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watermelonsloth · 2 months

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I think the reason why Naruto fans get so passionate and upset about the series is because of how real it can be. Naruto isn’t about paragon heroes outdoing dastardly villains. It’s about human beings fighting tooth and nail to survive in a world surrounded by death. It’s about broken systems made and perpetuated by broken people.

The Hyuga clan isn’t just antagonistic or pretentious, they practice slavery.

The Uchiha clan weren’t just killed by some raging psychopath, they were systematically massacred.

Itachi isn’t just cruel to Sasuke because he’s a bad brother, he’s cruel because he’d been told time and time again that you can only survive by being cruel and he wants nothing more than for Sasuke to survive.

Nagato isn’t trying to take over the world just for the sake of power, he’s trying to take over the world because it beat him down to the point of believing that the only chance at peace there is is the world being forced into compliance through fear.

Iruka isn’t hard on Naruto just because he’s a strict teacher, he’s hard on Naruto because he knows from experience how unforgiving the world is towards orphans.

Kakashi isn’t just some silly and slightly lazy teacher, he’s a contract killer still grieving his loved ones and struggling to do better without knowing how he’s supposed to.

Sakura isn’t just a fangirl, she’s a normal girl in a very dangerous and abnormal world constantly being made to choose between what she’s supposed to do and what she feels.

Sasuke isn’t just some edgelord, he’s a survivor who lost everything then gets repeatedly told that he has to choose between keeping what he’s gained and doing better than his brother.

Naruto isn’t just trying to be the best Hokage there ever was, he’s trying to prove his worth to a society that abandoned him just for existing and, in a way, confirm his worth to himself.

The Naruto story is about humans trying to force themselves into the role of weapons because that’s what they were told they had to be. It’s a story where everyone is a perpetrator but no one is trying to do wrong. It’s a story where everyone is a victim but no one is a perfect victim.

The world and the characters aren’t simple and trying to simplify them only takes away from them. So of course we get passionate about showing off all the reasons why they shouldn’t be simplified and all of the ways they’re complicated. Of course we get upset when we see others simplifying them or selling certain aspects of their characters short. Of course we get upset when the series itself simplifies them. Of course we get upset when the series chooses to abandon them. Because it not only feels like the characters are giving up, it feels like the series is betraying anyone who chose to get invested in its complexities.

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nagichi-boop · 1 year

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SHADOW IS WRITTEN SO WELL IN THE MURDER OF SONIC THE HEDGEHOG!!

First of all, just him showing up to Amy’s party is a step up from his recent “I will do everything myself, I hate everyone, imma fight you” attitude that we have seen. Secondly, and idk if it was intentional, but him attending shows he cares about Amy. He’s always had a special place for her after the events of SA2, so it’s nice to see him showing up for something that maybe isn’t his style for her sake. (Parties aren’t really his thing, after all.)

SPOILERS UNDER THE CUT

It’s also really sweet of him to go through so many lengths to try and get Amy’s present. I definitely don’t think he forgot to get her a present, he genuinely just didn’t seem to know that it was a social norm to bring presents to a birthday. If he really didn’t care, he either wouldn’t have gotten her anything or he would’ve given her a rushed gift. But no, he went through a lot of effort, basically foregoing the game, just to stall Amy so he could get her a present she would enjoy.

And not just any present - he remembered her mentioning a specific band she liked and that she hadn’t seen them live. This not only suggests he listens to her and remembers what she tells him, but also implies that he has had multiple conversations with her. Clearly he must have also done some research too since he knew that the tickets were going live soon. He thought this through, even if it was a bit last minute, and did his best to get the tickets (even though he admits to not being the best with computers, which is also nice because usually Shadow just insists he’s the best at everything). I also think it was sweet that he didn’t heavily protest Amy’s suggestion to see the band together. He hesitated, but then yielded. This…for a character who recently has been written to be quite selfish.

He seemed upset that he couldn’t keep this a surprise, but he also didn’t become enraged or lash out at Tails and MC/Barry. In fact, he didn’t really lash out at anyone at any point which is refreshing, since in most Sonic media that’s his go-to emotion.

Most of his expressions throughout the game are fairly gentle in fact. Sure, he doesn’t smile, but he also isn’t actively angry. And the one expression where he does seem a bit negative just seems like his resting expression, or at absolute worse just a little annoyed. He’s very mellow throughout the game and it’s refreshing.

Even after he has finished talking to Amy, Tails and MC/Barry, he offers to stay with them and help them with the investigation. Normally in Sonic media, Shadow has no interest in helping others and only really cooperates if there’s a mutual goal/interest. And even then, he tends try to do things on his own. But in this game? He actually cooperates, and what’s more, he goes out of his way to offer his help.

So far I’ve mostly talked about his attitude towards Amy. But what’s his attitude towards Sonic? People debate back and forth on whether Shadow hates Sonic and the recent games and media have made it seem like he does hate Sonic. But in this game? I wouldn’t say so. I mean, he’s literally hanging out with him and his friends and instead of having beef with Sonic, he just focused on making Amy happy. And even when the situation gets more dire and Sonic is found to be knocked out, he doesn’t make any snarky comments or anything. In fact, he actually helps to tend to Sonic’s condition, even if it was just checking his pulse. If he rly didn’t care, he would’ve left it to everyone else.

Man, I could talk for hours about Shadow in this game. I can’t believe this April Fools prank game is actually the best characterisation for Shadow we’ve had recently. He’s not overly aggressive, he isn’t selfish, he isn’t super edgy. He is still sorta cold, but he’s not rude or mean. He’s actually really kind (in his own way), putting his needs and desires on hold to make Amy’s birthday fun and to help everyone out. I seriously hope that Shadow is written more like this in the future and not like he has been. Maybe Sega wasn’t joking about taking on board the complaints of the fandom.

#welcome to Nagi rambles way too seriously about an April Fools day prank #sorry I’m not the best at explaining what I mean but I love how he is in this game #I love this game way more than I thought I would #shadow #shadow the hedgehog #sonic the hedgehog #the murder of sonic the hedgehog #tmosth #character analysis #analysis #nagichi talks #posts that popped off #long post

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lazyflower48 · 2 months

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Dazai and Ranpo: The Two Geniuses of the ADA

The thought about making a post about Dazai and Ranpo's teamwork has been plaguing my mind for a while now, and so I finally found some time and decided to go through with it.

So let's talk about one of my favourite underrated duos for a moment. The two geniuses of the ADA- Dazai and Ranpo. Two people who make a wonderful team and are actually, in my opinion, the backbone of the agency.

What I find interesting is that (though I believe that Dazai respects and admires all members of the ADA) Dazai openly admires Ranpo A LOT. He's always quick to praise Ranpo (basically fanboying over him and it's quite adorable to see Dazai gush over someone like that other than Oda) and in 'Dazai's Entrance Exam' we see him being surprised over the fact that Ranpo's ability is not actually an ability and we see him further praise Ranpo's intellect after finding that out.

