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[ENG] Notebook cover, bookmark and cotton bag design for L&C Printing Group, mockup, project visualization
[PL] Projekt okładki notesu, zakładki do książki i torby bawełnianej dla firmy L&C Printing Group, mockup, wizualizacja projektu
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What's your decision making process like for thrifting pieces? I've started looking at thrifting more earnestly, and at antiques in particular to add a bit more character to my otherwise midcentury-influenced space, but I always struggle with envisioning if a piece will "go" with everything else. But you seem like you've got the mixing and matching of pieces down pat, do I'd love to hear your thoughts!
I've gotten a bunch of asks in this vein so I'm going to go a little broader than this ask to cover the general topic.
On a purely practical level, you need to know what you have. I keep what I call a house journal, which is a notebook where I've drawn out room layouts, with measurements for available space, lists of what I'm looking for, dimensions for things like doorways (do not buy anything larger than your doorways) and even fabric and paint swatches. I also keep a digital photo album of house pictures, so if I'm trying to see if something will go, I don't have to rely entirely on memory.
So, important note: my background is not in interior design--it's in set design, studio art, and graphic design, so for me, I fall back on narrative. When you're designing interior spaces for theater or film, the room is not primarily functional: it is, first and foremost, an extension of the character that inhabits it. The room exists to tell you about the person in it.
And often, that's the tack I take in my house--not using my home as a framing device for myself, but for imagined characters. For example, my living room is The Adventurer, or the Archaeologist. The character for that room is someone from decent money in the late Victorian period, the sort of person who spent their live traveling for no particular reason, and brought home all manner of oddities. The room is rich in color and texture; the furniture is mostly late 1800s, and it's both formal and lived in. Choosing things for this room, I ask if that character would own that object. I also used unifying wood tones, and a similar depth of color, to tie things in. Pick a color palette and stick to it.
My drawing room is the Alchemist. There are lots of celestial elements, but it's a workroom, so most of the furniture is very practical and simply designed. It's beaten and worn in, showing marks of use. There is lots of storage, and curious little things in jars, and plants and bones and the tools of my trade. The Alchemist uses this space to make impossible things.
The question then is not "does this match" but "would the character that embodies this space choose this? Why? What does it say about them?"
And what all of that tells you about me, is, well....I don't know, really?
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