I used to be one of those guys when I first joined the Kirby fandom, but everytime I hear a discussion of the series writing that starts with "So the Lore is InSaNe-" and not like, "Kirby has a fun writing style that takes advantage of its cute exterior to tell cool stories that reward player's curiosity and leave lots of room for imagination-" I cringe so goddamn hard.
I kinda just hate that people approach things that encourage investment when they don't expect it as inherently absurd. Like it is fun to joke about how absurd Kirby lore can be, but it really often comes with an air of disrespect or exhaustion rather than like, appreciation that these games are made by people who want to tell interesting stories when they could easily make as much money just making polished enough fluffy kiddy platformers. And when it's not met with exhaustion, it's met with - like I said before - that tone that it's stupid for a series like this TO have devs who care about writing stuff for it. Which is a whole other thing about people not respecting things made to appeal to kiddie aesthetic or tone.
Maybe the state of low-stakes YouTube video essays just blows cause people play up ignorance and disbelief for engagement, but like I STG I hear people use this tone for like actual narrative based games sometimes. Some people don't like... appreciate when a game is made by people who care a shitton in ways that aren't direct gameplay feedback. And they especially don't appreciate it when it comes from something with any sense of tonal dissonance intentional or not.
Anyways, I love games made by insane people. I love games made by teams who feel like they wanna make something work or say something so bad. I love that energy, especially when invested into something that could easily rest on its laurels or which obviously won't be taken seriously. I love this in a lot of classic campy 2000s games, I love this in insanely niche yet passionate fanworks, and I love it in the Kirby series and its writing. Can we please stop talking about it like it's an annoyance or complete joke?
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Wyatt couldn’t sleep. He’d tried his best to play it cool with Brynn and failed spectacularly, the past week having been a rare highlight in his otherwise deplorable life.
But happiness was a foreign and elusive concept, one that caused uneasiness instead of contentment. It didn’t feel right, like he hadn’t earned it, like he didn’t deserve it. How could such a wonderful feeling create such a twisted knot in the pit of your stomach?
Usually, when Wyatt slept with a woman, he didn’t feel much of anything; he’d make himself scarce the next morning, or drive them away on purpose for his own entertainment-.. and yet, with his nose nestled in her hair as she slept, he realised he didn’t want Brynn to go home.
He actually enjoyed spending time with her. She wasn’t annoying or high-maintenance, boring or stupid, and she didn’t expect anything from him, nor he her. It was terrifyingly easy.
Wyatt had never been in love before; hadn’t even come close. Not once could he remember having loved anyone or anything, familial, platonic, nor romantic-.. not properly, anyway. Not without condition, doubt, or backlash; but for some inexplicable reason, Brynn had captivated him completely.
She was soft and compassionate yet rugged and unruly, so tenacious – albeit somewhat assumedly – that he couldn’t help but admire her. She was beautiful too, and Wyatt didn’t throw that word around lightly. Hot? Sure. Gorgeous, pretty, sexy? Sure. But never beautiful. That was reserved for more; someone unique, someone he didn’t want to let go, someone he didn’t want anyone else to touch…
No, he definitely didn’t want Brynn to leave at all.
But leaving she was, and Wyatt had no choice in the matter. If she wanted to stay, she would. If not, he could only hope that she’d return one day… He’d thought about asking her not to go, but he didn’t want to beg. His father had always instilled in him not to beg for anything in life, it was demeaning and pathetic.
He’d also said you ought to take what you want by force, but Wyatt was choosing to ignore that part. It wouldn’t feel the same unless she chose for herself.
Whether he wanted to admit it or not, Wyatt was a little worried. He’d tried to ask Brynn about her life back in San Myshuno more than a few times, but she clearly didn’t want to talk about it, expertly shrugging him off every time he broached the subject. He couldn’t tell if she was nervous, ashamed, or if she truly believed it wasn’t worth talking about.
She was so good at hiding certain things that it was damned near driving him insane, and despite their rapidly growing intimacy, he wasn’t much closer to figuring out what was going on.
He couldn’t exactly keep an eye on her either, not from here-.. besides, he’d told himself that following people probably wasn’t the best idea, even if he didn’t necessarily think it was a big deal.
