he's extensively bored. He's also just as brash as the OG Eclipse, and doesn't sugar coat the truth, or tries to ease Gregory into topics.
4. Boredom and Stimulation:
Eclipse's constant quest for stimulation and amusement, even at the expense of creating chaos, reflects a key characteristic of individuals with ASPD. Boredom intolerance is common in this population, leading to a perpetual need for excitement and novel experiences. (Can speak from experience, I spend about 4-6 hours every day bored out of my freaking mind and it's absolutely torture - which is why I draw so much)
The portrayal of Eclipse as being "bored out of his mind" when stuck as an AI in KC's base underscores the challenge individuals with ASPD face in mundane or monotonous situations. The need for stimulation is a driving force behind their impulsive and sometimes risky behaviors. There's a certain kind of restlessness, and impulsivity associated with ASPD, very much an act before you think, get defensive when confronted, and maybe think about it two days later on the very small chance it triggers a sense of morals/remorse. (Then probably forget it happened, cause we are very good at not caring enough to remember half the stuff we do. This isn't a choice, by the way, people with sociopathic disorder just aren't wired to feel strong emotions like guilt and shame.)
Professionally, this behavior aligns with the clinical understanding of ASPD. Individuals with the disorder often engage in sensation-seeking activities to counteract feelings of boredom and emotional emptiness. Eclipse's enjoyment in hacking Moon's computer, causing reactions from Moon and Lunar, serves as an outlet for his need for stimulation and disruption, as well as fulfills other purposes in starting a conversation with Moon about KC.
And of course, now I get to touch on my two favorite things that just drill this in. When OG Eclipse gets the star… what does he do? He torments Sun and Moon instead of wiping everything away, and I'm aware this is mostly because he doens't have mastery over the star. But what does Sun say, when Eclipse shows up to torment them on top of the play structure. Something along the lines of, You're just bored at this point? Is that it?
And what does Eclipse do? He leaves. Because Sun is absolutely right, and it probably stings his ego to have someone he so fully has convinced himself of hating to be right about him. Even before he gets the star… just how much effort did he really put into getting the star? Sure, he had this big plan, but I think he was aware that the 'perfect world' would never make him happy to start with; he just felt the need to be something larger than life, so of course you must set the largest goals to achieve in order to be that. He could have gotten the star so much faster lets be honest. I fully believe he was just having too much fun messing with Sun and Moon, because it gave a reaction, and the reactions to his actions were exciting, breaking his boredom. He was bored a lot, stuck in Sun's head, stuck in Sun's body and pretending to be Sun, stuck as an AI, stuck with Solar Flare's AI fighting him, stuck being unable to use the star…….. seeing a pattern yet?
And of course, my second favorite thing. Lord Eclipse. Moon full out calls him out on how bored Eclipse is, and Eclipse first tries to deny it, then sees no tactical advantage to denying it, and admits that yeah, he is bored. He's been bored for ages and Moon is the first exciting thing in what feels like forever. He's not happy in his perfect world, but he isn't going to change is because that would cut his pride for Sun and Moon to be right about what he wants and needs after so many years. So many years of his Moon being dead. Of having Sun as an obedient servant, bound to his beck and call. He's bored, and it shows, and he knows that it shows.
5. Lack of Empathy:
Eclipse's consistent inability to understand and empathize with the emotions of others aligns with a central feature of Antisocial Personality Disorder (ASPD). Individuals with ASPD often struggle with recognizing and comprehending the feelings of those around them.
His focus on getting reactions rather than forming genuine connections reflects the hallmark trait of lacking empathy. Eclipse's interactions with Sun, Moon, and Lunar highlight his detached and indifferent approach, as he manipulates situations purely for personal amusement without regard for the emotional impact on others.
Professionally, the deficit in empathy is a well-documented aspect of ASPD. Those with the disorder may comprehend others' situations on a cognitive level but struggle to grasp the emotional nuances involved. Eclipse's inability to understand why Lunar is upset and his constant pursuit of reactions underscore the emotional disconnect inherent in individuals with ASPD.
Eclipse's interactions with Lunar provide a poignant illustration of his consistent lack of empathy. Despite a seemingly genuine attachment to Lunar in the beginning, Eclipse's emotional disconnect becomes evident as Lunar leaves. The impact of Lunar's departure on Eclipse's pride and subsequent defensive reaction highlights the absence of genuine understanding of Lunar's emotions. Eclipse struggles to comprehend the significance of Lunar's departure beyond a perceived personal betrayal, showcasing a lack of empathy toward Lunar's perspective.
Moreover, Eclipse's manipulation and attempts to provoke reactions from Lunar, even after Lunar has left, underscore his disregard for the emotional toll on Lunar. This behavior aligns with the typical patterns seen in individuals with ASPD, where the pursuit of personal amusement takes precedence over the emotional well-being of others.
Eclipse's inability to process and acknowledge his own damaged ego resulting from Lunar's departure further emphasizes his lack of emothional understanding. He doesn't want to admit that Lunar hurt him, so instead he just continues to shut it down, bottle it up, and let it churn into hatred instead of looking at what he did wrong. His resentment and refusal to acknowledge the emotional impact on Lunar highlight the emotional blindness inherent in individuals with ASPD, especially in the context of complex interpersonal relationships.
6. Touch Aversion:
Eclipse's noticeable lack of physical affection, as both seen throughout the show, and mentioned when Lunar clings to Sun and states that Eclipse never showed him physical affection, aligns with a common trait among individuals with ASPD. Touch aversion is a characteristic feature, as those with the disorder often lack the intrinsic desire for physical closeness or intimacy.
Eclipse's minimal physical interaction, even in what could be perceived as emotionally charged moments, is consistent with the general pattern observed in individuals with ASPD. The absence of hugging or comforting gestures suggests a limited appreciation for the emotional needs of others.
Professionally, touch aversion is recognized as part of the interpersonal challenges associated with ASPD. Individuals with this disorder may not instinctively seek physical connection unless it serves a specific purpose, such as manipulation or personal gain. Eclipse's avoidance of physical affection adds a layer to his character, illustrating how his interpersonal behaviors align with the clinical understanding of ASPD.
This aspect of Eclipse's character contributes to a nuanced portrayal of the disorder, showcasing how the lack of tactile expression can impact the dynamics of his relationships, particularly in situations where emotional support is expected. (Like seriously, even Sun and Moon hug when one of them are having an awful day, but Eclipse? He literally doesn't seem to understand why Lunar craves positive physical touch so bad, because he just… doesn't feel the need himself. You can never fully understand something you experience, and it's not like people were explaining these basic needs and wants to Eclipse… ever.)
7. Remorse and Growth:
Eclipse's occasional display of remorse, particularly in instances where he has harmed Lunar, offers a glimpse into a facet of his character that deviates from the (BAD DOWNRIGHT AWFUL) stereotypical image associated with ASPD. While individuals with ASPD are often poorly and harmfully characterized/stereotyped by a complete lack of guilt or remorse, Eclipse's moments of internal conflict suggest a degree of emotional complexity.
Professionally, the intermittent remorse aligns with the recognition that individuals with ASPD may experience moments of internal conflict, especially in relationships that hold personal significance. Eclipse's struggle with whether to apologize after hitting Lunar reveals a brief internal debate, questioning the severity of his actions against Lunar's emotional response.
