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notafunkiller · 5 months

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Bucky Barnes is the best super soldier

How it was subtly emphasized in The Falcon and The Winter Soldier:

He always holds back

With the Flag Smashers and even with John Walker. We could see the difference in the last 3 episodes. Sebastian Stan did an incredible job making it clear in a subtle way.

I want to mention that famous "Stay there" scene, and how it was visible Bucky was not punching as hard as he can in the fight with John.)

This is the thing about Bucky, he isn't after the kill, he just does his part. He doesn't try to show off his skills or that he is a good guy. He doesn't try to play the victim role, either. In the scene where Zemo fake-activates the Winter Soldier in Madripoor, he just makes a point. He's obviously not even trying hard.

If he wanted those in the club dead, they would be. But his self control was wow. Sebastian acted so well, his exes said everything.

*And to be honest, even when he was TWS, he could have killed everyone, but he didn't. He could have killed all of the Avengers in Civil War is they were his mission, but they weren't. This is how Natasha survived when she met him, too. It depended on what kind of mission he had (if he wasn't allowed to be seen, then the witnesses would die too, but otherwise? He didn't bother).

2. His skills

People tend to forget how smart and good at making strategies Bucky is. He's been fighting (even though he hates fighting and never wanted to be in the army) for years before he was even captured by Hydra. And this is the reason why government still want him, after all. They can use his strategies as a leader (*cough* Thunderbolts *cough*).

In the last episodes of TFATWS, we could see how he outsmarted everyone. Karli was so terrified of him.

3. Karli Morgenthau

And talking about Karli, the phone call was interesting:

She asked him if he's not tired of fighting for the wrong side, and then told him she's fighting for something bigger than herself.

"And with all the bodies you've collected, have you ever been able to say the same?"

The first thing I wanna point out is how everyone talks about the deaths Bucky caused when he was controlled by Hydra, but everyone ignores the fact that all the Avengers killed far more, but since we consider them the good side, we just don't care.

Clint, Tony, Steve, Wanda etc. They all cause(d) far more deaths than "two dozen" (known assassinations - to quote Natasha), and neither was controlled. The double standards are something else, especially for Clint. (One of the reasons why Tony was on the other side in CW was because of his guilt, after all.)

The second point is how Bucky's answer says a lot more than we might realize at first:

"You don't think I ever fought for something bigger than myself? That's all I ever tried to do, and I failed twice."

Even as TWS, Bucky had to be convinced he is on the right side, that what they do is to save the world, to give "the world the freedom it deserves".

Even brainwashed and put to sleep all the time, he had to be lied to. Bucky as TWS was a victim too. He is not a victim only because he didn't have memories or control, but also because they lied to him and used him as a toy. That milk scene is so loud. (And I am gonna talk about it in a different post). He had no rights, no choices. He was used to being tortured.

[And I wish they explored it more. We deserved and deserve a WS film - maybe with him in Romania getting back his memories, writing in his journal etc.]

"You think your cause justifies all this death, but in the end, the nightmares won't go away. You're gonna remember all the ones you killed. Trust me. Don't do this. Don't go down this path."

Despite being on opposite sides, Bucky still said this to Karli, trying to help her, to make her see the big picture, sharing how he felt and feels.

He is on "the right side". He is a hero, and Bucky being thanked by that man for saving everyone's life was touching.

4. Baron Zemo

You can see how smart, strong, and rational Bucky is when he decides to break Zemo out of jail (his plan was amazing too), risking so much (his relationship with Wakanda people and his own freedom) to get his help for the mess. He puts the cause above his own (huge) trauma. And this makes that moment in Madripoor even more disgusting (he is treated as an object, as a toy):

Zemo: Tell us what you know about the super-soldier serum. And I give you him, along with the code words to control him, of course. He will do anything you want.

The way he keeps his composure, reacts and manages the situation... absolutely incredible!

This conversation also says a lot:

Zemo: The desire to become a superhuman cannot be separated from supremacist ideals. Anyone with that serum is inherently on that path.

Bucky: Maybe you're wrong, Zemo. The serum never corrupted Steve.

Zemo: Touché. But there has never been another Steve Rogers, has there?

Bucky positions himself below Steve, who's considered a good hero, a good person... like no other. But Steve never had to go through what Bucky did: from being kidnapped like that, to being tested on, to falling off the train, to being tortured, and used, and brainwashed for decades, and put to sleep when he was not needed and having n "keepers".

Also, interesting how all Steve wanted was to fight (for a good cause, but still)... and fighting still means violence, meanwhile Bucky never wanted to fight, not even before becoming TWS, in the army (and yet he is still great at fighting. And he is deadly, even when he holds back.). All he wanted was peace.

Despite not getting the "perfect serum", despite being brainwashed, put to sleep, and forced to fight for decades, he is still himself. He never gave in to the dark side for real. He fought in his own way. The first thing he did when he woke up was to choke the Hydra guy with a whole new arm!

Bucky is so underrated: from his intelligence and fighting skills, to how human he is. Being flawed, keeping his sassiness and charm from the 40s, but getting more mature and carrying his past on his shoulders... he's so relatable and real. And every day, he shows Zemo he is wrong.

The show he makes in his final scene with Zemo is absolutely fantastic. He doesn't just prove the point he isn't defined by the serum and Hydra (AND not even by Steve, thanks to Sam. His speech made him realize the important thing about himself: that he decides who he is, not others - even those who know him before becoming TWS- "And this might be a surprise, but it doesn't matter what Steve thought. You gotta stop looking to other people to tell you who you are." parallel to "Steve believed in you. He trusted you. He gave you that shield for a reason. That shield, that is… that is everything he stood for. That is his legacy. He gave you that shield, and you threw it away like it was nothing. [...] So maybe he was wrong about you. And if he was wrong about you, then he was wrong about me."), but also that he is superior.

When Zemo tells him that he decided to let him alive (probably so he can kill Karli) and basically calls him a killing machine: "programmed to kill", Bucky plays the role, lets Zemo talk him into killing Karli, and then Bucky watches him waiting for his own death.

[Also, Bucky's line: Imagine my relief is hilarious.]

The acting was incredible: the shock on Zemo's face and the amusement and somehow relief on Bucky's after he pulls the trigger and lets the bullets fall... He proved him he's THE standard of the super soldier. Because despite everything he went through, he is the best.

Zemo telling him to cross his name off felt like a fresh start (+ telling Nakajima the truth).

5. John Walker

John, on the other hand, is lucky Bucky is an understanding person. He gets what is like... the pressure, the environment, the loss, and even tries to help.

Bucky: Don't go down that road. Believe me, it doesn't end well.

John: I'm not like you!

Of course he is not like Bucky, because Bucky has control. He is not killing to get revenge in a cynical way.

"That serum doesn't exactly have a great track record."

John kept judging Bucky every time they spoke, somehow placing himself above this "broken" man.

"This is all really easy for you, isn't it? All that serum runnin' through your veins. Barnes, your partner needs backup in there. Do you really want his blood on your hands?"

This is so wrong on every single level, especially because Bucky didn't choose to take the serum, and he always had his friends' back. He's loyal and ready to sacrifice himself.

The "funny" part about this is John ending up taking the last super soldier serum vial. All the judgement, the disgust, the patronizing tone, just to do that. Plus, of course, to kill someone with the shield.

(John proves Zemo's point about super soldiers, and Bucky does the opposite.)

And what is it easy for Bucky anyway?

He's under government conditions (so CACW coded), he has a vibranium arm that I bet the government would try to take after he dies (HOPEFULLY WHEN HE'S 200 YEARS OLD IN HIS BED, as Sebastian wants too) if he isn't in Wakanda, he is haunted by nightmares (which also can mean he is still Hydra's TWS in another universe as we found out from Strange), and he has to learn how to live for real. He's smart, charismatic, has values and principles, and he's incredible.

We need to see his version of TWS going after everyone Hydra helped. TWS is him, a part of him, and doing that on his terms, having control over it would help him heal.

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alastor-simp · 2 months

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Alastor with a female reader who is Selectively Mute Part 3

❥Summary: A certain overlord intrudes on both you and Alastor. This situation is going to become very tense, once you realized who exactly this is.

❥Tags: Selectively mute reader, fluff, fluff and romance, friends to lovers, demi-romantic alastor, alastor frowns, vox being vox, alastor is not used to feelings, comedy, alastor and vox rivalry, spoilers of episode 2, protective alastor, confessing feelings, fem reader.

❥Notes: This is the final chapter of this series. I hope you all enjoyed it :).

"Well well well, if it isn't the Radio Demon." You felt Alastor tense, and the static in the air began to increase. Turning around, you noticed there was another demon standing behind the both of you. He stood as tall as Alastor, sporting a dark blue tuxedo and large red bow tie. The most striking thing on him was his head. It resembled a tv screen. On the screen was a pair of striking red eyes and blue colored teeth. His eyes were filled with immense hate, while sporting a cocky grin.

Alastor slowly turned around, smile strained immensely on his face, which you noticed. Did Alastor know this man? "Ah! If it isn't Vox! The piece of shit television himself?" Alastor snarled back at the TV, teeth sharpening the more he spoke. Ohhh this was Vox! You never saw what he looked like, but you knew about the rivalry between him and Alastor, especially since you heard Alastor mention him in his last broadcast. He was part of a group called the Vee's, which consisted of overlords Valentino, Velvette and Vox. The only Vee you knew about fully was Valentino since he was Angel's boss and you really didn't like him. Vox's eye twitch at Al's insult, but the grin was still present on his face. "HAHAHA! Even after 7 years, you still remained an a**hole. Took you a while to show your ugly face back here. Finally decided to join my team?" He approached closer, arms crossed in front of him, as his eyes were locked on Al, ignoring you. Al's head flew back in laughter, before it snapped back into place, as he let out, "HA! No!"

The both of them were locked in a stare off, with the sounds of static and whirring penetrating the air around you, making you a tad bit nervous. Soon Vox broke the stare, and turned to look at you, eyes widen a tad in shock, before they gazed at you, sensually. "My my! Quite a looker, aren't you! May I know your name, sweetie?” His clawed hand had grabbed yours, as he was leaning down to give it a peck. It felt like a hole had opened inside your stomach. Something about the way he acted made you very uncomfortable. You were use to actions like this from Alastor, as they made your heart skip a beat, but coming from Vox, you didn't like it. A small growl was heard next to you, and another clawed hand had grabbed Vox's wrist, removing his hand from yours. "It is quite rude to touch a lady without her consent, you know! So, H̶̱̞̗͈̮͛̓̔̄͐̉a̴̯̜̗̝̠̰͌̈̋̚͝ͅn̸̖̝͙̜̩̳͆͋̿̃ͅd̸̡̤̅̈̐́̎̐̕s̵̭̀̏͛͐̅ ̷̡̢̩͉͔͍̹̐̃̉͌́̕͠ȍ̸̳̗̰̻͚͔͎͒̄ff̵̘̻̠̗̏̆̚." Radio dials flashed on Al's face, along with his shadow demons poking out a different corners, ready to strike. Scoffing, Vox just pulled his hand away, annoyed that Al had the nerve to touch him, before wearing a sinister grin.

"Heh! Who is the little hottie? A new toy for you to mess with?" Now that pissed you off. You were about to start typing your response on your phone, but Alastor had spoken for you. "She is none of your concern! Now, I believe its time for the both of us to head back! Hope you have an unpleasant evening, Vox!" Al wrapped an arm around you again, ready to leave, but he was stopped by a very loud cackle. "HAHAHAHAHA! Oh this is rich! You running away again?!" He was hunched over, holding his stomach from laughter. Your eyes looked over at Al. His smile was completely strained, to the point of it almost breaking. He was trying very hard to maintain his composure, and not rip off Vox's head, but Al didn't want you to see that side of him, his true side that bathed in carnage and gore, while he danced on the corpses of the demons he slaughtered. Alastor had developed a soft spot for you during his time at the hotel. He hated it immensely, that the more he conversed with you, the more vulnerable he got. He was the radio demon, the most feared demon in hell, who broadcasted the deaths of many overlords to all the residents of hell, but you are able to change him, so he made a vow to himself that he would protect you and help you whenever you were under distress. Last thing he wanted to see from you was your eyes gazing at him in fear, after witnessing his true self.

Vox had finished his laugh session, before he stood back, placing his hands on his hips. "I figured after seven years of disappearing, you would be back to terrorizing the streets, but instead your acting like a little pu✪✪✪ bit✪✪, doing absolutely nothing! You have become such a fossil that barely anyone even remembers you, but they remember me, they always do, since I AM ONE OF THE V-SMACK!" Vox's speech was caught off by a strong slap to his screen face, stunning him a bit, before turning back to look at the both of you. Alastor was gazing at you in shock, not expecting that reaction from you, and slapping Vox across the face. Your face was red with anger, and he could almost see steam coming out of your ears. Grabbing your phone, you began to speed type what you wanted to say to Vox, before turning it towards him, voice speaker volume at full blast:

"𝙾𝙼𝙶 𝙳𝙾 𝚈𝙾𝚄 𝙴𝚅𝙴𝚁 𝚂𝙷𝚄𝚃 𝚃𝙷𝙴 𝙵𝚄✪✪ 𝚄𝙿!!?!? 𝚆𝙷𝙾 𝚃𝙷𝙴 𝙷𝙴𝙻𝙻 𝙰𝚁𝙴 𝚈𝙾𝚄 𝚃𝙾 𝙸𝙽𝚂𝚄𝙻𝚃 𝙷𝙸𝙼 𝙻𝙸𝙺𝙴 𝚃𝙷𝙸𝚂?! 𝚆𝙷𝙰𝚃 𝙷𝙴 𝙳𝙾𝙴𝚂 𝙳𝚄𝚁𝙸𝙽𝙶 𝙷𝙸𝚂 𝚃𝙸𝙼𝙴 𝙸𝚂 𝙽𝙾𝙽𝙴 𝙾𝙵 𝚈𝙾𝚄𝚁 𝙳𝙰𝙼𝙽 𝙱𝚄𝚂𝙸𝙽𝙴𝚂𝚂, 𝚂𝙾 𝙵𝚄✪✪ 𝙾𝙵𝙵!!!!"

