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#I see why that's the song they picked for the trailer and like. the iconic scene showcase.
dbphantom · 1 year
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Alright the Trigun Stampede OST fucking slaps
I really like the vocals in the jeneora rock resistance, which I did not expect to hear but am totally here for. its so catchy...
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meadowofdarts · 9 months
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Qᴜᴇsᴛɪᴏɴɪɴɢ CʜɪSᴄᴀʀᴀ [Scaramouche, Tartaglia - Ft. (Name)] [Mᴏᴅᴇʀɴ AU]
i've discovered the "611 anthem" and it's been on my mind nonstop and this is how i ended up writing this... please it's so iconic 💀💀 i still can't believe griffin and patrick did something like this... i thank them for the awesome anthem 🧎‍♀️🧎‍♀️ (I'm also currently waiting for someone to animate it or the community to make more videos of it bcuz........... yes)
...
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You were just in the living room, scrolling through your phone as you made yourself comfortable on the couch. You were bopping your head through the music playing from your Spotify.
The clubhouse for your group, the Fatui, was literally the best, probably better than your own home. Your leader, the Tsarita, definitely picked the grandest house for the members' hangout area.
Unfortunately, it was a Sunday, and many members, aka your besties and great friends, were busy today. You only knew that Pierro was hanging out with Capitano and Pulcinella.
And Pantalone, Sandrome, Columbina, and Signoria were out of town for a while. Dottore was busy with his science experiments, and Arlecchino was in another city called Fontaine. You didn't know why, but you didn't question it.
Leaving only you, Tartaglia, and Scaramouche. The two members you both love and had the biggest problem with complex names. Seriously, the two of them have like three or four names. But you love them either way.
You didn't know what they were doing. All you remember before was that you and Scaramouche were hanging out on the couch, watching trailers of the upcoming movies you both were interested in until Childe literally pulled him and dragged him away, ignoring Scaramouche's angry temper.
So here you are, listening nonstop to your music albums and scrolling through your phone, bored. God, what can you do?-
You snap out of your thoughts when you suddenly hear the loudest beats you've ever heard. It made you jump, and you heard it immediately come from the backyard of the clubhouse. You raise an eyebrow as you walk up to the door that leads outside.
As you were about to open it, you witness Scaramouche sitting on one of the pool chairs as he was wearing a gold chain that had an anemo symbol, and shades, and holding his mother's treasure like it was a trophy.
But you jumped when he literally yelled behind the door as the beat continued. "Yo, where you at, Childe!?"
You notice that Childe was wearing almost the same things, and his and Scara's outfits changed, looking like rappers.
"Lift your brims, Scara, I'M RIGHT HERE!" You see Childe coming, and he literally threw a pool ball to Scara, but the purple-haired guy was unbothered.
"HIT' EM WITH THAT FIRST VERSE!" Scaramouche laughed. "I mean, no. You were playable before me?"
"Uh-huh."
"Let's go!"
"Alright! Slay all day!"
You then watch the two going around the pool, singing and rapping about lyrics that involve the memes of their fan groups. They were recording themselves around the pool and literally, it was a strange sight that Scaramouche was dancing and saying the craziest lyrics.
You stifle your laughter behind the backyard door and immediately whipped out your phone to record them. Their voices were loud so the recording managed to get their beats playing and their voices. You wheezed out loud when they said some lines that sound super weird coming from them, most coming from Scaramouche.
You were planning to send this to the other members because this was hilarious to you. This was the new entertainment and music you were craving for.
...
Their song didn't end that long because, after around two minutes, they were finished. And you literally laughed dying at the last lines they had to say to their song as the beat dies down.
"Yo, Scara! That was more than Tartagalicious! That was SCARAMOUCHE-ALICIOUS! I can't even say it!"
"..."
"We should do an emo song next."
"...What?... The ANEMO song... Anemo..."
The moment the beat stops, you burst out laughing as you finish recording, and you decide to be a hysterical hyena, revealing yourself and stepping into the backyard.
Scaramouche and Childe look at you, laughing with your phone whipped out. Childe was surprised but he wasn't mad like Scaramouche who was literally red.
"OMG! WTF WAS THAT...!" You yelled, wheezing. "I'm not surprised Childe to do this, but you... Scara, I didn't think were into this too..!"
"SHUT THE FUCK UP, (NAME)!" Scaramouche fumed.
...
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A few days later, the entire house was filled with absolute laughter.
You, who somehow manage to avoid Scaramouche and his evil actions to murder you, showed the recording to the members when all of them came back into the clubhouse.
Dottore, Columbina, Pulcinella, and Pantalone were laughing hysterically with you as the video plays its iconic lyrics and beats.
You even notice the Tsarita, laughing, the lady of the house who rarely expresses emotions, laughing with you. She wasn't as loud as you but her laugh was more than enough for you.
Sandrone and Capitano were giggling, not laughing as hard as most of you were, but still found the video amusing.
Meanwhile, Pierro, Arlecchino, and Signoria were deadpanning at the laughing members, but they mostly looked embarrassed and shameful of the video.
"Bro, literally, wtf?"
"I love it!!"
"Nice singing, Childe! You too, Scara!"
"It's so good!"
"...This is quite amusing."
"Very funny~"
"Quite fun."
"...Why am I even here?"
"...Such Children."
"...This is the most embarrassing thing in fatui history."
Childe was grinning in his seat, enjoying the attention and the music video. He was not bothered at all and loved how the song turned out.
But...
All laughter died down when Scaramouche entered with the scariest glare you've ever seen.
And he. was. staring. at. you.
You yelped and laughed nervously out loud when Scaramouche then chased you with a butter knife.
"SCARA, WAIT! WAIT! WAIT! WAIT!"
"GET BACK HERE, YOU LITTLE BITCH!"
"...I'm surprised he's mad at (Name). I thought he would also be mad at Childe, too."
"Pierro, don't give Scaramouche ideas-"
"OH DON'T WORRY! I'LL MAKE SOMETHING TARTAGALICIOUS OUT OF AJAX!"
"WAIT, SCARAMOUCHE! I'M SORRY! AHHHH- HELP!"
...
Chaos flooded the entire clubhouse.
...
And through it all, the Tsarita smiled. "...What a lovely evening at the clubhouse!"
...
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authors: ok, help... what did i create... idk i'm sorry... but i still love it... anyways, unless another iconic thing appears before me, don't worry I'm still working at starlight lmao... now I'm considering add something like this in starlight now...
:D
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I would like to hear the two hour rant about Jhin 👉👈
O h B o y, I will happily talk about him for AGES.
Are you familiar with music theory? 4/4 time is also referred to as Common Time in the western music lexicon, and I wonder if Jhin is familiar with said concept and/or frustrated by it. Perhaps he is instead satisfied with it being so recognisable.
There are no X/3 bar times, because the 4 revers to Half Notes/Quavers, Eighth Notes/Semi-Quavers, or Sixteenth Notes/Demi-Semi-Quavers. So if Hwei was to have a beat, it would most likely be 3/4 instead, which is a common waltz beat.
The combination between the two would be 12/4, right? 3×4, and then the 4. But no - thats 12 quarter beats that is uncomfortably long. Realistically it would be a 12/8 beat - maintaining those 4 main beats, but each one internally containing a "ONE-and-a TWO-and-a" to maintain that waltz feeling and that same energy throughout.
That combo manages to find the middle ground between both musical ideas, mixing them evenly, whilst also keeping the flow and the energy of either piece.
Why do I mention this? Well, in Jhin's theme, that Violin solo that moves up and down those scales is using triplets to replicate a 12/8 beat in the 4/4 time signature. Jhin's most iconic and recognisable instrument is already within that compromise.
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Ray Chen has attempted to play Jhin's Theme (within 30 minutes of seeing it) with the official RIOT score, and in doing so managed to talk about how it is a consistent movement up and down scales, not a hard thing theoretically, but that it is done so fast, and so precise between the constantly changing scales that it is actually difficult.
Which is the same rules applied to the moral/skill of The Devil Went Down to Georgia: Whilst the Devil plays things with inhuman difficulty and can make unique sounds, that means nothing if no one knows what you are playing. By playing something recognisable, and easily identifiable, but by doing it so well and so consistently as to not make a mistake in timing or fingering or ANYTHING - that takes TRUE skill.
There is also a sound effect found in Jhin's theme that I cannot fully identify. It is also found in the Jhin Teaser Trailer "The Mind Of the Virtuoso", much louder and when the blue tendrils of light from his gun are on screen, but still present in the theme on it's own. I have tried for AGES to find what exactly the sound is. It is akin to the sound of a silent whistle, or maybe a chain metal slowly being moved or lowered into china? I cannot find an exact replica of the noise no matter I how to find it.
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What is the sound they use for his magic? How is it? How does it relate to Jhin's character and what does it mean that it is there? Is it sharp metal or something against silk? I do not have access to such things so I cannot know - and it drives me insane. What does it mean for his characterisation????
The gun as percussion within his song is much more obvious: Both in what it is and what it represents. Percussion is the hearbeat of the music. That and the base instruments are what drive music forward, what provides the momentum and a pace for the piece as it goes.
The gun is Jhin's own drive, his forward momentum. He lives for his "art" and the new (better than his old knives) medium he has been given to express it. He manages to keep it, and get more resources, by using it - by using it in specific places on specific people. His desire is to push forward, to build up, to lead to his final performance he has mentioned quite a few times. And that is done through the gun - the gun is his drive and his drive is the gun.
If I wanted to rewatch and actually analyse more of these thematics and pick through each part of his music and theme, I very much could - but it is getting late and also my arm is hurting from typing all this out.
So analysis of Key, Chorus, Echoes, Piano as instrumentation, and also how all of this ties into musical stereotype and how music is used to explain characterisation will have to wait until tomorrow or later. I will reblog with it once I get around to it.
Also this is only accounting for two of the several pieces of media he is in, and not even considering HOW said characterisation affects his interactions or place within the story.
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alathan13 · 1 year
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The Little Mermaid Live Action
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I’m so freaking prepared for this movie and it’s not even funny!!!!!!!!!!! I’ve watched the trailer so many times since the full trailer was released.
The original Little Mermaid movie was and is still one of my all time favorite Disney movies. And now just seeing in come to life is amazing. I can already tell you I’m gonna be in tears probably halfway through the movie.
There are probably a million reasons why I’m so excited but I’m only going to talk about my top 3.
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Halle Bailey: She such a beautiful woman and a wonderful singer. I heard her singing only a few times before, but when I really heard her voice was during the Disney World 50th Anniversary and she sang “Can You Feel Love Tonight” and she has such a beautiful singing voice. I also read this article somewhere online about Jodi Benson (the original Ariel) and her opinion about Halle playing Ariel. Jodi Benson has been very supportive of Halle as she plays Ariel and was there when Halle received backlash about her playing Ariel. So, Jodi Benson talked about how it doesn’t matter who you are, what you look, or where your from, it’s about the spirit of the character is what’s important. I 100% agree with her. Halle Bailey is going to do a wonderful job by bring one of the most iconic Disney princesses to life.
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2. The Music and New Songs: Can we just take a moment and talk about Lin-Manuel Miranda?!?! As everyone should know, he wrote the Broadway musicals “In The Heights” and “Hamilton” and has also written music for other Disney movies like “Encanto” and “Moana”. Lin-Manuel is also a big Disney fan and he also named his son after Sebastian in the little mermaid. And now he gets to work with Alan Menken (the original music composer) and he was the one who inspired Lin-Manuel to compose music. He basically gets to work with his hero and that’s amazing!!!! I’ve also read somewhere that Lin-Manuel might be Chef Louis in the movie.
Ok, now the music. We all have to admit that the original soundtrack slaps!!!! They are classics and masterpieces. I can’t wait to listen to it again in the live action. I have a feeling some of the songs might be a tad different from the original, but that doesn’t bother me. The have done the same thing in all the other Disney live action movies and I love those movies.
I’m really excited to hear these new songs in the movie. As I said earlier, Lin-Manuel Miranda got up work with Alan Menken and wrote 4 new songs. Can’t wait to hear them and listen to them like a million times once the soundtrack comes out.
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3. The Actors: Besides Halle Bailey as Ariel, I think they did an amazing job with the cast. I mean, you could have picked better than these actors and actresses to play these roles.
Awkwafina as Scuttle: If you didn’t know who she is, Awkwafina was in “Jumamji: The Next Level” and “Chang-Shi and the Legend of the Ten Rings”. She is a really funny actress and always makes me laugh. I think she will make a great Scuttle.
Daveed Diggs as Sebastian: I think everyone had a feeling that he would play Sebastian before the trailer even came out. He was in “Hamilton” with Lin-Manuel Miranda and also rapped a whole bunch in the musical. I read somewhere that he might rap in the movie and that makes me happy. He honestly fits the role of Sebastian perfectly.
Melissa McCarthy as Ursula: Just like Awkwafina, Melissa McCarthy also makes me laugh as well. She was in the movie “Life of the Party” and Netflix “Thunder Force”. I’m excited to see her bring out her inner diva while playing Ursula.
Jonah Hauer-King as Prince Eric: First of all, he is extremely cute and hot. When I first saw him I was like blushing like crazy. Also, he was in “A Dog’s Way Home” and the tv show “World On Fire”. I’m excited to see him play Prince Eric. Another thing to point out is that Prince Eric was my Disney Prince crush when I was little and that crush it starting up again.
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Those are my top 3 reasons why I am excited about the Live Action Little Mermaid. I won’t be able to wait any longer as it approaches theaters.
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miniar · 7 months
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So Apparently Diablo IV is coming in a perfect display of Blizzard's ongoing downfall.
Blizzard Entertainment went and fucked up a while back by banning a Hearthstone tournament champion from competing because he voiced support for Hong Kong protesters in an interview and since then things have only gotten worse.
Diablo 1 and 2 were iconic games along with the warcraft and starcraft series. For a long time these games were praised and loved as reliable good fun and the blizzard servers that let you play with people around the world were... well.. they existed and were perfectly serviceable.
The games ofc would connect to blizzard net by default so when that whole thing was discontinued that was simply that.
Then World of Warcraft happened, and a popular cash cow that was. It fast became the most played MMO around. I played it.
Of course, when you reach late game content it was all a tedious grind requiring multiple hours of multiple days of commitment to attend, and you were required to have the correct gear and correct stats and correct skills to be permitted to attend, and so any individuality or desire to do anything but this meant you might as well be playing a single player game if it wasn't for the (usually toxic) chat.
When Diablo 3 came out, many of us old timers bought it and played it. It had references to the old stories and it was a good time. Fun even. It had it's flaws, ofc, but there are some lines from that game that still play in my head when the situation is about right.
I had no idea Diablo 4 was in the works. To be fair, I'm not paying as much attention as some do, but given how big the Diablo franchise was, it came as a complete surprise to see it suggested in my Steam queue. A tiny nostalgic spark went off in my head and I wondered what direction they'd take the story from where it left off, what kind of heroes would be called, whether maybe I should pick it up and play necromancer again, my go to "bring your own army" build dreamily dancing in the far back of my old goth mind.
And the video trailer gave me absolutely no information what so ever. It was a popular song (you should see me in a crown) playing over the unimpressive "reveal" of a succubus-esque form followed by shots of mid combat chaos.
And nothing else.
Nothing.
No interesting characters, no indication of what the class options are going to be, no suggestion as to what the story is, or why, or anything remotely interesting.
Just, "check out this sexy boss we made, also here's some combat".
It REEKS of half-assed cash-grab mediocrity, at best.
And that's the thing. In the last decade or so, Blizzard's slowly but surely becoming known for shit customer service, product decline, and absolute lack of anything remotely resembling a spark of creativity.
Diablo 4 looks like a knock-off diablo phone game.
Blizzard, by the way, created a phone game, and instead of reworking their earlier games and porting them to a phone where a younger generation could experience the iconic franchise for what made it popular and older players could come back and bask in nostalgia, they built a boring, superficial mess.
And just to make it worse, just like their shitty phone game, it looks like Diablo 4 is gonna force you to be connected to the internet.
And you know, I'm annoyed, because these games were in the stack of things that made playing a game something I enjoyed doing. The stories, the characters, the challenge, it was all a good time. And now we're getting the "sad wankfest" versions from what used to be a pretty good game dev company.
It's like finding they've replaced one of your favorite fruits in the supermarket with an artificially flavored wax version that isn't actually for "eating" but you can chew and spit out pieces of it for the "experience" of what it might be like to eat a fruit as interpreted by a person who's only experience with said fruit was a picture and a third hand description of the flavor.
If you've never had an apple in your life, sure, maybe this'll be a good time for you, but for the love of all that is holy, please, there are better options out there, some of them are even free.
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grandmasterwolfeon · 4 months
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Dear Rebel Pt. 1 🌟🏴
In today's post and my second/third post overall, I shall talk about Erina and how I developed unexpected feelings for her and, in turn, fell in love romantically for the second time in my life, which I didn't think was possible:
The first time I met Erina in this world was at GamesCom 2023, when I was lucky enough to play a bit of Persona 5 Tactica at the Sega/Atlus booth! At the time, I knew of her name after seeing the trailer for P5T on the interwebs and being surprised that the phantom thieves were back for another adventure, but getting to know how she played and seeing her in action, I thought she was really cool, just like Robin, and I was in awe, although I didn't have feelings for her at the time because me then didn't know what was coming until she counted down to the days until Tactica was released to the Nintendo Switch on November 17th, 2023. It was then that the day came, but it wasn't until the next day, November 18th, 2023, that I went to my nearest GameStop and picked up Tactica, excited to finally be hands-on with not just a Persona game but something from the P5 series of games, albeit Tactica being a spinoff like Strikers. As I booted up my switch and inserted the cartridge, there was the icon for Persona 5 Tactica right there on my screen. As I excitedly clicked the A button on my right joycon, it loaded, and the song Revolution in Your Heart, sung by Lyn, played as the intro started. I was excited to see my bestest friend Ryuji, but seeing Erina, I said, "Oh, Erina!" as the intro wrapped up and I went to the title screen. I was greeted by Ryuji's voice, and I started up a new game file. As I played through Marie's kingdom, I couldn't help but admire Erina as I remembered the talk of woman crushes with a friend of mine as I mentioned that Erina was being tied with Haru Okumura being my woman crush as she asked me why I explained that she looked so pretty and that I admired her spirit to help the people of her world fight back against Lady Marie and saying that might've ignited something because as the days of me playing Tactica went on, I couldn't stop talking about how pretty Erina was, even saying how much of a badass she was! As we got to the part of Marie's kingdom where Erina got shot by one of her legionnaires, it caught me off guard as I screamed, "ERINA NOOOOO!" Although she turned out alright, it made me worried and a bit sad that happened to her. It was then, jokingly, although my words would've eaten themselves later on, I said, "If I were attracted to woman, Erina turned me gay /j," since I identified as a heteroromantic demisexual at that time, I was questioning my sexuality because of the Rebel Corps Leader, as I said I was in lesbians with her like Scott Pilgrim said to Ramona Flowers.
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Link to Part 2 here!:
https://www.tumblr.com/grandmasterwolfeon/737701763196551168/dear-rebel-pt-2?source=share
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harrywritingsbyme · 4 years
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Pushing Buttons
Loosely Based Off Of This Ask
And This One
A/N: I’d Like to dedicate this to the ICONIC Watermelon Sugar music video🍉🍉 Also, the ending sucks yet again... Enjoy 🙃
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This new era in Harrys music was becoming very frustrating for you. It wasn’t the music, it was the music videos. Most people would be a bit jealous of the fact that Harry had written a few songs about his ex. And sure it stung a little in the beginning, but once you took a step back and realized that it was before you and that it was his experience, you were completely over it. Plus the fact that he wrote a couple songs about you made it sting a lot less. The music videos though, those were a completely different story. You hated the idea of other people getting up close and personal with your boyfriend.
A prime example would be the Lights Up music video. There was no doubt about the fact that he looked really good (like, really good) in that video. You just hated the fact that everyone around him got to not only see how good he looked, but they got to feel him up too. Normally you wouldn’t get jealous but after being on set of that video for the entire day, you were jealous. And you did let Harry know. You decided to wait until the next day to bring it up because you knew how happy he was with everything, and you didn’t want to ruin his excitement for this new era in his music career. When the two of you were in a completely relaxed setting, you gently brung it up and you told him how you felt. 
The way he responded to your feelings made you feel a little silly for the way you were reacting to all of this. As soon as you told Harry that you were feeling a little jealous, he immediately pulled you into him, letting you know that he completely understood how you felt, and that you had nothing to worry about because he was all yours. Despite how utterly adorable he thought you looked when telling him how you felt, he couldn’t help his cock from hardening in his pants. The fact that you didn’t like anyone besides you touching him was beyond sexy to Harry. He didn’t like to see you upset, but it was just something about your possessiveness over him that could turn him on in an instant. Your voice and words were sweet and understanding, but the underlying message of what you were saying was anything but sweet. He couldn’t wrap his head around it, but it was something about that underlying seriousness in that moment that just captivated him. It made him want to show you just how much he was yours. Which is exactly what he did. For the rest of the day until it was time to check out of the hotel, Harry used his mouth, fingers, and cock in ways that were completely unimaginable to the both of you. He wanted to make sure you knew that he was all yours. 
That was only the first thing Harry did to make it up to you though. The next thing he did was something you would have never expected. A few months later, Harry and his team began planning and brainstorming for his final music video for the album. This video just so happened to be for Watermelon Sugar. The song that not only sent shockwaves through not only his fanbase, but through you as well. When you first heard the song, you really liked it. But once he explained the song to you, which was very in depth by the way, you found out that it was not only about you, but how sweet you were. You couldn’t believe that he practically wrote a song about eating you out. That is until you remembered that it was Harry you were talking about. You knew how much he loved having his head nestled between your legs, but writing a song about it was next level. The only thing that could top the song, would be the video for it. Harry didn’t give you many details about the said video. All he told you was that the overall premise of the video was beautiful people on the beach. Which raised many questions in your head. But the fact that Harry wanted you to be in the video was far more questionable. When he told you this, you quickly dropped the final steps of your night routine to immediately address this newfound information.
“What do you mean I’m gonna be in the video?” You try to hold back your laughter, but you couldn’t help it. 
“What’s so funny?” Harry didn’t think anything he said warranted a laughing response. He wasn’t joking when he said that he wanted you in the video. He thought you’d be perfect fit for what he and his team came up with. Plus, you had to be in the video for at least one of the songs that were written about you. It all made perfect sense to him. “I want you to be in the video, simple as that.”
“But why though.” You ask again, trying to make sense of it all. You pull back the covers on your side of the bed before sliding in next to Harry. He closes his book and places it on the bedside table before moving in closer to you.
“I told you that the whole idea of it is beautiful people on the beach, right?” He asks. 
“Mhm”
“And you’re the most beautiful person I’ve ever seen. So, it only makes sense for you to be front and center.” He explains to you. 
“It’s amazing how you can say the cheesiest things and make my heart melt at the same time.” 
“Y/n, I’m being serious. I don’t understand why me wanting you to be apart of this is so crazy. If it makes you uncomfortable then I completely understand and if you don’t want to be in the video that’s fine too.” Harry explains further. 