However, Eclipse's ultimate decision not to apologize, driven by his failure to perceive the significance of Lunar's distress, reinforces the inherent challenges in navigating emotional landscapes for those with ASPD. This internal conflict and eventual dismissal of remorse contribute to a more realistic portrayal of the disorder, highlighting the ongoing tension between impulsive actions and moments of potential introspection.
Should Eclipse undergo a redemption arc, these moments of internal conflict could serve as a foundation for growth, illustrating that while individuals with ASPD may grapple with moments of remorse, their ability to sustain lasting change remains a complex and challenging journey. Of course, I'm going to cover this as well.
Redemption and Recovery
Eclipse's potential redemption could be approached with an understanding that a complete overhaul of his personality is near impossible, because as psychology has shown, you don't just change your personality. However, nuanced growth and positive change within the framework of his behaviors and thought patterns can be explored.
Increased Self-Awareness: Eclipse could undergo a process of heightened self-awareness, acknowledging the impact of his actions on others. This could involve introspection into the motivations behind his behaviors and the consequences they entail. This won't be something he does on his own, he's going to need someone behind him, pushing him to be better. Preferably someone who has no majorly poor history with him for the best results.
Therapeutic Support: In a realistic redemption arc, Eclipse might engage in therapy tailored to individuals with ASPD. This could involve developing coping mechanisms, enhancing emotional intelligence, and learning healthier ways to navigate interpersonal relationships. Cognitive Behavioral Therapy (CBT) is a very affective type of therapy for people with personality disorders, or collections of disorders that combined provide the complications of a personality disorder.
Recognizing the Value of Relationships: Eclipse could gradually come to recognize the value of genuine connections beyond their utility. This may involve acknowledging the significance of relationships for emotional support and personal growth. This is going to be a process, and he will mess up. He will forget. It's something he will have to choose to work with in order for it to work, and even then he will make mistakes. It will be important to have patience with him, and instead of lashing out (cause that can cause a spiral back into poor behavior), working on these slip ups with him, and helping him relearn the significance of correcting it when he messes up.
Empathy Development: A full restoration of empathy is be unrealistic, Eclipse could work on developing cognitive empathy—understanding others' perspectives intellectually, even if not emotionally. This could improve his ability to navigate social situations more effectively. (This is what I do! <:happy_stim:867544047735275521>)
Establishing Boundaries: He should learn to set healthy boundaries in his relationships, understanding that manipulating and exploiting others for personal gain may provide short-term satisfaction but is detrimental in the long run.
Contributing Positively: As part of his redemption, he could find avenues to contribute positively to others' lives. This could involve utilizing his unique skills for constructive purposes, fostering a sense of accomplishment outside of manipulative endeavors.
Maintaining Accountability: Eclipse's growth would involve a commitment to being accountable for his actions. This includes acknowledging mistakes, making amends where possible, and actively working towards minimizing harm to others.
Embracing Personal Growth: Eclipse's redemption arc could focus on embracing personal growth within the constraints of his personality. It's about acknowledging that while he may not fundamentally change, he can adapt and evolve to lead a more balanced and fulfilling life.
Potential Future Scenario: Eclipse Apologizes
Brought to you by someone saying that Lunar would refuse Eclipse trying to apologize, but I respectfully disagree, and here's why.
I think that if Eclipse ever does apologize to Lunar, Lunar would have literally no choice but to accept, because we’ve seen early on that he does not apologize
To genuinely apologize and acknowledge his wrongdoing would be major character development that would take a lot of time and struggle to get to that point, based on my theories/analysis about him
So by the time he can actually, truthfully apologize, there would be evidence to prove his struggle with his own twisted nature, and probably how he failed at times during the journey, and had set backs and road bumps. The others would have most likely seen the effects and effort it takes to learn to change for him, and would most likely acknowledge that he’s being truthful.
If Lunar doesn’t accept at that point, if it ever got to that point, Lunar would be acting irrationally due to emotional complications, would probably just hurt Eclipse when he’s trying to be better for his brother, and would most likely set him back. There’s a very destructive pattern of thought when it comes to personality stuff (which is what I think Eclipse struggles with, a specific personality disorder I’m writing a comic thingy about), because you can’t change your personality. You can’t will yourself to be a certain way, and so it’s very easy to destroy progress people make on self improvement. So lunar refusing the apology would most likely not only hurt Eclipse’s pride (like it was hurt when Lunar left his side the first time) but would also further his belief of “why bother if they won’t accept the fact I’m trying for them” that he’d probably struggle with throughout a period of character growth.
Lunar’s smart, and pretty emotionally aware. He can be petty, but if Eclipse were to get to that point, I don’t think Lunar would refuse it because he would have already seen the struggle and effort Eclipse had put through just to get to that point
Logically, Solar would be the best person to help Eclipse, not Earth
This is partly copied/pasted from some conversations and does analyze Solar a bit as well
I really honestly doubt that Earth is going to be able to help him, if he comes back, and I’m suspecting that Solar would do a better job because he’s the only who can understand, properly, the absolute hell that was waking up inside of Sun’s mind with no idea what’s going on and how he got there. Earth can be sympathetic and show him pity, but that’s not going to help him very much at the end of the day. He doesn’t want sympathy, he doesn’t want pity because he has associated that with being weak and out of control. He needs some one who will understand him, and who will fully understand how one small thing changed so much due to the snow ball effect. Which Solar would understand. He’s “nice eclipse” after all, aka just an Eclipse without such bad formative trauma. So he never spiraled, but he’s just as blunt and analytical as Eclipse tends to be, and would be able to actually communicate with Eclipse about his issues since it’s a situation he could have easily been in had things gone slightly different
Solar is probably the only one who can understand, and I mean properly understand, Eclipse’s trauma and bottled up emotions. And I think that if they’re going to give Eclipse someone who will support him, they should do Solar. He’s got all boxes checked
The ability to fully understand Eclipse
No bad history with Eclipse that would really affect how Eclipse treats him (It’s not like Eclipse knows he built the satellite)
Similar base personality, his just wanted warped and twisted in the start, but if you strip away Eclipse’s issues, they’re practically the same person… for obvious reasons
The willingness to say what needs to be said, and not try to sugar coat. Earth would try to let Eclipse down easy about stuff, ease him into it, and he’s gonna see that as her being manipulative because that’s how he manipulates people. He needs someone who is just going to lay things out on the table
And of course, Solar most likely wouldn’t think Eclipse is too far gone to change. Because how do you think that of yourself? And they are the same person, just from different perspectives. It’s a similar dilemma I have to just writing off Eclipse, when I take him apart and see myself staring back at me. But I was able to improve, it just took work, and it took a situation dire enough to get me to realize that if I didn’t want to ruin the few things I cared about, I needed to get my crap together. And that’s probably what he’s gonna need to, something that threatens what he cares about to the point he realizes that this can’t go on. (And I’m suspecting that something will be control over his own life, just like it was for me.) We saw at the end of his life, that he was starting to self reflect and realize that he needs to change somehow, and this was because his control over his own life was being threatened I suspect.
Extra, Smaller Analysis on Solar and Eclipse
It is important to note that Solar doesn't have this issue (ASPD), and I believe it's because he didn't suffer the same beginning that Eclipse did. They resolved the Solar issue when he popped into existance very quickly from what we can tell, and so he wasn't left in the dark for months on end, left to stew in his own agony and emotions. Personality issues are caused by trauma, and specifically ASPD is directly tied to neglect during the most crucial formative stages in development. Sun and Moon had no idea Eclipse was there, and didn't mean to abandon him, because they didn't know he existed. But this complete, and utter abandoment, what is probably internalized as a personal betrayal because I can imagine Eclipse being destroyed by the idea that Moon left him behind on purpose. Which is just… not a good thought for my man to have, because that leads to feelings of worthlessness, and self-hatred for not being 'good enough' to keep/take care of/help. Which then just snowballs into other negative emotions, that gets him all worked up, and then he's fuming at the fact that they left him. That they decided he wasn't worth keeping around, and how dare they make that decision about him for him?!
