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#im sure this isnt an original thought and other ppl have likely come to this conclusion but i had to scream about it
ravens-dagger · 2 months
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Hi I'm here to ramble about a Gaster Thought™️ that I had while rewatching Pt. 1 of the device theory series. It got to the part where you get an Egg, and I instantly started laughing when I put this together and I have no clue if anyone has already come to this conclusion but I'm laughing so hard.
So if Gaster made Deltarune as a way to connect to us players, and here comes those of us who Want To Find All The Things. We are looking for: Easter Eggs. So here comes Mr. Spooky Skeleton Man everyone loves to characterize as a mad evil scientist just giving us a dimensional pocket and handing us A FUCKING EGG. "HMM, THIS HUMAN SEEMS TO BE LOOKING FOR SECRETS IN MY GAME I MADE FOR THEM. WHAT ARE THOSE THINGS CALLED AGAIN? AH, YES! EASTER EGGS! I SHALL GIVE MY CURIOUS PLAYER AN EGG WHICH THEY ARE SEARCHING FOR :)"
This man is so silly I love him so much Toby thank you for creating these characters holy shit
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haemosexuality · 11 months
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im rewatching she-ra and naturally im gonna want to write about it a lot. starting by breaking down the catradora conflict origin story scene from s01e02 the sword part 2
people have said this before but the most important thing to keep in mind here is how different their understanding of whats going on is. theyre both approaching this with completely different views and so they misunderstand what the other means.
Adora: There's no time. We have to put a stop this.
Catra: What? Why?
Adora: Because this is a civilian town. Look around! These aren't insurgents. They're innocent people.
Catra: Yeah, sure. Innocent people who kidnapped a Horde officer. Now come on, let's get you back to the Fright Zone. Shadow Weaver is freaking out. [laughing] It'd be funny if she weren't such a terrible person.
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so immediately theres two things i wanna say about this part, about how catra reacts to stuff. first off, something we learn about catra throughout the whole show and especially in the portal-alternative-reality, is that shes big on Pretending Nothing Is Wrong. whenever shes feeling upset or angry about something, she will start joking around and acting like shes just totally super chill guys, dw ("Ugh, whatever. It's not like I even care. I just wanna get out of this dump at some point before I dieee of boredom). Shes acting like that in this scene. Adora was missing for hours, shadow weaver was breathing down her neck and threatening her, she was already worried adora might have left at this point. she cant let adora know how worried she was tho, so shes all jokes and fast paced conversation. To Adora, tho, it just looks like catra doesnt care, like she doesnt understand the gravity of the situation.
and the other thing is that honestly? I dont think catra does care. about the town, i mean. i think catra was ready for war in a way adora never was. theyre both seeing combat for the first time here, and adora hates it. training for war is completely different than being in the battlefield, and adora couldnt handle it. face to face with it she couldnt tolerate seeing people suffering and dying, houses being burned down, a whole village destroyed. when the horde brainwashed adora into thinking they were only doing the necessary to save etheria, she completely and fully believed it, and when faced with the reality of the horde she immediately realized how wrong that was. Catra, tho, could not care less. she never believed in what the horde said, she knew full well what the horde did, so this isnt a surprise for her. and i do think shes naturally a bit sadistic, or at least growing up among the violence of the horde made her so. either way, shes seeing battle here for the first time and shes completely fine with it. doesnt even spare it all a second glance. why would she care about these people she never met if the most important thing in the world is right here in front of her? (i think even if adora hadnt left that night and went into the battlefield as a force captain, she wouldve ended up deserting. she cant stand seeing people suffer and she cant stand not saving them. shes too good, too selfless for that. catra isnt.) (also she is so ready to kill at all times. she loves violence. i once saw someone say how shadow weaver thought adora was the "cutthroat, ruthless warrior" when that was actually catra and they were totally right)
adora is also trying something futile here, she doesnt need to explain to catra that the horde is bad and hurts innocent ppl because catra has known that all her life
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Adora: Catra, no. I can't go back. Not until the Horde leaves this town alone. You have to help me.
Catra: What are you saying?
Adora: I’m saying, this is wrong. They've been lying to us, manipulating us. Hordak, Shadow Weaver, all of them.
Catra: Duh! Did ya just figure that out? Manipulation is Shadow Weaver's whole thing. She's been messing with our heads since we were kids.
(the captions in the pics are slightly wrong, nvm that.) everything i said before. adora just realized all of this, while catra has always known, probably because the abuse adora suffered was more manipulation-and-brainwashing, while shadow weaver always made clear to catra that she didnt give a shit about her, so she suffered physical abuse with little attempt to convince her this was fine.
the "what are you saying?" is one of the things that show how different their perspective is. adora is talking about going against the horde and helping the town, while catra immediately gets more personal. what do you mean? are you saying that you might leave the horde? leave me?
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Adora: How could you possibly be okay with that?
adora means, how could you be ok with the horde lying about its actions, and killing innocent people? how could you be ok with the horde raising us to do the same? and catra hears, how could you be ok with shadow weaver and hordak abusing us?
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Catra: Because, it doesn't matter what they do. The two of us look out for each other. And soon we'll be calling the shots. Now come on, can we go home already?
catra replies: because, i love you. because you have my back and i have yours. because nothing really bad can happen as long as we have each other, remember? and soon enough, we'll be powerful enough that they cant hurt us anymore. Adora hears, because i dont care about these people dying, the only thing thats important is you and i. and anyways, soon its gonna be Us killing them, isnt that good? lets go back home to the evil murder place.
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Adora: I'm not going home, Catra. I can't. Not after everything I've seen. Come with me. You don't have to go back there. We can fix this.
adora says: im starting to realize now how wrong i was about everything. we're not the good guys, and i cant stand for that. i cant stand around and watch people get hurt. i cant stand around and watch you get hurt. lets leave, together, and have a better life, please. lets do the right thing.
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Catra: Are you kidding? You've known these people for, what, a couple of hours? And now you're just gonna throw everything away for them?
catra hears, shes willing to leave me. after everything i did for her, all that i took, all of these years of us being together, she would still leave me. she would break our promise. she would leave me behind.
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and then she straight up electrocutes adora. ok
she says it was a reflex, but i dont know if i believe her. i dont think she likes hurting adora (not physically. not by this point, anyways), but i do think that shes the type to lash out when upset and immediately regret it, then feel guily about it. which just makes her more upset. :(
Catra: Oh, man. That was a lot stronger than I thought. Are you okay?
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Adora: Why are you doing this?
Catra: Because you left me! And if I don't bring you back, Shadow Weaver’s gonna have my head. So, enough with your weird little identity crisis and let's go home already. Or do I need to zap you again?
thats the last time they talk. adora gets teleported away by glimmer, and when they see each other again, its clear that they both made their choice.
the moment adora showed catra she was willing to leave her, there was no coming back for them. because catra would never get over that. she'd spend all her life in that hellscape, putting up with abuse and bullying and probably so much more we dont get to see, because of the promise adora made her. and, in her eyes, adora was ready to leave her on the first opportunity that came up. that hurt. that broke her. and that released something really ugly inside of her.
cue in 2,5 years of homoerotic rivalry and trauma. ok post over if you read this i hope you liked it <3 bye
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ecoamerica · 29 days
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symphonxx · 7 months
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Okay
Normally, most AUs i’ve seen is abt Saiki having powers nd shi right? What abt, Kuboyasu having powers? Mainly telepathy!
Hello Yellow, this is what I mean btw XD
Its a Cherry Magic AU!! Yes the one where the MC is a 30 y/o virgin nd becomes a wizard bcs of it.
..Except Kuboyasu doesnt get rid of it bcs his interest in sex is low nd his partner doesnt rlly like sex.
Said partner is Saiki ofc bcs well, who doesnt like kubosai?
It starts off with Kuboyasu being a 29 y/o virgin, whos working as a teacher. Despite going out often, he hangs around with his friends, which he doesn’t feel any romantic attraction to. Or so he thought.
In comes Saiki, who works in a manga company, taking after his dad. Except hes doing much better nd has a higher pay! Or sumn.. i’ll think abt it?
They both meet up unintentionally nd hung out together. Saiki probably liked Kuboyasu way before they turned 30 or something but Kuboyasu doesnt notice.
Until he turns 30, he gains telepathic powers, allowing him to read minds nd stuff. Being afraid of other ppl having the exact same power, he tried to close off his mind but to no avail. It isnt until a while later does Saiki realises that Kuboyasu can read minds that he tried to block out all thoughts of his evergrowing crush nd stuff.
Saiki nd Kuboyasu are Adachi nd Kurosawa respectively except they are also much much more different than the original two!
Fujisaki is probably Aiura or Teruhashi ( im thinking Aiura )
Tsuge is Kaido
Im not sure abt Minato, Rokkaku and Urabe..
Well Urabe can be Saiko? Saiki’s possible manager.
Give me ur thoughts!! I have so much more to write but well its like, 12 sumn nd i have stuff to do tmr so i gotta wake up super early—
PLEASE TELL ME IF YOU LIKE IT THOUGH I LOVE KUBOSAI ND CHERRY MAGIC SO SO
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heliianth · 9 months
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out of curiousity; who are your favorite sonic characters? I feel like don't know much about the series relatively speaking and I think I know the answer too but I enjoy reading your thoughts
ok this isnt relevant to my answer but i really love that i come across as respectable and approachable enough to have u curious about my thoughts. says im doing something right i really love it when ppl discuss things with me talking is truly one of my favorite things ever as im sure is obvious (which is kinda ironic cuz im pretty quiet irl </3)
anyway this is a hard question. pretty predictable based on what ends up on this blog tho. id say rouge, sonic, blaze, and shadow and i couldnt narrow it down between them more, though i do suppose sonic's place there is a little complicated...... im not quite sure what to think of him as a character.... u said u liked hearing my thoughts so im gonna chew on something for u a little bit. big paragraph incoming, lol.
i feel like my opinions on him are not ones held by the majority in this fanbase, at least based on who i follow. he is interesting as a thematic center, a steady rock from which the rest of the story builds upon, but not as like... a person...... some of my favorite stories in the series involve other characters learning from him or reacting to principles he is unwavering on, and its reoccuring enough of a pattern that i feel safe in saying its a staple of the series. it is through an outsiders eyes where i feel like sonic is the most interesting, not as a paragon of freedom but as someone who despite his personality flaws already knows who he is and what he stands for and doesnt have much growth to do. in relation, based on how they interact with him, we can understand what other characters think of the world and what they stand for. i do see lots of the "sonic should be static" sentiment especially on yt but i dont quite think it has to do with how to write him correctly so much as his place in the character web. if sonic is off-kilter than everyone else feels so as well, because lots of their arcs are built off of how their perspective on him has changed or forced them to grow. sonic stories based entirely on, say, an origin story or told through his perspective have never captivated me, i find them boring and ive kind of had to accept what i view as fanon characterization (or more charitably, just a variation on a characterization which i dont prefer, since he has been written so differently in canon within the series lifetime. basically anything is "in-character" for sonic based on what years ur talking about...) in order to interact with lots of fandom content, a lot of which is sonic-focused-sonic-pov stuff. i also feel like some of this is why i feel so disconnected from the stories of the games where the player only controls sonic. im not sure what that says about how interesting i find him on his own, and not quite sure whether this qualifies him as a "favorite character" if i think hes most interesting when used as a storytelling device, lmfao
make of that what u will
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hanguangbuns · 2 years
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wei wuxian and his attitudes on his sexuality... and the fandom attitudes towards it in turn
so i guess for my first post ill talk about some discussions of sexuality ive seen floating around, mainly pertaining to wei wuxian's sexuality and how he views himself. this isnt any sort of analysis of the direct text or anything but oh it could be. i dont use a lot of direct references to the text for this post, mostly going on pure memory, so take it with a grain of salt.
