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#this guy really has a lot of story to him
ichiiixs · 3 days
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Just for Me.
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Hi guys! I would like to provide a little short story along with my artwork! Since English is not my FIRST language and I know I am not a grammar expert… So expect it to be imperfect please! and also some grammatical errors too! but I hope you will enjoy this short writing. (。・ω・。)
Honestly, I had a lot of fun writing the story hehe (๑>◡<๑)
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You and Alastor have been dating for a while now.
Alastor is the most wonderful guy you have ever met. He is polite, has a sense of humour, and is very passionate about his work, which makes him even more attractive. His bright smile is the best thing. That charming smile is always heartwarming and appealing. He surely knows how much you adore that smile, since he keeps teasing you with it whenever he can.
 
Although Alastor is such a charming gentleman with a smiling face, you have to admit that there were some moments when he just seemed a little strange? Like the time when you look at him in the eyes, you really cannot tell what he was thinking. All you saw was your reflection and nothing else. Not even a single emotion of his. It was just the deep brown eyes with the reflection of your face looking for something in them. It was full of you, yet it was so empty of him. You get uncomfortable just thinking about it. Those strange feelings in those eyes seemed to tell you that he knew everything about you. No matter what you do or where you go, he just so happens to show up out of the blue. Especially when you are facing a problem, he always shows up. Was he perhaps just trying to find you? Or maybe he has been watching you all along?
 
Like today, when some guy at your workplace was trying to harass you, Alastor suddenly shows up and protects you before that person even gets a chance to touch you. He appeared and kicked the guy away. Alastor then told you that the guy had no right to talk to you in the first place and that he should not even dare touch you. 
 
He had been watching you since the beginning?
 
You ignored those thoughts since you enjoy having him around and believed it was just a coincidence… right? It should not be that complicated.
 
However, it is unusual that you've been waiting for Alastor for at least an hour now. Waiting for your lover to come pick you up for the dinner he promised to take you to. It is raining a lot outside, and you begin to worry that he might just cancel the dinner. But Alastor is not that kind of person. Suddenly, you hear a knock on the door, and you rush to open it to see the man you've been waiting for. The smile that lights up your face every time even makes your heart skip a beat. And, my goodness, those eyes of his are there just for you.
Only you.
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Hello again! So I will start drawing from each request now! However, it will probably take a while to complete because I have some university work coming up T_T and I will also be getting ready to work on the HH&HB goods & other stuff! Since I will be attend to several conventions, I will certainly be busy (@_@) but if you live in Vancouver, you are welcome to buy my items in the future ( ˘ω˘ )
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jacevelaryonswife · 2 days
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You Really Got Me | Professor!Michael Gavey x student!fem reader
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summary: With a perfect CV, Michael Gavey was on top of the fucking world and mediocrity has never seemed so inherent to you before. The new Professor of Number Theory awakened inappropriate feelings that could become risky if they were reciprocal.
a/n: well, it was quite difficult to write this because I’m not familiar with the Oxford environment and I hope that my research has made this story as credible as possible.
tags: slight slow burn, smut, p in v sex, power imbalance, swearing.
word count: 5.7k
ewanverse masterlist | next part
Michael Gavey was... many things.
A lot of things, definitely.
Michael, or rather, Professor Gavey now, aroused conflicting feelings in you.
Admiration, fear, fascination and another whirlwind was felt when it was the new and brilliant Professor of Numbers Theory. He took over the discipline of a dear veteran and great name of mathematics in Oxford, his advisor in the master’s and PhD. Obviously great expectation formed around it, around him, wondering if he would be able to overcome the grandeur of his predecessor.
And apparently he was causing a certain commotion with his above-average intelligence and his eccentric personality.
Obviously you started a search for the CV of your next professor and the finding was surprisingly extraordinary. Speaker of the 2010 class, several projects carried out, postgraduate (also in Oxford), articles published in journals with high impact factor and experience at McKinsey & Company for 2 years.
Michael Gavey was on top of the fucking world and mediocrity had never seemed so inherent to you before.
Saying that you were intimidated by the first contact with him was an understatement- you were fucking terrified. The rumors of an alleged above-average intelligence proved to be untrue. Above average? No shit, he was far beyond everything you experienced. Your eyes didn’t dare to move away from him and the painting during the following hours, too fascinated by what was happening in your fucking front. You felt a current of pure mathematics run through your body and camp in your brain, illuminating all the neurons.
What the fuck had just happened?
You learned that every class he taught was a learning experience rarely experienced before. The passion he conveyed when teaching overflowed in all his expressions so intensely that it made you orbit around him slowly.
And that was the beginning of a problem.
A big problem.
But you hadn’t noticed yet.
“If I ever thought I was smart, forget it! Michael Gavey is the epitome of everything I want to be,” your good friend Miranda said before taking a sip of her latte.
“I know right? Every class I feel that my brain will explode,” you said while leaning your head against the table, “but I can understand what it teaches, at least a good part of things. I know I already have an advisor and our work is almost published, but I think I’m thinking of getting out of Algebra and trying something with Gavey,” you looked at her.
“Woah, are you fucking sure? I mean- if that’s what you really want, that’s fine, but I think it’s too mind blowing for me,” she said.
“For me too, but it’s fucking interesting, I really want to do at least one research in this area.”
“... hmm,” Miranda smirked, humming.
“What?”
“Nothing,” she superficially drank her coffee, “hmm.”
“Cut the bullshit,” you complained as you looked at her impatiently.
“It’s nothing, it’s just that from a certain angle he’s quite cute,” she said in a thin voice.
“Who? Gavey?”
“Yeah. He’s... different from the guys you usually date or are interested in but he’s not bad looking,” she explained.
“Come on, do you really think I’m interested in him? He's our professor and a big nerd to boot!” The last thing wasn’t totally the end of the world.
“And? It’s not like students and professors have never fucked before, although I don’t think he’d risk that much, he seems to be quite methodical,” she said calmly, “and most importantly, he’s clever as fuck and that automatically makes him sexy, if he’s not an idiot.”
That was absurd, you weren’t interested in Michael Gavey!
... right?
You thought about it for the rest of the day.
Was Michael Gavey, in addition to his bestial intellect, physically attractive?
Suddenly, you began to notice how his lips were perfectly drawn and pink as he explained the most beautiful things you had ever heard in those years at Oxford. Damn it. It was Miranda’s fault, obviously. You tried to convince yourself of that while elaborating a way to approach you about the possibility of a research project without embarrassing yourself. Obviously you tried to impress him before that, answering questions whenever possible and redoing all the examples and notes he passed around. When your own mind couldn’t assimilate some details, you looked for him to ask questions and oh Lord, he was more than attentive.
The proximity also made you realize how blue his eyes were under the glasses, and how his hands were- no, wait, what were those veins? Those long and thin fingers? You know what they say about guys with big hands... And his fluffy dirty blonde hair and those soft and ugly sweaters, his height, his waist-
DAMN IT MIRANDA!
That afternoon you gathered the courage to introduce the subject after your classmates left, using your best words to make a good impression.
“I have some interesting ideas that would yield good research, but before recruiting someone, I evaluate performance throughout the term; grades, posture, commitment, everything is observed.”
“Oh... sure, professor.”
“You’re doing well so far, you have good chances, keep it up.”
You wanted to scream. You’ve been recognized.
If your previous efforts were continuous to make a good impression, they would now be compulsive to stand out from the others. You needed to have him as an advisor. And all the eagerness to please him, all the competitive desire to excel, all that fervor triggered a fire that consumed every stretch of your body silently.
And that was a problem.
It shouldn’t be, but it became without you noticing.
“Do you know how many people would sacrifice everything to sit on these chairs? Walking through these corridors? Breathe this air? All of you have an obligation to achieve more than perfection, especially if you are here because of mommy and daddy’s money.”
You knew that very well. Gavey was very demanding about the quality of his students, always reinforcing the privilege of being in this environment, which in itself would make his discipline one of the most important of that term, but your current disposition made you demand almost all attention for him, for the test that was coming, for what you aspired to in the future.
And the result couldn’t be better.
You had a 100% performance in the first test. Excellent, handwritten next to the note. “Good work, keep it up,” he said with a subtle smile.
“Thank you, professor.”
So that’s what the butterflies in your stomach were from.
You smiled, satisfied as you reaped the fruit of weeks of hard work, too numb in your own pride to feel a close eye to follow your steps to the exit, although you had not gone unnoticed by Miranda.
“I think someone caught Gavey’s attention,” she hummed low, approaching on your side to lightly nudge your body with her hip.
“I know right? I need this opportunity,” you celebrated, oblivious to the implicit tone of her voice.
“I didn’t mean that way, babe. It's just he’s keeping an eye on you constantly, literally checking you every- I don’t know, three minutes?” She said it as if it were obvious.
“What? No, I don’t think it’s in this sense, he uses everything as a parameter of choice, he’s just observing my posture.” What? To believe that Gavey had ulterior motives? Too unreal.
“No, sweetheart, he was staring at you when no one paid attention, or almost no one, and he spent most of his time looking at you,” she insisted.
“You don't really thi-“
“I totally think so!”
Oh fuck.
“I’m not saying he’s in love with you, but he's interested, hell yeah,” she explained as you slowly processed her words.
“Fuck,” you said, “do you really, really think so? I mean- he doesn’t look like the type who stays with students.”
Definitely not, he seemed too methodical for that, methodical enough to separate the spectra of his life into compartments.
But what if there was the possibility? You couldn’t reproduce that question audibly, but in the comfort of your bed, you allowed yourself to daydream.
If there was some possibility?
Well, there were pros and cons that needed to be analyzed meticulously, of course.
In the event that Michael was a systematic monster, there wouldn’t be problems in a relationship since he wouldn’t mix romance with studies, theoretically. On the other hand, if he didn’t know how to differentiate the staff from the professional... well, you’d be fucked up if something went wrong. And that was the main point: the mistake.
The consequences would be drastic if something bad happened, especially to you, whose life was still under construction and a scholarship in Oxford could not be negotiated. The cost was too high.
However, over the weeks, you could only think about how attractive your professor was.
And now you know it’s a problem.
And with that, the end of year 2 was near when you received an email from Michael Gavey requesting to send your notes and certificates of everything you had done and participated in so far. Jesus, that man wasn’t kidding.
Neither were you.
That same morning you attached the documents to the e-mail and forwarded a response, as a result, your presence was requested at his office as soon as possible. I’m available in the afternoon, you send to him.
It was complicated to make your legs stop shaking along the way, practically jumping through the corridors while trying to stay calm. It was your chance, one where nothing could go wrong. You wore your best clothes, put on accessories that you used to wear daily and a subtle makeup to make a good impression, nothing that drew too much attention.
Stopping in front of his door, you took a deep breath and announced your presence with a light knock against the old wood, receiving immediate permission to enter the space. You would've liked the time and the absence of an observer to analyze all the details, but instead your eyes locked with his as he walked back to his chair.
