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#i don't know how to do perspective correctly
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The Vees are Overlords but also a business, therefore they hold meeting and work with clients right and workers? Well what if a Business client or worker unknowingly said something about Retro!Reader in a meeting?
If its before Vox it come be commenting on Retro's cooking, as I see Retro would always ensure Vox had home made snacks for while hes working. Something like "That House Wife of yours is decent in the Kitchen, I see why you keep them there"
If its before Valentino I assume its after Retro brings him something between shoots, some fool would comment on Retro's looks or ask why Retro isn't one of Val's 'Stars' kinda a "Bod like that should be in those sheets"
Velvette would most likely be dealing with jealous models who don't know fully who Retro is but Retro gets to walk in, get the nice personal design treatment from Velvette and not have to talk the cat walk? Bitch fight would incoming.
Hope you don't mind my ramblings and if this sparks something Hooray!
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He would destroy the person in question if it’s an insult^
Vox is always boasting about Retros cooking, how skilled and talented they are. He literally never shuts up about it. Now, the demon who said ‘I can see why you keep them there’ might have meant it as a sort of joke or some shit, but Vox would not be pleased. He does not take kindly to people who insult or degrade their partners (ironic, considering Valentino), so someone who’s making that sort of implication about his wife? Death.
He’d sort of chuckle and go ‘excuse me?’, daring the demon to repeat themselves. It’s over for them either way. If the demon backtracks, Vox will very pointedly dedicate the rest of the meeting to bragging about all of Retros other skills, too. He’d try to start by mentioning it off hand, but he’d get so invested in proving a point to the low life that insulted his wife that he’d get carried away. He’d go on and on about how creative and thoughtful Retro is, how nice they are to everyone, including those who work at the company. He would not-so-politely remind everyone that Retro knits sweaters for people at the company picnics, how they always cook at least half the food at the company get together and parties, stuff like that. It’s a stupid move to insult Vox’s wife, but insulting the person who everyone loves just because of how nice and kind they are? That’s ten times dumber.
Valentino would shoot a bitch on sight if they made a comment about Retro in bed. Yes it’s hell, insults and comments like that are to be expected, but he has standards when it comes to Retro. Val is so unbelievably protective of them when they come by the studio, it’s startling. He knows what Vox would do if anything happened, and Val doesn’t want to see Retro in any sort of compromising situation to begin with. He’d do his best to keep everyone in line.
He’d shoot glares and insults at anyone who looks at them the wrong way, anyone who looks at them for too long. Keep in mind, Val is in a wonderful mood whenever Retro visits him at work. They help him with scripting, and he’s always admiring them and gushing over them. He draws little hearts in the margins of his papers and sometimes lets them on set. He’s always nervous about it, but it works out nicely. They usually only help adjust someone’s clothes (with how few they’re wearing, it’s very important), the perspective of cameras, sometimes the hair or makeup (only a little). They know exactly what Val is looking for, and how to get the scene how he wants it. They’re calm and polite and everyone is just so relieved about it. Retro even does their best to make sure the actors are comfortable, the clothes aren’t too tight, the clasps work correctly, things like that. So yeah, if someone makes a comment about them, they’d be lucky to only receive extra hours of work as a punishment.
Velvette? Okay, if Retro was the type to confront people, Vel would record the entire thing. Unfortunately, Retro usually pretends they don’t hear a thing. They’d rather ignore it and keep up the nice and polite house wife routine. They’re probably busy admiring their lovers, anyway. So, instead, Velvette would shoot a model a glare and walk right up to them, demanding they tell her what makes them think they can say such a thing.
Retro gets treated special because Velvette respects them, thinks they’re awesome and adorable and can’t do anything wrong. Mostly. So, the fact that one of her models (people she sees as frequent fuck ups) would try to put themselves on Retros level? The fact that someone would even think they’re anywhere near as good as them, anywhere near as deserving of Velvettes attention and affection as Retro? A ridiculous notion. The model is lucky not to be torn apart by Val. Velvette would go off on the model, listing every single mistake they’ve made in the past hour alone.
The workers at Vee Tower learn not to fuck around when it comes to Retro pretty quick.
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vanillaflowerstuff · 11 months
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merrick's family ✨
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I admire your patience with those readers who need you to spoon feed them the story. Everything is in the comics but they still manage to go pass it. I can't help but feel a bit sad for them? Do they not understand what they read? Are they not attentive when reading it? I'm legitimately concerned because I function so differently I can't fathom this. If you like a story, isn't it normal to make your best to grasp it's essence and reflect on it? I know I project a lot about this, everyone works and registers things differentely of course but sometimes it's very frustrating to see people consume any media and just completely miss all the important messages in it, or even just fail to get the scenario sometimes, and it feels like it's very common now... Idk I just wanted maybe to have your perspective on this? Sorry for the long post (Been here for a few years now and your a true inspiration to me. All my luv to you! ❤���)
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You know, I'm gonna be honest. I used to stress out about this... a LOT.
As a story-brained person, this is definitely something that comes naturally to me, and perhaps to you, and to many other people who are wired similarly. To us, following the path of a story in an analytic, highly detail-motivated manner and unwrapping the themes can be as exciting as lifting up a rock to see the bugs underneath. It's an exciting mental activity that's stimulating and feels effortless.
And yes, as an author who spends literally 60% of my day thinking about this comic and how to draw it, panel it, script it, make it better (I script and panel in my head constantly)........ I have trouble realizing/dealing with the fact that some people are just here to CASUALLY enjoy the story that I am lowkey obsessed with.
But I've come to realize that... that's NORMAL! And healthy.
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People have different attention spans for different things.
People have varied ways to read a story and engage with it.
People have unique interests.
People don't have the same amounts of energy to devote to reading!
Maybe someone missed a detail I lovingly and painstakingly put into the dialogue because they're reading the update late at night after a long shift at work. And maybe someone scrolled past the dialogue completely and just got the gist from looking at the art, because they're in a hurry to get to practice at their favorite sportsball.
And maybe someone just had a really bad day with a really bad encounter, and they're reading the update in a terrible mood and instead of seeing MY grey-morality narrative, they're focusing on all the negative points and misread the vibes because of their own biases that stem from places of hurt.
The thing is, I have to be okay with that as an author, because I will NEVER be able to get into my audience's heads and read this comic 'correctly' for my own sake.
They will always have a slightly different interpretation of things, and they will always misunderstand details and miss clues. And sometimes, they will be wrong about the way they read a character's motivations... and sometimes maybe they won't be! That's just a part of communication. That's a part of telling a story.
An imperfect delivery, and an imperfect reception should, in my opinion, be a natural and accepted part of storytelling. We're human, and we all have a different lived experience, and we will ALL have different takes on a comic, even if it's so close that we THINK we are both getting the exact same thing. That small human interpretation variation is a home-made touch that makes it feel more organic.
In short.... Not all light particles make it here from the sun, but damn the result is stunning anyway.
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underdark-dreams · 21 days
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The Elturian Tieflings: Act 1 Exposition
I don't know if you've ever investigated the room in Waukeen's Rest where Benryn is trapped, but there is this scroll:
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It's an interview transcript by the Flaming Fist with a survivor from the night of Elturel's descent into Avernus. Broken into 2 screenshots:
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Honestly, the first time I found this, I couldn't believe this info wasn't spelled out anywhere else in the game.
There are of course other dialogues that generally reference the racial discrimination Tieflings face (Aradin and others throwing around slurs, the early dialogue option with Rolan of "Baldur's Gate? Do they even welcome Tieflings there?" etc.)
But this little scroll informs you that the Flaming Fist are literally stationed all along the Risen Road to track and arrest anyone fleeing Elturgard. Essentially, every single one of the Elturian Tieflings. Not only were they cast out of Elturel, there's a large and powerful merc group literally hunting them down to imprison them for some indeterminate amount of time.
Of course, the game doesn't really specify how long Elturel was in Avernus. Perhaps just a month or two. Maybe by the time the city was returned to the surface and the Tieflings were exiled, the Fist wasn't rounding up any escapees anymore.
EXCEPT Waukeen's Rest is smack dab on the road from Elturel to Baldur's Gate. And it's teeming with the Flaming Fist. And there's also this lovely little note sitting in the very same room of the inn:
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If I'm reading this all correctly...that's insane?? And it really puts the Tieflings' plight into perspective. They're not only victims of discrimination; they are potentially in hiding and on the run from the law.
Like good god, no wonder Rolan is so dead-set on his apprenticeship no matter what anyone (Gale, a Baldurian Tav) tells him about Lorroakan. His station might just be the only thing keeping him & his family out of prison simply for existing. No wonder Ikaron snaps at you not to give his people any more grief. No wonder Asharak is spending his days teaching the kids how to hold a sword.
Anyway...I just re-encountered these notes in a new playthrough & felt compelled to make this post. I just love the Tiefs so much and they deserve the world 😭 Tief lovers let me know your thoughts!
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edenfenixblogs · 3 months
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hey, gentile here. just came across this post of yours and, first of all- it's SUPERB. it showed me a perspective on being a jewish ally that i really wouldn't ever have considered by myself, made me more confident in my choice to put combating jew-hatred above the friendships I've recently lost, and gave me a really useful direction on where to go as an ally to jewish people onwards. that being said, there's a few details about it I'd like to press you about, if it's not too much trouble.
this point is probably worthy of an eyeroll as i'm a culturally christian atheist (making a concious effort to not be *that* kind of atheist), but: when you refer to G-d as the creator of all things, you stress that that includes evil- but that, in so doing, G-d is not evil themself. now, I'm asking this with the express purpose of you correcting me, so: why does this G-d- as a G-d fundamentally distinct from the Christian conception of God as a Super-Mega-Ultra-Perfect God Who Can Do No Wrong Ever- create evil? i, personally, have been led to believe by @/spacelazarwolf that it is simply because G-d, too, makes mistakes just like any human being, but the way you worded it in this paragraph (which I've included as a screenshot below) had me interpret G-d creating evil as a concious, intentional action. did i just not read it correctly? and, if i didn't, then is the reason G-d creates evil part of this central struggle you went in detail into in the same paragraph, and as such, a very individual part of Jewish belief that no two jews agree on? and if that is so, would you be comfortable with sharing your version of it?
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a few paragraphs after that one, you dedicated many words to make it absolutely crystal clear that, in the process of unlearning and combating jew-hatred in the society around me, i should, in spite of the vitriol that they propagate, love the former friends i lost to antisemitism. how- and *why* should i love the people who, on an early october 8th morning, actively celebrated the news of a massacre of Israeli civilians? who mocked- and still mock- the survivors and the families of hostages? who wield the memory of the holocaust as a baton against Jewish people's right to self defense? who deify terror groups who are up to their necks in atrocities? who make an active effort to spit on the face of *reality?* How could i possibly look at the face of a friend who chose allegiance to a terrorist group she did not even know existed four months ago over me- who she had actively interacted with for much longer?
would you rather we called ourselves "gentiles" or "goyim?" I've been calling myself a gentile for the longest time because i see jamming a word from a language i don't speak at all in an otherwise english sentence to be disrespectful and constitute appropriation, but you and other jumblr blogs have given me the impression that that is not the case. furthermore- i believe it was @/bambahalva who pointed out the usage of the word "gentile" in antisemitic segregation policies.
that is all- i hope this message finds you well. oh, yeah one more thing- what do you think of The Forward news network? i came across them by chance and next thing i knew I'd gotten into their newsletter.
WARNING: I HAVE FINISHED WRITING THIS AND IT'S LONGER THAN I EXPECTED AND ALSO MORE JEWISH THAN I EXPECTED LOL! I have done the most Jewish possible thing I could do and answered all of your questions with questions. I'm sorrryyyyyy! This is what happens when you grow up surrounded by rabbis and future rabbis! LMAOO
Oooh! What a good ask! I love this ask. OK, so! Let's go in order.
First of all, thank you so much for your kind words. And thanking you for backing your words with the action of prioritizing kindness over hatred. It matters. More than I can ever explain. Thank you.
You know, it's funny. People ask me a lot of questions about i/p that they think will have simple and straightforward answers that just don't. And I end up writing a lot of essays because of this. The questions you wrote me seem like they should be complex, but feel relatively straightforward to me.
Now, to your first bullet point: I don't know. I truly do not know. I think that G-d is fundamentally just...G-d, and in so being, G-d is truly unknowable to me. I think many Jews have many different interpretations on why G-d creates evil. I'm no rabbi, but one of my BFFs is and so is her mother and great grandfather. That doesn't give me any kind of authority. It just means I've spent a lot of time thinking about theological questions like this. As for my perspective, I'm a progressive/reform Jew, not a humanistic Jew. I do actually believe in G-d, but I vibe with the community philosophies of Humanistic Judaism a lot. So that's the perspective I'm coming from here:
I'm not a particular fan of the Book of Job, because I think it gets twisted and interpreted in Christian ways more than most Hebrew books and it can too easily be twisted into a "Don't question G-d, because G-d is perfect" narrative that I find to be fundamentally at odds with how I practice Judaism. Also, it's just a very sad story about how a good and kind man lost everything, and it makes me sad to think about. HOWEVER, that traditional "Don't question G-d" narrative is not how I learned to think about that book. The way I learned it, I believe the Book of Job describes this issue most explicitly. After Job loses everything he holds dear and talks to all his friends and begs again and again "Why? Why did G-d do this to me? Why would G-d do this to me when I'm a good person?" And basically G-d hears everyone answering for G-d with various reasons, "Maybe you were bad." "Maybe you should make an offering" Maybe this. Maybe that. And eventually G-d responds from within a storm (paraphrased of course) 'Why the fuck do you think it's your business to know? I made the whole universe! I made everything you see. I made the world that gave you your family in your first place. Why do you think you get to question my motives?'