Despite the fact that Dazai is a huge mystery, even to the people around him, Ranpo figured out that there was something up with Dazai in just a single glance (in 'Dazai's entrance exam'). And despite knowing that Dazai was probably hiding a sinister past, he didn't press him any further for details (probably in order to respect his privacy or his wish to not disclose his past OR maybe due to the the fact that knowing Dazai, he most likely wouldn't answer truthfully even if questioned about it)

What I also love is that even though both of them are extremely intelligent, their intellect differs in such a way that Ranpo is a master of deduction and Dazai is a master of manipulation (as stated by Kunikida in 'The Daily Routine of the Detective Agency'). However, one thing both of them share in common is that they both felt isolated due to their nature.

They may have limited interactions but their interactions are always my favourite, for instance-

1. Dazai's entrance exam - Dazai's admiration and respect towards Ranpo

2. Season 1 - Murder on D-Street - Dazai showing a good understanding of Ranpo's deduction process and acknowledging that Ranpo caught onto more details than him

3. Season 2 - "Mountains or sea?" " Sea. "

Showing their unspoken communication. They can read each other's minds at this point lol.

4. Season 3 - Ranpo basically acknowledging that Dazai would be a tough opponent to go up against by comparing Fyodor to him (sort of praising his intellect in a way)

5. Season 5 - The Strongest Man in the Agency- Ranpo

Dazai keeping an eye on Fyodor while leaving the rest to Ranpo

Dazai relying on his allies- trusting Ranpo to negotiate with Bram in order to undo the vampire curse.

6. Dead Apple - Ranpo seeing through Dazai's plan beforehand.

7. 55 minutes - Seeing through upcoming events beforehand, one thing Dazai made sure was to inform Ranpo about the whole fiasco on Standard Island in order to save the Agency in the end.

Also, sidenote: I found out that the Dazai and Ranpo duo is named Souheki, which translates to double jade. Now, I'm not sure if this information is fanon or canon (feels more like fanon tbh but I really like it because it's a pretty name)

Anyway, one thing we can say for sure is that as long as the two geniuses of the Agency- Souheki work together, the ADA will most likely remain undefeated cause no one really does it like them

Lastly, just some food for thought. I've always wondered how Dazai would react if he found out that Ranpo met Oda TWICE and the second time he met him was right before Oda went on to his certain death.

Honestly, I would LOVE to see more fleshed out and direct interactions between these two.

#i wish tumblr allowed more than 10 photos in a post cause I wanted to add so many more #cant believe this has been sitting in draft for like 6 months now #the two geniuses of the ADA>>>#bsd #bungou stray dogs #bungo stray dogs #bsd meta #bsd analysis #bsd dazai #bsd ranpo #dazai osamu #osamu dazai #ranpo edogawa #souheki #bsd ramblings #bsd s5

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anthurak · 9 months

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One of the funny things I’ve recently realized after browsing old TOH posts is that the whole idea of the ‘Luz and Hunter are siblings’ dynamic feels like almost entirely a creation of the fandom. Not only that, but a dynamic that was created basically by accident.

Consider for a moment just when and WHY fans actually started the ‘Luz and Hunter are siblings’ idea: It wasn’t in the wake of King’s Tide or after Hollow Mind when Luz and Hunter start really becoming friends, it was following Hunting Palismans. AKA, the episode where the mysterious ‘Golden Guard’ is revealed to be the show’s resident ‘edgy bad-boy with a sad backstory’ named Hunter, and also established that despite what he may think at the time, him and Luz are definitely going to be friends sooner or later.

In other words, the fandom’s idea that ‘Luz and Hunter are siblings’ started mainly as pushback against shipping those two and more notably, any theories/claims that Luz and Hunter might end up together in the show. As in, right after Hunting Palismans released, you can find a ton of posts that amount to ‘THEY’RE LIKE SIBLINGS DAMMIT!’ as fans try to get ahead of any ideas people might start getting that Luz and Hunter might be some endgame couple.

Now of course, in should have been pretty clear even when Hunting Palismans released that ‘Lunter’ was NEVER going to be an actual thing in the show. Like I’ve always commended the foresight of Dana Terrace and her crew for making sure that Amity was FIRMLY locked-in as Luz’s love-interest before they let Luz anywhere near the show’s resident ‘edgy bad-boi with a sad backstory in need of a redemption-arc’.

But for me, the funny this looking back on all this in hindsight; this presenting that Luz and Hunter are going to be like siblings as pushback against any theories that they were going to end up together romantically nonetheless made the same underlying assumption about where Hunter’s character was going:

That he’d end up being this super-close friend and ally to Luz and that she’d be the one facilitating his redemption arc, ala Aang to Zuko or any other case of ‘hero(ine) redeems rival and they become best friends’.

And of course what makes that so funny is the fact that this DIDN’T actually happen, at least not in the way most of us were expecting. Yes, Hunter did end up being A close friend and ally to Luz, but the people who he’s actually closest to and the one who really drove and facilitated his redemption arc wound up being Willow and Gus!

In conclusion, the whole idea of ‘Luz and Hunter are siblings’ dynamic feels like one of those cases of a fandom coming up with an assumption about where characters might be going, and then forgetting that they were the ones who originally came up with it while the show itself does something else.

And also, Hunter is WAY more of an older brother to GUS than he is to Luz, and frankly I think we need more recognition of that fact XD

#toh #the owl house #toh rambling #toh analysis #toh fandom #toh hunter #hunter deamonne #Luz Noceda #willow park #gus porter #luz and hunter aren't really siblings #hunter is closer to willow and gus than he is to luz #hunter is more of an older brother to gus than he is to luz #random toh rambling post

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comradekatara · 15 days

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I just read your rant about zukka and it made me think what if zuko’s obsession with sokka has to do with the fact that sokka in some ways encompasses some of the traits that have been forced on Zuko since he was young like the whole killing without mercy or remorse and the need for control and the strategic thinking. But Sokka uses these skills no to try and rule the world but to help aang stop Ozai. I haven’t watched atla in a while but your analyses help me realize a lot of details that I missed about it was he characters

yeah i’ve talked before about how sokka and azula being so similar must be kind of a mindfuck for zuko because sokka has “a killer instinct that’s just so fire nation” but also he’s literally friends with the bald baby pacifist monk avatar who says shit like “do you think we could’ve been friends too?” and so zuko clearly has no idea what to think. like he and azula were both indoctrinated into this world that valued certain traits and dogmas over others (ie, sokka’s over aang’s) and so azula sees sokka as more of a threat.

it’s funny because obviously sokka and zuko’s first encounter is sokka getting his ass handed to him by a guy who doesn’t even care that he’s in his way, but also that scheme is pretty immediately disrupted by sokka’s boomerang. and then the next time they meet, sokka has actually spent time training under someone (instead of fumbling around in the dark by himself) and can now hold his own far better. and every single encounter after that sees sokka not only rising to zuko’s level, but surpassing him, fighting him, foiling his plans, advocating to leave him for dead, ignoring him, dismissing him.

even at the western air temple, sokka is the liaison who welcomes him into the group (the designated “leadership” role comes with more responsibilities than simply assassinating assassins), but he also makes it pretty clear that he doesn’t care for or trust zuko throughout “the firebending masters,” even if his manner of bullying is far less overtly malicious than katara’s. and yet, zuko cannot discount him. zuko saw him kill combustion man. zuko understands his value to the group. zuko recognizes that quality he and azula share. zuko may have had an advantage over him the first time they met, but it sure didn’t last long. if azula and zuko have anything in common, it’s a mutual respect for sokka.

