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#i....... will not write essays in the tags
weirdgrrlgerard · 1 day
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ok we’re all familiar with the phrase “___ won the battle but ___ won the war”
*battle means at the time when superwholock was at its peak it was inescapable and seemed to be the only thing people talked about
the war is lasting cultural relevance or how it still affects the internet still*
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kimmiessimmies · 1 day
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📩 Simblr question of the day: Do you have a process for making your simblr posts?
answer in whatever way is most comfortable for you and feel free to share this SQOTD around, make sure to use the hashtag SQOTD and tag me in separate posts ~ 💛
This question was contributed by an anon in @simblr-question-of-the-day !
Thank you SQOTD Anon or forwarding Anon for this question!
I have an extensive process for my story posts.
Timeline. The whole story is set out in a timeline. This is an Excel document outlining what is happening when. The timeline is very much a living document in the sense that I change it constantly. Things happen as I go that spark new ideas, and then new chapters are added to the timeline. But there's an outline, I know where I'm going. 😊
Writing. My story (and the timeline) is divided into chapters. First, I write a chapter. Very much like a book. I write all the dialogues, all the narrative and I make notes about things I want to add in image later.
Pose selection / scripting. I take my written chapter and go through it scene by scene pre-selecting poses from my database (a folder system) I think will fit what I want to tell/show in this scene.
Setting up. Downloading things I need for a scene, setting up the location, dressing Sims, getting everyone where they need to be.
Shooting. I shoot my chapter scene by scene. Pose, shoot, pose, shoot. It takes a while...
Adapting. While I shoot, I adapt my chapter. I change things depending on the shot I could get. Sometimes something unexpected happens in a shoot which prompts me to rewrite a large chunk of my chapter. I don't mind that, I like when the unexpected influences the story.
Select and edit. I go through my pictures and select and edit the ones I plan to use. Most edits are minor, just adapt light and frame the shot. But sometimes I need to do some drawing to make up for clipping. Most of my shots never make it into the story. 😄
Combine text and image. I go to WordPress first and put the chapter together; image, text, image, text, etc. I don't publish yet.
Simblr. Finally, it's Simblr time. I cut up the WordPress post, deciding which points are good places to do this, add tags etc and queue it all.
Coming Up. I put up my "Coming Up on A Taste of Honey" post a day before my chapter starts running.
And we're off! When I have a running chapter, my first story post of the day always goes live at 13:00 / 1pm (GMT +1) and then every half hour. Usually three posts a day, sometimes two, sometimes four. Depending on the flow.
For all non-story posts I don't really have a system. I try to plan replies to asks, taggames and random character posts in the same time-rhythm as the story posts, but sometimes it's more random.
Thanks for asking! Sorry for the essay, I hope it was at least somewhat interesting. I'm curious to see other answers to this question. 😊
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uptownhags · 1 month
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Remember that first night that we met? I do remember the first time we met, yea. 
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ot3 · 1 year
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glassblowing rules because it's like one of the single most hardcore and impressive processes in the entire art world yet almost everything you make with it looks lame as hell. it's essentially a form of smithing that only produces neglected gift shop tchotchkes.
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astrolavas · 1 year
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thinking about the... potential clawthorne woodcarving mentorship.
+ bonus cuz also thinking abt how if hunter ever met dell's palisman and got reminded of flapjack, he'd probably feel bad abt making that association cuz he knows what it's like to be seen only as someone's different version (even though the bird wouldn't mind much so lol)
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#eda having that palistrom seed.. hunter saying he wants to learn how to carve palisman... his relation to clawthornes. it HAS to mean STH js#the owl house#toh#hunter toh#toh hunter#hahaa always thinking abt hunter growing a soft spot for palismen and loving creating and bringing them to life#but never being able to replace flapjack no matter how many palismen for other ppl he carves. I'M GONNA-#:((((( :///#like he's not going to want to replace flapjack just like that rn. cuz he LOVES that bird. it's gonna be so hard for him to just.. Move On#and flapjack's a PART of him.. so very curious where they'll go with this because..... HM. HM like he serves as his disability aid almost#and he can't just REMAKE him. but he cannot also just.... ignore what happened straight away. but it's also important to heal#but whatever he decides to do i feel like he'd love to just............ create. whether it be for himself or others#BUT GAH. ANYWAY XKJSJSK wrote an essay abt this already don't need to write one in the tags TOO. so uh .. yea#little guy.. pls find happiness#my art#fanart#hunter#hunter noceda#hunter wittebane#eda#eda clawthorne#dell#dell clawthorne#dell's palisman#toh art#edalyn clawthorne#also like...... if flapjack and dell's palisman were caleb's and evelyn's palismen...... and knew each other........#and while flapjack was waiting for his new person at the bat queen's cave dell's palisman was being passed down clawthorne generations#OUUHGHHHHGHHHH they were probably friends..... they Knew each other#what's up with you you mysterious yellow bird with eyebrows...... what's your story
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gummi-ships · 4 months
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blazingstar400 · 2 months
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Everyone LOOK at these!!!!!
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HE LOOKS SO AMAZING!!! I was literally squealing when I saw these!!! Urggghh!! I love him so much!! I just want to hug him, and tell him how amazing he is, and how he’s so great at battling, and make him realize how much he’s loved, and how cute and cool he looks, and—
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stil-lindigo · 1 year
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fishing twine.