The way I always interpreted that is: I don't fricking know! It's not really my business. What am I gonna do? Stop G-d? How does my knowing why G-d creates evil help anything? It doesn't mean we don't question G-d. It means we should instead focus on what we CAN control. I can't make 10/7/2023 not happen any more than I could stop The Holocaust or form an ocean. That's divine business, not human business. What I CAN do is make the world better now. What use is it challenging things that we cannot change? Things that are in the past? What's the point of asking why bad things happen when we can instead focus on stopping more bad things from happening. G-d named us his people when Abraham fought with G-d to stop the destruction of Sodom and Gomorrah. Abraham repeatedly asked, "But are you sure? But what if there are 100 good people? 50 good people? 10 good people?" And G-d kept responding, basically, 'I mean, there aren't. I know this cuz of how I'm G-d and know all the things. But knock yourself out looking.' My interpretation of this was that G-d doesn't get mad when we do our utmost to help our fellow human beings. G-d gets mad when we waste our energy that we could be using to help our fellow man to instead be angry and rage futilely against the past. I say this as someone with PTSD as someone who attempted to stop a tragedy from occuring and failed and can never understand why. What informs my trauma and what makes it so hard to get past isn't that G-d allowed it to happen. It's that people did. It's that I begged for help before it happened--over and over and over to dozens of adults in various positions of authority in order to prevent this terrible thing from happening (no, I will not now or ever disclose what that thing is). And all the people who could have helped failed me, and now two people are dead. Because someone did an evil, evil thing. And a bunch of other people let it happen. I'm not mad at G-d. I'm mad at people. And yet, I also know that hating people and finding reasons to dismiss them and despise them is what leads to more tragedies like that happening. So, despite my rage, truly the only thing to do is to love people. It's the only that helps. It's the only thing that repairs the world. It's the only thing that we can control. So, in short, my answer to "Why does G-d create evil?" is "Why should I spend my valuable time on earth trying to answer that question when, instead, I can spend that same exact amount of time asking millions of people, 'How can I help? What's wrong, and how can I help make any part of it better?'?" We don't need to understand G-d to make the world a better place. I'm fine leaving G-d stuff to G-d and spending my time on the human stuff.
Now, your second bullet point. Love their souls. You don't have to love what they've done. But they are human beings, as are we all. I think this can also easily be twisted into the Christian framework of "Hate the sin, love the sinner," but that's not what I mean at all. People's evil deeds are a part of them. They need to take responsibility. There is no divine absolution for crimes that people do unto each other in Judaism. If you harm a person, G-d cannot forgive you for that. Only the person or people you harmed can forgive you. And to a certain degree, we are all defined by our actions toward others. And so, no. I do not forgive the terrorists who woke up and decided to kill a bunch of Israelis and Israeli-adjacent humans. I do not forgive those who celebrate the deaths of Israelis because of some misguided sense of justice. I do not forgive the people who continue to send me hatred and death threats day after day after day after day. And I do not love the parts of them that did and do those horrible, unforgivable things. But my goodness. They were babies once. They either had parents who love(d) them, which is so sad, because they have this life of love and they chose instead to fill it with so much hate. Or they didn't have any parents or loved ones or anyone to guide them and, my goodness. That is so sad. How terrifying and alone that must feel. Maybe they have friends and family who love them and are instead wasting their precious time on this planet directing their energy at raging against me and 15 million other Jews they've never met. Or maybe they don't have anyone who loves them and they think that hating me and harming me will bring them some sense of purpose and joy. What a horrid way to live.
My Grandpa died last year. I have a wonderful family for whom I'm very grateful, and I even have good memories with my Grandpa. But he was not a good person. He came from an abusive home, and weaponized that abuse on his loved ones until he drove them all away. He was a narcissist. Not in the pop psychology sense. But in the actual clinical sense. He ruined every relationship that ever mattered to him--personal and professional. And in the end, because of his own actions, he died alone. He had pushed everyone so far (often with legal threats and action) that when he died, he laid on a slab for weeks because nobody could figure out who to call, because he had no one left. (For reference, Jewish burials are supposed to happen rather quickly and two weeks is...not good.) He was the only person in his generation who was not born in Israel--my family on his side has lived in Israel since looooong before even the British Mandate and he was the only person in his family born and raised in the US. As far as we can tell, the family on that side has been in Israel for as long as Jews have existed. He was religious. And while I've never been to Israel or met any of my family there, he did go. And he kept in touch with his relatives there before driving them away too. He was a wealthy man, but convinced himself that everyone only wanted him for his money and then decided to horde it instead. He left nothing to his children or to me. He left all his money in an endowment to his university--a place that uses that money to fund anti-Israel organizations now. He died alone, without his family that lived nearby, and with a legacy that will now cause active harm to the family that lived far away. He could have died surrounded by the loved ones from around the world who wanted nothing more than to be near him and loved by him. His story is a tragedy. The story of every person who chooses hatred over love is a tragedy. The story of someone who woke up and chose to murder others or to delight in the death of others is a tragedy. I love the soul in the center of these people. I loved my grandfather. I could not be around him. I cannot forgive some of the things he said and did. But I love the person he could have been. I love the part of him that gave me some good memories. I love the family he gave to me.
No, we do not all need to love or forgive those who have wronged us or terrorized us or murdered our loved ones. But that is different from mourning a human soul. From loving the potential of a human soul to do good in the world, and mourning the loss of that soul and its potential. Every human being--every single one no matter what they have done in their lives--has the potential to create goodness and make the world a better place. Every moment of every single day is a new chance to meet that challenge and do our best. Sure, not all of us have it in us to try our best every single moment. Sometimes life is hard and we're sad and tired and hungry and angry. And that's ok, because we have tomorrow, and an hour from now, and a minute from now. But the moment someone chooses to take action and decides that action should be to cause another harm or celebrate the harm that was caused? That's a tragedy. And when a life is extinguished, that is a life that loses its potential to try again and do better. We shouldn't love people because we deem them worthy of love. We should love people because they are people. And so are we. And how wonderful is that? I could choose to hate them. It would be so easy! But why should I do that? What do I gain? What do they gain? And isn't it so wonderful that I chose to love instead? And isn't it so wonderful that you can, too?
As for your final bullet point: I have no preference. I say goyim cuz it's easier for me. Goy/gentile/non-Jew are all fine to me. I have some icky feelings about the word gentile for a variety of linguistic reasons I won't bore you with. But some other people don't like when non-Jews appropriate Yiddish words. Others (including me) find it wonderful when non-Jews call themselves goyim. All my closest non-Jewish people call themselves goyim, including my sister! Non-jew is the most neutral in English and least likely to offend anyone. But it still separates Jews as an other whereas "goy" is a way to distinguishing yourself from Jews while also being an acknowledgment of our culture. As far as I'm concerned as long as a goy is being a goy (ally, positive) rather than a goy (derogatory) I don't mind that they call themselves goyim. LOL! Idk, friend. Do what makes you happy! What do you prefer?!
Regarding The Forward news network: They are a reliable Left-Center source with a high credibility and reporting rating and only one failed fact check in the past five years for which they issued a correction. I would consider them a reliable source. They cover legitimate issues of people who support Palestinan self-determination ostensibly being punished for their stances. They publish Op-eds critical of Netanyahu, who is terrible. And they address how antisemitism is harming diaspora Jews. They seem to consistently emphasize the humanity of everyone, which you can tell based on the rest of my post is very important to me, but they also avoid over-editorializing on news that is not in the Op-Ed section. I'll never endorse any source as perfect or guaranteed to be free of problems or harm or bad takes, but they do seem to make a genuine effort to be factual, clear, and wholly truthful. Note: I highly recommend that everyone installs the Media Bias/Fact Check extension on their web browsers. Get in the habit of checking and evaluating sources critically. It's a skill that will serve you your whole life.
@clawdia-houyhnhnm I hope this helps. And thank you for your thoughtful ask and commitment to intercultural understanding. <3
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stevelieber · 11 months
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Thoughts on giving critiques to comics artists.
Seeing lots of discussion from students about sour experiences with an unhelpful art teacher, so here's a long, long post about giving critiques.
NB: I have no formal training as a teacher, but I was a student, and I've spent decades giving artists feedback on their work.
When someone brings me a portfolio, I like to establish my limitations & clarify my perspective. My work is firmly rooted in traditional US comics storytelling (i.e., not manga or art-comics.) I can give feedback on other approaches but they should know where I’m coming from.
“We've only got a little time for this, so I'm going to spend that time focusing on things to correct. That doesn't mean you're doing everything wrong, or that there’s nothing good here, but it’ll be more helpful if I identify some problems and show you how to fix them.”
Why? Because for many young artists their entire sense of self worth is wrapped up in being good at what they do. (It was for me!) In school they were probably the best artist in their peer group. But now if they're hoping to turn pro, they’re at the bottom.
Sometimes you know what’s up when you see page 1, but try to keep an open mind. Some build their portfolios by sticking new pages at the back & don’t weed out the old stuff up front, so the work gets better as you go. When it’s like that I ask: “Show me your best 8 pages.”
I ask questions: "What's the goal? Do you want to be hired to work on someone else's project, or to get the story you're showing me here published?"
If 1, I steer towards a portfolio that'll showcase hirable skills. If 2, I look for what tweaks will make that particular story more effective.
"Do you have teachers giving you regular feedback? What are they telling you?" Sometimes a student is getting bad advice. In cases like that, I'll do my best to be extra clear WHY I'm giving them advice that's 180 degrees from what they've been hearing.
“What artists are you looking at? Is there someone you admire or try to emulate?” This often helps me understand choices they're making, and I can sometimes incorporate things those artists do into my suggestions.
I ask myself questions about what I’m seeing. First: Is there a narrative? If not, I make it 100% clear I'm not speaking as any sort of expert. I'm good at critiquing storytelling, but don't have anywhere near as much to offer illustrators or designers.
Can I follow the story? Or am I confused about what's going on? Are the characters and settings drawn consistently? If not, is the artist at least making use of tags (distinctive clothing, hair etc.) to keep the characters recognizable?
Does the artist demonstrate a good command of basic academic drawing? If not, Do I think they need it? Do I focus on "how to draw" or on "what to do when you can't draw?" Is the artist putting the viewer’s eye where it needs to be to tell the story effectively?
(At this point I’m usually doing little doodles to go with my instructions. I scribble out ugly little 5 second diagrams that I hope will clarify what I’m talking about. Or they might make me seem demented. Hard to say!)
Is the artist making choices that are creating more work than necessary? Is there a particular weakness? I once spoke to an artist with a portfolio full of great work when he was drawing animals and monsters, but his humans were amateurish in comparison. I spent that critique talking about drawing people.
A crit can be a grab bag. In addition to big-picture advice, I'll point out tangencies, violations of the 180-degree rule, wonky anatomy, weird perspective, places where the artist neglected to do important research, odd choices in how they spotted black, whatever catches my eye.
I also try to make a point of defining the terms, so that jargon like “tangency,” “180-degree rule,” and “spotting black” don't go over their heads. Find simple, concrete ways to talk about these things, & clarify why it's a problem when they aren't done correctly. Draw diagrams!
Recognize that even a perfectly phrased explanation might not sink in. Some lessons can only be learned when a student is ready, and it might take a year or two of work before they can understand what you were saying. It's good to plant seeds.
Are there other artists who are particularly good at solving the problems the student is trying to solve? I steer them towards that artist's work. And I always recommend life drawing & the use of reference to give work variety and authority.
Despite what I said earlier about focusing on what's wrong, I try at the end to find something encouraging to say. And if I’ve really piled on the criticism, I emphasize that I only spent the time and energy to do so because I take their efforts seriously.
If I've done my job right, they'll leave my table with tools to make their work better. And maybe in a few years they'll be looking at some younger artist's work, surprised to discover just how much you can learn when you're asked to teach.
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Hello! I've never sent an ask to anyone before, so I don't know if I'm doing this correctly! But I seriously love your aus, so I just had to try <3
For your monster!au, do you think that there is a difference in the kinds of food they eat between monsters and humans? The kinds of food, seasoning, preparation, how it's cooked, even the degree to which something is cooked. Especially with how you mention in another post about how some species can't eat certain foods.
Like, does Yuu (female pronouns please! Or gender neutral if you prefer) come to their world and have to figure out how to cook with ingredients she's never seen before, or does Yuu just start to cook things in ways the monster bois have never seen or thought of before? Would the boys enjoy it? Would it be safe for them?
Or do you think there wouldn't be much of a difference?
Also, out of curiosity, which species would you say has the most diverse diet?