“Good afternoon,” he said, a polite smile illuminating his beautiful face as he pointed to the chair in front of you, “have a seat. Please.”
“Good afternoon, professor, thank you,” you greeted him back, shaking your hands anxiously as you sat down.
With no time to allow your eyes to wander through the objects on the table, Michael cut straight to the point. "So, what aroused your interest in Number Theory?" You, to begin with.
"Well, I chose Maths at the age of 17, but things were difficult when I started the course. I was disenchanted considerably, but I always remained active. When your classes started I felt the same thing that motivated me to join here, it was as if everything had made sense again and I really fell in love with it."
“I see,” he said, crossing his hands over the table with a soft smile and a slight pink to his cheeks. Did you make him blush? No way. "I’m happy to have contributed positively to your training. I really appreciated your performance during classes and the analysis of your CV. The activities you have developed are also good but they can improve, I believe you also aspire to it. I seek a high level of quality in my students, after all we are in one of the best universities in the world and excellence is the least expected, I believe we agree on that. Have you already decided where you would like to specialise within Number Theory?"
"To be honest, no, but I would like to find out in-"
"I have some ideas that I’d like to be executed, I can show you now, if you don't have something in mind," he interrupted you with enthusiasm.
"... yes, I’d love to," you said, "but first, thank you for the opportunity you’re giving me, I admire you so much from the first classes and I feel really happy to receive this chance, I know there are many successful veteran professors, but I believe that a current view of a person as impressive as you can bring interesting results."
And if he had blushed with your previous statement, now he was red as a tomato and all disconcerted as he looked down with a shyness never witnessed before by you. It was deadly cute.
Gosh, you were really fucked.
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Working with Michael was exciting.
Terrifying too.
You felt constantly intimidated by his intellect, which caused a mix of sensations that varied according to the day. There was the pride of collaborating with him, the fear of failing, the paranoia of not being good enough and the satisfaction of achieving good results. It was a real roller coaster.
The passing of the months dissipated the initial strangeness and made living more comfortable. On the other hand, the proximity made you watch him for longer. It was pathetic.
Michael spent most of his time in front of his computer, correcting things, creating things and participating in events. You weren’t the only one under his guidance, there was Paul, a recent entry in Maths who was too inert in his own world to notice any non-standard deviation. Paul was a reminder and a barrier for nothing to come out of your daydreams, although he didn't seem very interested in what you were doing.
Still, you couldn't feed those thoughts, your relationship should be strictly professional.
It didn't matter how discreetly he approached you to help, or how close he leaned towards you- more than what was considered respectful. Or how good he smelled and looked so comfortable with his cheesy sweaters and old shoes. Or when you looked at him closely while he explained something.
How it was happening at that very moment.
“You're wasting time trying to demonstrate this equation, it's not so important for the project,” he said when analysing your latest advances.
"I know, but I'd like to understand better and I'm not getting it, it seems too abstract," you said with a frustrated pout, bothered by being stuck in something so simple.
"You've already solved more difficult things," he stressed, looking at you consciously, "can I?" he asked, referring to your notebook and the pen next to your laptop.
“Sure.”
Your attention focused on the numbers and symbols scribbled on the paper, trying to keep up with the speed of his thought. Watching it has always been fascinating.
“Some things are more difficult when we make them like this,” he said as he sketched on the paper.
"It's easy to say that being you," you replied, lamenting the failed attempt to absorb some of his knowledge.
"But it's true."
Unconsciously, you leaned your shoulder against his arm. "Some things are naturally difficult, not everyone can visualise like you."
"I know, it's a natural advantage," he smirked, looking at you over his shoulder, face closer than usual. "But you have a good brain, you shouldn't make it harder than it is."
So close.
"And how should I make it easier?" You held your breath, not daring to look beyond his beautiful blue irises.
"Find in the problem points that are favourable to you, try to demystify them, make them palpable," he replied slowly, taking a deep breath.
Really close.
"And if there's nothing to be explored?"
"You can always call me."
"… I know."
So close.
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After that, you don't know what or why, but something has changed in your relationship with Michael.
His looks became more persistent, his presence seemed closer, almost palpable. Maybe it was a daydream of your own mind, but it looked different, inexplicably different. The air seemed heavier when there was proximity. He seemed comfortable when he touched your shoulder while you read your results. It was nothing, you thought.
There was something not said and that was enough to bring out fears and expectations.
Why not? You thought repeatedly, knowing the reasons very well.
But, maybe...
Maybe you needed to get him out of your head for a few hours, meet some nice guys, drink a little, it was a good idea.
That's why that Friday night you decided to go to one of the nearby pubs with Miranda. It was a good plan, you would leave the lab at 5 PM and get ready to meet her at 7 PM. It was in fact a good plan... until the data analysis program decided to crash in the middle of your work and a malaise affected your friend, in addition to a grotesque rain that started to fall recently. Well, at least you tried.
After collecting the material from the bench, you stretched your arms above your head to ward off the hours of agonizing stress and got up from the chair. It was already late and your view was tired, more than your own body when Michael showed up with his keys in his hand after closing his own office. He spent the afternoon by your side trying to solve the damn problem in addition to his chores as a teacher.
"Everything worked out?" He asked.
"Yeah, at least that," you grumbled, picking up your backpack, "thank you for the help," you looked at him before going to the switches to turn off the equipment.
"You’re welcome," he said simply, in a softer tone than usual. Thunder echoed when you turned off the lights and made you retreat briefly in fright, making himhim laugh softly. "So, what does your generation do to have fun Friday night?" He asked casually after leaving the laboratory.
"Considering that these pubs are older than you and me, I think the same thing your generation did," you replied humorously, looking at him with a small smile, "Unfortunately not with this rain."
"Did you have plans?" He asked.
"Yes, my friend and I’d go to MacLaren's pub, but she's sick and the world decided to fall suddenly and I didn't bring my umbrella," you said faster than you intended, a brief irritation about how your night was totally destroyed. “And you?”
“No plans,” he said, adjusting his sweater. His car was close, but the rain prevented him from advancing a lot. "Are you walking?" He asked.
"Yes- I mean as soon as the rain passes," you crossed your arms and hugged yourself.
"I can take you," he said, his words beginning to make your heart beat faster.
It's no big deal, it's just a polite gesture.
"Oh no, you don't have to, honestly. I can wait," you said, although the twinge in your heart meant the opposite. Why the fuck did I deny it? Damn it.
"It's no big deal, besides we don't know when it will pass," he said, "we can wait in my car, I'm fucking freezing here."
"Sure." You tried not to freak out at the idea of being in such a restricted and warm environment with him, but Michael didn't seem to share the concern, since he basically ran in the middle of the fine rain to reach his car. Okay then. You went right behind, putting the backpack above your head to protect yourself from the water and closing the door harder than you intended. “Sorry, I wasn't expecting that,” you said with a light laugh.
"I just needed this heater," he said with a small smile on his lips, messing with things on the panel, "I also didn't bring an umbrella."
Avoiding making him uncomfortable when analyzing his every movement, you took your cell phone to try to distract yourself, relaxing when the hot air became present. It was almost 6:45 when You Really Got Me filled your ears and made you look at him.
"Do you like The Kinks?" You asked.
"I'm a fan, what about you?"
"My friend is a big fan."
“And you?”
"I like some songs."
"My grandfather was a great vinyl collector, he left everything to my father but he was never into rock in general," he said as he adjusted his glasses, looking at you with soft eyes.
You looked at him with interest. "I started listening to rock to get the attention of a guy I liked. It didn't work but I really liked the songs, although I don't listen to the same bands as I did when I was younger."
Michael laughed. The sound was carefree, almost relaxed even, a facet you didn't see often. He looked soft, cozy, in that burnt orange sweater he wore. "And what do you listen to?"
“I listen to a lot of Oasis, but that's not really 60's stuff. But I also like Led Zeppelin, Pink Floyd, The Strokes...”
“Big fan of Oasis,” he said.
“Really?”
"I have all the vinyls and I went to a concert in Manchester before the separation." He paused, "Would you like to see them?"
There was an intensity in his look that made your breathing fail, making the air heavy. The casualness of the situation did not seem so natural all of a sudden. He meant-
“In my home.”
Shit shit shit shit
You couldn't, you shouldn't.
“Yes.”
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And so, contrary to all the possibilities of the night, you were in Michael fucking Gavey's house.
A veiled restlessness endured in the air and in the way your heart beat as you were taken by the unknown path. You couldn't believe you had agreed to that, but here you were, looking at every detail of his flat with curiosity. It was large, clean and almost minimalist in design, some thematic objects of mathematics scattered around on the shelves, walls and table. Nerd.
A short silence was maintained while your eyes eagerly explored his place. "Do you want to drink something?"
"Water would be great," you tried to keep the modesty, while watching him go to the kitchen and approach with your request with his gaze locked on yours.
You couldn't be imagining things, there was something there, a different glow, an unspoken truth that caused chills to run through your body.
"You can sit down, I'll get the vinyls."
Your heart was almost exploding since the invitation. You couldn't believe he brought you here, much less that you agreed to come. What the fuck should you do? Let him show you the records and then go? That was stupid.
You forced a conscious smile when he appeared with the records in his hand, watching with a certain curiosity.
“Here,” he said with what you assumed to be a nervous smile, “This is definitely my favourite, although What's the Story? Morning Glory introduced me to the band-“
Your brain wandered when he started digging non-stop about the albums, not giving a damn about Noel and Liam Gallagher's drama, all that mattered was that you were next to Michael Gavey, on his couch, at his house. Michael, the man who took away your sleep and made you constantly daydream. The man who fascinated and intimidated you to the same extent, who made your body warm up when it was close and imagined what it would be like if he got closer.
With his beautiful eyes, nose and lips, big hands and long fingers, soft and beautiful dirty blond hair.
You've wanted it for a long time.
You wanted him.
Wanted to fuck him.
You wanted to fuck your own professor.
And you're tired of denying it.
"I know I shouldn't do that, but it's all I've been thinking about for months."
You interrupted him, touching his cheek as you slowly leaned against him. He froze in place, not preventing your advances as your faces grew closer and closer. Your lips gently brushed against his before pressing harder, starting a fearful and shy, almost chaste kiss.
He didn't reciprocate.
Your heart sank, panic blooming in your stomach.
What did I do?
"I'm sorry, I shouldn't-"
His lips silenced any doubts that dared to emerge, holding the back of your head while kissing you experimentally. You didn't waste time in moving your lips at the pace he set, holding the back of his neck and smoothing his beautiful face, tasting the taste of his lips.
You couldn't believe it, you couldn't! He was kissing you!
Michael Gavey was kissing you!
"I'm sorry, we shouldn't-" he said as he walked away abruptly, but you didn't care.
You attacked his hungry lips and made him move the discs away when he leaned against his body, climbing on his lap and holding both sides of his neck. His hand went down your back and held your ass firmly while the other grasped on the back of your neck, pulling your body closer and asking for access to your mouth with his tongue. You kissed, sucked, and bit his pink lips, taking advantage of everything you could before moving away to look into his eyes, looking for any sign of reluctance.