--
a short comic about a lesbian fisherwoman and her dubiously healthy relationship with her sea monster girlfriend.
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robinfollies · 4 months
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KEEP THE DANGER OUT // KEEP THE DANGER IN
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#billie bust up#bbu billie#bbu fantoccio#robin’s art#2024 art#COMPANION PIECES BABY!!! started these last year (month) and finally finished em!!! :33#i could write an ENTIRE essay abt billie and fanto and their parallels and stuff#which actually i love tumblr tags. lets do some of that here!#okAY IM NOT GONNA GO INTO EVERYTHING BUT HERES A BASIC RUNDOWN OF SOME OF MY THOUGHTS#let’s start by looking at goatshire + the lost city of magic !!#both places have some kind of border around them keeping SOMETHING in/out#goatshire’s wall keeping the trolls/other danger out; keeping the villagers inside safe#and the city’s barrier keeping the curse inside; while keeping everyone outside safe from it#but in turn it’s also keeping billie and fanto trapped in their respective places#one moreso than the other i guess but ahahaha. haha. heh. OKAY MOVING FORTH#unrelated but how sick would it be if the barrier broke and let the curse out. just sayiiin.. a lil theory thats been on my mind recently#anyways back to THE POINT#okay this parts gonna sound insane BUT JUST HEAR ME OUT HERE#goatshire citizens / the cursed city citizens.#billie and fanto both kinda stick out in their respecitve homes; fanto being the only uncursed guy and billie with their magic#so theres like. a real disconnect between them and others there. u get what i mean.#theyre both outliers and like something something allegory for neurodivergence and struggling to connect with others probably#SORRY GETTING AHEAD OF MYSELF. idk how to explain it BUT DO U GET IT!!! DO U UNDERSTAND!!!!#also they were both abandoned by SOMEone stares at arthur#okay specifically whoever fanto’s cretaor was left him behind but u know me im such a fanto elmtwig jak#something something loneliness and being left behind and having ppl around you who kinds understand u but also not totally. kicks rock#someone get these siblings some THERAPY!!!!!!!#this was a very disjointed explanation bUT HOPEFULLY I GOT MOST OF MY THOUGHTS ACROSS GOOD. IM BAD AT EXPLAINING THINGS SORRY#someone order me a yappuccino!!!!! BYE!!!!
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people-wxtching · 2 years
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Yeah, I know many people have talked about this already but I need to say it as well before I explode.
I love visually seeing how the campers are all age accurately cast. In the books, it didn't hit me as hard because it was something I read when I myself was around 12. Even upon rereading I just go back to my 12-year-old body and the age is just this textual evidence that I KNOW exists but it doesn't truly impact me as much as it really should.
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With this still, though, it's clearly visible how young all of them are. And it's scary. It's just the teaser trailer and it's already scary to think just how tiny and innocent they are, and how many hardships they have to go through at such a tender age.
But the scariest part about the scary part?
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The youngest campers. That little girl (sorry for the bad quality) who's sitting right behind the girl with glasses looks around 7-8 at most. She's so small, so tiny, and yet she's at a camp where she has to learn how to survive and fight off monsters 100 times her size.
And the essence of all this is exactly what the movies failed to capture. The movies had a mostly adult cast, with zero ideas of what they were doing with the plot and characterization that could make the movies as impactful as the books, and focused a little too much on getting their Percabeth ship going, with absolutely no buildup of trust or slowly falling for each other or anything.
But with this show, I'm sure it'll be a lot more emotional and real because while it is sad that they're all just little kids, it's also a reflection of reality. Not every kid has a wonderful life; we all have to fight our own monsters no matter how young we may be, because life doesn't wait to see how old you are to throw problems at you. It doesn't have an age limit for trauma and hardships. The younger you are, the harder it impacts your life, and them being this small has a much more impactful meaning to it than watching almost adults go through the same problems that often get solved in an underwhelming manner.
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nekropsii · 1 year
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Let this be a living example that knowing the beliefs of any individual who wrote any piece of text- be it literature, articles, or posts- can and should drastically alter your perception on what the text is actually communicating, even if that knowledge has, on its face, changed none of the actual printed words. This is how application of real-world context works, and this is how it applies to any recorded medium.
It reminds me heavily of a quote from video essayist Jacob Geller, regarding the 1938 film Olympia- "It's different when Nazis do it". Olympia is a film that, on its face, simply depicts an artistic documentation of the 1936 Berlin Olympics. But within the context of its production taking place during the Nazi regime, with its director being a well known Nazi propagandist... The way the movie fixates on the power and elegance of the human form and Ancient Greek statues quickly shifts from being completely innocuous appreciation to the worship of what is perceived as the ideal forms of the "Aryan race". Suddenly, you understand the movie not to be a pretty inoffensive documentation of a historical event, but a propaganda piece.
Understanding the time period in which something was made, as well as the setting it was produced in/for, and whatever ideologies an artist may hold and experiences they've had is absolutely critical to getting a full understanding of anyone's work. There are some things that are near completely anodyne on their face, but the revelation of what the author thinks and feels about other people and the world around them totally redefines every word on the page.
