#i don't know what message i'm trying convey through it. i don't what messages people are getting out of it. if there are any

[polysyndetonaddictsupportgroup]

megumi 🤝🏽 yuuji

dying even if it’s only for a good minute only to be brought back to life bc fate realizes if they died for real then they would need to find someone else to fuck over. those two are like fates favorite barbie dolls.

apologies if this post is going to seem all over the place, just bear with me. i don’t even know if you’re going to see this BUT it’s okay bc i need to get this out my system 😭.

starting off — god, imagine the chaos that will ensue when megumi tells nobara & yuuji about his very tragic history with the zenins. but like he wouldn’t even tell them straight up, he’ll just make a little deadpan joke (my sarcastic, sassy son) & the others would look at him like : ??? wtf do you mean by that sea urchin head???

like imagine itafushikugi going shopping for like traditional japanese clothes for a little festival or some shit (megumi was dragged by his spikes to come along) & nobara is having the time of her life finding outfits for her & the boys. like it got to the point where she’s dressing them herself & she shows megumi an outfit that looked similar to the robe he was forced to wear bc of the zenin (it’s obviously not the same) & megumi just refuses to wear a robe with similar color patterns to the zenin robe.

megumi: that looks like the outfit the zenin forced me to wear. i wonder what happened to it, cause the last thing i know, i got blood all over it. so as the second member of the zenin hate club, im not wearing that….

megumi: wait that blue one looks decent. i’m going to try it on.

nobara:

yuuji:

nobara: …did he really leave without giving us the “ getting blood on a zenin’s robe” story?

imagine maki complaining about naoya in front of the first years, & maki just brings up naoya’s onesided beef with megumi & her stories of how naoya was so petty back in his childhood made him remember who tf naoya is (megs have selective memory, it’s okay)

megumi: ugh, he was so annoying. i remember when he came to my middle school back when gojo was busy dealing with the aftermath of his evil ex boyfriend evil plan & he basically kidnapped me. i was stuck in a car with that man for 40 minutes..you would hate him nobara.

maki: yeah you would hate him nobara.

yuuji: i’m sorry he kidnapped you??? why did you say that so casually?

nobara: fuck that. megumi is a disney princess, we know this already. BUT we’re just gonna gloss over gojo had an evil boyfriend?

& imagine when megumi finally tells his friends about the zenin clan was when yuuji just came back from the dead & they were asking how tf that’s possible. & somewhere in that conversation megumi just let it slip that his heart stopped beating once & itakugi looks at him in silence:

megumi: yeah the zenin clan basically forced me to exorcise some curses & complete a ritual to get a snake — that snake fucking bit me. it was my least favorite. but yeah i basically died. then yuuta brought me back. then i was blind for a good minute.

nobara, yuuji, & even sukuna:

megumi: it was a terrible time for me. gojo was even more clingier & protective. it got to a point where he started treating me like i was 6 again… reading me bedtime stories, singing me lullabies & describing the pictures in the stories since i was…yknow blind.

cue itakugi & even sukuna wanting to burn down the zenin but ofc they can’t do that…so they settle for pulling pranks on the members & traumatizing them ofc.

IM ALSO imagining how funny it would be for yuuji to be jealous of yuuta. like bro is basically living yuuji’s fantasy world. i’m giggling at the idea of yuuji fighting for his life to be either megumi favorite or nanami’s favorite.

you also opened my eye to the potential of maki & tsumiki… like i also like to imagine that in a happier world, they would understand each other on such a deep level. but they would also find parts of the other that they wished they had. but on a happier note i like to imagine that megumi would suffer whenever it was brought up that his aunt is basically dating his step sister. like maki would be a menace to megumi. every little thing he do? maki is texting tsumiki in a corner.

maki watching itafushi cook together in the kitchen: i can’t believe megumi has a boyfriend. it’s so cute that he thinks that he can hide this from me. lemme go snitch to tsumiki.

maki listening to megumi describe his fight with sukuna, a cursed spirit who apparently has a stripping problem: oh my god. megumi is truly yuuta’s boy. they both got cursed spirits obsessed with them…i need to tell tsumiki.

maki to megumi after witnessing his suicidal tendencies: don’t make me tell tsumiki.

i honestly love your story. the way you added so much more to megumi childhood is beautiful. it just make soooo much sense. but also your characterization of gojo is so precious to me. i’m waiting for gojo to go apeshit on the zenin. i’m also giggling in anticipation at gojo finding out about yuuta attachment to megumi. i like to imagine him to be kind of worried about it actually, bc that’s not fucking healthy. but i imagine him getting used to it since megumi will have a protector in the form of yuuta & his power of love.

i’m also curious to see mai’s role in this story since.

*sighs in disappointment at gege writing choices*

since she had a crush on megumi…yeah. but imma just interpret that as she wants to be his family. it keeps me sane

i also wanted to ask if there’s a chance that you would write a megumi POV of what happened in the zenin clan? ofc i would understand if you wouldn’t since it leaves a much more ominous feeling to the events. plus yuuta running commentary is a good mix of angst & humor so ofc i understand.

Yuuji: man fushiguro almost checks the boxes for a Disney princess. except he was never kidnapped or enslaved

Megumi, sold to the Zenin clan, who later kidnapped him: *sweating*

Nobara and Yuuji would be the co-vice presidents of the "fuck the Zenin clan" club if they knew what happened. They would be the presidents but yuuta and maki are already in a death match for the position and they're trying to avoid the bloodshed. they are not allowed to be treasurer because neither of them know how money works.

megumi is unaware that a formal club has been formed.

Megumi is suffering SO HARD in any world where maki and tsumiki are together. they won't stop ganging up on him when it comes to his love life and general wellbeing and holding hands where he has to see it. maki lectures him about his suicidal tendencies in the field, holds up one finger, calls tsumiki, and lets her pick up where she left off. maki tries to talk to him about relationships one (1) time and he tries to drown himself.

see i'm pretty open to writing a megumi POV but it, like most of my stories, falls in this nebulous category of "if i have the time." like, i've thought about writing megumi's pov before, there's a lot of stuff that happened that exists as like, background knowledge for me that will never make it through yuuta's pov because it doesn't make sense for yuuta to find out about it. It would be very tonally different, but if i did write it, it would be a different work entirely and i'd be making sea glass gardens into a series.

i'm eternally tempted by the siren call of making my works into a series. If i did it with sea glass gardens, i would want to add a one shot of Megumi's pov during the time leading up to sea glass gardens and a short multi-chapter of the gojo, nanami, shoko teen parenting trio. If I have the time, it will exist; if i don't, it won't.

#ironically the one thing that WOULD endear yuuta to yuuji is finding out about all of this #yuuji would instantly love him for all he did for Their Boy. it's the only way i see megumi actually fessing up to what happened #i think megumi's just someone who's really private and uncomfortable with people knowing a lot about him and he would try to hide this from #itakugi for as long as he could. it probably eats at him that the second years all saw him like this. i think he just hates feeling vulnera #megumi gives him the /extremely/ abridged version of events to get yuuji and nobara to chill about yuuta and how he acts (yuuji is convince #that there's no one who could be that perfect nobara keeps looking for homosexual explanations) and they instantly veer hard into finding #out everything there is to know about the zenin and how to hurt them and also yuuta's like. beloved in their eyes. megumi is their boy. #they love their boy. yuuta saved their boy. ergo they love yuuta now. it's simple math. #tonal shift is a huge sort of struggle with me as a writer just because i change my styles with every narrator #which is why it's kind of hard to flip between works if the tone is too different. i was trying to juggle sea glass gardens and toy rosarie #and i was just internally screaming b/c yuuta and jack could NOT be more different with narration styles and i was like 'fuckkkkkkkkk' #with yuuta i structure sentences with a lot of 'space' in them. i don't have a better word for it i'm not actually trained in writing so #it's all just whatever shit i made up along the way i have no officially terms. anyway. Yuuta's sentences are structured to have this sort #of detached distance between the actual message and the start of the sentence. So we end up with a lot of sentences that start w/ structure #like “yuuta thinks” and Yuuta feels“ b/c I think of yuuta as a very detached person because of how he lived. it's a survival mechanism. #a lot of the meat of what he feels has to come in almost absentmindedly. So you end up with Yuuta's suicide scene and losing the knife and #him having a line like “He swears he never meant any of the bad things he did” and the fact that he thinks his own survival is a bad thing #/he's/ to blame for is almost backdoor'd in as a given premise. it's assumed. it's not even the point of the sentence. he's been living wit #jack murdock meanwhile is an intensively retrospective character that's meant to make you almost feel claustrophobic from how “close” his #narration style is. a lot of the actual message is conveyed through imagined scenarios and emotional recollection. he's a character steeped #in regret who has been torturing himself with it for years. yuuta's survival mechanism is isolation but jacks been yearning to get back wha #he lost for so long and dreaming of it that he's steeped in really vivid internal imaginings. #with jack you have multipage lamentations remembering his son buying cereal with him but yuuta drops the fact that his parents stopped #loving him at some point and it's not even the most important thing in the sentence. it's included as a qualifier because yuuta has accepte #so much of the bad things that happened to him when he shouldn't have whereas jack hasn't accepted ANYTHING that happened. #Yuuta uses a lot of very clean cut grammatically correct narration and jacks is riddled with a bunch of “ain't's” and grammatical errors. #he has an accent for lack of a better term. so you end up w/ two characters who convey information in different ways prioritize different #info in their sentences use different sentence structures etc. so megumi would have a /very different/ style and tone from yuutas that woul #sort of shape any fic that came through him because all of my fics are primarily shaped through the narrator's voice. it's also why I set #kind of hard lines about whether a fic can have any narrator or just specific narrators b/c it determines the whole tone.

[peribytes]

i feel like i don't really deserve (for lack of a better word) the artist title because, as much as i love art, i don't feel like there's enough passion in me for it. at least not enough passion in making it, and trying new methods and getting ~creative~ and spending a bunch of time practicing and being original and ~Expressing Myself~ through it. i feel like i'm doing Art wrong.

#should i have a portfolio at this point? #should i have well fleshed-out original characters that make frequent appearances? #should i have a collection of works that have a Signature Look or should they all be different as i try something new with each piece #i think i'm missing some.... enthusiasm and creativity and a Spark #idk if i'm explaining this correctly but this has been eating at me for so long #when artists talk about art i can Feel their love for the craft and for doing it #am i missing what they have? #i want to be able to sit down with a blank sheet of paper and pull something out of my brain and create it #but there's nothing. there's nothing in my brain #i don't know what message i'm trying convey through it. i don't what messages people are getting out of it. if there are any

[p1utofairy]

PAC: “i get so weak in the knees, i can hardly speak. i lose all control and something takes over me…” 💌⏳🦢🍸

• how does your crush currently feel about you?

disclaimer ✩: 18+ mature themes. here's something to kick off fall 🍂 take what resonates, leave what doesn’t. enjoy!

pile 1 📩 —

heyyy pile 1! let's jump right into your reading 🤗 i'm already hearing that you think about your crush A LOT like you can't get them off your mind even if you tried and they feel the exact same way. you two mirror each other so if you feel intensely about them, they're also feeling intensely about you even if they don't convey that outwardly (i.e. their facial expressions/body language) i feel like they’re not used to having a huge crush on someone, it usually just kinda…happens for them??? like they don't usually have to put a lot of work in to make someone fall for them (bc i'm visually seeing that they're pretty damn attractive) but that's not gonna cut it with you — they just can't get by on their looks. you're big on taking your time to get to know someone and building up that level of trust and respect. you carry yourself very well pile 1 and that's really what made them do a double take when they first saw you. you're 1 of 1 — they've never seen anyone like you before. i'm hearing that some of you may look exotic or people tell you that you resemble a specific celebrity a lot? idk but just know you get the blood rushing through their veins lol they can't help but feel excited when they're around you, yet they barely know you which is the crazy part. they feel like they know you but they don't…and that's what so intriguing to them. stranger by jhené aiko is coming to mind, “i know ya face, i know ya name but i don't know you? isn't that crazy? isn't that crazy?” you may judge them at first and already think the worst like “oh i bet they’re a player!” but don’t jump to conclusions! give it a chance. they may actually surprise you and treat you like royalty, cause i feel a lot of adoration coming from their end…even though they know little to nothing about you. i want you around by snoh aalegra is playing in my head, “it's somethin' 'bout the way you stare into my eyes. i know that i don't make things clear. i fall for you every time i try to resist you.” they’re gonna fall hard for you pile 1. they’re definitely going to want to get serious and make this official which will shock you both, because of how fast things will just come together naturally. AHHH I LOVE IT.

