#(the writer was a bit simplistic and made a lot of these guys come off as worse than they were) | Explore Tumblr Posts and Blogs

immaturityofthomasastruc · 3 years

Text

IOTA Reviews: Truth

Hey. Hey guys. Remember when I said I was feeling optimistic about this season? God, that was funny, wasn't it?

Let's just... Let's just get into the actual first episode of Miraculous Ladybug's fourth season: Truth.

We start off with Gabriel repairing the damaged Peacock Miraculous, which also restores Duusu's sanity, before he quickly gives it a test run by transforming with both it and the Butterfly Miraculous.

And good lord, the result looks atrocious. This is the design for the new and improved Hawkmoth? First off, the peacock feather eyepatch looks stupid. Is he trying to be the Phantom of the Opera? When Mayura had the same thing, it didn't completely cover her eye and matched her color scheme. It just doesn't match with this new design here. Other than the feather, the peacock aesthetic is barely visible here. The most we get is a peacock feather pattern on the back of his jacket. And then there's the popped collar and coattails, which only look more ridiculous than menacing. What made the original Hawkmoth design work was how sleek it was. It was simplistic, which reflected Gabriel's no-nonense personality. This just looks gaudy and unnecessary. How was this right after the amazing suit the animators gave Dragonbug?

So after Gabriel designs another stupid looking outfit, we cut to Marinette, who's still trying to figure out how the Miracle Ball works. She accidentally opens it, letting the Kwamis out, who wreak havoc on her room because Marinette suffering is going to be a big part of this episode. This just raises the question: Why can't Marinette simply order them back into the box like Su-Han did, or rather, is going to do? It's still not established what gives the Guardians authority over the Kwamis in the first place.

Two of the Kwamis accidentally start a video chat with her friends, leading to some more Unfunny Marinette Slapstick. But Alya thinks something's up with her friend.

youtube

Has Marinette even told Alya she's already in a relationship? Like, at all? It feels like all Alya is there for now is to remind the audience that Marinette and Adrien are “meant to be”, even if they're both in relationships right now. It's either that, or teasing Marinette over her crush and doing nothing to help her anxiety.

Marinette accidentally ends the call, before Luka calls to thank her for the pictures of Adrien one of the Kwamis accidentally sent him. Yeah, even though he barely appears in this episode (barring his scenes at Cat Noir), they're going to talk about Adrien a lot. Marinette continues to stammer around Luka (once again making fun of people who have speech issues), but Luka, being the ray of sunshine in any abysmal episode he's in, is completely understanding of it. He also sets up a pretty funny joke.

Apparently, Marinette missed her last date with Luka yesterday to see a movie that was re-released, Crocodile Heart, that was actually Jagged Stone's first movie. I wonder if it's connected to Crocodile Dundee.

While walking to the movie, Luka and Marinette play a game finishing the lyrics of a Jagged Stone song, establishing the former as a huge fan of the rock star. Before we can actually get an on-screen kiss for Lukanette, Mr. Pigeon attacks yet again, because I guess he's the first villain Hawkmoth wants to use in his new form.

Cat Noir sneaks up on Ladybug, causing her to accidentally throw him off a building before catching him, chastising him for the stupid jokes, yet Ladybug has to apologize for missing patrol with her partner, who casually acknowledges her new status as Guardian before the two go and fight Mr. Pigeon.

By the time they defeat him, the movie ends as Marinette gets back, disappointing Luka. We then get a montage of Marinette bailing on Luka multiple times to stop Akumas and Sentimonsters. To his credit, Luka is seriously torn up by all the times Marinette leaves him, showing he isn't just a calm soul.

After Marinette gets back, Luka takes her underneath a bridge to listen to the echoing sound of the water. Luka says that he never knew his father, and he would always go here to relax whenever he got stressed. He uses this to segue into asking Marinette where she constantly disappears to. He doesn't pressure her or anything like Alya, and he even says that if she still loves Adrien, he'll understand. He only asks for the truth. Unfortunately, Marinette can't tell him the truth, which just breaks the poor boy's heart.

Hawkmoth, now calling himself Shadowmoth, sends out an Akuma and an Amok for Luka at the same time, corrupting a guitar pick signed by Jagged Stone that Marinette gave him. And again, to Luka's credit, he fights back against Shadowmoth's influence at first, saying he trusts Marinette, but the temptation of knowing the truth is too good to pass up. He tells Marinette to run before being akumatized into Truth, assisted by the Sentimonster Pharro.

Truth's design is... pretty forgettable. The guitar pick being prominent around his neck is a nice touch, but it's just a generic black bodysuit with light blue highlights, and he has a third eye instead of a visible mouth. Pharro is also pretty boring, just a giant eye that freezes people in place so Truth can use his powers to make them tell the truth.

So Truth goes back to where everyone else was hanging out before he was akumatized and asks Alya to tell him the truth about Marinette.

Yeah, he's right, Alya. That's what you believe. We're supposed to treat Alya saying Marinette loves Adrien as an unbiased source. Truth asks Rose, Mylene, Tom, and Sabine what Marinette's secret is in this episode, and they all say she's in love with Adrien. That isn't actually the truth. It's like asking an atheist if there is a God. You know what they believe is the truth, but you don't know if that answer is actually the truth. Why not have them reveal other secrets about Marinette, giving the audience subtle character details? Like the writers could make someone say stuff like she still sleeps with a nightlight on, or that she secretly gets cookies from another bakery.

You know what also would have worked? Instead, have Truth catch Marinette before she transforms into Ladybug, ask who she actually loved, and then she'll blurt out Adrien's name, shocking both her and Luka. This could also make Ladybug's confidence in herself waver throughout the episode, wondering if she actually loved Luka at all. That would have been much better drama than what we're going to get instead.

Ladybug charges in to stop Truth, but is zapped by his truth ray, meaning she'll be forced to tell the truth when asked any question. Before she can admit her identity, Cat Noir saves her by retreating with her into the Seine, before reassuring Ladybug that he wouldn't force her to tell the truth by force. It's a nice bit that does show he respects Ladybug's secret, a far cry from his behavior in episodes like “Syren” and “Frozer”. Truth turns his attention to his mother Anarka, and asks who his father is.

youtube

Yes. Seriously. This is happening. Luka's father is actually Jagged Stone. I have... mixed feelings regarding this development, but my biggest question is, well... they're doing this now? They couldn't save this for another episode? I mean, was focusing on Luka and Marinette's relationship (something that had been established since Season 2) not good enough of a plot for the writers? Why shoehorn in this plot development? Why not save this part as a teaser for a future episode? You know, have Luka walk home, and remember what he made his mother say as Truth, setting up an episode focusing on his relationship with Jagged Stone.

But no! Instead, we're just supposed to go along with the plot taking a detour. I can't believe I'm saying this, but I don't want Jagged Stone to appear in this episode.

Truth heads over to the hotel where Jagged Stone lives and asks him if he's actually his father, the latter admitting that Anarka was right. Truth naturally isn't happy.

Well, to be fair, it's still a better title than his first drafts, like “It's Not My Fault the Condom Broke”, or “Up Yours, I'm Not Paying the Child Support, Bitch”.

Honestly, I can get what the writers are going for, and I like the idea of them trying to give some depth to a character who was mostly used for comic relief in earlier episodes. The problem is, as much as they want to portray Jagged as regretful for walking out on his family, it still doesn't excuse him for never even bothering to check in on his children and their mother while writing a song about it. He doesn't even bother to give some money to the person he knocked up.

I'm not saying a conflicted relationship like this can't work in animation (a decent example being Steven Universe slowly growing to resent his mother for her time as Pink Diamond and believing his birth was an excuse for her to avoid responsibility), but you need to put more emotion into this. I don't come from a broken home, but if it turned out my dad was, let's say, “Weird Al” Yankovic, even if I enjoy his music, I wouldn't be happy that he decided to come back now of all times without so much as a “hello”.

Truth goes to Marinette's house/bakery, and starts looking for Marinette's diary to find out her secrets. It's almost like the minor plotline that he has a deadbeat dad was only there to eat up airtime. Ladybug is still affected by Truth's powers, and not long after she summons her Lucky Charm, Cat Noir is zapped too, so he starts asking questions that basically amount to complimenting certain qualities he and Ladybug have. When Ladybug asks him what he thinks about her being Guardian, Cat Noir says nothing's changed between them. It's a nice strategy, very reminiscent of when they had to talk in rhyme when fighting Frightengale. I'm also glad they aren't trying to play up Cat Noir not feeling as important immediately now that his partner has access to top secret information.

Cat Noir Cataclysms Pharro, but rather than destroying the Sentimonster, it causes it to go out of control, accidentally paralyzing Truth with some manipulation from her and Cat Noir. Ladybug then de-evilizes both the Akuma and Amok, defeating Truth.

Marinette struggles to find the words to explain things to Luka, but he says that he'll be waiting for her when she's ready. While walking back to his houseboat, Luka runs into Jagged Stone, who promises to write a song together with him. Because I guess Shadowmoth was kind enough of him to not erase that part of his memory. And of course, Luka just accepts this despite the fact that Jagged was absent from his entire life.

So according to this show, you shouldn't bother to give mean people a second chance, but it's okay to give your deadbeat dad a second chance without harboring any negative feelings? I'm sorry, but I just don't see the point of shoving in this subplot if you're barely going to do anything with it before coming to a resolution. If there was more detail put into it, like if Luka just angrily lashed out at Jagged for abandoning his mom, I would have been more open to it. But in the end, this major character revelation is nothing more than filler the episode doesn't need.

We cut to what I'm surprised doesn't happen at the end of every episode given how much crap she gets, Marinette crying in her bed, saying it's too dangerous to have a boyfriend thanks to Shadowmoth. One of the Kwamis apparently doesn't know what crying is, so Marinette asks them to give her a hug, and the showrunners really need to find another song to play at the end, because the upbeat song playing doesn't go with Marinette crying at all. Imagine if this song played at the end of Deep Space Nine's “In the Pale Moonlight” when Captain Sisko confessed to basically being an accessory to the murder of an alien ambassador. It'd be tonally jarring, wouldn't it?

Even the ending image doesn't feature Luka and Marinette together. Instead, he's hugging it out with Deadbeat Stone like everything's okay.

So yeah, that's how the episode ends. In case you couldn't tell, I thought it was awful.

Remember in my New York Special review, where I theorized that Astruc rewrote it to focus more on Adrienette to stop people from shipping Lukanette? I have another theory that I also want to be taken with a grain of salt. I think this episode might have also been rewritten a little to follow up on that. I mean, why else would Astruc spend two seasons building up Luka's relationship with Marinette only to rip it away the episode after they officially get together? It would also explain why it feels like there's two separate episodes going on with how shoehorned in Jagged Stone is.

But other than that, this episode managed to screw up the one thing I was actually looking forward to about this season, seeing Marinette together with Luka. Even if they were going to break up, I was hoping there would at least be a character arc for Marinette where she realizes what she truly wants in a relationship isn't with Luka, leading into a relationship with Adrien where she feels more confident in herself. I was at least hoping their relationship would last more than A SINGLE EPISODE.

In fact, remember that tweet Astruc made soon after the New York Special, defending Marinette and Adrien essentially cheating on Luka and Kagami respectively?

What exactly was so complicated about Season 4 when you're immediately going to break up a couple you spent two seasons building up? Astruc's predictions are about as accurate as Uri Geller.

And then there's the fact that all everyone talks about this episode is Adrien. Marinette's wall is covered with pictures of him, Alya thinks her friend's abnormal behavior is because Adrien's in the room with her, Luka somehow knows Marinette loves Adrien and is actually cool with it, and everyone else thinks that it's her biggest secret. How convenient is it that all of this happens when barring his scenes as Cat Noir, Adrien doesn't appear in this episode barring a five second cameo?

When I was writing this episode, I saw a tweet Astruc made addressing a question someone posed, asking why Adrien didn't get as much screentime in the recent Shanghai Special. He said that “history does not revolve around him”.

youtube

For the love of God, writers, just give Marinette a plotline that doesn't revolve around her feelings for Adrien for once. People already started to get sick of it halfway through last season. Either have her confess and make the Love Square canon, or stop letting it dominate the main story for once. Why can't the writers just let her move on from Adrien for more than a single episode? Give her a goddamn break already.

I once again have to ask: what was the point of building up a relationship between Luka and Marinette since Season 2, if you're just going to break them up the second they get together? Why make a big deal about Marinette's conflicted feelings for both Adrien and Luka if you're just going to ignore her feelings for the latter in favor of the former? And remember, chronologically, this was right after the end of Chloe's “damnation arc”, another plotline that had been built up since Season 2 only to be aborted in favor of “sUbVeRtInG tHe AuDiEnCe'S eXpEcTaTiOnS”. It feels like the writers are trying to punish people for getting emotionally invested in any storyline that doesn't relate to the holy pairing that is the Love Square.

This episode is just frustrating to watch. Part of me knew Marinette and Luka were going to break up, but I didn't think it would be this bad, and it would be so soon. I'm glad they're on somewhat good terms, and I liked the buildup to Luka realizing Marinette might not trust him, but the timing of this episode is what baffles me the most. Is it any wonder I think Astruc may have rewritten this episode?

If any Lukanette shippers need to recover, I'd recommend checking out @mc-lukanette. They have some wholesome one-shots and fix-it fics for some of the weaker episodes of the series. In fact, she already wrote a fix-it to this abysmal episode that’s so much better than what we got.

141 notes · View notes

sokkabackbender2021 · 3 years

Text

An ATLA Rant: Imperialism & Nuance

Just to start off, this is coming from a girl who’s grandmother was Filipino. No, I have not personally experienced imperialism in my lifetime, but it is a subject that I think is very serious and important to me because of my heritage.

That said, I have absolutely zero idea how you could watch avatar: the part airbender and come out of it saying that it is pro imperialist. Absolutely zero.

I agree because this is a pan Asian inspired show that was written was created by two white men (with the help and advisement of several poc as well but that is a topic for another time), people, especially people of color, have every right to be critical of it. But this argument that the show is somehow pro imperialist just doesn’t make sense to me.

The fire nation is in the wrong. The show makes that VERY clear. Their actions towards other nations is called out by several characters (Zuko, Roku, etc). Their destruction of other cultures (southern water tribe, air nomads, attempted earth kingdom) are seen as diporable and downright inhuman. Not only that, but we see the devastation this cultural genocide brings upon main characters like Katara and especially Aang and how they must heal from it.

Moving on, the show absolutely was not teaching people to stand docile and peaceful against their oppressors. Katara and Aang literally destroy a whole fire nation factory!! When the fire nation was attacking the northern air temple, they were kicking their asses off the cliff!! They planned a whole invasion to attack the fire nation capital to end the war!! (Let’s not forget Katara incititing a riot against the fire nation in the imprisonment episode with the earth benders). I could on and on about all the times the gaang meets the fire nation with violence and encourages others to fight back against them, but that would be going wayyy too in depth.

I think where people get far too simplistic here is that they think that atla is telling people to not use violence against their oppressors because the show is critical of people like Jet and Hama. First of all, the characters are given a lot of nuance in the show. Both are introduced with tragic backstories of the horrors that the fire nation inflicted upon them (I still get chills with the scene when Hama explains her story).

Despite this, both characters have every chance to use their abilities to fight back against the fire nation in a way that helps. You know, like fighting against the army and not innocent people who have no idea that the fire nation is actually in the wrong. The narrative is not that violence is bad! Peace is the only way! I think it’s that you can’t let your veagance lead you away from fighting the right people. That’s the issue: neither Jet and Hama were fighting the right people.

And we first see both characters fighting soldiers in their first scenes. Hama in the flashback when she’s defending her home (and rightfully uses violence to do so) and Jet when he helps the gaang take down some fire nation soldiers in the forest. This is just violence directed at the right people. But instead, both attempt to murder and in Hama’s case, torture people who take no part in the atrocities the fire nation has committed. Are they ignorant? Well of course they are because as we very obviously see, they’ve been fed propaganda their entire life while also living under an authoritarian regime, something that’ll give you no will to think other than the things that are spoon fed to you.

So let me ask you this, was it right for Jet to try and murder an entire village of innocent people, literal children included? Was it right for Hama to imprison and torture lord knows how many innocent citizens just because they belong to an nation that they have no actual knowledge of its evil? I’m hoping your answer is no, and the show would also say no as well.

When both Katara and Aaag choose not to kill, the narrative is not saying that they shouldn’t kill these men. The narrative allows both characters to make their own choice in what ways they wish to do, and it has nothing to do with what is actually right or wrong, because ultimately it is up to what each character wishes to do. Katara sees Yon Ra as the pathetic old man that he is, so she sees no purpose or healing for herself in taking his life. This is a personal choice made for herself, and that is all that matters.

The same goes for Aang. This poor boy is desperate to uphold the beliefs of his people, so he finds another way. A way that still upholds his beliefs while still ending the tyranny of Firelord Ozai. It is ridiculous to say that this is a passive take to imperialism, because yes he doesn’t literally murder someone but he still takes the dude out. And honestly, Ozai’s fate is worse then death (especially considering who Ozai is). Once again, the narrative is not saying be passive to your oppressors and don’t use violence. Its saying that because Aang is living in a world where his beliefs have been forcefully removed and disrespected, he has every right to continue to defend them in the ways he sees fit.

While some may see the narrative as more sympathetic to Iroh and Zuko, I think it’s just because they ARE some of the main characters of the show, as compared to those like Jet and Hama. We see much more of their story just as we see much more of the gaang’s story. Not only that, but their narrative purpose is far different from these two other characters. Iroh and Zuko are meant to show that despite them being from the fire nation, they are not inherently evil people. Jet and Hama are meant to show that even while they are against the antagonistic force of the show, they still can commit evil. Not only are Iroh and Zuko’s actions never justified, but they both must go on a journey to unlearn the hateful propaganda instilled into them, and remedy their ignorance. The narrative never says that neither Jet and Hama cannot also redeem themselves, but Hama feels no remorse for her actions, and Jet does attempt to redeem himself, but ultimately falls back into old habits (I believe he could’ve redeemed himself, but I’ll agree the writers were a bit sloppy in his end, like I’m not sure why they had to kill him other than to make him a tragic character but whatever).

To finally wrap up this essay, ATLA is not a black and white show. The show is not pro imperialist for condemning the violent actions of two characters who happen to be victims of imperialism. The show is not pro imperialist for allowing two children to decide for themselves whether or not they want to end the lives of someone. The show is not pro imperialist for not making the antagonist of the show a one note and one dimensional bad guy.

I’ll end this with the speech that Zuko makes to Ozai when he prepares to leave on Day of Black Sun:

No, I've learned everything! And I've had to learn it on my own! Growing up, we were taught that the Fire Nation was the greatest civilization in history. And somehow, the War was our way of sharing our greatness with the rest of the world. What an amazing lie that was. The people of the world are terrified by the Fire Nation. They don't see our greatness. They hate us! And we deserve it! We've created an era of fear in the world. And if we don't want the world to destroy itself, we need to replace it with an era of peace and kindness.

#atla #avatar the last airbender #atla essay #zuko #katara #aang #iroh #jet #Hama #anti imperialism #I promise you if the show leaned towards supporting imperialism I would not love it as I do #the southern raiders #sozins comet #day of black sun

95 notes · View notes

itsclydebitches · 3 years

Text

RWBY Recaps: Volume 8 “Creation”

Happy Saturday, everyone! Oh man, oh man, oh man. I think I'll need to steer clear of the general RWBY tags this week, simply because I know the sort of responses I'll see to this episode. From smug celebration at Ironwood's downfall, to bad takes about what makes us human, this episode is a petri dish of sensitive material handled insensitively.

Let’s unpack it, shall we?

We open on an action that feels like a summery of the last three volumes: a grimm attacks an airship from the front, no doubt killing its pilot, while the other grimm conveniently ignore our heroes, no masking in sight. The group looks a little sad at the destruction around them, but ultimately ignore it because they have bigger, heroic things to do. I could write a whole, additional essay on how the huntsmen code — to protect the people — has been warped and abandoned by our protagonists in their effort to do what they think is right. It's a tale that might have been compelling if only RT knew they were writing it.

