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#don't love this coloring but this scene was weird lighting
highlandwhackamole · 1 month
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A Grand(ish) Theory of What the Heck
I love the utterly unhinged, super detailed theories about what's going on in Good Omens, especially in season 2. I hope one or more of them turn out to be true, as some kind of glorious puzzle-box-hidden-code monstrosity. And also I think that there has to be a simpler explanation for things, for the people who are at least Somewhat Normal (tm) about this show. (... I assume such people do exist somewhere...) This is what I have been pondering recently.
The thing that started me thinking about this was this post, containing some promotional materials for season 2 that feature main characters with scenes in their heads. Like this:
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Seeing this created a very similar situation in my own head, but with a nice shiny lightbulb.
All the weirdness: the car, the sideburns, the clock, the behavior of the folks of Soho, the vanishing storefront signs. The absence of God. I think this is all because everything we see is in their heads.
I don't mean it's made up. At least not entirely. Memory is already a plot point. Why not explore it on a deeper level? I've read theories emphasizing the minisodes' stories being retold by Aziraphale and Crowley. I think the whole season is like that.
You know that sort of conventional-wisdom-fact-concept that you can only dream faces of people you've seen before (or variations therein), because your brain can't make new faces up? So it just fills in what it thinks is close enough? I think that idea, applied to remembering or recollecting things, could explain so many things that are wonky in this show.
Wonky Things
Crowley parking in an impossible London location? He definitely remembers it was in London, so his brain just stuck some obvious London landmarks in there.
Awkward clattering happening when Crowley throws the stacks of books he's inexplicably carrying around the bookshop? He wouldn't actually throw Aziraphale's books! But he'd like to think he's cool and nonchalant enough to do that, and if he did it would definitely make Some Kind of Noise.
Jim walking toward the bookshop from somewhere mysterious? Maggie and Nina saw him first, and he came from that direction, so he must've walked all that way. They don't know about the elevator in the Donkey.
Aziraphale remembers tartan hills and the Loch Ness monster because he was having a jolly time driving through Scotland, so obviously the scenery must've been whimsical Scottish things.
Nina put the Honolulu roast sign up, so she remembers its presence, but perhaps the occult/ethereal visitors to her shop do not.
Maggie really did text Aziraphale about the rent, but a note through the mail slot is a much more dignified way for a scholarly angel to imagine he received a message.
On the Fallibility of Recall
This season is loaded with unrealistic inclusions. The colors are turned up to 11. Some of the scenes are more caricature than believable interaction. Remembering things never copies or reproduces them with what one might call high fidelity.
Scenes recalled by separate memories will inherently vary. One person's hefty jigger might be another person's dash. Who knows for sure where the sun was that day? You and I might recall an event having different lighting or a different color palette, sort of like viewing something with different lens filters.
According to Neil, Crowley is an unreliable narrator of the story of his Fall. He labels the variations in clock times as a continuity error in a show where Everything Is Meant, but he doesn't say whose continuity error it is. He insists that the Bentley is the same through the whole season; maybe it was the same, but remembered differently. Maybe this is part of why there's more CGI but it's harder to spot.
So What?
Is this all there is to it? I sure hope not. I like my Good Omens with enough layers to put to shame an onion wrapped in a cake and covered in a parfait.
Is this possibly the fancy footwork that's distracting from the real magic trick? I wouldn't put it past Our Gaiman. There are a lot of things one could hide in the narrative of unreliable memory.
Is this going to stop me from rewatching and repondering and remaking theories for the next couple years? Not even at gunpoint.
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epickiya722 · 9 months
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Actually, now I'm thinking about it, it's odd to me that Midoriya and Uraraka look similar and maybe that's on purpose.
Round eyes & face
Facial marks (Freckles for Midoriya, blush stickers for Uraraka)
"Brunette" (green hair is considered being a brunet/te in anime logic)
Shorter than the others
Now given that, what if Uraraka "falling in love" with Midoriya wasn't her actually falling in love? What if it was her having a self-reflection and accepting herself?
Further thinking about it... they're practically the same person.
They're both compassionate, kind. They learn to adapt to changes. They're cute, but they're vicious if pushed far enough. They won't give up on people or in a fight. Hell, they both float, use long range attacks, and close range ones. Works in teams of three (Uraraka-Asui-Hado, Midoriya-Bakugou-Todoroki) under a top Pro Hero.
And they both "rival" some feral blond that they don't act "normal" around.
What if Midoriya wasn't meant to be Uraraka's crush but her mirror? Mind you whenever someone points out her "crush" it's not someone you would turn to for love advice.
Aoyama is Aoyama (think about that reveal), Ashido practically ships anybody with anybody when there's no real chemistry, and Toga has a twisted concept of love.
You really think I would trust any of them on telling me I have a "crush"?
There's also the fact that Uraraka herself during her talk with Midoriya says they're both "oddballs". That whole talk during 342 comes off more as someone talking about their feelings about their identity and relating to a friend who feels the same about themselves than supposedly "romantic". When someone is called an "oddball", it means that person is "weird". They're not part of the "norm".
Sometimes it comes off as having different interests, like someone liking the arts unlike the majority of the group who likes sports.
Or it's someone who identifies as queer.
What if these last few chapters of Toga and Uraraka was Uraraka accepting herself?
@darkcircles4lyfe points out a detail that I didn't catch until now in this post here.
In this scene, Toga has a hold of that All Might keychain. We know it's of importance to Uraraka because Midoriya gave it to her. We also know that once before Uraraka snatched it away from her when Toga first got a hold of it during the PLF War Arc. Here, she doesn't do it. Granted, because she's bang the hell up and probably even isn't aware of her surroundings. But on Horikoshi's part, what if that's on purpose? What if here, Toga is taking the keychain as a way of saying Uraraka is finally accepting herself and her feelings? That Midoriya was that mirror she kept looking into and questioning until this very moment?
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And let's be honest here, it's not like Horikoshi isn't incapable of writing M/F ships. I just think IzuOcha is a ship he doesn't intend to make romantic because of how underdeveloped it is.
Compare it to Kamijirou and Kirimina, it is pale. Also, make note of those two pairs.
The characters in those ships also have opposing physical features.
Kamijirou - dark and light hair colors, the extrovert and the introvert
Kirimina - Spiky hair and curly hair, sharp edges and round curves
A lot of pairs Horikoshi puts together in which the characters are close (romantic or platonic) have some opposing features to them.
Gentle Crimimal and La Brava - tall and short, dark hair and light hair, one is more hands on and the other isn't
Eraser Head & Present Mic - quiet and loud, dark hair and light hair, close combat & long range
Bakugou's and Jiro's parents - quiet & loud, dark hair and light hair
It's his shtick.
But for Midoriya and Uraraka? They are just genderbend versions of each other!
That's really all I have to say here. And if you disagree, fine. Don't care for the input though, keep it to yourselves. (I say this because some of you are just damn disrespectful.)
I myself don't think IzuOcha is a bad ship, but I just don't think it's a ship Horikoshi has on his agenda. Let alone wants the audience to perceive them as "romantic" but as a "mirror".
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praisethesuuun · 1 year
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Can I request a Buddha making love in the shower with his fem partner
This is my first time writing a smut for Buddha, so please be nice to me •///•
English is not my first language so apologies for any mistakes, having said that happy reading💞
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Buddha x fem!reader: All For a Candy
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Type: smut🔞
Warnings: unprotected sex, creampie, oral sex, blowjob, shower sex
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The air in the room was chilly, rippling your soft skin, warmed by the afternoon spent with your lover. He had convinced you to go with him, in the temple where you served as a priestess; interrupting you during one of your long prayers. You had not chosen to stay there: the local believers had entrusted you to the mother priestess immediately after finding you alone near the city gates, condemning you to a life of prayer, more uncomfortable clothes than anything else and chastity. But everything changed when you met a bizarre man who was looking for lodging for the night. His hair was styled in a very loose way, his eyes bore the beauty of a thousand freshly bloomed lotus flowers, while his expression went from calm to frustrated as the man crushed the candy in his mouth instead of melting it with the tongue. "Damn lollipops, I can never finish one without biting it"
His name was Buddha, a name that seemed to you at the time to fit his person. And yet, even if on the outside you were maintaining a calm expression, typical of a priestess, inside you were exploding with annoyance: the so-called Buddha would not stop filling you with questions, making you confused about the right path to take and refusing to leave you alone with the your thoughts. "So...why shut yourself up in a temple?"
"I already told you, my parents wanted it"
You were careful to keep the truth well hidden, avoiding the risk of making your temple look bad, painting it as a home for orphans; the other priestesses had been far too clear about it.
"Why don't you leave?"
"Why should I?"
"Your hate can be felt for miles, the stench is even stronger near you!" he said throwing her head back and holding his nose, leaving you shocked, eyes wide and mouth agape.
"Who the hell is this lad?" you thought as you tried to process the scene before you. A shiver ran down your spine: if you were really that easy to read, then you were doing a terrible job of not arousing suspicion from others. Leaving that cage was your dream since you were a child; you prayed to the gods every day to send you an angel ready to lift you up and take you away, far, far away, from the mother priestess and the strong smell of sandalwood incense. A caged bird, fed out of compassion, that's how you felt.
"We're here"
Your voice was hard, firm, you had gone from being a precious lily to seeming like an imposing elm; Buddha felt the change in the air, perhaps he had exaggerated provoking you like that, or the bastard was aiming for just that reaction...
After all, it was his job to guide anyone who felt lost: your poor soul had ventured into the maze of darkness, a thick shadow full of life. "But where's the shadow, there's light"
You looked at him again confused, judiciously before opening your mouth again: "Excuse me?"
"Ah! Nothing!" the stranger became defensive, exactly like a cat that is seen rummaging in the garbage.
"Weird"
"Rude!"
**✿❀○❀✿**
That little meeting of yours, even if it seemed strange and completely out of place, would have been the beginning of something much more beautiful. The only problem was, you didn't know it yet.
His stay made you go through all the colors of rage, even making you sweat blood from the nerves that the Buddha made you feel. Apparently, the mother priestess had well thought of entrusting her care to you; who seeks finds and who finds keeps, right?
Bullshit, that was. The great abbess simply didn't feel like moving her ass off her soft pillow, so she left the heavy lifting to her only submissive, one submissive enough to follow her every whim. You.
"Perfect..." you whispered as you picked up the newcomer's dirty clothes from the floor, placing them in a hand-woven basket
"...just perfect"
Your gaze turned sad all of a sudden. It was precisely in moments like this that the chains wrapped around your body pulled the most, tearing you both inside and out, and the mother priestess was the very one who had tied them to you the same day she locked you in there. She kept you on a leash like a little dog, but you didn't have the courage to oppose it, how could you? Let's say you had found the courage to rebel and finally leave... and then what? What would you have done alone?
"Nothing!"