one thing i see a TON in fandom and transformative fandom spaces is this incessant need to label a favorite character's sexuality one way or another, whether it be a sexuality the person likes to project themselves on or something else. thats not to say that its necessarily WRONG to do so—i love it when my dear mutuals see themselves in a character i think its very endearing & exciting, and in fact, there had been many times where i did some self-exploration of my own sexuality through characters. the problem i mostly have is when people get heated or even obsessive over something like a label.
i think for so long, there's been this discussion of wei wuxian's sexuality where, though mostly in good faith, comes to a point where you have to wonder if it even matters in the canon context. whether he’s bi, gay, straight, etc... it all comes down to the fact that in the story, they (wei wuxian and lan wangji) don't label themselves at all, and neither does the author. yes there is the term "cut-sleeve", which as we all know, is mostly used, almost in the negatory in the mdzs universe—the origins of the term “cut-sleeve” itself is referred to the story of Emperor Ai of the Han dynasty, who cut off his sleeve so as to not wake his sleeping lover. cut-sleeve itself is an allusion to homosexuality, but not the full label.
so what does this mean? well for starters, on twitter, there has been this lovely thread by twitter user flowerofgusu, who does a detached translation of chapter 111, and noticed a few key things. what i want to focus on is the first tweet, where translation differences are highlighted in that line. i implore you all to read the thread (its short!), because i dont want to trample all over it. but keeping it simple, we can see that there is a BIG difference between reading a wei ying who always thought himself as heterosexual, and a wei ying who just simply never thought himself “in that way”
i think this could open up a lot of discussion on how sexuality is handled in mdzs, and how wei ying’s own attitude toward sexuality is written. the author of the thread noticed that wei ying’s attitudes lines up well with the concept of “demisexuality.” and it makes sense! we know that lan wangji is the only person that wei wuxian has ever come to love intimately, and whole-heartedly. but again, the thing is, its a label, and whether or not it was intentional, we will never know if he is demi for sure. and that’s ok! in my opinion, characters dont have to have labels, and we know that wei wuxian can be perfectly happy living the rest of his life without labeling himself in any specific way.
(side note, now im seriously wondering if a “lack of label” is also a phenomenon of me wanting to project too—personally im someone who doesnt really stick to one, so i wonder if this is also me projecting in a sense. lol)
anyways, my problem with all of this arises because of a couple of attitudes of seen in response to the thread. i wont link it, and honestly i think the issue seems to pertain to the way fandom views characters’ sexuality in general. that discussing how characters might be demi, or acespec, or even just someone with no labels, is met with attitudes of “you’re erasing bisexuality” or “he is gay!!1!”; when ppl introduce the book, its “the main character is a bisexual necromancer!”. these claims are generally in good faith but, the problem is, they are not backed by the canon text either. i wont sit here and talk about other series or other characters, but i know for sure wei wuxian isnt labeled at all. heres what we know: 
that, in his first life, he teased and flirted a little, if only to make friends or get something in return, like food, or a perfume sachet.
he was rumored to be someone who ravishes virgin maidens every night, which no, he didnt. he hung out with some ghost maidens one time and lived alongside some poor farmers in the burial mounds. he died a virgin too
he experiences moments of comphet on few occasions, most notably in xuanwu cave where he told lan wangji “he doesnt like men”—i wrote a bit on this but i went back to read the text in its full context, and wei wuxians proclamation of “i dont like men!” seems to be more of a way to assure lan wangji that he wont take advantage of him, rather than him being so assured of his sexuality. since i dont have access to the original text, let's leave this for another day.
in the phoenix mountain kiss, he assumed that the person who stole his first kiss was a strong, but shy maiden. again, comphet at play, and never considers the possibility of it being a man
in his second life, he plays what he thinks not only how a cut-sleeve acts, but how mo xuanyu acts. when he first wakes up, he plays the act of a lunatic, then attempts to play it up to his advantage when he learns that mo xuanyu is homosexual. not once does wei wuxian himself ever harbor any negative feelings or disgust towards mo xuanyu being gay, or towards homosexuality at all.
in fact, up until the moment wei wuxian starts to fall in love with lan wangji, and when he realized he did, he never once fantasized about him being in a serious intimate situation with anyone, nonetheless even a man! his first life had been a lifetime of struggle, a struggle to conform, and a struggle through war, and a struggle to stand up whats right. whats notable is that although he and lan wangji met only on several occasion, it was enough to make a huge impression on each other—and for wei wuxian tell jiang yanli all about his new friend in the cloud recesses!
anyways the point is, wei wuxian never labels himself, but neither does he ever think about his sexuality in any meaningful way, whether because he “didnt have time”, or because he just simply didnt see the need to. i think the lack of a label on a character, or, really, a person, not only means that they dont care about how to define themselves, but because they just simply dont see the need to. wei wuxian is someone in the latter—he is a carefree person that goes with the flow, and doesnt get hung up so easily over any little thing.
this brings up another point ive thought about a lot—why use these western labels to define fictional characters living in an ancient fantasy china? especially terms where they have only been recently defined within the past couple hundred years. i think there is a lot to discuss when it comes to imposing western views of sexuality onto foreign art and media, especially media that, rather than try to label subjects any specific way, aims to tell a story rather than focus on identity politics. (i think this goes into why danmei itself is pretty appealing to a lot of people—it doesnt focus on the labels of its characters, but rather the characters themselves going “i love this person for themself, and not because im gay”. of course, there could be few exceptions, but generally, it is popular for the main couples in danmei to be wholeheartedly devoted to each other, no matter if they have been in several relationships before, or none at all)
another phenomenon ive seen in the fandom which was subject to a lot of discussion, is “sbwy”, or straight boy wei ying. generally i do think its inherently a harmless concept, and one that can be fun in a comedic setting, and especially wonderful when it comes to things like “coming of age” fics or analysis. the problem is. too many a time have i seen bad-faith criticism of the novel that claims… that wei wuxian was actually “straight” in his first life, and him taking the body of a gay man means he suddenly turned gay and that means mxtx deleiberately wrote this and is homophobic and blah blah blah—
just. full stop. i think at that point, anyone who thinks that probably didn’t read the novel lbr. wei ying was never implied to be “straight” in his first life—like i mentioned, he flirted with girls and generally never thought about himself in “that way”, but the whole point of the flashback arcs were to bring to light certain contexts that the present arcs needed, and to highlight the relationship between wei wuxian and lan wangji at that time. its rocky, but generally, they had a better relationship than what most people thought. we know that lan wangji didnt want his feelings known to anyone, and especially wei wuxian; so wei wuxian himself had no reason to know of it at all. and it makes sense—by the time lan wangji himself realized it, it was much too late, and wei wuxian had deemed him an outsider to his problems. theres nothing he could do to help without overstepping boundaries, so he chose to respect it (generally).
anyways what im saying here is that wei wuxian wasn’t straight in his first life—he just never had any reason to think about his sexuality. he was and is carefree, and i think his attitude towards his sexuality carefree as well. when he started realizing he was catching feelings for lan wangji, his first thought wasn’t “but im not gay!”, it was “oh my god. i might be gay. i might be gay and i might be gay for my best friend and i dont know what to do about it does he like me back i hope he likes me back aakdjklgfdhlkf;ds” (please note that i use the term “gay” loosely, not that im making any straightforward comment on what his sexuality might be, ty) he’s flexible with his attitude towards his own sexuality, not really claiming he’s any one thing, but instead, focusing on the most important object of his desires, lan wangji.
(discussions of sex incoming)
he was never inclined to seek out gay erotica in his first life, and he was never inclined to that kind of interests, and he was never inclined to sex at all. we know that in his first life, he died a virgin and never felt any kind of desire like that at all. in his second life, he becomes interested in sex—most noteably, interested in sex with lan wangji. lan wangji is the object of his desires, and throughout the entire story, no one ever catches his eye quite like the second jade of lan. he unlocks a desire within himself that he himself has never known, and from then on, hes more inclined to do anything with lan wangji. its exhilarating, its scary, its wonderful, and most of all, wei ying is happy. hes happy and excited and satisfied! wangxian never put labels on themselves throughout the novel, and theyre happy with that. when they realize the depth of their feelings for each other, theres no going back—it feels natural to them, so why go through the trouble of putting labels for themselves?
to close off i wanna say, headcanon whatever you want! whether wei wuxian is gay, bi, straight, demi, whatever, its all up to interpretation! and having civil discussions about it can be fun, and can bring people a whole different perspective than what they thought before. but i think its silly to claim that wei wuxian has to be one or the other, and if ppl hc him being a label you think is incorrect, its morally wrong to do so. in my opinion, i think the lack of putting a label on a sexuality can be really refreshing, and for wei wuxian, it seems to do him just fine.
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cassyapper · 2 years
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ive been asked to share with the class so here’s my kakyoin wound notes
tw lots of bodily trauma and medical procedure discussion
uh disclaimer im not a doctor ive never taken an anatomy class this is all thoughts based on the little reading ive done surrounding major bodily trauma lololol so please take what i have to say with a grain of salt
so he’s wounded right here
looks to be a little under the sternum but the origin (like point 0,0 of the circle shape of the wound) is somewhere near the border of chest and abdomen it seems to be
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we also know from this shot that he is gouged all the way through. the world’s fist is completely poking out on the otherside jkdfn ew ugh oh god kakyoin
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sorry anyway
so the implications of this.