other channeled messages:

whoa by snoh aalegra, kiss me thru the phone by soulja boy ft. sammie, tattoos, glasses, scorpio placements/scorpio moon, wifey, bright smile, almond shaped eyes, petite figure, girl of my dreams, kissin’ on my tattoos by august alsina, u are my high by dj snake & future, prominent air sign placements

pile 2 ⚖️ —

hiiiii pile 2 💓 right away i’m hearing that your crush feels like you’re unattainable? you might be really popular or a naturally social person that everyone clings to, and they find this a bit intimidating. they don’t know how to approach you – they've been trying to figure out how to get your attention but little do they know that they already have it. y'all might have a dynamic like summer and seth from ‘the O.C.’ and/or stiles and lydia from ‘teen wolf’ aw when they find out you like them back it'll most likely catch them off guard like “who?! ME?!” lol they’re so cute. you’re very dreamy to them, they'll damn near start drooling when you’re in close proximity to them…i’m also hearing that they love the way you dress. you show just enough to let their imagination wander lol idk if they wanted me to say that cause i can see their cheeks getting red and them getting all flustered 🤣 let me just say that they respect you so much! they’ll feel so lucky to finally get to know you on a personal level because they’ve been inquiring about you for awhile now. you’ll be everything that they dreamed of plus more & vice versa. there’s definitely a best friend dynamic at the root of this connection, you both will be able to be yourselves unapologetically when you're together. i feel sooo much warmth and comfort. idk why belly and jeremiah from ‘the summer i turned pretty’ just popped up in my head lol but yeah they will love holding you gently and staring into your eyes longingly 😩 SO ADORBS.

other channeled messages:

the cool girl & the gamer boy, no idea by don toliver, just talk to her dude, victor from corpse bride, timothée chalamet, bilingual, hit different by sza ft. ty dolla $ign, my forever boy, good days by sza, skateboarding

pile 3 ⚓️ —

pile 333 💫 what's up!!! i channeled a song for y'all already, come over by aaliyah is coming in strongly. “i know you're asleep but you're on my mind and i'm wide awake and i wanna stop by.” ooo there’s a very sensual vibe between you and your crush, a lot of sexual attraction and tension i'm picking up. you two would make a great looking couple — a lot of people will be looking at you two when you're interacting with each other. it's like “can those two get a room already and just fuck” LMAOOO some will be hating but others will just be admiring like damn i wish i had that. i feel like your crush makes you act really shy lol you try to muster up the courage to look them in the eye and be bold but you fold every time lol i’m hearing them say “don’t be shy baby” 😩 your crush knows what they're doingggggg omg they just love to tease you. a couple that's coming to mind is joey and pacey from ‘dawson's creek’ you may not have paid them much mind initially but one day something clicked and you were like damn…i really like them. it might take a little minute for y'all to officially get together but once you two do…WHEW. i told y'all the sexual tension is through the roof — i’m hearing this is that 90’s r&b type of love. a lot of slow burn and building up to the real thing. they think so much about what it'll be like to finally be able to hold you, kiss you and treat you properly. you evoke a lot of inspiration, motivation and passion in them pile 3 <3

other channeled messages:

halfcrazy by musiq soulchild, take a picture it'll last longer, lavender haze by taylor swift, muse by partynexydoor, capricorn placements/capricorn venus, you're like my own personal brand of heroin - edward cullen (lol)

#pac #pick a card #pick a pile #pick a card reading #love pac #intuitive reading #pac reading #love reading #energy reading #tarot reading #tarot #tarot pac #pac tarot #p1utofairy

[crumblinggothicarchitecture]

I read your fake smart-girl coded Taylor Swift post. Ended up on my feed because it was tagged philosophy. It was long enough that I caught a few words and actually read it. Honestly thought it was satire until I read your answers to other people.

I do not care about TS. But I do care about philosophy. You have a degree in it ? Funny, I have one too. You've read Aristotle ? I did too. But did you read though ? Did you really get into philosophy, and heard what the people you, I'm sure, can quote really well, actually said ? Because what it looks like, is that you got a degree in philosophy, but did not get philosophy at all. What makes me say that ? Your attitude, and that paragraph :

"Also, for the record, I don't think Taylor Swift knows anything of substance about Aristotle. I, on the other hand, took a three-hour long oral exam over Aristotle's life work while out-of-my-mind-high on Dayquil and pain meds after a surgery. I got an "A", and, somehow, I lived through that, I doubt the validity of Swift's claims to know anything at all about philosophy. Especially, considering how all her songs are about as deep as a puddle. "

Sounds like you're here to show off, and to make yourself look like something, without having a clue what it means to have the inclination of a philosopher. Or you know what it means, and you've lost it somewhere along the way.

If you've studied philosophy, and actually took time to read and understand the words of philosophers, you know not one of them would condone your attitude, the way you use their names, the way you're making your arguments. Having an A for an exam on Aristotle does not guarantee that you'll be able to make good arguments for the rest of your life. Nor does it guarantee that you understand his work, or are good at philosophy. It just means that, at one point, on a very specific part of Aristotle's work, you had enough knowledge to be rewarded with a good mark. It stops there. It does not mean anything else. Even if it was for your master's thesis. Sure, you know more than TS about philosophy and she fakes knowledge in her songd, but is showing off your grade and putting yourself as the center point of your argumentation the best way to convey that message ? No. You're trying to put her down by putting yourself above others. To anyone with a sense of philosophy, it just looks like you're a student who never understood the works he/she read, and focused on grades and others' approbation instead.

You care about your degree ? Re-read the books and make use of your ability to understand them. Not as a way to show off, but as a way to lean into the attitude a philosopher might have.

You write posts using philosophy ? Make it palatable to others, and show its uses. Be humble. Same thing for literature. The people whose books you read, they want knowledge to be spread. Studying philosophy should have, at the very least, helped you see that. The degree you got is here to push you to continue doing what all previous philosophers and writers did before you got to read them. Otherwise, your degree serves no purpose, other than satisfying your ego. At least, that's how it looks in that post.

Anyway, it'd just be nicer if you used your degree to show the benefits of philosophy, rather than to stroke your ego. Think about Socrates for a while. He asks questions, he makes simple arguments, he rarely talks about himself, he wants others to learn. That's the idea. Not showing off. Not being an ass to a girl you've never met. But being open for discussion, and make sound arguments, for others as well as yourself. What was the point of you fixating on the misuse of 'soliloquy' ? What did it bring to others ? And your anger towards TS, why ? Why write a whole post about it, shove it in her fans' face, what's the point ? Did anyone get anything positive from that ? And why bring your degrees and grades into the mix ? Anyone can make an informed and sound argument, even without a degree. What did it give you to say all those things ?

Fyi, I was taught philosophy in France. I know people in America and the likes get taught philosophy differently than how its done here. Wouldn't be surprised if there was a cultural difference in the way we understand the discipline. I've got a master's degree in the subject, and six years of study under my belt, if that matters to you. Was top of my class also. And I've lived with a philosophy teacher for eight years, too. In case you try saying I have no place speaking about philosophy the way I do.

There is barely anyone who gives a damn about philosophy. You're one of the few who cared about it enoigh to study it. Make good use of your degree, and don't be an ass to others.

Let me give you a piece of my mind, because, honestly, my dear friend, what are you doing? 

Is this some kind of moral flex in which you prove to be the better person because you’ve never implied that there’s no way a certain person knows anything about Aristotle? You want to seem like the better person, because I took one single cheap-shot at Taylor Swift’s intelligence amid a full literary explanation as to why she is using a specific term wrong? Are you joking? You want to call into question my entire education? Because I said Taylor Swift is not as “deep-thinking” as she claims? Okay, yeah... you’re right I guess that makes my entire education invalid. My bad. I’ll go rip up my degrees.  

First of all, let’s address your arrogance. You write, “Sounds like you are trying to show off, and to make yourself look like something, without having a clue what to means to have an inclination as a philosopher” (para.4) in response to me saying Taylor Swift probably doesn’t know anything about Aristotle. Yeah, obviously that line is a quick jab at Taylor Swift. So, what? Am I writing an essay? No. Am I writing a journal article? No. Am I writing to a conference committee with a submission of my finest work? NOpe. I’m saying that I would bet money that I know more about Aristotle while suffering the effects of surgery-induced delirium. It’s not that deep. It’s not meant to be a deep, philosophical take on the nature of Taylor Swift’s work. I’m throwing a metaphorical tomato at her, while yelling “boooo.” So, what? You say, “Play nice.” No. Taylor Swift is not my student, nor my friend. I, thus, have no obligation to try to teach, guide, or help Taylor Swift understand anything. I’m not her philosophy teacher, and, you know what, I don’t think she cares about philosophy at all. You know why she name-dropped Aristotle? It rhymes with “full-throttle” and “Grand Theft Auto” (Swift “So High School”). I’m laughing at her so-called poetical lyricism. In the same breath, I’m judging her for relegating Aristotle to a cheap throw-away line in a dumb pop-song in which she sings about how her football boyfriend makes her feel like she’s 16 again. It’s so mind-numbing.

I’m sad. It’s not anger that compels me, but sadness and disappointment. I’ve been a fan for nearly 15 years and my original post came from lamentations about outgrowing an artist I once respected.  Granted, I might have been angry while writing that post (sue me about it).  

 I do respect Taylor Swift’s work enough to criticize it, however, do not twist my words to mean that as an attack on her personally. I do not wish harm to other human beings, yet it is worth noting that I talk in many other posts about my disgust towards her immoral actions. Even still, most of my posts about Taylor Swift are linguistic or literary criticisms meant to help me process this absolute let-down of an album. I’m also just practicing my literary criticism abilities (I start Grad School in like 2 months, so I’m trying to keep my skills sharp). It’s all low-stakes.  And, you’re mad at me? You think I’m being mean? Why? You think that I’m “being an ass to a girl [I’ve] never met”? (para. 8). Taylor Swift is not a girl, first of all, she is older than me and I’m a grown woman. She is way richer, and way more powerful too. What is your point? 

Let’s talk about the next line in question: “What is the point of you fixating on the misuse of ‘soliloquy’? What did it bring to others?” I’m fixating on the term soliloquy because Taylor Swift has been using this faux literary/ dark academia aesthetic to sell her records for years now. She’s wears “my coat” (if you catch my meaning). She’s using my real-life study as a way to sell shoddy, sloppy records. I’m going to call that out. Despite her using all the aesthetics of academia, she’s not intelligent enough to even just use the term soliloquy correctly. I noticed it right away, and so did many others. If she can’t even get small details correct about literature, why should I believe that she even knows anything about literature at all? It destroys her creditability. I’ve taught students the term ‘soliloquy” as high school kids. It’s not too much to ask for the biggest pop star in the world, and someone who claims the title of “good” writer, to teach herself what a soliloquy actually is before using it in a song just because it sounds similar to “sanctimonious.” If it’s wrong, she’s just wrong. She could have hired an editor. Now, I won’t go into the context of the line here, too much, but the whole line is her calling her audience a bunch of sanctimonious morons who are talking to themselves. (Is Taylor Swift playing nice enough for you? I wonder....)  

Let’s move on. 

Now, let’s talk about your concept of “inclination of a philosopher.” 

You are correct in saying that often teaching Philosophy varies remarkably from country to country. I was weaned on the analytic philosophy, whereas I believe the French are more continental. (Correct me if I am wrong.) So, the effect of this is that I am obviously quite blunt and fond of Aristotelian logic. Who doesn’t love a good syllogism? A funky little linguistic proof? Yes? Still, I must remind you that I wasn’t really making an argumentative point about actual philosophy in relation to Taylor Swift.  

