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#i'm sorry besties i'm so so sorry
andsjuliet · 2 years
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after giving you the best i had, tell me what to give after that?
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platyroonism · 3 months
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aren't you tired of being nice? don't you just wanna go apeshit?
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katara · 1 month
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insertsomthinawesome · 7 months
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[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;
-NO ROMANCE INCLUDED-
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caelanglang · 1 year
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dear diary… one day I met the little prince…
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but just as the storybook said… we got separated… all I know is that somewhere out there… we see the same stars…
ps. they found each other again...
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n3rdy247 · 5 months
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HELLOO!!
can i just get a john dory x female reader! headcanons!
john dory met while crashing the wedding and immediately started to flirt with dispite just meeting her. 🫣
THANK YOU!!
HIYAAA!! CAN YOU??? 🤔🤔🤔
girl be so fr OF COURSE YOU CAN!!!
ALL ABOAAAARD THE JOHN DORY X FEM!READER HCS!!!!! WOOOOOOOOO
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Okay, so, you know the whole 'watching a cute, romantic ass wedding' plans everyone had for today? Just...watching two bergens have a nice, uninterrupted marriage?
"STOP THE WEDDING!!!"
well fuck those plans. ★ Starting off the bat, when he was literally parkouring his way down that building which just happened to be the MOMENT he noticed you from the crowd, he couldn't help but throw a wink your way right after (even though he had his goggles on, that stupid mf) which led to him face-planting to the floor because his ass was NOT paying attention to stick the landing. YIKES. ★ He also DOES notice when you are at the edge of your seat to hear what the hell is going on. Apparently, he was Branch's brother (figures since both are fine ash, MUST be in the genetics), he was in a band, and his other hot brother was in danger?
remember the wedding? yeah me neither atp
★ He can't help but steal occasional glances at you when the others talk, and when he does, his smile almost seems to widen, even if it's just for a split second. He just saw you, yet look at you go! Making him all giddy and shit inside 🤭 ★ And whenever Poppy and Branch turn their backs to discuss the whole situation, you just KNOW he would be smirking at you with a smug-ass grin, trying to strike up a conversation. Keyword? TRYING.
"Soo...come here often?" lord almighty sir THIS IS A WEDDING.
"Damn, I could really go out for some fresh air right now, because I think you took my breath away." SIR WE ARE OUTSIDE WHAT
Needless to say, this man does NOT know how to strike up a convo.
★ If you do end up getting flustered about his horrendous pick-up lines somehow, he will be so fucking proud of himself for getting a reaction out of you, and WILL keep going at it. What a charmer. (Unless you are uncomfortable with that of course, he might not know how to talk to people, but he has human (troll???) decency.) ★ I'm talking him leaning slightly closer to you with half-lidded eyes, a huge smirk plastered on his face as his voice gets lower and lower, though internally I feel like he'd be going 'LET'S FUCKING GOOOO I STILL GOT IT' since he would be a bit unsure if he was doing well in the first place. It's probably been years since he had any sort of interaction with anyone other than Rhonda so it's understandable. ★ Not to mention BROZONE. MY GOD. If you know about his band? NICE! If you don't know anything about it? NICE! Either way, this man will absolutely brag about it to you. Even if it has been AT LEAST 20 YEARS. He will absolutely talk about 'the good old days' as if it was just yesterday. Bro would probably talk about how he wrote the hits "Girl Baby Baby" and "Baby Baby Girl" on the same day. ★And who knows? Maybe at the end of the wedding when sadly he has to go to save his brother with Branch and Poppy, you'll end up getting a way to contact him after the whole thing ends. You will see him sooner than you think, that's for sure though!
(please keep in mind this is the first time I've written any serious headcanons like these and not just stuff like 'he would be a great hugger' or 'he was a 7.5-inch haver 🤯🤯🤯')
GRAAAGH I'M STILL SO SORRY IT TOOK ME SO LONG TO WRITE THIS THOUGH, I STILL HOPE YOU GUYS LIKE IT EVEN IF IT IS SHORT AS HELL
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lecter-lioncourt · 5 months
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I am AGGRESSIVELY rattling at the bars of my cage, RTD, PLEASE. I COULD WATCH AN ENTIRE SEASON OF JUST 14 AND DONNA HAVING AN UNINTERRUPTED CONVERSATION ABOUT STUFF. In like a NORMAL context like a fucking bar or a coffee shop or in Donna's living room. DoctorDonna IKEA trip. I don't give a FUCK just let me watch these two communicate and talk and hug and gossip and shit forever I DO NOT CARE
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nyerusnova · 9 months
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Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)
Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.