“No, it’s not that. It’s just that being in your music video is a really big part of your work, and I just don’t want to be a distraction or in your way at all.” You calmly explain to him, pushing your fingers through his hair in the process. 
“That’s the last thing you have to worry about. If m’being honest, I’ve done some of my best work when you’re around. And on top of that, I’d love to have my muse right by side.” He reassures.
“Then in that case, I am honored to be apart of this project with you. And I look forward to seeing what you and your team have put together.” You smile at him.
“I think you’re going to like it.” He says before sending you a quick wink. 
~ ~ ~
In the weeks leading up to the video shoot the two of you didn’t talk much, if at all about the video or what you were supposed to be doing. All you knew was beautiful people on the beach. That’s it. Harry left you completely in the dark about everything else. 
Then the long awaited day finally came.
The entire time leading up to the shoot, your stomach was churning. You had no idea what was in store, and you were feeling a combination of nervousness, and excitement for the day. For the entire drive to the beach, you were asking Harry little questions here and there to get some type of information as to what you guys were doing. And with Harry being Harry, you got zero information out of him. 
“I know what y’doing and m’not tellin’ yeh anything.” Harry chuckles at your prying. 
“I bet you gave a full rundown to all the models what they’re going to be doing in all of this.” You say simply. 
“Yes, my team did tell them what they’re going to be doing.” Harry replies.
“So why can’t you extend me the same curtesy Harry Styles.” You say in a serious tone, even though you were trying your hardest to suppress the smile that was creeping up onto your face. 
“It’s not like you’re gonna be makin’ out with anybody or in the nude. It’s gonna be fun, all you have to do is trust me. Can yeh do that?” Harry reasons with you. 
“Fine” you concede. For the rest of the ride to the filming location, you and Harry talked talked about a variety of things. The conversation ranged from Harry talking about his excitement for his upcoming tour, to you talking about possibly getting a puppy to keep you company while Harry was away. And Harry made sure to pay extra attention to everything you said, because he didn’t want to slip up and give you any information about the video. 
When you and Harry finally get to the beach, the both of you are pulled right into his trailer. As soon as you two hit the chairs, there’s someone already working on your hair and makeup while the director of the video is standing in front of you explaining what was going to be happening today. What you gathered from the brief conversation was that you were going to be touching on and feeding Harry, while being fun and flirty. You could do that, right?
“See Harry, thats all you had to say” you turn to Harry, who was currently getting his nails painted a bright orange color. 
“I know, I just wanted it to be a little surprise. Wanted you to naturally release your inner Watermelon Sugar.” He proclaims.
“Harry, do you want this to be on YouTube or pornhub? Because you’re sending me mixed messages right now.” As soon as you say this the entire room bursts into a fit of laughter. 
“Well-“ Harry begins before you quickly cut him off.
“Don’t you even finish that” you quickly interject. 
“Okay fine. But in all seriousness, you’ve got this, you’re gonna do great.” Harry affirms you. 
You sit in the chair a little while longer while the hair stylist and makeup artist finish up on you. Once you’re all done, you go off and change into your outfit and you couldn’t help but look over yourself at least 10 times. You loved the red printed outfit and the way it hugged your body perfectly. You could confidently bet your last dollar that Harry hand picked this for you. It was something about everything from the clothes to the accessories that just screamed you, and was too much your style for Harry to have not picked it out. You also noticed that, the print on your outfit perfectly matched the shade of red that was in one of his looks. You’re broken out of your thoughts when you hear a knock at the door. When you hear that it’s Harry, you quickly open the door for him. 
“Look at you!” Harry admires your figure. You do a little twirl in front of him, and he couldn’t help but give your ass a little tap. 
“Well I guess you should just get it all in, because once we get out there it’s all business. Sorry Styles.” You tell him in a serious tone.
“Not even a little squeeze?” He pouts, wrapping his arms around you and pulling you against him.
“No. And this is exactly what I was afraid of. I’m gonna be a distraction to you, when you need to be working.” You give him a light hearted glare while lightly poking at his chest.
“I promise that I’ll behave.” He pouts back at you. 
“Pinky promise?” You stick your pinky finger up towards Harry. 
“Pinky promise” He wraps his pinky finger around his, sealing his promise to remain professional during the shoot. 
“Your nails are cute” you admire the bright orange polish on his nails.
“Not as cute as you though” he cheekily replies to you.  
“M’gonna keep my eye on you today, because someone needs to keep you in line.” 
“Fine” he whines like a little kid. 
“Good boy” you pucker your lips up at him for a kiss.
“Look who’s being unprofessional now” he points out before pressing his lips onto yours. 
“I will have you know that it’s my job to kiss you”
“So does that mean everyone else can kiss me the way you just did?” Harry knew exactly what button he was pushing when he said this. 
“Nope, absolutely not. If there has to be any type of kisses, cheek kisses only.” You not so playfully request. 
“Someones getting jealous.” he teases. 
“M’not jealous! Would you like me to be?”
“I mean...it is pretty hot when you’re jealous.” He says truthfully. He pulls you tighter against his body, and his hands wander back down to your ass.
“Well, I’m not going to get jealous today, and as much as I’d like continue this, I have to get out there with everyone else.” You pout up at him. 
“Do y’have to? Because you could just stay here with me.” Harry tries to coax you into staying with him a little longer. “If y’want, I can close the door and we could have a quickie right now.” Harry proposes, making sure to quirk his eyebrows suggestively at you. Before you could tell him no again, the director comes into the trailer to let you know that they needed you out there with the other ladies.
“I’ll see you later.” you press a kiss to his lips before walking out of the bathroom and out of Harry’s trailer to the set. You quickly introduce yourself to everyone, but you just introduce yourself as Y/n, not Y/n who is also Harry’s girlfriend. All of the girls you met were really nice, so you had a strong feeling that it was going to be a really good day.
For the next couple of hours, the video shoot is well under way and everything was going great. As the time progressed, you became more relaxed and in your element. You were really getting into it, and you made sure that Harry knew that. You figured that Harry had told the camera crew to get more than a just couple shots of you. So, you decided to make the most out of it and put on a little show for the cameras. You could feel his eyes on you the entire time and you loved every second of  the attention he was giving you. Whenever the camera wasn’t pointed at him, Harry’s eyes were right on you. For almost any other guy in the world, the entire idea of being in the midst of beautiful women would have turned them on immensely. But for Harry, there was only one woman here that he had his sights on. And that was you. Seeing you completely in your element was really messing with him. At first, you were the jealous one, but seeing you welcoming the soft touches from the other girls was starting to get to him. Yes, it was beyond hot to see you like this, but he wanted to be the one touching you. The way you were basking in the sun made the urge for him to run his fingers across your warm and glistening skin grow tremendously. From time to time watched you eat the pieces of fruit, and he could see the juices dripping from the corner of your mouth. And every time he watched you, he just about lost it. Not to mention the fact that you’d simply look over at him and send him the most tantalizing, yet innocent smile in the book. It made him wonder if you were trying to turn him on and make him jealous. 
One of the main reasons why he wanted you here was because he knew how you were a little jealous when he was shooting the Lights Up video, and the last thing he wanted was for you to feel the same way about the video for a song that was all about you. But now, seeing how you were comfortable and completely in your element with everything, Harry decided to give it everything he had. If you could make him jealous, why couldn’t he do the same? Once the director got a couple shots of you and Harry, Harry went right into his plan. He began to lean into all of the touches he received, making sure he had a satisfied smile on his face whenever someone did touch or feed him.
You knew exactly what he was doing. He was trying to make you jealous. Sure you preferred if you were the only one touching Harry, but given the nature of the song and direction they wanted to go in, you were completely fine (at least you thought you were). You did your best to just ignore him, but it was getting harder and harder every time his eyes locked in on yours. You would be the biggest liar if you said that the whole situation with the video wasn’t hot, and that you weren’t a little jealous. The smile that was plastered on his face was the same smile he’d give you when it was just the two of you, and when he was doing what he’d written about in the song. He made sure to send it your way whenever he could, knowing you’d instantly pick up on its familiarity. Harry was doing his absolute best to make you tick, just like you did to him. He could see that he was pushing on the jealous button inside of you, and there was nothing you could do about it. 
At first, neither of you had the goal in mind of pushing each others buttons. But now, that’s all either of you were doing. You were trying to get one another riled up. And by the looks of it, the both of you were doing a pretty good job at it.
When one o’clock rolled around, the director called cut, and told everyone that there was going to be an hour lunch break before you all began filming the last scenes for the video. You were talking to two of the girls you’d met when Harry sneaks up on you from behind and lifts you up in his arms. 
“Harry what are you doing?! Put me down!” You thrash your legs around, trying to get out of his grip, but he only tightens his grip on you. 
“Never!”he playfully yells back. 
“Oh my gosh! Harry, is Y/n your girlfriend?” One of the girls asks you and Harry. When she asks this, Harry puts you back down against the warm sand, and he walks around to face you, bending his knees a little to look you dead in the eyes. 
“Why yes she is. I wonder why she didn’t tell you guys.” He says pointedly, exaggerating every last word. When he says this you couldn’t help but burst out into laughter at how overdramatic he was being. 
“I didn’t say anything because I didn’t want it to be weird! I didn’t want the vibe to be all tense and stuff. Maybe it’s just me, but I’d be on high alert if I was touching someones boyfriend right in front of them. I know it’s the job, but still.” You reply smartly. 
“That makes sense. I think I’d feel the same if I’m being completely honest. But you don’t give off a weird vibe when it comes to that at all.” When she agrees with you, you whip your head in Harry’s direction with ‘I was right’ written across your face. 
“Perhaps” Harry concedes, if that’s what you want to call it. He one hundred percent understood where you were coming from, he just couldn’t let you know that.
“Well I think that everyone can agree when I say that you two being in a relationship is completely unfair to the rest of us. It’s not fair for two extremely good looking people to be in a relationship.” She says, wagging her finger at you and Harry.
“We are pretty pretty good looking right?” He wraps his arms around your waist, pulling you back into him.
“Perhaps” you tease him, biting back your smile. 
“Well were not going to hold you guys any longer. But it was really nice talking to you Y/n, and we’ll see you two back on set.” The girls say their goodbyes before heading over to the lunch area. Harry then picks you back up, and he runs you both back to his empty trailer.
“Can you please put me back down!?” you thrash around in his arms again, but he just wouldn’t budge. 
“Nope” he says simply, continuing to carry you back to his trailer. He places you back on the ground, and he ushers you up the small set of stairs into before locking the door and pinning you against it.
“Harry, what are you-“ before you could even finish, Harry’s lips are slammed against yours with his body flush against yours. You could feel his bulge pressing against you, and you couldn’t deny how much you were needing him too. The kiss was frenzied and your hands flew to anywhere they could. Your fingers were tangled in his hair and his hands were firmly planted on your hips. When he pulls away, you both feel the pent up need you both had just radiating off of one another, and you both could see it in each others eyes. “You have no idea what you were doing to me out there.” When Harry says this, you couldn’t help but smirk at him. 
“I think I knew exactly what I was going” you simply say, lightly tugging on his hair. You wanted to see just how far you could push.
“So you admit to pushing my buttons” he smirks back, pressing himself further against you.
“Only if you admit to pushing mine.” You bite back.
 “Then I guess we’ll never know.” He says calmly. 
“Oh, I think we already know.” You whisper back, with a big smirk plastered across your face.
“There are so many things I want t’do to your right now.” Harry says bluntly. “Only thing I’m not so sure about is whether or not you can take it.” He was trying to get you just as riled up as he was. During the entire shoot, he couldn’t stop thinking about completely ravishing you. This need came from not only how amazing you looked, but also out of a little bit of jealousy he had acquired. What Harry didn’t know though was that you were just as riled up as he was, and you needed to blow off some steam too.
“I can take whatever you give me” you reply slowly to him. Aside from being jealous at times, you also had a pressure point for what Harry said. He could hear how you were challenging him in your voice and he knew that he had you exactly where he wanted you.
“Well m’not gonna go easy on yeh.” He warns, pinning you tighter between his body and the door. 
“Try me. It’s not like you can go that hard anyway.” Since he was pressing your buttons, it was only fair that you pushed his.
Without saying another word, Harry connects his lips back with yours and the kiss is far more urgent than before. His hands were grabbing onto any part of you that he could. Your hands left his hair and you were now trying to undo his pants. Harry pulls his mouth off of yours and he tightens his grip around your throat. It was his way of establishing his control over you.
“Go take all this off and wait for me.” Harry instructs. He lets go of you throat before pulling you up from the door. On your wobbly legs, you make your way over to the small living area and you fall back against the couch. “Thought I told you to take it all off”
“I am, just give me a minuet.” You softly snap back at him. You stand up from the couch and you peel off the two piece bathing suit, leaving you completely naked in front of him. You sit back down on the couch, waiting for Harry to finish taking off his own clothes. “This carpet is really soft” you mumble to yourself, trying to preoccupy yourself while Harry was getting undressed. You couldn’t understand why he was wearing so many clothes. Yes it was still winter time, but you guys were still in California for goodness sakes. 
“Gonna let me fuck yeh against it?” Harry asks as he takes off his last piece of clothing.
“You wanna fuck me on the floor, how romantic” you reply sarcastically. 
“Look, I know us and if were going to end up there anyway, why not start there. Plus, I need all the space I can get for what m’gonna do to you.” You could hear the cockiness in his voice, and at that point you just wanted to slap that smirk off of his face so bad.
“I’ll be wherever you want me to be.” You decide to play into him having all of the control. Except for the part where you’re being completely sarcastic and doing everything you can to piss him off. You knew how much Harry hated when you didn’t listen to him, so you were going to use that to your advantage. Harry simply nods his head towards carpet and you move down from the couch. Once his clothes are finally off, he comes over to where you’re sitting and he sits back on his calves in front of you with his hard cock on full display. You move in closer to him and you cup his face in your hands before slotting your lips with his. The urgency is still there, but it’s much slower and filled with passion.
Harry’s lips smack against yours, as his hands fall against your hips, pulling your body closer to him. You follow his lead, moving your legs around so that you were in his lap. He turns you both around before lowering you both down against the soft carpet. As he continues to kiss you, his hands move up from your hips to take claim of your breasts. He can hear muffled the moans that were leaving your mouth, and he removes his mouth from yours. He then reattaches his lips to your neck, sucking the skin into his mouth as if his lips were still on yours, and he moves his mouth further down your body, sponging kisses down your neck and collarbone. When he makes it to your chest, he wraps his lips around one of your nipples and he sucks hard on the pebbled skin. You couldn’t keep the moans from falling from your lips, nor could you stop squirming underneath him. Having Harry’s mouth on you would never get old, feeling him sponge wet kisses across your skin was a feeling you couldn’t get enough of. Harry continues to leave a trail of kisses down your body, until he made it between your legs. You spread your legs wider for him and your hands go straight to his hair. He pushes his head right between your legs, pushing his tongue right into your folds. From that point on, the moans only got louder. His hands were pressed against the underside of your thighs, keeping your legs apart for him. He couldn’t help but moan at how good you tasted. His head was nestled between the fleshy part of your thighs, pushing his mouth against you as mush as possible. He was going so deep that his nose was practically digging into your clit. You could hear the wet sounds of his mouth smacking against your pussy. You lift your head up, and your eyes fall onto his. Even though you couldn’t see his mouth, you could see the glint of happiness in his eyes. Harry then pulls his mouth off of you and you can see the bottom half of his face glisten with your juices.
“Fuck” you sigh, before dropping your head back against the carpeted floor. 
“Y’so delicious.” Harry pants in excitement. Whenever he had his mouth on you, he always got a rush. The high he got from you was a high he always needed, it made him keep coming back for more. Harry lowers his head back down between your legs, and before he puts his mouth on you, he spits on your pussy. When you hear and feel him do this, all you could do was moan. What he did made you feel even filthier and you absolutely loved that feeling. Harry pushes two fingers into you, quickly thrusting them in and out of you before attaching his lips to your clit. He could hear your moans getting louder, so to quiet you down, he reaches his free hand up and wraps it around your throat. Your once loud moans are now silenced to a mere gasp and or whimper. He then pulls his mouth off of you and releases his grip from your throat before bringing himself back up to eye level with you. He brings his mouth back down to yours, letting you taste yourself on his tongue before rolling over so that you were on top of him. He moves his hand down to his cock, lining himself up with your wet entrance. When you feel the thick head nudging at your entrance, you begin to slowly sink down onto him. 
“Fuck” you gasp. Your head fell back and your mouth hung open at the way he stretched you out. You move your hips a little so that you could get adjusted to his size, and you could feel Harry’s hips lifting up into yours, pushing his cock deeper into you. So that you wouldn’t collapse on top of him, you plant your hands firmly on his chest for support while he snaps his hips up into yours. You kept your eyes focused on his as he fucked up into you. The sounds of his skin slapping against yours alone was enough to send you both into a complete frenzy. 
“Feel so fuckin’ good” Harry grits through his teeth, continuing to fuck you. When you start to move your hips against his again he stops fucking up into you and he lets you ride him. You lift yourself up, just to drop right back down against him. You continue like this until Harry wraps an arm around your lower back. He lifts himself up with you still in his lap and he pushes his lips back onto yours. His tongue darts right into your mouth, and you then begin to grind your hips back and forth in his lap. You and Harry continue to make out like until you pull away from his mouth. He leans in to give you one last kiss, but you move your face back, causing him to chase after your lips. You let out a small giggle at his attempts to lock his lips against yours, and you give him a quick peck. “Such a tease” he growls through his smile. You never failed to amaze him. Even when you were trying to tick him off and battle for dominance, you still found a way to bring out your playful and innocent side. Harry then lifts you up from his lap and sits you down next to him. “Lay on your side f’me” he instructs. 
You do as he says and he lays behind you so that you both were in the spooning position. Harry closes your legs and pushes them towards your front. He lifts himself up slightly from the floor, and wraps his hand around his shaft. He lines his cock back up with your weepy hole and he slowly pushes into you. 
“Just shove it inside me already” you whine.
“Stop bein’ a little brat” Harry snaps back, giving a quick slap to your ass. His hips then begin to slowly pick up speed.
“Go faster” you slur, lifting yourself up to look behind you. You go to reach behind you towards Harry, but he grabs  onto your wrist and he lightly pushes your upper body back down. He starts to move his hips again, and so do you. You try to push back against him, but he stops all together and pulls out of you. You sit back up and you look behind you to find Harry with his hand wrapped around his cock. “Can I have a kiss?” you mumble out, making sure to send a pout his way. Instead of responding, he leans in and gives you a quick kiss.
“Now will you stop movin’ around and just lay down?” He says to you. You decide to do what he tells you to do and you fall back down agains the soft carpet. He lifts himself up onto his knees and pushes your legs apart before straddling your thigh. “Y’need to start listenin’ t’me” Harry reprimands before pushing into you. “Oh my-fuck” Harry groans behind you. With you in this position, it was light your walls were even tighter around him. He pushes the rest of the way into you and he could hear your cries out to him at how good it felt. Hearing your moans fueled his fire, and made him thrust harder into you.
“Fuck daddy” you cry out to him. You couldn’t help it anymore. As much as you wanted to keep pushing, the way he was fucking you felt so good. So, you let him have all of the control
“That’s right baby” Harry growls, crashing his hips down into yours over and over again. He continues to thrust into you until the tight knot in his stomach becomes even tighter. Harry quickly pulls out of you before pushing at your back so that you were laying face down in front of him. He pulls your hips upwards and he positions himself behind you. He lines himself back up with your hole and you begin to push back against him. “There you go baby.” Harry pants, becoming entranced with the way your ass was moving against him. “Keep fuckin’ yourself baby, s’all yours” Harry continues to chant behind you. 
“S’mine” you slur out to him, continuing to push back against him.
“All yours” he says once more before gripping onto your ass and shoving his cock into you again. 
“Daddy!” You scream out to him. He pins your hips down to stop you from moving and he pistons his hips into you, pushing you both even closer to your releases. “M’gonna cum daddy” you whimper out to him. 
“I wanna watch you when you cum” Harry grunts before stilling his hips and pulling his cock out out you. “Turn over baby” he instructs and gives a swat to your ass. You quickly do as he says and you spread your legs wide for him. “Good girl” he praises you with a proud smile. Before he pushes into you this time, Harry leans down and spits on on your pussy again, making sure to spread it across your folds with his fingers. “Feel good baby?” He smirks down at you when he hears your moans.
“Mhm” you mewl. He finally pushes back into you and he goes right back to slamming his hips into yours. He lowers himself down closer to you and he puts his lips back onto yours, muffling out your cries for him. 
“C’mon baby, I can feel yeh tightenin’ up ‘round me.” Harry slurs above you. He lowers a hand down between you two and he moves his fingers around your clit. The knot became so tight in the pit of your stomach that you felt like you could burst. You even felt your eyes beginning to water, signaling to you that you were extremely close.
“Oh my-“you couldn’t even finish because you were cumming hard around Harry’s cock. And Harry immediately followed suit. When he felt your walls contracting around his cock, his cum began to pour out of him. Once the both of you are done, Harry slowly pulls out of you and falls onto the floor next to you. 
Then the two of you just lay there for the next 5 minuets, still feeling the post orgasm aftershocks. The sex you two had was beyond mind-blowing. It was like the both of you were in post sex comas. 
“Just so y’know, you’re the only one who gives me that watermelon sugar high.” Harry whispers to you out of the blue. “Y’pussy is just-” he begins, pausing midway to find a word that could describe the the addictive area between your legs. “S’magical. Like y’just so good baby, I love it” Harry praises, sliding his hand back between your legs.
“Wow, it’s an honor to know that I have a magical pussy.” You reply, your tone ridden with sarcasm, with a hint of pride at how good Harry said you were. 
“It’s true! The only thing I love more than the sweetness between your legs is you.”
“You blow my mind more than you even know.” You burst out into laughter. “The way you went from talking about my pussy to being all romantic is just...” you continue. 
“M’serious babe” he sits up to turn towards your body, resting against his arm. “I love you so much.” He whispers down to you, poking his bottom lip out as well. 
“I love you too” you whisper back, sending him a soft smile. “And I only push your buttons and get jealous because I love you” you sigh up at him. You lift your hand up towards his face, softly gliding it across his soft skin and pushing back the hairs that fell down into his face.
“So you were jealous and pushing my buttons!” Harry points out, making it seem like he won. 
 “Just a little bit though” you try to downplay what you said.
Harry chuckles at your statement before he brings his face down to yours, slotting his swollen lips against yours. You use your free hand to pull him back on top of you. 
He lays his body against yours and he deepens the kiss, pushing his tongue past your parted lips. You release a content sigh into his mouth when you feel his cock resting against your center. You lower your hand from his waist and you push it between your bodies, and down to his hardening cock. You wrap your hand around his thick shaft and you drag the head of him against your folds.
“Fuck Y/n” he sighs, pulling away from your lips. You lock your eyes with his and you line his cock back up with your entrance before lightly tugging at him to push back into you. Keeping his eyes locked into yours, Harry slowly pushes back into you. 
“Harry” you whimper. Your mouth hangs open as he pushes all the way inside of you. When Harry pushed into you before the both of you were bursting at the seams with sexual tension. Now that you and Harry were calm and in a relaxed state, you could feel everything like before, but times 10.