Vox was put off a bit by your strange method of responding back, but he shook his head and began to walk closer, peering down at you. "You crazy bit✪✪!! Do you know who I am?! His response earned an eyeroll from you, as you continued to type what you wanted to say:

"𝚈𝚎𝚊𝚑 𝙸 𝚔𝚗𝚘𝚠 𝚠𝚑𝚘 𝚢𝚘𝚞 𝚊𝚛𝚎 𝚊𝚗𝚍 𝙸 𝚍𝚘𝚗'𝚝 𝚌𝚊𝚛𝚎! 𝙳𝚘𝚗'𝚝 𝚎𝚟𝚎𝚛 𝚒𝚗𝚜𝚞𝚕𝚝 𝚖𝚢 𝚏𝚛𝚒𝚎𝚗𝚍 𝚕𝚒𝚔𝚎 𝚝𝚑𝚊𝚝! 𝙰𝚕𝚊𝚜𝚝𝚘𝚛 𝚒𝚜 𝚊 𝚖𝚞𝚌𝚑 𝚋𝚎𝚝𝚝𝚎𝚛 𝚍𝚎𝚖𝚘𝚗 𝚝𝚑𝚎𝚗 𝚢𝚘𝚞 𝚠𝚒𝚕𝚕 𝚎𝚟𝚎𝚛 𝚋𝚎, 𝚊𝚗𝚍 𝚑𝚎'𝚜 𝚊𝚕𝚛𝚎𝚊𝚍𝚢 𝚖𝚘𝚛𝚎 𝚙𝚘𝚠𝚎𝚛𝚏𝚞𝚕 𝚝𝚑𝚎𝚗 𝚢𝚘𝚞, 𝚜𝚘 𝚍𝚘𝚗'𝚝 𝚎𝚟𝚎𝚗 𝚝𝚛𝚢 𝚒𝚝, 𝚏𝚞✪✪-𝚏𝚊𝚌𝚎! 𝙱𝚎𝚜𝚒𝚍𝚎𝚜, 𝙸 𝚑𝚎𝚊𝚛𝚍 𝚊𝚕𝚕 𝚊𝚋𝚘𝚞𝚝 𝚑𝚘𝚠 𝚢𝚘𝚞 𝚠𝚊𝚗𝚝𝚎𝚍 𝚑𝚒𝚖 𝚝𝚘 𝚓𝚘𝚒𝚗 𝚢𝚘𝚞𝚛 𝚝𝚎𝚊𝚖, 𝚊𝚗𝚍 𝚑𝚎 𝚛𝚎𝚏𝚞𝚜𝚎𝚍. 𝚆𝚑𝚊𝚝 𝚊𝚛𝚎 𝚢𝚘𝚞 𝚝𝚑𝚊𝚝 𝚋𝚞𝚝𝚝-𝚑𝚞𝚛𝚝 𝚝𝚑𝚊𝚝 𝚑𝚎 𝚜𝚊𝚒𝚍 𝚗𝚘, 𝚢𝚘𝚞 𝚍𝚎𝚌𝚒𝚍𝚎𝚍 𝚝𝚘 𝚋𝚞𝚒𝚕𝚍 𝚝𝚑𝚒𝚜 𝚟𝚎𝚗𝚍𝚎𝚝𝚝𝚊 𝚊𝚐𝚊𝚒𝚗𝚜𝚝 𝚑𝚒𝚖? 𝚈𝚘𝚞'𝚛𝚎 𝚕𝚒𝚔𝚎 𝚝𝚑𝚎 𝚐𝚞𝚢 𝚠𝚑𝚘 𝚐𝚎𝚝𝚜 𝚛𝚎𝚓𝚎𝚌𝚝𝚎𝚍 𝚋𝚢 𝚑𝚒𝚜 𝚌𝚛𝚞𝚜𝚑, 𝚊𝚗𝚍 𝚢𝚘𝚞 𝚔𝚎𝚎𝚙 𝚘𝚋𝚜𝚎𝚜𝚜𝚒𝚗𝚐 𝚘𝚟𝚎𝚛 𝚑𝚒𝚖. 𝙷𝚎'𝚜 𝚗𝚘𝚝 𝚒𝚗𝚝𝚘 𝚢𝚘𝚞, 𝚜𝚘 𝚓𝚞𝚜𝚝 𝚍��𝚘𝚙 𝚒𝚝!"

Vox's eyes widen, as he stepped back at what you said, stunned. "I'm...I'm not......I don't..." He fumbled with his words, unable to give a good comeback. Alastor continued to gaze down at you in awe, wondering where this side of you has been. Typing a final message, you played it out for him:

𝙳𝚘𝚗'𝚝 𝚎𝚟𝚎𝚛𝚢 𝚜𝚑𝚘𝚠 𝚢𝚘𝚞𝚛 𝚏𝚊𝚌𝚎 𝚝𝚘 𝚎𝚒𝚝𝚑𝚎𝚛 𝚖𝚎 𝚘𝚛 𝙰𝚕𝚊𝚜𝚝𝚘𝚛 𝚎𝚟𝚎𝚛𝚢 𝚊𝚐𝚊𝚒𝚗, 𝚘𝚛 𝚜𝚘 𝚑𝚎𝚕𝚙 𝚖𝚎 𝙸 𝚠𝚒𝚕𝚕 𝚔𝚒𝚌𝚔 𝚢𝚘𝚞𝚛 𝚊✪✪ 𝚖𝚢𝚜𝚎𝚕𝚏! 𝚆𝚑𝚢 𝚍𝚘𝚗'𝚝 𝚢𝚘𝚞 𝚐𝚘 𝚋𝚊𝚌𝚔 𝚝𝚘 𝚢𝚘𝚞𝚛 𝚖𝚘𝚝𝚑 𝚙𝚒𝚖𝚙 𝚊𝚗𝚍 𝚑𝚊𝚟𝚎 𝚑𝚒𝚖 𝚛𝚊𝚒𝚕 𝚢𝚘𝚞 𝚊 𝚌𝚘𝚞𝚙𝚕𝚎 𝚖𝚘𝚛𝚎 𝚝𝚒𝚖𝚎𝚜!

Grabbing Al's hand, you pulled it and began walking back in the direction you were going, leaving behind an open-mouth Vox, screen flashing to blue, as his brain couldn't compute that he just got owned. Alastor said nothing, and followed after you, as the both of you continued to walk back to the hotel. The walk was silent, neither you nor Alastor uttered a word to each other. Arriving at the doors to the hotel, you let Al's hand go, knowing that the others would ask questions if they saw the both of you holding hands. Entering inside, you were greeted by the others, asking how was the show and yada yada. You gave a thumbs up, while Al gave a lengthy response saying that the performance was spectacular. Alastor then urgently insisted that he needed to attend something, before snapping his fingers, disappearing from sight.

He hadn't looked at you the whole time, when the both of you came back. Had you upset him? He didn't appear angry when the both of you started to head back, but maybe he was hiding it from you. Thinking back to what you did, you realized that you maybe shouldn't have done that. Alastor was a powerful demon, the fearful gazes he got from others was proof of that. He was fully capable of defending himself against Vox, he didn't need you to do it for him. Your body wanted to head to where Alastor ran off to, but you decided not to, as he maybe needed time to cool off.

**12:00 AM**

It had finally reached midnight, and you had seen no trace of Alastor. He wasn't present for dinner nor did he return to the lobby. Heaving a sigh, you realized that you must have angered him very badly. You hoped you would see him tomorrow and apologize. Exiting your bathroom, you had finished brushing your teeth and put on your apple themed PJs, a gift from Charlie. Heading over to the bed, you took a sit on the fluffy covers, before falling back, cell phone planting on the bed as well. Too many emotions and thoughts were floating around in your head, preventing you from falling asleep. "Knock knock", a soft knocking noise was heard against your door. Getting up from your bed, along with grabbing your phone, you peeked into the peep hole, to see Alastor standing on the other side. Unlocking the door, you softly opened it. "Good evening, my dear! Sorry if I had disturbed your rest, but there is something I needed to discuss with you." His smile was still enlarged as always, but you couldn't tell if he was back to normal or still enraged. It was so hard to read him at times. Nodding your head, you moved your body to allow him in. He walked inside, standing at the center of your room, with his hands placed behind his back. He didn't turn around to face you, making you feel nervous. Suddenly, sounds of static-filled laughter erupted from him, causing you to jump up in shock.

Alastor turned to face you, still laughing with slight tears in his eyes. "Oh, apologies for the sudden laughter, but your little confrontation with Vox was highly entertaining, my dear! In all my years in hell, I have never seen that expression from him! HAHAHA! What a sight!" Alastor was still giggling with glee, wiping his eyes, that were leaking with tears. The laughing quickly stopped when he saw the look on your face, tears streaming down. Panicking, Al walked closer, wondering why you were crying. Pulling your phone up, fingers shakingly typing your message to Al"

𝙸'𝚖 𝚜𝚘𝚛𝚛𝚢. 𝙸 𝚝𝚑𝚘𝚞𝚐𝚑𝚝 𝚢𝚘𝚞 𝚠𝚎𝚛𝚎 𝚖𝚊𝚍 𝚊𝚝 𝚖𝚎 𝚋𝚎𝚌𝚊𝚞𝚜𝚎 𝚘𝚏 𝚠𝚑𝚊𝚝 𝙸 𝚍𝚒𝚍. 𝙸 𝚔𝚗𝚎𝚠 𝚒𝚝 𝚠𝚊𝚜𝚗'𝚝 𝚖𝚢 𝚋𝚞𝚜𝚒𝚗𝚎𝚜𝚜 𝚝𝚘 𝚜𝚝𝚎𝚙 𝚒𝚗 𝚕𝚒𝚔𝚎 𝚝𝚑𝚊𝚝, 𝚋𝚞𝚝 𝚠𝚑𝚎𝚗 𝚑𝚎 𝚜𝚝𝚊𝚛𝚝𝚎𝚍 𝚒𝚗𝚜𝚞𝚕𝚝𝚒𝚗𝚐 𝚢𝚘𝚞, 𝙸…..𝙸

Unable to type, due to how hard your hands were shaking, you dropped your phone, hands flying to your face, wiping away at your tears. Alastor was silent, having not said a word after you dropped your phone. Two hands had grabbed yours, pulling them away from your face, allowing your eyes to look up at Al's. His expression was soft, wearing a small grin. "Why would you think I was angry with you, my dear?" His voice had dropped into a soft whisper, containing no traces of static. You casted your eyes down, still feeling ashamed. "Y/N. Look at me." Goosebumps appeared all over your body. He almost never addressed you by your full name. Peering back into his red irises, you looked straight at him. His eyes always held so much emotion, and the emotion you saw was pure warmth. His fingers wiped at your cheeks, cleaning the tears "I was never upset with you. Frankly, I was quite in awe at what you did. You defended me without hesitation and even called me a "friend." It has been many centuries since someone has addressed me that way, that it stunned me to my very core. Please don't cry, my dear. Tears don't suit your adorable face."

He rubbed your cheeks up and down like you were a cat. His sweet words felt like they were caressing your skin, causing shivers to flow through your body. Alastor leaned forward, placing his forehead against yours, closing his eyes. "You....you are quite a special one, aren't you. Being with you makes me feel things I thought had died long ago. Only time I felt anything like this was when my mother was still alive. These things....these feelings are changing me, you are changing me. Part of me wants to push them away, but the other part of me wants to embrace them, embrace this." His everlasting smile had dropped, causing your eyes to widen. He was frowning!! Alastor, the demon who always wore a smile, was frowning?! This was the real Alastor in front of you now, not the radio demon persona. Rubbing his forehead against yours, Al opened his eyes, staring back at you.

The both of you stayed in that position until Alastor spoke again, "All of this...is entirely new to me, my dear. But, I want to explore more of this with you. What say you, Y/N? Would you like for this to become something more?" The butterflies in your stomach were going haywire, as the color of your cheeks dyed a deep red. Alastor wanted to be with you? Have a relationship more than this? Your thoughts were filled with all of the moments the both of you had. The pleasant conversations, the sweet gestures and the looks he would give you. The answer was clear to you. Wanting to grab your phone, you realized you had dropped it, making you unable to tell Alastor your answer. No no. You didn't need the phone. Feelings of nervousness began to overtake you, as you bit your lip. Alastor noticed your expression, and pulled back.

"I'm sorry, my dear. I did not mean to make you uncomfortable. I'll take my leave. We can discuss this another time." Alastor's smile had come back, but it seemed almost somber. Shaking your head, you didn't want him to leave without hearing what you had to say. Clenching your fists, you took a deep breath. Grabbing his coat, you pulled him down, back to your level. Alastor bent down. letting out a small gasp, not expecting your actions. Before he could speak, a pair of lips had attached to his. His crimson eyes widen in shock, his body becoming tense. His mind slowly began to piece together that you were kissing him. It left him shook, but he slowly eased into it, reciprocating back. The kiss lasted for a full minute, before you pulled away, and stared at Al. Biting your lip again, baring through the anxious emotions, you opened your mouth.

"I-I love you Alastor. I-I want to be t-together with you"

Alastor nearly gasped, legs almost buckling from what just happened. Did you just speak?!?!?!? You had spoken for the first time, in front of him. Your voice was so precious and soft, almost like an angel. His eyes sparkled with excitement, as he grabbed you by the waist, spinning you around in joy. Grabbing on to him, you let out a small chuckle, at his reaction. The spinning slowly stopped, as Al set you back down, placing his gloved hand on your pink-tinted cheek. His own face was similar to yours, flustered, yet he was wearing a love-struck expression. "I-I adore you as well, my doe." Seems it was still difficult for him to say I love you, but you were content with that. Alastor then leaned in to kiss your forehead, as he pulled back. "I believe it is past our bedtimes, my doe. I must, unfortunately head back to my quarters, but I will be here first thing in the morning." Listening to him, you nodded your head, letting out a soft "okay". Patting your head, he wished you pleasant dreams, as he made his way to your door, exiting your room. Watching him leave, you walked to the door, and placed a hand on it, before you turned around. Sliding your body down, you placed a hand on your chest as you gave a love struck sigh. It was official, both you and Al were going to be more than just friends. It made you nervous, but so excited at the same time. Getting up from your position on the floor, you went over to your bed, placing your head on the pillow. Grabbing the other across from you, you planted your face into it, squealing while kicking your feet in joy.

