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comicaurora · 5 months

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Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

#asks #aurora #art stuff

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embracing-the-ineffable · 8 months

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Ineffable discontinuity and the Bentley's roadtrip transformation: new back doors and other changes (after it was yellow), and Crowley... didn't notice?!*

*Also, as a side observation, did he leave the Bentley window open during the ball and everything that happened after? Why?

Have you been longing to be even more perplexed by the ineffable discontinuity of Good Omens season 2? Do you love endless data in the form of screencaps? If so, then please join me on this wild ride! Here are some highlights:

Top photos: Season 1, episode 6, after Adam reboots reality; S2e2, before Aziraphale's e3 road trip. The Bentley is a gray and black 2-tone car with 2 doors (only 1 handle is visible on each side).

And on the bottom is s2e5, while Crowley is driving, it's a solid black car with 4 doors and smaller silver hubcaps.

(edit: For those of you thinking about the different Bentley models used in s1 vs s2 (discussed in detail below), or the difference between the full car and half car set, just those three full car pictures above demonstrate that the new s2 Bentley model is NOT the reason for this mid-season shift. For more details about the half car set plus other ways to tell the Bentleys apart - without talking about color - see my newer post with handy diagrams, here.)

And the s2 interior?

Here's e1, after Crowley talks to Shax, and e3, as Aziraphale arrives in Edinburgh (which is also when the Bentley debuts as a 4-door). And look at this blocking - how both characters are posed so similarly with their backs to us in these shots!! It's so deliberate! :

And look at the seats! In e2, Crowley is talking to Shax again, and in e5, Crowley just parked the Bentley before the ball:

When Crowley, who is so tuned in that he senses the car is yellow and driving too slow even from a distance, sees the "new" Bentley in e4, he doesn't act as though anything has changed, he just happily and purposefully walks up and opens the back door that was never there to put his plants inside.

THE BACK DOOR THAT WAS NEVER THERE

For that matter, Crowley and Aziraphale both seem to be unaware of the changes! This feels like both a metaphor and a functional plot device for season 3. There's more discussion at the end of this post!

Thanks to comments and observations awhile back from @bbbitchvibbbez , I did some careful searching for s2 scenes featuring the Bentley, and this post is the labor of love and irrational obsession result!

If you want to see lots more Bentley screencaps and discussion, including Crowley nonchalantly using the new back door, and possibly also leaving the Bentley window open during the ball and everything that followed, please keep reading:

Some background and context:

Ok, so there was a different Bentley "actor" for s2. The s1 actor was a 2-door, the s2 actor is a 4-door. If you look carefully, you'll see that in s1 the backseat side windows are smaller than the front side windows. In s2, they're the same size. I talk more about the windows - with handy diagrams! - in my newer Bentley post, here.

There's also been some controversy about the interior color of the s2 Bentley, black vs brown, and how that could relate to the s2 body swap theory; here are details about that from @lonicera-caprifolium and @picturesque-about-it. I don't think my findings support (or disprove) that theory, but take a look at what I found and see what you think!

(*Please don't ask Neil about any of this, he's already given us the answers he wants to give, and he's not going to spoil the surprises in s3 now by telling us what's really going on!*)

Here's the episode/scene breakdown:

S2e1 on the street with Shax - gray, two toned, two doors (one visible door handle on a side), brown interior - both the seats and the inside panel of the door. Notice how the door is hinged at the back, and opens opposite the way most modern cars do (this is called a suicide door):

More s2e1 photos, the Bentley is in a lot of scenes this episode and as far as I can tell it stays the same gray 2-door for the whole episode, but it's frequently in dark lighting to make it harder to tell it isn't actually black (I've brightened most of these shots). It also has larger silver hubcaps, and I notice consistent brown seats (these interior pics are from three different scenes):

In s2e2, the Bentley is only in two scenes, and it's the same as s2e1. Now, you can see in the larger photo below that it's obviously not the SAME as s1 - the backseat side windows are too long - but the production team DID try to make the new Bentley "actor" look the same as in season 1. It's a gray 2-tone car with 2 doors (1 handle visible on each side) with larger silver hubcaps. As an aside, what's with the red lights on the car in this shot?? I mean, yes, it's a reflection of another car's brake lights, but why put that onscreen?

