#urban indie | Explore Tumblr Posts and Blogs

anim-ttrpgs · 16 days

Text

The Kickstarter for Eureka: Investigative Urban Fantasy is Live!!

Eureka: Investigative Urban Fantasy is our team’s debut TTRPG, over three years in the making! The campaign will run from April 10th to May 10th!

youtube

How far would you go to learn the truth?

Play amateur detectives caught up in things they barely understand, and explore how the lives of your characters unravel as they push themselves to dig deeper into the unknown!

Tense investigations!

Delve into an investigation-focused mystery and horror system that lets players take initiative and use their characters’ unique strengths to find clues and deduce conclusions themselves. A few bad rolls won’t get the party hopelessly stuck, but at the same time Eureka respects their intellect and lets them take charge of solving the mystery!

Character-driven gameplay!

Stats and abilities are based on who your character is as a person. Freeform character creation allows you to build a totally unique little guy, and have a totally unique gameplay experience with him! This is supported by the backbone of the Composure mechanic. Stress, fear, fatigue, and hunger will wear your investigators down as they trudge deeper into the unknown. Food, sleep, and connections with their fellow investigators are the only way to keep them going!

Secrets inside and out!

Any investigator could be a monster, helping their friends while trying not to reveal their true natures. The party will learn to trust and rely on each other, or explode into a tangled net of drama!

Intense, tactical combat!

Hits are devastating, and misses are unpredictable–firing a gun will always change the situation somehow, for better or for worse!

Now in Technicolor!

Evocative artwork from talented femme-fatales @chaospyromancy and @qsycomplainsalot and the mysterious @theblackwarden paint a gorgeously-realized portrait of a world with shadows lurking in every corner.

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. We are almost at the end, we just need some financial support to put the finishing touches on it and make the final push to get it ready for official release!

With every stretch goal we meet, the game gets better and better. Tons of beautiful new artwork, new options for gameplay, and even two entirely new playable Monsters could be added to the book, so visit the Kickstarter and secure your copy today!

If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

315 notes · View notes

sahpience · 7 months

Text

Veronica Kamina

#beige #beige aesthetic #light indie #light indie blog #urban architecture #flowers #ootd #instagram #uploads #my posts #baguette

555 notes · View notes

sometimesraven · 10 months

Text

Unpopular writing opinion:

We need more absolutely vile, unlikeable villains. There’s a place for villains you can "babygirl" but I’m bored of it. Give me the most nasty disgusting villains that will make me cringe into the earth you cowards.

There's this entire thing that's cropped up around 'likeable' or 'relatable' villains where, instead of being a cautionary tale about how we can all end up there or how people who seem lovely can actually be vile, it's become "uwu babygirl isn't evil after all"

And like there's a place for it! I like my fair share of babygirl villains! Hell I was there all the way back when Thor was released and Loki kicked off the popularisation of this trend!

I'm just,,, bored of it now. Especially when I'm seeing people do the whole babygirlification process on real-ass human beings???? It's gone too far.

Give me vile.

Give me the eugenicist who wants to eradicate 'imperfections' because he thinks he's an agent of God

Give me an abusive horrible parent but don't tell me they're trying just show me from their kid's eyes the catharsis of getting them the fuck out of their life

Give me the fuckin westboro baptist church for elves or someshit i don't care, just give me something I can hate with my entire being so that I can feel the rush of vindication when they inevitably get defeated.

There's too many irredeemable, vile people in real life. Especially as a trans person right now, it's easy to fall into despair when I see how untouchable those people seem to be, and how many people will defend them based on their motivations or some other "relatable" bullshit.

Give me a story that shows they're not as untouchable as they seem. Give me a story that shows there's always hope for the downtrodden; that the vile, horrible people trying to destroy us are just that, and they don't deserve a single tear. Stop trying to humanise our abusers, because we know they're humans but they don't care that we are too.

Just once, give me someone I can sink my teeth into and tear apart without the slightest touch of empathy. Give me what I can't have in real life.

