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#if you think this is excessive it's because it is
okiedokrie · 3 days
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Seventeen's Red Flags 🚩🚩🚩
This is just for fun!! All light-hearted and harmless (I think)
S.Coups - WAYY too jealous, bro would glare daggers at you if you helped to open a milkbox for someone else like bro calm down its not like I blew them a kiss
Jeonghan - he's gaslight gatekeep girlboss and therefore that makes anyone he's in a relationship with mansplain manipulate malewife regardless of gender
Joshua - a J name from LA
Jun - communicates exclusively through cat memes, yes, even during arguments; yes, even during verbal ones.
Hoshi - fully convinced he's a tiger and is lowkey a furry
Wonwoo - plays genshin impact
Woozi - loves work more than you
The8 - calls you delulu when you caption ur posts with "loml ♡" even though you've been officially dating for a significant amount of time
Mingyu - probably clumsy enough to drop the urn of a family member
DK - no red flags from dokyeommie my beloved
DK (Updated 240424) - a musical theater tenor
Seungkwan - sassier than you
Vernon - your friends are convinced you just edit him into photos because bro does NOT move
Dino - got called out for excessive frat boy levels of drinking before so that is pretty much canon
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I don't get these posts I've been seeing saying what has rhaenyra ever done to prepare for the throne/ prove she'd be a good ruler. Like did you watch the show?
In the first episode, before she is even named heir, she is cup bearer to the king, meaning she was present during small council meetings, observing and learning how the kingdom is run and governed. In ep 6 we then see that she has a seat on the small council and is actively taking part in the running and governance of the Kingdom.
She marries laenor, the son and heir of a powerful house, securing their alliance and providing her family with a powerful navy. Whilst also fixing her own father's political blunder in the process.
She has many children creating a line of succession (and no it doesn't matter that some of them are bastards as its just a rumour and can't be proven so long as laenor is claiming them as his.) We also see jace, her heir, learning high valyrian because he believes a good king should uphold the traditions of their house, we see rhaenyra guiding him in this, showing that not only has she been preparing herself to rule but she has also began preparing the next heir for his rule.
She spends many years ruling and governing dragon stone, which is traditionally given to the heirs of the iron throne as a practice run and specifically to help prepare them to rule.
I've seen comments saying that she should have done more to secure alliances with the other houses so they'd support her claim. But here's the thing with that one, how do you know she didn't? There were large time jumps between various episodes, we don't know what she was doing during those time jumps. For all we know she was inviting lords to dragon stone to maintain relations or visiting/sending other members of the family to visit other houses. I mean she seemed pretty confident and knowledgeable about who was and wasn't likely to support her claim during the council meeting in 1x10. Also those houses had already sworn oaths to her and those oaths don't have an expiry date.
I honesty don't know what more you wanted her to do. I think the show made it very clear that she spent literally pretty much her entire life preparing herself for the throne.
Meanwhile all we saw aegon doing is jerking off out windows, drinking excessively and harassing/r*ping serving girls. But sure rhaenyra is the one that should have done more to prepare/prove herself.
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Excessive Force : Tom Ludlow x Fem Nurse Reader (COLLAB W/ THE INCREDIBLE @johnwickb1tsch) - Chapter One Two Three Four Five Six Seven
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TW: NSFW, bondage, uncomfy situations
The next time you see Dr. Julian, (which isn’t at the jail, because you fucking tried to go bail him out and they just looked at you like you were crazy when you kept insisting Dr. Julian Mercer had to be in there) he has a red mark around his neck, a black eye, and a bump on his temple that’s almost the size of a chicken egg. 
“Jesus fucking Christ!” you hiss, rushing over to him. He takes your elbow and ducks the two of you into a supply closet. You think he just wants to have a private conversation, until he backs you into the shelves with a tonsil-inspecting, toe-curling kiss, his big hands digging into your waist. You grab fistfuls of his lab coat, you are so surprised it doesn’t even occur to you to fight him. When he finally pulls back you are breathless—and in shock. 
He seems to find this adorable, reaching up to caress your face. “Now all that was worth it,” he says cheekily.
You blink up at him, stupid as a lamb. “Did he hurt you?” you demand, trying to inspect the mark around his neck. 
“We reached an understanding,” Julian assures you with a dark look, taking your hands in his own. 
“But—“
“Don’t worry about it, y/n. Really.” It comes out like an order, and you don’t really like it when he talks to you that way, but you guess you understand that he doesn’t want to talk about Ludlow anymore.
“Ok.”
You are so going to worry about it. You also know there’s no way in hell that he’s going to want to see you anymore.
He looks down at you with that soft expression that warms your insides. “When’s your next day off?” 
You blink again. “Friday?”
“Can I make you dinner?”
“You want…to cook for me?”
“At my place. Around seven. I’ll text you the address.”
You’re still not sure if that was a request or an order, but you’re so dumbfounded that it doesn’t even occur to you to offer an opinion.
“But what about…?”
“I’m not scared of him, y/n.” The marks on his face indicate that maybe he should be, but the set of this man’s jaw indicates that maybe Ludlow has met his match. 
“I’m really sorry. About all of this.”
“I already told you, it’s not your fault.” There’s a flinty note in his voice, and you can tell he just wants you to drop it. Inwardly you flinch a little, but you nod. 
***
You suppose because he’s banned from being treated by you at the hospital, pulling you over in the dead of night after your shift becomes his go-to game. Maybe you should have started taking a different route home, but the highway was the fastest (and usually safest) way to go, and the thought of changing your personal day-to-day just for this asshole makes you see red. You refuse, and so you keep getting pulled over, four more times for weaker and weaker excuses. Not signaling when changing lanes. Using your phone (you weren’t). An obstruction to vision hanging from your rearview. And the cherry on top—too dim fucking blinkers? 
He even has the gall to check up on you, going so far as to inspect your wrists one evening, and turning your head from side to side with an authoritative finger hooked under your chin. “What do you think you’re doing?” you demand. 
“Just making sure Dr. Bitch is behaving himself.”
“That is none of your business.” 
“If he hurts you I’ll make it my business.” He just says it so casually. Water is wet, the sun is hot, and Tom Ludlow will fuck up Dr. Mercer’s day if he hurts you, even with consensual rough play. No one has ever stuck their neck out for you like that, and it is not helpful, what this misplaced concern does to your insides. This guy is 300% Pure Asshole. You should not be warming to him. 
Truth be told, you are nervous about your date with Julian tomorrow night. Maybe he’s being sweet and cooking for you—but it will also be on his home turf, like meeting a wolf in his den. You don’t really think Julian would hurt you. In fact, the thought seems absurd. But then again…people never cease to surprise you. You see the result of mankind’s insatiable bloodthirst every day at work. 
Despite your completely misplaced feelings for Officer Tom Ludlow, the fact stands that he is absolutely harassing you, and what he did to Julian outside the coffee shop was totally unacceptable. Maybe you don’t have any money to sue the LAPD like Julian does, but you’re not totally without a voice. The next morning you find yourself going downtown to the Police Headquarters to file a complaint. 
The place is bustling, filled with uniforms and plainclothes and people from every walk of life. It reminds you of the hospital in a way, and a wisp of a thought occurs to you that it’s interesting that you and Officer Ludlow engage in the two professions that truly hold together the fabric of society. Politicians like to think what they do is important, but the two of you do the real dirty work to help people survive through their day to day. There could have been something to that between you—if he wasn’t such a fucking creeper in his off hours. 
You follow the signs and the directions from various people behind desks to the Complaints Department. It’s a cordoned off area enclosed by glass. With your hand on the door handle you see who is sitting there behind a cheap mdf wood desk, looking unfairly handsome in his black beat uniform.
You freeze. 
How the fuck is he everywhere at once? It dawns on you that if he’s working his shift here during the day—he’s fucking with you on his own time at night. It simultaneously creeps you out and thrills you to your toes, and you know you are one sick puppy. 
You know you don’t have the guts to march in there and face him, so you decide to bounce. Of course, not before he turns his head at just the right moment. It’s like this man has a radar for your very presence, and your eyes meet through the glass. 
He knows exactly why you’re here, of course, and he smirks at you as though to say, ‘Tell me all about it.’ 
Bastard. 
You turn on your heel, and pray he doesn’t follow you. 
***
Later that night, you find yourself seated at the island with a glass of white wine in Dr. Mercer’s Spanish Revival style home in Santa Monica, watching him cook for you. He’s utterly edible, in a pressed light blue button down and khakis that should look dorky but somehow he just makes them look GQ worthy. He’s even worn a tie for you. He’s also wearing an apron, and it’s not so corny as to say Kiss The Cook but you did anyway first thing upon walking through the door. You’d asked if you could help with the meal, and he’d declined with a gracious smile. 
Now, you’re pretty sure he parked you here so you could get a view of his tight little rear end as he works at the stove. 
You take another big sip of wine. It’s really not fair in the least. 
He serves up chicken piccata with fresh vegetables out on the patio, complete with candlelight. The warm night breeze is like the breath of angels, and it’s possibly the most romantic dinner anyone has ever treated you to, and it makes you almost uncomfortable inside, how nice all this is. You know he’d said that he liked you, and he didn’t want a perfect girlfriend…but you can’t help but feel like an imposter here. 
There were no candlelit dinners with homemade Italian food and fine wine back in Kansas. There were bonfires in someone’s daddy’s back farm field, copious amounts of beer, and you were lucky if you didn’t get knocked up on the bench seat of someone’s rusty old pickup truck before the night was out. Yee fuckin’ haw.
“You alright?” he asks, reaching across the table to touch your hand. 
You realize that you have zoned out, while he was talking, again. 
“Fine,” you answer quickly, bolstering yourself with another sip of wine. You’re on your second glass now—you should probably slow down, but it’s so good. “I was just thinking…about how nice, all this is. Thank you, Julian. You’re so sweet.” 
He smiles at you from across the table, a winsome and heart-squeezing curl of lips, and he’s so handsome even with the now healing black eye. 
“I’m maybe sensing some anxiety stemming from Imposter Syndrome,” he says gently. 
“Is that your official diagnosis, Doctor?”
You can tell he likes it when you talk this way to him, even outside of the hospital. You can see it in the sparkle of his lovely mocha-brown eyes.  “Something like that.” He leans in towards you, his elbows on the little bistro-style table, pinning you with that acute stare. “I don’t know what happened to you, where you came from, y/n. Maybe you’ll trust me enough to tell me later. But I do know that it’s in the past, and it doesn’t mean you don’t deserve something nice for yourself now. Does that make sense?”
It hits way too close to home, and with a sigh you lean back in your chair, unable to meet his eyes again. 
“It sounds so easy, when you put it that way.”
He tilts his head as he examines you, and you’re afraid that attentive stare misses nothing. “I could make it easy, for you,” he offers quietly. Something about that soft but oh-so-sure tone lifts every little fine hair on your body, a wave of gooseflesh erupting across your skin. You feel like a rabbit flicking its ears at the sound of danger, not quite sure which direction it’s coming from. 
“What do you mean?” you dare ask. 
“It’s part of the appeal of submission for some people, to hand over complete control to someone you trust, to let them make you feel good. It can be an almost…therapeutic release. I think I could do that for you.” 
Your heart chooses that moment to lodge itself in your throat, and it takes an embarrassingly long few seconds for you to find your voice again. As usual when you feel wildly uncomfortable, you opt for humor.  “Wow, do you subscribe this to your patients often?”
He chuckles, and it is dark and rich as bitter chocolate. “No, though maybe I should.”