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his stomach pancreas and liver are definitely gone. they turned to mush. reduced to gore flying across the cairo skyline (sorry i know that was a bit much jsut JKDFKN;FK;)
it doesnt seem like anything else comes out tho (tho i doubt they’d animate his guts flowing out with the water to be fair JKN;) but im gonna give him the benefit and say liver pancreas and stomach are all he Lost lost
i think it’s low enough that his lungs werent directly affected (in the second screenshot i posted he’s hunched over so the wound looks higher than it actually is), but some of his ribs definitely completely snapped, and it would be quite easy for them to then penetrate one or both of kakyoin’s lungs (he is seen to be coughing up blood so at least ONE definitely was deflated)
obviously there is also the issue of his spine. dio took out a whole chunk of it right from the middle of the structure it seems (or a little lower than the middle). so there’s no way kakyoin is walking again, least not normally
last biggest problem is the massive blood loss but we all already know that i presume
so with the problems all lined up, let’s get to healing this monstrosity. first things first kakyoin’s heart giving out is the more immediate problem. thankfully for kak tho we know star platinum explicitly has the ability to pump ppl’s hearts for them so as long as jotaro is within range star plat can make sure kakyoin’s heart stays pumping. hehehe this can be an evil scene in that case
second order of business i feel would be to get kakyoin’s lung(s) back online and get his ribs wrapped up so they can start healing properly and so he doesnt develop a lung infection lol that’d be the LAST thing he needs they reset the ribs and probably would WANT to give him a rib belt but due to the Hole In His Chest they can’t. thankfully kakyoin isnt awake during the like 6-12 weeks it takes to heal ribs. maybe they put something in on the inside that will eventually dissolve to help keep them in place but im not sure
lmao just an aside kak probably goes through so many blood transfusions just to stay alive during the surgery process jesusbkjf
anyway once his lungs r good tho we turn to the other organs in the area
i am thinking they dont bother to replace kak’s stomach or pancreas cause him adapting to digesting with solely his intestines/just taking meds to monitor his enodrine production and blood sugar would probably be easier and safer than the risk of his body rejecting a the transplants. but they do gotta replace his liver
SINCE presumably this is the speedwagon foundation working on kak i feel justified in saying yeah they probably just so happen to have the right match up for kak (maybe after kak got blinded or something joseph or avdol or even jotaro had them take notes on everyone’s blood type and body size Just In Case)
once theyre done with that they probably talk about giving kak a replacement for his spine so he can at least sit up but since that isnt life threatening they leave that for him to decide when he wakes up. plus they’ll have enough to monitor ANYWAY esp regarding the liver transplant so the last thing they wanna tack on is an artificial spine
last thing they do right at that moment are split-thickness skin grafts to cover the wounds. they take the skin from kak’s thighs cause there’s no other alternative lol. tho there might be enough skin on the top of his back to offer Something
anyway im sure he’d have to go through one or two grafts on each side before they finally properly heal
once he wakes up and consents 2 the spine procedure, im thinking they’d do something like give him a bunch of artificial disks and then secure/stabilize them with an expandable rod or a bunch of cages/rods/plates. or they’d do something like a sci-fi cybernetic spine considering the speedwagon foundation made a fully functioning whole-body prosthetic in the fucking 40s. i gotta be real idk much abt what happens with spines when theyre fucked up i just know it’s fair to believe the speedwagon foundation gets kak SOMETHING that allows him to Kinda walk again at least for a little while
as for lasting effects i dont think kak has any sensation on his stomach or back. like the nerves were blown out of him and skin grafts dont fix that so the area is just numb
as for loss of sensation related to his spine
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the area of the spine that got taken out seems to be the half of the thoracic/the lumbar sections so in addition to his legs being numb, he also has abdominal loss of sensation (so even if the nerves didn’t get punched out of him, he probably wouldnt feel anything). man that fucking sucks lmao
god
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ecoamerica · 1 month
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Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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dreaminginvelaris · 3 years
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sorting acotar characters into hogwarts houses
idk why i decided to make this post but it was fun sooo...
lmk if y'all agree or disagree. Also please no hate, sometimes a post is just for fun and i don't need any negativity. UNLESS its hate for elain which by all means go ahead ;) (because of ppls sensitivity, this joke isnt an invitaion to go on a full blown elain hate rant just offer a few jabs, especially if you agree on the elain section and move on, if you wanna go on a rant, message me or submit a post and i'll response, all the love <3)
Slytherin: Ambition, Cunning, Leadership, and Resourcefulness
Rhysand: of course Rhys is Slytherin, the man screams Slytherin. We all know he's cunning, often coming up with plans to get what he wants, leader well duh, he's a high lord and loves it and is great at it, he's ambitious, he's a dreamer, so of course, he wants more, and he's resourceful, always being able to think on the spot. Rhysands second house would be Ravenclaw for sure though.
Eris: uhhh do I even have to explain? wants to be Highlord, boom ambitious. seems to be the one in charge of his brothers and has many responsibilities, boom leader. being able to achieve what he wants, boom cunning. resourcefulness...yeah I don't got an example for that one, anyways 3/4.
Azriel: daddy az is a Slytherin, I mean obviously this is the best house (is it obvious yet that I'm a Slytherin ;) but fr, I debated sorting him into Ravenclaw, but even though yes he shows Ravenclaw traits it's not the ones we see the most of or the ones that really shine through Azriel's reserved personality. The main traits azzy boo here has from Slytherin are Cunning and Resourcefulness, and imo these are the ones we see from him every page.
Amren: im putting amren here too, she's literally both!
Gryffindor: Brave, Courage, Daring, Chivalrous
Cassian: this one is self-explanatory, how many times has he put others before himself, how many times has he endangered his own life to save others. that's a Gryffindor soul he has. he always tried to do the right thing, he's brave as hell and reckless at times it seems from the little snide comments we've gotten from the books, he would have been a marauder no doubt.
Tamlin: I hate to do this I do because I love my lions, but I had to put this piece of shit somewhere and since he reminds me of peter Pettigrew bc of his cowardness, I'm sorting him in here. I'm so sorry guys ;(
Morrigan: helloooo, the house colors are red and gold??? obviously mor would demand this house, yes demand. but not just that she's crazy brave, at only what 18? i think, she stood up to her family, making a decision she knew could have her ending up in a horrible situation. but she always is brave, shes gotta when her evil family is still in her life.
Hufflepuff: Loyal, Kind, Patient, Hardworking
Gwyn: i choose my girl gwyn for Hufflepuff bc let's face it, she is the embodiment of Hufflepuff. She's loyal to her new friends, emerie and Nesta, and the priestesses. She's kind as we can see when she first met Nesta and when emerie and Nesta shared their stories. She's very patient never snaps at that bitchy priestess who idk the name of as well as patient when it comes to her and Azriel's tender new friendship and hardworking, always doing her job, running around the library, for her work, always researching more ways to help the Valkyries. i debated putting her in Ravenclaw, because of her intelligence, but i think she's a Hufflepuff through and through.
Elain: IT HURTS MY HEART PUTTING PLAIN ELAIN IN THIS HOUSE. but I gotta, the only trait this plant sniffer has out of all the houses is "kind and patient" EVEN THOUGH SHE'S NOT REALLY LMFAO. I've made a post on explaining why this dirt lover isn't as kind as the books make her out to be, and I would argue she isn't actually patient at all, I mean did we miss how she was basically frustrated Nesta wasn't getting better even though it had been like what 2 weeks, LMFAO. but yeah I mean she's not loyal unless you have food and money then oh yeah she'll be loyal and she's not hardworking bc I mean she never did jack shit and still doesn't, sorry to do this to y'all.
Note: some of yall are so soft. this is not an anti elain post. sorry i insulted her but hey its my post, and i have commentary on each character to explain why i feel they belong in a certain house. sorry i happened to insult your fav. but this isnt an anti elain post, just like its not anti tamlin or anti eris. its just a post about all the characters period, which is why i inculded all of them in the tags. hey, i even insulted Nesta a little bit, but I'm not gonna tag anti-Nesta bc it's not a fucking hate post. get off this post if it comes across you and you don't like what I say, it's not hard to literally just scroll, trust me I've done it multiple times especially when it's a hate post on my beloved characters and they didn't use the anti tags. it's not fucking hard, grow up.
Ravenclaw: Wisdom, Wit, Individuality, Intelligence
Feyre: I debated putting queen feyre into Slytherin, I mean she shows the traits for sure, but it's not really if she shows the traits it's what shines the most in her. Ravenclaws are known for their creativity (bae luna Lovegood <3) and feyres an artist, even in her darkest times she remained an artist, always seeing portraits in her mind, always admiring the beautiful colors of the world. We know she's intelligent, picking up reading and writing quickly, and we also see it when she's strategizing, with the inner circle. Feyre is so wise, she had to be, she had to grow up quickly, you often see her in the books giving advice, because even though she's only 21, she's lived a lifetime. and the whole book of acomaf can show you how witty she is, I mean its what made us fall in love with feysand.
Amren: tiny snowball amren is literally a slytherclaw, she has all the traits from both. but because of how well she is with coding languages and how she always reads and does puzzles i think she'd enjoy being a Ravenclaw.
Nesta: I thought about this for a while, really looking into where she would thrive, Ravenclaw is for her no doubt. She's herself, always has been even when that wasn't such a good thing... but she's witty too if you make sure to not count the "the book is about...a book" I'm sorry that line makes me laugh every single time. we haven't really seen much of her intelligence but I'm guessing she is. but really she would love to be in a house where ppl are themselves and read, i can already imagine her creating a book club where people can be themselves and enjoy smutty books like her.
Lucien: originally I was going to sort him into Hufflepuff but then I remembered how intelligent he is, how witty, and I remembered in acowar he talked about how being the youngest of what 7 heirs? he had the chance to really educate himself which he loved to do, to really learn about his court, idk this man just screams intelligence to me.
I left out emerie bc i honestly don't know where to sort her, i feel like i just don't know her too well or understand her enough to sort her, so feel free to lmk where she would belong :)
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shoezuki · 3 years
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Tommy's prison/revival arc isnt well written actually
Anyways ive been wanting to talk on it a while for a bit here but havent had the Time or like. The thought to. But im gonna go off now.
First off im gonna say im ASSUMING this stream and plot of tommy being in the prison with dream is written entirely by tommy and dream. Wilbur May be involved in the latest stream but im not sure.
Bringing tommy back to life after only three days of him being dead did practically nothing to progress plot, the characters, or audience's understanding. In fact i feel that it damaged Other characters' potential and plot and already established plotlines.
The 'development' aspect
A really, really easy way to see if anything has changed or developed through an arc or plotline is to straightup just compare the 'beginning' to the 'end' in terms of the barebones situation. So;
Beginning: tommy is trapped in an isolated prison cell with dream, his own abuser who has hurt him in the past, for an unknown amount of time. He's terrified of dream and being stuck there with him.
End: tommy is trapped in an isolated prison cell with dream after being killed then revived by him, his own abuser whos hurt him in the past, for an unknown amount of time. Hes terrified of dream and being stuck there with him.
Okay. This is simplified obvious. But the point stands. ALTHOUGH the troupe of 'going back to the beginning' is common in the heroes journey its. It doesnt work here. Has tommy learned anything? Has he changed as a character? Is the severity of their situation any different? Have we, as the audience, learned anything new?
Im going to expand on that last point because i think it has the strongest potential argument. Technically for progression in literature and development of plot/characters, things can Change without them being Aware as characters. It can change just by the audience's perception changing or being challenge.
