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#I’m not sure what to make this
mists-reading-nook · 30 days
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A new world
A new world,familiar in its own right. That’s where you are. You know this place,don’t you? You know this deep forest,don’t you? You know these sounds and sights.
You do. But why can’t you remember? And why does it all feel so…different?
Exploring your surroundings is your only real option. So you do. You walk and walk and walk until your feet ache and you’re sweating a bit from all the movement. But you don’t stop. Slowly,this place comes back to you. Slowly,you remember.
Until you come across an odd scene,one that doesn’t feel familiar at all,even in the deep recesses of your memory.
On the forest floor,laid falling off the top of a large protruding root, there’s a book,laid upside-down. Picking it up shows you a page with roughly scribbled text in smudged black ink. It’s barely readable,but you can make out what it says at least,so you begin to read.
“xx-xx-???
We’re going to have to leave Sumeru soon. The forests can only keep me and her safe for so long,and I think she’s starting to catch on to my worry. She knows a little,but not a lot,and I'd like to keep it that way.
Even if just for her sake.
Regardless,the virus is spreading fast,and leaving sumeru might be our only option for safety. The forest is starting to become affected by the virus,and It’s starting to become infectious. I’m going to take her to leave tonight. Maybe we head to Liyue,or maybe we head to Mondstadt. Whatever we do,we cannot stay here.
I miss (there’s a smudge here,blocking out a large piece of text. It seems like water dropped on the paper) …but I can handle this alone,I hope. It’s just me and (another smudge. The name is illegible.) against the world now. “
There’s no name at the bottom,but there is a small,hastily scribbled note,as if left as an afterthought.
“I’m not sure who I’m writing this for,but if you read this,you must leave Sumeru. It’s not safe. Run. As fast as you can.”
The panic is evident in the writer's handwriting. But the question lies for you, what happened here? Where do you go?
And why…why is everything so quiet?
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lazylittledragon · 4 months
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the only thing scarier than vampire lords/mind flayers/death cults is meeting the in-laws
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dearabsolutelynoone · 4 months
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“Anthony was rather famously besotted with his wife…”
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…who was in turn rather inexplicably besotted with him.”
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sabertoothwalrus · 3 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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lazycranberrydoodles · 9 months
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getting back into the untamed and i had a thought. / follow for more yllz babygirlism
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i-know-the-endss · 6 months
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i think the most frustrating part about tbosas is the fact that you want to root for coryo. you want him to be a better man for lucy gray. you want him and sejanus to become closer, to become the best friends sejanus believes them to be. you want him to run away and find a way to relearn all the oppressive and tyrannical ideals the capitol instilled in him.
but that’s not what happens.
coriolanus isn’t necessarily a good person. he’s not a bad person either, not yet, but he’s no where near good. and rather than try to be good, he gives up, he lets himself “go bad”, he rats out sejanus, he lets his anger get the best of him and loses lucy gray.
the idea that coryo could be a good person but chooses not to be is exactly the reason this book and this character are brilliant.
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Buck: I just wanted to let you all know that I have a boyfriend.
Hen: Congrats Buck!
Chimney: Wait let us guess! Does he have brown hair?
Hen: Was he in the army?
Chimney: Does his job involve rescuing people?
Hen: Does he have abs for days?
Chimney: Do we know him?
Buck: How did you two know I was dating Tommy?!
Hen and Chimney: WHAT!
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Betrayal
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somerandomdudelmao · 9 months
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@tapakah0
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This little bunny means the world to me
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cowardlykrow · 3 months
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"Ooooo, you wanna get in my toy box SOOO badd"
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vanhelsingapologist · 4 months
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
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l3irdl3rain · 2 months
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I desperately wanted to hold all 5 at once but I tragically had to tap out at 4. When I went to pick up the 5th cat (Merrill) Tunia started wiggling and I had to let her go.
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puppyeared · 10 months
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personal character design headcanons + brainrot
Note: the re-bound!au does NOT belong to me, it belongs to @chipper-smol I’m just not normal about it lol
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#I SAY PERSONAL BC ITS MY OWN SPIN ON IT. NOT CHIPPERS CANON UNLESS THEY DECIDE TO OR NOT YOU HEAR ME /LH#I made a banner and everything this time. PLWEASE send them your questions not me JAJFHDSF#I thought it would be cool if macaque has two separate forms as a shadow and inside a mindscape. like I wanted his shadow form to reflect#him in his prime and then the mindscape form as what he looked like when he died. or a more vulnerable state at least#based on LBD appearing to MK as the ivory lady when she died in the S3 special. I don’t know exactly what it was but my first thought seein#the white void was she was appearing to MK in his mindscape to talk to him. so I built on that#I wanted to give him a more ‘Smokey’ look as a shadow just based on how he manipulates them in the show like in shadow play. I hope this#makes it look cool and immaterial. and then his mindscape form would be more battered up and tangible#the last couple images are chippers ideas though since they said the monkeys are drawn to MK when macaque is possessing him lol#and the fact that macaque doesn’t have any senses unless he’s possessing someone + literally sniffing out wukong in the scroll 🤨📸#I also have a vivid image of macaque moving from the mindscape to physical form like umm. kind of like when he passes the boundary between#physical and spirit/mind(?) it’s like the shadow covers him like ink. or pulling Saran Wrap over your face and it clings to your skin#so it kind of makes the shadow seem like a sort of shell or covering.. and I love the idea of MK meeting macaque in the mindscape for the#first time too. like the moment mac rescues him from LBD and MK sees him all battered and tired looking brooooooo#I’m not even sure if that would count as a mindscape but it rattles around in my brain like loose marbles#god I fucking love this au. gives me imagination fuel swear to god#my art#doodles#lmk#Lego Monkie kid#Monkie kid#lmk au#re-bound!au#rebound au#lmk sun wukong#lmk swk#lmk macaque#lmk six eared macaque#lmk mk#lmk xiaotian
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sofiaruelle · 2 months
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Commissioned by the lovely and talented @carrieing0n to design a lil cover based on Chapter 2 of their SDV fanfic, White Hot Something featuring Harvey and their farmer, Ryann ! :D<
🔞Content Warning though! The fanfic is explicit and contains sexual themes, so please make sure to read the tags on AO3 and Minors DO NOT Interact!! Link to the fic!
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pizzaqueen · 11 months
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Steve being indignant over the girls in Hawkins not being interested in Eddie and Eddie's like I mean, it's fine, I'm gay, I'm not interested in them, and Steve's like that's not the point! You're hot! What's wrong with them?
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mineyardjostenrivalry · 11 months
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You know I get it.
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