You can’t help but notice you haven’t even made it through the main course, before he is bringing this up again. It must be something he really wants from you—and a part of you still finds that so hard to believe. He’d said your defiance on that patient’s discharge triggered this need in him. You wonder if there are other things about you, that has made him zero you out. It’s happened to you before. Narcissists just seem to sniff you out like they’re fucking bloodhounds. 
Is Julian like that, underneath all the good looks, the pleasantness, the charm?
Does he think you’d be easy to control? Or does he want a challenge because your dumb ass is stubborn as a mule? 
Does he know that if things go badly, you have no one here to offer recourse?
Unless, of course, you count Officer Tom Ludlow, but dear lord that is not the backup plan you want to rely on. 
“Well…I’m still thinking about all that,” you deflect, throwing your attention into coiling pasta around your fork, trying not to appear like a complete philistine.   
He has the grace not to appear disappointed, though there is a certain sharpness in his look now, and you have a feeling Dr. Mercer is not used to not getting his way, eventually. 
***
Julian does let you help with the dishes, and pours you yet another glass of wine. “Digestivo,” he says with a perfect accent and a little smile to himself. He explains it’s the word for the “after dinner drink” in Italy. Apparently it’s usually a liquor, but it seems he doesn’t want you that drunk. 
At least, not yet.
He asks if you want to watch a movie or listen to some music? You agree, ask him to pick something out, and excuse yourself to go to the bathroom. When you return he is stretched out on the couch, looking utterly handsome, and you find yourself just staring while his head is turned towards the massive TV.
“I know you’re there,” he finally says with a little smile, turning to look at you knowingly. Cautiously you approach, glad for some reason that the tall back of the leather couch is between you. Perhaps the soft little woodland creature that will forever live inside you senses the wolf nearby, even if it’s wearing Brooks Brothers. 
“Sorry,” you say apologetically, soft-pawing further into the room. You dare to lean on the back of the couch to look down at him, not quite ready to join him on his level. He seems to understand all too well, and is completely amused by it.
“That’s ok. I can’t keep my eyes off you either. You’re so beautiful.”
You let out a long breath through your nose, never comfortable with what to say to it. You’d been assured by so many people in your early life, that you were in fact an ugly little toad worth less than nothing. Later, those that told you that you were pretty, hurt you in different ways. You wish you could just…take it at face value, and say thanks, without overanalyzing it six hundred ways from Sunday.
“You don’t think so?” He asks, looking up at you with curious eyes. Since you walked through his door tonight, you’ve felt like he’s been studying you, and you sincerely hope it’s not to find your weaknesses and exploit them but rather understand them. 
It would be so nice to be understood by a man like Julian, even if he is chaining you to a wall and whipping you while doing it. The thought makes you giggle, and this seems to perplex and amuse him. 
“Well?” He asks, reaching up to boldly smooth your cheekbone. “You don’t think you’re beautiful?” 
You try to blame your honesty on the wine when you answer truthfully: “not really.” 
Most men don’t want to hear about insecurities and flaws; they want self actualized, confident women who carry themselves in a way you’ll never be able to. It's hard to have self esteem, especially when you’ve spent the majority of your life getting told you shouldn’t have any. 
“Hmm.” His thumb rests lightly on your chin, and he parts your mouth a little like he means to kiss you, although he makes no actual move to do so. “That’s another thing I could help you with.”
You're a little lost in the white capped crash of your thoughts, of the pleasant heat in his long, skilled fingers, of the endless dark in his blown black eyes. It takes you a full thirty seconds to think about the conversation, and even then you have to stupidly ask: “what?” 
“Feeling beautiful, because you are.” Maybe you don’t mind the bossy, matter of fact tone as much when it’s demanding that you’re worthy and pretty. 
“Are you going to kiss me again?” You ask, because you can’t stop thinking about how good his mouth feels on your face. 
“Ask me nicely.” That big thumb runs a torturous line over your parted bottom lip.
“You ask me,” you challenge, giggling at your own insolence. 
Oh, he loves that, when you push back. The wicked, lazy grin says it all. “How about I make you?”
You press your tummy against the soft, worn leather of his couch to lift yourself up and over, cupping his cheeks and pecking a little kiss to his silky lips. “I’d like to see you try.”
Apparently this is the absolute wrong thing—or absolute right thing—to say to this man, to make him spring up and over the couch, lithe as a panther in his pursuit of you, a feral grin in place. You are not proud, but your first instinct is to bolt, a little scream escaping your lips.
Which is stupid, of course, because he has the body of a runner and legs that are a mile long. You have no idea where you are going, down a convenient hallway. You make it three steps before this man has you grabbed up in his long arms, and he is kissing you as though he means to inhale you. He presses you into the wall, his solid weight so delicious against you, and you know there is no escape unless he decides to let you go.
Somehow, you don’t forsee that happening any time soon. 
You surge up on tiptoe to meet him with a moan, your hands sliding over the trim muscles of his chest. He easily grasps both your wrists in his one, obscenely big paw, pinning them above your head.
He pulls back to assess what you think about this, his dark eyes blown wide with desire. You can barely breathe past your heart thundering in your chest, your thighs pressed tightly in a sad attempt to relieve some of the ache between them. You lips are kiss-swollen and moist with his saliva, and you lick them, tasting him. His gaze fixes on your mouth hungrily, before lifting to your eyes again.
When you give the barest nod, he leans in to kiss you again, slower this time, but no less claiming. His lips are soft, and clever, and wreak havoc with your ability to think coherently. And when he slips his lean thigh between your legs so that you might get some relief, you think you might just expire from the pent up desire threatening to burst you at your seams.
It’s not good, you know, when you can’t help but think about Detective Tom Ludlow, and how part of this aching madness in your loins is built up from his brash brand of torture, and you can’t help but imagine what it might be like to feel his rough hands pinning you to the wall like a butterfly. Maybe it’s just the wine, but these distracted thoughts are not good at all.
Julian half carries you, half guides you in a halting walk further down the hallway, opening a door and ushering you inside. It’s a bedroom, though if its his room, you can’t really tell at a glance. It’s nicely decorated, fairly normal, no chains hanging from the ceilings or racks on the walls, and the bed is soft as he presses you back into it with another bone-melting kiss.
He props himself on his elbows so he can look down at you with a mischievous warm smile that lights up your insides. “You really are beautiful,” he tells you gently, tracing your hairline at your temple.
God. If he keeps telling you like this, maybe you will start believing him. 
You tug on his tie to bring him back to you, craving another of his sweet kisses. He narrows his eyes at you playfully, and you watch with fascination as he reaches up to loosen the silk noose around his neck. 
“Wait.” You halt him, hand on his chest, and he stops the little show. 
“What? You okay?” It doesn’t occur to you that this man is just as needy as you are until you hear the heavy pant in his voice, the gravelly scratch of desire polluting his usual smooth pitch that reminds you way too much of someone else that you’re trying not to think about—and failing miserably at. 
“I don’t know if I’m ready for all of that,” you say honestly, opening up raw in exchange for the concern on his pretty, angled face. 
“Being tied up?” He asks, smoothing your hair off your temple. 
“No, I’ve been tied up before.” Although that’s a story for a different day, it’s not like you’re the Virgin Mary, and you don’t want to be—you don’t want him to think that you are—a prude. 
“Was it…a bad experience for you?” As he asks this he strokes your hair, petting you like soothing an animal with his light touch.
You hate to say, it’s working.
“Kind of.”
“Maybe…they didn’t stop something you didn’t like when you asked them to?”
That was the understatement of the century.
You close your eyes against the sinking feeling that overcomes you, when you even slightly crack the lockbox that is your stockpile of unpleasant memories from your youth.
“No,” you answer simply, but you know he can hear it all in the roughness of your voice in that one small word.
“What if we have a safeword? If I do anything you don’t like, you say the word, and I promise you I will stop.”
You freeze like a rabbit that's been spotted by a predator, as you mull this over. You know that’s how these things are supposed to go. But once a man has you tied up and at his mercy…he can do anything he wants with you. And men can be so awful, when they feel like they have all the power in their hands.
Is this man awful? It certainly doesn’t seem so. But dear god, you have been so wrong before.
“Maybe….” You roll your eyes up to the ceiling, searching for the right words, determined, for once, not to hide your own needs in favor of someone else’s. “Maybe if you help me understand why this is something you need so much?”
You know it’s possible you’re killing the vibe with such a demand—but maybe it wouldn’t be a bad thing to slow down and talk.
He blinks down at you, undoubtedly not used to being inquisitioned like this by anyone. “That’s…a big question.”
A surge of annoyance rises in you—as if dating isn’t dangerous enough for women as it is—he’s literally asking you to trust him with your life.
“Oh my god. Ok, get off.” You start to squirm beneath him, pushing at his chest. For a moment you panic, because he is big, and you know he’s not going anywhere, unless he wants to.
To his credit, and your great surprise–he actually does. He seems disappointed, and his breathing is heavy, his beautiful hair disheveled, but he’s not angry. At least, as far as you can tell. He shoves his hands in his pockets, maybe to keep them off of you.
It is hard not to stare at the sizeable bulge in his preppy khakis.
He blows a long breath out of his nostrils, closing his eyes. “I like to be in charge,” he tells you quietly, not opening his eyes, “Because when I was far too young, my stepmother groomed me to be her pretty plaything. I thought I was getting revenge on my father, because I was angry at him for divorcing my mother. But the joke was on me. I did…anything she asked, and she asked a lot. I didn’t even realize how fucked up it was, until I went away to college. When she sensed she was losing her hold on me, she actually tried to get me to drop out, then she tried to get me expelled. She was a fucking piece of work, and that’s why I am the way I am.” 
When at last he works up the courage to look at you, he finds you sitting on the edge of the bed in your pretty dress like a rumpled flower, with tears in your eyes for him. “I’m so sorry, Julian…” You reach for him, even though you’re unsure he even wants to be held.
“And I like to bind my partners’ hands, because sometimes being touched during what should be the most wonderful act a man can enjoy reminds me of her, and I can’t stand it. Even…when I’m with someone who I want to touch me.” He gives you a pointed look then, and you understand, and you don’t think he’s trying to manipulate you. He’s just telling you an ugly truth.
Now, it seems you’re both agitated, and what had promised to be a lovely evening is now spiraling down into the abyss. You can’t help but feel responsible for that.
Julian shakes himself, and shakes his head. You feel him drawing away from you, even before he’s moved his feet. “I’m sorry. I didn’t mean to scare you. I promise, I don’t want to hurt you.” 
Then he does start to retreat, but you reach out to him. “Julian, wait…”
He freezes in his tracks, looking up at you through the curtain of his silky hair.
“Pineapple.” 
He lifts an eyebrow, genuinely confused. “Excuse me?”
“That’s my safe word.”
To be honest, you’re not entirely sure if you’re doing this because you want to, or because as usual, you sense someone needs a part of you for their own wellbeing, more than you think you do.
His mouth twists in a smile seemingly involuntarily. “I suppose that isn’t something one usually hears in the throes of passion.”
“Isn’t that the point?”
“Yes.” His look sharpens upon you then, and you feel a fresh gush of moisture between your legs, your bare toes curling. Suddenly, he seems taller, somehow, as though he’s taking up more space in the room than before. “Are you sure about this, y/n?”
Not really, but this won’t be the first time you jump in head first to something you don’t know if you can handle. “Yeah. I believe you, when you say you won’t hurt me.”
Maybe you’re not sure exactly where the whole punishment thing fits in he was talking about earlier, but you assume you’ll get to that later.