Slight example: i've been reading a webcomic called Your Throne. Its a fantasy/political drama about a noble lady who entered a competition with another noble lady to become the empress. The main lady lost despite her being a better fit, and the comic starts with the main lady trying to assassinate the empress. Its assumed and stated by the main lady that she 'ruined her life' and so thats all the readers know. However, later in the novel we see flashbacks to the competition itself and find that the two ladies were extremely close friends, neither wanting anything bad for the other, but it was the emperor himself who manipulated both of them for his own agenda. Those flashbacks gave us an entirely different idea of who the real antagonist is and completely changed the two main ladies' relationship. THAT is how the audience's understanding of the plot and novel can be used to change the entire story. We dont get such here though
Some things that were brought to light during tommy being dead/revived:
Dream is capable of reviving people infinitely
This was already implicated and assumed. The book dream has being a means of reviving people has been around Technically since schlatt's death. This just 'confirmed' what was known
Time works differently/feels longer in the afterlife
This doesnt really impact much beyond emotions and implications. If we had more insight into what the 'afterlife' is like beyond nothingness perhaps so. But really it just makes it so wilbur being dead for what feels like 9 years and tommy having been dead for 2 months appeal to emotions.
Wilbur is evil
This one fuckin sucks i cant lie HSKSHSISSGEGDV. Like i was gon go on bout it and i will but it jus sucks. We have nothing to go on besides tommy's word, no examlles of what Horrible things wilbur said could make tommy assume this, etcetc. Ill most likely make a seperate post on how this feels like we're just going to get 'wilbur is a horrible villain' type with him. But still. I feel wilbur Not Being Good isnt a new development.
Dream is going to revive wilbur
This doesnt feel new either, part because phil had wanted to revive wilbur before (ill get to that more later) and that tommy had kept dream alive/initially imprisoned him with the idea of him reviving wilbur.
Dream believes wilbur will break him out of prison
Okau this makes no sense to me actually. I cwnt understand How exactly wilbur would be able to do this? Or why dream believes he even Could? Mans been dead for like 9 years and all we Know of the afterlife is that its black... nothingness. How would 9 years of that make wilbur capable of busting the prison open?
So. Yeah. All in all this plotline hasnt done anything new, developed things, or altered people's perceptions. We just ended up back at square one. Back to tommy being traumatized, dream being 'evil' and horrible and doing villain monologues, and them being stuck together.
Other characters and plotlines
Im pretty damn sure tommy's revival fucked up a LOT of other characters' plotlines and potential development. Honestly i feel this has a lot to do with the writers not communicating with other ccs well enough. But Ill talk about specific characters from least to most fucked over in my opinion:
Sam
He's the best off. He hqd been there during tommy's death, had been close to tommy, had majorly blamed himself and his own mistakes for tommy's death. His grief and self hatred was actually really heartbreaking and well done. The attached character of Sam Nook being unaware of tommy's death and simply waiting for tommy to return was a really good parallel to sam's own grief and anger. like it really snapped sam the guy who cares for tommy and wants to do Right by him back together with him as the Warden of the prison. Mixed personal life with 'just business'.
I feel it wouldve been nice to have him like. Have more time to grieve properly and come to terms eith tommy's death and his own involvement/influence over the events. Him finding tommy alive again Could be a means of him like. Facing his own grief head on if done well.
Ranboo
Mostly in the context of him and sam's argument do i feel it got screwed over. The weight of them yelling at each other and trying to find who to blame and the implications that Maybe ranboo was the one who caused the security breach that closed down the prison on tommy just.... doesnt hit so hard anymore. Because how can there be blame and arguments and a 'who done it' mystery when tommy popped up all fine again?
Puffy
I dony know much of her involvement or how she found out tommy died (besides metagaming shhhhh) but i saw her monologuing of how they 'failed' tommy and like. Her whole 'he was so young we the Adults failed him' spiel is like........... inconsequential? Now??? Like no dont worry he died but hes alright now.
Philza
BET YOU DIDNY EXPECT TO SEE THIS FUCKER!!!!!! But actually though i want to talk bout how this ties into phil. A LOT. for Zalbr ❤. But also because i see ppl tying phil to tommy's death n like nah shutup u doin it wrong. Ill go off more in a Wilbur Post. But essentially: i dont like that dream is now going to revive wilbur. I feel they arent going to tie philza into this Despite phil having originally been trying to revive his son and studying on it and Attempting and Failing. But now suddenly dream can just. Say some magic words and Poof wilbur lives? So we're just going to Kill philza's revival attempts plotline and leave that hanging? This made his efforts seem pointless and Wack like oh why didnt you just Say The Magic Words phil????
Niki
I feel really bad for niki. She hasnt been able to do a lore stream during tommy's 'death' (she tweeted she wanted to but her computer wasnt working) and considering her entire character.... that shit is important. We seen it with Jack Manifold how tommy's death impacted Him considering he literally wanted tommy dead. And since niki is in a similar boat to jack of trying to kill tommy and it being her Only goal...... thats extremely important.
BUT. i feel there wasnt any communication. Did she or anyone even know tommy would be revived? Did no one consider they could At Least let her do a single stream on it? Like jack manifold????
We couldve gotten a Really good niki lore stream. I genuinely was so excited for it and i dont regularly watch her. But we seen it with jack manifold which is why i dont feel he got screwed because mans genuinely did So Good he could pop off with anything n i think it works in His favour. But now........ for niki. Canonically she never even knew tommy was Dead. So its like nothing even happened for her. Is she just supposed to continue on trying to kill tommy with no progression?
What i think would work
This is more me being like 'hey @ the dsmp writers let me in' type speculation sbosegussgs. But i was thinkin on a Really easy way to 'fix' this without rewriting lore and the streams.
Dream should kill tommy again now that he's been revived and Leave Him Dead.
More development for the characters who are affected by his death Especially niki. More time for grief and self reflection and development
A chance for the audience to figure out what the 'afterlife' really is.
Dream is supposed to be smart and a master manipulator or something right? Why doesnt he use being able to revive tommy as a bargaining chip with sam for his own freedom?
The audience would now Know dream's intentions with tommy better, that this death isnt 'final', but we could still see other characters' grief and reactions and coping without it feeling cheap. Ive seen some 'but people dont know tommy is alive so hes still dead in their mind' but that sucks imo.
We'd know more on dream's ability to revive people and that he can just Do It on a whim (which i think sucks but hey im trying) but no one else would know this canonically
Okay. Im done. If you read this. Thankyou. I love you. Hmu.
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stanharu · 3 years
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beastars episode 23 thoughts!
some of my favorite scenes from this arc are in this ep so i've been real excited for it
this episode was super fun. as i said, its filled with some of my favorite scenes from this arc & ive been super excited to see them animated, and i dont think the anime disappointed when adapting them. this week's ep covered chapters 82, 88, the latter part of 89, 90, 91, and part of 92.
The ep opens with the moth scene, and i really loved it. I really enjoyed the way the anime adapted the part when legosi has the bug in his mouth and he's like narrating his experience of eating a bug lol. i think this whole scene was very well done and i cant wait to show it to my friends when the dub comes out lmao.
my one gripe about this scene is st i mentioned last week, that the anime made the bug eating gouhin's idea instead of legosi's. legosi is known for having unique and strange solutions to problems so in making this gouhin's idea you lose a bit of that legosi brand weirdness lol. there's also a tie-in with legosi's past and his fixation on bugs but since that got cut from this seaon it got cut from this scene too. rip.
next i wanna talk about dressgosi. a lotta ppl were worried that it'd get cut but i figured it wouldn't be. i think the anime really knocked this scene out of the park as well!!! the music. everyone's expressions. legosi's flasetto voice. all amazing lmao.
it's been known that louis hasn't been very expressive outside of going >:[ most of this season, so i'm really glad that he got to emote more in this scene. his expressions were great. i cant put screenshots of all of them here bc there's a limit to how many pics you can put in tumblr posts djlskjdlkfjsdf
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when ur idiot boyfriend is back on his bullshit
i liked how they did the splitscreen so we could see legosi, louis, & ibuki's reaction's/thoughts to the whole situation lol
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the way legosi's heels echo as he leaves the bar is so funny to me. A+ scene.
after this scene it's new year's eve, the night of the fight. personally i wouldve like a bit more of a buffer before actually getting into the new year's fight, but with all the rearranging and pacing issues of this season it can't really be helped that it turned out this was. it's not that big of an issue imo, just a personal preference.
we get this anime original scene of pina and riz meeting up, i think to give some plot coherence with all the rearranging the anime is doing. i think it was a nice addition.
scargosi is HEREE YEAH!!!
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also!! it seems like melon & sebun has cameos in this ep 👀 rly hopin this is a sign for s3. tbh i noticed sebun on the first watch but didnt realize melon was there too until other ppl pointed it out lol.
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now, im sad the anime took out legosi's new years call with haru, she already has so few moments in this arc and taking one of them out really sucks imo. but i saw some ppl suggest their phone call may be moved to next week's episode, so im gonna hold out hope that that turns out to be the case lol. also i am OBSESSED with legosi's lock screen 😭💕
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they are so cute 🥺
now... it's here. the tunnel scene. i feel like the lead-up to this scene was a bit rushed. imo louis' "i like carnivores" line happened so suddenly, and didnt have the same impact as in the manga. altho to me louis' lil inner monologue about how he actually likes carnivores seemed a lil gayer lol so i still enjoyed it quite a bit.
i also rly liked louis' expressions in this scene, the way he looked/moved when he was talking about how legosi might die had me like 🥺
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worried about his wolf bf
i also really liked the contrast of these two shots. ibuki towering over louis, looking large and imposing, and louis looking so small in comparison, having to look up at ibuki.
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i wanna hold off my final judgement on the tunnel scene itself until we get to see the conclusion of it next week, but so far i think the anime is doing fine adapting it. i am a bit sad that it isnt playing out exactly the way it did in the manga but im curious about how it'll play out in the anime. on one hand i wanted more of the dialogue and all the buildup from that scene before the gunshot happened but on the other hand ending the ep w/ the gunshot and then the ED immediately starting was devastating and im sure it was even more devastating for anime onlies who finally made sense of the ED in this ep.
overall i loved this ep and im so excited for the last episode next week. we've got about 5 chapters left of this arc to be animated and it's gonna be such a Ride. im just hoping the anime can pace it out well.
