"In one of Africa’s last great wildernesses, a remarkable thing has happened—the scimitar-horned oryx, once declared extinct in the wild, is now classified only as endangered.
It’s the first time the International Union for the Conservation of Nature (IUCN), the world’s largest conservation organization, has ever moved a species on its Red List from ‘Extinct in the Wild’ to ‘Endangered.’
The recovery was down to the conservation work of zoos around the world, but also from game breeders in the Texas hill country, who kept the oryx alive while the governments of Abu Dhabi and Chad worked together on a reintroduction program.
Chad... ranks second-lowest on the UN Development Index. Nevertheless, it is within this North African country that can be found the Ouadi Rimé-Ouadi Achim Faunal Reserve, a piece of protected desert and savannah the size of Scotland—around 30,000 square miles, or 10 times the size of Yellowstone.
At a workshop in Chad’s capital of N’Djamena, in 2012, Environment Abu Dhabi, the government of Chad, the Sahara Conservation Fund, and the Zoological Society of London, all secured the support of local landowners and nomadic herders for the reintroduction of the scimitar-horned oryx to the reserve.
Environment Abu Dhabi started the project, assembling captive animals from zoos and private collections the world over to ensure genetic diversity. In March 2016, the first 21 animals from this “world herd” were released over time into a fenced-off part of the reserve where they could acclimatize. Ranging over 30 miles, one female gave birth—the first oryx born into its once-native habitat in over three decades.
In late January 2017, 14 more animals were flown to the reserve in Chad from Abu Dhabi.
In 2022, the rewilded species was officially assessed by the IUCN’s Red List, and determined them to be just ‘Endangered,’ and not ‘Critically Endangered,’ with a population of between 140 and 160 individuals that was increasing, not decreasing.
It’s a tremendous achievement of international scientific and governmental collaboration and a sign that zoological efforts to breed endangered and even extinct animals in captivity can truly work if suitable habitat remains for them to return to."
-via Good News Network, December 13, 2023
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And Keanu says something really interesting to me on the first John Wick. He comes to me and he goes, “Look, just so you know, little bit of advice, when you edit, once a week, you should see the edit on the big screen.” And I’m like, OK, we’ll try. Later, alone with him, I’m going, “Well, why?” He’s like, “I’m a big-screen actor.” And I had no fucking idea what that meant. I thought it meant a movie star. And he’s like, “No, no, no, no.”
And he started talking to me about non-verbal acting, like gestures, motions. And he’s like, “Look, when you see me on a little monitor and I give this little look, it’s one thing. But when you see it on a 40-foot screen, that look’s going to say a lot. That’s what I want to play this guy as. So just please be aware of it, so when we punch in on the closeups, it’s going to mean something.” And it kind of really clicked for me right there.
I’ve always been fascinated by non-verbal gesture, body language. Keanu would go through and strip his dialogue down. It was like, “No, no, nope. I’m just going to cuddle the puppy.” In the first John Wick, he doesn’t talk for 32 minutes. Try to sell that one to a studio: You have Keanu Reeves and you’re not going to let him talk.
Chad Stahelski on what the John Wick movies owe to Buster Keaton
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