I seriously love your page! Keep up the amazing work! Stay safe and stay healthy!💙💚😃
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Thank you for sending in an ask! You did it correctly, don’t worry c: And thank you so much! I’m glad you love the AUs so much to send something in! ;;v;;
To a degree, the food being cooked in the Monster!AU would be different depending on the species. I know I’ve pretty much beaten the grape incident into grape juice already, but while some may be okay with eating it, other students can’t due to it being toxic (I looked it up, and cranberry wine is a thing. That means Crewel can still enjoy a glass of wine, and it’s possible that the monsters/ghost chefs would use it in cooking instead of grape-based wines!). The same could be said for certain herbs and spices that we take for granted being something that can make them sick or can be just as toxic as grapes, like onions or garlic. Chocolate can still be a thing for some species, but carob is the main alternative that’s available—which means Yuu will still have access to it at least!
There’s also an extra sensitivity to citrus based scents. Using citrus juice to cook something like ceviche for example would be difficult, as not many can even get past the smell even if the taste itself is amazing. Funny enough, there’s actually this one manga I came across called “His Majesty the Demon King’s Housekeeper” that actually touches up on this fact as citric acid is one of the few ways to clean certain stains off surfaces, but most of the cleaning staff in the mansion couldn’t stand the smell of the orange peels until it was turned into a powder form by the demon king. It’s such a cute manga, and has lots of helpful tips too, so it’s a win-win!
If you can’t tell by now, Slice-of-Life manga and stories are my jam. I love when they touch up on things that we don’t normally think about and put a spin on things! >v<
Anyway, as you can imagine, if (and that’s a major IF) we were strictly to focus on the ingredients we know in our world, recipes would have to be tailored to be suitable to each species to avoid causing issues while ensuring that each student has the right nutrients needed to sustain their bodies. This would have resulted in having to find alternatives that are safe for students to enjoy while still being able to ensure safety to avoid severe allergic or otherwise dangerous reactions to having something they shouldn’t.
That would be one helluva menu to try to cater to when you can’t use certain seasonings to flavor things. Good thing Crowley has those ghost chefs to work with the menu, because I certainly couldn’t fathom the mental gymnastics of creating that kind of menu! @.@
But to put it in perspective, it’s like trying to give chocolate to a cat or dog when we have alternatives such as carob as I mentioned earlier. Or how people who are lactose intolerant have almond or oat milk or even goat milk as an alternative, or how there are gluten-free alternatives for those who can’t have it due to celiac disease. Just to name a few examples anyway, since I know there are people out there who have restrictive diets due to health reasons.
Thankfully, these guys aren’t entirely missing out on flavor since in Twisted Wonderland—much like how they have unique flowers and plants such as mandrakes right around the corner—I’m sure there’s no limit to the types of ingredients that can be used to cook with! In fact, I’m reminded of this manga that I’ve stumbled across that I gotta start from the beginning known as “Delicious in Dungeon”. Basically, it’s where the characters are traveling in a dungeon and they not only find monsters and creatures to hunt and eat (not like there’s a grocery store or market inside a dungeon), but also demonstrate how to prepare and cook using the ingredients found in the dungeon as well as the creatures themselves. It just looks so delicious whenever they show the results and what you can do with the extra stuff you can’t eat!
But I digress. ^v^;
This means that Yuu will have lots of new ingredients to try and explore in various dishes, and this also means new opportunities to learn new recipes! Imagine what you’d be able to learn during the Master Chef event too!
So…what happens when you have a female human who has excellent taste buds and a love of cooking and also loves to cook for others? You’ve got a whirlwind of ingredients flying around and waves of delicious smells wafting through the air leading many drooling students investigating the source (and trying to sneak a bite).
Iron-stomach gourmet Grim is the one who gets to enjoy Yuu’s experimental cooking at first. After all, why shouldn’t he be able to enjoy the spoils of his hench-human cooking for him? He’ll try guiding her with his knowledge of flavors and what tastes good, and she learns which seasonings to use for each dish whenever she talks to Trey or Jamil or even Azul. His bragging of being the first to try true human cuisine wound up drawing in the first years, many curious to see her in action while others hoped to try and sneak in a free meal.
Imagine if she cooked two-three meals a day: mini waffles and giant pancakes that are several inches thick? She’s adding various fruits and berries and pairing it with the perfect syrup! Homemade chicken or beef soup? Simmering with noodles boiled to perfection! Roasted pork and beef stew? Veggie stir-fry? Baked fish? Burgers? Pizza??? Nothing is off the table when Yuu is in the kitchen! And don’t get started on the different desserts she could whip up with Trey!
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Soon enough, word would have spread around the school about the human’s delicious cooking and it won’t be long before Yuu has visitors around every meal time.
/////
Yuu:*whisking eggs as the rice cooks* “Breakfast’s almost ready, Grim!”
Grim: “Hooray! Omurice cooked human-style~!”
Knock-knock-knock!
Yuu: “Come in!” *pouring the egg into two skillets before looking up* “Oh, hey guys!”
Ace: “Hey, Yuu! Whatcha making?”
Yuu: “I’m making omurice. I asked the chefs in the cafeteria how to make it and…wait…” *narrows eyes* “Did you guys come here just to get breakfast?”
Deuce: *sheepish* “Sorry, Yuu…we just really like the way you cook.”
Yuu: *sighs and smiles* “It’s okay. Next time, just let me know ahead of time so I can prepare more, okay?”
Grim: “Don’t even think of taking my portion!”
Ace: “Aww, is that any way to treat guests, Yuu?”
Yuu: “Grim, be nice.”
Grim: “What?! That’s not fair!”
Deuce: “I can wait my turn. Is there anything I can do to help?”
Yuu: “Could you chop up some more veggies and measure out the rice? Ace and Grim can have the first two, then we’ll have the next batch.”
Grim: “Stop encouraging them!”
Ace: “Oi! As if you don’t eat the food at the Unbirthday Parties!”
Grim: “Oh yeah?! Well I-mfh!?”
Ace: “Mfhg!?”
Yuu: *dusts hands after shoving two meat buns into their mouths* “There will be no fighting in my kitchen, you hear me?”
Ace and Grim: “Yeth m’m…”
/The Next Day/
Yuu: *standing in the doorway with a bowl of pancake batter* “…are you here to socialize or do you want to try some of my cooking?”
Silver: “Fa-I mean, Lilia…decided to cook breakfast today. He wanted to try and cook some old human recipes, but…”
Sebek: *looking mildly nauseous* “I did what I could to protect Lord Malleus, but…human food should not look like that.”
Yuu: “Ah, okay. Come on in. I’ll get another batch ready, so help yourself to the ones on the table! There’s fresh fruit and whipped cream there too.”
/////
I have a feeling that Yuu would be getting a lot of visitors from Diasomnia on days that Lilia does the cooking, and I’m sure she’ll be more than happy to feed them too! 😌
As for the “food bribes”…well, it’s kinda hard to argue with the results. Especially when they can be very valid trades. Yuu wants a specific utensil to make that special treat or meal? You’ll get first dibs on the finished dish!
Oh no, Yuu needs help with this potionology assignment and made too many cupcakes to eat by herself! If only someone could come and help with both…
As you said, there are many possibilities of how Chef!Yuu could take advantage of their knowledge and skill around the kitchen! And before I forget, if I had to choose which species would have the most diverse diet…I would have to say it’s a tossup between the basilisks and the faun and satyr species. Basilisk can essentially eat nearly anything without much issue as their stomach acid is strong enough to even digest rocks and crystals, whereas faun and satyr can eat most any plant and fruit or vegetable imaginable and can tolerate some forms of meat without issue. Though if you really want to enhance the dietary variety possibilities, Epel and Trey would have this in the bag as these two are hybrids of two different species, making them truly omnivorous like humans!
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missmists · 1 month
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First bookbinding project a success. I think that my cat approves because he would not stay out of my photos. Five months in the making, but I couldn't be more pleased with the results.
I started with @armoredsuperheavy's amazing fanbinding tutorial to create a typeset of each work in @erisenyo's Burning Bright AU published on Ao3. Then had to reread the works in the new format and edit as I went to make sure everything was formatted correctly, (combined word count somewhere around 1.3 million) that took over a month all by itself.
I picked up a copy of Introduction to Bookbinding & Custom Cases by Tom and Cindy Hollander from my local library, to look at some detailed how to images and get multiple perspectives on construction methods. Excellent book, I do recommend.
My hunt for materials included a trip to Detroit with a side stop at Blick to look at decorative papers in person. Blick and the fine people at Hollander’s ended up having everything I needed to make covers. So between my brother kindly 3d printing me a punch cradle, making a DIY sewing frame of my own invention (courtesy of scrap lumber and a trip to the Lowe's hardware department), and three reams of late night printing, I managed to amass all my supplies.
Folding three reams of paper into signatures (the little bundles you sew together) takes about five days if you don't want to lose your mind or your place, and longer if you discover you need to fix things because that definitely happened. Then you get to unfold them to stab holes in them which is as terrifying at first and therapeutic by the end as it sounds.
Next came weeks of sewing books together, a magical process. I learned three new knots, repeatedly stabbed myself (because all forms of creation forcibly demand blood sacrifice) , and felt like I was roleplaying a monastic librarian from the time of Gutenburg. That's 600 years ago, 24ish generations, over 8million ancestors since then (by geometric progression, which excludes the possibility that any of my peasant ancestry is from small towns which is you know likely but I digress) and here I sat sewing pages together in a basement because story is the most sacred of human arts as it binds communities together and shapes perceptions of the self and our brethren, of outsiders allies and enemies, of the world as we know it and as it may come to be. Did I mention sewing books felt magical.
Then came the glue. So much glue. Multiple types of glue. All sticky. all stuck to me. I smeared glue with my fingers like a child.
At last it was time for the covers. Choosing combinations of the decorative papers and bookcloth and making sure I could get enough out of each material for what I needed. Precise cutting so many thanks to the architecture school professors who showed me how to properly cut chipboard. Then measuring and gluing, and more measuring, and more gluing. At last press a little groove by the spine and repeat eleven times.
Then I get to impress all my people with my latest and possibly coolest maker skill unlock, I am a book binder.
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Bottom to top in the stack or left to right at the bottom are: These Things Written  These Things Unsaid with Without Consent These Things Known with A Third Chance (or a First) Oh, The Way Your Makeup Stains My Pillowcase That Love You've Been Looking For  All I Need Is To Be Struck (By Your Electric Love) To Open Every Door to Night, To Meet Each Rising Sun (my favorite) Love Is In the Hair (fanart of this one originally lead me to read the series, thanks @ash-and-starlight) Lessons in Proper Asset Management Tangled Up With You  To Be Named, To Be Known (To Be Loved)
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phoen1xr0se · 7 months
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Good Omens S2E6 - Aziraphale's perspective
Taken from my fanfic 'Don't Fall Away From Me', on AO3 (link below). Apologies for any broken hearts in advance, but I hope it fixes some too. Most of the dialogue is taken from GOS2E6 but everything else is all me.
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Artist credit: @mistysblueboxstuff
Aziraphale
Forty-one days earlier.
"Go on. The day can't get any weirder."
Aziraphale swallowed, turning to exit the bookshop, coffee in hand. The last thing he wanted right now was to leave Crowley's side and the sanctity of their little world - he knew that the significance of what they had just witnessed between Gabriel and Beelzebub would not be lost on the demon, and he desperately wanted to talk about it with him. When Aziraphale had intuitively reached for him, he was sure he had seen Crowley give a small nod, as if to say, "I know, angel."
The thought that he might finally give a voice to what they had been dancing around for years made him feel as though he was in a freefall - Aziraphale took a long swig from the sweet almond coffee to try and ground himself and glanced back at the Metatron.
"Sit, sit, dear boy," said Metatron, gesturing to a small table and chairs.
Aziraphale sat, hands fluttering anxiously. He put them back on the coffee to stop himself and took another sip.
"Now, I shall get right to the point. It seems we are down an Archangel." The Metatron smiled, but it didn't quite reach his eyes. "Do you have any thoughts on who might be best suited to replace them?"
Aziraphale paused. Why was the Metatron asking him for advice? "Well... Michael?"
"Oh, don't be silly! No, no, no, no, no. There's only one candidate who makes even the slightest bit of sense."
Aziraphale raised his eyebrows expectantly.
"And that's you."
Aziraphale blinked. Had he heard that correctly? "Me?"
"Well, yes. You're a leader, you're honest, you don't just tell people what they want to hear. It's why Gabriel came to you in the first place, I imagine."
Aziraphale's mouth dropped open in astonishment, struggling for words. He had always believed that those qualities had contributed to his exile from Heaven, and yet the Metatron was telling him that these were reasons he should be... promoted? In charge? Surely there was no way that this offer could be genuine.
The Metatron continued, before Aziraphale had a chance to pick that thread apart. "There are huge plans afoot, enormous projects, and I will need you to run them."
Aziraphale paused. In a flash, he remembered what Crowley had said four years previously about The Big One. Us against humanity. Left in the hands of Michael, or Uriel, or any of those bad angels, he could only begin to imagine what would befall Earth. Humanity wouldn't stand a chance. The angels didn't understand anything about what it truly meant to be human... or even what it meant to be good.
"You are just the angel for the job." The Metatron smiled, and in spite of himself, Aziraphale thought that he was probably right about that.