“I've wanted to do this for a long time,” he confessed.
“Me too,” you said.
And then you were kissing him again, and again, and again until your lips were red, wet and swollen. Your body warmed up when a bulge emerged below your thighs, instinctively grinding against it.
“Fuck- I can't, we can't do that, I'm your fucking professor,” he said out of breath, holding your arms and briefly pushing your body away. "This can ruin everything- fuck up our relationship-"
He was red, dilated pupils and heavy breathing, a fucking vision.
“I know, I know. But... just this time, we can forget just this time... what do you think?"
He held firmly one side of your face and looked into your eyes. “Are you fucking sure about this?”
“I'm fucking sure.”
Just this time.
"... just this time."
He leaned over to kiss you quickly, moving his hands under your blouse to take it over his head, groping the exposed skin of your arms, waist and belly with his big hands while drinking from your body with lascivious eyes. "Beautiful," he whispered.
His lips traveled to spice up moist kisses on your neck, sucking the conjuncture with his shoulder, licking your throat, making you melt and close your eyes when he found your sweet spot. Who knew he had that fire? He nibbled and sucked the sensitive skin, holding your waist firmly when he raised you and put you on the floor, leaving you stunned as he guided you by the hand to the room.
Michael didn't have time for your reasoning to come back when he gently pushed you against the door with both hands next to your head. “You're fucking gorgeous.”
“And you're handsome,” you removed his orange sweater, touching the skin of his torso.
"... you don't have to reciprocate the compliment."
Your chest hurt when you heard that, which made you touch his cheek instinctively. "I'm not saying out of courtesy, Michael, you're fucking attractive," you traced his lips with your thumb, looking at him firmly. “Fucking handsome.”
A slight blush took over his cheeks and he captured your lips with passion, holding your waist while kissing life outside of you. Your head was spinning and your stomach warmed up by intimacy, straightening his soft hair. You were in the damn clouds.
His hands moved to unbutton your pants and lower them, kneeling before you to remove your shoes and jeans, kissing the stomach trail to the top of your panties and shamelessly touching your drenched pussy.
"Mmm," you shuddered and closed your eyes when he started rubbing your clitoris, increasing the moisture between your thighs. Fuck. Your goddamn professor was kneeling in front of you. If you weren't wet before, now a river has accumulated in your center.
"Is that good?" He asked.
“Yeah,” you whispered, holding onto him for better support, watching him continue to massage your clit now directly into the skin while leaving kisses on your belly. You leaned dramatically against the door when he stuck a finger in your entrance, pumping slowly, feeling you, teasing. “Fuck.”
Michael removed his finger and stood up, unbuttoning his belt quickly and taking off his pants and shoes, leaving you warm and needy and following him like a puppy when he went to the headboard near the bed and opened the upper drawer to take off a condom. Damn it, he was so fine. Before his hands were on your body, you slowly pushed him on the bed and took control, removing the bra and discarding the panties. You couldn't believe what was about to happen.
Your body trembled when he pulled you by the waist and clapped your breasts as you sat on his covered cock and ground over it.
"Fuck," he grunted, sucking one nipple.
"Michael," you moaned, panting. 'Professor,' that's what you wanted to shout, pulling the hair from the back of his neck. He moaned when you kept grinding against his erection and hoisted your hips to lay you on the sheets.
Your mouth opened when he discarded his underwear - not even in the wettest dreams did you imagine that size. He was fucking fine. Tall, thin, defined and with a beautiful cock. Fuck-
Michael Gavey was really a box full of surprises. He barely had time to adjust his glasses and put on the condom before he was pulled by you to take over the top, caged by your legs.
He captured your lips in a sweet kiss, leaning on his elbow as he adjusted between your thighs. The next thing you felt was the welcome intrusion into your folds, stretching you open deliciously. The initial stretch was a little painful, it's been a while since you've been with someone, but he was slow and careful when sinking into your core, making your toes curl up and a relieved moan come out of your throat when he was totally inside.
"Are you alright?" He asked with his face above yours.
"Yes," you held his back, "just wait a minute, please."
“Okay,” he said with a red face, hoarse voice and almost breathless.
Your walls were pulsating when you finally received it, relaxing when the slight discomfort passed. “Move.”
His thrusts were soft, but firm, looking at you closely. You couldn't believe that, yes, Michael was fucking you. Finally.
You leaned up to kiss him while holding your back, groping his wrinkles around your eyes. He was fucking handsome. His hips went further and faster when your body was totally receptive, the moisture and heat surrounding him and making him slip without hindrance. He leaned his forehead against yours and held your hips when you dug your feet on the bed, hitting deeper than before, making you moan loudly and your pussy squeeze instinctively.
A hoarse moan was his response, almost a whining that was swallowed by your lips.
You were in the fucking clouds with the intimacy of the moment, tracing patterns on his back and pulling the blonde strands from the back of the neck when the thrusts became more intense, deliberately repeating his name. Michael attacked the conjuncture of your neck and lifted your thigh even more to go deeper, deliciously hitting your core.
"Michael- fuck-" You could only think of how good he felt, how big his cock was and how his bulbous head brushed your sweet spot whenever he moved. You needed it too much. Holding his shoulders and pushing him away a little, you looked at him panting, making his eyes widen.
"Did I hurt you?" He asked with a tense body.
"No, no, It's just-" and then you moved to take control, resting your hands on his chest, "this." You wanted to ride him since the time you called me in your office. You rubbed your hips against his groin in an addictive rhythm, loving the friction against your clitoris and the feeling of being totally filled.
"Fuck," he grunted, squeezing your ass, groping your hip, holding your breasts, covering every piece of skin available.
You started moving on his cock, touching his chest gently. You felt it all over your core and that burned your whole body, especially when your spongy spot was being brushed rhythmically. Michael pulled you to a scorching kiss full of tongue and teeth, leaving your movements sloppy, but constant, almost frantic, your moans and whining became higher and higher, your velvety walls squeezing his thick axis more and more.
"So fucking good," he moaned against your mouth and leaned his feet on the bed, holding your buttocks and hitting his hips against yours.
“Fuck-“ you almost screamed, resting your head against his chest when he started pushing quickly into your hot pussy, creating lascivious sounds that echoed all over the room.
“You're squeezing me so fucking hard - you're close, aren't you?” He asked, almost breathless.
“Y-yes,” your eyes closed when the family tingling intensified and your juices lubricated it even more.
"Come for me baby," he grunted when your folds pulsed around him, "cum in my fucking cock."
Shit.
Your orgasm hit you hard; hot and sudden as lightning, making your body tremble and a flash blind your vision as the air disappeared from your lungs and your mind went blank.
"Fuck," you heard him moan far away, feeling his cock pulsate and the squeeze on your ass increase when his erratic movements stopped, leaving only a few slow pushes on your sensitive pussy.
You melted completely when the orgasmic euphoria spared, coming out of it unwillingly so as not to deprive you of the air and stabilize your own breathing. Your mind was tired although very aware of the fact that you had just fucked your professor.
You can't fucking believe it.
Fucking finally.
"Are you okay?" He asked, all red and sweaty as he looked at you with crooked glasses.
“Absofuckinglutely,” you looked at him tired, panting, attracted by how cozy he looked. “And you?”
He smiled softly, pushing away some strands of hair that had stuck to your forehead, fingering your face with his thumb. “I'm fucking great.”
Michael pulled you to rest on his chest when a comfortable mist hovered between you as you recovered. None of you said anything for the next few minutes, just enjoying the calm silence before reality starts to come back. You fucked your professor.
You fucked your professor.
What did you have in your head?
You tried to convince yourself that nothing would change after that, that your relationship would not be affected, but you were not sure of that
Just this time.
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m1ssunderstanding · 2 days
Text
Let it Be Close-watch
Paul, sweety, it's beautiful, but it's killing the vibe.
Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times
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Somehow the air-brown mostly eaten apple is very appropriate.
She looks far too sweet here to ever let John down. Yoko has very kind eyes.
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I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.
I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.
I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.
They're so silly
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Yoko does not agree with me
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Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!
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They're so silly
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Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.
this poor autistic baby trying to use words (not his language) to explain music (his language)
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“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.
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Oh Michael put himself in his own movie too? Huh, cool.
They are always in my heart
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The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.
Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.
Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.
Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??
George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.
Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.
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It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.
LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.
Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.
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Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.
Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…
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What friendly artistic collaboration looks like when it's not psychosexual
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Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?
This is adorable.
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But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.
And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’
Lol Billy just magically appeared!
Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.
He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!
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Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.
I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.
I love how Heather just forces a hug from George and then immediately runs away. What a cutie.
But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?
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All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”
Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?
Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.
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What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.
Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.
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I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.
Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit
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Ringo feeling himself as he should
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George just looks like he smells nice. Unlike the others. You know?
John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.
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That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.
The cut from screaming Paul to grouchy nap lady is extremely painful.
John was so cool in this concert. Like the epitome of cool.
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Kevin, my love, thank you for your service
I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid
You know in movies where the romantic leads are never looking at each other at the same time?
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I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.
Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.
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Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.
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Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.
Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.
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highdio · 2 days
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Pleeease, write your thoughts about the musical lol. I really like your Dio meta posts <3
Just a disclaimer: this is really opinionated but I don't like to drag media for its own sake. There were lots of things to like in the Phantom Blood musical, just ... Dio wasn't one of them. Also, Mamoru Miyano threw himself into the performance he was asked for, so it's hardly his fault. It's just always amazing to me that people feel the need to rewrite Dio into someone else when the way Araki's written him is already perfect, complete and a lot of fun.
So, where to start? Basically, the Phantom Blood musical re-writes Dio, giving him a different personality and different motivations through OOC stage direction along with a bunch of original dialog and scenes. What results is a version of Phantom Blood where "Dio" is just a normal guy without charisma who had a bad childhood and spends most of the story being miserable. Dio as he's written in canon has an uncommon charisma and appeal that's allowed him to remain relevant as one of those 'all-time great' villains. Scene after scene in the musical prove that its creative team either didn't read the manga or just really didn't like Dio.
fwiw Araki wrote Dio as thoroughly fleshed-out, with consistent traits and behaviors and consistent motivations behind his actions. He also left a paper trail of interviews and author's commentaries that develop Dio even more fully beyond the manga. So there's really no excuse for media that treat Dio as some sort of empty vessel waiting to be filled by narrative cliches we already know and expect.
It's annoying too, because, along with its OOC content, the musical is peppered with occasional manga-consistent moments. It's like the musical is camouflaging its Very Bad Take on Dio by having Mamoru Miyano periodically re-enact the canon character's most famous panels. The musical wants simultaneously to take credit for bringing Araki's vision to life on the stage, while at the same time completely undermining its most important element: a capital V "Villain" who, according to Araki, "accepts and embraces his evil nature, and follows his dark path without hesitation." This is the biggest change the musical makes to Dio: musical!Dio has none of the confidence that allows canon Dio him to move so decisively and destructively through the narrative.