We get a shot of Atlas drones unloading the bomb before one is taken out, presumably by Qrow and Robyn. Segueing to Ironwood and the Ace Ops, they're waiting for Penny to arrive, the former carrying a massive gun presumably capable of capturing her. Despite the horror we saw on their faces last episode at the realization that Ironwood would kill Marrow for speaking up, it seems that now the Ace Ops are entirely in agreement with these measures. A week ago the implication was that they fell back in line out of fear, but now Harriet talks passionately about "putting down" the group if they were stupid enough to accompany Penny. "The General gave his terms." Vine sighs at this, but doesn't actively disagree. He's just "retracing the steps that led us here."

So, congratulations on introducing four new characters, not bothering to develop any of them, killing one off while ignoring Qrow's hand in that, and having the other three become all, "Yeah! Mass murder is a perfect solution!" off screen. Marrow is the only one with something resembling development and, as covered in these recaps, that's been pretty badly executed too.

Ironwood sends them to deal with Robyn and Qrow after Winter reappears to "assist" him. That gets quotation marks because most viewers at this point have realized that she's who our two birbs spotted in the elevator. Winter isn't on Ironwood's side anymore, she's just skillfully clearing the field for the final attack. Indeed, we get a moment where she hesitantly brings up the bomb and Ironwood responds that he hopes she's not going to try and talk him out of it. No. Winter doesn't think that's possible. This was her final attempt at peace.

One of the reasons why I think I'll stick to my own blog for a while is because the fandom has a tendency to paint broad personality traits as evil when applied to some characters, yet simultaneously heroic when applied to others, when really it's about how that those traits are used. What I mean is, I've seen a lot of Ironwood critical posts that emphasize how stubborn he is. He thinks he's right and he won't back down. He wont listen to others. He's going through with this plan and if anyone tries to stop him? That's their mistake. Totally evil, right? Except, this is the exact same behavior Ruby displays, particularly in Volumes 6 and 7. She was stubborn about stealing from Argus and continuing the fight to the point where it endangered her and her teammates, to say nothing of the rest of the city. She refused to listen to Qrow, or Ironwood, or the Ace Ops, loudly announcing that she was right about, well, everything. If they didn't agree with her, the options were to leave the group entirely, or fight her. The actual difference here is that the writers have taken Ironwood to an extreme, one that's incredibly easy to understand as bad because it is bad: bombing Mantle has no defense. Ruby pulls the exact same nonsense, it's just not to that same extreme and her actions are followed by scenes that are meant to make us forgive her: a sad look because she didn't mean to get a city attacked by a leviathan grimm, a cry on the staircase because she didn't mean to risk the lives of an entire kingdom... even though she did. Ironwood is the bad guy because he's been written to take specific, OOC actions like shooting unarmed kids. He's not the bad guy because when other characters go, "Don't do this" his response is, "I have to." Because that's been Ruby's motto ever since she "had" to use the Lamp to rip Ozpin’s life story away. RWBY introduced those extreme actions of shooting the youngest in the group (for no reason) and threatening to bomb a city (for no reason) or shooting a councilman (for no reason) because when you remove those you've got a man who looks exactly like our hero. Ironwood's arc has been peppered with these confusing, unpersuasive actions because if you just keep the story as him stubbornly keeping to a plan he thinks will save the world, you're left with the reminder that all Ruby has done lately is stubbornly keep to plans she thinks will save the world. This moment with Winter just highlights how ill thought out Ironwood's descent has been because he does everything Ruby does... with a few, tacked on, “and randomly shoots people!” moments to ensure we understand that he’s definitely evil. No comparison to our heroes here, folks!

Ironwood is a bad guy now. That’s certain, but he was made that way so the story never had to grapple with the question of what that means for Ruby if we really start condemning things like lying, secrets, stubbornness, or endangering others for the greater good. Well then damn, if we strip away the hypocrisy then she might not be a good person after all. Or the people she’s simplistically labeled as bad might not be the devils Ruby claims they are.

But that’s a level of nuance RWBY would rather pretend doesn’t exist.

All of which is highlighted by Ironwood’s reaction to "Penny." He sighs and sags over the gun, immediately putting it aside. With his hand on her shoulder, Ironwood tells her she's "done the right thing." Precisely the same way Ruby would lower Crescent Rose and give someone a smile when they decided to fall in line with her.

Which, of course, is the moment when Emerald reveals herself, dispelling the Penny illusion and revealing Team JNPR The Second behind her. She gives a quip about it feeling "weird" to do the right thing before disappearing.

From there the action picks up fast. I really enjoyed this battle simply from a choreography and energy standpoint. It gets the blood pumping, Ironwood's hand-to-hand is spectacular — especially that moment against Ren — and the group actually displays teamwork for the first time in what feels like forever, all of them needed to land a hit on Ironwood. As always, out of the context of the rest of the show it feels and looks great. My primary issue is that we get this fantastic fight against Ironwood. Not Salem, not Cinder, not Watts (like last volume when Ironwood was still a hero), not even Emerald as a means of transitioning from murderous villain to the group's best bud. No, what's arguably the best action sequence in the volume thus far goes to beating up the guy they betrayed from the start. There's no catharsis for me here, only frustration as we watch Ironwood stand in shock as Winter powers up Nora — who's fine now, I guess — and she slams her hammer into his face.

It never should have come to this and when a good character is done so dirty, their downfall doesn't evoke the emotions the writers are looking for. Watching Ironwood fall doesn't generate feelings of victory, or even tragedy at a course of events others were powerless to stop. It's just frustration at watching years worth of bad writing, sprinkled with fantastic ideas that never go anywhere.

Oscar gets a few hits in, Ironwood snatches his cane, and just as he's about to throw a punch, Winter arrives with the most dramatic sword slash I've ever seen.

Ironwood's aura breaks and he falls, unconscious. We cut to an image of a droid's head separated from its body, one of Robyn's arrows through its skull. That doesn't have meaning or anything.

I suppose I should be grateful they didn't rip Ironwood's arm away during the fight, or outright kill him, though I'm still expecting him to die before the end of the volume.

Hmm. Wouldn't that be something? If after Salem's arrival, freezing cold, a Hound attack, grimm soup, a giant whale, a massive army, and a hack ending in self-destruction, the one character who actually dies is Ironwood.

It's looking more and more likely.

Honestly, beyond all the obvious, what's so frustrating about this fight is that characters are only now using their impressive abilities to their fullest. Emerald creates an entire fantasy of what's happening and then straight up disappears, but she only does a half-assed version of that when fighting against Penny. (And really, she put more effort into helping the heroes she just joined over Cinder, the woman she's been obsessed with since the start?) Marrow refuses to use "Stay" against a group they wanted to peacefully arrest because that's just too horrible an act, I guess, but he'll do it on his own teammates the second Qrow and Robyn don’t want to fight.

This is what I mean when I say the rules of the world bend to assist the protagonists in absurd ways. It's not nearly as egregious as Amity suddenly being up and running, but the fact that characters become substantially more powerful while fighting for the protagonists than they do against them is still a significant problem.

So Ironwood is down and out. As much as I hated watching that and didn't necessarily want more, am I the only one who felt like it was... a bit lackluster? I mean, the action was great, yes, but relatively short. There was no dialogue, such as another delve into the moral questions that led to this fight in the first place. There certainly wasn’t any hesitance against fighting a former ally. (Again, we’re meant to believe that the Ace Ops won because they just couldn’t bear to fight the group seriously, but every former ally here is capable of wailing on Ironwood without a single pause or pained look?) Ironwood just skillfully blocks for a while, is blindsided by Winter's betrayal, and then falls unconscious. Given that we learn he and Jacques will be evacuated after the rest of the kingdom, it's possible he'll escape somehow and we'll get a fight 2.0, but if not that feels like a rather tame end to the guy forced into the antagonist seat. Plus, what was the point of having Qrow frothing at the mouth to kill him this whole volume? I never wanted that to happen, I'm glad it hasn't, but I'm nevertheless left to ask why we bothered with that eleven episode side plot if we were going to erase it with one sentence from Robyn about Qrow being better than this. If that's all it took, let them work through Qrow's irrational anger while sitting around in a cell.

Winter tells the group to move onto "phase two" which is when we're treated to a flashback. We return to the ending of the last episode, with Ruby realizing that opening the vault is an option. Jaune, all smiles, goes, "We never considered using what's inside!"

This is what I mean about no consequences! This is what I mean about it all being a meaningless circle that ends with undeserved praise for the group! We started this horror show with Ironwood going, "We don't have a plan to protect the people, so I'm going to take what people we do have to safety" and the group going, "We don't have a plan either, but we're going to stop you implementing your plan because it's not perfect, risking a kingdom's worth of lives in the process." Now, the group has used two plans, one of which two characters knew about at the start and another they could have devised with the information they had. Oscar and Ozpin's, "We have an all powerful magical blast in our cane" and the group's "What if we used the Staff for something other than raising Atlas?" are both things that could have come up in the office debate. These were both always on the table! Instead, Ruby grew furious over the mere thought of cutting their losses, betrayed Ironwood again, attacked his people, denounced him to the world, and then two days later goes, "Oh wait! We could do something now that we could have easily done before if we hadn't made a needless enemy!"

Everyone realizes how much worse they made things, right? Turning against Ironwood, bringing everyone left in Mantle directly under Atlas, sitting around while an army was devoured, drawing it out until Penny was hacked... all of it would have been avoided if the group had thought and discussed things for a few minutes, not jumping straight to violently resisting what Ironwood came up with first. "We never considered..." Ruby says. Yeah, you didn't, except that's not something to smile about. The group made the situation a thousand times worse with their reaction when they could have just magically evacuated the kingdom from the start. “Maybe we could use it to save Penny and get everyone in Atlas and Mantle back to safety." Nothing has changed! They had this ability the whole time! Nothing about the last twelve episodes led them here, they just randomly thought of it after RT had padded the volume with needless drama. Considering that they're heading to Vacuo now, we could have just made this the finale of Volume 7 instead: big fight with Ironwood, revelation, get everyone evacuated while Salem attacks, leave her behind, then Volume 8 begins in Vacuo with the group knowing Salem is out there looking for them. This entire volume has been pointless. What did they accomplish?

Oscar got kidnapped and beat up, Nora was scarred, Ruby and Yang realized horrible things about Summer, and the whole world is panicking about a witch. Good things are... Ren and Ruby unlocked some semblance stuff? Weiss loves her brother again after he proved himself useful to her? Great work, team.

So this one moment makes everything they've done up to this point useless and, of course, once thought up the plan goes off without a hitch. Note that the summary of this episode says, "It's risky, dangerous, and nearly impossible — but it's the only plan they've got." Nearly impossible? That's a whole lot of talk for a plan that was implemented perfectly.

There is, admittedly, one snag, but one that is likewise made meaningless just seconds later. We'll get to that.

We see Winter call Weiss who also smiles at hearing from her sister. Obviously interactions like the group's with Emerald are the bigger concern, but it's still an issue that no one reacts as they should to people reappearing in their lives. Rather, RWBY continually confuses audience knowledge with character knowledge. We know Winter is on their side now, but Weiss hasn't a clue. Last she saw, she and Winter were agreeing to head down different paths. She has no reason to think her sister isn't loyal to Ironwood, so why isn't the group treating this call with suspicion? What if it's Ironwood trying to mess with them through a presumably safe party? I swear to god, with any consistency in the story this group would be dead ten times over because their decisions are so stupid. Oscar decides to believe in the guy currently beating him to a pulp, the group decides to trust a villain over a flawed ally, and now they see Ironwood’s second calling and are like, “Great, big sister Winter is checking in!” There’s a difference between a hopeful story filled with second chances and characters whose reliance on the narrative bending to assist them makes them come across as insanely naive.

None of which even touches on characters forgetting that other characters are presumably dead. Ironwood shot Oscar off the edge of Atlas, but doesn't react to learning he was kidnapped, or when he shows up to the fight. Thanks to Marrow's comment, Winter thinks YJOR have perished in the whale, but also has no reaction to them appearing to help with this plan. Absolutely nothing is followed up on.

We then get a flashback within the flashback (fun) of Winter — shock — not arresting Marrow. It's precisely as I assumed, with Marrow angrily asking why she hit him and Winter responding with, “Because you were about to get killed if I didn’t do something!” As I said last recap, I feel like I should let the marginalized groups lead this discussion, but I do want to add that no matter how well intentioned — or strategic, as I mentioned last time — the imagery itself is still harmful. No matter the context, we were still left with white woman Winter putting her knee on black man Marrow's back to arrest him, and it’s an image that everyone in the U.S. should be familiar with the horror of. Far more of a problem than the (presumed) ignorance of this scene is, I think, the choice to make Winter entirely unrepentant. I think some of this discomfort could have been alleviated if RT had written Winter as apologetic, contrite that it came to that and asking Marrow to understand that she only did it as a means of assisting him. Asking his forgiveness. Instead, we get this

So what, the only emotion we have room for is gratitude that Winter beat him up? Yikes.

As a lighter side note, I find the animation here unintentionally hilarious. Winter's assistive device makes her shoulders look too high, making this gesture more, "Woman exaggeratedly pouts about not getting ice cream for dinner" and less, "Woman sternly closes off during a disagreement about saving lives and betraying their general." Gotta find our humor where we can, right?

What's intentional, but far less funny, is the needless animation to show us that, yes, Marrow is peering at Winter calling Weiss. Oh, the shenanigans.

The elevator opens where Qrow and Robyn spot them. "Speaking of help," Winter says, as if she has any reason to believe Qrow didn't kill Clover. He and Robyn lower their weapons a bit, as if they have any reason to believe Winter and Marrow aren't still loyal to Ironwood. Would it really be so hard to have Winter immediately throw up her hands in the face of their almost-attack, blurting that she's not their enemy and needs their help, please listen? Again, RWBY can't remember which characters know what, let alone what their motivations and reactions should be.

We then enter the third part of the flashback where everyone piles into the Schnee dining room and discusses doing the things they could have done from the start. I'm metaphorically banging my head against that table. In RWBY's favor though, we also get a long shot of Jaune continuing to boost Penny’s aura.

Though it's only one of many issues, just the other day I asked, "Hey, why has Jaune always needed to hold onto the person he's assisting, but now suddenly he can touch Penny once and the boost remains?" It still doesn't explain why he was letting go before/why him needing to boost her continuously didn't put a hard time limit on their plan — not that Mantle's hour limit meant a thing — but at least they're showing more of that here.

Oscar notes that Atlas has enough gravity dust that it won't fall immediately when they use the Relic, but they will have to move fast to ensure no one is underneath. Yeah, like all the civilians you put there. He also cautions that the Staff isn't a "magic wand" that they can just wave to make all their problems go away... even though that's precisely what they're going to do. Ozpin gets some lines that aren't apologies or followed by attacks — hallelujah! — about how the Staff's spirit is a "character" and requires that you be able to precisely explain anything you want him to make. Blueprints, examples, a firm knowledge of how this will be accomplished — all of it is required to actually get what you're after. That's a cool limitation. It's just too bad we didn't know about it episodes ago, forcing our heroes to find ways to meet those requirements. Instead, they already have everything ready to go the moment they learn about it: Penny has her own schematics and Whitley apparently has knowledge of the entire kingdom after sending some ships out. Normally I'd go, "Really?" but I'm still just struck by how much good he's done compared to everyone else in this room. Your show is seriously broken when the side character the writers didn't even want the audience to like until a few episodes ago is more active, mature, and sensible than the heroes.

From there we see the group implementing the plan. They fly up through the hole Oscar left, straight to the vault. Penny opens it without any trouble and Ruby uses her speed to grab the Relic and stop time, halting her self-termination. I do like that combination of skill and their knowledge of how this magic works. That felt like a smart move. What's interesting though is that the Relic appears to stop time in the entire kingdom. We see people in Mantle and Atlas slowing to a halt too. I assume no one remembers that happening after time restarts, otherwise people would be freaked out by suddenly being frozen in place.

Wouldn't that have been cool though? The group often takes a while to use the Relics, either deciding what they need, or watching Jinn's information, so what if you had a population that blinks and suddenly, from their perspective, half an hour has passed? How long might Ozpin have sat on his knees after Jinn told him he wasn't able to defeat Salem? How long was that space frozen? We could have had a world built around rumors and fairy tales. Not the random stories Ozpin brings up to make a point and that we never hear about again, but tiny details that foreshadow these revelations. A Beacon where the kids tell each other spooky stories of people suddenly losing time, once a whole day. The wives, sisters, daughters, and nieces who disappear, or wake up one day with horrifying, unnatural powers. We see magic influence the world around it, but we've seen very little of the world reacting to that influence. The one time I can think of is Blake reading a book about "a man with two souls," the fiction clearly inspired by knowledge of Ozpin. And indeed, it felt great to recognize that as a significant detail and then be proven right years later as the lore was revealed. We could have gotten so much more of that if RWBY was better planned out.

I'm getting off track though. As time stops we see a series of images: Ironwood being led to a cell with Jacques, Penny succumbing to her hack, Team JNPR The Second preparing to contact the kingdom about what's going on. Then everyone is distracted by the giant, blue, buff Ambrosius who comes out of the Staff.

...there's a lot of innuendo in that last statement lol. At least RWBY is committed to the crazy design they chose? I was never particularly comfortable with the image of characters gaping up at a giant, naked woman in chains, so it's nice to balance that a bit with an equally giant, naked dude in chains.

From here things get confusing. In all honesty, I'm not sure if this is another moment where RWBY is trying to pass off a retcon as the group being brilliant, or if I, as an individual, simply didn't follow the logic. I won't bother to rehash the slow, meandering way that Ruby reveals their plan — that certainly didn't help with the clarity. Not in an episode where we didn’t even know these rules ahead of time — but it boils down to this:

The moment they have Ambrosius create something new Atlas will start to fall. Two of his creations can't exist at the same time.

He needs clear instructions about what he's making in order to create it.

The group has brought him Penny's schematics so that he understands how she's built.

They want, specifically, "a new version of her... using her exact robot parts."

They can't just create an exact duplicate of Penny because that would carry the virus with it.

They can't create an exact duplicate without the virus because that Penny would cease to exist as soon as they used Ambrosius to make an evacuation plan instead.

So they essentially want Ambrosius to create a new Penny by removing all the robot parts from the Penny that currently exists, carrying the virus with them, and leaving only the human parts of Penny behind: her aura/soul. Then, the purely robot version is destroyed when Ambrosius creates something new.

Except... this new Penny, this human Penny, still needed a human body. That's what Ambrosius created and that's the snag I don't understand. They want a version of Penny that's just her aura, just her soul, but that soul still needs something to be housed in. Ambrosius himself notes that. At first I thought the group would just have some wisp-like version of Penny they'd have to find a new body for — perhaps leading to a new one for Ozpin too — but she's just... given a human body when he takes the technology away, something she absolutely didn't have before. That is Ambrosius' creation. That is what should have disappeared along with the removed parts of Penny, leaving only her soul — what Ambrosius didn't touch — behind. Instead, the plot oh so conveniently has Penny get a new body for free and it's untouched as they move onto the next task.

Ruby drops a casual line about Ambrosius not being able to kill, or destroy, or something, which I think is meant to be the justification here. The rule (which, again, we JUST learned) about not killing anyone supersedes the rule of two creations not allowed to exist, allowing Penny to stick around. But even if that’s true, it’s a load of bull. What, does the magic think no one in an entire city might die if the floating mechanism is removed and it plummets to the ground? Ambrosius didn’t say, “Sorry, can’t stop floating Atlas because thousands of people are still here and they’ll die if I create something new,” but we’re supposed to believe the group skated by on, “Sorry, can’t destroy the last creation like everything else because there’s a single person still using that body and she’ll die if I create something new”?

Seriously, did I miss something? Or is this another, "Amity is ready because the group needs it" situation? The rule of creations ceasing to exist is bent because the group needs to have their friend around. Ambrosius is certainly enthusiastically complimentary, saying how "smart" the group is and that they've "done their homework," but I'm not so sure. It feels like a moment where the show is (once again) insistent that the group is far more talented and brilliant than their actions actually imply. It's only the rules of the world twisting and turning that allows for their success. To say nothing of how the episode dropped all these rules on the viewer in a ten minute info dump, ensuring we didn’t have any time to think about them before the deed was done.