You can see how it gets out of hand quickly, as he realizes the neglect he's suffering from, the abandonment he's facing, and the fact that he's now trapped. That Moon got to escape, but he can't and it's not fair. This is the perfect breeding ground for that funny little disorder called sociopathy, and boy, there's almost nothing at this point that can convince me that he doesn't have it because it's all just a little too perfect. And the worst part?
I really really doubt it was done on purpose, but holy heck it would be so cool if it was. Not just because of how beautifully crafted it is in his character, how it's so consistent and real, but also because if it was done on purpose, it would show that the writers took the time to do real research about a disorder that is so often done so poorly, and is commonly confused with a completely different issue (psychopathic disorder). Even knowing that it probably wasn't done on purpose, I'm still gonna just cling to him because I love him and I want him to get the happy ending he deserves. And I mean that genuinely, people who are suffering and lashing out because they're drowing in hate due to unfortunate circumstances that were really out of their control deserve to be given the tools to improve themselves and their lives, and it would be wonderful to see this sentiment reflected in the show.
Wrap-Up Ramble/Writer's Notes
This is, of course, my own personal observations, and it is definitely a lot to read. I had a lot of fun constructing this thread, because it is so rare to find a character that I feel I can properly connect to. I've struggled with a lot of the patterns Eclipse has shown in the show that I've called out, and I've had to go through the steps in the 'redemption arc' section myself. It's not an easy process, and as I mentioned, him realistically improving is going to be a process that is going to be draining on himself, and the people around him. He will have to wake up and choose to go against the walls he's thrown up around himself every single day if he's going to have a realistic redemption, and it's going to be exhausting. But I do genuinely believe that he can change, and improve, because I was able to change and improve as a person. It took time, years of intensive self examination and cognitive based therapy, and it required a strong support system. Which hopefully, if he comes back to the show, he can obtain, because otherwise he will continue to drown in his own bitter stew of resentment for others and himself. And that's no fun, that's just depressing.
A lot of people look at Eclipse and think the villain, but I just can't. His actions make him a bad person, but taking apart the psychology behind him, and seeing how glaringly similar a character is to you that is supposed to be the 'bad guy'… I want him to be able, if he comes back, to get the proper 'recovery arc' that he deserves, and I really hope that if they do try to save him from his own demons, they do it properly, instead of giving him a complete 180. Because you can't change your personality, and Davis and Reed seem to be aware of that with Moon. Even when old Moon tried to be better, he was still an awful person. And the 'new' Moon is still eerily similar to the old one, and as the time goes on, he just becomes more and more like the old one. Because it's the same AI, he just lost his memories. He didn't do a whole personality change because he got his memory card wiped, because he's the same person where it counts. He just has the benefit of not having all of the pain his past self was carrying. He's free of the hurt, and trauma, and self hatred old Moon carried, but he's still Moon.
So I'm really hoping that they continue to accurately display psychology in their characters if they bring Eclipse back, because it is such an immersive show due to the fact that it makes sense. These things make sense psychology wise, their behaviors, actions, patterns of thinking and speech. And I really am looking forward to seeing if they bring Eclipse back because he's such a beautifully constructed character.
You Made It
This is the end of my massive post. Congratulations if you made it this far. If you did, uh, the password is Dorito. Leave it in the comments/reblogs to let me know you made it, haha.
I'd love to see people's thoughts on this and on him, so feel free to leave your thoughts as well in comments/reblogs. I'll try to reply to every single one I see. Again, I love his character so much, it's so well crafted, and it was so fun to take this apart.
Edit: I have been asked about where to find the thread/join in on the convo, etc a few times: I have a thread in the SAMS server here if you want to join the conversation
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emeraldkniight · 2 months
Note
Could you do an enemies to lovers NSFW with Damian?
p.s. I’d just like to say your writing is SO good for someone whose first language isn’t English! I would not have known
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ANIMALS !
older!damian x fem!reader
𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀. . . drabble. smut. porn without plot. Dirty talk, degradation. Dacryphilia, humiliation kink, praise kink, Damian is mean. Some bdsm. Aggressive sex, bondage. Oral sex and fingering, p in v.
𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁. . . no copying of my work is allowed. Free translation is allowed as long as I am credited.
𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲. . . as I said in my other posts, English is not my first language. I have tried to make corrections with the translator, but as you all know, it is prone to making mistakes, so I apologize in advance for any mistakes or if anything sounds weird.
𝗻𝗼𝘁𝗲. . . Okay, I get it. Damian is your favorite character on my account, I get requests for him all the time and I love that because who doesn't love Damian? So here we go again. By the way, I'm glad you liked my writing! It is almost impossible for me to write without any grammar or vocabulary mistakes, but I keep trying! Thanks🌷 (Pd: if you reblog this post it would help me a lot) <3
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— Do you want to stop?
From the vulnerability of your bed, shackled hand and foot, you thought it was a bad decision to bother Damian for so long. You thought you were just being funny, that no one would care that you were harassing Bruce Wayne's son. You had no idea what he was capable of doing to you.
— No.
A mischievous smile played on his lips as he stood over you; you could feel his weight on your body. In an instant, however, you felt yourself fall hard against the mat in the room.
— What do you have to say now? — He admired you from on high. — Aren't you the same funny girl you always were?
The sole of his shoe brushed your cheek. You felt incredibly humiliated, as if you were an inferior being in his presence. He looked at your body as if it were worthless.
— This would be amazing for anyone to see you: tied up, naked, on my bedroom floor. I can see your dripping pussy from up here. Who knew the amazingly cool girl would like this? — His shoe began to press harder against the flesh of your face. — You like it rough, guess what, I'm the best at it when I put my mind to it.
The wetness from your pussy dripped down your legs, leaving gray stains on the carpet. Damian, aware of this, walked around to stand behind you to get a close-up view of your ass. He easily slid a finger through your swollen folds and instantly it was stained with so much accumulated moisture.
— Damian, what are you going to do? — you asked, somewhat anxiously, but received no answer.
He bent his face down until his breath was in contact with your pussy; you quickly felt a mere shiver from your nervousness. Soon you felt his lips, and not long after, his whole hand making an obscene sound inside you; sliding up and down your wet folds, not yet reaching the pleasurable point that made you go wild.
— Damian... — You moaned softly as you buried your face in the carpet.
He didn't stop moving, he just kept playing with every part of her crotch, making you wish he'd concentrate on the throbbing clit that needed attention.
One of his fingers hovered around your clitoris and began to caress it gently. Just as you thought you were about to come, he pulled away.
— Didn't I tell you, y/n? Bad girls don't have orgasms.
You quickly began to cry. You knew that if he didn't give it to you, it would be incredibly impossible for you to get that orgasm on your own. So from your position, you just moved closer and started begging.
Kneeling down, you approached him and looked at him with your tearful eyes. Lamenting, with your face at the level of his knees, you still looked at him from the ground.
— Damian, please... — You sobbed. — I'm sorry for all the things I've done to you, but I really need you. I want you to fuck me. I'll do anything you want.