**Alastor POV**

Having left your room, Alastor still stood at your door, back facing it. Letting out a shaky sigh, he placed his back against it, letting his head fall back against it. His emotions were springily like crazy. All of this was still so new to him. His memory flashed back to what he said to you, annoyed that he couldn't say the three simple words, but he remembered the smitten look on your face, happy with that he said. The black heart in his chest was still beating a mile a minute, and his cheeks were still flaming hot. Sighing again, he moved from his position and walked down the hallway to head to his room. Tomorrow was going the be the first day of the both of you being in this kind of relationship, and he honestly couldn't wait.

~END~

Part 1 of Series is Here = X

Part 2 of Series is Here = X

Tagging:

@pepperycookie , @yourdoorisunlocked, @ghostdoodlen, @aceofcards0-0, @jyoongim, @saturnhas82moons, @unholycheesesnack , @luujjvi , @forbidden-sunlight, @pinkcrystal44 , @veethewriter , @rains-sleeping , @danveration , @demoarah, @cookiekyo , @iiotic, @delectableworm , @91062854-ka , @alastorsgoldie , @lokis-imaginary-friend , @themysteriousslenderman , @huntlowfan , @pawstrey , @futureittomainn , @christinaatyourservice92 , @littledolly2345 , @just-trash-yeah-thats-it , @angelinevalentine89 , @yunimimii , @staryosh1 , @mihawksdemoness , @crystalreads , @blahblahbruhmeow , @madam-strawberryrose , @inkslayer , @azazel-nyx , @lixanjewel , @ainsliemac ,

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ineffable-suffering · 7 months

Text

Why Aziraphale is an unreliable narrator

Part 1: The Story of Job

I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.

I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!

Alright, let's get into it under the cut of doom.

Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."

This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.

And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?

What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.

"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"

We've all been there. Bobby made it out alive. Don't buy gas station pizza.

Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.

Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.

So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.

So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.

So, time to look at where the furniture isn't.

Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:

... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:

... back to this at the crucifixion of Jesus Christ in 33 AD:

I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.

And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).

So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!

And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.

They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.

Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:

The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.

You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.

More specifically: Aziraphale's impression, emotions and exaggerations.

Like "remembering" Crowley with sunglasses because he's been wearing them for so long.

Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.

Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.

Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.

Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.

Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.

There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!

It's subjective. It's unrealiable.

It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.

The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):

God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.

God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.

Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."

Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)

Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.

Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).

Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.

Update: Part 2 and Part 3 have officially been written, you can find it them right here:

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

Hugs and kisses, (God)!

#good omens #good omens season 2 #gos2 #go2 #good omens 2 #good omens meta #ineffable husbands #aziraphale #crowley #story of job #job minisode #good omens analysis #aziraphale is a storyteller #but not a very accurate one #my own meta

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eriexplosion · 2 months

Text

Tech Lives: An Ungodly Long Essay

(AKA: Turns out that my Tech Lives compilation post comment was actually a threat.)

There have been hundreds if not thousands of posts since Plan 99 aired wondering if Tech might have made it after his fall - it's probably been brought up more than any other hanging plot point, even after season 2 scooped up Omega and left us on a massive cliffhanger. Now that season 3 has started, though, Omega and Crosshair are home (for now) but we have received an almost aggressive lack of Tech info. So, I've gathered up some of the stronger Evidence for why Tech might be fashionably late but still on his way back from The Void!

THE LEAD UP

So to start, let's go back to what came before the whole Incident. This will focus mostly on season 2, seeing as that was definitely Tech's season to shine, but with bits about plotlines in season 1. Which brings us to our first bit, that's not really evidence so much as some gentle push-back on a common argument.

Doomed By Character Development?

We've all seen this particular situation before - a character is slated for a tragic death, so just before it happens the writers gives them a little extra relevance to the plot to make sure the audience really feels it when the time comes. The Clone Wars was especially good at this, giving characters like Fives an arc of his own that ended in his tragic death. Season 7 gave us a better look at Jesse, first in the Bad Batch's intro arc and then again through the Siege of Mandalore, all to bring us to the chip activation that led to his ultimate death.

When season 2 started off with one of the two intro episodes spotlighting Tech and our first breather episode of the season also spotlighting him, people started to get worried. So is it fair to say that his spotlight in season 2 was setting him up for a permadeath?

Looking at it, I don't think so, for multiple reasons. For one, Tech didn't just get a spotlight episode, his development dominated a good chunk of the whole damned season, often taking priority over the other characters that wouldn't be dropped into the mists. While giving a little bit of character development to a doomed character can be a good move, giving ALL your development to a doomed character ends up feeling like a good portion of your season was actively pointless.

The Bad Batch is not an open ended show. It seems to have been planned for the three seasons it got, and they would have gone into it knowing they had a set amount of time to work with. Dedicating so much time to developing Tech in preparation for a character death takes away all of their opportunity to develop, well, anything else.

But, along with the amount of time that was dedicated to Tech as a character through season 2, they also didn't develop him in the ways that most often get used for a doomed character. Namely...

That Sure Is A Lot Of Open Plot Lines

And not one of them got tied up. Currently, Tech has two open plot lines to himself, both started in season 2, as well as a key place in the overall show narrative arc. As the overall show narrative arc takes precedence, we'll start with that.

The Bad Batch sets up a few different narrative arcs very early. One is if clones can be more than soldiers - this is the central thing that we see them struggling against from the start, they've been created to be soldiers and don't know much else about how to function in the world. Theoretically this arc can be fulfilled with one or two of them still dying as soldiers, as long as a few of them make it to find a new life for themselves.

The arc that can't be fulfilled without everyone though is the ongoing thread of reuniting the batch. Much of the show is geared towards making the viewer want this specific end result, as soon as they talk about Crosshair, Omega says they'll just have to get him back and complete their family. The end of season 1 teases us with this only to pull it away at the last moment, then season 2 teases us with it again only to yet again pull it away, this time seemingly permanently.

Ending one of your key narrative threads you've been using to draw audiences in only 2/3rds of the way into the show and without ever resolving it... well it would be a choice. If Tech is gone for good then the last time we saw everyone together would be the end of season 1. Rewatches would lack impact because something that was made to seem so vital ended up going nowhere, and the series finale would never quite reach the height that hearing the full batch theme kick in over the team fighting droids together did. It absolutely destroys the central narrative to leave him gone without ever having reunited the family.

And then there's his personal plots.

Let's start with the obvious one. Tech got a whole potential love interest this season and they absolutely did not resolve a damn thing about it.

Again, this takes a trope that we all know - the young army man that's going to go home and finally marry his girl, who has his whole life ahead of him, but dies tragically in his final mission - and seemingly intentionally subverts the beats. Because what makes the trope work is that the plot line is resolved as soon as that young man decides how he's going to move forward. He can't die uncertain of if he's going to marry his girl, he has to make a decision, and the longer we spend on the relationship to his girl the stronger the decision has to be to consider the narrative line resolved and free him up for some tragedy.

Tech/Phee is a tentative little 'will they or won't they' romance. They're flirting, they're feeling each other out, they're seeing if they're compatible. To tie up this narrative line we would have to find out if they are or not, get a yes or a no on the question. Will they or won't they? We simply don't know because the writers didn't put a resolution in.

We do get the traditional pre-mission scene with them, which would normally be when we get the first kiss or perhaps the promise of a date, either of which would have had me digging Tech's grave for him to fall into from the second it happened. Or even a 'we can't do this right now, but maybe some day it will be the right time' which would have been a kind of lukewarm resolution but would have at least represented a decision.

Instead we get a scene that almost aggressively refuses to resolve anything. They have an awkward interaction, but not one that says they won't get together, no promises are made for the future, no decision point is reached, and the plot line is still dangling wide open when Tech falls to his supposed death. If we truly leave it off here, well, what was the Tech/Phee subplot for? Why did we spend precious time on it when it could have been spent on something else, if it was meant to make Tech's death hit harder why did it not go further?

A second subplot with Tech is that he certainly made the most progress on seeing options outside of the Empire - it starts early on in Ruins of War when he meets Romar and gets his eyes opened to the idea of cultures that existed unconnected to the war. Serenno existed before the war and before the separatists, and Romar introduces Tech to that idea of an ongoing culture. He gets a taste of racing in front of a cheering crowd, leans further into his teaching of Omega and gets new insights from her regarding their lives as soldiers, his relationship with Phee picks up right when he finds out that she is interested in the preservation of cultures. It's a quiet little subplot, but Tech was seeing the full scope of what the galaxy contained beyond being a soldier in a war.

But, like the Tech/Phee, it never resolves. He never decides to settle down, he never chooses to stop being a soldier or even openly discusses the idea of what life will look like after. Rescuing Crosshair isn't positioned as a final mission that they have to complete in order to give up their lives as soldiers. Without that decision point being reached, the plot stays open, we never find out what he Would Have Done so we don't get a sense of the future that he would lose by dying, which is what the purpose of these types of plots is for a planned permadeath.

The Kaminoans don't create without purpose and writers working on a three season timeline don't typically write without it either. So if we spent the time on Tech/Phee but Tech is dead before it ever went anywhere, if we spent time on Tech's relationship with being something other than a soldier but he never really pursues it, what is the payoff?

Too Much of a Survivor To Die?

There's also the matter of how they chose to build Tech's character this season. Namely they beefed that man's skills up incredibly high making it intensely unbelievable that he's dead without seeing some sort of concrete proof. Things we know about Tech as of the end of season 2 include:

Incredible pain tolerance - Tech fractures his femur in Ruins of War and seems shockingly unbothered by it. The femur is frequently listed as one of the most painful bones to break. This is not a broken toe the man is hobbling around on, he fractured the strongest bone in the body and kept going through the woods. He physically fought and killed a man with that busted femur.

Lightning fast mental processing - this is of course on display nowhere so much as Faster where he's put up against droids and wins by taking calculated risks that no one else is willing to try.

A cool head in stressful circumstances - this one is hilarious because he outright says it, but Tech does demonstrate time and time again that when it comes down to it, he's able to keep calm no matter the circumstances.

Essentially, we spend the entirety of season 2 setting up why Tech is the perfect person to drop out of the sky and have him survive. He has the ability to keep calm and come up with a plan in seconds and he has the grit to keep moving even if he's grievously injured once he hits the ground. When you set a character up like this, you can still kill them, but you have to work harder to do it convincingly. Leaving Tech not at the moment of death but with probably at least a minute to act in and then not showing us the body is the exact opposite.

We have a moment in The Crossing showing us Tech's precise aim, and it comes up again to brutal effect when he shoots out the connection on the rail car. If moments through the season were used to set up that particular instant of the finale, then we can't discount the numerous scenes demonstrating his survival skills as being irrelevant to his chances.

Plus, looking back at Ruins of War - one of the big moments in the episode is towards the end, where Romar tells Tech, "I'm a survivor. Remember?" The camera then lingers on Tech for a long moment. It's not the kind of action that demonstrates his capabilities as above, but it works to associate the words with Tech in the viewers mind. Romar is a survivor, and Tech is a survivor too. And when you intend to kill someone off, it's kind of an odd choice to spend that whole season setting them up as a survivor.

THE FALL

Which brings us to the scene itself. Plan 99, implied to be one of the last ditch plans that they have. It's absolutely a heartbreaking scene, and one that can be tough to analyze when it's so well done, because it's rough to watch repeatedly. But, it's worth doing, because the scene itself is FULL of questions, some structural others more based in the visual presentation.

What is Plan 99?

Well, that's just it, we don't actually know.

We know what it's implied to be, a self sacrifice plan where one of the batch gives their life for the others to get away. But in show it's never actually defined, leaving the full meaning of Plan 99 up to interpretation. It could be as simple as what it's implied to be, but that brings up questions like 'why not provide any lead up or foreshadowing for it?' and 'does killing yourself actually count as a plan?'

Removing the assumptions from it gives us room to speculate. Is the plan actually that they leave him behind, dead or alive? Hunter ordered them to do so without a plan number in season 1, but he is the sergeant, so plan 99 could easily be something that bypasses his authority - if a batcher calls a plan 99, you go and you don't question his decision. It's certainly closer to a plan if there's something they are supposed to be doing from their end rather than just an announcement of intent.

It's not strictly evidence one way or another, but it is something of note when Tech's entire sacrifice is based around a plan that we're not privy to the details of. TBB has hidden its twists in ambiguity before, so it would not be the first time that it let us assume something only to pull the rug out later. But ambiguity is not the only thing that makes this scene stand out in the raising questions department.

Pacing Goes Out The Window

Generally speaking, a self sacrifice is the climax of an episode. Think Kanan, Hardcase, Gregor, Hevy, etc - Even a minor character sacrificing their life tends to make up the most climactic portion of any given episode, let alone one of the characters from the title squad. It gets to be the big central moment, the big rush of music and feeling, the pinnacle of the viewers attention.

Tech's sacrifice is not. It happens around 5 minutes into the episode, is rapidly moved past with barely a moment to think, and then the actual climax is Omega's capture on Ord Mantell. They even repeat the music when Omega is captured, except much stronger this time, making it clear that this is the emotional crux of the episode, this is the scene that is supposed to stick with you.

The opportunity to make it the climax of an episode was certainly there. The storyline could have been adjusted to put Tech's fall at the end of The Summit, allowing more time in Plan 99 for processing his loss and making it feel final. The pacing choice is one that doesn't allow the viewer to process the loss, only giving us maybe a couple minutes of time with actual emotional reactions before we're barreling off to the next plot point. Why was Tech's death de-emphasized within the episode if it is indeed our last moment with this central character?