It doesn't add up for me and honestly, even putting that aside? I hate this. I absolutely despise it. Look, if it turns out this really does make sense then props to the group for coming up with that plan. Our snag aside, the rest is a legitimately well thought out wish. I don't have a problem with the execution so much as the message. I've been saying since Volume 7 that RWBY has done Penny a disservice in terms of her "real girl" narrative. Whereas before we had a firm message that you don't need "squishy guts" to be human, to be real, Volume 8 continued to carry us further and further into the idea that it is necessary. That Penny's body is entirely inhuman, something to hate, but at least her soul is human and good. That's what the virus arc taught us: your terrible, technological body might be betraying you, but hold onto the parts of you that are really human. I hated that too, but I never thought RWBY would go this far. They made Penny fully human and went, “THIS is the version that always should have existed.”

And this isn't just me reading into the implications. It's right there in the text. Blake says that they're looking for “Penny, the girl who’s always been there underneath." Meaning, underneath the metal. The girl exists trapped in the robot body. Yang holds up her arm and says that the metal is only "extra," it's not really who you are.

That gets into two perspectives on disability that RWBY just doesn't have the nuance for: what's an integral and celebratory part of one person's existence can be seen as something separate and discomforting to another. Though there are many people with disabilities who would happily cure themselves with a magic Staff if given the chance, there are just as many who say no, this is a part of my identity. I don't want to change, I just want the world to accommodate my existence. However, RWBY takes a hard stance here, saying that any metal in your body is intrinsically bad. We didn’t use to have this take, but now the show has embraced it. Blake says the real Penny is trapped in there. Yang's words implies that she'd get rid of this "extra" bit of her if possible. Mercury with his metal legs is the enemy. Ironwood with half his metal body is the enemy. Whereas once difference was truly accepted, now it's shunned and fixed whenever possible. Those who can't be fixed, like Yang, must simply deal with the lot they've been dealt, reassuring themselves that the metal isn't really them. But Penny? Penny they can fix.

So they do and the very first thing Penny does is hug Ruby, exclaiming, “Do hugs always make you feel this warm inside? Wow. More!” and proceeds to hug all the others.

What's the underlying message there? Penny didn't understand hugs before this moment. She never experienced the "warmth" of them while an android, despite the fact that here warmth is entirely metaphorical and has nothing to do with a literally cold body. RWBY really went and said that the "real girl” android was never actually real at all — not as real as she could be — because it's only when she's given "squishy guts" that she understands the true happiness of a hug.

Wow.

I mean seriously, wow.

Never-mind that, you know, we've seen that happiness and warmth since she was first introduced.

RWBY is really rewriting all the core themes introduced in Volumes 1-3 and it sucks. The show is absolutely the worse for it.

To say nothing of all the other disservices to Penny's character here. There's all this buildup about whether she'll still be the same Penny once the wish is complete, but of course she is. We wouldn't want to have Penny struggle when she becomes something other than what she's always been, would we? After all, it took Yang an entire volume to work through the shock of a metal arm, but taking away a metal body for a human one is in no way traumatic. Having a normal, human body is intrinsically a good thing! Of course Penny accepts it with nothing but smiles. Becoming human is celebratory, but becoming more machine is a horror.

She gets to watch her body self-destruct, glitching out and collapsing in front of her. But again, nothing to unpack there that can't be covered with a hand over her mouth.

There's no discussion of whether Penny still has the Maiden powers, or whether a wish like that would mess with the transfer in any way. How did the group know this action wouldn't register as a clear-cut death, forcing the power out of her and into someone new? Obviously they couldn’t know, but no one even thought to bring it up?

And the entire time they're formulating their evacuation plan, there's no talk of whether these portals will appear before everyone currently alive in the kingdom. I mean, if they do then Ironwood and Jacques can just waltz through and escape into Vacuo. If they don’t, then Maria and Pietro don't necessarily have a way out. We still don't know if they're stuck floating in Amity, or if Amity crashed, or if they made their way back to Mantle or Atlas. More importantly, the characters don't know. I have no problem with RWBY keeping that a surprise until the finale, but I absolutely take issue with Pietro's daughter walking through a portal, seemingly not to care whether her father is going to make it out too.

It's been the same with Qrow and his nieces' relationships. The show is good at insisting that these families love each other because they hug and smile while on screen together, but when shit is actually going down, none of them care about pesky things like disappearances, arrests, or “The last time I saw you, you were with an old woman on a damaged station after a villain attack, potentially stranded in deadly cold if life support failed.”

So yeah, this entire arc with Penny has been a disaster. From throwing away her framing subplot, to giving her a virus that did absolutely nothing, to giving her the Maiden powers which she's also done nothing with, to erasing her android status for a “She's really human now” message, Penny has been done dirty by the show these last two volumes. Not nearly to the extent Ironwood has, but still. At this point I wish they'd just kept her dead dead. Why do I want her back when that resurrection produces no reaction, her conflicts lead nowhere, and one of the core things that made Penny Penny has now been magically erased?

I've been saying for weeks that killing Penny off and keeping Penny around each had serious downsides attached, yet I never expected RWBY to do BOTH.

Also, I'm warding off any, "But Pinocchio was made into a real boy too" defenses. RWBY is not Pinocchio. Penny is not Pinocchio. I thought the allusion was going to be the Pinocchio inspired girl heading into the whale, not the show forcing the exact plotline — down to a blue, magical creature — onto a character whose entire journey has been about accepting herself as an android. Congratulations, RT. You just obliterated years of work.

Again, if you'd like an example of how to do this far better:

As Penny's character falls apart, Atlas shakes, alerting Jaune and the other that a new wish has been granted. Jaune pecks at the screen and realizes "That did, uh, something…?” but doesn’t realize that there's a giant, red "LIVE" up in the corner.

Jaune tries to warn the entire kingdom about their plan, but what he actually says is

“Atlas is falling, but — !”

And then the communications cut out.

Watts, perhaps?

Our heroes are really good at saying things that make large populaces panic, huh? This is the one (1) snag in their "impossible" plan, but as said above, it doesn't amount to anything. We get a shot of Nora, horrified at the thought of kingdom-wide communications being down, but literally seconds later Team RWBY has made portals appear that everyone can walk through. So... why do we care about communications? More importantly, why does the show try to make us care? So much time is spent getting the viewer invested in problems that never come to mean anything.

Including the problem of Salem herself.

Because the group successfully creates that evacuation plan. This is it. Everyone is leaving while Salem still reforms.

Yang asks if they can use the vaults themselves as a single point for everyone to go to and Ambrosius agrees. So everyone is going to pile into the Vacuo vault that can only be opened by an unknown Maiden? They're going to put an entire kingdom's worth of people, including their enemies, into the vault where the Relic of Destruction is? Yeah, that's great. Prior to this — like if this had been the plan at the end of Volume 7 — I would have 100% agreed that these risks are better than death by Salem/grimm/cold. Now though, Oscar as axed Salem for an unknown length of time, the cold is having no impact on the civilians outside, and the grimm only attack background military personnel that supposedly no one cares about. They couldn't have spent another few minutes (especially with time stopped!) to figure out a means of getting to Vacuo that doesn't involve revealing and providing access to the location of a super secret vault? To say nothing of what they're going to do if Salem wakes up and snags one of those portals for herself. Two kingdoms for the price of one!

But that's what they're going with. Weiss gives Ambrosius a schematic of the kingdom, I guess, and he makes branching pathways appear with numerous portals for everyone to step through. They'll enter through one and, when they exit another, will be in Vacuo. Easy peasy, right? Especially since Ambrosius doesn't seem to have any limitations about how often his power is used. Is it three creations every 100 years like Jinn? We're not told, at least not to my recollection. However, I was expecting there to be a waiting period, that they'd fix Penny, go to evacuate the kingdom, and learn that sorry, I can't make another creation just yet. It feels like the sort of shit move these beings would pull — "Don't cry to me when it's not what you wanted" — it would have been another commentary on the group's insistence on putting friends over the people's safety (like demanding the Ace Ops not bomb the whale because of Oscar), and crucially, would have kept the action in Atlas. Isn't that what this volume is? The battle for and potential destruction of the Kingdom of Atlas? We have two episodes left and, unless something unexpected happens, we're moving that action to Vacuo. Why?

Meanwhile, Penny's corpse is just chilling in the background 😬

While all this is going on, Winter reassures Jacques that he and Ironwood will be evacuated too, though she makes it clear saving him was Weiss' idea. It checks out, considering Weiss is the one who turned her father's arrest into a joke last volume. Winter still takes his abuse seriously.

The group prepares to leave with a celebratory, "We did it!" from Weiss. I'm still banging my head against that dining room table. Before they can pass through the portal though, Ambrosius leaves them with one, dire warning: "Do not fall."

In any other story a line like that is a neon sign announcing to the audience that someone will absolutely fall, and maybe they will, but RWBY has dodged consequences so often I wouldn't be surprised if this was merely another way to string us along. Remember all the hype surrounding Salem? The cold combined with her army and magic? How she was going to decimate Atlas and leave our group broken in a Fall 2.0?

I mean, we still have two episodes left. Forty minutes of content. Salem might still decimate them, especially since something has to happen in the finale. But god, it's a problem that we've come this far without a payoff. Salem randomly decided not to attack anyone, was stopped by a weapon added in solely for this purpose, and now the whole kingdom is being evacuated with a plan the group could have used at the start. This volume really is meaningless.

“We go to vacuo and hope we’ve thought of everything” they say as the camera zooms in on Cinder's smiling face. For the second week in a row.

Bingo time!

Winter betrayed Ironwood, the group used the Staff of Creation, and I'm axing Maria on behalf of Pietro. You can't have the guy's daughter become human — after he was killing himself to give her his aura?? — and magically walk to Vacuo, not knowing if he's even survived since she last saw him, and expect me to think he hasn't been forgotten. Same with Maria. Has the group mentioned her since Amity cut out, notably for reasons they couldn’t explain? Of course not. Did they care to find out what happened? Of course not. I have no doubt they'll both re-appear in the next two episodes, Pietro crying over how perfect his girl is now and Maria congratulating the group on their actions, but we're still marking it.

This is the ugliest thing I’ve ever created, I hope you all are enjoying it :D

Another week, another couple feet added to the hole we’re digging. I know I keep saying I have no idea what's going to happen next... but I have no idea what's going to happen next. A Vacuo ending was not in the cards, not outside of them miraculously showing up in ships. Maybe they have been on their way to Atlas (somehow...) and will arrive precisely when everyone has left! Anything is possible at this point.

See you next Saturday, everyone. Hold on until then lol. 💜

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps #rwby creation

92 notes · View notes

kitkatopinions · 3 years

Note

You think that the RWBY writers might have gotten really drunk and/or got hit on the head really hard and thought that Ironwood’s allusion in V8 was of Captain Ahab, the monomaniacal captain who after recently losing a limb forces his crew to support his fanatical mission to destroy a giant whale and ends up dragged down to his death, rather than the Tinman?

Honestly, this would kind of make sense and that's sad. XD

The worst thing is seeing people be like "Ironwood's allusion was to the tin man, and the only thing I know about the tin man is that he was supposed to not have a heart, so the way they handled his allusion makes total sense." And even worse is them being like "Well, they were subverting the tin man, so him being a good guy in his story turned into Ironwood being a bad guy." RWBY simps have the most simplistic takes when it comes to the allusions in RWBY and it's kind of comical. XD

Of course I don't want things being just re-creations of their original allusions. That'd be boring... And lazy... And probably illegal. But making your characters all allusions to things that already exist is tricky. You have to reinvent and change enough, but you can't change too much or else the allusion becomes non-existent or purely gimmick based. Making things too heavy handed or too obscure can ruin the allusion entirely, and you also have to be careful not to be unintentionally problematic - which is especially true if you want to base your characters off of real people. RWBY has no consistent rule to how they handle their allegories, but even if it wasn't personally frustrating to me that that's the case (since I really like rules,) they're just really sloppy with them. I honestly can't think off of the top of my head of five different allusions in RWBY that I like and think were well done. Right off the top of my head, I can only think of two, which would be Oz being a combination of the Wizard of Oz and Princess Ozma, and Sun Wukong.

Ruby and Yang are at least based off of characters who don't have a lot to them, so they have less to mess up and have to be a bit more gimmick based, so... I guess maybe they count?

The sad thing is that Qrow, Ironwood, and Penny were all characters I considered very well done allusions, with enough to them to make their allusions clear without relying on them too much, and differences and clever subversions that made them still interesting and original characters. And then they were all ruined, and a lot of what their allusions good was ruined along with them.

#rwde #anti rwby #rwby hate #rwby bashing #pro ironwood

9 notes · View notes

yuezhong · 3 years

Text

593 followers special! + appreciation & shoutouts <3

Hi guys! I’m back. Now, I know it’s been a while since I last posted anything as uni has been kicking my butt, and I was busy with my final sem exams. But now that I’m back, I would like to do something simple to celebrate me reaching 506 followers (596 currently) a while ago, and that is to open a discord server.

Yep, you heard me. I’m having my own discord server! :3 So don’t be shy and come join it if you want. The mods are lovely and so are the users that have joined. The criteria for joining my server is that you have to be 15 or older ! And don’t even try to lie about your age, we can tell from the way you carry yourself.

https://discord.gg/pA9au9S

In addition to celebrating my 5th milestone, I would like to thank these people, which are my lovely friends, fanfic writers and non writers alike, those who are in bold write nsfw/mild nsfw :

To start off, I want to thank these three servers/groups as wholes:

1. Jay and Co.:

@oikawasass -- Jay my spicy cinnamon roll! You are very cool person, periodt. Tbh, I was a little intimidated by you when I first spoke to you in your server. But overtime as I spoke to you more, I can see that you're actually a very lovely and sweet person in your own way. Also, I love how you can be super blunt and say the most hilarious things with a serious tone. You’re self-assured, bold and not afraid to speak your mind, and that is what I admire about you. And thank you, for being there and talking sense into me when I needed it, I appreciate that very much 🥺

And boy oh boy, your writing? *Chef's kiss* the first time when I read one of your works, I fell in love with how easy on the eyes it is. Your writing style is simple yet beautiful. Your choice of words, the imagery and the cohesiveness too! It’s godtier💞, must stan it. I especially love your crack fics/hcs and you whole aesthetic as well. Ma'am, pls spare some of your skills.

@archn my dear cupcake! Honestly, you're the sweetest person I've ever met and you're so so supportive and patient 🥺, plus I love how crackhead you can get when we’re fooling around lmao. Other than that, you’re really easygoing, not only towards me, but to everyone in general. You’re like that cool cousin that everyone looks up to and deserves all the appreciation in the world.

Also, your writing style is gorgeous and you write the characters' personality so spot on! I also love the flow of words sm ahhhj. I especially love your headcanons of the bnha boyos working out with their fem s/o, that idea is really creative!

@mizukuni -- Mizuuu, my beautiful, gorgeous sweet red date! Babe, you have come so far from starting off as a new writing blog not long ago to finally achieving 1k followers! I just wanna say congrats for reaching your 10th milestone and you deserve every one of your followers! You can definitely go further and achieve more milestones. As for your writing style, it is simplistic but beautiful: you don’t use many flowery words to express your writing, yet those simple words you choose bring out what you want to show in your works exactly, and the flow of words is just rly smooth and I stan the cohesiveness 💞. Oh and you have such a cute minimalistic art style that is very pleasant on the eyes! And lately I can see that you’re improving at a quick pace; your drawings are getting more detailed than last time and that’s really amazing! Also, did I mention that I love your blog’s aesthetic as well?

Also, thank you for being there for me when I was feeling down and needed someone to talk to, I cherish that gesture of yours greatly luv 💞As for my first impression of you, I could tell you’re a really chill person and go with the flow easily. Honestly, that helped a lot to buffer my social awkwardness and made me open up to y’all easier. So yeah, I must say a very big thank you once again to you babe 💞

@cherry-pancakes -- Diiii my sweet cherry blossom! You are the cutest person I’ve ever met sjdnjsn. Your antics remind me of a sweet little sister and that is pretty darn adorable. Even though you can be a little bit wild and spontaneous sometimes, that just adds to your charm! Plus, a little wild every once in a while does’t do harm < 3

As for your writing, it has a simple flow but it is easily understood. If writing styles were aesthetics/ sceneries, yours would be a small flowing stream-- small but smooth flowing, simple but not insignificant. Beauty in simplicity describes your works perfectly. Also, did I mention that you have a really adorable artstyle as well? Your art style is relatively simple but it is so so cute 🥺

@chizo --Guava my gummy bear! Babe, even though you are no longer active here, I just want to say a very big thank you. Thank you for giving us so many beautifully written works. Seriously, when I first met you through discord and followed your writing blog ( @izukyu ) I fell in love with your works. Something about your writing is just really special, plus I love the fact that you start sentences with small letters (Caps lock be damned lol). Your writing is a mixture of sophistication and simplicity, yet they compliment each other perfectly when you incorporate them into your works! It is pretty impressive because it is not an easy thing to do.

As for my first impression of you, I can tell you’re genuinely a vv caring and supportive person. You give off motherly vibes as well in a good way! You’re like the cool mom friend of the group who looks after everyone tbh 💝. So yeah, once again I want to say a very very big thank you to you again. Thank you for blessing the writers’ community with your wonderful fics and thank you for being such a good friend, let’s continue to be good friends in the near future!

@sourbkg -- Emmie my blueberry! Babey you are another sweetheart who is caring and so so supportive. I still remembered that time when I felt a little ill and sad and you immediately sent some cat pictures to cheer me up, thank you sm for that love, it helped me a great deal 💕, plus I’m never one to say no to cats and kitties! Also, you know exactly what to say at the right moments! Your easygoing personality makes it easy for other people to open up to you as well.

As for your writing style, it has a simple yet realistic approach. It’s like I can see what is happening in your works like a movie scene and I think that is really cool! Keep up the good work < 3! I really love that one shot with Shoto’s s/o attempting to scare him, it’s so cute ahh! And I love the ending lol, Shoto cracking a joke is golden.

@kozumie -- Kai! Oh man, where do I start. Okay, here we go. When I first met you in the server, I gravitated towards your easygoing, cool and chill vibe. After talking to you more, I can tell that I love the laid-back chill vibe you give off, you’re so awesome!

Also, even though I haven’t read much of your work, I must say I really love the way you write. It’s precise and your vocabulary really helps with imagery, the words you can help the readers easily envision what is going on in your story, and that is really amazing! Keep up the good work! Looking forward to more works from you.

@succu6us-- Anni! Babe, ahh it has been a while since we last spoke too hasn’t it? I missed you along with the others too 🥺 But now that I’m back for the time being, I’m going to be more active. Anni babe, your writing style is minimalistic yet gorgeous. I can tell you’re not a big fan of writing long paragraphs and that’s completely fine! Because if I’m being honest here, I tend to keep things simple and short as well if I can. Yet your simplistic style captures the gist of your works perfectly! did I mention that I love your nsfw works as well

As for my first impression of you, I could tell that you had a very self-assured, confident aura about you, and you still do! But you are not arrogant at all. On the contrary, you’re a humble and supportive soul! I quite envy that self-assurance and air of confidence you have dear, and I can say that I have grown to be a bit more confident in myself by having you around, so you’re a wonderful influence! Let’s continue to keep in touch sweetie.

@mysterypotatoink -- Morgann! Sugarcakes, let me just say that you are the best big sister figure we could ever ask for! You are so sweet, supportive, loving and willing to help us whenever we need it. You are our server’s big sister and guardian 💕💕 You always make us feel loved and warm inside. Personally, whenever we talk to you, it gives off the vibe like a child wrapped up in a safety blanket-- toasty and secured.

You’re so strong and wise, I look up to you a lot and want to learn from you in terms of being the pillar of support. 🥺

@needs-serotonin -- Joanna! Muffin, you’re another one of the sweetest, most supportive people in the server. You’re so honest about what you say in the group and know when to say it at the exact time.

Also Joanna, you give off a really cool vibe! Initially, I was a bit shy and unsure on how to approach you but overtime as I warmed up to you, you’re actually pretty easy to get along with! I would love to get to know you better, let’s talk more dear.