#this got a lil more personal than i intended oops #writing opinions #writing community #villain characters #writing villains #urban fantasy #authors of tumblr #writers of tumblr #writers on tumblr #authorblr #indie author #queer author #neurodivergent author #but hey 'be the change you want to see'#my villain is irredeemable and untouchable #i will destroy him

547 notes · View notes

umbraldame · 24 days

Text

My friends are making a ttrpg where you can play as monster mystery investigators. Needless to say I've been having a blast designing monster girls! This cute little murder blanket here is the Thing From Beyond, an alien shafeshifter with very particular dietary restrictions. (It's people!!) It's just one of the several playable monsters that Eureka has to offer. The TFB is quite special as it's a Eureka exclusive creation and based heavily off of great movie monsters like The Thing, The Blob, and many more!

#eureka: investigative urban fantasy #eureka #rpg #monsters #coc #allied forces #roleplaying #tabletop #ttrpg #monster girls #ttrpgs #ttrpg art #indie ttrpg #ttrpg community #indie #indie games #fantasy #doodles #oc

112 notes · View notes

theresattrpgforthat · 1 month

Note

Do you have any games that involve urban fantasy with less focus on fighting than something like Dresden or Shadowrun?

THEME: Urban Fantasy (Minimal Fighting)

Hello there! What I've got here is quite a mix, I wasn't sure how much violence you wanted (or didn't want) so I have a little bit of romance, a little bit of nostalgia, and a little bit of horror!

City of Mist, by Son of Oak Games.

City of Mist is a role-playing game of film-noir investigation and super-powered action. It is set in a modern metropolis rife with crime, conspiracies, and mysteries. The protagonists are Rifts, ordinary people who became the living embodiment of a legend, their Mythos. While your Rifts may seek to strike a balance between the mysterious nature of their Mythos and their mortal aspirations, the powers within them always threaten to tear their lives apart. They have unwittingly become a part of a secret world of clashing stories, and soon other legends will come looking for them with demands.

City of Mist is a combination of PbtA and FATE, giving your characters descriptive tags to use for both their benefit and their detriment as they go about solving mysteries in a supernaturally-saturated city. The primary theme of the game is mystery, and thus more than anything your characters will be primed for investigation. That’s not to say that there isn’t violence - but violence and fighting can be de-emphasized if the group is more interested in the mystery side of things.

Character Creation involves a combination of mundane and supernatural themes, as your character is endeavouring to strike a balance with the parts of themselves that they recognize (student, parent, office worker, ex-partner) and the parts of themselves that are hard to understand (mythical beast, deity, folktale, urban legend). What’s important to define is your daily routine, your personality, and what kind of supernatural powers you have.

This game isn’t explicitly anti-violent, but it absolutely provides you with ways to solve problems that aren’t violent, so I think City of Mist is worth checking out.

Scary Monsters & Nice Sprites, by Pammu.

Scary Monsters and Nice Sprites is a narrative RPG about spending your night in one of the only clubs in your city that’s safe for creatures of the night like yourself. All you want to do is have some fun just like the humans do. Play a supernatural creature of choice, put some sick EDM on the speakers and get your game on!

This game works best for an even number of players, up to 6, and is GM-less. It combines urban monsters with flirting, dark clubs and hookups. Each of your characters will look for a partner by doing things that will appeal to the other players. If they like what you do, they’ll reward you with tokens, which you can spend to improve the atmosphere of the club. Fill another player’s intimacy meter, you’ve won them over, and the two of you decide how the night ends for both of your characters.

If you want a game about flirting and the magic of a nightclub, this is your game.

The Far Roofs, by Jenna Katerin Moran.

The Far Roofs is an original role playing system and bundled campaign using pens or pencils, paper, six-sided dice, ten-sided dice, playing cards, and a bag of letter tiles. It's complete in one volume: with this one book and the equipment above, you'll have everything you need to play.

As the story progresses, your characters will gain access to over 150 unique, narrative-focused powers developed and refined over the course of a decade for the Chuubo's Marvelous Wish-Granting Engine RPG before being simplified and adapted for use herein.

The Far Roofs is still being Kickstarted, but Moran’s work on Chuubo’s Wish-Granting Engine produced a game that emphasizes wonder and emotional experience. The Far Roofs looks to deliver along the same lines, and the examples of play point towards investigation, social interaction, and magic powers. Jenna Moran is also known for her unique and evocative storytelling in her work, so I think it’s definitely worth checking out.

Lighthearted, by Kurt & Kate Potts.

Welcome to the magical 80s dream world of Lighthearted. You are a Prep, Jock, Geek, Rebel, or Outcast, like those kids in The Breakfast Club, except you are just about to start magic community college. Through play, we'll explore how you grow out of your high school cliques all while dealing with magical mishaps, college parties, vampires, and worse—finals!