Now Harry’s head was beginning to spin. He couldn’t believe how beautiful you were all the way around. Not to mention the way your walls were wrapped around him. He just wanted to stay like this forever. 
“Fuck-please move.” You beg. Harry begins to give you slow and deep thrusts, filling you all the way up with his cock. He went so deep inside of you that he could feel the outline of his cock moving inside of you against his stomach. He continues to slowly thrust into you, giving that the both of you wanted to slow things down and just take each other in. But, unfortunately your time alone was coming to an end. Out of nowhere, theres a loud knock on the door from outside. One of the producers was letting you both know that filming wag going to pick back up in 20 minuets. 
“I guess all good things must come to an end” Harry groans into your neck.
“We always have tonight.” Even though you sounded optimistic, you were feeling just like Harry. 
“I guess so” he mumbles before picking his head up from your neck.
“I’ll let you eat me out again if we get up now.” As soon as you say this, Harry perks up and he instantly gets excited.
“Then what are we waiting for!”
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sugarcomatosed · 3 years
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On Miyuki Inaba and Macross:
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I’ve heard nothing but love for wave 2-10 of destruction; but I’ve realized that the scene loses some of its magic for western audience because they don’t know it’s a shout out. 
So today I want to break down for you today the biggest reference in 13 Sentinels you most likely missed out on; Miyuki Inaba, Lynn Minmay and The Super Dimensional Fortess Macross.
Join me under the cut for massive spoilers for Sentinels of course, and a nearly 40 year old anime you’ve never seen.
I think everyone knows Sentinels is chock full of sci-fi shout outs. From War of the Worlds, to Terminator, The Matrix, heck even GroundHog’s day, the list goes on and on. Most western audiences will be able to spot the bulk, so why haven’t you heard of Macross?
Simply put, copyright battles. In 1985, Hamorny Gold stitched together three unrelated animes to create Robotech. One of the anime series involved was Macross and Harmony Gold has kept a tight leash on the copyright preventing the series from ever getting a real proper English release ever since.
...so what is Macross?
Well, in super blunt Wikipedia stolen summaries:
Macross (マクロス, Makurosu, English: /məˈkrɒs/) is a Japanese science fiction mecha anime media franchise/media mix, created by Studio Nue (most prominently mechanical designer Shōji Kawamori) and Artland in 1982. The franchise features a fictional history of Earth and the human race after the year 1999, as well as the history of humanoid civilization in the Milky Way. It consists of four TV series, four movies, six OVAs, one light novel, and five manga series, all sponsored by Big West Advertising, in addition to 40 video games set in the Macross universe, 2 crossover games, and a wide variety of physical merchandise.
If you asked me to boil the series down to it’s three staples I’d pick the following three elements. Big robot fights, love triangles and music, usually all interplaying together to make some of the most exciting fight scenes in anime.
The series is going strong in Japan ever since its 1982 release, with the most recent series Macross Delta’s newest film “Absolute Live!!!!!!” getting its first teaser trailer days before I sat down to write this post. It’s insanely big in Japan and you’ve probably seen a half dozen Macross references if you’ve watched a sci-fi anime before. Most likely the signature missile blast.
Sentinels pulls specifically from the 1984 film: the Super Dimensional Fortress Macross: Do You Remember Love? The story is largely a shortened version of the first tv series which aired in 82 and is considered in canon a film retelling of the events.
The film focuses on a colony ship adrift through space suddenly being attacked by an alien race called the Zentardi, it’s both a war film and a very quiet drama all tangled up in the three central characters of Hikaru Ichijo, the young pilot, Misa Hayase, one of the bridge officers and then Miss Macross herself; Lynn Minmay.  An idol singer aborad the ship who has during its journey become a huge celebrity after starting as a simple waitress at her family’s restaurant. 
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Minmay is considered something of the face of the series and while other characters may never come up again in its extended universe, the story of Lynn Minmay is akin to legend in later entries in the seires. 
When mankind was faced with these invaders, there was one simple thing that managed to send the enemy into disarray, the music of Lynn Minmay shocked the Zentardi who had no concept of culture and music. They end up capturing her and the other two leads during the course of the film and while the others manage to escape; Minmay is trapped behind with the Zentardi.
They eventually ask her to look and exam a relic they’ve kept on board their ship, and Minmay discovers it’s of all things, a song.
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So, if isn’t obvious enough by this description alone, Miyuki is modeled after Minmay. It’s not a 1 to 1, but the curls in her hair and the style of her outfit make it even more obvious.
They have a lot of the same general vibes too, Minmay over the course of the film becomes a tragic melancholic figure and a symbol of the war effort against her will. Her sweet dreamy smile and glittering energy become subdued as she faces set back over setback. She remains strong up until a point behind her facade of confidence until she discovers Hikaru now has feelings for Misa. Culminating in the finale of the film where a despair filled Minmay refuses to sing because it all seems pointless.
Miyuki foils this of course with her journey from the plucky Tomi Kisaragi of a prior loop to a ghost in the machine; a somber beautiful figure but a changed person. She only has this role she’s taken on in the end. All she can do to impact the out come of this fight is sing and hope Shu hears her.
In the finale, Minmay is given a wake up call and asked by Hikaru to sing her song and try to save the lives of everyone left aboard the macross. Roused from her despair, Minmay agrees and the final battle is set to the tunes of the song the Zentardi had shown her, now with lyrics Misa had translated. At long last reaching them and halting the conflict.
This is of course, what 2-10 is a direct reference too. Miyuki sings Seaside Vacation until she can’t be heard any longer.
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Even if you’ve never seen the film, the clip alone is a treat in itself. It’s a lovely piece of animation 
But Macross’s influences go deeper than just Miyuki and the original Macross. In Macross Plus, the primary idol is the artificial intelligence Sharon Apple. She is also it’s major villian as her AI becomes destabilized during the course of the film.
With the illegal modifications installed in Sharon takes control of the capital of Earth with her music and nearly destroys the city. Miyuki’s character is all Minmay, but her role in the story is a heroic Sharon Apple.
And outside of Miyuki, Macross references and influences can be spotted in Tomi’s story in which she and Nenji are trapped in 2025 and he begins to fall for her mirrors the arc that occurs between Hikaru and Misa after they escape the clutches of the Zentardi. The pair find themselves trapped on a mysterious planet, which turns out to be Earth rampaged by the Zentardi. Misa and Hikaru’s hostility towards each other fades as they try to come to grips with this truth. They spend a long time alone in the ruins and eventually fall in love before eventually being saved by the Macross. Which, is roughly what occurs in Tomi’s story between her and Nenji.
Shu’s story as well, with the minor focus on his confusion of his feelings towards Tomi and Yuki are also arguably a tongue in cheek reference towards the series many Love triangles, which aren’t always true triangles but always remain a corner stone of the series. 
Does Shu actually have feelings towards Tomi? No but she’s showing up everywhere and it’s left him a little out of sorts and plays into the misinformation sentinels feeds you, leading you to think there’s a triangle of some sorts:
Maybe they’re stretches, but considering it was stated in an interview the film was a huge inspiration for the game, I wouldn’t be shocked. I found the interview on twitter back in November but can’t track it down now and I’m v. sad
There’s also the matter of the Protoculture.
The Macross is a massive colony ship, sent out into space with the goal of returning to earth after a long space voyage to insure humanity’s survival, much like the probes the 2188 colony sent out. Misa and Hikaru return to find this was the only thing that’s had prevented humanity from being wiped by the Zentardi.
While on earth, Misa and Hikaru manages to discover a set of ruins of a highly advanced civilization that had created both humanity and the Zentardi. The protoculture.
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The logs they manage to Find reveal that their inventions grew too great and they have all but disappeared from the universe, but humanity in the end are aliens as well. The invading Zentardi were just tools used by the Protoculture to wage war on itself and contributed to the death of their people.
The song Minmay sings is a relic of the Protoculture, an ancient highly advanced civilization from thousands of years ago.
Now Hm. Why does that sound familiar? What was it Fluffy said about 2188 and the Deimos code....
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They’re obviously not 1-1 references, but Sentinels was such a labor of love that pulled from so many genres it’s nice to see such an iconic series get a well thought out reference. 
I hope this was something of a fun read and gives you a better love of Miyuki and 2-10.
I don’t know if I’d recommend getting into Macross if you liked Sentinels, but if you’re interested send me an ask and I could probably give you a helpful breakdown. I love both series so much and consider them my top two sci-fi! 
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elderbloodlore · 4 years
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Calanthe was not a racist homicidal tyrant: a useless and bitter rant of someone whose favourite character ever got mercilessly butchered.
WHY ARE YOU WRITING THIS? 
Well, let me give you a little bit of a backstory. I first read the Last Wish and the Sword of Destiny in 2012, when I was 14 years old. I instantly connected with the character of Calanthe, and after her death, it took me nearly a year to be able to pick up the saga itself. Ever since, she remained my favourite fictional character ever. As a little girl in misoginistic Poland, I was so lucky to have her as a role model. Because she fought for herself, she took no shit from anybody, she had love and respect of the people around her, and yet she had such tenderness and kindness about her that many strong woman-trope characters are missing these days, and that is exactly what happened to Calanthe when she was being translated to the screen. In 2015 The Wild Hunt was coming out and there were rumours of Ciri being included, so you can imagine my absolute glee and the hope I was filled with to have some more content with that one woman that meant so much to me growing up. And you can imagine my disappointment when all we got about her were a couple tiny mentions, even though the events of the Wild Hunt happen not even a decade after her death. Then the show by Netflix was announced and, once again, I had super high expectations. I wanted to see the wise, kind, beautiful Queen brought alive. December 2019 rolls in, and my hopes are being steamrolled. So here I am, 22 years old and crying over a fictional character, because one of the best written female characters ever (in my opinion) entered mainstream as a bullish, racist, homicidal tyrant. So let me address the biggest changes the show made to my beloved Calanthe Fiona Riannon, the Lioness of Cintra.
THE LOOKS 
That was obviously the first thing that threw me off. I was quite enthusiastic when the cast was announced, but then as the first promo pictures were released, my enthusiasm was slowly dying down. In the books, Calanthe’s looks are adressed very often: 
 “As before, the queen wore emeralds matching the green of her dress and her eyes. As before, a thin gold crown encircled her ash-gray hair.” Sword of Destiny. 
I tried to convince myself that Jodhi May won’t be a bad Calanthe so hard that I actually made this poor ass EDIT to feed my delusions and cheer myself up. In comparison, HERE is my personal favourite art of Calanthe that I find is the most accurate to the book portrayal. 
Even when the first trailer dropped I was still trying to convince myself that even though she has none of her Elder Blood features or her iconic emerald green, that she wore exclusively in the books, she couldn’t be that bad. Right? Wrong. 
THE DEMEANOR 
This is probably the biggest change. Calanthe was one of the wisest, most gracefully-written characters in the entire saga, and I really hoped to see that on screen. She was quick-witted, calculating, but at the same time caring enough to let her daughter choose her own destiny in the end (even if it was to be with a hedgehog-headed man twice her age). Her smiles were said to always be full of kindness, she was acting very proper and clearly cared about her image. I’m not going to be getting too much into it with my own words, let these examples speak for me:
'Ah, Geralt,' said Calanthe, with a gesture forbidding a servant from refilling her goblet. 'I speak and you remain silent. We're at a feast. We all want to enjoy ourselves. Amuse me. I'm starting to miss your pertinent remarks and perceptive comments. I'd also be pleased to hear a compliment or two, homage or assurance of your obedience. In whichever order you choose.' [...]  'Hochebuz,'  said Calante, looking at Geralt,  'my first battle. Although I fear rousing the indignation and contempt of such a proud witcher, I confess that we were fighting for money. Our enemy was burning villages which paid us levies and we, greedy for our tributes, challenged them on the field. A trivial reason, a trivial battle, a trivial three thousand corpses pecked to pieces by the crows. And look - instead of being ashamed I'm proud as a peacock that songs are sung about me. Even when sung to such awful music' Again she summoned her parody of a smile full of happiness and kindness, and answered the toast raised to her by lifting her own, empty, goblet. Geralt remained silent. The Last Wish.
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'Aha,' said Calanthe quietly, clearly pleased. 'And what do you say, Geralt? The girl has taken after her mother. It's even a shame to waste her on that red-haired lout, Crach. The only hope is that the pup might grow into someone with Eist Tuirseach's class. It's the same blood, after all. Are you listening, Geralt? Cintra has to form an alliance with Skellige because the interest of the state demands it. My daughter has to marry the right person. Those are the results you must ensure me.' The Last Wish.
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‘Very well then. As queen, I shall convene a council tomorrow. Cintra is not a tyranny. The council will decide whether a dead king's oath is to decide the fate of the successor to the throne. It will decide whether Pavetta and the throne of Cintra are to be given to a stranger, or to act according to the kingdom's interest.'  The Last Wish.
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'Pavetta!' Calanthe repeated. 'Answer. Do you choose to leave with this creature?' Pavetta raised her head. 'Yes.' The Force filling the hall echoed her, rumbling hollowly in the arches of the vault. No one, absolutely no one, made the slightest sound. Calanthe very slowly, collapsed into her throne. Her face was completely expressionless. The Last Wish.
Guards, armed with guisarmes and lances, ran in from the entrance. Calanthe, upright and threatening, with an authoritative, abrupt gesture indicated Urcheon to them. Pavetta started to shout, Eist Tuirseach to curse. Everyone jumped up, not quite knowing what to do. ‘Kill him!' shouted the queen. The Last Wish.
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CINTRA, RACISM AND MURDERING HER OWN PEOPLE 
In the books, Cintra was often mentioned to be obiding by the rules of the elves: 
‘Dear child,’ said Vesemir gravely, 'don’t let yourself get carried away by your emotions. You were brought up differently, you’ve seen children being brought up in another way. Ciri comes from the south where girls and boys are brought up in the same way, like the elves. She was put on a pony when she was five and when she was eight she was already riding out hunting. She was taught to use a bow, javelin and sword. A bruise is nothing new to Ciri—’ Blood of Elves.
There were many elves and dwarves living peacefully within its borders. Calanthe’s two names - Fiona and Riannon, come from her ancestors that are respectively a quarter and a half elf, and known to be that. Calanthe was the one who taught Ciri that non-humans are not dangerous:
‘I’m not afraid at all!’ Ciri suddenly cried, assuming her little devil face for a moment. ‘And I’m not parrotised! So you’d better watch your step! Nothing can happen to me here. Be sure! I’m not afraid. My grandmamma says that dryads aren’t evil, and my grandmamma is the wisest woman in the world! My grandmamma… My grandmamma says there should be more forests like this one…’ Sword of Destiny.
There was no actual reason nor basis for the showrunners to make her racist and make her murder elves. Having her walk into her own daughter’s birthday party, bathed in elven blood, while she knows that the same blood flows in her own veins, at least partially, was completely unnecessary. Even in the polish version of the show from 2001 Calanthe said: 
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RELATIONSHIP WITH GERALT 
This probably hits me the most on personal level, because I feel like Calanthe had a huge impact on Geralt’s growth as a character, and with such a drastic change to their relationship, I’m unsure as to he will now proceed to develop. Calanthe was, in large, one of the first people in the books that treated Geralt as anything more than a mutant. Here are some of my favourite scenes between the two, in comparison with how their relationship was portrayed in the show:
"At times, no, for years at a time, I deluded myself that you might forget. Or that for other reasons you might be prevented from coming. No, I didn't want anything unfortunate to happen to you, but I had to take into consideration the dangerous nature of your profession. It is said that death follows in your footsteps, Geralt of Rivia, but that you never look behind you. Then... when Pavetta... You know already?" "I know," Geralt said, inclining his head. "My sincere condolences..." "No," she interrupted, "it was all long ago. I no longer wear mourning clothes, as you see. I wore them for long enough.” Sword of Destiny.
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He slowly pushed the cup on the table so that the clink of silver on malachite would not betray the uncontrollable trembling of his arm. "You don't deny it?" "No." She bent to seize his hand with vigor. "You disappoint me," she said, giggling prettily. "This isn't voluntary," he responded, laughing as well. "How did you guess, Calanthe?" "I did not guess." She did not release his hand. "I said it at random, that's all." They broke out in laughter. Sword of Destiny.
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"I will not take it. It is too great a responsibility, one that I refuse to assume. I would not want for this child to speak about you the way... the way I..." "You hate this woman, Geralt?" "My mother? No, Calanthe. I doubt that she was given a choice... or perhaps she had no say? No, she had, you know, enough formulas and elixirs... Choice. There is a sacred and incontestable choice of every woman that must be respected. Emotions are of no importance here. She had the indisputable right to make such a choice. That's what she did. But I think about meeting her, the expression on her face then... it gives me a sort of perverse pleasure, if you understand what I mean." Sword of Destiny.
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A rosebush grew next to the gazebo. Geralt plucked a flower, breaking its stem and then knelt, his head bowed, presenting the flower in his hands. "I regret that I did not meet you sooner, white-haired one," she said, accepting the offered rose. "Rise." He rose. "If you change your mind," she went on, sniffing the flower, "if you decide... Return to Cintra. I will wait for you. Your destiny will be waiting for you, as well. Perhaps not advitam aeternam, but for some time, no doubt." "Farewell, Calanthe." "Farewell, witcher. Look after yourself. I... I sometimes feel... in a strange way... that I am seeing you for the last time." "Farewell, my queen." Sword of Destiny.
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FALL OF CINTRA AND CALANTHE’S DEATH 
We were robbed of so many epic scenes that truly took away from Calanthe’s millitary accomplishments and showed none of the strength and determination she originally had: 
"The Nilfgaardians dealt the first blow," he began after a moment of silence. "There were thousands. They met with the armies of Cintra in the Marnadal valley. The battle lasted all day: from dawn to dusk. Cintra's troops valiantly resisted before being decimated. The king died, and that's when the queen..." "Calanthe." "Yes. Seeing that her army had succumbed to panic and scattered, she gathered around herself and her standard any who could still fight and formed a line of defense that reached the river, next to the city. All the soldiers who were still able followed." "And Calanthe?" "With a handful of knights, she covered the troops' crossing and defended the rear. They say she fought like a man, plunging into the thick of the battle. She was impaled by pikes when she charged against the Nilfgaardian infantry. She was then evacuated to the city. What's in that flask, Geralt?" "Vodka. Want some?" "Well then, gladly." "Speak. Continue, Dandelion. Tell me everything." "The city wasn't properly defended. There was no headquarters. The defensive walls were empty. The rest of the knights and their families, the princes and the queen, barricaded themselves in the castle. The Nilfgaardians then took the castle after their sorcerers reduced the gate to cinders and burned down the walls. Only the tower, apparently protected by magic, resisted the spells of the Nilfgaardian sorcerers. Even so, the attackers penetrated inside four days later without making camp. The women had killed the children, the boys and girls, and fell upon their own swords or... What's is it, Geralt?" "Continue, Dandelion." "Or... like Calanthe... head first, from the battlement, the very top... It's said that she asked to be... but no-one would agree. So she climbed up to the crenelations and... jumped head first. They say they did horrible things to the corpse afterward. I don't want... What is it?” Sword of Destiny.
I understand that this happened because of limited screen time, probably, but the whole Fall of Cintra had been squeezed into what seemed to be a single day, a crushing defeat for Calanthe’s forces, and probably in some way, punishment for her pride. 
AFTER CALANTHE’S DEATH 
While reading the rest of the saga, these little snipits of people talking about Calanthe, mentioning her, often with respect and reverence, mentioning how her people mourned her and swore revange for her, truly kept me going through. I wished that, at the end, Ciri would find it in herself to return home and liberate it, as back then I had no way to spoil myself the ending. In the books, you can really feel the outrage almost all of Continent feels after the murder of Calanthe: 
[...] Cintra is a symbol. Remember Sodden! If it were not for the massacre of that town and Calanthe's martyrdom, there would not have been such a victory then. The forces were equal — no one counted on our crushing them like that. But our armies threw themselves at their throats like wolves, like rabid dogs, to avenge the Lioness of Cintra. Blood of Elves.
[...] Bear in mind that these men left their homes and families, and fled to Sodden and Brugge, and to Temeria, because they wanted to fight for Cintra, for Calanthe’s blood. They wanted to liberate their country, to drive the invader from Cintra, so that Calanthe’s descendant would regain the throne. Baptism of Fire.
In the show, there is none of that. In fact, people seem to be full of disdain and hatred for her, saying things such as: 
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which, in turn, fills me with dread for the upcoming seasons, because I can already feel all the further butchery coming my beloved Queen’s way.
IN CONCLUSION
In all honestly, there is very little the Calanthe from the show has in common with the one from the books, the one I originally fell in love with. Which is not to say that Netflix’s Calanthe is not a great character in her own right, because who doesn’t love a badass sword-wielding Queen, but as a portrayal of the greatest ruler within the Witcher universe, and one of, in my opinion, best written female rules in literature, she falls flat, and that’s what pushed me to write this useless and slightly bitter rant, in hopes to maybe interest more people in the original version of Calanthe and maybe, just maybe, prompt some of you to read the saga or, at the very least, the short stories. 
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tehesunnysbright · 3 years
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jatp tag game :) i did not proof read this so it’s kind of a mess...
i was tagged by @willexx and @julesdreambox so thanks for the tag 💕💕💕
favorite character: alex mercer... the only right answer ;) (julie is my second favorite though <3)
character you relate to the most: julie molina and ALEX MERCER
top 3 songs: 1. bright, 2. wake up, and 3. i can never decide but rn i’m going to sayyyyyyy ummmmm wow i’m super indecisive ummmmm stand tall but i seriously love them all and can never choose!
favorite episode: episode 6 or 7 i can never choose because both are too iconic!
most iconic lines: we’re all a little crazy, does anyone know the Heimlich cause julie’s choking, i wish i couldn’t see you, ripping off the bandaid, sunset swerve, julie and the fat ones, when she says deep dish is she like talking about pizza, t-shirt size beautiful, making me blush, you got this, wait were those holograms, put me back in coach, ok, don’t ghost me, demon, because i care about you alex, i still would have followed you, we were gonna be legends, your welcome, girls am i right? yeah! no❤️...
best moment: all of them ... ummm julie singing wake up, the speech before stand tall and when julie is in the alley, alex dancing with dirty candy, the locket scene, the chemistry scene, the part where julie finds out who emily is, i still could have followed you, willex meet cute, luke giving julie bright...the list goes on :)! also all the performances (honorable mention: i got the music bc i love that song and it never gets the hype it deserves)
moment that made you cry the most: ok so i know this is technically not in the show but the behind the band episode 3 i think (the one where they record). i cried a lot during bc i just love the show and the cast so much and they’re so inspiring and i just wanna sing and dance and act tooo!!!!! a show moment (i didn’t cry while watching the show don’t kill me ) that made me cry or almost cry would be bright during my many rewatches and also stand tall :)
moment that made you SQUEEEE the most: literally every willex scene ... like all of them ... also edge of great song guitar riff, the part where we find out alex is gay, stand tall, and alex with dirty candy!
favorite ship: ahhhhh i like so many ahhh i’m a multi shipper too so... favorite cannon ship would be willex and favorite non cannon ship would probably be flarrie or lalex or whatever their ship name is but i like all of the ships like reggie/nick is great and underrated goodie. also luke and reggie (i prefer luke to be reggies bi awakening and one sided crush though ) .... anddddd may i present carrie/reggie, ik that kinda comes out of nowhere but i think it would be sooooooooooo cute!
how/why you started the show: i saw a cover of flying solo on tiktok so then i thought why not start this show... then i watched the trailer and didn’t think i would like it (crazy ik especially since i watch the trailer for fun sometimes... 😳) anyways i ended up watching episode 1 and 2 then went to bed and the next day i continued.
why i love the show: the representation. madison reyes having the lead role is so big and important and special to me... especially as a young latina/hispanic girl. seeing her as julie has changed my life completely and madi is such an amazing role model and makes me want to sing and dance and follow my dreams. the story. grief/loss is one of the main themes of the show and it’s something i don’t have a ton of experience with on a large scale (of course i’ve lost things like friends,etc but a parent and life are huge things ) . it was nice to see this topic showcased in a real and authentic way. the friendships. on screen and off screen. i LOVE the friendship between the phantoms as well and with julie and i love julie’s friendship with flynn. it was really refreshing to see these relationships and such strong bonds in a tv show. the cast is super close and so amazing and cute and they are just so so so talented. the music. of course i love the music and musica elements of the show. the songs and performances are so amazing! the whole cast is so talented and make it look so easy ! i feel like i could pick up a guitar and be just as great as charlie and/or jeremy or wail on some drums and replicate the magic that owen creates (which just attests to the talents of the cast). DIRTY CANDY/DIRTY CANDI. savanah, tori and the other dirty candy(i) girls are so talented and the songs slap i don’t care what anyone says. wow and all eyes on me are bops... i’ll say that til the day i die haha also the dancing is so good like pls can i dance like sav!!!!
tags: everyone who is reading this :)
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doitjake · 3 years
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The music in us - P2
Jake kiszka x reader
warnings: none.