This image is such a prime example of why context matters. This opinion, laid bare, stripped of context, is both inoffensive and nonsensical. No one's ever thought it to be lame to create your own nickname... But on its own, that's a harmless kind of wrong. ... But with the addition of them being marked as Anti-Trans (red) on Shinigami Eyes, a browser extension dedicated to crowdsourcing keeping track of Trans Friendly and Transphobic creators... Suddenly, "Nicknames" doesn't mean "Nicknames" anymore. Suddenly, you realize that "Nicknames" is code for "Chosen Names of Trans People". Suddenly this isn't about thinking choosing your own nickname is lame, this is about thinking that trans people shouldn't have the right to name themselves. Suddenly it's about invalidating identities, thinking they're worth mocking. Thinking that people who identify as trans are "just trying to be cool", and that they're not actually what they say they are, because you don't get to choose your gender nickname, that's something already decided for you.
Suddenly, you realize, it's not about "being lame".
It's about Transphobic Violence.
This is why you cannot ignore when an artist, author, essayist, developer, musician- so on and so forth- is bigoted. This is why you can't ignore the context behind their upbringing. This is why you can't ignore the context behind their lived experience, their ideals, their goals, their message. Yes, it may appear innocent on its face. Yes, it may look fine stripped from the context of it being written by an inevitably flawed human being. But what's really being said here? What do those words mean... To the one who wrote them?
Context redefines Text.
Even if the words didn't change.
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buglaur · 6 months
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this is kit, please commission some art from them on social bunny 🙏
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erosyrup · 6 days
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J/B/M
—I am wild over her.
Reference pic below, though I'm sure all the gay ppl on this site has seen it before:
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mediumgayitalian · 3 months
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“Oh, gods.”
“Shut the fuck up.”
“Oh, gods.”
Nico scowls, wrenching just eyes away from Will’s poorly-covered grin and shaking shoulders.
It’s not that bad. It isn’t.
Sure, the complete lack of lighting except Greek fire torches makes the cabin look like a little piece of the Underworld, right here on the surface. But that’s comforting. Honestly. Nico knows the Underworld. It’s — familiar.
And, yeah. It would, probably, be pertinent to have some furniture, or something. At least somewhere for him to store his clothes, because he has more than one set of those now, and maybe a shelf, or something. And, admittedly, the obsidian altar could take up a little less space than it currently does.
But it’s not that bad.
“Are those. Coffin shaped beds.”
The tone of Will’s voice is unlike he’s ever heard it. He turns back to face him, slowly, and finds him biting his fist, hard, every muscle of his body tense as live wire.
“I was twelve godsdamn years old,” Nico snaps. “Forgive me if interior design wasn’t my passion.”
Solace loses it.
In his defense, not that Nico is too worried about defending him, he does appear to try very hard to not lose it. When the first giggle slips out of his lips, he clamps his jaw shut tighter. When his whole body begins to shake with the force of repressing his laughter, he curls inward, as if making himself smaller might reduce the chance of a lapse in control.
But then he glances back inside and looks, really looks, at the dreary, stone walls, the lone skeletons standing guard, and the plush, teakwood black coffin bunk beds, and he collapses to the floor.
“I’m going to open a chasm beneath you,” Nico threatens. “You are going to fall and crack your spine into a million pieces on the bank of the Styx, rotting there with every other forgotten hope.”
“You are a Black Parade lyric personified,” Will wheezes.
Nico doesn’t know what that means, so he kicks him. Unfortunately, he only laughs harder.
“I mean it, Solace. It’s a long way down to the Underworld. You will spend the entire fall petrified with the knowledge that nothing can save you.”
For added effect, Nico makes the floor under the medic’s body shake, makes the tip of a skeleton hand peek out from the earth.
Ironically, this stops Will’s laughter, but not for the reason Nico was aiming for.
“Hey!” A bright blue flipflop-clad foot darts out and collides With Nico’s ankle, sending him sprawling. “I said no spooky magic for the next two months! Put that skeleton away!”
“Fuck off, Solace! It’s barely half a bone! You are so annoying!”
“That’s my specialty.” Will pushes himself upright. He waits until Nico sits up, too, so he can catch his eye before his face splits into a dazzling grin. Actual sparkles seem to flicker beside his face. “And you are ever so easy to annoy.”
Nico stares, unimpressed.
“Anyways.” Will coughs. “You can’t stay here, Neeks —”
“Don’t call me that.”
“— it’s straight-up too depressing.” He peers inside. “It’s also cold, and, like…borderline unliveable? So. As your doctor, I can’t allow it.”
“You’re a medic,” Nico says, raising an eyebrow, “first of all, not a doctor. Second of all, you can’t tell me what to do. Third of all — where am I supposed to sleep? The woods?”
“Hm. Good question.”
Will gets to his feet, brushing the dirt off his shorts and offering Nico a hand. After a second of hesitation, he takes it, allowing Will to haul him up.
“C’mon!”
Nico snatches his hand away, face burning. (Gods. Why does Will have to be so…touchy-feely? And why does it always do weird things to Nico’s stomach?) But it hardly takes a look over Will’s shoulder before Nico’s feet are following after him, without his permission.
“Where are we going?”
“Well, my dad’s kind of a hoe,” Will says matter-of-factly. Nico chokes. Will’s grin widens. “And our cabin was built with that in mind. I know we’ve got an extra bunk or two for ya. Hurry up!”