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ok i got the aesvic out of my system now time to pick apart the letter n why i wont really be following aesops diary exactly here. literally no one asked but i wanted to get my thoughts down somewhere cos i have. a lot
just gonna put a quick rundown of aesops diary entry as a refresher (mostly for myself so i dont miss anything): he dreamt that he was helping jerry with what was probably a murder n was affirmed n he thinks its a sign congratulating him on carrying out his duty. over the years, he carries out his duties as an undertaker n comes to the manor looking for a “fresh start” aka what sounds like his first victim. according to aesop, said victim should be quiet, n potential victim number 1 is victor. something about badly needing him to become his “silent friend” n he mentions he’ll get to wick n the 2 other survivors in due time, but for now he’s very eager to start his “mission”.
im generally okay with the letter (i have seen so many fights over this aha) cos there is no surprise he wants to kill ppl (ppl who r fighting over this point. did u even read his deductions?? guy happily killed his mentor??). but i didnt quite like the fact that he still looks up to jerry (although. i guess thats valid i just. dont like it). i was also initially kind of confused about the real reason why he would want to kill ppl since as u progress through the letter it sounds less like he kills for duty (cos of the whole dream thing at the start) but more “because i want to :)”, which is an okayish edgy kinda take imo. like not that u cant characterize aesop as Kill Kill Murder Die, but i kinda find that. pretty boring in the long term.
im just gonna put what my original take on aesop was, like all of it. first off, he hates jerry. u cannot tell me a psychotic serial killer like that can raise a child without emotional trauma. like any child, this isnt even counting the extra damage done because hes autistic. (n i also hc that aesop has read his moms letter to him at some point, n he should have come to the conclusion that it was somewhat also jerrys fault, whether through logic or denial that his mom would want to leave him, so that just adds to it.) but as much as he hates him, his teachings are the only ones hes been exposed to, n its been so ingrained in him since young so even if he hates jerry he would still subscribe to whatever twisted ideology jerry was feeding him, which ill get to in a sec.
going through his accessories, he has that origami that he folds for each of his clients, n it shows that underneath it all, aesop is still kind. this isnt expected of him n its definitely not part of his job scope as an embalmer. he (still?) has the heart to wish the best for those that have departed n takes the time n effort to fold one for each n every client he sends off, which is probably a lot. so going off on that, my hc is that jerry, being the manipulative asshole that he is (who probably definitely manipulated his mom into indirect suicide) probably used his kindness against him to make him believe that by murdering ppl he is helping them, framing all of his serial kills as a sort of mercy kill (like his mom). so the thing that aesop takes away from all this is the very twisted logic that by killing ppl he is helping them, therefore being a good embalmer and a good person in general. n everyone wants to be a sort of good person, or at least for aesop that is part of his job description to be a good embalmer. n we all know aesop is very serious about his job.
i also hc that he has killed several ppl between killing jerry n coming to the manor, cos i follow the story that he took the invitation from that poor lady n thats how he ended up at the manor. surely the lady didnt come to him right after jerry died?? but anyway, the way i see it is that he thought he liked to kill. like he finally truly understood why jerry kills so much (which is interesting now that i think about it. guy really just went along with all those murders without truly believing huh), because it felt good to kill. at least thats what he thought, the revelation that killing felt good n is good, but i say its because he hated jerry, n offing someone u kinda hate should probably feel pretty gucci. n its also so much easier to pick clients off the streets than in the manor, so i would think that he has killed ppl like his mentor did, but each time he did the great feeling that came with ending ppls life just. wasnt as good as the first time round. it just became a sort of normal satisfaction of a successful embalming.
this can go two ways: 1. he keeps on killing to try to find that great feeling again, which is cool i guess (n probably what canon would want, except canon states that he hasnt killed since jerry), but id like to go with 2. he just stops because jerry isnt around to enforce it whenever he isnt feeling up to psychoing someone to their death (which is probably how jerry got his victims, n damn if that doesnt take a lot of mind games that i dont think aesop has the mental capacity for since half of it is fighting with his social anxiety n other issues. dealing with alive strangers?? no thanks?? i doubt he would have learnt properly how to lure in clients as efficiently as jerry because of this, mostly cos he was only needed for the murder afterparty aka embalming n funerals). n as much as he stays professional, there is no. professional way of gaslighting someone to their death.
(n also since ppl have pointed out that his twitter replies n other kinda informal stuff have shown that aesop does have reverent respect for life, which also adds to him not being so blindly bloodthirsty as implied in the letter. i dont really see the twitter replies as very canon, but it does make sense that he would come to revere life with his unique take and obsession over death, for one cannot exist without the other)
so this leads me to the motive that aesop brings to the manor, at least how i see it. he isnt exactly coming to the manor to kill per se (like from the very early story, he came to the manor to return the letter to a relative of the deceased lady, something about respecting her last wishes. something like that, its really been a while since i saw that exerpt), so like killing ppl isnt his main purpose of visit. its more of hes always on the lookout for weaker (or at least those that take less mind games to kill) people to mercy kill, n it just so happens that he knows the manor n his mentor almost died from there, so theres a pretty good chance he can find some ppl that fall into this category n so it just so happens that he also has a job to do there. its still counted as a Job for him since no ones gonna tell him that embalmers dont actually. murder. 
so in my version, aesop only tries to sway ppl that he knows he can convince, n these ppl would typically be those very sickly ones like his mom (andrew im looking at u) or those with an actual death wish/ very weak will to live. but here aesop is choosing his “first victim”, and the criteria for that is... quiet? never mind “not evading him” and “not cranky” being on the list too, but that isnt quite what i was expecting from someone so dedicated to their duty of murder. sure he wants an easy first kill, but like. i dont think its consistent if his motive was really to continue jerrys bastard legacy. especially when the next paragraph is essentially him gushing over victor, that... sort of implies something else. or at least in the way i see it, since i believe that canon wants us to think that aesop just really loves to kill.
aesop likes victor. very much so. so much till he wants to kill him. which i guess makes sense cos he likes death, n now he likes victor. so he just. puts the two things he likes together. whats better than victor? dead victor. anyway the rest of the letter is more like “whatever, i technically should kill the others too but my priority is victor” so like. he confuses his (dare i say) yandere tendencies with his duty since the end goal for both is a body in a coffin.
having said that. i know i have aesvic brainrot but i also know this is one sided as hell (at least from the letter alone, not counting the letter shaped cookies in his birthday art that apparently belonged to victors birthday cake aha) n lowkey alarming since. the goal is to kill victor. i kinda want to interpret it as him genuinely wanting to be friends with victor (really wanting him to be a “silent friend”, maybe cos he doesnt actually know how to be friends with living ppl n is better with dead ones? therefore victor should be dead to be friends?) but not knowing how to n throwing in his obsession with death ends up with. this minor disaster waiting to happen. but i uh. dont know if this is valid. its valid to me at least, with my original interpretation of aesop. n again cos of his ingrained professionalism, he also kinda sees this as part of his job to send ppl off, so its another plus. not for victor, tho.
idk if ill add this yandere side in my aesop. i mean my boi has technically tried to kill victor multiple times in the past HAHAHAHA. maybe like sometimes he can be a bit obsessive. as a treat. but generally nah cos thats definitely gonna end up in a murder somewhere somehow n i cant. just kill victors here on the ask blog scene lashjflkjhdlfkjhas
so yeah that kinda takes care of the last part of the letter, as for the first part. as much as aesop hates jerry, i would also think hes pretty starved for affirmation (like i said jerry isnt going to be a good parent figure ever) n i guess it makes sense if the only times jerry has ever complimented him was aiding him in his kills n hiding the evidence, which might (?) add to his desire to kill (but that probably dies with jerry aha). so the way i see it as aesop is getting affirmation n takes it as a good sign instead of. remotely liking jerry. idk if im stretching it a little but i really dont like the take where hes okay with jerry. anyway we are ignoring that he hasnt killed before entering the manor cos that doesnt quite make sense to me (i wasnt dreaming about the letter from a lady stabbed in the face 36 times or so right???? right???????)
im also not like. trying to defend him, im just trying to make sense of his diary. boi has issues n is a little too far gone (not as far as canon tho), in my take very deluded in his way of showing kindness. literally cool motive still murder (or in canon, just murder?), please get therapy. but i just dont really like the direction that the letter was originally trying to imply, with him really just hell bent on murder without like. a clear motive (at least to me it isnt very clear since the last part really doesnt sound consistent with his supposed intentions). i mean i love being edgy with aesop every now n then but i dont think it would make for meaningful characterizations in the long run so. ill still be sticking with my original take on aesop with maybe a bit of yandere for victor cos thats always fun
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MY RE-WRITING PARTS OF THE ACOTAR SERIES
*some acosf spoilers thrown in because i realize that SJM is writing a story so far removed from what i thought the story should go*
*a bit rant-y but i think this would have made the story more compelling*
i still think elain should have died in the cauldron back in ACOMAF and in my logic this would set of a story that will definitely heal and see powerful women who didn’t have power before be able to weld and rise up.
- nesta and feyre is over protective of elain and would do anything for her (and quite frankly elain’s personality is almost none existent. nesta and feyre are fantastic juxtapositions of one another and can carry themselves well)
- killing elain in the cauldron would up the stakes for both feyre and nesta (instead of making the only thing interesting about elain being likeable, gardening, azriel/lucien ships, pretty and agreeable, and bouncing back and forth between sisters)
- therefore forcing them to work together; push aside their personal bad blood for one another in the name of avenging elain
- through that process of strategizing and learning about fae and their own abilities (feyre’s high lord powers and nesta’s power she stole from the cauldron) they learn to appreciate one another. (and since this is a love story, nesta can still train with cassian but it would be BECAUSE SHE ASKED TO BE TRAINED instead of being forced to)
- they would eventually HAVE to confront their deep personal relationship to one another and move pass their old pains (INSTEAD OF MAKING FEYRE ALMOST DIE FROM SOMETHING THAT SHOULDN’T BE AN ISSUE OR ANY OF THE SPITEFUL SHIT THAT HAPPENS IN ACOSF)
- we learn about their family and their dynamics and how they can agree that their father is trash and even talk about the pain their mother gave (where BOTH SISTERS WILL HAVE AN APPRECIATION OF EACH OTHER AND MAKE SURE WHEN THEY HAVE FAMILIES OF THEIR OWN THEY WON’T TREAT THEIR KIDS THE SAME WAY AND EVEN HELPING HUMAN FAMILIES WHO STRUGGLED LIKE THEM)
- no locking anyone up!!!! the self sabotage of nesta won’t happen because she will put her energy into avenging elain; thus fighting for a bigger cause than herself and make her actually use the power she stole. SHE WOULD HAVE AGENCY. NO RELYING ON THE DRINKING/SEX BECAUSE OF PAIN TROPE. NO RHYSAND BEING A FUCKEN DICK AND EVERYONE SHIT TALKING TO NESTA. they can still have that disagreeable dynamic, whatever but rhysand being over protective and everyone else ganging up on her was disgusting and she did not deserve that.
- WE WILL SEE THEM BECOME LEADERS -- they will lead the strategy along w the IC; we will see them lead with the other high lords, we will see them convince the humans. we got glimpses of that in ACOWAR! SJM writes girlbosses which is just *rolls eyes*. lets let these ladies actually LEAD. let them actually have power instead of writing lip service for that. or taking their fucken power away for the drama. (WTF WAS THE FEYRE CAN’T HEAL BULLSHIT?? WHY STIFLE FEYRE WHEN SJM BUILT HER UP IN THE LAST FOUR FUCKEN BOOKS TO BE THIS POWERFUL FIGURE BUT LIKE GIVING BIRTH, A NATURAL THING THAT FEMALES CAN DO, IS GONNA KILL HER AND MAKE HER THE MOST VULNERABLE SHES EVER BEEN AND MAKE RHYSAND LOOK LIKE A SHIT PARTNER CUZ HE REFUSE TO TELL HER ABOUT HER RISKS. JUST FOR THE DRAMA I GUESS???)
