why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?
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Book 2 au: sparring sessions and short hair katara
They like to have sparring sessions in order to keep their bending skills sharp. They allow themselves to go all out and not hold back at all cause they know if anyone got hurt, Katara could just heal them
But anyways, wouldn't it be kinda funny if Zuko accidentally burned Katara's hair tho? Aofkqldkkajfjd
The "I think we can save the hairloops" line is from @linnoya-writes thank you for that!! :>>
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Humans, how do they work?
Bonus Ending:
NEXT
MASTERPOST (for the full series / FAQ / reference sheets)
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i think there’s divinity in gross and ugly things. i think the radical love and acceptance of what is weird and nasty is angelic and i think there is something holy about indulging in the neglected/looked down on/outcast/unacceptable parts of this world. you should let yourself be weird
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Okay finale rollercoaster aside it was the "where are you?" and "I'm here" softly holding Crowley by the waist and helping him walk for me 🥺
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So like...Sam's Liminal. Definitely Liminal.
She's also very pretty.
Constantine's a little tipsy, but he's very, very sure he just accidentally sat next to a Fae at the bar.
Heavily influenced by certain lines in Inferno, buttttt
Sam's a very pretty young woman. Beautiful smile (with too sharp teeth), lovely eyes (but they're a little too wide, a little too bright), fantastic skin (unnaturally pale, suspiciously cold), and a very pretty face (perfectly symmetrical)-first glance anyone who leans towards women would get instant butterflies in the stomach.
But Constantine's been around danger enough to recognize those aren't butterflies.
That's fear.
There's a deep, instinctual fear that is telling him he has to run.
Just as he's about to leave, though, her hand rests itself on his arm.
"Leaving so soon, Hellblazer? And here I thought you'd want to take a look at this...interesting contract I found."
Ah. Shit.
He sits back down, next to the Unseelie Fae who, apparently, owns part of his soul.
Sam, for her part, just wants to scare the idiot straight so he'll stop making work for Danny. (Danny's days are almost nothing but fielding complaints about Constantine and he's so fucking close to hunting the man down himself).
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The Akademiya was defeated using a power they could never hope to attain- a group project where everyone pulled their weight.
Redesigns under readmore!
Al-Haitham: peonycats (tumblr)
Nilou: osteichthyens (tumblr)
Tighnari: peonycats (tumblr)
Dehya: oayr21 (twitter)
Nahida: fates-chosen-mess (tumblr)
Kaveh: My design, WIP
Masterpost with more redesigns
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I just have to say that it's so weird reading how transphobes think of trans bodies as mutilated and gross when they never would have thought my body pre-transition was worthy. The "argument" of mutilated beauty that transphobes have tossed around is just a fear mongering tactic, because they don't tend to actually love or appreciate and see value in bodies that don't "neatly" fit into male and female, with no overlap and no nuances.
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not "love is just chemicals in your brain" as in "love isn't real and doesn't matter," but "love is just chemicals in your brain" as in "love isn't any more special or pure than any other emotion"
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i am so charmed by a lumax wedding because it’s not even something max thought would happen. like she assumed weddings were something the girl makes happen and the guy puts up with. and because she had no desire for one, so there’s no reason it would happen.
among other things weddings are an exorbitant and performative show of love, max loves lucas and she doesn’t care whether or not other people know or believe this. at it’s best marriage to her has been a representation of failed dreams and at it’s worst it’s been a tool to manipulate people who need to get away to stay. maybe they will get married for the tax benefits, she thinks.
this is until max and lucas are older and living together, they’re chilling on the couch and lucas mentions his family has been asking when he’s planning to propose and if that’s something max even wants? max doesn’t care, she doesn’t plan on going anywhere, a certificate won’t change anything and she's not crazy about parties. she doesn’t ask how he feels, he brings it up, that “actually i want a wedding.”
that is saying the least, lucas wants a wedding more than anything. he loves max and he doesn’t need to prove that to anyone, but he’s happy and he wants to share that with others! he wants to work with max to make marriage a positive thing to them, he wants to celebrate their love, everything they’ve been through. also, hell, he’s only human, he wants to show off! he wants to dress really cool and go to a really cool place and show the world know how awesome he and his girlfriend are. HIS WIFE!!!
most of all, lucas wants the moment near the end of the night, where the party’s getting loud and everybody wants his attention, but max asks if he wants to get out of there and he says yes. not out out, just outside the venue. it’s dark and the once booming music is now faint, they sit and catch up, complain about their families, laugh about their friends. max holds lucas’s hand and plays with his wedding ring, she whispers something sweet before asking him to dance. it’s the best part of the night and nobody will know about it but them.
suddenly max decides she wants a wedding.
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