2. Deku protection squad! (Aka dps) :

@suckersuki -- Lei! Sugarplum, you are another one of the sweetest, most supportive people I’ve ever met. You are always there for us when we need it and I love how crackhead you can get hahaha, I still remembered that time when we teased you by shipping you with shinsou hehe. Anyways, back to the original topic of appreciating you, you are a great listener and offer good advice! Also, you’re very easy to talk to and give off a cute vibe!

Did I mention that I love your writing as well? Your style consists of a mixture of comedy and seriousness. Like, your hcs for the tik tok trend and argument scenario for the bnha boys are really funny; on the other hand, your fic with yandere shoto gives off a completely different aura and it sent shivers down my spine. Miss, pls spare some of them writing skills.

@babydabi -- Mei! Gingerbread, you are a another kind, loving and supportive soul that I have the honor of meeting in the dps. You are really easygoing and considerate. You are not afraid to speak up for your friends, but you do it with a careful choice of words and this shows that you’re really considerate.

As for your writing style, it is much like yourself. You know how to choose the best words to express what you want to and you’re cautious doing so. As I can be a little indecisive on deciding my choice of words, I’d love to learn from you!

@bakugoustanaccount — Bri! Dear, tbh I was a little intimidated by your vibe when I first met you, bc you just seemed so cool,,, and I’m awkward and still don’t really know how to socialise well with people. But after interacting with you more, you’re actually pretty chill! Let’s talk more, I’d love to get to know you better.

As for your writing style, it has a certain smooth flowing, poetic aesthetic. I fell in love with it the moment I read your latest fic. The way you phrased everything is just so fitting! Pls teach me your ways miss.

@bnhatrashh -- Izzy! Luv, you give off a similar vibe like bri, so I was also kind of intimidated by you at first. But like bri, I opened up to you more and here we are! Let’s get to know each other better, I’d like to talk to you more often.

And I really love, love your way of writing! Your writing style has a pleasant, smooth homey vibe. It’s very soothing to the eyes and your vocabulary complements it really well!

@cellotonin —cookie! Love, you’re another one of the sweetest and most supportive people in the dps server ahhhh. You’re always ready to support us whenever and I love your vibe! I’d like to get to know you better sweetie.

Also, I love the way you write! it’s so sweet, warm and ahh so pretty 🥺, did I mention that I love your blog’s aesthetic and theme as well? Your style of writing is mellow and gorgeous! I would love to learn some of that from you pls.

@hoekaashi — Ash! Dear, you give off a cool and mature vibe. You’re like the awesome aunt of the dps. When I first spoke to you in the dps, I was like “this person is really cool, I’m kinda scared if I mess up”, but that thought quickly faded as I chatted with you more. You’re not only cool, but also super chill, supportive and easygoing! Let’s talk more, I’d love to know you better.

Also, I really love your way of writing! It has this realistic touch and lets people have the feeling of being in that scenario/situation. Plus, the flow of words are smooth and complements your style! Keep up the good work dear, I look forward to see more works from you in the future.

@xoxo-dede — Dede! Darling, you’re bold, outspoken and really cool. You speak your mind and I like that, also I love your crackhead side. Most of the time, you can say the most hilarious and crackhead things that never fail to crack us up (hahaha, see what I did there? Ok I’ll stop) , you’re a big bouncy ball of energy that we simply can’t get enough of! Oh, and your art style is really cool too!

As for your writing style, it’s simple but has that realistic vibe, like I can see what’s happening clearly through your words and that’s really amazing! Your writing is gorgeous dear.

3. 我的家庭!= my family (tree <3)

@moonlit-xio -- Ara! My sweetpea, love. You are the sweetest, kindest and most understanding sweetheart I have ever met. You are so selfless and loving, making sure that we’re always accounted for and put us before you. You always make sure to give us the attention, love and support. But love, please let us give you back the love and attention too, for you deserve them as much as us. And you’re absolutely adorable!

And did I mention that the headcanons you come up with for us in the server are absolutely 100% beautiful and on point? No? Well, now you know, because they are. Queen ara, your writing is gorgeous, has a poetic touch and deserves more love, your descriptive skills are immaculate! The words you use to express your writings is just immaculate. Also, you’re very musically talented! Your music taste is delectable and refreshing, not to mention that you have the voice of a siren as well. Your singing is lovely, sweetpea.

@sunshhinnee -- Sunni! My darling pudding, love you are literally sunshine (hahaha,get it? Okay, I’ll stop). You’re so bright, positive and always look at the good side of things even if the going starts to get tough. You bring a warm and chaotic good atmosphere to our server, which serves as a nice distraction whenever I had a bad day or feel upset about something.

Also, your art-style is really really cute! I like your shortcut way of drawing expressions and the anatomy of your characters haha. It’s not too detailed but you can tell what their expressions are saying and their poses are clear.

@bumbbo -- Max! Bubblegum, you’re another one of the most adorable people I ever met. You’re really easygoing and chill, but can be chaotic good sometimes, I like how crackhead you can get when Sunni is in on it too, haha. I especially love it when you two send memes and funny tiktoks to the group, I do enjoy them very much! Also, have I mentioned how much of a cutie and sweetheart you are? You’re so caring, giving and strong. Always willing to help out and so patient with us.🥺

Also, you have great taste in music and you’re great at writing too! Have I mentioned how on point your headcanons you wrote for us are? If I haven’t, now you know <3. Oh, and your editing skills are superb too!

@sondering-thoughts -- Aria! Macaron, you’re another one of the sweetest, most understanding, and supportive people in our server. You’re like the server’s mom, living up to your nickname. You always watch out for us and make sure that we are doing well; if we felt down, you never fail to cheer us up by writing comfort headcanons for us and console us with the words we need to hear! Thank you so much, for doing all that for us dear 🥺 Also, the way you fluster us? You’re a pro at it snjssk, you make us blush so easily that it’s unfair 😭😭

And speaking of writing, you sure have a way with words macaron! Your writing has a poetic take in it, which is something I hope to incorporate into my writing style one day.

@what-a-creative-username --Liana! Chocolate chip! My bro to my bromance, the kuroo to my bokuto, the bread to my shinya! Bro, you are another 100% cutie plus sweetie! I love it when you’re being chaotic along with the rest of them and spam the group with memes and chaotic Youtube vines/vids lmao. Also, the aesthetics you made for us are so pretty ahh!

Besides that, you’re also really considerate and willing to lend an ear. I still remember when I was anxious and vented to you and you let me rant. Then you reassured me and comforted me, which both calmed me down successfully. Thank you love, I appreciate that gesture very much 🥺 . I miss your presence very much in the server, hope we’ll get to talk again and raise hell all together soon!

@txmxkis --Linds! Cake pop, dearie you’re another kind, loving and sweet soul I have the fortune of meeting in the server. If Ari is the mother, then you’re the cool aunt who’s always wiling to hype us up! And support us when we feel down or need someone to vent to ofc. You’re really chill, easygoing and so adorable! Even though you can be a lil mischief and fluster us on purpose sometimes, not that I’ll ever admit it Your vibe is rly pretty, and okay...I admit that I like you flustering me...maybe a little bit.

Honourable mentions! :

@cosmicskin --Lily, my dear love. Honestly you’re the sweetest person I first met on tumblr. Back then when you gave me that shout out, I felt happy, shocked in a good way, and honored all at the same time. And yet, you claim that you are not an angel. Sweetie, you are wrong. You are an angel, even if you claim that you are not. And the way you write? Immaculate, your fluff works have a poetic vibe in them and I’m in love with it. Even though you are no longer writing, I still want to say a very big thank you. Thank you for giving us so many beautiful, gorgeous stunning works.

@keigos-dove --Eli my sweet! Dear, you are another lovely soul that I’m really fortunate to meet here. I still remember that time when I asked you to proofread a fic of mine and you did, giving me your honest opinion about it 🥺, so thank you very much for that love! Also, you’re really easygoing and I love the way you carry yourself, you’re not only sweet, but also really cool! I love talking to you and the way you write? Absolutely gorgeous. There’s something about your writing that’s just... so pretty and it tugs at my heartstrings! Keep up the good work, gorgeous!

@seashellsandshores--Emmie dear! Another fellow sweetheart that I have the honor of meeting here. Dearie, you are really chill and easygoing. I like how easy it is to talk to you and rant to you about ons besides bnha lmao, it has been a while but I want to let you know that I enjoy the time I spend with you and hopefully we’ll get to talk again! Also, the fact that you gave me and your fanfic writer friends a shout out on your birthday says that you are not only a sweetheart, but you’re also a really kind and supportive soul 🥺. And boy, your writing? beautiful. Your url complements your writing style perfectly. Your style is simple, but gorgeous and I can easily imagine what is happening in your fics, like I can mentally picture the scene and hear what the characters are saying. Keep up the good work sweetie!

@birds-have-teeth -- Ashi sweetie! Again, I just want to say a very big welcome back. I hope that you have been resting well during your break sweetheart 🥺. Also, I was caught off-guard when you posted that appreciation post! How dare you do that when I was least expecting it >:c, you have no idea how flustered I felt when I read that ahhhh 🥺. You are such a sweet, supportive, easygoing and loving person, I really love talking to you! And the way you write? IT IS STUNNING, BREATH-TAKING MMM PERFECTION. The flow of words and vocabulary are just so in sync! Immaculate! Also, your art style is really awesome too! I look forward to see more works from you and can’t wait to get back on a regular basis of talking to you again💕

@90s-belladonna -- Aixa! Queen, you’re another one of the coolest, most easygoing people I have ever met! I was kind of awkward when i first talked to you in our dms on twitter, but overtime we got closer and could talk about almost anything! I really love love your laid-back chill vibe, let’s talk more lovely, I enjoy talking to you a lot! Also, have I mentioned how delectable your writing is? Even though most of your works that I’ve read are headcanons, i can say that your writing style is sophisticated yet easy on the eyes. The way you write takes my breath away, I look forward to see more works from you! Keep up the good work <3

@pastelgurlie --Kassy dear, you are really dynamic, funny and outspoken.Thank you for approaching me first on wattpad and dming me, you give off a really fun and cheerful vibe that makes you easy to be around with. Initially, I was a little stiff and unsure on how to interact with you, but fortunately you were patient and willing to stick around until I came out of my shell ^-^. Oh, also did I mention how cool your artstyle is? Your style consists of a semi-realistic coupled with elements of anime in it and that’s really awesome! And the way you draw my and Amy’s oc for free? That’s so sweet of you 🥺.

@adelheidvonschicksal -- Adel my love, you’re another sweet supportive babe I have the fortune of meeting here! You’re really chill, laid-back cool and I feel like a fan living the dream of befriending her idol when I talk to you! You are the very first Shoto blog I came across on Tumblr, and when I first read your works, I fell in love with them. And to have you follow me back, ahh I feel so honored 🥺! And as for your writing style, it is immaculate! I read most of your fics, including the nsfw ones (cough) and they have this beautiful, realistic touch. You characterize the characters rly well and it’s like I can picture what is happening in your works in my head! Keep up the good work, senpai 🥺, I look forward to more amazing works from you.

@lavander-cherry--Cheska! Dear, my second writing senpai for shoto. First I want to say it’s good to have you back! it has been a while since we last talked and tbh, I felt a little sad when I saw your announcement about leaving the bnha writing community, still I do respect your decision back then! And now, I feel really happy that you are back writing for this fandom. Your works are superb, dear! Your characterization is on point and your flow of words complements it very well. Also, I like how you are not afraid to speak your mind and how bold you are, let’s talk again soon!

@shoutodoki --Val! Dear, ahhhh you are another sweetheart that I'm so so fortunate to meet here! You're really easygoing and sweet and it's really easy to talk to you. Your vibe is gorgeous and I cannot stress enough on how much I adore your writings! The flow of words throughout your stories, works and headcanons is just so immaculate and aesthetically pleasing! Even though you have deactivated your acc, I just want to say a very big thank you. Thank you for all of your wonderful works that you have written, you have been a really big inspiration to many writers(including me), I’m sure of that.

@random-mha-thoughts -- Rachel! Sweetheart, dear I still remembered the way you first helped me back then, we didn’t know each other at all, and yet you were so willing to stand up for and help me! I’m trully grateful for the help you provided so so much. And thank you, also for sticking by me even after that and being such a kind soul after all this while. Let’s continue to be friends sweetie!

As for your writing, it’s simple and sweet. The way you write brings a mellow feeling that’s very pleasant to the viewers, it brings about a fluffy feeling and is easy on the eyes. Look forward to more works from you! Keep up the good work!

@min-atoo --Minny my sweet! Man, it has been 3 years since we known each other hasn’t it? You’re just the sweetest, super understanding and kindest person ever! I’m really glad to call you one of my closest friends <333. You’re really easy to hang out with and I love the vibe you give off so much! I still remember the moment when we got into a discussion about what todo’s beard color would be on ig lol. It’s really fun hanging out with you, and yoi and chessie ofc. We should get tgt and have a discord grp call sometime!

Oh, and you have the cutest artstyle ever! The pastel colours you use and the chibi aesthetic you have go perfectly together! All of your works are very easy on the eyes and are super cute! Let’s stay in touch bb x

Make sure to show some love to these lovely ppl that I tagged above by giving them a follow! Oh, I also want to show some love to @dee-madwriter , @dimplesum , @heroprose @kingtamakimurder @love-toxin @lovelove-dere , @yandere-daydreams, @trafalgar-temptress @wonderwomanfantasy, @combust-catalyst @talpup @shoutogepi and @bnhabadass ! They are some amazing fanfic authors as well so go follow them if you haven’t already :3

Words cannot express how much I love and appreciate every one of you, both my friends I have tagged in this post and my dear followers. I am very thankful for every one of you, let’s work hard together!

So, what’s next? Since that I am back for now, i will finish off the belated birthday fics I left unfinished for some of my lovely writer friends above, move on to one last request from the last time and finish off some fics of mine. As for when I will re-open requests...they are put on hold until further notice. Oh and I'll be clearing my asks and tags at the same time.

Until then, see y'all soon!

#lovingshoto's 593 followers special #announcement #hi yes I'm back

40 notes · View notes

crusherthedoctor · 4 years

Text

Sonic Villains: Sweet or Shite? - Part 15: DR. EGGMAN

There are some villains I like. And there are some villains I don’t like. But why do I feel about them the way I do? That’s where this comes in.

This is a mini-series of mine, in which I go into slightly more detail about my thoughts on the villains in the Sonic the Hedgehog franchise, and why I think they either work well, or fall flat (or somewhere in-between). I’ll be giving my stance on their designs, their personalities, and what they had to show for themselves in the game(s) they featured in. Keep in mind that these are just my own personal thoughts. Whether you agree or disagree, feel free to share your own thoughts and opinions! I don’t bite. :>

Anyhow, for today’s installment, it’s finally time for him. The bad doctor himself. Gather round ladies and gentleman, for the spotlight is on the arch-villain that shines above them all... Dr. Eggman.

The Gist: It's the dawn of the 90's. A little company called SEGA had an ephiphany. They wanted to make a video game juggernaut that could rival the quality and iconic appeal of the then-unmatched Super Mario Bros, and their current star, Alex Kidd, just wasn't doing it in the way that they hoped. They promptly set about starting anew, as a worldwide phenomenon wasn't going to make itself.

So a gentleman named Naoto Ohshima created a selection of design concepts for this brand new mascot. One of these concepts was President Roosevelt in his pajamas.

Seen here with his catgirl body pillow.

The response to this character was “This is good, but we think kids would prefer kicking the shit out of him”, and so he was given an antagonistic role instead. In the meantime, after juggling the rest of their ideas, they eventually settled on a rabbit hedgehog named Sonic for their main protagonist, knowing his Mickey Mouse-like aesthetic would help endear him to the audience, and the franchise as a whole would have an easier time gaining a DeviantART fanbase later on down the line.

Initially, the character of today's review was but a mere lackey among many, seemingly little more than one of numerous minions working for Sonic's originally intended main villain, the Nonspecific Goblin. He was also dressed as a bee for some reason.

Which is the least weirdest thing in this image.

At some point however, they all got together and decided that actually, the guy with the moustache was the only one worth shit, and so he was upgraded to the role of main villain himself. With a spiffy new attire of red and black, he was given the bold title of Dr. Eggman, because with a shape like that, what else are you gonna call him?

“Funny you should say that”, laughed SEGA of America, as they rebelled like an angsty teen and named him Dr. Ivo Robotnik instead. While this name does make equal sense for the character, as he is indeed a hard worker who also happens to like robots, the reason for this name's existence seems to have been mainly because they thought Eggman was too out there of a name for an egg-like man. Whatever the case, this would confuse a lot of fans for years, and remains a point of divisiveness to this day... Unless you're like me and your first game in the series was Advance 2, in which the manual clears it up right away, and you accept the idea of a character having two names and immediately carry on with your life.

He would have aimed it perfectly if it weren't for the Sonic Heroes Parrot distracting him.

And that was that, really. It didn't take long for them to come up with his characterization, which was that of a cackling fiend with an ego to end all egos. This guy was the Narcissist Alpha, more king than actual kings, no strings attached. Other villains would build statues of themselves, but only Robotnik would deface Ancient Egyptian monuments to improve them with his face. Other villains would think “Nah, refacing all four in Rushmore would look silly”, but only the Eggman, the Eggmyth, the Egglegend, would go “Well fuck you, I'm doing it anyway.” Then he'd do it anyway, and proceed to address to the entire world that he did in fact do it anyway.

It also didn't take long for them to develop his primary schtick. With the dynamic of Sonic VS Eggman, you had a classic rivalry between nature and technology. Interestingly enough however, this turned out to be executed more tactfully than your typical Amish-abiding examples in similar media. Never was technology itself regarded as a corruptive influence that you should never utilise no matter what. Rather, it was only as good or as evil as the person using it, with it just so happening that the villain loved machinery only slightly less than he loved himself, and it was countered by Sonic’s best friend being a techno wiz in his own right anyway. Anyhow, with his machinery, the doctor would make a name for himself among video game baddies by confronting his enemy as the boss of nearly every zone in each game, rather than hide away until the endgame.

And all without a driver's licence.

In his soon-to-be-30 years of activity, he has largely remained the same since his inception. Other characters have been introduced, other villains have came and went, but Eggman has remained THE villain of the franchise, and he's remained a vital part of the Sonic the Hedgehog universe... with a slight redesign along the way.

The only ad I don't want to skip.

The Design: Eggman's design may be more simplistic than the likes of Bowser and Ganondorf, and he may not look as openly threatening at first glance, but it's still a very iconic look no matter what look it is. His original appearance was devised so that kids could have an easy time drawing him, which only makes me feel worse about not being able to do it as a grown adult without it looking like a Sexy Legs Kirby.

Still, it's a classic for a reason. With his to-the-point colour scheme, contrasting heavily with Sonic's blue, and his capelet collar resembling walrus tusks, it was an instant winner and made everyone goo goo for g'joob.

The Emeralds he’s juggling are a metaphor for the divided fan community.

And when it was time to give the cast an update for Sonic's first real 3D adventure (or at least the first one that didn't get axed for being a magic eye seizure), Eggman got a respectable change of his own. He was taller, his getup was militaristic, and his body was more legitimately egg-shaped rather than basketball-shaped. He also gained a pair of goggles that he never uses, except in scenes where he puts them on and then never uses them.

“How do my chicken legs not collapse under the might of my gluttonous mass? Find out in an unrelated tie-in novel that you have to pay additional money for.”

There was also that one redesign from 2006, but...

Be it Classic or Modern, I've always loved his design. Before he even says a word or does anything, you know from his appearance that he's a bit of a clownish sort. But he also has a subtle creepy vibe going on, with the way his glasses often obscure his eyes, and how this only makes the pearly-white, unnecessarily wide grin on his face that much more empty and unsettling. This little bit of eeriness hiding among his cartoonish physique reflects the full extent of his character pretty accurately, as we’ll delve into soon enough.

If nothing else, it's more effective than him having no eyes at all.