Lighthearted is a complete tabletop roleplaying game that uses the language of film and television to reimagine the coming of age stories popular in 80s teen movies like Weird Science and Sixteen Candles, but with a modern fantasy spin. It's set in an alternate 1980s with fantasy elements weaved into the most outlandish bits of 80’s pop culture. There are fantasy religions mixed in with mall culture, dark magic cold wars, and magical glamours instead of plastic surgery.

This is a game of magic and coming-of-age, as you play first-year students at a magical community college. You’re off to the big city, and the big world - will you survive your first college party? Your first vampire?

The whole game feels like the neon lights of a vibrant night-life combined with the nostalgia of an 80’s film. Your magic is attached to how you feel, so as your emotions change, so will your effectiveness at certain actions. If you want a game that’s as light as its name, and you are seeking out rosy-tinted nostalgia, this might be your game.

Changeling: the Lost, by Onyx Path.

Once upon a time, they took you from your home. They promised you a place at their side, and meaning in your life, and they surrounded you with beautiful things. But the beautiful things were oh so sharp, and they laughed when you bled.

Day by day, they changed you. But day by day, your will grew stronger. On the last day, you smashed your way through the beautiful things and ran, not noticing as you bled or feeling as you cried.

You fought with courage and cleverness and took yourself home. Now the beauty and the horror are yours, to have and to hold and to live.

Welcome to once upon right fucking now.

So I’m familiar only with the 1st edition of Changeling, but as far as I understand, the setting and core premise of the game is the same in the 2nd edition. Changeling: the Lost is a game of fairy trauma. Your characters are survivors of a fae horrorscape, a place both wondrous and terrifying all at once. This game is solidly in the horror genre, but it contains within it a taste of the magical, and it’s also the reason I got into roleplaying in the first place.

As in many Chronicles of Darkness games, fighting is an option in here, but it’s not a wise option. Getting into fights pulls at your characters’ ability to understand the difference between our world and the world of Fae, it’s very easy to sustain supernatural damage that is hard to heal, and, well, sometimes it’s hard to tell who your real enemies are in the first place.

I’d say that Changeling is more of a political game than anything else. Your characters will have to dance through the highly literal wording of faerie pledges, and untangle difficult relationships between Courts that are both safe havens and potential beds of sedition. This is a violent game, but much of the violence possible in Changeling isn’t physical - it's emotional.

This Night On The Rooftops, by C.M. Ruebsaat.

This is a game about gazing out over the smokestacks after dark, with the wind in your hair and a friend at your side and a thousand lights of progress on the streets below.

This Night on the Rooftops is a collaborative storytelling game for 2-5 players about friendship, growing up, and revolution. You will play members of a gang of children in The City, a fantastic world of industry and dying magic, where witches labour alongside factory-workers to make ends meet.

This game looks slightly less modern, but it takes the fantasy aspect of witchcraft and places it inside an industrial city. The game uses a modified version of the No Dice No Masters rule set, which is excellent for stories that have an ebb and flow to them, managed through the use of token expenditure. This game is also GM-less, giving everyone at the table the same amount of control over what happens next.

Since the characters are a gang of teenage witches looking to make ends meet, this game doesn’t strike me as one that prioritizes fighting or violence. The city looks big enough to grind up the characters if they’re not careful, so they’ll likely have to find solutions to problems that don’t get them (or their dependants) in trouble. If the game is like other No Dice No Masters games that I’m familiar with, the group will also have a big say over which elements of the city are the most intriguing to them.

Partners: The Urban Fantasy File, by Tin Star Games.

Some murders are just elf defence…

Vampires are real, magic is real, elves are real - and murder is still very very real. This expansion takes you and your Partner down the moonlit streets of urban fantasy, where the dead sometimes get back up again but crime is still a mystery needing two heads to solve.

The base game for this, Partners, is a two-player mystery-solving game about a pair of detectives, a straight-shooter and a wildcard. You’ll need the base rules to play, but this supplement brings in dead elves, suspicious vampires, and other common characters in any urban fantasy genre. It can work as a one-shot, or as a series of episodes. If you want a game that's primarily about solving a mystery more than anything else, this is is for you.

Solacebound, by Sascha Moore.