To the crux of the issue, however, I must say that I was actually showing the inclination of philosophy by correcting the intrinsic flaws of the songs I disliked so much. What is philosophy if not the spirit of seeking truth and wisdom? Critique and analyzing poetical works often tie directly into the philosophical field of aesthetics wherein the goal is true, fruitful, understanding on how literary devices and aesthetic representation actually function. If anything is also in effort of seeking truth, surely, you see that critique and correction is? And asking for better workmanship? I was only mad, because mining Taylor Swift work for aesthetic meaning is like searching for Gold in a parking lot. : (  

Next point: “to anyone with a sense of philosophy, it just looks like you’re a student who never understood the works they read, and focused on grades and others’ approbation instead.” 

First of all, this is rude. You don’t know me. You read my honest, brief anger, that I managed to condense into a couple lines in one single tumblr post, and that gives you the audacity to say I’m a bad student who sought grades above all else? Yeahhhhhhhhhhhhhhh................. Okay, tell me why I spent hours in study rooms and sent countless emails begging for guidance through things I didn’t understand. Tell me why, I’ve stood in front of people and blatantly admitted that I did not understand the readings. Learning takes time, and there is no shame in taking your time. Grades are just letters. What matters is how the strength of what you learn impacts how you act in life. I’ve learned my lessons with all the ferocity of a child falling down a hill and running back up it again. I know my own intentions, and you don’t. I mentioned my "A" in the post really just to lend credibility, through professorial authority (lol), to the fact that I think Taylor Swift is fake smart.

Next: SocRaTeS? You're Joking! What is he doing here?

In an eternal quest for my own understanding, I often returned to Socrates. Did you not see my profile picture? Socrates is my homeboy. If ever I get to choose how to die, I will die like Socrates. Willingly, and with a full-bodied credulity of my own philosophical stances.  

You say, “Think about Socrates for a while. He asks questions, he makes simple arguments.” First, he does not make simple arguments. Is it not a syllogism? He writes full dialectical structures. This is some of the most complex stuff I have ever read. Let’s talk about why: Over the centuries, we’ve come to call it the Socratic method. This method includes discursive questions meant to make people question not only others on their reality but to question the most internal mechanisms of the mind. It asks them to think about why we believe or hold the beliefs that we do. He, famously, likens it to a child's development in the womb. The questions are meant as an external way to engage with mechanistic development of thought itself- thus we untangle the dangerous thread of rhetoric internal to our own rational minds. It’s a type of meta-analysis of the self-more than it a simple game of question and answer. Like children from the womb, according to Socrates, we must develop our rational minds too. And, above all else, the Socratic method seeks truth.  

Socrates would approve of my literary criticism of Taylor Swift, because I am using it to seek a higher truth. And, in some way, I am inversely questioning my own reasons for seeking what I do. I enjoy poems for a reason. I like to ask myself why I like what I do, and what meaning it brings through my unique perspective. (Applied to others as well, I love to hear from others). I critique Taylor Swift not because I hate her, but because I want to engage with the aesthetic qualities of the material world that elevate my ability to empathize, to think, to engage, to feel the world around me. I love art. I love reading, I want people to write with intelligence. You know then, the soul-crushing feeling of realizing an artist is actually bad. She rhymed Aristotle with Grand Thef Auto... Socrates himself would shudder. Socrates would also recognize that aesthetic quality ought to undergo critique and beauty interrelates to moral value. He was of the belief, and I dare say I believe it too, that beauty, aesthetic beauty, can be likened to moral value through the identification of ways in which it reveals the truth of our very souls. To him engaging with aesthetics is one way in which to reach out and connect the metaphysical to the material, in such awe-inspiring ways.

Ever been moved to tears by a painting? I have, but the question is WHY? That is why I critique literature, poetry, art... music. Whatever I can get my hands on really. I really want to find out, WHY? why was I crying in the Art Gallery, right next to the ice cream shop and everything.

 You are perhaps right that I could make more of an effort to explain my points, and also the "moral of the story" or what I hope other people will take away from what I wrote. I’m only ever critical of something if I care enough to either love it or wish it was better so that I could love it. To be honest, I didn't think anyone would read my silly vent post about Taylor Swift, but here we are. I could do better. I usually save my real efforts for my published work, though.

And you, my dearest colleague, are apparently spineless. If your conviction on philosophy is that we must all be kind and precious to each other for fear of causing offense, then I think your career will sink like a rock. Socrates was mean as hell, though not spiteful or malicious. He was mean in the sense of asking people to take a good, long hard look in the mirror. I would ask Taylor Swift to look in the mirror too, but she has a whole song about how she’s not going to do that (Anti-Hero). As you see, I hope that I am not spiteful either. But I do want people to be better and make better art. Socrates would say the same. I say what I say and I mean it. Because I am desperate for something true and beautiful and real. There is no one on earth above reproach. There is no school of philosophy which suggests passivity is tantamount to intelligence. I will not be passive.  

You say: “Make it palatable to others. Be humble” 

How’s this for palatable: No <3. Why diminish myself? Why should I obfuscate and dance around my own hard-won intellectual skill? Why should I dumb it down? It is not egotistical of me to use my own skillset. Does a doctor not save lives? Do they apologize for using their skills? Does a mechanic not do the same? Does the poet not also do the same? What of the critic?  

I can be humble, though. Humility is being self-aware enough to recognize that some might have a skillset more advanced than your own. I seek guidance and consistently challenge myself in academic endeavors. I can recognize the authority others have just as well as I can recognize my own authority. I will not, however, shrink down because you think I’m being too know-it-all-y.  

Humility does not require that I speak only when choking back apologies for the audacity I have to speak. I am not sorry. I spent the last 6 years of my life working on two degrees while working 3 jobs. It was hard. I’m proud of myself. If someone feels upset that I speak about the field of study I have fought to participate in, well, I genuinely don’t know what to tell them. Intellect is not a threat (to most). I would say, “if you have a question, ask it.” I actually am very friendly despite my sharp tongue. I am a teacher to my bones <3 and I love my job.  

Anyway, if I missed any of your points, misrepresented them, or offended you greatly- my inbox is always open. And I love a good, well-structured argument. However, next time can we talk about actual philosophy instead of you just attacking my character, thanks. <3 Obviously, I took offense. I think you meant to offend me though, for whatever reason. Really, I did go back and crack open a few books to write this, double check some things, so thank you.

Did you get your graduate degree in America? Would love to know. I am planning on getting another Master’s after I am done with this first one. I want to study aesthetics ( LOL).  

Ps. Why can’t people show off? I love when people have a talent that they aren’t afraid to share.

#philosophy #anti taylor swift #ex swiftie #english literature #literary criticism #socrates #philosopher in training- dont worry about it #english lit student #academia #aesthetics #literary aesthetics

[sanguinesky-if]

Thoughts on My IF and the Public Release

Hi, I think I need to be honest with you, although I didn't want to bring it up at all, but after I read the discussion in my CoG's thread I realized that I need to do it, for the first and last time.

I'm talking about comparing my IF to another one.

I'll be brief: I recognize that there are similar moments in the plot. What I write next may include some spoilers.

Here's a list of moments:

The MC is a detective who doesn't know about the supernatural world.

There is a "team" from the "organization" CID that interferes with the investigation. (SPOILER: they are not, and if you read carefully, you notice there's a hint to that in their first POV already.)

And… that's it. These are all similar moments, at least in my opinion.

But the CID team is a copy of…

R are so impulsive that their actions can change the plan altogether, and they do it all the time, give in to their impulsiveness and anger, and more than that, actually enjoying it. A person like R shouldn't be a leader at all, but they are, for a very specific reason.

T looks playful and naive, but they do things on purpose and doesn't care about the consequences, because everything around them is fickle, and they have to take what they can before it disappears.

I is the most normal of their team, really. A little withholding of information here, taking someone down there, doing what "needs to be done" even if it ruins someone's life.

And the last member… Or former member? Well, I think you already know who they are.

I thought that by releasing a sneak peek at Chapter 2 people wouldn't have any questions about these ROs, because it shows how they really behave without all their tinsel that they show in public, but it looks like I was wrong. Maybe it's my fault for not being able to convey the things I wanted to through my writing.

That's why I had "concerns" about the release of Chapter 2, where it ends almost immediately after the CID team was introduced.

It means there will be more people who will latch on to that moment in the story and start judging before the story can progress any further.

That's why I even considered and still do consider delaying the release until I finish Chapter 2 completely, so that people have more of an idea of what characters they're dealing with and how the story will develop.

At the same time, I feel pretty secure because I know how the story will progress, and I don't see any similarities beyond what I've written. But I don't want to waste my time on people who are quick to judge something before all the cards are in the air.

I've spent more than a year developing the plot of Sanguine Sky, starting when I didn't know about IF format yet and working on my story as a visual novel.

And, I really love each of my characters. They are selfish, dark, questionable, cruel, some of them are childish and some of them don't hide it at all. But despite how awful they can be, I love how each of them can love the MC. I love the MC too, and who they may become, good or bad, it doesn't matter.

Because there is no "good" or "bad" in my story. There's only you. That's the kind of IF I'm trying to create.

This is the first and last time I'm going to touch on this subject. I will not respond to any feedback, messages or asks not related to my IF, whether good or bad, and the ones that want to continue this discussion.

Thank you for reading this. Thank you to everyone who supports me and everyone who is interested in my characters and my story. Each of you makes my day better, making me smile every time I read your sincere and sweet messages about enjoying my story.

If I change my mind about releasing Chapter 2 because of this until I finish it completely, I'll let you know.

#sanguine sky #sanguine sky if #ss general #announcement

[writers-potion]

Hi, I am trying to write a homosexual book that takes place in the 20s. I am unsure where to start and how bad the 20s was for homosexuality so if you have any tips it would be appreciated. Thank you for reading.

Homosexuality in Historical Fiction

I'm going to answer this in two parts: (1) Tips for writing queer historical fiction, and (2) the 1920 gay culture.

Get Your Language Right

Vocabulary is key to capturing how homsexual people identified themselves and interacted with one another at the time. Consider:

The kind of language/code used at the time. For example, gay men in the 1950-60s would have spoken Polari to skirt UK’s strict anti-homosexuality laws. This might mean your characters say seemingly ridiculous things like, “Bona to vada your dolly old eek!” (good to see your nice face)

Authenticity vs. Sensitivity. We don’t need to perpetuate old slurs just because they were used “at the time”. Would the readers of today (your target audience) be accepting towards use of such language? 

Is it really necessary? Just like in the case of foreign languages and dialects, it may be better to just refer to the code/secret language being spoken rather than overdoing it in dialogue. Also, does your character identify themselves as a part of this community at all?

Balance Between Struggle and Hope

Often in historical LQBTQ+ fiction, if the conflict is badly written, the readers are just going to feel angry and frustrated. Because:

Even the likable, otherwise reasonable characters won't be able to accept homosexuality easily, often opposing it downright.

Homosexual characters may be confused, struggle with self-doubt and self-hatred (which can't be fun to read, obviously)

The norms of the time make any “resolution” rather disappointing (compared to modern times).

Your goal is to juggle between these strong negative emotions to convey the central message and let hope shine through. Linger too much on negativity and your novel will be dark, but treating these themes 'lightly' will make you sound shallow.

So, treat oppression just as you would write a physical antagonist. It's powerful and a possible life-threatening opposition to the Lead, but it has flaws, loopholes and needs time to regroup before it hits our Lead again with increased force.

+ General Tips

Beware of giving your characters hindsight. As a writer, we know what happened both before and after the time period the characters live through, but they don't! The characters not being able to predict what comes can be a good tragic element.

The word “homosexual” wasn’t coined until 1869, and didn’t become common parlance until the early 20th century. From at least the very early 17th till the mid-19th century, the most common term for women was “tribade,” referring to the act of tribadism (scissoring). Some people used the term “fricatrice.” In the 18th century, “lesbian” and “Sapphist” started to become more common terminology. Men were called sodomites and pederasts (a word which didn’t have the paedophilic connotation it does today). The word “homophile” was coined in 1924 and was most commonly used by gay men and lesbians in the 1950s and 1960s.