Tarkin, Eriadu, & Saw Gerrera

A lot goes into the set-up for Plan 99. We have Tarkin's base on Eriadu as the setting they're working within, going up against Tarkin for the first time since early season 1. This is the big leagues, and something that's come up in multiple interviews is that when going into the den of one of the franchise's big bads we have to have consequences, something to demonstrate that Tarkin is not to be trifled with.

Sounds reasonable enough. Except Tarkin doesn't actually do anything in either of these episodes. The thing that actually threw them off was Saw's planning mixing in with their own.

All Tarkin does upon finding out that the batch is stuck on the rail is order an air strike and ignore that this would kill many of his own men. This is certainly evil, but it's standard Imperial evil. Rampart would have given that order. Hemlock would have given that order. The guy in Tipping Point that we know for 5 minutes before he fried himself would have given that order.

So if the point of this finale was to demonstrate Tarkin's power, then bringing Saw in both complicates the plot and devalues what they're claiming they are trying to show. So is the point to get them to Tantiss? No, because they fail in that. They don't plant the tracker, they're no closer to finding Crosshair than they were before.

By all accounts the point of the whole endeavor is in fact just to drop Tech off a sky rail for reasons unknown and injure Omega to force them to go back to Ord Mantell. These two things could have happened anywhere in any way of course, so why choose Eriadu and why choose to complicate the plot by introducing Saw rather than letting Tarkin handle the job?

They're questions we don't have answers to yet, but they're very hard to get answers to if Tech is dead and completely out of the picture. Having a dead body on Eriadu is fairly useless to the plot, having a living Tech on Eriadu though? That has potential to move them huge leaps forward in a very short amount of time once we bring him back in. Especially given his conversation with Saw prior to everything going downhill - Tech was in favor of gathering intel from the facility rather than destroying it.

And what about Saw, anyway? If he was genuinely there to cause problems and fly away, again, that's a plot wrinkle that isn't needed and took time away from everything else. If he's there because they needed someone to pick Tech up though? There's potential there.

Did Tech's Sacrifice Mean Anything?

In universe, Tech's sacrifice means everything, of course. It's a decision made in the moment to risk everything to save his family. It's a noble deed and one he does without hesitation. But pulling away from that narrow scope of an in universe perspective, what did we accomplish narratively with his fall?

Well... not much actually! They got over the bump in the road that they encountered all of five seconds ago and promptly crashed headfirst into another, different bump in the road. Tech's dramatic sacrifice didn't allow them to escape unharmed, it didn't allow them to find Crosshair, it just allowed them to move a few steps forward, after which Omega is almost killed and then captured, which is a fairly weak reason to sacrifice a whole major character.

But not every character death is exclusively about narrative, sometimes it's about the character arc itself. So does this close out anything for Tech's character development? Again, not really. Tech has always been completely loyal to the squad and would have risked anything for his family. He never had a choice not to fall, it was either just him or the whole team, and he is an endlessly logical actor. The action would have played out the same had it happened in the series premier or the season 1 finale, or any other time in the show. If anything it's a backtrack on his character by putting him solidly back into the soldier box that the show is trying to let the clones grow out of.

Maybe it's not about Tech's character though, maybe it's about everyone else's! Does his death change anyone's trajectory? Again... no, not really. We'll get into season 3's lack of mentioning Tech later, but in the immediate aftermath of his fall, no one's course or actions is majorly changed because of his loss. Hunter wants to go back to Pabu where it's safe, the same thing he wanted to do before they ever left for this mission. Omega puts herself in danger to save her brothers, which has been one of her defining traits since season one. Wrecker is following Hunter's lead, same as he always did. (We get very little of what Echo hopes to do, but the opening of season 3 reveals that they went back to work with Rex, exactly like they were doing before.)

So narratively nothing required him to die, the character's arc isn't completed, and the other characters aren't motivated to change. If Tech dies here, it's the picture of a shock value death. It doesn't complete or inform his character, it doesn't need to narratively happen in order to put Omega on the path to being captured, and thematically it exists just to give the viewer an unnecessary gut-punch when just the failure to rescue Crosshair and the loss of Omega would have been enough.

Framing is Everything

In a death scene there's nothing more powerful than our final shot of a character. The very last we'll ever see of them, the image that will linger in our minds when we think of that character from then on. This is especially important in animation where everything has to go through several iterations before deciding on what that final look will be. You want it to be impactful, you want the audience to have one final connection to the character before they're gone for good.

So why does Tech die with his helmet on?

If there's one thing TBB is good at, it's their expression work, and a death scene is a perfect place to show off their full range, which is why most deaths meant to have a heavy impact occur with faces unobscured. Crosshair loses his helmet and takes Mayday's off so we can see both of their faces as Mayday dies, Slip, Cade, even Clone X and Wilco, all die helmetless. Looking into older series you have Kanan dying without his mask, Fives, Hardcase, Waxer all dying helmetless with one last good look at their faces and expressions.

And while Tech's helmet gives us a good look at his eyes, the rest of his face goes unseen, and Wrecker's face as he watches this happen is completely obscured. We're denied a look at a lot of their expressions as the decision is made and Plan 99 is executed, rendering it less personal than it otherwise could have been. Tech could have lost his helmet in the blast that knocked him from the rail, Wrecker could have had his helmet knocked off at some point to give us a good look at his expression. TBB isn't known for pulling its punches, so why leave our final look at Tech's face back in The Summit and not here?

Then there's the framing choices. We get some absolutely amazing shots of Tech during the fall, from taking the shot to falling backwards towards the cloudy cover - but here's where some interesting choices are made. Rather than letting our last shot of him be a face up shot that keeps eye contact with the camera as he falls, they make the choice to have him flip over, and we hold the shot as the rail car goes down after him, partially obscuring him.

Which means instead of our last glimpse of Tech being something like this.

We end up with something closer to this.

Which, while we all love those Tech crotch shots is somewhat less impactful emotionally. These frames go through multiple departments and get multiple eyes on them before going through final animation, and no one thought that leaving him face up and unobscured until he disappears into the fog would stick more firmly in the viewer's memory?

The Flip Might be Intentional

And I don't just mean out of universe, as every detail of animation is often intentional, but in universe as well. If you look closely at Tech as he falls, he seems to roll his shoulders back in order to begin flipping over. It was a specific enough detail to send me searching for a reason and I found it in instructions on how to survive a long fall - the first thing that you're supposed to do? Get into the arch position like a skydiver to slow and control your fall.

The flip was important enough to not only include but to include the small detail of Tech intentionally flipping himself over into said position. It's not a confirmation but it's an interesting detail, and one that has very few other reasons to exist.

THE AFTERMATH

Image chosen because even thinking he's alive I didn't want to pull from Omega reacting to the fall on Ord Mantell. Looking at her makes me Sad. So the fall has happened, the rail car has rushed forward and crashed, and Omega fades in and out of consciousness until finally waking up on Ord Mantell to the bad news.

"What if he's hurt?"

Omega is our POV character for the show. We may sometimes see things she doesn't, but emotionally she remains the center of the narrative, the character that the target audience will see themselves in. Her ultimate thoughts on a situation are the closest we have to a clear indicator of our intended takeaway.

So it's interesting that the first thing we hear out of her, having heard that Tech 'didn't make it,' is a firm denial. He can't be gone, he might be hurt, he needs them and they need to go back for him. And, despite Hunter continuing to talk with her about it for a bit, we never actually hear Omega explicitly take it back or verbally acknowledge Tech as dead. The closest we get is 'lost' which she also uses for Echo in The Crossing.

Now, here's where the interpretation between the adult and child audience will likely differ. From an adult perspective, this is a reasonable reaction for a child her age. It comes off as very natural that she doesn't want to accept it and that she doesn't have time to really process that it's true before the scene moves on. It makes sense from an in universe perspective.

However, the main audience is still children who actually are Omega's age and who are being presented with her as their window into this world. And their takeaway, seeing that same scene, is likely to be that Omega is correct. They don't know that Tech's dead, just because an adult says it doesn't make it true and just because Hemlock says it DEFINITELY doesn't mean it's true, they have to go back and check.

If they wanted the main audience to think that Tech is dead for sure, they could have had Omega be the one to say that he's gone, with Hunter simply confirming it for her. Alternatively, Omega accepting it when Hunter tells her would also function in the same way - ultimately, as the POV character, if Omega doesn't accept it there's a strong possibility much of the audience won't accept it either, especially without other evidence.

No Body?

And, as we all know, we simply don't have other concrete evidence. Not only are the batch given no time to look for Tech's body or any confirmation that he died, but we get a whole scene with Hemlock and the goggles where he also confirms verbally that he doesn't have a body either. There's very little reason to have him say this outside of putting a bug in the viewer's ear that he might not be gone for good.

Not only do we have that verbal confirmation, but we have multiple places where a body could have been included or implied without adding much to the runtime.

Easiest place would probably be when Omega passes out - there's a trooper's corpse right there in front of her, and it would have been very easy to make that identifiable as Tech. Have one of the boys check his pulse like Crosshair did with Mayday and then be forced to leave after confirming he's dead. Would it require a little bit of fudging the details of how he landed so close to them, sure, but it would have been narratively streamlined and easy.

Have Hemlock bring his helmet rather than his goggles (and damage it in a way clearly incompatible with survival) or confirm that he did find a body but has no use for the goggles.

Put the body in Hemlock's lab when Omega is brought there at the end of the episode. Have a sheet covering him even if you want and just one of his hands hanging out, especially the one with the distinctive light on the back of it. Give us her reaction to that.

These are just the ones that don't involve adding scenes or making major changes - instead, in a franchise known for bringing back everyone and their grandmother especially if there's no body, they chose to leave it extremely vague.

Reused Score

The soundtrack for Tech's sacrifice is fantastic, I don't think anyone can argue that. In fact it's so good that it's used occasionally used as a reason for why he's dead for real. If it's a fakeout, why go so hard on the music?

It almost sounds like a reasonable argument, except that the music isn't even unique to Tech's fall. We get the same motif later in the episode with Omega's capture, and it actually comes in even harder and more impactful there than it did with Tech falling.

Reusing bits of the music has two results. It lessens the impact of hearing it with Tech if it is in fact his Death music, because it makes it clear that he is not the central feeling of the episode but rather, Omega's capture is. As mentioned before, deaths are usually the climax of their own episodes partially to avoid them being upstaged by any other plot points, but here Omega's capture is fully prioritized over the loss of one of our central characters.

The second result is that it changes the meaning of the music. It's no longer meant specifically to underscore a tragic death, but rather a more general one of loss and separation. And if it's simply about that separation, then it no longer requires Tech to be dead to have that same impact. They're apart from each other, and that's painful enough.

SEASON 3 SO FAR

Which of course finally brings us to season 3! We're five episodes in as of the posting of this, so a full 1/3rd of the season down, which gives us a good idea of how they're handling the whole grief aspect of this scenario.

They Aren't!

That's right, we simply have not directly acknowledged or dealt with the whole 'watching your squadmate fall to a presumed horrible death' thing even once in five episodes. Tech has been mentioned by name twice, we've seen his goggles once, and Wrecker makes one sideways reference to him having not made it back.

In universe, there is a several month timeskip and it seems to be implied that the majority of the grief milestones happened in that gap. For example, we don't see Crosshair finding out from Omega, we don't see Omega grieving her brother, we don't see Phee finding out (more on her in a bit) despite her fledgling romance. Months of grieving and processing skipped over and what comes out the other side is single line mentions that go by in seconds.

This is especially apparent after episode 5, where we got something to compare it to. Crosshair has a long, painful moment of grieving with Mayday's helmet when they return to Barton IV. It's deep, personal, and intimate and we take a minute with him gathering up the helmets of Mayday and his men to set them up on the crates the same way that Mayday had honored them.

Mayday is a one episode character that was important to only a single character, Crosshair - Tech is a core member of the team present through two full seasons and shown as close to every member of the squad. Yet the single scene grieving Mayday is longer and more emotionally gripping than every short mention of Tech so far in season 3.

Narrative Grief

Seeing characters grieve their loved ones onscreen is about more than just the characters themselves. It's also part of the viewer experience - through the characters' grief, we're able to process our own grief at the loss. It makes it feel real, it makes it feel personal, and the amount of grieving needs to be proportionate to the character's importance in the story.

This is especially true in a show written for children like The Bad Batch. Kids don't typically have the same experience with death as adults, and a well written main character death within a children's show will need more time and energy spent towards making the loss feel real. We see this with deaths like Kanan's; it wasn't Jedi Night that told the viewer that Kanan was really, truly dead, it was Dume, where the characters mourned him and dealt with the aftermath.

Currently, with Tech, we do see holes in the team that make us miss Tech but they remain completely unaddressed by the characters. We see Tech's goggles, but Hunter isn't looking at them, he's looking at Lula. Omega mentions Tech having taught her all the plans, but without any real sadness on her or Crosshair's part. The closest we get to actually bringing it up are Wrecker saying 'not everyone came back' and Echo mentioning the datapad would be difficult without Tech, and both of those are only seconds long before moving on. They don't serve as any kind of catharsis for the viewer, relying more on gut punch impact and keeping the wound open rather than allowing it to heal. The difference between the treatment of Tech's death and Mayday's just makes it more stark.

How Do You Like Yearning?

Interestingly, though, it strongly resembles the writing team's handling of another situation: Crosshair's departure from the team in season 1 vs Echo's in season 2. The show even drew a lot of flack for the lack of discussion on Crosshair's betrayal, as outside of a couple conversations the matter often went unremarked on. Echo leaving, on the other hand, got a whole episode dedicated to processing the loss immediately after it happened.

So what was the difference? Crosshair's departure is part of a long term plot point. We're supposed to want him back, we're supposed to want the team to talk about him, anything that would ease the tension. The writers on the other hand want that tension to remain until it's time to actually resolve the plot. So we get those slow drips in between bigger encounters, we get opportunities for Crosshair to come home that he doesn't take, and we don't get the catharsis of the team actually talking about any of it. We're left to want and imagine it, using the yearning to keep it on people's minds more than anything.