like, sokka is the only member of the gaang’s name azula actually says (aang is “the avatar,” katara is “peasant,” toph is [insert blind joke here], and suki is “my favorite prisoner”) and on the day of black sun, she elects to distract sokka first and foremost knowing that he’s their “leader.” and she does clearly respect him more than most people do because she can see herself in him (at least to some extent, i don’t think either of them are actually insightful enough to realize how deep that connection truly goes) and thus can recognize his worth as someone who is in a similar position, albeit on the opposite side.

zuko does say and aang and katara’s names (and appa’s), but sokka’s name is the first he says, and it’s really the only name he uses as a mode of address. and the matter of naming is clearly important to royal heirs, who are defined by their names and titles. we see that especially when zuko confuses ursa’s “remember who you are” with “remember your ancestry,” declaring who he is not as internal identity, but as title. to afford someone the respect of addressing them by name is to implicitly demonstrate respect for them.

this is further demonstrated by the fact that unlike “you just had to pick up the glowing egg” zuko of just an episode prior, zuko really does follow sokka’s leadership and places his complete faith in his abilities. there’s no complaining or backseat driving or undermining of his intentions, which is genuinely anomalous for zuko, who generally refuses to listen to anyone about anything (unless he’s being actively scared into submission, and even then he’s stood up to ozai multiple times). he’s not outspoken in these episodes, however. he is downright docile. and it’s because he genuinely believes sokka to be his superior. which isn’t to say that sokka isn’t better than he is, but like. aang is too and he doesn’t take his knowledge into account! because aang doesn’t represent the values that zuko strove to embody his entire life.

what’s more, i would imagine there’s something kind of satisfying, if not downright intriguing, about knowing someone who basically is what you aspire to be, who you were told you must be your entire life, and seeing that he is just. absolutely fucking miserable. like azula is also miserable, but zuko doesn’t know that (yet), because she hides it better. but sokka is genuinely suicidal (especially in these episodes). meeting this idealized standard of perfection you have always failed to reach and realizing that whatever standards you once (recently) held yourself to are actually deeply unfulfilling. that sokka isn’t “perfect,” that he actually considers himself a failure. and the fact that when he does fail, he considers it the end of the world because he never built up the resilience one gets from being a normal person who doesn’t always succeed on their first try. and zuko’s like “finally, something i have that he doesn’t: intimate knowledge of what it’s like to constantly fail and underperform and disappoint people!”

zuko is really perfectly equipped to support sokka in this situation, because he idolizes him enough to provide him with the unconditional support sokka feels fundamentally undeserving of, and also understands sokka’s misery enough to give him actually meaningful advice when it matters. what’s interesting about how zuko feels about sokka is that it’s not just about uncritically putting him on a pedestal for being Nice Azula or whatever, it’s also about zuko’s genuine desire to help sokka and protect him.

yue inhabits the martyr role that sokka has always envisioned himself in, suki establishes herself as someone who is equally capable of protecting him and he can her, and zuko risks his life to support sokka on his crazy suicide mission, when sokka was so intent on going it alone because he wasn’t thinking clearly didn’t want anyone else to get hurt. sokka doesn’t need someone who treats him like an irreproachable god. in fact, i think sokka would hate nothing more than having a sycophant. he needs someone who understands that he is fallible and vulnerable and needs help like any human being does, and respects and trusts and admires him anyway.

zuko doesn’t have the capacity to recognize azula’s insecurities and shortcomings, or the desire to help her, but he does for sokka. because he never felt like he was in a position where he had to compete for something against him. he’s not trying to usurp sokka’s role as “leader” (except for whatever was going on in “sozin’s comet,” but that’s for another post) and is happy to simply follow him, in a way that is genuinely uncharacteristic for him.

and you can say that it’s because zuko is gay and stupid (which wouldn’t be wrong, per se), but it’s also because sokka embodies everything zuko ever thought he had to be. and it’s because sokka doesn’t even care. it’s the recognition that one person’s idealized model of behavior is another’s burden. that if zuko had been “perfect” like sokka, he never would’ve gained the wisdom to accept defeat and not let it deter him. perfect like azula, who, like sokka, shatters in the face of failure.

zuko says as much in “the siege of the north,” and again in “the western air temple.” the fact that he isn’t a prodigy, the fact that he “had to struggle and fight” to achieve what little he has, is “what made me who i am.” so he’ll respect sokka, of course, because sokka is who he wished for so long that he could be. but he’ll also support sokka, because he has just enough distance from the situation to recognize that he’s not an island (even if sokka himself is convinced that he must be). so it’s not obsession, per se, nor is it simply uncritical admiration that confuses excellence for infallibility. it’s unconditional support born of understanding, a sort of empathy. it’s devotion.

#xxzavier42 #asks #sokka #zuko #azula #sokkaxzuko #azula&sokka #azula&zuko #analysis #at some point i gotta stop saying ‘whoops i wrote way more than i thought i would!!! teehee’#and recognize that this is simply my modus operandi #i love to ramble …. lol #also when i call sokka the ‘leader’ its with the caveat that I think the designation of leadership is kind of flawed #but that’s definitely how azula and zuko see it #and in the most traditional sense that’s what he is #but not always.#i need to finish and post my essay on katara and sokka gifted kidism….#anyway. zucchini good 👍🏼

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rotisseries · 2 years

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I'm bursting at the seams to talk about mike to anyone who will listen, but I feel exhausted just at the thought of explaining will

#mike wheeler #will byers #byler #stranger things #st4 #stranger things 4 #it's like at this point if you need detailed analysis on will you've got more problems than I can fix y'know?#explaing mike's queercoding to someone feels like you're socrates gifting the youth of athens with philosophical enlightenment #whereas being asked to explain why will is gay feels like you've spent the past 10 minutes #explaining something that someone should ALREADY understand #AND THEN you realize they weren't paying any attention and you've got to repeat literally everything #anyway this is a little bit related to my post from a few days ago about me rambling to my friend about mike #bc I know if she'd said ''explain will'' i'd've been like ''in the nicest way possible are you fucking blind?''

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getvalentined · 21 days

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I understand people giving Lucrecia the benefit of the doubt with regard to what she did to Vincent, just like I understand people not realizing how undeniably fucked up Gast was, but the important thing to keep in mind about these characters is that the majority of them are written as being in the throes of some pretty extreme cognitive dissonance.

It's not bad writing, it's that they're hypocrites. They reached a moral event horizon at some point, and they did what they felt they had to do when crossing it.

Gast abandoned a child because he wasn't what he wanted—even having raised Sephiroth up until that point and knowing that he was a pretty normal kid overall, as we can see from his behavior as a young teen in Ever Crisis, Gast still couldn't bear to continue to be responsible for a monster. He knew what Hojo was capable of, because he knew about what happened to Vincent, because it happened in his lab, and he left a literal child in his care anyway. Sephiroth's only crime was not being what Gast thought he was, and Gast damned him to a lifetime of torture under a "father" whose only goal was to use him to prove his own genius. Why? Because Gast had a goal, and the goal was what mattered, the ends justified any means he could devise. He was a man obsessed, driven to the verge of madness in his lust for the Promised Land. A religious zealot with the most powerful scientific team in the world at his disposal, ready to prove him right—and then he wasn't right, and the whole world fell apart underneath him. Ifalna gave him back that stability, because she was a real Ancient, and she gave him a new, better child to care for. A child that wasn't a monster, a child that was his, a child that might one day lead him to the Promised Land, if her mother didn't do so first. When Aerith was born, Gast got to be right again, and therefore all was right with the world. Sephiroth (like Genesis before him) may as well have never existed at all.

