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gjenkatarot · 4 months

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Tarot masterlist | Exchange readings | Paid readings

Keep in mind that I'm not a professional astrologer, so take everything with a grain of salt as these are just my personal observations and for entertainment purposes only. I hope you find it interesting!

Ariana Grande is an American singer and actress known for her powerful vocals and chart-topping hits like "Problem" and "Thank U, Next." She rose to fame through Nickelodeon's "Victorious" and "Sam & Cat." Ariana is also recognized for her philanthropy and distinctive style

With Capricorn as her rising sign, Ariana approaches life with a practical and responsible mindset. This quality is complemented by the influence of Neptune, which conjuncts her rising, infusing her with dreamy, idealistic, and compassionate traits. Additionally, the presence of Uranus conjuncting her rising suggests that Ariana embraces originality and unconventionality in her style while maintaining an innocent aura. This unique blend of traditional and avant-garde qualities contributes to her perception as a highly successful individual with the potential for long-term success. Adding to her uniqueness, Uranus conjunct ascendant also positions Ariana as a trendsetter in fashion, admired and imitated by many for her distinct style.

Mercury's opposition to her rising sign introduces an intriguing dynamic, indicating a contrast between Ariana's self-expression and her communication style, a phenomenon influenced by her interactions with others, as depicted in her 7th house. This aspect of her chart sheds light on the complexity of her interpersonal relationships and how they shape her modes of expression.

Moving to her Sun in Cancer, located in the 6th house, we discover that Ariana places a daily emphasis on her emotional and physical well-being. This aspect of her chart suggests that her work environment is akin to a familial setting, providing emotional security—a routine that has become an integral part of her life.

The Moon's placement in Libra, specifically in the 9th house, adds layers to Ariana's emotional landscape. It suggests that she seeks emotional fulfilment through social connections, new ideas, diverse cultures, and spiritual beliefs. Given her vocal advocacy for self-love, empowerment, and body positivity, the Moon and Jupiter conjunction in her chart amplifies her emotional responses, fostering optimism and generosity.

Delving into the realm of communication, Ariana's Cancer Mercury in the 7th house signifies a communication style characterized by sensitivity, intuition, and emotional connectivity. This quality is particularly effective in her partnerships, where she prioritizes harmonious communication and seeks intellectual connections with significant others. However, her tendency to be overly sensitive may pose challenges in relationships, requiring careful navigation.

Ariana's Venus in Taurus, residing comfortably in her 4th house, points to her appreciation for comfort, beauty, and sensuality. This placement indicates that family relationships and emotional security play pivotal roles in her life. Her investment in creating a cozy and aesthetically pleasing home environment is a reflection of her expression of love and affection through tangible gestures such as cooking, gift-giving, or creating a warm atmosphere.

The opposition between Venus and Pluto underscores the intense and transformative nature of Ariana's experiences in relationships, especially within her family and home environment. This aspect suggests profound emotional encounters related to her roots and sense of belonging, with potential power struggles or control issues within her family dynamics and partnerships.

The influence of Mars in Virgo in her 8th house suggests that Ariana channels her energy into matters related to, intimate relationships, and personal transformation. However, the opposition between Saturn and Mars introduces a sense of caution and restriction to her assertive and action-oriented tendencies. Challenges or delays in pursuing her goals may arise, presenting a push-pull dynamic between the desire for independence and the need for careful planning.

As we ascend to the Midheaven, the Pluto influence in close proximity indicates a powerful and intense energy associated with Ariana's career, public image, and life path. With Scorpio on the Midheaven, there's a clear indication of intense and ambitious career goals. This aligns with her public image, which is likely to be magnetic, intense, and captivating, drawing people in with an air of mystery or power. The placement of Pluto in the 10th house suggests that Ariana's career will undergo multiple transformations, involving cycles of death and rebirth. Her resilience and ability to rise from challenging situations characterize this placement.

Chiron in Leo in the 7th house unveils the deeper layers of Ariana's wounds and healing potential, tied to self-expression, creativity, relationships, and partnerships. Known as the "Wounded Healer" in astrology, Chiron represents the area where an individual may experience pain but also holds the potential for profound healing and growth. In Ariana's case, her healing potential lies in embracing and expressing her creativity and unique identity. Engaging in creative pursuits, whether through art, performance, or self-expression, can be therapeutic and contribute to her overall well-being.

