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#later generations
ditzybat · 15 days
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tim: sweet dog you got there. gordon: yes, this is our new drug-sniffing dog. tim: still training huh? gordon: red robin.. what do you mean? tim: ... tim: nevermind...
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kipkiphoorayy · 3 months
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‼️ hazbin s1 finale spoilers ‼️
some text posts for the finale, what a ride!
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foldingfittedsheets · 3 months
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I think something a lot of other people can relate to is the way that you get so conditioned to discomfort that you stop registering it.
I remember sitting at the table with my family, eating dinner as a child. I’d try to eat, because of course I was hungry. But sometimes the flavor or texture was so repugnant that it moved into a category of Not Food.
“Two more bites before you can leave the table.”
“I can’t,” I’d say, trying to explain the impossibility.
But because I was a child they heard, “I won’t,” and made me sit at the table. I’d sit in dull agonized silence, bored and hungry for hours until bedtime when they’d give up. I’d hate myself for not eating and my parents for forcing me to sit there. The few forcefeeding moments ended in vomit.
They’d say, “If you don’t eat this you can’t eat a snack later,” and I moved past trying to communicate my discomfort into accepting that I’d just be hungry.
That state of affairs didn’t last, because my parents realized nothing could force me to eat so they catered to my palate, worrying they’d starve me. But the message stuck. If you can’t do anything about a situation, just accept the suffering.
A few years later my mother called me off the playground to ask, “Are you limping?”
I shrugged. My feet had hurt for a long time, but that was just the way things were now. My mom pulled my socks and shoes off and gasped. The soles of my feet were covered in huge painful planters warts.
“Why didn’t you say anything?!” She demanded but I could only shrug at her. I’d learned a long time ago that saying things about my discomfort didn’t matter, so now I had no words. Sometimes things hurt and sometimes they don’t. I simply accepted and did my best.
Now as an adult trying to learn to improve my own conditions can be hard. If I make food that I can’t eat I’ll force myself to sit at the counter still, full of guilt and self loathing, trying to will myself to eat it.
At first I needed my betrothed to gently take it away to present me with something I could eat. Now on my own I can usually admit that it’s not happening before too long and get something else, but I still feel guilty.
Laying in bed at night waiting for my betrothed to finish getting ready I let out a huge sigh of relief when they turned the lights off.
“Why didn’t you turn them off if they bothered you?” they asked the first time it happened.
“I didn’t even know it was bothering me until it was gone.”
Assessing my physical state now to see if I can improve it is something I’m still relearning but I’m relieved to finally have the space and support to do it.
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its-tortle · 3 months
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— taylor swift albums as months of the year —
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recapitulation · 2 years
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meal ideas!
low energy ("do not ask me to do any prep work at all, so help me god")
mozzerella cheese wrapped in pepperoni ("pizza tacos"!)
hummus and pretzels or naan (putting the naan in the microwave for like 10 seconds...heavenly)
canned chili (with shredded cheese and sour cream if you have it! boom done!)
instant miso soup (warm and lovely! put tofu in it for protein!)
cheese and cured meat, olives, canned fish, crackers, dried fruit, or whatever easy "charcuterie" type items you like
alternate bites of apple and spoonfulls of peanut butter (mixing honey or chocolate chips to the peanut butter is my favorite)
a "deconstructed sandwich": bites of lunch meat, pickles, cheese, cherry tomato, etc (I love roast beef and white cheddar for this)
yogurt and granola or fruit
put frozen potstickers + frozen edamame in the steamer/rice cooker, chill elsewhere with a timer set, then boom
tortilla chips + canned refried beans + cherry tomatoes + cilantro + jarred salsa con queso (or warm shredded cheese on top of the chips in the microwave for 30 seconds)
bagel + cream cheese + lox
microwave scrambled eggs (add things like green onion, soy sauce, or anything else you like!)
cottage cheese and fruit (mixed together or just on the side)
bowl of shredded rotisserie chicken + buffalo sauce + a bit of mayo + green onion (use a kitchen scissors to cut them right in!)
medium energy ("I'll boil water but don't ask me to chop shit")
boiled eggs and fresh veggies (put a little salt on top of the eggs!)