He nods, his nostrils flaring as he looks you over again. You watch as his chest rises and falls with deep breaths. And then he returns to loosening that shining blue silk tie from his neck, sliding the fine fabric between his long fingers. “I picked this color tonight because I thought it would look so pretty on you,” he admits. 
“How…thoughtful?” You can’t help but tease him, even if your heart is suddenly hammering in your chest.
“Hmm. Someone always has something smart to say.” He strides across the room to you, boldly standing between your legs at the edge of the bed. 
“I think you like it?” You can’t help the squeak in your voice, and it makes him smirk down at you. It’s unnervingly similar to someone else who likes to throw around an insouciant half smile, and your fingers curl in the bedspread by your thighs.
Do not think about Tom right now.
It’s too late, of course.
“Give me your hands.” There is that authoritative tone again, that makes everyone at the hospital and out in the real world stand at attention. Everyone, but Tom Ludlow, of course. Unbidden, the image of Tom’s fist making that irreverent gesture out the window enters your head—and like the idiot you are, you smile.
It causes Julian to look at you strangely, searching you out. “What’s so funny?”
You sigh, closing your eyes against that probing stare. “I don’t know,” you deflect, master of the witty riposte as always. Hoping to distract him, you offer up your wrists. “Like this?” you ask, and golly if your ploy doesn’t work.
“That’s my good girl.” A damning warmth spreads through you from his praise, and you watch with fascination as he loops your wrists with the blue silk, tying it off with a beautiful bow that does look pretty against your skin. “We’ll start with this,” he tells you. “If you really want, you can undo it with your teeth.”
Biting your lip, you nod up at him, appreciating the gesture. 
“Tell me the safeword?” He asks, lifting your hands up above your head, looking absolutely feral, ready to eat you alive. 
“Pineapple,” you tell him, flexing your hands above your head and pushing your tits out for him. God, it’s been forever since you’ve had anything inside you besides your own boring fingers, and you’re more than ready for him to take the straining bulge out of his pants and slip it into your perpetually aching cunt. 
“Keep your hands above your head for me?” You can tell by his tone that it’s more of a demand than an ask, but at least he's trying to be sweet despite wrestling internally with some beast that wants to bind you immobile and shove a gag in your mouth. 
Every hair stands on end at just the thrill of having his silky, non committed tie around your wrists, so you wonder how you’d fair in something stricter. Apparently, your vagina likes the theory of it, because she pulses insistently for some kind of attention—Jesus, any kind of attention that’s not just from you.
You and her may argue sometimes—much more now that Ludlow has kicked the imaginary door of your life down and stormed in for a raid—but you still share the same brain, and both of you agree that Julian is very fucking hot while he takes off his upper attire to reveal toned, tight, thin muscle and perfect golden skin. 
“Is there, um, anything you want me to call you?” You ask, little toes curling and flexing on his comforter. 
“You want to properly address me?” His teeth peek out of the wayward grin, hands slipping the belt out of his pants and filling you with Tom thoughts again. 
“Yeah, I do.”
“How about Doctor? Something familiar?”
“Something tells me you’ve thought of this scenario before,” you muse, toying with the wrought iron post of his bed. You have to admit, Doctor isn’t your favorite term of endearment, but you suppose that if it makes him fuck you sooner it doesn’t really matter. 
Sans pants, his cock tents and fills his briefs, and that tiny creature living inside you comes out of her burrow to remind you that she’s very, very hungry. He really is a gorgeous specimen of a man. You could probably find his mimic in a museum statue or erotic magazine with only one huge, girthy difference. 
How the fuck is that monster not going to hurt you after years of only having your own little fingers for comparison? 
“Jesus,” you breathe, unaware that you say it out loud at first. 
He pumps his hand once or twice over the silk coated shaft, showing off that big, beautiful cock and rubbing a bead of pearly cum over the tip. “Hands above your head, y/n, and don’t make me say it a third time.” 
You bite your lip hard to keep from groaning in protest and place those conniving, sneaky limbs up above you again. “Yes, Doctor.” It would sound strange to you if you had any common sense right now—if your brain wasn’t currently leaking out of your cunt. 
A little piece of you—actually and worryingly it’s more than just a little piece—wants to challenge him to see exactly what he’ll do. 
“Do you want me to tell you what I wanted to do to you when you disobeyed my orders?” 
“Spank me?” You ask, words too bold for how you’re feeling—how your whole body is overflowing with burning, bashful blood and sinking into the cushion of his bed to hide. 
He laughs, low and wicked, and shakes his head. At least you get a little needy grumble from him, although you’re not sure if that’s because he’s stroking his cock or not. “No, not spank you. I think you’d enjoy that too much.”
“Then what?” You raise your chin a little bit, and the look he pins you with reminds you of what wild horses must see in the person’s eyes that wants to ride and break and domesticate them. A little panic alarm lights up your brain, and it gets louder the more he talks. 
“Instead of rubbing these tired, sore feet, I would have gotten a thin piece of finished wood and whipped them with it.” 
Your toes instantly curl and tuck in defense, heels digging into the bed to shy away from his mean words. “I don’t know if I’d like that,” you admit.
“That’s the point of a punishment, little girl. You’re not supposed to like it.” Julian transforms into something scary for the first time, and you think this might be that dominant side of him coming to bat again. You don’t really like it when he’s all business no play, void of jokes and grins, snarling like a rabid jaguar. 
“Julian, I don’t think I’m comfortable with that. It scares me.” 
His ferocity goes limp right along with his dick, and the sight of that makes you want to scream and cry and pound your fists on the floor like a tantrum throwing child. Your vagina, who was just minutes ago getting along with you, once again wants you dead. 
Dr. Jekyll sits beside you on the bed and puts a soothing, heating pad hand on your belly. “I’m sorry, are you alright? I shouldn’t have gone into that so fast. I got carried away. It’s been a while.” 
Although his apology is warranted, and what he says is true about going too far, that caretaker in your blood wants nothing more than to soothe him while he has a mini existential crisis about making you feel uncomfortable. You sit up and rub his shoulders with bound hands. 
“Julian, it’s okay. I get it. I’m sorry.” 
“There’s nothing for you to be sorry for,” he replies, combing a hand through his soft hair. “We should have discussed details before jumping in. I just”—he cups your cheek and kisses your head—“I’ve wanted you for a long time.” 
The thought of having to go through a detailed discussion before having sex with your partner every time has the opposite effect of Tom Ludlow’s—fuck, here he is again—spontaneity and makes your pussy dry up. 
As though he senses you’re about to take your teeth to his very nice silk tie, he turns to unbind your hands with one deft pull. You feel fine, but you can’t stop yourself from rubbing your wrists. You sit there in the quiet together for what feels like a long time, your head resting lightly on his shoulder.
“Y/n?”
“Yeah?” He takes your hand, kissing your palm. “That thing I told you? It’s not something I offer up freely to anyone. Not even my playmates.”
You nod against him. “I understand.”
“I just…wanted you to know me.”
The human need to lay yourself bare in the hopes of acceptance is something you understand all too well—and something you never do anymore, because it just always ends badly. That he wanted you that much squeezes your heart in a merciless fist, because the healer in you wants to help him, but you’re not sure you can give this man what he really needs.
“Did you…want me before I talked back to you?” Suddenly the question is burning in your brain and you have to know.
Julian smirks at that. “You’ve always talked back to me, y/n.” With that he kisses your forehead, and starts to get dressed again. 
What a goddamned shame.
It’s totally not helpful, but you can’t stop yourself from thinking that if Tom had you in this position tonight, you wouldn’t be able to walk right, and not because you’d said the wrong thing and got yourself punished with a sliver of wood or whatever the fuck Julian kept in his closet.
You wouldn’t be going home feeling even emptier than when you arrived.
Maybe, you wouldn’t be going home at all.
Julian asks you to stay with him a while longer to cuddle on the couch and watch a movie—some cheap new thriller that makes you both jump and gasp. It’s sort of funny, to watch the man that was just spouting off his desire to use ancient torture methods on you get scared at a guy with a shiny knife popping out of bushes. 
At one point, while you’re laying on his bare chest and inhaling the citrusy sweat of his skin and becoming increasingly warm to the idea of giving his discarded silky tie another try, you start tracing your fingers down the hard line of his stomach, flicking over the elastic of his thin sweatpants. 
He stalls your movement, and looks down at you apologetically. “Not tonight, honey.” 
You know he was just fiending for your bound form with his dick in his hand, so you’re not sure why he’s stopping you, but your woe-is-me brain immediately, and as usual, jumps to the conclusion that he never wanted you in the first place. 
You will not be the giving tree anymore. You will not be the obsessed, lovesick girl willing to do anything just to get that same love back. You won’t—you can’t—do it again. 
“It’s late,” you sigh, sitting up. You’ve long sobered from dinner, and you’re tired, and you kind of want to be alone so you can go home and cry. “Thank you for dinner.” You’re not so sure about the rest, and in the rueful curl of Julian’s lips you can tell he’s well aware how disappointing all this was. For both of you, you suppose. He kisses you goodnight at the door, and you get in your car to drive home.
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radiation · 2 days
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Video games talk dont even mind me
Bro video games as a whole are so far behind movies in terms of storytelling and pacing that it’s kind of baffling. Which of course is obvious and makes sense for plenty of reasons but like, just think about it — watching movies a lot can’t help but train a certain muscle that gives you a strong instinct for structure. I find that people who watch movies very casually, without too much artistic consideration, and don’t really know the language associated with it are still very often irked by specific issues with a movie’s pacing, dialogue, etc and are relatively capable of putting it into words. Likewise, for many movies out there, regardless of your opinions on any specific directorial choices, you do feel as if the movie is essentially cohesive and creatives involved reasonably knew what they were doing and were acting very intentionally, and there weren’t any major oversights. This includes independent films as well. Meanwhile I think both players and developers much more commonly lack the instinct for narrative cohesion when it comes to video games. Definitely a fair amount of exceptions to this, but in general I find it’s difficult to find video games that are very narrative heavy & aspire to great artistic heights that don’t suffer from inherent structural problems, pedantic dialogue, tons of dead air, etc in a way that wouldn’t slide as easily in a movie. A lot these flaws certainly have to be due to the presence of gameplay elements and having to balance that with story when the two are almost always, at least in some small respect, inherently at odds. As for the inability for devs and players to pick up on / fix these flaws…is it because gameplay can distract from it and make up for it? With longer games that have runtimes closer to the experience of a television series, is there a similar reaction where if it’s long enough you will sit thru smaller, momentary issues because you enjoy the bigger picture? Yet games are a lot more engaging than a show as a audio, visual, and tactile experience, you can’t multitask and tune the information out as easily as with a boring episode of a show, so you’d think people would be more picky? But maybe because it’s so attention-demanding people are more immersed, and believe in the experience enough to more easily accept the story? Books demand the same kind of active attention to experience though, and the bar for story in books is a lot higher, so what gives? Well a lot of these have kind of obvious answers but still Interesting questions to ask that lead to Damn , That Is Still Crazy How Much This Shit Is In Its Infancy like sometimes I feel like I’m going crazy with how many writing issues are present in games, particularly in indie games that are Trying To Be Good At Writing that feel excessively obvious and yet I often struggle to find my sentiment mirrored by others. IDK. And back to movies the thing is I feel like if the same people trying to write these kind of games had pursued movies instead then they would’ve ended up making well structured movies that avoided all of these pitfalls. WHAT IS IT WITH GAMES? Well we know what it is with games and we could spend all day discussing a million more reasons this is the way it is but no matter what I think we should just be super conscientious of these pitfalls when making narrative focused games and aspire to a greater level of intentionality that is absolutely possible . Build that muscle by really understanding the quality of storytelling long-present in other mediums.Well the other issue with indie devs is that everyone believes they are totally breaking new ground story wise that they don’t take a step back, humble themselves a bit, and cross-reference what they’re doing with the tons of other stories that have already achieved similar things But thats a conversation for another day .