The placement of Chiron in the 7th house suggests a journey of finding balance between Ariana's individual needs and those of her partners. Her tendency to give too much of herself in relationships may lead to potential wounds, necessitating a learning process around healthy boundaries and the assertion of her needs. This journey of healing and growth in her interpersonal connections aligns with her public image as a proponent of empowerment and self-love

✦

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catmarlowastrology · 10 months

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💗 Ariana Grande's Love Life: A Deep Dive into her Birth Chart's Natal Promise

Grande's Cancer Sun shines brightly in her 6th house, forming a deeply emotional core. Cancer Sun individuals crave emotional security and tend to prioritize nurturing relationships. In the 6th house, this emotional energy is often channeled into daily routines and work – a testament to Grande's deep commitment to her music. Yet, her relationships are not immune to this deep emotional undercurrent.

Her ascendant – Capricorn Rising – paints a contrasting image. Capricorn is known for its stoic and driven nature, an armor that she puts on for the world. It's her professional identity, her front-stage persona, and it may at times clash with the deep, sensitive Cancerian energy within.

The 7th house, traditionally associated with partnerships and marriage, is a significant area in Ariana's chart. It's ruled by the Moon, which sits in Libra, signifying a deep-seated desire for harmony, balance, and intellectual stimulation in her relationships. Jupiter's conjunction amplifies these Libran qualities, making her relationships significant life teachers. Yet, it also magnifies her emotional responses, leading to a passionate but at times volatile love life.

The connections between Ariana's 7th house ruler and other planets add further nuance. The semisquare with Chiron in Leo could be a source of her romantic hardships, pointing to deep-seated wounds related to pride, self-expression, and recognition in love. The sesquisquare with Venus in Taurus indicates an internal struggle in manifesting the serene, comforting love that Venus in Taurus seeks.

Her Moon's trine to the South Node in Gemini suggests past life karma playing out in her relationships. Perhaps she's working through past lessons around communication, adaptability, and intellect, all resonating with Gemini's energy.

Now, let's discuss her Venus, the planet of love and attraction. Residing in Taurus in the 4th house, Ariana seeks a love that provides a sense of stability and security. Yet, its opposition to Pluto in Scorpio creates an undercurrent of power dynamics and transformation. It's like a tectonic shift beneath a serene landscape – powerful, transformative, and often disruptive.

The square to Chiron in Leo adds another layer, hinting at wounds related to self-expression and creativity in love. The trine to Neptune and Uranus in Capricorn, however, brings an innovative, dreamy, and idealistic hue to her love life. These aspects combined form a complicated dance of longing, transformation, healing, and idealism.

Lastly, Ariana's Mars in Virgo lies in the transformative 8th house, hinting at her resilience and problem-solving approach to upheavals in her love life. Her Pluto in Scorpio's placement in the 10th house further emphasizes transformation, but this time in her public image.

#ariana grande #sun in cancer #capricorn rising #venus in taurus #pluto in the 10th house #mars in the 8th house #moon in libra #mercury in the 7th house #chiron in the 7th house #astro notes #astrology #astro observations #astrology observations #astro community #astrology notes #predictive astrology #astro content #birth chart reading

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evangelinesbible · 1 year

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❄️ SINGER PERSONA CHART NOTES ❄️

❄️ Singer (10698) ❄️

ASC CONJ. JUPITER

- first impression of your singing voice might be that it has a wide range

EX. Ariana Grande

SUN/PLUTO CONJ. VENUS

- beautiful powerful captivating voice. Probably really good at belting or known for belting insanely clean

EX. Whitney Houston

MARS 1H

Another indicator of a powerful voice. Voice may be naturally loud with this one and very growl- ish

EX. Beyoncé

AQUARIUS MC

(Specifically for people who choose a career in singing) At some point or another what you do in your singing career can be seen as influential/innovative in some way. Unexpected popularity and being seen as unique or original is to be expected. Being seen as electric and full of pizzaz when you preform/ sing

EX. Selena

12H/ PISCES/ 12° PLACEMENT(S)

Can make/have a dreamy soft tone when singing

EX. Michael Jackson

NEPTUNE 1H

Can also have a dreamy captivating voice

EX. Also Michael Jackson

SATURN 6H/ SATURN 3H/ SATURN CONJ. MERCURY

All can be indicators of a voice getting better over time. This doesn’t mean that the voice you start out with is terrible it just means that overtime as you grow older and work on your vocal techniques more you might become a more powerfu/beautiful singer or even become a crafted vocalist

EX. Beyonce, Doja Cat, and Ariana Grande

LEO MC

An indication of being famous for your singing voice. Whether that means your famous for your unique tone, how you sing, or even how you perform when you sing. Most likely they see your voice as a force to be reckoned with. This could also just mean you sing for entertainment and love to sing in-front of others.