buttered noodles (my go-to nausea meal, it has never failed me. ideas of things to add: frozen peas, imitation crab, roasted garlic)
baked potato with toppings (I like cheese, bacon, broccoli, green onion, and sour cream)
quesadilla (add some canned beans, cilantro, or avocado!)
pot roast (requires a lot of time but not a lot of actual work. I love it with peas!)
cuban sandwich (bread, swiss, pickle, mustard, ham... my favorite thing to panini-ify by far)
pan-fried tofu with scallion sauce (this sauce goes well with everything and tofu is no exception)
pancakes or waffles! (I love mine with jam)
ham, pickle, and cream cheese roll-ups
fried eggs (with toast and lots of butter...so comforting)
fruit smoothie (bananas, frozen strawberries, yogurt...or whatever!)
I hate salad but could write essays on this copycat olive garden salad (throw it in a bowl! chopping required if you use onion)
spaghetti (controversial maybe but angel hair > spaghetti noodles)
pasta salad (olives broccoli fresh mozerella... those little mini pepperonis... yeah)
stir-fried thai garlic shrimp (I like using the mini frozen salad shrimps, it's easy! use jarred minced garlic to avoid chopping!)
tuna mayo onigiri
slow cooker ribs
buffalo chicken wrap (or any number of other wrap options! shred pre-cooked rotisserie chicken to make it easier)
if your local grocery store sells pre-cooked gyro strips, that can turn into an easy wrap with store-bought pita & tzatziki with tomatoes and onions!
couscous and chickpeas
tortellini + pasta sauce + spinach
high energy ("I don't mind chopping some things up!")
stuffed shells with spinach
chicken and roasted garlic (oh my god.....one of my all time favorites)
beef tacos (I like mine with cilantro and onion, and when I'm feeling especially high energy I love a tomatillo salsa)
chicken alfredo
tom kha gai (a thai soup and my absolute favorite! you just need access to galangal)
lasagna! (freezes well and then boom! low energy meal for later)
pad thai! (not as hard as you'd think, as long as you have access to tamarind paste!)
potstickers! (this is a lovely group activity if you want to cook with housemates!)
rice and beans
bang bang shrimp (ogughfhgfuh I love it. you can also do bang bang tofu!)
minestrone soup (so many nice veggies!)
fried rice (put whatever you have on hand in there! broccoli, peas, carrot, and beef is my favorite combo)
broccoli cheddar soup
spring rolls and peanut sauce
skewers (such as beef, onion, zucchini, bell pepper... you don't need a grill, oven works!)
roasted turkey with garlic parmesean asparagus
pork chop with mashed potatoes
panang curry
chicken gnocchi soup (use store bought gnocchi or make your own if you have a high energy day!)
bibimbap (super customizable depending on what veggies you like best)
butter chicken
plus! things that have helped me meal plan:
whenever you think of a meal you'd like to make, take 3 seconds to google search it, take a screenshot of the image results, and put it in a "food ideas" folder. instant visual menu!
the concept of "meal prepping" makes me recoil but I've learned that it can simply mean preparing shredded chicken, boiled eggs, or some other simple protein that you can customize throughout the week. shredded chicken can turn into wraps, salads, pasta dishes, etc... you don't have to meal prep yourself into the same meal all week!
when I have difficulty working up an appetite, I'll scroll through my favorite restaurant menus! there might be some foods I can't make at home, but many times they're very simple to recreate because the ingredients are literally listed!
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aliencatart · 3 months
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a summary of mochi mayhem minus the mochi mayhem
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got a worm nibbling my brain. can someone help me find a piece of obscure media?
webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.
it was very poignant and it bruised my heart and i can NOT find it anywhere
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turndecassette2 · 9 months
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characters for some far-off possible future thing sort of developed from designs in the shortbox comic but different. magic knight ppl tasked with protecting a mining city that is in the process of excavating the ancient underground hell-space of some dead god idk. fighting demons & all that. will come up with more details if anyone wants that
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help-itrappedmyself · 2 months
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Dead on Main AU
Masterpost
Guys, I'm so sorry. But here's this!