This…cannot be allowed. Nico doesn’t have a ton of Camp Half-Blood experience, or anything, but as far as he knows, Hermes is the only cabin that can really do that. He doesn’t want to incur the wrath of Apollo, or whatever, by staying in his cabin uninvited.
Well. Will’s inviting him, technically. And there’s a confidence to his offer, like maybe this isn’t the first time he’s done it.
“What if I don’t want to live in your stupid sunshine-y cabin,” Nico grumbles, trying to cover up his nerves. “Holding hands and singing about how much I love being alive isn’t really my cup of tea.”
Will snorts. “Oh, di Angelo,” he says dramatically, shaking his head, “you are in for a world of discovery. Welcome to the Cabin Apollo. Take your shoes off at the door and remember that Kayla bites.”
———
Living in the Apollo cabin is strange.
Four days in, and Nico is only just starting to get used to it. He’s not entirely unused to sharing space with people — he’s had two sisters — but the Apollo kids argue like they enjoy doing it. One minute, Will and Kayla will be screaming at each other at the top of their lungs about touching each other’s shit, then they’re teaming up to pull Gracie off Yan’s face for the exact same argument, only now they offer sage advice on respecting boundaries and compromising. It’s bizarre.
(Austin is pretty chill, actually. Nico has noticed him starting quite a few fights — it was he, in fact, who moved Will’s shit and then gracefully framed Kayla — but he has a very powerful eyebrow raise and a very powerful image as Unproblematic. He has quickly become Nico’s favourite.)
He’s only just barely beginning to understand how they work together, and the struggle comes in because everything is so chaotic. When Nico spent time with Hazel in New Rome, she was in the barracks. He never really had to worry about squabbling over counter space in the bathroom with her, because she had her own little toiletry caddie like everyone else, and bathrooms were public. With Bianca — well. There’s no one alive who knows this about her, but she was bossy. She was sweet and wonderful and self-sacrificing and brave and kind and the centre of Nico’s life, but by the gods, did she take her authority as a big sister seriously. She ordered Nico around all the time. He never had to worry much about when he would have the chance to use the bathroom they shared at the Lotus, or who got the T.V. remote, or who go to sit on the bus instead of standing, because he was not the one deciding. He could stick his tongue out and whine all he wanted, but she was boss. He knew that.
The Apollo kids are not like that.
As well as Nico can figure, it’s kind of a free-for-all. You want first shower? Either wake up the earliest — a strategy only Will every manages to employ with any success — or manage to jab an elbow in someone’s rib and sprint. You want whoever’s humming to shut the hell up so you can sleep? Make sure your threats are quick and believable, or just straight up start throwing shit until they finally stop. You want the coveted middle of the bench spot at breakfast? Well, tough shit on that one, actually. Nico has yet to make that one happen for himself.
He won’t admit it, but he has kind of learned to enjoy it. It’s annoying, and the Apollo siblings do indeed sing at all hours of the day (although the content usually skews more towards diss tracks and delighted insults, if not straight-up curses), and it is so godsdamn bright in there, seriously, is it a gimmick or what, but there’s something to be said about the fact that he’s so surrounded by people and chaos that he hasn’t even had the chance to feel lonely. Not even at night, panting to himself after a nasty nightmare, because all it takes is a particularly loud snore from Will one bunk down to remember where he is. To remember that he’s safe — by demigod standards, at least.
But, still.
He kind of misses his privacy.
“Will,” he whispers urgently, on his fifteenth day of rooming with the Apollo weirdos.
The medic hums noncommittally, attention very focused on the test tube in front of him. Nico has been fighting the urge to try and launch a piece of dust inside it for forty minutes, just to make him explode.
“I need to talk to you.”
“Sounds good, Nico.”
Nico narrows his eyes. “You’re ignoring me.”
“Uh-huh. Agreed.”
“I can say anything I want right now.”
“Sure. Maybe double check with Austin.”
“…I’m going to put a colony of ants in your pillowcase.”
“Good idea.”
“Then I’m going to douse your hair products in gasoline and set them aflame.”
“Baller.”
“After that I’m gonna read your super secret diary to the entirety of camp at singalong tonight.”
“You betcha.”
“And then I’m going to shadow travel to Russia.”
Will blinks, frowning. “Hey, no shadow-travelling. What’s this I hear about shadow-travelling?”
Nico rolls his eyes. “Nothing, stupid. You were just ignoring me.”
Will smiles guiltily. “Aw, I’m sorry, Neeks. Got focused on this. I’m finished in twenty, then I’m all yours?”
“…Don’t call me Neeks,” Nico grumbles, furious with himself for how quick he’s relented under wide blue puppy-dog eyes.
“Sorry, Neeks.”
Huffing at Will’s quiet laughter, Nico slides off the nurse’s station counter and wanders around the empty infirmary. Things have luckily finally cooled down in here, nearly three weeks after the end of the Giant War. Some of the exhaustion has faded from Will’s features now that he’s had time to sleep properly.
Not that Nico has noticed, or anything.
“Okay,” Will says a few minutes later, holding his hands up protectively in front of his geeky little setup. “I just gotta do this last step, so long as I calculated it right, it should be fine…” He squeezes a drop of something into the liquid bubbling over the burner, freezing immediately. One, two, three seconds pass and nothing happens, so Will relaxes, sighing in relief and turning to face Nico fully. “Okay, we’re good. What was it you wanted to —”
The text tube contents explode in his face, dousing him in slimey green goo.