Request: “two rockstars meeting in a festival, and both bands hanging out cause they are both friends with the struts, then jake starts falling in love w this person because of their personality, talent and charisma, they start to match in the second day of camping at the festival and then the bands have to play in the same day, jake tells his feeling and the reader doesn’t know how to react.”
A/N:  sorry it took so long to bring the second part and unfortunately or luckily we will have part three! I hope you guys like it and if you want to see a specific scene in the second part comment here or you can send me a message / question!!
Requests here: https://forms.gle/6uMRSCzFvyR2FgZPA
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"Wake up, bitch." I open my eyes and see Ana climbing down from her bed, going straight to mine. Strange, usually Lexa who has the job of waking us up.
I sit up in bed before Ana could reach over and start pulling my covers off. Ana looks satisfied and walks towards Lexa's bed.
"Let me sleep, Ana." Lexa covers her head with the sheets.
Poppy comes out of the bathroom, already with her makeup and hair done. "This is what happens when you spend the night hooking up with a drummer." Poppy stops next to Ana who laughs looking at Lexa.
"Hanging out with WHO?" I finally really wake up and still hit my head on Ana's bed, which is on top of mine.
"Lexa and Danny kissed yesterday at karaoke." Ana speaks excitedly and Poppy continues. "Momma got it off!"
In less than 2 seconds Lexa stands up and appears at Poppy and Ana's side. "Shut the fuck up." I can see her red cheeks as she walks past me to go to the bathroom.
"What about you, honey?" Poppy looks at me arching her eyebrow."You and Jake hm, I felt the tension."
"WE ALL FEEL IT!" Lexa shouts from the bathroom, over the sound of water.
"Why don't you talk more about yesterday, Lexa?" I yell in response, causing her to shut up.
"Did kissing happen?" Ana asks.
"Oh my God people, he just walked me to the bus." Lexa comes out of the bathroom and I walk in right after her. "You guys are watching too many movies." I say already inside the bathroom.Inside I take a quick shower before some of my band mates start complaining.
Back in the room I get my boots and some necklaces and rings to complete my outfit, Poppy comes to me saying that Ana and Lexa are already gone to make it to a concert of some indie band at the festival.
Poppy and I get out of the bus and head towards the stages, which are already starting to get crowded. We pass by the security guards - who for some reason laugh when they see us - showing us our badges to enter the VIP area of one of the stages, which is now occupied by the members of Bloc Party. When we enter we see Luke, Adam, Sam and Josh at one end of the stage.
"Hi girls!" Sam is the first to see us as we approach and am I going crazy or did I really see Poppy blush now?
"Hey guys" Luke offers us each a bottle of beer. Poppy accepts, going to sit on one of the benches below the stage, I nod my head no. "It's not even noon, Luke." I laugh walking over to Poppy. "May I ask why you sat down, dear? We have to be on the big stage in 15 minutes for the Aerosmith show, they're opening."
Poppy's face contorts into a grimace as she looks across the festival to the stage. "You know Y/N, you who are an Aerosmith fan here, you're not going to make your pretty friend walk all this way to see a band I don't even listen to much?" Poppy smiles childishly at me.
"You are the worst friend in the world!" I speak to as I walk past the boys to say goodbye to them.
"I love you too!" Poppy shouts as I am almost at the stage exit.
As I walk to the other stage, I realize how beautiful the festival is. Camping tents circle the lawn, groups of friends take fun pictures lying down, not caring about the grass and a little bit of mud. Food trucks begin to set up their trailers to receive the drunken crowd in need of something solid in their stomachs, Poppy and Ana are included in this crowd. I laugh with thought and only realize that there was someone in front of me when I bump into her as I enter the vip air of the stage.
"I'm sorry." I raise my gaze to the person and am relieved that it is not a stranger who would probably cuss me out. "Oh, hi Jake!" I smile at the man in front of me.
"Hi Y/N." He laughs making room for me to pass. "How are you doing?"
"Well, how about you?"
"Fine too." Jake leans against one of the bars, he's even more handsome in the daylight, shit! "Still feel like you're going to pass out at any moment?" He smiles at me.
"Don't even remind me of that!" I smile too. "And you Sir, you have to promise that even if I faint you won't let anyone take me away from this privileged place." I point to the VIP area we are in, which is less than a meter from the stage.
"Okay, I promise!" Jake laughs and runs his fingers through his bracelets, coming closer to me, to speak something in my ear. "I know the whole festival has probably already seen this, but I think it's only fair to warn you that your badge is backwards." He looks at me amused and waves his own badge.
I look at my badge and see that all the writing and pictures are upside down. I try to turn it over still holding the rope, but I only make it worse, making the badge fall into the grass.
Before I can duck to pick it up, Jake does it for me and he also catches the badge cord around my neck with his own fingers and puts the badge away easily.
"There!"
I look at him and smile at the same time blushing. "Thanks."
Jake shrugs his shoulder smiling.
We both look over our shoulder when we hear familiar voices. Coming towards us are Ana, Gethin and a little behind them Lexa and Danny. Very close.
I laugh at the scene and Jake seems to read my mind and follows me smiling at the 'couple'.
"Cute, huh?" Ana nods to Lexa and Danny, making them both blush.
I pat her arm lightly and turn to Gethin and Danny. "Hi guys."  
"Hey Y/N." The two respond in unison.
Gethin crouches on the floor opening a bale of beer and handing it out to each of us. I get tired of rejecting drinks, so I accept. Before I can open mine, Danny and Gethin are already toasting with their bottles.
I shiver at the whisper right next to my ear. "I said, beer guys."
I turn to Jake smiling at the memory of our first conversation.
The half-computerized voice comes out of the speakers, announcing that soon the band will take the stage. And maybe it's the adrenaline from the concert about to start, but I take courage and approach Jake.
"So, today the girls and I are going to build a bonfire on the lawn behind our bus." I look at him, who has a sideways smile on his face and nods. "Do you want to join us? I mean, you and all the boys too."
"Sure."
We smile at each other and only stop when seconds later, Joe Perry and Steven Tyler enter the stage, being followed by the rest of the band afterwards.
"No fainting, eh." Jake speaks low to me, but loud enough for me to hear over the beginning of 'DREAM ON.'
"No getting me out of here if I faint." I speak would be but can't stand it and follow Jake in laughter as he throws his head back.
And now the show really begins.
I spend the next two hours singing (screaming) all the Aerosmith songs, some hours cuddling with Ana, other times helping Gethin open another bale of beer.
Jake, Ana and Gethin spend the last 4 minutes of the show laughing at me and Lexa, because we were crying of 'I Don't Wanna Miss a Thing' until we saw that Danny was also almost crying and then we were all engaged in the mission of laughing at him.
Definitely one of the best moments of my life.
When the concert of a small alternative band starts, we leave the VIP area and head towards the food trucks. Ok, maybe I am also part of the audience that needs something solid in the belly.
As we sit down on some folding chairs, Josh, Luke, Jed and Adam come towards us. Josh frowns, taking a seat in one of the chairs in front of me.
"Where are Sam and Poppy?"
"Are you guys too drunk and have you forgotten that they were both with you?" I ask laughing and the 4 boys in front of me look even more confused.
"They said they were going to meet you in the VIP area of the big stage." Adam replies.
All ten of us stare at each other's faces. Then Josh can't help himself and lets out a laugh and everyone starts to understand what really happened.
"Wow, two couples in less than a day of festival?" Luke hisses.
Even though I am a few chairs away from Lexa and Danny I can feel them both wanting to hide when we all give them quick glances, my glance is quick but so much so that I miss the scene of the two of them smiling at each other.
When I finish eating everyone is still too busy discussing Poppy and Sam and how they match as a couple.
I feel a hand on my shoulder and turn to Jake, who has also finished eating.
"We have an hour and a half until the Stones concert and I have half a bottle of Whiskey on the bus." He raises one of his eyebrows with an inviting smile.
"I'm in."
No one seems to care much when we say we're going for a walk around the festival. No one except Ana.
"Hey, Luke, look at the third couple!" She points to me and Jake laughing.
And for the second time in the day I feel all my blood rising to my cheeks. But I still have a little bit of bad bitch attitude left in me, so I yell back. "Only if you and Josh are the fourth." I hear Jake laugh behind me and get up the courage to look back, where I find Guitarist with his hand raised so we can have a high-five.
I slap his hand and look at Ana again and see a unique scene, my cousin embarrassed as Josh winks at her playfully.
Jake and I make our way back to the buses, stopping to look at a stall full of handmade jewelry. I leave with a lanyard with a pendant of James Jamerson's miniature Fender Precision bass and Jake with a leather bracelet, also with a pendant, a miniature Fender Stratocaster, Hendrix's trademark.
We stayed chatting about these iconic instruments until we arrived at his bus door.
"Welcome, Miss." He opens the door for me and I walk past him laughing.
Their bus is not much different from ours, except for the amount of drinks in one corner. But who am I kidding? If it weren't for Lexa, ours would be like this too.
Jake goes over to the corner and says he's going to get the glasses and the bottle and I sit down on the small brown leather sofa.
I pick up a book that was on the little table next to the couch, "Is it yours?" Jake comes over to me holding a bottle of Jack Daniel's and two glasses, one with ice and the other without.
"Yes." Jake sets the glasses down and opens the bottle. "Have you read it?"
I look at the paperback edition of an Edgar Allan Poe book of short stories and nod. "A classic." Jake fills both glasses with the liquid. "The best kind for touring."
Jake smiles and holds out one of the glasses to me. "No ice, right?"
"Right!" I smile at him.
We toast with our glasses and relax on the couch.
"Do you want to hear something?" Jake asks pointing to the small radio on the small table.
I say yes, even though the silence between us is not at all uncomfortable.
I smile when Five By Five by the Stones starts to play.
Jake lays back on the couch smiling as well "Just to get in the mood."
"I get it, Keith Richards's 'fangirl'." I wink at him, getting a laugh in response.
By the time the fifth and final one starts, we are at the end of the bottle.
I look at Jake beside me, his eyes and hands are focused on filling our glasses for the last time. A wavy lock of hair falls across his face, while the rest is tucked behind his shoulders.
And it must be the fault of the damned drink that I take my fingers to this lock and curl it around my finger, making it almost curl when I let go.
Jake looks over his shoulder and laughs anasaly. I pull my fingers out of his hair, embarrassed.
"Sorry, it was kind of irresistible." I give him a nervous smile.
Jake offers me my glass and smiles, "It's okay, Y/N!" He props his glass on the floor and brings his hand up to my hair, curling it in his finger, the same way I did with him.
Jake rests his cheek against the back of the couch and smiles. "Sorry, it was kind of irresistible."
I laugh and stare at the ceiling for a few seconds, but when I turn my gaze back to Jake, he is no longer smiling. But he doesn't look angry or upset. He scans my entire face, until his gaze meets mine again. My hair still curled on his finger.
"Would you be mad if I said I really want to kiss you?" Jake asks and shit I feel time stop and all that silly teenage nervousness come back.
I look at him and Jake looks anxious, waiting for an answer.
"No." I speak low, because for some reason my voice seems to get lost inside me, "I wouldn't be mad."
"And you wouldn't be mad if I actually kissed either?" Jake smiles sideways at me.
Without moving much, I leave my glass on the floor next to his.
"I would be mad if you didn't kiss." I admit smiling at him.
His fingers that were holding a lock of my hair, go to the back of my neck pulling me closer, one of my hands goes to his arm and the other goes through his hair.
And then our lips are together and when I briefly open my mouth, Jake gets the message and begins to explore my entire mouth. One of his hands goes to my waist, looking for support to deepen the kiss.
Neither Jake nor I care when the music stops.
Our breaths are a pleasant sound to both of us now.
His hands slide to the back of my thigh, pulling me onto his lap.
My two hands go to his neck while trying to make as much contact as possible with his mouth. I curse Jake mentally as he separates our kiss, he realizes my disappointment and laughs as he brings his mouth to my neck and I take back all the swearing I did second before.
Just as I am about to start the last buttons on his shirt (the only ones that were buttoned) a noise at the door and voices make me quickly get off Jake's lap.
"There are locks on these buses you know, brother?" We look at Sam who is dying to laugh at the moment.
And when Poppy's head appears through the door I realize that he is not the only one dying of laughter.
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love-geeky-fangirl · 3 years
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Ranking every Teen Drama I have ever watched
(Updated)
The Secret Life of the American Teenager
+ young Shailene Woodley and Molly Ringwald I guess
- everything else. Even Shailene Woodley's and Molly Ringwald's performances weren't that great because the writing is just oh so bad. The background music is bland and repetative and it sounds like out of some teenager's YouTube chanel. The plotlines are ridiculous and convoluted, which isn't neccessarily such a bad thing, because it is a teen drama show after all, the problem is the show seems to take itself too seriously. Other entries on this list also have ridiculously convoluted plotlines, but I'm ranking them highed because they don't take themselves too seriously and don't claim to be realistic like this show does. Seriously, from the title it suggests like this was going to be a real, uncensored look into high school but it's the furthest thing from it. Not to mention how problematic it is- God forbid someone suggests that a 14-year-old pregnant girl gets an abortion or gives the baby up for adoption without being seen as a terrible and despicable person.
Otp: Marc Molina x a job somewhere far, far away from these kids
Notps: every single pairing on this show
Best moment: literally none
Weirdest moment: "I'm such a whore!" "Well, you're my whore." What were the writers thinking??? Was this supposed to be romantic??
We Children From Zoo Station
+the aesthetic, the casting of Christiane, Detlef and Axel
-this was such a letdown. Honestly I was so hyped for it after seeing the trailer since I've read the book and didn't particularly like the movie- I feel like it's hard to fit all of Christiane's story into 90 minutes. That's why I was so excited about this show. Christiane's story covers so much, so it's easier to make it into a TV show when you don't want to ommit anything and butcher the story. But they somehow managed to do it anyway. They changed so much for no reason and completely erased Christiane's childhood trauma, which was important in the book. Now, I know you can say that it's just a loose adaptation, so it doesn't have to follow the book word for word. But I feel like if you already decided to tell her- a real person's story- you should at least do it authentically. Imo they shouldn't have tried to make the setting vague. It worked with Sex Education because the story of Sex Education is timeless. However, Christiane's story is not timeless. It's a true story set in the 1970s. If they were making a new show from scratch, I would have liked it. But this is an already existing story and they’re supposed to be just retelling it. My last issue is a nit pick but I wish the actresses playing Stella and Babsi were reversed. It just would've fit better.
Otps: all those kids x sobriety
Notp: Christiane x Detlef
Best moment: Christiane's first time in Sound was pretty true to the book
Weirdest moment: when Detlef became a gigolo because he needed money for his dog. Who tf thought of that?
Pretty Little Liars
+ makeup, style, the theme song, the drama and mystery that always kept me guessing, the cliffhangers at the end of each episode that made it so addictive, Emily's coming out story, Hanna and Spencer had some good lines
- the mishandling of some serious issues (namely eating disorders), romantization of student-teacher relationship, the timeline not making much sense, these writers seem to put more thought into the characters' outfits than the storylines
Otps: Emily x Maya, Hanna x Caleb
Notp: Ezria
Best moment: Hanna and Caleb in the shower (the sexual tension was cuttable with a knife)
Weirdest moments: Aria asking Ezra out in the middle of a make-up test (it was supposed to be cute but it was just cringy), Spencer trying to block A's text messages on a laptop, in the middle of a park (what? Spencer, you were supposed to be the smart one!)
One Tree Hill
+ Brooke, the theme song, Chad Michael Murray
- the casual drinking and driving (I mean seriously these kids play a drinking game at a party and then casually hop into a car and drive home??), too much basketball and cheerleading (that's not a bad thing per se but I just don't really care about neither of these things), it just seems too stereotypical and kinda bland?? I couldn't really get into it
Otp: Naley
Notp: Peyton x Nathan
Best moment: Naley by the dock
Weirdest moment: "I guess I'm just a riddle, wrapped in a mystery inside a bitch." It's not really a bad moment but a cringy line. I guess the writers though they were being clever but it just sounded bad.
Dawson's Creek
+ the clothes, the 90s aesthetic, the 90s soundtrack, many movie references, Pacey is a sweetheart, Jen is a feminist icon, dealing with mental health issues through Andie (it's rare to see in shows as old as this)
- the slutshaming of Jen really hasn't aged well, the storyline of Pacey being statury raped by his much older teacher was mishandled (it was either treated as scandalous, cool or in Andie’s case somehow shameful), same goes for Jen’s backstory- it was mentioned she was raped at 12 by an older man and then never brought up again, Dawson is the most unlikable protagonist ever and his friendship/relationship with Joey is codependent and possessive, the dialogue is sometimes pretentious and unrealistic, the timeline doesn't really add up- I can never tell what time of the year it's supposed to be, because it looks like it's always fall for some reason. And how did they sophomore year have two homecomings?
Otps: Pacey x Andie, Pacey x Joey (yes, both at the same time)
Notp: Dawson x Joey
Best moments: Jen helping Joey when that jerk was spreading rumours about her and then Jen and Joey locking Abby in the closet together (I love it when they stick together instead of tearing each other down), Pacey and Joey bickering
Weirdest moments: when Joey was upset because Dawson didn’t want to tell her how often he “walks his dog”, when Jen was about to have a treesome at a party and Dawson walked into the room and carried her out despite her kicking and screaming
Glee
+ funny, Sue Sylvester's iconic, great covers and a way to find new songs, the performances are aesthetically pleasing, lgbtq+ representation, tackling of serious issues, coming out story, a father who’s accepting of his son’s sexuality right away despite not really understanding it (it’s so rare to see, that’s why it’s so refreshing), the plotlines are ridiculous but at least the show doesn't take itself too seriously
-as I already said the 1st season was great but after that it just seemed like the writers made up a checklist of hard issues they should tackle and tried to tackle every single one of them while covering every single song and it just fell flat. Prime example- Quinn ending up in a wheelchair getting into a car crash to warn us from drinking and driving, singing I’m Still Standing and then suddenly being able to walk normally after. a few episodes Rachel and Finn got almost all songs, while other characters were criminally underrated and underused (Tina, Quinn, Mercedes). The teachers are questionable to put it mildly. Cringy moments- Finn singing You're Having My Baby to Quinn in front of her parents when it wasn't even his baby! Also no one except of Kurt looks like they could be in high school. And why are these cheerleaders wearing their uniforms 24/7??
Otps: Brittana, Sam x Quinn, Tina x Artie (unpopular opinion, I know), Mr Schue x unemployment
Notp: Quinn x Finn
Best moments: Quinn giving birth to Bohemian Rhapsody
Weirdest moment: Rachel's gross and painfully awkward crush on Mr Schue, Mr Schue joining the Glee club on the stage for a performance of Toxic and girls in the audience cat calling him (Ewww)
Euphoria
+ Zendaya's and Jacob Elordi's performances, tackling of serious issues such as drug addiction and overdose, anxiety and depression, abusive relationships and abortion in a better manner than most (if not all) teen dramas, the aesthetics, makeup and wardrobe, the musical number in the finale, the special episodes giving us insight into the characters' psychology, toxic relationships not being romanticized (which is sadly rare), teenagers sounding like actual real life teens (no "I reject reality" crap)
- lack of comic relief (why so serious all the time), sexualization of teen characters (I know this is something many teen dramas are guilty of but it's the most evident here), too much nudity (I know some of you are going to come at me with: "But it's realistic!" So what? It is realitic that teenagers get naked when they go into shower but does it mean we have to see it?? It seems to me like this show is trying too hard to be "boundary pushing" at times and ends up being scandalous just for the sake of being scandalous), these characters just aren't believable as high school juniors to me (they sound like high schoolers but they certainly don’t act, look or dress that way). There's no reason this show couldn't have been set in college.
Otps: Rue x sobriety, Nate x prison
Notps: Nate x Maddy, Cassie x McKay
Best moments: "You did this to me!" and the musical number in the season 1 finale
Weirdest moment: the fact that Maddy lost her virginity at 14 to a 40-year-old man being mentioned so casually because apparently she was "totally in control". Excuse me what??
Skins
+ style and makeup- each character has a signature trademark (Sid and his beanie, Effy's eyeliner, Cassie's soft eyeshadow), their British accents, I'm pretty sure this is the only teen drama that follows multiple classes, teenage characters being played by actual teen actors, the characters looking like average people you meet in high school and not as if they just walked off the runway, dealing with serious issues such as drug abuse, eating disorder, parental abandonment etc (yes, some people claim the show romanticized it, but I disagree. It's not the show that romanticized it- it's the fans. The show tried to portray the dangers of drugs as well as possible. Think about it- every time characters used drugs it ended in a disaster. In the pilot they thought that Cassie overdosed and ended up crashing a car while rushing into the hospital. In later season Effy hit her friend in the head with a rock because she was having a bad trip. That's not romanticizing drugs.), Effy is iconic and honestly the first episode was enough to get me hooked
- every single teacher being a creep and having a thing for a student at some point, the show can get too dark and unncessarily dramatic at times. Did that many people have to die? Did Chris's death really have to be this graphic? Timeline doesn't really add up- are 8 episodes supposed to cover the whole year? It would've made more sense if there were more episodes in a season.