EX. Tina Turner

Do you have any of these placements? 💋

- ⚜️💫⚜️

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the-world-of-nai · 6 months

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birth chart analysis: ariana grande

hi yall! today i am in the mood to do a celeb birth chart analysis. if u have any celebs u want to see next, leave in the comments below <3

. *. ⋆ . *. ⋆ . *. ⋆ . *. ⋆

ariana grande, or as i like to call her: the manifesting queen.

i am a new astrologer, so i will only be focusing on the big 6. i am still learning about houses and sextiles and all that, so i won't be including too much of it.

sun in ♋︎, 5 degrees + mercury in ♋︎

this makes ariana a first decan cancer: the most cancer of cancers. i like to say the sun sign is the sign of ego and how we view ourselves. ariana is someone who has a tough shell to crack, but once you're in her squad she will take care of you like a mother does her child. cancers are like crabs: sharp and pointy claws, but very nurturing and caring to her children. in this case, children = loved ones. cancers can exhibit mean girl energy in that way. they have a clique of close friends that they give everything to, but if they don't know u they can be quite cold/closed off. with this placement, ariana is emotionally in tune with those around her. she knows what you need if you're feeling down. sun in cancer people can also be quite moody, temperamental, sensitive, and romantic. like i said earlier, quite caring and loving. cancers are not as psychic as other water signs, but they are very compassionate and sensitive, and always want to give and help their loved ones (at least the developed cancers). cancers can also be quite vindictive, and they can have a bit of victim complex as well. think self pity parties. that is one of their shadow traits. they can wallow in their own victimhood and sadness every now and then. this can make them emotionally manipulative, moody, and hard to deal with on their off days.

moon in ♎︎, 6 degrees

this makes ariana a first decan lunar libra, again the most libra of libras. the moon indicates are inner-most self and our emotional regulations. with the moon being in libra, ariana is a social butterfly. she is very charming, fashionable, artistic, and cares a lot about aesthetics. she really values looking good and presentable. high social status and being well liked are also very important things to her. moon in libra folk are hopelessly romantic and really value romantic relationships (this explains her back-to-back relationships). this placement can easily make someone fear being alone. moon in libra folk are very diplomatic as well. they value justice and harmony, and will do what they must to sustain it (this can explain why ariana never publicly speaks about her scandals!!). she knows what to say and how to say it to make people adore her. effortlessly attractive and pleasant to be around.

venus in ♉︎

the venusian influence is strong here! with moon in libra and venus in taurus, ariana is very attractive and alluring to other people. venus in taurus folk are friendly, grounded, charming and they are they type who attract suitors instead of going and pursuing them. they are the ones who are pursued. ariana takes her time getting to know people. she is very friendly, charming, and grounding to her loved ones. venus in taurus people can be artistically inclined because venus is at home in taurus. it gives you a good eye for aesthetics and beauty. venus in taurus also has developed senses, so it can make you very good at cooking, singing, fashion, etc. arianas tastes are refined and lavish. she values luxury and the simple yet good things in life: think a nice steak (i know she's vegan) with some red wine and satin silk bed sheets. venus in taurus folk are thorough and slow moving at times. they value peace and comfort, as well as hard work, sensibility, and stability.

mars in ♍︎

this placement makes ariana a very detail oriented person. it can also mean that she is rather self-critical. someone with this placement may be very health conscious and body conscious. also with venus in taurus influence, they care a lot about their body looking good. she is meticulous and organized. once she decides she wants to do something, she will plan it out and do it thoroughly. once again, she values hard work and organization, similar to the venus in taurus influence. this placement can also make her a clean freak!! and a bit of a nagger too LOL

༶•┈┈୨♡୧┈┈•༶

ariana has been receiving hella backlash lately, but i am such a big arianator like i love that b*tch to death!! manifesting to meet her one day

anyways, so that's it for this analysis. let me know your thoughts in the comments and which celeb you want me to do next <3

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my-chaos-radio · 1 month

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youtube

Release: September 30, 2014

Lyrics:

Tell me something I need to know

Then take my breath and never let it go

If you just let me invade your space

I'll take the pleasure, take it with the pain

And if in the moment, I bite my lip

Baby, in that moment, you'll know this is

Something bigger than us and beyond bliss

Give me a reason to believe it

'Cause if you want to keep me

You gotta, gotta, gotta, gotta

Got to love me harder

And if you really need me

You gotta, gotta, gotta, gotta

Got to love me harder

(Lo-love me harder)

Ooh-ooh-ooh-ooh

Love me, love me, love me

Ooh-ooh-ooh-ooh

Harder, harder, harder

I know your motives and you know mine

The ones that love me, I tend to leave behind

If you know about me and choose to stay

Then take this pleasure and take it with the pain

And if in the moment you bite your lip

When I get you moaning, you know it's real

Can you feel the pressure between your hips?