Screaming might have relieved you of some tension, even tearing off your ceremonial dress and throwing it on the ground helped. So that's exactly what you did, opening in a short space of time that armor you'd built up over the years.
The dress hit the floor exactly as an archer's arrow pierces a target, making a dry, muffled sound. Inside you there was a storm going on, the same one that was now making you cry tears of anger, hot, but cold when they fell on your bare skin.
"You'll catch a cold like this"
Panic. Your mind began to invoke all the gods you knew of, repeating mantras, turning your head into a temple and your body stiff as wooden planks. The terror that one of the priests had seen you like that made you more afraid than death: he would immediately have you considered a heretic, only to excommunicate you under the contemptuous eyes of heaven.
Tears began to cloud your eyes again, remaining motionless staring at the dark wall of the small room; fear refused to make you turn and face the man before you. It was over. Head of the line for the crazed little priestess.
"Here"
Buddha said in a tender voice, then warm, this time not on your face but on your shoulders. At that point, you couldn't take it anymore and turned your head only to meet a pair of lotus eyes, deep and curious, the same ones who had captured you few hours before. "Thank you" you mutter trying to calm your nerves, but the thing was, you didn't know how to react at all. "Go on" he urged you to walk, nudging you slowly, carrying you through the silent corridors of the temple, the floorboards at your feet creaking with almost every step.
Buddha made you sit on his mat, closing the door and making sure no one was spying; once quiet, he sighed, sitting next to you, waiting for you to speak. A few seconds passed before you decided to breathe your mouth, without even trying to maintain the mask of a devout believer, you had been unmasked. "I never wanted this and you shouldn't have see me like...that"
The man only hummed. He still wanted to hear more, uh?
"They found me nearby, in a lute basket. I had no choice"
"You have now"
Those words hit you in the heart, punching it. You should have packed a sweat towel, because that conversation was about to become a duel where the sharpest word would win, hands down. But what exactly does it mean to win? You didn't want to be there, that's enough, it was obvious. Maybe you didn't just want to show your restrictions, those that perhaps the Abbess hadn't put on you, but Fear itself.
"Why don't you join me? Better than staying here, isn't it?"
"Can I? Really?"
In Buddha's eyes, you were exactly a beautiful canary whose cage was being opened, even if you carried the rage of a hungry wolf inside. His soul softened, feeling affection and pity for you, which translated into a sincere smile. Your cheeks turned red instantly: living like that, you had never experienced sensations other than negative ones and you had lost every shred of wonder, yet his smile had moved something inside you. It was contagious and even your lips curled up.
That night changed everything, turning your life upside down like the bad pancakes Buddha tried to cook from time to time. You two decided to leave immediately, at the following dawn to be precise, escaping into the thickets and dodging the threats of all the priests. Your smile was dazzling, with Buddha running dragging you with his hand tight around yours.
"HURRY UP!"
"GOT IT"
"THEY JUST THREW ME A PAN"
Freedom was sweet, mighty. It crept under your skin with every stride you took towards the temple exit, while Buddha - strictly with a new candy in the mouth - had the same dreamy eyes of someone reliving distant memories.
**✿❀○❀✿**
And here you are, years later, still together as the duo you were. Embraced in a hotel room where you have found shelter for the night, outside a stormy wind was blowing, which made the leaves of the trees whistle like freshly launched darts. "It's getting cold" you whispered in his ear, ready to get up to go get another blanket. Those days had been particularly stormy and had made the lives of travelers like you difficult. Finding that little inn in the woods had been like a blessing, as if some angel had smiled at you. In front of your aching legs and empty stomach, a clean bed meant a glimmer of sunshine amidst the raindrops.
"I heard they have spas downstairs, we could try them"
Buddha's voice was honeyed, like the candy cane that he was tossing with his tongue. You felt like eating his lips, stealing it from his mouth and playing a little, but no one was snatching the beloved snacks from the Buddha, he would rather throw the bed at you than follow you all the way to the hot springs. So, you went with that option because, hey, you only live once, right?
Your loved one couldn't even complain since you were inspired by one of his lessons. Your head rose slowly, approaching his like a tiger stalking its prey; he guessed and grinned playfully before speaking: "You just can't resist me"
"No, I can't!" you answered with an innocent smile, melting Buddha's heart. You were so beautiful: with your cheeks still dyed red, your hair a little disheveled and your skin still marked by his signs of love. He couldn't resist you either, so he decided to humor you and kiss you, in such a romantic way that for a moment you wondered if it was really your man and not a double.
His tongue danced with yours, while his hands rested lazily on your back, leaving some courtesy caresses. Buddha didn't even have time to realize it, that all the fire of your skin against his was instinctive as if they had thrown a bucket of water over it. His lids - closed before - had opened as soon as he felt a gust of air against his chest. A moment of silence, then he shifted his attention to the door to your open room and the trail of a blanket disappearing behind the wall. Confusion, realization, and then: "O-Oi! My candy!"
A breathless chase around the hotel began, where you darted in amusement with the candy stuck in your teeth, trying not to choke yourself on it by mistake, while Buddha was moaning behind you, chasing you with devotion. These little moments were your favorite and even better was the way they played out.
In a short time, the sliding door of the indoor spa could already be glimpsed and you jumped in as if there were no tomorrow. Paying attention to the floor of large stones, you made your way towards the largest pool; you started to turn, ready for your lover's angry expression, but he pounced on you at the first opportunity, throwing both of your bodies into the hot water. "Bad girl! That's no good!" he scolded you in a playful way, splashing you with water.
"Tell the truth, you liked it"
"You stole my dessert so it's impossible"
Buddha answered you, before taking off his soaked trousers to throw them near the edge of the tub, huffing lightly.
"I'll make it up to you, then"
A sensual smirk crept onto your face, while your (e/c) became veiled in lust, as if a goddess of love were manipulating you like a puppet. The man grinned as he felt his sweetheart's hands push him towards the edge of the perimeter, where he was trapped by your arms. The water rippled in concentric circles with your every step, while its roar colored the air together with the further sound of the small waterfalls. "So get started now, you'll be busy"
Buddha whispered in a deep voice, using the strength in his arms to sit on the marble edge, making you immediately collide with the sight of his already partially erect cock. You held his length in your hand, you could feel his warmth, how the pulse beat under your skin. Buddha had a little spasm when you kissed him, you smiled when you saw him tilt his head back and moan. But you wanted to own him, leave an indelible mark on the man.
You started using your tongue and it made him jump. Oh Gods, it was hard. Working with your mouth, you licked it from base to tip, smiling between various moans. You tasted the crown with your tongue, it tasted sweet and salty at the same time, then you kissed up and down. You moistened your lips before dipping it in your mouth, you did it looking Buddha straight in the eyes. His hand worked its way through your hair and grasping it, tried to guide you gently, up and down the length, cheeks slightly sunken as you massaged the part you couldn't reach.
"Fuck" moaned the man, who came after a few minutes. Every sound that came out of his mouth was like a drug for you, making you suddenly blush as you felt his seed flooding your throat. A choked sound came out of your mouth at first, then you swallowed it all to regain your title of good girl.
"You came...so much..." you huffed, looking up at him with eyes slightly closed.
Desire possessed Buddha, prompting him to immerse himself again in the tub to join you; he grabbed your breasts, squeezing them and pressing his thumb on your nipples, making you literally scream. Your lover wanted to love every inch of your body, squeezing and biting your every curve.
"Please, don't stop~"
"Damn water" he cursed. In fact, the water made him lose friction on your skin: Buddha's hands were constantly slipping and he couldn't get half the things he wanted to get done. From nervousness he kissed you hungrily, biting and taking your breath away, while one of your hands grabbed his now loose and wet hair, as if to push him even more towards your body.  Touching his skin was all you wanted, to hold him close and merge with him.
Your souls vibrated in sync, while your sighs and moans were drowned out by the rushing water, urging you not to hold back.
"Buddha..."
His name escaped your mouth like a prayer, one of those recited with heart in hand and with all possible devotion to one's god. "Alright, sweetheart. Turn around, can you do that for me?" Buddha asked you urgently, rosy cheeks and pure lust in his deep gaze. "Yes, honey" you answered with the exact same tone and turning your back on him.
Buddha grabbed your arms pulling them back and arching your back; you could feel some of your hair sticking to your skin as your legs spread in preparation for the future. Buddha was impatient, he couldn't help himself anymore: you drove him crazy, the man had never felt anything like that for a woman, but the meeting with you had moved his entire existence and now he couldn't help but overwhelm you.
Buddha forcibly thrusted his hips towards you releasing a deep growl and entering your womanhood. You sighed deeply arching your back even more and releasing a loud moan, which echoed throughout the room. How beautiful that feeling of fullness was and even more so given the person who was filling it. Something mixed with serenity and lust pervaded you making numerous shivers pass along your entire body.
He began to move his pelvis at an excruciating pace, for both of you. Buddha accelerated after a few minutes and your moans only encouraged the man more and more. Your legs were almost weaving but feeling your partner's hands holding you up gave you a sense of stability and security. The noises that escaped his lips, combined with those of the water, excited you more and more, while small droplets of sweat began to run down your body until they became part of the pool.
"Fuck...fuck, (Y/N)...you're so good"
From that position the man enjoyed a breathtaking view: your slightly bent head, your firm ass bouncing with every movement, his cock repeatedly entering and exiting your tight pussy, the rippling surface of the water and the latter which emphasized the sound of their skins touching. He couldn't take it anymore. He was about to reach his limit and he wasn't going to until you reached yours too.
His movements increased and became more desperate and sloppy. The scream of pleasure that came out of your mouth was melody to Buddha's ears behind you, who sighed deeply. With that position you could feel his member grow and throb inside you, it was as if you could sense every single vein rubbing against your skin. You were about to reach the limit and Buddha noticed it from the grip that your walls were exerting around him. He increased his hip movements even more regardless of the noise that was rumbling through the stone walls of the spa. Just as he was about to release his pleasure, he walked over to you and, in a low hoarse voice, asked, “Should I finish outside?”
But you opened your lids slightly, freeing yourself from his grip, you pressed your back to his muscular chest, while his strong arms moved around your hips. “Don't even think about it" you said before looking back and kissing him, bringing both of you to orgasm. Buddha held you in his arms, his movements became slow to fully enjoy the moment. You released a loud moan that was muffled by the deep kiss. His saliva mixed with yours dripped from your chin, just like his semen, which was now slowly pouring out of you in small streams.
Once you broke away and caught your breath, you burst out laughing, breaking the silence: "I should steal your snacks more often"
"Try it, I'll give you all the punishments you deserve"
"Now, that's what I wanted to hear~"
He smiled at you, a sincere smile full of affection, before capturing your lips again, softly as if you were made of porcelain.
Your heart started beating fast: this man would be your death, he had given you everything he had to offer without expecting anything in return, freeing you from your cage and treating you like a queen. You loved him, yes you did. Buddha felt the same way and although he couldn't offer you a life as rich as the one you were living before, he will never regret the moment when he freed his precious canary from the cage in which it was locked up.