If Crosshair had been discussed on screen long enough for the characters to actually come to terms with his absence, though, that would have made the plot feel more settled and resolved early on. It might be conversations we want to see, but it doesn't keep the viewer on edge and craving a resolution. Best case scenario we're just not as desperate for Crosshair to come home - worst case scenario we accept that he won't be returning and find the fact that he eventually does to be unrealistic.

Echo on the other hand gets their absence processed immediately, because their absence from the team is not meant to be a huge plot point. It's something the team has to deal with, yes, and the viewer wants to see them again just like Omega does, but Echo returning isn't meant to be a maybe, and it's not supposed to keep the viewer wondering and worrying. It's a when, not an if.

Similarly to Crosshair, Tech has never felt like a resolved plot point. We don't get confirmation on his death, we don't get any long term grieving, and we get drip fed acknowledgements that pry the wound back open. If we actually see the team discuss and come to terms with their grief and loss, the plot point closes, the wound closes and we begin to fully accept a team without Tech in it, which makes it harder to reinsert him into the storyline if he is in fact alive.

If he's truly gone for good, what is the point of denying closure to the audience? We know that they are capable of writing an intense mourning moment that feels completely in character for otherwise emotionally repressed men such as Crosshair, so why not give us that with the team mourning for Tech? A memorial, an intimate moment with the goggles, a short scene of Crosshair finding out about the loss, or anything at all really? Once again it's something that makes sense if he's alive and we're simply not being shown yet, but makes very little sense to not capitalize on if he's dead.

What's to Come

We have ten episodes of season 3 to go, and a lot to cover. Reviews have indicated that Tech is not explicitly brought up in the first eight, so the earliest we could possibly have a survival reveal is in episode 9. Will it actually happen? Maybe, maybe not. Though interestingly episode 9, The Harbinger, is almost exactly one year after Plan 99, just like The Return aired almost one year after The Outpost. Could mean nothing, but they do enjoy their anniversary dates.

One thing we do know for sure is coming up is Phee's inclusion - she's seen in the official trailer, as well as briefly in a recent twitter spot. This is interesting as Phee is, of course, Tech's teased love interest, and her connection to Tech has been emphasized multiple times, including on her Databank entry and the official 'what you need to know about season 3' guide. When she comes onto the scene, it's very likely that more information about Tech will too.

MARKETING, INTERVIEWS, & SOCIAL MEDIA

I wanted to keep this mostly focused on what can be seen within the show itself, but it's impossible to talk about whether or not Tech is alive without pointing to the absolutely bizarre messaging from the cast and crew, as well as the marketing choices surrounding his sacrifice. (Example: the Instagram Mourning Filter they layered over him in the official trailer, as seen above) I won't get quite as detailed here as in the above, but it does have to be mentioned.

Constant Focus

In between the end of season 2 and the posting of the season 3 trailer in late January, there were several posts on various official Star Wars media. The majority of them were about Tech and Plan 99. In fact, I don't think I ever saw anything mentioning the giant 'Omega's been captured' cliffhanger, just Tech. Over and over again.

Once a character is dead, marketing generally stops caring about them. They're forward focused after all, they want you coming back for what's to come not lingering on what won't be relevant again. So why the constant focus on Tech?

And it wasn't just the social media either - a huge portion of the trailers and reels included old footage of him too. For the most part this was from Plan 99 and bringing up his fall again to rip open those old wounds, but in one case they included action footage from The Summit. This was an interesting case, because the majority of people watching wouldn't have recognized it immediately. Fittingly, the entire comment section was full of nothing but 'Was that Tech?' style comments, which they would have known was going to be the case to start with.

So why are we so focused on a man that's supposedly dead? If he's genuinely never going to show up again why keep putting him in? Everything? While not even bringing him up all that often in the show? If he's dead, this is a truly bizarre marketing decision.

Never Say Die

In interviews or in official material. For several months the word 'dead' was never used for Tech anywhere, not in interviews, not in official material, nowhere. It took until January 23rd for all of the databank entries to be updated, and among all of the main cast he's only referred to as 'killed' once, and it's on Hunter's page not even his own. Then, the Friday before the premier, an interview came out referring to him as dead - on the part of the interviewer, not the creators themselves.

Everything else seems to use a variety of euphemisms. His sacrifice, his absence, his loss, he 'plummeted out of sight', he 'fell from a tram car', he did absolutely anything it's possible to do except outright die apparently.

It's an odd choice when there's known controversy over if he's dead or not. The standard operating protocol of course, in a planned comeback, is to refer to them as dead anyway and allow fandom to fuel its own speculation, but with a fandom as devastated as TBB's was, it's quite possible that the odd behavior had to be introduced just to keep speculation going. The only interviews that sound remotely final came out right before the episodes started coming out - if they had done that from the beginning, the chances of people outright refusing to come back to the show likely would have been higher.

Much like the marketing, this is not necessarily proof of anything - but in combination with the multiple odd things in the show itself, it's certainly suspicious. Speaking of suspicious...

What an Odd Thing to Say

The cast and crew themselves have not been skimping on making strange comments when it comes to the Tech situation.

There is of course the well known Joel Aron (lighting director for the series) tweet that came out the day of the Celebrations panel (AKA when the Tech trauma was at an all time high) and in direct reply to a fan that was having a hard time with Tech's death. It's hard to take it as anything but a reference to Tech given the timing, and it was certainly taken as being about Tech in the quote tweets. If it's not about Tech, why tease the fandom with it? And the specification for it being a mid s3 episode as well...

Also from the day of Celebrations, and from the panel itself, we have Michelle Ang saying in front of God and everybody, that Tech "doesn't come back... in this episode, at least." At the time there was a possibility she didn't know and was just leaving it open, but with that only being ten months ago and the extremely long timeframe of animation, it's almost certain that she would have been done with all primary recording by that point. If you know he's not coming back, how do you accidentally imply that he is with no one correcting it?

Dee Bradley Baker, when asked for a farewell message from Tech at a con, came out with "the life of a soldier is fulfilled by fulfilling his mission and supporting his brothers. And this was the end of mine. And that's a good thing." Which was a perfectly serviceable goodbye right up until he said that the end of Tech's (life? soldier's life? mission?) was a good thing.

During an instagram interview we have Deana Kiner, one of the composers, in response to the interviewer talking about the final episode containing a major loss, saying, "It's kind of a loss... It's complicated." The claim on twitter was that this was about Omega, because everyone knows that when someone mentions the major loss in Plan 99 they're definitely talking about Omega.

So is Tech alive? Is Tech dead? We still don't know. But while one or two of the above might be a coincidence, having all of them at once coalesce around this single character death is a lot to chew over. The Bad Batch team has shown willingness to address grief and loss prior, as well as a willingness to show us death onscreen and front and center. So why, with such an important character, sidestep it all in order to keep it vague? Why keep it from sounding final for so long, if the intent the entire time was for him to be dead for good?

We won't know until he either shows back up or the show ends. If Tech's alive, all of the above starts to make sense. If he's dead... well a lot of things will just never quite add up. I feel that this team has shown enough willingness to follow up on their trailing plotlines that they've earned my trust. Fingers crossed for a satisfying resolution for all of us, and for our boy Tech, whatever that resolution may be.

#the bad batch #tbb #tbb tech #the bad batch spoilers #tbb spoilers #the bad batch speculation #this thing is some 7500 words i might have an obsession problem

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qqueenofhades · 9 months

Text

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

#good omens #good omens meta #good omens s2 #good omens spoilers #ineffable husbands #look this probably could have been twice as long #but i had to stop somewhere #I JUST HAVE A LOT OF FEELINGS

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tech-tbb · 1 month

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Since there are a lot of theories coming up at the moment, I want to join in now. Especially since a few theories make me question whether these people have ever ACTUALLY watched Clone Wars, Rebels, and Bad Batch.

It's about the new CX-2 clone from the latest episodes, season 3 episodes 6 & 7.

Many assumed it was Cody. Others say it's a clone of Crosshair itself. Others and most believe it's Tech, that I have to go along with.

And not just because he's my favorite, but morally in general.

First point:

Many say it's Cody because of the vibro knife and the art of using it. But if it had been Cody, he would have already had one and wouldn't have had to steal it first.

First of all, he didn't have the vibro knife with him from the start, he stole it from the clone he killed in the security room.

Second, if this CX clone was Cody, why is this never mentioned further elsewhere? It's never mentioned in Rebels, nor is it mentioned further. And Cody betrayed the Empire by running away. At best they would give him death, but not a second life as one of their own. And Cody, like Hunter, is a master with the vibro knife. Crosshair would never have been able to fight him off if it had been Cody. But he was able to keep up with him and even get the knife out of the CX clone's hand. With Cody, Crosshair would have died.

Third. The Bad Batch are more highly trained soldiers than Cody himself probably was, after all, the Bad Batch are special commandos. Accordingly, every single Bad Batch member could handle a vibro knife.

Second Point:

The theory of many that this CX-2 is a Crosshair clone. The technology and excellent knowledge to clone is in Nala Se's head. However, it was only with Omega's presence that Hemlock was able to get her to research and work for him. Accordingly, Hemlock only had access to the DNA and the knowledge of cloning and the knowledge of the Clone Force 99's DNA for a few months, if at all. He only had Crosshair himself in his hand for a few months, including his DNA. As we all know, growing too quickly is not good for clones, the best and sad example is Clone 99, who bravely gave his life in the fight for Kamino. He had grown too old too quickly and he was unfortunately disabled and unable to be a soldier. Therefore, the only thing the Kaminoans could do was double accelerated aging. Clones would have to grow for at least 10 years in order to be able to be a soldier without such complications. But Hemlock has only had DNA and cloning science in his hands for a few months. A Crosshair clone would therefore not be possible, as this clone would then be disfigured, similar to Clone 99. And yes, CX-2's shooting abilities are identical to those of Crosshair. But let’s get to point three first.

Point Three:

Here now to my last point. Tech. I most likely think it will be Tech.

Here is the explanation at the end of my second point. Shooter skills. CX-2 has equally excellent marksmanship capabilities as Crosshair. But I know the final episode of season two is emotional. But the shot Tech took to fall was excellent. So the next best shooter to Crosshair is? Exactly, it would be Tech. The connection that Tech had shot down on the wagon was out of reach and very far from Tech's position and he still had the entire wagon in the path of view of this connection. Nevertheless, he only fired a single shot, which went through the glass of the wagon and hit the connection, severing it. *A shot Crosshair would have praised him for.* So it would be highly likely that this CX-2 could also be Tech with this rifle and the accuracy. But not only that. His movements and his voice and his accent are also added. The helmet's modulator allows us to hear a voice in the undertone that a Reg doesn't have. It sounds a lot like Tech's voice, even if it's heavily filtered. (But clearly noticeable with headphones and increased volume and honest concentration). In particular, his grunts of pain, gasping for air, and moving the stones are identical to the grunts Tech made when he broke his femur and so on. His movements are also identical. Kicking Crosshair with his outstretched leg was identical to the kick Tech gave a clanker on Kaller. His posture when walking is also a little slouched, like Tech. *Like a shrimp, I've often read many posts once.* His intelligence to destroy all ships so that there are no means of escape. His tendency to simply disobey Wolffe's orders. *(When have we ever followed orders).* Infiltration, alone, unnoticed, fast, agile. And he knew exactly where to shoot to destroy the desk that Rex his clone friend was working on to connect the communications to get a rendezvous with Echo.

Ah, his equipment is also different than the other CX clones we've met so far. He always carries the backpack. He doesn't have a datapad, but he now has something similar on his right upper arm. He also has a visor that folds down, and the movements he makes to do so are identical to those that Tech always did with his visor. And the pocket around the thigh and the one pocket on the right lower leg. This is very unusual for the CX clones.

And he recognized Omega immediately. He had only been activated relatively recently and not much time had passed since then. He had no way of knowing for sure that this girl was Omega he was looking at. He also hadn't checked any holos of targets during screen time. Which means this CX-2 clone knew Omega and knew exactly that this girl was her. Many also claim it can't be Tech since he said clones instead of Regs when talking to Scorch (maybe Scorch). Maybe it's the change in himself. But if not, Tech would know full well to avoid using Reg. It is the Empire and the word Reg is not used by any of the Empire's clones, especially the CX clones. And then to his accent. Tech's British accent is very noticeable among all the clones. But even among his own Bad Batch brothers, his accent is very audible. And this CX-2 clone has a strong accent and its modulator in the helmet is even stronger than the other CX clones. If it were a reg, then a very strong modulator wouldn't make sense. All in all, this CX clone is very talented. But we all learned from Season 2 that Tech is the same way. He is a genius in all possible aspects. And he is a fully trained commando soldier, like his brothers. And if he is, he definitely received further training to become a CX clone.

Extra point: the memory wipe. Many also claim that it couldn't possibly be Tech because Crosshair said he himself was too defective for that. But let's take another look at the first episode of season 1. Tech said they're more deviant than defective. And another thing is the condition. Tech definitely didn't come out of this crash unscathed if he really is this CX-2. Accordingly, his mind and especially his body were perhaps very weakened and vulnerable to attack and take over. Crosshair was never healthy under Hemlock's care, but he wasn't very close to death's door. Tech, on the other hand, might have been.

And almost forgot to mention. His height has been changed from 1.93m to 1.82m, but why change his height when he is dead?!

Another extra point. It is the story of Clone Force 99, i.e. Crosshair, Tech, Hunter, Wrecker, Echo and Omega. It's not Cody's story and, in fact, it's also not just Rex's. Rex appears often at the moment, but he is not one of the protagonists. The protagonists are the members of Clone Force 99, and their story is written, not others. That's exactly why I believe that the CX-2 clone has something to do with the Clone Force 99, i.e. Tech, the only one missing from the group, the family.

So yes, it could most likely be Tech, alive.

But it's not canon, not yet. I have my own theory as you all have your own. I hope it was still informative and that you can get a little more out of it.

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sigmalaussene · 2 months

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Top ten weird ways Oswald Cobbepot gets called in Gotham

As I was rewatching Gotham, I decided to write down every name that people in the show canonically call Oswald Cobblepot aka the Penguin. It was a wild ride. Please enjoy

10. "Funny looking fellow"

(season one)

We start with a simple one. This isn't even an insult, it's just a fact. He is, indeed, a funny looking fellow. I'm pretty sure they say it more than once too.