But no... he couldn't leave Earth. His bookshop. Crowley. This peaceful, fragile existence. "But I... I don't want to go back to Heaven. W-where would I get my coffee?"
The Metatron's eyes grew steelier and Aziraphale realised that he understood that this wasn't about coffee. He shifted in his seat, uncomfortably. How much did he know?
"You know..." Metatron phrased the words very carefully, "as Supreme Archangel, you would be able to decide who to work with. I've been looking back over a number of your previous exploits..." Aziraphale swallowed nervously, "and I see that in quite a few of them you formed a de facto partnership with the demon, Crowley."
The name hung in the air between them. Aziraphale glanced away. Apparently he knew quite a lot.
"Now, if you wanted to work with him again, that... might be considered irregular, but it would certainly be within your jurisdiction to restore your friend Crowley to full angelic status."
The impact of the statement took a while to register. Aziraphale blinked. In his mind's eye, he flashed back to the first time he had ever interacted with the angel-that-had-been-Crowley. It was at the creation of the universe, and he recalled with a pang the joy on his face, the sheer exuberance and excitement that had left a lasting impression on the more junior angel. Crowley as an angel had been magical, magnificent to behold. And Aziraphale knew better than anyone that Crowley had never deserved to Fall. Crowley had no memories of his time spent as an angel, but Aziraphale remembered. He remembered it all.
He was so lost in thought that he missed the triumphant glint in the Metatron's eyes.
"I... well, I don't quite know what to say," began Aziraphale, but Metatron held up a finger to halt him.
"It's just an option. One of many powers you will have as Supreme Archangel. A word to the wise, though..." Metatron leaned in conspiratorially. "There has been some talk that this partnership is all simply a part of Hell's... how shall we put it... long game."
Aziraphale was lost. "What do you mean?"
"Well there is a rumour that Hell assigned some specific demons to tempt angels away from Heaven..." Metatron paused, choosing his phrasing with care. "I personally didn't believe it myself until the utter disaster with Gabriel. Quite a shock, I can tell you. I never thought Gabriel would be vulnerable to demonic influences, but I suppose you never can tell..."
Aziraphale inhaled sharply. "I can assure you -" he began, but the Metatron interrupted.
"Oh, my dear boy, I am certain that you would never fall prey to a demon's wiles. You are far too intelligent for that." The Metatron looked Aziraphale coolly in the eyes, but there was a question there. A question Aziraphale didn't want to examine too closely. He looked down at the coffee in his hands, and recalled the night he and Crowley had spent in Job's basement.
Are you... trying to tempt me?
Not at all, angels can't be tempted, can you?
The taste of those ox ribs. The way once he'd tasted it, he'd realised he was so hungry, not just hungry, but ravenous. Starved.
Aziraphale pushed the thought away, but as soon as he pushed it away, another thought barrelled in to take its place. The first time Crowley had convinced him to try wine, promising him that a drop wouldn't hurt. The first gift he had ever been given, a book, his first material Earthly possession, gifted to him by Crowley. The way Crowley had convinced him that there was no point in doing Good if they were always cancelling each other out. The way Aziraphale had done so many small, little, bad things because Crowley had assured him it didn't matter. Each memory was like a gut punch.
But no.
No.
He knew Crowley. Yes, he was a demon, but he wasn't bad. At least, not all bad.
"I believe you are quite wrong," stated Aziraphale boldly, sitting up straight. "The demon Crowley has, over the many years we have spent... I mean, over the time we have known one another, done many kind and Good things. He is better than half the angels I know! Michael, Uriel, Sandalphon, they don't have half his compassion, his honesty, his bravery. I believe God was mistaken in..." Aziraphale's brave defence faltered as Metatron's eyebrows raised. "I mean, I think sometimes people deserve a second chance."
Metatron nodded. "Perhaps it is as you say." He stood, and Aziraphale followed suit.
Aziraphale glanced back at the bookshop. All he wanted now was to get back to Crowley. He knew that talking with him would alleviate these fears. Crowley might not want to go to Heaven, but surely he would see that it was the safest place for them to be? Especially if their fears about The Big One were correct? In spite of everything Crowley felt about Heaven, he was certain that Crowley would see it was the only way they could save the world they had both come to cherish. And perhaps he'd see a glimmer of that happy angel he'd known so long ago... before Aziraphale had put thoughts into his head, thoughts that had ultimately led to...
Aziraphale shook the thoughts away.
"Uh, thank you for this... chat... I really had better get back to the bookshop," Aziraphale said delicately.
"Well, you don't have to answer immediately," said the Metatron, "Take all the time you need."
His expression, however, demanded urgency.
"I... I don't know what to say," Aziraphale faltered. He needed Crowley. He couldn't make this decision without him.
"Well then, go and tell your friend the good news," said the Metatron measuredly. Good news.
Would Crowley see it that way?
Aziraphale very much doubted it. As he crossed the street, he resolved that he was going to hard-sell Heaven to Crowley no matter what. Above everything else, he wanted Crowley to be safe. He wanted humanity to be safe. And the only way that was going to happen is if he had a voice. He exhaled, steeling himself for what he knew was going to be a very difficult pitch.
The bell tinkled as he entered, and he saw Maggie and Nina walking toward the exit. "We're just going," smiled Maggie. "I'm sure you two have a lot to say," Nina added, and they exited.
Aziraphale took another deep breath as his eyes fell on Crowley. Crowley was sat in his usual chair, leaning forward with his dark glasses on, his mouth hanging open as if in surprise. He thought, with a sudden rush of feelings, how accustomed he had become to seeing the demon here, and how comfortable Crowley had made himself here. These days he almost always took his glasses off around the shop, a level of vulnerability Crowley had only recently managed in the last year or so.
Crowley, noticing Aziraphale, suddenly stood, removing his glasses. Aziraphale felt his resolve soften as he looked into the demon's wide yellow eyes with their trademark snakelike slits. Yellow really was the most beautiful colour. He was so busy staring that he didn't even realise Crowley had begun to speak.
"Look, I suppose, um... I've got something to say. I know we ought to be talking about... uh, it's probably best if I start off doing all the talking, you do all the listening, 'cause if I don't start talking now, I won't ever start talking, right? Yes, so -"
Aziraphale barely heard a word of what the demon was saying. This wasn't uncommon when Crowley was around, Aziraphale did have a tendency to get a little distracted - but this time it was because he was desperately trying to think of the right arrangement of words that would help Crowley adjust to what he was about to hear.
"What's that lovely human expression?" interjected Aziraphale, flailing his arms wildly. He was feeling giddy. "Oh yes, hold that thought!" He pasted on a wide grin. Sell it, sell it, he told himself. "You see, I have some incredibly good news to give you!"
Crowley didn't look particularly pleased so far. "Really?"
"I, um... so, uh, um..." Aziraphale's arms were still doing most of the talking for him whilst he frantically tried to explain. "The Metatron, you know, I don't think he's as bad a fellow... Well, I think I might have misjudged him. You see, I... Well, he said, um..." Aziraphale noticed Crowley's expression darken with mistrust. Oops. Go bigger. "He said that Gabriel, obviously hadn't worked out..." Aziraphale laughed nervously, "as Supreme Archangel and Commander of the Heavenly Host, and he asked who I thought should take over in Heaven now that Gabriel was gone. And I said Michael, to which he laughed, and said there was only one candidate who made the slightest bit of sense. Me."
Crowley's face was frozen. It was hard to assess how he was taking this. "And I said, 'me?' And he said that I was a leader, honest, I didn't tell people what they wanted to hear and that they needed me. Of course I was surprised - I mean, obviously - and of course I said I didn't want to go, because... well... but then..." Aziraphale paused and took a step closer to Crowley, his entire face lighting up. "He said that if I was Archangel, I could restore you to be an angel. Full angelic status."
A beat. "He said what?"
"He said I could appoint you to be an angel." Aziraphale couldn't help beaming. Crowley deserved to be restored, deserved it more than anyone, in spite of everything Metatron had said, he knew that Crowley should never have Fallen. "You could come back to Heaven and... and everything. Like the old times. Only even nicer."
Aziraphale's smile lit up the room as Crowley held his gaze. "Right. And you told him just where he could stick it, then?"
Aziraphale's smile faltered. What had gone wrong? "Not at all..."
Crowley shook his head slowly. "Oh, we're better than that, you're better than that, angel! You don't need them, I certainly don't need them!" Crowley began pacing, avoiding Aziraphale's gaze. "Look, they asked me back to Hell, I said no, I'm not rejoining their team, neither should you!" His yellow eyes met Aziraphale's again and they were awash with confusion.
Aziraphale fumbled. "But.. well, obviously you said no to Hell, you're the bad guys." He saw Crowley's face change. Whoops. He should have said THEY are the bad guys. Crowley was anything but bad, and that was precisely the point he was trying to make. "But Heaven... Well, it's the side of Truth, of Light... of Good." And that's why you belong there.
"When Heaven ends life here on Earth, it'll be just as dead as if Hell ended it," growled Crowley.
Aziraphale was flustered now - this hadn't gone how he thought it would, at all.
"Tell me you said no," Crowley begged. Aziraphale looked away, avoiding the way Crowley's body broke a little as he stepped forward into the silence. His voice when it came out was devoid of all his usual venom. It was almost soft, pleading. "Tell me you said no."
"If... I'm in charge, I can make a difference," Aziraphale said. It sounded so lame and contrite given the weight of the conversation, but he really meant it. The angel had endured so much loss that he had been unable to control, so many of God's choices he had been unable to question or challenge. How many times had he had to sit back and endure human tragedies at the hand of God, wrestling with himself to try and believe that it was for the Greater Good but never understanding why. This was his opportunity to finally understand God's will - and perhaps even try to alter it.
Crowley sighed deeply and began pacing again. "Oh... Oh, God." He gulped. "Right, okay. Right. I didn't get a chance to say what I was going to say, I think I'd better say it now. Right. Okay. Yes. So." Crowley sighed, and Aziraphale noticed that the demon was almost imperceptibly shaking.
The energy in the room shifted instantly. Aziraphale instantly knew that whatever Crowley was about to say was going to change things. Permanently.
"We've known each other a long time."
This was it.
"We've been on this planet a long time. I mean, you and me."
He wasn't ready.
"I could always rely on you. You could always rely on me."
How long had he waited to hear these words? Words he was sure would never come. Crowley never spoke like this, not ever. Aziraphale's eyes flicked to the street where he could see the Metatron standing by Muriel and he shifted uneasily.
"We're a team. A group. A group of the two of us."
Aziraphale's blue eyes widened. This was really happening.
"And we've spent our existence pretending that we aren't." Crowley's voice cracked.
Aziraphale's mouth struggled to find words, but no sound came out. Crowley hadn't looked away from him once, but broke their gaze now.
"I mean, the last few years, not really." Crowley looked around the bookshop and Aziraphale knew that they were both thinking of the last four years they had spent together on Earth. No longer having to pretend to be on opposite sides. No longer having to deny their affection for one another. It had still been unspoken, but it had been allowed. They had allowed a life to grow, here.
"And I would like to spend -" Crowley began, but as his eyes met the angel's, he choked on the words. He looked away again, growled, exhaled, then regained his composure, whilst Aziraphale stared at the demon as though he were a freight train coming straight at him. Was Crowley really trying to say what he thought he was trying to say?
"I mean, if Gabriel and Beelzebub can do it, go off together, then we can." Crowley's voice was desperate, pleading. Aziraphale had never seen Crowley like this before.
It scared him.
Crowley was always the strong one, always the brave one, always coming to his rescue. Despite knowing the demon had a softer side, Aziraphale had come to rely on the demon's hard exterior. You always knew where you stood. Except now, he really didn't.
"Just the two of us. We don't need Heaven, we don't need Hell, they're toxic! We need to get away from them, just be an us."
An us.
In all honesty, they had been an us for quite some time now, and they both knew it. It was just one of those things they didn't say. Except all of a sudden Crowley had changed the rules and Aziraphale didn't know what his part was in this new dynamic. He felt lost. All he knew, all he had ever known, and all he had ever tried to do, was the Right Thing.
"You and me, what do you say?" finished Crowley, his eyes wide. Pleading. Hoping.
An eternity seemed to pass as Aziraphale stared into Crowley's open, hopeful face. He reminded him then of the angel he had been. It reminded Aziraphale again of what they had both lost, and what stood to be lost now. And even though Aziraphale had dreamed of this moment many times, in many ways, over many years - and in no version of his imaginings had he ever rejected the demon's affections - he knew that he could never place his own selfish wants over what was right. He wouldn't be able to live with himself.
"Come with me," he implored, stepping closer to Crowley, his blue eyes begging the demon to see reason. "To Heaven. I'll run it, you can be my second in command. We can make a difference."
Crowley looked stunned. "You can't leave this bookshop."
Aziraphale almost laughed. How could Crowley be thinking about the bookshop at a time like this? Humanity was at stake, for crying out loud! If they remained here on Earth and let Heaven and Hell wage their wars, there wouldn't be much of anything left, let alone a bookshop. The existence Crowley wanted wouldn't even be possible.
"Oh Crowley," Aziraphale said softly. "Nothing lasts forever."