“Gay” didn’t take on the almost exclusive meaning of homosexual until the 1960s, and even then, it was still used in the old sense of “merry” more than a few times. Only in the 1970s did it finally emerge as the most popular, mainstream word.

Less suspicions were aroused by a lesbian couple living together for decades than a gay male couple. Many people assumed they were just two very close spinster friends, not that it was a Boston marriage. There were many more questions about why two men would want to live together.

To avoid the very real risk of jail, lobotomy, conversion “therapy,” or the loonybin, sometimes a gay and lesbian couple would enter a ménage à quatre. Though it appeared on the surface as though two straight couples lived in the same duplex or right next door, they were actually just lavender cover marriages. Some had children (through various means) and co-parented.

Photo booths were seen as a safe space where a same-sex couple could kiss, cuddle, and embrace without fear of arrest or public suspicion.

Some lesbian couples were able to adopt children as single women, in jurisdictions which permitted that. More daring couples underwent artificial insemination and then went abroad to give birth, coming home with “adopted babies.”

Similar to the handkerchief code in the BDSM community, some gay men signalled to one another with red neckties and green carnations. Parisienne lesbians signalled to one another with violets in their hair.

There’s a long history of gay bathhouses, dating back centuries. Since male homosexuality was illegal and severely punished, a bathhouse was among the few places it was safe to meet potential partners and engage in sexual activity. Even the very real fear of police raids didn’t deter patrons. Manhattan, Paris, and London were home to many famous (and luxurious) gay baths, but there were plenty of lesser-known ones in other cities.

While not everyone was lucky enough to have a lavender ménage à quatre, many people had individual lavender marriages. Sometimes the spouse knew s/he was serving as a cover, sometimes not.

There were also more “traditional” ménage à trois marriages, composed of the lavender couple plus the true same-sex partner all living together. Sometimes these arrangements were composed of a bisexual plus a partner of each sex.

People did NOT casually out themselves! They could only confide their secret to other confirmed friends of Dorothy and extremely radical allies who had proven they could be trusted and wouldn’t turn on them.

You don’t have to make your straight characters raging, violent homophobes, but it’s completely unrealistic and historically inaccurate to show them all immediately, unquestioningly, lovingly accepting their friends’ homosexuality if the secret comes out. They might agree to not let anyone else know, but the friendship would probably be over. Other people, a bit more open-minded, might eventually reconcile but never be able to completely shake the belief that their sexual orientation is unnatural, strange, or wrong. Some people might only come around after decades of estrangement and realising gays and lesbians are just like everyone else.

To avoid discovery, some lesbians called one another by male names in their letters. Some liked those nicknames so much they continued using them in real life.

1920 Gay Culture

The United States - The Roaring Twenties 

As the United States entered an era of unprecedented economic growth and prosperity in the years after World War I, cultural mores loosened and a new spirit of sexual freedom reigned.

Harlem’s famous drag balls were part of a flourishing, highly visible LGBTQ nightlife

"Pansy Craze”: gay, lesbian and transgender performers graced the stages of nightspots in cities

lesbian and gay characters were being featured in a slew of popular “pulp” novels, in songs and on Broadway stages (including the controversial 1926 play The Captive) and in Hollywood—at least prior to 1934, when the motion picture industry began enforcing censorship guidelines, known as the Hays Code. Heap cites Clara Bow’s 1932 film Call Her Savage, in which a short scene features a pair of “campy male entertainers” in a Greenwich Village-like nightspot. On the radio, songs including "Masculine Women, Feminine Men" and "Let’s All Be Fairies" were popular.

On a Friday night in February 1926, a crowd of some 1,500 packed the Renaissance Casino in New York City’s Harlem neighborhood for the 58th masquerade and civil ball of Hamilton Lodge.

Nearly half of those attending the event, reported the New York Age, appeared to be “men of the class generally known as ‘fairies,’ and many Bohemians from the Greenwich Village section who...in their gorgeous evening gowns, wigs and powdered faces were hard to distinguish from many of the women.”

The tradition of masquerade and civil balls, more commonly known as drag balls, had begun back in 1869 within Hamilton Lodge, a black fraternal organization in Harlem. By the mid-1920s, at the height of the Prohibition era, they were attracting as many as 7,000 people of various races and social classes—gay, lesbian, bisexual, transgender and straight alike.

London - Balls and Adverts

Like other large cities at the time, London was home to many drag balls and nightclubs where the gay community could express themselves. 

"Lady Austin's Camp Boys" (1933): At a private ballroom in Holland Park Avenue, west London, 60 men were arrested in a police raid after undercover officers had watched them dancing, kissing and having sex in make-up and women's clothes. But despite facing a lengthy prison term and disgrace, the organiser, "Lady Austin", told officers: "There is nothing wrong [in who we are]. You call us nancies and bum boys but before long our cult will be allowed in the country."

Other gay men found partners through personal advertisements, which could be an equally risky strategy. 

In 1920 the publisher of a magazine called the Link and three gay subscribers were each sentenced to two years of hard labor on charges of indecency and conspiring to corrupt public morals.

Some adverts even appeared in the national press, such as the Daily Express, although they were not quite so blatant. People would ask for 'chums' of their own sex and offer to take people on holiday.

One man responding to an advert in the Link wrote that he was "very fond of artistic surroundings, beautiful colours in furniture and curtains, and softly shaded lamps and all those beautiful things which appeal to the refined tastes of an artistic mind". He added: "All my love is for my own sex", and wrote that he longed to give his love "in the most intimate way".

Gay adverts often had references to Edward Carpenter, Oscar Wilde and Walt Whitman, or would say 'I have an unusual temperament'.

Berlin - The Weimar Republic

The Weimar Republic, Germany’s first parliamentary democracy lasted from 1918 until 1933 and was a time of progressive cultural renaissance from cinema, theater and music, to sexual liberation and a flourishing LGBTQ scene.

Berlin was home to around 40 known queer bars, a number which had doubled by 1925. The cabaret bars and clubs like Eldorado were packed to the brim with lust, tassels, glitter and flamboyance.

Drag shows were the norm and stars like Marlene Dietrich (a Berlin-native) and Josephine Baker who were icons for the queer community, performed regularly in Berlin’s lavish halls.

Kiosks sold an array of well known queer publications like Die Hoffnung (The Hope), Blätter für Menschenrecht (Leaflets for Human Rights), Frauenliebe (Woman Love), and Das dritte Geschlecht (The Third Sex).

As homosexuality was still illegal, Berlin’s Tiergarten and other parks, Nollendorferplatz as well as train stations and the infamous octagonal public bathrooms

Underground spaces flourished.

Here's a list of books with an LGBTQ+ POV character, set at least partly in the 1920s:

Self-Made Boys: A Great Gatsby Remix

Dead Dead Girls (Harlem Renaissance Mystery, #1)

In the Field

The Lady Adventurers Club

Last Call at the Nightingale (Nightingale Mysteries, #1)

A Good Year

The Last Nude

The Sleeping Car Porter

Once a Rogue (Roaring Twenties Magic, #2)

Slippery Creatures (The Will Darling Adventures, #1)

Crazy Pavements

References

https://www.bbc.com/culture/article/20180212-polari-the-code-language-gay-men-used-to-survive

https://www.theguardian.com/uk/2004/jul/03/gayrights.world

https://www.history.com/news/gay-culture-roaring-twenties-prohibition

#writers block #writers and poets #writing #creative writing #writers on tumblr #creative writers #helping writers #poets and writers #writeblr #resources for writers #let's write #writerscommunity #writers #writer #write #female writers #writer things #how to write #author #write every day #write it #write anything #write up #write that down #writing advice #writing community #writing tips #writing inspiration #writing prompt #on writing

[stedefxckingbonnet]

hello hello! i don’t think i’ve seen anything like this yet, so may i request izzy x gn!reader who’s a bit insecure?

maybe they struggle with body image or something and izzy is basically like “how are they so blind??” but he struggles to express it because he’s never had to be so soft for anyone?

of course, ignore it if you’re not comfortable with it! :)

Hi, everyone!!

So, it's been a while. And I mean, a while. Longer than I wanted to step away from writing, and I never really wanted to step away from it in the first place but some stuff happened and yada yada. But I'm truly, truly hoping to be back and writing again to some capacity, I have truly missed writing for Izzy and for you all and I feel as though the world needs Izzy Hands content now more than ever! I truly do hope to be back.

I hope you don't mind that I put my own spin onto this, anon! You provided the lovely central plot and idea, and I simply provided an atmosphere and story to go with. Body image/insecurity is something I struggle with too, no matter how many times people tell me that I am beautiful, and I tried to channel that in this one. I am also not trying to send the message that other people's validation is what can make a person feel better about themself! I am more so trying to convey that the one(s) we love can often show us things about ourselves that we didn't know were there or didn't see before, and that they help us to love and appreciate these things about ourselves, and ourselves in general. You all who are reading this are so, so wonderful and beautiful and extraordinary even if you have a hard time believing it, and maybe your comfort character can help you to believe it a bit more in this little fic♡

Anyhow, please, request! Don't hesitate! My messages are also always open for anyone who needs anything but also just to say hi or talk about anything really. Thank you all for your everlasting support, patience, and kindness especially through my sort of absence ♡ Also, please, if I have used your gif or you know who created it, please credit yourself or them! I am not always good at figuring that sort of stuff out, but I want to give credit where credit is due. Have a wonderful day (or night), everyone!

Love,

Lavinia

What I See | Izzy Hands x Reader

Warnings: mentions of alcohol, slight swearing, struggles with body image and insecurity, very direct izzy (in a good, affectionate way but may be inaccurate ish? but i believe it isn't)

Word Count: 2525

"I just don't understand it!" the first mate angrily threw his hands up in the air. "I just don't understand why Bonnet is dragging us to one of those stupid...fancy people gatherings."

You couldn't help but laugh at such a sight, seeing Izzy Hands so distraught, though his usual cloud of anguish didn't seem to surround him. This was different, something you couldn't exactly place, but it was endearing nonetheless. "A ball, you mean?" your lips curled into a playful smile.

"I don't care what it's called," Izzy grumbled. "All I know is that I don't want to be there."

"It could be fun!" you suggested, your smile growing larger.

"Has Bonnet brainwashed you somehow?" Izzy rolled his eyes, but for just a moment, maybe, you could have sworn you saw a smile on the first mate's visage.

"If worse comes to worse, there'll be plenty of alcohol to drink," you laughed, softly squeezing Izzy's shoulder. Subtle touches like these between the two of you were second nature, almost instinctual, yet you were certain Izzy didn't make much of it and plainly saw them as something friendly. You almost sighed at such a thought.

And perhaps you had your own motives for wanting to drag Israel Hands along to such an event. Perhaps it gave you an excuse to hold him close to you without him suspecting a single thing, just that it was all custom meant to be followed in such a setting. You thought maybe, just maybe, it would be the opportune night to spend some more time with Izzy, just the two of you in the moonlight, dancing and chatting the night away, cheek to cheek...

"Fancy people alcohol," Izzy groaned in response, snapping you out of your daydream, to which luckily, he didn't notice you had slipped into in the first place.

"It's better than nothing," you rolled your eyes playfully. "Now, come on. Bonnet's got some fabrics for us to borrow, he says. I've come to fetch you," you now smiled teasingly.

"Oh, joy!" Izzy exclaimed sarcastically, yet he still followed your lead.

The only reason he was even remotely tolerating the night ahead was to be able to find himself closer to you, away from the chaos of The Revenge and all else it had to offer. Spending a night with you wouldn't be dreadful in the slightest for Izzy, and had you not been attending at all, he wouldn't even hesitate to let Ed and Stede go off to this awful event by themselves. But even Stede knew that your presence was enough to get Izzy to agree to such a thing, and really, what could be more convincing than you?

Before Izzy could comprehend it, your figure was wrapped in an ethereal ensemble. You studied yourself in the mirror, a frown naturally falling upon your face, though it quickly faltered as he came into view.

