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#if they don’t go canon and this whole season was straight up queer baiting
hope-i-dont-choke · 1 year
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It’s actually delusionally fucking hilarious that Buddie wasn’t a part of their plan, like you wrote Buck becoming Christopher’s father without that intention? You wrote him fitting perfectly and effortlessly in their family in a way he doesn’t fit with anyone else and no one else fits with them and kept the receipts and put them on display and your intention wasn’t to make them shipped?
 You wrote Christopher’s mother as the only woman that made any sense for Eddie, except he didn’t truly know how to be her partner, and then you killed her? You wrote a ‘perfect’ woman for Eddie who wanted to be Christopher’s mom and loved him so much and made Eddie simply not in love with her? You wrote Buck projecting his parental trauma by dating a too old for him woman who never really loved him was just using him, then dating a very likeable woman but wrote her unable to handle the danger of his life, and then wrote a woman that he had way too much in common with (all the worst things), to make it clear that he has no idea what he wants, but that he needs someone who balances him, accepts him, and never takes advantage of him, and to top it all off you made him Eddie’s partner and you made him Christopher’s second father? And you mean to tell me that Buddie wasn’t getting seeds planted back in season 2? That that wasn’t the plan all along? Liar.
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Some people seem to think they aren’t canon, but I will simply state that they’re missing the point that they don’t need to explicitly say it.
“”The themes speak for themselves, and make it clear what the intent is. In this actual mini-essay I will actually talk a bit about why focusing on ships being “canon” is wasting the potential of queer representation, in particular reference to Lycoris Recoil.
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Lycoris flowers represent a lot of different things, most famous is that red variants symbolize death and final goodbyes. However, of that same species are also a pink variant which symbolize love, passion, and … ahem “feminine beauty”.
There are also yellow and blue variants in other species of Lycoris plants. Yellow represents cheerfulness, courage, and cherishing what you have. While blue represents being calm and dependable, but also freedom.
It hardly gets more on the nose and it’s clear how these apply to the characters and the themes of their arcs. And how the story overall is at the intersection between love and death.
Plus there are literally multiple homages to pieces of media where the characters have been thought of as gay in the story or by audiences. In particular the scene in Stand By Me where the characters kick each other, which the animators made the deliberate choice of copying the overall mannerisms of to draw a direct parallel.
The story is about a hell of a lot more than just a romance, and that is a good thing! I don’t need every piece of representation to be about just romance. And you’d also have to be joking me if you don’t see them using the term “partner” even after retiring from being Lycorises to describe their relationship, as being tongue in cheek about how there is so much media where the characters are obviously but not explicitly queer. Throughout the show they are constantly making references to other ambiguously queer media, and using common language that is unclear about the exact nature of their relationship. Like, everyone wants their confirmed representation I get it, but could we also not call the show doing the most on the nose and tongue-in-cheek queer coding of their main characters “queer baiting”.
The creators have clearly purposefully evoked when not just directly referencing other media where the characters have been queer coded, or queer audiences have resonated with the experiences of the characters. This isn’t subtext that went nowhere, this is a deliberate choice to code the leads as queer by reclaiming things and phrases that have been used as subtext. And then, this is the important part, actually reframing the context to emphasize when they are doing it. See no further than the picture below this. “Partner” has a long and storied history of being used ambiguously, because how we use it slots between purely romantic and purely platonic, and can mean either depending on ... that’s right the context. Now let’s imagine you’re a restaurant employee, two women come in and order drinks. When one of them gets up to pick up their drinks and brags about the other woman being her “partner”, and reiterates the point. Now what sort of meaning can we imply from that context? Because if it was a straight couple, nobody would for a moment doubt that partner is in a romantic context.
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Like c’mon people, they aren’t hiding it, but they don’t have to look directly into the camera saying they’re a couple for it to be obvious they aren’t “just besties”. Also I don’t even have time for going to go over how all the official art that’s come out since, and the fan art by the creators hasn’t been at all shy about showing them being more intimate than you’d expect from “just friends”.
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Or that the season ended with them vacationing in Hawaii of all places. Or that the whole show had a rather open ending clearly hoping for more seasons, and this probably isn’t the end of their story together. Or that one of the original writers who was behind the entire idea for the show, and was a lead writer for the screen play has publicly stated on twitter he’d love to make them official, and told fans asking if the show would end up being a yuri show to “stay tuned for future stories“
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Update: and behold, literally new art and products just got released of them literally in wedding dresses together. It’s more than obvious what exactly their intentions are with these characters. So please, please, understand that queer baiting is not just when a relationship you wanted doesn’t happen on screen. Queer people don’t only start existing once they’re in a fully intimate relationship. And queer people not ending up together at the end of what will probably be the first of multiple seasons is not the same as queer baiting. Especially not when the creators have clearly taken a lot of time and effort to consistently code them both as queer, in high effort and direct references to other media. (In a country like Japan where acceptance of queer people is certainly rising, but is also let’s be frank, far from in a good place and there are clear pressures to not show genuinely good representation for fear of upsetting a bunch of weirdos from the publisher’s perspective) (Yes I know the new Gundam show has lesbians in it, that’s also one of the biggest, most profitable, and longest enduring cross-media franchises in Japan, which is in a lot safer position to risk alienating bigots in their audience than a fully original animated show that didn’t get manga or light-novel deals until after the show was already being released and doing well. And an update since this was posted: the publishers of Gundam literally tried to retcon their queerness. This is my point, if you are expecting a country that hasn’t even legalized gay marriage yet to give you explicit queerness consistently you are barking up the wrong tree. They’ll literally try to walk it back if they think they can make more money off of retconning an explicit gay marriage out, you can’t rely on profit-driven corporations to actually care about making and keeping explicit queer relationships in their media just because it’s the right thing to do)
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chirpsythismorning · 1 year
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Y’all will be your own undoing the fact none of you have not even the slightest bit of doubt is rather worrying. what happens if neither is endgame and let’s say Mike is killed off? You can’t say that won’t happen either because you don’t know the same way you can’t say byler is endgame because you don’t know hell even milevens can’t say they’re ship is endgame because they don’t know. Ego is ruining both sides and neither side is correct and shouldn’t proclaim to be.
I'm sorry anon, but I'm not all bylers. While there are a great deal of bylers like myself who have less doubts these days, there are plenty that have mostly doubts. PLENTY. Arguably the vast majority. And for good reason, ie. history.
To be completely honest anon, I don't think you're worried about bylers and their lack of doubts. I think their lack of doubt scares you bc it's caused you to go from confident to having doubts yourself. Why else would you be here on anon all condescending otherwise?
Personally, I'm not even here bc I want to believe byler's endgame. And no offense to those that have went through it, because the whole point of queer-baiting is to basically mock queer fans and lead them on with no intention of following through, but I have never been queer-baited before.
I did however, like many milkvans, go into Stranger Things loving Mike and El under the assumption they were peak romance. I literally skipped all of s2 during my first rewatch to get to their reunion! But genuinely, do we think the show is supposed to be watched that way?? Hell no.
If you're having to skip all of s2, most of s3, most of s4 in rewatches, bc Mike and El are separated, fighting, or broken up, what does that tell you?
If you're having resentments for characters like Max and Lucas and Will and Hopper bc the story has made points to have those characters interfere with your confidence in Mike and El romantically, I'm sorry, but I'm gonna go out on a limb and say you're probably watching the show wrong. To be clear, if you have resentment for ANY of the main characters, you are missing something!!!
And that was my problem back then when I subscribed to these assumptions, because I WANTED to believe Mike and El were the pinnacle of romance, despite the signs incoming that went against it. And what that meant is I had to hold resentments for all the characters, including Mike and El themselves and even the Duffer Brothers for ruining what I WANTED to believe.
After s3, me, my friends, family and quite honestly anyone I spoke to about the show, said that it went downhill since the previous two seasons. And I do think a big part of the reason why, is because of the Mike and El conflict conflating everything. It felt regressive. And s4 repeating that exact storyline????
It took me a while to even consider byler as an idea. It's not like I latch onto every non-canon mlm ship and just ship for nothing (very few bylers do this, no matter how much anti's need to convince themselves this is the case as an excuse to be homophobic).
I am a hopeless romantic. Doesn't matter if it's queer or straight, I only ship stuff that I feel confident is endgame bc why would I put myself through scenes of something that doesn't feel right to me, merely bc I want to believe it and despite everything pointing against it??
Full serious, IF I was confident in milkvan endgame as a possibility, I would probably just convince myself to like them and provide evidence supporting it, bc I would honestly rather be right? Who tf wants to be wrong?
The problem was it didn't matter if I was initially convinced Mike and El were the pinnacle of romance (I was a child okay, give me a break...). Once I let go of that assumption because of all the doubts I had of them piling up, and took off my heteronormative goggles, I went woah... Holy shit. This show is actually fucking epic. Doubts gone. And the rest is history.
So, what happens if neither is endgame and Mike's killed off? I guess I would be confused, especially because the Duffer's specifically mentioned not being able to kill off Mike in a podcast last year. They gave their reasoning as to why, being that they take deaths on their show very seriously, needing 1+ seasons for them to show the characters mourning the loss. And so ending the show on that exact note, would be kind of a spoiler since they brought it up specifically? Therefore kind of redundant?
I guess, sue me for thinking the Duffers care about the show and put a lot of meaning into it. All of my analysis and theories are based on that assumption. No one's going to change how I think about that, so trust me, not worth getting worked up over it, anon.
If your evidence is all based on the assumption that the Duffers are not that good of writers, that almost everything on the show is coincidental and there's no deeper meaning beyond surface level, why are you even watching it in the first place? You do you I guess, but I just don't know why you wouldn't want to watch something that is more worth your time?
People being confident in their theories wont hurt you. If it bothers you so much, maybe find a way to be confident with your theories after looking at all the evidence from both sides. All sides. Any sides. If you still come up completely indifferent, then don't work yourself up by going on anon and making it other peoples' problem.
If it turns out everything meant nothing, and I was wrong about everything or most of what I interpreted, I will be okay! Because the show went from being about what I wanted to believe, to just what I genuinely believed.
Would I be disappointed? Sure. But lets hope I'm right bc in my scenario the show is epic and everything means something... not sure why anyone would root for the alt...
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Just some random
STRANGER THOUGHTS 2
***SPOILERS FOR SEASON 4***
*****My smoldering hot-takes on the season’s hottest DILF. 🥵******
Jeezus, is it a million and one degrees in here, or am I trapped in a Russian Prison with Enzo?
See, that’s funny because you’d think a Russian prison would be cold, but then there’s a hot DILF in there.
Question number one: ok yeah enemies to lovers but has anyone ever tried “helpful prison guard to sexy cell mate?” Is that a trope? Can we make it one?
Now you’re probably asking yourself, does this crazy bitch ship Hopper and Enzo?
And the answer is yes, of course I do, but not in an “I’m gonna be mad if this show doesn’t make this cannon” sort of way. I know nobody is queer-baiting me here. If anyone is queer-baiting me it’s me. I’m very good at it, thank you very much. I can imagine incredibly straight men are in love when they’re on screen together in my eyeline for too long. That said, Ronance, Steddie, Byler, and Jargyle: make it canon or we riot. [How fucking dumb was it when they just threw a random chick at Argyle to show the audience he’s got a big case of the not-gays? Who cares. This show loves smashing straights against each other. Show me some bi 80’s teens or shut the fuck up. Also, watch out, everybody, cause the Mileven Mafia is about to come gunning for me: I don’t give one single fuck about Mike and El’s relationship and I never have. El’s busy, guys. She’s got a whole “facing down an inter-dimensional existential threat/I’ve got two dads but one is abusive and one’s in a gulag” thing going on. Fuckin’ don’t make her date a boy right now.]