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mousydentist · 3 days
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18. kim tongue ring 👀👀👀👀
omfg im gonna eviscerate tumblr ANYWAY i got another ask for this from @xxatlasxx but that has disappeared into the void so im answering this one
OK SO since i got two for this one i wrote a little extra (dont blame yall, that was objectively the best one on the list)
the whole idea from my doc:
kim tongue ring
……yeah thats it lmao. this entire idea was riding on vibes alone and the vibe was horny. so here’s 850 words of horny i wrote extremely quickly as soon as i had a break
Kim has always had several piercings, which Chay adores. When Wik had first appeared with his conch piercing, Chay extensively documented it on the fan wiki. He was there when Kim got his industrial (which he took without flinching) and saw him diligently clean it every morning and night until it had completely healed, even afterwards still taking good care of it. So when Chay finds a little bar with two balls on either end in Kim's bathroom, he doesn't think much of it, and it doesn't occur to him that it doesn’t look like a regular piercing at all. That is, until a couple weeks later, when he sees it’s missing from its spot, likely meaning Kim has it in. But he hasn’t noticed Kim changing any of his piercings, so he asks Kim where it went. And that’s when Kim's tongue lolls out of his mouth to reveal that, sure enough, the little bar is stuck through it. The black ball stands stark against the pink of Kim’s tongue, the very tongue that Chay had had down his throat just that morning, and soon after on his- Chay swallows thickly. “Did I not tell you I have a tongue piercing?” Chay shakes his head furiously, much to Kim's amusement. Then, because Kim wants him to die, he takes Chay’s hand, pulls the tip of Chay’s thumb into his mouth and sucks. Chay inhales shakily as Kim lavs over his finger, the tiny ball pressing into his skin in a way that Chay can’t help but imagine being replicated elsewhere. With the look Kim's giving him, he might not have to imagine. Chay's knees almost give out when Kim hollows his cheeks around his finger, teeth teasing the top of his thumb while his piercing strokes the bottom. Kim does this all while making obscene noises and bobbing his head, excessively so, his exaggerated manner an obvious imitation of something else. Finally, mercifully, Kim lets go of him, pulling off his thumb with a dramatic pop. Chay would be lying if he said he couldn’t feel himself straining against his pants. As soon as Kim lets him go, Chay tangles his fingers in Kim’s hair and hauls him in for a bruising kiss. He needs to know how it feels in his own mouth and- Fuck. Their tongues clash together messily, a spike of pleasure shooting through Chay every time he feels the tongue ring run along his. Kim hooks his fingers through Chay’s belt loops and pulls his hips in to grind against each other. They melt together for long minutes with groping hands and insatiable tongues.
Without letting go of Chay's waist, Kim pulls his head back, just enough to look into his eyes as he licks Chay's lips, one long stripe from his lower lip and up to his cupid’s bow. After everything he’s done with Kim, and everything Kim has done to him, that was somehow the most erotic. It destroys the last remaining threads of Chay’ inhibitions and starts dragging Kim to the bedroom as fast as humanly possible, only pausing for a few brief bouts of trying to eat each other's faces.  Once they make it to the bed, Chay lets Kim take the lead. He pushes Chay's shoulders down to make him sit on the edge, then straddles his lap and dives in for another kiss. Chay’s hands reach around to palm Kim’s ass, and fuck, Kim is so hot like this. Chay lets himself be pushed backwards until he lies flat on the bed, Kim still committing sins in his mouth. Chay's vaguely aware of Kim unbuttoning his pants and pulling the fly down, but most of his brain is mush at this point. Chay finally takes notice when Kim pulls away and starts tugging Chay's pants and boxers off. Chay lifts his hips and shuffles further back onto the bed, allowing Kim to fully settle between his legs. Chay's not surprised to see that his cock is rock hard and desperately leaking onto his abdomen. He flinches when Kim runs just a single finger up his length, pressing into the head and pulling a sticky string of precum with it. “Please, please don’t tease me,” Chay nearly sobs, only getting a smirk back from Kim. It's enough though, because soon after Kim takes him in his hand and presses a light kiss to the tip of Chay’s cock. His head flops back onto the mattress and he lets the warmth of ecstasy roll over him. Kim strokes him slowly a few times, leaving more soft kisses up and down his length, before he finally flicks his tongue out - that fucking tongue - and licks Chay from base to tip. Kim's tongue on any day would already be fantastic, but with the tongue ring lightly scraping Chay’s cock, it’s outright divine. Chay's eyes roll back into his head and he thinks he sees god. When he opens them again, it’s Kim between his thighs, suckling the head of his cock and pressing the ball bearing into it ever so slightly, just enough to make Chay go insane.
dont mean to blue balls you hh but its all ive got rn
(send me a prompt!)
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cjestme · 19 hours
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don’t you see how crazy this person is?!! why’s he allowed to perpetuate these narratives that will invite racial abuse to lewis. Nico’s one sided stories treated as “new lore” are barely confirmed so why do people take his words as gospel. if lewis apologized then why’s he still pissed now?? why didn’t nico apologize then too?? why do people think its okay that he’s able to brag about using psychology warfare when he couldn’t beat him on merit. why do people think it’s okay to want lewis to apologize for a clearly toxic time in his life. why’s lewis in your heads still suffering, pining for his “childhood best friend”... you’ve put on your standom blinkers so much so that you don’t even realize you’re inadvertently fetishizing the struggles of a black person. Nico did nothing during the onslaught of abuse and micro aggressions lewis faced while they were teammates because fact is he benefited from it and now afterwards he’s allowed to invite some more through his excessive criticism with hints of resentment simply because he’s also made a few obvious compliments. he’s not the victim people desperately want him to be and he’s not a friend i’d imagine lewis would want to keep. wake tf up
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nightwolf14292 · 2 days
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Jason Todd Canon Lore Stuff:
@jashjdh Ask and you shall receive! :D this is sort of part 2 to this post of mine, where I did the same thing for Dick Grayson. Here, since there are so many comics and so much conflicting lore, I read the fandom . com entry for the character and then type out the most important bits of what I learned, both to help myself remember it, and to teach others ^w^
!TW for Batman-like things, such as spoilers, mentions of injury and death, a brief mentions of drug use, a brief mention of sewerslide and r(😬)e, etc)!
•To begin with, a lot of people argue "Jason is the angry Robin!" Or, "Jason ISN'T the angry Robin!" I think for the most part, this misunderstanding happens because originally, Jason was a very calm kid. In his original appearances he had a similar backstory to Dick Grayson(Being an acrobat in the circus) and was much more chill, however in the post-crisis revamp, he became more violent and troubled. In the words of the wiki, "the post-Crisis Jason is impulsive, reckless, and full of rage."
•Jason lived a troubled childhood, with his father being a petty crook. His dad at one point served a jail sentence for his crimes, but even once he got out of jail, he never came back to the family. This left Jason alone, taking care of his drug-addicted mother. He would rip and remove the parts from cars around the city, selling them for cash to make sure they were fed and clothed. His mother eventually died from an overdose so he took to the streets, continuing to take apart cars for cash.
•One night he came upon the Batmobile parked in an alleyway. Batman had just replaced the tires, but had not yet put on his new custom hubcaps. Jason took this opportunity to snag the tires, and managed to get one and out of there before he came back for a second tire. This is when Batman caught him, hence the iconic interaction of him throwing his tire iron at Bruce and calling him a 'big boob' as he ran away.
•Batman tried putting Jason in a boarding school for troubled kids, however this didn't work out either because the owner of the school was actually running a program to train young criminals. When Batman busted the criminal operation, he decided that perhaps Jason's anger could be used for crime fighting, so he took him in because he was worried that if he didn't, Jason would become a criminal. While Jason wasn't an acrobat like Dick, he was strong, and had lots of skills from his time on the streets.
•On their first official mission together, though, it was revealed that Two-Face had killed Jason's father. Despite the fact that Jason's father had abandoned him, he was still enraged by this and he went on a rampage. However, he showed restraint when he allowed Two-Face to be arrested instead of killing him, which made Bruce very proud.
•As much as Jason was a good, enthusiastic student, he was also a very troubled one. His time on the streets had raised him with a tilted sense of morals, and with the tendency to lash out and get violent when threatened because of his street survival instincts. Because of this, Jason often had the opposite ideals and morals to his mentor. He tended to use excessive force when trying to stop criminals, such as how in one adventure he was asked to 'hold off' some villains, and he immediately shot at them despite Bruce's dislike of using guns.
•The most notable of these times was on the case of Felipe Garzonasa, a man who had r(😬)ed a woman, an event that led to her sewerslide. Jason tracked this guy down, and moments after Jason arrived, Felipe fell to his death off of his apartment balcony. While it was never confirmed nor denied, it's fairly possible that Jason pushed Garzonasa off, breaking Batman's no kill rule. (We love a man who respects women ✊)
•Bruce was so afraid that Jason was going to possibly kill someone, either intentionally or with his reckless actions, that he called Barbara Gordon and asked her to work a case with Jason, in an attempt to figure him out. They did work together, however Barbara could come up with no real way to help him, and simply warned Bruce that there was 'a darkness in Jason'.
•Jason eventually discovers that his mother was not actually his biological mother, so he runs away from home on a mission to find his real mom. He follows lots of leads, but eventually ends up in Ethiopia, finding his bio mother Sheila, working as an aid worker. He's incredibly happy to be reunited with his real mom, but he soon discovers that Sheila is being blackmailed by the Joker, being forced to supply him with medical treatment. Sheila herself has been embezzling funds from the agency, and to keep from getting caught, she directly hands Jason over to the Joker who brutally beats him with a crowbar and leaves him and Sheila in a warehouse with a bomb. Batman is unable to save them on time, and both of them perish in the explosion. Bruce is obviously devastated (and starts going crazy because of this a bit later on), and the bodies are both buried in Gotham City with the cause of death on Jason's death certificate being labeled 'smoke inhalation'.
•Jason is dead for at least a decade, his memory constantly haunting Bruce as his 'greatest failure', keeping Jason's Robin suit on display in the Batcave. Bruce begins to spiral over the thoughts that he himself had failed to train Jason properly, and that he had also failed to save Jason from the Joker. (Personal opinion, I don't know if I actually blame Bruce for 'Not saving Jason in time'? Because the way the wiki framed it, it made it seem like Jason ran away and didn't tell anyone that he was going to do this, plus I don't know how Bruce would've known that the Joker was blackmailing Sheila to begin with? Idk, maybe I'm missing some context here)
•Many years later, while Bruce is fighting with Hush, Tim gets kidnapped. When he confront the kidnapped it ends up being 'Jason', but it turns out that this version of Jason isn't Jason at all, and is just Clayface pretending to be Jason.
•Superboy-Prime, trapped in the Paradise Dimension, alters reality. This shift results in Jason's revival, as he's once again given life. He breaks his way out of his own coffin with his bare hands, and drags himself 12 miles before eventually collapsing (since he still has many lasting injuries from the Joker's beating). He's found at some point and hospitalized, where he stays in a coma for a full year, and even when he awakens he has amnesia. At some point he's recognized by a petty criminal, who informs Talia. Talia brings him to the Lazarus Pit, where she immerses him in the water where her father Ra's is also bathing. This restores Jason's memories and his physical health, however it's implied that the Pit's energy + Ah-Gul's energy messed with his mind and personality (Though it's always possible that these changes really just came from his trauma)
•Jason Todd takes up the mantle of Red Hood, and returns to Gotham City.