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lover-of-mine · 1 month
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Me? Wanting to talk about the locker room scene in comparison to the cemetery scene to make a point no one asked about? Raise your hand if you saw this is coming 🙋‍♀️
Anyway, this is madness written by a gifmaker/video editor who hates coloring the cemetery scene with a burning passion and who spent the better part of the past 2 days trying to make a coloring work for the locker room scene, who also did some asking around with other editors who also seem to be having issues with the scene, and who spends way too much time thinking about Buck and death (someone drown that man, please).
I'm gonna start this off by saying that I don't really believe the cemetery scene will be directly addressed on the show no matter how much I wish it would. But something about the cemetery scene besides the actual content of the scene that keeps me up at night and had me writing multiple fics dealing with it, is the fact that the sky is only blue behind Eddie.
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Why is that relevant in any way, shape, or form? The colors when the focus is on Buck or both of them have this almost yellowish tone that the focus on Eddie doesn't have. The sky and colors strongly imply that they added a filter to it in post-production to ensure the colors looked like that, along with the fact that it is a scene that's really weird to color something that happens when they go too hard on the filters *cough* crossover *cough* pilot *cough*. What does that have to do with the locker room? The locker room also has this almost yellowish tone that makes it hell to color. But based on my 2 days of testing different colorings and techniques, it seems to be a hell of a lot worse when the shot has that wall over there where the sun is hitting as a background.
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That suggests that they wanted the scenes to have a specific lighting that they achieved later. Considering the way that the tendency of the cemetery is that the colors get muted or weirdly blended together and that the locker room goes YELLOW, I am assuming that they messed with the colors on the cemetery to make the colors look faded, giving it that gloomy feeling, which in turn made the sky almost white, and that they needed that sunlight reflecting on the wall to look that bright, which made the scene look a lot more yellow than it should. Seriously, trying to work this out I legit make it look like Buck is a Simpsons character.
Okay, but Anna, why did you make this particular connection? Well, the word is muted when Buck is talking about starting to date Natalia and then the sun gets brighter when he talks about them breaking up? COME ON. He's calling the relationship boring and the word literally gets brighter as he says it, madness.
Buck talking about dating Natalia -> Buck talking about breaking up with Natalia (please don't judge the gifs I don't want the stress of coloring them combined right now lol)
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But that's the same reaction. Dude is smiling going in, he's smiling going out.
And considering Buck's relationship with his own death and the way I strongly believe that what drew him to Natalia was the fact that she didn't think his death was a tragedy and he wasn't ready to deal with the reality of had happened to him yet, to get him to the point where death is boring is progress. Makes me fear for my Buck breakdown wishes, but it is progress for that particular aspect of Buck, considering he has a very intricate relationship with death down to the fact he was born as a hail mary to prevent it. We have multiple near-death experiences, we have him saving the lives of people loves multiple times, the first time we see him he's saving a kid who drowned, his first big conflict is the fact that he's not handling not being able to save someone's life all that well, I can keep going, but you see my point, right?
The arc with Natalia, even though we didn't see the originally planned conclusion since the actress couldn't come back, had this point of Buck looking at what happened to him through the eyes of someone who didn't know him before and was actually excited about that happening, so he could distance himself from what happened and look at it from a "safe" distance. That distance also allowed him to ignore the very important "I need to do this for myself" thing from the coma dream because Buck is terrified of being alone, and that definitely includes the fear of finding out who he is by himself. Buck is bad at being alone, from meaningless sex, to hanging on to Abby too long, to hanging on to Taylor too long, to jumping in with Natalia, the first pretty girl who looked his way, it all makes this part of him very clear (parenthesis because I just had a thought, yes, Buck latches on to Taylor out of fear of being alone triggered by Eddie almost dying, but he thought he could have died himself considering the crane and everything about it and also the way he could very much have been shot at the same time as Eddie, he latched on to Natalia because he did die, he also almost died on his first date with Abby and Abby actually reached out to him when he was feeling all sorts of bad over someone dying, and he is held at gunpoint and watched a death that deeply affected him before he started dating Ali, so we have death as a connection here too, if that makes sense, I might have to come back to this thought later).
But the thing is, when you look at 6a for Buck considering the fact that Buck is passively suicidal, in a very I'm not trying to get killed but I don't think I don't care if I do die way, and how he probably thought he was going to die in a blaze of glory saving someone, and how he actually died in a pretty run-of-the-mill call, by something no one has any control over it, Buck's relationship with what he thought death was and would be for him changed. For one, Buck was not ready for how much it affected everyone around him, he never considered what the grief of losing him would do to the people he loves, but also, Buck's main excuse for his near-death experiences/impulsive behavior that puts him in mortal danger was "but I didn't actually die" like with the blood clots or "I didn't get the worst of it" like with the shooting, I think even the tsunami a little bit with how he felt about losing Chris. But he did actually die, and considering the fact that he went up that ladder when Chimney was ready to go up and Eddie also got hit by the lightning, he also got the worst of it. So he lost his own coping mechanism.
So he arrived at a point where death is boring and he is smiling like an idiot at Eddie welcoming him "back to the world of the living" and that could have fun implications going forward. Because, one, he still hasn't dealt with a big emotion in a healthy way, and two, Bobby is in mortal danger. Considering his reaction to Bobby being dead in his coma world and the fact that he has no coping mechanism left when it comes to death anymore along with his own relationship with water and danger we could have some fun reactions to these types of triggers for him there.
And thinking about the way Oliver keeps talking about Buck learning more about himself and also about Buck leaning on Eddie, someone who had his own journey dealing with multiple layers of his relationship with death, they have a fun space to play with there, with Buck's relationship with death, Eddie's relationship with Buck's death, and everything else that could happen with Eddie fully dealing with Shannon's death, and Buck dealing with anything really, Daniel, his own death, his fear of being alone, all as someone who actually wants to live, who's not just moving because he's alive and has no other alternative.
That's it for today, as always, if you reached this I love you 💜
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melminli · 6 months
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cats and colors
summery: you talk about how black & white reminds you of satoru and suguru
contains: gn reader, no pronouns mentioned, non curse au, satosugu talk, fluff/crack, satoru being in love with reader a bit, kinda weird ending but really funny
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"aww." you exclaimed when you saw two cats playing with each other on the sidewalk. guess it was worth it after all to wait outside on a bench while satoru was withdrawing some money. you nudged geto with your elbow to get him to turn his attention away from his phone. "look. it's you and satoru." you said, pointing to the two animals with a small smile on your face.
he looked a little confused for a second until his gaze went to your finger and saw the scene in front of him. "this again? is it really just because one is black and the other is white?" he asked, not really understanding the concept behind it. he really wanted to, though.
you always spoke up when you saw the two opposite colors together, just to say how it reminded you of them. they usually got it through messages you sent in the group chat, like just a while ago when you sent them a photo of just two side by side chairs in ikea with the caption reminded me of you guys.
you nodded. "yeah. why?"
geto just shrugged his shoulders. "i don't know. i guess i just don't think our hair color is the crucial factor that represents us as you know us and like as friends." he laughed out, making up this little theory. he stopped laughing once he noticed your completely serious expression.
"oh, please. you think i'm a beginner?" you asked a little offended. "it's so much more than just your dumb hair." you began waving your hands in the air as you made your impassioned declaration. "these colors represent you so beautifully because they're opposites who still go perfect with each other, like ying and yang for example. Satoru is hot-tempered and extroverted, which is usually more associated with something light, while you have a more introverted and quiet nature, which is more associated with something darker." you took both your hands and put them together to demonstrate. "like two puzzle pieces... but on second thought, your hair colors also play a bit into that, i guess."
his mouth just opened slightly at what you said since he didn't necessarily know how to respond to that. "that's very perceptive on your part. i'm kind of impressed - a bit scared - but uhm, mostly impressed." he admitted.
"i can't believe they don't accept credit cards in that place. i mean, who carries cash around these days." satoru interrupted you two a bit annoyed because of the fact that he had to go to the bank. he then spotted out of the corner of his eye the two cats that were still playing around with each other, and his mood lifted again as he watched the two. "aww, how cute." he stated and took out his cell phone to take some pictures.
"they're you and me." geto said and looked at you afterward. when satoru heard that, he knew exactly what he was referencing with that. "if the black cat is geto and the white one is me, then you would be a...birmen cat!" he decided, placing two question marks over both of your heads. this statement had little to do with your previous profound explanation.
"...birmen cat?" you repeated, not quite sure what that meant exactly. you were also having trouble deciphering what such a cat looked like, to be honest.
satoru just nodded while looking at you a bit dreamy. "i love birmen cats. they're my favorite."
his best friend laughed slightly at that and looked over at you to see if you could read the meaning between the lines. unfortunatly for his best friend, it didn't look like it since you still seemed to be thinking what a fucking birmin cat had to do with your color theory. "...that's cute i guess?" you said in the end and were pulled out of your thoughts when you heard a loud meowing out of nowhere.
geto quickly spoke up with a stern tone before anyone could say anything. "i'm not going to listen to any theories or sick jokes about this." he said, deeply regretting his previous saying.
three pairs of eyes turned to the two cats who had previously been playing sweetly with each other. the two were now busy with something else entirely as the white cat mounted the black one from behind to...perform certain activities.
oh.
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abouttofillhisshoes · 17 days
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You said some day we might - M.H x Reader // pt.3
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A/N: This one's a bit NSFW (minors please don't interact), also angsty and sad at parts. TW for hard drugs, take care of yourselves! This is loosely based off of my own experience, and I am not trying to glamorize it. Ily my dearest @beforeyougo-turnthebiglightoff for making sure it isnt shit xx
wc: 4k
part four
Picture a scene: flashing lights all around you, colors blinding as they move through the room, seemingly liquid. Music pounding in your head, almost as if it was trying to force its way into your body. People sweating, dancing up against strangers. You feel alive. 
Matty dances next to you, throwing his hands up into the air. You can hear screams as the music changes, now playing Britney Spears’ ‘Toxic’. He wouldn't admit it if you held a gun to his head, but he loves this song. Your hips sway to the beat, and you can feel arms on your waist. It's not Matty. The fuck? 
You didn't know this guy, but his hands were grabbing at you roughly like you were supposed to. His grin disgusted you. (Not so) politely shoving him off, you dance toward Matty, tapping his shoulder three separate times. That was code for ‘bathroom, now’. He nods, taking your hand and leading you towards the edge of the crowd. The sea of people thins out as you finally spot the glowing sign for the loo. 
“You alright?” He asks as you enter the bathroom. The walls were covered in graffiti, stickers, and the occasional phone number. There wasn't the classic smell of piss and sweat, which is why you liked Sound. It was fairly clean. The sinks were made of metal, and so was everything else. The lights were dim, and the mirrors dirty, lipstick stains adorning the edges. You can hear the faint noise of toilets flushing in the background. 