Now, back to that gulag. Ah, Enzo. Dimitri “Enzo” Antonov. My imaginary boyfriend that someone else imagined for me, who is never going to date my other imaginary boyfriend from Season 1 [on TV, at least. In head canon it’s already happening and you can’t stop it] for two reasons: A) because obviously Jopper is a thing and the writers aren’t going to suddenly drop that just because we got season 2 of the gay pirates. (But wouldn’t that be WILD? What if they had shot two versions of the ending and they held back Vol. 2 so they could use the gay ending if Our Flag Means Death got renewed? Would the internet survive the aftermath?) And B) my two boyfriends can never date because canonically Season 1 Hopper died in Season 3 when the Duffer Brothers got amnesia and started telling David Harbor to just scream at everyone in every scene. RIP, baby. I still love you.
[Side-Note: I’ve got so many good hashtags for this ship you guys: #jimitri #hopptonov #enzopper #hoppzo. They write themselves. These men fit like puzzle pieces. Sexy, sexy little puzzle pieces. Mmmm. Cold, boys? Why don’t you two papa bears snuggle up for warmth? Yeah . . . Yeah . . . That’s real cozy . . . . . . . ANYWAY]
And of course, C) #jimzo #twopigsinablanket [lol, they’re both cops] is never gonna happen because they’re absolutely setting up my glorious Russian cinnamon roll for a tragic heroic death.
Look, snow-muffin, I love you. You’re the steely-eyed, growly-voiced, salt and peachy mustached, true friend to the death, morally grey Russian with a not-so-secret heart of gold of my fuckin’ dreams. I’d watch a whole spin off that’s just you teaching your son to ice fish in silence. I want you and Mikhail to defect to America and move in with Jim and El and wind up in a super bi thrupple with Chief Hopper and my self insert OC. (Her name is Azelia Moondragon, she has three different color eyes, she can change genitalia at will, she has an IQ of 3.6 billion, and and she’s more powerful than the Mind Flayer, Vecna,El, and eight demogorgons put together . . . Nah, just fuckin’ with you. Her name’s Kate Kauffman and she’s a 38 year old therapist from New Jersey with a secret drinking problem.)
Listen, my ice duke, my proud Siberian wolf, my shot of Svayak with a spoonful of caviar, we both know you could have an AMAZING arc in Season 5. We both know you could wind up snatched by the US government and forced to remain at the lab in Hawkins while the feds scramble to cover up the existence of the Demogorgon you saw, that you could have a moving side mission to bring your son to the US illegally while you help your bestest pal Hop and his annoying girlfriend [no, she’s fine, it’s fine, I like her, they’re good together, not all the hot men want to kiss each other, and that’s ok] parent their sulky teens and save the damn world.
We both know you could fall madly, passionately in love with the mysterious new psychologist that the lab hires to provide you and the other Demogorgon survivors “trauma and readjustment therapy,” but who has secretly been tasked with wiping your memory so you can never go back to Russia and tell the world what you know. We’re both well aware that after she succumbs to your arctic-foxlike charm, Dr. Kate Kauffman could never bare to wipe your memories, that she would instead confess that she is not a psychiatrist, she is in fact a powerful psychic, a subject of the experiment that preceded Hawkins Lab, that in a fit of tears as she laid bare her secrets she would lift up her sleeve to reveal the mark on her wrist, faded, but perfectly legible: “000,” and then as you took her in your arms and told me no harm has been done, all is forgiven, you’re here to protect me now, the two of us would begin to float into the . . .
*Ahem* At any rate . . .
My beautiful near-winter ermine, we both know you have so much potential as a character. But it’s time for both of us to face the harsh, cold facts, so much colder and more harsh than the winters of your beloved homeland.
Dimitri, my darling, here are the reasons we both know you’re definitely not making it out of Season 4 alive:
1) You’ve got a son to get back to. ROOKIE mistake, my love. I’m frankly astonished at you. And you revealed it RIGHT before the big monster battle? I mean, why don’t you just do a big monologue about how you two are going to open up an awesome rabbit farm when you get home? Do you WANT to die? Baby, I volunteer for a suicide hotline. Next time you feel compelled to confess touching details about yourself the night before you face a deadly threat right at the end of a season arc, call me. We can talk it through. You have so many reasons to live!
And of course, that is why you are going to die.
2) Where is Mikhail’s mom?
Now, this one’s interesting. Arguments COULD be made this could go either way.
The facts are these:
You’ve made zero mention of your wife in all this “reflecting upon our lives as we stare into the gaping maw of death” talk. MAYBE your wife divorced you, and that’s why you don’t like to talk about her. Seems unlikely, given Hop got you to punch him by implying she was disloyal. (Although we can’t rule out the possibility that that remark hit just a little too close to home. Perhaps your drive to be seen as a hero of the Motherland in the eyes of your son stems from a need to demonstrate you are the REAL daddy, a bigger, braver, cooler man than the stepfather his mother left you for? Interesting. We can discuss this again in your next session, Dimitri. That is, if we even do any talking next time . . . I mean, what? Huh? Oh! Right, the thingy. Yeah, sorry, I uh, got distracted by the . . . Nevermind.)
ANYWAY, the much more likely answer is, Mikhail’s mommy is deadzo. You are not only a DILF, you are a hot widower, and the show runners are saving this juicy detail for the inevitable “calm before the coming storm,” beat, the moment just before your heroic sacrifice during the final battle or the crazy escape sequence, when Hop says something cheesy like “You’ve got to rest up. Tomorrow you’re gonna need all your strength to hug that wife and kid of yours.”
And you’ll stare just left of camera with your gorgeous, steely gaze, and you’ll say in your low, haunted voice “I will need strength for only one hug. I am all the family my son has left.”
BOOM. You’re dead. The emotional stakes just got higher and all the Duffer Brothers have to do now is fry ‘em up in the bacon grease of tragic irony and serve them to the audience with a side of mashed dream-potatoes as we weep for you. Now your son is an orphan! And Season 5 has a ready-made cute Russian to bring in and fatten with all our collective emotional investment before the final slaughter. [Fun fact: the third ritual sacrifice of a beloved fictional Russian in a series opens an actual real portal to a hell-dimension in our world!!! The last one opened on January 15, 1968, when the finale of The Man From U.N.C.L.E was broadcast! It was only closed by “chance” when the counter spell was “unwittingly” triggered by casting Armie Hammer as Illya Kuryakin in the GUY RITCHIE directed remake. GUY RITCHIE. Did you know he made a King Arthur Movie?! The Lock, Stock, and Every Movie Jason Statham Has Ever Been in guy. Made a remake of a 60’s tv show and a King Arthur movie with WAY TOO MANY GOD DAMN WIZARDS. Anyway, like I said, luckily the portal was closed, but the things which came from its depths still roam our Earth, seeking raw flesh and fun 60’s fashion accessories. Remember, Ritchie has more dark power and arcane knowledge than he’s letting on, and always wear an ascot or a cute colorful beret when you go out or you will perish horribly!]
Then again, there is a hopeful reading of the no-wife-scenario. MAYBE, dead wife means no strings to hold down the season 5 Enzo romantic D plot. MAYBE they’re leaving you open for more hasty and gratuitous hetero coupling! Doctor Kauffman?! Paging Doctor Kauffman to the set of Stranger Things Season 5! They’re prepping for your close up! And after that, you’re making ST history, they’re setting up to shoot the show’s first sex scene with two adults!!!
[remember when we watched two teens awkwardly fuck while Barb was gruesomely murdered in Season 1? That scene has gotten even LESS comfortable somehow as the actors have aged. You look back and see how young they look compared to now and you’re like “yikes! I know the actors were actually twenty, but please! No more babies fucking, thanks!” Glad they stopped doing that shit. If I had to watch El and Mike fuck I’d hurl, for more reasons than one. LEAVE HER ALONE AND LET HER FIGURE OUT HER SHIT GOD DAMN IT I DON’T NEED TO SEE HER PUNCH MIKE’S V CARD I DON’T CARE THIS ISN’T EUPHORIA ITS A GOD DAMN SCI FI 80’s THROWBACK FUN TIME ABOUT PSYCHIC BABIES!]
So, yeah, no wife could mean free meat for the season five Hetero-pairing meat grinder! There’s hope!
. . . Hope? . . . Who am I kidding? I’m sorry, Dimitri, but this is no time, no world for hope! This is Stranger Things! Do you really think we’re gonna make it out of another season with two new cast members still alive like we did in Season 2? No. No, in the end they killed Billy for his hubris in daring to outlast Bob Newby. All good looking things must end, my dear. Let us kill hope now, before she hurts us again.
3) This Show Fucking Loves Killing Precious Russian Moonbeams [alternatively titled “Are The Duffer Brothers Attempting to Summon The Ravening One From Beyond the 9,000th Eye?!?! Stay Tuned For Season 4 to Find Out!”]
I don’t know if, like, everyone in Russia knows everyone in Russia, but, like, probably not? It looks like a pretty big country on the map. But, Enzy, baby, can I call you Enzy? No? Ok, well, Antonov, sweetheart, do you remember Alexi? He was this really cute, funny, enjoyable Russian sidekick they had last season. We had so much fun with him! At first, we thought he was this bad Russian scientist who was going to help screw over our beloved friends, but in the end, he actually teamed up with them! We all really came to love Alexi! He was kind of a fan favorite! People wrote long, rambling things with a lot of weird jokes in them about him on Tumblr. And then . . .
Sound familiar?
Call me a pessimist, but I just don’t think the Duffer Bros can pass up an opportunity to murder a beloved fictional Russian. Besides, it has been long since the gate was opened. The Ravening One cries out for more tender flesh from our own corporeal plane. Its inessence rumbles, its dark mindlessness bends upon our dimension with all the fell, unfeeling intent and obsession of otherworldly instincts. The Duffer Brothers are thinking of doing a 60’s throwback for their next show, and Guy Ritchie is slated to direct the first seance, I mean episode! . . . Plus they’re like so attentive to details, they’d never kill three Russians on accident! Or forget their birthdays.
Dimitri “Enzo” Nikolai Andronic Niklosky Antonov, we could play this little game of denial, dream this little dream of happiness, torture ourselves a little while longer with what can never be. But neither you nor I are fools. Let us say goodbye now. Let us bid farewell to visions of you doing a really cool group side mission for one or two episodes with Steeve and Eddie and Robin and Nancy and Dustin and Max and El. Let us not cling any longer to fantasies of an episode beat where the adults go out on the town and you and Hopper get in a big bar fight with some assholes who are teasing Joyce and Murray, and you do lots of cool punching to some banging 1987 hit like, I don’t know, RICK ASTLEY’S “NEVER GONNA GIVE YOU UP?!?!?!” [Did I do it? Does it count as Rick Rolling if it’s in text?]
Let us let go once and for all of our wistful longing for all the dopamine-explosion moments as you interact and bond and integrate with the entire Stranger Things ensemble, the giddy spectacle of novel combination after novel recombination of beloved characters, that heady right of passage of exploring increasingly bizarre pairings and group dynamics all new ST characters who survive their first season are treated to, until the dread Season 5 finale ultimately tears them all assunder as the eldritch gods of the Upsidedown inevitably triumph and wipe all away with one mighty, slimy tendril of inter-dimensional horror.