•Jason goes to find the Joker (who had been run out of town by Hush), and gives him a beating with a crowbar just as the Joker did to him, though he keeps the Joker alive to use him against Batman later on. He also assumes the control of several gangs, and starts a mini war against the Black Mask criminal empire. His general plan is to clean up the cities violence and drug dealings(probably because he doesn't want anyone to end up like his non-bio mother), as well as kill the Joker for revenge. Because of his intense and violent methods, he has many brushes with Batman. It's around this time that Bruce finds a Robin mask in the Batmobile, one that never belonged to Dick or Tim, but looked like a mask in the style of Jason's old Robin costume. He also realized at this time that Jason's coffin is empty, and that's when he starts to believe that Jason may have genuinely come back from the dead.
•Jason, hearing that Tim had replaced him and was supposedly a 'better Robin' then him, he got angry and broke into the Titan tower to confront him. Wearing a newer version of his own Robin costume, Jason makes quick work of immobilizing the other Titans. He was absolutely furious that there was no memorial for him in the Hall of Fallen Titans (Despite the fact that he was only a Titan for a very short time), Jason demands Tim tell him if he was really as good of a Robin as Jason himself was, and Tim stubbornly says 'Yes' before he passes out. As Jason is leaving the tower, he rips the 'R' logo from Tim's costume. However, it's revealed in the epilogue of that comic that Jason actually holds some respect for Tim now, begrudgingly saying an "I'll admit. He's good." As he ponders how he could've been a better Robin had he acted more like Tim.
•At some point Jason kidnaps the Joker and uses him to lure Bruce to Crime Alley, where they had first met all those years ago. Jason is of course angry that Bruce never 'properly avenged' him by killing the Joker, since Jason believed that Bruce would because the Joker had "Taken me away from you". Bruce explains that it would've been easy for him to kill the Joker, that he continuously fantasized about taking the Joker away, torturing him and eventually killing him, but that he wasn't willing to cross that line (Partially because he wasn't willing to stain the memories he had of Jason [that he clung so tightly to while losing his sanity] with blood). Jason decides on a deal. Either Bruce kills him, or he will kill the Joker. So he holds one gun to the Joker's head and gives the other to Bruce, counting to three. However Bruce, obviously not wanting to kill Jason but also not wanting Jason to commit this crime, uses a Batarang to cut down an object that ends up slicing Jason's throat. The Joker uses this time to detonate some explosives and plunge both of them into the waters. (I don't even know what to say about this part, I have a lot of opinions here. I will say though, I think that if Tim hadn't become Robin, Bruce might've legitimately killed the Joker.)
•Jason shows up again after about a year, now as an evil version of Nightwing. Jason uses this costume to taunt Dick, suggesting the two become a crime fighting team, but Dick refuses because he doesn't want to be associated with Jason's violent methods. Not long after, Jason is kidnapped by unknown mobsters. Dick, albeit hesitantly, saves him, and they team up to defeat the Pierce brothers. After the fight Jason leaves New York and drops the Nightwing mantle, leaving Dick a telegraph that says he has returned to normal, and that he still considers Dick family.
•Jason's kidnaps a girl named Mia, wanting to convert her to his side since they both had somewhat similar pasts and he feels they're kindred spirits. She refuses, so he blows up her high school. (WTF JASON???? 😭)
•I dunno how to explain this one too much, but basically he went on a mission with a Monitor that he called Bob? And he met an alternate reality version of Batman, who had started killing after Jason's death.. And then the Darkseid thing happens and Batman 'dies', which makes Jason absolutely furious (Because he cares about Bruce despite not agreeing with the way that he handled things back when he died).
•Jason, back as Red Hood, tries to take control of some gang wars to calm things down, but it actually makes things worse. Since Batman is supposed to be dead, and Nightwing is unavailable, Tim is the one who has to help clean up the mess. Jason asks to team up, but Tim refuses because of Jason's questionable methods. Due to a combination of some things, Jason gets shot in the leg and arrested. When the gang war is resolved, Tim stops by the prison Jason was in, using a disguise and a fake name to deliver Jason the code that will let him out of his cell because he believes Jason deserves a chance at redemption.
•After his escape Jason is summoned to the Batcave, where he is brought in to hear his part of Bruce's Last Will and Testament for him(Y'know, since Bruce is supposedly dead lmao). He listens to Bruce's final piece as he talks about out of all his failures, Jason was his biggest, and how he regretted not getting Jason actual help or showing much empathy over him hardships, instead dressing him up and having him fight. Unfortunately this heartfelt message is what makes Jason fully snap.
•Jason began dressing up in a Batman-like outfit, leaving slips of paper saying 'I AM BATMAN' where he worked, however he used much more aggressive and lethal forms of punishment on the criminals he fought. Due to the violent nature of his vigilantism, Nightwing and Damian are after the fake Batman. Dick figures put pretty quickly that the imposter Batman is Jason, and after an argument, Jason shoots Damian. Tim is also searching for the fake Batman at this time, dressing up as Batman as well to demonstrate how Bruce would've really acted. Tim finds Jason's fake Batcave, but has to be saved from a boobytrap by Catwoman. Jason returns to his 'cave' and finds them there, impaling Tim with a Batarang. Dick and Jason fight, with Jason thinking and claiming that Tim is dead, while Damian and the Squire are actually busy saving Tim. Dick kicks Jason off a moving train, but when he tries to pull Jason back up to safety(Because he still considers him family, just as Jason does him), Jason refuses his help and falls to his 'death', while claiming they'll meet again soon. This is when Dick becomes Batman.
•When Jason returned, having survived the fall, he decided to become direct competition to Batman and Robin, making it his mission to get to all of the criminals before them and become the new Gotham Hero. He even got his own sidekick, a girl named Scarlet. Jason was very public about this, posting things on social media, talking about how killing the villains was the best way to do it, and a lot of people actually agreed. At one point Jason kidnapped Dick and Damian, locked them up and stripped them both naked(😰), claiming online that if the post got enough attention, he'd reveal Batman and Robin's secret identities. However his plan was interrupted by an assassin names Flamingo, that he and Scarlet weren't strong enough to beat. Dick and Damian escaped and saved them from death, though Damian got pretty seriously injured.. Jason just ran Flamingo over with a truck- Jason was taken into police custody and as they took him away, he claimed that if the Lazarus Pit could revive him, why couldn't it revive Bruce too?
•After Bruce's revival, Jason files an appeal to Arkham Asylum, wanting to be released because the tests show that he's perfectly sane, just willing to kill. He ends up being transferred to a Gotham prison, where as soon as he arrives, the sewerslide rates spike and there are several homicides(Though these mainly occurred in self defense from Red Hood killing people in the prison who attempt to kill him first). On top of this, Jason poisons the food and kills 82 inmates, making 100 more sick. He's immediately taken back to Arkham Asylum, but is quickly broken out by some mercenaries. Jason breaks free from the mercenaries and fights them off as Batman and Robin arrive. At the end of this mission, Red Hood and Scarlet escape in a helicopter, warning Bruce and Damian not to chase them because he planted bombs all over the city months ago, and he's willing to detonate them. Dick doesn't do anything about, deciding that Jason was lying about the bombs, and that even if Jason decides to do better he'll only rejoin the family when he's ready to.
•Jason, trying to reform, forms his own hero team called the Outlaws. He changes the red symbol on his chest to a bat, a sign of his somewhat awkward but slowly-beginning-to get-back-on even-ground relationship with the Batfamily. The costume he now wears also used to belong to Dick. His relationship with Tim is now at least neutral, if not a little friendly, as the two can be seen eating together and making some jokes. However his relationship with Bruce is still strained, and a bit hostile. While he keeps his aggressive and lethal style of fighting, he now only uses it when he believes necessary, and doesn't always shoot the second he sees a problem.
•At some point his team disappears, and he goes back to being a solo hero.
Extra Fun Fact! Because of the Lazarus Pit, Jason no longer ages and he heals much much faster then a normal human!
TAADAA! I might do more if I get the motivation ^w^
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crepesuzette2023 · 2 days
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What do you think was the deal w George playing on HDYS? Like all those ppl in the room knew Paul, used to be friends with him, and still talked shit about him, and it's just so crazy to me that Ringo was the only one bothered by it all. I can't wrap my head around it.
Full disclosure to get it out of the way: I don't much like HDYS. Musically, I mean. I think it's boring and monotonous, and the lyrics are childish because of how obvious they are. I know many people like the song, or like it musically while disliking the lyrics—all fine with me. But I'm not coming at this as a fan of the song.
What do I think George's deal was playing on HDYS? It's speculation time!
I think George had legitimate grievances about being in the Beatles: the fame, the John & Paul of it, the resulting creative frustration. He was clear enough in later years that, despite loving Paul as a friend, he wouldn't play in a band with him anymore. You can dismiss that as George being a mediocre bitch who's incapable of playing with a genius like Paul, or as Paul being a domineering asshole who can't play well with others, but it comes down to creative incompatibility, and three songwriters being at least one too many.
I imagine that any wounds and anger George carried because of that were still relatively fresh at the time HDYS was recorded. And since Paul had positioned himself as the odd one out (culminating with the lawsuit), George ended up in John's camp—his dislike of Yoko being compensated for by the presence of Klaus, Ringo, etc.
With HDYS being a reaction to Paul's no less cruel (in its own way) "Too Many People", I imagine George felt some personal outrage and solidarity with John as well: Too many people preaching practices...
With so much miscommunication/non-communication between all of them at this point, it was easy to project, blame, and make bad faith assumptions...with no one in the room (except, eventually, Ringo) willing and able to prioritize John and Paul's (and all of their) friendship over being part of the 'winning' fraction.
In One Flew Over the Cuckoo's Nest, the main character, McMurphy, observes a group therapy session that ends with everyone piling on and competing for the cruelest thing to say or do. He compares this behavior to a pecking party: a flock of chicken driven into a pecking frenzy after smelling blood, which leads to more cuts, and more blood. It's a dramatic example, of course, but I sense something like this in the composition of HDYS: the collective rush of being assholes together, further enhanced by John's charisma and the victim being absent. Who hasn't experienced this at some point—talking shit about the person no one liked in the moment, so happy to be part of 'in crowd'? *Raises hand* definitely guilty—teenage behavior, not proud of it. Ashamed, even.
I think that's a big part of what happened. It says a lot about Ringo that he eventually left. That's backbone.
By the way, I've no intention to make this about Paul vs. John. The situation was out of hand, and there was no one with the authority or will to make them talk and stop this (though eventually they apparently decided to stop the excessive mutual flogging in public). It remained the John & Paul business, to the end.
To wrap it up, I'm not a huge fan of "Too Many People," either, because the taunting lilt is so mean and cutting. I like the melody, though, and enjoy the version on Thrillington.
Now, the whole Dear Boy/ Dear Friend/ Best Friend/ Jealous Guy/ I Know (I Know) thing...please.
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jesncin · 3 days
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please do tell about why woman of tomorrow sucks i love reading your takes they’re always so well written
Sure! And thank you for throwing me this bone because WOOF
(btw it's totally fine for people to like Woman of Tomorrow, and I can even see why! This is just my experience with it that I wish was talked about more)
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Quick context: Woman of Tomorrow is about a space farmgirl named Ruthye who seeks revenge on Krem, a guy who killed her dad. Supergirl guides her on this journey so they can learn lessons about grief and revenge.