“I'm fine, I s’pose, just that guy was rubbing up against me all weird.” You fix your hair in the mirror, refreshing your eyeliner before passing it to Matty so he could do the same. You had taught him how to do it himself, saving you a load of time and effort whenever you were getting ready together. Tonight's color was red, both of you were wearing the same shade. 
The stall door flings open as a girl stumbles out, almost falling before she caught herself on the hand dryer. Fixing her bra strap, she wiped the edges of her mouth clean before reaching into her small blue handbag. Out comes a small baggie with white powder in it. You immediately recognise it. Blow. 
While you and Matty smoked copious amounts of weed, neither of you had ever tried anything harder. An exception was the occasional acid trip, and even that was a one off on Ross’ 18th birthday.  
Both you and Matty watch her intently as she starts cutting up lines on the edge of the sink, not caring that both your eyes were on her. She takes out a £5 note, rolling it before snorting the line. Her hair is wild as she lifts her head back up, turning to the mirror to fix it. 
“D’you fancy some, love? I have plenty for you,” she looks over to Matty, flashing him a smile  “and your friend, as well.” 
It takes you a split second to realize her statement was directed at you. Matty turns to make eye contact, before doing something you didn't expect. 
He nods, taking a step towards the girl. You do the same. ‘If you're going to try it’, you thought, trying to rationalize, ‘who better than with Matty?’
She shakes more of the powder onto the sink, cutting two lines for the both of you, and one more for herself. You notice the card she uses is a school I.D. A high school I.D.
She hands you the rolled up note first, and for some reason, you feel calm. ‘This is fine’ you repeat in your head, before opening your mouth to speak. 
“This is blow, yeah?” you ask, looking up at her from your position, which was currently hunched over the sink. It's cold, colder than it was. 
“Yeah, clean shit too, don't worry,” she offers a genuine smile, stroking your hair with her long, black nails. You steal a glance at Matty, who was now sitting on the sink next to you, watching closely. You nod, turning back to the line of white powder in front of you
You take a deep breath before snorting the line. It burns as it travels through your nostrils, and you don't feel anything for a second.
And then, it hits you. 
It hits you fast. Everything feels amplified, and you barely register as Matty snorts his. You feel good, euphoric even. Matty feels the same way, letting out a shout when he does lift his head from the sink. 
The girl was long gone when you exited the bathroom and reentered the crowd. You danced with Matty, the music controlling your movements. Deciding to get a drink, you drag him to the bar. The bartender looks you up and down, before shaking his head. He knew you were on something, but that wasn't a rarity in clubs like Sound. Everyone was on something, so, fuck it! Why couldn't you do the same?
Matty orders for you. A french martini and a glass of Malbec for him. The bartender raised his eyebrows at his drink order. “Who orders wine at a club?” he shouts over the music. Matty rolls his eyes before responding “I do! Why, d’you fancy buying me a drink when you get off?” he winks at him provocatively before taking the drinks from the counter. 
He hands you your drink, bringing his hand up to your face, wiping off the smudged makeup underneath your eyes. That's when you realize how hot it was. ‘Fucking hell’ you thought. ‘When did it get so hot? Jesus Christ, it's like I'm in a sauna’.
Matty had downed his glass of wine in two large gulps, wiping his mouth on the sleeve of his your wine red jumper. You rake your eyes over his body, a thin layer of sweat shone on his forehead. His eyeliner was somehow still perfect. 
He was perfect. 
March, 2008 // two months earlier
The mid afternoon sun was beating down onto your skin. The blanket beneath you molding to the ridges of the earth, digging into your back. You were lying in a field, surrounded by daisies and dandelions blowing softly in the breeze, a half-empty packet of crisps on your left. Your arms were sprawled out to the side, with Matty lying peacefully on top of you.
Adam had situated himself on a flimsy fold up chair. He hated sitting on the ground with a burning passion. You had promptly forgiven him for leaving you to fend for yourselves that past weekend, seeing as he promised to pay club covers for a month as an apology. Just you though, seeing as Matty would have abused the ever living hell out of Hann’s wallet if given the chance. 
George and Ross were in the lake located a few dozen meters from where you were sitting, having a swim. The weather was uncharacteristically nice given that you were in Great Britain, land of miserable weather, so the five of you had set out for a makeshift picnic at the last minute. 
It wasnt aesthetically pleasing by any means, with fag packets litering the dirty old blanket Ross had found in an old closet. Ross’ beer bottles were lined up at the edge of the blanket. You grab a pack, presumably Georges, and light up. Marlboro golds, not your favorite, but they’ll do. Breathing in the smoke, you turn your head to get a better look at Matty, who was draped over you, using your chest as a pillow.  
You wore Mattys sunflower shirt, unbuttoned, revealing a black sports bra underneath. He, in turn, wore one of your tops. Specifically, a lavender baby tee with the words ‘dump him’ scrawled across the chest in white glitter. Adam was dressed like a divorced dad, beige linen trousers paired with a Metallica band shirt. You laughed when you saw him, knowing he’d be sweating in under an hour wearing that.
Soft music played in the background, the speaker having been lost underneath the pile of Ross and George's clothes. The air smelled of summer, even if it was only March. You spot the wine bottle in Mattys hand as he tilted his head up, taking a drink. You tap him on the arm, and he hands you the bottle. 
White wine? Matty rarely drank white wine. You brushed it off, it was probably just the cheapest thing at the store. Matty loved expensive red wine, but did not have the money to pay for it, always settling for the bottle with the lowest price tag. Your attention is drawn to George screaming incoherent curses at Ross for throwing a rock at him. Absolute knobheads. 
“D’you reckon we need sunscreen? I don't wanna age my skin anymore than it already has.” he asked, his fingers lingering on his face. His skin was perfect, not a single blemish tarnishing it. “I dunno, I don't think we need to. It's not that hot.” you answer, looking around you. “It's not looking like we have any anyway” you add. 
You could feel Mattys' breath on you, ghosting over your chest. His legs moved, brushing against yours. You were suddenly very aware of the fact he was laying on top of you. It made you feel hot, and not because of the sun. 
He rolled on top of you, now straddling your legs. He was clearly drunk, slurring his words. His eyes stared into yours with such an intensity, you would've thought he was trying to read your mind. His face was bare, but the glitter from last night's adventures still stained his face, giving him a slight shine.
A smile crept onto his face as he brushed his hair out of his face. The blonde highlights had slightly grown out by now, and you made a mental note to ask him if he wanted you to do his roots. 
“Didnt you want to cut my hair?” He asked, and you recognised that look in his eye. Excitement. He jumps up, crawling to get his bag.
“I brought a pair of scissors, d’you wanna cut it now?” He held up pink kitchen scissors, handing them to you as you moved to a sitting position.  
“Are you sure? These are not meant for ha-” “I don't careee, just do it!” he slurred, cutting you off and settling between your crossed legs. He turns and looks at you expectantly, and you sigh in defeat. 
You try your best, snipping away at his hair randomly. Cutting layers into his hair, you try to make the strands around his face shorter. He giggles as it tickles his face, brushing it off his skin. The sun made him appear as if he were glowing, painting him in an orange hue. Trying not to cut it too short, you tug at it to get a good idea of the length. 
A soft groan escapes Mattys mouth, and he tries to pass it off as a cough, avoiding your gaze. A few minutes later, you tug at it again. A little experiment , if you will. This time, the noise is slightly clearer, and his whole body twitches. He busies himself with the bottle of wine in his hands, inspecting the label.  
He admires your work in a little compact mirror you had found in your bag. “So.. do you like it? Or have I completely fucked your hair?” you ask, watching his reflection. Matty grins, slamming the mirror shut. 
“I love it! The layers make me look hot, so you did your job right!” He pulled you in for a hug, kissing all over your face: He was obviously drunker than you thought.
You lay back on your elbows, closing your eyes, letting the sun shine onto your skin. This was nice. You felt truly alive.
—---------------------------------------------------------
Skin against skin, soft moans filled the room. You didn't even know who they belonged to. Desire took over your bodies like a foreign force. The room was dark, the only light coming from the streetlamp just outside, illuminating the space. 
“Fuck- can I?” hands trailed down your chest, toying with the buttons of your shirt. You nod frantically, smashing his lips back against yours. You find his hair, pulling slightly as he lets out a pathetic whimper. You drink in the noise as if it was the very essence of life, tugging even harder at the curls. Curls. Matty.
“Mmh- ah, fuck-” You can feel him against your thigh. You can feel Matty grinding against you. The thought makes your head spin, and you throw your head back, your hair splayed over the baby blue pillows. Mattys pillows.   
“You're so- you’re so beautiful, just let me- i’ll-” he cuts himself off, trailing his lips down your jaw, leaving searing, hot kisses in his wake. His mouth makes contact with your collarbone, biting down. You hiss, your nails digging into his scalp. He groans. Matty
His rough hands rub the tattoo on your hip, you feel his rough calluses. You pull his hair, making him look at you. Your eyes rake over his face, the glitter around his eyes shimmering in the faint light. His hand comes up to push your shirt up, the material bunching up where his mouth had just been. You make eye contact again. 
He grins before licking one long stripe along the expanse of your ribcage, letting out an obscene moan as he did. He was putting on a show, for you. The noise goes straight to your core. 
His fingers snap the elastic of your black underwear, making you jump. A laugh. Teeth graze your hip bone, tracing the tattoo. You can feel him slipping the lace down your thighs, licking and sucking lower, lower, lower…
You jolt awake suddenly, hot sweat running down your back. You turn to look at the time. 2:53am. 
What the fuck was that?
You close your eyes, the dream replaying in your head. Lips, your lips and his. Teeth, kisses down your neck, Matty, Matty, Matty-
You stop yourself, shoving your face into a pillow. This can't be happening. This wasn't real. This was all hallucination and you didn't just have a wet dream involving your best mate. 
Letting out a groan, you lay back down facing the wall. You desperately, desperately needed a good lay. If it had come to you having fucking dreams about Matty of all people, you knew it was time to find a guy and just shag him. That would solve your little predicament, you were sure of it. 
—------------------------------------------------------------
Admiring yourself in the mirror, you hike the ruched material of your dress up even further. Jewelry covered you from head to toe, complimenting the details of your bag perfectly. Hair done up in curls, you knew you were ready. 
You were going out. Alone.
The heel of your shoe clicked nervously against the pavement as you queued, giving the bouncer, James, a nod as he waved you through. “No Matty today?” he questioned, referring to the fact that you were alone.  
“Yeah, I'm out alone tonight. Matty is… sick. The flu.” you lie through your teeth, not wanting to disclose the real reason behind your solo-mission. The plan was to find a guy, any guy, and forget about that godforsaken dream.  
The music was loud, even louder than usual, and you were stone cold sober. Not good. 