All I can say, Enzipie, Dimipants, Antobutt, is that it’s been one hell of a ride. You may be just a corrupt guard of some remote, snowy prison in the middle of nowhere, betrayed by his crooked accomplice, imprisoned alongside his former captive, escaped with the aide of unlikely allies, and doomed by the conventions of narrative drama to die, but you melted my heart.
At least we get to keep Eddie! . . . Right? Duffers? DUFFERS?!
TOUCH HIM AND YOU DIE, GOD DAMN IT!!!
*begins sobbing and singing unintelligible Russian dirges while pounding the table rhythmically with fist*
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strangertheories · 2 years
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Part of me think some people are overreacting with byler right now. Because it’s not queer baiting, if Will isn’t made gay in canon by the last season then there is queer baiting but at the end of the day byler itself isn’t (said by a byler shipper)
And I definitely think there was a lot of Bad choices made this season for byler. Like mikes whole my life started when he met El (and when will disappeared) made no sense and was terrible.
I love byler but- and while we absolutely can have a queer couple in the show- we have to also understand that hey not all ships we want will end up together. And that’s okay. Not what we want but that’s life and this show Is realistic for some stuff like that. Gay or not we don’t always get the person we are pinning for and it sucks but it’s normal.
However definitely think a Lot about Mike was out of character this season just to add more to his relationship with El which is Not okay.
Because romantic or not Mike does care about Will. That’s what ten years of friendship? He hasn’t even known El for half of that. That is not something that can just be ignored for a het relationship
I agree and disagree. I think that you could argue fairly well that within the show, Byler was not baited. Obviously I can't tell someone who watches the show whether to feel baited or not, but I doubt Mike's relationship with Eleven was intentionally poorly written so that we'd think he was gay. I don't think Byler not being canon is inherently queer baiting. My mantra with it was always 'disappointed but not surprised' which, after watching Volume 2, is exactly how I feel. I understand they're not going to do every ship which is why I've always had the attitude that of they don't do Byler I won't be shocked but it is a missed opportunity.
What I take issue with was the marketing of the show. I understand that the social media interns posting about Byler weren't on the creative team and just wanted engagement, but they made a corporate decision to give a lot of people hope only for that to just not happen. Not to mention how often it was raised in interviews and Noah Schnapp talking about how now's the time to ship it. Which I think is pretty bait-y.
It's a similar thing with Will. I can kind of get the arguement that he's taking his time to come out, but they told us that he would. The Duffers said his sexuality would be addressed and I think Shawn Levy said that too which was just a blatant lie. I mean, I would've loved him to have said it to Johnathan because now I have to deal with at least a year more of people claiming that Will is immature for not liking girls, instead of the fact that he's just gay. And don't get me started on the people who thinks he likes Max or Eleven or Nancy. That's not even addressing the fact that his feelings were a plot device so the straight people could get together and be happy which whilst not queer baiting is just really shitty.
And in terms of Mike, I don't think he was well written. He was distant from Eleven and a rubbish friend. Sure he felt unneeded by Eleven but why couldn't this have been shown to us before. I know to my followers I'll sound like a broken record, but I can just tell they wanted a big monologue where he tells Eleven he loves her and worked backwards from there. The issue being that we already knew that. So they made him a distant and shitty boyfriend who seems so disinterested in his girlfriend that we thought he was gay.
And then in terms of his friendship with Will, something really switched after S2. They've gone from having a super close relationship where the best thing Mike ever did was become Will's friend to Mike's life beginning the day Will went missing. Their talks with each other this season were nice, but in every one of them, Will was clearly the wiser. And then the last one with Will talking about Eleven... How oblivious did Mike have to be? Remember in S2 when Mike said Will's quiet and Lucas said he's always quiet? That was meant to show Will and Mike have a special bond and that Mike notices what Will's going through. But now Will is sobbing into his hand whilst Michael Wheeler believes a thinly veiled coming out is about his girlfriend.
So yeah that's my opinion on the matter. I think it could've not been queer baiting but some of the marketing choices make me feel pretty baited right now. Thanks for the ask (:
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Okay, just like everyone else, I was furious about the queer baiting in stranger things of Will’s character and his relationship with Mike. It’s okay that byler isn’t canon, I can even accept the fact that Will still hasn’t said that he is gay, but to use his feelings for Mike to advance a straight couple, one of which he is in love with, is just disgusting.
BUT I actually still have hope, now that I have cooled down. I still have hope for byler.
Hear me out: Take a look at Jopper and Jancy (let’s ignore the forced Stancy of season 4 for the moment). In season 1, Jancy started getting developed, and they got together one season later. Jopper was kinda hinted at in season 2, more or less, but made even clearer in season 3, and they got together first in season 4. Even mileven (which I like less for each season) didn’t get properly together until end of season 2 (season 1 they just got to know each other, season 2 they were separated). Like 3 out of the main 4 “endgame” couples (with the exception being lumax) took two seasons to get at, at the very least. What I’m meaning to say is that the duffer brothers love slowburn romances.
Now let’s take a look at byler. You can say the signs have been there since season 1, but that’s just small hints. The real build-up is starting just now, at season 4, and by the duffers’ previous “endgame” romances, if byler were ever going to happen, they would wait until season 5. Maybe we weren’t delusional after all, maybe the duffers just wanted to really build up the ship and make byler win the race of the slowest burn of stranger things.
(And also waiting until season 5 to make byler canon will trick the homophobes to watch the last seasons so the show doesn’t lose viewers.)
With that being said, I still have hope for byler. I just hope they don’t get together the last ten minutes of the last episode of the whole series, because I do wanna see at least some instances of them being a couple.
So byler-shippers, don’t lose hope yet! Maybe the duffer brothers are just going for one of their long slow-burns again!
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extasiswings · 2 years
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This whole interview situation has been enlightening on the max front. I’m not super involved in fandom and don’t really care to be but I knew that people had issues with him. I just didn’t know what. And tbh I still don’t really know what it is other than he thinks the show queer baits and it reflects in his articles? All that to say was I’m hoping that some of what she said was taken out of context right, because her responses were so gaslighty to the fandom that see buddie as romantic. I’m really hoping that the article was reflecting a bias that the interviewer had and that she wasn’t just straight up saying that people see what they want to see and it’s not really happening lol. Weirdly the article didn’t make me think that buddie wasn’t happening because I agree, they wouldn’t never reveal that prematurely and would 100% lie so that info wouldn’t come out. It was her responses were a bit ✨triggering✨ in the queer experience lol
I think I’ve said everything I need to say about the article itself, but as for why people have issues with him (from my own perspective):
It’s not just that he thinks the show is queerbaiting (it’s not, and wouldn’t be even if they never went canon, that’s not what queerbaiting is) and his articles reflect that. For me, it’s many things. It’s the way he has painted himself as a sort of crusader for queer rep by harassing creators about one particular ship while ignoring the critical mass of queer characters and couples that already exist in canon (yes, representation is important, and I think it’s disingenuous to treat this show the same way we would treat a show with zero rep on that front, both are true). It’s the way he presents himself as if he has a ton of super special insider knowledge and insight to rile up the fandom when he just has teeny tiny crumbs of additional info and is just speculating like all the rest of us, but treats his spec and opinions as fact. It’s the way he is extremely unprofessional and can’t separate himself as a fan from himself as a journalist and has an inability to present material in a way that even pretends to be unbiased. It’s the way he wouldn’t understand longform storytelling if it bit him on the ass and decides that the writing is terrible every time it doesn’t conform to his specific expectations (going back to not being able to separate himself as a fan from as a journalist—acting like if he doesn’t get what as he wants exactly the way he wants it as a fan, then that means it is objectively bad as a critic) and also throws temper tantrums on main about it (this is someone who was smugly annoying for all of 5A about how they were “ignoring Eddie’s trauma” and endgame BT).
And that’s not even touching the other unprofessional behavior. Teasing an interview with Ryan and Oliver alongside Gavin before getting official confirmation, implying that he would love the chance to ask all sorts of ship-related questions, and then throwing a fit stopping just barely short of naming Ryan specifically when he was ghosted by PR. Hyping his post-mortem with Tim for 5x10 and flat out basically saying “I can’t wait to ask him about all the ways I think this season sucks” (in addition to the general backlog of tweets that are not opinions you should have on your professional sm account), and then being upset when it was canceled. Doing the same thing with Oliver (if that alleged interview was ever actually scheduled at all). Like actually, people aren’t going to sign up to be harassed about your personal grievances when they want to do professional, official promotional work for their show, and if you make clear that’s what you want to do…idk, play stupid games, win stupid prizes.
Tldr; he feeds fandoms worst impulses, enjoys doing it because of the attention it gives him, and is the worst kind of entitled fan (only exacerbated to new heights because he has the teeniest little platform) and allows that to inform his coverage of the show and interactions with the cast and showrunners. That’s why I don’t like him.
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quillquiver · 3 years
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On SPN, Burying Your Gays, and Being Heard
I am shaking, I feel sick, I feel like I’m insane. And did I run a little wild with the theories? You bet. But you know what didn’t help? The botched clusterfuck that was this entire goddamn finale debacle. How was I supposed to believe anything they said in panels when M&G dialogue would leak saying the exact opposite? How was I supposed to grieve and move on when there was nothing from the cast and crew? Nobody said anything! And any info leaked just destabilized what we already knew or directly contradicted what we’d been told. In light of that, how was I supposed to trust anything anyone said? One rogue translator reciprocated the love confession and I was practically sold, because there were so many questions surrounding the English text that this was something good, something that logically fit, and something I wanted to hold onto. 
Because they hurt me. This is about so much more than one episode or a ship; for years queer fans have seen ourselves in these characters and been told that we were crazy. That we were reading too much into it. I’m not sure how people get upset and offended when a storyline that doesn’t exist... doesn’t exist! said Guy Bee (2013). And then, after all of that, they turned around and said magnanimously, you have your version, I have mine... and that’s okay. But it’s not okay. It’s not okay, because that doesn’t erase what came before - that doesn’t erase the baiting and the gaslighting, and that invalidates everything we felt in the time leading up to that episode. It gave them an open window for all the subtext that came after. It allowed them to brush us off.
And then we got Cas’s love confession. I watched that scene about 500 times. Added to the rest of the season - to the fandom avatar being presented as successful and intelligent, to arc being the death of the author - I felt seen. Really seen, by a show that made it its mission to erase me. I had been okay with Cas dying at first because I had been sure the romance arc would carry through. I had been convinced that after everything, there was no way they would give that to us and then take it away.
But they did, because this is Supernatural. To anyone saying this is not bury your gays, I implore you to read up on the Hays Code. This link is to an amazing queer history podcast and the episode that covers it. In short, the Hays Code was a legal document that came about in 20th Century Hollywood during the puritanical war on the American entertainment industry,  and it stipulated what was not allowed on screen. Not all of it was queer - there’s a whole section about kissing - but what the Code is most remembered for is that queerness was not allowed on screen. But queer people are resilient, and so they started testing the waters... and it turned out that you could in fact code queerness into a narrative, as long as it was subtextual, or as long as the queer character died/was punished, or both. The point is that the character is not allowed to live their truth openly. They are buried, either in the ground or punished in the narrative. The former is normally what we refer to these days, because the latter just doesn’t really happen anymore.
Until Supernatural. 