Musical Dio is introduced by a scene where he's bullied on his way home, before breaking into a song about how terrible his life is, where "everything is always taken from [him]" ("it's hell …I feel nauseated …[I'm] under a cloudy sky.") The song is alternately tearful and hopeful. "I'm going crazy from being robbed!" he laments and then pollyannaishly muses, "hey, Joestar, can you turn my [cloudy] skies to blue?"
If Dio being introduced as a sad sap and self-described perennial loser hoping for any break sounds attitudinally unfamiliar that's because it is. Araki went in the opposite direction: he started his story by subverting the cliche - wide-eyed poor boy victimized by circumstance leaves his sorrow-filled life hoping for a new start - and instead gave us a kid with surprising, even sinister agency. Dio is not just given a hero's upward narrative arc (something Araki crafted very deliberately), he's introduced improbably in his first scene from a position of control. This fact is important because in the manga it's a position he won't lose until four chapters and nearly 100 pages in, when Jonathan finally fights back. From the time young Dio is introduced - reading a book with his back turned to his bed-ridden father who he's secretly poisoning -
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- to the time he's systematically broken down his adoptive brother's spirit by alienating him from his friends, taking Erina's first kiss, and of course kicking his dog, Dio is shown as being in control and on top (Erina drinking the muddy water is the only exception). It's OOC to imagine 12-year old Dio feeling sorry for himself because at the time he's introduced, he's already made a habit of getting what he wants. By the time he sets off for the Joestars after killing his first dad, he's already developed full confidence in his abilities and the inevitability of his rise to riches (something Araki has him explicitly state and then underscores with a panel illustration of a steam train signaling the rise of Modernity).
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But the writers and director of the musical don't find this characterization interesting enough or something. So they lose the canon entirely and in its place they invent a version of Dio who's despondent. And they didn't get Araki's steam train memo so they miss the Modernity theme (even though Araki's tied Dio so tightly conceptually to the idea of the Modern that he has him "use a 20th century boxing technique in the 19th century"); instead they double down on class difference being determinative. It never occurs to them that Dio is written specifically by Araki with the freedom to move outside of his social status because he sees it as artificial (the "evil elite" monologue later reveals Dio thinks of the whole social contract thing is arbitrary and voluntary).
Throughout the musical, Dio (although it's not fair to Mamoru Miyano since he isn't responsible for writing this mess, let's use mamoDio from now on because it's easier) seems to idolize the Joestars for what he calls their "beautiful blood." Not "beautiful" because usable calories for the vampire he will become but "beautiful" because noble. The Joestars' noble status and the honor that's apparently behind that status become the shining "star" toward which mud-bound mamoDio flailingly, failingly reaches. I don't need to tell you that in canon Dio doesn't have respect for nobility.
"Mud and stars" is heavy-handedly introduced as a dominant theme of the musical. According to the play, Jonathan, noble and bright, looks to the stars while human Dio, pathetic, conflicted and even confused, can only see life as a mud-soaked prison.
Now, the mud and stars thing was only used in Part 1 as a single text element on a Volume 1 illustration but, in spite of its marginality, it's becomes a liturgical text for some fans looking for an explanation for Dio's actions beyond what Araki gives them in the actual narrative. To this sort of fan, a guy who embraces his inner talent for evil and never had the misfortune of developing a moral compass isn't the right type of villain because he's unapologetic. If the villain doesn't have excuses how can you apologize for him? So they need Dio and by extension Araki to give them a "good enough" reason to accept Dio's ever-escalating atrocities. If the reasons Dio has for doing the things he does lie outside of what's considered good or acceptable, they are simply rejected and new reasons are invented in the hope of making Dio much less objectionable.
Now, like I said earlier, Araki's repeatedly told us in his writings that Dio has an upward narrative trajectory, not a downward, "mud"-bound one. The mud and stars duality fails to describe the narrative journey of the two main characters: both look upward to transcend their circumstances and travel along a shonen manga hero's rising path. (In fact, it's Jonathan who needs a good push to realize his potential, something Dio happily provides). And it's Jonathan, not Dio, who Araki first gives a downward arc, being handed defeat after defeat for those first four chapters before gaining his footing and progressively rising to Dio's challenges. "Mud and stars" isn't just a bad choice of metaphor, it's a misleading one.
Back to the musical, mamoDio is the exact opposite. An air of sadness and insecurity haunts his performance. An original scene where George presents the mud and stars dilemma as a lesson highlights Dio's lack of confidence and the depression that lurks behind it, as Dio bemoans how people doomed to "struggle and die" cannot possibly summon the hope it takes to look up to the stars (he's talking of course about himself).
Likewise, and here's where mamoDio's failure as a character really comes into full relief, seven years after this, when Dio's machinations are revealed and he's about to be arrested, before he uses the stone mask, mamoDio drops to the floor and spends the better part of a musical number in tears, bemoaning his sorry life ("I'm trapped in a prison covered in mud… no matter how hard I struggle I'm crushed…") and his lack of noble blood.
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(btw this is after the manga scene where Dio fake cries; here, mamoDio is genuinely distraught).
Contrast this to the actual scene in the manga. His expressions in these panels are memorable because of how assured Araki draws him. Dio's entire world - his poisoning scheme, his grab at what one can assume would have been the entirety of the Joestar estate - is about to end but instead of despairing, he launches into a philosophical soliloquy. His body language is haughty: this isn't mamoDio crawling on the ground and decrying his upbringing and lack of noble blood, instead this is a man who apparently, almost irrationally, perceives himself as noble. When he uses the mask, Dio is smiling widely. Metaphorically speaking, he's looking at the stars.
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When mamoDio uses the mask? He's on his knees. He's in tears. On one night he interjects, "Mother…" In short, he's conflicted.
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One of these depicts Dio. The other does not.
Now obviously the writers and director of the musical must think making these seismic changes adds something to Dio's character. But (and I feel like this is a theme whenever I write these things) I'd argue it only makes him more basic. It makes him predictable and formulaic, someone we've seen in countless other stories.
(Oh! and did I mention mamoDio repeatedly calls himself "useless"!! Because he does this.)
Now, because mamoDio has no confidence and as a human acts out of desperation, when he becomes a vampire he still isn't Dio. Mamoru tries to make his vampire Dio evil and scary by expending a lot of energy, running about the stage and sticking out his tongue ad nauseum. When you look at how Araki has Dio move physically throughout the manga, it's the opposite of kinetic. Dio is a point of fixity who's charisma draws others toward him (ask me for more on this if you want because there's enough here for its own post).
Now for the worst of the worst: at the very end of the production, after the manga ending that features Jonathan's death and Dio's (presumed) defeat as a head imprisoned in Jonathan's arms, the musical takes an original twist in which, following a finale number featuring most of the cast, mamoDio is lead offstage by Jonathan. You read that right. mamoDio is hunched over, resigned, and Jonathan seems to take on a paternal role. Although the lyrics would have you believe this has something to do with "two fates becoming one," it's clear from the stage direction that any embers of Dio's ambition are being tamed and extinguished as Jonathan takes Dio's grasping hand, subdues him, and leads him docilely into the darkness.
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It turns out Dio's vampire arc was just a phase, a hurt and lonely child lashing out and making a mess for attention.
His body language here is obscenely out of character. Consider the following because, as I said in the opening, in spite of what all these re-writes of Dio would have you believe, Araki crafted Dio with specificity and consistency: Araki only draws Dio (with very few exceptions) 1) standing tall, looking down at you; 2) back turned, looking back and down at you; or simply 3) back turned, (performatively?) ignoring you. Dio is never on the ground except when he's knocked down (think, young Jonathan finally fighting back in the Joestar home or, much later, Jotaro stopping time and landing those punches). By constrast, mamoDio has spent an incessant amount of time of the ground, crouching, kneeling,, bowing, hunched down. Who is this guy? So his hunched-down exit in the final moments of the production, literally being led by Jonathan (controlled??), is so amazingly stupid that if I didn't have a gif as proof, you might think I'm just making this stuff up:
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There's plenty more to unpack that I won't address here: ghost Dario. The lack of grave-spitting. The complete absence of true joy or leisure expressed by Dio especially during his vampire era: no woman eating her baby, no owlcats, no Poco's sister. No chaise lounge. No roses(!). No fun. Not for Dio. That would be too manga-consistent. That might mean Araki wasn't giving us the appropriate message that bad guys are actually just sad guys.
tl;dr Dio isn't in the Phantom Blood musical. He's replaced by a normal guy who's motivated by a lack of self-esteem and despair that he wasn't born into an upper-class household, or something. He's boring. The result? There can be no Part 3 in this musical's world (and presumably no Parts 4, 5 or 6, no Giorno, no Jolyne, … you get the picture) because mamoDio just gives up. It's a nicely produced little tale about Jonathan Joestar and some random other guy who at some point gets a funny green coat.
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suzukiblu · 3 days
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Ko-fi thank-you sentences for an anon behind the cut; mistaken identities and interdimensional refugees. ( chrono || non-chrono )
But why the fuck is Alfred calling him– 
“Sorry for the wait, Mr. Wayne, your local self thought it might be for the best not to come in-person! You wanted to avoid a fuss. I mean–he wanted to avoid a fuss,” Rita says brightly, looking sheepish, and Kon remembers, very abruptly, everything she’d said about Gotham tabloids and also the fact that she’d “recognized” him after he’d scooped up a traumatized kid who was calling him “Dad” and then, uh–well, flirted with her. And also literally every single story he has ever heard about Clark and Bruce successfully passing for each other, in costume and out. 
Well . . . shit. 
Well, that definitely means the local Bruce Wayne is out Batman-ing his way through the current interdimensional crisis. But also, what the fuck has Kon just gotten them into? Jon seems to just be rolling with it, thank fuck, but there's no way Alfred Pennyworth actually believes he's a version of Bruce Wayne. 
. . . does he? 
No, no, he definitely doesn't. Interdimensional bullshit aside, it’s Alfred. He's just a really good liar and a trained actor with a flawless poker face. Alfred lies better than Tim lies, for fuck's sake, which is goddamn saying something. So Kon might end up a little mortified later when he's admitting he got mistaken for an alternate version of Gotham’s number one airheaded himbo DILF Brucie Wayne by an aid worker, but . . . 
Well. He doesn't even know who he'd be admitting that to, at this point. 
He doesn't know if he'll ever . . . 
“The car is just down the block, sir,” Alfred says, and Kon tells himself he can do this. He always does, doesn’t he? He can handle his own shit and he'll take care of Jon and go meet the local Batman, apparently, and then embarrass himself explaining how this happened to him, and maybe . . . maybe the local Tim will be there. 
It won't be his Tim, but right now he just really wants to see his face, one way or the other. He's not gonna be picky about which “Tim” he's actually seeing. 
“Cool,” he says, trying not to sound too screamingly not-Gotham. He seriously doubts he manages it, though. He’s no good at the voice-mimicking trick Clark does and even if he was, it wouldn’t exactly be subtle to start doing it now. 