Otps: Chris x Jal, Emily x Naomi
Notps: Sid x Michelle
Best moment: ooh baby it's a wild world
Weirdest moment: Chris's graphic death
The OC
+ more grounded in reality than many others on this list, the theme song, the love stories, Seth and Summer are funny, the friendships are believable and the whole group has great chemistry
- too many unneccessary fights, Luke is the worst, everyone is way too casual about drunk driving, these parents are WAAAY too chill (I know this can be said about many teen dramas but it's the most obvious here. How did the Roberts and the Coopers let two 16-year-old girls go to Mexico alone?? With no supervision?? What?)
Otps: Seth x Summer, Ryan x Marissa
Notp: Luke x Marissa
Best moments: the “oh no, there’s only one bed” in the Mexico episode, Seth and Summer's first kiss and that kiss at the yacht, Ryan and Marissa's first date by the pool
Weirdest moment: these parents letting their teenage kids go to Mexico alone. It's irresponsible when they're 16 but apparently they let them go there and party every year. What?
Gossip Girl
+ every episode having a clever title, the style, the makeup, the 00s soundtrack, the glamour of it all (it feels like reading a very gossipy magazine!), all the scandals, this show never pretends to portray the realitic teenage experience so it can pretty much be as far-fetched as it wants to and you can’t question it, it gives you a chance to live the fantasy of being super rich, living with a penthouse, riding a limo to school and going to parties in New York City every night
- the final reveal doesn't make any sense, just like with PLL these writers seemed to have put more thought into the outfits and makeup than into the plotlines, romantization of a toxic relationship, having every two straight characters date or hook up at some point, which just felt forced, mishandling of serious issues (Blair's eating disorder, Eric's suicide attempt and Serena and Jenny's sexual assault from the pilot being brought up when it's convenient but not really dealt with and brushed off at other times), sexualization of teen characters
Otps: Dan x Blair, Serena x Nate
Notps: Chuck x Blair
Best moments: the Thanksgiving flashbacks, Blair and Serena running around New York and taking selfies in stolen dresses, Nate and Serena’s first time (although it was better in the books) and then their kiss at the white party, the sheer scandal of "I killed someone", Dan giving Blair a plastic tiara to make her feel like a princess
Weirdest moments: Chuck's father returning from the death and then dying again, by yeeting himself off the roof
Freaks and Geeks
+ probably the most realistic teen drama there is, the characters dress the way I can see actual teens dressing, funny, but also heatbreaking at times, probably the only teen show that included an intersex character, the characters being a little stereotypical but self-aware at least, young James Franco and Jason Segel
- the bullying being a bit too much at times and it's a bit unrealistic that the teachers would do literally nothing about it, too short- I will never understand why this got cancelled
Otps: Daniel x Kim, Lindsay x Nick, Amy x Ken
Notps: Sam x Cindy
Best moments: Sam breaking down at the end of Garage Door, Daniel and Kim getting back together in the rain
Weirdest moment: Cindy doing a 180 and becoming super mean when she started dating Sam.
Gilmore Girls
+ so many movie, literary and music references, the quotable lines (what a great way to learn about new movies, books and bands! It’s so unique for a TV show to make you smarter), the witty banter, the comfort of the first few seasons (it really feels like wrapping a warm blanket around yourself while holding a hot cup of coffee, I can’t explain why, but it’s such a comfort show), the quirky small town with many unique festivals, many entertaining and snappy fights where everyone has a point, characters dealing with real world problems (seriously, how often do you see a storyline about termites? Or a teenager with zit cream on a teen drama show?), this is also one of the few shows where teenagers are shown to have rules and restrictions and curfews (finally some kids growing up with strict parents representation) and doing homework and studying and not just partying and drinking and having sex all the time and that’s so refreshing
- but while it is refreshing to see teenagers waiting to have sex and not doing it behind every corner, the show is kind of sex negative. Every single time a (female) character loses her virginity it ends in a disaster. Even when she loses it after she’s married! It doesn’t make any sense, unless the writers just really hated women. Also slutshaming (”I got the good kid!”) ewww. The money and budget doesn’t make much sense on the show either and the girls seem immune to calories. I know some people might come at me for this with: “But it’s just a show!” but I think it’s harmful to show beautiful, thin women eat nothing but tons of junkfood all the time and never excersize and then fatshame people who do excersize but aren’t fortunate enough to be blessed with amazing Gilmore genes, and then throw around tactless references to eating disorders.
Otps: Lane x Dave, Jess x Rory
Notps: Lane x Zach, Rory x Dean, Lorelai x Christopher
Best moments: Then She Appeared, Rory’s valedictorian speech, Lorelai’s graduation
Weirdest moment: Lorelai and Christopher getting married in Paris at 4am. That’s not how it works in Europe. Do Americans think every single Europian country works like Las Vegas, where you can just get married whenever you decide??
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rochey1010 · 4 years
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I really should have started with this one. This was the S3 trailer. It was first posted a week before S3 began. And to say the fandom went insane is an understatement. Up untill this, Skam France was considered one of the weakest versions. Their S1 and S2 was verbatim OG Skam, and it was part of the contract negotiated. So the team were really stuck. And the views were low, though i think Manon's season had more success. But nothing to what S3 has become. Basically the fans weren't interested, and then word of Maxence possibly being casted as French Even came down a few months before. And Maxence was a popular insta model. So quite a few people knew about him and followed his modelling. Interest began. And then this masterpiece dropped.
And it was not only confirmation that Maxence had been cast and was going to be our French Even but the trailer was a clip too. And a clip of French Even's first day of school. A clip of his first look at his French Isak. This first look was never filmed in OG Skam but dialogued in the Skam S3 book. But the French Team now had a new producer, director, head writer etc. And wanted to start S3 with a bang. And what else could be bigger than Eliott having his 'coup de foudre moment' towards Lucas?
And man this trailer broke social media. It really was a phenomena. The fandom went crazy and were panting and drooling over Eliott. 😍 Moved by the magnitude of the moment we were seeing 😭 intrigued for what was to happen 🤔 and found the song chosen for the trailer to be a banger of a tune 🎶 The song was Coloring - In motion (Range remix) and to this day i love that song and find so much meaning in it's choice to introduce us to Eliott.
So the trailer contents. Ok, so there's a very prison kinda atmosphere as we are now in Eliott's head. This is his first day at his new school. He's come from drama and suffering at his last. And we know just what kind. So the impression you get is that Eliott is anxious, resigned and basically trying to get through this hell (new school, same cycle) and we get all this by his quick hunched walking from the back, and the oppressive type of mood. He just wants to get to where he's going without any kind of attention. As he's walking we pick up on several things that will help us understand the season and the characters; So he walks past Imane and Emma sitting on the wall. Emma is oblivious and Imane looks at Eliott with a knowing look (S4). Then we see Daphne and Alexia. Daphne is buried in her phone with this busy and planning sort of vibe (common room) and Alexia is shocked and intrigued (she finds Eliott new and hot). Eliott ignores them and walks into the school quickly. He has his black hoodie up in that Eliott vulnerable style that tells us it's not a good time for him. The iconic brown bomber jacket, the pansexual ankles out look, and his book bag on his shoulder. He walks down the corridor and who shows up? Lucas and the boy gang. They again give us insight into them and their dynamic. They are animated, chatty, silly and tightknit. Lucas is lost in conversation and not paying attention. He bumps off Eliott and continues on with the gang.
What happens next i love so so much at how Maxence portrays it. Eliott suddenly stops walking but he doesn't turn around just yet. It's like he's taking something in. Like he's felt something and it's woken him from the mundane flat affect he was clearly in. We don't know what Polaris is but it's actually all over the trailer. The feeling Eliott is experiencing is Lucas's light penetrating his dark world. You watch what's happening and you really feel something has shocked life into him again. THEN he turns around and the look he gives Lucas?? I have no words. We already see the natural ability Maxence has to emote through his body language and eye contact. And the way he creates this level of intimacy just using his eyes is crazy. One look and you see it all. And it's why the fans went crazy because we knew what he was feeling. And Maxence portrays it like Eliott is completely taken with Lucas in that moment. That he desires him and is very attracted to him. We even see him look Lucas up and down and then a tiny wry smile comes onto his lips. And already you feel the essence of what Eliott will come to give us e.g. challenging, intense, mischievious, fixated, vulnerable, teasing. And i'll add the romance, tenderness and devotion we later see too. Basically Eliott shows that life changing moment so damn well.
And again more Polaris symbolism before we knew what it was. Eliott turned towards Lucas looking, to Lucas turned towards Eliott not looking. Lucas heading out into the court yard and into the light, to Eliott turning around and continuing on his way down the corridor and into the black. Both met at the threshold and now both head back to their respective worlds. Eliott now aware and literally waiting for his love story. Lucas not aware but metaphorically waiting for his love story.
And then add the song and the great meaning of it. You feel that this is something Eliott is listening to when he bumps into Lucas. And the lyrics say so much:
"Over and over we climb...over and over we fall....and all the time i was standing right here....and where did i go wrong...and how did i get it right....maybe none of it matters right here...we go we go we go we go round....but i know i know i know it's never gonna tear us apart....we go we go we go we go round....there's an empty ocean you're filling up in my heart"
The whole song is Eliott and like a repetitive mantra has started running around his head now he's seen Lucas. And the song is this sexy sultry synth pop number, and honestly a great song to download for your playlist. But yeah, this iconic trailer started it all. It was what put Skam France into the stratosphere and broke it out globally. And 76 million views later for S3, now you see why. 💜
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Song: Coloring -In Motion (Range Remix)
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stereogeekspodcast · 3 years
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[Transcript] Season 2, Episode 5. The Falcon and the Winter Soldier Review
The second Marvel Cinematic Universe spin-off streamed on Disney+, and we at Stereo Geeks had a lot of thoughts. In the Special, we give an episode-by-episode breakdown of The Falcon and the Winter Soldier. What did we love about the story of the show, how were the characters developed, where did the show soar and when did it fall flat? Tune in to find out. Warning: spoilers ahead!
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For a more detailed look at the show, check out Ron’s extensive recaps at Show Snob. You can also learn more about the show’s successes and failures with Mon’s features at Collider: Falcon and the Winter Soldier: How the Flag-Smashers Highlight Marvel's Problem with Sympathetic Villains The Falcon and the Winter Soldier: The Show's 13 Greatest Moments How The Falcon and the Winter Soldier's Bucky Barnes Is a Positive Representation of Expats Listen to the episode on Anchor.
[Continuum by Audionautix plays]
Ron: Welcome to a new Stereo Geeks Special! This week, we’re talking about The Falcon and the Winter Soldier! I'm Ron.
Mon: And I’m Mon. Please be warned, we will be covering all six episodes of the show, and yes, there will be spoilers. If you haven't watched the show yet, check it out and then come back.
Ron: So, The Falcon and the Winter Soldier. Thoughts?
Mon: Well, remember how we felt after Disney Investor Day, when the trailer came out? People were hyped. You and I were worried. We thought that some of the bro-y relationship stuff was a little bit manufactured. We were worried that Disney was, as always, trying to sell us something which they wouldn't deliver. I gotta say, they proved us wrong.
Ron: I was very tentative about the series, especially because we did really enjoy WandaVision. That show was quite different. It wasn't trying to be just an extension of the MCU. The Falcon and the Winter Soldier definitely feels grounded in the mythos of the MCU. The visuals are very similar. The musical motifs are exactly from the movies that we've already seen. I think the trailer made it look a particular way, which kind of put us on the backfoot. I'm glad that the show actually didn't follow through with that tone.
Mon: Yeah, me too. I think with the trailer, we were worried that there was going to be this 80s, macho vibe, and considering that neither of these characters so far, Sam Wilson/ the Falcon, and Bucky Barnes/ the Winter Soldier, they've been really great characters all this while in the MCU. Yes, they’ve been side-characters, they really haven't been developed that much, so I was a little bit worried that the moment they’d get the spotlight, we're going to see them out of character. Thankfully, we did not.
Ron: In fact, I was actually quite surprised that throughout the six episodes they refer to so many aspects of the films, and give us more insight into events that would have happened probably in the background, and I didn't expect that, in all honesty. So, shall we break it down episode by episode and review it that way?
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So, we start off with ‘New World Order’. This opening episode takes place six months after the events of Avengers: Endgame. Steve is gone. The mantle of Captain America is kind of up in the air. Sam is actually trying to take care of family stuff and Bucky is in therapy. I think for a lot of fans, and for us, as well, it was like, at the end of Endgame when Steve handed the shield to Sam, even though Sam was a little bit tentative, he was going to become Captain America. For ‘New World Order’ to actually have him not do that, that quite a departure from expectation.
Mon: But I guess the name of the show itself kind of signposted that. We kept wondering why it's called The Falcon and the Winter Soldier and not Captain America and the Winter Soldier, and it explains that. Because Sam is just not comfortable adopting this moniker. I guess in a way you could say he's not comfortable with that because of his own identity. I think it was kind of just thrusted on him, and he's trying to get used to the fact that he doesn't even have Steve in his life, and now he has to step into Steve’s shoes; it's a lot for one person to take in. Also, he literally just came back to life. It's too much!
Ron: And also, I think the reason why it's a little bit more burdensome for Sam is because Steve Rogers/ Captain America would have been an icon when he was in the military, and it just so happens that he becomes his friend, but for Sam, Steve Rogers was Captain America. It didn't make sense for there to be a Captain America without Steve Rogers. But for us as fans, we were like, what? No! Sam, you have to be the new Captain America. It made sense to us but for him it didn't make sense. And I thought that was interesting. It was not what we're expecting, especially for Sam's growth throughout the MCU. He has become an Avenger!
But then, that ending. Apparently, a lot of people knew that John Walker was going to be in the show and Wyatt Russell was going to be playing him, and I was just like, what? Because I never remember any of these things, so everything is a surprise to me. So, you have this whole thing with Sam giving up the shield, and it being put in this beautiful glass case, and there's this whole Smithsonian exhibit for Steve. And you can feel, you know, there's a lot of emotion and stuff. And we get a scene with Rhodey, which is great. I mean, Don Cheadle, is awesome as Rhodey and it's always great to see him. He’s only in that one scene, though, and I was just like, why? And then we have this moment, when it's being announced that the government has chosen a new Captain America, and this white dude who looks like the guy from Up, turn’s up and he's holding Steve’s shield! That really was like a dagger to the heart. And I thought it was very well done.
Mon: I thought so too. Even though we knew US Agent was going to join the show, and that US agent is actually John Walker, and in the comics, he has taken on the moniker of Captain America. I feel like despite knowing all that, the way the scene plays out, it's still so heartbreaking because we're looking at it through Sam's eyes, and he has, out of the goodness of his own heart, relinquished the title of Captain America. He's relinquished this shield which belonged to his friend, and the government just took that as, oh, we can do whatever we want with it. It was just a really well played out scene, even though it was pretty wordless.
Ron: Yeah, and I think the reason why it works is because throughout the first episode, we are seeing the problems that Sam and his sister are having because they are a Black family in America. And that's not something that has been touched on in the MCU. It's kind of like just happening in the background, it doesn't seem to affect the actual heroes. And here we see that, a hero or not, they still have problems. They can't get a bank loan! And the guy, on the one hand is like, I want a selfie with the Falcon, on the other hand, he's like, oh, you don't have any records for the last five years. Yeah, but he's been dead for five years! How's he gonna show you anything? And with this really infuriating scene, obviously the ending just made everything worse because you're like, oh okay so this is how Black hero gets treated. And this white guy from nowhere just gets handed one of the most symbolic icons in the country. So, it's quite an interesting start.
Mon: Yeah, I have to say. And we haven't even talked about the amazing opening action sequence with the Falcon. It is breathtaking. It really captured that original feeling that we had when the Falcon first took flight in Captain America: The Winter Soldier. And the production values were fantastic. We knew this was gonna happen, but still.
Ron: I think what surprised me about that opening action scene was that this was not TV quality. I think it's pretty good that Marvel is actually pouring in that kind of money into its limited series, and TV shows. It's kind of sad that they're doing it now, when Agents of S.H.I.E.L.D. was on for seven seasons, we had all the Defenders shows, and they never got a look-see; they were always in the periphery, they were always on the outside. These are very intrinsically tied into the MCU and they've got a much bigger budget.
Mon: They’ve also got more eyeballs on them. I'm just saying.
Ron: Yeah, well, let's see what happens.
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Mon: Yeah, totally. So, I think let's go into the second episode and we can talk a little bit more about Bucky, because his introduction into the show was a bit underwhelming and it sort of picks up from the second episode. So, ‘Star-Spangled Man’. This song, this title is synonymous with Steve Rogers. Not anymore! Because John Walker literally has this gigantic parade where they're singing an updated version of this song. And it's so dissociative, the entire experience of seeing somebody who is very obviously not Steve Rogers in the Captain America outfit, enjoying the crowd, greeting the crowd, and this song’s going on. I have to say, the showrunners do a really good job of tugging on that nostalgia that we have for the first Captain America film, while also hitting us in the gut with this realization that, yes, this is a new world order.
Ron: And it's so manipulative, right? The government obviously knows that the ‘Star-Spangled Man’ song was associated with Steve, and they've just taking that, and they're like, oh, it doesn't matter if there's a new person who's Captain America, the song still belongs to him. But Captain America was synonymous with Steve and has been all this while. And they’re going around just thrusting this person in our faces. And then you have that first interview with John Walker and he's trying to come across as really nice, and he's talking about how Steve feels like a spiritual brother to him. And Bucky’s face when he's watching that is so funny. [laughs] Because he's just sitting there on the floor, open-mouthed like, what is this guy talking about?
I feel kind of bad because John never stood a chance. From that first shot of him at the very end of the first episode, we hated him. Mainly because the shield belonged to Sam. The name ‘Captain America; belongs to Sam. But in the second episode, even when the show was trying to humanize him, we see his wife, we see his best friend Lemar, it doesn't matter. We’re still like, give us our shield back! And it just goes downhill from there.
Mon: Yeah, absolutely. The one good thing about John Walker taking on the mantle of Captain America is that Bucky and Sam are finally reunited. As we learn in the first episode, apparently Bucky has not been replying to Sam's texts. I think it's amazing that Sam is taking his role as Bucky’s friend and protector really, really seriously. Because, let's be honest, Sam hates Bucky.
Ron: And Sam rightfully has every reason to hate Bucky. The amount of trouble he caused Steve and Sam. And Steve could at least stay alive because he had the serum in him. Sam was just a normal guy! As he said, when people are shooting at Steve, Sam is usually in the way. And Bucky was the reason why people were shooting at them! These are the little things that I really loved because Steve mattered to both of them. Of course, Sam is going to be the bigger man and try and keep in touch with Bucky, despite what Bucky put him through. For Bucky to be the one who's like, no, I'm not gonna talk to this guy, I'm just like, saying what?
Those are the little things about Bucky’s characterization in the first episode that didn't quite work for me. I like the fact that he's in therapy. That's good. I like the fact that he's been given a pardon; he helped save the planet. But him ignoring the last vestige of Steve's connection to him just doesn't make sense.
Mon: I also think that the idea that Bucky would go back to square one just because Steve has left, it didn't sit right with me. He's living in Brooklyn, which is his hometown, but his apartment has no furniture. He only has a TV. I think he has a cell phone.
Ron: Yeah, he has a really old-fashioned cell phone, right?
Mon: Yeah. He goes to therapy, and he tries to make ‘amends’. As we find out later, he's not making amends. He's avenging his wrongs. It felt disingenuous to sort of write Bucky like he’s stuck in one place, not reaching out to the people who care about him. And they sort of tried to do this thing where the only way Bucky gets out of this funk is through some romantic entanglement. So, he goes out on a date with a waitress and then he abandons her halfway through. In contrast with Sam, who had so much depth in the first episode, I couldn't wait for episode 2 Bucky, because episode 1 Bucky was kind of badly written.
Ron: Yeah, he didn't work for me either. The moment he’s with Sam again in the second episode, things are much better. And I felt like it was a bit like Bucky doesn't work unless you have that direct MCU connection. Throughout the first episode, that's not really there. Like yes, we get a few flashbacks to the Winter Soldier and that sort of thing, but until he's with Sam, those other parts of Bucky’s life just don’t work.
Mon: Yeah, I was really happy when he confronted Sam in the second episode, and then that's it, they’re stuck together. After that, it really worked. They banter with each other, they do not get along, but they’re very good at working together. They're not a well-oiled machine, because as soon as the bad guys, the Flagsmashers get in their way, Bucky is totally stuck.
Ron: And they don't listen to each other. They go in different directions; they get into trouble. They have the added tension of John Walker and Lemar Hoskins turning up and actually doing a better job at fighting the Flagsmashers. Which is annoying, but also you kinda understand it because John and Lemar are good at fighting together. They've been fighting together for years. They're best friends. The reason why Steve and Bucky fought well together, Steve and Sam fought well together, is because he was best friends with both of them. Sam and Bucky? Disaster. And they end up losing that fight.
Mon: Yeah. With the second episode, again we’re sort of treading on eggshells with these two characters. But them being together and that chemistry between the two of them, it really works to get us interested in this show.
Ron: And the fact that the two of them have a common enemy, they both dislike John Walker, so that kind of ends up giving them a reason to bond. Because otherwise, I don't think they would have had a reason to actually speak to each other. And from then on, it becomes a lot smoother. And of course, by the end of ‘Star-Spangled Man’, we get another MCU character, Zemo. As far as I'm concerned, from all the MCU villains, Zemo was the only one who succeeded. It was definitely exciting to have Zemo back and we got to see a lot more of him in the third episode, ‘Power Broker’.
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The prison breakout was unexpectedly funny, especially because Bucky is kind of standing there telling Sam, hypothetically, if Zemo were to break out, this is how it would happen, and then he's actually made sure that Zemo did break out. And you’re like, why would you do that? We understand, Zemo hates super soldiers. He also knows a lot about super soldiers. The Flagsmashers are super soldiers. Ergo, we need Zemo’s help. But also, Zemo was the reason why the Avengers broke up. That man should stay in jail. But that dynamic between Zemo, Sam, and Bucky, I did not see that coming!
Mon: Same. I was definitely surprised but it really worked. Recasting Zemo as this rich Baron kind of made sense. Because he's not just rich, he is very cultured, he's very smart, he's very intelligent, in every scene that you see him, he's always the smartest guy in the room. Which is kind of annoying because he's the villain. He's also the kind of person who did really bad things because he was in a very bad place, and he had the facility to do it. I don't think at any point the writing makes us think that we can forgive this man. However, he is a means to an end, which is something that Bucky reiterates later on as well, but he's also really a fun character to hang out with, and he's really charming. They were really smart in bringing Zemo back and using him kinda as a plot device but also to bring some much needed levity to the show.
Ron: What I also liked about him being Baron Zemo in the show was that it retroactively explained how he managed to do everything that he did in Civil War. Because Zemo spends two years tracking Bucky, keeping an eye on the Avengers, and there's no way he could have done that if he didn't have money. I remember when we were watching it, we were like, how has he been able to do all this? Like he's traveling around the world, he's learning these languages. How's it possible for somebody who's just an ordinary person to have saved up that much money? So, now it makes sense. But it doesn't take away the fact that when the battle in Sokovia happened, he did lose his family, so his need for vengeance kind of made sense. It's just that at the end of it the Avengers did break up. And Thanos would not have won had Zemo not won.