Castiel is immediately punished for speaking his truth - and please don’t tell me he leveraged that punishment and so he had agency. Literally the only thing that could make him happy was confessing his feelings, and so the Empty deal was directly related to this idea of queerness-as-punishment. That being said, Bobo wrote a beautiful scene. Cas’s confession was a love letter to queerness and coming out... but everything that came after buried him. Castiel may have ended the series alive but he was effectively written out of the last two episodes, and that means that he actually never really got to live his truth. He was silenced by the narrative - that is punishment. 
Dean is a whole other can of worms. Does one rogue translator confirm canon bi!Dean? Or do we have to read our own version of the text? The fact that we even have to ask these questions firmly places us in the realm of queerbaiting. Were the writers trying to get bi!Dean approved but were unable to? I have no idea, but queerbaiting requires proof that the writers encouraged a reading they had no intent of following through on, and we certainly don’t lack in evidence of that. Not from this writers room, but from those of previous eras. Did these writers try? They might have, but the funny thing about queerbaiting discourse is that there has never been a show to bait this long, and I’m making the call that even if you tried at the end, you baited me with half the ship and all the years that came before. 
Of course, the narrative leaves open the possibility of bi!Dean so if you do read the show that way, that means Dean also falls into the bury your gays category; if you read the show this way - which many of us do - the mere suggestion that Dean Winchester was bisexual was enough to punish him. And he was punished. We’ve all written extensively on this, but he was given a random death, on a case his father never finished. All that growth, all that time spent having him accept himself, love himself, that was all taken away. He died the way he always thought he would: as a tool, in service of his father, protecting his brother. He had always believed he’d been a body to throw on the sword and in the end that’s all he was. And when he gets to Heaven? He’s also silenced. He barely speaks in the episode except to monologue during his death, and that is 100% Sam-centric. He is scared. 
It was horrific to watch. I sobbed so hard my roommate was seriously concerned. 
I had been fully prepared for Supernatural to end disappointingly. I had figured everything would end with a huge heaven reunion because white, straight, cis-male S&F writers love the idea of death as a reward, but instead of being disappointed I felt like I had witnessed a slaughter. Every single one of the queer themes intrinsic to the show: found family, resilience, speaking your truth... were gone. And I know we’ve talked about this too, but it bears repeating, because in doing this, in writing the queerness out of its narrative, Supernatural effectively looked every one of us queer folx in the eye and said: you are not important. You don’t matter. All of that stuff that came before is all good and well, but what really matters at the end of all things is blood family. It’s two brothers in a car. Life sucks but at least we get to die and go to paradise - real paradise, that your angel buddy died for and then made for you and who we never hear from again.
I felt insane. I felt cheated. I felt humiliated. I felt devastated. I still feel all those things, but listen to me. You have been heard. Not by Misha Collins, who is a great guy, but doesn’t get it. Not by Jensen Ackles, who is a similarly great guy, but also just doesn’t understand. And not by anyone else who worked on this show. 
You know who heard you? Me. The people who follow me. The people who follow you. We saw each other, and heard each other, and we gave each other a leg up. We made memes. We wrote fic. We drew fanart. We made gifs. All for ourselves and all for each other. We broke Tumblr multiple times. We donated over $60,000 USD to multiple different causes. We got multiple hashtags trending at multiple different points, and today kept it up because we demanded answers and then we got them. There were at least 5 articles written about the show today. We made that happen. We made people listen. 
Supernatural didn’t deserve me, and it didn’t deserve you. It didn’t deserve Dean. It didn’t deserve Cas. It didn’t deserve Misha and Jensen. But this show ended with a bleak, awful message and we turned around and showed them that love is loud. So what about all of this is real?
We are.
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inawickedlittletown · 3 years
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Queerbaiting and Buddie
(word count: 1,900)
I keep saying that I don’t want to spend any more time on 9-1-1 meta or fic, but the events of this weekend made me open up a document where I had some unfinished meta and in light of the S4 finale airing tonight, I thought I might at least write this: 
“Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation. They do so to attract a queer or straight ally audience with the suggestion of relationships or characters that appeal to them, while at the same time attempting to avoid alienating other consumers.” 
That is how Wikipedia defines queerbaiting. And I really feel like everyone needs to read that and then read it again and realize that what is happening on 9-1-1 with Buddie is NOT queerbaiting. 
I don’t want to go into the long history of queerbaiting because we would be here all day and anyone that wants to do some research should go and do so. There are a lot of resources out there. Use them. 
But the short of it is this: queerbaiting has a lot more to do with the way a show is promoted, with the way that anyone involved in the show talks about a queer ship, and with the show deliberately scripting scenes that hint at a relationship without any intention of following through. Expectations and wanting a queer ship to go canon and those expectations not being met do not alone equate to it being queerbaiting. 
For any of us that have been around a long time there are a lot of perfect examples and if you compare Buddie to any of them, they are very different. I’ll name a few:
Merlin/Arthur
John Watson/Sherlock
Emma Swan/Regina
Derek/Stiles
Castiel/Dean Winchester (though they did go canon...barely)
Lena/Kara
Buck and Eddie do not fit into that list. Which isn’t to say that someday they could belong there, but I just do not believe that they will even if Buddie never becomes canon. And this all lies in how Buddie as a ship has been treated both on screen and off. I’ll break it down by season. 
S2: 
Eddie is very clearly introduced as a new character, a straight Army veteran with a disabled kid and family drama. He and Buck have immediate chemistry. We can’t deny that, or deny that from that first episode there are immediate sparks. Unintended sparks, but sparks nevertheless. And it is easy to tell that no one on the production team expected that and the story reflects that. 
Yes a foundation for their friendship is formed and yet the season long story focuses on Eddie’s relationship with his estranged wife and Buck is dealing with his own growth after being left by Abby. Their friendship shines and their scenes are great but none of them suggest romance and there are actually a lot of episodes where Buck and Eddie barely interact in S2 aside from in the background or for small work related moments (this mostly happens after Shannon returns). 
S2 does give us the first acknowledgement from the powers that be aka Tim Minear that they know what the fans have seen. This is why the elf scene exists, but it exists in a space where it’s a nod to the fans and not meant to do much more than that. The other moment is during the call with the livestreamer. But S2, places them completely and without question on a strong friendship. 
S3: 
We see a lot more conflict for Buck and Eddie in this season and we see how close and important they are to each other. Those are the two main things. That can be read as friendship easily and it’s a season where both Buck and Eddie deal with their pasts and in one way or another start to get closure while their friendship remains intact. 
Yes there are some scenes that make us squint and go huh, wtf? (I’m looking at you kitchen scene), but narratively we also know that neither of these boys is ready for a real relationship with anyone, let alone each other. But we can bask in how close they are as well as how Christopher fits in into all of it. 
But in S3 we are also introduced to Ana and we see the return of Abby. We also get to see that Buck and Eddie have become closer than ever and that the lawsuit only serves to highlight the importance that they both feel about having the other available to them. I’ll also quickly mention that Eddie Begins worked hard to highlight Buck’s devotion to Eddie. 
S4: 
Without considering the events of the finale (I am avoiding spoilers and know nothing about it or the speculation), we’ve seen Buck and Eddie both grow and get further closure on their past. This season has paralleled them well and their friendship has not faltered, they’re as close as ever. 
The beginning of the season was heavily focused on Buck and we saw him grow as a person and begin to work on himself in a healthy way and we’ve seen Eddie be supportive of that. 
We also have Ana to consider and her relationship with Eddie as well as the return of Taylor and yet the appearance of these women has not changed the Buck and Eddie dynamic. And I find it fascinating that Eddie beginning to date Ana, is the thing that prompted Buck to start dating. The parallels are all over the place but it is the strength of the friendship and the way they care so deeply about each other that remains whether that becomes romantic is still to be seen, but it could still go either way.  
Off-screen by the end of S2, Tim Minear had already addressed Buddie by throwing in that elf scene in a wink/nudge fashion that said “I see you” and in the scene with the girl with the livestream with the comments. During S3 he tweeted about being frustrated by the fans demanding and being hostile and thinking that that would make him more likely to do what they want (I’m paraphrasing what I remember seeing). Tim has never once said that Buddie will happen or shut the door on the ship entirely, but he did say he did not want to engage in conversation about it because he doesn’t want to get into arguments with fans. 
Oliver has always been enthusiastic about Buddie and has even said that he would be perfectly fine with it happening both a while ago and more recently in promo for S4. Conscious of queerbaiting and not wanting to give fans false hope, he has specifically said that he does not know if it will or won’t happen and that he wouldn’t speak on that as he’s not the one making that decision. His support for it happening does not mean he has any sway one way or the other. He’s said this a few times and even wrote a letter to the effect to make it clear to fans that the last thing he wants is to disappoint someone due to something he’s said. 
All in all, it just isn’t a constructive environment for anyone working on the show to interact with fans on this topic because any time that they do, they get attacked by overly enthusiastic buddie shippers that in many ways are making everything worse. 
In all of the interviews from Tim that I’ve seen, he has always been very quick to hint at what was coming up on the show in a way that at times has been misleading on purpose. The number one thing that comes to mind is early in S4 where Buck was said to get a new woman in his life. Tim absolutely made it out to seem like it was a girlfriend while knowing fully well that it was a therapist. This is an excellent example of what promoting and hinting is actually like. No one from this show has done that in regards to Buddie. 
No one has gone out of their way to hint that it may happen in a way that excites the fans. And this is one of my main reasons for knowing that Buddie is not a queerbait. At no point in the life of the show so far has anyone used Buddie in a promotional way to bring in viewers. Because THAT was the whole point of queerbaiting in the past. 
It was a way that some showrunners found to bring in a lot of viewers when they needed to up their numbers in order to show networks they were worth keeping around. Someone figured out that LGBTQ people wanted to see themselves represented so much so that they would tune in to anything that promised an LGBTQ character in some fashion. It was a tactic that worked well in the landscape of tv where there was so little LGBTQ content on mainstream media that anyone wanting it would latch onto anything. And then they just wouldn’t deliver on those relationships or characters. In 2021, that is not the world we live in any longer. 
In today’s tv landscape there is so much to watch and so much to pick from and diversity has grown, it is celebrated. Queer characters are well represented as are queer relationships and queer stories. The times are different. A while back I was listening to a podcast (Bait: a queerbaiting podcast) and something I found interesting was how the hosts both agreed that in today’s tv landscape there is no more real queerbait and that we won’t easily find anything like the ships I mentioned above. I think I agree more with this than I expected to, because I do think that it exists in some spaces, but it definitely isn’t what it used to be. This is a good thing. 
Specific to 9-1-1, this is a show that has that diversity and that isn’t afraid of tackling that diversity and giving us interesting and nuanced perspectives and stories embracing that. We have characters of color, women in positions of power, a F/F relationship, two multi-racial relationships, a disabled character, other queer characters including a M/M relationship. There is so much in this show that embraces diversity and that embraces the reality of what the world looks like. To call it queerbait is to disrespect everything else that this show is and has done and the hard storylines that have been tackled that we would not have seen on tv ten years ago. 
And I get that Buddie would be another breakthrough. It would be a novel way to tell a queer story, and it would be amazing if it were to happen. The set up is there, but it isn’t fully realized, and Buck and Eddie can still be read as just friends if we take off the shipping goggles. But it also isn’t queerbait or likely to become queerbait and people have to stop calling it that. 
What Buddie resembles is one of the many unintended slow burn ships that have frustrated viewers in many forms across fandoms and we just have to go along for the ride and maybe it will happen. Or maybe it won’t. But if we know anything about relationships on tv, it is that a lot of the fun comes from the journey, even if the destination is good too. 