By the sea gods, you looked astonishing. Izzy already knew you would be the most bewitching of the ball, and that perhaps he would have to compete with other awful suitors of high society to even just get a moment alone with you. He almost became troubled at the thought, but your unmatched beauty was enough to distract him from such a notion. You had taken his breath away and this wasn't exactly a feeling he was used to, though it wasn't one that he disliked. No, not at all. In fact, he could get used to this, and he wanted to. Even though his own reflection stood right before him, he couldn't take his eyes off of you. He never could have fathomed until he met you that someone could be so breathtaking, so...alluring.

But all you were thinking about is how your clothing seemed to accentuate all of the wrong features, in your eyes.

'And the color—it washes me out, doesn't it?' you thought to yourself, almost fighting back tears.

Finally, Izzy spoke, though he immediately regret doing so. "Will you be comfortable?" He almost began to scold himself. 'That's all you have to say? This attractive person is standing right beside you and that's all you can manage to say?'

"Oh, yes. I've got plenty of moving room," you assured him, doing your best to step out of your own head for a moment. You even tried to shoot him a convincing smile. "I'll be just fine."

Finally, your eyes wandered over to his image, instead of focusing either at your own reflection or onto the ground. You felt your face becoming warm as you caught a glimpse of the man before you—how he was transformed, yet, still the Izzy Hands you knew and loved. Only elevated, and even more enchanting than usual. Your jaw almost dropped to the ground.

"What? I look fucking dumb, don't I?" Izzy laughed annoyedly.

"No! No, Izzy, you look..."

Before you could finish your statement, Stede rushed in. "You two ready to go? Oh, look at the two of you! You look divine!"

You looked over at Izzy, sending a supportive, yet spirited smile his way. Izzy couldn't help but return the sentiment as the two of you were ushered off of the ship and into another realm unbeknownst to the both of you.

⋆.ೃ࿔*:･

Some of the sweetest melodies you had ever heard began to surround you as you stepped into the ornately decorated room. You could hardly believe how much space there was in just one part of this residence, and that it was dedicated for dancing and other sorts of happenings similar to these. Before you knew it, for just a moment, you succumbed to your wonder of what having a life like this would entail, though you were quickly reminded of your distaste towards it when you saw a woman weeping and being chased out of the room by a man screaming extreme obscenities toward her. You and Izzy slowly looked toward one another in disbelief, the both of you fighting off laughter.

"It's not too late to get out of here," Izzy whispered.

You rolled your eyes with that same familiar grin this action always seemed to come with. "We're hardly even here."

Defeated, Izzy sighed and slumped against a wall, though quickly coming off it as soon as he spotted Stede glaring daggers at him from across the room. Another sigh escaped his lips, and you burst into a fit of laughter, unable to contain yourself. As annoyed as Izzy was at what just happened, your laughter was an antidote, and he was certainly taking it in.

Though, his newfound smile quickly faltered when he noticed a handsome stranger eyeing you from a few feet away. But you didn't even notice that someone else had noticed you—you only cared if the man in front of you had, and he seemed to be occupied by something else.

"Iz?" you asked in confusion. "What is it?"

Without another word, Izzy motioned his head to the side, to which you finally noticed the attention of another that you had captured.

"And?" you shook your head, unsure of what Izzy had been insinuating.

"He wants to dance with you," Izzy pointed out, rolling his eyes without realizing. "And you should have some fun. Don't let me hold you back."

You opened your mouth to speak in protest, but quickly closed it once again. How would you admit, in the midst of a stuffy room with a plethora of people you don't know who are all dancing and speaking at the top of their lungs, that all you had looked forward to this evening was to sharing a dance with Izzy Hands and no one else? That it was the only reason you even considered forcing yourself into an outfit that made you feel bad about yourself, even worse than you already do, and surrounding yourself with a million strangers whilst doing it? The thought alone sounded like a nightmare, but with Izzy by your side, it sounded like a dream come true. But Izzy was pushing you toward this stranger before you could comprehend it, and then you watched Izzy's figure disappear slowly into the distance as you were whisked away.

"I've never seen you here before," the stranger pointed out. "And if I had, I think I'd remember a beautiful person such as yourself."

These words made your insides twist. Your companion spoke with sincerity, but you couldn't bring yourself to believe it. 'He's just being polite,' you told yourself, brushing it off.

"It's been a few years," you lied, not wanting to blow your cover, or especially Stede's cover, as you were sure he wasn't exactly welcomed back into an environment such as this. "I don't usually speak to many."

"Well, isn't it my lucky day then?" he laughed. "No one here even compares to you. You are something special. What did you say your name was?"

But before the perhaps unlucky stranger knew it, you were nowhere to be found. You kept running until your environs became darker, and the moon was your only source of light. You leaned against the railing of a balcony, your vision blurred by tears. You flinched upon feeling a hand on your shoulder, but quickly relaxed once you noticed out of your periphery that it was none other than Izzy's touch.

"Did he offend you? I swear, I'll have his head before he can even fucking think of using it again—"

"No, no. He didn't. It's fine, really," you shrugged, blinking back tears to the best of your ability. But even the darkness of the night failed to hide your misery. Izzy softened upon noticing your state.

"What is it?" he asked, concern dripping from his voice as he looked at you intently. You stared at your hands gripping the railing, but you quickly tore your eyes away from that sight and stared out into the night.

"I—This is why I didn't want to come tonight!" you exclaimed.

"You—but you were so—"

"Excited? Yeah, right," you laughed sadly, shaking your head.

"What is it?" Izzy repeated, worry written all over his face. "Are you sure I don't need to behead anyone?"

Another laugh escaped you. "No, Izzy. He—he said I was beautiful. That's not a crime."

"He wasn't wrong," Izzy shrugged, a small smile making its way onto his face. With this, you couldn't help but meet Izzy's eyes, and you couldn't help but return a smile. Though quickly, it vanished, and your original demeanor overtook you once again.

"He was though," you protested. "This is why I don't like coming to these things. Squeezing myself into these clothes."

"I know these clothes are a bit ridiculous," Izzy laughed. "But yet you still manage to be so...beautiful."

Your heart began to do pirouettes inside your chest. For once in your life, part of you believed such a statement could be directed toward yourself. But Izzy could see the plagued expression on your face.

"You don't believe me?"

You shook your head as you finally allowed tears to fall down your face and drip onto your chest. Izzy frowned and took a few steps closer to you so as to gently wipe away your tears with his thumb, though his hand lingered for a moment longer, caressing your cheek as he was about to speak.

"You could be covered in dirt and I'd still find you beautiful," Izzy assured you. "You know, when I first saw you, I knew even then that you were. And you become more so every single day. You are the most enchanting person I've ever crossed paths with and laid my eyes upon. And there's so many things about the world I find are awful to have to experience and look at, but not you. You're the opposite of everything that's wrong with the world."

Sobs escaped your chest as you fell into Izzy's arms, to which he instinctively caught you, engulfing you carefully in his arms. He softly wrapped his fingers in your hair as he held you. 'I am holding the world in my arms right now,' he thought to himself, and thank the sea gods your face was buried into the crook of his neck and you couldn't see the grin that conquered his lips.

As for you, you never believed it when anyone else said these sorts of things to you. You found it impossible to believe these things about yourself; there were even days where you'd purposefully avoid any sort of reflective surface just to ensure that you don't break down. Sometimes, you couldn't even bear to look at yourself. But hearing Izzy declaring all of this to you—for the first time, perhaps you would actually be able to believe it.

Your silence made beads of sweat form atop Izzy's temple, but he didn't dare let you go to wipe them away. You clung onto him tighter, which only thawed Izzy's heart even more. He couldn't believe all that he just said, even though it was all true, and your lack of a response made his heart race even more.

"You are beautiful," Izzy repeated as he melted into your embrace, and embraced the shared silence. Something about it was comforting in a way he had never experienced before. If he could, he would exist in this moment forever.

Finally, you slowly pulled away, though your hands still clung onto the first mate's arms, and your faces were a short distance away from one another. At the same time, the two of you leaned in to close said distance between the two of you, and all bits of yearning, desire, love, and desperation poured out into this moment. Even without Izzy's words, he had already managed to make you feel lovely in every way even just by him being around. He was the one person who managed to help you see what was so amazing about yourself. You quickly melted into the sudden collision of your lips and he kissed you with a fervor that you had been craving from him for as long as you could remember. You smiled against his lips, and once air became scarce, the two of you simultaneously sought it. Once you both pulled apart for air, a collective joyous laugh filled both of your ears.

"I only wanted to come to this stupid thing because you'd be here," you admitted, and you were sure your cheeks were as red as the roses in the garden that surrounded you.

Izzy couldn't help but smile. "I wasn't going to come until Bonnet mentioned you would be. I meant what I said, you know. You are beautiful, and I'm sorry, but you're fucking dumb if you don't see that."

You threw your head back as you laughed before meeting Izzy's gaze once again. "You are so beautiful," Izzy repeated once again, all teasing aside to show his sincerity. You reached for his hand and squeezed it tenderly as the two of you looked out into nighttime, but all Izzy could focus on was how even more ravishing you looked as the moon illuminated your face.

#ofmd #our flag means death #izzy hands #ofmd season 2 #x reader #izzy hands my beloved #izzy hands x reader #fanfic #ofmd izzy hands #renew as a crew #guys i still have hope for a season 3 because of the petitions and renew as a crew stuff on twitter okay #there is still hope #or else i will cry every day #requests are open #request #please request #anon request #im back bitches #and i missed you all so much

[ptsdangeldust]

tw rape / abuse / suicidal ideation / self harm

can i just fucking say that the "poison" scene was just fucking flawless to me. as a survivor of rape and psychological abuse it was so fucking hard to watch and hit on every note i wanted it to. the suicidal ideation, the self destruction, the pain, the torment, the addiction, the hopelessness, everything.

[this got long LOL big analysis of ep4 basically]

also it's a little funny how easily i called it when the pilot came out that angel was gonna have ptsd and cope with it through hypersexuality . like this was obvious from the start to me and they do telegraph / foreshadow it from the first episode pretty well in my opinion. like ALMOST too much. but at the same time i'm kind of glad. like that's what i like about the show is that it *is* so raw and over the top when it talks about this kind of thing. that's why i like campy edgy uncomfortable shit bc where the fuck else am i gonna hear anyone specifically hit the perfect sweet spot of just exploitative-feeling enough to feel palpably uncomfortable in a way that just like. perfectly conveys this message. in my opinion, obviously.

it's like so crazy to me that i had this exact high expectation for the show and adjusted for edginess and got exactly what i wanted and then some. like. god. they hit every note in succession all at once and then tied it off with a beautiful, nuanced but genuinely well paced and well thought out resolution.