The biggest flaw of the comic is the narrative prose. Ruthye's dialogue is a rambly, over-indulgent, stylized mix of an attempt at medieval Shakespearian speak, but then in the last few issues the writer remembers she's a farmgirl so he decides she should suddenly say "ain't" more often and speak in double negatives to sound a bit more Southern. I can enjoy wordy comics! But Ruthye's dialogue and narration is blatantly excessive purple prose. So many scenes would hit harder with a less-is-more approach while still being stylized and characteristic. Sometimes the narrations pairs nicely with the art to create layered irony, but most of the time it feels like it's disregarding the comics medium altogether.
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The other thing about Ruthye's narration is that it holds the story back. I get that the narration is Ruthye writing from the future, but the way it's done gives us a very passive relationship with the events of the story. We don't get to be with the characters in the action heavy moments because we're reading caption boxes of Future Ruthye rambling about poetry recounting The Battle of Capes. I'm not experiencing grief or dread with the characters, I'm being told about it. All of Ruthye's narrative rants boil down to "Supergirl is really badass, sad and kind. I promise this is deep." and "here's how my farm girl experience is relevant to this". Ruthye also speaks in glowing admiration, idealization and worship of Supergirl; it makes it really hard to get to know Kara in a humanizing way. I'm sure the purple prose hits differently for others, but I personally think the story would have more room to breathe without it.
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You know how people like saying "Superman is boring because everything is too easy for him, he's too powerful" yeah that's Woman of Tomorrow. The conflict Kara faces are not challenges to her character, they're inconveniences. The resolutions to each story don't feel clever or earned. Kara just knows where to find the murdered purple aliens, Kara just happens to have a silver age-reference magical horse that can outrun the suffering-ball Krem throws at her, Kara just toughs out 10 hours in the green sun. Why be a smart storyteller when you can just give your heroine the upper hand every single time? There could've been a great bonding moment where Ruthye uses her famer-smarts to build shade for Kara, she could've crafted a salve to protect Kara's skin. But I guess having her guard Kara from dinosaurs is ok. Kara helps of course, even though she's dying because she's so cool, badass, sad, kind, etc.
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Kara's internal conflict is that she was hoping that taking Ruthye on this journey would teach the farmgirl a lesson about revenge, but has Kara herself learned to move on? She's still thinking about Krypton after all. The problem with how this is presented is that it's not a flaw that we get to see evolve with the story. We see Kara act mopey, get an origin story flashback and then Kara tells us this- in hopes it'll recontextualize everything you've read before. By the time we make it to the end, the characters act like they've learned so much and I'm just standing here wishing I got to see all this growth they're talking about.
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At the heart of it, I feel like Woman of Tomorrow represents the side of Super-fandom that wants to see the Kryptonians deified by the narrative. They hate seeing Kara do silly girly rom-com teenager things, she needs to be SERIOUS and EDGY and SAD and ALONE but like a god would be and not how a young woman would be that way. How else will boys take her seriously? Don't forget to remind the reader that she's STRONGER than her boy scout wholesome cousin! There's potential in a short revenge story about young girls finding hope in seeing a role-model woman survive loss, but not like this.
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"You don't think I could've solved all those problems? C'mon I'm Supergirl." I sure love seeing female characters be badass girl-god legends who don't get to be humanized by being unflatteringly flawed people. Anyway the better Supergirl grief+revenge story is "Supergirl: Being Super". I don't think it's perfect because it misses the crucial difference between Kal and Kara among other things- but as a story about a teenage heroine learning how grief shapes her and those around her, it's way better.
Woman of Tomorrow's art is stellar though lmao would get a copy just as an artbook to reference.
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renspacesz · 20 hours
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WARNING: EDUCATIONAL PURPOSES ONLY, I do not condone.
Guys did you know there was a trans teen who planned to shoot up his school during the day of columbine's anniversary. The media said this person was columbine obsessed, and that got me thinking he would've had a tumblr account somewhere. I think all tcc followers have a tumblr account to find a place where they could talk to people about the crimes and the murderers. Also why wasn't this mentioned here, this news was everywhere and it came up on my youtube recommendation as well.
Other than that, there was also another school shooting happened just yesterday in Texas. Maybe eric and dylan was right about this.. the day of their attack carried a legacy, 25 years from now on. Gun violence without columbine involved is common, but columbine nearly doubled the effect of it leaving many dead just because the shooters wanted to be edgy. I know that's not the only case, people like them already had mental issues from the start, and the lean onto this case to find something to relate to, but sometimes things can get excessive quick and becomes a habit, so you get more desensitized and used to things like this. Then push them to the edge one more time, when they finally snaps, and write their manifesto. I'd say school shooters are a mix of suicidal-ness with some homicide urges. I don't think anyone would want to kill themselves or to face consequences if they only wanted to kill others. Suicide from the start and maybe their reasons came from hatred of humans (misanthropy), nihilism, detachment, depression, and it disturbs the mind.
People always say they don't know what happened to these guy and what makes them do such things. Well it's complicated and there's no simple answer, they all got their own reasons and motives. No simple answer also means no simple solution, it will take a while for people to get educated on such heavy and complex topic. It takes deep cognitive skills & empathy to understand the minds of others. No medication or therapy can truly fix homicidal problems, although they may reduce the urges.
I believe homicidal urges in human, is only nature. Some has better control over their anger and rage, which reduces the possibility of it turning into homicidal urges/thoughts. Depends on quality of life, when people are frustrated, have declining mental health, personality disorders, cognitive impairment, social-problems, etc, it can lead to troubles, and a small percentage accounts for killing people. You can't really stop them, sometimes they look normal on the outside, which is called masking. But if theres anything that tells you "there might be something wrong about this person", delving deeper into it could lead you to a useful conclusion.
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getvalentined · 2 hours
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I've never done a full breakdown of everything that happened to my version of Vincent while he was under the knife (although there is a partial breakdown from like 12 years ago on Ask Vincent Valentine), but @spinejackel tagged my recent Vincent doodle gushing about autopsy scar (Vincent Has a Y-Incision headcanon supremacy!) so I figured it was probably a good time. This is also probably the best method, since I can apply the right tags and trigger warnings to hopefully keep it from hitting the people who would be disturbed.
For anyone who doesn't know, figuring out the fucked up physiology of victims of science is like my entire jam. I think this is what happens when you let a chronically ill child watch Akira and the original Bubblegum Crisis OVA and most of the works of Masamune Shirow. All that before FF7 even existed. This means that the explanation under the cut may seem excessive, and this post is very long. I've been building it over over a quarter century, I don't think there's any avoiding it at this point.
Warnings for body horror, nonconsensual body modification, medical horror and torture. Basically, if there's anything you can think of related to becoming a victim of science under the rule of an unethical sci-fantasy oligarchy, it's probably in here to some degree. It's explained plainly and simply, in clinical but not visceral detail.
My headcanons for what Hojo did to Vincent are pretty specific, albeit not precisely comprehensive; 27 years later I still don't really have a particularly solid concept for how he turned Vincent into a shapeshifter, although at least we know it's not something entirely specific to Vincent—Hojo repeated that facet of the experiment in Azul, but not in any other SOLDIER operative even in DeepGround, implying that it's only possible if very specific physiological conditions are met. The minimal concept I do have involves a twisted application of the concept of incarnate summoning as it appears in FFXIII-2, but it's very vague and also not the topic of this post. Maybe later.
Regarding the Y-incision/autopsy scar, my headcanon is that once Hojo tweaked Vincent into being able to regenerate from any injury—an enhancement that is confirmed to be entirely Hojo's work in Dirge—the professor of course felt it necessary to run various tests quantify the usefulness of his handiwork. He did this first by inflicting various surface injuries, then by causing more extreme bodily trauma, which eventually culminated in Hojo removing the majority of Vincent's internal organs in order to measure how long it took them to grow back and, assuming they did grow back, how the new ones compared to Vincent's original parts.
To be able to observe this as closely as possible, Hojo kept Vincent's torso open for the entire process—which he repeated twice more in order to check the weight, size and structure of the newly-grown organs in comparison to the originals. This study proved that most of them* did grow back, but the majority of them stopped developing much earlier than was appropriate** for Vincent's age and size. The difference was consistent, Hojo just never figured out why most of them grew back smaller and less-developed.
The reason this happened is based the fact that most of the organs in the human trunk are used in digestion and other related processes, and Vincent's regeneration means he doesn't need to eat or drink anymore. His body only expended as much energy as was completely necessary to develop those organs to the point of being functional rather than normal, because they're not really necessary. Vincent is glad he still has them, though, because he does still occasionally eat (usually in social situations) and also he'd be really sad if he couldn't even have coffee.
Vincent's brain activity remained normal during the entire process, although that may have something to do with Hojo driving a bunch of fluid lines into his head and flooding the inside of his skull with mako to keep him awake the whole time even while deprived of oxygen. (Rebirth spoilers, but seeing the bit in the Nibelheim Protorelic questline where Hojo does something super similar to this, after this has been my headcanon for decades, was a trip.)
Two organs didn't grow back at all: Vincent's appendix and one kidney. This was also the result of efficient energy expenditure, as the human appendix isn't necessary for survival, and only one kidney is really required. (Each time Hojo removed the new kidney, the one that grew back would be on the opposite side, which bothered Hojo to no end.)
His lungs grew back a little larger, possibly because his skeletal structure never quite recovered after his first transformation into Galian—his arms and legs are noticeably too long for his body, although not to the point of looking impossible, and likewise his ribcage settled to breadth that would allow for larger lungs. He doesn't really need these anymore either, related to his brain being exposed to so much mako during the process that it can now operate without oxygen if necessary, but switching himself over from aerobic to anaerobic respiration is really unpleasant and Vincent tries to avoid it when he can.
His heart was pretty normal by the time Hojo was done with him, although his heartrate had dropped to like 20bpm even when elevated. Again, if respiration isn't necessary, there's not much reason for the system to be active. (By the time Lucrecia was done this had dropped to around 5bpm on average, although it's completely arrhythmic and jumps all over the place when he's not either particularly active or on the verge of a transformation.)
This was the experiment that left Vincent susceptible to degradation, which Hojo didn't realize until after finally closing him back up. Upon realizing that Vincent's body wasn't responding properly to a different test (a repetition of an earlier experiment related to the regeneration of external tissues and features), Hojo just kinda threw him in a tube to be disposed of at a later date, kinda like that scene in Arrested Development where there's that dead dove in a bag in the fridge. The incision healed at some point during the period that Lucrecia was working on him, but early enough in her work that the tissue couldn't flawlessly regenerate (like it does in the present), leaving him with one more gnarly scar on top of all the rest.
Vincent is self-conscious about all the physiological changes brought on by what was done to him, often to the point of loathing. His left arm is the worst—it rotted off while he was in the throes of degradation and grew back as something that he hesitates to call his arm—but Vincent hates that Y-incision scar almost as much. Some days they tie.
(It has come up in appropriately horrified conversation with Shalua that, considering how his regeneration works, Vincent could probably get rid of all the scars on his chest if he somehow peeled the skin off his torso in a single swath. He will not be doing that. Besides, it might grow back the wrong color/texture/etc, like his left arm. Not worth the risk, much less the suffering.)
Also I gotta finish off this entry with the extremely stupid headcanon reveal that Vincent's (honestly fairly impressive) dick was cut off during the first round of bodily trauma regeneration tests—and Hojo has never felt the sort of rage he experienced upon discovering that it grew back bigger than before. This occurred early enough in the experiments that Vincent was not awake for it, and thus has no idea how the fuck this happened, and does not want to talk about it ever thank you very much. I've never mentioned it in public anywhere because it is extremely stupid, but I hope someone out there finds it as funny a concept as I do.