GRRRRRRRR FUCK YOU BUNNIES THAT I CAN'T SEE

The Personality: If you've seen my villain reviews, then you'll have gathered that Sonic's rogues aren't known for having much in the way of personality. There are exceptions, but they are indeed the exceptions. More often than not though, whether it's an alien conquerer, an ancient monster, or Dan Green the Recolour, they can be summed up thusly: They're evil, they want to destroy the world, and the heroes stop them because they're evil and want to destroy the world. If they're feeling particularly daring, they might go for a second colour.

Luckily, as if to counter all these cardboard drawings, the central adversary of the franchise makes up for these voids of personality by actually having one. And what a personality it is.

The writers of SatAM looked at this and thought “No, this won't do, there's no character to work with here.”

He really is brimming with comedic charm. Every moment that he's present...

Every moment that he shows off...

Every moment that he basks in his own glory...

Every moment that he unveils a new wicked scheme...

Every moment that he puts his enemies to the test...

Every moment that he challenges the world...

Every moment that he laughs at the world...

Every moment that he lives, nay, every moment that he breathes...

Yes, the man has plenty of humor, and it's part of what makes him so enjoyable and memorable. However, if you think being a clown is all there is to him, then prepare to have your expectations subverted initial assumptions taken in a unexpected direction, because although he puts the goof in goofy, he ALSO puts the “oh...?” in “oh shit”.

For you see, Eggman is by all means the epitome of Laughably Evil, but do not, under any circumstance, take him at face value and write him off as a joke. He is anything but.

For starters, he can swing a planet.

There is a rule of thumb that I personally go by with Eggman’s characterization, one that I believe is an immediate make or break factor in regards to whether or not you understand what makes this villain work. Eggman - when you put all his secondary traits aside - is made up of two prominent halves. There’s the egocentric meme machine that bounces up and down like a kid with his N64 and laughs like Santa... and there’s the monster buried within that remains completely and utterly unrepentant for everything he’s responsible for. This is very important. Despite the character’s simplicity at his core, many writers have failed to grasp this, official writers included, and I for the life of me cannot understand why this is such a recurring problem. Eggman is funny, AND Eggman is evil. Both are equal. When you take away one or the other, you may have a funny character, or you may have an evil character, but you don’t have Eggman. Simple as.

Armchair intellectuals may argue that Eggman’s deeds aren’t that evil, since he tends to be merely callous rather than actively trying to hurt or kill people. Those people are probably the types on TV Tropes who weigh a villain’s evilness and effectiveness purely through the surface-level scale of their goals rather than what they actually do to achieve them. While it is true that Eggman tends to be more apathetic about the aftermath of his actions, that doesn’t - and shouldn’t - negate how dangerous he is. It shouldn’t negate what he’s capable of. It shouldn’t negate how far he’s willing to go. And it shouldn’t negate the consequences and casualties that can and do result from his many schemes.

Seriously, think about this for a second. If you confronted Eggman about his current plan to... I dunno, make a water park in Africa or some shit, and you informed him that there has been unexpected mass suffering as a result of this, how do you think he would truly feel about that? What do you think he would actually say to that?

Spoiler: No fucks.

If anything, that he “merely” doesn’t care either way as long as he gets what he wants is more uniquely horrific and deplorable than if he were a generic baddie who committed his evulz specifically for evulz’s own sake and nothing more. At least you’re inadvertently acknowledging that other people’s lives have value when you act one-dimensionally gleeful over ending them, but when your immediate response to the side-effect of a million potential deaths and environmental disasters is “Oh well, fuck ‘em, Eggmanland time baybeeee”, that’s a new level of cruelty.

Besides, even in the Genesis era, he was carpet bombing Angel Island...

“Good thing I have this shield. Sucks to be this forest!”

And he’s only gotten worse since then, indulging in such acts as going full suicide bomber with a missile, after his initial plot to destroy and rebuild Station Square through the means of Chaos and the Egg Carrier didn’t work out...

But don’t worry, he kept it lighthearted by making it look like a penis.

Making one of Sonic’s friends go insane with power against their will, forcing the Blue Blur to put them down personally...

It’s ironic, cause he’s metal. Or do I have to awkwardly explain the joke two more times before I’m a proper YouTuber?

Capturing thousands of innocent aliens, and forcefully converting them into mindless beasts...

I’m pretty sure I saw Alfred Molina conduct this experiment one time.

He even removed the heroes’ collective IQs so that he could shoehorn a cliffhanger on an already terrible game.

Thanks, cunt.

And honestly? When it comes to Sonic and chums at least, Eggman does let out a more openly sadistic side now and then. Need I mention that time when the doctor forced Sonic and two random buddies to make their way through a trap-infested island of his own creation? Not for the sake of nabbing Chaos Emeralds or anything of the sort mind you, he just wanted the blue motor mouth to suffer.

Images you can hear.

To make matters even worse, as befitting of his manchild tendencies, he’s ridiculously petty. How petty? Petty enough to abduct a little girl’s mother for no other reason than because Cheese completely trivialized his forces the girl was friends with Sonic and helped participate in the latest kicking of his own ass.

He only picked Vanilla because there was no Strawberry.

But at least his captives can admire the sheer variety that their captor has to offer. One of the greatest things about the doctor's style is that anything goes. With all due respect to Bowser, he tends to stick with his fiery castles (although he has been branching out recently), and plenty of other villains in gaming tend to be similarly stuck in their ways when it comes to tastes. Eggman, on the other hand, will create all sorts of fortresses and reside anywhere on the planet and beyond. It can be in the sky, in space, somewhere hot, somewhere cold, under the sea, in a circus... and every now and then, he might combine some of them together and thensome. So long as it's even vaguely mechanical in some way, his ground rules have already been ticked off.

Hang on a minute...

You know what else Eggman is? Relentless.

Persistence is a quality that most villains by their very nature share, lest they cease to be an effective antagonist. But once again, Rrrrrrrobotnik maxes out more than any other, and will often go to insane lengths to keep the current plan going, or if not that, then to spite Sonic.

Exhibit A: Sonic 3 & Knuckles, in which the grand finale consists of the madman throwing a gravity-shifting contraption your way, busting out a Kaiju-sized robo, escaping with the Master Emerald after his defeat, continuing to escape even after the Death Egg has been thoroughly destroyed, getting chased through the asteroid fields in space by Super Sonic, and only finally going down when the escape craft and the piloted mech controlling the escape craft are down. And all of this came after a grand adventure where, among other things, he destroyed an entire level just to kill you.

There are immortal omnipotents that put up less of a challenge.

“Looks like it’s time for Plan... *checks paper*... F.”

His relentlessness also reveals another side of the doctor that is simultaneously admirable and terrifying: He bows to no one. No one. Doesn’t matter who it is. Doesn’t matter how powerful they are. Doesn’t matter how much the odds are stacked against him. If another villain were to demand that he cower before them, the scientist would laugh and show through physical demonstration that this is not the way the egg rolls. Unless he’s absolutely unable to do so, he will give it his all every time, and even if he can’t, he’ll use his crafty mind to find some other way to get around the issue. You can beat him in battle, you can foil his plans, but you absolutely cannot break his resolve.

“Dad said it’s my turn to play with the Ruby. I know this, because I’m your dad.”

What about his relationship with those who actually serve him? Specifically, his own robots? Well for the most part, he treats them like absolute crap, what with verbally abusing them at every corner and being all too willing to go full Vader on them the moment they mess up. He IS capable of expressing fondness and giving praise to his more successful creations, like with Metal Sonic and Gamma, but even then, it’s a roundabout way of praising himself, since he’s the one who made them what they are. So basically, you’re only valuable to him if you make him look good.

Gaming in the Clinton Years in a nutshell.

And as for Sonic? Yeah, like with any legendary and long-lasting hero/villain dynamic, it’s obvious that Eggman has some degree of begrudging respect for his opponent. But if you think this respect would dissuade him from actually going through with his ambitions of rulership...

As the hedgehog’s apparent demise in Sonic Adventure 2 proves, as well as his defeat at the hands of Infinite and the subsequent six months of brutal conquest in Sonic Forces, Eggman is dead serious about his goals. If you think he’d get bored after conquering the world, he would simply expand his resources and have a crack at conquering the rest of the universe. When he says he hates that hedgehog, I’m inclined to believe that he means it, and although he may enjoy his “games” with Sonic to an extent, I also can’t see him wanting to remain stuck on square one forever.

If this were Sonic X, he’d just grieve.

By the way, the scene above? Undeniable proof that for all the doctor’s boasting, he’s not actually lying or exaggerating when he prides himself on his brilliance. Because when you get past his goofy exterior, when you look beyond the occasional, relatively minor mistake (*glares at IDW*), you’ll see that... yes. He IS brilliant. And not just in the science department either, although his countless robots and strongholds over the years are no doubt a testament to his credentials there. While he may prefer to go in big and bold, he can also be shrewd with his strategies when he wants to be.

Sonic’s aforementioned near-death experience, for example, was the result of Eggman turning the heroes’ own cunning plan on its head by being one step ahead of them. And in Sonic Unleashed, he lured his enemy into a trap, culminating with him cancelling out Super Sonic.

“...and pay the price for your Werehog gameplay...”

And after all those years of struggling, he finally got a giant monster under his complete control. “But he had help!”, you say? Yeah, from himself.

Did Flynn sleep through all this...?

Much like his inner nature as an evil bastard, Eggman's effectiveness is likewise commonly underestimated by writers. Yes, he occasionally makes mistakes. Yes, he occasionally overlooks details. Yes, he occasionally lacks foresight. But he is NOT stupid. A hero is only as good as their villain after all, and if Eggman is portrayed as a bumbling fool, then how can Sonic be a truly great hero? Eggman is humorous, sinister, and when the chips are down, competent.

...Did I mention that he's also a master Olympian?

The Execution: There's no surprises here. You knew from the moment you saw this review that my stance wasn't going to be anything less than 100% fanboy adoration. In that respect, this section almost feels redundant, because there's only so many ways I can say “Dr. Eggman is the fucking shit and I'm eternally grateful to Mr. Ohshima for bringing this absolute masterpiece into our world” without it getting repetitive. So to cap this review off, I'm going to very briefly compare his portrayals in other media, and explain why they tend to not be as good as the original SEGA Eggman.

“Cause they’re not balanced, right?” you ask. “Cause they veer too far in a particular direction? You're so predictable,” you add. To that I say:

1. Yeah, basically.

2. ...S-Shut up...

3. While the conclusion may be obvious, it's nonetheless important because as I mentioned previously, despite how straightforward this villain is, writers seem absolutely intent on not getting the point. There are loads of villains out there who share Eggman's talent of mixing hilarity and evil together with a bow of competence on top. Two of those villains are among the most famous supervillains of all time, in fact. You might have heard of them.

Joker can do it just fine. Green Goblin can do it just fine. And plenty of others can do it just fine. So why is it such an issue with Eggman? What is it about a round body and a long moustache that gets people to think “No, this guy is absolutely incapable of being comedic and threatening at the same time, no question, end of.” Is it because he’s a more cartoony franchise? Well, that can't be the case, because even Mario has a couple of beloved examples. Fawful, anyone? How about Dimentio? Cackletta? King Boo? K. Rool? Hell, you could even count Bowser himself depending on the portrayal.

Anyway, the point is, writers tend to miss the mark for one reason or another. With Sonic X for example, he wasn't too bad in the beginning, but as the show went on, he became exactly the toothless non-villain that many people misjudge him as. We all know that scene where he berates Black Narcissus for harming their captives (not for pragmatic reasons mind you, he genuinely took issue with the act on moral grounds, even though his own hands weren’t exactly clean either), but even before that point, he was doing such things as healing an injured Sonic without an ulterior motive, not taking any opportunity whatsoever to start conquering Sonic's world because he was pining for Sonic's attention, and being the Jiminy Cricket to Chris Thorndyke's Pinocchio. Why they thought the goddamn villain should be the moral conscience of this show remains an unanswered question, but at least it no longer influences how he's portrayed in the games.

Then you have the IDW comic, which is a similar tale of starting off decent and then careening wildly into the abyss, but for different reasons. Initially, he was built up to be in-line with his competent, foresight-packed self from Forces, with his inevitable return being met with dread, and a delightfully devilish scheme to match when he finally did so. But somewhere along the way, Ian Flynn thought that Eggman coming back from his amnesiac period and returning stronger than ever with a new minion and a deadly virus wasn't enough to up the stakes... so they decided to “up the stakes” by turning both the doctor and his new minion into massive imbeciles so as to justify their plot getting hijacked by the Deadly Six, a move so predictable yet infuriating that it got even me to turn against the Six. And the reason the Six got invited in-universe is because Starline decided he didn’t like being unique and devolved into Snively 2.0 behind Eggman’s back. All this from the alleged “best writer” for the series...

Yeah, same.

And then you have the Boom version, which shares basically the same issues as Sonic X but in a more mundane fashion. It's easier to dismiss because it's a comedy-centric show and his redesign makes it easier to separate him from mainline Eggman, and I'll gladly admit that he does have a lot of genuinely funny lines that redeem him a little bit. But yeah, too much of not being a true villain for my tastes.

Now this isn't to say that there haven't been portrayals in other media that are up there with the original. The versions that I consider better off than the ones above include...

- The OVA Eggman is pretty faithful all things considered, aside from his romantic feelings for Sara, which feels slightly off since the idea of Eggman loving anyone other than himself is incredibly unrealistic at best. But it doesn't actually soften or undermine his deviousness, so I'm willing to let it slide for an alternate take. Especially since he gave us the best Metal Sonic out there.

- AoStH is far from a perfect show, but there's a reason why even its detractors tend to treat its version of Robotnik like a national treasure. Admittedly most of that is because of the legendary Long John Baldry and the endless memes associated with this incarnation, but despite hailing from a comedy-focused show like Boom Eggman, this Robotnik still had a lot of legitimately dangerous moments, more than you'd think.

- And of course, Jim Carrey's Robotnik in the Sonic movie is just... *chef's kiss*

So obvious aesop though it may be, but you see what the more effective portrayals have in common, I assume?

Granted, this also isn't to say that SEGA Eggman himself has had a perfect track record. The decade's worth of upstagings and backstabbings by other villains should be enough of a counterpoint to that claim, and I've also made it clear now and then that I take issue with certain games regarding what they do with the doc, no matter how revered they may be by other fans. Sonic Adventure 2, for instance. I praised the fake emerald scene, and I do sincerely believe that he has a number of other badass moments in that game, but because Shadow was playing him like a fool the whole time, I can't help but have a bitter taste in my mouth when I look at the bigger picture.

So close to greatness, yet so far...

So in that case, which game do I think has Eggman's best showing overall? That's not in any way an easy question, but lack of dialogue aside, I'm gonna go with Sonic 3 & Knuckles again, as the classic journey through the sights of Angel Island plays out in a way that highlights just how determined, ruthless, and underhanded he is with carrying out his mission to revive the Death Egg by any means necessary. Other games do win out in other areas - SA1 for how bastardly he is, Forces for how cunning he is, Colours for his hilarious announcements, CD for using the scenery to show the effects of his actions, Mania for not letting the other villain walk all over him - but for the purest essence of the doctor at his cartoony yet competent best, I'd say S3&K is a reasonable bet.

And when it comes to all his many traits, which one do I find the most special one of all? Well again, far from easy to answer, but I think the coolest aspect about him is also one of the most overlooked. Robotnik, despite whatever superhuman qualities he may occasionally unveil, is for all intents and purposes a regular guy with a big brain. This might make him appear unimpressive when compared to your average Final Fantasy villain and the like, but if anything, it paints him in a more flattering light than expected, because he doesn't even need to be on their level to still be on the radar. It's easy to be a big bad threat when you're an ancient demon or an almighty god-like being, and you only have to wave a hand to cause armageddon. But when you're just Some Guy™ going up against superpowered opponents, meaning you have to earn your threat level the hard way, and you prove to be a challenge every step of the way regardless, because you're just THAT much of a genius... that's fucking awesome, no other way to put it.

And you know what else is awesome? You may not like Eggman, and you don’t have to like him, but like it or not, he is directly and indirectly responsible for a vast majority of the coolest and most loved moments and aspects of this franchise.

The opening to Unleashed? Eggman set up the scene.

Shadow running around and continuing to be part of the franchise? Eggman released him.

Blaze getting involved with Sonic’s world and continuing to be part of the franchise? Eggman’s half-responsible for that.

Metal Sonic? Eggman made him.

Egg Dragoon? Eggman.

Big Arm? Eggman.

Monkey Dude? Eggman.

That text is missing a blue checkmark.

This review is probably longer than the echidna family tree in Archie at this point, so I better finish it off. If it wasn't obvious from all the paragraphs I've belted out in this post, I'm very passionate about Eggman and the way he’s portrayed. Ever since I got into the Sonic franchise in 2003, I immediately took a liking to the doctor, and to this day, he remains not only my favourite Sonic villain, my favourite Sonic character, but also my favourite character period. Some may find it a weird or lame choice compared to other, “better” characters, but that's the way it is, and I ain't about to change it. I am very unlikely to ever stop enjoying the hell out of this villain, and even if he got irreversibly ruined in some way, I'd still continue to love what he was before that point.

Because yeah, he's not the deepest character ever, but... who cares? Is it not enough that we find something that appeals to us? When I got into Sonic, I was introduced to fantastic games, a likable cast, high quality soundtracks, beautiful worlds, numerous friends on this very site, and of course, the lovely treasure that is my partner. I may not have been with this franchise during the 90's, but it's given me just as much fun, nostalgia, and happiness as those who were. Despite the flawed titles, despite the fandom conundrums, I still love this series.

And I still love this absolute prick.

Crusher Gives Dr. Eggman a: TWO Thumbs Up!

#Sonic Villains: Sweet or Shite?#Opinion #Sonic the Hedgehog #Dr. Ivo Robotnik

94 notes · View notes

sporadic-writer · 4 years

Text

Welcome to the Neighborhood pt. 3

Harrison x American!reader (nothing hella specific other than mentioning the states, so try pretending if you aren’t American. If not.. sorry?)

Warnings: same as before, swearing, mentions of weed and alcohol (because I enjoy both safely and responsibly), and um I think that’s it.

Note: I made this a Harrison fic because I feel we need more of those in the world. Also, this fic doesn’t have like, an idk.. overarching story/theme yet? other than reader and Harrison stuff. Lastly, this fic is a result of bits of writing courage during a writer’s block mess. I have a better concept for the next chapter. So sorry this could count as a filler or fun simple read.

Part 1 here Part 2 here

°•●•°●°•●•°●°•●•°●°•●•°

"What about just a casual cookout?" This was the 3rd idea he has asked out loud.

Sam and Harry watched Harrison all but pace as he spit balled ideas to have their new neighbor over. The whole morning he was thinking through stuff to do that wasn't too much for quarentine. It was starting to end, but he didn't want to push anything.

The other men in his presence groaned. "Jesus just ask her to come hang out! No agenda, just invite her here to hang out and then you can get to know her!" Sam suggested in a shout back to his friend. "Stop fucking moping about here like a nervous puppy." That last statement was a quieter grumble.

Tuwaine nodded in agreement. "You're starting to get annoying Haz. We all like her, so having her here is fine. Then you buddy up to her in the process." This seemed to help the blonde settle.

"Harry! You talked to her a little more earlier today. Any info I can use to break the ice one on one?" Harrison looked to his friend hopefully.

The man in question rolled his eyes. "We barely talked. Her room and bathroom windows are right next to my room. We talked because she apologized thinking her music was loud and coming into mine. Then we made small talk a little before she went to the store."

An idea sparked in Harrison's head about conversation ideas next time he saw you. Music was always a great ice breaker. He remembered you wore a Green Day shirt one time, so that's something. Also, he has heard you singing to yourself on your deck; some Irish band his mother listened to sometimes. He mentally scanned his music selection in his room. Just then he heard a car door shut outside. He asked if it was you and Tom nodded yes after peaking out the window. He calmly dashed outside with Tuwaine and Sam following seeing what the commotion was. Plus, Sam left stuff in his car.

Walking towards your front door you heard your neighbor's open and noticed Harrison looking right at you. You looked over with wide at men rushing towards you, but smiled and greeted them once seeing their familliar faces.