I'll make it feel like the first time

'Cause if you want to keep me

You gotta, gotta, gotta, gotta

Got to love me harder

(I'ma love you harder)

And if you really need me

You gotta, gotta, gotta, gotta

Got to love me harder (love me, baby, love me)

(Lo-love me harder)

Ooh-ooh-ooh-ooh

Love me, love me, love me

Ooh-ooh-ooh-ooh

Harder, harder, harder (oh)

Ooh-ooh-ooh-ooh

Love me, love me, love me

Ooh-ooh-ooh-ooh

Harder, harder, harder (you gotta love me harder)

So what do I do if I can't figure it out? (Figure it out)

You got to try, try, try again, yeah (whoa)

So what do I do if I can't figure it out? (Figure it out)

I'm gonna leave, leave, leave again

'Cause if you want to keep me

You gotta, gotta, gotta, gotta

Got to love me harder

(I'ma love you, love you, love)

And if you really need me

You gotta, gotta, gotta, gotta

Got to love me harder

(Got to love me, baby)

'Cause if you want to keep me

You gotta, gotta, gotta, gotta

Got to love me harder

(Love me harder)

And if you really need me

You gotta, gotta, gotta, gotta (I'ma do it, do it, do it)

Got to love me harder

(I'ma love you harder, hey)

Songwriter:

Ooh-ooh-ooh-ooh

Love me, love me, love me (love me)

Ooh-ooh-ooh-ooh

Harder, harder, harder

(Boy, you gotta love me, love me, baby)

Love me, love me, love me

(Just a little bit harder, harder, baby)

Harder, harder, harder

Abel Tesfaye / Ahmad Balshe / Ali Payami / Martin Karl Sandberg / Peter Svensson / Savan Harish Kotecha

SongFacts:

👉📖

Homepage:

Ariana Grande

The Weeknd

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playsthetics · 2 years

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Cancer Sun Libra Moon Capricorn Rising

Imagine - Ariana Grande

Be Kind - Marshmello ft Halsey

Big Girls Don’t Cry (Personal) - Fergie

Positions - Ariana Grande

I Was Here - Beyoncé

Crowded Places - Banks

On My Mind - Ellie Goulding

Successful - Ariana Grande

Pink + White - Frank Ocean

Norman Fucking Rockwell - Lana Del Rey

God is a Woman - Ariana Grande

Fingers - ZAYN

Vulnerable - Selena Gomez

Halo - Beyoncé

Garden Song - Phoebe Bridgers

I’m With You - Avril Lavigne

Just Like Magic - Ariana Grande

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deadcactuswalking · 2 months

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REVIEWING THE CHARTS: 16/03/2024 (Ariana Grande's eternal sunshine, 4batz/Drake)

For a fourth week, Beyoncé holds the throne on the UK Singles Chart with “TEXAS HOLD ‘EM”. Outside of that, it’s Ariana Grande week, so welcome back to REVIEWING THE CHARTS!

Rundown

Before we get to Ari or, well, anything else, we always start with our notable dropouts, those being songs dropping out of the UK Top 75, which is what I cover, after five weeks in the region or a peak in the more prestigious top 40. This week in particular, we bid adieu to: “Overcompensate” by twenty one pilots (not a surprise there, it seems like a pretty inaccessible lead single), “Forever” by Noah Kahan, “On My Love” by Zara Larsson and David Guetta, “Fast Car” by Tracy Chapman, “Perfect (Exceeder)” by Mason and Princess Superstar and finally, “Popular” by The Weeknd, Playboi Carti and Madonna.

As for our re-entries and gains, God, it was a big day for those this week, especially given not much else was going on between the top 20 and well, everything else. Mitski’s “My Love Mine All Mine” is back at #75, “Make You Mine” by Madison Beer is back at #53 (great!) and two well-deserved awards show boosts are present here - Jungle, the BRIT Awards’ Best British Group, re-enter at #43 with the incredible “Back on 74” and thanks to Billie Eilish getting her Oscar win for Best Original Song, the equally incredible “What Was I Made For?” zooms back at #16. It’s pretty impressive that there are four re-entries here, all in vastly different spaces of the chart, and they’re all fantastic. As for the gains, we see a lot, scouring pretty much all of the chart, so let’s any% speedrun this section: “Thank You (Not So Bad)” by FBI’s top six most wanted criminals at #68, “Anti-Hero” by Taylor Swift at #65, “Happier” by The Blessed Madonna and Clementine Douglas at #61 and okay, break - that song apparently samples “Du hast” by Rammstein, which I just didn’t hear last week when it debuted. Despite being a classic on rock radio all over Europe, the song never charted in the UK’s top 100, and I always preferred “Sonne”. Now back to the list: “Would You (go to bed with me?)” by Campbell and Alcemist at #60, “ONE CALL” by Rich Amiri at #59, freaking “Baby Shark” at #57, “I Remember Everything” by Zach Bryan featuring Kacey Musgraves at #55, “Green & Gold” by Rudimental and Skepsis featuring Charlotte Plank and Riko Dan at #54 (not really excited for how a trend of the 2020s is having so many artists credited), “FE!N” by Travis Scott featuring Playboi Carti at #41, “Evergreen” by Richy Mitch & the Coal Miners at #37, “Austin” by Dasha at #25, “Kitchen Stove” by Pozer at #22, and finally, thanks to the release of her album, “yes, and?” by Ariana Grande rebounds to #6, just outside the range for our next segment.