Also, in case it's relevant, Crowley is wearing his turtleneck throughout this episode, and still has the silver-sided glasses from e1:

Ok, now we have s2e3, and as Crowley meets Muriel and gives Aziraphale his car keys, we see he's no longer wearing the turtleneck, AND this is when his glasses change to black-sided ones:

Outside, we see the Bentley looks the same as the rest of s2 thus far, as Aziraphale sets off for Edinburgh. Gray 2-tone, brown interior (with window bullet hole decals very visible), with larger silver hubcaps. There's only one handle visible, so it's still meant to look like a 2-door:

Ok, here's where things start to change! Azi is driving and the Bentley is yellow. The seats might (?) be black, there's still only one door handle on the side, the silver hubcaps are still larger. But when he "changes it back", NOW it's black:

And by the time he pulls into Edinburgh, Transformation Complete. (Did Something Else Happen?? Or is this an effect of Aziraphale finally being welcome to take care of this extension of Crowley? More speculation at the end!) It's a black 4-door, two handles clearly visible on the side, with smaller silver hubcaps:

And the interior? The door panel, at least, is black now - and it has a texture that wasn't there when it was brown. Here's e1 next to e3 (and appreciate, again, this very intentional parallel blocking of the two actors!):

In s2e4, we see the Bentley in two scenes; at the beginning when Aziraphale meets Shax-as-hitchhiker, where we see the bullet holes and the black door lining, and at the end when the Bentley is reunited with Crowley:

When Aziraphale parks the Bentley back at the bookshop, we see the bullet hole decals and that it's still a black 4-door:

So he goes to meet Crowley, they come back with the plants. We can see that the camera is to the rear of the car, and the front of the car is to their left. They're standing on the left side of the car. If Crowley opens the door, we won't see the interior door panel, right? Because the Bentley doors are hinged on the back, instead of the front, so the door will open towards us:

WELL. Mx "I can feel when you drive below the speed limit" and "change it back!" Crowley very eagerly walks up to the BLACK car, greets it with some sweet baby talk, and then opens the suddenly-existing BACK door with a hinge on the front (so it opens away from us) as if this is All Perfectly Normal, and we can (barely) see the door lining and it's BLACK and textured:

A few more shots of Crowley, standing at the brand-new back door of the Bentley, still wearing those black-sided glasses:

And in case you're wondering, in s1e2 when Anathema gets a ride in the Bentley, she climbs into the backseat from the front driver door, and she climbs out through the front passenger door. There wasn't a back door on either side. Here she climbs into the Bentley, and you can see Crowley fold down the front seat, and there's clearly only one door on that side, and it's hinged at the back. (When she gets out on the passenger side, it's harder to see, but you can tell that door is also hinged at the back.) :

In s2e5, Crowley drives the Bentley to the bookshop, and then we only catch a few small glimpses of it while Aziraphale is recruiting shopkeepers to the meeting/ball. Here's Crowley driving the black 4-door Bentley with small silver hubcaps, and here he is getting out of the car with black seats. The front door is still hinged at the back, as it always has been. The window is open - his hand is reaching through to open the door - so we can't see the bullet hole decals:

The next time we see more than a hint of the Bentley, it's the end of s2e6 and Crowley is standing next to it, watching Azi leave with the Metatron. It's still black, with 4 doors and black seats and smaller hubcaps. We don't see the bullet hole decals, but perhaps the window is still open from when he parked it in e5? (And WHY would he leave the window open? Was someone supposed to come by after he parked it to deliver something to the Bentley, or take something out?) Emotional photos ahead:

I over exposed that last picture, to make the colors really easy to pick out. The seats are absolutely, definitely black.

So... what does it mean? Why did it happen, and why didn't Crowley notice or react?

I love the metaphor that Aziraphale subconsciously created a back door for - or into - Crowley, especially with all those references to the "back channels" of communication between heaven and hell. I'm thinking it could represent - or actually be - another way for them to communicate, or like another entrance to his heart; it's something that Aziraphale doesn't realize he changed or added and that Crowley hasn't noticed yet either, even if he's making use of those changes on some level. I'm sure other metaphors could also fit!