"loser, baby" was so fucking perfect as the counterpoint to "poison" in this episode. also charlie coming in and being purehearted but not knowing what she's doing and making it worse. but angel ultimately understanding that she meant to help and it's not her that's the problem obviously. and then husk is ultimately the one to give a shit about angel (with some encouragement, which like i honestly appreciate that he doesn't take angel's bullshit and isn't just the like Token Black Savior who has no character or agency of his own [of course i'm white so don't take me as the authority on this issue but i'm certainly aware of it]) and like not only try to stop him from self destructing but like relate his experience and make him admit he has a fucking problem. sooooo much of abuse is built on making the victim think they're at fault for what they're going through. the way val makes him look in the mirror and say "yes" outloud to himself over and over while literally holding his head and threatening him was such a good way of driving that home. and then we see angel have so much pride poked at so easily when he's called fake because he's SO aware he's putting on an act. he lets himself be exploited because he thinks it gives him a sense of control. can't be called fake if i'm an actor. can't prove i'm ever real. never have to BE real. never have to admit that anything is wrong and come to terms with it.

and so husk comes right the fuck out and says it. you're a loser. you're washed up. you're a has been. you're self destructive. you hurt everyone around you. ..... and you're not alone. THAT'S the important part. that's the real thing that gets you out of abuse. people. not being alone. like not just KNOWING that THEORETICALLY you're not alone but actually having people show up and help you and put in the work and relate to you and listen to you and let you listen to them. that's why abusers chronically work to isolate people. because it's so much easier to exploit someone who has absolutely no support system. who only answers to them. who has no one to turn to if shit goes sour.

ok also the fucking hypersexual self harm? i have NEVER seen that portrayed so accurately and so explicitly before. i feel like basically every single time i see it talked about at ALL in media it's either 1) portrayed as like sexy or ultimately good 2) strays totally the opposite direction and is talking more about cycle of abuse shit (which yes that's also important but not what i'm after) 3) really just hinted at / i have to like extrapolate it from vague hints or 4) exists in shitty media that is not ultimately trying to tell a story about escaping abuse it's just talking about a tragic waif and trying to make you feel sad. which is just another kind of exploitation really. so it was very refreshing to see it made very clear that angel was going around *trying* to get drugraped (which is NOOOOOT the same as consent. but i'm not going to get into that) because he was trying to hurt himself. he knew it wasn't good for him and he sought it out anyway. he could have wound up dead and he did not care. that's how low his self esteem is. that's how little he thinks of himself. that's how absolutely terminal his suicidal ideation is. i like used the word 'passive' at first but no i would not call that passive he is clearly actively suicidal hsuidguhds (ftr passive suicidal ideation is like. 'i wish i could go to sleep and not wake up.' but not actually acting on it. active is when you start purposely not looking both ways when you cross the street. that's basically what angel was doing)

anyway yeah. ep4 was kind of the peak for me i'm ngl HUIDGHIS obviously i'm very excited to see where things are going in general but especially more huskerdust........ i would like live if they didn't actually end up together but it feels clear to me that they genuinely care about each other and at least angel does seem to have... romantic-leaning feelings for him. would be cool if they had some scene where husk is like just cuz i care about you doesn't mean i'm going to be your magic saviour through love or whatever. bc i feel like it would be so easy for angel to immediately want and/or expect that. i did personally coming out of my abuse where i was absolutely desperate for real actual non-abusive love of any kind but i was NOT remotely healthy enough to truly accept it then even if it had actually been handed to me and i wound up in something that was..... better, yes, but ultimately still toxic and not completely ideal. not abusive, no, just not like. healthy. lol. but i do have good healthy happy love now so i'm glad lol <3 but like anyway this is a common thing with abuse survivors and it would *make sense* to see it but like i wouldn't put it past them to just go straight into "and then angel got better immediately and they got together and everyone lived happily ever after the end" HSDUIGSHUID but like idk man. we'll see LOL

also i did want to comment on like...... the fact that the scene was worked on by someone with a legit rape fetish who was like straight up into angel/val as a ship and thought it was like cool and fun or whatever. like. i really don't think the scene itself came off as glorifying rape or abuse. it's blatantly obvious that it's not good and the emphasis is placed entirely on angel's pain. and like it's. it's not porn. it's evocative. it's explicit. but the purpose of the scene is not "look at this hot sexy sex" it's "look at this horrifying abuse". like yes obviously there are gonna be people who get off on it but people can get off on anything if they try hard enough. porn is art explicitly meant for jacking off. not everything about sex is porn. i think if you interpret it as glorifying sex you're honestly out of your goddamn mind. the song ends with angel talking about how he wants to fucking die because of it. is that glorification to you?? really???

ultimately, *I* think it's good. i think, objectively, the team did an extremely good job. give them an award or something. i swear. where's the oscar. my boy angel needs his oscar LOL

... one last note, because this is tumblr: this is very triggering material. probably it should've had a better warning of some kind. but it is telegraphed/foreshadowed like i said and the show is rated 16+ on amazon (i feel like it should be 18+ imo but it's like. it's repeatedly listed as being for adults/"R rated" in promo material at least) and sex and violence are listed right there at the top of each episode where it shows the rating so like. idk man. that's as much warning as is usually given for this kind of thing ngl. i absolutely am not saying it's not triggering. but it is important to portray triggering things. it is important to talk about these things to give people in these situations someone to relate to and to give them the language to understand how to escape abuse, first of all, and like also art in general *should* be challenging. i think they genuinely said important, unique things and said them well. they did wayyyy better than i thought they would. for real. like esp coming from viv knowing her past like. clearly someone in the room actually knew what they were doing lmao (one of the writers for hazbin also worked on the episodes in helluva that covered similar abuse recovery material so. you know)

#hazbin hotel #hazbin hotel analysis #? ig #my post

[welcometothedopeworld]

Would you do a request for Hokusai Masaki where one of his brothers accidentally lets it slip that he’s in love with the reader?

Summary: Hokusai is completely in love with you, and while the rest of AKYR can see it, they don't think you can. So they tell him that actions speak louder than words.

Pairing: Hokusai Masaki X Fem!Reader

Genre: Fluffy Oneshot

Word Count: 1247

Warning: N/A

Masterlist

A/N: Thank you so much for requesting this! I enjoyed writing it more than I thought I would! I hope you enjoy it too!

Hokusai is definitely a man of few words. Everyone in Akanyatsura can attest to that. But they also knew that his actions spoke louder than words. And of course, it was no secret to them when he started seeing you more often, that he was infatuated with you. He was always helping you with your chores and hanging out with you, indulging your every whim. And it was so painfully obvious to his Akanyatsura brothers, that some were getting annoyed with his behavior.

"You're going out with them again?" Reo whined as he flopped dramatically onto the table in their living space.

Hokusai nodded. "They asked me to visit. I won't be gone long."

"You say that every time." Satsuki pouted. "And yet you stay out for hours on end with them."

"It's like we don't even exist to you anymore!" Reo cried and wiped fake tears from his eyes.

Hokusai simply watched his brothers, slightly confused. He didn't think he spent that much time with you. Sure, he has been seeing you more often, but that was because you both wanted to. And he was still for Akanyatsura when Iori needed him. He definitely was not shirking his responsibilities. So he had no idea why they were acting like this.

Iori hummed to himself. "Well, I think it's sweet. I think it's about time this family expanded."

"What are you talking about?!" Zen sputtered, which in turn made Iori chuckle.

"I'm simply saying another member of the group would be just fine to me. I'm not implying I would replace any of you; believe me, you're all irreplaceable, but one more person in this family is just what we need I think."

Zen let out a sigh. "I see. Forgive me for jumping to conclusions."

"You need to get your mind out of the gutter, my friend." Iori grinned as Zen blushed.

"But that all depends on if Hokusai actually invites them to join our family!" Reo stated as a matter of fact. "And we all know he won't do that!"

Hokusai tilted his head in confusion. "What do you mean?"

"It's obvious!" Satsuki replied. "You're not very good with words, least of all when they're supposed to be romantic. We all know the two of you are going to be dancing around your feelings for ages. And the rest of us are going to have to suffer because of your pining."

"I don't make you suffer." He shot back. "And I don't need words to be romantic. You know actions speak louder than words."

"But are they receiving the message you are trying to convey through your actions?" Zen asked, then held his hands up in surrender. "I mean no offense, but sometimes people aren't perceptive to action and need to be told."

Hokusai thought for a moment before he shrugged. "I hope so. But if they weren't, I wouldn't even know what to say to tell them my feelings."

Iori shook his head. "We can't help you with that. Those words need to come from you and your heart. You can do this, I know you can."

He slowly nodded. "Alright. I'll try."

Smiling and nodding, Iori shooed him out the door. "Now go! They're waiting for you!"

Again, Hokusai nodded before leaving the Akanyatsura house. It didn't take him long to get to the park right outside of your apartment building. You both loved hanging out there, whether it was by walking around the pond together, climbing the trees, or finding stray cats to play with. But he knew as he sat on your favorite bench that today would be different. He was going to try and tell you just how much you meant to him and how much he cared about you. He just needed to find the right words.

"You look lost in thought." Your soft voice lightly teased him. "What's on your mind, Hokusai?"

He shook his head. "Nothing. How are you?"

"I'm fine." You nod. "Better now that you're here."

He smiled. "That's good to hear."

You sat next to him, your shoulder barely brushing his. He was thankful you enjoyed just sitting in silence with him. With you there was no pressure to speak. He could just sit there and enjoy the day with you next to him. Perhaps this was how he confessed to you. Not with his words, but with his actions.

"Wow, this is more boring than I thought it was going to be." A whisper catches his attention. Hokusai glances at you, but you don't seem to have noticed the whisper.

"Well, it is Hokusai we're talking about." If he didn't know any better, he'd say that sounded like Satsuki...

Casually looking around, Hokusai finally noticed Satsuki and Reo failing to hide behind a tree. He glared at them, but that didn't stop them from staring and teasing the two of you. He thought he would be left alone with you. But apparently he thought wrong. He just hoped Iori didn't ask them to come spy on him like an overprotective older brother.

Due to his focus being on the two younger members of Akanyatsura, he didn't notice you at all. And how your focus had shifted to him and the boys hiding behind the tree. He didn't notice you hiding a chuckle behind your hand.

"You think he forgot what he told Aniki earlier?" Satsuki loudly whispered to Reo. "That he said he was going to confess to them?"

Reo shook his head. "Maybe he did. He's obviously not going to make a move. He would have done it by now."

"Yeah, he's had more than enough time now to tell them how much he loves them!"

Hokusai grit his teeth. If he wasn't worried about making a scene in front of you, he would totally beat the two of them up right now. But when you tapped on his shoulder stopped him from getting up and having a little "chat" with his younger AKYR brothers.

"Are you alright?" You ask, with a sweet smile on your lips.

He hesitates before nodding. "I'm okay."

Your smile widens as you shake your head. "No, you're not. I can tell you're not. Those boys over there are giving you a hard time, aren't they?"

Again he nods.

"Thought so. And if I didn't know any better, it almost sounded like they said something about you being in love with me?" Your smile was teasing and Hokusai could feel his cheeks turn red at your words.

"I- maybe. I mean, yes, I do." He mumbled.

Your smile only continued to widen. "Well, that's good to know. But it's crazy of them to think we weren't already dating. I mean, we've been together for a couple months now, at least!"

"W-we have?"

You nod. "The way you've acted around me proves how much you care about me and how much you want to be around me. You've more than proven yourself to be a worthy boyfriend. So you don't need to come up with some elaborate confession plan. I'm already yours."

He felt the tension in his shoulders ease and a smile stretched across his face. "And I'm yours."

"That's good to know." And with that, you leaned in and pressed a soft kiss to his lips. He responded by pulling you closer, his hand cupping your face. It was absolutely perfect.

"GET A ROOM YOU TWO!"

"SATSUKI KEEP YOUR MOUTH SHUT OR YOU'LL RUIN THE MOMENT!"

#Paradox Live #Paradox Live Fanfiction #Paradox Live Oneshot #Anime #Anime Fanfiction #Anime Oneshot #Akanyatsura #Hokusai Masaki #Hokusai Masaki X Reader #Hokusai Masaki Fanfiction #Hokusai Masaki Oneshot #Hokusai Masaki Fluff #Hokusai #Hokusai X Reader #Hokusai Fanfiction #Hokusai Oneshot #Hokusai Fluff #Oneshot #Fluff

[interact-proof]

Info Masterpost

Hi everyone, you may know me from around the IF community, probably primarily from here, but you may also be familiar with some projects I've worked on as an editor (the two most prominent being @bodycountgame and @nyehilismwriting's Project Hadea) or other things I've done around the place. Regardless, it's my intention to set up a place here to provide proof-reading and other editing services in order to help people in the IF community who may struggle with doing it themselves for whatever reason (be that due to time, or difficulty, or anything else).

What's on Offer?

We all know that being an interactive fiction author is a HUGE undertaking - we're our own planners, publicists, programmers and also editors a large amount of the time - and sometimes it can be a lot to grapple with. I also know from personally interacting with a lot of authors that editing in particular can feel intimidating for people who don't do it often, and lots of people feel like they don't get it right or don't trust their own judgement with it. That's a normal feeling for anyone inexperienced in a certain skill to go through, but also it turns out that luckily, the internet exists!

For a fee, I can hopefully take some of the stress out of the process by doing copy, line or developmental editing for you, or a combination of the three in some way, shape or form. This doesn't give me any control over your work, obviously, and any suggestions that I make will be just that, suggestions - though like any editor worth their salt, I'll always do my best to explain what I'm suggesting and why, so that you can hopefully make an informed decision about what you want to do about it.

See below the cut for more information, along with pricing and some basic FAQs. Thanks for reading!

So, how does it work?

