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#and supernatural and so many more
fightmemiguel · 5 months
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the children are concerned because i watched part 1 of the doctor who christmas special and obviously SOBBED LIKE A BABY and it's just such a sad, awful, ugly reminder that tv doesn't have an impact like that anymore? there's nothing in television or movies that helps them love and learn and grow and hurt because everything is a 15 second attention span and that just sucks?
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forestofsprites · 3 months
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eileen, my best friend eileen! you understand
[click for better quality + prints here!]
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wigglebox · 7 months
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Suptober - Day 2 || Pumpkin Patch [x]
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zu-is-here · 1 year
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<– • –>
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pollsnatural · 29 days
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*Question for tags
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Lily Sunder in Lily Sunder Has Some Regrets (12x10): Best of SPN Ladies [403/?]
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sailorsally · 4 months
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somewhere along the way supernatural became the gayest show in existence and y’all still think there are straight people in the cast?? straight people could NEVER do supernatural. Jpeg Polishname is the proof of this.
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leverage-ot3 · 21 days
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okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭
bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)
but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good
some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember
he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business
one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man
he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)
they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)
not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it
and then the long goodbye job happens
hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.
so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.
and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.
not this time. not to sterling crowley
he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)
nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to repare fully.
he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.
the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.
but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.
‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.
watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it
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The first of many more to come ehehe 🦅🦅
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chaosintended · 6 months
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Choices are heavily based on the fandoms I am in:)
If you choose other, you are legally obligated to tell me who and why.
EDIT: ...i forgot house😭 people who want to vote for house, please leave a comment or something and i'll compile it later
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thighholsterdean · 5 months
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The only thing we have left, Dean and me, is each other.
[muscle memory, jenny liou || the end, supernatural || crush, richard siken || wally lamb || the death of antinoüs, mark doty || daphne's lot, chris abani]
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kimodraw · 3 months
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remembered i never posted the comic i did for the @horrornaturalevent zine! it was fun to make yipee for sammy tits
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cruelsister-moved2 · 1 year
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im sooooo sick of neopagans thinking they invented stuff that literally every religion thats not modern american evangelicalism already has 💀 i dont care if u want to light candles in ur bedroom or whatever, but even when youre swinging at “normie” religions ur still missing like okay catholics LOVE altars. jewish liturgy celebrates moon cycles. whatever youre trying to articulate about an all encompassing divinity of universal love was probably said in verse by a persian muslim centuries ago. your american christian/atheist background is a huge outlier in the global history of religion: it’s not even that you’re missing some niche exception, it’s literally that your entire perspective on “organised religion” is based on an outlier 💀
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clubsheartsspades · 1 year
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Oh the horrible fate of not liking that one character the whole fandom adopted as their precious blorbo and therefore has become incredibly prevalent even though they weren't at all important for canon, but they're now everywhere and in everything and they're not even that interesting you guys
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pollsnatural · 3 months
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calmangel · 3 days
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No because why am I scared of being made fun of for loving these men when Destiel is probably the most beautiful thing ever created.
An angel pulls a righteous man from hell and heals his wounds and is so overcome with this triumph that he screams DEAN WINCHESTER HAS BEEN SAVED so loud that he awakens fallen angels. He rebuilds this man from dust. The man is scared of Castiel, they don’t trust each other, but they need each other—the man begs the angel to see why Heaven, why God’s plan is corrupt and the angel should trust him. Against nature, breaking from the script, against God, his Father—the angel rebels. The angel rips out the part of him that serves Heaven all for this man and only because he asks. Only because now he’s starting to feel, and angels don’t feel.
What’s coming isn’t an easy task—the man considers giving himself up but the angel won’t let him, beating him unconscious while yelling I rebelled for this? And still, when the day comes, the angel dies for him. The angel attacks his own brothers for this man, is incinerated instantly, and never gave it a second thought.
After the angel is resurrected, they spend years trying to fix everything for each other and almost always do it wrong. They are eventually sent to purgatory together, and the man spends every waking moment praying to his angel. He could’ve escaped, he could’ve been angry at the angel for his misdoings, but he stayed, ripping flesh and killing anything in his way to get to the angel. But he doesn’t understand—the angel, upset, says they’re after me, Dean. I avoid you to protect you. The man won’t listen. He can’t. He pulls the angel to the exit but their hands slip right there, on the precipice. And the man is so distraught that he tells himself he’d let go by accident, but we know this isn’t true. The angel wanted to stay, wanted to feel punishment. The angel saved the righteous man and stayed behind.