Crowley's entire demeanour changed. He wilted, and with horror Aziraphale saw tears glisten in his beautiful yellow eyes. Crowley's face, that had moments ago been so expressive and open, turned to its usual impassive state. "No," said Crowley quietly, blinking and looking away. "No, I don't suppose it does." He put his dark glasses on, and Aziraphale realised that Crowley had read something into his words that he hadn't meant. "Good luck," he said flatly, and walked past Aziraphale to the exit.
Aziraphale felt the world drop out from beneath his feet. "Good luck? Crowley!"
He watched his demon pause, momentarily, then turn around. He knew he had to say something to convince Crowley to stay. He knew trying to convince Crowley it would be a good idea to go to Heaven would be tricky, but he knew that Crowley was at heart a GOOD person. He had to appeal to that.
"Crowley, come back! To Heaven! Work with me!" He saw Crowley's deadpan face and realised, with some shame, that he hadn't truly responded to any of the wonderful things Crowley had tried to say to him. Crowley had dropped his defences and tried to redefine their relationship and Aziraphale found himself unexpectedly unable to reciprocate. The words just wouldn't come. He gulped, now, examining his own feelings.
Did he care for Crowley?
Yes.
Did he love Crowley?
Yes.
Did he want to spend his existence with Crowley?
Yes.
But did he feel deep shame and guilt for loving him, a demon?
Also, yes.
Aziraphale tried. "We can be together!" he clasped his hands together, as if trying to press together what he wanted and what was right. "Angels! Doing good!"
Crowley wouldn't even look at him.
The feeling of the Earth falling away came back to him. He was really about to lose Crowley. "I - I need you!"
Crowley looked at him then. They were both remembering the many times they had protested quite the opposite over the years. Crowley looked unimpressed.
Aziraphale felt his whole body burn with frustration - he was offering Crowley a once-in-a-lifetime opportunity here. Fallen angels never came back to Heaven, not ever. And he knew Crowley deserved to be there. He wanted to undo the mistake he had made all those millennia ago, the guilty truth he had never forgiven himself for. He swallowed back a lump in his throat as he recalled the last moments before Crowley fell, how the angel had sought out Aziraphale's face in the crowds, his eyes wide and wild, hopeful and scared - and how Aziraphale had looked away. This was his chance to put Crowley back where he belonged. "I don't think you understand what I'm offering you."
"I understand," said Crowley flatly. "I think I understand a whole lot better than you do."
And that was the moment Aziraphale knew he'd lost him.
The world fell away, for good. Somehow he stayed standing. "Well... then there's nothing more to say."
Crowley was only two feet away but it felt like miles. And soon the distance would be a lot further.
"Listen," said Crowley, pointing up. "Do you hear that?"
Aziraphale barely heard him over the sound of his own panicked thoughts. "I... I don't hear anything," he said, unable to keep the frustration from his voice.
"That's the point," said Crowley, his words dripping with emotion. "No nightingales."
At the mention of nightingales, something hardened in Aziraphale. More unspoken understandings between them. The song 'A Nightingale Sang in Berkeley Square' had been playing on the night their life together began, the night they were freed from the confines of pretending they were on opposite sides. Neither of them had ever mentioned it, but Aziraphale knew it was a song that signified their relationship, their partnership, their freedom. No more nightingales meant no more them. Crowley was saying, in his own way, in the cruellest way, that they were over.
He saw something like satisfaction in Crowley's face as he realised the hit had landed. "You idiot," continued Crowley, frustration etched on every line of his face. "We could've been... us."
Aziraphale was the one to turn away now, hiding tears that had betrayed his resolve. Did Crowley think he didn't know what he was giving up? All he had ever wanted... but not at the cost of life on Earth. He couldn't bear to watch his demon leave, to walk away forever, if he looked at him a moment longer he knew he wouldn't be able to go through with it.
He heard footsteps, and closed his eyes, not wanting to see Crowley leaving - but instead felt a rough tug at his lapels, and before he knew it, he felt Crowley's lips on his. The shock reverberated through his entire body and his instinctive reaction was to pull away, no, I can't, I can't he thought desperately... but the warmth of Crowley's lips, the feeling of his body so close, the fact that it had taken six thousand years to finally close the gap between them, it was impossible to resist. It felt so good, to finally be... us. Despite himself, Aziraphale's hands stopped fluttering, and he pulled Crowley closer, giving in to the temptation.
The temptation.
Aziraphale's hands flew off the demon.
Hell assigned some specific demons to tempt angels away from Heaven...
Crowley let go of Aziraphale and Aziraphale gasped, overcome with a torrent of emotions. He hadn't known he'd wanted this until the feel of Crowley's lips pressing into his. It had taken a moment but the craving it had awoken in him raged through his body, a betrayal against all that he tried so hard to be. It felt exactly like that night in Job's basement, all those years ago... He wanted Crowley. His entire being ached to close the space between them again. He wanted so badly to forget all about the Metatron, Heaven, Hell, everything, and just throw himself back into Crowley's arms. But he'd been tempted, hadn't he? The serpent did what he does best, what he does so well, so slyly, what he's done for thousands of years... Aziraphale felt something inside him break, deeply, as he realised that, regardless of whether or not Hell was behind it, he had been tempted, and failed to pass the test yet again.
Aziraphale felt a cold, righteous anger sweep over him.
Crowley was staring at him expectantly. What did he expect? A declaration of love after having completely manipulated the angel's feelings?
I won't let you have the satisfaction of knowing how much you tempted me. How much you hurt me.
"I... I forgive you," Aziraphale said unsteadily, clenching his jaw in resolve. He regretted it the moment he said it.
Crowley sighed, a deep sigh. "Don't bother."
With that, the demon turned and finally left the bookshop.
Crumbling, Aziraphale let the tears come. He lifted his fingers to his lips, allowing himself for just a moment to remember what it felt like. He had never been kissed before, he had always thought it a peculiar human oddity, to press their faces together to show affection - he had not expected it to feel warm, to feel intimate, to feel like they were communicating in ways that could never be put into words. It was... magical.
But then he remembered who he was. Or at least, who he was supposed to be. Not an angel in love with a demon. An angel who did The Right Thing. An angel like that does not get tempted away from doing The Right Thing. If he was going to be Supreme Archangel, he had to be THAT version of himself.
He wiped the kiss away from his lips with vehemence. He would not allow himself to think about it, or Crowley, anymore.
Because if I did, I would run back to you...
As Aziraphale struggled to regain control of his emotions, the bell tinkled, and for a moment, one glorious moment, Aziraphale thought it was Crowley coming back to straighten everything out. Turning, he felt his hope fade as he saw the Metatron striding in. Quickly turning away to wipe the tears that threatened to fall and betray his emotion, he gave himself a quick talking to. This was no time for weakness.
"Well? How did he take it?"
Aziraphale said, truthfully, "Uh... not well." He chuckled nervously. He didn't want the Metatron to interfere with Crowley. He knew he needed to be careful about what he said.
"Ah, well, always did want to go his own way," said the Metatron dismissively.
Aziraphale stole a glance outside the bookshop and saw Crowley standing by the Bentley.
"Always asking damn fool questions, too," said the Metatron. Aziraphale recognised that this comment was a disguised warning to himself - don't ask questions. "Right, ready to start?"
Aziraphale felt his heart lurch. Hadn't the Metatron said he had plenty of time to decide? "I..." He glanced once again at the tall, dark figure standing outside. Crowley was stood completely still, watching Aziraphale from the street. Waiting? "My bookshop!" stammered Aziraphale desperately, trying to think of a way to give himself a little more time.
"Ye-es, well, for now, I've entrusted it to Muriel," said the Metatron matter-of-factly, indicating the young angel who waved exuberantly from the window. "So it should be in good hands."
"But..." Aziraphale stared out at the street. At him.
"Anything you need to take with you?" asked the Metatron.
Him, thought Aziraphale. Just him.
The Metatron's energy was cold, and forceful. Aziraphale could feel it coming off him in waves. He knew, somehow, that he had been backed into a corner. "No... nothing I can think of."
The Metatron made an affirmative noise and made to move towards the door, and it all suddenly hit Aziraphale - if he went with the Metatron now, it would really be over. No more cosy bookshop, no more books. No more sushi, no more sherry. No more music, no more plays. No more nightingales. A flash of what returning to Heaven would actually mean suddenly cut through Aziraphale and he understood, finally, what Crowley had been trying to tell him. There would be no going back.
Overcome, he rushed forward. "I think I -" he burst out, but stopped himself.
For once in your soft, silly life, do the Right Thing, angel! Aziraphale told himself sternly. This is about more than you and... him. He took one last look at Crowley. Leaning against the car on the street outside, the demon hadn't moved an inch, his dark-shaded eyes fixated on the inside of the bookshop.
"Nothing at all," said Aziraphale, straightening himself up and exiting the shop, plastering a fake smile on his face.
The street was busy, and Aziraphale could feel a pair of snakelike eyes burning into the back of his head but he wasn't going to look. If he looked, he'd run...
As they approached the entrance to the elevator that would take him to his new job, Metatron smiled at Aziraphale in a way that was intended to be reassuring but sent chills down Aziraphale's spine. "Well, I can't think of a better Angel to wrap things up, and to set into motion the next step in the Great Plan."
Aziraphale started. This was why he'd taken the job. This is why he'd forsaken everything he'd ever wanted. "Um, yes, you mentioned that. Can I know... what it is?"
"Well, it's something we need an angel of your talents to direct. An angel who is familiar with how they do things on Earth."
Aziraphale felt himself relax somewhat. Perhaps he had been mistaken and Heaven really was beginning to consider the merits of humanity. He began to smile.
The Metatron turned as the elevator doors opened. "We call it the second coming."
Aziraphale's face dropped its smile, now stricken with panic and fear. The second coming wasn't a fluffy visit from Jesus as most people believed... the second coming meant Judgement Day, when all of humanity would be judged and those found wanting would be thrown into Hellfire. The world, as they knew it, would be over.
The Metatron turned and looked at Aziraphale with steely eyes. Aziraphale felt as though the being could see into his innermost thoughts and tried to rearrange his expression. He looked away... to his left, the tall, dark figure of Crowley still leaned against the car. Definitely waiting. Aziraphale realised Crowley was holding on to the hope that at the last moment, Aziraphale would change his mind and choose their life on Earth.
But what will that be worth if we end up with no Earth left to live on, my dear?
It took every bit of strength Aziraphale had ever had to tear his eyes, his heart, his everything, away from the life he could have had and walk into that elevator. He sighed, inwardly letting go of it all. As he entered, it almost felt as though every step was being taken by someone else, and the smile on his face was a ghost of himself. He was so focused on appearing normal that he didn't notice the Metatron's sigh of relief and smile of victory as the doors slid closed.
"Going up," said the disembodied voice, and they began to move up towards Heaven. Every second that passed, Aziraphale felt his anxiety rise.
The second coming.
The second coming.
Judgement Day.
What had he done? How on Earth could he possibly circumnavigate this? And on his own? Without...
With another pang, Aziraphale realised that Crowley would be Judged just like everybody else. He knew in his heart that Crowley wasn't completely bad, but he had always been under the impression that Judgement Day was very black-and-white when it came to who was deemed righteous and who was not. He could lose him. He could lose everyone - and this time, it would be all his fault. No chance to shrug and complain that someone else had the power this time.
What could he do? What could he actually do?
As the elevator continued to take them higher and higher, Aziraphale racked his brains, and Crowley's words suddenly sprang into his mind. "Just to be able to ask the questions..."
Slowly, a plan began to form in his mind.
A plan that would begin... with a suggestion box.
Aziraphale smiled.
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furiousgoldfish · 8 months
Text
I'm going to sit down and try to explain this with patience, to everyone who still thinks calling out narcissistic abuse is 'ableist' or 'dehumanizing to the narcissists', and that abuse is something we're all equally capable of.
I don't think you understand what narcissistic abuse is, or how it differs from the other kinds of abuse. We can agree that all and any abuse is damaging, traumatic and scarring, but narcissistic abuse is so extremely pervasive, hidden, strategic and unbelievable, to the point where I can't honestly tell it's something any regular human would be capable of. And even more than this, the survivors of this particular type of abuse have found it extremely, extremely difficult to figure out they've been abused, even when they've been put through extreme, devastating, and absolutely dehumanizing scenarios. Realizing that your loved one is a narcissist requires your entire world to break down, and every piece of your heart shatters in the realization, and it takes months, even years to accept it.
The only way we can possibly figure it out is to connect the patterns. And patterns of the narcissistic abuse are focused on erasing one's own sense of self, one's perspective and ultimately, complete control over someone's emotions and behaviours. This is often done from early on, the grooming process starts at age zero, your value, worth and usefulness is determined by them, and you cannot wrangle yourself free from it on your own, not without someone confirming to you that you've been held captive, that your free will has been taken a long time ago.
Unfortunately, I have to give some examples, because I don't think it can be explained otherwise. When I was 2 years old, a narcissistic person found it a nuisance to watch over me, and they beat me up every time I disobeyed. I was a toddler. Then they proceeded to convince me that I was a demon, and would burn in hell regardless of what I do for the rest of my life. I've been brainwashed by this person to believe I was not a human being, had no human rights, that it was correct and regular for me to be locked up, beaten, and that it was my fault every single time, even when I did all that was asked of me. This person then had me comfort them after they would beat me, because it was a stressful experience for them. I wasn't allowed to cry. I would be beaten for making a face expression they didn't like. It was random and unexplainable.