~~~~
Danny blinks and he is somewhere else. He’s sitting at a dining room table, surrounded. There are so many people here. They’re all talking over each other, some yelling, some laughing. This scene comes as a great surprise to him, who -one blink ago- was trying and failing to do his homework at home in his room. Danny shoots up, his chair making a horrible noise as he pushes it away so fast it tumbles over. Everyone in the room turns to look over at him like he’s insane. 
“Oh my god, who are you people?” Danny did not mean to say this out loud, but at the sound of his voice he startles. Danny takes a moment to assess, and then, “Oh my god who am I?”  He is tall, and big, and this is certainly not his body, what is he wearing.
The boy sitting to the right of Danny, a little shorter than he is, with black hair and blue eyes (though now that he’s paying attention that does describe most people in the room),  starts chuckling lightly. “Uh, Jason? Are you good?” 
Danny turns to stare him right in the eyes. “What day is it?”
And he can tell the concern around the table is just ratcheting up every time he opens his stupid mouth.
“Did you hit your head on patrol?” The voice comes from the only blond and one of the only girls in the room, who's to the left of the person across from him. The person across from him is another boy with black hair and blue eyes who is studying Danny in a way that makes him uncomfortable, that under-a-microscope look that makes you feel like you’re failing at something.
“I have no idea if Jason hit his head.” Danny says. “I was just trying to remember if it was my birthday.”
And if he thought the room was busy when he first arrived here it is absolute pandemonium now. Everyone starts shouting and asking questions that he can’t even hear over the shouting. Someone with white hair in a suit just came through a door he didn’t even see earlier to stand by the only person not shouting, who -Danny would guess- is the only other adult in this room, witting at the head of the table. He also has black hair and blue eyes, and where almost everyone else’s reaction was panic, he froze instead. The person across from Danny also isn’t shouting, but the person next to Danny on his right has now fully stood up and looks like he might actually jump across the table to win the argument he ended up in. 
“Are you Jason’s soulmate?” is the main gist of the shouting that Danny can interpret but he’s more concerned with actual Jason at the moment. If they switched bodies... Then Jason might be in trouble…
“Hey, I forget, how long is this body swap supposed to last again?” Danny asks.
“Until you and Jason have physical contact. You have to actually meet.” The boy sitting across from him explains. He seems like one of the only ones that heard Danny talk, everyone else was still shouting. 
“Oh, that just seems terrible. What if we’re in different countries or something?” Danny complained. “Everyone in the world is just supposed to be able to drop everything and afford to fly across the world. The universe is really trying to screw people over now. Honestly, am I in a different country? Where even are we right now?”
“You’re in Gotham.” This voice was new, coming from the head of the table to Danny’s right. 
“Oh no. Nope.” Danny started backing away from the table, almost tripping on his overturned chair. “Absolutely not, no, how do I get out of here?” He starts earnestly looking for a door to get out of this place, but there are three doors he can see and he has no idea where any of them go, and doesn’t this room have any windows? What kind of a room doesn’t have any windows? Do they like to eat in a basement?
“Jason- not Jason. Uh, you need to calm down, everything will be fine alright, We’ll get you and Jason introduced no problem.” Danny swivels to track the voice and it’s the one who was sitting next to him, he’s walking towards him with his hands up and out in front of him. 
“I have to get home.” Danny breathes. 
“We can get you there, promise. Now, I’m Dick, can you tell me your name?”
“Your name is Dick? Who named you Dick?” Danny is so confused he’s stopped panicking. “How old are you for you to go by the name Dick?”
“Okay, rude.” Dick sounds like a petulant child so Danny’s estimations for his age are continuously dropping. “I’m 24.”
Danny snorts. “Okay.” The blond girl starts laughing over at the table. “I’m uh, I’m Danny.”
“Nice to meet you. Sort of. I’m Tim.” The guy from across from him had made it over to stand next to Dick. “There’s a lot of us here today so the one laughing like a hyena is Steph. That one there is Duke.” African-American, still with black hair but he has brown eyes and waves once introduced. “Damian is the short one next to him, and Cass was sitting across from Dick earlier. Our dad, Jason’s dad-” 
“Not my dad!” Steph interrupted. Tim waves her off.