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blueinkjpeg · 1 day
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Listen to me ramble about traveler ships bc they’re silly!!
Albedo
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Both Albedo and the Traveler have a scientific curiosity about the world and how it works. While Traveler finds enjoyment out of living among them, Albedo prefers studying them from a distance.
This also transcends into curiosity about each other, since they’re both different kinds of immortal ageless entities, they intrigue each other. (Albedo talks about wanting to “study” the Traveler.) They feel a sort of kinship for each other, as they’re both not really of Teyvat. Because of this, Albedo only trusts the Traveler to stop him if he should lose control one day and destroy Mondstat. He also talks about trusting the Traveler around his experiments, and having faith in their “exceptional talents.”
About us, Assistant: Would you oblige me by serving as my assistant? After observing so many experiments, you surely know a good deal about alchemy by now. Relax, we will work together. I don't think you will have any problems. I have faith in my ability to instruct you, and even more faith in your exceptional talents.
Ascension 2: Albedo is the step in which change begins. Clearing away the excess so we can take on all the knowledge that is available. Would you like to investigate this world with me?
Ascension 3: Rubedo in alchemy refers to the refining of feeling. I feel the refining of my own emotions is also thanks to you.
Is there anything else you're interested in?
Albedo: Hmm, anything else...?
Albedo: Probably you.
Albedo: At first, it was because you carry the aura of the stars.
Albedo: But now... it seems that there is more to it.
Albedo: Why is this? Give me some time and I can conduct experiments to find out.
Is there anything you'd like to do?
Albedo: Heh, where should I begin...?
Albedo: In your company, I never lack inspiration.
For drawing?
For experiments?
Albedo: It's good for both drawing and experiments.
Albedo: And not just for these, but for many other things.
Albedo: Speaking of which... I used to think interaction with others was a waste of time.
Albedo: But after meeting you, I'd rather spend my time on you than other matters.
Albedo: This is a unique anomaly. I think I likely know the reason why.
Albedo: So can you also... give me more of your time?
Xiao
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Xiao has been cursed with bad karma, while the Traveler has purifying abilities. Xiao talks about how being around them makes him calmer somehow. Maybe because of these purifying abilities, more likely because the Traveler is so universally warm and friendly. Two immortal beings, Xiao has spent his long life tied to his nation while the Traveler has been almost everywhere.
While Xiao has a rough exterior, he is actually curious about humanity and has a great love for them, something Traveler understands and shares. He’s just weary of his karmic debt and history of violence bringing the Liyuan people bad luck, or preventing him from fitting in should be mingle among them. The Traveler likewise does not fit in, but is still beloved. And so, Xiao has expressed that he would be willing to attempt going to Liyue Harbor to learn about the people if the Traveler accompanied him. It’s likely Xiao admires Traveler for their pursuit of understanding Teyvat and its people— something Xiao is naturally bad at— and they make him feel comfortable to pursue it as well.
Xiao has sworn to come whenever the Traveler calls his name. He seems notably protective of Traveler, more so than other characters, maybe feeling a kinship for both being so inhuman. Either way, voice lines imply he is guarded because he assumes his karma will poison Traveler, and he doesn’t want to hurt them. Despite this guarded roughness, Traveler rightly characterized him as a deeply caring individual, seeing Xiao to the core of who he is, and treats him as such.
Also, Traveler has shown to be dedicated to becoming someone Xiao can trust and relax around. In some of Xiao’s voice lines, it’s implied that Traveler has been trying to come up with ways to help soothe Xiao’s pain.
They have a tradition of releasing Xiao Lanterns during Lanturn Rite. Xiao has given the Traveler crystalflies for their hair for his own birthday, and has talked about how since knowing the Traveler, Xiao has been blessed with sweet peaceful dreams of the two of them going on strolls, wondering if he deserves something so nice.
In a poetry event, the Traveler has created poetry to show their admiration towards Xiao for his endless watch over Liyue. Maybe Traveler admires it because they’ve never had such devotion over something for so long, and Xiao admires Traveler for the opposite reason, and for being brave.
About Shenhe: It seems Shenhe places a great deal of trust in you. Well, how could she not. There are few people in the world as kind and good-natured as you.
More about Xiao V: It's too late. The connection between us is too strong. Even if you wanted to, it's too late to sever it. Hm? You've never thought to sever it? *sigh* This eternal dance of demon subjugation... My fight goes on. But I would like to know more about you.
Ascension: Countless souls have fallen prey to these hands. I too have been swallowed by the darkness — and yet you dare to drive me on. You may think of me as... your companion. You seek to find me salvation? ...You... really are a difficult being to comprehend.
Xiao: ...I don't know if it's related to you, but recently, the pain from my karmic debt has been less excruciating.
Xiao: It's much easier to bear than before.
Xiao: If you have free time, we can go to Liyue Harbor together...
Xiao: If not... never mind.
Of course we can.
Xiao: Uh... alright.
Finally decided to integrate into city life?
Xiao: Ahem...
Xiao: I have no intention of getting close to the lives of mortals.
Xiao: But I know that you often enter and leave the city, walking amidst the crowd.
Xiao: The stories of these times, or their joys... If I don't experience such things myself, it'll be hard to understand your thoughts.
So... you're doing this for me?
Xiao: Yes, to understand you.
Xiao: I had a feeling that it would be difficult, but after having such thoughts, I can't simply sit back and do nothing.
Xiao: I will control myself while I am in the city.
Xiao: I'll try to speak... as little as possible.
I'll be with you.
You can say whatever you want. I'll bail you out.
Xiao: Hmm...
Xiao: Let me know when you're ready to go.
Ayaka
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Ayaka’s character story 5: “Ayaka is still waiting for a friend to emerge who can walk alongside her on equal footing and stand by her side. That person cannot see her as a member of the Yashiro Commission, or as the Shirasagi Himegimi, nor will their conduct towards her be bound by decorum or status. And if possible, they might also be well-versed in a great many fields of study, and have witnessed all manner of interesting things... and perhaps they might even be able to tell her a story in a pinch. Only such a person might become Ayaka's bosom friend.”
The Traveler is Ayaka’s ideal companion, the exact kind of person she has been waiting for, possibly the only person who truly has the ability to understand her outside of Inazuman society’s perception of her. She finds Traveler interesting and exciting, a stark difference from her everyday life.
When they first met, the Traveler was disillusioned in their travels after briefly reuniting with their sibling, who dismissed them. Ayaka makes the effort to show them and remind them why they began their travels in the first place; the world and humanity is complex and interesting and beautiful, and it’s a worthwhile endeavor to understand and protect them. Ayaka regularly reminds the Traveler of this by being complex and interesting and beautiful herself. Traveler then goes to great lengths to protect Ayaka’s people, because they understand why they’re important to her.
Ayaka is trapped in Inazuma, while the Traveler has been all over the world. Things that Ayaka has seen a million times are new and wonderful to the Traveler, showing these things in a new light to Ayaka. It makes Ayaka feel like a “regular girl,” something she wishes she could be more often. The Traveler is shown to feel most comfortable with Ayaka and her family while in Inazuma. They both understand what it’s like to feel distant from a sibling.
Good Morning: Oh, good morning, Traveler. ...Whenever I see you in the morning, somehow, it makes me feel like... today is going to be a good day.
Aspiration: Today, as in the past, I aspire to be somebody whom everyone can trust. But what motivates me is no longer the responsibilities I shoulder, or the expectations of other people. Rather, it is the fact that you are this kind of person, too.
More about Kamisato Ayaka V: […] unless I am mistaken, I trust that you will not take issue with this slight departure from convention on my part… That is to say... I'm a little tired, may I rest my head on your shoulder? Just for a moment.
Desires: […] But even so, shouldn't I still follow my dreams? Shouldn't I... share my true feelings with you?
Ascension: Our time together has been so pleasant that I am fearful of losing what I have gained. I'm sorry, I must compose myself.
Kamisato Ayaka: At least, that's a romantic way of approaching this topic [poetry].
I feel the same way.
Kamisato Ayaka: More importantly... I hope that, between the two of us, we need not be concerned with our identities...
Kamisato Ayaka: I'll just think of you as... my closest confidant.
Kamisato Ayaka: Being able to enjoy tea with my closest confidant — it feels like I'm in a dream...
(Closest confidant...)
Kamisato Ayaka: ...
Kamisato Ayaka: Can I... Hold your hand?
Wanderer
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The Traveler and the Wanderer are both parallels and ideological foils. They have both been betrayed and abandoned by family and loved ones, doomed to travel and wander the world in order to understand it better because of that.
But the Wanderer has learned humanity’s cruelty during these travels, mostly in the Fatui. He believes humans to be cruel and self-serving, and so he acts that way too. And as an immortal, doesn’t understand the importance of a limited life, clutching onto his grief and anger in a means to cope with what he cannot control.
Meanwhile, the Traveler has learned the beauty of humanity during their travels. They believe in the inherent goodness in everyone, and so they act that way. Curious and sensitive, like Wanderer before his three betrayals, even though Traveler has arguably been through just as much hardship as Wanderer (which may be a reason Wanderer held contempt for Traveler in the past). This belief is what led them to not kill the Wanderer when they defeated him in battle.
Their ideologies are in direct conflict. The Traveler’s ideology has led them to getting hurt often, while the Wanderer’s ideology has led him to being isolated. They have a lot to learn from one another.
AND, with the Wanderer having erased himself from everyone’s memory except the Traveler, the Traveler now is the only person to know the real Wanderer. They know all the evil Wanderer has done, (led to the death of Teppi which Traveler was famously angry about, tried to kill Nahida, etc) and is still his friend. Wanderer is perplexed by this, often expressing it in voicelines. But this means Traveler knows him the most, they own part of his identity as well, as Wander has allowed them to give him a new name. A new name that he has not let anyone use except the Traveler, preferring to go by “Hat Guy” in the Akademia.
While still being weary of him, the Traveler can’t help but seek Wanderer’s presence because they enjoy learning about his vastly differing perspectives on life. The Wanderer respects them because of their vast strength and knowledge.
About us, Rivals: So, you're still stewing over our run-ins from before? Huh. Well, what are you going to do about it? Take your time. I'm in no hurry.
(“Oooo you wanna kiss me so bad ooooo I’m in your head”)
About us, Collaborators: I'll never be one of the good guys. I'm just here to pay my dues after what you've done for me. But what about you? Shouldn't you come up with some excuse for our meetings? If one of your friends mistakes you for collaborating with the enemy, you're on your own.
(He makes the same excuses to be around Nahida, though his lore explains he does truly admire her. Just saying.)
About Damselette: Let me ask: what should you do if you were to encounter a "damsel" who is oblivious and innocent at any given time, and unconcerned and unfeeling in any given situation? If it were me, I could at least challenge her to a fight. But if it were you... with your conscience, I would stay away from her.
(He’s calling Traveler kind-hearted, calling out their optimistic ideology, and warding them away from danger with his more grounded/pessimistic ideology.)
Birthday: Give me your hand. Heh, there's no need to be nervous. I'm just taking you to a vantage point. How is it? The scenery here should be quite breathtaking. There's no need to thank me — I see little point in it.
(Wanderer): Thank you for trying to look out for me. Go get some rest.