Another narcissistic person created a game where they would give me wrong instructions for a task, then torture me when I did exactly as they instructed me to. It got to a point where I would beg them to tell me what to do correctly, and they would respond with a laughing 'you should be old enough to know this' and they would be even happier to beat me up and scream at me for getting it wrong. This person not only threatened to kill me regularly, but often made me believe I was in my last few seconds of life, putting me in position where I believed I was about to die. They forced me to work for them in unsafe conditions, heavy physical jobs, where I was not allowed to say I'm tired, not allowed to cry, and even after I'd do everything, they would still tell me I didn't deserve to eat. I was a child. I didn't think for a second I was being abused. I was already brainwashed to believe that everyone else had it worse, and that I was lucky.
I had no identity besides existing for them, I had no free will except to try and make myself into something they could use, and if I didn't do a good enough job, I'd be ostracized. They loved beating me, screaming at me and making me cry, and then they'd leave me in a room crying without being allowed to make any noise, while they laughed in the room next to me, as a family, loudly so I could hear what a great time they were having. They would treat other children gently in front of me in order to try and make me jealous. They would revise every part of what they did to me if I ever tried to bring it up. I wasn't allowed my own perspective, opinion, or complaint. I wasn't even allowed to remember the abuse correctly. I would be locked in a room and questioned and punished if my opinions weren't to their liking.
I don't believe this is something anyone is capable of doing. I don't believe anyone of us is capable of torturing a kid until the kid begs to be killed. I don't believe most of us are capable of erasing a child's point of view, their reality, their humanity to the point where the child is forced to live a life where they will either comply or be killed, and they will be tortured no matter what. This isn't a regular thing that a person can easily do.
Luckily, us who have been through this, have noticed that there is a specific pattern to their behaviour. That they use almost identical phrases with which their invoke guilt, fear and hopelessness. That they can go frighteningly fast from rage to laughter to acting hurt. That they enforce their will over ours with a specific type of terror that triggers both our survival instincts and our compassion and shame. That we've been groomed by them in an almost identical way - to not believe that we're allowed our own feelings, memories, opinions, point of view, or freedom. That we have learned to exist only to be an extension of them.
We also all noticed that we're all absolutely, beyond terrified of them, and that we don't feel we're allowed to say it, or think it. That we're taught by terror to keep believing that they're good people, that they do none of it on purpose, not even the most extreme, insane, egregious abuse. That they will go to any length, even committing more atrocities, to escape accountability. That they use tactics of darvo, gaslighting, double-bind, planting insecurities, triangulating, future faking, discarding, love bombing, mirroring, smear campaigns, projection, scapegoating, silencing, throwing tantrums, victim playing, like it's in their second nature. That they're genuinely, absolutely terrifying and almost unreal in how far they're capable of going. And most of all, that they are dangerous, and capable of completely turning another human being into their puppet, and never think for a second that it might be wrong. To them, we are nothing more but toys to manipulate, control, and discard. We are disposable. There is no limit to what they can do to us, because to them, we are not alive. They would do to us what normal people wouldn't do to a corpse. And they feel superior for it.
People abused by narcissists from early age are likely to develop the most complex and extreme disorders, complex ptsd and dissociative identity disorder being some of them, because that's what it takes to survive being a child and existing next to a narcissist. This means that small children need to be shattered in pieces in order to please the narcissist. Others that are very common are eating disorders, anxiety, depression, paranoia, avoidant personality disorder, panic disorder, and compulsions to cater to everyone's needs, to the point of our own destruction. This is what they make of us, on purpose, in order for us to be of use to them. And they will forever insist it's their right.
When I'm saying the word 'narcissist', I am not referring to 'anyone diagnosed with npd', I am referring to a person who will do this to a child, and insist on doing it for the rest of the child's life. I am writing it because I don't want children to have to live like this forever. I am not aiming to dehumanize the narcissist, their actions show who they are, I am saying, be careful and aware that this person will dehumanize you. That you are disposable to them. That making you feel good in order for you to like them, is a game to them, and one they're very good at. That playing the victim at you and demanding justice, will easily manipulate you into standing against the victims of abuse and talking down to them for 'dehumanizing their abusers', and being 'ableist to the npd', after being tortured past the point of return by those people.
A lot of us are permanently damaged by what's been done to us. We are not asking for justice. We're not asking for revenge. We are asking to be safe. We're asking for this to stop. We're asking for children not to be left alone with people who are dangerous to this level. We're asking you to understand that a narcissist left alone with a child means a child in danger.
It's common to not be aware just how bad it can go, because we think that most humans know not to torture a child. We believe that nobody would do things to children that narcissists do. If you read the stories of the survivors, you'll find out what actually happens behind closed doors. The themes of torture, dehumanization, sexual abuse, brainwashing, violence, and extreme cruelty are common, even towards toddlers.
I need you to not attack those children when they grow up and say they no longer want to be around narcissists. I need you to understand that they know what they're talking about when they say it's not safe, that they want to be protected. The society already failed to protect them at their most vulnerable, and they had to make it alive by their wits alone. And now you won't even let them speak without attacking them? It's inexcusable.
If you want to know about the narcissists, read what their victims have gone through. Then make a judgment on whether we're allowed to speak, and whether it's worth warning others to hold caution. I've heard and read stories of narcissistic parents sex-trafficking their own child, holding them captive and locked up and convincing them it's right to do this, using brutal punishments to 'train' them into inhumane slave-like behaviour, keeping the children in state so terrified the children wished they were dead. And in all those cases, they still convinced the children to love their parents, and to never blame them for any kind of abuse. Yes, even in the sex-trafficking cases.
Fighting for those children to realize that they didn't deserve that, is the only correct thing to do. Fighting to help them realize they're in danger, and that they deserve safely, it's not only right but extremely necessary, it's what we all should be putting all of our energy into.
Wanting to keep others safe will never be wrong. Wanting to protect those who still have their identity, their sense of self, their undamaged humanity, their free will and their point of view, that's worth fighting for! And above all, those who already lost it all, need to be protected. We cannot allow for already badly wounded people to be dehumanized over and over again. Nobody deserves that.
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yuurei20 · 6 months
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Concerning the Vil-Epel drama: I'm from a Scandinavian country and even here we have dialects. I haven't heard them myself, but my mom has and she says they are literally impossible to understand and you need a translator to speak with them. And it's not a bad thing- we don't say those people are less than or anything of the sort- it's just like holy cow we cannot understand anything they're saying, how are we supposed to communicate like this (especially when they understand us since our dialect is the 'base' dialect). If anything, it's funny because of how a dialect can make the same language not understandable, and also disappointing/frustrating that we can't talk to them because we literally don't know what they're saying. So to me it seems like part of the reason Vil wants Epel to not speak in his dialect is simply so people can understand him better and so people can actually communicate with him. We've seen in the Harveston event (if I remember correctly) that the others have no clue what Epel says before they jump the gap, and they need to ask his grandma to translate. That's an example of how if he didn't remove his dialect people would not know what he's saying. I don't think it has anything to do with negative connotations towards the dialect (I bet Vil would encourage it if they were in a situation where it would be beneficial/welcoming), but rather Vil trying to teach Epel that it's not about hiding your dialect/culture, it's about being considerate to those around you to have them understand you (like how you pointed out his granny changed to polite speech when talking to the NRC boys). Don't you think even granny would have at some point taught Epel that? (Although not in the same manner or extremity as Vil).
There seems to be some discourse going on of which I was not aware!
Thank you so much for your perspective!! It is very interesting and informative and wonderful to know!
Yes, it does seem strange that maybe no one warned Epel about interacting with people outside the village, but maybe they did!
This gets into conjecture because we have nothing in-game to confirm either way, but it might be possible that they just assumed he would pick it up through personal experience, or he just wasn't able to make the connection between their warnings and what real-world experience would be like.
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Marja herself has no problem with adapting to the time/place/occasion, but as Epel is still a child with limited exposure to people from other cultures, we are watching him experience this learning process in real time!
In a way, Epel's experience at NRC could maybe be interpreted as Vil encouraging him to be more like his grandmother :> Epel was likely aware that the older people in the village adapt their speech patterns when necessary, but maybe never made the connection about exactly why?
He knew it was polite, but when early-Epel shows up at NRC, he is already in fighting mode: he has no interest in being polite, which he might have seen as making concessions and, thus, a weakness.
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Bullied his whole childhood for his appearance he decides he is going to set the record straight from day one at NRC so that people know not to mess with him, and then Vil comes in.
It seems like it all connects to Epel's arc as he learns that you can be conscientious of time/place/occasion (like his grandmother), but still be proud of your heritage and strong (like his grandmother).
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And you can be beautiful (like Vil), but still be strong (like Vil).
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(Because Vil is Vil his wording has a lot to do with the importance of beauty, but the more I think about it, the more it seems like Vil is just trying to prepare Epel for life in a society.)
There is an ongoing theme with Epel that we see in Book 5 and Halloween where he gets jealous of people who can do things that he can't, so he doubles down that he is right and they are wrong in order to make himself feel better about his shortcomings.
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That might also tie in to his frustration with Vil's restriction of his dialect!
He has more difficulty expressing himself without it, so rather than do what Vil is trying to get him to do and work on it, by Book 5 he is still doubling down and insisting that Vil is the problem, not himself, despite how he was raised watching everyone around him do exactly what it is that Vil is saying he needs to do.
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I really appreciate everyone's introspection!! The more you think about it, the more interesting Epel, his family, his relationship with Vil and his circumstances become! :> He is living through his own, personal coming-of-age story before our eyes!
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scoobydoodean · 8 months
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ppl get mad when dean’s “love” is “conditional”
but don’t blink when others erect “healthy boundaries” and “respectful expectations”
do you think dean is expected to be this idea of perfect, unconditional love in ways other characters are not?
thx
Hey anon sorry it took me a while to circle back to this! I was trying to find a related post for you but I never found it. :(
I don't know if most people expect Dean to be perfect, but I do believe that without realizing it, a lot of people hold Dean to very unreasonable standards and don't believe he deserves boundaries of any kind—including regarding his own feelings. For example,
Dean is often demonized for not trusting people immediately after they have broken his trust (ex: 4.21, 5.02, 5.05, 6.20) in a way fandom would never demonize Sam or Cas for not trusting Dean after Dean lied to them.
Dean is often criticized for not "opening up" to Sam. Not only is Dean under zero obligation to use Sam as a confidant, but the expectation always seems to be that Dean become "ready" to talk on Sam's timeline, and anything outside of what Sam considers to be an acceptable timeline is criticized by Sam and fandom from some cringe pop psychology perspective on emotional health (2.02, 4.09, 13.04). Sam, on the other hand, is never treated as if he is obligated to open up to Dean, and the countless times he says he doesn't want to talk are immediately dismissed as normal and his boundaries are treated with respect.
Dean was criticized by fandom immediately in season 13 for not parenting Jack correctly and not "being there" for Sam. Dean was very clear that he didn't want to be Jack's mother. Dean was under zero moral obligation, at any point, to adopt Jack and treat him as a son. However, portions of fandom consistently—from 13.01—insisted on judging Dean based on a poor "parenting" performance to someone who was not his kid, and who he explicitly stated he did not want parent. Many fans did and still do criticize Dean for not immediately setting aside his grief over Mary, Cas, and Crowley and joyfully accepting a parenting role over someone he had every reason to believe brainwashed his best friend which lead to his demise. (I say all of this separately from how Dean treated Jack as a house guest).
Dean is expected to forgive Sam and Cas on their timelines (season 5, season 15) but if they are angry at Dean, any length of time they might choose to hold things against him—including indefinitely—is justified and often applauded. In fact, you would often find—especially with Sam—fans over and over cheering Sam on for "standing up for himself finally" as if every time of the dozens of times he did that, it was the first time.
Dean is very popularly demonized for not forgiving Jack for murdering his mother. Jack can kill Mary because he was "scared" or "mad" and that's fine but Dean having a single feeling about it is out of line to this fandom. (As an aside—no—I don't think soulless Jack killing Mary was an accident based on how soulless!Jack described it... but either way it doesn't matter when it comes to how Dean is allowed to feel about it.) Mere hours after the incident occurs, Dean is expected to be flowering Jack with love and forgiveness, and the fact that he didn't makes Dean a monster.
Dean is demonized for putting Jack in the mal'ak box and when the episode aired (and again—continuing to this day within the fandom) it was framed by and large as if Dean was the sole perpetrator of that act, while Sam's role was brushed under the rug or fans straight up insisted Dean somehow "forced" Sam to go along with him (despite Sam very clearly being fucking terrified of Jack). Cas, a single episode later, enquiring about putting Jack in The Cage is also completely dismissed. Nobody gives a single fuck.
Dean saying (he thinks privately to Sam) he doesn't consider Jack family after what happened with Mary. I'll make myself abundantly clear: Dean has every right to feel this way. And let's be real—if Sam said he didn't see Jack as family, almost nobody would give a fuck... which goes for everything on this list?
Which brings me to the why of this ask.