Mon: Right. This is so true. We're definitely always going to fight Zemo’s corner, because way too many people ignore the fact that he was a very successful, very smart, villain.
Ron: I think among the fans who love villains like Loki. I mean, Loki is great. We love that character, of course. But you don't need to be as grandiose or as flamboyant as Loki to make a difference. Zemo was very quiet about it. He was just an ordinary guy. That's why he was successful. You don't think that a regular guy is going to be able to break up the Avengers. But he was meticulous about it. He was very determined. And he got what he wanted. So, it’s interesting after all that to see him back here and Bucky springs him from jail. And you can never trust him, but he also doesn't do anything terrible.
Mon: Yeah, I mean, he shoots one scientist because he's the only person who knows how to make super-soldier serum, which I completely understand, because Zemo really hates super soldiers, so of course, he wants to make sure that there is no possibility of anybody making the serum after the scientist. In general, it seemed like throughout the course of this episode, every time Zemo had a chance to escape, he didn't. He always came back. Of course, it's a good thing he did because otherwise we would never have been introduced to MCU Madripoor, which has got to be everybody's favorite MCU destination now.
Ron: Madripoor has a long history in the Marvel Comics. It’s usually associated with the X-Men. So, a lot of people were excited thinking that this means that the X-Men will be coming. Now, both WandaVision and The Falcon and the Winter Soldier have kinda hinted at the X-Men somewhere. But they still don't have definitive proof. On the one hand, people are like, we've had so many X-Men movies, and so many of them sucked. Maybe, just let it go. On the other hand, we don't want the MCU to be like, we’ll dip into the X-Men pot, just take some of those stories, those locations, those characters. But let's not actually do anything with the X-Men. I hope that they don't do that. Maybe they are paving the path for the X-Men’s final arrival into the MCU.
Mon: I think the Marvel executives are going to be really smart about how they use the X-Men, and how they introduce the X-Men. Because they have this 20-year knowledge of where the X-Men went right, where they went wrong. They are sussing out the fan reaction. They already have the phase four slate for the MCU. They already have Fantastic Four lined up. They're not gonna thrust the X-Men on us. Not so fast. They're gonna wait for an opening. So, I know, we’re all excited, but what they’re doing right now is that they're giving us a feel of the Marvel Comic universe through these screen properties, but they're eking it out. I think they're being really smart.
Ron: Yeah, I guess so. I think the Madripoor setting was really exciting. However, I was really disappointed that Marvel went the same route as so many properties before it and had this extremely Southeast-Asian aesthetic, and there was not a single Southeast-Asian person in sight in Madripoor. Now, this has been a problem for a really long time, from Blade Runner to Firefly—euggh—in 2021, to have a Marvel property do that, that was really frustrating. I know a lot of people are upset. Whenever we do return to Madripoor, hopefully they will have more people who are actually from Southeast-Asia.
Otherwise, the setting was really exciting. It was quite different from what we've seen in the MCU. It was quite rugged and a bit scary, a bit quirky. That drink that Sam had to drink. Very brave of him. But Zemo was completely in his element over there, and that was an interesting sight to see, because he wasn't really in charge on all this while. But yeah, the outfits? Hilarious.
Mon: What I liked about it is that Zemo’s in charge, but he sort of knows when to defer to both Sam and Bucky. But also, the way Sam and Bucky fall in line with what Zemo is doing because this is his area of expertise. Sam is dressed in this flamboyant outfit because he's pretending to be some other guy, the Smiling Tiger. [laughs] As Sam says, even his name sucks. He's apparently wearing heels, which is really hilarious. I really wish we'd been able to see how high his heels were because he can't run in them. And Bucky he has to pretend to be the Winter Soldier again and a Winter Soldier who is working for Zemo. I just really like the entire feel of it because it's really quite uncomfortable knowing that Zemo’s they guy in charge, and Sam and Bucky are quite helpless. But you also know that Zemo can't really push his boundaries too much because he's at their mercy, too. So, this amazing little dynamic between these three characters really brought this entire episode to life. There was so much hype after this episode because people were kind of in love with the whole aesthetic, and the whole feel of it, which we haven't really had in the MCU that much. There's an intensity but also a levity. They really played it well.
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And then of course, we finally meet Sharon Carter, who's been on the run, and is now living in Madripoor. She's kind of exiled there, her family don't know where she is. But she still helps Sam and Bucky, which is great. We see her living in Hightown. She's living it up. She's got all these art pieces which she's selling to her ‘buyers’. Of course, we find out so much more about Sharon later on.
She gets this awesome action sequence. And I have to say, it is such a surprise. When Sharon leads the three guys to meet the scientist who has the super-soldier serum, she's the only one on the outside, and there are goons after goons coming at her. And she is just knocking them dead. She's pretty brutal, which is kind of scary, because we have not seen that level of brutality in the MCU proper. We're not talking about the Netflix stuff which has its moment. She's very obviously shooting people and really harming them. But it was impressive to see a female character hold her own. She wasn't suddenly rescued by anyone. She wasn't asking for any help. She's just a one-person army; it was really impressive.
Ron: I think the reason why the fight scene also stood out was because Sharon really hasn't had that much to do in the MCU. She's been kind of pigeonholed into the love interest, who helps out, and it also shows us how much she's changed. The Sharon Carter that we see in The Falcon and the Winter Soldier is a different person from who she was in Winter Soldier, in Civil War. And she's hurting. She didn't get the pardons, the life that Sam and Bucky got. Winter Soldier, who changed the course of history, he gets a pardon. Sharon Carter, who was helped Steve Rogers help Bucky, no pardon.
Mon: Forgotten! Even worse! So, it really does make us wonder what these guys were all doing. Can we say the Avengers were just so depressed, so grief-stricken themselves that they forgot about the other people? Whoever wasn't in their vicinity in Wakanda was just forgotten? That’s the only thing I can think of. Like, why would Steve forget Peggy Carter's niece, his friend, maybe love-interest, who knows, why would you forget her? I mean the only thing I can think of is that Steve saw Bucky die, he didn't even see Sam die, he could, of course, assume that, and then that's it. He was just like okay, we lost, and he was just broken after that. That’s my only thought.
Ron: I can't really think of anything else as a reason. From what we saw in Endgame, it seemed like the Avengers kind of closed ranks and focused on the big problems, the major issues. Even with Ronin, Clint Barton was just going around the world decimating these cartels and Yakuza or whatever, and that was going on for a while. And it was only when they needed Clint to come in that they actually went to look for him. Until then, it was just like, oh, this is a problem. Should you be doing something about it? He's an Avenger who's killing people who had nothing to do with what's going on in the world. So, I feel like a lot of people did get left behind, and Sharon Carter, unfortunately, was one of them.
Mon: Yeah, it’s really disappointing.
Ron: So, I guess it's not surprising though that her trajectory ends up the way it does in this show.
Mon: Yeah, I agree with you.
Ron: We don't actually get to see much of that. And in ‘Power Broker’ it's not even mentioned. You don't even realize that there's something off about Sharon, you just feel bad. And Sam and Bucky also feel bad. Sam immediately says, I can do something, I can fix this. And that's great, because that's his immediate reaction. Most of this episode is just a little bit of fun, really.
Mon: Yeah, I will say that this episode is probably a favorite among a lot of people because it is just so much fun. I would say that it's probably the one with the most glaring writing issues. Because Bucky explaining to Sam how he broke Zemo out is very clever, but where did Bucky have the time to plant all the keys and the clues for Zemo to get out? Where was the time? There's also a lot of other small things. Things like Sam saying, oh, it happens in every action movie. Sam wouldn't need to say that because he was literally a soldier. So was Bucky. So was Sharon. While that's a really fun scene, and an extremely fun dialogue, it just doesn't make sense in the context of these characters. So yeah, there's just a few little things here and there but honestly, it's such a fun episode that you won't even notice it.
Ron: Yeah, I'm actually surprised that Zemo of all people bring so much levity to the show, because he was downright scary in Civil War. So, this is really, really unexpected but also extremely enjoyable.
Mon: And I like that Daniel Brühl doesn't play him all hamfisted. He's not trying to be a caricature or he's not trying to be a comedic character, he's just playing Zemo as Zemo. It's just that the reactions of Zemo, and the reactions to Zemo, are what bring the levity, so that way, the combination of the writing, directing, and the performances really works.
Ron: So then we move on to Episode 4.
Mon: Quite a sea change, right, from Episode 3?
Ron: For the most part, ‘The Whole World is Watching’ kind of follows the similar levity, the tone, of the previous episode. We got to the Dora Milaje, which is really exciting because we weren't expecting any of the Wakandan references in The Falcon and Winter Soldier. And it was great that from the second episode, Bucky was talking about being in Wakanda. He tells Sam that his name is actually White Wolf, and Sam is actually surprised because he's like, ‘wait what, they named you something?’ And then we get to see Ayo. And she's not happy.
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I like the fact that there's an immediate connection with the events of Civil War. King T’Chaka was extremely important, he was king of Wakanda for so long. And the way he was taken from them was so arbitrary. And, of course, Zemo was at fault. But it's kind of part of the reason why you see in Black Panther that T’Challa doesn't really want to be going out there, because look what happened when they outside, right? But of course, everything with Killmonger makes him realize that outside Wakanda’s walls is a world that needs their resources. And we see a little bit of that here, with Ayo coming to meet Bucky and actually speaking to him about handing Zemo over.
What I really like is that Bucky and Ayo have the kind of relationship where Bucky can say, ‘I need this guy, he's a means to an end. Give me a little bit more time, then you can have him’. And Ayo is like, ‘Okay, I understand where you're coming from. You’re the White Wolf. You've been in Wakanda, we've seen what you went through, I can give you this time. But then after that, you have to stick to that deadline’. I love that Bucky’s connection with Wakanda is kind of explored in the show, because he was there for a long time, and they made such a difference to his life. They deconditioned him.
Mon: I felt like the level of trust between Ayo and Bucky was quite obvious between the two characters. And also the fact that they've obviously had a kind of professional connection for a long time in Wakanda. Ayo is a very strong warrior. After Okoye, there's probably nobody better. So, it seems like the Wakandans had placed a lot of emphasis on Ayo keeping an eye on Bucky when he was deconditioning. So, as you see in the beginning of this episode, she's the one who is there for the last test to make sure that, yes, the programming is gone. Because if the programming wasn't, then Ayo would at least be able to fight off the Winter Soldier. So, I really like that beginning, and the fact that that's not the only time we see the Dora Milaje. They come back later, so that's good.
This episode is a lot slower in pace. It feels kind of like a filler episode, because a lot of it could have been part of the previous and the next episodes, but it wasn't.
Again, Zemo he feels like the smartest guy in the room, but you get the feeling that with Sam and Bucky they're getting a bit tetchy now. They feel a bit close to the prize, they have a deadline looming and Zemo is just antagonizing them. One of my biggest issues with this episode was that Bucky and Sam don't obviously use their brains too much. They just go headfirst into stuff, whereas Zemo, he very calmly and coolly gets information because he's using his brains.
Ron: Clearly Steve Rogers was 90% of their impulse control.
Mon: Sure seems like it, because when they go into the refugee camp, looking for Karli Morgenthau, who is the primary antagonist of the series, they just go in there asking. Everybody knows who Sam Wilson is, everybody knows who Bucky Barnes is. Nobody is going to answer your questions. It's Zemo who gets the answers they're looking for. I think it’s really frustrating when you watch them doing silly things like that, because you're like, ‘they're smarter than that, surely’.
Ron: I could still maybe excuse Bucky, because he hasn't been Bucky in a long time. He's really just has been pulled into fights. But Sam has had to be tactical, so for him to kind of just go in there and try and ask questions, it doesn't make sense, because Sam is very sympathetic person, and he wants to understand why Karli is doing the things that she's doing. It just doesn't make sense the way they went about it in this episode.
Mon: That's true. I like the fact that Sam kind of tries his level best to see the best in Karli. When he finally talks to her, he tries to engage with her, but then again, there's this moment in there when John Walker and Lemar Hoskins, sort of barge in and interrupt Karli and Sam. And you're like, ‘but Bucky was standing in the doorway, stopping them. What happened? Like how did these two normal humans with one shield between them, push through a metal-armed supersoldier. It doesn't make sense sometimes.
Ron: It felt like there was a moment that wasn't shown to us. And I don't know why they would have done that because it does leave you with a lot of questions.
Mon: Yeah, it's like, did they convince Bucky that Sam was in danger? Did they convince Bucky that Sam was stupid? [Laughs] Like what like what did they do? Or did they do the whole Marty McFly thing?
Ron [Laughs]: And why would Bucky fall for that?
Mon: So, it really makes me wonder about some of the writing moments in this entire series.
I feel like this episode was going one way, and then suddenly Lemar Hoskins is killed, and the entire tone changes. Because not only is Lemar killed, and you really feel for John because Lemar is basically John's Bucky. Right? I mean if John was Steve Rogers that's exactly how we would have viewed the whole thing. And we know the kind of lengths that Steve has gone to, to save Bucky—in all three films. So, you see this, but then John just takes it a whole new level. And them sort of showing you how he kills this innocent Flag-Smasher—the same Flag-Smasher who earlier had said that he had looked up to Captain America—and now he's being killed by Captain America, the poetic irony of that is so horrible. And the fact that John is ruthless.
A lot of this episode is also about the parallels between John and Sam. So, where Sam is immediately not interested in the supersoldier serum, John, on the other hand, has a conversation with Lemar and then decides to take it.
Ron: But you can see from the very beginning that he's tempted by it. And then when he has that dust up with the Dora Milaje, who are just trained soldiers, they don't have any serum running through their blood, but they make chutney out of him. And he's shocked that these people just easily took him and Lemar down. That's when he really started thinking that there is no way that he can continue being Captain America if he doesn't have something extra.
Mon: Yeah, and I think that they didn't build up the fact that there is insecurity in John Walker. There are a few scenes where he's talking about he's not sure about this. He seems to be suggesting that some of that medals that he earned, he’s not proud of them, because of the actions that he took. We never are privy to what those were, and we don't need to be. We understand that these are burdens that weigh heavily on this man. But I feel like his relationship with the supersoldier serum, his relationship with the icon that is Captain America could have been built out more.
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Ron: Yeah.
Mon: Just so that we understood this character as more than the guy who stole Steve’s shield.
Ron: In the first two episodes, it seemed like he was just an ordinary soldier who's very happy to be defending the world as Captain America. You get these moments where he's trying to push his boundaries with people, especially with Bucky and Sam. He wants to be Captain America, and he wants, other people to fall in line with him. When Bucky and Sam don't do that then he's just like, ‘then don't get in my way’. It's very Black and white with him. Those moments happen fairly often, but in ‘The Whole World is Watching’ it felt like there was a lot more to him than just that. The way he's vacillating between whether he should continue letting Sam speak to Karli, or whether he should actually go in there and arrest her—he's so restless. He can't stand still, he's getting more and more agitated. These are not the reactions of somebody who should be getting the shield. But we don't really know why that is. And then once he gets the serum, and you see him kill the Flag-Smasher, you get the inkling that, okay, this man maybe should not have been given the all clear in his psych eval.
Mon: That's completely correct because when we start off the fifth Episode, ‘Truth’, we begin to realize that this is true. The truth is that he probably did not pass his psyche eval. By the way that John is trying to convince himself that, yes, he was in the right for killing this innocent Flag-Smasher, it's just frightening because that man, while he was dying was literally saying, ‘I'm innocent. I didn't do it’, and here's John standing there on his own, saying, ‘no, no, I was completely right, you know, he had to die’.
Ron: It's like he's convinced himself. And later on, in ‘Truth’, when he actually goes to speak to Lemar’s parents, they're obviously very very upset. They know John. These boys have most likely grown up together, because the parents, they are so loving towards John. And then they're like ‘the person you killed, he's the one who did this to our son?’ And John says ‘yes’. And I was just like, ‘did you just lie to these parents?’ I mean, on the one hand, you're like, what's he gonna say, he can't possibly tell them, ‘No I killed some other random dude and the actual person who killed your son, she's still out there.’ That's not what you want to tell grieving parents. But on the other hand, bare-facedly lying to people in grief, people who love you. I was just like, ‘wow this guy's off the deep end’.
Mon: Yeah, the fight scene that ensues right after the killing of the Flag-Smasher, is another reminder that this guy is not to be trifled with. Because he doesn't seem to have a moral code. His aim in life is to prove that he is Captain America. And I think that's the biggest problem with John. It parallels Sam's own reservations, right? He was stepping into somebody else's shoes. He was carrying somebody else’s shield. Hence, he was the better man who decided against picking up that mantle, because it didn't feel like it was his. John's been given this, and he was big-headed enough to believe that he deserved it. And we seem to see that there is a reason why these two characters are at opposing ends, and why one seems to deserve the shield over the other.
Ron: I would have liked to get some inkling of who John Walker was before Captain America came anyway near him. Because, especially in ‘Truth’, the way he keeps insisting, ‘I am Captain America’, it's almost like he's convincing himself, because maybe somewhere in the recesses of his mind he's realized what he just did, that's not the Captain America thing to do.
And of course, in the middle of it all, grief is in the mix. Lemar, obviously, was a huge part of his existence, and for him to die like that, it’s affected him. But him having taken the supersoldier serum, it's messed up a lot of what is already wrong with him.
What we know is that he did what he had to do as a soldier. He didn't like it, those acts have weighed very heavily on his mind, which is again making me wonder, how did he get chosen to be Captain America? Because this is not a man who sleeps soundly at night.
Watching the events of ‘The Whole World is Watching’ and the aftermath in ‘Truth’, you can see why Steve decided not to give Bucky the shield. He chose Sam, because from what we see in The Falcon and The Winter Soldier, John is as messed up as Bucky. But the government decided to give him the shield, and this is what's happened.
Mon: Bucky literally says in ‘The Whole World is Watching’ that John is crazy, and he knows that because he is crazy.
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Ron: Exactly. And there are now dead people.
Mon: Exactly. And one of the things that Sebastian Stan mentioned about Bucky, in the first film Captain America: The First Avenger, is that in his reading of Bucky, in some of the comic runs, he felt like Steve was the good guy, the morally high ground kind of guy. So, some of the dirty deeds were actually done by Bucky. So, as we see in Captain America: The First Avenger, Steve's going around knocking people with his shield, but Bucky’s the one with the sniper rifle. Bucky’s doing the dirty deeds, saving Captain America from that. The reason is that Captain America has clean hands. With John, he's already come in with dirty hands, and the adage that to be Captain America, you have to be a good man, everything you know about Sam Wilson tells us that he is one.
What we know of Sam, when he was part of the Project Falcon, is that he wasn't going around shooting people. For John and Bucky, will have the parallel that they were already killers. Bucky was a killer before he became the Winter Soldier.
Ron; Which is probably why he was such a good Winter Soldier.
Mon: That’s probably true. With ‘Truth’, all these truths come out and it's just so disturbing. Especially in the first fight scene when Sam and Bucky, who have been fighting for the shield, are literally at the receiving end of it. That fight scene was very reminiscent of the fight between Bucky, Steve and Tony in Captain America: Civil War. But, wow, this one is so brutal, like you can feel those punches.
Ron: I liked what they were doing here because you immediately know that in Civil War, those three were holding back because Steve and Tony were friends, Bucky knew that they were friends, so nobody was actually trying to murder each other. Here, it's not like that. Bucky and Sam are trying to protect each other, but John is trying to save his own bacon. He does not want his shield to be taken away, he does not want to lose being Captain America. And the way he fights for it, as you said, It's brutal.
Mon: Yeah.
Ron: He's not afraid to hurt these two.
Mon: Bucky can at least take it because he's a supersoldier. But poor Sam!
Ron: My gosh that poor land, he does get a beating, doesn't he?
Mon: Yeah. And he keeps getting back up, and he’s so deft with his wings, he uses them to perfection.
Ron: We haven't actually seen that kind of wing fighting in the MCU. He usually used his wings just to fly about. But the wings over here, they work so brilliantly. And the fact that he can get hit and still keep coming back. I thought that was really commendable, because he's just an ordinary guy. And even after that, he still doesn't want the serum.
One of the other aspects of the shield that, well, you probably didn't have to talk about it that much, but it was implied, is that the shield is the last remaining part of Steve Roger. So for Sam and Bucky, the shield is kind of sentimental in a way. And after John kills the Flag-Smasher with the shield, it’s the first time we see blood on the shield, and that's quite a striking and kind of a gory image.
What I liked in ‘Truth’ was that once Sam and Bucky, after having been beat down so many times and finally Sam's got the shield back; you see him kind of wiping the blood off the shield. That was such a touching moment. I like those bits.
Mon: That fight scene was really good because not only was it beautifully choreographed, but it really worked hard to develop character. And I think it's so hard because we do watch the shows and these films for the action, but sometimes the action just feels overlong and gratuitous. But this one, this particular fight scene, it did a lot to tell us so much about these characters. And I really appreciated the fact that even though we’re on the penultimate episode of the series, they were working hard to tell us something new about these people.
Ron: Yeah. So you have all these things happening and they kind of just have to give up. And there’s this really nice long sequence when they're in Louisiana. Then the tone completely changes with Sam going back to Louisiana to sister, and the two of them trying to fix the boat and then Bucky turns up, and you're like, ‘why are you here?’ I don't want to hang out together, but they do hang out together. And they're fixing the boat and you need those kinds of interludes. With the Marvel films, you don't have the time for that. You only really have two hours for the story and action. With a TV series you’ve got that time. It's basically a six-hour long movie so you've got a lot of time for that character building. And it's kind of sweet to see Sam and Bucky just trying to get closer to each other, but also accepting the fact that the reason why they’re connected is gone. So, it works.
You also get this very long montage of Sam learning how to use the shield. And you see him training and stuff, not all of it worked for me.
Mon: Oh really?
Ron: Yeah because, why do we need to see Sam training? He’s a soldier. He's already well-built, it makes sense to see him train with the shield because it's Vibranium, it's not made to be caught by a normal person. So it does take him a bit of practice, but him doing, you know, the whole Rockymontage sequence, it didn't quite make sense. Because he’s already there. It's just that this one specific skill he needs to work on. But by the end of it you know what's going to happen. We just don't know how it's going to happen.
So then we go into the finale, ‘One Word One People’. And that's the motto of the Flag-Smashers. I guess they're a Marvel villain. I'm actually surprised that in the six episodes they weren’t as well constructed as they should have been.
Karli Morgenthau is a villain ™. There's no reason why she should be. The Flag-Smashers’ goal is to bring the world together without boundaries, as it was during the days the Blip. And for that reason they're bad people? And the show kind of makes it so that we feel like that because Karli randomly blows up people. And yes, these are strategic targets, but the victims are just ordinary people just doing their jobs. And there's no reason why she has to do it. I think that with the Flag-Smashers the show really struggled. And I would say, it kind of failed.
Mon: Especially in the final episode, it seemed like the showrunners just want to double down on the fact that the Flag-Smashers are bad, you shouldn't be rooting for them. I think we were really let down by those characters, and their entire arc. They sort of all died and then that was it.