9. "The Dapper Gangland Kingpin"

(season two)

This one it's just silly, especially since it was written on a newspaper. Just... that's weird ? Idk it's silly it makes me chuckle

8. "Yellow rat snitch"

(season one)

We start getting a little weirder. Why a rat? And, more importantly, why yellow???

7. "Stupid lame birdbrain"

(season four)

Just so mean. Especially since this scene it's his dumb husband making a room full of people chant it

6. "Golden goose"

(season one)

Right back to season one and it's incredible dialogue. This one is particularly amazing thanks to Oswald's reply to it, which was, of course: "Honk honk". I can't even start to describe that scene. It's a classic.

5. "Beaky nosed freak"

(season five)

Definitely the best nickname the last season had to offer. Like, you know that moment when a guy kills your bestfriend/girlfriend and you call him the silliest name you can think of? This is one of those times.

4. "Scaley faced bitch"

(season one)

This is the first one in the show, directly from the first episode. I am a firm supporter of calling men bitches when they deserve it, and he did, so I wholeheartedly approve this message. Adding the scaley face part just makes it more poetic.

3. "Sad little breadhead"

(season two)

This one from never fails. Imagine it delivered with the most condicending tone in the world. Just amazing. Makes me laugh every time.

2. "Fruitcake leprechaun"

(season two)

This. This is the one that started it all. It was thinking about this one that I decided that this rewatch I was gonna write down all the nicknames. I dont know if it has something to do with english not being my first language, so I don't have the background of the word "fruitcake" used as an homophobic remark, but this name is one of the funniest things I have ever heard in my life.

1. "Limping little chickenbutt second banana"

(season one)

This couldn't not be on the first place. I am obsessed with the writers of this show, i want to get inside their brains. Because like what does it mean? How did they come up with this? I need to know every thought that crossed their mind for them to write this. This is art. This is poetry. Incredible. Amazing. Absolutely insane. Kudos to the actor who played Maroni because if they gave me that line I wouldn't be able to say it with a straight face.

Bonus:

(For the fans, he is also called "the only thing Nygma cares about". Just... you know, in case you forgot)

Some recurrent nicknames are: "Pengy", "Ozzie", "freak", "cockroach", "punk", bird related names (bird/birdman, feathered friend, chicken, turkey...) and "little"/"tiny" followed by almost anything (man, friend, dirtbag, bastard, creep, twerp, freak, weasel...)

Edit: i realize i didn't mention "Major Crumblepot" and that's on me sorry guys

His haircut is described as "disco vampire hair" at one point (another classic)

He is also called "specimen", which is really funny, and "dewdropper"?? for some reason I don't remember but it was in my notes and I couldn't ignore it lmao

#ofc “penguin” is implied #i finished my latest rewatch!!! ajsnakak i love this little silly guy so much AND i made my brother love him too YAY #gotham oswald #oswald copplepot #ed nygma #nygmobblepot #gotham #riddlebird #gotham fox #show #tv show #top ten #top ten weird ways oswald cobblepot gets called #gotham fandom #scaley faced bitch <3 #fandom meme #gotham meme

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sissy-tyler · 10 months

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Hello, mommies, and welcome back to another episode of our “Sissy Re-education and Training” series, brought to you by the Sissy-corp! I’m your resident mommy, Yvonne, and the lovely girl next to me is Little Sissy Tiffany. Say “hello” little Tiffy.

“Hewwo evwybody!”

Little Tiffy is in our care at the Sissy-corp facilities because she just couldn’t make it as a man, or as a loving husband. Infidelity; being rude to his wife; always leaving messes for her to clean up; expecting her to cook every meal for him; the list goes on. He was much less of a man, and much more-so an overgrown baby. So he, or should I say, SHE’S been enrolled in our sissy-maid program.

In this program Tiffy’s been learning how to cook, clean, serve, and effectively pleasure her former wife, now mommy, and any lovers her mommy chooses to have. More importantly, though, Little Tiffy has been learning the ins-and-outs of how to be the bestest, widdle, baby gurwl a mommy could ever ask for! Isn’t that wight, widdle Tiffy?

“I wuv being a good gurwl fow my mommy!”

God, she’s just too adorable. Our training session today is about how to effectively reward your sissy while reinforcing her baby-ish behavior. Tiffany, here, was without a doubt one of our hardest cases to break, thus far, especially when it came to making her use her diapers. But, thanks to our patented “Rewards and Reinforcement” program. Even a stickler, sissy like Tiffany can be turned into the most dutiful, diaper dumper.

When rewarding your sissy, you first want to start off with a reward routine. For Tiffany, we had her on a schedule of getting a reward every 5 messy diapers she made. We kept her on this routine for three weeks, then the fourth week we changed her routine to a reward every 10 messy diapers. Week number 5; we upped it to every 15, then on week 6, every 20. After week 6, her rewards were then shifted to mommy’s discretion, meaning her rewards were completely randomized. This kept Tiffany always wanting to fill her diapers in hopes of the next reward. Tiffy, how many messy diapers have you made since your last reward?

“One….One hundwed and twendy nine.”

Such a good girl, Tiffy, I’m amazed you can even count that high! Now, even though Tiffany’s reward system may seem a little extreme, we do recommend you keep your sissies on very similar regiments. Now, onto how you properly reward your sissy.

To properly reward your sissy, you’ll want to make sure she’s in her Official, “Sissy-corp clitty cage”, and has some form of a buttplug in, the larger, the better. Then, before you’ve put your sissy in her diaper, you’ll want to make sure you’ve attached the electrodes of your “Sissy-Corp Rewards Device” to both her cage and her booty-plug.

Before I start the machine I always love making my sissies get on their hands and knees. I feel it really enforces that submissive mentality, but you can put your sissy in whatever position you feel is best. Then, I start the machine in 3…2…1….aaaaand watch how quickly Tiffany melts!

“UNGH! MOMMY! UNGH! IT FEEWS SO GOOOOOOOOOD!”

Now, at this point, I love grabbing and pulling Tiffany’s hair. Her wife told me she always used to be too rough in the bedroom, so I love returning the favor. Always remember to make your sissy tell you why they’re getting rewarded! Tiffy, why are you getting buzzies today?

“Ungh! B-because I made poopies in my diapuurr wike a g-g-good widdle guuurrll!”

You always wanna make sure you’re reinforcing to your sissy WHY they are getting to make spurties in their diapies. Always remind them, as well, that they are getting to make rewardies INSIDE of their diaper, just like the little baby they are. Speaking of rewardies, Tiffany is due to blow any second here!

“UNGH! MOMMY I MAKING GOO GOO’S! It feews so so goooood!”

Wow, Tiffany, I think that was 45 seconds, a new record for you! I forgot to mention, little Tiffy, here, is also a premature ejaculator. Once again, I’d like to thank you so much for tuning into our Sissy-Corp training session, and I look forward to seeing you again when we show you how to dress your sissy for going out in public. Tiffy has an upcoming date with her mommy to go see….

“Da new Bawbie Movie!”

Find more, exclusive captions at my Patreon!

#humiliation sissy #diaper captions #humiliated sissy #sissybaby #diaper bulge #abdldiaper #ab/dl mommy #mommys little girl #mommy k!nk #submisive sissy

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anonymouscheeses · 3 months

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more obvious shit I wanted to point out but it's more than last time uhhh pt.2 (spoilers for dad beat dad and maybe welcome to heaven. Maybe?)

I love that Charlie just randomly goes into demon form sometimes like here ehhehehe. Also can I just say I love Charlie so much?? She is my favorite and I love her especially in this episode because it feels like the same optimistic Charlie but she was just put in a bad situation. I relate to her a bit TOO much, almost down to every detail like wow. You'll understand later once I get there. But just wow...

LOOK AT THIS FUNNY LITTLE MAN. SPOODER DUST <3 also. Live [image] reaction. Someone make that into a reaction image 🙏🙏

HONEY!!! NEW MEME TEMPLATE JUST DROPPED. (Aka the one guy going crazy trying to explain the stuff on the board iykyk)

OMG... THAT CANT BE CHARLIE... NOT CHARLIE'S EMO PHASE PLEASE BAHAHAHHAHAHA (also love that Lucifer has kept it all these years, if Charlie knew I think she'd be extremely embarrassed. Vaggie would love it probably xd)

HE IS SO GOOFY I CANT- I LOVE HIM SO MUCH ALREADY!!! NEED.

Broskie got character development and is NICE?!? I LOVE THAT SMMM YALL.... LOOK AT HIM!! I am very delusional yes, but I will take this over ass development(cough. Vaggie's "story" in ep 3. Cough).

Imagine this. *holds your hand carefully to help you calm down while talking to your father you haven't really wanted to talk to.* lesbian type stuff ngl 🤯 (relatable)

Angel looking at the gays while being a gay too. HE'S BEING SO KIND TO CHARLIE UGGHH I CANTTT!!(POS) NODDING HIS HEAD, SMILING TO HER, ALSO TRYING TO HELP CALM HER DOWN. I MAY BE ASS AT SOCIAL CUES BUT I NOTICED THIS ONE!! YAA

*SHE IS STILL HOLDING HER HAND. CHARLIE'S ALSO SWINGING IT AROUND NERVOUSLY. I can never get tired of them and will make art soon just you wait.*

COMMANDER VAGGIE! I love that she acts like this is a camp full of tiny kids and honestly? That's not too far off. Sir pentious is at the ready! (glad he's here more often in the episode, thought he would just get sidelined after his first episode but gladly no!) Angel is just surprised. Husk spilled his drink, ON WHITE FUR NO LESS! Niffty of course is on the floor face first. Charlie is just happy to be there yippee!

What is this?? I have no idea what the hell it is at all. Bro is just peepin- it doesn't look like Alastor, even in demon form. And... I can't think of anyone else who could be this. Anyone have ideas or maybe it's foreshadowing? Maybe it was revealed in the 6th episode I don't know I haven't watched it yet. (I am a freak. I don't binge I give myself a day to watch a single episode. Most of the time uhhh.)

WE LOVE A SHORT KING. I LOVE THAT. I LOVE HIM. THE EVERYTHING. HE IS EVERYTHING. LET ME STRANGLE HIM PLEASE. (Lillith and Lucifer's dynamic is 100% Gomez and Morticia but a little more silly short man)

"OH WOW! AN OLDER MAN WHO GIVES ME FATHERLY CARE!" *STARTS TO FUCKING CRY*

I FEEL YOU CHARLIE WAAAGHHH

Oh and there goes the silly guy again! Atp I'm thinking it may be the gal some people been talking about that they've been hinting since the pilot. I forgot her name but she's said to be the big bad of season 1 or probably 2. Not sure if that's what it's trying to imply but here's my little no-thought idea

Lucifer, no...

LUCIFER NO!! THIS IS SUCH AN ADORABLE RESPONSE TO CHARLIE DATING A WOMAN. (ADOPT ME)

AND THEN THE HUG! I GET IM LOOKING TOO MUCH INTO THIS ONE SILLY SCENE BUT I JUST LOVE IT SO MUCH AND WANT THIS SO BAD IN MY LIFE.

Niffty really said, "Yes, I do the cleaning."

Get yourself a taller king who is a short king but compared to you is a tall king

Say what you will, but I genuinely want more dad Alastor, someone make an au before I do plsss and @ me 🙏🙏

alright.. now this is where it starts to be relatable and hurt my heart... yayy.... needing any sort of parent figure that actually cares about you than the actual parent who is rarely there? WOWZA! SAME CHARLIE <3 <3 (SO FAR VERY ACCURATE FROM SOMEONE THAT IS IN THE SAME SITUATION)

Alastor is letting her off kindly, atleast in his way. He may be pissed off she brought a shark gang to the hotel and put it on fire, but they were still close friends. With anyone else he would absolutely either murder them or have severely traumatized the person. She's the exception, although I don't think he'd let it off the hook so easily if there were a next time.

A father-daughter embrace! :,)

(This is gonna be messy asf) He wants to know who she is as a person. He always has, and that's definitely obvious, but from a person inside this, they may not know themselves what the other is thinking. To Charlie it was like he never cared and just wanted an excuse to not see her again, acting like he was truly busy as in the start where he made the rubber duck that breathed fire. Sure. But Charlie saw it as him finding ways to not interact with her again. The only times they talk was when it was related to business stuff or other things of the sort. Let me just say this song... is by far my favorite, including the episode. Sure, it's got problems it's own, but this extremely accurate portrayal of what my own situation with one of my parents just stole my entire soul. Yeah I got a bit of tears about to come out, BUT NOPE! NOT TODAY! I don't ever cry during shows or movies so if I ever get teary-eyed, YOU DID SOMETHING. THAT SOMETHING BEING GOOD. This episode was emotional and connected with me on a deep level that I dont think any film has ever done to me, which is weird because I've been actively trying to find one, any one that does. Then to find it in an indie company from a creator who has achieved the dreams that I myself want to one day? That's fucking amazing.

FORESHADOWING! FROESHADOWING! FORESHADOWING! VAGGIE EX-ANGEL THEORY MUST BE CANON AND IF ITS NOT I WILL TEAR MYSELF LIMB FROM LIMB WITH A CROWBAR. LETS GO TO HEAVENNN!!! TOMORROW! BECAUSE THE DAY I PUBLISH THIS WILL BE TOMORROW(FOR YOU TODAY) BUT TOMORROW FOR YOU ILL POST THE NEXT WHAT I CAUGHT SHENANIGANS AGAIN! SEE YA!