The young man simply smiled as he watched his enemy from his clearly superior position.
— Lool at this, the famous y/n now begging losers for some attention? I feel sorry for you. — He said in reference to how you used to tell him he was a loser.
He cut your bonds with a knife. You felt relief as the blood began to flow again.
You didn't notice as he grabbed your neck, almost choking you. He pulled you roughly close to his face until his lips collided with yours in a dirty, loveless kiss.
Finally, he pushed your face to the floor and lifted your ass until it was in the ideal position to fuck you. Without further ado, he rammed you hard and began to move hard inside you. As hard and precise as if he were an animal.
— What's the matter? Is it incredibly hard to believe that only I can fuck you like this?
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Text
fever pitch (b.b.) - part two
previous part | series masterlist
soundtrack: lavender haze - taylor swift pairing: footballer!bradley x popstar!reader synopsis: you and Bradley go on a date. they say the wrong things --or right things-- and surprise each other as they get to know each other better. warnings: language, so much unresolved tension, mentions of character deaths, fluffy heartfelt stuff, but also like sexy stuff 👀 notes: i had so much fun writing this! special shoutout to @gretagerwigsmuse who had to deal with my annoying thots at all hours. comments and reblogs are greatly appreciated as always. happy reading! <3
✨I do not have a taglist. Please follow @ficsbygreenorangevioletgrass and turn on the notification to get the latest update on my fics✨
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Subject: Guest Attendance Confirmation From: [email protected]
Dear Madam,
Thank you for confirming your information regarding your upcoming visit to Annabel’s.
It is our pleasure to host you for your dinner reservation on the 23rd of March, 2023, as a guest of our member Mr. Bradley Bradshaw. We hope that you have a wonderful experience dining and entertaining at the Club with us.
In order to ensure your positive and memorable experience with us, we kindly ask all members and guests to be aware of a few key rules of the Club:
DRESS CODE. We encourage individuality and style in your smart attire. After 6PM, gentlemen are required to wear jackets. Read the full dress code guidelines here.
PHONE & PHOTOGRAPHY. As a Private Members’ Club, we kindly ask Members and Guests to refrain from taking photographs within the Club’s premises. Posting content to your social media from your visit to the Club is not permitted. Phones must be kept on silent at all times and are only permitted for use in limited areas of the Club.
For guidance, read the Rules & Bylaws of the Club here.
If you require further information or assistance, please do not hesitate to reach out through this email address or by phone at +44 20 7946 0011.
Thank you and see you soon.
Best wishes, Maude Adams Floor Manager.
***
You’re not sure why you’re bracing for something to go wrong.
The restaurant is rife with opulence, with rich chartreuse and bronze walls and Japanese-style paintings over classic British architecture. Bradley booked a little corner booth just off the fireplace, the privacy still granting a nice view of the grandiose bar across the room. He pulled up your chair and told you that you look beautiful—a good three or four times, and it feels just as genuine as the first. With your show and his training the next day, you both had to pass on the booze and settle with some green tea to go with your food. Conversation flows effortlessly, exploring easy topics like your shared love of old movies, the Venn diagram of your music tastes, the novelty of the sport that he plays…
“Okay, but how did you get into soccer—I mean, football?” You smile sheepishly as you correct yourself. “Sorry. Wouldn’t wanna get maimed to death by the locals.”
He laughs. “Don’t worry. You’re safe with me.” And then he takes a deep breath as his finger toys with the condensation on the side of his glass. “It’s… uh, my dad, actually. He bought me a soccer ball for Christmas when I was like 2 and… it’s most of the memories I had with him, playing kickabout in the backyard.”
“Oh?”
He smiles—diplomatically, all things considered. “He died when I was 4.”
Your face falls. Fuck. “Oh my gosh, I’m so sorry…”
“Nah, don’t be. It was a long time ago. And I feel like he’s with me every time I step on the pitch.” Bradley nods, ever so reassuring. He’s had enough ‘I’m sorry’s’ for every time his dad comes up in conversation, and he doesn’t want you to feel obliged to do the same.
“But hey, I think it’s wonderful… that he’s right there in spirit with you every game.” You smile back, trying to save this slip-up in conversation. “And I bet your mom’s really proud of you, right?”
To his own surprise, he chuckles. It really is true that tragedy plus time equals comedy. “I mean, I like to think so.” He notices your questioning look, and realizes he needs to let you in on the joke too. “My mom died when I was 17. Cancer. I moved out here and lived with my godfather. Got scouted for Arsenal.”
And there it is.
You’ve been so worried about all the external factors going wrong, that you didn’t consider that the faulty one might be you. 
The clinks of plates and cutleries suddenly become so loud. The subtle piano playing over the speakers sound garbled, like you’re underwater. And the salmon sashimi in your mouth tastes like lead now. How the fuck does lightning manage to strike twice?! 
“I’m sorry, I…” and now you can’t even muster up a proper apology, because what do you even say?! The only thing that comes out of your mouth is a lame excuse, “I… thought it was a good idea not to Google you.”
His heart catches at the sight of you, all wide-eyed and dumbstruck. You wouldn’t believe it if he told you, but he thinks he might have just fallen in love with you there. Foot in mouth and all.
But you… you think you must’ve looked so stupid right now. “Fuck. I’m sorry. I shouldn’t have assumed—”
“No, no, no. It’s alright!” Bradley quickly interjects, that twinkle of amusement in his eyes still lingers. “I appreciate it, actually. I’ll take awkward moments with you over anything else you can Google about me.”
“Really?”
He nods. “Of course. I mean… it’s not like you killed them, did you?”
There’s a split second of silence, when you meet his playful gaze, and his mouth pulls into a grin over your petrified look, and then… the tension simply melts away in a sigh of tentative laughs. The garbled underwater music has come up to the surface, the dining noises dissipates, and everything turns back to normal… ish.
“Anyway, what about yourself? How did you get into… all of this?”
“Oh, it’s all I’ve ever known, really. Pretty sure I sang before I knew how to talk. I was always pestering my mom about ballet and piano lessons and living room concerts… I was that kid, you know?”
The image makes him smile, and it sends butterflies to your stomach. “Your mom must’ve been thrilled.”
“Eh.” You shrug flippantly, and that non-answer is enough of an answer for Bradley. “But she knew I was stubborn as hell, and she’s better off letting me tire myself out than trying to stop me, so…”
“But you didn’t.”
You shake your head. “By 5, I was on Broadway—”
His jaw falls open, and he looks at you like grew a new head. “I’m sorry. Five years old?”
You raise your hand in defense, not wanting to oversell yourself. “To be fair, though, it was mostly luck. My mom was working in the theater company and they needed a kid, so I volunteered to stand in—I mean, naturally,” you roll your eyes at yourself, “And they liked me. So they put me on. But I didn’t have to do anything but pretend to be asleep while the adult cast carried me around.”
“Still. That’s more than most people can say. You continued doing it afterwards, right?”
“Mm-hm. Stage, commercials, TV, the occasional movies… anything I could get my hands on.”
Bradley studies you with this look of awe—not an unusual reaction, he’s sure; it’s a pretty impressive feat. But he also catches a lost sense of melancholy in the way you say it, and he can’t help but ask, “Did you have a childhood at all?”
And your heart catches. That’s something nobody ever asked you before… “What do you mean?”
He pauses, realizing he may have inadvertently touched on a sensitive subject with this line of questioning. So he tries again more carefully. “I just meant… you’ve been working most of your life. Did you ever just get to be a kid?”