He and Jon say goodbye to the kids, who make a lot of very kid-like disappointed noises, and Kon suggests another game for them to distract themselves with–one that won’t require a technical adult running it–and then Rita’s got some paperwork for him and Alfred to both fill out and sign, and a couple other aid workers rubber-stamp them through, and absolutely no one asks to see his ID or even for a second doubts that he’s a version of Bruce Wayne. Except–hopefully–Alfred, anyway. 
Kon seriously cannot tell for fuck either way, the man might as well be a promethium wall. At this point he’s just counting on Alfred’s weird all-knowingness bailing him out here. Worst case scenario is explaining himself, obviously, but if he doesn’t exist here . . . 
Well, “Lex Luthor made me” is probably not a great start, with most Batmans. Especially after going to see said Batman under what is, technically, false pretenses. Like–obviously Alfred wouldn’t have come out in the middle of an interdimensional emergency for Conner Kent; he showed up here expecting a younger version of his boss. 
Probably would’ve come for Jon, he guesses, if only as a favor to the local Clark, since the guy’s presumably distracted figuring out how many dangerous strangers are currently in their reality with the Justice League, but still. 
Then again, for all Kon knows, the local Luthor is dead or irrelevant or a selflessly benevolent saint who feeds orphan puppies on the weekend, so who the fuck knows. 
Kon cannot actually imagine Luthor ever even existing in the same room as a puppy without it knowing well enough to piss on his fancy leather shoes, but look, alternate realities include the word “alternate” in them for a reason. Like, the word “alternate” is very much the operative word there. 
If nothing else, the local puppies might just be stupid. 
Kon’s not really a dog person, personally. Krypto doesn’t count, on account of being an alien and therefore not an actual dog. The first Krypto he knew was an actual dog, though, and they just did not vibe whatsoever.
He and Alfred sign the last couple papers. Kon fakes Bruce Wayne’s signature because he’s spent enough time in Wayne Manor to know the difference between that and his autograph, and thanks fuck that the eidetic memory finally kicked in last year. Seriously, it is such bullshit it took that long for him to get it, considering Clark and Luthor both have one. 
Alfred doesn’t actually react to the signature, but Kon does notice him noticing it. 
Probably what he’s noticing is that it’s not the same signature that his Bruce Wayne used in his early twenties, because there’s no way that hasn’t changed in twenty-odd years. 
Rita smiles at them and sees them all off happily with some reference numbers and exchanged contact information, and they don’t say anything on the way to the car. Kon keeps carrying Jon, which maybe isn’t normal human behavior, especially for someone who’s supposed to be passing for a ditzy socialite who allegedly only has vanity muscles as opposed to actually functional ones, but Kon kind of doesn’t care about that right now. Like, not even slightly does Kon care about that right now. 
Alfred leads them to a shiny black towncar and opens the door for them, and Kon gives him a nod of thanks and bundles Jon into the thing. Jon sniffles once, and kinda of clings to him a little. Kon figures it’s fair. He was never “ten” himself, obviously, but it seems like a rough age to put up with this kind of bullshit during. Like–definitely it does. 
“You’re good, kid,” he swears, less because it’s a promise and more because it’s something he’s gonna make happen, squeezing the kid’s shoulder the way Clark always does when he’s doing the reassuring thing. “I’ve got you. I’m with you. Okay?” 
“Okay,” Jon says, sniffling again and scrubbing an arm across his eyes. “Um. Sorry.” 
“Don’t sweat it, Jonno,” Kon says, and Jon’s face crumples for a moment before he visibly steels himself and nods. Kon squeezes his shoulder again, then gets into his own seat and buckles himself in more out of the habit of trying to pass for human while in civvies than to actually, like, need to be buckled in. TTK kind of cancels out the risk of getting tossed around a car in an accident, and he’s invulnerable on top of that, plus the super-speed, so . . . yeah. Definitely car accidents are not a concern. 
He really wants to help this kid. He wants to at least get him to the local Clark, if nothing else. Like–if they all get stuck here, or there’s nowhere else for them to go . . . 
Well, it’d take a pretty different Clark than the one he’s used to not to want to take in any version of Jon, so as long as this reality actually has a Clark . . . 
Well, Kon’s probably not gonna be watching the kid long, in that case.
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buddiebeginz · 2 days
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I have so many thoughts swimming around my head after that ep not sure I'll make much sense but here goes.
My feeling about Eddie cheating is that even if it might not seem like it on the surface it is very much connected to his sexuality (and eventual coming out). It’s also a big warning sign that he’s not in a good place mentally.
Eddie has always tried to do the right thing. He tried to do what Shannon wanted. What his parents wanted. To do right by Chris. He’s been in these very strict positions of the military and firefighter most of his life. Never taking much time to examine who he is and what he really wants. Just doing what he thinks he has to do and should do.
Looking back on how this season has been playing out I’ve noticed that we’ve been slowly watching Eddie let go of all these rules he has for himself. Just look at how he was at the bachelor party. I don’t know if he’s ever really allowed himself to be so uninhibited liked that before. He just let loose and was enjoying being with Buck and at no point was Marisol brought up at all. There was also a lot of queer subtext in those scenes drag queens, Eddie in pink, Eddie as Crockett, Eddie’s shirt getting ripped off by men (including Buck), Buck and Eddie sitting pressed up together.
Before that Eddie was spending a considerable amount of time with T*mmy to the point that he kept ditching Chris to run off and leave his girlfriend to be his babysitter.
Then there was moving Marisol in and back out again while Chris wasn’t even there and without telling him. When the show has made it a point to always show how much Eddie takes Chris’ feelings into consideration especially with his relationships. But that’s the thing Eddie’s mindset this season has become do first think later and damn the consequences.
Now we have Eddie using this woman Kim he just met as a Shannon replacement but more so as a distraction from his girlfriend and just reality in general. Which this whole situation involves Eddie lying and sneaking around and a disregard for everyone’s feelings involved including Buck’s.
I know some might say how out of character this all feels for Eddie but that’s the point he’s changing and this is how it’s manifesting at the moment. Going back to Eddie’s sexuality I feel like before we can get to a place where Eddie can admit he has feelings for Buck (or any guy for that matter) we’re gonna see him spiral a bit to deny it even to himself. To reach for what feels the most safe instead and that’s his relationship with Shannon.
I think Eddie loved Shannon and will always have love for her but they got married more out of Eddie feeling obligated than anything else. Eddie also hides behind his feelings for Shannon. She’s come to be like this security blanket for him which is understandable in a way given how much history they share. She’s connected to his youth and she’s Chris’ mom, there is so much familiarity there but those memories are also keeping him stuck and unable to move forward.
At the end of season 6 Buck almost dies and I think that is really when Eddie started thinking about Shannon again. I also think Buck almost dying made Eddie realize (on some level) how important Buck is to him and that terrified him because he can’t handle losing Buck the way he lost Shannon. There’s also the Chris of it all which was further highlighted in 7x01 when Chris talked about how everyone leaves like his mom did. Some part of Eddie still wants to give Chris this perfect idylic family he thinks he needs when no one will ever replace Shannon and Chris already has two parental figures.
I know we’ve been mostly focused on Buck and his coming out story this season (and rightfully so) but I also think we moved on too quick from how much time Eddie was spending with T*mmy, how they said Eddie and T*mmy were originally going to be paired together, and Eddie’s reaction when Buck came out to him. How he was shocked that Tommy was gay and also seemed to be holding back some feelings. Eddie also immediately went home and told Marisol to move out after that convo.
Now we have Eddie dating Kim (I assume), in a relationship with Marisol, and lying to his best friend and son. Which btw if Eddie and Buck are just friends why does he need to lie to him at all? Is it maybe because Eddie knows that Buck gets him better than anyone and would not hesitate to call him out if he knew what he was doing?
I just think a lot of how Eddie is acting right now is wrapped up in so many feelings he hasn’t dealt with yet. I know from personal experience the more you try and avoid dealing with things the worse it’s gonna get. Eddie also has a lot of past traumas and pains. From his childhood, the army, from his relationship with Shannon and how she died, from guilt over not being there for Chris, from things he’s seen on the job, almost losing Buck, his repressed sexuality. You can’t keep all that bottled forever sooner or later you’ll snap.
Maybe that comes out in the form of trashing the hell out of your room maybe in cheating with your dead wife’s double. Either way Eddie is careening towards having to fully deal with himself and all the things he’s compartmentalized for so long. He’s put himself in a situation which guarantees he can’t run away this time. Because I do think it’s all going to blow up spectacularly in his face. He’s going to have to deal with why he’s still clinging to Shannon. Why he didn’t want to really invest in a relationship with Marisol. Why he can’t commit to all these women yet he’s been committed in one way shape or form to Buck for years now.
Hoping I made some kind of sense here. If you read all of this thanks. ❤️
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ladythornofrivia · 17 hours
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🍒 The Devil’s Tongue 🍒
Michael Gavey x Reader (PART TWO)
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summary: you transferred into Oxford after moving out from your country for a better change, and unexpectedly meeting Michael Gavey in a quiet library, leads to something more.
warnings: creepy vibes from michael gavey, reader being oblivious, stalking, michael being horny, p in v sex, loss of virginity, jealousy, misunderstandings, obsession, belt kink, panty kink, scent kink, voice kink, breeding kink, michael gavey being a smartass, michael gavey is horny for math, michael gavey is a smartass, clueless reader, nerdy yet hot michael, lust at first sight, sex in the library, sex on the table, kitchen sex, oral sex, cam girl, fingering, sex during tutoring session, reader teasing, reader being a dominatrix in bed, food porn.
a/n: i got sick from the trip. oops. enjoy the new chapter! oh, and the one where the reader is being shoved out of the elevator, that one is a true story, by the way. I was being shoved out of the elevator by this guy I met at the cruise—all because I didn’t give him the attention. not only that i got stood up twice--one on the hangout, the other on my 27th birthday. and he thinks it's weird that i like hotd and said ewan mitchell looks weird. good thing i don't have to see him again.
Somehow, to think you met up with Michael Gavey again in the library, now that Oliver Quick is gone. By gone, Oliver might have gotten bored of Michael Gavey, you assumed.
There was a party last night, and you didn’t attend. Not that you’re too good or above for the party; you just hated the noise at the moment. You wanted a different kind of ambience to set the mood. Needless to say, you earned a lot of cash on that night.
With moonlighting as a camgirl, things have gotten easier. If you haven’t left your parents, things would’ve been worse if they found out.
Despite the cruel years, it became a simple memory.
Sitting beside you, Michael offered another crunchie--delicious as always. It's a good pair with hot cup of joe to pair with the sweet chocolate. Although you learned that Michael hated coffee, he'd rather prefer tea, a tea that tasted bland to you. You needed something strong--Starbucks would've been great, but a coffee from Oxford? You can't pass up to try the flavor of coffee from another country you've set yourself in.