Making your way to the bar, you order your usual, a french martini. Tobias, the bartender, handed your drink, and you close out. You didn't want to get hammered tonight. 
Your fingers drum along to the beat as you sip your drink, scanning the crowd. There weren't many people dancing, seeing as it was a Sunday night. Most had work in the morning, so going out wasn't an option. He had asked you if you really didn't want anything else, even offering you a drink in the house. You politely decline with a shake of your head, assuring him it was alright.
Suddenly, a tall man appeared in your peripheral vision. You had seen him a few times before, wandering about, flirting with the female waitresses. Blonde hair, blue eyes. The complete opposite of Matty. His arm rested against the bar, and you could see him flexing his muscles. On purpose. Jesus.  
He strolled up to you with an air of confidence. Turning to Tobias, he asked him what your drink was. “A french martini,” he answered, looking you up and down “and she's only had one the entire night.” The man laughs, “Well that wont do! Let me buy you a drink sweetheart, on me.” 
You nod, turning to face him. A smile makes its way onto your lips. Perfect . 
He introduces himself as David. He works an office job down the road, something something marketing. You didn't really listen to him, only laughing when he paused, expecting it
He seemed solid, and he was 19, so not too old. You really didn't want to deal with another Phillip situation. He had bought you three, quite pricey, drinks, and you knew he wanted more. 
He eventually asked if you wanted to come back to his place for some wine. You agreed, letting yourself be led out of the club by your wrist. James winked at you knowingly as you left.
He had a silver Toyota, the interior a cream leather. It was a big difference to Hann’s beaten up red Kia, but you weren't complaining. He was nice enough, opening the car door for you. 
The inside of his flat reeked of sickly sweet vanilla and cheap cologne. He opened a bottle of wine for the both of you, pouring two glasses. The conversion was mundane, but he was nice enough. You had switched your phone off, not wanting anything to distract you from your mission. He had made a move to sit next to you, his hand trailing up your thigh, inching higher with every word he uttered.
His mouth was against your ear, whispering sweet nothings into it, his other hand finding your chest, pushing you down onto the sofa. You let him move you, twist you as he pleased. It didn't mean anything to you, you just needed to get Matty out of your head. Matty.
His hands were soft, like he moisturized them regularly. You could feel his lips on your chest, leaving bite marks and kisses, but you didn't feel anything. Closing your eyes, you decide to let him do all of the work. You had even worn your only pair of lace underwear, a black number with a little bow on the front of the matching bra. The same pair you had worn in the dream. 
You mentally curse yourself, kissing David deeper, harder than you did before. Forget, forget, forget. 
—--------------------------------------------------------------------------
He wasn't the worst, but at least he tried. You tried to give him the benefit of the doubt. Laying on his (quite expensive looking) leather couch, you watch him as he gets dressed. He asks you if you need anything, and you answer with a shake of your head. You just wanted to leave. 
A phone buzzes, and you quickly realize it's yours. You pick it up, the screen lighting up. 3 missed calls from Matty, and 4 texts from him as well. 
// Where r you? I’m at your window. 
// Are you well? 
// Answer me for fucks sake, dont do this.
// I hope you’ve died or smth, you’re well fucking me off. 
You sigh, clicking the call button. It rings for a split second before Matty picks up. 
“Now you decide to ring me back? I thought you’d been picked up by a sex trafficker or something. Fuck you, honest,” his voice sounded worried, even tired, if you ignored the nature of his words. 
“Sorry mate, I was out.” You answer curtly, trying to keep your voice steady. Your fingers tap against the glass of the coffee table, and you hear Matty inhale sharply. 
“Out where? And why did it take me three calls and four messages to get a ring back?” he sounded more aggressive this time, and you could tell he had gotten up from wherever he was sitting. This pissed you off. Why does he have the right to know where you are, it didn’t concern him in the slightest, and he wasn't your father. You told him as much. 
“I was out, alright? I'm at David's place right now, and I'll be at yours in an hour, cool?” A moment of silence passes between you two before Matty spits out. “Whos the fuck is David?” The way he said his name made it sound like you had shagged his worst enemy, not some random guy. 
“He's just a bloke I met at Sound, I went to his place. D’you want me over or should I fuck off home?” The second option was just a courtesy, you were sure he’d want you over. You hadn’t seen each other since Friday. 
“Nah, it's alright, go home.” His voice sounded cold, unfeeling. A shudder made its way up your spine. He didn't sound like himself at all. What the fuck? “I have erm.. work to catch up on. You understand.” No you didnt fucking understand. 
You open your mouth to protest, but are rudely interrupted by a faint noise. The dial tone. Matty had hung up on you. Your mouth let out a gasp in disbelief. Fuck him. Fuck him all the way. 
You gather your things. While trying to find your shoes, David comes back into the room. You tell him you need to leave, and he tries to kiss you goodbye. It feels wrong. 
Deciding to walk barefoot, you do the walk of shame at 1 in the morning. Heels in one hand, your purse in the other, you trudge down the pavement. You feel dirty, like you did something inherently wrong.
Cars whizz by you, and you hear sirens in the background. It's cold, and you can feel goosebumps forming on your skin in the soft breeze. Feeling around for your cigarettes, you come across something small towards the bottom of your purse. You pull it out, your eyes widening at the sight. The lighter. Mattys lighter. 
The white letters on the side point and laugh at you. You can hear it. It was even more chipped than it was that night, how did it still work? M.H. Matty. 
In a fit of rage you chucked the lighter onto the ground in front of you. It splinters off, the metal top flying off onto the road. A car drives over it. You were angry. Angry at yourself for even going out alone. For going home with fucking David. You were angry at Matty for being angry at you. You didn't even understand why, but the mere fact he had hung up on you made your blood boil.
The lighter was now in pieces beneath your feet. The white letters, illegible. Feeling powerful, you decide to kick the rest of the plastic off onto the road, hoping a giant truck would run it over. You wanted Matty at your feet like this, pathetic and powerless. You needed him like this, to show him he can't just hang up on you like you're nothing. 
The mental image of Matty at your feet made warmth spread throughout your body. On his knees, looking up at you with glassy, glitter framed eyes. You wanted to take his beautiful hair and weave it between your fingers, forcing him to look up at you. You wanted to hear the pathetic whimpers escape his mouth, just like they did in your dream. 
You feel breathless, staring at the wet pavement where the lighter once was. You keep walking.   
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daenystheedreamer · 21 days
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ok I know we've all talked about it I know but that gif removing the piss filter just reminded me how much I wish the people making asoiaf related media weren't ashamed of it. They do all this weird stuff to mute the colors mute the outfits mute the dialogue because they don't want it to be too weird or whatever. asoiaf is very serious it's extremely serious ok but it is also so vibrant and beautiful and there is an archaic way of speaking a lot of the time and that's part of what makes it such a good world. stop trying to put everyone in black in a scene that is filmed in the middle of night where the goal with dialogue is to see how many times you can say shit!
exactly it's my top 5 biggest criticisms. when GOT was airing, one of the most common praises was that it was 'grounded' and that even though it was fantasy etcetc it was still grounded. and to me that's just nonsense. why must everything be relatable to a modern audience? why cant the world be alien to us? why can't it be fantastical? yes its a little funny (the helms...) but its also just worldbuilding. a lot of it is also commentary. look at all these ridiculously dressed incest freaks in their huge elaborate castles juxtaposed against the fact theyre playing with the lives of peasants.
also why i hate the whole grimdark label. i do think the show can be labelled as grimdark, but not the books. the show, by association, has forced that label onto the books. ASOIAF is a series full of hope and love and light and yeah some silly bullshit but thats what makes it a lived in world with a coherent message. god. scream. death to hbo death to d&d
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starfleetshrimps · 11 months
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i love star trek bc it's actually a high school theater production most of the time. We focus a lot on the over-acting, theatricality of the actors and the directors, and that's all well and amazing, but /I/ want to focus on the /TECH/ bc ASHAijnjsdnbhgaARREghghhuuagjkshdmhbAHJBSSHJHIEJBnkjsdjhbsdhjBmahbsjshsbHkjnswkjshsn yea.
FIRST THE SETS?!? they're so silly and stupid? i know they get a lot of shit but the amount of work (not to mention styrofoam) that went into building individual sets for each planet they went to? like sure about 50% of the away missions take place in the california desert (the arena, *cough cough*, etc) but the rest of them have individually made sets that look PRETTY GOOD MAN. they get the point across, they're FUN, and innovative, and they really don't reuse planet sets all that often as well.
PLUS they used traditionally /theatrical/ cycloramas with painted backgrounds and classical cyc lighting (reminiscent of mariano fortuny's domed cyc! i WILL talk more about lighting) which look really cool and once again get shit for being unrealistic.
it's not supposed to look realistic it's supposed to look cool as shit. and it does. shut up. <3
if you view the sets as being modern TV sets then yeah, they're weird, and they look sorta bad, but THEYRE NOT modern TV sets: they're THEATRICAL SETS FROM THE 60-70S. AND I LOVE THEM.
SECONDLY, THE
lighting
while it's true that some shows in the 60s were developing new lighting styles specifically for TV, remember that in the year 1950 less that 10 percent of US homes had a television. this shit was new. COLOR tv was ESPECIALLY new. nobody knew how to light these things! and actually why would you need a new lighting style, we already KNEW how to light dramatic productions, why would we ever need to reinvent the wheel Stanley Mccandles, Mariano Fortuny, and Gene Rosenthall already invented says Gene Roddenberry and Jerry Finnerman (the head lighting designer). and oh my god i am so ridiculously glad. because the lighting. is so good.
i HAVE seen others talking about how good it is in the super early episodes (Charlie X and the conscious of the King, etc.) and i do agree! but i disagree that the quality goes down. i think it just got a tad bit more subtle as the show went on and it gets less in your face, harder to notice. but i noticed. because I'M the WORST (and also a lighting tech)
the impossibility of listing every example of amazing theater lighting choice they made is absolutely horrific and nasty so i'll just lost some my my favorites:
the cyc! i mentioned before but the cyc they used on away missions was only painted when they needed a specific scene in the background, otherwise? that bitch was LIT. and i LOVE IT.
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any of the scenes where they light spock's face have green and half pink? or even just washing the walls behind him? i eat that shit UP. the METAPHOR. the CONFLICT. i will acquiesce that green and pink are (and were) pretty goddamn industry standard gels (color-films) to add to lights, for subtle contrast, but this is not subtle. it is LOUD. was it purposefully done from a storytelling perspective? no idea. is it cool as shit and interpret-able as hell? absolutely. also sometimes they do it with just green when they want to emphasize his vulcan-ness and other him a bit. like they do it a lot when he's in his room in amok time. anyway.