Well, it's pretty simple, really - you reach out and talk to me about what you want edited, I'll let you know how many (if any) jobs are in my queue currently, we'll confirm what the price will be, and then you decide if you want to go ahead with contracting my services. If we agree to work together, you'll sit back and relax after finishing the exhausting writing process, or, if you're really a glutton for punishment, start writing something new, and I'll do the editing. Then I'll return it to you, and send you an invoice. Easy!

I'm not going to hover over your shoulder demanding certain changes be made or be offended if you disagree with me - that's not a good editor's function, in my personal opinion. What you choose to do with my editing suggestions afterwards is entirely up to you!

FAQs

What's the difference between copy editing, line editing and developmental editing?

Most people editing for themselves do all three different types of these at once, but they are actually three separate skillsets. Copy editing is another term for what's sometimes called proof-reading; basically, it's checking for spelling and grammar mistakes (including homophones and so forth) but not for other purely textual elements like ineffective word usage or weak sentence structures. Anything beyond basic grammatical correctness is covered by what's called line editing, which looks at some common things people worry about like overused words, weak metaphors or other imagery, and sentences or segments of the text that can possibly be written in a way to more effectively convey the message they're trying to get across.

Developmental editing is a whole other ballgame - this is the part that most often makes authors nervous, the act of considering the text in terms of the effectiveness of each paragraph and story beat, analysing which parts of the narrative and various character arcs are working and which aren't, and so forth. This is a type of editing that is heavy on critique, and very subjective: it's akin to the kind of feedback you might get from beta readers in many senses.

You don't have to want all three types of editing in order to contract my services for, say, just one, but developmental editing on its own will be by negotiation, and likely be an hourly fee rather than a per word cost. You also can't have line editing without copy editing, as it would be impossible to make sure it's effectively-written without making sure it's correct. (You can have copy editing without line editing, however.)

Do you accept works from people whose first language is something other than English?

Yes, this is not a mitigating factor for me. I've worked on some pieces by French- and Brazilian Portuguese-speaking authors before. My editing suggestions come with explanations of why I'm making them, so it should be clear even for ESL authors what I'm suggesting and for what reason. I'm not a translator (unless you're talking about from Akkadian or Sindarin), but as long as you're capable of having a conversation in English, we should be fine.

How should I format my files for you to work on? And how will I get them to you/receive them back?

The two most preferable options are either in a Word Document, or a GoogleDoc document, as these formats both allow me to highlight parts of the work and comment on it directly so that you can see my suggestions. Any other format will make the whole process difficult for both of us as it will require cross-referencing between your work and my responses.

It doesn't have to be formatted in any fancy way, though - as long as it's in the document and readable, even just via basic copy/paste from wherever else you write, that's fine.

We can exchange the files via email or discord, whichever makes you feel more comfortable.

Do you accept jobs unrelated to interactive fiction?

Yes! I've edited novels and short stories before as well, and done work specifically providing developmental editing on outlines so that authors can feel they have a well fleshed-out plan before they begin writing. It's just that there's not many editors out there who are familiar with the IF scene, so that's my marketing focus, so to speak.

You write using British spellings... do you know how to edit for American spellings, too?

Yes, I know how to edit for AusE and AmE as well as BrE. Many authors also use a combination of multiple spelling systems, which I can work with as long as you let me know your style and parameters.

My game is written in the style of Shakespeare... can you handle that?

Individual style, both affected and inherent, is not really a roadblock for most editors. The job of a good editor is to consider each author's personal style and make sure to respect it, rather than try to overwrite it with their own voice, so if you're writing a Tolkienian or Arthurian or epic poetry piece, I'm capable of working with that as long as you let me know what you're aiming for beforehand.

If you have a style guide with particular specifications, feel free to submit it along with your documents, and I'll abide by its specifications. I've worked on projects ranging from high fantasy to scifi to modern fiction in the past.

Can I break my writing up into multiple parts to give to you over time?

Sure! All of the interactive fiction work I've done thus far has been chapter-by-chapter, and you can break it down smaller if you like. However, I can't necessarily bring forward developmental editing concerns from one job into another at peak reliability, particularly if a long period of time has passed between the different jobs.

That's probably all for the FAQs for now - if you have any other questions, please feel free to reach out and ask!

Pricing

How much the editing will cost is based on the length of what you would like me to edit, split up into three length categories: under 10k words, 10k-100k words, and over 100k words. Prices are in AUD, Australian dollars. Per-word rates round up (ie., at a rate of 1c per 5 words, 6 words would incur the cost for 10 words).

Under 10,000 words

Copy editing: 1c per word.

Line editing: a flat $15 fee on top of the price of copy editing.

Developmental editing: a flat $20 fee on top of any other costs, or an hourly fee by negotiation if without the other two services.

10,000 to 100,000 words

Copy editing: 1c per word for the first 10,000 words, followed by 1c per each 3 words for the remainder.

Line editing: a flat $30 fee on top of the price of copy editing.

Developmental editing: a flat $80 fee on top of any other costs, or an hourly fee by negotiation if without the other two services.

Over 100,000 words

Copy editing: 1c per word for the first 10,000 words, followed by 1c per each 3 words for the remainder, plus a flat $20 fee for each 100k words after the first (ie., 150,000 words will incur a $20 fee on top of the per-word price, while 250,000 words will incur $40).

Line editing: a flat $40 fee on top of the price of copy editing, rising incrementally per 100k words after the first (ie., 150,000 words will incur a $40 fee, while 250,000 words will incur $80).

Developmental editing: a flat $80 fee on top of any other costs, rising incrementally per 100k words after the first (ie., 150,000 words will incur an $80 fee, while 250,000 words will incur $160), or an hourly fee by negotiation if without the other two services.

Code-checking

If you're able to include your code with your writing (such as by viewing a proofing copy of a game via twine), and provide me with an outline of your variables and what you're using them for, I can by request check for possible errors (such as adding to a stat when it seems like it should be subtracting instead, or using a wrong or misspelled variable) for a flat fee of $80 per 100,000 words (in this case, the code is included in the wordcount, since I'll be checking it).

Outline Help

If you want me to look over an outline or plan and provide developmental feedback before you begin writing, this can be done for an hourly fee by negotiation.

Thank you again for reading! Please feel free to reach out if you have any questions.

#infopost #pinned post

[cy-cyborg]

Proximity to disability is not the same as living with it - Writing disability quick tips

[ID: An image with “Writing Disability quick tips: Proximity to disability is not the same as living with it” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text are 2 poorly drawn people icons in blue, one is standing, the other is in a wheelchair. /end id]

One of the really common ways people push back against disabled people trying to give them feedback on how they’ve depicted disability in their work shows up as something along the lines of, “Well I have a child/parent/grandparent/friend with that disability, so I don’t need to consult other disabled people because I already know what a life like that is like!”

I see the most vehement pushback like this from parents of disabled children. the parents who are their child's advocates, their carers, they see everything their kids go through and have been with them through it all, so they "know what they're talking about already". And the thing about that is, while it means you have much, much more experience with the disability in question, it's not the same as direct experience living with it. Don't get me wrong, it's still an incredibly valuable experience to have, I'm not saying to disregard it, but it's not the same as having that disability. And when you're writing about characters who are disabled, and telling those stories to a public who already have a lot of misinformation about us going in, that lived experience is very, very important.

This isn't unique to parents of course, like I said, I've seen the same kind of pushback from children, friends and other loved ones of disabled people, and honestly, as someone who's been on both sides of the conversation (being a disabled person, but also having loved ones with disabilities different to my own), I do get where it comes from. But no matter how close you are with your disabled loved one, no matter how much you talk, no matter how much they explain everything, unless you yourself have that same disability, it's incredibly hard to understand the details of what life with a disability is like.

Let me use my partner as an example:

Often times, before these larger articles go up, I run them by my partner to ensure the tone and message I want to get across is actually what’s being conveyed. Which means he’s read pretty much every single article I’ve written on this blog. We talk about disability representation and tropes a lot, and he is one of the only people who sees my unmasked and unfiltered reactions to media when it’s done poorly. He’s also done a great deal of his own research on the subject, and worked with other disability sensitivity readers for his own writing projects. Not to mention, well, we live together, he sees pretty much every part of my day-to-day life and he’s one of the only people who doesn't share my disability who I talk to about the more complex emotions that come with it.

I think it’s pretty fair to say he’s quite knowledgeable on the subject of living with the specific disabilities I have for someone who doesn't have them. Despite that though, he still makes mistakes. He still misses things, and sometimes, internalised ableism - something everyone has, even disabled people - still creeps its way into his work. So do mistakes he simply didn't consider to run past me or his sensitivity readers. It’s not because he’s not listening or not trying, I’d confidently say he’s gone above and beyond in that regard, but it still happens. He still misses things that seem so obvious to me, specifically because of my lived experience as a disabled person who has to deal with these things all the time. It’s not unique to him either. A lot of people in my life are aware of the issues I talk about, but struggle to recognise them in practice or struggle to understand why them being depicted poorly is a problem.

This isn't to discourage creators from trying, mind you. But just to serve as a reminder that everyone makes mistakes, and that's ok, so long as you're still trying and still listening. No matter how close you are to a disabled person, no matter how much work or effort you put into unlearning things like internalised ableism, it's still going to pop up occasionally. And that's fine, but it means that you still need to be open to the criticism you get from people with that disability.

#Writing disability with Cy Cyborg #Quick tips #Disability #Disabled #Disability Representation #Writing Disability #Writing #Writeblr #Authors #Creators #Writing Advice #Disabled Characters #On Writing

[buddie911abc]

I was watching that clip from Ryan Guzman's interview. I know a lot of people will watch it and take it as a sign that Buddie is going to happen. I don't want to be a downer or upset anyone, but I have to admit that it is yet one more person trying not to hurt the feelings of the fans while at the same time telling us that it isn't going to happen.

One thing that has constantly been repeated by everyone from the show is that for it to happen it would have to be organic and true. In the next sentence, they will confirm that Eddie is Hetero. (I think there is plenty of aired canon material that would indicate that he is in denial of his own feelings, but the fact that people from the show are explicitly calling him hetero cancels that out.) There are many great ways they could make Buddie possible, but I don't see how he can be hetero and deeply in love with a man at the same time. That wouldn't be true. (I truly want this ship to sail, but I just can't match what they are saying with that happening. I'd love to be proven wrong on this so don't hate.)

Another thing said by Guzman is that Buck and Eddie are vulnerable with each other, and he wouldn't want people to see that vulnerability and send a message that being vulnerable makes you gay. (his words were "a certain way.") I do think it is important that all men are allowed to be vulnerable and express their feelings without having to defend it. I can and do respect that. I just wish they would find another way to convey this message that is not through Buddie.

I was talking to a friend of mine who said that maybe what he was feeling was exclusive to Buck. That he is loving him beyond his gender. My thoughts are that in a perfect world, everyone would love based on something deeper, something that reaches into the soul and that gender would not be an issue. But I don't know if that is a scientific possibility? I'm not informed enough to know those possibilities. However, even if this were the case, this explanation might help resolve the hetero side of the story, but it doesn't fix the messages that Guzman and Stark don't want to send. i.e. for Guzman vulnerability and for Stark that there can be true friendships between gay men and heterosexual men without the assumption that he is going to secretly want his friend. (Stark's concerns are important as well. The thing with this is that 911 used to have this type of solid friendship between Bobby and Michael. I actually miss that friendship. They need to bring Michael back.

TL:DR--Thanks for sticking with me. I'm not trying to ruin anyone's ship. It happens to be my ship too. However, i am trying to manage my own expectations. So far, it isn't managing my disappointment and in a few days I'll probably be back to wishing Tim would find a way to make it work.