Nico bursts out laughing.
“Great,” Will says darkly, swiping the stuff from his eyes. “The one day I don’t wear goggles. Great.”
Nico gasps, sides aching. “Oh my gods —”
“Feel free to help, di Angelo.”
“— you look like a cartoon! Your face!”
It takes Will twelve cloths and seven whole minutes to clean himself and the nurse’s station off of the goo. Nico cackles at him the whole time, and tastefully does not mention the many globs of goo that remain caked in his hair.
“Whenever you’re done.”
Will is very, very bad at being stern when he doesn’t really mean it. And he doesn’t really mean it now, because every time he tries to glare at Nico, his mouth twitches.
“I’m good,” Nico finally wheezes, forcing his face back to normal. “I’m good, I’m good.”
He very pointedly does not look at Will’s hair.
“Dick,” Will huffs, fondness bleeding into his tone. “What did you want?”
He must notice the change in tone at his asking, because he clears the bench fully, hoisting himself on top of it and patting the spot next to him. Nico hesitates for half a second, then crawls up, sitting criss cross applesauce, knees touching.
“I need to move back to my cabin,” he manages, finally.
Will’s face betrays no judgement or emotion. “Oh?”
“Yes.” He picks at a loose thread in his jeans. “I need — space.”
The thread loosens, allowing Nico to tug on it. A hole begins to unravel along the seam as he pulls and pulls and pulls. He stops himself before it gets too wide, tearing the thread off and winding it around his fingers.
“I can tell everyone to tone it down,” Will offers softly, eyebrows creased. “We’ll be more quiet, we’ll —”
Nico places a hand on his knee, cutting off his sentence. “It’s not about that, I promise. You guys have been great.”
A wounded look still pulls at Will’s strong features, as much as he visibly tries to pull his face back to something more supportive. “It’s not?”
“No, no. It’s just —” He frowns, trying to articulate the tangled mess of his thoughts. “I have my own cabin.”
“So?”
“And I can’t stay in yours forever.”
“I mean, you could.”
“Chiron’s been giving me looks, Will.”
“So what! I’ll — write you a doctor’s note, or something!”
Nico snorts. “A doctor’s note letting me sleep in your cabin?”
Will nods fervently, although he seems to acknowledge the ridiculousness of his suggestion, if the grin on his face is any indication. “Yes! For medical reasons, you know.” He mimes writing. “‘Patient’s cabin is dank and sad. To avoid bouts of misery, patient must sleep in the presence of the coolest and best and prettiest and most uplifting people in camp.’”
“Hm. Not sure Chiron’s gonna buy that last part. Not sure I buy that last part, actually.”
“Hey.”
Nico dodges Will’s shove, chuckling.
“Seriously, though, Will. This was never a long term solution, right?”
“I know. You’re cabin just — sucks so bad, man. No offense.”
“I take great offense to that, actually. My cabin is art.”
“Sure, Eddie Cullen.”
“I don’t know who that is, so that’s a horrible insult.”
“Travesty, honestly.”
Outside the open infirmary windows, Nico can hear distant, triumphant screaming, laughter, and the clang of metal. Today’s a good day. The weather’s balmier than usual, for late August, and some of the gloom that’s hung over everyone’s head for the bast few weeks seems to have lifted.
“You can’t go back to your cabin like it is,” Will says into the silence, startling Nico, “but —” he grins when Nico begins to protest, holding up his hand. “We can definitely change it up.”
He slides off the bench, botching his landing and almost sprawling on the floor. He holds a dramatic hand out to Nico when he rights himself. Nico ignores it, rolling his eyes and getting to his feet by himself.
“C’mon,” Will says, grabbing his hand anyway. Sparks shoot up Nico’s arm. “We need to go ask Chiron for the van keys and approximately five hundred dollars.”
———
Three hours is too fucking long to be in a vehicle. Especially when Will is driving, because all he does is play nonstop country music and let everybody cut in front of him.
“I’m driving us back,” Nico informs him as they (finally) get out of the stupid van, snatching the keys from his hands.
Will shrugs. “Sure.”
Nico had expected more of a fight, honestly. But he supposes neither of them are legally allowed to drive, age-wise, and besides, Nico technically has seventy years of driving experience on Will.
(…The Lotus had a racetrack.
Nico was very, very good at it.)
“What is this place, anyway?”
“This place,” Will says grandly, throwing an arm over his shoulders, “is essentially the mortal version of the Labyrinth, minus, you know, the soul-sucking terror.”
“Okay. All that’s telling me is that you have horrible ideas and we should leave immediately.”
Will rolls his eyes. “It’s a furniture store.”
“Well, then —” he punches Will’s shoulder, huffing when he only laughs. “Say that, then!”
“But then what would I do with all the drama in my heart?”
“Choke on it, hopefully!”
Ikea is weird.
Since Will did not tell him what the plan was, he didn’t draw up any plans. Luckily, Will has the dimensions of his cabin — although where he got them, Nico does not ask — so they spend an hour or so in the cafe drawing out a plan.
“You need more than two beds, Neeks.”
“Uh, no I don’t. Unless my father has something very important to announce to me, I need a bed for me, and a bed for Hazel.”