Now for our top five, starting with “Lose Control” by Teddy Swims at #5, “End of Beginning” by Djo at #4, and Ariana Grande landing her second top 10 hit in this week, the clunkily two-titled “we can’t be friends (wait for your love)” at #3. Obviously, there’s more on that later. As for the rest, it’s to be expected: Beyoncé leads and the pack and Benson Boone’s “Beautiful Things” isn’t far behind at #2. Now for… less beautiful things, let’s dissect some of the new entries we have here.

New Entries

#71 - “if u think i’m pretty” - Artemas

Produced by Artemas and Daintree

Alright, I’ll bite: who the Hell are Artemas? Or Daintree for that matter? Well, Artemas Diamandis is a budding singer-songwriter with a questionable moustache who’s popular on social media, with this being a breakout hit from October last year, though it now of course has slowed and sped-up versions because the world is not safe from TikTok’s impact on popular music. Daintree seems to be Artemas’ go-to producer, and the two wrote this alt-pop song about a toxic relationship where to put it bluntly, he needs to pick up his standards. There’s a unique androgyny to Mr. Diamandis’ voice and it actually meshes very well - at least his falsetto does - into the vaguely eerie synth distortion and haunting elements very fitting for a song released in late October. I think the effects end up a bit overdone sometimes, attempting to make up for an underwritten song, and I really don’t like how the snare sounds, even if the constantly repeating vocal chop, and the way the lead vocal melody ends up stuck in a jam with it, is really clever, there was a lot of effort put into the song’s sound design, it just doesn’t really translate into a full song for me, especially at barely two minutes. Cool ideas are definitely here though.

#70 - “Uh Uh” - Clavish and Fredo

Produced by KP Beatz

We don’t have many other new names here: Clavish, Fredo, Nathan Dawe - they’re staples of UK chart weeks in the 2020s - and Drake and Ari are inescapable, so this’ll be a pretty familiar episode I feel, which is kind of refreshing. I mean, I’ve been listening to ratrace90210 and Yeat and Butterfly Boy, there’s something relaxing about knowing partly what you’ll have to say about something going into it. With that said, even I was surprised with how cheap and basic the piano and flute sounds in this beat were, the piano in particular really sticks out and unintentionally sounds off-beat due to just how basic the loop is. I would prefer for more layers of the RPG-sounding flute, but once the trap beat comes in, it’s easy to ignore some of the lacking melodies, it goes pretty hard and has much more of a pace than Clavish’s usual output. He’s definitely improving as a rapper too, the sheer length that he goes on for considering the wordy flow and delivery he chooses is kind of impressive and there are some interesting lines, particularly when he… denies living the life in his raps which is just surprising if anything. The way the “uh-uh” ad-lib is implemented sounds a bit tacky sometimes but given the rhyme scheme often delivers a similar sound, it can be pretty seamless sometimes as a call-and-response, it’s just a shame that Clavish doesn’t have the personality to sell it more. Fredo does though and this is an incredible verse from him. His cold rhetorical questions, much more developed rhyme schemes than Clavish, and how much more command he has of his flow despite using a similar one to his fellow rapper and even taking time to be further off of the beat… it really shows who’s been in the game for longer. “I hit any girl I want like a woman beater” is a crazy bar though, I have no idea how to feel about that, and he doesn’t really give you the time to think about it.

#66 - “We Ain’t Here for Long” - Nathan Dawe

Produced by Nathan Dawe, Neave Applebaum and Punctual

Nathan Dawe and its three ghost producers are back in the top 75 with a song I… already had liked? Yeah, this song is from early February, and I don’t know in what context I heard it but I should say that this is, for Dawe’s standard, a pretty great track. The singer is Sam Harper, a songwriter who’s worked with… BTS? Damn, well, okay, make that bank, girl, you can probably live off of that and don’t need to take credit for the heavily filtered vocals here that stand out in a mix that feels a bit barebones: it has the boiled-down essentials of a modern Eurodance jam but not much more, and that really picks up the pace in an “end-of-the-world” kind of way. She sings that she’s barely holding on and she’s got to live her life before it’s gone, with every element of this song feeling like it wants to just make way with itself and flee, and that’s definitely a compliment in this case, there’s a certain frantic sense to how the ATB-esque acoustic guitar drop is placed into staccato formation like old video game music. With how much the song wants to be done, you’d think it’d peter out by two minute, but no, we get that fizzling and striking bridge where Harper laments how much she’s doing for other people just to feel empty in return. We immediately get back to dancing of course, but after that resonant bridge, it hits way harder than it did before, with both Harper and Dawe adding little tricks into the final chorus, whether that be a change in the inflection, an added refrain of “I gotta live my life” or a flashy pre-drop glitch. It’s all very obsessed with desperately wanting to stop existing and for a trance song in an ever-increasing dystopia of how we live now, this feels particularly relevant… and it would be pretty poetic for the UK in particular to make this a hit in 2024. And please do, it’s great.