"Hey guys!" You attempted a small wave with your things in your hands.

Sam and Tuwaine nodded and waved in repsonse. Harrison looked a little flustered. "Hey y/n. Um I had a question for you."

Your smile didn't help his nervousness. "Shoot." You replied while walking to your door, then working on unlocking it.

Upon no response, you looked at him to see him open and close him mouth once, and just had a slight 'umm' noise come out. It was sweet. There was a simplistic charm about people getting slightly nervous over being around othee people they were into. You were no fool, you had seem him peak glances at you through his yard and window upstairs. Now you watched him try to gain courage to simply ask you a question. You thought about doing it yourself, but you are a tad old school and see if the guy will get to it. Once impatient, you'll ask him. But now you watched him as his hair moved lightly in the breeze of the cool London air. Not to mention he looked handsome as ever in his sweater. Wonder if it is as soft as it looks...?

"Y/N! What are you doing tomorrow love?" Twuaine bit the bullet for Harrison since he couldn't get a full question out. You snapped out of your trance. Luckily the distance helped hide your embarrassment.

She checked the date on her phone lockscreen. "Umm I work tomorrow 7 to like 4. So after that a shower, maybe a nap, then nothing. Why?"

Rather than the one who asked reply, Harrison finally jumped in and spoke. "Want to come over tomorrow? We were going have dinner and watch the match and relax one more night for sure before things start up again for us." Tom just got final shooting schedules and he knew things would soon pick up for him most likely in following. As much as he loved being home, doing nothing, he did miss working. However, of course it happens after desiring more time with you.

"I would love to! What time?" The little bounce thing you did to balance your groceries and to open your door was precious to him.

"Um come by any time after you're home from work."

Sam piped in saying, "Match starts at 5 or 6 I think, around then is perfect."

"Awesome! Thanks for the invite guys. Also hey, do you guys know good pet stores around here? Sorry if that's random but I am running out of supplies and can't mooch off work.. new job and all."

"'Fraid not y/n. Sorry we don't know where Tom gets his dog stuff."

Harrison nodded in agreement. "Yeah and my dog is at home and my mum gets everything usually."

She shrugged. "No worries. Internet search it is. Well I gotta put these away. I'll see you guys tomorrow." They said their fairwells to her and did as she did, went inside. She didn't notice this time how her admirer watched her to see she got in alright.

After watching you get in your house, Sam shut the car door he opened earlier with his hat in hand, and Harrison sighed. He turned to his friends.

“I could have asked her over myself.” His tone suggested he knew he couldn’t. But that didn’t stop him from sulking back into his home. “I’m the one into her, I could have asked her over.”

“Mhmm sure Haz, an hour later after leaving your mouth open to catch flies. She’s coming over. Get over it and enjoy that your painful attempt was cut short.”

On that note he thanked his lucky stars and went into his home, not before hearing music come out of your open windows. He shazamed it and made a mental note to use it as a potential ice breaker tomorrow. Man he felt like a 15 year old.

*time skip*

It was around 4:30ish when Harrison saw your car pull into your driveway and you get out. Even with your hair up after a day of physical labor, uniform London Zoo shirt covered in dirt and a couple bleach stains, and basic khaki shorts; he still thought you looked pretty as ever. He was a little shocked you didn't look totally exhausted remembering you started work at 7am. That just impressed him more. Now he only had to wait an hour or so for you to be over and hanging out with him. Ground work would be set. He made sure his shirt, pants, and hair were in good sorts before relaxing on the couch with Sam. About an later, he heard the door open and a familiar voice greet everyone. However, not the voice he was expecting.

"Sis? What are you doing here?" He sat up as she rolled her eyes.

"Hello to you div."

He rolled his eyes right back. "Not what I meant. Just wasn't expecting you to drop in." He loves Charlotte, but didn't need her when a girl he's trying to get with is supposed to come by very soon.

"Harry has a camera for my friend to borrow for a class of hers. Why? You guys got plans or something? Look at me give a shit as I interrupt this rager." She moved about the house looking for the Holland she spoke of. He was about to blow her off and get her out but Tuwaine appeared out of nowhere to be a stellar friend.

"He does have plans actually. Tryin' to get with our fit American neighbor. Got all worked up and could barely ask her over tonight. He didn't actually, but not the point." His sister, who still hasn't left, smirks at him. “He’s into her and this is him ‘laying the groundwork’ or something.”

"Really?? Aw look he's blushing!" She poked his cheek. “Relax though, I’m just gonna find Harry or his cam, whichever comes first, and be out. Alright?”

Thanking his lucky stars he was about to tell her to just get on with it, but the doorbell rang. Harrison and his sister made eye contact, he pleaded with his to stay, hers glimmered with mischief, and they were off! Both siblings dashed for the door while Sam and Tuwaine enjoyed the show. The luck didn’t last, because Charlotte reached the door first. She kicked away the eager man and smiled as the she greeted who she assumed was the American girl her brother fancies.

Harrison saw you were turned around as you began to speak, looking at a car that honked for some reason, and as you entered your head was still looking down a tad. “Sorry I’m late, late-ish anyway. Rolled one after work, enjoyed it after the shower, then passed out for an unexpected nap - ah your new!” She locked eyes with his sister and if he could frame a mental image he would. Y/N looks like she wanted the ground to swallow her, and needed saving. She was clearly still a little buzzed, and a joint was sticking out of her beanie. “Well not new, but new to me I mean. Um ignore that first impression.. Hi! Y/F/N Y/L/N, their neighbor.” As she spoke, the hand holding a bottle of vodka tucked the joint discreetly further into the hat. Smooth, sorta..

“Charlotte, Harrison’s sister. Pleasure to meet you. That lot you speak of told me a touch about you. From the states ey? Very fun, caught Hazzy’s eye so watch out. I love him but he’s a bit dodgy on getting things done sooner than later.” She winked at her brother while the newest addition to the house just stood there taking it all in. “Now if you excuse me I shall find Harry’s camera.”

Harrison watched you follow his sister, who he will get back at later, out of the room. You still looked a tad surprised, but smiled through it anyway. Then you made eye contact with him and smiled brighter before saying, “I brought drinks!”

°•●•°●°•●•°●°•●•°●°•●•°

Taglist (crossed out means it didn't take yours): @jillanaholland @averyfosterthoughts @sarah-m-limelight-2007 @astridcommings

As always, like and reblog if you want. Hit me up if you want to be tagged or not, or if I forgot to tag you. Thanks for reading and enjoying! Lmk of there are any errors or stuff like that.

#harrison osterfield x reader #harrison osterfield fluff #harrison osterfield fanfiction #harrison x reader #harrison x american!reader #harrison osterfield x fem!reader #harrison osterfield x american!reader #tom holland blurb #tom holland x reader #tom holland fanfiction #tom holland imagine #tom holland #peter parker blurb #peter parker x reader #peter parker #peter parker fanart #peter parker fanfiction

10 notes · View notes

dicecast · 4 years

Note

How're you finding The Dragon Prince? I saw you mentioned that you find it frustrating. I've watched some of it, but I haven't had time to get very far.

Hey thanks a lot. Yeah mean and @afriendtokilltime are watching it while in quarantine and....it is kind of a mess. As of this writing I am 2 episodes away from finishing season 3 and its kind has been a whole mess of complaining around the apartment for the last few days. This show fails in so many different ways but its like...really close to being absolutely amazing. I have complicated feels

First off a Disclaimer

I thought Avatar was mostly great, though it had a lot of problems which I think its overall success and enthusiastic fan base kinda clouded, which are mostly found in the first half of season 1 and the last half of Season 3. Mostly that any time the show attempts simplicity, it does it badly. I thought Legend of Korra had some of the best moments in both shows, but also some of the worse, often seconds away from each other, but it at least tried some new things. WE talk about the problems with Avatar here

https://www.patreon.com/posts/11553648

And Legend of Korra here

https://soundcloud.com/randomshoes/fatal-flaw-legend-of-korra

So Dragon Prince has the components to be in my mind, even better than Avatar and there is a ton of stuff i like.

The Animation is amazing and unique

Some really cool fantasy vistas and locations

Cool distinct types of elves with cool unique magic and powers and cultures

Some great efforts towards increasing diversity in terms of race, and sexuality. Ironically it is actually less diverse in some ways than Avatar/Korra 100% non white cast, but it is very nice to have a fantasy world that is inclusive in regards to race and sexuality. Sadly it actually has a lot of problem with gender which i could talk about in a whole post another time if you are interested. (Dead Moms, so many dead moms)

I like both of the main characters, which is unusual for a fantasy series. Callum is fantastic, Rayla is great, and of course Claudia is by far the best character in the series. All of them have interesting motives, characterizations, dynamics and I enjoy seeing them on screen. The problem is that the show rarely uses them well

Magic looks awesome in this series, especially Dark Magic

The Show wants to delve into more complicated themes than most fantasy, and attempts to get at moral ambiguity, pacifism, questions of monarchy, the nature of villainy, racism, and pulling away from fantasy cliches, and it is really admirable. Unfortunately the show is really bad at actually delivering on any of these interesting themes, which makes the show a colossal mess

This show has a lot going for it. Except it...kinda fails on so many different levels. Each one of these could be a whole detailed post, so if you are interested let me know, but i’ll try to be brief on what doesn't work

The Role of Dark Magic.

Dark Magic is the core of the show’s plot and conflict. So its pretty frustrating about how the show completely fails to actually use this plot element correctly, because in contrast to like Maho from Legend of the Five Rings, or Mages from Dragon Age, its never really established why Dark Magic is evil. Like Claudia kills a deer in order to cure her brother of total paralysis, which...yeah that sounds like a good deal to me. Some of the characters get angry at Claudia for killing butterflies to make really good pancakes but like...pancakes are made with eggs. Which I suppose could be acceptable if the show as embracing a Jainism style world view, but it never bothers to deliver on that perspective or makes an argument for it, it just expects you to accept Dark Magic is wrong because Viren is a bit of a dick. And honestly, since humans are born without magic and Dark magic is a way for them to have a home, the opposition to Dark Magic frankly just feels...conservative. Like for all its inclusive casting the show really has an anti progress traditional feel to it which rubs me the wrong way. Which directly leads into

Problems with Themes. Fantasy stories usually are about moral themes, and Dragon Prince is no exception, a lot of scenes are delivered with a strong moral overtone. The problem is that it is utterly confused and inconsistent, usually approach the topic of Dark Magic. In the first 2 seasons, Viren is chided for “doing things the easy way” and even if ignore the libertarian undertones of that, most of the time, there isn’t really a hard way solution, and a ton of situations have Viren just being correct and characters ignoring him, or treating him like his ideas are far more nasty than they really are. This gets even more confusing when it comes to the shows attempts to address racism, because it keeps treating humans like they are the group with privilege, but according to the opening narration, the entire human population were basically forcibly located to the Western continent, which is often considered a genocide) and Rayla is casually racist to Callum regularly. More importantly, the show seems to want to do a Princess Mononoke pacifist argument, but keeps messing it up by its desire to simplify the conflicts it sets up. This gets worse when the show doubles down on the pro monarchist sentiments that underlie almost all fantasy. Which leads to

Being unwilling to commit to flawed characters. Dragon Prince seems to not want to just be another cliche fantasy story and keeps trying to add details to prevent the characters from just being cliches. however it doesn’t seem to want to commit to this, and keeps reverting to simplistic morality. Again going off the racism angle, Callum has comments which imply Elves are seen as like Demons to the humans, and its implied that propaganda is regularly spread concerning them. And it seems like Dark Magic is just normal in the human kingdoms, that is why they were kicked out after all. But any time we have a “good” character, they just...don’t have that Bias. King Harrow is just inexplicably good when it comes to certain issues, which basically means in a story about racism and people learning to look past stereotypes, all of the good guys are already doing that from the start. This is at its most frustrating with the 5 kings council scene, where despite the fact that it is 100% true that moonshadow elves did in fact assassinate a monarch, the most annoying character in the series is like “Well I read the script and I know this is a wrong action so screw you”. In a story about overcoming racism and nationalism, there is a is a total unwillingness to have characters have real flaws in that direciton, Verin starts out as a sympathetic villain but then basically turns into Jafar in the 4th episode and it just goes down hill from there

There are some really bad characters in this, Ezran is intolerable, Bate just wastes screen time, Queen Aanya is the worse thing in the show, and i’m not even getting into the minor characters. the show also really has some problems with certain female tropes, I don’t think it passes the Bechtel test until season 3 and the writers continue their “Saintly missing mom trope” from season 1 even more so here.

(remove these two and the show is just massively improved)

The human kingdoms are boring and we spend 2 whole seasons there. The appeal of this show is Xadia and the elves, having to deal with discount children’s version of Game of Thrones is just frustrating.

But everything above are problems with the story and the characters, and that isn’t actually what makes this show so goddamn frustrating. This show has some of the worse examples of storyboarding, editing, pacing, and just basic narrative structure I’ve seen from actually competent people. LIke its on Netflix, a company that doesn’t seem to understand what pacing is, and these are the guys who made legend of Korra which was more montage than show at times, but nothing prepared me for this nightmare. A lot of it comes down to it being 9 episodes per season, which is even worse than Korra, which was rushed at 12 episodes per season, but even within that, every single episode is just a glut of content jumping from story beat to story beat without taking a breath. Most of the story elements have no set up, let alone build up, the editing constantly takes you out of emotional moments to deal with a totally different subplot, sometimes entire necessary scenes are literally just...not there and we keep missing establishment shots.

This show is just screaming for self contained one shot episodes, where the characters can have mini arch within the episode and just kinda chill out. Despite the fact that I like Rayla and Callum, I actually don’t know them all that well because most of their screen time is running from one plot event to the next, rather than the smaller moments between scenes that really grow the character. Just some episodes to breath, watching this show is exhausting because you spend most of it utterly overwhelmed by the sheer amount of plot happening. Maybe season 3 will surprise me, but each one of the seasons thus far have ended on a narrative dissonant note and I’m sure this one will follow suit. I think the reason why this show is weirdly addcitive is the same reason why Baby shark gets stuck in your head so easily, its a bunch of leading tones. Like the editor in my just wants to hack this show to pieces and recreate it where characters, themes and tones can evolve organically.

In short, a show with a lot of good in it, but I kinda of hate it, but I can’t stop watching it.

#Ask Dicecast #The Dragon Prince #prince callum #rayla #Claudia #verin #king harrow #Avatar The Last Airbender #Legend of Korra #Dark magic #aravos

18 notes · View notes

myyearofbutterflies · 4 years

Text

On a Show about Joy (and Growing Up, and Striving to Be Better, and Generally Just a Show about People Trying)

A show that has brought me joy many times since I started watching it isn’t one that I’d normally check out. I’ll admit, I’m not big on animation. I don’t mind it, and some of my favorite movies from childhood were animated (looking at you, ‘The Last Unicorn’), but I drifted away from animation. I can count on one hand the number of anime I’ve watched beginning to end, and two of those I watched in the early 2000s.

Which made this show an exception to many of my trends. I should explain that I came to it through another animated show. The friend I mentioned in the last post introduced me to it, and he’s not hugely into animation either, so I figured it had to be good. That show was ‘One Punch Man’, which was a lot of fun, a visual treat, and generally an enjoyable romp. And while I dug the animation style, I was most interested in the comedy writing, and the undercurrents of melancholy that pervaded the show. So when I found out that the writer of the original manga the show was based on had written something else that was getting turned into a show, I decided to give it a go.

‘Mob Psycho 100’ is a show about joy, and about being better, and about trying to improve yourself. It’s about learning to lean on other people, and to let them lean on you. It’s about friendship, and finding joy in other people, and in the hard work it takes to improve yourself.

The show is, in some ways, a deconstruction of the kid-with-superpowers genre and the coming-of-age genre. The kid with superpowers doesn’t really consider those powers to be particularly special (he finds far more fulfillment in joining a fitness club and gradually passing out less frequently while running), and rather than being pushed to use those powers to save the world, he is encouraged by his mentor to NOT use them to fight or to take on the bad guys. Because his mentor, despite having no powers of his own, recognizes that he’s the adult, and even if he’s less well equipped to fight, he should be the one to carry that weight. It’s a show about letting children be children, about giving them a space to become adults without traumatizing them along the way. There are children who have been failed in that respect, and we see both them and the adults they can become. Many are driven by bitterness, that their lives were miserable, and that in turn leads them to do some miserable things on both the small scale and a grand scale.

But the other thing that impressed me about this show was that it was relentlessly about hope. Almost every antagonist is offered a second chance, and many of them take it. Many of the characters who do terrible things later turn their lives around and try to be better. They try to rejoin a society they rejected—for good or bad reasons—and they try to find meaning and a place in it. They were offered a hand of friendship in a dark time, and when things get hard later in the series, they all start turning up to lend a hand in return.

If there is a core message, it seems to be that people aren’t all good or all bad. Every single character has both in them. Even the main character, who is a genuinely good and sweet kid, has a massive amount of pent-up rage and destructive resentment inside him threatening to hurt the people he cares about. His mentor, another genuinely good guy, also happens to be a conman who has used the main character to legitimize his fake psychic business since the kid was nine. The main character’s little brother loves him, and also fears and resents him.

They are all imperfect people, but through the course of the show, they all strive to be better, and they encourage the people around them to be better as well. This self-improvement is infectious, and through forgiveness, through offering the chance to be better, to be understood, and to receive kindness where none was expected (and sometimes to receive a sharp slap of reality to break up a protective superiority complex), this decency spreads throughout the cast.

It sounds saccharine, I know, but it’s all mixed with psychedelic visuals, great comedy, awesome fights, crazy experimental animation, and enough wit and weird subversion of genre conventions that it never comes off as over-sweet or overly-simplistic. Because the characters are flawed, because the world can be cruel and unfair, their kindness, their support, and their simple acts of humanity shine all the more.

Anyway, if anyone is looking for a truly joyous show for these rough times, I would absolutely recommend ‘Mob Psycho 100’. I’d recommend the Japanese voice cast over the English cast, as I feel that the overall voice quality is far stronger, and the translations in the subtitles tend to have more nuance than the dub lines. But either way, this one is well worth a watch for anyone hoping for a bit of light and hope in these times.

#chase your joy #a genuinely joyful show #despite some serious darkness at times #Mob Psycho 100

6 notes · View notes

betweengenesisfrogs · 5 years

Text

Homestuck is My Favorite Sprite Comic

Yes, you read that right.

Homestuck is my favorite sprite comic.

Those of you who remember the earlier days of the internet are probably looking at this post in disbelief right about now. Others of you might be scratching your heads, not knowing what I’m talking about.

But here’s my pitch: Homestuck is the culmination of an entire genre of internet art, and the tools that make it so powerful are the very tools that made that genre once so reviled.

Homestuck is the greatest and most successful sprite comic of all time.

And honestly, I’ve wanted to talk about that for ages, so let’s do it.

WHAT SPRITE COMICS WERE

Many of my readers are probably too young to remember the era of sprite comics. So: what were sprite comics?

Sprite comics were a genre of webcomics made entirely by taking pixel art from video games – especially character art, called “sprites,” but also backgrounds and other images—and placing them into panels to tell a story. They were near-ubiquitous on the internet in the early 2000s, emerging right as webcomics in general were seeking to establish themselves as an art form.

They were not, shall we say, known for their quality. The low bar to access meant that art skill was not an obstacle to starting one. The folks behind the huge swell of them tended to be young people, kids and early teenagers recreating the plots of their favorite video games with new OCs—not the most advanced writers or artists. They were the early 2000s’ quintessential example of ephemeral, childish art. Unfortunately, they look even worse today—blown-up pixels don’t hold up well when displayed on higher-resolution monitors.

Today, they’re mostly forgotten, remembered only as a weird, strange moment in the youth of the internet. Someone who evoked them today, such as a blogger who compared them to one of the most successful webcomics of all time, would be inviting good-natured teasing at the very least.

It would be unfair to dismiss them entirely, though. In this low-stakes environment, comics where the author could bring more skill—engaging writing, legitimately funny jokes, or especially, a real ability to work with pixel art—really stood out. (Unsurprisingly, these authors tended to skew a bit older.)