“What if I want to sleep over?”
“You can sleep on the porch.”
Mostly, they wander around the sets. Nico isn’t really sure what he wants his cabin to look like — he has to remind himself that yes, actually, he cares about the space he’ll be spending at least the next three years of his life in. It’s a startling reality, to have control over his own space. He must’ve had some say in his childhood bedroom, but he has no memory of it. He spent the most time in his and Bianca’s room at the Lotus, but that was already furnished when they got there, and besides, it only felt like they were there for less than a year. It always felt like a hotel room, never his room. Westminster was no different. His room in his father’s palace had already been designed, too. In fact he’d based his cabin on it.
What does Nico want his bedroom to look like, without someone else deciding for him?
“I’m not getting a fucking Lightning McQueen bed, Solace.”
“But it would be so sick! And look — it’s got little cubbies!”
“I’m going to ditch you, and shadow travel back to camp,” Nico threatens. “And I have the van keys, so you’ll be stuck here for real.”
“Hey, hey, hey.” Will looks at him sternly, hands on hips. “No shadow travelling for you, Death Breath. I’d appreciate it if you didn’t fade into nothing on my watch.”
“I’m joking,” Nico says, exasperated, but cannot deny the warmth that fills him up at Will’s concern.
In the end, he decides on a pretty normal bed. It’s bigger than Will’s bunk (“Or anyone else’s bed,” Will grumbles, “you lucky asshole.”), but not ridiculously designed. He picks a similar size for Hazel, only the frame is white, not black, and the bedspread that comes with it is a soft, coral pink that he knows she will like.
“Wanna see if they’ve got a Mythomagic bedspread for yours?” Will teases.
That would be the coolest thing ever in the entire world, Nico thinks, and is so embarrassed that he shoves Will, shrieking, into a giant basket of pillows for making him think it.
“Obviously I don’t want that.”
“You are such a turd! I’ll get you, di Angelo!”
He does not. Nico is way too sneaky for him, and after the fifth time Nico manages to give him the slip, he gives up, sulking in a display for a bedroom of a nine year old girl.
“Fitting,” Nico teases, gesturing to the princess wallpaper. “You drama queen.”
“Buzz off.”
Next, they look for furniture. It’s pretty easy — Nico doesn’t need much, and he’s not too concern with cut or style or anything. He quickly picks out two dressers, one to match Hazel’s bed frame, and one to match his, and then a couple bookshelves.
Four hours into their trip, Nico is exhausted. They have a three hour drive ahead of them, they’ve been out all day, and he wants to go home.
But Will stops him before they go get all the boxes for their furniture.
“This is still pretty bare bones,” he says quietly, then grins at his own accidental pun. Nico shoots him a venomous look, warning him against making it more obvious, and for once he actually listens. “You know, we’re still under budget. We’ve got around $200 left — we can get a motel, stay the night, then we don’t have to drive back right away. And tomorrow, maybe we can check out some other stores, look for smaller decorations and stuff. And if we don’t have to drive back tonight, we’ve maybe got another hour in here, if you wanted to get a couple more pieces.”
Nico opens his mouth to refuse — that’s way too much effort to spend on one person’s cabin, c’mon — then pauses, thinking about it.
Chiron hadn’t even thought about it before handing them the money. Will had barely gotten the words out before he’d started counting out the bills.
“I want you to make a home here,” the centaur had said, touching his hand. There was a pain in his kind eyes, stopping any protests. “I made a mistake, Nico, the first time you came here. In another life, you felt welcome enough to stay the whole time. Take what you need.”
What does he need? What does home look like, to him?
“There was a beanbag chair, in our room at the Lotus,” he says, pushing the words past the lump in his throat. “Me and Bianca used to fight over it.” His voice shakes. A tear gathers at the corner of his eye, and he blinks it back. “It wasn’t real fighting. When I called mercy she’d — scoop me up and throw me on it and squish in after me, and we’d sit together and play video games. Or read. She liked to read.”
Will squeezes his trembling hands. “We can get a beanbag chair.”
“And I — don’t like the blackout curtains. The dark makes me think of — the pit.”
“Okay. They sell lotsa lamps here, too. Might be nicer than the Greek fire.”
Nico nods. There’s — more, far more ideas, now, flooding his brain; Hazel crowding over him on a rug-covered floor, shrieking as he teases her about Frank; a desk tucked in the corner where Will sits, mouthing along to his textbooks as Nico sharpens his sword; Jason running his fingers along rows of books on a big, cluttered shelf; Reyna with her fist curled around her mouth, studying a chess board across from him, hair shining under the natural light from the window.
He can have that. He can have that.
Thankfully, all their stuff fits in the back of the van. Despite his insistence earlier, Nico hands Will the keys, and he drives around until he finds a shitty motel with a vacancy sign flashing out front. He pulls into the farthest corner of the parking lot, killing the engine, then waits.
“You okay?”
Nico shrugs. “I’m…not sure.”
“That’s okay,” Will assures, pressing a fleeting touch to his shoulder. Nico grabs his wrist before he moves away, tugging down his hand and linking their fingers together.
For once, it doesn’t make him feel all sparky. The warmth of Will’s hands is grounding, and so is the gentle squeeze, the smile he feels pointed in his direction.