- when war is fought and lost; we see them stand together to become the new leaders of the new world. the wall is gone and hybern is killed. again, we got a glimpse of that in ACOWAR at the end. there should have been a moment when fayre confronts tamlin and TALK to him. they seemed so poised to be LEADERS. new leadership because the old high lords are garbage and they fucked up so many times. introduce new policies, introduce new trade deals, beef up economies (esp since this is hyberns main reason to high up prythian), etcetc.
- feyre can work on leading night court as a high lady along with leading the rebuild of spring court (since she fucken wrecked it, displaced all the citizens, and took it from tamlin. feyre also knows about spring court’s rebuilding effort and how the tilthe isn’t it. she even said that tamlin should not make ppl bring useless things because they have so many things. the water folks dont have fish and that tamlin should have helped them hunt for fish or whatever instead of punishing them) and the new laws and policies for humans (can be intigration?? rhys and feyre talked about human refugees??? where did that talk go??). we can actually see feyre be a HIGH lady instead of her spending her days shopping and decorating and breeding (WHICH IS EXACTLY WHAT WOULD HAPPEN WITH TAMLIN and we saw that as a bad thing!!! why spend 600 goddamn pages talking about not being that to turn 180 and be exactly that????)
- feyre’s reason for fighting has also been to the benefit of the human realm. the fact that she kind of said fuck it as the books progressed to where nesta or elain are the ambassador to the human realm felt so wrong because being human once was what was special about feyre. that was her north star. her whole heartedly identifying fae is wrong (maybe this is my theory about ACOTAR being a tragedy comes in).
- nesta would finally be an actual queen. you can’t tell me with all the mentions of nesta having queen energy is gonna translate to whatever the fuck it was in ACOSF??? nesta would get leadership experience. she would have purpose! she might even be able to envision of brighter future and fight to not let something like hybern happen again. protect those who can’t be protected? protect those who see the light in the world the way elain did?? maybe even her power can protect the cauldron and she could be a guardian or something??
- this is where i venture off; after the war, feyre leads the rebuild in prythian. nesta can lead the effort in hybern (AGAIN NO LOCKING UP!!! NO TAKING TIPS FROM TAMLIN’S HANDBOOK. NO FORCING HER AGAINST HER WILL!!!). she could rebuild it in a new name and face. her book could focus on her learning about her power; learning about how to please the hybern folks who dont like her (and i like that nesta isnt a likeable person from the start unless you are someone like meeeee). imagine seeing her ACTUALLY make her own friends and have her own inner circle??? imagine her making new friends and helping others. imagine her ruling??? making policys and laws?? imagine her going to different courts to do economic trades and deals?? she would channel her energy into something HELPFUL AND IMPACTFUL. she can still dance and do the big ball stuff. she can host she can feel like shes in control and maybe even channeling her guilt into something that is systematically helpful.
- along w this, cassian would be able to leave night court. he has been side line for so long. hes a buffer between mor and az and thats unfair to him. hes his own person and shouldnt be deligated to that task. he would have to actively choose nesta, which he wasn’t doing throughout the original trilogy. he would have to be placed in an environment outside his comfort! cassian is so much more than a goof ball and buffer. besides his skills might be necessary to handle hybern’s war-happy citizens
- we can see more of this world. hybern is sitting empty and the problems from the start still exists. im just so disappointed that SJM drops hints of scocio-economic problems that exists in the fae world and dont deliver. why deliver something so complicated to ignore??? its such ashame this world is so rich and beautiful and the characters are so fun to read about and for it to be turn out...so....trope-y (IN A BAD WAY). the original stories are fine too i guess, but it doesn’t feel planned out. it feels like SJM writes on a whim and just changes things as she sees it fit the relationship of characters.
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zhuhongs · 3 years
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Upon rereading tgcf, one of the biggest complaints I have is how lackluster all the extra chapters were. literally none of them were good and all contained rlly gross and harmful sentiments (like the amnesia one which.. yea.. or all the things implying xl should get pregnant for hc thus equating gay relationships with hetero ones and playing into the wife thing and just GOD I HATE MXTX) 
There were a lot of little plot points i wish that had been further elaborated on more in the extras as opposed to hualian being ... like that. I had enough. Like mdzs had actaully good extras (minus the incense burners) that were nice side stories that elaborated more on the characters. Like the hook one with the juniors was so cute and i loved seeing them grow more. Or the lotus pod extras omg.. im such a lotus pod extra stan. those were so cute and gave us a lot of good insight into just how lovestruck lwj was during the times when he didn’t see wwx. mxtx should've stuck to those sorta extras in tgcf but NOOO. SO I have a list of so many other more interesting things those chapters couldve been spent on like:
A resolution on He Xuan’s revenge and his character arc. Bc its implied He Xuan is still hanging out and watching over sqx and that taking revenge didn’t fully satisfy him bc ok.. yea shi wudu is dead but he xuans family will never come back. Now what does he have to live for?? i wish we couldve seen a look into his life during the entire ordeal. like a chapter from his perspective while he was posing as Ming Yi  and maybe a look at a conversation btw he xuan and the real ming yi or a chapter after SQX was banished to see what he’s doing now. Also what did he xuan owe hua cheng money for anyways?? Like ik not every little thing has to be explained but I Want to Know. PLEASE more goth boyfriend content now I just wanna see him :,((
a better resolution of yin yu and quan yizhens storyline. im still mad abt how that plot point was split btw books 3 and 5  when it was rlly out of place and  there were other more pressing plot matters and it just rlly deserved more time. Also i thought yin yu died!?!?!? but apparently one of the extras says he’s alive and man... i;m not reading any more of the extras to see that, give me a full yin yu and quan yizhen chapter.. fuck.
a day in the life of the guoshi fangxin or general hua PLEASE especially like one where hua cheng was SO CLOSE to meeting xie lian but had no clue that xie lian was there at the time but the two did smth that inadvertantly helped the other and they still were connected even though they hadnt met omg pls that’d be so nice. like imagine Hua cheng catching a glimpse of the guoshi in public in yong’an while he’s trying to follow some lead that points to xie lian or maybe following a lead to capture qi rong bc he said he knew qi rong was a part of the yong’an stuff and originally thought the guoshi was one of qi rongs pawns. like can you IMAGINE him getting so close. but at the last second he did smth small that impacted xie lian. like they bumped into eachother on the street or smth. god i’d go crazy
OR vice versa.. like a day in the life of the young ghost king hua cheng. Like again, one of my biggest issues was that hua cheng just knew everything and its never really explained how he got all of that info. like yes he’s been alive very long and has eyes and ppl working for him everywhere but like... how did he build that network?? I’d love to see a chapter of young ghost king hua cheng travelling around trying to learn as much as he can abt the world and how it can help bring him to xie lian. and the two maybe are in the same kingdom for a bit and they don’t meet exactly but hua cheng stops some fight or something and helps xie lian indirectly or maybe xie lian is performing on the street in some costume and hua cheng doesn’t recognize him and smiles and gives him a coin or smth. idk i’m just dying for any sorta extra chapter or fic like that. i’m honestly so tempted to write my own but i cant write
also!! we’ve seen how xie lian picks up people down on their luck near him and show them kindness (like banyue, lang ying, xiao ying, he tried to with san lang but we know how that ended lmao) so i’d love to see another little vignette of him doing that on his travels and how every person he meets teaches him smth about life and being a good person and idk, i just think it’d be rlly sweet. i love this facet of his character and feel like we didn’t see enough of it towards the end.
ALSO hua cheng only seems to respect one heavenly official besides xie lian and thats yushi huang.. i assume thats mostly bc she was the only one to help xie lian and let him use the rain master hat to bring water to yong’an. I was thinking maybe when he was a new supreme he had run into trouble and maybe was picked up by the rain master and helped him heal and in return he promised to help protect her village from harm in the future. Like i know a heavenly official wouldn’t cooperate with a ghost like that but yushi huang is different and doesn’t really care about the heavens so i think she would protect him if he could do something to benefit her village. ik this is kinda far fetched but when he first became a supreme I’m sure a bunch of ppl probably tried to mess with him and didn’t rlly believe him to be undefeatable bc he hadn’t proved himself yet also i doubt all his power came overnight. he had to learn how to use it once he escaped the kiln. and some group probably thought they could weaken him somehow. I’m thinking maybe a rlly well formed group of ghosts actually caught him off guard once and he had to retreat and was picked up by the rain master and stayed with her and learned from her a bit. i think it’d be a cool concept also i just rlly want more yushi huang content and i’m on their friendship agenda bc he rlly did seem to actually respect her when she first appeared and i think it’d be cool if the two had some history together.
Also idrc if this was addressed I couldve missed it But!! Did xie lian ever tell Hua cheng that the reason he got the curse shackles and was banished again in the first place wasnt bc jun wu wanted to punish him, but because he requested it. And specifically requested it bc he felt guilty abt letting wu ming take the human face disease and disperse for his sake. So he took the shackles and descended to atone for that?? Bc I dont recall hua cheng learning that bc his soul was already dispersed at that point so it didnt follow him and xie lian didnt say anything so uhhh... someone should tell hua cheng that. Like I dont think xie lian rlly said how much hua cheng meant to him and didnt show him he was loved in grand ways. Like xie lian did always care for bc in other ways but I think if hua cheng learned abt this on screen it wouldve been such a great moment and I'm rlly surprised mxtx didnt address this iirc!?!? Like imagine jun wu telling Hua cheng this in the kiln bc xie lian wouldnt say it himself. Imagine how cool that would be.
Also a small thing adding into the whole young ghost king Hua cheng stuff. Its implied and p much stated that hua cheng isnt his real name. That he likely doesnt have a real name bc his parents died? (It's not clear. I'm still mad at mxtx for not making his childhood clearer). So I'd like to see when and why hua cheng chose that name for himself. The new tgcf ending song kinda hints at its meaning with the lyrics "for you I'd fill a city of flowers" as xie lian is the flower wielding martial god so it's probably inspired by that. Also xie lian saved hua cheng from leaping off the city walls but I'd love to hear him say it bc the implication of his name didnt dawn on me for quite a bit and I dont know if everyone made the connection. Again I sure as hell didnt. So itd be cool to see a chapter that takes place in his past after just ascending as a supreme
Overall I rlly think tgcf had a lot more potential to be even better and a lot of that comes down to fleshing out the side characters and letting hualian have more of a storyline independent of one another. like i know the appeal and message of tgcf is that through love, people can overcome anything, but fuck man. i just wanna see what these two (mostly hua cheng) where like in the absence of each others presence. Part of what I really liked abt mdzs is that we got to see that longing develop btw wangxian when the two weren’t together and how they thought about each other and did things in thei others spirit bc they knew the other wouldve done the same thing. but whatever, mxtx was too consumed by her own unhealthy idea of what devotion and true love looks like but still. i rlly think the extras couldve helped the story be better rather than be fujoshi fuel that i try to bleach from my mind -_-
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kingjasnah · 4 years
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actually. actually let’s talk about diversity in fantasy let’s give that a go. im mad and im gonna be that way for a while
don’t want to read all this? fair. tldr: fantasy writers who rely not only on the medieval europe model but also hide behind historical accuracy in 2020 (fuck it, from ‘95 onwards) are lazy and unimaginative and should be held accountable no matter how many white 20 year old dudes jerk off to whatever power fantasy is embedded in the plot. so lets chat about that lads. (slightly) drunk rant under the cut
now prelim shit: we know fantasy is used both as escapism and as a way to deal with various traumas via magical metaphor. staples of the genre. even if jk rowling busted out the laziest and at times offensive metaphor for ww2 and racism ive ever seen, she still adhered to time and true tropes. whatever.