Lucrecia openly experimented on a man who loved her enough to die for her, going so far as to apparently use data from those experiments to improve her own academic standing, because she couldn't bear the guilt of being responsible for his death. It wasn't about whether it was the right thing to do, it wasn't about whether she loved him back, it wasn't even about her thesis at that point—she just couldn't continue to live having lost everything as a result of her own impatience, her own lack of regard for everyone around her. She killed her mentor through her own impatience, she gave up her son for experimentation, she didn't stop her husband from experimenting on her ex-lover, and she had nothing to show for it but crippling Jenova toxicosis and an equally crippling cowl of regret.

I could even go into Hojo here, how what he did to Sephiroth was a result of struggling to escape Gast's shadow, how what he did to Vincent was a result of him struggling to prove that he deserved his wife, how everything he did was born from the all-consuming need to do just one thing for which no one else could take credit. Hojo got the director position not because he earned it, but because Gast ran away. Hojo got Lucrecia not because he wooed her, but because he didn't have eyes like the unrequited first love that she killed. Hell, Project S only happened because Project G failed! Nothing Hojo has ever had that was worth anything was because of his work, only because the work of others failed. Why do you think he talks about "failures" the way he does? The failure of others is the only reason he's gotten so far, and he knows that any failure of his own will knock him right off that pedestal—and he's terrified.

None of these people are good people. I don't know that any of them ever were. But in their eyes, everything they did was justified, they took the right course of action, because they took the only course of action that their personal understanding of reality would allow them to take.

Were any of them actually right? Probably not. Certainly not, in some cases. But there's no going back on it now. The arrow has left the bow of the goddess, and there's no calling it back.

#fandom ramble #lucrecia crescent #professor hojo #professor gast #gast faremis #final fantasy vii #ffvii #final fantasy 7 #ff7 #not even getting into the project g crew #mostly because I did a whole ramble on gillian a while back #and I'm not prepared to do a character analysis of hollander #who is possibly more messed up than hojo #for different reasons #but hoooooo boy #he's also dumber than hojo tho #which is his problem #if he were a little smarter #we'd be doomed

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13eyond13 · 3 months

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love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

#im talking about griffith btw #guts i feel i get intuitively - maybe because i have some personality traits in common with him #and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me #but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings #like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too #and i felt like that was a bit missing from him for me in canon #so reading about him in analysis and fics is the most fun for me rn #he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something?#and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv #and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not #ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities #more obvious to me bc i didnt really get that side of him from canon intuitively well #also im really enjoying reading the first few berserk fics ive read #there may not be a ton of them out there but there is def writing talent in the fandom #i'll share some recs once i'm done sifting through most of what's out there to read #also (not to tie everything back to death note but it IS my home fandom after all)#i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note #light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into #and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead #and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol #so some similarities there but also some opposite feels as well #berserk spoilers #p

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drawnfamiliarfaces · 3 months

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I was rewatching rc9gn and revisited “Dawn of the Driscoll” and I gotta say, Randy’s art of healing is crazily overpowered.

He revived someone who was reduced to nothing but bones and had been dead for who knows how long. Not only that but it was later shown that he revived various animals who had dissected and most were nothing but eyes. Not to mention he did all that from just skimming through the instructions.

Imagine the full potential that he could unlock if he studied the art of healing fully and practiced enough times!

Oh BOI YEs. It's ridiculous how overpowered Randy can come across, because the show wanted to make a funny episode (and we love that of course but still xD).

Like, how strong of a potential this boy has, if he managed to execute what must be one of the hardest techniques in the Ninja arsenal? Just imagine all the implications of that ability??? To literally save someone from a brink of death/resuscitate them? No wonder some ninjas go power crazy! I would too, if i had ability to bring back the dead!

Though I do like to think that there are more nuance to all of that, than it was shown in the series. (A bit of a me yapping on beneath, feel free to ignore it.)

One of the things that actually bothers me about this ability - is that technically, for something called the Art of Healing, we never saw actual healing performed (because its a kid's show duh but still) BUT it has been used in the show more to 'restore' inanimate objects (the bike) and bring someone "back to life" (skeleton & dissected animals) - which IMO is not 'healing' but more of a necromancy ability.

After all, Randy didn't restore Driscoll to full life (gave a fully functioning body back) and the animals/body parts are also in their post-mortem states. So, what he essentially did is reanimate remains, by (perhaps) returning their souls and binding them to what was left of mortal bodies (which probably reflected very badly on their mental state = reason why Driscoll&animals were full of anger/insanity) or sharing some of his own life energy to restore minimal physical 'aliveness' (I mean a bunch of eyeballs in a jar could hardly be called alive, but they do perform their basic function of looking/blinking). Seems like classic nercomancy to me!

Of course one could argue that the reason it happened is because Randy didn't execute the technique correctly, because he 'skimmed' through instructions, and that potentially he could have restored their bodies too....but I like to think that the ability have its limitations - and returning long-dead bodies to full life back (basically rebuilding a whole creature from a body part/single cell scenario) is one of them.

Otherwise, in my opinion, while it is impressive that Randy 'revived' someone long dead, what he has done is technically one of the easiest (and thus more dangerous) variation of Art of Healing/basically Art of of Necromancy - reanimation through spiritual energy, but not actually returning someone to full life. Another variation of Art of Healing - is Restoration of Physical Body without any sort of Spiritual Energy - aka the freaking bike. I mean, is it really healing if one just restored the original form of the object without any actual prior life in it??? Bike is not the same as a human after all, its not alive in any sense, it doesn't have a soul/life energy.

So you see, in these two occasions Randy used Art of Healing, none of them actually healed anything. Because actual healing of live things is much harder! And further proof of my headcanons is in the plants.

The original reason Randy learned Art of Healing is to restore their Botanical project - and despite hitting at first full blast before Randy lost control of 'beams' - it never actually worked on it. I mean, we basically see the plant still dead even as an already alive Driscoll pops out behind them!

So obviously healing a recently dead plant requires a much more fine touch/precise control than just full-blasting healing energy at long dead remains. And further emphasize on it we have with The Skunk Pine. The pine cone is alive and in whole condition - but the application of healing energy gave it a boost that accelerated its growth to the point that Randy implied that in few days it would be a fully functioning tree.

It kind of aligns with my understanding of how magical healing works - the healer basically shares their energy with the target to kick start and accelerate their own healing rapidly and sort of suppliment their reserves with the healer's help. But again - the pine cone was not injured/dead/damaged so it would be much easier for Randy to 'heal' it in order for it to grow rapidly - but no actual healing took place.