Missing the opportunity would be as stupid--all opportunities have been unlocked, all thanks to you being as a famous camgirl. My, oh my, you are moonlighting as a naughty girl in bed time--no parents constantly sneaking in being nosy as hell. You did lie to them--half-lie--by claiming that you have been acting nuts at night--doing all the prayers and bible study sessions, which is a total fucking lie.
You never liked bible studies or prayers before Sundays. It's a hassling lifestyle to live in--to live so virtuously while shaming everyone's lifestyle who aren't religious.
People with an aspect of a pretentious goody-two-shoes was the last thing you need. Oliver Quick is a goody two-shoes; the boy obsessed with math has caught your eye, plain and simple. A bit eccentric, but sexually frustrated, as you guessed before the moment your eyes met his baby blues.
Three weeks later, the magical aspect of Oxford hasn't begun.
"Crunchie," a voice said, tingling your skin and poked at one side of your waist with a slight tickle.
Beside you, Michael Gavey showed up with a slight grin on his face, oddly satisfied this morning.
Who the hell smiles in the morning?
"Not an early riser, I see," he commented.
His pleasant tone prickled in between your thighs.
"Oh yeah, fine and dandy--needed a cup of coffee," you said, grouchy. "I was studying all night--got the assignment wrong."
"What kind of assignment?"
"It's, um, it's an English essay," you lied, pen twirled between your agitated fingers. "This professor is really getting on my nerves when it comes to the essay. Acting all superior and shit--telling me I keep getting my annotations wrong and that I misinterpreted the meaning of the symbolism and theme in the story. I hate pretentious professors like that. No matter where I go, some things never change. They always have favoritism, it's fucking weird."
Michael chuckled. "Perhaps you have been partying?"
"Partying? Please, I needed peace and quiet for some alone time to concentrate on my studies. If I want to have a good future, I had to have at least a C or B. I fucked up bad."
Seems like the lie went smoothly as always.
"So, have you been at the party last night? Sneaking in since you didn't get your invite?" you asked.
Michael placed his hand over his cheek, nearly covering his lips. "I stayed in my dorm."
"Ah, doing math homework, I assume? Anything math related? Science into the mix, maybe."
Michael stayed quiet.
"I'm not really into math. I thought it's confusing," you commented.
Michael chortled. "Perhaps I could tutor you this afternoon. Usually I don't like teaching the numbing idiots of the subject matter. One guy was staring at the girl’s tits while doing times tables. Times tables! Need them to fuck off and do something valuable for once!”
You stopped what you're doing and glanced at him. And it clicked an idea into your head.
“Am I also the numbing idiot?”
He shook his head. “You might be, if you are. These knuckleheads at the library, all they’ve done useless flirting, not studying.”
“That’s what library is for, Michael. To study. No harm in a little flirting.”
Come to think of it, Michael at the library with you sounds nice.
He smiled a little, though not in a friendly way.
"Sure," you said, eating the half crunchie. "Why not? Teach me, so I could get better grades. Life is already hard enough as it is. So got any crunchy to start the session? It will take a while.”
~~~
For the past an hour or two, Michael tutored you. Although as excruciating painful to hear numbers and equations with letters, you couldn’t help but to stare at the cute nerd. Ah, a cutely frustrated nerd, maybe. His curlish dirty blond hair, thick framed glasses and his smile when he talks about math, these thoughts never spare you freedom. You are trapped, trapped by thirst that needed to be quenched.
With your cherry-red boots and skirt and a rosy pink lace top, you opt to show your cleavage by tucking your mini top downward, crossing your legs, coiled your apetite. With your hair flip, or hair twirls, biting your red lips, you were hoping Michael would give a comment or two, but tutoring was his priority, but since you wanted his attention, asking questions about math and equations would definitely keep him on his seat. His eyes on you.
His cute nerdy glasses. His cheeky and toothy smile.
Masturbating seems to be an option, but what happens if that option is no longer helpful? You wanted an alternative approach.
Maybe masturbating in public would be nice, but you’re smarter than that.
But each time you attempt to flirt, he seemed clueless. But he did at one point had a crush on a news anchor. And so your mind mentally made an account.
Dear Diary,
Michael Gavey didn’t notice me. How the hell am I supposed to get his oblivious attention on me? I hope I don’t die as a lonely virgin. I’m a bad bitch; I just want to fuck him so badly, watching his glasses fog up and lips soak at my aching pussy, whimpering underneath me and my dominance.
Then it clicked you.
However, you knew right away of this information when he liked watching news—the news anchor. Although she has a kid, the green envy seared and punctured your belly.
Maturity is what men and guys want.
Though it didn’t stop you from chasing Michael’s attention. Days gone by when you try a different style. That is until you met this guy, a popular guy, who’s name you not care—who complimented and dubbed you as “the hottest girl in campus.”
An idea conjured; if you practice with a guy, maybe it would be easier to make the first move on Michael. Thus, you went along with his flirting, but at the end of the night, you felt sure you were ready, until he took you out in the hall, and make out with you. But you didn’t care, you didn’t want to kiss the dude, you wanted to kiss Michael.
You felt nothing in his erotic moves.
When he tried to get into your underwear, you shoved his hands away. Thus, the little adventure with the guy, and ended up shoving you out of the elevator.
It was a pathetic night.
Nonetheless, your camgirl starts within an hour or two—took a shower and dressed up as a sexy office worker, with fake smart glasses with your tight office shirt loosened two buttons for your cleavage to show, with pencil skirt and stockings and red bottom heels.
On the cam session, did a little roleplay, and with feral thirst, legs spread apart, ripping your stockings and reveal your wet pussy. At the thought of Michael, his face, his voice, two fingers inserted in your cunt, as your hips formed a gyration, moaning aloud.
Michael…
You nearly screamed his name, but your climax came quicker.
All the comments flooded in, and more cash has stocked into your bank account.
You wondered if chasing Michael was even worth it. Hopefully one of these days, he’ll finally notice you.
~~~
Michael shoved in a few cash onto your new stream. Dressing up as a news anchor or an office lady, he found himself turned on, how your skin was gleaming with arousal, office glasses crooked from humping and gyrating, grinding your hips in fast pace like a feral beast that you hid beneath all the girlish and cherry red clothing, a clothing that outlined your perfect hips and perfect waist.
A horny devil.
He pretended his hand is your hand, your mouth, your throbbing, wet cunt, tightened around his bulging cock. The way he fisted his cock so much he couldn’t stand watching you flirting with that stupid boy.
Michael had a plan and he couldn’t wait to be inside you, but the question is…
When?
Taglist: @toodlesxcuddles @kittendoll05 @xcharlottemikaelsonx @paninisstuff @angeljcca @marvelescvpe @heavenly1927 @snh96 @fandom-maniac-anime @httpsmenace @domithebomi @moonseye @faesspace @halsteadstyles @liannafae @ammo23 @buccini555 @watercolorskyy @taangie @qardasngan @justyelena @jolixtreesunn @thought--bubble @dixie-elocin @galactict3a @momowhoo @saturnssrings @dani5216 @kimsubin05 @blackgaladriel @theboleyngirlx @elaratyrell @fun-loving-peach @jmliebert @ilikechocolatemilkh @20thcentwriter @sepherinaspoppies @venmondiese @snowprincesa1 @parttimegay @lcolumbia1988 @witchy-v1xen @1800-fight-me @fan-goddess @persephonerinyes
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dwaekkicidal · 3 days
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i need to know your thoughts on groping binnie and how he'd react
and i'm not just talkin boobies. i'm talkin' errything.
LMFAOO im glad this is still on your mind too (SRY THIS TOOK ME A MINUTE)
links are yt short links bc the boys love his body so much
a teeny bit suggestive
the biddies & arms:
we've all see that the boys constantly grab at his chest and arms any chance they can. so tbh? I don't think he would care LMAO goes on as if nothing happened I do think he would lowkey enjoy both though, he loooves when people appreciate all his hard work and they are both physical pieces of proof of it will def stroke his ego and rile him up if you basically drool or bite your lip while you're feeling him up (I'm talking to you, felix.) probably will shriek and get super flustered if you mess with his nipples a little tho :3
"YAH-! Don't pinch my nipples like that.."
his ass & thighs:
minho was so real for this I think binnie will only have a problem with it if you grab too hard (& it hurts him) or if you did it in front of the guys (he gotta keep up the 'dark rapper' persona yk 🙄) gets red in the ears if you're feeling him up for a little too long and stutters 🤭 will grab your ass and/or smack it back as revenge give it a little smack on the ass when he least expects and he'll squeak
"AH- Jagiya.. what are you doing? haha.. Come back here."
his waist/tummy:
absolutely melts I DO NOT care you can't tell me otherwise (I cant hear you lalalalalalala) hear me out.. a lot of people talk "changbin abs this, changbin abs that" but he has said himself that he doesn't have any (1 its hard to keep abs as is and 2 even though he works out enough to keep them, they're only really prevalent on skinnier people and we know he's thicc.) I could see him being a little insecure about his tummy or just being super shy about it so he gets easily flustered hug him from behind while his guard is down and just run your hands along his sides or his stomach and he'll get all shy 🤭 gets turned on if you do it enough hehe
"*smirks* Bunny... don't start something you can't finish."
moral of the story: worship him and his muscles because he deserves it but also because he gets flustered and turned on by it
also strokes his ego :3
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nicosraf · 3 days
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Hi Rafa!
Back again in your inbox and I have what’s probably a silly question but I am nothing but silly and goofy so I’ll ask anyway
I was thinking about yk the verious depictions of lucifer (as every sane and normal person does) and it got me wondering onwhat made you decide to characterise Lucifer the way you did, mainly because usually in modern media he’s very much seen as a anti-hero and mostly he’s seen as a good (-ish) guy that didn’t do too much wrong, the rebellion is usually very much written off as something akin to teenage rebellion and God is just seen as a disappointed parent that had no other choice but teach a lesson to his kids (and well that is of course because gods forbid someone sees God as anything less than the perfect father but I digress), for example the Lucifer series does this and in part too hazbin hotel.
And idk it was refreshing to see your read of Lucifer, he starts good and very much kidlike and then his wonder and love become corrupt I’d say, I struggle to call him evil because well for one I have what could be considered too much sympathy for him and I understand him, he was set up to fail in a lot of ways. So I guess I just wonder what made you say “no I’m going to keep the “bad” and “evil” that is in him”
(I am aware that the answer is probably just well he’s like that in most classical depictions but idk I want to hear you ramble about Luci and his development because that’s always interesting and I love it ajdhsh)
Sorry for the confused ramble anyway lots of love from Italy <3
-J :)
Hello! This is a dangerous question!! I have many many essays I'd love to write about the depiction of Lucifer in media and about what eventually led me to making Lucifer like that. It's also fresh in my mind right now because I saw that Lucifer Hazbin Hotel episode recently. (I actually don't have a ton of thoughts on Hazbin Lucifer. He is very cute, but Hazbin isn't trying to be theological I think; it's just having fun with the mythology.)