“I…” you trail off, considering your answer. You want to say yes, of course you did, but the little sting in your throat makes you question yourself: did you?
And with the soft look in his eyes, you know he knows the real answer to that. Both of you do.
It’s alarming how disarming he can be, and you would hate it… except you don’t. At least not enough to make you run off. “I guess, being in that kind of environment, I didn’t really know how to be a kid…? If that makes any sense.”
Bradley nods, understanding. He’s not entirely sure how to respond, but he wants to be empathetic.
“I went to school and made friends for a while, but…” Normally this would be an uphill point in your story, but tonight… this part is tinged with distant sorrow. “I got a record deal when I was 15, and suddenly I was living in LA and working in the studio or going on tours and… I just wasn’t a kid anymore.”
It breaks his heart, the thought of a childhood lost on you like that. “Wow. You really have lived a life, haven’t you?” He can’t resist but reaches out for your hand. 
The touch makes your heart catch, and it feels overwhelming. It feels like you’re gonna burst, so you chicken out with a lame joke. “Haven’t slept in 22 years.”
Bradley can’t help but smile at that, squeezing your hand three times in comfort. And just like that, the bubble bursts and the world continues on its axis once again. He finishes his last slice of tuna tataki and washes it down with his konacha.
“You know, for how much you’ve done since you started out, I thought you’d be more… Hollywood.”
You raise an eyebrow in amusement. “Hollywood?”
“Okay, that came out wrong,” he admits bashfully. “I just… you’re very down-to-earth. And real. I guess I expected more, like, an attitude?”
“Oh? I can have an attitude…” you smirk coyly over your tea, “...if you can handle it.”
Fuck. You’re gonna be the death of him. It’s insane how easily you switch from being sweet and vulnerable, to flirty and borderline devilish. But he wasn’t born yesterday, and he knows he’s well-equipped to handle this back-and-forth.
“I think you’d be surprised by what I can handle.”
Oh, here comes the fun part. “Is that right?”
He nods, leaning into you a little bit from across the table. “I think you’d find a lot about me surprising.”
If the whiff of his Tom Ford Black Orchid catches you off-guard, you don’t show it. Instead, you mirror his body language, propping your chin on your knuckles for good measure. “Like what?”
God, he really wants to kiss you… but it’s way too soon, and he doesn’t know how you feel about public displays of affection. “Like… I’m a pretty decent cook. And I like reading.”
“An athlete who can read? My, my…” you smirk teasingly.
Bradley laughs. He walked right into that one. But he’s not ready to admit defeat yet. Instead, he makes use of that bedroom voice girls like so much to push the point further. “That’s right. I know how to use the washing machine, too.”
You bite your lower lip and sigh, shuddering a little from his low rasp but definitely playing up the dramatics. “You do? Mmh…” 
Jesus. If that’s you faking it, he can’t wait to make you all wet and needy for real. “And you wanna know the best part?”
You meet his gaze, and for a moment, the lustful tension is real. “Yeah?”
He leans in just a little closer, head tilting as if he’s moving in for a kiss. Maybe if he throws it out there… “I can put together Ikea furniture.” 
You throw your head back and feigns a quiet but dramatic moan for your one-man audience. “Oh my gosh, I think I just came in my pants a little.”
Fuck. He really wants to make you come now. With his fingers, his tongue, his cock—
Your gaze drops to his mouth, the stupid 80’s pornstache you’ve never been into before this, the soft inviting lips underneath. The ball is in your court now, and you know he would kiss you earnestly if you close the distance…
But you burst out laughing instead. Bradley releases the breath he didn’t realize he was holding, although your bright laughter doesn’t deter him from thinking dirty thoughts about you. If anything, it just makes you ten times hotter in his eyes.
“Well played. That was a good one,” Bradley concedes, his face turning just a little bit pink.
“We should probably stop before the staff kicks us out for having too much fun,” you lean back into your seat, looking around the restaurant, making sure no one is listening. Squeezing his hand three times as the next course arrives… not entirely putting the kiss off of the table either.
Bradley recommends the vanilla mille crepe to close the meal, and you come up with the idea of sharing a slice. The dessert arrives, a lush little golden brown thing with thin layers of cream in between, so simple and so intricate at the same time. He lets you take the first bite—insists upon it, actually. It’s the gentlemanly thing to do.
That, and he wants to watch your face twist in pleasure again. Eyes fluttering closed, chest falling in a sigh, lips parted ever so slightly... God, he can’t wait to be the one responsible for it.
“Amazing, right?” He beams at you, very pleased with himself.
“Mm, it truly is,” you hum in agreement, watching him take a bite. It gives you a naughty idea… “It’s so amazing, I might just hijack this whole thing.” You jokingly pull the plate a little closer to you.
Bradley playfully holds the plate back, looking faux offended. “Hey! Come on. You know I’m a little bit stronger than you, right?”
“Please. That’s never stopped me before.” 
“Really?”
“I have my ways…” your finger reaches out just enough to touch his, just slightly.
Between that and your eyes darkening in mischief, Bradley fights hard not to turn into goo under your slightest touch. He bites the inside of his cheek to contain himself. “You’re really making me earn this, aren’t you?”
“Why? Girls never gave you a hard time before, Mr. Big Time Football Man?”
He laughs. “No. But you’re probably the only one giving me this hard a time for a bite of dessert.”
“Is that all we’re playing for? A bite of dessert?” you smirk, egging him on.
“What else do you think we’re playing for here?” He takes a second bite, maintaining eye contact as he does so.
You take another bite and lick the cream off of your fork. “I don’t know. A bite of… something else?”
Ah. So we are interested. Bradley is unfazed as he gently warns you, “Careful. I might take you up on that.”
“Good. I was hoping you would.”
The tension rises as reality sinks in. You both want to fuck, and looking at the trajectory of the evening, there’s a good chance you will. And it sobers you the hell up, pulling you both straighter in your seats. Sharing the slice of cake in quiet civility. Keeping a completely respectable distance, as if worried you don’t trust yourself not to climb over the table and kiss him senseless. 
But the game… oh, the game is on.
“I don’t know about you, but… I was thinking maybe a few bites, though.”
“Oh?”
“Oh, yeah. I intend to explore every part of this… dessert.”
You stop chewing for a moment. There’s something so hot about how he says it so casually. “That’s… very optimistic of you.”
“Not optimistic enough to decide if kissing you out here was a good idea,” he admits sheepishly.
“Why is that?”
Bradley shrugs. “Just a hunch.”
He’s right, of course. He didn’t choose an ultra-exclusive, members-only establishment with a no-phone policy just for kicks. He sees the security detail that follows you around, lurking at a safe distance—from back at the club. And tonight, you’re traveling light with just two bodyguards, each strategically posted near you and the exit, but it’s still more than he’s ever encountered. There’s no way you would risk a first kiss in public, no matter how discreet the place is. No matter how much you like him.
And you like him a whole lot.
“Tell you what…” you put the fork down as quietly as you can. This is the moment of truth. “I’ll let you kiss me all you want back at my hotel, hm?”
Bradley’s eyes light up instantly. He takes a moment, not so much to consider his options, but to process what’s about to happen. “I would like that very much, yes.”
“Alright, then. Shall we?” you smile brightly, flagging the waiter for the check.
“Uh, yeah. Totally. We shall,” he stammers a little, recovering fast enough to snatch the check and slips his credit card in the tab. Barely addressing the waiter as they walk back to the till.