“Everyone but Steph's dad, is over there, Bruce. Alfred, our butler is the one next to him.” Alfred gives a slight nod to his head. Bruce is just staring at him.
“So, names out of the way. You said you wanted to go home, where do you live?”
“Amity Park.”
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bacchuschucklefuck · 21 hours
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truly this one's just for me. I can do what I want foreverrr
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mariusslonelysoul · 2 months
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Watching tng really reinforces just how obsessive and codependant the tos triunvirate is. Picard and beverly clearly have history, but unless she has business there, she's never on the bridge, and riker never beams down with picard, is always one or the other on the bridge. Even deanna, despite being picard's other support, does her thing. Meanwhile, jim was dragging bones and spock, the two most senior officers after him and scotty, on every new, unknown and potentially dangerous planet. Like, we been knew but it's fun to have the confirmation
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montereybayaquarium · 8 months
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All barbel, no bite!
The white sturgeon rummages on the seafloor for food, using its barbels (little whisker-like feelers under its snout) to help find yummy morsels to feast on. But this bottom-dwelling fish is totally toothless! Undeterred, it relies on savvy suction to slurp up scrumptious snacks.
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a-dauntless-daffodil · 2 months
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is it gay to collect lots of lore on your new girlfriend, make it into a binder, and then hide it under your shared bed where she will absolutely never find it???
Vaggie: "Charlie? Uh, quick cleaning question."
Charlie: "Hmmmm yeah??"
Vaggie: "So I was looking under the bed-"
Charlie: "Under the b-" (LEAPS across the room) "-NO WAIT LEMME DO THA-"
Vaggie: "-and there's this binder, with my name on it."
Charlie: "AHH!!"
Vaggie: "In your handwriting?"
Charlie: "AAHHHH!!!!"
Vaggie: "It's about the size and thickness of a telephone book-"
Charlie: "AAAAAAAAAAAHHHHHHHHH....!!!!"
Vaggie: "Babe. Do I wanna know."
Charlie: "IT'S NOTHING CREEPY OR WEIRD I SWEAR!!!!!"
Vaggie: "... that honestly just makes it weirder. What's even left?"
Charlie: "Normal stuff! Just, normal everyday Vaggie-related observations! In alphabetical order. And. Cross filed by category and sub grouping, for quick reference."
Vaggie: "..."
Vaggie: "You've made a reference book on me."
Charlie: "Okay, now when you say it like THAT it sounds WEIRD!"
Vaggie: "Any, uh, particular reason you're doing this?"
Charlie: "My brain likes knowing things about you. I mean, I like knowing things about you."
Vaggie: "What... kinda things?"
Charlie: "Can I see the binder? Thanks." (pages through) "Ah-hem. Things Vaggie doesn't like! Not having wings, back pain, back pain from not having wings anymore, people being rude to me, not stabbing people who're being maybe a bit rude even though she really wants to, leaving her spear at home on dates so she doesn't stab people with it, stuff being messy even though she tries to hide how grumpy it makes her when I don't fold the towels up again, guitarists, swords, angels, any mention of heaven-"
Vaggie: (sweating) "H-how 'bout some examples from another category, sweetie?"
Charlie: "Right! Ummm- okay. Things Vaggie likes! High places! Backrubs- especially after she's slept wrong again because we cuddled the wrong way during the night oops- the way her hair looks now it's growing out long! Long gloves and thigh high stockings! Cleaning! Doing stuff together- like tidying up our room! Buying me binders so I can keep my notes together instead of stacking them piles in our room! Threatening people! Threatening people specifically with-"
Charlie: (growling) "Her. Spear."
Vaggie: "What?"
Charlie: "Nothing!" (goes back to smiling) "Holding hands!- with me. Snuggling!- with me. Kisses!- again specifically with me. Staring up at the light of heaven from high places-!"
Vaggie: "And you."
Charlie: "-and me! ...And me?"
Vaggie: "I like staring at you, too."
Charlie: "....."
Charlie: "Can you- hold on just ONE moment I- I need to make a note and, for that I need a glitter pen..."
Vaggie: "You're writing all this down in glitter pen?"
Charlie: "I want it to be cute! Like you!!!"
Vaggie: "And I kinda wanna kiss you."