Ron: Yeah, especially because, think of the optics. You have Karli Morgenthau, who’s played by Erin Kellyman, who’s a biracial Black woman, and she's the bad guy? And she's the bad guy for wanting to bring the world together. It just doesn't look right. And had we had a bit more time to understand them, maybe we could have felt something, but you're just like, ‘why are you telling me how to feel about these people?’ And it really did feel like that.
Mon: Because Sam believes in her and believes that she's got good in her, but nothing she does seems that way. Aside from the first episode where they were seemingly ferrying vaccines to refugee camps. After that she really went downhill.
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Ron: It was 0-100.
Mon: Yeah. Again, with Marvel villains, it's always like that.
Ron: And it doesn't make sense for this particular group to be like that, which was frustrating.
Mon: I felt like, with Karli, maybe if she'd had more screen time or some better writing, if we had understood her anger along with her goal and her mission. It’s just that she kept telling us that these people are terrible, these things that they're doing are terrible, we just didn't have enough background or context for why she's feeling this way, and why she's feeling such animosity that she's going around killing innocent people.
Ron: Yeah.
Mon: In that sense I would say the finale fell flat.
Ron: Yeah, I mean the rest of the action was fantastic, absolutely brilliant. Sam, having the Falcon wings, and the shield and fighting with both of them, it looked so good. We haven't seen action like that. I don't know how they shot it, but it looked really great.
Mon: And his costume is so close to the comic book, and it works.
Ron: Yeah.
Mon: It really works. I kind of wish we'd seen Sam and Bucky fighting together. That was the only thing I really really missed because Bucky goes off on his own, and after some time he is working with US Agent, well John Walker, before he’s US Agent. But Sam's off on his own for the most part. And while he's really smart, and he's really good as Captain America, I just wanted to see them fight side by side.
Ron: Yeah, that would have been nice. And Sharon Carter kind of comes in, but she doesn't really do much. And you're like, ‘why is she holding back?’ Then we find out that she's actually the Power Broker. There were rumors from like two, three episodes ago that she might be. I don't know how to feel about this. On the one hand, I get it. She's upset. She has been abandoned, she's lost everything she knew. Of course, she's going to do whatever she can to get some power. On the other hand, really?
Mon: It doesn't sit right with me.
Ron: It seems really unfair to Sharon Carter.
Mon: Yeah. There are so few women characters in the MCU, as it is, and you've got one good person, Sharon, she's a bad guy?
And also, we don't know the depths that the Power Broker has gone to, we don't know how powerful the Power Broker is. So, it's hard to gauge, just how scared we should be of Sharon's transformation.
Ron: With Sharon and whatever trajectory she's on and Karli, having been killed. I wonder why there's this dichotomy between who gets redemption and who doesn't. The Winter Soldier really did mess up a lot of things. But somehow, Bucky is getting to live a life. And by the end of the series, he's pretty much with the Wilsons now, he's part of the family. But Karli has to have died.
Mon: Well, the only difference between Karli and the Winter Soldier is that Bucky didn't have much of a choice in what he did as the Winter Soldier. So, in that case, he can be forgiven. He was literally brainwashed, he did not have any control over it, so I can understand that dichotomy, that's fine. But I just don't understand the evolution of Sharon. Because Karli I felt like they really wanted us to care about this character but they never wrote her as someone we should care about. But Sharon, she's a comic book character who we all are familiar with. She's always been Captain America's girlfriend. And she's been on the right side of Marvel comic books. So, for her to evolve into somebody who could potentially be a huge threat, that's the only worrying part. And we will be seeing her again?
Ron: Well, apparently, there's going to be a second season for the show. Captain America 4 is also happening with Anthony Mackie as Captain America. I don't know whether we will see the character from this show turn up in the movie, but the second season, we could see more of Sharon Carter, maybe even more of Zemo, and the Countess, played by Julia Louis-Dreyfuss, which was a surprise I guess?
I don't know, people were making like a big deal about it, and I was just like, ‘why wouldn't you be in a Marvel role?’ Her kids are probably really excited about it?
Mon: I feel like that part of it is going to be interesting, but it's never going to be the compelling pull for me, because for me, I just want to see Sam and Bucky being Sam and Bucky. I want to see them evolving and growing and just hanging out together. Action, fight scenes that's what we got this season. We saw Sam grow; we saw Bucky grow. We saw them come together; come closer. I just really like that.
And in the end when the title card changes from The Falcon and The Winter Soldier to Captain America and The Winter Soldier, I was squealing with glee.
Ron: Yeah, and that's what we were wondering from the beginning of the show right? Why isn't it Captain America and The Winter Soldier, well, now we know why.
I still don't know why he still the Winter Soldier, though? Is he gonna reclaim that name? Maybe, who knows?
But yeah, this show was interesting because it gives us more of two characters who we do care about who haven't had the opportunity to grow in the films. So yes, they needed this platform. But the other characters like John, now he’s US Agent, how come he's not in prison, I still don't know. But for some reason he's out there. Sharon, really, I just don't understand why they've had to go in to make her a bad guy mode.
The character I am excited for is Joaquin Torres, played by Danny Ramirez. Joaquin is from the comics. He's Falcon in the comics. His design in the comics that I've read are kinda creepy.
Mon: Oh!
Ron: Yeah, because he's an actual like part Falcon.
Mon: Ugh, I really hope he doesn't turn into a part Falcon.
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Ron: I hope they don't go with that design either. But we did see him kind of get the suit from Sam, so maybe he will become Falcon. I do love him geeking out over Sam from the very first episode. It's very sweet, and it's a really nice way to introduce a character.
We haven't been able to talk about Isaiah Bradley, played by Carl Lumbly. Isaiah Bradley is a character from the comics.
Mon: So, Isaiah was introduced in a limited comic run, where he was part of a regiment of Black soldiers who were experimented on. And when the government decided to abandon them, he stole the Captain America suit and tried to save them. And for his efforts, he was unfortunately imprisoned and experimented on even more. His story in the TV show is a little bit different. In fact, the way they've written his character and his actions, parallel Steve's. It’s exactly the way he tried to save Bucky and his regiment. It's really heartbreaking, especially because we know about the Tuskegee Airmen who were also kind of forgotten by history, and a lot of Isaiah’s story is based on those forgotten heroes.
I am so glad that after that little snippet that we saw in the second episode, he did come back and his story was expanded on and Sam’s connection with Isaiah was also expanded. And that was really good because I was a little bit confused initially as Bucky he knew him, and he dragged Sam there and Isaiah was really upset. He seemed to be agitated at the sight of Bucky. I was thinking like, ‘what is Bucky doing?’ But the last two episodes where Sam meets Isaiah, I feel like he was able to form a sort of bond with him. And in the final episode he really seemed to thaw that cold heart of his.
Ron: Yeah, I felt like Sam meeting Isaiah gave him the impetus to become Captain America, even though Isaiah didn't want him to take on the mantle. So, Sam had a lot to think about. And it was good to get that other perspective, because for Sam, getting the Captain America shield from John Walker was really important. But why Isaiah and people like Isaiah would not want Sam to take on a mantle that was imbedded in oppression did make sense, but in the end, it was Sam's choice. It will be interesting to see how the fourth film explores what it means for Sam to actually be Captain America.
Through Isaiah we also get Eli, his grandson, and in the comics, Eli is Patriot, who is also part of Sam's group. So, maybe, Elijah Richardson who was playing, Eli has hinted that maybe there’s a future for his character. Who knows.
A lot of people are really excited because it seems like the makings of the Young Avengers has been in the works. A lot of the characters have been introduced by now, but who knows, we haven't got any confirmation yet. Let's not get excited. But it'll be great to see something like that.
On the whole, this show was surprisingly enjoyable. It was a bit darker than I expected. I really did think that it would be more bantery and fun. I didn't mind the dark bits. I think they worked well. Certain characters worked better for me—Isaiah was definitely a highlight. I love Sam and his sister Sarah. The glimpses we got of the Dora Milaje were lots of fun. Bucky, initially, I really wasn't sure about him, but it got a lot better. Sharon, she's doing a good job with what she's got. But I don't know what the future holds. I really wish it wasn't in the darker direction that it's apparently going.
John Walker, it looks like that guy's gonna be hanging around. He's probably going to be a thorn in Captain America’s side, that’s for sure. A second season would definitely be welcome. And I think it will be needed. Whereas with WandaVision, it works as a whole. The Falcon and The Winter Soldier, now Captain America and The Winter Soldier, it probably needs a bit more time for some of these characters. But otherwise, surprisingly enjoyable.
Mon: Yeah, I really like the show. I would go as far as to say, I actually really loved it. Yeah, there were some writing issues. And I will admit that yes the villains were under done—they were very formulaic which, honestly, the first episode seemed to suggest that they weren't going to be, so that was really disappointing. But if you came here for Sam and Bucky, you are going to get Sam and Bucky, and they are great; they are fantastic. It seems like Anthony Mackie and Sebastian Stan seem to be really enjoying playing these characters and fleshing them out, which is great. I mean at the end of it, it seems like the two of them, as characters, have really formed a bond. They seem to have accepted that Bucky is just part of the Wilson family, and it's great because he's been kind of on his own all this while. And for whatever reasons, Steve wasn't able to give him that family feeling, because Steve himself was a man out of time, Sam isn't, so it was really nice to see these characters get a platform, and then really grow into it. I would honestly love to see a second season, I would love to see a second season, and Captain America 4.
Ron: Yeah.
Mon: Because I can't get enough of these characters. So please Marvel, keep at it.
Ron: What did you think of The Falcon and The Winter Soldier? We'd love to hear from you.
You can find us on Twitter @Stereo_Geeks. Or send us an email [email protected]. We hope you enjoyed this Episode. And see you next week!
Mon: The Stereo Geeks logo was created using Canva. The music for our podcast comes courtesy Audionautix.
[Continuum by Audionautix plays]
Transcription by Otter.ai, Ron, and Mon.
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themurphyzone · 4 years
Text
Nova Ch 4
AN: Just in time for the A!countdown! Looking forward to those sneak peeks next month! 
Ch 4: Extraterrestrial 
New Selenian Date 3015.4.21
 Though our voyage through space was more volatile than I expected, we’ve successfully approached Terra’s exosphere. Under other circumstances, it would be cause for celebration, but…
 Well, Snowball has only spoken to me for essentials during the past few days. Usually so he can update me while he raids the pantry for maza or to catch up on sleep.
Our argument has only served as a reminder that we’re not…as united in our mutual goal as much I want to believe.
It must the length of the journey. Access to only four rooms in a one week period can give anyone a serious case of cabin fever. He’ll get better once we land on Terra’s surface, I’m sure.
Signing off for now, the Brain.
o-o-o-o-o
Was it really April 21? Pinky hurried to the Mickey Mouse calendar pinned to the wall next to his cage. He really loved that picture of Mickey giving flowers to a blushing Minnie. They really were the perfect couple!
Pinky imitated Mickey’s pose, dropping down on one knee as if he was offering a bouquet of pretty daffodils…wait, no those were lilies. He rubbed his head, confused by the yellow flowers in the picture. Maybe it was the type with the really long name.
What was it again? Ah, yes! A lovely bouquet of Chris-and-his-moms for Minnie!
Egad, the picture was so pretty that he’d forgotten about the reminder he’d penciled in the box for April 21!
“Granny Smith at 9 pm?” Pinky tilted his head, trying to make sense of what he’d written. He didn’t know any grannies that well, nor did he know any Smiths. Besides, Pharfignewton was leaving the ranch tonight at 9 pm, and he was going to see her off before she was off to the races. “Poit! Oh yeah, the apple! An apple a day keeps the vets away!”
Pharfignewton needed the energy for the journey too. Kentucky was a long way from California. About nine inches according to his placemat of the United States.
Before he left, he needed to leave a response for his space pen pal. But they weren’t exactly using pens. Maybe space radio pals was better.  
Pinky went back to the Walkman. It made a bunch of crackling noises, like the Brain hadn’t turned his equipment off yet.
“Hi, the Brain!” Pinky grinned. The was such a funny first name. “Glad you could make it to Earth! Or Terra! Whatever you wanna call it! Wherever you land, I hope you and Snowball enjoy yourselves. Definitely try strawberry cheesecake sometime. It’s delicious!”
The static continued.
“Anyway, Pharfignewton’s leaving for the Kentucky Derby tonight, so I can’t chat for long. Maybe tomorrow? I’ll spend twice as much time talking to you tomorrow! Fig’s been practicing super extra hard. She’s gonna win the Derby and get that Triple Crown! That’s her dream, you know! Dreams are a wish your heart makes, zort! Cinderella said so!”
Pinky put his hand over the Walkman’s speaker. “Your dream is taking over Terra, and mine is being surrounded by cheese from around the world! Or maybe that’s just my stomach. I can never tell for sure.”
The clock chimed eight, its little pendulum swinging to and fro in a dizzying pattern.
He had to say goodbye now.
And say goodbye again later.
“Alright…well, I’ll let you go. I bet you have some important Conquesowhatsit things to do. Bye, the Brain. Glad you could make it to Terra. You and Snowball are gonna love it. Ooh, there I go again. Bye for real this time.” Pinky slowly turned the dial down, past tinny classical and pop music stations, until the Walkman was off.
Dreams were always nice, even if Pharfignewton and the Brain had to travel far away to make them come true. Pinky’s parents were probably making their own dream of eating gourmet food pellets real as well. Sis didn’t have one yet. She was still torn between professional hairdressing and getting a cooking show on Food Network, but she was young and had plenty of time to grow up.
Now that he thought about it, maybe Sis was right. He didn’t have to decide on a dream for himself yet. Well, surrounding himself with provolone, cheddar, mozzarella, camembert, and all the other yummy cheeses was still a wonderful dream for now.
“A world of cheeses, deliciously made for you and me…” Pinky sang, the air conditioner providing a nice background instrumental as he went to the breakroom to fetch Pharfignewton’s apple.
o-o-o-o-o
Carting the Granny Smith apple to the ranch took more time than Pinky imagined. Running on his wheel along with those upper body strength VHS tapes helped him for most of the trek, but there’d still been one scary moment where he’d leaned back too far to see the pretty full moon. Luckily, the apple wasn’t too bruised from tumbling downhill.
By the time Pinky arrived, Pharfignewton was already in her horse trailer. Her owner sat on a nearby bench, his brow furrowed as his thumbs tapped rapidly on his cell phone. A white pick-up truck sat in front of the trailer, though the latch to connect the vehicles hadn’t been hooked yet.
The door to Pharfignewton’s trailer was wide open, the ramp still on the ground. Delays were good. It meant he could hold off on saying goodbye a little longer.
“Fig, I got you an apple! A sweet and healthy Granny Smith!” Pinky exclaimed as he ran up the ramp. Before he could get to the top, Pharfignewton bent down and grasped the apple in her teeth, nearly chomping down on Pinky’s hands as she lifted her head. Pinky’s feet left the ground, and he gripped the apple with both hands, almost sliding off the smooth surface.
He couldn’t resist a tiny nibble. Pharfignewton wouldn’t mind.
Pinky climbed onto her muzzle just as the apple was crunched into mush. Pharfignewton whinnied in delight, her eyes shut from sheer happiness. He stroked the fur between her eyes and hummed Camptown Races because it was her favorite song. She always got excited to race when she heard it.
Pharfignewton’s hooves clopped against the floor rhythmically, her head bobbing up and down.
“-gonna run all night! Gonna run all day!” Pinky sang, grabbing her soft mane and hauling himself up. He clung to her ears for balance. “I’ll bet my money here on Fig, cause she’s gonna win this May!”  
Pharfignewton neighed, her tail raised proudly.
Her owner looked up from his phone. His bushy beard quivered as he chuckled and waved at her. A van pulled up to the curb, the window sliding down to reveal a man in a funny white cowboy hat. The owner shouted and pointed to the newcomer’s hat.
“What a fashion icon, Fig! Rodeo style hats at the Kentucky Derby. Why didn’t I think of that?” Pinky asked. “Egad, I need to make my own hat for the Derby! A derby hat! With fancy ribbons and dandelions and those little beads on sombreros!”
Cowboy Man clapped the owner on the shoulder as he climbed out of his van, the owner playfully shoving him in return. The back doors of the van were opened, and they started loading the pile of heavy feed bags and horse care equipment into the hollowed out space, trading good-natured jabs while they worked.
Pinky glanced at the starry night sky, scratching the back of Pharfignewton’s ear. “I almost forgot. The Brain made it to Terra. He said so in his message tonight. Told him he should try strawberry cheesecake. I don’t know if they have that in space.”
Pharfignewton snorted.
“Oh, you and your homemade apple strudel,” Pinky grinned. “Tell you what. Win the Triple Crown and I’ll bake the most scrumptious, most mouthwateringest apple strudel you’ve had in your life! Oh wait, no, how ‘bout I just bake it when you come back? Whenever that will be. Maybe soon?”
However long she’d be gone, Pinky hoped she’d call or write or keep in touch some other way. Well, sending a postcard might be a little tricky with hooves. How was she ever gonna apply the stamps?
Pharfignewton neighed, her front hooves knocking against the floor in worry.
“I’ll be okay, Fig. I can wait ‘til August. There’s lots of fun things to do in the summer. Like playing water polo, air hockey, capture the flag...”
Except those games all needed two players.
And while Monopoly game pieces and dominoes made for great substitutes when he couldn’t round up the checkers and marbles, it just wouldn’t be the same without Pharfignewton.
Pinky’s tail started to cramp.
He hadn’t realized he’d wrung it between his hands so hard. It wasn’t the fun sort of pain either.
Outside, the men finished loading their supplies. The van doors were shut, and Pharfignewton’s trailer was hitched to the truck.
Their boots loudly thumped against the ground with every step.
Pinky slid down Pharfignewton’s long muzzle, his feet resting against the back of her nostrils. He gripped her face and looked at those gorgeous blue eyes. They were the same shade as his turquoise crayon. He wanted to remember that.
Pinky rested his jaw on Pharfignewton’s fur, trying to keep the tiny quaver out of his voice. “Well…guess this is it, huh?” he murmured. “You have a good trip now. You’re the best racehorse I’ve ever met. Course I don’t know any other racehorses, but you’re gonna win the Derby, Fig. I know you will. Just keep in touch, ‘kay?”
She knickered softly, her breath stirring Pinky’s fur as she lowered him to the ground outside her trailer. Her breath smelled just like applesauce. She carefully rubbed the underside of her jaw against Pinky’s head, nuzzling away tears that made his vision a little blurry, then slowly raised herself to her majestic height.
“Poit. Really, Fig.” Pinky tilted his head back so the tears just pooled in his eyes instead of trailing down his cheeks. “You’ve got a dream ahead of you.”
Pharfignewton stomped her hoof.
But Pinky shook his head. True, he could go with her, but who was gonna keep his cage clean and his wheel oiled if he wasn’t around? Besides, Pharfignewton would have so many new horse friends. She was gonna be a celebrity by association.
Pinky wiped a tear away with his tail. “I don’t wanna distract you or anything. Meet someone new! Who knows? You might even be fast friends!”
Then Cowboy Man and the owner walked past, too engrossed in their conversation to notice Pinky. Pharfignewton craned her neck, trying to see above Cowboy Man while he folded the ramp. Before she could reply, her owner gently shooed her further into the trailer while Cowboy Man finished up.
Once the trailer door was shut and locked, the owner and Cowboy Man took some time to stroke Pharfignewton’s face. The window bars were wide enough to allow almost her entire muzzle through.
They promised good things for her, win or lose. She’d be eating her fill of apples and carrots for sure.
She’d be happy out there, running like the wind to her heart’s content.  
Ten minutes later, Cowboy Man drove away in his supply van. Pharfignewton’s owner started up the truck.
Pinky quickly climbed up a fencepost and waved to Pharfignewton, wishing he’d brought along a handkerchief to blow his nose into or flutter in the air like a proper movie goodbye.
Pharfignewton stretched her neck as far as she could.
“Bye! Adios! Sayonara!” Pinky called, cupping his hands as the truck slowly inched onto the side road’s pavement. The trailer turned slightly with the movement, and Pinky quickly hopped to a fencepost within Pharfignewton’s line of sight.
She looked happy enough to get the show on the road, but her whinnies were still worried.
He had to cheer her up! She couldn’t travel to Kentucky with that frowny face!
“Camptown ladies! Sing this song! Narf!” Pinky panted, taking only a moment to catch his breath, the song choppy as he ran the length of the fence. But even with the truck’s slow crawl, he couldn’t keep up, and the truck disappeared over the hill, pulling the trailer and Pharfignewton along with it.
He didn’t slow down in time. Pinky stumbled over the last fencepost and fell into the springy grass below. The thud knocked his breath away for just a moment, but he shook it off quickly.
It was nothing really.
“Camptown racetrack’s fi-five thousand miles away…”
Pharfignewton shouldn’t worry.
He had the small, boxy TV that the lab couldn’t afford to upgrade to a flat screen. The NBC channel always showed the Derby.
And it was enough for him.
o-o-o-o-o
Had the stars always been that far away? They seemed much lonelier than usual.
Pinky tilted his head as far as he could, taking in the navy sky above. There was no moon and no way to spot the Brain’s old home tonight. He was probably somewhere on Earth by now.
Paris was nice at this time of year. Maybe the Brain would get all the cheese and baguettes he could eat. The city of light and love was absolutely splendid and heavenly. Pinky had never been there, but the landscape seemed so pretty at night in Ratatouille. Parisian rodents must be excellent chefs. Pinky would have to find one someday.
If only he could walk into a giant cabinet that would magically transport him to a riverboat cruise on the Seine. He’d only gotten a mouthful of cobweb the last time he’d tried that.
Oh dear.
Pinky twirled in place, taking in the enormous apartment complex to his left and the grassy hillside across the street, both of which he didn’t recognize.
“Narf! Silly me.” Pinky bonked his fist against his noggin, leaving a slight ache behind.  “One of these days, I’ll definitely remember that ol’ left turn on Albuquerque Street!”
Well, the only thing he had to do was retrace his steps.
But he didn’t have sidewalk chalk or a pencil.
Pinky scratched his head. This was a lot harder than he thought. He was outside, so he couldn’t exactly follow the left wall of the maze until he got un-lost.
His stomach growled, and he had a sudden craving for between-twilight-and-midnight food pellets.
“Hush now, tummy. You’ll get your food pellets as soon as I find the lab again,” Pinky said, patting his growling belly.
A bowl of smoked food pellets seasoned with paprika and rosemary sounded good right about now. With a side of smoked cheddar too!
Pinky laughed. “You’ve really got a craving for smoked food, tummy! Can’t blame you there. Those smoked chicken wings on Food Network were absolutely mouthwatering yesterday. I’m so hungry I can smell those food pellets!”
And the food pellets smelled delicious indeed.
Pinky took a deep whiff, standing on his tippy-toes to drink it all in.
Until the scent changed and it smelled more oily than the yummy sort of smoke.
Pinky’s nose wrinkled. A faint plume of smoke rose from behind the grassy hill, but it was still a little early in the year for anyone to hold a campfire sing-along with s’mores.
There didn’t seem to be a fire. Or slightly burnt marshmallows for that matter.