Jeht
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Through the Golden Slumber world quest, it’s made very clear that the NPC Jeht is significantly [romantically] closer to the female Traveler Lumine. In the quest, they travel together for a time and become close. In a moment of crisis involving the Fatui, Jeht is ordered to kill Lumine, but refuses out of affection for her. She takes the punishment instead, and is offered to a Fatui scientist for experiments by her tribe. Jeht was told it was Lumine that betrayed her, and Lumine was told Jeht had betrayed the tribe, but neither of them chose to believe something bad about the other.
At the end of it all, Jeht chooses to fight by Lumine’s side over her other friends. Inspired by Lumine, Jeht decides to go on her own journey. Their goodbye is tearful.
Lyney
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Lyney has only known the Traveler for a short time, but they already have a checkered history. The Traveler trusts Lyney and his sister immediately after meeting them, hangs out with him for a few days, and defends him in murder trial. Only for it to be revealed Lyney was part of the Fatui, who the Traveler has an even worse history with, having killed their friends and put Traveler and their companions in mortal peril many times.
Lyney offers an apology and some of the truth, but the Traveler is still cold with him and brushes him off, believing themselves to be betrayed (and likely influenced by mixed feelings of seeing such close twins). Despite openly admitting to having difficulty with opening up, Lyney makes the effort to be open and truthful with the Traveler during his story quest, rebuilding trust between them. Lyney puts in extra effort to be honest, because he truly wants the Traveler to like him. He gives the Traveler a rainbow rose by the end of it, which even his sister marks as odd, because it represents passion and romantic love in Fontaine. His sister asks the Traveler to “protect that flower for her,” likely alluding to Lyney.
The Traveler trusts him after this enough to include him in the main quest again. Lyney remarks multiple times about how he feels close with the Traveler, how he enjoys talking with them, how the Traveler’s eyes shine like topaz and Lyney could never lie to such beauty.
In Arlecchino's story quest, he’s implied to have talked in detail about the Traveler to his other siblings, and is eager for the Traveler to like them. He is hesitant to involve the Traveler in family business, wanting to keep them safe and saying he will protect the Traveler with his life. The Traveler similarly shows the desire to protect Lyney, stepping in between him and his Father during conflict.
They resonate with one another concerning their twin siblings. Lyney having almost lost Lynette, and the Traveler being separated from their sibling. For the Traveler, this grew from jealousy to admiration, as they see Lyney caring so greatly for his family, a trait Traveler shares. Traveler understands and respects Lynsey’s loyalty to his (fatui) family, and would not be surprised if and when that loyalty drives them apart.
While they are close now after much effort rebuilding trust, they are both silently aware their friendship has an expiration date. Traveler’s goals contradict the Fatui. And with Lyney declaring his loyalty to the Knave as her successor, and this mysterious Fatui scheme the House of the Hearth have been roped into, they both know it’s just a matter of time before circumstance sees them on opposing sides of the battlefield. Though it remains unaddressed for now as they try to enjoy the time they have left together.
Hello: […] Well... Hmm, your eyes are like topaz, precious, pure, and lovely. I like them!
When it snows: Achoo! Phew... I've heard some say that when you sneeze, it means that someone's thinking about you. Is it Lynette, I wonder? Or... is it you?
Good Morning: C'mon, just five more minutes... Huh? Oh! It's you! I thought it was the radiance of the sunlight on my skin that I felt — turns out it was your radiance all along!
About Lyney, sweet talker: I should probably emphasize again that I'm rarely so open with anyone — I guess it's because you're not just anyone.
More about Lyney I: It seems we're both keenly interested in each other. Well, know that the honor is mine! Haha, relax. I couldn't ever tell lies to your mesmerizing eyes — not even if I tried!
More about Lyney V: […] Sometimes I think people would feel sorry for the real me. Do you? *sigh* Or do you find my little games absurd?
(Awwe he cares about what Traveler thinks.)
Ascension: Doing all this for me... Are you trying to steal this magician's heart, by any chance? Well, in that case, congratulations, my dear apprentice — or should I say, "companion." For you have succeeded!
Lyney: It's almost impossible for me to lie to your face... Maybe it's because I can't bear to see that hurt expression of yours.
Lyney: Say, why don’t you look at my hat? Do you see anything different about it?
Huh... Don't think there's any difference.
Lyney: Ah, but that just means you need to look at it more carefully! Just come a bit closer.
Well, alright then.
Lyney: […] No, the whole thing was misdirection.
Lyney: I just played a little trick, and stole something of yours. And after that, I also slipped a card into your bag.
Lyney: Now, can you guess what I stole from you?
My heart?
Lyney: A most unexpected answer! I have to say, even my heart has begun to race too.
Lyney: What I actually stole, however, was your "attention." Even though it's not nearly as valuable as your heart, it's still very important to us magicians nonetheless!
My... attention?
Lyney: Bingo! Congratulations, that was the right answer.
Lyney: […] Anyway, I just want to find a warm, free, and peaceful home for all of my animal assistants.
Lyney: A place where they'll always enjoy care and being lovingly looked after, with no need to worry about food or shelter...
Lyney: To be perfectly honest with you, this [Traveler’s teapot home] is by far the best choice for them that I know of... but I wouldn't want you to feel pressured to take them in, or to persuade you using honeyed words.
Lyney: Good morning, (Traveler)!
Lyney: It would be great if I could see you every morning.
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night-lakmen · 2 days
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The art of writing 'confident' fictional women
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Making female characters who're supposed to be 'queen bees' and/or popular comes with a great amount of misogyny and internalised competition amongst women.
• The Mary sue.
She's perfect, she's everything. While partying everyday and not studying once in the entire book, she's able to be both the magnet and the nerd who knows everything being taught in the class. All men turn to look at her, all women are envious of her beauty.
Most of such characters are described as having certain particular beauty standards. Beauty is different for different people,and attraction isn't warranted by looks. There's a stark difference between being easy on the eye and attractive.
Such characters are also shown to be either incredibly revealing in clothing in places where they shouldn't be, and are described using adjectives that make you more uncomfortable than enamoured. Most of the time they're said to be 'inspired off IT GIRLS', when being an IT girl says nothing about bringing other women down by saying how they surpass everyone around them.
• The Edgy Bombshell.
The og y/n.
Hair up in a messy bun, wearing the first thing she finds in her room she's still the most beautiful girl in school/class/the entire world. Things that are symptoms of depression become aesthetic for her, the just out of bed look being one of 'not like other girls' and not 'im suffering. Help.'
Such characters are often uplifted by adding bimbo, cheerleader chars who wear clothes/are portrayed to be more extroverted, glittery and cheery than the said character. Un necessary bullying from the girly chars and constant threats of 'you're stealing my boyfriend' ruin her day.
The only thing she needs to steal is a time table.
• The Pseudo bully.
She's not mean, she's just the girl who's honest with everyone.
Even though she's the worst person to walk on earth with the way she talks to people,somehow everyone bows to her word. Similar to the first one, she's somehow liked by everyone. Never a pore, never any body type other than hourglass, she brings her friends down by making weird jokes and putting them out as 'savage' when they're not comebacks, just actual insults.
But she's not a bully! Her behavior is entitled, she thinks she has earned the entire world because of the way she is raised or looks, but she is not a bully!
• The gangster
[I love biker women<3]
She's not like the other basic girls. She knows bikes, she knows cars. Everyone comes to her to get their stuff fixed and she has beef with every other woman in school. It isn't her fault she's one of the boys and was raised with 69 boys!
Most of the time such characters lean heavily towards type 2, having either an excess amount of terrible hygiene, humor, or towards 1.
The only time this is acceptable is when she's lesbian. I love biker women<333!!!
The art of writing fictional women has been around for ages, yet it is one people still haven't figured out yet. Much like in real life, the objectification of women and their bodies to appease the readers is prevalent among writers both male and sadly female. One woman can't be both popular and nice, for that's a sin. Kindness doesn't warrant popularity, for women are always fighting amongst each other in their mind.
Popularity is gained because of a lot of things, and most of them aren't positive things. The only time people end up liking you is if you're aware of other people: and don't put other people down to raise others. Women are much more than their bodies, their beauty, their sexuality. They can have off days, they can have many different kinds of personalities and moods depending on the situation.
The art of writing women is almost like the art of loving women, and it's safe to say that we're failing in both.
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lovings4turn · 3 days
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The grip George has on me is insane. Him wearing headbands underneath his balaclava is 💓. He gets more in different colors and you guys start matching with the color of the headband/hair tie/hair clips you wear to the race. He likes matching with you/showing your unity besides you just wearing merch, something just for you two. Even when you can't attend he sends a text asking which color today.
YOU'RE SO REAL NONNIE !!! no because ever since he stopped using that hair gel he has really been living in my head rent free wow... and when i saw him with that headband ??? just about lost my mind
it's definitely your idea , because you could see just how frustrated he was getting having his hair fall into his eyes no matter how many times he pushed it back . you think nothing of just offering him one of your headbands ,, and that's where it all starts . it doesn't take long for fans to notice that the headband just so happens to match the colour of the clips sitting in your own hair , and george is more than happy that people are putting the pieces together . he thinks it's such a cute yet subtle way to match with you and have a piece of you along with him during the race (and you get an excess of silly selfies plus headband when you can't be at the race in person !!)
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ratguy-nico · 20 days
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Adivinen quien al fin dibujo algo? Wich means I'm back baby!
Its not perfect (like everything I made), but I just love drawing comic-like-stuff, I get to relax more. I dont try to do the lines perfectly or the super accurate anatomy (mostly cause I dont know shit about anatomy at all) and also get to be more simple in the colors, wich helps cause I struggle making colors a lot.
I missed drawing my babies...but why did I drawing them like that? XD I swear...I think I should have seen some reference cause I totally change the way I draw the Burger Babys which is crazy for me XD
Now...is this an AU, is this them as teenagers, why is Louise working on Aplebees? Well I didnt put an exact age for the guys here, they could be 16 or 19 I dunno.
This is solely based on this post from @zer0ogravity I lmao with this and totally need it to draw it.
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btw I from Latam, I didn't knew what Applebees was until making this comic so if Applebees dont look like this sorry.
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sergle · 9 months
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There's something about like. A certain genre of posts / Online Opinions about insecurity/depression/misery/complaints that are so unhelpful that they wrap right around to being straight up hilarious. and it's the ones that are more or less written to the tone of "Feeling bad? That's gross!" Like, just so you know, don't voice your insecurities/ have low self esteem, because that's offputting! You're gross and weird. Don't be insecure about that, though. That would be stupid if you felt insecure about people disliking you for being insecure. Not attractive. You should be thinking about being as attractive as possible. You shouldn't make comments about suicide, even if you're suicidal! Keep those thoughts entirely to yourself. Make sure nobody around you knows you're thinking about this. It would Make Them Uncomfortable. It's better to keep these thoughts in your head where they can fester. Don't post OR talk to friends with complaints about you feeling miserable or depressed. Tbh people who are sad/upset a lot? Kinda a red flag! You are probably miserable because you're a bad person and you've brought this on yourself. If you don't have friends, it's because you're awful to be around. Easy! Solved the problem for you. And no, there is no nuance to this, got it? So, make sure to feel bad about feeling bad, but don't feel bad about it, because, well, that's just gross. And annoying! You might've wanted your brain rotted thoughts to be Peer Reviewed, you might have just needed to vent- you might've been hoping for some comfort, to get things off your chest. Well, don't! Don't talk about thoughts or feelings that are negative with your friends, you'd be burdening them and that's only meant for THERAPY. #SponsoredbyBetterHelp #MentalHealth like, DAMN. that's so helpful. you're so good at helping. I um really liked the part where these are all hard and fast rules that encourage keeping feelings bottled up and keeping your friends at arm's length. That's really funny of you.
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