So the point of all this rambling recollections - is that while Randy's raw potential made something like reanimating and restoring look too easy - the things he did were already the easiest parts of Art of Healing because either option essentially requires only one aspect of either soul/body to be restored. The true Art of Healing is much more complicated. Not only it requires concentration and precise control/application in restoration of both physical and spiritual aspects, it also most likely has power requirements and repercussions to the user if they tried to overcome those limitations.

All in all, thinking about application of fantasy healing is always fun when you look deeper into its simplified canon version. ;)

#que?#sorry.i went onto a something of a pointless ramble?? im pretty sure people smarter and more eloquent than me #wrote whole analysis on this stuff but i guess i just wanted to share some of my thoughts #but anyway basically ye i agree nonny #rc9gn #randy cunningham 9th grade ninja

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vanellopes-mun · 2 months

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Vanellope VS. Turbo: A Mini Analysis!

There are a million reasons why Turbo’s reveal in Disney’s Wreck-it Ralph is such an iconic and memorable scene. A scene that I and many others have replayed ever since 2012 and its impact has never left our minds. It solidified King Candy/Turbo as one of Disney's top villains ever created, surprising and shocking viewers with a plot twist that Disney hasn’t been able to overthrow with their other movies before they abandoned villains until King Magnifico but he sucks so. He WISHES he was as charismatic as King Candy plz-

But this analysis isn’t just about King Candy/Turbo, it’s also about Vanellope Von Schweetz. She’s the most important ingredient to making this scene work and play out the way it does and ultimately why it’s so fucking cathartic. ( More so than Ralph’s fight against Cy-Bug Turbo in my opinion) After watching how it was originally story boarded, the crew behind WiR perfected this scene with a specific detail that they changed. In the early storyboard, Vanellope causes King Candy’s vehicle to crash, causing him to glitch and transform into Turbo in front of the cameras. While I love love love the extended race between Vanellope and King Candy and sort of wished it could have been longer in the actual film, I am content that they didn’t go with the direction. In the movie, King Candy is revealed after trying to beat/kill Vanellope with his horn rod/pole thingy from his kart, she grabs it and glitches due to stress/adrenaline/her emotions, her blue glitch traveling through the cane and making contact with King Candy, finally putting down the facade he had on for 15 years and revealing him as Turbo to the characters in the film and the audience. It’s such a small detail, it only happens in a second, but it’s all it took for the start of his downfall and his eventual demise.

And this is why it brings me catharsis every time I watch this scene. I could never put it into words before, but it’s beyond satisfying that the end of King Candy’s horrible reign starts with Vanellope and her glitch. The very same glitch that he caused trying to delete her code and remove her place from the game. The glitch that he used as an excuse to turn everyone in Sugar Rush against her. He usurped her throne and tried to ruin her life. Despite this, he still had the audacity to shout “Get off of MY track!” earlier. It brings his Roadblasters incident back up, it was his choice, trying to steal the thunder of another racing game that just got plugged in because he couldn’t stand the idea of anyone taking his place, only for Turbo Time and Roadblasters to be unplugged. All of this circling back and biting him in the ass. Vanellope was the key all along and he knew it, he feared her despite never really having a conversation with her as far as we know (Vanellope asking Turbo “What the-?! Who are you!?” leads me to believe that if they did converse in the past, it was not in his true form and he was most likely already King Candy. Plus it just goes to show how fast he hijacked Sugar Rush), but you can just tell by how desperate he was to keep her from racing, he didn’t want anyone to take his place ever again.

So the scene continues and his famous line and breakdown goes as this: “I’m Turbo! The greatest racer ever! And I did not reprogram this world to let YOU and that halitosis riddled warthog TAKE IT AWAY FROM ME!” It’s just so ironic, unfair and hypocritical of him it makes my blood boil! And the way he’s raising his voice, jabbing his finger at her and Vanellope’s trying to shrink away from him as he yells at her face before he tries to murder her I just- So cruel, scary, wicked and disturbing! But Vanellope, this brave WARRIOR, is reminded of her glitch after Turbo calls her for what he believes is the last time. “End of the line, Glitch!” She takes a moment, everything slows down around her as she tries to control her glitch to escape Turbo. She glitches away, missing the wall and It ends up saving her life! I just cannot stress enough how beautiful that is! She used her disability, that everyone thought would simply doom her and the game, and embraced it when she needed it most. Her glitch, while it was suddenly given to her by circumstances she couldn’t control or prevent, she took control back. It’s her beautiful superpower and it’s empowering. After this scene, it’s the “end” of Turbo before he gets nom’d by a Cy-Bug. ( I want to note that he later says “I’m the most powerful VIRUS in the arcade”, part of me wants to believe he said that because clearly Vanellope bested him as the greatest racer ever but I doubt that was their intention lol)

They’re the embodiment of Selfishness vs. Selflessness. While Vanellope had everything taken away from her, she didn’t follow the same path as him. Turbo had everything taken from him, but it was his fault and he only ever thought about himself, never about the destruction he left behind. Hell, all she ever wanted was to be one of the racers, no matter how much they bullied her and ostracized her, she never ended up being evil like him even though it would be a perfect recipe to become a villain, this is also what makes her a mirror to Ralph. (Remember in that one deleted scene where she said she wanted to break the racers’ legs but come on can you blame her!?!?! She was so real for saying that.) VANELLOPE IS MY FAVORITE CHARACTER EVER AAAA.

Before I ramble any further, I will forever love the choices that the writers made for the climax and it just ends up being an absolutely perfect and brilliant scene and I will continue to rewatch for the millionth time.

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aptericia · 3 months

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ok but the thing that makes Revolutionary Girl Utena so special and unique to me is that a lot of "coming-of-age stories" are about like... growing into a leadership role, or learning to put aside one's personal issues for the good of the team or society. Basically, acting like what people think of as a "mature adult". But Utena is an orphan, she's looked up to by her peers, and her life goal is already to be a leader who puts others ahead of herself. Her whole problem is that she's been forced to mature too early, the horrifying truth of which is exemplified when she ends up in a sexual relationship with a manipulative adult. Therefore, RGU's coming-of-age message emphasizes that in order to ever become adults, children have to acknowledge the ways in which they still are children.

#I could talk about how this message makes more sense with an intended female audience #rather than the assumed-male audience of many like typical action-adventure stories for teens #just based on how society treats girls and boys differently #but anyway I don't feel like trying to articulate that right now #and there are some stories for girls (e.g. sailor moon) that don't take rgu's approach #idk #ramblings #rgu #revolutionary girl utena #rgu analysis #sa mention

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regulusrules · 10 months

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When I say Merlin is my comfort show, I probably should strictly elaborate that I mean S1 Merlin. Although most of my favourite episodes are not even in that season, but it just brings insane levels of comfort. Really, why the fuck did the writers deviate so much from it? If for the "character development" narrative, there's literally nothing that was not perfect about their characterizations in s1:

Banter boyfriends? Check.

Exponentially affecting each other both positively and (sometimes tinges of) negatively? Check.

“I see your village is raided.. one sec I'll follow you till the end of earth to protect you and all those you care about.” Check.

Able to mentally grow from the restraining mindsets of Uther (and in Merlin's case Kilgharrah) when they consolidated together in letting go of Mordred despite being told the reverse. (Which was one of the reasons for their downfall, being held back by thoughts and actions that were not their own). Check.