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itsonlystrange · 3 years
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Okay I’m just saying..do you guys realize what a cultural reset canon byler would be?
Like it would trend on Twitter, 100%. People who have never seen the show before would become interested in it, ESPECIALLY people who are looking for queer representation in shows.
Byler is a good slow burn that’s INTERESTING. It’s not your stereotypical gay guys who obviously like eachother and are only there for comic relief and pushed to the back so that the het ships can get the spotlight. It has DEVELOPMENT. And it’s rare you come across stuff like that.
Neither mike nor will are stereotypically “gay”. They are just regular teenage boys who happen to not be straight. Usually gay ships portrayed in TV and Film are used as comedic relief. Or the overly flamboyant gay guy and the super macho gay guy getting together in the last 10 seconds the show.
Yes, there are a TON of good shows out there that have queer representation however a LOT of them get thrown under the radar or are overshadowed by the more heterosexual ships or shows.
So imagine, a show as big as stranger things, having its two boys be in a canon relationship. Like the internet would BLOW UP. It’d be the topic of every interview. Finn and Noah would be the topic of every interview. Stranger Things would have relevancy again.
Obviously, ST is still relevant however with this whole hiatus it’s falling off the radar easily and people are becoming bored. But this...this would blow it up again.
Obviously queer ships are NOT there to make a show relevant again, at all. That’s not what I’m saying. What I’m saying is, imagine all the lgbtq+ kids that watch ST. The lgbtq+ BOYS that watch ST.
Often, when queer relationships are portrayed in film or television, it isn’t portrayed accurately. And it’s often shown as “if you don’t come out this way then you’re invalid.” Or “if you have internalized homophobia you’re invalid” and a thousand other things. Hell, I remember being much younger absolutely hating myself or not “picking a side” and being so confused with my self and wondering why I was even bisexual in the first place.
But then you have byler, which portrays a much more accurate relationship between two closer than normal boys. It portrays the internalized homophobia, the abuse and bullying people back in the 80’s (and still now) would endure. And yeah, it’s not the most accurate depiction but it’s FAR better than some other popular show’s queer relationships.
Millions of people watch this show, an abundance of them being lgbtq+. And imagine them having a ship to look up to. A ship that doesn’t portray gay relationships as a “joke”. And even better, Mike and Will are teenagers!!
Often, in film and television, queer ships are usually based around two adults. In fact, a lot of times they portray young teenagers being in a gay relationship as “gross.” They say that it’s too “mature”. That having a partner that’s the same gender as you is wrong, and that you need to be a little bit “older” because apparently being in a queer relationship is only for adults because queer relationships are just too “inappropriate.”
But then you have Mike and Will who are two 14 year old boys. Who aren’t stereotypically “gay” as the movies portray. They’re just normal teenage boys. And that’s how it SHOULD be portrayed. We need to stop portraying Lgbtq+ ships as “inappropriate” or “weird”. They’re just two teenage boys in love.
Remember when everyone found out Robin was lesbian after being straight baited? Yeah. The internet blew up. So take that and times it by ten thousand. That would be canon byler.
It’d be a huge step for the media. Unfortunately, we haven’t come that far with queer ships. It’s gotten better but there’s still a lot of steps to take. But having a huge show like stranger things have their two man boys be in a canon relationship and have it portrayed regularly, guys!! That would be huge!!
Imagine all the little kids getting to grow up with that. Or all the teenagers that are Mike and Will’s age struggling with their sexuality seeing these two boys who aren’t stereotypically anything be canonically in love. Like, that would be huge.
I know that if I grew up with a canon byler I would definitely have felt a lot more sure of my sexuality earlier on. So many kids would have a wonderful ship to look up to that isn’t fetishized or treated like it’s “weird.”
And the fact that it’d be the topic of every interview. Noah and Finn wouldn’t see the end of it. People would talk about it non stop. It’d be advertised on social media accounts, the duffers would talk about it, the stranger writers would talk about it. I mean, it’d be big!!
And yeah, it’s sad that a gay ship becoming canon would be revolutionary, but that’s just how the world is. We still haven’t progressed past that yet. And it’ll take awhile before having a gay shop isn’t a big thing.
I often see people say “if byler became canon then everybody would stop watching” which just ISN’T true.
They’d gain so many viewers. It’d be more popular than Mileven ever had been. Yes, Mileven has their cute moments, however at the end of the day, Milevens dynamic has been done before. Thats not to say bylers hasn’t, obviously a canon byler wouldn’t be the first. But it’d be the first big canon queer ship in awhile. Straight ships with mileven’s dynamic happen all the time.
And at the end of the day, ST isn’t a romance show. If Mileven didn’t end up being end game I don’t think many people would care. It wouldn’t be as big as people say it is. I feel like the fandom likes to think that Mileven rakes in all the money but that simply isn’t true. It’s a science fiction show at its core and the core viewers don’t watch for romance. If Mileven is what raked in all their viewers then season 2 wouldn’t have been as successful as it was, considering mike and el don’t even interact until the last episode of season 2. So I really think the fandom is just overreacting on that part. Yeah, people are gonna leave the fandom. Just how people left when stancy wasn’t endgame or when their favorite chatacter died or when something happened that they didn’t like. That’s just how life works. They’re gonna lose viewers regardless of what happens because not everyone will be happy with how season four plays out. But at the end of the day, it’s hot like ST is going to lose 25 million viewers because two 14 year olds weren’t endgame. It’s often easy to forget that the fandom doesn’t reflect ST’s viewership. The fandom takes up only a small percentage OF their viewership. So yeah, some fan accounts may deactivate, just like how a lot of bylers left the fandom after season 3. But it’s not like nobody’s going to watch the show, that’s absurd. Mileven isn’t their main cash cow. It isn’t even on the leader board of st’s main cash cows. If anything, Steve dying would make st lose more viewers than Mileven not being end game. And it’s been made more clear recently that a lot of people prefer Jopper over Mileven, especially with the ending of season 3. We gotta remember that, the FANDOM is mainly teenagers however stranger things main demographic and viewership is ADULTS. And I don’t see many 21+ year olds not watching the show because a ship almost 10 years younger than them wasnt end game. Most of st’s viewers don’t care about the romance
TLDR: canon byler would be huge for stranger things and would probably blow up the internet. It’d also be good commercially and financially for stranger things. Also having byler he canon would be so helpful to all the kids and teens and even adults out their struggling with their sexuality and would make so many lgbtq+ kids, teens, and adults feel seen and feel loved and feel validated. Over all, canon byler would do more GOOD then bad.
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neversetyoufree · 3 years
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I read the vanitas manga it's feels like queer bait to me, so many straight kisses but no gay ones? Vanitas & noe dancing is just more bait, Luna is a genderless vampire (non human) and that's it, everything else is bait just like the creator's last work
I've seen other blogs getting similar asks, so to be honest, I suspect that this isn't being sent in good faith. However, on the off-chance that this is a genuine question, or that anyone reading this has similar concerns, I'll try my best to answer this properly.
1. VnC is still a work in progress. Literally anything could happen before the ending, including canon queer people, and given the subtext we've seen so far, there's a part of me that's hopeful for it. If there were ever a shonen manga with a chance to give us legitimate rep among major characters, I feel this could be the one. I'm not going to say that just because a series so far hasn't had any explicit queer relationships, it never will.
I mean hell, just look at the show Hannibal. It's a gay love story, but the main characters spend the first season and a half getting romantically involved with a woman. One of them even gets straight married. These things happen, y'know? And even if we never see a kiss or anything, that doesn't mean something can't still be rep in a meaningful way.
2. As I've said before, even if we never do get more explicit representation than we have right now, this series will still be a very welcoming one to queer people in a way that I think is important. There is a lot of casual, subtle homophobia in the world of fiction, and VnC has had every opportunity to fall into those tropes, but it never does, and I think that's worth something in itself.
I think it’s valuable that we get to see a woman flirting with other women, and the joke isn’t “haha gay girls, that’s weird.” The only joke is how flustered the girls she flirts with get, because Domi is charming and forward. I think it’s valuable that we can see a couple of dudes dancing together, and nobody makes a thing out of it. There’s no commentary about how it looks gay. Neither guy is uncomfortable. They just. ballroom dance, and it’s fine. This may be hard to articulate well, but even if we never get Vanoé romance, and there’s nothing gay about that scene, that doesn’t mean it doesn’t still feel queer. I think the more we get to see that kind of casual same sex intimacy, whether it ends up romantic or platonic, the more welcoming the world becomes to actual gay people, because it does a lot to normalize that kind of interaction. So while you may disagree, I think that scene has a lot of worth.
3. I don’t know where you’re from, anon, but personally, I am pretty uncomfortable accusing MochiJun of queerbaiting, because I come from a wildly different cultural context. I am a whole-ass American, and though there are some especially obvious cases that I’ve joked about in the past, I am not qualified to try and have an actual educated discussion about queerbaiting in Japanese media. I’m not educated enough about gay rights and culture there. I don’t know what actual Japanese queer people would and would not consider good rep. I don’t know what issues people there are concerned with.
Plus, like, queerbaiting is a marketing tactic more than anything else. The issue comes from when you try to lure in an audience by signaling that your work is queer, then double back on that promise. It is entirely possible, though rare, perhaps, for an author to write something full of goddamn subtext without fully intending to do that. For a famous example, just look at the original Sherlock Holmes (the books, not the BBC show). A lot of people have read queerness in Sherlock and his relationship with Watson over the years (and funnily enough, Noé and Vani were conceived of as a Holmes and Watson relationship), but I’m not about to accuse Arthur Conan Doyle of queerbaiting, y’know? I’m not convinced that Mochijun has ever tried to hook people in under a false promise/suggestion of rep, which is what the real issue would be.
So like, without a better knowledge of Japanese queer culture/representation and a closer understanding of Mochijun’s own intentions with this series, “bait” is not an accusation I feel either of us should be making, anon.
4. It’s been a while since I last read the series, so perhaps I’m forgetting something, but I am legitimately racking my brain trying to figure out what in Pandora Hearts you’d consider queerbait, and I am coming up empty. The series doesn’t really have any representation in it, but it never tried to suggest that that wouldn’t be the case, and I cannot remember anything that ever toed the line of getting gay. If you’d like to tell me what exactly you mean when you say “just like the creator’s last work,” please feel free, because I am genuinely rather confused.
And if this was, in fact, a bad-faith ask rather than someone legitimately concerned or confused, then it is at this point I’d like to ask you to politely fuck off and please stop messaging people. As I said, I’ve seen at least one other person get a very similar message to this, which makes me suspect that you, anon, might be the same asker, which is honestly quite sad. Do you genuinely have nothing better to do with your time than try to make random strangers on the internet feel bad about the things they like? Is making ill-informed accusations of queerbaiting fun for you? Get a hobby bud.
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dantedeservedbetter · 3 years
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Why Katelyn and Lucinda should have been a wlw relationship; a rope of sand
(I’m tired, school is over and I also have nothing to do. Please enjoy this essay that you should also not take too seriously :D )
So we all know how the writers for MyStreet decided to make literally EVERYONE into a straight relationship? Yeah, that some of them never sat well together considering how some of them definitely had moments where they didn’t seem straight and ended up becoming borderline queer baiting (it definitely depends on how you interpreted their relationships in the first place but you get the point) or ended up canonically LGBTQ+ just for the sake of shock factor.