It all happens so fast, and you whine in complaint. “Oh, come on!”
“What, was I supposed to let you pay or something?”
“You were supposed to let me pretend to fight for it, at least…” you huff.
He smiles in amusement. You are so adorable, it makes his heart fucking swell. “Okay. Next time I’ll let you pretend. I’ll even give you a little pushback for good measure, how about that?”
“Perfect.”
“Now, let’s go back to your hotel and… I don’t know, pretend you have to try really hard to resist my charms.”
“Yeah, okay.” You chuckle in agreement. This is really happening. Wow. And just as the excitement sets in, another point of concern pops up in your head, like a really annoying notification. “Did you drive here or…?”
He nods. “You wanna take my car?”
“No, I got a car waiting for me…” you smile apologetically, glancing at her bodyguard. There’s no way they’re gonna let you jump into some guy’s car. “And there’s gonna be paps out front…” Here comes the tricky part. “Would you… mind if we… go separately and meet up at my hotel?”
Oh. Bradley’s face falls a little upon realizing that he can’t just walk out the door with you. He sees how this works. You don’t want the media to jump on this first date, and it’s actually a smart move. Besides, what’s a few more minutes to a whole night of complete privacy? “Sure, no problem.”
You nod tentatively. Well, that was surprisingly easy… “And just to be clear, this has nothing to do with you. It’s just… this whole thing can be a circus, and I don’t want you to deal with anything you didn’t sign up for.”
He smiles at you. Bless you for being so thoughtful, but it does make him wonder if other people have had trouble with it. But maybe that’s a question for another time. “Hey, I totally understand. We’ll just meet up at the hotel and leave it at that.”
“I’ll text you, okay?”
You squeeze his hand gently before you get up, making your way out of the restaurant. Powering through the camera flashes as soon as you walk out of the front door. Giddy because you know something these vultures don’t.
Meanwhile, Bradley sits. Waits. For one minute, and two, and three. Looking at people walking in and out, wondering how inconspicuous he would be if he walks out now.
And then…
His phone buzzes.
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cheapshrimpysheep · 10 months
Text
When Can I See You Again?
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SUMMARY: After classes you go with Ortho to Ignihyde to play with Idia. You end up eating noodles with him for dinner, and before you leave is when your conversation warms up a bit.
CHARACTERS: Pairing with Idia. Ortho and other characters as secondary.
TAGS: Fluff; GN Reader; Flirting; Kissing
WARNING: Spoilers from: Book 6; The Phantom Bride; Twisted Halloween (1st and 2nd parts); The Harveston Sledathon; Camp Vargas 2: The Art of Survival.
WORD COUNT: 2.640
COMMENTS: This is for the @briarvalleyarchives “Anthems of Old” event. I was invited to join this twst writers network and this is the first thing I write for it. I took this more as a challenge to myself. I was happy with the result and I hope you like it too. And it wasn't until later that I realized that I chose a song from a movie about villains not really being villains.
Check out the Song I chose -> Owl City - When Can I See You Again? (From Wreck it Ralph)
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You and Grim were having lunch with Ace and Deuce. Until Ortho showed up and asked if he could sit with you. He wasn't carrying a tray.
“We can arrange a sit for you on one condition.” Grim said “You don't eat because you're a robot, right?” Ortho confirms. "But now you're a student right? Aren't you entitled to a meal too?"
“Aaah, I think I know what Grim is getting at.” Ace comments.
“I think I know too.” Ortho says. “You want me to go get my meal and give it to you, correct?”
“Yah! If you do, you can sit with us.”
You tell Ortho he doesn't have to do that and Grim starts to protest.
“Ha ha. It's okay, prefect. As far as I know, the necessary amount of food is prepared for all students. If they do it with me as one of the students who will consume the food, that means at least one meal will be wasted. So maybe giving it to Grim is the best thing to do.”
Everyone approves of his point of view. Some for better reasons than others. He goes to get his meal to give to Grim and sits down with you.
You start chatting and, eventually, Ortho starts talking about a new game that Idia and him started to play and that a lot of people say it’s good. It was a cute and fun co-op game about a couple. And when you see some parts of the gameplay that he shows you, you show interest in playing too.
“So why don't you play with my brother? I'm sure he will enjoy playing with you.”
“Don't you want to play?” You ask.
“Hmm... yes, but I would like him to play in real life with someone else besides me. You know?” You do. “Why don't you come with me to Ignihyde after school to play? We can reset the game for you. We haven't made that much progress anyway, don’t worry.” he was clearly very happy about it.
“I pass.” Grim says with his mouth full.
“Hum? WHY?” Ortho asks.
“Because this guy always wants to treat me and pet me like I'm a cat! I'd rather take a long nap in Ramshackle Dorm with the ghosts.”
Ortho sighs, but he says it's okay. The truth he won't reveal is that it will even be better that way.
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After school, Ortho accompany you to the Ramshackle Dorm to drop Grim off. And then, you two go to the Hall of Mirrors to go to Ignihyde.
When you arrive at the door of Idia's room, upon recognizing Ortho, the door opens without any problems and you two enter. Idia was sitting in the desk chair with his back to you at the door, with headphones in his ears. Ortho chuckles mischievously.
“Hey, (Y/N)?” he whispers to you. “Do you want to surprise him?” And you do! He gives you an idea and you execute it.
Idia was focused on the screen. You approach slowly, lean in beside him, and give him a quick peck on the cheek. He jumps off the chair and lands on the ground. And as soon as he sees you, the ends of his hair turn pink.
“WHAT? WHEN... W-when did you spaun here?”
You laugh. "Didn't Ortho tell you I was coming to play with you?"
He looks at his younger brother.
“Surprise!” Nope, Ortho didn't tell him. But now he tells him about your lunchtime conversation. And about you two playing from the beginning.
“But I like to play on hard mode.” Idia mutters, thinking you can't hear him. “In that case I'll have to beat the game on easy mode.”
“If this is so painful for you then why don't you just tell me you only play with pros?” You say, crossing your arms and raising an eyebrow.
“Hep!” he genuinely hoped you hadn't heard. “No! That's not- I didn't- I wasn't-” he seems unable to finish a single sentence.
Seeing him so flustered is so funny to you, to the point of being a little cute. You can't hide the urge to laugh and that makes him revert to his gloomy self. And sulking a little bit that you're laughing at him.
“So... you're not upset?”
“Oh, I am. But seeing you panicking is revenge enough for now.”
“Oh yeah? Let's see who panics when we're playing.” he smirks evilly.
You turn serious all of a sudden and worn him: “Don't put it on-”
“I'm not putting it on hard mode.” he answers you slightly intimidated. One of the sides he likes most about you and something that he will never admit.
It's a co-op puzzle game. Which means he becomes a cocky bastard for solving puzzles in seconds. He annoys you with his arrogance and you annoy him by messing things up in the game. While you're playing, Ortho left you two alone and none of you noticed.
You were having so much fun that it wasn't until your bellies rumbled that you realized you hadn't eaten yet and it was past dinnertime. You start to worry about Grim. Not because you think he would have been starving without you, but because he could eat who knows what without you around.
“It’s been fun but now I’ve got to go.” you say and your belly growls again.
“It's still going to be a long time before you get to your dorm and still have to cook dinner.” He says “If you are as hungry as I am, you should eat as soon as possible.”
“I know. That's why you should go now.”
“I have a lot of instant noodles. And I would say your best strategy right now would be to make yourself a cup of them and eat before you go. If you leave now with your hunger bar that low you could collapse halfway through.”