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whenever they shutter a light so they can emphasize a character's (kirk, we're talking abt kirk here. and *sometimes* spock, and also Charlie in Charlie X but yeah mostly kirk) eyes when they say something #Deep, or just pre-commercial break closure worthy line. it's so SHJSDJBFEJNKN. to add onto this, they'll do a striking half-wash over half of their face sometimes in conjunction and it looks So Good
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The GOBOS. sometimes, they'll just throw light through a gobo, or wall screen, or something, for /visual interest/ and it looks so silly i love it sm. does it make sense from a realism pov? nO. but star trek is a theater production actually and they lit everything using mainly naturalistic techniques! amazing!
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honorable mentions: the glowing time donut, and the entirely random colors in the hallway.
there are so many other examples but this post is long enough lmao. notice the lights next time you watch tos!!,! please!!! <3
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luvyjwz · 10 months
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⎯⎯ ʚɞ ⁺˖ ⸝⸝⌗ best friend (pt. 2) ★— heeseung imagine.
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⊹ ⋆゚꒰ఎ ─── boyfriend's best friend!heeseung x reader, smut, swearing, mentions of blood, injuries, & physical altercation ( + this is much longer than pt. 1 bc i got carried away x ) [read pt. 1 here]
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your heart throbs when you hear the bedroom door adjacent to the mattress swing open, the wood crushing the plaster walls harshly. colorful party lights from the hallway welcome itself into the dark room, your eyes wincing.
you don't bother pulling away from heeseung, his lips attached to your neck, painting it with blemishes of affection. an unpleasant yet familiar cologne fills your senses the longer the figure prevails in the door frame.
"what the fuck?" the familiar person yells, competing with the beat of generic edm blasting from the living room speakers.
as you both begin to hear palming on the walls in search of a light switch, heeseung acts quickly to pull the pearly sheets over your exposed body.
the lights flicker on, and you meet eyes with your boyfriend, his hair disheveled and crimson red lipstick smudged on the side of his lips. your eyes wander to the nearly naked woman beside him, a deathly grip on her waist.
"hee? what are you doing here with…" his voice trails as he inspects the scene in front of him. he releases the woman beside him before pushing her back slightly; she stumbles and ushers him a weird look.
heeseung watches as guilt begins to wash over your boyfriend's features. he notices his mouth opening in an attempt to justify his actions. however, he doesn't give him a chance.
pulling away from you, heeseung swings at your boyfriend before grasping his collar harshly and pushing his back against the plaster walls.
"you're a fucking idiot, you know that?" he swings at his face, blood trickling down his knuckles from the impact.
your boyfriend hits back in retaliation, leaving him with similar bloodied scars on his skin. the unnamed woman screams rather dramatically at the sight, clutching her purse before running out of the bedroom.
seeing heeseung cower in pain awakens you from your dazed trance. you push yourself off the mattress and rush to his side to hold his face in your hands, examining his injuries.
your boyfriend watches as you tend to heeseung, his eyes ridden with guilt and anger.
"were you going to sleep with her?" your voice shaking more than you anticipated when you glare at your ex-boyfriend.
"so what if i was?" he scoffs, wiping blood off of his lips, "you're sleeping around with heeseung, fucking whore—"
before you can defend yourself, heeseung pulls you behind him, "if you're in the wrong, accept reality and apologize like a decent human being." his eyes shift to you before grinning.
"honestly can't believe i was friends with this jackass for so long." you return his smile after he interlocks your hands and guides you out of the bedroom, leaving your ex-boyfriend far behind.
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you don't have to tell heeseung your address, as he's been to your apartment to play video games with your ex in the past.
you feel at home, laughing at him when he starts belting out lyrics to a random love song playing on the radio.
your hands are still connected on the glove compartment as you joke about him leaving his party. a smile appears on your face when he replies, "i'd rather be anywhere else with you, love."
as you two enter the living room, you make a beeline for the bathroom to retrieve a first aid kit. after patching heeseung's injuries up, you run down the hall to return the case, telling him to rest somewhere while you're gone.
when you return, however, he's nowhere to be found. after dipping your head into each door frame, you find him sitting comfortably in your bedroom.
"what? you said anywhere." he has a cheesy smile on his lips as he props himself up with arms behind him and his palms on the bed. he pats a spot on his lap for you to sit.
you nod, making your way over to him. to your dismay, sitting on his thighs reminds you briefly of events earlier in the night, and your body begins to heat up.
"hey," heeseung caresses your arm while looking for your eyes, "you don't have to sit here if you're uncom—"
"i want you." your voice is barely above a whisper, yet, it's loud enough for him to hear the longing of your words.
he places a hand on your jawline, bringing you into an affectionate kiss before whispering against your lips. "and how do you want me, love?"
when you meet his gaze, his beautiful, sparkling eyes are already looking at you. initiating yet another another breathless kiss, you adjust your position and push him down against the mattress just enough to straddle him.
you cross your arms, prodding at the hem of your shirt to pull the fabric off of your body, leaving your bra straps uneven and giving heeseung the tease of a lifetime.
your hands slide up his arms to trace the veins in his biceps, bouncing and rolling your hips when you hear delicate moans leave his mouth.
"you're such a menace," he smirks with lidded eyes, basking in an oasis of pleasure.
he grasps at your hips to achieve control, his thumbs pressing into your stomach and caressing the skin.
"how do you want this night to end, y/n?" his question throws you off guard as you struggle to answer. a breathy moan leaves your lips when he thrusts his hips into yours.
"with you..." you gulp, barely recovering. "inside of me."
a smug expression adorns his features before he grins, "bold, i appreciate that," you gasp when he pulls your body below his with ease, his grip sturdier than before on your waist.
"let's not waste anymore time then."
you suppress your giggle as he works to undo the buttons of your jeans, pulling them down your legs along with your underwear and kissing your stomach.
pulling away, he presses two fingers against your heat, testing the waters before pushing them inside of you. he moans at the constricting feeling on his fingers, and you moan at the stretch.
"please," you whisper. "i need you."
a breath of relief passing through your lungs when you finally hear the jingling of his belt and jeans being undone, the soft noises of the articles falling onto the wooden floor.
"i need you, too," he gasps, tugging at his leaking member before pushing it hurriedly inside of your walls, replacing his fingers. "more than you could ever imagine."
heeseung's aura felt so safe, so reassuring, so different from what you had received from your ex. being with him felt as if you were constantly drowning or walking on eggshells. he was meant to be your haven, but he was nothing moderately close.
heeseung felt like a fresh new book rather than a new chapter. you genuinely experienced calm, happy emotions again in the comfort of his arms.
"make me yours, heeseung, please." a palm on his chest as smiles down at you, holding your body with such fragility and determination.
"you're already mine, love," your new boyfriend whispers, "you always have been."
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✧˖°💬📎⋆ ˚。07/10/23
let's all pretend i didn't accidentally delete this first draft haha !! x
with love, luvyjwz. ♡
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Hello, I hope you don't mind if I share a weird headcanon of mine 👉👈
I normally see people talking about Kakyoin make drawing about you but what if Jotaro does that too? The reason I have this headcanon because I remember the scene when Jotaro using Star Platinum drawing the fly he saw in the picture, and he draw it so well. It makes me think that maybe Jotaro has talent in art too. Jotaro's style will be realistic style while Kakyoin will be more like cartoon/anime style.
Imagine their sketchbook filling with so many drawing of you 💕 Jotaro will watching you from afar, sketching you with your cute smile, your beautiful eyes, he captured it all. For Kakyoin, I think he will even make up characters (oc) that look like you and him and ship them together lol (this headcanon inspried by my friend, she actually do that with her crush).
Thank you for reading my ramble, glad to talk with you :D I would love to hear your thoughts about my weird headcanon
P/s: Love you writing so muchhhh 💝
This is fun stuff, I could eat it up all day. Thanks for sending it in, so I can blabber my mouth about it
This always internally bugged me so I’m very thrilled that someone brought up how well Star Platinum drew that fly. I suppose it’s kind of easy to gloss over for a lot of people compared to Kakyoin’s scene of painting on that canvas. (Then again that fly was kind of important to identify to figure out where Dio was so then again it’s “???” for an explanation)
Anywho, I’d say signs point to Jotaro being able to draw, and I think it’s a hobby he prefers keeping to himself. Like you said of him having a sketchbook, almost no one sees what he draws in it and he doesn’t want anyone else to see it especially if it’s various sketches of you. So more than likely when he does do so, he’s somewhere where he won’t be pestered by school girls, or whatever punk tries to start a fight with him.
I’d also like to think he goes back and lingers on prior stuff, just staring at it for a little while. This applies usually when you’re out of school sick (which he’ll probably stop by later anyway with or without your knowledge). But there’s something comforting about seeing every piece of your visage in his sketchbook. Literally no one else knows about this sketchbook aside from maybe Kakyoin (Holly has her suspicions he takes a sketchbook around but she smiles not pestering her son on his hobbies as she thinks it’s adorable).
For the most part art wise I think Jotaro sticks to traditional art, maybe a dabble of charcoal but he prefers pencils. Maybe watercolor if he ever went beyond, but traditional with pencil/pen is the easiest way for him to pull something out at his leisure. Would he let you see? Maybe eventually when he gets you where he wants you, or if the cat is out of the bag early and you see it and you’re not quite with him yet. Let’s just say seeing that may speed up him taking you.
Kakyoin I could definitely see diving into the oc type of thing, he’d certainly reference an artstyle of a manga you like. (Don’t ask how he figured that out so quickly). Though he definitely loves putting some passion into his artwork and occasionally shamelessly make sultry artwork of you and himself. He loves painting the most as he spreads colors, mixing them into the wondrous hues that is your skin tone. Or splashing watercolors in a notebook, that looks something out of a fairytale. Soft and warm lighting….oops he’s getting a tad bit excited.
He definitely presents pieces that are obviously meant to be stand ins for the two of you. That no one else would ever be wiser too, yeah you might have this odd feeling something’s not quite right, but there’s nothing there you could really prove other than observe just how pretty the composition is. If you compliment it, that just fuels this man’s desire further.
Biggest takeaway here is Jotaro and Kakyoin very blatantly have their own styles whether sticking with black/white/grey, or full on color. Both would be pretty in their own right, and their style choices speak of their personalities without saying a single word.
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prettybrownelf · 1 year
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I need Eddie Munson x male reader who Acts lile Wednesday Addams!! Pleaseeeee
a/n- I hope you enjoy!
The Cold Goth And The Eccentric MetalHead
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Non MLM/NBLM DNI
Pairings- Eddie Munson x Male Reader
Summary- Eddie finally gets a date with the goth he's been obsessed with
Word Count- 926
Content Warnings- None, Slight Fluff
To say Eddie was excited was an understatement.
He had been working up the nerve to ask you out for weeks, and he honestly didn't expect you to say yes. Of course, you didn't exactly seem excited about it, you just gave him a stone-faced ‘ok’, but that doesn't matter now. He finally gets to go out on a date with the boy he couldn't stop thinking about.