Arthur actually saving the day with the assistance of Merlin's magic (ep4) which he does not reject and rather owe his gratitude to? (something that was later on lost as they insisted on fixating on Merlin's solo savings). Check.

“Is that poison? Here. Lemme drink it for you.” Check, check and check.

God we were so robbed of them being them in the most significant aspect. A continuation of s1's characterization should've actually involved Arthur figuring out on his own, them a duo working on bringing magic back to Albion (even if you still want to end it by killing Arthur, at least the whole core of the show wouldn't have been lost), and not the bleeding out of the same tropes and the same villains over and over without ever reaching to a point. I really get the argument of sticking to the legends, and I don't mind it, but they didn't stick to the legends from the beginning which baited us into thinking it will get resolved happily.

But to be fair, Arthur did get a relatively good character development. His transition from prince to prince regent to king was really done well. You see him growing to being more empathetic and more honour-driven. But he still should've been represented as the almighty king he was, not one who didn't have 2 braincells to figure out that his closest human being had been hiding from him for 10 years. And on the other side of the coin, Merlin should've had the chance to be Emrys, by all BAMF meanings of the word, not overshadowed for a whole decade without ever having the love and appreciation he deserved. He shouldn't have needed to turn bitter and obsessed. They shouldn't have resorted to just 48 hrs of Arthur knowing.

Honestly, I love this show as-is with an extent I cannot even describe sometimes, but their character development took a turn different from the one they truly deserved. Instead of filler episodes, they could have focused more on Arthur and Merlin's relationship, Arthur and Merlin growing, Arthur and Merlin succeeding.

#merlin #god I love this show more than I love myself but they really robbed us of so much #merlin analysis #bbc merlin #merthur #arthur pendragon #ao3 #merlin bbc #king arthur #merlin x arthur #the once and future fandom #3 am ramblings #LJ metas #regulusrules metas

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0809sysblings · 7 months

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Amane, indoctrination, and gaslighting

and why voting Amane innocent would be the best course of action

I've been wanting to write a big post on Amane talking about indoctrination and such. Because I see takes sometimes that make it clear the person doesn't really... Get It.

Most of what I'll be explaining comes from my personal experiences growing up.

Additionally, most of what I say when it comes to outcomes (i.e. "If x happens, Amane will do y") will be based on the assumption that realism, not entertainment, is prioritized in the writing and that there are no major holes in our knowledge of what's going on. Theoretically anything could happen since this is a fictional scenario and we don't know everything when it comes to the world, the cases, and the characters. Not to mention my situation was nowhere near as extreme as hers. So although I probably have a better understanding of it than most people, I definitely can't claim that I know what she's gone through.

Personal anecdotes I add to better support my points will be in the small font (this!) since I don't want them to distract from the main text and so that they can be easily skipped for those who may be worried about being triggered. But if anyone needs plain text descriptions, I'll happily provide them!

!! TW for child abuse, religious abuse, and cults !!

I recommend skipping my personal anecdotes if more detailed discussions about these topics are a trigger for you.

At the heart of "good" (read: successful) indoctrination is gaslighting.

Since gaslighting has been one of the many psychology terms completely watered down and distorted by the internet, I will define it just so we're all on the same page!

Gaslighting is a form of psychological manipulation used to make the victim question their own sanity, sense of reality, or power of reasoning.

Basically, you can't trust yourself. You can't trust your thoughts, your feelings, your interpretations, etc. You become completely reliant on other people (usually specific people who are the ones doing the gaslighting) to figure out what's real/true or not.

Toxic/extremist religious groups like to take gaslighting a step further though. Not only do they make it so you cannot trust yourself to judge what is right or not, they may also teach you that what feels wrong is actually right. You can see where this can start to cause some issues lol.

Anything your gut may tell you that contradicts what the group/cult leaders tell you—"this is wrong!", "this is bad!", "I don't want to do this..."—must be ignored. Because those feelings and thoughts, according to the leaders, are actually the sinful part of you trying to lead the good and faithful part of you astray. They make you question yourself to make sure you never question them.

They will figuratively or literally beat this into you until your first instinct is no longer to listen to your gut and do what it says, but to dismiss it and do what it's telling you not to do. Existing becomes a chronic power struggle between your unconscious mind and your conscious mind. Unfortunately, the fact that you're struggling often then gets used against you as proof that you need to follow their teachings. Because if you're unhappy, then you must be doing something wrong. You just need to have a little more faith, dedicate a little more time to the religion/group, go a little harder into your duties... Only then will you feel better—feel more enlightened.

An integral part in making all this work is isolation. If you don't somehow isolate the members, they may figure out that they're being manipulated and abused.

Now, isolation doesn't always mean purely physical isolation (though Amane is being isolated physically to at least some capacity). Psychological isolation is almost just as powerful. An almost universal psychological isolation tactic used by extremist groups and cults is the "Us vs Them" mentality. We can see this being very prominent with Amane. A lot of things she talks about with regard to the cult involves an Us-vs-Them dynamic. There is "Us", the cult, and "Them", everyone else.

Personally, we were taught that those who weren't believers of our religion were out to get us or will, at the very least, get us hurt/killed somehow. We were told many people wanted us dead just for being believers. You had to be careful and watch out when interacting with non-believers; you couldn't trust them. God was constantly testing you via others, and you had to make sure you stayed faithful.

This in particular is why no matter if you vote guilty or innocent, that itself will not actually do anything to change her beliefs. Voting her guilty will not make her start to feel bad and then question her beliefs. Voting her innocent will not make her listen to us and then question her beliefs. If we make her have any doubt about the cult, that's just proof to her that what we're telling her is wrong and is just another "trial" from God for her to overcome. So, changing her beliefs should not be a factor considered when voting since it's completely irrelevant. Everything can be twisted to support the cult. That's just how it works.

I don't think any amount of punishment will make Amane "come to her senses". I mean... what could we possibly do to her that she hasn't already had to endure? Punishment will likely only escalate things even more. Not to mention that having a bit of a fascination with martyrdom isn't all that uncommon in those who have been religiously abused and indoctrinated. The threat of punishment may only serve to motivate her to double down on her beliefs and behavior. Not to say she wants and likes punishment. It's obvious she's both scared of punishment and wants it to stop. After all, that's most likely the motive behind the murder.

Even prior to Amane's age, I was already fantasizing about being a martyr. A part of me almost wanted to be killed for my religion and community. It was seen as something extremely admirable. The ultimate sacrifice, if you will. We were taught that if given the choice between saving yourself by denying your faith or letting yourself be hurt/killed by standing your ground, you should choose the latter. Of course, I also did not want that to happen at all. It scared me shitless. But we weren't allowed to be scared about that stuff. It was seen as questioning God and the religious authorities, which was completely taboo. So I had no choice but to "want" it.

Isolating Amane is the worst possible thing we could do to her. No one gets better from being isolated, and this goes double for people living in abusive environments. She's been isolated her whole life. The best thing for her would be spending time with the other prisoners without restrictions. The more time she spends around people who have no connection to the cult, the better. Trying to argue with those in cults about why they're wrong and why they are in a cult (because most don't even recognize they're in a cult due to the gaslighting, indoctrination, and stigma) will almost always backfire. The best thing to do is to just be there for them to have someone to interact with who is not a cult member.