“Thank you for showing me the worst case scenario.”
“Oh, believe me, this isn't the worst I can imagine.” he smiles in a slightly creepy way, like someone who prides himself on predicting the worst. But then it goes back to normal. “Hey, it's just an offer. I'm going to make myself a cup now. If you'd like to come.”
You accept his offer and follow him into the kitchen. He asks you what kind of noodles you like best. If you ask him what kind of noodles he has, he will reply: "All kinds. Meh heh heh... Take a shot!" You say which one is your favourite. “IN STOCK NOW!” He says in his best Sam impersonation. It was so good that it surprised you and made you laugh.
He takes out two cups of your favourite noodles, one for you and one for him. He places them on the table where you sit while he goes to prepare the water in the electric kettle. He starts talking about the game you were playing together, but you're paying more attention to his small gesture of "making dinner" for you.
When he turns to you and sees your face, he shuts up and then says: “W-why are you looking at me like that? Has my hair turned a weird colour?” You chuckle but say no. “Then why that look?”
“Cause I think you're cute.” His hair does a PUFF in surprise and the ends of his hair turn pink and his face a little flushed. “Now yes, your hair is in a funny colour.” And you keep smiling at him.
“Meh heh... I may be a noob at this game but I still know how to play it.” He says, with a smirk and that confidence you only see once in a while.
“What do you mean?”
He puts his hands behind his back and slowly walks towards you while smirking. And you feel yourself blushing a little. When he gets in front of you he leans in, his face so close to yours that you almost feel hypnotized by his strong yellow eyes.
“Heh heh, looks like we're both cute when we're flattered.” He's speaking in that deep voice of his. “What's the matter? Not so confident when it's my turn?” He takes one of his hands to your face, thumb on one cheek, three fingers on the other and pinky under your chin, because his hand is relatively big compared to you. He's not hurting you, but he manages to gently get you to form your lips into a kiss pose. “(Y/N), dear, hon, you know very well at this point on a PvP between the both of us, I win. He he he...” he whispers, as he gets even closer “...cute...”
POP! He jumps and straightens up when startled by the electric kettle's signal that the water is already hot. And you laugh. He sulks, but turns and goes to get the water to put in your noodle cups.
Meanwhile, other Ignihyde students started to enter the kitchen to also prepare their dinners and eat. So, you couldn't continue your "little game".
You finish eating and he walks you out of the dorm.
“When can we do this again?” You ask before you leave.
“Well, that depends.” He answers. “When can I see you again?” and then he starts talking very fast. “I mean, I'm always at my room. In the best case scenario. You're the one who's always busy solving the problems of an incompetent headmage. And having fun with those two single brain celled of friends. And having meeting and stuff with the other housewordens. So, hey, you're the one who should text me whenever your free.”
That sounded a little suspicious, didn't it? You look around. You don't see anyone else but you two.
“Idia?... Was that a jealous speech?”
“What? Jealous? No, of course not.” He's still speaking quickly “This is just the speed up speech I use to spit facts and vent in someone's face with the expectation that even if they hear me they won't understand what I say and will just be confused and think I'm weird enough to leave me alone.”
“You want me to leave you alone?”
“W-wha- NO! I-I-I-...” He sees you start to lift the corners of your mouth. In fact, it's funny to see him flustered. “*Sigh*... It's a blessing and a curse to have a weirdo who can understand me even when I speak in my turbo speech mode.”
“I'll take that "weirdo" as a compliment.” you say, smirking.
“As you should.” He says, a little lower and with that sweet little smile. You cherish that smile until you remember what you two were talking about.
“I wish you would go out more often. Ortho too. Wouldn't you like to take a walk with me one day?”
“Surrounded by normies who wouldn't take their eyes off us? No thanks.” He says and you sulk. “Oh, come on. You know very well I'm not saying I don't want to be with you. I will not continue to fall on your sulking face.”
“But you didn't like the other times you left Ignihyde?”
“Oh yes. Being kidnapped by ghosts into a forced marriage was the most romantic experience I've ever had. Getting kidnapped to a Halloween party in the Spectral Realm and being possessed? What an adrenaline rush! Go to a camp and get kidnapped by Couch Vargas and forced to squad until my legs are in agony? The outdoor exercise I've been needing. I just realized I have a problem with being serial kidnapped.”
Even his sarcasm makes you laugh. “Can't say you don't have a point there. But what about the Halloween before you were kidnapped? For example?”
“Ah, what delightful visitors Magical Monsters are.”
“First, what about the normal visitors? Wasn't it good to see them appreciate your work? And second, you're not going to tell me you didn't enjoy terrorizing Magicam Monsters, are you?” He answers you with his smug smile. “And what about that gaming afternoon at Ramshackle Dorm? Everyone was so impressed with your gaming skills.” his sweet smile comes back. “Aaaaand...” you were going to play your trump card and you tried to imitate him in his fanboy mode “Epel's grandma is the inspiration for the team leader os the show I'm obsessed about? DUUUDE. SHE'S BEST GIRL BY FAR! Would you autograph my guidebook? And can I take a picture with you?!”
“OKAY OKAY, I GOT IT!” He was so embarrassed, for both of you. Fortunately, no one was there to see it. “And BTW, the show is called Sled Over Heels, the team is called Beauties Sleeping and the character is called Ai. Thank you very much.”
“Did you regret leaving the dorm that time?” you ask, knowing the answer. But he doesn't answer, he doesn't like to give the other person reason so soon. “Would you regret taking a walk with me one day?”
“Maybe.” He says, you sulk. “Not because of you, because of everyone and everything else. Can't we take this getting me out of the room thing slowly?”
“That reminds me of a phrase. Life is way too short to take it slow. But in your case, yes, we can take it slow. What if you come to Ramshackle Dorm and play together then? Maybe you can pet Grim.”
“That's very appealing. You're good with deal, I must say. Perhaps you can compete with Azul.”
“So, is that an yes?”
“*Sigh* Fine, I will... try.”
“Just try? What if i buy some candy?”
“Damn, you really are persistent. But since you're raising the offer” he smirks “what if I try to see how far it goes?”
“Do you want a kiss?” your cheekiness makes his hair explode in pink, and he blushes a lot.
“I-i-i-is that an a-actual offer?”
“Perhaps. But with such a high offer, do you really think just going to my dorm is enough?”
“Hum...” he thinks for a second. “How about that walk with you? There are not many people on the beach at this time of year.”
“But don't you need permission to leave college?”
“Heh heh heh. You remember who my family is right? Do you really think I can't bribe the headmage? As if it were difficult.”
You two were smiling like partners in crime.
“We have a deal then.” you say “so... what kind of kiss would you like?”
“Any one I want?”
“Any one you want.”
He looks around again, there's no one there, but he still pulls you into a corner. Lift your chin with his fingers and bring his face closer to yours. You were lit by blue and pink fire lights.
“Then why don't we finish what we started in the kitchen?”
You kiss him as your answer. You feel the warm his hair emits and his delicate but passionate lips on yours. You just broke away from the kiss early, because you were in a place where someone could show up at any moment.
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When you get to Ramshackle Dorm, you find Grim and Ortho sleeping on the couch in the Lounge. The ghosts tell you that Ortho showed up there to keep Grim company and feed him dinner. He got some cans of tuna for himself. They also say that Ortho commented that his batteries were running low when he went into sleep or economy mode.
You wake Ortho up gently. And asks if he wants to spend the night there. You can arrange a place for him.