Some of these canon ships don’t even make sense for their characters either. Travlyn is a big one. I could go on a whole other ramble on why it’s so bad but I’ll cut it short for the sake of getting to the main point of this; Katelyn and Travis were not the healthiest pairing to choose from.
Eventually they got better but they should not be changing themselves just for the sake of another person, I don’t think that’s just not how healthy relationships or mindsets work. I honestly wish they should have just remained friends for a while before jumping back into a relationship so early.
You know who would have been a better match for Katelyn? Lucinda. We don’t know much about her backstory, but we know through Ivan that she’s been treated by shit from other guys and decided that she would no longer be putting up with that anymore. You know who would definitely treat her well? Katelyn.
Their friendship is just so refreshing! They know how to push each other’s buttons but not to the point where it becomes damaging to them. The two of them can also read each other like a book and know what underlying issues they’re too worried to say in person.
Lucinda herself is also EXTREMELY underrated in the series, and they undermine her abilities a lot in the beginning. We didn’t get a closer look into her backstory until Season 3; Lovers Lane, however that was soon dropped in order to give Aphmau and Aaron more time to blossom in their relationship.
What we know now about her character up until that point has only barely been added compared to her character in Season 1, what’s her character arc? How does she progress and change as the show continues to go on overtime? Do we even know her last name? We know more about her actual abilities than the character itself. Lucinda had such great potential and they did nothing with it for the longest time.
(MCD Lucinda might have been a lot more built up character-wise, but I just want to clarify that I’m strictly talking about the MyStreet Universe as my memory during my MCD days are blurry) These two girls and their roles in the series go up and down depending on how much they’re needed for the plot.
Katelyn has been pushed to the side as the series started to progress more, originally a sidekick character that was still apart of the main cast to being shoved as a background character. Katelyn as a person has not been given enough character development either to show that she’s changed from a girl with anger management issues to someone completely new. Her passions and dreams have also been pushed to the side and even abandoned; remember when she was so serious about becoming a director she was willing to go back to college for it?
Her backstory doesn’t exactly make a lot of sense, and it wasn’t even told by herself. But we know enough bits and pieces to know that once she DOES figure it all out, she’ll need a therapist. Do you know who will also need a therapist after Starlight Wonderland? Lucinda does, because I’m sure that after constantly damaging the people you love over your magical abilities and then inevitably loosing that lifelong passion altogether would definitely traumatize a person and give them an internal crisis.
Thus, they both find comfort in each other and eventually realize that they can be happier together rather than continuing to tease each other out of spite.
(Oh my god I got up to go take my medicine and completely forgot how I was going to end this but you get the idea, they would be so healthy and loving)
This isn’t the only pairing between these two that I have planned to write about, maybe tonight after I finish practice I’ll start my Katelyn+Nicole one
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kaypeace21 · 3 years
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I believe that byler is an endgame
but why would they spend 3 seasons winding up with mileven?
People REALLY need to pay attention to the shows the Duffers cited as huge inspirations to them. Cheers,dawsons creek, freak &geeks did exactly what the Duffers are doing (and the Duffers said these shows inspired them)
. Cheers for over 5 seasons built up the pairing of sam and Dianne- had them break up in the s5 finale and then in the last 2 eps of the 11th season have them get back together and once again break up explaining for the 100th time they were wrong for each other and brought out the worst in eachother . Cheers would build up multiple pairings (Frasier /Lilith (s4-11/broke up in s11) , sam/Dianne (s 1-11, broke up in s11 permanently) , rebecca /sam (s8-10) Rebecca/robin (s8-9) -these pairings lasted for multiple seasons and they all broke up! They built pairings up for multiple seasons but showed throughout the show why those pairing in cheers could never work out in the long term. The same Thing happened with almost every pairing in Dawson’s creek (they’d build up multiple pairings up -sometimes for multiple seasons- sprinkle in good but also dysfunctional aspects of those relationships- and then break them apart for good ).
Also in Dawson’s creek 2 characters (a rich girl and poor guy with daddy issues) date and breakup- but both of their gay brothers get together and are endgame instead of them (cough jancy vs byler). One of the gay guys (the rich one with the book smart sis) even dated the main girl (Joey) for a while before admitting he was gay and that he was in denial (while dating the main girl for more than a season ). In D.C even the main guy(Dawson) / girl (Joey) don’t end up being endgame (despite teasing it for all 5 seasons) . They did this with a lot of couples in the show. Honestly, the Duffers pretty much borrowed this idea of showing pairings with issues and breaking them up -but toned down how long they’d bait them . Like 11seasons of showing dysfunctional couples date -ick. And Dawson’s creek ... my god it had a literal love octogon/ love webs (so many love squares/pentagons/ and on and off relationships). The 1 adult couple broke up and I’m not exaggeration 4 times, and Dawson got back with 2 of his girlfriends like so many times. And ugh I’d say each (of the 4-5) main characters dated at least 4 people -and each of those relationships lasted for like 20+ eps each... and then after all that build up -break up ). That’s not even including the people the main 5 or so characters would date for like 5-6 eps . Thank god it was toned down compared to Dawson’s creek or cheers. i can’t imagine the frustration watching those shows during its airing 😂
Freaks & geeks (set in the 80s)was also inspo.14 y old Sam who is bullied and called “homo” “queer” etc throughout the whole series - he also obsesses over a cheerleader girl for the whole series and in the second to last ep of the series- they finally start dating  and he realizes they have nothing in common and says “it’s boring. all we ever do is makeout.She likes nothing i like. We can’t talk to eachother. We never have fun.” And he admits he only keeps dating her cause everyone would call him “crazy” to not date her. sam and her are also said to be “from different planets” and “different species”  just like mileven in s3 lol.  The gf of  sam also says before they dated she saw him ‘like a sister’ (like El asking mike if he’d be her brother in s1, before they date). And after this sibling comment various characters -encouraged the couple and said they would be good together (before they dated-like what we’ve seen in st with mileven and other ships ).Sam eventually decides to not cave to peer pressure- and breaks up with her. Meanwhile sam’s sis (is a straight A student, who is initially into a popular guy and starts hanging with the cool kids).  After getting over the first (popular) guy, she later dates another guy- a music-obsessed-stoner-guy  with a cruddy dad...and she breaks up with him (like jancy?). That couple was even called ‘romeo & juliet’ before they broke up-similar to mileven being called “romeo & juliet’ before their breakup. plus r&j were never in love... just like mileven.
All 3 shows had the main guy/girl date but not end up with eachother in the end . And both shows -would build up several pairings that looked like endgame but would show faults in those relationships and would have them breakup (because those pairings were never that healthy together). Which I believe is what they’re doing with jancy, jopper, mileven and lumax (explained in my analysis here all the evidence for why I don’t think they don’t end up together). I mean there’s many reasons I listed in the analysis but you think it’s a coincidence - jancy, lumax, mileven , and Steve/rando girl who rejected him in s3-all incorportated spying on their love interest ? you think the duffers think that’s good to have all these romantic pairings spy on eachother? When in the show they canonically have the us gov (villains) spy via phone taps, and hidden recorders, and cameras? Brenner used El as a spy for his own gain ? they even call the mf a ‘spy’ (which the characters perceive as the  main villain)... i don’t think the mf is  actually villainous but that’s off topic).The point is narratively equating spying as something ‘wrong’ by characters our main cast of heroes is against. But having that same cast of heroes partaking in spying themselves … specifically on to their romantic partners- and not also showing it as a negative. But romanticizing it? Would be quite hypocritical. And a HUGE narrative oversight.
Also build up?
S1- mileven kiss right after el asks if he’ll be her “friend” or “brother”. Has others compare el to mike’s sibling /cousin. Hint Will is gay . Have hints mike is queer too/ and cares deeply about Will. Constantly mention how el physically resembles Will/a boy. Parallel mileven to ted/Karen who were “never in love”. Have Nancy and mike verbally compare the jancy/stancy love triangle to mileven/byler . And at the end of the season mike writes a story for Will that likens the 2 to han/leia. Flo says about jancy/Jon “ only love makes you that crazy and that damn stupid”. (Which flo wasn’t entirely right about since jon punched Steve for insulting his family- for Jon it was familial love -not romantic love. But put a pin in that phrase)
S2- was pretty much byler season (and mileven barely interact that season). Byler say they’d go “crazy together”. But el’s new catchphrase is she’s “not stupid.” They Compare mileven to luke/leia (siblings that kissed) . Ref ghostbusters and parallel byler to the romantic pairing of Dana /venkman (but have el just be a ghost and mike a ghost buster which isn’t romantic but the opposite) .parallel mileven to hopper/el. Have el spy on mike, el hurt a stranger cause of unhealthy jealousy, have mileven dance to a song about a possessive spying/Stalking ex gf . Throw in mileven burns like “they’re not in love they’re not even from the same planet.” (El being et ref) . Have mike say annoyed “a bond ?! (Scoff) cause you shared nougat?! “ (egos like s1 ) “. Mike saying after knowing max for a week “hate you? I don’t even know you?” (He knew el for a week too so no way he loves her -cause he doesn’t know el , just like max ) . mike even criticizes his friends’ instant attraction to max saying “you haven’t even spoken a word to her.”Dustin saying “ I don’t have to . I mean -look at her.” Which makes it even more suspicious that mike was into a girl who multiple characters said looked like a boy (specifically Will) in s1. Have El watch a soap opera (all my children) and mimic the scene of  erica kane and her love interest michael. Which in the soap opera-isn’t endgame, and ended with some stalking after their breakup.
S3- mileven is finally dating : multiple characters (lucas, Will, Hopper, dustin,Max, etc) in the show dislike and verbally complain about them together . In cheers all of sam’s friends hated him dating Dianne and would vocally complain about it (similar to joyce they even clapped/cheered after 1 of their many breakups) . Mike is horrified by the spying(that mileven fans romanticized in s2) , el is happier single and neither is heartbroken over the breakup. They date for 2 eps and then breakup . Mileven being together inhibits El’s character arc from s2 (aka she went from wanting to explore the world and leave the cabin in s2 to see her friends, to ignoring her friends and cutting herself off from the world in order to stay in the cabin all day to make out with mike for 6 months - she would literally lie to her friends about curfew to return to the cabin and kiss mike -going against her ‘friends don’t lie’ mantra from the past 2 seasons too ). Mike canonically doesn’t trust her / doesn’t believe in her ability to make decisions and lies to her and never apologizes for lying. And el doesn’t apologize for spying . They throw in more gay hints of mike & Will. Mileven is called “bullshit” like s2 stancy . And Both pairings in the show kissed a bunch and said “I love you” (but they weren’t endgame). They also contrast s3 mileven scenes to s2 byler scenes and have byler win out. And once again parallel mileven to hopper/el and Karen/ted. As well as paralleling and likening Mileven to stancy in numerous other ways (besides the “bullshit “ line) . They also parallel mileven to stobin (both are straight baits) .They parallel the stobin confession to the mileven one -both confessions have them sitting on the floor, both girls have bandages on their legs, and both confessions are interrupted by dustin. Also both Steve/mike use the terms “crazy & stupid ” to confess to robin/el. But unlike Will who agrees to be “crazy “ with mike .El confused , asks “ what makes you crazy?” And robin says she didn’t have a crush on his “stupid hair”. el even says in reference to mike “there’s more to life than stupid boys.” Showing how el/robin don’t have romantic feelings for the boys-like the flo phrase of s1. Unlike Will who after fighting with mike calls himself “stupid” over and over and rips up the photo of him and mike where they promised to go “crazy together.” Even Steve says in s2 stancy should should “pretend to be stupid teenagers” in love. Emphasis on “pretend”. And when el says she loves mike “the first I love you” plays -the only other time that song plays in s3 is when robin rejects Steve (cause she’s gay.) cough cause mike is gay too.