Part of the reason Dean is held to different standards is down to some of fandom's desperate need to perpetuate Dean's childhood parentification by holding him responsible for everyone in his life. Because Dean is Mr. Parentified Child, he MUST accept Jack as his child because that's who Dean is—a defacto parent to everyone in his life, destined to be treated like the universe's mommy and then judged for doing a bad job at a task he does not have the power or authority to handle as if he did have that power and authority... and if he complains he's a selfish, cruel, evil monster.
Another reason is Dean's overarching role in the story, as the narrative heart and the hearth of the house. You cannot miss, in SPN, how central Dean is to the concept of belonging somewhere—of having a home—of being loved. I've said before that Dean's love is practically regarded as a human right in Supernatural. Dean really represents the idea of being loved at all—the intrinsic human need to be loved and accepted by others.
Sam or Cas could say they don't love someone, and it would just be taken as a personal opinion with no greater weight or significance. If Dean says he doesn't love someone, that carries a very special meaning to the fans and has a very special impact on the character who hears it. And while it may hurt another character to hear that from Dean... it also is not fair, in any sense of the word, to treat Dean's love as something everyone is entitled to—to deny his personhood and autono-[gunshots]—to act as if he is obligated to force himself to love everyone—as if that wasn't deeply unfair and also literally impossible.
One of the reasons Jack instantly attaches to Dean like a baby duck in season 13 despite Dean's cold, grief-stricken exterior while Sam is standing right there being "supportive" (besides Sam's poorly-concealed ulterior motives) is that Jack implicitly understands that Dean, whether he wants to be or not, is the Winchester family house. In order to ever feel like you belong in that house—like you are in that family—Dean has to love you. Fans also understand this whether they know they do or not. They know it doesn't matter if Sam says "You're family". If Dean doesn't say it—if Dean doesn't feel it—it will never feel real. Because of this, fans feel an entitlement for Dean to bestow instant love and forgiveness on their faves in a way they would never ask that of Sam or Cas... and they also perceive Dean as aware of his unique role and often perceive him as using it to control others or make the family a dictatorship... when Dean is literally just being a normal human being with boundaries and feelings, who did not choose to be perceived in this way, and whose feelings do not simply stop existing just because of this unfair perception of him and how everyone else is tying their self-esteem to him in ways Dean has zero control over... and their needs do not trump Dean's right to boundaries and feelings as just a guy—as just a human being!
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Hey Raven! Hope you're doing well, and I hope you had a great holiday, if you celebrate, that is.
I hate to clutter your ask box with something like this, and you don’t have to answer, you can just read this with an open mind, but I feel you're the only one I could go to with this without being straight-up attacked. It's also why I'm asking anonymously.
But, what's your stance on the whole war between the JP and EN versions of the game? I'm not asking you to pick a side or anything, I just wanna know your thoughts.
Obviously, I'm an EN player, and idk if you seen, but there's some hateful things out there about us, and honestly, it's hurtful and disheartening to every time I get up here. And it's always on this we as players can't control. Mainly the dialog translations and it's changes.
I've seen people calling us dumb and weak, saying we water down everything because we can't take it, etc. I've seen people saying we don't know how to really correctly and analyze characters and that we're not even playing the same game. They say we've ruined the game, the fandom, and that they wished it was never localized. I've also seen quite horrible things, but I don’t wanna repeat the things said, but yeah.
And the kicker is, it's only the JP side I've seen post this stuff. I've seen more hate come from that side more than anything, and of course not all, like you. You're my fave btw.
So yeah, thoughts?
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Hello, hello! ^^ I’m not really a super big celebration person but I’m hunkering down for a cozy hibernation this winter ❄️ I hope everyone had/will have a good 2023 holiday season~
Before I provide my response to the question posed in this ask, I want to make sure we're all on the same page for this discussion first:
Please be advised that my perspective is coming from that of someone who started off playing JP in March 2020 and then picked up EN when it came out in January 2022. I have played on both servers since their initial launches.
When I refer to TWST JP and EN fans in this post, I am only referring to the English speaking fans (as in, English speaking fans who play JP and English speaking fans who play EN).
For the sake of simplicity, I will be disregarding “hybrid” fans (English speaking fans who play both JP and EN) as a separate category and will lump them in with “JP” fans (English speaking fans who play JP). This is because I assume most mixed fans started off with JP and then adopted EN later on.
I am not talking about ALL English-speaking JP and/or EN fans here; I am only talking about the ones Anon described in their ask.
As the Anon said, I ask that you go into this post with an open mind; do not assume that I will bash JP and/or EN, take sides, defend or condone toxic attitudes, or that this post exists just to “stir the pot”. That is not the purpose of my response. The purpose is to have a meaningful and constructive discussion about TWST’s fandom culture, particularly as it pertains to English-speaking fans. I hope that in talking about this, we can better understand “the other side” (however you may personally define that) and work toward making the fandom space more welcoming for all.
Please read the entire post and think about your own choice of words before commenting and/or sending in an ask about this topic, should you choose to.
To the Anon that submitted this ask and to anyone else that plays EN and may have had similar thoughts: I’m sorry to hear about the negative experiences you’ve had in the TWST fandom. I hope that this post brings you some peace of mind, if not at least some catharsis for what you may be feeling.
Firstly, it’s important to understand the mindset of both JP and EN fans. As such, I will delve into the background and the development of each side. It is NOT meant to justify either side, but rather to inform you on how each perspective originated and grew to what it is today.
The animosity and opposition to an official English version of TWST has been present for a while. An English version of TWST has always been contentious, even long before the localization was announced. Some wanted it to happen for accessibility reasons (as some people find it tedious to hunt for translations) or were supportive of the idea because it means a larger fanbase and thus more potential to make friends or to discuss the game. Others were more apprehensive of the quality of a localization (as much tends to be cut or censored to make the content more palatable) and/or claimed that expanding the fanbase in such a way would bring in more “bad apples”.
When EN first came out, it did, in fact, expand the fanbase. However, many were quick to notice the many (and I do mean many) errors and short sightings present in it: frequent spelling and grammar mistakes in the game and on official social media posts, inconsistent phrasing, incorrect translations, game-breaking glitches, frequent censorship, half-hearted promotions, etc. EN also became infamous for its absolutely brutal pacing of content in the early days, particularly related to the limited story event schedules (including back-to-back Halloween events). This, in combination with EN’s constant pushing of paid gems (which occurs far more frequently than in the JP server) has left a bad taste in JP fans’ mouths. To them, TWST EN did not make a good first impression and continued to misstep again and again. This is especially true of the many dialogue changes to make the TWST localization more “culturally appropriate” (which is the definition of what a localization is; there is a reason why TWST is not called a translation, which would be a more accurate/“faithful” or direct translation of the dialogue).
The claim that “EN fans are weak/can’t handle the real story” likely arises from how EN has removed or altered details which may offend western audiences. This includes things like the term “master”, the mention of Azul’s weight, Kalim’s “30-40” siblings, etc. These are conscious decisions made on the part of the game localizers to make TWST more broadly appealing and appropriate for a western audience, where such topics are contentious or considered taboo. This is adapting TWST to a new culture so that it can (in a dry business sense) perform well. However, I also want to mention that some cultural changes EN made do significantly alter the story/characters (such as Jamil no longer stating his family will be on the streets if they defy the Asims; in EN he only says his parents will be bad at him), particularly if you are viewing through an EN-only lens. Unfortunately 😔 as much as I can point the nuances of localization out, there will always be fans who still oppose any sort of censorship. This is also true of the anime and manga community in general, and this post isn’t large enough in scope to tackle those issues. I only mention this here to help you, the reader, better understand the changes from Disney/Aniplex.
A lot of the original negative feelings that were there before EN was announced were then confirmed by the official release, and this strengthened the dislike of EN on the part of JP fans. These JP fans may then become hostile toward EN fans who defend the localization (whether or not they have the context of TWST JP) because, in the eyes of the JP fans, the localization is not as good as it could be. Ultimately, it seems like their intense feelings stem from passion for what they love and not wishing to see it “desecrated” rather than an actual hatred of fellow fans. JP fans are upset because they fear EN fans are not getting the full scope of the characters and a story they enjoy, and they want others to appreciate those aspects of TWST as well.
Of course 💦 the fact is that EN fans are not responsible for the localization. But EN is there and that is what is the easiest and the most time efficient for English-speaking audiences, so most people will go with that rather than alternatives (ie hunting down fan translations). The issue is that some JP fans conflate simply consuming the localization as being bad or the “wrong” thing to do, and thus, by proxy, extend this frustration to EN fans themselves (especially those those are EN only and have zero prior knowledge of JP) and not just the product. Again, this is because they tend to see JP as the “full” version, without the changes or censorship present in EN. This inevitably leads to discrepancies in understanding between JP and EN, whether due to staggered release of new content or how the characters are presented differently between the two servers. To those who say “the versions are basically the same except for minor changes”, I disagree. There are several dialogue changes that appear small in isolation, but because TWST’s narrative is told primarily via dialogue, those “small” changes are actually very large and can drastically modify how one perceives a character or situation without explicit knowledge of JP to balance it out. When Jamil is made an “employee” rather than a “servant” and worries about his parents being mad at him instead of his entire family literally being on the streets for defying the Asims, it takes away the bite from his motivations. When Cater inserts a #WOW that wasn’t there in JP while Riddle is breaking down sobbing, or makes him come off as far more insensitive than emotionally aware. These are just a few examples, but they are very prominent ones that can change how an EN only fan sees things. The idea that “we aren’t even playing the same game” can ring true to some JP players because of this.
It cannot be helped that EN fans would interpret the characters and stories differently when the localization is their only or primary source of TWST content. Not everyone has the time or the desire to look for more accurate fan translations (not all fan translations are the same quality), as some JP fans have suggested. If EN fans want to, that’s great! It’s nice to expand one’s knowledge and to be cognizant of the changes between the versions. There are many blogs out there dedicated to educating people on these matters, and many EN and JP fans alike flocking there to be informed. But that level of engagement shouldn’t be demanded of anyone. To deem those that don’t engage in “further research” as “lazy”, “dumb”, or a “fake fan” is not acceptable, not in the name of love or otherwise. The expectation to “do homework” only puts pressure on EN fans to be a certain way or else be rejected by the fandom, and that only breeds more hatred and negativity. It makes EN fans feel “not worthy” of being a fan unless they study up, when the truth of the matter is that no matter how much we like TWST, it’s… media at the end of the day. People are free to consume their choice of media however they like, and that includes casually or at their own pace. It’s not fun to be in a fandom where others are breathing down your neck and policing everything you do, especially since these spaces are meant to be a temporary escape from reality. If JP fans meant to gatekeep in an effort to make others recognize the “real” greatness of TWST, then it’s failing because this kind of attitude only serves to drive new fans away.
Among EN fans, there is this idea that “JP fans are stuck-up”. I can understand where this thinking comes from, as I have witnessed hatred for EN myself which comes unprompted and has killed many conversations. Admittedly, some points are geared toward the company themselves (and those are valid), such as rushed and/or inaccurate translations or the pushing of paid gems, but I’ve also seen my fair share of nastier, invalid comments directed at EN fans. There are JP fans who actively hope that EN will shut down or who outright dismiss EN fans because of the version they play, thinking of their thoughts and opinions as “lesser” or doubting their media literacy skills. It’s true that this behavior is out there in the fandom, and that is unfortunately a sad reality.
That being said, JP on EN hate is not the only form I see, and nor is it the majority. It goes both ways (and I would say about equally for all, although this is just based on anecdotes and not objective data). There is plenty of JP on JP hate (particularly when someone spreads mistranslations around as though it were the truth) and EN on EN hate (arguments over what is and is not appropriate to ship, differences in headcanons, harassing fans that fall outside an “acceptable” age range, etc). There is also EN on JP hate which feeds into a dangerous back-and-forth with JP on EN hate. I briefly mentioned before that EN fans tend to believe JP fans are elitist, and this leads to assumptions being made about anyone that critiques EN and sometimes lashing out about it. I myself have previously been accused of “hating” EN because I often make posts commenting on the changes made between EN and JP (which ones I think work and which I think don’t). This preemptively defensive behavior drives another wedge between JP and EN fans, making JP fans reluctant to engage with EN fans, which then fuels the belief that JP fans think they’re “better” than EN fans (when really, some JP fans may be intentionally distancing themselves for their own wellbeing). Additionally, a lot of behavior deemed more acceptable in western oriented fandom spaces (such as moral justifications, taking pictures without crediting, callouts of other fans, and incorrect use of fandom tags) are not so for JP spaces (or those familiar with JP spaces). There have also been times when EN fans harass the actual Japanese-speaking side of the fandom (be it Japanese fans or the devs themselves) and demand (not ask, but demand) content that caters to them or free translations of fan comics they make. When EN fans fail to observe such “basic fandom etiquette”, it leads to JP fans thinking them rude or entitled, which makes JP fans reluctant to interact with EN fans and, again, feeds into confirmation bias. It’s a viscous system.
What is “ruining” the fandom is not just one side. There has always been turmoil present in fandom spaces. It just appears more visible now that TWST’s popularity has grown to this degree. Right now, both sides (JP and EN) are antagonizing each other because of a loud minority that’s attacking the other side. That minority then gets extrapolated and assumed to be behavior of the entirety of the other side, and that is what keeps the hate going.