so why have we, in this post game of thrones era, become insanely obsessed with realism? i can hear sixty 20-something year old men crying at me rn like oh ohh oh its based off the war of roses oh wahh all medieval fantasy fiction is based off england and the crusades anyway so women should get raped and people of color should be demonized its not racism its xenophobia and also gay people dont exist and disabled people are systematically killed off and if we stretch the magic fixes mental illness thing a LITTLE further we have straight up eugenics.
we all know where the england but myth thing came from. now the thing about tolkien is that while i will always absolutely love lotr, looking at the LAZY state of fantasy? damn i kinda wish he hadn’t revolutionized the genre. the bitch was still racist. he still didnt give a shit abt women (eowyn was just a vehicle to show how much he fucking hated macbeth anyone holding jrrt up as a feminist icon for that needs to sit the fuck down and explain to me why i can count the woman speaking roles in lotr, a story with a name and fleshed out backstory for every minor character, on one hand but thats! another post). he had something to say abt class with sam i’ll give him that but he is still 100% NOT what we need to hold our standards to in 2020. 
i dont want to talk about old school fantasy, like 80s early 90s cause theres literally no point. its sexist, racist, ableist for sure, this we know. david eddings (not even that old school tbh) can rise from the grave and explain himself to me personally and i still wont forgive him for ehlana. 
so let’s talk historical accuracy. quick question. who the FUCK gives a shit? WHO is this elusive got fan who’s out here like blehh actually??? this method of iron production is TOTALLY anachronistic of the time. ummm these vegetables in this fictional world were NOT native to english soil so how are they here? cause i know this is the classic argument but ive never actually met someone who cared about the lack of dysentery as much as they care abt the women getting raped on screen/page. 
god forbid you have to worldbuild for a second god forbid you can’t rely on the idea of fantasy readers already have in their head god forbid you have an original idea god forbid you spend more than two seconds thinking about ur setting (oh i should mention i dont....really blame GoT for its setting cause of how long ago it was og written but trust me i sure as hell blame grrm for writing a 13 yr old giving ‘consent’ to sex with a grown man within the first couple of chapters) 
If we accept the basic premise of fantasy as escapism, and i AM drunk so i will NOT be finding fuckin. quotes and shit for this but come on tolkien said it himself and as much as i’ll drag him he crafted the simplest and most powerful fantasy metaphors on the board rn. But if we know its escapism. If we know. then who is it escapism for? certainly not for me, the gay brown woman who busted through all of GoT in 10th grade. 
modern fantasy lit used as an excuse for that white male power fantasy is literally disgusting. calling historical accuracy is so fucking dumb ESPECIALLY cause we, as ppl in the 21st  century, KNOW women have been consistently written out of the story. poc ppl, gay and trans ppl, anyone with a god forbid disability has been WRITTEN out of history as we know it, INCLUDING the fucking war of the roses so HOW can we hold up testimony we know is flawed to support our FICTIONAL. STORY. just to??? support the white power fantasy?? literally noah fence but if you are a white guy who felt really empowered by every time jim butcher described a woman tell me: how do you think that’ll hold up in classic HisToRiCaL fantasy. you think thats a fucking noble pursuit? or are you grima wormtongue out here. 
(side note: jim butcher stop writing challenge i dont need to know abt every woman on page’s nipples. anyone who hides behind subgenre like that? ‘ohhh its a noir story thats why hes sexualizing everyone’ shut the fuck up an author isnt possessed by a fuckin muse and compelled to bust out 500k they have agency and they have choice and they MADE the choice to reserve said will for none of their female characters)
which brings me to point 2: target audience and BOY is the alcohol hitting me rn but WHO is this for? this isnt the fucking 80s we know poc and other marginalized folk read fantasy FOR the escapism. on god ive had a cosmere focused blog for nearly three years and. im just gonna say it im interacted with A LOT of yall and ive managed to talk to VERY few white straight ppl as compared to everyone else. 
like....who deserves to see the metaphor on homophobia or racism. joanne rowling? the bitch who literally tried to sell us happy slaves and the disgusting aids metaphor and the worst case of antisemitic stereotypes i ever saw in an nyt bestseller? yall think that was for US? or was it for the white guilt crowd. 
literally white people can find any book about them that they can relate to. but hmmm maybe theres a reason gay women care so much about stormlight archive’s jasnah kholin, a brown woman who’s heavily coded as wlw. or kaladin, the FIRST fantasy protag ive ever seen with clinical depression. hmm i wonder why a bunch of millennials are vibing all of a sudden. im not saying sanderson is perfect--but its the best ive seen from a white author tbh
maybe theres a reason a lot of poc vibe with a literary way to express trauma, and maybe thats why i specifically get so pissed when its not done well. theres a REASON books about outcasts pushing through and claiming their own lives are popular with people who arent white and straight and able bodied. Junot Diaz had a point. maybe lets STOP catering to those assholes who think theyre joseph campbell’s wet dream personified. ive lost respect SO many authors who are objectively talented. pat rothfuss can write so beautifully that ive cried to bits of name of the wind but literally i will never pick that series up again (not just because of the felurian. women in general tbh. mostly the felurian ngl) cause 1) i personally KNEW men whod jerk off to that shit and 2) there was no need for it there was no plot reason for ANY of that shit 
so like obviously thers an issue with authors of color specifically not getting recognized for fantasy and genre work but on god??????? im still mostly mad at the legions of white authors churning out the same medieval england chosen one books year after fucking year. have an original thought maybe. also im sorry that you as an author lack the basic empathy needed to examine the way that women? or any group of people that youre explicitly writing about see the world and would specifically see YOUR made up world. 
yes your fantasy should be diverse, but more than that it should be kind. if you as a writer cant respect groups of people who deserve it....what the hell are you doing in a genre that traditionally is about finding ways to express injustice through metaphor? tolkien’s hero was sam. fantasy was NEVER about the privileged. yall know who you are so stop acting so fucking entitled. peace out. 
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Saw the wedding gif set and just ugh like what are your ideas for the Malec wedding?? Like if they’d had a semblance of chill and took time to plan it together sjdhdjaf. I hc Magnus hiding the tux he’s wearing and then putting on sexy lingerie underneath to surprise Alec with later and maybe tease him with a peak at the reception because he knows Alec will RAVAGE him and it’s exactly what he wants 👀
ugh okay so while i have thoughts i simply MUST mention that @biconicfinn is the queen of malec wedding and she should totally feel free to add to this if she wants (and also yall should send her asks about it to)
but here's my humble contribution:
flowers. so many flowers. from what I've researched a while ago they're a big part of traditional indonesian weddings, particularly balinese. and yes i know Magnus is javanese but theres a lot of immigration from Bali to Java so like. let me have this. especially the thing about the whole "flower shower" thing in the honeymoon, like Alec laying Magnus down on a beautiful bed full of flowers (J a SmiN eS) and he's laughing and smiling and pulling Alec closer and he looks just. ethereally beautiful so bright and happy and surrounded by beautiful flowers dont touch me I'm emo. i just aaaaa it's what he deserves okay
you're completely right he would hide the tux and Alec would be d y i n g like "come on baby you know i have a kink let me at least get a peek just so i can get used to the idea". and Magnus is like lmao nope. and inevitably he knocks the air out of Alec's lungs because of course it's beautiful and fits him perfectly and fuck he's so in love with him and so, so horny right now. fuck
aaah tbh i like thinking of like. the idea of them planning more than the actual wedding? just because like the planning is so sweet and intimate and them. also im not big on weddings usually and havent been to a lot of them
cake. Magnus would probably insist that they get a cake thats not too sweet, like dark chocolate or something, for Alec :') because he knows Alec doesn't really like super sweet things. but he also makes sure it's delicious and very, like, intricate in taste if that makes sense? he knows shadowhunters are animals and wont appreciate the pleasures of a great cake like this but he wants some good damn sweets god damn it
they'd be so ridiculous and extra about the decorations. like they'd want it to be meaningful and there would probably be like, idk paintings telling their story or some other shit lmao tacky af i know but look i dont know shit about interior design
cats drawn on the invitation. like. there's no way there wouldnt be
steak as one of the courses because of the "more like medium rare" joke
so many dishes!!!! Magnus is javanese okay he aint about to have a foodless wedding or some basic shit. everyone is gonna have the meal of their lives at his fucking wedding and aint nobody about to stop him
Cat and Rapha deserved to be best ppl
even more pettiness and salt @ the clave than originally planned, like the invitation has AT THE NEW YORK INSTITUTE in huge letters and the wedded union rune is on the decorations but they dont draw it cuz fuck sh traditions actually and the clave dudes are shitting in anger
but also the reception isnt at the institute cuz like YIKES. the wedding itself might be, again just because pettiness, but Magnus & his family prolly wouldnt be too comfortable celebrating for real there lbr. so to be balanced they do it some other place - idk where, but somewhere meaningful for warlocks so shs can eat it
lmao Magnus is probably the bitch who gets a champagne fountain or some shit just so they can all put their glasses under it to get some more and go fucking apeshit. look just the other day he thought he'd be stuck in hell forever and now hes getting married, something he never thought he'd get to do, and his whole family is there, and he's gonna celebrate okay
the party lasts until well into the next morning and there are preparations so that vampires can stay as long as they like and return safely to their clans
aaaaaa i just love them
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kattimariias · 5 years
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mane six redesigns for an au!!! idk what exactly to call it yet but its basically what the show would’ve been like if i made it. btw theyre all teens and live with their parents (well except for applejack and pinkie) since i thought they were teens when i was younger (and i find it easier to relate to teen characters considering how i am one)
infodumping time
twilight was fairly simple, i just based her off of a generated palette via cssdrive. her cutie mark was the most difficult part, but the core idea is that it represents her and her closest friends. she also has a beard bc thats just the general look for wizards in equestria
(didnt intend for her to be so tiny but it Works)
pinkie was also pretty easy, i just added some yellow based on her rainbow power design and a different shade of pink in her mane bc i like the way that looks. plus some freckles, pigtails, and leg markings bc its CUTE her cutie mark is based off her original one, just with different colors and confetti
applejack was kinda hard bc i had trouble with the shades, but i just settled with it being kinda dark since it looked nice to me skjdhgfvghjk. i think she might be a bit more of a loner at first so it could work well in that case? 