The only reason I left the extremist religious community I grew up in was because I made a friend who was not affiliated with it. I don't think I would've been able to see that the conditions I was living in were Not Very Good without that friend. He didn't even really do anything to actively help me. Just learning more about the real world through him was enough to make me start looking closer at my life.

To vote her guilty would be to continue isolating her. Not just physically as the guilty prisoners get restrictions put on them, but it's also an inescapable psychological isolation. Innocent vs Guilty is just another Us vs Them dynamic.

I fear that, if she ends up guilty this trial, she will likely be voted guilty again in trial 3. Her aggression will probably only escalate as she feels herself becoming more and more cornered. And since I know many people are voting her guilty solely to make sure she doesn't hurt Shidou or other prisoners, I can only imagine what the voting will look like for her in trial 3 once she's forced to become even more aggressive to protect herself.

And tbh... I can't imagine that having a prisoner with 3 guilty verdicts will make for all that interesting of a story for them. Not that it would be boring, per se. But having variety would, in my opinion, be the most interesting and entertaining! So, if nothing else I've said has been able to sway those who vote her guilty, then think about the entertainment factor!

Please vote this severely traumatized 12 y/o girl innocent. We can give her so many secret cakes to eat.

#Milgram #milgram project #milgram amane #amane momose #milgram analysis #... i guess?#ミルグラム #yeah im pulling out all the stops for this #tw child abuse #tw religious abuse #tw cults #this is a bit less in-depth than i wanted. but i also have a horrible rambling problem and am attempting to be more concise LOL #ive got shit to say you know? /ref #im so passionate about amane #pls have mercy... free my girl...#im nervous about posting this 😔. not sure why #my social anxiety is horrible. but. i very much encourage discussion and such #for amane i will conquer my demons. they may know how to swim‚ but /i/ know how to poison the fucking water supply

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gnomeniche · 1 year

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SO. OKAY. "SILLY SAD DUCK" TALK BECAUSE IT HAS ME IN THE BIRDMANGELION MINES. welcome back to the corner where i spin conspiracy theories about duck.

so, "silly sad duck" was a bonus track from a dhmis album that was sent out to backers of the kickstarter in 2017. so it's pre-pilot and pre-tv show, which is important because i'm interested in this song in the context of the creators' ideas for where they could take dhmis and duck in particular.

this motherfucker's gonna get real fuckin speculative. and rambly. i'm very sorry i need to get all my thoughts out and it's the middle of the night so the structure's loose.

let's start out with some analysis of the song itself and the rest of dhmis surrounding it. the thing that immediately stands out is that this song, which is placed after every other song on the album, is about duck being "sad because he can't find his friends".

first of all. this was the last mental state we saw him in, and his fear of losing his friends keeps coming up in later dhmis media.

second of all. this kind of highlights how different his end was from his friends'?

like red and yellow were alive but isolated in relatively coherent false worlds, but as far as we know, duck just fucking died. and if he didn't, we don't know where he could have been. even the world he woke up in when he was being eaten was ambiguous.

a lot about his final moments were ambiguous. the metaphor is clear but the literal meaning of it is hazy. and he only appeared in the finale due to the machine glitching and bringing him out of... whatever limbo he went to after his consumption. this song's context, too, is ambiguous, and it makes significant use of audio glitches and distortion.

and like. this isn't the only time in post-original-series-dhmis that they've highlighted duck's existence relating oddly to the world's resets and the enforced narrative.

in the pilot he keeps repeating "i've lived in this town my whole life!" for seemingly no reason. this running gag is one of many reminders in the pilot that the three of them were somewhere BEFORE clayhill and they just can't remember. him insistently, dreamily saying it at odd occasions gives off the feeling that something about him has been thrown off. pilot!red gets flashes of awareness, but pilot!duck is strangely and pointedly unaware, as if he had been overwritten a little too forcibly. maybe due to both the shock of his death and how he disrupted the show so badly?

besides that, there's the connection between how he's pulled along by the antagonist of the pilot and how in the tv series he seems the least comfortable with throwing off the narrative. something about resets and death and punishments and replacements (though he's still the same even though he was replaced).

and SPEAKING of the whole replacement-but-does-it-really-matter thing, that's one of the weird interactions between duck's existence and the narrative in the tv show! along with that bit in the "electricity" blackout where there's his headless corpse next to a tv with a clip of him waving out at the screen that we've never seen before. which is another instance of duck in an ambiguous space. hm.

speaking of narrative, what's with the singer? who are they?

the singer acts like a narrator for the audience's benefit and maintains a warm, teacherly tone toward the student. the way they reads their lines gives the impression that they are doing the voice for duck; they inhale before the duck voice speaks its first line of gibberish. the dynamic of being a puppet on a show is extremely visible in this song.

to me, this gives off shades of lesley, our amiable narrator/puppeteer. i feel like this singer might have been some kind of precursor to her character. it could have been an early draft of an in-universe "show host" or "writer" presence, or it could have been a device that they used for this one song that later sparked the idea for the lesley character. but either way i think there's some kind of inspirational connection.

and the phrase "silly sad duck" itself... "silly" and "sad" are both fundamental to duck's character the way i interpret him. silly to deflect fears that may make him sad. however: how does the singer mean it? given how every other teacher in dhmis acts, they could very well be chiding him for being sad. saying that he's silly for grieving his loss? his sadness is silly?

and the singer's way of treating his loss as a cute little children's show (bc there’s a lot of these sweet-style little kids shows where a narrator speaks to an animated character as they do stuff! examples escape me rn though) might also serve to minimize legitimate pain in the characters as insigificant. which is a recurring theme with the authority figures in dhmis but i just wanna note its appearance here.

and the most important question: who IS that over there?

option 1: it's the other two! bc they came back once red pulled the plug and reset the show. he found his friends! the sweetness of this option IS undermined by the ominous deepening distortion of the narrator's voice at the end, but is the ending of dhmis not ALSO ambiguously sweet vs ominous. this does beg the question: is this song an in-universe thing. in the time between between his death and the plug pulling, was duck in some kind of puppet limbo where the meta of the show (where he's a puppet guided by a narrator) was a little thinner? if that's true, it would make sense with the increased meta associations of duck in later dhmis media.

option 2: it's NOT the other two. "who is it then" i don't know. but whatever it is, it can't be good. here's some sub-options:

2a: the audience? duck alludes to an audience a couple of times in a new series, and the clip of him on the tv in the blackout is waving at the screen and thus the watchers.

2b: a replacement? the first time his consciousness got transferred to another one of himself?

2c: another meta "puppeteer" figure like roy or lesley? maybe the featureless figures who are behind the cameras in "computers" and moving the puppets in "electricity"?