#18 - “act ii: date @ 8” - 4batz featuring Drake

Produced by Untitled Beatz and 40

Okay, firstly: Official Charts Company finally correctly recognises a remix’s popularity and credits accordingly. Nice. Secondly… sigh. So I gave a lukewarm review to Bryson Tiller’s “Whatever She Wants” on its debut week but pretty much immediately, I’m talking the day after, it clicked with me and I’ve been slightly obsessed with it. It actually has me excited for how rappers, singers, rap-singers and sing-rappers are going to implement non-Atlanta trap elements into R&B and vice versa as we get more diversive rap landscape with hyphy, Detroit trap, drill, Jersey club, dembow, Afrobeats and more competing for further influence in mainstream rap. Tiller and the beat both chug at a constant level and only stop to murmur tensely before piling right back into action. The beat sounds like if Rick Ross was on a treadmill and instead of really trying to sing, Mr. Tiller just tries to keep up, even if it leads to him doing brief harmonic riffs and pausing for sound effects. The original “act ii: date @ 8” by 4batz, which lands on its chorus by accident, has a similar appeal in its vintage shimmering keys and more organic-sounding bass, though I hadn’t heard it before the Drake remix. 4batz goes for an adolescent delivery that makes its determined, one-minute-and-done young love feel even more weightless and fluttery. I wish it didn’t go for the cop-out not-really-all-that-chopped and only-technically-screwed outro of course, but otherwise, it’s pretty decent and oh, the big-name remix essentially plays the song unchanged and then has Drake rap over that exhausted, slowed-down version. The youthful, Hell, maybe even childlike, lovestruck song empowered by its brevity is extended to a lethargic nearly four minute track, the majority of which consists of what sounds like a reject from not even For All the Dogs, more like Certified Lover Boy. There’s an oddly homoerotic passage in the middle, then he interpolates the original just to rhyme it with “I’m a stand-up guy like Dave Chappelle”. Sure. If this helps a newer and more interesting R&B artist to launch a career, it’ll be a net positive, but this version is a butchering of the original’s spirit in my opinion.

#13 - “bye” - Ariana Grande

Produced by Ariana Grande, Max Martin and ILYA

Okay, let’s get this out of the way: I liked two tracks off of Ari’s #1 album eternal sunshine: “the boy is mine” and “I wish I hated you”. Like always, her intro was pretty sweet too. I have vaguely more long-form first impressions on RateYourMusic, but I’m mostly just turned off by the nothingness the album presents: a trendy, vaguely pleasant pop-R&B album for sure, but not one that takes many risks - which Ariana can do - or makes use of its more cinematic production to help the songs get any stickier. Sometimes she sticks the landing, but mostly I did not care for it and couldn’t get myself immersed. Yet I’ve been listening to abstract cloud rap, underground plunderphonics of both the folkish ambiance nature and layered nu-disco instrumentation, and primarily, nu metal, so take all of that with a grain of salt. Like I said about 4bats, sometimes I’m not sure why I still write this show. With that said, there’s a lot less I have to say about these Ariana songs than I think I’d have wanted to. This one, strikingly, has had Ariana speak on it being too emotional and her not wanting to erase ALL of the humanity from it. Huh. That’s definitely reflected in the rote disco groove and oddly fuzzy bass which does add some texture but doesn’t make the lead vocal melody in the chorus any less… obvious. In fact, that’s really my main problem with this record: it’s obvious. The pre-chorus sounds genuinely brilliant, this is a gorgeous vocal performance from Ari and that swell is fantastic, but it ends up going for a kiss-off that’s undetailed and non-specific outside of name-dropping her friend Courtney… who the fuck is Courtney? The whole album’s vulnerable but never in a way that fully immersed me, it feels a bit closed-off not in an aggressive way but in a “the bridge over the moat has yet to be lowered kind of way”. Drake’s whole passage about his three different Jasons in “Away from Home” accurately displays my emotional connection with eternal sunshine but the difference here is that Drake very much knows that you don’t know who these people or events are and plays into that to construct his narratives. These Ariana Grande songs just feel oddly distant, and for a triumphant dance-pop song, I want to be IN the moment, not a peasant looking up at a celebration in the tower. Just saying.