“C’mon. Let’s check in and sleep, huh?”
Nico’s exhaustion compounds in the walk from the car to the lobby, so by the time Will is speaking quietly to the host, he’s half asleep, leaning on Will’s shoulder. He vaguely feels it when Will shifts his weight, sliding a hand around his waist to hold him better. He blinks and they’re standing in front of a door.
“Almost there, Death Boy,” he murmurs. “Hold on a sec.”
It takes him six separate tries to make the keycard work. He gets huffy when Nico snickers tiredly at him.
“Finally, yeesh.”
He guides Nico in, dropping the backpack he brought somewhere near the door. As soon as the bed is within Nico’s sights, he makes a beeline, barely remembering to shuck his shoes and jacket.
“Please do not sleep in your jeans.”
“Mmmfuck off,” Nico groans, already sliding under the covers. He’ll regret it in the morning, but whatever.
“Goober.” Callused hands brush through his hair, resting lightly on his forehead. “Goodnight, Nico.”
Nico’s out before he can even think to respond.
———
He wakes up, in the middle of the night, scream caught in his throat and heart pounding in his ears. The air smells like smoke and fear. The rushing of the Phlegethon is so loud it’s overpowering.
A loud snore knocks him back to reality.
Crawling desperately towards the source of the sound, he hangs over the bed, eyes adjusting rapidly to the dark to see a curled lump on the floor, head resting on his own hands. A quick glance behind him confirms the other half of the bed has been left untouched.
“Stupid,” he mumbles, tiny smile chasing away the last of his fear.
He tugs the blankets off the mattress, pulls off the two pillows, and joins his dumbass, selfless friend on the floor.
———
“Question,” Will asks, swallowing the last of their disgustingly delicious greasefest of a breakfast. “Were you alive when Walmart was invented?”
“I was alive before your great grandmother was.”
“No, I mean — were you out and kickin’. Have you strolled the endless aisles of corporate soullessness, basking in the wonder of American overconsumerism?”
“…You’re such a weird, particular person.”
Will looks delighted. “You’re a Walmart newbie!”
He pulls into the dead, cracked parking lot way too happily for this hour in the morning. Nico would even say he takes the nearest exit to get to the store gleefully. He is embarrassed for him.
Walmart is…underwhelming.
As stupid as it is, Will had hyped it up so much that Nico was almost a little excited. It just looked like any other basic superstore. Will, for whatever reason, seemed delighted by that fact.
“I do not like this store,” he explained when Nico asked, expression not matching his words, “it just means so very much to me that you are joining me in the misery of having experienced it.”
They spend more time than they mean to just dicking around. At one point they nearly get thrown out by management, because Will finds a pair of NERF guns that some child dug out of its packaging and no words need to be spoken. They gear up and scamper off, hunting each other through fluorescent-lights hell.
“Please just get your shit and leave,” says the very tired looking manager, and they have the good gall to at least appear embarrassed as they mumble, “Yes, ma’am.”
It doesn’t take long when they have their head on straight. They get some fairy lights, a couple cool posters, dorky little trinkets that Nico probably doesn’t need, per se, but what was he supposed to do, leave the little plastic crow skeleton behind?
Unlikely.
With his own money, Will buys several cans of paint and a CD. He explains neither of these purchases. The look on his face gets steadily more infuriating as they make their way through the line, and Nico really, truly considers leaving him behind.
The purchase of the CD becomes very obvious very quickly. Even though Nico is driving, and therefore Nico should get music control, Will pouts and pleads until Nico gives in and lets him play his stupid country album. He justifies his decision in his own brain by noticing the radiance of Will’s smile as he belts out the words, badly, at the top of his lungs. He then spends the rest of the drive back to camp convincing himself not to be embarrassed for having said thoughts.
They get back to camp about lunch time, and Will destroys any attempt for a subtle reentry by whistling the second they cross the property line.
“Austin! Kayla!” he hollers, making Nico jump. “Come help us unload!”
“We coulda done it ourselves,” Nico grumbles.
Will pats his head condescendingly. “It has been twenty-four long, long hours since I’ve bosses my siblings around, Neeks. I need this.”
It does go by quite a bit quicker with Austin and Kayla’s help. Lou Ellen, Cecil, Yan, and Gracie come to help, too, but Gracie’s too little to carry much more than a small desk lamp. Instead, they lay down the biggest box — Nico’s bed frame — and let her climb on top of it, carrying her like she’s a queen atop a throne back to Nico’s cabin. She has the time of her life, giggling to herself like a madwoman.
By the time everything’s unloaded, a couple hours have passed, and the Hades cabin looks like a clusterfuck.
“Maybe you stay in Apollo a couple more nights,” Will suggests.
“Might have to,” Nico agrees. Will looks inordinately pleased with himself.
All in all, it takes about two days to disassemble the old furniture, get rid of it, and start putting together the new stuff. Will helps for most of it, but he has a few shifts in the infirmary, so Nico ends up trying to do a fair bit on his own.
“May the wrath of Zeus come down upon this fucking piece of shit, no good, poorly designed garbage-looking idiotic mother fuc —”
“Maybe time for a break from furniture assembling?” suggests a voice, accompanied by a quick knock in the open door. Will leans on the doorframe, grinning, box propped up on his hip.