** Sidenote: A new review will be up soon.

#911 abc #oliver stark #ryan guzman #buddie #911 spoilers

[aalghul]

Hello! I hope you're well. This ask is just me rambling, I needed to vent and I'm sorry if you're bothered by it. I just remembered this because of the post you reblogged. I've seen many fans describing Jason's nose as broken or crooked, which is understandable because of his line of work. But it irritates and detests me because this feature is only ever given to Jason and not the others bats, not Bruce, not Dick, not Tim, not any of the girls, only ever Jason. When arguably they should have their noses broken or more scars on their face since they only have a face mask but Jason has a helmet to protect his face. He should have fewer scars on his face and no broken nose. I know it's a small thing but it bugs me because it seems like fans are, even unconsciously, attributing these traits and features to Jason so that they could fit him in that bad boy stereotype. I don't have any problems with scars or disfigured body features but I have a problem when they are only given to Jason and not, say Dick because he's supposed to be pretty and pretty people don't have broken nose or scars on their face. And Bruce and Dick have been vigilantes longer than Jason but only Jason can have a broken nose.

Also my intention is not to offend anyone or to dictate how Jason should look like, it's just my personal opinion.

I get what you’re trying to say! and you’re definitely making a point by saying that it’s illogical to assume that the guy who wears a helmet 90% of the time would be more likely to have gotten his nose broken. there’s definitely something to say about no one they consider “pretty” getting a crooked nose, and definitely never a girl because they could go through hell and back and still have perfectly conventionally attractive features. i think that this is often the case with attributing physical appearances with certain personalities or backgrounds. when people are trying to convey the “he gets into fights a lot” message, i think it doesn’t go over well because it ends up feeling shallow. like. that’s it? they All get into fights a lot.

obviously this isn’t to say that people are always playing into any of this if they give Jason a crooked nose, but it’s something to think about

#not to say you can’t give him a crooked nose bc he gets into fights a lot lol nobody take it that way ! #the point is: why Jason and not the others? #turtle mail

[nocturnalazure]

Not-a-tutorial - Dialogues: Part II

Part 2 of the not-tutorial about how Noctie does dialogues!

Some of you know this already, but I do the shooting part first, then write the dialogues to go with the pictures that I got. It works best for me that way. I always always ask myself: what does the character want to convey here? What is the essential message? Answering that question helps me stripping out all the redundancies and unnecessary bits that would bog down my meaning. Also, I tend to find that short bits of dialogue going back and forth between characters make for a more realistic and dynamic conversation.

Talking about realism, I like showing small hesitations in a character's speech. We don't always speak in one breath. We pause, we stammer, we look for the right words,... So I choose carefully where to split my lines, in order to make them as meaningful as possible and to have the most impact on the reader (hopefully).

I use ellipsis (the three dots) to relay "visible silence". That is, when it is important to show that a character could talk but is very definitely not talking (either because they're holding back, or because they have too many thoughts at once, or the words don't come out, etc etc). I overuse those three dots, I just love meaningful silences.

I don't use any bubble at all for silences that are real silences (ie, the character is taken aback or is simply keeping quiet). It's more dramaaaaaatic that way!

Characters should ideally speak with different voices, but I know that's difficult to achieve. Besides some obvious extremes (I try not making my more cerebral characters speak the same way as the tougher, street-wise characters for example), I don't think I can get it right myself, mostly because English is not my native language and I don't master it well enough to be able to imitate a variety of accents and registers. So I try using other ways to individualize a character's way of talking, like speech mannerism or favorite expressions.

Erik's favorite swearword is very clearly "Goddammit". xD

Romeo uses Italian when he's frustrated (mostly interjections) or when he wants to make a point.

There are other easy ways to make a character's voice distinctive. Some will be quicker to crack a joke and others will have a stammer. Some will always be sulky, others will be particularly rude or polite. Their identity should somehow show through their way of speaking and addressing people.

Even if a graphic novel is very static, the way characters position themselves can say a lot about them too. The poses I select for each character can give an attentive reader some hints about their personality.

Again, I don't want to labor the point uselessly as everyone surely knows how to read a comic and I'm really not saying my way is the right way because it's not. I struggle a lot and I change my mind and try different things and there are a million things that I just don't do right. This speech bubble sort-of-guide is probably way too specific to be useful to anyone, and again, I don't believe I have enough expertise to pretend I know what I'm doing. I just really like the topic so consider it a ramble!

Thank you for reading this far! Hopefully that was at least interesting!

#ts3 #sims 3 #sims 3 story #sims 3 storytelling tips #random

[allgoldenelite]

NOAH New Year show translations

Rather than reposting the screenshots from Twitter here, I'm gonna make my tls an original post here on Tumblr.

bummers ahead, please proceed with care

Ibushi: (tl link)

"I got scammed by a place called C5 Clinic* that I tweeted about before, which has branches in the whole country. Please be careful, everyone.

I think NOAH will release information about my surgery and bone fractures and dislocation and such. I'm sorry to everyone for the inexcusable match. Everything is my fault."

*this clinic specializes in adipose tissue stem cell treatment

Ibushi: (tl link)

"Sorry for the late message. I think there will be a detailed report from NOAH, but I'm letting you know that my left ankle is a mangled mess, and I'll have surgery for the right [ankle] ligament. I think there will be a release [by NOAH] soon.

I'm really, really sorry."

Ibushi: (tl link)

"I've come [this far] with the goal of getting 20 years [in ring career], so I think it might be time soon [to quit] being an active [wrestler]. I still have a lot of contracts and such left so I'll see those through!

I try not to think too much about the negative things or the future and stuff like that, but I have a lot of things [to do] like taking care of my mother, so when it's time I'll talk about it! Don't miss a single match😊 ‼️ "

Jake Lee: (tl link)

"It's not about whose fault it is or anything like that

Everyone awaits you standing in the ring again

That's what I believe."

more under the cut

Marufuji: (tl link)

"Good morning. [The] Ariake Arena [show] was a couple days ago.

I'm going to assume that you understand that as professionals, we have to share perfection with everyone.

I feel sorry to the fans who, spending good money and valuable time, came to watch what could not meet the expectations, if you listen to a lot of the opinions.

I write "a lot of opinions" because there are people who hold a different opinion than that.

I can't write in detail here about the two different sides, but...

I think among the staff there are probably people from either side.

So there are among the wrestlers.

"As professionals, we have to share perfection with everyone": In the end, I've certainly learned a lot from being unable to share that.

[When you're] going for sharing perfection, it's also important to take big risks.

I myself ascribe to both.

But when you gamble, sometimes you fail.

I think as people, we often want to walk the path that's safe for ourselves. I think there is an incredible amount of pressure on those who challenge themselves to taking big risks with shows that they have a responsibility for because many other people aside from themselves are involved.

I want to convey my thanks to those people. And at the same time, I want to urge [everyone] to work hard so that we, based on what happened, change the things we can change and head for a brighter future.

There have been a lot of developments on the part of the wrestlers as well, so I think it'll be exciting as long as everyone can keep their professionalism.

I wasn't able to watch New Japan's Tokyo Dome show yesterday, but the news were everywhere.

In the end it is frustrating.

And also I, you know [...]

I wasn't able to show what I'm made of at all.

I think personally, I have to try and search for something new. That goes for moves and for where I stand as well.

I feel like if I don't, then [my career] is just going to end like with me as a boring wrestler.

Because I'm a guy who does what he decides to do (I [shouldn't] say this myself]...

Look forward to it."

underneath that post was a reply by someone going:

"I agree with the risk taking thing. But what bothers me is, I think Ibushi is under contract with AEW for the time being, however through this failed gamble he got injured and I worry about how the other side [AEW] is going to react to that. Looking at it that way, I think I can't agree with a gamble that involves a wrestler from another promotion."

and then someone else replied to that:

"Ibushi came into this already injured so you don't have to write that Marufuji injured him or something, do your research before you post"

and to that Ibushi replied: (tl link)

"I was in the best condition I could've been in to walk 500 meters, not exactly [have a] match. But I gave in to [NOAH?] negotiating with me 3 or 4 times like 'can't you please make it work?' It's my fault."

NOAH: (tl link)

"An announcement about Ibushi Kôta's medical diagnosis

As a result of a thorough examination, Ibushi Kôta, who suffered injuries during the NOAH Ariake Arena show on January 2nd, has been diagnosed with a complex injury of the lateral ankle ligament of the right foot, along with a rupture of the tibiofibular ligament of his right leg.

Regarding the left foot, there will be a separate thorough examination and dedicated treatment.

As soon as we learn more we will let you know further.

We deeply apologize for any inconvenience and concerns we caused the fans and every single person involved, and ask for your understanding and cooperation."

#translation #translation tag #ibushi kota #kota ibushi #rasslin #/long #jake lee #marufuji naomichi #naomichi marufuji #i'll be doing a socmed break so if you wanna stay in contact with me dm me for discord

[villainsandvictimsalliance]

Is the afoquirk gonna kill shiggy?

If you're worried about this post, let me explain better what I meant.

I'm worried about Tomura's body after the quirk is gone, 'cause so far we have no way to know how a body would react to losing the afoquirk. With the other OFA users and AFO himself, well, they died before the quirk could be extracted. With Yagi, he was quirkless so he didn't suffer the strain caused by multiple quirks in a body. The same goes with Izuku, even if he lost the ofaquirk, his body would not react badly to it.

Would the strain of the afoquirk kill Tomura?

Maybe? but I think it is a possibility that won't happen now, more like a long term consequence of the events of the manga. What Tomura is doing has no precedents. The bnha universe has never seen someone go so far.

We know that quirks are evolution and that what happened with Tomura's body is part of that. For me, it's more of a question. If Tomura has gone beyond the state of everyone else on the planet, what does it mean for him once the battle is over? If his body evolved to accommodate the growing of his quirk(s), if he lost his quirk(s), what would it mean to his body? Would Horikoshi allow Tomura to keep the evolution of his body in the end? What would that mean to the story?

Bnha is a manga full of consequences. People lose limbs, they lose their quirks, they get scars and even lose their lives. I'm confident that Deku won't kill Tomura. That is, Tomura won't die during his face with Deku, no matter what. That's part of the condition the story set to turn Deku into the best hero ever.

Now, what will happen to Tomura after?

One option is to rewind Tomura to the time his body hasn't evolved yet. I think he didn't have that during his fight with Stars and Stripes, so it's a matter of rewinding days, maybe even a week, but no more than that. The problem is that Eri is still a kid and only a kid. She has been training, but you know how many out there need a rewind in order to survive? There's a shortage of power that only raises the stakes.

The other option is that the regeneration quirk is enough to deal with the damage, so Tomura can get out of the fight kinda fresh. I'd theorize that Tomura's physical evolution means that he does not need to worry about the strain of multiple quirks in his body, but that's a lie. Most recent chapters have shown the symptoms of the strain in his forehead, similar to the ones we've seen before in the OFA users. This one is not plausible to me. We saw how the rest of the members of the League of Villains ended up: beaten, bloody, full of wounds. I don't see why Tomura would be the exception...

Let's say Tomura ends up really hurt. All his quirks are gone. His body maintains its evolution, it acts like anyone else who has lost their quirks (ex. Iida Tensei, the former pro-hero Ingenium). They can survive, their body moves on.

The most logical thing according to the bnha narrative is that the afoquirk banishes like all the other quirks, nothing special. It's the route with less complications. Sometimes, the easiest way is the correct one lol.

When I said this:

Would the strain of the afoquirk kill Tomura?

Maybe?

I think it is a possibility that won't happen now, more like a long term consequence of the events of the manga.

I'm referring to how Horikoshi keeps the damage of the characters through time. Toshinori Yagi kept the damage of his fights with AFO, right? It's the same for many heroes and villains. They can keep living, but someday in the future they'll have to pay for their hero/villain feats.

I'm sorry if I scared you. It was not my intention.

Sometimes I like to entertain questions that help me understand what the story is trying to achieve or how it'd bend the events of the manga in order to fit the message the author wants to convey.

Bnha is a story about not repeating the mistakes of past generations. I'm sure they'll figure out a way to help all the villains survive, if only because the hero kids are invested in changing things. It's more about their own heroic ideals and less about "do those villains deserve to be saved?"

The answer is yes. Because that's what heroes do. They save as many as they can, if they can. There are no exceptions.

Summarized answer: No, the afoquirk won't kill Tomura Shigaraki in the manga. (At least I don't expect it to).

#shan's asks #bnha #mha #my hero academia #boku no hero academia #league of villains #lov #bnha spoilers #mha spoilers #shigaraki tomura #bnha manga spoilers