#3 - “we can’t be friends (wait for your love)” - Ariana Grande

Produced by Ariana Grande, Max Martin and ILYA

More than half of our debuts this week are in lowercase, I guess this really is a muted week. Speaking of muted, this was oddly a bit of a sleeper hit within the week, having its music video and SNL performance give a lukewarm first day room to breathe and a bit of a boost for the whole album but especially this… and it’s a blocky synthpop pastiche, and I MEAN blocky. One of my least favourite tracks on the album and really one of Ari’s worst ever in my opinion, this goes for the one thing I don’t think she could ever sell: a discussion of Ariana’s relationship with the media, doubling as a relationship story. You can see similar interpretations of thank u, next but even if I don’t like that record, I will give it props for its depths and honestly, its stakes and the tragedy that surrounds that album and its predecessor. This track though... what informed this? What informed the backlash-to-the-backlash towards critics in the chorus? What informed the tumultuous nature of Ariana’s pop culture ups and downs this time? What informed the grotesquely unwarranted orchestral outro? Oh, right, nothing to care about. I used to be a Kanye fan, artful self-indulgence is not something I’m opposed to - Hell, go for it and more - but when the writing is purposefully secretive and vague, the lead vocal melodies are so staccato that Ari has to push character out of them through just her inherent personality, which itself is a fragile beast and most importantly, it sounds a cloudy fuzz of parodic ass with conveyor-belt synths standing sore in the mix… I’m left questioning why I should allow myself to give it my time. Given that ending line of the second verse, it also makes me wonder if Ms. Grande even wants me to. Hard pass on this - “the boy is mine” was right there as a single, this feels like an easy cop-out for an album that had a shaky first week.

Conclusion

Yes, Ari gets Worst of the Week for “we can’t be friends (wait for your love)”, as much as I wish she didn’t, with a Dishonourable Mention to… Drake. Drake gets the Dishonourable Mention for ruining a promising song in “act ii: date @ 8” by 4batz. As for the best, it should be an obvious lock for Nathan Dawe with “We Ain’t Here for Long”, as Artemas taking an Honourable Mention for “if u think i’m pretty”, I could see some better songs coming from this guy if we give him more than one chance at a hit. I don’t envision much of intrigue in the coming week, but regardless, thank you for reading, rest in peace to Eric Carmen, and I’ll see you next week!

#pop music #song review #uk singles chart #ariana grande #eternal sunshine #4batz #drake #nathan dawe #clavish #fredo #artemas #sam harper

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shakira-fan-page · 1 year

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''TQG'' joins ''Rain On Me'' and ''WAP'' as the only female collaborations to reach #1 on Spotify Global.

#shakira #shakira mebarak #karol g #lady gaga #ariana grande #cardi b #megan thee stallion #celebs #celebrities #tqg #rain on me #wap #songs #spotify #global chart #news #tumblr #reblog

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astrosky33 · 6 months

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WOMEN WITH STRONG PISCEAN INFLUENCE

They’re often copied and idealized since Neptune rules over idealization, mirroring, and glamour. Neptune is also the higher octave of Venus so having strong Neptunian influence can give not only fame but extreme beauty

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harmoonix · 9 months

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When Jupiter shows your husband but Neptune shows your addictions

#astrology #astro observations #birth chart #astrology observations #astro notes #placements #astro community #horoscope #venus #ascendant #jupiter #neptune #ariana #ariana grande #Neptune era

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animusiem · 4 months

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Billboard USA Exclusion Zone Episode 23 (01/27/2024)

I have like four things I want to say about the chart at the moment

Seems like this year will a test for the established artists from the 2010s as to how they'll adapt to 2020s especially with the TikTok generation

Speaking of TikTok, it's no secret that the app basically dictate what becomes a hit or not. But looking at the chart as a whole and I couldn't helped myself and think that these songs wouldn't be as high as it is if there's no TikTok

21 Savage seemingly has reached the stardom that big rappers before him that he even worked with in the 2020s. With this week we have 21 Savage album bomb and I will talked about the three highest charting songs from the album

The fact that I already got 2 songs that would probably appeared on my best list that debuted this week.

Something to think about really. Anyways debut time!