If I’m being entirely honest 😔 I don’t think these tensions will realistically ever die out; the fandom is too large to “stomp out” what has already been established in its culture. When both sides are fueled by something so strong—a passion for TWST—it’s hard to seek out and/or to consider alternative perspectives. We become fixated on their own negative experiences and fail to think about where the “others” maybe be coming from, and then close ourselves off from discussion. That promotes isolation and contempt rather than friendliness and cooperation.
If we want change, then it starts at an individual level and in smaller TWST communities. We shouldn’t assume the worst of “JP” or “EN” fans; we are all TWST fans. Let’s keep open-minded and welcome other fans and their diverse schools of thought. And if you don’t feel comfortable with that, that’s also fine! You’re allow to keep a distance and curate your online space as you like; just please don’t go out of your way to disparage others, you have your own lane and others have theirs. Don’t encroach on other lanes.
Maybe we don’t necessarily agree with each other or we think may hold different opinions—but that’s good, isn’t it? The freedom of thought and the open exchange of ideas promotes flexible thinking and can lead you to see things from a new angle, or perhaps develop a new idea of your own. If we all thought the same way, then life becomes boring or it can cultivate an “us versus them” narrative that sparks online wars.
Let me put it this way to close off the post: isn’t this the message that Twisted Wonderland itself is trying to teach us? The true value of attending Night Raven College isn’t just about receiving a good education. Countless times it has been stressed to us (and often by Lilia, the oldest and wisest of the core cast, someone who used to be resistant to opening up to outsiders) that it is vital to understand other people in spite of how different we may be. Let’s take a page out of the students’ book and try to live up to that ^^
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multiversebaddie · 1 year
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Simplifying the Law of Assumption and reality shifting: How Abdullah taught Neville Goddard the Law
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Disclaimer: I have a lot of love and respect for Neville Goddard and his teachings, but I think it's important to note who started it all: which was Abdullah. I want to give a different perspective on how Abdullah taught Neville Goddard the law of assumption, which is so simple. This post will answer all of your questions in regards to manifestation.
I think at this point, we are all familiar with the story of Neville Goddard wanting to go to Barbados. When he asked Abdullah for guidance, Abdullah confidently said to Neville Goddard that he already was in Barbados. Abdullah didn't tell Neville to work on his self concept, to affirm 10,000 times to manifest, to visualise, to script, etc. Simply, he told Neville Goddard that he already had his desire right now no matter what, that he already was in Barbados. Every time Neville would begin to doubt and spiral, Abdullah would slam the door on his face and not continue the conversation in regards to his trip to go to Barbados. Neville Goddard then shifted to the mindset and kept the faith that no matter what, he was already in Barbados and he got to go to his trip in a way he never expected it! On top of that, he went first class because Abdullah told him so and at this point Neville had faith within himself that he went to Barbados first class.
Manifestation and reality shifting aren’t action based, it all stems from your mindset. When it comes to manifestation, you either already have your desire, or you don't. When you reality shift, you are either in your DR or you aren’t. You do not manifest in steps, you simply go to the end of already having that desire. When you use “shifting methods” the goal is to realise you are at your DR already right now, it’s not about “getting” there. All you need is intention to reality shift, no methods at all, intention is just the decision to shift. The moment you decide: I am at my DR, you officially set the intention to shift and you already are at your DR instantly. Manifestation and reality shifting are always instant no matter what. When people say you are in the state of the wish fulfilled/sabbath state/state of knowing/living in the end, it's all the same exact thing worded differently. You already have your desires/are at your DR right now, point blank period. There's no right or wrong way to manifest or reality shift all you have to do is think FROM the end of already having your desire/are at your DR right now. In other words, decide that you already have your desires/are at your DR and accept it as a fact. Do not think of your desire or DR: wondering if you are "doing" a manifestation or shifting method correctly, where your desires are, or why you aren’t at your DR. If you truly understood that you already have your desire/are at your DR the moment you want it/set that intention no matter what, you wouldn't even do any manifestation or shifting method or worry about it in the 3D. If you already had that mansion, would you constantly be doing a manifestation method in order to get the mansion? If you already were at your DR, would you constantly tell yourself you are at your DR? No, you would live your life normally knowing you have your mansion/are at your DR right now. That is how you think from the end and manifest/reality shift. Creation is finished, it is done, there's nothing else you need to do. It isn't about trying to "get" something or “get to your DR” that already exists within you. It's about deciding you have your desires/are at your DR right now, accepting the fact that you already have your desire/are at your DR right now, and persisting in that fact no matter what with faith.
Abdullah also taught to Neville Goddard: "there is no such thing as “a little pregnancy.” No such thing. If you did it, then you’re pregnant. Let the child grow. And interference with it is going to be a miscarriage. You assume that you are in Barbados. Now you are pregnant. The idea is that you are going to give birth to a journey which will land you right in Barbados. So you’ve assumed it. That is conception. Now, don’t try to argue. You have conceived. And all you have to do is be a faithful mother, and bear that child, and don’t discuss it with me anymore." In other words, the moment you assume (aka accept) that you already have your desire/are at your DR right now, you are going to get it no matter what; just like how a pregnant woman is inevitably going to bear her child. There's no such thing as a "little pregnancy" you either have your desire/are at your DR or you don't. When you begin to spiral, doubt, and wonder if you are manifesting or reality shifting "correctly" this is how you cause a miscarriage to your desires. So all in all, just remain loyally faithful to the fact that you already have your desires/are at your DR right now no matter what, in other words persist no matter what.
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AITA for pretending my original fictional characters are my "friends" for the purpose of asking questions online?
Alright, so hear me out: I'm a writing hobbyist, I run a long-term D&D campaign, I like writing characters a lot and sometimes do it even outside of any stories, you could even say that it's my passion. Whenever I create a character that would have experience with something that I don't, I try to experience that thing myself, or if I can't, I ask others online about their experiences to make sure I can write my character accurately.
Here's the problem: back when I used to ask questions online from a writing/creative perspective, I felt like a lot of them concerning more controversial topics were getting dismissed and I got a lot of unsolicited writing advice unrelated to the original question. The most infuriating were always "You shouldn't write a character like that." or "You should change this integral part of the character to remove the issue that you're having."
Now, you can have whatever opinions you want about writing certain aspects of characters, but I would kindly ask you to shove them up your ass. I firmly believe that you can't judge a character accurately merely by their character traits written down in a vacuum, the execution is what really matters. One trait that could be seen as problematic when written badly can really enhance the character, story and it's themes if incorporated correctly. I'm not going to remove integral story-relevant characteristics of my OCs, and I sure as hell am not gonna delete them entirely just because an internet rando didn't believe that I could do them justice. Literally the entire reason why I'm asking these questions in the first place is because I'm trying to be as respectful/accurate to your culture/ethnicity/sexuality/gender/religion/disability/anything else. I GENUINELY want to learn and understand, so why don't you at least try to give me the benefit of the doubt instead of assuming it'll be done terribly?
Anyway, to give some examples of the questions that I've asked that were met with this kind of response:
"How would you write an autistic character who uses ASL but doesn't like to emote with their face?" (Was told to simply "make" the character like using their face even though it would go against how their other symptoms interact with each other, plus it would change how other characters view them and thus the story itself)
"What kind of slang would a black character raised in Brooklyn use?" (Was told to not write a black character using slang as a white person.)
"How would a Muslim character go about leaving their religion after losing their faith?" (Was told that the mere idea of an ex-muslim person was offensive)
I don't know if other writers also struggle with this, or if I'm just the unluckiest and always attract those kinds of people somehow, but after having to deal with it way too much I simply started lying and pretending that my characters are real so people would stop questioning my writing choices and just focus on answering my actual questions. For example, instead of the three questions above nowadays I would ask:
"Me and my Autistic friend are learning ASL together, but she doesn't like making expressions for sensory reasons. Is there anything else she can do?"
"What are some examples of actual slang used by black people in Brooklyn? My friend is from there but he likes to mess with me by coming up with fake words and pretending like they're slang, at this point idk what to believe."
"My friend lost their faith and is planning on leaving Islam. They don't have access to internet due to their parents so they wanted me to ask about what could be the possible consequences and how go about the process, or even where to start."
Also, obviously, I do way more research than just these questions, but I also really want to know the opinion of people in these communities about these topics and the discussion that develops from it. That's not something that simply reading a book or an article on a topic can give you and I believe that interacting with the community itself is an important part of properly portraying characters that belong to them as well. Still, a few of my friends told me that it's kinda shitty of me to lie in this way, especially when the end goal is to be respectful about certain traits yet me lying to these people is a sign of disrespect in their opinion. Personally I don't see it that way, I simply want people answering my questions to treat them seriously and if presenting them as real scenarios is what gets them to do it I feel like I have no choice, it has nothing to do with the respect I have for the communities in question.
Also, if this matters at all: 90% of my writing is entirely personal and will never be published in any way at all, the other 10% being the writing that I do for my D&D campaign which only my players get to witness.
So, with all of that out of the way, AITA?
What are these acronyms?
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bara-izu · 2 months
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Do you have any advice on how to get over lack of skill? I want to do the Astarion Lestate trend but I don't think my skills are ready for it. I have references pictures of Astarion pulled up when I'm working, and even have the game launched so I can turn him if I need to (mostly for the attempts I did at his hair) but everytime I tweaked something or started over nothing looked right. I keep getting frustrated 😭
Hi anon- Sorry this took me a while to get to, i hope you and others can still find this useful! While the basic advise to get over 'lack of skill' is PRACTICE, PRACTICE, PRACTICE! i hope this will help you knowig where to get started with that!
I'm going to put my teacher pants back on, this might be a bit long so buckle up- I'll go over a few areas:
Primitive Shapes
How to Use References
Delete your work (hear me out)
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Primitive Shapes:
This is your foundation. Everything starts with this, and while you may find it boring to think of your art in terms of cubes and spheres- i kid you not it will help elevate your work.
If/when you are stuggling to draw a complicated pose, or a specific perspective, refering back to the form in these basic shapes can really help to simplify your process and help you problem solve.
A chill/silly watch for a more in depth discussion on what i mean / how this can help - Give Pikat's 'Draw boxes (correctly) to improve your art' a watch. They also mention this in the video but @/Uncomfortable on youtube also has some great fundermental videos.
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How to use references.
Okay so references are great 10/10 very useful. But, unless you know WHAT to study from a reference, they can sometimes fall flat of their usefullness.
Anatomy studies are something a lot of us will be recommended as artists, but actually knowing what to pay attention to can boost your confidence in your work. Start with a goal, what do you want to get out of this sketch session? Do you want to get better at understanding the 3D form of a specific part of anatomy? Better at poses? Try to narrow down your learning each session to make it less overwhelming.
In this i'll focus on understanding the form so, lets start with a reference. Linking back to Primitives again, start off by braking down your anatomy into forms. Sketching over the top of your references is totally fine. But make sure you are doing so critically, otherwise it may look like a flat/unnatural trace and you're not really learning from it. Via the first sketch you can see where the primitive shapes fall on the body - think of it like a ball-jointed-doll, hips, knees, shoulders ect are ball socketed whereas arms, legs ect can be made up of tubes. (See the first image, when sketching your tubes, sketch your contour lines too- this can help determind how clothing / hair will fall over the body, and can help you understand the 3D Form.)
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A BIG IMPORTANT SIDE NOTE - When using photo references, do be very aware that they may be distorted due to the height of the camera, or camera focal length - (you can see in my sketch i had to edit the torso and head because the reference was a little top heavy)
A few artists/books for some extra reading / reference : - Andrew Loomis (OG for body proportions, books are a little outdated but fundermentals are still useful), - Tenten云画画 (his stylised anatomy breakdowns are very interesting to me) - Anatomy Essentials (I've had this book for years, it covers lots of areas, is a bit complex though, i myself should reread it again 😅
Also, if you can't find a reference for a specific pose, don't be afraid to use 3D programs! Anatomy 360, DesignDoll, Clip Studio, Magic Poser - all nifty options~
SO taking when we've learnt from the primitive forms, you can now try applying that to the Lestrat Picture. (which, granted is a complicated pose, as it also has forshortening and an odd top down perspetive of the bottom character- so don't panic if you don't get it the first time!)
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Final points- Delete your art (hear me out)
What i mean by this is, sometimes reworking the same face over and over again can bog your down. It can make it very difficult to actually see whats wrong. So, get rid of it and start again. (hide the layer/use a different piece of paper, please don't actually bin it (yet))
Next, redraw it. Use what you've learned the first time, and redraw it from scratch. (in this case, that might be just specifically the head, or the hair, or the eyes ect - you don't have to bin the whole thing, but sometimes it can really help give you a new perspective)
Once you've done this, unhide your original, compare, this may help you understand what you were doing wrong the first time. Or if there are areas of one that you like- its an opportunity to combine them as you see fit! :)
On a side note for Astarion's Hair, the lovely @mistercrowbar actually posted a breakdown yesterday! (i use p much the same method so-)
I HOPE this was of some use- do feel free to ask any questions if you've got them! i'll try to answer in a more timely manner next time 😅
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