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reggieslocket · 2 years

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prepare yourselves because i'm going to give you a bunch of reasons and hints that will show you the high chance of eddie being actually gay and him and steve becoming a thing >:)

1. "freak" as a queercoded word

let's start with the scene where dustin, robin, steve and max find eddie in the house where he was hiding and particularly on the dialogue between the five of them

there's this scene where eddie says something about how the people in town are getting ready to hunt him because they think he's guilty and he says "hunt the freak right?" and we see robin giving him an almost sad but understating look before replying "exactly" and i find it curios that they made her respond that out of everyone, i feel like it could be because she kind of relates to eddie's situation? she also would probably be considered a freak by people if they knew about her sexuality and that's why i believe the word has a queercoded meaning, if you think about it, "freak" was already used in the past seasons when bullies made fun of will, who also happens to be a queercoded character (even though we know he's coming out this season)

2. the handkerchief code

the handkerchief code gained popularity in the 70s and later on in the 80s and it was used especially by gay men to let others know their sexual preferences and fetishes. there were different and specific meanings depending on the color of your handkerchief and where you decided to put it (left pocket or right pocket)

now if you watch closely eddie can be seen wearing a black hanky in his left pocket throughout the seven episodes and of course these little details have their own meaning, in fact the black one was used to indicate S&M (sadomasochism) and as mentioned before the fact that it is placed in his left pocket isn't casual because that placement indicated that the person wearing it was a top (the dominant one in bed) while if you put it in your right pocket it meant you were a bottom (the submissive one)

this whole hanky thing made quite sense for me except for the fact that it was hard to believe that eddie is into sadomasochism but then rewatching the show a few days ago i noticed some handcuffs in his room and i found it weird because honestly what is a 20 year old man doing with those? he's not a cop or anything and so the fact that they are in his room is a bit strange for me... i just hope that the choice of making eddie wear the handkerchief isn't casual but a powerful move by the duffer brothers in order to hint at his sexuality

3. joe and joseph's interview

this interview really do be getting my hopes up. basically the interviewer asks joe what season one steve would think of his season four self and he replies with "surprised, approving... approval" WHILE looking and smiling at joseph who is also grinning, like there's no way they aren't hiding something and i hope it's the relationship between steve and eddie and steve's bisexuality. plus the fact that even maya is smiling while it seems like natalia is the only one able to be subtle about the whole thing lmao

then obviously there are steddie-antis saying that he would be approving of him and nancy getting back together but like... what should he be approving of? they were already a couple in season one so it wouldn't make much sense

4. gaten ships them as well

remember: if gaten ships it then it's canon

i love how the first couple that came to his mind is steddie and how proudly he says their names. he seemed so serious while saying it that it made me reflect on the fact that it's not that impossible seeing it happen and if not in season 4 maybe in season 5 since i read somewhere that luckily neither steve nor eddie are going to die in the last two episodes of this season (i don't know if it's true but let's hope so)

5. the chrissy-eddie thing

almost everyone who hates the fact that we headcanon eddie as gay will give the same explanation that he is clearly straight because he was flirting with chrissy and honestly i didn't see that as flirting at all, i just thought he was being really nice to her like he is to everyone. she was having a hard time and he was able to make her laugh and loosen up a little, i didn't find it as something romantic and furthermore who says that every interaction between a man a woman has to be romantic?

like friendship exists as well people?? and don't try and say "tHeRe cAn'T bE sO mAnY qUeEr cHaRaCtErS iN oNe sHoW, iT's nOt rEaLiStIc" like trust me it's more realistic having a group of only (or almost) queer people than one where everyone is straight and i know the show takes place in the 80s but gay people existed even then but they just couldn't openly say it so stfu

6. steve's attempts to find a girlfriend

we all know mama steve is trying his hardest to find a girlfriend but none of them really "suists" him right? what if eddie is the person that suits him? i mean it would be epic if he spent two seasons trying to find a girlfriend and then he ends up with a dude lol, i'd like to see bi steve happening so bad and i just know that robin would be super supportive of him and my boy dustin would be the happiest person on earth if his two dads got together

you can't tell me that they aren't developing a little crush on each other or that they don't care about each other, just look at eddie's face and his loving eyes in that scene and steve staring at eddie's lips for the whole time. i swear if they are really trying to get nancy and steve back together i'll start a riot because honestly they would be so forced, it wouldn't be good for both of their character development and also my boy jonathan doesn't deserve this, they made jancy dirty this season and i'm still pissed ugh

anyway if you read the whole thing ily and thanks for coming to my ted talk :)

#stranger things #stranger things 4 #stranger things s4 #steve harrington #eddie munson #steddie #steve x eddie #eddie x steve #stranger things volume 2

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freakadr0id · 2 years

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ROTTMNT Character Fight Style Analysis - Part 1: Leonardo

Eeeeyyyy it's finally here. This is my analysis of each character's fight style and role post that I teased about a week ago. This turned out to be a hell of a thing, so this will be split into many posts focusing on each character since I have quite a bit to say (and I think Tumblr might break if I put it all into one post). I plan to release one a day, but we'll see how it works out with school.

[Part 2: Raph] [Part 3: Mikey] [Part 4: Donnie] [Part 5: April]

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If there's one thing Rise is known for, it is the show's stellar action animation - it's the reason most people started the show to begin with. The visuals are so strong in these scenes, in fact, that Rise could have easily gotten away with having pointless fights each episode (if the budget allowed that) and still be regarded as a fairly decent show. However, Rise doesn't do that, instead chooses to give its action scenes depth by putting thought into the personality of each character and implementing that into how each of them fights, showing the growth of the protagonists over the course of the show.

After rewatching the show multiple times (seriously, so many times) I began to notice patterns in many of the show's big fights, particularly in how the turtles and April fight and how they cooperate with each other as a team.

I thought it might be fun to categorize and examine how Leo, Raph, Mikey, Donnie, and April fight by breaking it down into their unique fighting styles, their roles and strengths in battle, how they apply those roles, and how all of these demonstrate different parts of their character.

BTW: There's a reason for the order in which I examine each character - it will all make sense by the last post. There's also a bit of a TL;DR at the end, but I encourage you read the full thing (or at least skim it)

~-~-~

Let's start with Leo.

Leonardo: The Strategist/Initiator

Leo was one of the easiest characters to analyze since a major focus of his character arc is the development of his fighting skills and his ability to cooperate with his team and act as a leader.

Fight Style:

Balanced/Well-rounded Fighter

Leo is the most balanced fighter on the team. He is a capable offensive and defensive fighter and has enough physical strength and acrobatics to handle many types of fighting styles. We see him fight everything from paper ninjas to the large Foot Brute and Draxum's hired goons (the dog guys) without seeming to be weak against one type of enemy. He may not necessarily be stronger than them but he is very versatile. However, this means that Leo doesn’t have a specific ability that makes him stand out in a fight (mystic and ninpo powers aside) the way his brothers do, and won’t have any inherent advantages that he can utilize when fighting a particular enemy.

Strengths and Roles in a Fight:

The Strategist:

Leo’s role as the team’s strategist is pretty obvious. He may not be given the title of “Leader” until the end of season 2, but we see throughout the show that he is a very quick thinker and is skilled at coming up with clever and effective plans. Of course, each member of the Mad Dogs supplies ideas and plans, but Leo is especially good at developing and implementing them. The most obvious example of this is his fight in the Battle Nexus in 'Many Unhappy Returns, but there are other times when he is the one to put all the pieces together (think of the big attack against Draxum in the Shredder armor in 'End Game').'

The Initiator:

Leo acts as the initiator in battle as he is either one of the first into battle or is the one to start a coordinated attack. This doesn't mean he necessarily has to attack first, but that he is usually the one to put the plan into action. This role relies the most on his mystic powers as his portal and teleportation powers give him the maneuverability needed to accommodate any plan. His abilities allow him to enter and disorient the enemy, or he can portal allies into the fight and create opportunities for a follow-up attack. This plays into his strengths as the Strategist as being the initiator can help him begin a strategic attack by maneuvering people or objects into their needed positions.

Utility:

Leo’s skills truly shine in a fight against a few number of enemies as he can better focus his strategies on a specific enemy and direct the battle in his favor. With less pieces in play, he can properly utilize his mystic powers and act as the initiator instead of bouncing around a battle with no real objective in mind. It becomes easier to coordinate attacks with his brothers and allies since they don't have to spend time fighting different enemies.

However, in a fight with multiple enemies, Leo’s skills can be easily overlooked. Sure, he can direct the fight as the Strategist, but there’s only so much he can do in the middle of the chaos. His role as the initiator isn’t all that effective in a fight with many enemies as well as he and his brothers tend to just rush into battle in those situations. However, Leo’s balanced fighting style means he could theoretically go up against every type of enemy and won’t be at a noticeable disadvantage, which is very useful in a chaotic battle.

How it Plays into His Character:

Admittedly, the show is probably the most direct in using fights to show some of Leo's character traits, since so much of his arc is centered on his fighting and use of mystic powers. However, Rise does use this in enough interesting ways to make it worth mentioning.

While his role as the Strategist plays into Leo’s strengths as a character, it also highlights Leo’s problems with team communication. When Leo plans a strategy, he often fails to inform his allies of his plans, which can result in losing the battle or frustrating those around him. The show demonstrates this by having him make strategies in a fight but leaves his allies in the dark and confusing them. Leo does this, in part, to show off, but also because the plan simply makes sense in his head, so it would be easier for him to just do it instead of having to take the time to tell everybody his plan.

The initiator is a good role for Leo’s powers and fighting style, but also feeds into his cockiness and overconfidence in a fight. Leo has a tendency to play the hero and either overestimate his abilities or underestimate his opponent. He may be the best fit for going first in a fight but Rise uses some fights to show how this can conflict with some of his character flaws. When he goes into battle first overconfident and cocky, it only conflicts with the team, but with his own role as the Strategist. He could, theoretically, bring his teammates into the fight after him, but if he thinks he has an easy win in front of him, all strategy goes out the window.

His status as a balanced fighter and lack of specialization in battle is a likely source of some of Leo’s insecurities about his place in the group. We see in 'Portal Jacked!' how Leo doesn't feel like he has a proper role on the team - that he's just the face man - which is reinforced by the way he fights in comparison to his team. Leo is well suited to fight a wide range of enemies, but when his brothers have easily identifiable skills that can give them a distinct advantage, it becomes difficult to recognize the advantages he brings to the team as a well-rounded fighter.

Working as a Team:

As mentioned earlier, Leo's strengths as a fighter make him the one best suited for the first attack in a coordinated team strike as it highlights his skills as the Initiator and the Strategist. It shows how well he can fit those roles when he plays to his strengths and overcomes the character flaws that stand in his way. While the others do have skills that may allow them to start the first attack, Leo's abilities and strengths as a fighter give him (and his team) a much stronger advantage in this position.

Leo also does well when he goes second to last in a team attack, as he can finalize a strategy and prepare for a final blow by putting all the pieces into position. However, this is more situational as there are other characters just as well suited for that second-to-last position and can fill that role when Leo needs to be the one to start a team attack.

Leo’s fighting style, however, does make him a poor fit for a follow-up attack or the final attack in a fight. His balanced fighting style means he isn’t suited for a strong final attack. While he is technically fine acting as a follow-up attacker, it doesn’t really play into his strengths and isn’t that effective when fighting with others who are more suited to that role. His balanced fighting style also prevents him from effectively dealing that final blow to an enemy since he doesn't have a specialized strength in this regard. Again, he can do it, he just isn't well suited for it.

The way Rise develops and explores Leo's fight style demonstrates one of my favorite things the show does with his character (in fact, all of its characters). At first glance, he may seem pretty one-note and predictable, but as we go through the show, we see how both his character is actually more complex than we were first led to believe. The fights Leo participates in reflect that, as not only do his skills develop over the course of the show, but we begin to see how it all ties into his personality and growth as a character - making his fights more meaningful than what they may seem.

~-~-~

[Little bit of a TL;DR: Leo is the team's strategist and initiator in fights, supported by his balanced fight style and mystic powers. These roles play into his greatest strengths but they also expose some of his character flaws and insecurities. In team fights Leo is most effective as the first or second to last attacker but isn't well suited for a follow-up or final attack]

Thanks for bearing with me on this stupid long post. They're all going to be like this btw. Next up will be Raph. I plan to get that done and posted tomorrow.

#holy shit this ended up being long #way longer than I expected #I don't expect many people to read the whole thing #hopefully some people do #but this is almost too much #yes actually #it is too much #but I'm too proud of it #and spent too long on it #not too post this #you guys said this is what you wanted #so here it is #sorry not sorry #I hope this is actually coherent to other people #and not just my brain #rottmnt #rise of the tmnt #rottmnt movie #rise of the tmnt movie #rottmnt leo #rise leo #rottmnt leonardo #rise leonardo #I'll update each posts with links to the other ones too in case people are (somehow) still interested after reading this beast of a thing #I updated this to hopefully fix the whole crashing problem when people try to reblog this #Tumblr should pay me to stress test this hellsite #I seem to be very good at it #analysis #rottmnt analysis #character analysis

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katherinearandez · 6 months

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I don’t think Tessa is one of the good guys

I have a lot of questions about Tessa. What are her goals? Is she really on copper 9 for the reasons she told us in episode 6? Does she have hidden motives, and if so, what are they???

The lines of “morality” in this show are super squiggly, so by “good guy”, I mean an individual with positive or helpful intent toward the main characters - in this case, drones. The concept of Tessa bearing ill-intent for drones as a ‘species’ seemed contradictory at first: after all, she’s so nice to N, V and J, right? We’re talking about someone who, as a kid, saved zombie drones from the dump(cough, mass grave, cough) where their human owners left them to rot after creating them by means of improper disposal. Why would she want to kill drones? Especially in the same callous, procedurally improper ways that created the threat of Cyn to start out with?

Well…

Let’s not forget about the evil AI that massacred her family and the guests of their gala. AFTER Tessa took her in as an act of kindness, against her parents wishes. Parents who did seem to look down on her pretty severely, regularly chained her up in her room as punishment(you don’t install heavy duty, floor anchored chains for the occasional time out) and possibly kept her socially isolated???

That last point is pretty speculative, since a lot about the earth of N’s flashbacks screams post-apocalyptic vibes. Maybe there just aren’t a lot of humans left for Tessa to socialize with. Tessa’s dad reinforces this idea in his speech by listing “currently being alive” as an attribute the Elliots are known for. It could just as well be a meta joke(since they are killed in the next few seconds), so lacking more context, I hesitate to extrapolate from this point alone.