“Will, thank the gods,” Nico sighs, relieved. He angrily shakes a tool in his direction. “Allen wrenches are fucking useless. I’m three seconds away from throwing this through the window.”
“Definitely time for a switch, then.”
Will’s smile is wide and crinkles his eyes. He’s got dimples, too, Nico is now noticing, and then very rapidly un-noticing then because gods above that is a dangerous path.
“Did you and Rachel get into another prank war?” he asks, praying the flush on his cheeks goes away.
Will glances down at his paint-spattered clothes. “Nah, this is just my painting outfit. Why ruin more than one set of clothes, you know?” He sets down the box in the middle of the room, then heads for the half-built furniture sprawled all throughout the cabin, tugging it all towards the middle. Nico inches towards the box, curious, and finds it full of dozens of paint cans and brushes, including the ones he got at Walmart.
“I didn’t know you painted.”
He flashes another grin in Nico’s direction. This one has a little mischief to it, a little teasing. His stomach swoops.
“Gotta have at least one artistic talent or my dad would disown me. Help me tape down this tarp, will you?”
It takes them twenty minutes to prep the room, protecting the floor and the furniture. Once everything is ready, Will jogs over to the CD player he gave Nico a few days ago, flicking through the stack of CDs and choosing one at random. Soft opera music begins to float around the cabin.
“Okay,” he begins, clapping his hands, “first we need a base coat. Get the white paint and the rollers.”
It takes them the rest of the day, painting until dinner, then waiting past sunset for it to dry. Nico follows Will back to his cabin that night — he wouldn’t let him sleep around the paint fumes — and the two of them return the next morning, re-donning their paint-spattered clothes. Will braids his hair, this time, tucking the little pigtails behind a kerchief. It makes Nico smile every time he looks at him.
As much as he’s in painting clothes, Nico doesn’t really do much of the painting. He stays in the centre of the room, half assembling furniture, half watching Will bring his walls to life with more colours than he’s ever seen in one place.
Will doesn’t ask what Nico wants him to paint in his murals. Instead, Nico watches as the streets of Venice begin to unfold on one of the walls, bright and blue and exactly as he remembers, even though he knows for a fact Will has never been. The shining fruit of his stepmother’s garden is next, with a notable absence of the pomegranate tree, and then the hills of New Rome, the sunflower field in rural New York Nico used to visit, the Chinese mountainscape from the first big shadow travelling jump he ever made. Even the poplar forests of the Underworld, looking much kinder and livelier in Will’s rendition than in real life, with Mrs. O’Leary and Cerberus chasing each other through the flickering leaves. Beautiful, colourful, breathtaking scenes; Nico’s favourite places, Nico’s many homes.
“I get a lot of dreams,” Will admits, dragging a smear of rich purple near the ceiling. “You’re in a lot of them. These are the places you’re smiling, the most.”
“They’re beautiful, Will.” Nico’s throat is drier than any desert he’s ever been to. “Gods, they’re more beautiful here than they are in real life.”
“Liar,” Will teases, although his smile is shy.
Nico has never seen him smile like that. He’s seen a lot more of Will in these past few days, actually; his softness, his kindness, his love.
He has only knows Will for a little over a month, he thinks. But Will loves him. That much is obvious.
“Hey.”
“Hm?”
His eyes are still trained on his work. He is on his tiptoes on a step stool, one leg extended precariously, tongue peeking out of the corner of his mouth. The curve of his brush is careful, meticulous. Only the best for his friends, for Nico. That’s Will.
“Hey,” Nico says again, more urgently. He steps forward, wrapping his fingers around his wrist.
“Just a sec, Neeks, as soon as I’m done we can —”
Nico pulls until he loses his balance, falling into Nico’s arms. He stares into wide, blue blue eyes, for one second, two, then presses their lips together. Will’s squeak of surprise is swallowed by his mouth, hands sliding up his arms to cup his face, tilting his head to the side.
“Oh,” he sighs, eyelashes ticking Nico’s cheeks as they flutter close. “Oh.”
He melts into Nico’s hold. There’s a thunk and a crinkle as his paintbrush falls from his loose fingers, splattering onto the tarp, and paint-wet hands tangle into his hair. Nico finds he doesn’t mind.
“You love me,” he murmurs in between breaths, lips brushing Will’s with every word.
“Yes,” Will breathes. He kisses Nico again, and again. “A lot.”
“Good.” He’s not sure if it’s the paint fumes making him lightheaded, or the odd, slightly uncomfortable position, or the intoxicating, delirious feel of Will’s warm skin. He’s not sure if he cares. “Good.”
It’s not quite an I-love-you-too. The words won’t form on his tongue, so instead he tightens his hold, sending them that way, and presses closer, closer, closer.
Will smiles into the kiss.
He understands just fine.
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neproxrezi · 9 months
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someone else could write it better than me but i love how the fucked up nasty shit you can make harry do/say/be in disco elysium isn't just like, random stuff caused simply by the player having free will and control over him but they're parts of who he is and who he has been
you're not a tabula rasa. you're a sudden shock of blank pages in a big, aged, damaged book and sometimes the paper you're trying to write a better man on is torn and you see something through the gaps nobody needed to see ever again. and it's just there now again, back to the surface
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blueskittlesart · 2 years
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more zelink dancing but this time its a commoner’s dance that zelda doesnt know and link is teaching her
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