Charlie: "You- because of the, weird non-creepy binder thing??"
Vaggie: "Yep."
Charlie: "....Noted!!!" (snaps binder SHUT) "I can totally make the actual notes later though, you know, if you want to do the kissing thing right now inste- Mmf!"
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starstrike · 3 months
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Mithrun's desire as an SA analogue
TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.
People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)
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So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.
Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.
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The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.
In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.
The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously. It makes my skin crawl.
This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.
Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.
Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.
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This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.
There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.
In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.
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Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.
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duckiemimi · 8 months
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gojo in jjk 236
i’m not one to advocate for prying away creative control from a creator’s (mangaka’s) cramped, overworked hands, and i understand that with oftentimes fandoms get so big that the story warps itself into something out of the creator’s control, but i do know what a good character arc looks like (i’ve seen it in this very story before) and i do know what public pressure can do to a creative mind.
that being said, keeping gojo dormant for more than a hundred chapters, then unsealing him only for him to gain nothing from his long-drawn out fight with sukuna is insane. i was assuming we were building up stakes in his character arc! i didn’t think he’d die prematurely without resolution! how could he be given a meaningless death when it was all he and geto talked about at one point?
gojo could’ve been living proof that change is possible and that fate is breakable. he was born after multiple cycles of six eyes and limitless users, he was born a baby-shaped building block, jujutsu’s atlas with the world on his shoulders. alone and untouchable. but he changed because he met geto. he changed because he met shoko, because he met megumi and yuuta and yuuji and every single character that has loved and cared about him. love changed him. to be loved is to be changed, and to have him go without an ending line to, “this is just a personal theory, but love is the most twisted curse of them all,” is such a loss. it’s like a sentence without a full-stop, abruptly cut short with no continuation.
i initially thought that he’d be weakened by sukuna, but then his allies would come running to back him up—there is strength in solidarity! his true strength should’ve stemmed from solidarity and love! interdependence and connection should’ve been the peak of his character arc! why did we end up with nothing even after tens of chapters of him fighting for his life? why did every other character sit still instead of using their advantage in numbers?
but i do see where gege is headed. with gojo gone, the baton has been passed onto the next generation. there is no longer a biological “hierarchy” of power amongst the sorcerers (to an extent), and perhaps sukuna himself will falter because the balance of the universe was pulled from under their feet. besides love, jjk is also about generational second chances: sashisu and itakugifushi; toji and maki; geto and yuuji and yuuta; geto walking to tengen’s quarters alone, delivering riko almost hesitantly, and yuuji waking to tengen’s quarters with megumi, yuuta, choso, and yuki. silhouettes in the dark of the tunnels. hell, you could even count yaga as a teacher and gojo as a teacher. or yaga’s CT and how he gave a child another chance at life. yuuji’s multiple resurrections. kenjaku and tengen. i get it, i do—i understand what gege’s trying to do here, but i’m tired of him using these characters as plot devices instead of giving them the resolution they deserve. (especially for jjk’s cash cow…he deserved more than a rushed end.)
i do hope that that one theory about gojo only being able to die if his head is cut off is true. but even then, after all of the fake outs we’ve had to read, that would be a shitty cheap shot. i’ll try to have faith; even that is wavering.
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tblsomedoodles · 23 days
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The Preferable Alternative- Prologue - Part 1
Start (you are here) - Previous (none) - Next
New au. I can't explain the main thought behind this without spoilers. And since i'm jumping straight into a multi-part comic, i won't be giving out any.
Basically vibes for this is that it's kinda creepy and maybe suspenseful with eventual hurt/comfort (if that doesn't make sense, im sorry, i have a hard time describing things). I'm also pretty mean to Donnie. Not "Donnie vs" mean, but unfortunately this idea wouldn't work with anyone else.
(for those that get anxious, like me. There is no main character death. (might not be death at all but we shall see. that depends on one character and even i'm not sure exactly what they'd do yet.) and no one's gets serious physical injuries. Definitely more hurt/comfort than plain angst. b/c that's how i roll. I can't do straight up angst.)
I'll write a proper summery once the prologue's done. I don't want to spoil it too much. For now, just know it's a PB&J duo story that happens during the 6 weeks before the Krang invasion.
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