There’s a lot more in each season (that illustrates mileven was built up -but not as a positive couple but a problematic one that was never was in love to begin with ). But I’m trying to keep this short . You can read this post here where I go in more depth about all of this .
S1-2 builds up the problematic ships (but showed good and bad aspects of their dynamic) . like the spying of jancy, lumax, and mileven or the jealousy. of Hopper in s2. In the s2 finalie they have them kiss or hug/exchange romantic glances. And in S3 we see the after math of this with all the couples officially dating - and they show all the couples issues at the forefront . I already talked about mileven. But, Lumax broke up 6 times (they dated for 6 months- and every month they dated max dumped him ). Jancy fight in the opening of ep 1 and don’t understand each others issues (sexism/poverty-and Jon’s issues with his dad) . And neither supports the other in their passions of journalism & photography.Nancy is also called “nancy drew” who in 1986 (year of s4) before going to college dumps her long term highschool bf (who helped her in many of her past mysteries/novels ). Their relationship was also shown as complex and somewhat dysfunctional because of both parties -before nancy drew dumps him. And (even if not dating like the other pairings) jopper almost go on a date in s3. Joyce was trying to hide the fact she was moving, Hopper was horribly jealous, and all they did was yell and argue.Murray says to joyce regarding hopper “he’s a brute... probably reminds you of a bad relationship” (aka lonnie/Joyce) . They even have Joyce watch a cheers ep- which directly compares jopper to (dianne/Frasier) who weren’t endgame in cheers but a rebound .  Hopper /fraiser both drink chianti . Fraiser asks dianne to marry him/Hopper asks Joyce on a date-both women stand them up. Or when Joyce asks Hopper out she calls her self ‘detective byers ‘and Hopper name drops miami vice. Which had an on and off again relationship for several seasons- of the male /female detectives.The relationship faded out as Gina realized they mainly got together when one or both needed someone. Crockett was very protective of Gina, and had some jealousy when Gina was involved in relationships , but was the first one to be there for her when things went wrong. And they realized it was better to not be together romantically. Heck seems like all these couples have negative film/tv parallels... lucas in s2 mentions not liking winston in ghost busters cause he came ‘super late’ (like Max). in s1 disses michael myers (which Max dressed as). And at the end of s3- lumax dress identically to eric/donna from a ep of that 70s shows (in the ep  eric/donna were broken up).
 (s3 was marketed as the “summer of love” and “summer love” is a euphemism for flings that don’t last.) s4-5 Will probably show good healthy ships/break up the problematic ones from past seasons .
So first 2 seasons focus on the unhealthy ships / and the last 2 seasons focus on healthy ships. S3 the middle season would be considered the turning point -and why none of the popular ships (assumed to be endgame) came off looking that great (compared to how they were presented in s1-2) .
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bloodraven55 · 3 years
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It isn't the slow burn. She Ra had a slow burn and people did not call it a baiting show. It is the fact that Queerness is treated different by the show. There is 1 queer relationship (Jaune's sisters) every single other confirmed relationship is het. There are jokes about Jaune wearing a dress because men in dresses are silly. There is no queer culture, queer language, queer history. No queer reference. Blake and Yang dance in a room of male-female couples.
Y'know I wasn't gonna bother with this since I got several other suspiciously similar asks at the exact same time so I can tell it's not in good faith, but let's break this one apart piece by piece anyway.
“It isn't the slow burn. She Ra had a slow burn and people did not call it a baiting show.”
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Yes, people absolutely did claim that She Ra was queerbaiting during its run. Obviously practically all of those people have since changed their opinion given how the show ended, but it's objectively untrue to say that She Ra was never accused of baiting. There was literally a huge incident where an article was published spreading fake information to try and ““prove”” that the show was manipulating its LGBT+ audience. Not to mention that She Ra aired within the span of only two years while RWBY is spanning around eight years and counting, making the two completely incomparable at the moment. So you've begun with a lie and a false equivalence; great start so far.
“There is 1 queer relationship (Jaune's sisters) every single other confirmed relationship is het.”
This could be an almost valid point, if it weren't for the fact that judging LGBT+ rep solely by the presence of same-sex relationships is hugely disingenuous and misleading, and moreover pointless given how many real life LGBT+ people that logic would exclude if it was applied e.g. straight trans people and single queer people. RWBY's canon has nine confirmed LGBT+ characters, including two title protagonists. And as for relationships, there are currently only two ongoing romances getting any screentime, which are B/umbleby and R/enora. One of them is wlw, one of them is straight, and they've been treated exactly the same throughout the show.
“There are jokes about Jaune wearing a dress because men in dresses are silly.”
If there had been a single moment or ““joke”” like this in the show since Volume 2 then this would make a very strong argument, but all of the questionable attempts at humour from the early seasons have completely disappeared by this point. It's literally impossible to deny that they've improved markedly in this department over the years and failing to acknowledge that is simply uncharitable. It's perfectly possible to have a problem with a scene from Volume 2 without ignoring the progress that's been made since then.
“There's no queer culture, queer language, queer history. No queer reference.”
I'm LGBT+ myself and I have a whole bunch of WIPs I'm currently brainstorming or working on. Let me tell you something: not many of them have loads of explicit references to queer culture, language, history, etc. Not because those things shouldn't be included in stories—they absolutely should—but because they aren't the single defining marker or always a necessary part of good LGBT+ representation. For example, when it comes to literature a lot of LGBT+ novels are contemporaries, and personally I don't tend to enjoy that genre as much with some exceptions of course. Therefore, I usually read and write fantasy stories which just so happen to feature lots of LGBT+ characters again obviously with some exceptions, because that's my individual preference.
Different LGBT+ people will want different things from their rep, which is precisely why we need not just more rep but more varied rep as well, and there's no one set of criteria that can determine if a piece of rep is good or not. Also, not every story with LGBT+ rep needs to focus primarily on LGBT+ issues! Narratives which revolve around LGBT+ identities and narratives which simply happen to include LGBT+ identities are equally valid, and ideally there should be plenty of both.
“Blake and Yang dance in a room of male-female couples.”
Where?? Where are all these prominent straight couples in the show that you keep bringing up??? A/rkos died with Pyrrha at the end of Volume 3, and Ren and Nora are the only other heterosexual pairing among the main cast. All of the others are either long finished and never to return—e.g. Jaune/Weiss and Neptune/Weiss—or featured so briefly they hardly count—e.g. Ghira/Kali, Salem/Ozma—and none of those pairings ever even kissed on screen. Pyrrha kissed Jaune once and then died. Ren and Nora finally got to kiss seven seasons into the show and three whole Volumes after their Romantic Airship Moment™, and are still having relationship difficulties now. I'm simply not seeing any significant disparity in the way the show treats its straight couples as opposed to its gay ones.
No one's telling you that you have to be a fan of the show's LGBT+ rep yourself, or that you have to have any specific opinion on it, but I don't think that actively misrepresenting the facts or basing your stance on your personal biases is going to help us get better rep at all.
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Okay. Now I'm going to submit some theories about how I think Crowley and Aziraphale specifically are going to go in the future of Good Omens.
Again, this post is not really...specific theorizing about plot events. It's big-picture stuff.
With that said, this post will get a bit heavy at times, in the sense that it will contain opinions that not everyone will like. It drifted into rambling about queerbaiting and all that stuff. I'm not going to spam anyone's dashboard with drama over it, but it's very possible someone else might try. It's also not really a negative post, depending on what you want to hear, I suppose. But if you're only in the mood to read fluff today, you'll probably want to pass it up.
Oh! Also it's very long, and sexuality is discussed in a vague way that doesn't involve any story elements or body parts.
For starters, I don't think Good Omens 2 - or even 3, if that comes about - is going to have anything explicitly sexual or romantic between the two of them, where "explicit" is things like the characters giving outright definitions of their relationship or outright discussing exactly what goes on between them, either on or off-screen. I also don't think there's going to be kissing or "hooking up" (come on...that person on Twitter shouldn't have even asked). Those actions are too blatant for what Neil has already said about the series. While they technically leave some room for interpretation, they probably don't leave enough.
I DO think it's quite possible other characters will continue to define the relationship FOR them and Crowley and Aziraphale will continue to not deny it.
As far as the queerbaiting debate, "is Good Omens queerbaiting"...it's gonna depend how you define it. I always learned that queerbaiting was basically where the creators intentionally make it look like a character is gay or otherwise queer but then swap that character development out for a cis identity and hetero relationship at the end. The point is that the "bait" leads to queer audiences being actively hurt. That's the behavior that seems awful to me, and I don't see Neil and company doing that.
However, I think it's far and away the most likely option that it will be left up to interpretation whether Crowley and Aziraphale are, you know, a buddy duo or a romantic couple or some sort of ineffable queerness all their own off-screen. So if your definition of queerbaiting is "the characters seem gay to us, but homophobes can tell themselves they're not," then yes, I think that debate will follow us to our graves if we let it.
I am a cisgender, possibly straight (?? demi/bi? I might never find out) woman. There is absolutely no way I could ever tell anybody, ESPECIALLY not gay guys and nonbinary people - the people Crowley and Aziraphale tend to resemble the most - how to feel about their treatment in the story. All I can offer is that I'm one flawed individual and there are things I have the emotional capacity to handle and things I don't. Crowley and Aziraphale as both a canon construct and a fandom pairing mean an absurd amount to me, and I can't hang around in spaces where people are constantly talking about how my own interpretations of them are not enough, or how the story is written with ill intentions. I don't want to stop anybody from venting about it, but I am going to be removing myself from those situations.
I like to imagine 1990 NeilandTerry, or TerryandNeil, as a sort of two-headed God who came up with Crowley and Aziraphale, set them loose on Creation, and now are watching them get up to way more ridiculous stuff in the brains of their fans than they'd ever imagined in the first place. I like to imagine them watching, amused and bemused, as their creations fall in love in thousands of universes, and saying, "Well, we didn't specifically Plan for this, but we did promise free will."
This is psychoanalytical toward a public figure and is therefore a bit dangerous, so please take it with an entire mountain of salt, but I sometimes think perhaps Neil sees some of his and Terry's friendship in Crowley and Aziraphale, and suspect that he wants to reserve the possibility that they could be platonic because he and Terry were platonic, while at the same time leaving room for the fans to have their own interpretations, too. Because if there's one thing that comes up really frequently with Neil, it's his belief in imagination and how much stories matter to people. He can have his little corner of the universe where A and C reflect himself and Terry, and we can have...literally anything we want, as long as we're willing to extrapolate just a little bit from canon. It's not even that much extrapolation! It's just "Yes, they love each other, so what exactly does love mean to you?" and if love means kissing, well then, if we can think it, we can have it.
Given that Neil has written LGBT+ characters before, I think he has non-bigoted reasons for wanting Aziraphale and Crowley to remain undefined, and given even the small chance that those reasons may involve the grieving process for a dead friend, I believe it is unkind to argue with him about it or hold his reputation hostage over it.
With that said, do I want canon kissing/hooking up/all that stuff we put in fics? Listen, I can't deny that I do! Personally, I'd be over the moon. I'd probably be so happy I'd have to go to the hospital to get sorted out. Even the thought of it makes me giddy and light-headed, because that physicality is a part of my own experience of love.