Which means it's very fun to dissect! ✨
There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.
At least, in my opinion.
Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.
So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.
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Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2
"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."
"One day, I'll be as good as Jason. One day I'll wear the suit."
To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.
So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.
Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.
It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.
It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).
Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.
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Batman vol. 1 #455 (Oct., 1990) -- Page 13
"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."
Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)
The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.
In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.
It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.
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Batman vol. 1 #455 (Oct., 1990) -- Page 18
"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"
Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.
Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.
Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.
Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.
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Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15
"Drop-outs don't make it. And dead heroes are no use to anyone!"
It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.
First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.
Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.
Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.
Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.
Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).
That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.
Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.
To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":
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Batman vol. 1 #456 (Nov., 1990) -- Page 9
"The suit is magic."
That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.
I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.
Alright, back to the main course:
So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)
Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.
You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.
Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.
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Batman vol. 1 #457 (Dec., 1990) -- Page 20
"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."
Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.
Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.
It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?
It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.
So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.
And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!
TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)
(image dialogue transcripts under cut ↓)
Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):
Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.
Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):
(Scene continued from previous page)
Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.
Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):
Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.
Bruce: There's more to it than that, son. Much more.
Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!
Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.
Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):
Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?
Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):
Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!
Vision Dick: Heroes never give up, Tim.
Vision Jason: You know that.
Tim: Dick--! Jason Todd!
Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.
Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.
Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):
(Scene continued from previous page)
Vision Dick: Think, Tim. Concentrate!
Vision Jason: You can do it.
Both: You can do it!
Tim, waking up: What--? Robin...?
Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.
Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):
Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!
Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):
Bruce: Are you afraid of it?
Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!
Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.
Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.
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I'm going to force you to watch a terrible adaptation of your favorite book
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sylvansleuth · 3 months
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hi!! can i request a gif of lou and brennan's little dance from around the 1 hour 50 mark of this week's ravening war ep? 🥺
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WHAT THE HELL THIS IS SO CUTE?!!?
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binkywinky · 3 months
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Fury looking people dead in their face, telling them he doesn't know where Carol is or how to reach her; all the while knowing he has a direct line of communication to her that he can and has used whenever he wants.
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frownyalfred · 2 days
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HAVING IT BE DUKE!!!!! I AM SCREAMING
Bruce who's let himself be beaten down. Who's tamed back his own rage, his own feelings to keep the people he loves safe and finds himself face to face with someone who's seen the horrors he has and still wants to do good. Who thinks this is his best shot? And sure it starts out with the training because he can't let these kids die out there. Because there's a noose around his throat and a gilded cage with bars so thin that everyone around him can convince themselves they aren't there at all. But Bruce knows, Kal and Diana know. And they make sure that he's aware.
And then he sees this kid with powers he doesn't understand with a tragedy in his background who wants to do good and he can't let this pass him by.
Also him subtly telling them this is how you beat someone stronger than you, this is how you stand up against everything you think you know. This is how you look at the world and recognize when something is broken.
The moment when he has to tell them that even with training there will be a fight you can't win, this is how you tell, this is how you recognize it, this is how you determine the best choice.
This is how you run.
Knowing he never made it out, Kal's threats are still hanging over his head, tightening slowly around his throat. He's still walking a tightrope, might always be walking this tightrope. But the longer he walks the more the desperation threatens his balance. He knows he can't keep this up forever. It's just a matter of when he breaks, and how.
so this story ends with Bruce blowing the Watchtower out of the sky after helping Duke escape, right? he can't ever leave, and he's not dumb enough to keep trying. but killing himself, taking out the beating heart of the League once-past, that he can do. putting his hope in Duke's hand, knowing there's a strange sort of kinship between them, Gothamite to Gothamite. Duke diving out into the shadows of the world, hunting down Bruce's kids one by one and helping to free them from where Kal and Diana have sent them. and the Batkids slowly realizing that Kal's leverage is gone, but Bruce's legacy persists. it persists in all the kids that he trained, but this one especially!
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aeb-art · 1 month
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even in a story with reader insert, i'm still putting myself in there separately ahahaha so here's another lil thing with some of @venomous-qwille's characters
and then the moment they leave the room:
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wexler · 4 months
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Rhea Seehorn attends the 75th Primetime Emmy Awards at Peacock Theater on January 15, 2024 in Los Angeles, California. 
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upperranktwo · 1 year
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☆The Erasure Hero: Eraser Head☆
Happy Birthday Mars ♡ @man4jiro
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flowersandfashion · 3 months
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Platonic Love
requested by anon
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