2d: a metaphorical thing of him realizing that the singer of the song is a separate person whose existence is weirdly enmeshed with his own? this one's probably too abstract but

so now we get to what i think it might mean regarding how the creators developed their ideas for the dhmis series. obvious disclaimer that i am not the creators and i cannot read their minds. this is just speculation.

this and the pilot are both two of the first pieces of post-original-series dhmis content, and they both show a strong focus on duck. which is very interesting to me. it couldn't have escaped the creators' notice that duck had a strange ending in the original series; both the pilot and the tv show constantly reference it.

this song focuses on duck's fear of being left alone. which is obv drawn from "health" (i've given up on calling it “food” bc the tracklist for the album calls the webseries 5 song "the healthy song"). but this trait keeps coming up in media released after this song was made? in the pilot, it's not explicit, but the way he's so easily able to be lured with the idea of keeping everything in the town secure could relate to this fear. and in the tv series, many of his negative reactions are spurred by his fears for his friends). and though we saw these traits in "health," what's interesting is that this song indicates a decision to keep and commit to this as a part of his character.

given this song's... everything... and how threads of its ideas keep running through the rest of dhmis, i really do feel like the creators have had the vague idea of something they want to do with duck's character development and and the narrative for a long time. in general, i think they've had many fairly consistent ideas for the direction of dhmis that they've been trying to shape across different iterations. like the whole "narrative is manipulating the protagonists and they will have to shatter it" thing

so, it's very interesting to me that duck's consequences of his own death, ambiguous existence within the world, and certain core character traits have seemingly been around for so long that they all come up in this bonus song from 2017.

just to be clear: i am not saying that the creators have had everything about dhmis planned out since the beginning. i truly do not think so. i just think it’s interesting to track the development of their ideas as they figured it out over time n what they decided to keep vs throw out. and i think it’s cool that you can kind of see it in these different stages of the show

anyway (pins all this up on a conspiracy board labeled with the words "get hype for birdmangelion" in huge block letters)

#am.txt #dhmis #dhmis analysis #dhmis theory #dhmis duck #kind of. this is more of a ramble than anything #goodnight i spent too long on this and i think it’s half-incoherent

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anthurak · 11 months

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So as an impromptu follow-up to my rambling little TOH post on how Luz and Hunter aren't really the 'siblings' that the fandom likes to paint them as and how it's really Hunter's friendships with Willow and Gus that are the more meaningful/consequential...

Consider this:

Luz and Hunter are more cousins than they are siblings.

They're good friends and sort of related thematically but also aren't as close as they are with their found/adoptive family; Luz with King, Amity or Eda, Hunter with Gus, Willow or Darius.

#toh #the owl house #toh rambling #toh analysis #Luz Noceda #toh hunter #hunter deamonne #King Clawthorne #gus porter #Amity Blight #willow park #lumity #huntlow #eda clawthorne #darius deamonne #analyzing toh character dynamics #i feel like this fandom has REALLY overplayed the whole idea that 'luz and hunter are siblings'#hunter is WAY more of an older brother to GUS than he is to luz

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vividstardustrevolution · 6 months

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Fun fact: Futa is *not* the canon system character in MILGRAM!

...Neither is Yuno...

[Text Transcription: "Let's just do it, please smile?"]

...Haruka's not either...

[Text Transcription: "My loneliness was desired"]

...nope, not Shidou either...

Amane isn't canonically a system either, but I definitely understand the people who think she might be or headcanon her as such, especially after "The Purge March".

[Text Transcription 1: "It's the beginning of a most wonderful day"]

[Text Transcription 2: "With pure, unsullied body and soul,"]

No, Kazui's not the canon system either.

[Text Transcription: "All these memories and you Only if I could erase them"]

Where, then...?

Ah, I found him!

Hi Mikoto!

[Text Transcription 1: "It's like what's wrong isn't wrong"]

[Text Transcription 2: "I'm already the fake one"]

...but y'know, it is kinda funny that at least 7/10 of the MILGRAM prisoners have two versions of themselves on screen interacting with each other (I don't remember Muu, Mahiru, or Kotoko having scenes like that, but let me know if I'm wrong, and Kotoko still has Deep Cover coming, too), and yet only one of them is a canon system. Yes, you can explain Haruka and Amane's as self-abuse and dissociation, Futa's, Shidou's, and Kazui's as dissociation, and Yuno as compartmentalizing herself and how she acts around different people, but still.

It's interesting how it's only seemingly portrayed negatively with Mikoto, too, although to be fair, Haruka and Amane both hurt the other versions of themselves in their interactions (Haruka looks down on and pushes and chokes the younger version of himself, and Amane looks down on herself and sends herself into the water), but...still, that feels different from Mikoto's case. Maybe it's because in the cases of 010203050708, we know that the other them they're interacting with is still them, but in Mikoto's case, we don't know that. Haruka, Yuno, Futa, Shidou, Kazui, and Amane's "other selves" aren't treated as evil (or, if they are, it's not to the same extent that we see Mikoto's alter (or alters, if you're one of the people who believes in one of the Trikoto theories out there) treated as evil and inhuman).

Now, I do think that you can argue in good faith that part of why Mikoto's DID gets demonized so hard in MeMe is because Mikoto is slowly coming to the realization that he's a system and has some internalized ableism to deal with regarding that (because internalized ableism isn't uncommon regardless of the disorder involved; it's not true for every system that there's internalized ableism, but it makes sense for Mikoto "I'm just a normal guy; what do you mean I'm a murderer?" Kayano). However, I don't think that completely explains the demonization that Mikoto deals with. We see it with his interactions with Kotoko. That interrogation answer where Shidou says, "Since Mikoto became 'like that,' the smoking group stopped really interacting," shows that Shidou seems to be uncomfortable with Mikoto now that his DID has been outed. The fact that Haruka is the only person who willingly interacted with Mikoto since trial two started (the only other person Mikoto has interacted with is Kotoko, and he was the one who approached her because similar to him, everyone is avoiding the fuck out of Kotoko) shows that most people are avoiding Mikoto. (Granted, Mikoto was kind of an ass to Futa and Amane, and Mahiru was busy not fucking dying, but what about the rest of the group?) In fact, the fact that the characters are treating Mikoto (who, while kind of a jerk, has not physically attacked anyone as far as we know and only fought Kotoko in self-defense) the same way they're treating Kotoko (who literally attacked three people, damaged Futa's eye with her baton, nearly killed Mahiru, attacked Mikoto, and is generally an asshole (/affectionate) and has been an asshole to all but two people in the cast) is telling me that the majority of the cast sees him the same way they see her - threatening and dangerous - and it's likely that he's seen as dangerous mostly because of his DID. Even Haruka, who literally threatened to kill himself, has been checked on by two people - Futa and Muu.

...Does that seem fucked up to anyone else - that the characters seen as "dangerous," and especially Mikoto, who is being treated as a danger mostly because of his DID, are isolated and not being interacted with or checked on by most of the cast (because we all know damn well that Kotoko has not interacted with anyone since trial two started other than to chastize Kazui and tell Mikoto his existence is a crime)?

...I dunno where I'm going with this. I'm just...kinda just dumping my thoughts out and seeing where it goes.

#milgram #choking #haruka sakurai #mikoto kayano #kotoko yuzuriha #fuuta kajiyama #amane momose #shidou kirisaki #kazui mukuhara #yuno kashiki #milgram analysis #Honestly it's more me rambling than anything else.#Anyway I will stop now and go attempt to catch up on schoolwork like a responsible law student.#I do want to hear people's thoughts though.#MILGRAM ableism #CW choking #threatened suicide #CW suicide threat #(Not my suicide threat Haruka's suicide threat)

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