Robin said it probably wasn't a good idea, that you would probably break his heart in some way, but Eddie didn't care. He understood why everyone else would think that about you, but he saw something different. You weren't just a cold-hearted goth to him, there's more to you, and Eddie wants to see it.
Eddie's legs refuse to stay still as he paces in front of the carnival. ‘Did he stand me up? Did he just say yes to get me to go away?’ Eddie's thoughts are stopped by the familiar monotone voice he loved so much. “Munson?” His eyes shoot to you immediately, scanning over your black and white clothes. You stood with perfect posture, hands held firmly behind your back. Eddie a soft smile crawls over Eddie's face as he messes with the chain at his side. “Hey! You look great.” You seem weirded out by his compliment but nod anyway. “Likewise.” Eddie moves to the side and bows jokingly. “This way my good sir.” You say nothing as you make your way past him, Eddie standing beside you as you both make your way into the carnival.
Bright lights and colors surround the two of you as Eddie stops at one of the games. He picks up one of the fake guns as the woman behind the counter takes a ticket from him. Sweat builds on his hands as he tries to keep his concentration straight. ‘Don't embarrass yourself. Don't embarrass yourself.’ But ultimately, he does.
Eddie groans as he puts the gun back, looking at his score of three. The woman shrugs and wishes him luck next time. He rubs the back of his neck sheepishly as he turns back to you. “Sorry, I was trying to win you that big back bear up there.” You're silent as you hand the woman one of your tickets, picking up the fake gun. The wooden panels move back and forth as Eddie watches in awe. Your face is straight as normal as you effortlessly hit every single panel. The woman behind the table seems taken aback as she asks which prize you'd like. You wordlessly point up to the large black bear. Eddie stands like an idiot as you look up at him, holding the bear in your arms. “Let's go.”
Eddie follows quickly behind you as you make your way further into the carnival. “Holy shit dude, how’d you do that?” “I loved hunting with my father when I was younger, it was a great bonding experience.” Eddie nods. “I used to hunt with my uncle, mostly deer though. What did you guys hunt?” You look up at him, face never changing. “Anything that wouldn't run fast enough.” Eddie nods slowly as you look away from him. Eddie was getting nervous. You didn't seem to be enjoying your time, no matter how many jokes he cracked you didn't even give a hint of a smile. Eddie walks with you to the entrance as the night comes to an end.
Suddenly, a small booth catches Eddie's eye. “Stay here for a minute.” He says as he runs off before he can hear your response. The old man behind the counter looks up at him and smiles. “Hey, could I get that scorpion necklace?” He nods as Eddie ruffles through his pockets for money. The second the chain is in his hand Eddie runs back to you, quickly thanking the man.
Normally Eddie would try to be more put together, but his mouth is moving before his mind can tell him to stop. “Listen, I know this really isn't your scene, and I'm sorry if this was just a huge bore for you.” Eddie pulls out the small necklace, a small scorpion contained in gelatin in a small jar.
For the first time all night, Eddie sees a spark of something in your eyes. “So I got you this, I thought it was kinda your style.” You wordlessly turn around for him to put it on you. Eddie prays you don't notice how he clearly enjoyed touching your skin as you turn back to him, holding the small jar in your fingers.
Eddie's face lights up as a small smile crawls to your face. “This is magnificent.” But the smile is gone just as quickly as it came as you look up at him. “I will cherish it till my dying breath.” Eddie smiles as he walks you to the front of the carnival. Before he's able to say his goodbyes, you turn away from him. “I really enjoyed our time together tonight Munson, I would like it if we could do this again.” Eddie can feel the blush on his face as you turn back to him, refusing to meet his eyes. “Yeah! Yeah, we can absolutely do this again.” You seem conflicted as you take a small step toward him, Eddie moves closer, feeling his face getting redder. You quickly kiss him on the lips as you immediately begin walking away, leaving Eddie in shock. “I'll see you later Munson!”
Eddie smiles to himself as he watches you go. “Yeah, I'll see you later.”
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t00thpasteface · 21 days
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hey! i was just curious if i could use your art in an artist study? i looked over your faq and i didn't see any mention of it so i just wanted to ask. it's okay if the answer is now, no pressure :)
(⁠ ⁠ꈍ⁠ᴗ⁠ꈍ⁠) sure, if you credit me! i would be incredibly flattered!!
now that being said, i would also like to share with you some artists whose work i've enjoyed doing studies of! i find it's very useful to "follow the money" with artists you like, and go along the chain of inspiration to see how ideas and styles can change from person to person.
vincent van gogh is my BIGGEST inspiration in terms of color and composition! his unique style of brush work is what he's best known for, but i recommend looking at his works holistically too, and seeing where the eye is led and how he plays with light, color, and mood. if you want to go further, he was very inspired not only by prior impressionists, but also by japanese ukiyo-e artwork— try comparing "starry night" to "great wave off kanagawa" and seeing the similarities in the grand, sweeping movements they convey.
i'm sure i've said this a million times, but genndy tartakovsky has probably my favorite cartoonist style. it's at its peak in samurai jack— opinions are mixed about the narrative quality of season 5, but if nothing else, the art direction is absolutely jawdropping. one of my favorite scenes is the bit in the tomb, where jack is hiding in a sarcophagus, because the music and visuals are paying homage to a scene at the climax of "the good the bad and the ugly"!
in a totally different direction from those two... i'm a huge fan of gil elvgren's pinup girls! i've had a few different pinup calendars over the years, and at the end of the year, i like to cut up the pages individually for mini posters— i've covered pretty much all my available wall space in his illustrations. i love it when artists don't feel the need to sacrifice expressiveness for realism; his girls are SO DARN CUTE and they all look like they're having so much whimsical, cartoonish, flirty fun!
here's a post where i talk about more inspirations!
here's a post listing some other tumblr artists i like!
i'm also just very heavily inspired by 50s-60s print illustration... things like advertisements, "clip art" (which you had to physically clip out of a book and paste onto the page), and of course, tv cartoons. one big trend i love with that "googie" art style is how incredibly limited the palettes were, and how efficient the economy of line was. as much as i love the bold, blocky, dynamic shapes of styles like tartakovsky, who takes insp
also, please remember i'm entirely self taught and am NOT an expert, so just be aware of that if you see any weird stylistic choices in my work... i admire the work of a lot of professionally trained artists, but that doesn't mean i have any training or real right to go around teaching people stuff. i'm just some guy from a big crazy family full of artists, only some of whom went to school for it.
okay, that got way longer than i meant it to, SORRY! here's a pic of my cat Carmen as a thanks for reading this far ^_^
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i-heart-hxh · 2 months
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Does Gon have green hair or black hair? What colour are Killua's eyes? Which version of the anime do you like better?
Hi, thanks for the fun questions!
I like to go off the manga as the actual canon because that's the most direct way of seeing Togashi's intentions, rather than decisions made by an anime production crew. Togashi tends to color Gon's hair as either black or green or both. (Just some examples, there are many, many more out there of course!)
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Because of the frequency with which he uses green, I think it's fair to see Gon's hair as either a very dark green verging on black, or black at the roots and then green towards the tips. Of course not a "natural" hair color in our world, but neither is Killua's or that of multiple other characters, so I'm sure there's a wider variation of natural hair colors in the HxH world. (Obviously, this is a very common thing in anime and manga, haha.)
Togashi occasionally colors Killua's eyes brown for whatever reason, but he uses blue considerably more (and so does the colored version of the manga/both anime adaptations) so I definitely think blue is his intended choice for Killua's eyes.
As for which anime version I prefer--ultimately I prefer 2011 because it follows the manga much more closely and I absolutely love how it adapted Greed Island through Election Arc especially. It really hit its stride through those arcs. I've also written about issues I have with the characterization of Gon and Killua in the 1999 anime. That said, I think both series have pros and cons, and I do enjoy both and also have issues with both to some degree as well.
Some of 2011's pros and cons in my view:
Pros:
Follows more of the manga
Follows the manga much more closely than 1999
Amazing voice acting--particularly from Megumi Han and Mariya Ise (Gon and Killua), but there are tons of other phenomenal performances as well!
Really impressive animation in many scenes
Amazing production consistency for a series with as long of a run as it had, gets even better as it goes!
A nice soundtrack and OP/EDs
Overall polished and satisfying series and overall well-adapted from the source material
Even increases the emotional impact of some of the scenes
Added cute Gon and Killua content that I personally enjoy (Huncyclopedia, trailers, some added scenes, etc.)
Cons:
Doesn't leave out a lot, but what it does leave out is strange and frustrating (Kite stuff, Kon, Leorio scenes, etc.)
The aesthetic could be better IMHO. The character designs are fine, but I would have preferred them be just a bit more grounded in some cases (think like 1999). The color palette is very bright and cheery and looks somewhat fake or artificial in a way.
Feels overly light at the beginning when compared to the manga, oddly tonally dissonant with the later parts of the series and makes the series hard to recommend to some people IMHO
Some strange uses of the soundtrack, early in the series in particular
1999's pros and cons:
Pros:
Really gorgeous aesthetic and use of cel animation
Often amazing visual direction
I love the character designs overall, particularly as drawn by some of the specific animation directors who worked on it
Darker, immersive atmosphere
Some of the soundtrack is beautiful!
Some of the added content is neat and/or funny
LeoPika city
Nice OPs/EDs
Fun and sometimes goofy additional content like the musical, radio shows, etc.
Cons:
Adds a LOT of original content and changes things from the manga, definitely not all of which I like or agree with. Some of the additions/changes are frustrating to me.
Gon and Killua's characters and dynamic in particular are changed a fair bit in ways I don't always enjoy
Slooooowwww pacing
Too visually dark at times and can be hard to discern what's happening
Weird fight choreography at times
Even with how much I love that era of anime, it sometimes feels really dated--even older than it actually is, IMHO
These are overly simplified and I'm certain I'm leaving out a lot, but hopefully that gives you an idea of how I feel about each!
I sometimes wish we could have an anime that mixes together the pros from both and erases some of the cons. I feel like a theoretical blend of both versions would potentially be amazing, but at the same time I know we're very lucky as a fandom to have two anime adaptations with their own unique strengths and weaknesses, and I'm grateful for that!
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spook-is-spooked · 1 month
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Lisa Frankenstein Theories (spoilers kinda)
@lifelessstar
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I'm making this a post because my response is way to long. This is gonna be all over the place but bear with me I have a lot of thoughts
I really like your theory about the shirts, and I do agree that Lisa probably does have resentment towards her father for the situation but personally I think the resentment is more in the context of hating him for not being there when it happened, for remarrying so fast, for moving her away from her home and school, for neglecting her emotionally and not supporting her, for favoring his new step daughter over her while she's dealing with all of this, etc. I don't think its to imply that the actual murder itself is his fault or that he did it but rather Lisa's inability to move on is his fault. I do think the clothing is a very very important part of this film but in a slightly different way. In the scene where we see the killer, he's wearing a very dark sweater with some light patches, which I feel like just match the aesthetic of the bride of Frankenstein mask. Overall, his outfit is very dark and moody which is a harsh contrast from Lisa and her mom in this scene. We see them wearing very bright, light, colorful clothing which goes hand in hand with how we see Lisa being happy and playful and laughing and talking with her mom. Lisa obviously was much more healthy and well adjusted and had a much easier time connecting with people before this happened. In the rest of the movie, we see the dad, Taffy, Janet, and most of the town dressed in very bright and colorful, for lack of a better term "normal" clothing. As well as the entire house is ridiculously colorful and bright, bordering on a Lisa Frank sticker pack.