But they can’t be kept apart can they?
The angel finds his way back, like always, and Dean is seeing his face everywhere. Dean blames himself. It’s easier than thinking his angel wanted to stay. It’s easier than being abandoned.
Heaven isn’t happy with this angel—this silly thing that gave up its innate purpose and programming all for a human—so they attempt to rewire him, resorting to lobotomy as a way to force him into conforming. They create infinite copies of his human and force him to kill each one, testing his loyalties. And after all this, after being turned into a mindless soldier through torture, it only takes one thing to break the connection. Dean, on his knees, saying I need you.
And this does not fix everything. Now the angel is desperate to undo his wrongs, searching for ways to repay him; so desperate that he misplaces his trust and is irreparably damaged, intimately violated by God’s Scribe. His grace, every part of his angelic traits, is stolen from him, literally ripped from his throat before the Scribe sends all angels plummeting to the Earth. And now the angel is an entirely new species—a human, soft and vulnerable, with nothing to his name—a prime target of angry, wingless angels.
There is only one thing he can do. He can call his human, beg for help, but it’s not going to come quickly. He has to decide between eating and warding himself from his murderous siblings. He virtuously refuses to steal or hurt anyone. He just wants to be safe. He trusts the wrong person and, seconds away from being saved by his human, is stabbed through the heart. Although his brother is injured, Dean caresses his angel’s face and sobs, insisting that the entity inside his brother’s body fix Cas despite how it will hurt the entity and likely put Dean’s brother at risk. It doesn’t matter. Then they go home, and the angel feels safe for the first time as a human.
But nothing lasts forever. The entity inside Sam is anxious, insecure around Cas, and so Dean asks the angel to leave. For probably the first time, Castiel feels intense sadness. Betrayal. Grief. Stress. And it’s because of his human, the one human he was attempting to make everything up to before. Well, apparently he hadn’t done well enough. The angel leaves, still desperate for cash and food, resorting to sleeping in the storeroom of a gas station to stay warm.
The angel has to protect himself from enemies, stealing angelic grace just to keep going. At the same time, Dean takes on the mark of Cain and slowly loses sanity. The angel earns a league of likeminded angels that believe in him, and it finally looks like maybe he can do things on his own again. Naturally, this can’t last for long—his allegiance to this dangerous, marked human is too risky for any angels to trust him.
And his allegiance is tested, but holds strong. Dean can tear the angel to pieces and he’ll still lay there on the floor, unwilling to harm him, and Dean will walk away knowing he could’ve killed Cas but didn’t. Couldn’t.
Over and over, they fight together or they fight each other and it never ends any different. They stick together. They get angry about how the other is acting. And they stay, because leaving just isn’t an option.
The next time the angel dies, the righteous man isn’t the same. He can’t accept it now, now that it seems real and now that the angel was so solidly good, so individualistic and pure. He burns his body and watches, red-eyed. This time it’s real. This time God isn’t on their side to bring him back. So he does what he knows—he drinks, he hides in comfort, he puts himself at risk. He starts thinking that maybe the solution to their problems is for him to die—really, hadn’t they destroyed the natural order enough?
And then the angel calls him from a payphone and all thoughts of ending his life are wiped from his mind. Dean didn’t care how he’d returned, just brought him home and indulged in a way they never did—they took a fun case, they dressed up like cowboys and caught a bad guy.
They’re not allowed fun, though. They’re doomed by the narrative—the God that is insistent upon failure. Over and over they’re tested, and no matter whose mother is killed and whose psyche is broken by being blamed for it, they stay together. Because you can hate and love at the same time. Because you don’t really hate them.
And at the end of it all, they’re still together. In the angel’s last moments, it’s still only about his human. What’s important is getting Dean safe, is coming up with a plan that saves Dean. Because even though Castiel had all his grace, Dean was the powerful one. Dean was the one who needed to kill God, who needed to stay alive, and who deserved a life.
And the angel did the only thing he knew how to do, the only thing that always worked—he sacrificed himself for his human. He told his human that he was in love with him, and told him the things he needed to hear, and let himself be swallowed up by eternity. All for Dean. For Dean, who was still beautiful.
And this did save the world, but Dean wasn’t the same, really. He vowed to give himself a good life, try to move forward, but it really wasn’t going to happen was it? It was always going to end in his brother’s arms after a hunt. And he was okay with it. And when he got to Heaven, sitting beside his true father with a beer in hand, he heard Cas’s name and smiled. It had been ages since he smiled.
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