The obvious one to mention is Bob and George. Bob and George wasn’t the first sprite comic, but it was the most influential. Conceived initially as Mega Man-themed filler for a hand-drawn comic about superheroes, it quickly became a merging of the two concepts, with the original characters made into Mega Man-style sprites, full of running gags, humorous retellings of the Mega Man games, elaborate storylines about time travel, and robots eating ice cream. It was generally agreed, even among sprite comic haters, that Bob and George was a pretty good comic. Worth mentioning also are 8-Bit Theater, which turned the plot of the first Final Fantasy into a spectacular and hilarious farce, and of course Kid Radd, my second favorite sprite comic. (More on that later.)

But even if you weren’t looking for greatness—there was something just damn fun about them. The passion of sprite comic authors was clear, even if their ideas didn’t always cohere. To this day, I think the sprite comic scene has the same appeal pulp art does—it’s crude and rough, full of garbage to sift through, but every so often, something deeply sincere and bizarre shines through, and the culture of its authors is a fascinating object of study in itself.

Okay, full disclosure: I was one of the people who made a sprite comic. I’ve written about my experiences with that in more depth elsewhere, but yeah, I was on the inside of this scene, rather than a disinterested observer, and from the inside, maybe it’s a lot easier to see the appeal.

Still, let me make this claim: even with all their flaws, sprite comics were doing some incredibly interesting things, and Homestuck is heir to their legacy.

TAKE ME DOWN TO RECOLOR CITY

One of the problems people always had with sprite comics was the sprites themselves. They’re the most repetitive thing in the world. You just keep copying and pasting the same images over and over again, maybe with a few tweaks. That’s not really being an artist, is it? It’s so lazy. Re-drawing things from different angles keeps things dynamic, develops your skill, and makes your work better in general. Right?

I’m mostly in agreement. Certainly I think it’s fair to rag on the Control-Alt-Delete guy, along with other early bad webcomics, for copy-pasting their characters while dropping in new expressions and mass-producing tepid strips. And to be fair, digging through bad sprite comics often felt like an exercise in seeing the same slightly-edited recolors of Mega Man characters over and over again. You got really tired of that same body with its blobby feet and hands.

(It should be noted, though, that there were folks in the sprite comic scene who could pixel art the quills off a porcupine. I salute you, brave pixel art masters of 2006. I hope you all got into your chosen art school.)

All this said, I think the repetitive and simplistic nature of sprite comics was often their biggest strength.

THE POWER OF ABSTRACTION

In his classic work Understanding Comics, Scott McCloud makes an observation about cartooning that has stayed with me to this day.

McCloud notes that simple, abstract drawings, like faces that are only few lines and dots on a page, resonate with us more strongly than more detailed drawings. This is because our minds fill in what’s missing on the page. We ascribe human depth to simple gestures and expressions based on our own emotions and experiences – and this makes us feel closer to these characters as readers. Secretly, simple cartoons can be one of the most powerful forms of storytelling. If you want your readers to fall in love with your characters, draw them simply, and let them fill them in.

Video game sprites work very well in this regard. They have that same simplicity that cartoons do. In fact, I’d be willing to bet a huge part of the success of SNES-era RPGs was simple, almost childlike character sprites drawing people in. I think sprites did the same for sprite comics.

Here’s the weird thing: Bob and George worked. Despite four different characters being variations on the same friggin’ Mega Man sprite in different colors, they immediately began to seem like different people with distinct personalities. For me, George’s befuddled, helpless dismay immediately comes to mind whenever I picture his face, while with Mega Man himself it’s usually a wide-eyed, childlike glee. I would never confuse them. This, despite the fact that the only actual difference between their faces is that George is blonde. It’s pretty clear what happened. The personalities the author established for them through dialogue and storytelling shone through, and my brain did the rest.

Sprites, in short, were a canvas upon which the mind could project any story the author wanted to tell. Even the most minute differences in pixel art came to stand, in the best sprite comics, for wide divergences in personality and ideals, once the reader spent enough time with them to adapt to their style of representation.

Wait a minute, haven’t we seen this somewhere before? Character designs that focus on variations on a theme, with subtle differences that nonetheless render them instantly recognizable?

Oh, right.

Look at what greets us on the very first page of Homestuck. An absurdly simple cartoon boy, abstracted to a ridiculous degree—he doesn’t even have arms!—followed a whole bunch of characters that follow suit. Though many other representations of the characters emerge, these little figures never quite go away, do they? Why is that?

Simple: they’re very easy to manipulate. They’re modular—you can give John arms or not, depending on whether it’s useful. You can put him in a whole variety of poses and save them to a template. You can change out his facial expressions with copy and paste. You can give him a new haircut and call him Jake. It’s all very quick and easy.

Sprite comics proliferated because they were very easy to mass-produce. Andrew Hussie’s original conception of Homestuck was very similar: something he could put out very quickly and easily, where even the most elaborate ideas could rely on existing assets to be sped smoothly along. We all know the result: an incredible production machine, churning out unfathomable amounts of content from 2009-2012. I’d say it was a good call.

But it goes way deeper than that. The modular nature of sprites always suggested a kind of modularity to the sprite comic premise. George and Mega Man were different people, true, but also two variations on a theme. Was there something underlying them that they had in common? Perhaps their similarity says something like: We exist in a world which has a certain set of rules? One of my favorite conceits from Bob and George was that when characters visited the past, they were represented by NES-era Mega Man sprites, while in the present, they were SNES sprites, and in the future, the author used elaborate splicing to render them as 32-bit Mega Man 8 sprites or similar.

Suppose there was a skilled cartoonist thinking about his next big project, who wanted to tell a story centered around this kind of modularity, a narrative that was built out of iterative, swappable pieces by its very design. He might very well create a sprite comic named Homestuck.

Homestuck is a story about a game that creates a hyperflexible mythology for its players, where the villains, challenges, and setting change depending upon what players bring to the experience, yet which all share underlying goals and assumptions. What more perfect opportunity to create a modular story as well? Different groups of kids and trolls have motifs that get swapped around to produce new characters, whether that’s through ectobiology, the Scratch, or the eerie parallels between the kids and trolls’ sessions. And yet each character can be analyzed as an individual.

This is an incredible way to build a huge emotional investment from your readers. Not only does this kind of characterization invite analysis, the abstractions draw readers in to generate their own headcanons and interpretations. A deep commitment to pluralism is at the heart of Hussie’s character design. Then, too, it encourages readers to build their own new designs from these models. Kidswaps, bloodswaps, fantrolls—these have long been the heart of Homestuck’s fandom. And what are bloodswaps if not sprite recolors for a new generation? With the added bonus that now a change in color carries narrative weight, evoking new moods and identities for these characters in ways that early sprite comics could only dream of.

In Hussie’s hands, even the dreaded copy-and-paste takes on heroic depth of meaning. Even when Hussie moves away from sprites to his own loose art style, he continues to remix what we’ve previously see. Indeed, Hussie talks about how he would go out of his way to edit his own art into new images even when it would take more time than drawing something new. Why? Because he wanted to evoke that very feeling of having seen this before—the visual callback to go along with the many conceptual and verbal callbacks that echo throughout Homestuck. This is at the heart of what Doc Scratch (speaking for Hussie) called “circumstantial simultaneity:” we are invited to compare two moments or two characters, to see what they have in common, or how they contrast. Everything in Paradox Space is deeply linked with everything else. And Hussie establishes this in our minds using nothing less than the tool sprite comics were so deeply reviled for: the “lazy” repetition of an image.

(It’s fitting that some of the most jaw-droppingly gorgeous images in Homestuck—dream bubble scenery and the like—are the result of Hussie taking things he’s made before and combining them into fantastic dreamscapes.)

But it all started with the hyperflexible, adaptable character images Hussie created at the very beginning of Homestuck.

And if you need more proof that Homestuck is a sprite comic, I think we need look no further than what Hussie, and the rest of the Homestuck community call these images.

We call them sprites.

THE FIRST GENRE-BENDERS

Was Andrew Hussie influenced by sprite comics in the development of Homestuck? It’s hard to say, but as a webcomic artist in the first decade of the 2000s, he was surely aware of them. It’s likely that he quickly realized that his quick, adaptable images served the same purposes as a sprite in a video game or a sprite comic, and chose to call them that.

One purpose I haven’t mentioned up until now: sprites lend themselves very well to animations. In fact, in their original context of video games, that’s exactly what they’re for: frames of art that can be used to show a character running, jumping, posing, moving across a screen. It’s not surprising, then, that sprite comic makers quickly saw the utility in that.

Homestuck was, in fact, not the first webcomic to make Flash animations part of its story. There were experiments with various gifs and such in other comics, but I think sprite comics were among the most successful at becoming the multi-media creations that would come to be known as hypercomics..

Take a look at this animation from Bob and George. It represents a climactic final confrontation against a long-standing villain, using special effects to make everything dramatic, but ultimately, like many a Homestuck animation, leads to kind of a pyscheout. The drama and the humor of the moment are clear, though. This relies in large part on the music—which is taken directly from the game Chrono Trigger. This makes total sense. Interestingly, it also contains voice acting, which is something Homestuck never tried—probably because it would run contrary to its ideals of pluralism. What I find fascinating is that in sprite comics, animations like these served a very similar purpose to Homestuck’s big flashes: elevating a big moment into something larger-than-life. Another good example is this sequence from Crash and Bass. Seriously, it seems like every sprite comic maker wanted to try their hand at Flash animation.

(By the way, it’s a lot harder than it looks!! I envy Hussie his vectorized sprites. Pixel art is a PAIN to work with in the already buggy program that is Flash.)

The result: because of the sprites themselves, sprite comics were among the first works to play around with the border between comics and other media in the way that would come to be thought of as quintessentially Homestuck.

What it also meant was that another genre emerged in parallel with sprite comics: the sprite animation. Frequently these would retell the story of a particular game, offer a spectacular animated battle sequence, parody the source material, or all three. Great examples include this animation for Mega Man Zero, and this frankly preposterous crossover battle sequence. Chris Niosi’s TOME also found its earliest roots as an animation series of this kind. You also found plenty of sprite-based flash games, in which players could manipulate game characters in a way that was totally outside the context of the original works.

The website the vast majority of these games and animations were hosted on?

Newgrounds, best known to Homestuck fans as the website Hussie crashed in 2011 while trying to upload Cascade.

What’s less talked about is that Hussie was friends, or at least on conversational terms with, the owner of the site, hence the idea to host his huge animation there in the first place, and other flashes, like the first Alterniabound, were initially hosted there as well.

It’s hard to believe that Hussie wasn’t at least a little familiar with the Newgrounds scene. I suspect that he largely conceived of Homestuck as part of the world of “Flash animation—” which in 2009 meant the wide variety of things that were hosted on Newgrounds, including sprite animations.

The freedom and fluidity sprite comics had to change into games and animations and back into comics again was one of their most fascinating traits. Homestuck’s commitment to media-bending needs, at this point, no introduction. But what’s less known is that sprite comics were exploring that territory first—that Homestuck, in short, is the kind of thing they wanted to grow up to be.

PUT ME IN THE GAME

I would be a fool not to mention another big thing Homestuck and sprite comics have in common: a character who is literally the author in cartoon form, running around doing goofy things and messing with the story. This was an incredibly common cliché in sprite comics, no doubt because of Bob and George, who did it early on and never looked back. You might have noticed that the animation I linked above concerns a showdown between Bob and George’s author, David Anez—depicted, delightfully, as another Mega Man recolor—and a mysterious alternate author named Helmut—who is like Mega Man plus Sepiroth I think? It’s all very strange. I could ramble for hours about the relationship between Hussie and the alt-author villains of Homestuck and what it all means, but I’m not sure I can nail anything down with certainty for these two. Maybe Bob and George was never quite that metaphysical.

But yes, bringing the author into the story in some form was already a cliché by the time Homestuck started up. Indeed, I think that’s why Hussie’s character refers to it as “a bad idea” to break the fourth wall—he’s recognizing that people will have seen this before, and are already tired of this sort of shit. And then he goes and does it anyway and makes it somehow brilliant, because he’s Andrew Hussie.

Homestuck breathes life into the cliché by taking it in a metaphysical/metafictional direction. I don’t think that was really the motivation for most sprite comic authors, though. Let’s see if we can dig a little deeper.

I think the cliché kept happening because sprite comic authors were writing about a subject that very closely concerned themselves: video games. I’m only kind of joking. The thing about video games is that even though they’re made for everyone, playing through one yourself feels like an intensely personal experience. You develop an emotional relationship to a world, to its characters, that feels distinctly your own. Now, suddenly, thanks to the magic of sprites, you have an opportunity to tell stories about that world for others to read. Of course you’re going to want to put yourself in the story in some form.

When it wasn’t author characters in sprite comics, it was OCs. You know Dr. Wily? Well here’s my own original villain, Dr. Vindictus. You know Mega Man? Here’s my new character, Super Cool Man. He hangs out with Mega Man and they beat the bad guys together. Stuff like that. Most sprite comics retold the story of a game, or multiple games in a big crossover format, with original elements added in. There was quite a lot of “Link and Sonic and Mega Man are all friends with my OC and they hang out at his house.”

What’s interesting, though, is that because these sprite comics were very aware that they were about video games, this was where they sometimes got very meta. It started with humorous observation—hey, isn’t it funny that Link goes around breaking into people’s houses and smashing their pots? But sometimes, it grew into more serious commentary. Is Mega Man trapped in a never-ending cycle, doomed to fight the same fight against the same mad scientist until the end of time? Is it worth it, being a video game hero?

Enter Homestuck. What I’ve been dancing around this whole time is:

Homestuck is a sprite comic…because Homestuck is a video game.

Or more specifically, Homestuck’s a comic about a video game called SBURB, where the lines between the game and the comic about the game blur as characters wrestle with the narratives around them, both those encoded into the game and those encoded into our expectations.

Homestuck presents the fantasy of many a sprite comic maker: I get to go on heroic quests, I get to change the world and become a god. I get to be part of the video game. And then it asks the same question certain sprite comics were beginning to ask:

Is it worth it, to be that hero?

I want to tell you about my second favorite sprite comic, a comic called Kid Radd.

Kid Radd distinguished itself from other sprite comics of the time by being a completely original production. Its sprites looked like they could be from a variety of NES and SNES-era video games, but they were all done from scratch, and the games they purported to represent were all fictional. Kid Radd used animations with original music, and sometimes interactive, clickable games, to tell its story. It also used all sorts of neat programming tricks to make it load faster on the internet of the early 2000s, which was great—unfortunately, these same techniques made it break as web technology evolved, something Homestuck fans in 2019 can definitely relate to. The good news is, fans have maintained a dedicated and reformatted archive where the comics can still be seen and downloaded.

Kid Radd’s premise is that video game characters themselves are conscious and alive—more specifically, their sprites. Sprites developed consciousness as human beings projected personality and identity onto them, remaining aware of their status as video game constructs while also seeking to be something more. The story follows the titular Kid Radd, at first in the context of his own game, commenting on the choices the player controlling him. He must endure every death, every strange decision along the way to save his girlfriend Sheena. Then the story expands into a larger context as Radd, Sheena, and many other video game characters are released onto the internet as data. They try to find their own identities and build a society for themselves, but struggle with the tendency toward violence that games have programmed into them. The story culminates in an honestly moving moment where Radd confronts the all-powerful creators of their reality—human beings.

It’s a very good comic.

The first sprite comic authors wanted to fuse real life with video games. Later sprite comic authors decided to ask: what would that really mean? Would it be painful? Would you suffer? Would you find a way to make your life meaningful all the same? Despite the limitations of sprite comics, these ideas had incredible potential, and in works like Kid Radd, they flourished.

Homestuck is heir to that legacy.

It takes the questions Kid Radd was asking, and asks them in new ways. It tries to understand, on an even deeper level, how the rules of video games shape our own minds and give us ways to understand ourselves.

At its heart, Homestuck is a sprite comic, and it might just be the greatest of them all.

EPILOGUE

I’ve seen a lot of good discussion recently on how Homestuck preserves a certain era of the internet like a time capsule: its culture, its technology, its assumptions, its memes.

I think sprite comics, too, are part of the culture that created Homestuck. Do I think Hussie spent the early 2000s recoloring Mega Man sprites? No, probably not. But what I do know is that sprite comics were part of his world. The first webcomic cartoonists came of age alongside an odd companion, the weird, overly sincere, dorky little sibling that was sprite comics. Like them or hate them, you couldn’t escape them. They were there.

And maybe a certain cartoonist saw a kind of potential in them, in the same way he summoned Sweet Bro and Hella Jeff from the depths of bad gamer culture.

Or maybe he just knew, as some sprite comic authors did, that the time was right for their kind of story.

On a personal level—Homestuck came along right when I needed it.

Around 2009, the bubble that was sprite comics finally burst. People were getting tired of them, or growing out of them, and blown-up sprites no longer looked so good on modern monitors.

I was more than a little heartbroken. I’d enjoyed Bob and George, read my fill of Mega Man generica, and fallen utterly in love with Kid Radd. I’d been working on my own sprite comic for a long time out of a sense that there was huge potential in them that we were only scratching the surface of. I’d dreamed of maybe someday doing something as amazing as the best of them did. But I was watching that world disappear. I had to admit to myself that my work wasn’t going to continue to find an audience. That I could live with. But it was painful to think that the potential I sensed, the feats of storytelling I wanted to see in the world, would never be realized.

And then, in the fall of 2010, a friend linked me to a comic that broke all the rules, that mixed animation, games, music, images and chatlogs. A comic that crafted its own sprites, just as Kid Radd did, and remixed its images into an ever-expanding web of associations and meanings. A comic that took on the idea of living inside a video game with relish and turned it into a gorgeous meditation on escaping the ideas and systems that control us.

That this comic would exist, let alone that it would succeed. That it would become one of the most popular creations of all time, that it would surpass other webcomics and break out into anime conventions and the real world, that it would become such a cultural juggernaut, to the point where it’s impossible to imagine an internet without Homestuck—

I can’t even put into words how happy that makes me. It’s the reason I’m still writing essays about Homestuck nearly eight years after I found it.

And it’s why Homestuck will always be my favorite sprite comic.

-Ari

[Notes: The image of the kids came from the ever-useful MSPA Wiki—please support and aid in their efforts to provide a good source of info about Homestuck! They need more support these days than ever.

For more on Homestuck’s place as a continuation of the zeitgeist of early 2000s experimental webcomics, this article by Sam Keeper at Storming the Ivory Tower is excellent and insightful.

Thanks for reading, y’all.]

#homestuck analysis #homestuck #homestuck's influences #hypercomics #understanding homestuck #sprite comics #internet culture

1K notes · View notes

sometimesrosy · 5 years

Note

i hate how ppl are getting mad at writers and Murphy and that they’re throwing away his character development, but like guys have you even met murphy? everything he did so far is very on brand with him. his storyline works around “how much is he willing to do to survive?” and now that he thinks clarke is dead taking the deal and having immortality as a bonus seems like a sweet deal that ofc he won’t miss out on. his nickname is literally a cockroach, survivor, fighter and ppl seem to forget it

You can’t have expectations of fandom. You just can’t. they will always let you down. Because they go for the hot take, the anger, the outrage, the bias– sometimes the obsession, the squee, the otp, the stan. It’s mob mentality that latches onto ideas and just charges on ahead.

I have noticed that fandom in general does not recognize character development and growth, as that would require them to consider the entire story, not just whatever scene they’ve fixated on for their judge and jury pronouncements.

I’ve also noticed that they demand a certain TYPE of story, which tends to be a bit more simplistic than the one being told here. In particular, they don’t recognize when a character is struggling or has a regression– a realistic stage of development in psychological growth and recovery– and will just turn on them. If you’re saying it’s happening with Murphy now, (which I’ll believe you about because i’ve made my bubble good and haven’t heard it,) then that makes sense. We can see people turning on Raven, too. Even though, if you consider their character, you can see where their actions are coming from. Clarke and Bellamy in particular got a lot of criticism in this vein, with season 3. To me, I saw VERY CLEAR PTSD and regression, but fandom decided Bellamy was the villain and Clarke was either reduced to a trophy or a selfish betraying princess.