I would say that societal depictions of Lucifer always mirror a lot of the way that society has come to understand not the devil, but God, parent-child relationships, authority, tradition, and so on. Some people think Paradise Lost was the first to make Lucifer a hero, but it's actually very clear that Milton wanted his flaws to outweigh the good things, to make Satan ultimately a bad person, and to justify God's actions to us.
Like 200 years later, William Blake started saying that Paradise Lost was pro-Lucifer, though by accident: "Milton was of the Devil's party without knowing it." But Blake lives in a very different time, during the French and American revolutions and the industrial revolution. Old traditions and empire are getting shaken up, the story of Lucifer looks a lot more heroic.
I won't get too much into how Satanic panic affected things (or even the rise of anti-theist communist regimes!), though I think the Satanic panic of the 90s really exacerbated Lucifer's connection to teenage rebellion. (Also, I'm focusing on the US because of how much their media is exported and influences other countries).
But so then we got the modern Lucifer I used to see quite a bit — suave, night club owning, slutty, probably referenced bisexual, manipulator of women. I always thought this development was kind of strange. It's almost like what Blake did to Milton's Lucifer; we didn't change how the people before us thought of him, we just decided that the Lucifer we're supposed to hate is actually super cool.
But I was not super compelled by this Lucifer. And I reference these lines a lot, but the idea of Satan in Western Christianity came from several passages from the Bible, one of which is Ezekiel 28, and I was really struck with line 14: “You were blameless in your ways from the day you were created till wickedness was found in you," as well as the multiple times the chapter stresses that the cherub of Eden fell because of his corrupting beauty above all.
I realized I never really saw "blameless" Lucifer, innocent Lucifer. In a lot of interpretations, he's just sort of born wrong or always a little Evil. But the lines say that he was innocent once, and I got really caught up in that. I thought of God watching Lucifer be beautiful and innocent in all that time (like a voyeur).
It felt like the next step in Lucifer's development to take the child-parent relationship between him and God and make it ugly. (Though sticking with the dichotomy of good vs evil didn't really work for me. Lucifer isn't good but he's not evil either, and the weird love and hate mixture is what brings him closer to how God is, too (to me)).
We live in a day and age where all authority is being critiqued, where we don't laugh at teenage rebellion as much. I mean, if you watch any recent Disney movie, you'll see parents learning from their children to stop the cycle of generational abuse. And, of course, with Lucifer becoming so associated with queerness (Lil Nas' MONTERO for example), the framing that he's just a metaphor for a teen rebel who will one day realize his dad was right... falls apart. Lots of teens kicked out of their house for being gay are grown up now and making shows/movies/etc.,. And I think it's always better not to shy away from trauma victims being imperfect and, occasionally, cruel.
So. yeah! I've always been surprised that Lucifer as an imperfect victim of parental abuse, running away, taking some of his sibling with him, isn't more common in general.
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bigfan-fanfic · 1 day
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Got A Problem With That? (Male!Reader x Dean Winchester)
@innerpiratefun Can you make a part 2 of Dean Winchester x Male Reader he's a mechanic in California, it's my favorite fic also could you include a part where Sam realizes the collar and says something to dean but dean doesn't take it off or something like that, btw love your fics
Here's PART 1
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"He's good at that stuff. Maybe better than you." Dean smirks at his little brother.
Sam scoffs. Skeptical.
Dean chuckles, turning up the music.
They've left you back at the motel - there's no way you're letting Dean travel off alone for this journey, but you're also not skilled in monster hunting, so you've made yourself useful through research.
You're currently compiling a little database on monsters through research and the brothers' anecdotes.
You're not very happy about being dragged into a search for John Winchester, but you want to support Dean, who seems to have genuinely missed his brother.
Besides, apparently Sam tried to leave, but was driven into a deeper need for vengeance when his girlfriend was killed in the same way as their mom.
"You're pretty, ah, serious with him, yeah?" Sam asks again. In the two weeks since you started traveling together, Sam has asked this quite a few times.
"Yeah." Dean responds shortly - as he has each time. He knows their dad might be weird about it. Knows he and Sam weren't exactly raised to even know about sexuality besides heterosexuality.
They both know things, but it's still... awkward to see each other after so long and have to share that.
Dean's been wearing a leather jacket and many layers - trying a little harder not to let his collar show.
It's technically just a necklace, but it serves the same purpose.
You have a thicker leather one for play, but for just wearing, it's a black chain of twisted links attached to a black circle. It's not particularly noticeable, but it is distinctive.
"So... what's this?" Sam asks, reaching out and pointing at the necklace.
Dean tenses as if about to smack Sam's hand away, as if thinking he was going to touch the necklace. "Y/N gave it to me."
"Oh. It's... nice."
"Thanks."
Sam clears his throat, uncomfortable. "Looks kinda like a BDSM thing."
Dean winces. And that tells Sam all he needs to know.
He chuckles a little. "Wow, Dean."
"Shut up." Dean growls. He's not laughing.
"Jeez..." Sam smirks, happy to get under his skin. "I was just-"
"It's something special to my partner and me. That's all you need to know. And all I feel like telling you. Got it?"
"Okay."
The drive is unbearably awkward, especially on the way to take down another spirit.
"Dean?" Sam asks as they park.
"Yeah?" Dean asks gruffly.
"I'm... I'm happy you're that close with someone. I wanted to have what you have with... with Jess."
Dean shifts uncomfortably. But he doesn't protest or shy away - you've helped him learn to communicate and part of that is listening.
"So yeah. It's really cool that you have a partner you're so close to. You're a lot less of a douche than you were." Sam chuckles.
"Yeah. Th-thanks."
"Jerk."
"Bitch."
Sam makes to open his door. "How'd you pull a guy so much smarter than you, anyway?"
They leave the car, already more relaxed.
"Yeah, well, it's actually a funny story..."
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tobiasdrake · 14 hours
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Between the Galick Gun, The Final Flash, and the Final Explosion, which of these Vegeta moves is A: The Coolest B: The most representative of Vegeta and C: The most successful
Answering these in order:
A - Coolest: Final Explosion.
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This is Peak Vegeta.
Not in the sense of being the most representative of Vegeta, but in the sense of... literally being the peak of his character arc. This is it. This is the apex of the journey that Vegeta had been on since the day we met him.
We don't know what the full plan was originally for the Majin Buu arc. We know that Gohan was supposed to remain the main character and we can see that play out. This arc sees Gohan off to his own Climbing Karin Tower arc.
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It's the same thing Toriyama did a lot with Goku. Gohan's missing in action and is undergoing secret ultra-training so he can return at the 11th hour and slay Majin Buu; The rest of us just have to hold the line until he gets here.
This changed significantly later in the arc, when Toriyama decided he liked Goku better and flipped the script on poor Gohan. We don't know when exactly that decision was made or know for sure what the original plan would have looked like.
But it's interesting to note that Vegeta only came back with Goku. Vegeta's return was a tool to reignite Goku's relevancy.
There is a real possibility that, had things gone according to the original plan, this would have genuinely been Vegeta's swan song. So with something like this, it's important to ask the question. What if this was it?
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What if this were the final word on the Saiyan Prince?
It's not about what would be better or what would be worse. Just. If we never saw Vegeta again after this point, would we be satisfied? Would we feel that the story had said all there was to say? Would we need any more?
For me, I could have lived with this. If this was where Vegeta ended, I could have walked away satisfied with it. This was a powerful capstone on the story of an incredibly flawed man. A heroic sacrifice by a man who finally found something worth dying for, but whose heroism is tainted by the ugly reality that he made this problem to begin with; Itself a meaningful summation of the complicated and morally compromised life that he lived.
It did not end up being the final word. But it could have been, and it's no less beautiful for the later series walking back on it.
B - Most Representative: Final Flash
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This is the technique that truly captures the spirit of Vegeta's martial style. In his heart of hearts, Vegeta's a blaster. He can fight hand-to-hand, to be sure. He's no slouch at it. But he loves to shoot, moreso than any other character.
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He has multiple different named techniques for "Shoot the guy with concentrated ki REALLY HARD." Galick Gun, Big Bang Attack, Final Flash, they're all concentrated blasts. Vegeta likes to shoot.
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I talked about this quite a bit before in my breakdown of Goku and Vegeta. Vegeta muscles through like a soldier, but his ki blasts legitimately are the most powerful ki blasts around (with possible exception of the Kikoho/Tri-Beam).
Final Flash perfectly encapsulates that, as an attack that could very well have vaporized Cell and ended things before the Cell Games were even an idea in his head... had Vegeta been willing to destroy the Earth to do it.
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Given the damage we see it do to Cell, a wider beam would have been as catastrophic for him as it was for the planet.
This technique, moreso than the other two, best encapsulates Vegeta's style as a fighter.
C - Most Successful: Galick Gun
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Both Final Flash and Final Explosion are powerful moments for Vegeta, but if we're talking effectiveness then they're held back by the fact that they achieved nothing.
Majin Buu and Cell both regenerated and kept on going like it didn't happen. In strictly utilitarian terms, Final Flash and Final Explosion both failed.
Galick Gun lost the exchange Vegeta used it in.
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But it won him the fight. Goku had to push his Kaio-ken to x4 in order to pull this off, and that was a step too far for his body to handle.
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At this point, Goku's cooked. He's still got ki to spare, certainly. He's not out of the fight completely.
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But his body simply can't keep up anymore. His whole body is fried. Imagine a balloon that's been overinflated to the point that starts springing holes in it for the gas to spill out. That's Goku. That is his body.
It needs to be said that the Fake Moon/Oozaru trick did most of the heavy lifting for winning this fight for Vegeta. Like. Goku had no chance against this thing. Remember when Goku fired up his Kaio-ken and made Captain Ginyu shit himself?
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180,000 is also the exact Battle Power of Vegeta's Oozaru form. True facts. At least, in the best of circumstances. Having to use the Fake Moon technique costs Vegeta a substantial enough amount of ki for it to be worth commenting on.
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(Fun fact, Raditz was so weak that even as an Oozaru, he'd get his teeth kicked in by base form Vegeta.)
So. Yeah. The fact that Vegeta was an Oozaru is the key factor in his absolute shitstomp of Goku that followed the Beam Struggle. But the fact that Goku's entire body was so burned out he could barely offer any sort of defense is also a factor.
Could Vegeta have still shitstomped Goku if he hadn't done this? I don't know.
Could Goku have actually found a solution to the Oozaru if he wasn't already at the end of his rope? I don't know.
What I do know is that the Galick Gun brought Vegeta closer to victory than the Final Flash or Final Explosion, and so it wins category C.