anyways, the green and red mane is based off of irl apples and her rainbow power palette, and i just. splattered more freckles on her djhfghj. i also gave her a bandanna cuz i like seeing that in fanart, and im not sure wtf her cutie mark means i was just coming up with random stuff
shes BIG and supposed to be BULKY but i cannot convey that well. F
rainbow dash was also tricky since i have issues with coloring her mane. it always ends up looking off to me and idk why??? well this time it hit with her tail, so i was just like “fuck it” and made it white. id like to think thats some kind of rare coloring condition (so mixed in with the rare rainbow hair, she generally looks more cool to ponies i guess dgfghjk)
her mane is based off the wonderbolts, and originally i wasnt gonna give her rainbow eyes, but i couldnt pass that oppurtunity It Looks Neat Ok. and i also didnt know what i was doing with her cutie mark, i already have enough trouble drawing it as it canonically is ldkjfvg
rarity was a pain to draw (bc curls are a difficult thing to line in my case) and color, mainly bc i was thinking of other redesigns and how they drastically change her palette. then i realized i dont have to do what other ppl do and just threw in some gold to represent her affinity with gemstones
shes getting a bit fatter (continuously does so throughout the series), which is mainly inspired by fanart portraying her as such, and i really like that idea!!! she gets it from her mom, but doesnt really mind as equestria doesnt judge anyone for their weight in this verse. she is considered one of the most beautiful ponies
some of her horn is missing some color bc of a weird genetics thing. her dad and likely sweetie belle has it, and her cutie mark is just a watered down version of her official one bc i couldnt think of anything else
fluttershy’s colors were hard to decide on, i based them off of a monarch butterfly. it isnt exactly the same obviously, but i liked what i saw sjdhgfghj. i mainly wanted to go off of earth tones but i also like how they dont really come off as brightly warm? its calm and chill, kinda reminds me of fall, but her eyes also remind me of spring
(idk why i put that muzzle marking there)
her cutie mark was yet again, on the spot and random, but its like a mix between a butterfly and pegasus wings, alongside grass towards the end
i plan on adding a seventh member, but whether they’ll end up being a canon character or an oc is something im thinking of
(annyyways im done with my rambling dgfghjkl)
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roxannepolice · 5 years
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Long asks anon again, here to offer my opinion on the current wank. Rey as a character is rather blatantly breaking sw story rules and nothing is going to get SFF fans hackles up like rule breakage. This is root of both the MarySue accusations and current wank. Rey has a tragic backstory thats doubling as the only failure she can call her own. But its a) damn near entirely offscreen and b) serves as convenient justification for why shes competent at near everything that comes up.
Reys instantly good at the force because of a convenient force download that to the best of my knowledge only occured in the noncanon KOTOR II and quite frankly cant blame most of the general audience for not getting because without prior knowledge or the novelizations why would they? She has darkness in her but as so far used and touched it consequence free and its almost entirely symbolically externalized on the Kylo (and in SW symbolism is Real in a way it isnt in other narratives) Shes strong in the force because Light rises to meet Dark but to quote the current crop of movies ‘thats not how the force works) or at least thats never how it worked before. Shes the first SW protagonist to go behind enemy lines and come out with both hands in the second movie. For ppl wondering how come Luke and Ani never get labeled MarySues, this is why, they got thier asses handed to them, Rey hasnt. There /is/ something /off/ in Reys story, and ppl pick up on it. if you can make a post (w/ over 1k notes!) about how great it is that a character meant to prop up 7hrs worth of movies has little to no character development to go through, somethings off. If multiple ppl can make posts about how its neat Rey can tap into the darkside (still characterized as evil in ST) consequence free (with some quite frankly stupid justifications, 'shes disciplined’ really? jedi lacked a lot of things thats not one of them) somethings off and again, if the only failure your main heroine has is /entirely retroactive something’s off/. If the story were getting with the is the story most ppl think we are, a 'female empowerment’ (i dont feel particularly empowered by being told I have an equal chance at being a deus ex machina but ok) than well, her story is over and theres no need for IX (hell it could have been over in TFA, most ppl assumed she had accepted her place as the future jedi in that one) and no need for reylo The ST was always gonna deconstruct all that came before it purely by virtue of being a sequel. The tragedy of anakin skywalker is now a farce, the happy ot ending now a tragedy, and the mythopoetic structure shot to shit in the name of serialization and perpetual warfare. this stand true for all the sequel characters including rey and ben. the only question is are we going to get anything out of it? I compare it to home renovation. You can knock out a wall and the walls gone, but new opportunities arise. With Benlo, I’m reasonably confident that there will be at least some attempt to take advantage of the new space. With rey and the resistance kids? not so much. it just feels like they knocked down a blue wall to rebuild it as pink one and at the point it just feels like a waste of time because ive seen this before. Ive seen pure cinnamon roll desert orphan reform jedi order If this was all youre going to do that the fuck was the point? which circles around to my problem with team good guy this go around and That Scene. JJ twisted the story into a pretzel to justify the winners of the last round being the underdogs again and then rian twisted so much further the storys head may as well be up its own ass. And then at the very end he shoots it all to shit and rushes to reassure us its all gonna be okay. He removes the entire point of the underdog trope /the tension that comes from the fact that they might lose/. I mean there wasnt a whole lot of that to begin with already but really? So theres no tension that Reys gonna win so her journey feels frictionless, and theres no question where shes gonna end up so full offense why give a shit? Thats where the whole 'can rey lose a fight?’ thing comes from. Ppl want conflict in her arc to justify its existence and give us a reason why this her story to begin with. if the only character going through growth for all three movies is ben, if the only characters whos fate is up in the air is ben, and if all the tension in the reylo relationship comes from ben, then why is this /reys story/? why not just make it about the character actually driving all the drama and thus, the story?   As a final thought, im going to add that having Kylo be aware and insecure that hes never gonna be as Iconic as Vader was a great story choice, regardless of where ends up. Current Rebels, on the other hand, seems to have not gotten the memo that they are never gonna be as iconic as Original Rebels, and the story itself seems to being trying to sell them to me as being better. Rey is Luke but better, Poe/Finn are Han wo the smuggler grit, and id be lying if i said it didnt piss me off.
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Long asks anon to kick down ur door again, AND ANOTHER THING. SW is a lotta things. Subtle aint one of them, and St hasnt changed in that regard. If you have to debate it chances are either a) ur arguing counter to the text in which case mor power to you but not really helpful for predictions or intended meaning or b) /it aint there. A bunch of ppl didnt like anidala, but nobody doubted we were supposed to think they were in love by the end of AOTC, bunch of ppl didnt like poes arc, but no one doubts he fucked up by not listening to holdo was the intended take away. Which brings to rey and flaws or lack there of. Were told rey has flaws but she has yet to suffer any real consequences from them with the exception of The Damn Parentage Wank, which again, pulls the double duty of making her hyper competent at everything. Because rey has no consequences for her flaws, from a story function pov there aren’t any. If rey did have a flaw to overcome, we would all agree what it was
Now won’t you all just look at this beautiful, spot on rant which has been lagging in my askbox since the last time Rey’s flaws or lack thereof were the discourse’s focus (November, I believe?) and suddenly became a thing again, courtesy of Tweetgate. I think you really summed up the crux of this debate wonderfully, anon.
I particularly agree with the part about Rey not getting narratively punished for whatever flaws we’d like her to have (great point about returning from behind the enemy lines with both arms still in place), when SW don’t stay away from allowing characters to get “punished” even for otherwise applaudable features - vide Padmé, whose idealism is what Palps manipulates into gaining more power (this is why Padmé will never come off as a Mary Sue or too perfect, btw). But I’ll say even more - Rey doesn’t even get called out on her flaws, except for by Ben, who’s mostly dismissed as a baddie like Palpatine saying Luke was foolish to rely on his friends. Let’s just consider one thing - both Anakin and Luke get called out on their flaws by Yoda (Anakin repeatedly and by lots of other people for that matter) whereas with Rey, the same grumpy-yet-jolly senex pops up from the afterlife to further inform us what a great jedi material she is.
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TBH, I have a very cynical theory as to why Rey is being pushed as the main character while it’s difficult to deny that it’s Kylo Ben who does all the plot heavy lifting. I’m pretty sure Ben’s arc was the first one DLF thought out (and the big question is, was it the only one they thought out) and only later on decided to make Rey the main character, which also involved much less spontaneous writing. Mind you, it’s not as if benepemption didn’t have a manufactured subtaste to it, but with Rey’s heroine’s journey stiff structure occasionally substitutes any in-world explanations of her actions (this is why I have to hope renperor has some narrative purpose rather than happening because lovers need to be separated and anti-hero needs to achieve what he wanted in 2nd act). I feel as if whatever potential her character had (and hopefully still has, pending IX) got smothered by layer upon layer of making her likable by everyone, which largely relied on negative characterization: she’s not helpless, she’s not too naive, not cynical, not too emotional, not too emotionless, not morally corruptible, not anything you’ve ever complained about regarding any SW character, not falling for the bad boy, not not not - and in the end it’s kinda difficult to say what Rey is like and while the goal of making her widely likable was achieved, it also made it almost impossible to view her as loveably flawed/annoying like the classic characters. And on top of all this is the matter of making her a nobody just like you!, as DLF appears to say with uncle Sam’s gesture (which also kinda assumes the existence of a Star Wars fan as some uniform entity? because if you identify with her, good for you, I just don’t understand why the franchise assumes I’ll identify with her by the grace of being a SW fan alone), because, as you excellently put it, the message here is that everyone can be chosen by God - which again, it’s not as if the saga ever contradicted this, so why the hell make a case of it? I can’t agree that it’s made into Rey’s flaw, though, imo her low birth only serves to further frame her as an oppressed virtue. And I definitely agree regarding too much of her growth being left off-screen, or before the story ever begins. The problem here isn’t even that it is left off-screen (it’s not as if we had huge insight into any of the pt or ot characters) but rather that her characterizations is left off-screen while being depicted as at least untypical (unique to put it bluntly) for her situation (same goes for Finn). A hopeful, kind person growing up on her on her own in slavery under a nicer name is a rarity and DLF makes a case for it being a rarity - and this sparks up curiosity in her past, as if market pandering to Re/sky wasn’t enough. So from this pov her un-reveal being frustrating isn’t just a case of not wanting to love her or her self only a potentially deeper psychological question getting answered with well, light.
I should add, Ben’s arc feels like the most spontaneous one (though Finn’s may yet be a masterpiece) and he’s the one to admit his fear of not living up to Vader’s legacy, because I think he’s the character serving as the creators’ vessel, more or less like Luke was Lucas’ avatar in ot. In his fear regarding Vader’s legacy one can feel Disney’s fear due to having bought popculture’s holy grail and not being entirely sure what to do with it. On this background, Rey (a literal scavenger of OT’s pieces) and rebels 2.0 repeatedly blessed by Leia come off as what DLF would want to be. And the result is that the character which was supposed to be Vader 2.0 proves the most original and surprising one, whereas “breaths of fresh air” come off as room aromatizers with “fresh” written on them.
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And as far as the plot being bended into a pretzel and then disappearing up it’s own ass, well, a part of me is still hoping that taking virtually the same villains as before is a mythological-psychoanalitical metaphor of a nigredo repeating itself until the unconscious gets accepted by the conscious…. but, tbh, as the leaks flow this hope is withering.
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