Fandom wants to judge. I think that’s what it comes down to. They want to stan their faves and hate who they are against. In order to do that, they have to erase complexities and turn SOMEONE into the villain. If they stan Clarke, then they have to take away anything positive about Murphy (and Raven) and erase his own reasoning for what he’s done. In turning Murphy into an evil betrayer, they can then feel justified in hating him.

Maybe this fandom attitude is so drastic in THIS show because the characters ARE so morally gray and they all have done things that are questionable. It’s hard to make them into all evil or all good characters because they are neither. They are brave and afraid and selfish and selfless, they’re survivors and idealists, they’re loving and cold, they’re brilliant and really dumb– all at once. Realistic characters in ridiculous, fantastical, melodramatic situations. AND they’re dealing with the concept of good and evil, and what that means, so they can’t just stumble through life, they’re actively trying to BE better and then actively failing at it.

Instead of going along with the ride and seeing where they end up, or enjoying the moral struggle the characters have, or laughing at the complete and utter FAIL of “be the good guy” even when they have good intentions, fans like to attack.

Really. It’s exhausting. And not fun for me, which is why I’ve backed off from that part of fandom and don’t want to play.

#same old same old

17 notes · View notes

popculturespiritwow · 5 years

Text

THE WICKED + THE DIVINE: 1923 AD AKA A WORK OF ART(IFICE)

This issue is the Peakiest of Peak Gillen -- Gillen to the Power of Peak to the Power of Peak, if you will, #MathisCool. It’s a comic book masterpiece of research, reference and storytelling and I’ve been so daunted at attempting to comment on that it’s taken me months to make the attempt. You only climb Everest once, people! (Shut your mouth, Nat Geo.)

WAGNER VERSUS WARHOL, FIGHT!

In format the issue involves a back and forth conversation/rap battle between high and low art. On the one hand, we have novelistic chapters rich with description. “The island looked like a threat, a fist of rock that had forced its way through the waves.” The island and Ananke both...

Then we cut to what at first glance seems like your standard comic book, but in fact is actually a riff on the early days of film, complete with title cards (which themselves get so silly the font might as well be comic sans #IllBeHereAllWeek) and everything shot in a wash of black, white and brown, except for the splashes of red at the scenes of death—victims’ blood, Lucifer’s apple, and my favorite, the red seaweed around Neptune.

Love that red seaweed.

The heart of the plot follows a similar back and forth, as the elitist “classic” artists, the TS Eliot/Ezra Pounds and Ginny Woolf-ish-types of the Pantheon, want to kill the more popular art types, the Shirley Temples and Buster Keatons and Robert Johnstons, to initiate a nightmare scenario that will supposedly give them control over the zeitgeist of the future. It’s an incredibly disturbing take on some of the giants of the early 20th century -- and one Gillen found based in fact.

It’s fascinating, too, for as much as the real object of venom is the truly popular artists, the movie star types with their simplistic narratives and opium for the masses, the elitists focus on killing figures who from our perspective sit far closer to them – Lucifer (F. Scott Fitzgerald), Poseidon (Ernest Hemingway), Dionysius (Pablo Picasso) and the Morrigan (James Joyce). I wonder if it’s something about the chaos those specific figures represent, the way that their particular forms of art end up undermining not only the structures but internal belief system of the modern world. If Baal-Et-Al’s idea is to work with Joe Goebbels to coopt pop culture for their own We Will Keep Control project, in a sense a Picasso or Joyce was doing the reverse, presenting in the formats of the elites only to deconstruct their validity. (Gillen’s notes on the Morrigan point in this direction. Also, his description of Set as coming off “a little like Tahani from The Good Place made me laugh out loud.)

In the end our good guys will stop the bad using their own popular media, film from a train, which was in real life the very first motion picture, and terrified people back in the day for exactly the reason that they feared the train was real and was going to leap off the screen and kill them all.

Writing perfection.

HISTORY IN REPETITION AND RHYME

As we’ve seen throughout these specials, we get lots of echoes between periods here. Lucifer is once again the first one killed, the Morrigan is once again a character all about voice and drama (I love his self-narration so much, please sir can I have a spin-off?), the Norns are still trying to figure everything out, Susanoo=Dandy Baphomet, complete with his own complicated dating relationship (those rings made out of light, though, such a pristine beauty of a moment that Baph never gets), and Woden is once again a gross racist hack misogynist -- that submarine has got to be phallic, right? -- who has stolen his tech powers from someone else to produce content that is entirely derivative while secretly playing the gods and being used by Ananke.

There is also another mechanical creature, “Little Brother”, which we see only for a few panels, and that is not nearly enough because it is an adorable looking flying squid. (SCREW YOU BABY SHARK, BABY FLYING SQUID IS EVERYTHING.) Ananke also works from her standard playbook here, the Prometheus Gambit – you can gain some life if you kill others, which Baal et al will then use for bat#!% crazy purposes, which of course is also part of her plan.

And Minerva is also once again a child who seems maybe to be working with Ananke. It’s clear right from the start that the whole Shirley Temple schtick, lots of Yays and Gollys, is just an act, part of her “character”. And we get a glimpse of the real her again at the end.

That doesn’t have to mean she’s in league with Ananke. (Just read the next arc; she’s totally in league with Ananke.) But she also comes to know what happened to Verdandi, when she wasn’t with the group that discovered him. (Dude: She’s totally in league with Ananke.) And it gives her an excuse to leave Morrigan at precisely the right moment for him to get murdered by Ananke. (Yes, exactly, because she’s in league with Ananke.) And she will kill Set herself without a second thought; it’s all still just hint and innuendo (UGH NO IT’S NOT STOP), but given what we’ve just learned in the present day that’s all we need for now.

Meanwhile Baal is in some ways the opposite of ours, a racist white elitist who dismisses James Baldwin-type Amon-Re as incapable of being an artist given his “nature”, and Set is her own thing too, a snobby name-dropping Virginia Woolf. Most intriguingly, the Norns have internal divisions that break them down, which make me worry a little bit for Cassandra and her friends.

Best take care of your family, Cassie. Remember, in #WicDiv no one is just a sidekick…

CREATURE(S) IN EBONY This is the second special where the Fall of the Gods involves the introduction of a new being created by the gods by way of a classic Ananke “Definitely Don’t Do This (wink wink)”. In 1831, Lucifer and Morrigan resurrect Hades to create an energy vampire that after killing them merged with Woden Shelley to create Steam Punk Elsa. This time the being – again a woman – is described as “looking like some ancient ancestor of the Metropolitans, but made of living poetry and bleak lightning rather than simple metal.” Which sounds an awful like the 1831 Creature.

She also emerged from “an ebony luminescence with streaks of blue beyond blue”, which again, sounds a lot like Mary Shelley Elsa Frankenstein.

Almost 92 years later we’ve heard nothing from her. But Kieron never forgets anything, INCLUDING YOUR BIRTHDAY, SO WATCH OUT. What could this all possibly mean…

ANANKIERON CHRISTIE

For me the most interesting element of 1923, though, is everything to do with Ananke. We come into the special, like the last two, knowing she is our Big Bad (probably, I don’t know you guys, I think in the next arc Kieron’s going to make me feel bad for her and I don’t want to). (No worries, he didn’t, or did he, wait, there are two Anankes now, I don’t know, what?)

But here for the first time we enter into the story alongside her. In fact, in that very first shot it almost seems like she’s looking right at us.

Time’s running out, she’s got to get to the murder-y and behead-yness stat, and this time we get to watch her do it. Awesome!

It’s almost like we’re partners in the exercise, even; right before they’re about to go in for dinner and discover Lucifer Ananke seems to stop and look at us again.

Us and the millennia-old serial killer of children--High fives all around!

For the last 30+ issues I’ve been asking why Ananke is she always wearing a mask, and now finally I get it: just like the Pantheon, she is an actor giving a performance.

Here specifically she presents herself as a classic Agatha Christie protagonist, finding herself along with everyone else in the Remote Place version of a locked room murder mystery and slowly working to uncover the truth of what’s going on while others continue to die. And Then There Was Fun!

Except in fact Ananke is not The Marple but Christie herself, author of the entire series of events that happen, which makes this to my mind pretty much the greatest Christie story ever, and also reinforces the belief of All of Us that Jessica Beatrice Fletcher is the Greatest Fictional Serial Killer that Ever Lived.

But wait, though. Doesn’t that make Ananke basically…a writer? Like um, this guy…?

But that’s crazy. We’ve spent the last five years with him. He’s fine.

I mean yes, both he and Ananke fashion fictional Big Bads (Note: this issue has absolutely no trace nor mention of a Great Darkness, despite the fact that this entire Pantheon has been around almost to their Use By) and also Ways to Save the World which motivate the characters down paths which lead to their eventual destructions.

And okay, true, in this issue Kieron does spotlight/ridicule parts of the storytelling mechanic, the machines characters are always trying to find/build/repair as nonsense.

Such rituals are actually simple. It is about will and art. The machines…in my experience, they are little more than props. All that matters is your action and intent. They killed so the world would die. You die so the world can live.

But still, if we were to accept that Ananke is Just Kieron’s, er, Mask, then it’s like this whole time he’s been the one doing terrible things to all these characters, including the characters that he made me want to love.

And then this question which I’ve been chewing on since 455 AD, whether the characters can ever be free of the roles they’ve been assigned, in a sense becomes a question about whether they can ever escape not Her but Him…

Or what about us? The Audience. The ones that Jamie and Kieron and the others are creating this for.

This isn’t And Then There Were None, is it? No, this is Temple of Doom. Kieron may be Mola Ram, but I’m the Ever-Hungry, Never-Satisfied G--D-- Kali.

All along, Kieron has thrown in these moments where we get glimpses of the broader world, the way it feeds on the Pantheon. And I can get to the end of 1923 AD and say there’s a fascinating battle going on here about the ethics and/or violence of being a writer. But maybe there are also deeper questions being asked of me as a reader.

Maybe the issue begins with Ananke looking at me like that for a reason.

STOP IT, ANANKE. YOU’RE MAKING ME UNCOMFORTABLE. LOOK AWAY.

WORLD WARS, IRL AND URL A last point: 1923 AD is unusual for the degree to which it is haunted by something external, aka war. Even as the story takes place in the effervescent champagne bubble oasis of the Roaring 20s, both the nightmare that was World War I and the possibility of another war which is somehow impossibly much much worse than it hangs over the characters. That’s an insightful take on the period, but also an awe-full twist on the sense of doom that we’ve witnessed in the 21st century Pantheon, their own personal oncoming catastrophes expanded to the scale of disaster for the whole world.

It makes me wonder whether the last act of The Wicked + The Divine will involve something of a similar scale, whether the underlying momentum of the book has not always been toward the culture of celebrity, insofar as it engenders adoration, mob-think and a lack of fundamental care for and curiosity in one another, as sign of our own massive social crisis. (See: Brexit. Trump. The Fights My Dad Gets in on Facebook.)

Are we doomed? Do I still have time to tweet a thread about it? I really think it could make a difference, you guys.

#WicDiv #kieron gillen #peak peak #Kalibunga #aud koch

3 notes · View notes

rickrakontoys · 6 years

Photo

INFINITY WAR Spoiler talk

Random spoilery thoughts and rating of the movie

Things I liked:

- Thanos. This is his movie. A sad, lonely, yet terrifyingly driven villain. His relationship with Gamora helped humanize him, but he’s still a genocidal monster through-and-through… One of the best MCU villains (though I feel Killmonger is more relatable since his motivation is grounded in our reality, and Loki since we’ve spent so much time with him and witness his struggles) - Loki saying “we have a Hulk” - The various team-ups throughout the movie in general. - Tony butting heads with Dr. Strange, and his continued mentoring of Peter Parker. - Dr. Strange demonstrating more of his mystic arts powers, and going toe-to-toe with Thanos and holding his own quite well. - Ebony Maw is the only member of the Black Order worth remembering…. creepy and intimidating. - Thor managing to remain humble and mostly-level headed despite losing everything he was protecting and fighting for in Thor: Ragnarok. His bonding with Rocket of all people was endearing. - Kevin Bacon in the Avengers - Rocket matured a bit since GOTG vol. 2. He’s still Rocket as we know him, but more willing to step up and “be the captian” now than before. - The Invisible Drax. Stupid… but i liked it. - Gamora’s flashback to her homeworld and meeting Thanos, and her scenes with Thanos on his ship. We finally get to see her confront her father directly, and the dysfunction lends weight to both their plot threads. - Thanos to Quill: “I like you” - Seeing Vision and Scarlet Witch’s relationship play out on the big screen. - Hulk not coming out to play due to the beating he received by Thanos. He’s still got a child-like mind, and it’s totally believeable that he’s pout and whine and not want to come out. Banner still gets some heroism in nonetheless in the Hulkbuster. - Seeing Wakanda again with the Avengers there alongside Black Panther and Okoye. - All the cameos… always good to see Pepper Potts. Peter’s friend Ned. “Thunderbolt” Ross has an obligatory scene. The Collector appears. M'Baku returns to help T'Challa and the Avengers. Shuri gets to banter with Banner. - the Red Skull’s return… even though he has only a brief scene, it confirmed he was only teleported away and not killed by the Tessaract. - The entire battle with Thanos on Titan. It’s just cool to see heroes all battling a single enemy as opposed to another faceless army. - Nebula confronting Thanos on Titan, and her inclusion at all in the film. I hope she plays a bigger role in the next part. - Thor’s adventure with Rocket and Groot to get a new hammer. He is still obsessed with hammers…. - Giant Peter Dinklage… - “Thor, you’re about to take the full force of a star… it will kill you.” “ONLY IF I DIE!” …“Yes, that’s what killing you means…” - “WHY IS GAMORA?!” - Thanos getting more and more somber and depressed as the movie went along, especially after sacrificing Gamora, the only person he cared about. - "Tell them about the dance-off to save the galaxy." Footloose. - Quill’s angry reaction to Thanos killing Gamora and screwing the heroes… it’s perfectly in character. He’s always been an immature man-child, even with the development he received in the previous films. Part of his curse of being raised by the Ravagers. Likewise, who would NOT have an emotional outburst like that? Stark had one in Civil War. - War Machine back in action. Blowing shit up. - Winter Soldier/White Wolf alongside Rocket Raccoon……. - Thanos throwing chunks of a moon at the heroes. Tony: “If you throw another moon at me…” - Thanos’ admiration of Stark. “I hope they remember you” - Later he tries to comfort Scarlet Witch after she kills Vision. If he wasn’t a maniac hellbent on universal genocide with a history of child abuse, he might be an ok guy… - Thor’s heroic return with Stormbringer. Seeing him back to full power was great, though… it takes away a bit from his development in Ragnarok… He’s not a god of hammers… why does he need one so much? - Thor keeps calling Rocket “rabbit” and Groot “tree”. Didnt bother to learn names - “This is my friend, Tree”, “I am Groot”, “I am Steve Rogers” - Okoye + Black Widow + Scarlet Witch vs. Proxima Midnight - Vision sacrificing himself, and Wanda having to witness him die twice. - “You should have gone for the head!” - The ending… the fingersnap. The dissolve into ashes… The character’s reactions to these deaths is what makes it all work, even if we the audience know it probably won’t be permanent. - “Mr. Stark, I don’t feel so good…” and “I don’t wanna go I don’t wanna go… I’m sorry”…… - Knowing what Tony must have felt when Peter disappeared… probably adds a whole new level to his current PTSD… - Dr. Strange clearly playing the long game, even at the sacrifice of himself and half the universe. “Tony, it was the only way”… Witnessing their deaths 14 million times must have been rough. - Cap gets the last words in the movie: “Oh god….” - The simple end credits, playing almost like an “in mermoriam” - The fact that we have no idea where the heck Avengers 4 is going plotwise…. will those who became dust in the wind return? Seems likely since Homecoming 2 and GOTG vol. 3 are filming soon… and like they’d kill off Black Panther after he made ALL THE MONEY before this movie made all the money again. - “Motherfu-”

Things I didn’t like:

- Heimdall again gets kinda shafted… after getting such a prominent role in Ragnarok. At least he got a last heroic gesture by sending Hulk home. - Loki dying so early to be motivation for Thor. Unless he has more up his sleeve in a long play, having him try to stab Thanos in the face felt like sloppy storytelling. What if he succeeded? The Black Order is RIGHT THERE. They would’ve killed both him and Thor anyways. Loki probably knew death was imminent and wanted one last act of defiance and proof of loyalty to Thor and Asgard. I don’t mind him dying early on, but I feel the writers should have been smarter about his actions. - The GotG felt a bit flanderized. I get it though since they need to share screentime here. Quill remains immature and childish and it leads to disaster. Drax merely spouts comedic lines and is generally useless. Mantis is not much of a fighter but at least managed to subdue Thanos a bit. Groot barely registered at all until he makes the handle for Stormbreaker. Groot meeting Captain America was amusing though. - No one during the Wakanda fight calls attention to the talking raccoon… - Cap, Falcon, and Black Widow also didn’t get a whole lot to do. Their fights seemed to devolve into shakey-cam BS. - Vision was nerfed for sake of the plot. Guess he’d otherwise be too OP. - What was the point of Red Skull being there at all… if you replace him with someone else, would it have affected the plot in any way? Why was he floating like a spectre of Death? - Rocket just gives Thor a new eye…. guess they got tired of CGI-ing that eyepatch on Thor. - The fake-out of Gamora killing Thanos in Knowhere… of course they’re not killing the villain in the first third of the movie. - Gamora’s death… when she asked Peter to kill her, I knew she’s probably going to die. Of course not by Peter… the scene of her, Peter, and Thanos was a good one though. - Something about the scene on Vormir felt… heavy-handed. Maybe the music? The silly fade to Thanos’ crying face when Gamora is falling to her doom? Something just took me out of the moment… maybe the awareness that i was looking at a purple, ballsack-chinned, CGI space man crying CGI tears. - The Black Order… generic looking scary alien people… They didn’t amount to a whole lot. Just excuses for more fight scenes. They all die inglorious deaths. - The final battle in Wakanda was another giant brawl with faceless alien monster people… there’s nothing creative about it. - There is no build-up to that battle either… it just happens. Take a page out of Peter Jackson’s The Two Towers… the build-up is just as, if not more important than the battle itself. - Hawkeye and Ant-Man being convieniently written out of the movie… - Where is Valkyrie? and Korg? Not even enough time to give them a mention? Valkyrie might’ve been helpful in the ensuing fight… - Thanos didn’t seem to use the Gauntlet to its full potential despite demonstrating some wild powers. He mostly just shoots purple beams at people… - Thanos is “burdened with knowledge” and thus knows who Stark is…. ok…. what. - The pacing of the movie felt too relentless. Let the movie breathe a bit dammit. - The CGI in some scenes screamed of “reshoots”… Banner in the Hulkbuster comes to mind. Iron Man and Spidey’s Iron suits looked very cartoonish. The Black Order’s CGI looked very off in a few scenes. Could they not have achieved Proxima, Corvius, and Maw using prosthetics? Thanos looked very convincing though, even if his look was a tad simplistic. - The music… you hear the Avengers theme occassionally… but there’s no memorable new music. We don’t hear any of the respective themes of the various characters. No Guardians theme, no Dr. Strange theme, no Iron Man or Captain America or Spider-Man or Thor themes…. Music should factor into this “culmination movie” as much as the characters. Least we got the Black Panther theme when we see Wakanda again. If somehow the different themes get interwoven into a new melody…. plz Avengers 4? -Knowing that this was a part 1 of a 2-part finale sort of robbed the movie of a sense that the deaths will be permenant… but I would like to be surprised in Avengers 4. The question is seemingly “how” they will defeat Thanos and revive their allies, and not “if” they do…

Overall, there is a lot of good in this movie. It’s not as… “fun” as the previous Avengers movies or even Civil War. They tried to be a lot darker, and for the most part they succeeded. The issues I have are mostly nitpicks to the plot, and minor issues with the craft involved.

After two viewings, I don’t feel the need to really watch it again… until Avengers 4 next year.

8.25/10

#avengers #infinity war #infinity war spoilers #avengers spoilers #mcu #marvel cinematic universe #marvel #avengers infinity war #spoilers #movie review

27 notes · View notes