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1. "Yes, And?" by Ariana Grande

See this is why I said that established artists will have to adapt to the 2020s sensibility and only get some immediate effect and nothing else. I do like the song and I'd say this is her best lead singles since No Tears Left To Cry with the late 80s house and the Vogue by Madonna samples. But I don't see a lot of hype from this at least on normie circle. So yeah the song is good but I'm worried about her next album

5. "Bizarrap Music Session, Vol 58" by Bizarrap & Young Miko

Even though I don't speak Spanish, I can sense that this song is aspiritional and celebrating the success by the production alone. The piano, the 2010s style percussion, and how tasteful it felt especially coming from Bizarrap. This is actually sounds like what Official HIGE DANdism would've made to be honest. Another great offering from Biza

16. "Redrum" by 21 Savage

Seems like 21 listened to MONACO by Bad Bunny and be like "yeah sure I have better samples here lmao" and that's how this song was made. All jokes aside yeah I can say this is perfect lead off singles. It sets the tone for the album and I love that samples.

17. "Igual Que Un Angel" by Kali Uchis ft. Peso Pluma

You know, I've always reserved with whenever Kali Uchis released at first because her brand of loose rnb music can be intimidating sometimes. But with this and the rest of the album, the feeling I got is just warm welcome. This song is excellent and the fact that this song made Peso Pluma sounds great not just good. Yeah this is best list material.

37. "nee-nah" by 21 Savage ft. Travis Scott & Metro Boomin

You can't do no wrong with 21 Savage and Metro Boomin but I'm surprised with Travis Scott here. He sounds more focused and better than his performance on Utopia. The song also just sounds great in general. Seems like his work on Spidervese soundtrack has done something with Metro because wow this sound so full and lush. The samples at the start with that trap percussion and of course the Nina Simone samples. It's a vibe and a half.

48. "Bling-Bang-Bang-Born" by Creepy Nuts

It's not even the end of January and we already have the best anime opening contender. Now with this one, opening for season 2 of Mashle, it has an uphill battle for it to be like best of the season so far. But somehow this song is unique even for anime opening standard, because this is straight up jersey club song even right down to the Trillville bed squeek. And the MC here R-Shitei just rap his ass off here. My god I am flabbergasted that this song exist at all.

53. "n.h.i.e" by 21 Savage ft. Doja Cat

So apparently this one is for Scarlet and yet it was given for 21 Savage. And yup this is definitely a Scarlet cut right down to the swapping bass and Doja Cat doing her Doja Cat shit. This would be like high tier Scarlet song but definitely middle tier American Dream song.

138. "J CHRIST" by Lil Nas X

Okay I think we need to talk about how we are assessing Lil Nas X as a phenomenom or as an artist. Because while this song is good, the way that people just don't care about this at all is telling especially when you remembered his last hit is a theme song for a League of Legends tournament. If I were you Lil Nas I would just released the Kesha cut as the second singles.

140. "First Love" by Oscar Ortiz X Edgardo Nunez

I usually like a lot of cumbia songs in general but I feel like something missing here. Maybe the percussion isn't defined or the performance from both artists are half assed. Feels like I should like this more than I do.

143. "Hola Perdida" by Luck Ra X KHEA

Well then this is the first merengue song since that mishapen collab between Manuel Turizo and Marshmello. I will say that I hope that we get more songs like this to spice up the latin pop scenes

146. "Unwritten" by Natasha Bedingfield

This is actually my gf's favorite song did you know that? Also with this and Murder On The Dancefloor both becoming viral hits because it appeared on movies, we can safely say that the influence of New Radicals are still alive even in 2020s.

168. "Never Lose Me" by Flo Milli

You know I would congratulate Flo Milli for appearing on this chart because these type of songs aren't usually crossed over outside the US. I would say more but this is definitely one of the trap-n-B song of all time.

176. "Apocalypse" by Cigarettes After Sex

You know Cigarettes After Sex is an apt name for this band because this is probably the most empty, disposible, and forgettable indie rock song I've heard. The lyrics also so melodramatic to the point of agonizing. Hard pass.

181. "O Me Voy O Te Vas" by Natanael Cano

I wasn't sure how Natanael Cano could be the father for corridos tumbados until I listened to this song. Like Todd always said that this song sounds like it has existed since the beginning of time and that's the appeal of it really.

191. "King Shit" by Shubh

I should've corrected myself that there's also a rise in rap songs made by the Punjabi community in Canada and things can get really messy there. They usually bring the sound that usually appeared on Punjabi or general Indian sound and make a rap song out of it. Honestly I should learn more about this because this genre could be big one day.

197. "When We Were Young (The Logical Song)" by David Guetta ft. Kim Petras

Meanwhile this song is not that and it's basically just David Guetta playing catchup on the rising trance comeback and it's just as empty as you expected.

I highly recommend everyone to listen to these songs.

#billboard #billboard charts #music review #pop music #review #trap rap #corridos tumbados #metro boomin #21 savage #jpop #mashle #punjabi #ariana grande #bizarrap #young miko #creepy nuts #natasha bedingfield #lil nas x

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