“It's ok. I was saving my energies to have enough to go back to Ignihyde anyway.”
He really wants to ask how the afternoon went with his brother, but it's late and he can ask you the next day. Or simply see in what mood Idia is in when he gets to their bedroom.
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If you would like to read more from me, you can find it in my pinned post: INDEX
ABOUT THE SONG: "When Can I See You Again?" is one of the 3 theme songs from Disney's 2012 animated feature film, Wreck-It Ralph. It is an uptempo dance-pop and synthpop song written and performed by Owl City.
The song is played during the credits showing Ralph, Felix, Vanellope, and Calhoun's game-jumping adventures.
The song is the main theme of the Paint the Night parade at Disneyland and Hong Kong Disneyland, and is played at the end of Move It! Shake It! Dance and Play It!.
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itscherrylipsforme · 4 months
Text
Paper cuts and cheek kisses: Minho tmr x Med jack!fem!reader
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Summary: Minho was never one to go the med jacks' cabin often. On the contrary actually, you had to drag him into it whenever he got hurt in order to patch him up. Oh girl, but things changed when you two started dating, and now he comes up with the silliest excuses just to see your face. At least being his fave med jack means some special treatment
Warnings: None, except that Minho is madly in love and reader is slightly sarcastic (got it from her mother, aka me)
Requested: yes
Words: Around 1300
Author's rambles: As someone who had the biggest crush on Minho growing up (Who I want to fool with this? I still do) and who imagined her role in the Maze would be med jack this request was so cute to write. Hope you like it!
Masterlist Characters I write for
Likes and reblogs are appreciated ღ
I do not authorize any of my works to be copied, translated or plagiarized ✗
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Everyone needed to prove their worth in the maze, from the youngest and oldest boys to you, the only girl. And being honest, your passed that test with excellent marks. Living in a place full of the most stubborn and reckless shanks you have ever known (not that you remembered meeting anyone before them, but that was not the point) proving that you were strong enough wasn’t a choice, but a need. However, most of them shown them a new kind of strength they hadn’t seem until then. The strength you used to calm Chuck down when he was crying during his first night in the glazeThe strength which was necessary to always be the one who introduced first to new greenies, to do it with a sincere smile as saying “Yeah, this place is a clunk, but it’s our clunk. Our place”. The same one that helped you become a med-jack.
You loved your role, somehow you were really good at it as the girl you were before being trapped there had some knowledge about it. But you would be lying if you said it didn’t have its downsides, one of them being… Well, him.
“Minho, slinthead, go to the med-jack's cabin right now. That cut doesn’t look good” you demanded as soon as you saw him on the gardens talking with Newt after he came back from the maze.
“Nice to see you too, princess” That condescending pet names he used on you, you swear one day your eyes would fall from your face just because of the times you had rolled them. Since your first day you had to deal with his teasing (not flirting, as you had corrected Newt when he asked about it once) “And don’t worry, Clint and Jeff already saw it and told me it was fine as long as I cleaned today in the shower”
“Clint and Jeff only let you get away with no treating any of your wound properly because they are scared you will fight them if they said otherwise” You crossed your arms “Unfortunately for you, you don’t have the same effect on me. To the cabin, now. I will be the one who binds it”
“You are lucky I can’t say no to you, darling” He started following you towards the med-jack’s, not without smiling sheepishly first.
Sitting in the hammock, Minho looked at your face as you gently rubbed a cotton soaked in iodine. So focused on your work and yet so beautiful, he thought to himself. He was enjoying the view, but your words snapped him from his thoughts.
“Can I ask why the hell you never want us to see your injuries?”
“Pretty girl, you are smart, way more than me, but you don’t get me. It’s not that I don’t want you to do your job, I have my reasons for it” He smirked, if he wasn’t so stupid sometimes you would admit he looked handsome right now.
“Please, enlighten me” You turned around to look for the necessary equipment to patch him up.
“Do you know that before you arrived, I never protested when it came to the med-jacks? That Clint or Jeff would treat me, and I wouldn’t utter a word?”
“If that is your way of saying that I am bad at my job, you should be more careful. Do I have to remind you that I am the one here who has a scalpel nearby?”
You were so done with his shit, if you remembered right there was a phrase that said something like “Don’t bite the hand that feeds you” and same way he shouldn’t annoy the person who was responsible for his health. The scalpel thing was a joke, more or less, but you were starting to rethink it.
“Not really darling” He chuckled, and you found yourself liking the sound of it “Maybe I just convinced Clint and Jeff to wait to heal this because I knew you wouldn’t want me to be injured. So, you would take me then and I would get to spend some time with my favourite med-jack”
“You are unbearable” And you were completely sure you mean what you said, but you couldn’t bring yourself not to smile at his silly plan “Please, tell me you didn’t get the cut just to see me” You asked while wrapping his strong (Were you thinking about that right now? Really?) arm with the bandage.
“You shouldn’t think too low of me, y/n” He shook his head “The injury was an accident, Newt came up with the plan when he saw it on the Garden”
“I knew that you couldn’t come up with all of that on your own” You smirked and stared at him. Had his eyes always been that deep or was the light that passed through the windows what made them look like that? “By the way, the patch up is done, just be sure you don’t drench it and come her to change it every two days until it scars. I would also recommend that you take a day off running, but you would ignore me anyway, and I won’t waste my saliva”
“You look really good when you are mad at someone, has anyone ever told you that?” He blurted out, not even thinking it twice, and he was surprised when instead of telling him to fuck off you blushed. Neither of you had expected it. You needed a few seconds to recover your mind and your ability to speak.
“Whatever, you can go now” You hadn’t realized how close you had been to him until then “Come on, what are you expecting? A good job sticker or something?”
“I have a better plan in mind” Another smirk, his hands guiding yours to rest on his shoulders, his comfortably around your waist. His face coming closer to yours, threatening to close the gasp… Woah, you had to admit that this bastard was handsome. And finally, his lips on yours. Slightly nervous at first, as he was afraid you would pull away at any given moment. Then sweet turning more and more passionate by seconds.
News always flied in the glaze, you two being “a thing” now was not. an exception. By the time the next bonfire arrived, no one, not even the greenie, wasn’t aware of it. Newt was glad, Minho had been rambling about you way too long and he couldn’t stand it anymore. Alby was a little bit angry, his rules had been broken again after all, but that was something you could deal with later. Minho was over the moon. You finally assumed that the line between annoyance and love is really thin. But there were two people who weren’t so happy about it…
“Here he comes again” Clint claimed as he saw a familiar tall and dark-haired boy entering the cabin.
“What happened this time?” Jeff asked as he placed some liquids on the shelves “Did he touch some poison ivy? Or did he catch a cold?” Being honest, they were growing tired of your Minho coming over with some stupid excuse to see you.
“A paper cut thanks to the map’s room, actually” He answered as he came closer to the desk where you were writing down the inventory before the next box arrived. “Afternoon, princess”
“Afternoon you too, my lovely clumsy bastard” You joked, placing a soft kiss on his lips
“Y/n, we will be running off band-aids if you keep putting one on your boyfriend every time he wants to see you” Clint protested as Jeff faked to be throwing up because of your small gestures of affection.
“Fine, a get-well kiss will be enough I guess” Minho accepted, and you wasted no time and kissed his cheek.
The rest of the med-jacks were more than annoyed with him, but he didn’t seem to care. After all, you were his favorite med-jack, the only one whose opinion mattered to him.
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