Anywho, back to Tessa’s callous drone murder. Even if her parents were crappy by the usual standards, she clearly didn’t want them/the other gala guests to die. She tried to save them by “murdering her a robo-child”. Idk, does this blacked out redacted image of Tessa in the aftermath of the massacre seem upset??

Reasonable assumption. So adult/older teen Tessa has changed the way she feels about drones after these traumatic events. Maybe she doesn’t outright hate them, but she views them from a colder, more pragmatic angle than she did in her younger years. Does she still feel empathy for them and the horrible mistreatment they suffer at the hands of humans? Probably. But she’s now aware of the danger they truly pose and has good reason to eliminate them to ensure the absolute solver mutation no longer has a pool of hosts in which to spread and evolve.

So why the callous drone murder at the end of episode 3? We know you’re supposed to follow a 2 step procedure for decommissioning drones. Software death via lethal injection of a kill program(sounds fun!), followed by hardware death via “core removal” to ensure the decommissioned drone doesn’t reboot with corrupted software and an “increased chance for future errors”.

Did she hastily kill this random drone to keep her arrival on copper 9 secret, foregoing procedure for the sake of urgency? If so, who is she keeping her presence secret from? Is it the remaining drone population of copper 9, who Cyn used to collapse the planet core and kill all humans there? Possibly, Uzi is a prime example of anti-human sentiment, and during Mr Doorman’s parent-teacher conference he mentioned being on a “kill all humans kick when he was her age”. Perhaps Tessa assumes all the c9 worker drones are hostile to humans.

When you start making assumptions about what characters are assuming, it’s generally a good time to stop and just accept you don’t have the answers 🫠 so that’s where I will cut that line of questioning short. That being said, I’m not quite done yet…

What’s with this shelf of small human skulls in Tessa’s room? Why are the trash robots she “rescues” her only friends? Do her parents chain her up in her room because they suck? Or… do they have reasons not yet revealed to us, the audience?

Tessa’s perception among most of the fan base is fairly positive and on the surface there’s good reason for this. She’s presented as peppy, compassionate(except toward that one worker drone, lmao), ~tenacious~ and resilient. Actions like salvaging drones from the dump and perceived displays of affection and warmth for the disassembly drones leave viewers with the impression that she’s a good, kind person.

There is, however, another light in which to view her actions, and it casts a shadow on the motives we may have assumed were pure up to this point.

While it’s easy to parse Tessa saving drones from the dump as an act of altruism, it can also be interpreted as sinister. It could be an example of a character with a savior complex; a power dynamic wherein the “savior” exerts control over those they “rescue” by taking advantage of their gratitude and using it in manipulative ways. If this is the case, Tessa’s motives take a sharp left turn, flipping from selfless and kind to egotistical and controlling.

The show actually gives us direct evidence of Tessa using manipulation to get her drones to do her bidding.

“It wants paid time off…”

This instance of her using corporate buzzwords to drive J into a rage strong enough for her to bite through metal chains. Or how about her outright lying to the drones at the start of episode 6? Asserting that her intention was to “burn to the ground” labs Cyn was interested in, while later that same episode revealing to N that her “true” purpose was to obtain a list of drones infected with the absolute solver?

Preeetty manipulative. She manipulated and/or coerced Doll as well, in order to obtain the keybug. At this point, I wouldn’t be surprised if come episode 7, she switches it up yet again, revealing a new manipulation or perhaps, finally, her real mission.

Tessa’s manipulation of the drones she supposedly cares about isn’t the only hint that she might have a savior complex or similar egocentric tendencies. She’s also shown that she’s not very respectful of the drones autonomy, another red flag that can signal a propensity for narcissism and the controlling behaviors associated with it.

N is the example this time.

Tessa’s signature greeting for N, which is to grab his face and swing him around with excitement that borders on aggression. Maybe it’s just me, but his expression doesn’t suggest it’s mutually enjoyed. Looks more to me like he’s uncomfortable and only humoring her pep because he feels like he has no choice… after all, none of Tessa’s “dumpster pets” want to let down their saving grace.

We see this same kind of contact again throughout episode 6, with Tessa grabbing N’s face as a greeting again, and also playing with his hair on the way down to cabin fever labs. The way Tessa interacts with the drones(J and V as well as N) shows that she sees them as objects in her possession, rather than friends, peers or their own individuals with unique thoughts, wants and feelings.

Uzi even calls her out on this very mindset at the end of episode 6 after Tessa asks her sardonically to “don’t date my robot, please.”

Granted, I’ve got no solid backing, just observation, speculation and a suspicious mind. Tessa could be a great person… “good” or “bad” though, she’ll definitely try to kill our main character sometime soon, so… yup. Killing even an anti-hero typically slots you into the bad guy category, even in a show where the moral lines between good and evil are so artfully blurred.

TLDR; I think there’s more to Tessa than meets the eye, and even though Cyn is still probably Murder Drones “big bad”, I feel like Tessa has an element of villainy to her that I hope will be further explored in canon.

#murder drones #uzi doorman #tessa james elliot #theory #serial designation n #serial designation j #serial designation v

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thealexandriaarchives · 1 day

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The Season's Been Laid Out in the Cards...

The above are a direct depiction of the editing of the show:

Lou views the wall of evidence with Sam Dalton, and says 'So it seems like it's about Objects. Do we have these things? Do we put them on the numbers? (This is correct to escape the step)

The lore provided for Sam Dalton's disappearance reads: "SAMUEL DALTON PRESUMED DEAD Friends and Colleagues gathered this past Saturday to mourn the passing of Samuel Dalton, who disappeared during his magic act last July. Dalton had encircled himself with household objects over the numbers of a clock when a bolt of lightning struck a magnet overhead leaving behind only his smoldering footprints. He is survived by his two sons, Ray and Bolt Dalton, who have since denounced the magical arts."

Brennan suggests someone goes out to start collecting the objects they need, and someone else "stay in here and see if they exist in this space". Sam looks shocked and delighted, looking offstage at someone, and biting his hand to stay quiet. Brennan notices, and asks "What are you biting your hand about?" suspiciously. Sam dramatically mimes zipping his lip and says nothing.

A couple of things that are not in the editing but personal theory notes:

This editing compared to the fairly clear and concise wrap-up on rewatch, especially Sam's over the top reaction to this bit, and the multiple maintained clips that carefully compare the red room to hell/purgatory (Siobhan calls it Sartre-esque, etc) while we are now seeing a decay makes me fairly sure it's foreshadowing.

Escape the Room aired in March, but if we have a 13 episode season again the finale will be in July, when Samuel Dalton disappeared.

I do not know if the episodes are meant to be in order, or if they're exact #s, but there are many things Sam has given this season (Plant, Watch, Jacket) as either prizes or challenges directly, OR episodes could be more metaphorically interpreted (Ace of Cheetos - the single episode designed to torture the snacker, Two of Pillows for the Newlyweds)

Episodes like 6x03 the Three of Coats for Sam Says 3 with a wardrobe challenge or 6x06 Deja Vu with a with a watch prize and time theme have all of the above etc

The Playing Card Items: Ace - Cheeto, 2 - Pillows, 3 - Coats, 4 - Lint Rollers, 5 - Plants, 6 - Clocks, 7 - Vases, 8 - Shoe, 9 - Fire Extinguisher, 10 - Guitar, Jack - Smoke Detector, Queen - Surge Protector, King - Paper Clip

The Other Items Surrounding Samuel Dalton: Scales, Phonograph, Typewriter, Rotary Phone, Photo Camera, Video Camera, Pocket Watch, Bowler Hat

#game changer #dropout tv #sam reich #samuel dalton reich #sam dalton #Yes i did spend too long looking for cheetos before i remembered brendan went keto #burn after scrolling #dropout

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overandundertarot · 1 year

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Pick a card reading; Your psychic talents/ gifts and how you can develop them.

Keep in mind this is a general reading so if something doesn't resonate for you, feel free to leave it or pick another pile! Trust your intuition always.

Take a few deep breaths and chose from the pictures below.

(1-3)

Pile 1

Cards; 4 of cups reversed, Ace of wands, 5 of swords,8 of cups reversed, 8 of swords reversed.

Your psychic gift/ talent is knowing. Clairaudience, clairsentience etc You have been blessed with so many opportunities and ways out if you desire them. If you need something, it shows up for you, if an opportunity is not for you, you are guided away accordingly. Its kinda like the world is especially looking out for you and your sense of intuition and manifestation is quite strong. You may have things go your way easier than some other people. The people in this pile are great manifesters and masters of their emotions as well. The type of people to make a wish and it happens. Some of you always experience great luck and advantageous coincidences. However, a message is coming through that you should remember not to take things for granted.

How to develop your gift;

Develop a clear channel to your intuition, so that you can receive messages easily. This is important so that you can make the correct decisions, since you are being guided constantly. Developing a strong sense of trust in yourself is important as well. Having psychic clarity or practices that can improve your clarity such as meditation will have a very positive impact on your life. For a specific few of you, there is a set way that your life is supposed to go, a kind of divine purpose that you have to fulfill, and your gifts are meant to align you on this path.

signs/confirmations; blue and cool toned colours, oceans, vines, reeds, fire.

Pile 2

Cards; 3 of pentacles, Wheel of Fortune, Queen of wands reversed, 3 of wands reversed.

Pile 2 you are quite connected with animals and nature, there's a way you can intuitively understand and work with the cycles of life around you. You may care quite alot about the environment and its enhabitants. You may also have a particular fascination with insects. Your psychic gift/talent is this connection. You are the type of person who easily gets signals and synchronicities through animals/ wilderness. Some of you have strong ties to your ancestry and could come from cultures that practice nature based religions with medicine men/ women. You are talented at divination too and could be adept at bone throwing or runes. Strong ties to your ancestors, they could send you psychic messages quite often and work with you to bring in manifestations and blessings. (this last part is only for a specific group of people.) People who chose this pile may have native american/african(particularly the interior/central african communities)/celtic ancestry.

How you can develop your talents/gifts;

Going out into nature and managing your emotions. You may be prone to depressive episodes? or bursts of irritation and anger and may also often get disillusioned with life and feel that it is cruel to you, or that you are unlucky. Learn to take it in stride, there are always ways to seek support from the universe and sometimes bad things just happen. Seek support from your communities(if you dont have one, try to cultivate one) and look to learn from them, you could greatly benefit from a mentor or a guide in your spiritual practice. Carry out research on your ancestry and their ways of life/spiritual practice.

signs/confirmations; small woodland(i know these arent all woodland creatures but im honestly not sure how to classify them😭) creatures eg squirrels, possums, badgers., insects, eagles, warm fiery colours and violet and orchid flowers., 333.

Pile 3

Cards; Queen of wands, 3 of swords, The tower, Page of pentacles reversed, The sun reversed.

Pile 3 you may be quite beautiful and sensual. You aren't afraid to embody your sexual energy and may have broken quite a few hearts. Your gift/ talent is towards healing and transformation. You have depth of character and may have gone through some traumatic experiences but you overcame them and transformed them into wisdom. There is a sort of femme fatale energy about you but interlaced with kindness. Because you present yourself this way people may have been eager to approach you but found themselves transformed instead. Beauty and brains, mysterious and magnetic appeal. You are also talented at witchcraft and could work your magic through glamours, charms, sex magic, lunar magic too. There is a duality here, sometimes you are femme fatale, tight dress and red lipstick, other times you are more nature, cottagecore aesthetic. You are unafraid to present yourself in whatever way you are feeling.

How to develop your gifts/talents;

You may get bored easily and feel that you always have to be working on something. Frequent change and following your intuitions and urges will help you develop your talents; if you feel interested in something you are being encouraged to do some research about it/try to pursue it. Working to see your life in new perspectives you can appreciate is also helpful for you. Don't be afraid to do things that shake you up or that may seem dramatic to other people.

signs/confirmations; sun, chickens, yellow, sunflowers, farms, south american countries .

***

Thank you for participating in this pick a card reading!

Please let me know it resonated for you! Feedback is always encouraging and helps me improve as a reader. :)

#tarot pick a card #tarot community #tarot #tarotblr #tarot reading #pick a picture #pick a card #pac #pick a card reading #pick a pile #tarot pick a pile #free readings #free reading #free tarot reading #divination #intuitive reading

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dazais-guardian-angel · 8 months

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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

#bungou stray dogs #seriously call me a clown and point and laugh at me if I'm proven wrong all you want #but I really feel like there's solid evidence for this #either s5 isn't gonna reach 109 at all (but I seriously cannot fathom where you would want to stop before then) or they'll go beyond it #if they really do end it with 109....... well i'll give Bones kudos for having the balls to do that ig lol #maybe i'm underestimating (overestimating???) them idk #also just to clarify I don't wanna make it sound like I think Asagiri let the anime/Bones dictate the manga's pacing #like I'm sure these were his/their (him and Harukawa's) own decisions first and foremost #not that (if this theory is true) the anime had a major impact on how the chapters were split and that it-#-would have been extremely different otherwise #i'm pretty confident in that Asagiri does not do anything with BSD he isn't comfortable with #and he doesn't let anyone tell him how to write his story #I just feel like he worked with Bones to make this near-simultaneous release happen #BUT if this is the case I don't feel like it had any major effect on the writing/final product that is the manga #like the last handful of chapters have been so incredible #so I at least am still perfectly happy lol #(i mean i'm devastated and a nervous wreck but u know 🫡 in a good way lmao)#anyway 110 in two days please let this theory be true because I need some fucking hope already #please let Oda show up as Dazai's guardian angel to help (see what I did there-)#it would be the perfect way to end the collective season that is 4/5 with s4 beginning with Oda and now ending with Oda #Asagiri are you reading me are you picking up what I'm putting down please please a ghost Oda is long overdue please-#Oda Verlaine Adam just GIVE ME SOMEONE ALREADY 😭😭😭#MAYBE EVEN A TASTE OF THE FYODOR BACKSTORY TO TIE INTO HIM BEING IN ANIME UNTOLD ORIGINS. THE POSSIBILITIES ARE ENDLESS

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