Young monsters played at the boundary between the worlds. They slipped and stranded in a human city. Isolated and unwelcome, they search for each others help and a way back.

Solacebound is a GM-less Game for 3-5 people to play over a few hours. Search a sprawling, oppressive city for your friends, find out who is willing to give you a roof, bash back against authorities, cook together and console each other. Will you find a way back home before all passages close?

You are teenage monsters trying to find their way through an urban environment, in a place that is hostile to them. You survive by hiding out, finding each-other, and do things together to make sure you keep each-other healthy. Cards from a deck act as resources, but also as an oracle to help you describe the fallout of any given action, and the emotions that are attached to it. This is a game about metaphors, about what it is like to live in a place that fears you, so I definitely recommend making sure the entire table knows what this is about before starting a game.

You Might Also Want to Check Out

Subway Runners, by Gem Room Games.

#tabletop games #indie ttrpgs #game recommendations #dnd #asks #indie ttrpg #urban fantasy

94 notes · View notes

whereserpentswalk · 7 months

Text

Starting my motw campaign: "Hey, it might be cool to add political intrigue to the magical underworld."

Now, over a year in: "These are the factions that control the former united states."

#motw campaign #motw ttrpg #motw rpg #motw #monster of the week #pbta #powered by the apocalypse #ttrpg #indie ttrpg #ttrpg community #rpg #ttrpg campaign #dnd #dnd campaign #alternate history #map #fantasy map #urban fantasy

259 notes · View notes

chvmpcgnerps · 1 year

Text

open to: m muse: winona hartford portrayed by laura harrier plot: freeform

"please don’t play dumb. you knew how you felt, you were just stringing me along. you were never serious.”

#( winona x starters. )#urban rp #indie rp #urban indie #urban indie rp #open starter #open indie starter #open indie rp #indie starters #indie starter #indie smut rp #( starters. )#urban 1x1 #indie 1x1 #indie roleplay

11 notes · View notes

artbyblastweave · 20 hours

Note

Got a Worm meta question for you. I'm starting on the early parts of Taylor's warlord era - I'm about to leap into Arc 13 - and the general concept of a ravaged American city being divided up by various supervillain groups is reminding me a lot of that Batman story arc No Man's Land from the late 1990s. Unfortunately my comics knowledge is rudimentary at best, and I haven't been able to any discussion comparing the two stories, so I was wondering if I could pick your brain on the subject. Was it just convergent evolution, or was Wildbow engaging with the Batman story in some way?

I myself have only read about half of No Man's Land- and several years ago to boot- so I've got limited ability to do a direct compare and contrast. No Man's Land is absolutely the sort of status-quo-shattering, history-book-making upset that, within Marvel and DC, nonetheless always inexplicably heals and loses salience until you can barely tell that it's still in continuity. Worm is heavily informed by Wildbow's irritation with that sort of thing, so I think it's totally reasonable to view the warlord era through the lens of "What if No Mans Land had no editorial escape hatch." Alternatively, I think it kind of makes sense to view it through the lens that it's working backwards from the premise of No Man's Land- In what kind of setting would it be plausible for the Federal Government to write off a sufficiently-damaged American City? In what context would the legal infrastructure have been established for that, in what context would that even fall within the Overton Window? What muddies my opinion on this is that the general concept of a ravaged, atmospherically-apocalyptic American city torn up by superpowered gang warfare is something that's kind of just been in the water in superhero comics since the mid-eighties at least, and it was a relatively common thing to see during the Dark Age- they were choice prey for all those overpouched musclemen with their poorly rendered firearms. I'd be surprised if Wildbow wasn't at least aware of No Man's Land, but it's definitely not the only cape book from the late 90s or early oughts where you could pick up that idea from. Ultimately this leaves me unsure if No Man's Land is the specific referent or if it's just part-and-parcel with trying to do an involved, thoughtful take on what cape comics were like at the time.

#I think there are ways in which this whole thing plays into urban hellscape narratives about cities in the 90s #which I don't feel totally equipped to pull apart atm #one indie cape setting which played this angle that stuck in my head was that aborted pilot project for a shared cape setting Dark Horse di #But I recall a distinctly apocalyptic vibe to a lot of the stuff I used to read from back then #thoughts #wildbow #parahumans #ask #asks #wormblr #worm is more and more a period piece for cape comics in the early oughts specifically with each passing year #sorry for the delay in responding

73 notes · View notes