Wyatt sighed deeply; his head pounding. Why had he let her get under his skin? Why didn’t she want to stay? What the hell did she have in San My that she wouldn’t have here? Who the fuck did Gael even think he was? The pathetic fuckwad. She clearly didn’t like the guy all that much, why would she rather leave with him?
Unless-.. what if Brynn meant more to Wyatt than he to her? He doubted she was that good an actor, but he’d found it rather difficult to think straight recently.
Sweating at the thought, Wyatt realised he might have to be a little more honest if he wanted some answers…
Shit.
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There was always this specific stillness when he held her in his arms.
It is there now, too, as his arms crawl around her body, trembling, clinging. Despite all his pretty and ugly words, he has no language to describe it. A warmth, perhaps, of the kind that an all-consuming fire leaves behind in a scorching battlefield, and then nests scared in its middle. And it's still, lifeless, quiet, a graveyard.
This kind of stillness, then. Such that, the moment he feels her body against his, all the fire and the doom of the world ceases, all the shouting and the blood blurs and all that remains is her, and the quivering fire, and the ashes that smell like lilac and gooseberries.
And he, who only ever knew to run from the fire, welcomes her with open arms.
He holds her tight, gripping. Almost regrets it. He doesn't want to bruise her, but then, her porcelain skin and the chaos in her veins prevents him from that. It's a relief to remember. He cannot control the might with which his fingers dig into her body.
Silently, he apologizes.
Back then, in the few nights they had spent together, she would smile once she felt the desperate force of his touch. The smile bordered on a content smirk as she read in his eyes what she wanted to know, as the helplessness of his desire settled between her brows and eased the fine line that would have been carved there during all these years of uncertainty and craving, if it wasn't for unblemished magic. And oh, how he loved to see the way her lips quirked. Because he knew he would do anything to see it again.
A fortunate thing, for he was not known for his ability to quench his ever-present, gaping, devouring need.
For a moment now, it seems to him that she smiles again amidst the agony and the loss and the drying tears. Shaking, he traces the corner of her lips with his thumb, and the smile disappears, and it's like it was never there.
But that was always the case. And maybe he doesn't tell her, he never did. He never found the words, and what words could he ever find for loss, what words could he ever find for love?
It's only in the way he grips her tight and begs the world to stop for a moment, begs for her to stay right there, close, still, just for a moment, before she slips through his fingers once more like a dancing flame and disappears, as if she was never supposed to be there in the first place.
As if every time he holds her, he loses her all over again, little by little. And with her goes a piece of his heart.
He knew. He can't deny knowing. What kind of storyteller doesn't know the way their story ends?
He nuzzles in her hair, buries his face. They are soft, despite the ashes, and it's just like the way he always does while lying beside her, while pulling her close. He almost can't help it, the affirmation of her presence being a place he can bury himself in.
A grave that keeps walking away.
He knew, of course he did. If not from the start, then from the first time he felt her arms around him, clawing and grateful. To this day, he curses himself for not hugging her back if it meant he could steal just one more moment of stillness.
Well then, he thinks, at least now they are even.
A hug, unrequited, as his heart begs to feel hers against it, but she only hangs limp and lifeless in his arms.
The story, he knew, ends in grief. It is always like that with him, for some reason. Always the knowledge that something will end.
And now that it's over, he can't help but cling, grasp, hold on, for as long as he is allowed to, because suddenly he can't imagine any use for his arms if they are not able to hug her again, no use for his fingers if they can't tangle in her hair, play her praises, no use for his voice if he can't utter her name.
And thus, he is done.
He can only hold her now, just like he always did, except for once, and carry her down and let her go with a hope of seeing her again, and let his wretched hope bring him to his knees.
And he will still hold on, for it is all that remains.
Slowly, he leans and places a kiss on her forehead. Remembers how she smiled, how she ran into his arms, that one time they hadn't yet named the last.
Her body is still warm, forever warm, for he was no time to feel her getting colder. He can't even fathom it. The cold only seeps in as he lays her down the wooden boat, and nails his heart like a shard of ice, like a winter's wind, and the only comfort is that he will remember the coldness of her absence, for that, at least, was familiar. And this is it. This is how it always has been.
She slips through his fingers once again, and this time the stillness remains forever.
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