Curiosity getting the better of him, Pinky crossed the street at the crosswalk because he was a good pedestrian and not a jaywalker. That was just silly. He was a mouse, not a blue jay.
He ran to the top of the hill and perched on a tree root, heels rocking back and forth for a moment until he found his balance. Then his jaw dropped at the sight of a gray and silver futuristic-y UFO just beyond the hill’s base. It had to be the size of two cages combined, maybe a little more.
He wasn’t really good at judging size, but the UFO thingy was ginormous.
Dirt piled high around its battered surface, like it plowed right into the ground at Pharfignewton-like speeds. Smoke trailed from two long cylinders that arched above its back, though there were no flames.
At least Smokey the Bear wouldn’t have to worry about any wildfires.
Pinky approached the wreckage, circling it twice out of sheer fascination. He didn’t see any string though. No wonder the UFO crashed. It didn’t have any string to hold it up.
“Hello, Mr. Alien!” Pinky shouted, hoping his voice carried through the metal to whoever was inside. He leaned against the UFO with both hands, placing all his body weight on his tiptoes. It felt great. He hadn’t stretched his shoulders like this in a while. All his focus had been going to strengthening his thighs recently. “I just wanted to let you know that your UFO string is missing! But it’s okay! I have an extra long ball of yarn back at the lab! Will that do?”
There was no response, though Pinky heard a plip-plop of dripping water when he pressed his ear against the UFO.
Suddenly, the metal hissed and shifted under his palms.
“Narf!” Pinky yelped as he pitched forward into the opening. His jaw thwacked against the floor, and he giggled at the tingly sensations that shot to the top of his head.
Propping himself onto his elbows, Pinky found himself in a room that was just as big on the inside as it seemed on the outside. Except everything seemed a little smashed up. Broken computers tilted against one wall, the screens cracked and displaying a random string of numbers and letters.
Orange soda dripped from an open panel to his left, forming a bubbly puddle on the floor. Pinky almost drank it, but figured it was a terrible idea because of the little metal bits mixed in. Orange soda went with pizza, not metal.
Pinky stood up and dusted himself off, then walked over to what seemed to be a smashed-up bedframe. There was an upturned mattress and a crumpled white blanket next to it. When he tried to turn them over and arrange them into a less messy position, he found they were rather scratchy and definitely uncomfortable for sleeping in. Whoever used this bed must’ve woken up every morning with a backache the size of Alaska.
As he tucked the last corner of the blanket into the mattress, several tiny blue things slipped out from the folds and bounced off his foot. When Pinky glanced down, he found there were a lot of tiny blue things scattered throughout the room.
He picked one up out of curiosity.
No, it wasn’t a thing. More like a tiny blue star. He touched it with his tongue, a sweet flavor taking over his taste buds entirely. It really packed a wallop. His tongue hadn’t felt this tingly since the time he’d eaten two entire packs of lemonheads! He popped several more tiny stars into his mouth, hugging himself from sheer bliss.
For a moment, it seemed like there was another voice agreeing with him on how fantastically delicious these tiny stars were.
Then it cut into a low groan, which didn’t sound like someone enjoying a snack at all. Pinky quickly swallowed the tiny stars and listened for the source of the noise.
“Narf! Hello?” Pinky called. “Are you an alien ghost? Or a ghost alien, Mr. Alien?”
Another groan. Maybe Mr. Alien didn’t know how to play Twenty Questions.
One of the computers shifted and crashed onto its side, a blue screen flickering in and out of existence. Parts of the splintered bedframe laid among the mess. A small, black-gloved hand poked out from among the tangled wires before falling limp again.
Pinky poked the hand.
It twitched.
“Awful hard to sleep under all those wires, don’t you think?” Pinky asked. “I mean, it would be so electric-y under there! Unless you’re an android ghost alien! Electric sheep only works for androids, I think. The rest of us count woolly, fluffy sheep.”
The mass of wires trembled, the hand closing around Pinky’s wrist. Though it was probably meant to be a tight grasp, it wasn’t a very good hold. A single movement could shake off the alien’s hand.
But Pinky stayed still. Something didn’t seem quite right.
The alien lifted his head, a pair of antennae with bouncy red orbs perking slightly.  
Antennae was a good name now that he thought about it.
“N-no’all?” Antennae murmured, the wires slipping off his large, chubby head. His bleary pink eyes stared through Pinky with desperate hope. Soot stained his messy fur with varying shades of gray, his pointed ears drooping and floppy.
“Poit. Do you not speak English?” Pinky asked. Antennae continued to stare, not seeming to understand. “I could get my language book from the lab. It’s got Spanish, French, Sea Lion, and Legalese! I’m learning a lot! Maybe it’s got your language too?”
Then Pinky snapped his fingers. Why hadn’t he thought of this sooner? “Wait, no! Maybe kissing would be much faster? That way my English flows into your mouth and voicebox! Is that how it works? I’m pretty sure that’s how it works…”
Antennae’s grip tightened, his lower half writhing in the wires until he shook himself free. From the neck down, he wore a sleek black bodysuit with red highlights that really made the color of his antennae and tail orbs pop.
Egad, he was tiny. Even Antennae’s antennae barely rose above Pinky’s chin.
Something green and golden glinted in the hand that wasn’t holding onto Pinky. Antennae stumbled as he got to his feet, wincing as he tried to put his weight on his heels. His eyes widened in panic, and he quickly let go Pinky, breathing rapidly as he wrapped both hands around the weapon’s handle.
Balancing on his toes, he shakily pointed the weapon at Pinky. He was trying to shove the red bulb into Pinky’s nose, which was a little rude to be honest, but couldn’t do much more than a light tap.  
“Are you okay?” Pinky asked, lifting his head so the bulb wasn’t smushing his nose. “Soot’s not really good for your complexion. Gives you all sorts of pimples and zits. That’s what Dr. Oz says, anyway.”
There were several clicks as Antennae repeatedly pulled a switch on the handle, but nothing happened. It clearly wasn’t working the way he expected. He growled in frustration, lowering his weapon and opening a compartment along the top. Then his eyes flicked to the puddle of orange soda on the floor and back to Pinky.
For the first time, Antennae noticed all the tiny blue stars that littered the ground. He whipped around in surprise, staring since he still didn’t understand, but the sudden movement made him lose his balance. Pinky caught him by the arm before he fell flat on his face.
The weapon slipped out of his grip, clattering to the floor. He cried out and swung his crooked tail into Pinky’s side.
“Zort!” Pinky yelped, more from the literal shock he’d received, than actual pain. His fur stood on end, like he’d just rubbed a balloon against it. When he pressed it down again, several tingling tickles lingered on his hand, making him giggle.
When he looked up, Antennae had limped over to the damaged remains of a shelf. But even walking across the room was too much, and he collapsed again.
The bodysuit had rips along the heels, exposing several painful looking cuts. Pinky couldn’t blame him for trying to stay on his tiptoes, even if it was a very awkward way to walk.
Antennae needed help. Pinky would have to carry him to the lab.
Pinky followed. He knelt and picked up Antennae, who weighed only slightly more than the small batteries Pinky liked to use as weights, since dumbbells were unfortunately too large for him. Antennae loosely held a baggie of the tiny stars close to his chest. There were several ripped baggies surrounding them. This seemed to be the only one that remained whole.
Cradling his head and back, Pinky set the baggie on top of Antennae’s chest, making sure the baggie was sandwiched between them before he set off.
Antennae’s head lolled against Pinky’s neck. The antennae orbs lit up with tiny sparks for just a moment, though Pinky didn’t get another burst of static. They faded back to a normal red within a few seconds.
He seemed…almost relaxed. At least his face wasn’t scrunched anymore.
As Pinky exited the UFO with his bundle, something bonked into the back of his head.
“Ouch!” Pinky nearly dropped Antennae and baggie in surprise. A tiny camera with a spinning propellor zipped into the night sky, recovering from its collision course quickly.
Some sort of alien tech too otherworldly for a regular genetically altered Earth mouse to understand? Pinky longed to ask, but he didn’t want to disturb Antennae.
Besides, he looked adorably pudgy while he slept.
Antennae made a small noise in the back of his throat, but he didn’t seem to be waking up anytime soon.
The camera didn’t matter as much. Not when he just discovered that aliens snored.  
Pinky set off for the lab, determined to get the directions right this time.  
o-o-o-o-o
Good thing the dark, narrow alley filled with dirty cardboard boxes had been there! Pinky never would’ve known it was a shortcut to the lab if it hadn’t been for that stray cat. It was a miracle that Antennae hadn’t woken up once, or that the baggie survived the chase without any rips or spilling tiny stars.
The cat had given up the chase, deciding that whatever was in the dumpster would be more of a yummy meal.
Really, Pinky didn’t imagine he’d taste too good. He tried to lick his elbow a few times and all he got was a mouthful of fur.
Thankfully, he didn’t have to try to climb up to the mail slot. The door was slightly ajar, just enough for him to squeeze past, even with Antennae’s chubby head.  
Pinky shifted his hold to one arm, then grabbed the handle of the nearest drawer to pull them up to the counter. He had to set the baggie down, but Pinky could easily grab it once Antennae was settled comfortably in the cage.
It took a few unsuccessful tries of hauling himself up while holding onto Antennae before he realized it wasn’t going to work.
“Psst, Antennae,” Pinky hummed, gently shaking the alien’s shoulder. It would be a lot easier if Antennae clung to his back. “Wakey-wakey…”
Antennae’s face scrunched again, then he yawned and nuzzled into Pinky’s chest instead.
He looked so peaceful. It would go against Pinky’s little shoulder angel to wake him up now. What had he been thinking?
After a few minutes of searching through bottom drawers, Pinky found a soft kitchen sponge that hadn’t been removed from its packaging yet. It would make a perfect bed. Pinky pulled it out of the package, carefully maneuvering it out of the drawer while trying not to jostle Antennae too much.  
Another drawer had several white, fluffy hand towels. They seemed clean enough, so Pinky slung two towels over his free shoulder and climbed out.
He laid one of the towels on the floor, then pushed the sponge on top. Cold feet weren’t fun in the morning nor in show business. Then he laid Antennae on the sponge and covered him with the second towel.
Antennae’s hand clung to Pinky’s fur, so Pinky loosened the grip and tucked the wayward hand under the towel.
“You’ll be alright,” Pinky whispered, stretching out his sore arms. Maybe he’d carried Antennae for a bit too long. But Pinky’s arms would be ready for more wheel-running tomorrow.
Now that both of his hands were free, Pinky grabbed a bandage roll which had been lying near a Bunsen burner. He’d have to thank Mr. Bunsen for letting him borrow these bandages later.
Pinky carefully removed the socks – maybe they were more shoes? Oh, well. He removed the shoe-socks from Antennae’s feet and laid them on the towel-rug. Since Antennae hadn’t been on his feet since the UFO, the cuts seemed to be healing just fine.
Pinky carefully bandaged the heels and folded the towel-blanket over Antennae’s feet once he was finished. Then he brought the baggie of tiny stars over and placed them next to the shoe-socks.
He climbed up to the counter briefly to wash his hands, humming Happy Birthday as he lathered with the honey-scented soap.
“Thank you, Silver’s Anatomy,” Pinky said to the TV remote, which teetered over the edge of the VCR. He turned to Mr. Button, still lying on his straw bed in the cage. “Sorry, Mr. Button. I’m sleeping elsewhere tonight. Here, you can have Nicholas so you won’t be lonely. Try not to keep him up too late, okay?”
He rolled Nicholas the Nickel into the cage and settled him near Mr. Button. They seemed happy. Mr. Button would no doubt be gossiping about the ballpoint pens again.  
Pinky yawned and went back to the floor. It had been an eventful day, and he was very tired.
The towel-rug seemed very inviting…
Pinky buried his face into the towel fluff. Antennae had been twitching throughout Pinky’s counter business, but he stilled again once Pinky curled up.
Pinky fell asleep, dreaming of cheese and Pharfignewton and a deep, faraway voice. It was a lovely dream, except the voice couldn’t join Pinky and Pharfignewton in their little cheese and apple picnic. It seemed unwilling. Pinky made sure to save a few slices of cheddar and provolone for him. Maybe he’d take it afterward.
o-o-o-o-o
When the sunlight hit his eyes, Pinky leapt with joy. Early wheel runs were the best! So were mid-morning runs, and noon runs, and evening runs!
Except he couldn’t move. He could still wiggle his fingers and toes, but his hands were tied behind his back, purple yarn binding his ankles as well. His entire tail was still free though. He swished his tail just to be sure.
He shimmied over to the drawer and pressed his back against it, managing to sit up. Though he wanted to run on his wheel, being tied up was a fun game too.
Antennae wasn’t on the sponge bed though. Where was he? He was missing out!
Pinky wondered if he should just untie himself and find Antennae. The knots didn’t seem that hard. Though it was hard to tell for sure if it was a slipknot or an overhand knot. He really should’ve paid attention in knot-tying class.
Five minutes later, Antennae stomped over in his ripped shoe-socks, though little strips of bandage poked out.
Pinky smiled. If Antennae was stomping, his feet must be healing fast. And then he’d be okay again.  
However, Antennae didn’t seem to think so.
“Wipe that ridiculous expression from your face, Terran,” Antennae scowled, his foot tapping impatiently. “Hand over all the information you know. I want answers, and I want them now.”  
AN note: I’d like to give credit to @pluto-art for her wonderful drawing of Brain as a cute little alien.  With the way she posed him, I knew I wanted to incorporate that somewhere and this chapter seemed like a good place to do it! I meant to credit her last chapter for the blaster idea but I forgot so I’m rectifying that now.  
Fig’s off to the races! Literally.
After the wringer I stuck him through last chapter, Brain seriously needed some cuddles. He’s a little touch-starved. Also, he’s a bad guest. Don’t tie your friend up, Brain. That’s just rude.
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agl03 · 4 years
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Can you do a breakdown of everyone few episodes of season 7 like big things you think will happen
Hi Anon,
Not much has changed since I did the big breakdown when we were able to find the ‘leaked’ titles.  However, please bear in mind the only two we are 100% confident on are 1 and 13.  I’ll repost it here and add anything that might have popped into 
1. The New Deal
Aired at D23.  Cliffnotes Mack, Robo Coulson, Daisy, and Deke have to save Freddy Malick from being kill by the Chronicoms.
2. Know your Onions
Well this is one of those weird titles that makes little sense.  There is a song by The Shins  But its also a saying for being very knowledgeable about something.  So this is where we’re really going to see Robo Coulson really showing how invaluable to this.  Also might speak to the learning curve the team is facing with all the new stuff.  Also a good chance we at least get a glimpse of FItz here before he disappears for a bit.
Written By Craig Tiltey AKA the OUT OF THE BOX dude.  He’s given us great episodes like 4722 Hours, Uprising, personal fave Hot Potato Soup, Rewind, and SPACE VEGAS!
3. Alien Commies from the Future
Well the Chronicoms take over some Russians or they think they are Russian, people were pretty paranoid back then.   And I’ll put the time period they visit here anywhere between the 50′s and 80′s due to the “commies” reference.  Good chance we’ll see lots of Military here based on who is already in IMDB.   This may also be when we see Enver show up…or two…depends on where they go after saving Freddy. Also trying not to think of Killer Clowns from Outer Space here.
I throw in this could be where we could see Stoner.
Written by the Zuckermans have given us episodes Lockup, Boom, A LIfe Spent, Option Two, Code Yellow, and This Sign.  They do have a decent amount of Philinda under their belts so this could be where we see May on a mission with Robo Coulson for the first time.
4. Out of the Past
Well something from someone one the teams past is likely going to come back to haunt them here.  And it also might tie into the 1947 movie bearing the same name about a small town gas station that has his life turned upside down when figures from his past return.  So they’ll be going for someone who ‘got out” and now is being pulled back in.
This would be the first opening I see for Afterlife and those involved in it to come into play.
Written by Mark Leitner, relatively new to the writing team he did Inside Voices and Toldja.
5. A Trout in the Milk
Guys I swear my google history for this show.  Another title based on a saying.  The meaning is that although you did not see the dairy farmer do it, he most probably dipped the milk pail in the stream to water down the product. It’s not direct evidence but a very strong circumstantial case.It is attributed as follows: “Some circumstantial evidence is very strong, as when you find a trout in the milk. ‘ (Henry David Thoreau)  
So the team will have strong evidence on something but can’t be 100% on it.  This could speak to who they feel the Chronicoms are after, if there is a traitor in their midst (its an annual tradition after all), or this could be where something could be wrong with Fitz and Jemma is starting to worry more/pick up on it.
Written by Iden Baghadadchi also relatively new she’s done Rise and Shine aka Hale’s Back story and squee inducing we are invincible and Collision Course Part II.
6. Adapt or Die
Raise your hand if this SCREAMS when we are gonna see Ward/Hydra again!   Because he said that a few times when he was discussing why he followed Hydra.  I just have no idea WHAT Ward we are dealing with…preturn Ward, Hydra Head Ward, Squidward (yay I got to use it again).  
If not Ward someone has to adjust to the new situation and fast in order to survive.  This could speak to someone being captured, gone under cover, or something out of left Field.  Knowing who the writer is…could me buckle up for some Fitzsimmons feels people.
If it is heavy Fitzsimmons, this could be the where we learn more about “we had time” and possibly the Secret Child Theory gets some legs.  Adapt or Die could also speak to Fitzsimmons having to drastically change their lives in order to survive and move forward saving the others and the world.  
Written by DJ Doyle…and a favorite with Fitzsimmons fans as he has given us some of the most iconic Fitzsimmons moments.  Past credits include The Things We Bury, Melinda, Purpose in the Machine, Many Heads on Tale, The Team,  Deals with Our Devils, INESCAPABLE!!!!!Also worth pointing out the sixth episode of each season has a history of being big FItzsimmons Episodes.
7. The Totally Excellent Adventures of Mack and the D
OMG are we getting a Bill and Ted esque Mack and Deke Team up. EEEEEEEEE!!!!!  I do believe this is where we are going to get “The closest thing to a Musical Episode the show will ever do” and Deke in the Red Leather pants Chloe talked about.  
Bring on the 80′s/90′s nostalgia folks.  I don’t even care what is happening this one is gonna be awesome.  Also considering the writer we need to be on the lookout for a FItznapping….this is the dude who has written most of them.
Written by Brent Fletcher who has done some major major episodes.  The Dirty Half Dozen, Closure, Broken Promises, Farewell Cruel World (IE thank goodness we are FINALLY out of the Framework), FUN & GAMES, Space Vegas, and New Life.  
8. After Before
I wanna lean flashback here and this could be another option where we get some answers from Jemma as to what happened during “we had time” and the fallout from that.  It could also speak to a comparison or a change in someone, a play on a “Before and After” King of Reveal.  Once again the writers lean towards something happening on the FItzsimmons front as they are the other resident Married couple with Jed/Mo on the writing team.
Also worth noting this is the first episode that Enver is in IMDB in so they’ll need to go back in time to meet up with him and I think they’ll find him at a point well after Agent Carter had ended.  Meaning there could be some critical early days of Shield backstory here as well.
Written by James and Sharla Oliver they’ve done Paradise Lost, The Patriot, The Honeymoon.
9. As I have Always Been
Episode LIL Directed…YAY!  
Clark said this was one of his favorites of the season.
Lil directing means Jemma will be light in both it and 8.
This screams something to do with Enoch to me (like i hear him saying it when i read it), its pretty much what he said to Fitz before he gassed him.  In the trailer we see Enoch seemingly getting left behind as the the Zephyr Jumps away, stranding him in time.  It also means if we lose sight of him for a bit we might need to be concerned about him getting co opted by the evil Chronicoms and used against the team.  It should also be said that Enoch was on the planet for centuries, it could be only a matter of time before they come across his past self.
I feel this could also speak to Robo Coulson doing some soul searching about who he is now and coming to terms with the whole LMD thing.
Written by Drew Greenberg, another one of the long time heavy hitters.  Dirty Half Dozen, Who you Really Are, Absolution, Wake Up, All the Comforts of Home, and Leap.
10. Stolen
Well this screams someone getting kidnapped and/or having their memories messed with.  It could also speak to an item stolen or stolen time.  This is the point where we really could see Fitz coming back into the mix more.  This is also the point in the Season where everything typically starts to go to poop and the team suffers a major loss.
Targets for kidnapping for me are Robo Coulson as he’s what Shield has been using to keep ahead of the Chronicoms.  Fitz because well it’s Fitz and he’s in hiding for a reason.  Enoch to be used against the team.  
Also worth noting this is the last episode that Enver is listed in IMDB for.
Written by Mark Leitner who is completely new to the writing team.  However vet George Kitson (yes the one they named Kitson after) did the screenplay.
11. Brand New Day
So I think that just like in Season 6, Episode 10′s Stolen is going to be a real kick in the teeth to the team.  In Leap they lost Davis, Piper shot her had, Sarge’s true self really got released, Izel escaped with the “monoliths”, and Mack and Elena were kidnapped.  Out of the Ashes was the team picking themselves back up and starting to fight back.  
Brand New Day also represents new beginnings and a fresh start.  So after suffering a major loss in 10, they are gong to pick themselves up, regroup, and fight back.  But this all but confirms someone is getting kidnapped in 10 for me….looking at Robo Coulson and Fitz still.  
Written by Christopher Fryer he’s another new writer but based on IMDB has been on the production team for a bit.
12.  The End is at Hand
Yeah that is not ominous at all.  And just like The Sign this season hold onto your hats because its going to be a major run up to the end.  I’m fully expecting a two hour series finale event.  
The Chronicoms and if a new baddie is in the mix will have their plan in full motion (I fell like the we need to save this point in history kind of thing will be abandoned in favor of something bigger and scarier), the team will be scattered, some could be prisoners, and my stress level will be through the roof.  
Expect it to end on an insane note just as The Sign did (with May being killed).
Written by Jeff Bell.  As doom and gloom and generally no fun he can be in interviews he has given us some amazing/huge episodes and his last one shouldn’t be any exception.  It may be worth nothing he has a knack for putting Fitz/Fitzsimmons in danger.  Previous credits include 084, Ragtag, What They Become, SOS 1, Maveth, Good Samaritan, World’s End, Real Deal, and Collision Course Part 1.  
13.  WHAT WE’RE FIGHTING FOR
Pause for screaming with @eclecticmuses because this THIS is what we wanted from that first tease!
It’s the PERFECT title for a final episode and all cards are going to be on the table here.  I feel like not only will the team be fighting to save the world as usual but every single one of them is going to have a more personal stake in the game.   
They are literally going to be fighting for THEIR futures as well.   Perhaps even their Past, Presents, and Futures depending on horrible plan they are trying to stop.
There is only one I am willing to theorize on right now because I don’t know what character arcs are coming and how things could change over the season for a lot of the characters.  FItzsimmons. They are going to be fighting for their future, their family, their happily ever after.  Come on Secret Kid Theory!
This is going to be action packed, major fight scenes, emotional as all get out as 7 seasons come to a close.  Their will be wins, their will be losses.  Mack is going to give an epic speech before he falls (sorry still don’t think he makes it) and Daisy will rally the team after he does.
Piper is back!
Written by Jed who has had his hand in every episode and penned some of the biggest ones.  
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