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uva124 · 13 hours
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Random ideas from a wish Au? lol I haven't written a script or anything about this, it's just random ideas that I'm going to say:
ASHA
-This doesn't happen in the medieval era, it's in the modern world, SOO WE GET ANOTHER "ENCHANTED" :D
-For Asha I have the idea that she is a somewhat more serious and sarcastic girl, and that she is an animation nerd lmao, she just tries to hide it or denies that her talent is more than a "hobby", in other words Asha she REALLY loves everything that is drawing and animation but because of certain things in her past he tends to belittle it and downplay it and doesn't see it as more than just a "hobby that can't lead to something useful?" or something like that (don't judge me, this is just a post of me rambling and I've never written a story)
-This for me would be more like another comedy and parody movie if I'm honest, so I like to think that Asha also grew up watching fairy tale movies and all that, only that as she's grown up she tends to be more like Tiana, she It is not so dreamy and hopeful.
STAR
-I'm still debating how the hell the guy gets to earth, but I guess I would have to see something that Magnifico and Amaya did, it is NOT the wishing star, it would be a small random one (because you know, contamination that causes almost no stars can be seen in the sky) -The star is funny although in reality he only hides the fact that he is a star who worries too much and overthinks a lot (and especially for a reason that has to do with the 2 children in the other image) -He doesn't understand how people can live without magic. -At first it would be like "The earth is boring and insecure, my world is much better", but in the middle of the movie he would begin to appreciate the simple things on earth more and Asha would simply make fun of how everything fascinates him now. -I think that in a scene he would show more of his past and how the other stars tend to belittle him, mmmm maybe it's because his magic is not as strong as the power of the others -At first his relationship with Asha would not be so good, but over time they learn about each other and not to despise themselves so much.
THE LITLEE STARS
-When I saw the concept art book I really liked the idea that the star is an adorable little boy, so I created these 2 little ones, they are under Star's control and he takes care of them, this is one of the reasons why My starboy is a little anxious, he is a little overprotective and these 2 children have a LOT of energy, Asha would get attached to them first and I like that the story develops of how the 4 of them come together and seem more like a family -The character who has a ponytail is the most outgoing, the second is more reserved (but that does not mean that they are both very curious like any child and that they want to discover the human world)
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(This literally represents what my starboy is lol)
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amethystfairy1 · 2 days
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hiya it’s been a hot minute since I sent an ask but I want you to know that I’ve been reading all your stuff for months now, refreshing multiple times a day bc I can’t get enough and I adore everything you write <3<3<3 I think your more recent writing with the darker themes is well done, it adds the perfect amount of angst and stakes to the story, more than vague threats of getting hurt, esp in the under city, but it’s not too much at the same time. Also your newest TT treebark is probs my favorite fic thus far, and treebark isn’t even my favorite ship lmao. It’s so arghhh yesss with Rens acting but Martyn can’t tell nooooo 😭 I REALLY want to know what Ren was thinking that whole time negotiating with the bandits, esp when he finally looked at Martyn bc he could probably hear his cries the whole time and UGH it breaks my heart in a good way. AND MARTYN ACCEPTING THAT REN WOULD DO THIS, AND FORGIVING HIM????? The angst, the FEELS. Stunning. A masterpiece. I start my days checking to see if you’ve posted I’m so obsessed XD. Might have to draw the scene… anyhow. I see you get a lot of requests to write certain ships now bc all the stories r so captivating we just HAVE to know more. But. I hope you don’t feel pressured or stressed about it, make sure to prioritize your own wants first. The quality is worth the wait <3 that said, I’m going insane over Martyn. oH also!!! Ren grabbing the wolf pendant!!!!!! He knows how much it means to Martyn my HEART they’re so AAAaAAaAaaaaA!! And he waited until he was between Martyn and the bandits to attack! To protect him! 🥺🥺🥺 the little details are so sweet I’m dying to know rens thoughts. He probably has the rage of a thousand suns in him after seeing Martyn tied up, hurt, crying, bc they would DARE lay a finger on the only one who protected him, who was nice to him. Just. Tomorrow can’t come fast enough. I’m def gonna draw this. Also side note love the new pfp
Hello!!!! Good to see you!!!!
I'm so glad you're still reading and enjoying my works!
Also very happy to hear you're enjoying the darker themes that have been coming up recently in both TTSBC and TT! You're exactly right, that's exactly the sort of thing I was trying to nail...oh yeah ANGST with Treebark right now!
I mean. If you feel inspired. I would LOVE if you drew this scene. Because like, I have that art you did of Ren asleep on Martyn's shoulder as the cover image to my Treebark fanfic doc 🥹
Thank youuuu I appreciate the thought about not feeling pressured or stressed, I promise I'm not! I know everyone is just excited for their favorite/most compelling storyline to continue! And like I've said elsewhere, I plan to stick to my mantra...when I try to write something I'm not in the mood to write, I burn out and don't feel like writing at all. That's what happened to me the last time I stopped writing, and I didn't post at all for nearly a year. I HATED THAT. So TTSBC and TT is the perfect situation for me! Lots of ships, lots of characters, lots of dynamics, and between the two I can write BASICALLY anything I feel like at any point in time! So yeah! I'll write what I feel like writing in the moment, because that's always when I come up with my best stuff!
THE WOLFS PENDANT YUP GOOD CATCH. Ren's a good guy, he pays attention to that sort of thing 💖
I'm glad you like my new pfp!!! I love it! It's by my same friend who drew my old pfp, but THIS one is of an original character of mine everyone who reads TTSBC is very familiar with and people very scared of, but I assure you, any resemblance to characters previously mentioned is purely coincidental, hypotheticals should be, should be, should be dismissed, and there is no need to be concerned. 😉
Thank you for coming by again!!!
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maxphilippa · 2 days
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Cigar isn't a very openly affectionate person. As a matter of a fact, he's not been used to either giving or receiving affection for years and years. Being a mafia don doesn't really let you do a lot of stuff you would like to do, and meanwhile he has had 1 or 2 partners on the past, those relationships didn't go well at all. Romance hasn't been on his head for a long while now, but sometimes he does wonder how it'd feel to have an loving relationship with someone, yet doesn't indulge too much on it.
Cobalt Blue is quite the opposite. Despite being an once villain, love was one of his top priorities, and that was pretty obvious considering the fact that he was partners with all of the other super objects. He's an very affectionate guy, and also insanely touch starved as a result of being dead for 200+ years. Although he never thought he would fall in love again after losing his partners twice, he was open to the idea, but was pretty aware that no one would really love him considering what they know about him.
So, when those two get together, it is strange. Very strange, considering those factors + their story together. Cigar is getting used to having an relationship again, and learning how to be affectionate to Cobalt Blue, meanwhile Cobalt is absolutely miserable about Cigar and has a million feelings about him (Cigar does as well, but doesn't know how to fully externalize it, and only does it when they're alone), yet is often nervous to ask for more advances on physical affection (such as kisses and cuddling), but Cigar, despite the fact that he's not exactly an expert at it, tries his best for Cobalt.
Even if it's PDA, something that Cigar doesn't exactly dig, he's open to it for Cobalt Blue, and Cobalt Blue also asks if what he's doing/asking for is okay.
They're very old and kind of a mess on relationships but, they're trying.
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tree-obsession · 3 days
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2.2 SPOILERS!! PROCEED AT YOUR OWN RISK
this is a small lore discussion! mostly speculation and theories- i have not seen leaks about 2.3 plot yet, but i have seen a couple about boothill's character stories, so please keep that in mind!
trigger for mentions of suicide(aventurine) and mega corps(the ipc)
we have to talk about the ending cutscene with aventurine and boothill more! i'll start with my fav parts that no one really has brought up yet:
Aventurine intimidating Boothill after mentioning the guards are out- Boothill sounded so offput and hasty while reassuring him they were just knocked out, and we have to talk about aventurine himself just being intimidating more honestly his glare actually did kind of scare me.
Boothill pointing a gun at aventurine was. well. i'm sorry i did actually laugh at that. boothill i think you should research your targets a bit more honestly that guy is NOT afraid of guns. he fully walked into the nihility and pointed at least one gun at himself, and just got out of his own meticulously-planned suicide. threats of death won't work, sorry. also he has good reason to hate oswaldo schneider as well- threats didn't even have to be used, probably! he would kill him too, probably(revenge arc go go go!!)
the convo between aven and jade was. yeah. why he's betting his life again, i don't know (maybe sarcasm? or it was really just banter?) but it does seem like the two of them aren't super close at all, at least from what little i could gather. also if diamond hurts aventurine the entire fandom will kick his ass, emanator or no, so he better be prepared for that too lol. also, it was a pretty common theory aventurine would leave the ipc after exiting nihility, since acheron presumably broke his ties- i wonder why he went back? perhaps he had no plans as to where to go, or he has some ulterior motive?
how did he get out of nihility so unscathed? (for context, i haven't gotten aven's text messages yet, but i'm aware of some of their contents since they've been floating around w/out spoiler tags. the messages are mentioned a bit here if you wanna avoid spoilering!) i know argenti got him out, but 1) why was argenti there, or where did he even find him? and 2) that seems so random- both argenti and jade confirmed it, but plot-wise what's even the point of argenti pulling him out? also argenti said he was in a "woeful state" when he got out, and apparently the stonehearts are willing to give aven a break (which i'm assuming is major, since stonehearts are super important and have a lot of responsibility, plus he just destroyed a cornerstone) so him already being back on his feet when we see the phone call is a bit weird right away. he doesn't even sound sick, and ratio or any other doctor is nowhere in sight! (message spoilers start here) i'm aware the aventurine cornerstone was fully shattered/destroyed while protecting him from nihility- was he really in there for who-knows-how-long without any protection at all? he's apparently having nightmares and the ipc needed to call in a doctor of chaos to treat him, which is concerning considering his mental health and general will to live were extremely low even before walking into the nihility. like he genuinely has some of the worst will to live i've ever seen in a character or human being- walking through the nihility should have utterly destroyed him mentally and physically, but it didn't. 2.3 HAS to give us a whole lotta context, especially with nihility lore (my favorite aeon, i may be biased) and more about the ipc!
anyway, thank you for reading this poorly formatted, stream-of-consciousness word vomit about 2.2's aventurine lore. hope you liked it! drop ur thoughts in replies and reblogs plz they give me life(although i will be very busy next few weeks, so please don't be offended if you want a reply and don't get it, im so sorry!)
2.2 was peak- a bit slow, but the story was some of the best, if not the best stuff hoyo has given us in terms of writing quality. so great! i cried for sure, and that boss battle was just everything- especially the music. robin my lesbian queen if i didn't have to pull for firefly i would get your lightcone for sure...
see you all next time! thx for sticking around (:
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rainsnap · 10 months
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Rainsnap!
Originally a random generated fellow with the name of Snappaw! This guy has developed into quite the interesting guy. Can’t talk too much about him because literally his entire existence is a spoiler!
He’s one of the four main characters and kinda exists in a world of his own. Causally dissociating and just vibing as best as he can. His strange appearance and his status as a soothsayer causes most of the Citadel to avoid him. Nevertheless, he’s a kindhearted soul who just wants to help where he can.
Curiously he and his mother (Rainslide) are the only ones with standard Warrior cat names. This isn’t totally plot related nooooo.
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