However, there are a lot of people who would feel left behind if that happened. Ace and aro people in the fandom whose love for their friends and partners is just as strong as mine, but who are sex-repulsed or just don't want to see kissing on-screen. The loss of Crowley and Aziraphale as a pairing who are extremely easy to interpret as queerplatonic would be hurtful to them, and I do not want to see them hurt like that. I don't think Neil does, either.
So, once again, the "best for everyone" option becomes a really strong canon relationship based in both narrative function and profound affection, which has genuinely thoughtful queer undertones and leaves open the logical possibility for romantic or sexual encounters but does not insist that they must happen. People, especially fans who are super invested, tend to have an easier time imagining scenarios that take place off-screen (e.g. kissing, sex) than they have erasing scenarios that they've already seen in canon (e.g., if someone wished they could continue viewing it as an ace relationship but they were shown "hooking up"). Also, while relationships are super emotional and extremely subjective, I'd argue that in a long-term adult partnership, the non-sexual connection is more important than the sexual one. As a fan, I'd prefer to extrapolate "they love each other so maybe they'd have sex" rather than "they're sexually attracted to each other so maybe they'll intertwine their whole existences together."
It probably isn't necessary to add, but I will anyway: I'm aware that Good Omens is sort of sacrificing social leverage - the ability to whack homophobes over the head with canon if they try to deny the show's queerness - and is thus not really contributing to making specifically gay relationships more widely seen and accepted. However, I don't think all stories have to invest heavily in every social issue they touch on for them to still be meaningful. I also do think Good Omens is an excellent example of a relationship that is extremely profound without being heteronormative.
I don't think the next season is going to be a rom-com. It will likely not even be a "love story," where the definition of "love story" is "a story that follows the development of a relationship and employs certain plot beats to make its point." Remember that conflicts and breakups are key to love stories, so if it IS a love story, then we're going to have to watch the relationship get challenged in ways some of us might have thought were already resolved in season 1! And while that could be thrilling and ultimately very good, it would also be likely to undercut some of the careful headcanoning and analysis we've already done. Any sequel is going to do that to some degree, but a second love story would probably do it a lot, with interpretations that people are even more protective of.
I'm sort of thinking the next season is likely to be a fantasy-heavy mystery, only because those are the two concepts Neil's introduction led with - an angel with amnesia who presents Crowley and Aziraphale with a mystery. Crowley and Aziraphale's connection to each other can still absolutely be a major theme! It can still be the thread stitching the plot together! It just probably, in my opinion, won't escalate and escalate and escalate like it did in season 1. And it will probably be woven in there among a lot of other plot threads that are, in many moments, louder. Still, I'd love to be left with the impression of these two existences, the light and the dark, subtly becoming more intimate, subtly growing more comfortable in this shared place they've chosen in the universe, gradually starting to behave like they know they aren't alone in the world anymore, all while other things happen to and around them.
Nonsexual physical intimacy - a really great hug, or leaning together on the sofa, or a forehead touch, or something like those, something that could happen in a lot of different kinds of relationships but is undoubtedly based in deep trust and affection and a desire to be close...that's the dream, for me. Oh, how lovely it would be.
Of course, I could be just absolutely, embarrassingly wrong about all this. I guess we'll just have to wait and see.
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movies & shows
cracks knuckles* alright this is going to be more of a rant than an analysis because i’m basing this on both my research, but also how it felt to personally be baited by these shows. there are obviously more pieces of bad (almost every horror movie) and good ones but these are the ones i’ve watched.
please keep in mind that i am but one queer and everyone has different opinions.
Supernatural (CW) 2005
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This show is 15 years old and just ended. From season 5 till 15, there has been tension between two of the lead characters. They were constantly shipped together and not only did the entire fandom know about this ship but so did almost all of Tumblr. On top of that, the actors and show runners knew about it as well. Which is why it makes it ridiculous that it was constantly pushed aside while the romantic coding  kept happening, even after show runners dismissed it as being intentional. The Destiel (Dean x Cas) case has been going on for years, and as the show came to its end, many fans had hope. But N O P E. Instead, we got a love confession from Cas where Dean looked like he was near constipated and the Cas was killed and sent into a fiery place that was not hell but s u p e r  h e l l.
… w hy.
Sherlock (BBC) 2010
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Just like Supernatural, this show was renown on Tumblr for not only how good it was, but its hinting at a potential relationship between Sherlock Holmes and John Watson. But again, like Supernatural, the intentional tension between the two characters was denied by producers. This caused an uproar within the fandom, and even left some people believing that, after the last season aired, it had been a joke and the producers were hiding a “secret, unaired season” because they had felt so robbed by this show that had implied something and denied it.
The 100 (CW) 2014
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We got lesbians. We got background gays. We were happy. Then, all of a sudden, one of them is killed for no reason. Did it advance the plot? No. Was she fighting and died in battle? lol no. She was doing literally nothing and got shot and died. And then the producers kept bringing her back once a season in the form of a ghost or illusion because why? Because she was a fan favourite queer character. ✨bury your gays and sparingly bring them back for profit anyone?✨
Voltron: Legendary Defender (Netflix) 2016
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*deep breathe* This one is a special disaster. Not only was there romantic tension and romantically coded scenes for 7 seasons, but producers, voice actors and artists working on the show repeatedly said “don’t worry klance (Keith x Lance) shippers, you’ll be happy”
. … w h e r e??? You code one of their scenes with a sunset in the background while they talk about love and then one of them goes on a date with someone who has declined his advances for 7 seasons but now in season 8 decides to do a full 180. Not only that, but you announce at a Comic Con (a convention) that a character is gay and has a fiancé, only to kill off the fiancé and never make it explicit in the show except at the last second of the last episode where he marries a no name character. 
Personally, i’d like to say a big fuck you to the show that strung me along for 2 years and never stopped saying we’d be happy to then pull the rug out from under us and call us crazy for thinking anything from the past 8 seasons was intentional.
Scooby-Doo (2002) 
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While not being outwardly queerbaiting, this movie’s filmmaker has just revealed some shocking news, which wasn’t at all shocking to the gays who had watched this movie over the years. In July of 2020, James Gunn, the filmmaker of Scooby-Doo, revealed in a podcast that, initially, Velma was explicitly gay in his script, but then the studio watered it down until it became nothing. This isn’t an example of baiting as much as it is changing a character’s initial design to “better fit an audience”. The worst part of all this is that with Velma’s character having been written with a l i t t l e queer subtext, people had been theorizing about if since the movie came out, but were always yelled at by the internet for “imagining something that isn’t there”. But now, even with it being said that the initial point was for her to be gay, people have no objections to still refusing to accept it. Why?? So we can’t get the subtext gays OR the confirmed gays?? Make it make sense.
Brooklyn 99 (NBC) 2013
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To have the queer characters firstly introduced without mentioning their sexualities and have it brought up naturally was so goddamn nice to see, because no one does a big deal about it unless they ask for that. This show is amazing in general but the way they show their queer characters is *chefs kiss*.
She-ra and the Princesses of Power (Netflix) 2018
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This. Show. My heart SOARS. It's just a remake of an old show so absolutely nothing was ever expected, but then it was sprinkled in and ENDED WITH A BANG. And it was so beautiful and real to see the struggle of two friends who care for each other and want to be together but have different visions of the world fall in love. And they also had characters with disabilities, a non-binary character and jUST SUCH A GOOD SHOW.
Kipo and The Age of Wonderbeasts (Netflix) 2020
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This is a case where you go into it not expecting anything and are BLOWN AWAY by the bare minimum. And not because it’s bad!! It's mind blowing because this is the simple representation we need!! Not something over the top, but an every day relationship. It’s just two boys falling in love and going on dates and being nervous around each other, yet i was so stunned. Because it’s not shown enough. I should not be this excited over something that should be this normal. 10/10 though this show is so good for all kinds of representation.
Steven Universe (Cartoon Network) 2013
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This show did so much for queer representation with its general message of loving everyone and loving who you want. Especially since it was aired on Cartoon Network, a channel for kids, it was able to help normalize something so looked down upon in some circles. It made it easy to watch for s o m e people because it's a cartoon but it's so beautiful to see these ladies so in love with each other, both platonically and romantically and we see them have a family dynamic that isn’t a “nuclear family”. Rebecca Sugar (creator) really said “lemme just break all stereotypes real quick”.
Adventure Time (Cartoon Network) 2010
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It's the “knowing a fanbase shipped something so hard that the creators made it canon” for me. This relationship had been theorized by fans for years, but it had never been explicit in the show. When the finale episode came out and the two shared a kiss, it was a moment of celebration. The producer of the show said that it had not really been planned but when the episode was being made, the choice of what happened was given to one of the artists (bless your soul Hanna K. Nyströmthe). And as the show releases little bonus episodes, its latest was centered around Marceline and Bubblegum and their relationship. AND WE LOVE TO SEE OUR DOMESTIC LESBIANS BEING HAPPY AND IN LOVE.
Yuri on Ice!!! (anime) 2016
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The fact that an A N I M E gave us a love story between two men is mind boggling and it makes me so happy!! Especially because it's a Japanese show and they’re very conservative about these things just makes it more emotional. The creators said they wanted to make the anime take place in a world where gay/straight isn’t a thing, it’s just love (ladies, you’re going to make me cry). So as the weekly episodes came out and fans start speculating, THEY GAVE US THE LAST FEW EPISODES FULL OF ROMANCE AND EMOTIONAL SCENES BETWEEN THE TWO AND THEN THEY GET R I N GS?!???!! You watch for the figure skating, you stay for the figure skaters that are in love.
Shadowhunters (Freeform) 2016
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*insert me being frustrated that the actors are straight so we can move on from that disappointment*
This show really said “let’s name a whole episode after this couple because they deserve it”. But seriously, they gave us two characters whose entire plot does not center around their sexualities while still showing us the differences in a relationship between someone experienced and someone new at this. They were both powerful and amazing characters apart from each other, with their own story lines and goals but they loved each other so much omgs. SO MUCH. 
It was so great to watch.
Love, Simon (2018) 
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There’s a lot of disagreement on whether this movie is good representation or not. However, we need to take into consideration that this was Hollywood’s first movie with a main character that was gay, where the story’s focus was on Simon’s love story. The biggest problem, for me at least, was that the actor playing Simon is a straight man and not queer. My problem is not with him, but the fact that there are other actors that are gay and that could have played Simon just as well. (the love interested was however played by a queer actor so ✨progress✨)
All in all, this movie does represent what a lot of queer kids have to go through: being outed at school, how they then come out, the bullying and doubt they go through.
The book is also really good.
Call Me By Your Name (2018)
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This movie is so aesthetically pleasing and was able to capture the confusion and heartbreak felt by a boy who’s struggling with his own feelings towards a man. His inner conflict and joy and l o v e he feels but doesn’t know how to deal with is so well communicated through the screen and just breaks your heart because it feels so real.
But again, they could’ve gotten gay actors to play gay characters…
through having this list here, i want to show you that it’s not hard for creators to give good queer representation. the LGBTQ+ community isn’t asking for much, we just want to be well represented on screen as just a regular character, not some token queer kid there for the diversity points. having been exposed to so much queerbaiting and just not seeing any representation on screen, i always get over-excited when i see a queer character, and that’s not how it should be. it should be a normal thing, something you can find in most pieces of media, just like there’s a straight white cisgender person in everything.
and they seriously need to start casting queer actors for queer characters...
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