I think this bright colorful aesthetic all around her and her dad being a part of it is symbolism for how they want Lisa to be a happy, bubbly, regular girl and completely move on and forget her trauma. She isn't given any opportunity to process her trauma, talk about it, feel it, etc. She's expected to get over it and go back to being completely normal. I think this is why she's drawn to Michael Trent, him and his friend (the other goth girl who's name I forgot) are the only people in the town who aren't phased by her differences and he shows some interest even in her weird dark moodiness. Throughout the movie, we obviously see Lisa's style choices become darker and moodier, creeping closer and closer to the aesthetic of the killer rather than the family and the town. One detail I really love is how the Creature actually encourages her to wear the darker outfits and absolutely adores every aspect of her, dark or light. I think Lisa's change in aesthetic is to show how not being able to process her trauma cause her to internalize it and become it. The clothing is a part of her becoming the axe murder. I think a big theme of this movie is that when trauma and abuse aren't processed it turns into a cycle instead. I've seen a lot of people say that we see Lisa become herself when she meets the Creature and starts dressing and acting differently, and in a way I think she does, but not her old self like everyone wants her to be. It's too late for her to ever get back there. Like she says "time is the thing that takes you further away from the place where you were happy". The opportunity to heal properly was taken from her. But she is able to find a new self and that new self is built out of her trauma. The Creature sees her for her, wounds and broken bits included and loves every part of her and listens to her and doesn't try to stop her from being dark and crazy he just lets her exist and absolutely adores her and so much of their love story, for me, revolves around him being the one person who lets her just exist and doesn't expect anything from her. This part might be a little bit of a reach but I think the name of the movie and the wax rubbing she does on the grave is another symbol of this whole thing. The name is a play on "Lisa Frank", representing the bright colorful neon vibe that they want her to be a part of but it ends with "enstein", almost mocking the first part like "she's Lisa Frank...enstein." She'll never be what they expect of her because there's this trauma following her around. In the scene, you can even see the two parts of the name are separated and she's adding on the enstein part to hint at this in a foreshadowing way.
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I feel like I explained all this terribly but long story short Lisa dark and moody because she is trauma/axe murder now, town and house and family bright and colorful because they're SO normal and want her to be normal like them, dad bright and colorful because he is part of problem
so shirt colors = dad bad but for.. other reasons???
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Text
Rude (Kiri Version)
Pairing- Kiri x reader
Summary- You try to win over your beloveds father who would rather her date someone else.
Warnings- kissing, fluff that it basically
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You jump out of bed with a huge smile on your face. Today was the day you were going to ask your beloved, Kiri Sully's father, for permission to be her mate. Some would say it was too traditional but it was the way. You grabbed a necklace that had all kinds of weird colorful rocks that you just knew Kiri would love. You waved your mother and father goodbye as you skipped over to the Sully's so happy.
It was a quiet peaceful morning and it seemed Jake and Kiri were the only ones awake as they sat outside talking. You cough a little and they stand up. Kiri smiled sheepishly at you as you bowed your head. Jake looked at the scene in front of him and squinted his eyes at you. "Here for you." You say handing Kiri the necklace. She touched the rocks as she unclasped the back and put it in and her cheeks deepened in color. "Thank you." She said and you only smiled harder. The cute scene was cut short as Jake spoke.
"Is there any particular reason you've come today?" Your back straightens and you turn to him and give him a hopeful smile. "Yes Mr. JakeSully I would like to know if I have your blessing to be Kiri's mate." You say and Kiri had a look of astonishment on her face. She's been talking about you to her family non-stop.
Jake had a stoic look on his face before he spoke. "No you do not have my blessing and you will never have it."
"Dad!" Kiri spoke trying to go to you but he just pushed her inside covering the curtain that acted like a door.
Your face fell, no. You walk and it seemed your friends Ao'nung, Tsireya, and Rotxo had watched the whole thing unfold. "Oh my Eywa well not everything goes as planned but you've got hundreds of Metkayina girls and guys-"
"I'm not going to give up, Kiri is my love, my light, she completes me and I'll do everything in my power to win over JakeSully." You proclaim to your friends. Tsireya giggled as she clapped her hands together and Ao'nung and Rotxo only shook their heads. "How when he literally said he would never give you his blessing-" Rotxo was cut off by you. "Shut it. I already have a plan.
It was true you had cultivated a plan. First you would show him your strength and ability to take care of his daughter, then if that doesn't work you don't really have a back up plan but it's okay.
"Wait so you don't have a back up plan?" Ao'nung butts into your internal monologue. You roll your eyes as you put your spear down into the water slightly . "Yes– well no but I'm sure when I catch the Dinicthoid I'm sure that he will see I am strong enough to kill this vicious beast. I can protect his daughter, and then I will have his blessing, I hope." You say whispering this last part. "And what am I here to do?" He asked. "To make sure I do not die." You smile before something comes out of the water you yell before clutching your spear. It circled around you and you circled around it. You made your move through the spear into its side; it pierced the side of the creature and blood flooded the water. You stepped closer to the beast as I bled out, it flipped in the water, removing the spear it stopped moving only twitching at times. You whispered a prayer to Eywa before killing the beast off clean.
"See, I told you could do it." You laugh as Ao'nung chuckles, helping you put the dinicthoid onto your ilu.
You caught dinner and there would be a celebration. Two of the youngest warriors caught one of the most dangerous and prized prey. And there you would hope to get Jake's blessing.
The cooks prepared the dinicthoid perfectly and it spread around that you caught it and Kiri smiled before leaning against her father. "See, they are very brave and strong." She whispered to her father as he drank from his cup. "More like stupid they could have died and for what." He scoffed before taking a bite of his dinner.
And there you sat ignoring your food and admired Kiri, it was like she got more beautiful everyday. Her dark blue skin illuminating in the nightlight of Pandora, and her capturing smile that lit up the whole room, was so perfect.
Kiri waved toward you and you did the same before giggling. Jake stood up walking towards you and your smile fell as did her's. "H-hi Mr. Sully." You say and he just glares. "I need to talk to you." He said before walking away and to the beach. You scrambled yourself up and ran after him looking at Kiri who had bug eyes and a terrified look on her face.
Jake stood there in front of the waves as did you. It was silent and your eyes fell.
"I do love her." You say.
He looks at you confused. "What?" He asked and you looked at him with a gentle smile on your face and tears in your eyes.
"I love her. More than anything in the world. I would shout it from the top of the world if I could. If she wanted me to leave and never come back I would, if she wanted me to never talk again I would, I am utterly and completely in love with your daughter. She is my heart, she is what makes me feel alive, she fires my soul. And it may be stupid to be this in love but call me stupid I love her so much it hurts." You confess to the man who denied his blessing.
His expression was of disbelief, shocked most of all. "Really?" You hear a voice that makes your face light up, Kiri.
You both turn to her and your cheeks darken had she heard all of it? You shake your head shyly and she runs up to you as you did, wrapping you into a tight hug. "I see you." She whispers into your ear and your ears perked up and your eyes widened love-blown pupils. "And I see you." You whisper back.
Jake stood there in utter disbelief, his baby girl was finally a grown up and found love. He choked back the tears that threatened to fall as he walked back to the party.
As he walked back you brought Kiri closer, tucking a stray hair behind her ear before giving her a small kiss. Pulling away as soon as she tries to deepen the kiss, you giggle at her eagerness as she laughs as well.
From afar Jake and Neytiri met at the edge of the party watching you hug each other. "She's all grown up." Jake said to Neytiri who only smiled. "It is a good thing Ma' Jake" She whispered as she pulled him back into the party. Leaving you two dumb and in love.
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keefessketchbook · 3 months
Text
FINAL EPISODE OF S.1!
SPOILERS AHEAD!!!
My memory is kinda fuzzy so this might have things left out
The fight scene was pretty good. I love any scene with ares in it so. But i kinda missed the whole police cars moment and i would have loved to see what the fight looked like to mortals
The scene with Alecto was good. i enjoyed how Percy was adamant about getting his mom back and Hades keeping his promise
when annabeth gives percy her necklace>>>>>>>>>>>>>>>>>
THE SCENE ON OLYMPUS!!!!!!! guys this was sososossoosososo good<3. I love love loved how Zeus was "totally" gonna let Percy go and then as soon as Percy turned his back, Zeus was gonna strike him down. This conveyed how even after you had done something for the gods they could turn on you as soon as you turned your back.
part 2 of the bullet above. I loved how Poseidon intervened for percy. this solidified that percy is/will be his favorite kid. Especially how he had to surrender Zeus just to stop this war even though Zeus had not one but two forbidden kids of his own
I loved how percy asked if Poseidon dreamed about his mom and in turn himself. It shows how percy si trying not to hate his dad as he didnt really abandon them but he still wasn't around
When percy came back to camp🥰🥰🥰🥰🥰
lets talk about the scene with luke. The way they changed it from the book was a change i liked. I liked how Luke was trying to recruit percy but not in a "you need to do this" way but in a "hey im trying to do whats best for our future" way. I loved how when they fought, when percy hurt luke, he immediately was apologizing even though luke was trying to kill him. I also loved the scene(s) of them training in the forest.
part 2 of luke point. THE LIGHTING CHANGED EVERYTHING. Like when they were just training, it was a light green/yellowy color to show happiness and joy(ish). When Luke revealed himself as the lightning thief, the firework that went off was purple and the lighting became darker and more menacing to show how Luke had changed. yellow and purple are also opposites on the color wheel so this could also show how luke was acting completely different then how he "normally" did. Also annabeth being there the entire time changed how luke acted. I could see tears in his eyes when annabeth revealed her self
THE HUG PART 2!
The group hug at the end made me so happy 😊😊😊😊😊😊😊
The nightmare with kronos was good. Don't have much to say about it except for percy calling Kronos grandpa
the final scene was amazing. I saw on here somewhere that the rain on the window as the door closed signified how Poseidon could never reach them and was separated from them
Gabe's death scene was interesting as it wasn't by sally hands but by his own. His manipulative actions at the begin like answering sallys phone shows how even though people say "gabe wasn't abusive" he was abusive just not in the normal way people think of.
RIP Lance Reddick You were a great Zeus and you will be missed dearly
Okay, guys that seems to be it!! I can't wait for season 2 and to make more<3 love you guys and stay weird 💙💙💙
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