And I'm reminded of something @theeminentlyimpractical said, "Crowley, despite his whining, fully accepts the idea of "our car," which fundamentally transforms the Bentley". That post was liked by Neil, so there could definitely be something to this "our car" transformation line of thinking.

So, was the transformation a subconscious effect of Aziraphale finally being welcome by Crowley to drive the Bentley, and caring for and taking responsibility for this part of Crowley? Or did Aziraphale consciously do this, or did Crowley? Or maybe the Bentley is sentient, and it chose to be bigger/different now, to accommodate both of them. Or did the change happen in response to Something Else We Didn't See?

Is Crowley's (and Aziraphale's) apparent non-reaction another example of an unreliable narrator or some memory tampering? Is manipulation of the Book of Life involved? Are there multiple timelines? Is someone time traveling? Or is it just that Aziraphale and Crowley already discussed the changes off screen, before Aziraphale left Edinburgh?

If Crowley noticed the changes, I would have expected a comment about them. Either, "change it back!" or a reluctant, "those are changes I can live with", or... Something. But instead, the production team went to some trouble to make sure the hints are there, but hard to spot (you can review the similar, careful s1 hints about the appearance swap here, from @fuckyeahgoodomens); as opposed to, for one example, the way they very clearly pointed out Maggie's mysterious spelling mistake, both on screen and in the dialogue. So I feel reasonably certain the Bentley's transformation is a careful, subtle hint about a Secret Something Important That Will Be Revealed In Season 3. I think it's both a metaphor and a plot device*.

What are some of your favorite metaphors? Your most reasonable theories? What about some of your biggest, wildest, most improbable theories?

*And if you enjoy Good Omens metas, theories, clues, etc, I have a big pinned collection of those from the fandom, here!

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crinolinecuriousity · 11 months

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so glad to know that weird girl culture is alive and well every year when I see the Stuck at Prom gallery... here are some faves from this year’s gallery, all of which were not finalists.

view the whole gallery and vote for the winners here!

Lizbeth - there were a handful of outfits that were inspired by cultures but this one was one of my favorites, a love the color scheme, the fringe, and the bow, I think she did a very good job and I could genuinely see someone wearing this on the runway!

Elizabeth - really liked her colors, which she said was inspired by a peacock at her house I think? but what stuck out to me was the gradient on the edge of her skirt and the straps

Presley - I can definitely see why she wasn’t a finalist but she also looks gorgeous, I think it’s hard to pull off a mostly solid red dress and she genuinely looks like a Disney princess

Jadyn - genuinely cannot believe she was not a finalist. like the first picture literally does not look like duct tape, you could tell me it was a fabric costume on Broadway and I would believe you.

Catrielle - another one I can’t believe wasn’t a finalist! there are always a handful of outfits that use gold but I love what she did with it. plus the shoes and the bag?? love love love

Ava - I could LITERALLY see this at the Met Gala red carpet. the detailing is insane and the skirt came out looking really nice and even. she looks gorgeous!

Ritika - there were a couple of circle skirts but this was one of my favorites. her theme of harmony seemed relevant with a lot of the current events going on as well - the skirt is colorful but isn’t distracting and I think it’s a more elaborate dress that actually manages to pull off the busier look

Veronica - I DEFINITELY think she should have been a finalist for suits. like I think this outfit is more compelling and has a cooler background (Filipina culture) than like. the white(?) guy who just made a samurai suit. I really love how she like... feminized the suit jacket if that makes sense? I think she slayed it

Madyson - this one was so fun to look at! I love the manta ray bag and the sand dollar earrings too, I would love to see a fabric rendition of this dress. you can tell she had a lot of fun making it from the pictures, too.

Eliza - this one was inspired by a Shakespeare line if I remember correctly and it really reminds me of old 80s/90s catalogues. was really impressed by the puffed sleeves!

Owen - there’s always more dresses than suits entered since most of the competitors are girls. this was a suit that was inspired by the AIDS crisis quilts, I think he should have been a finalist and he looks more put together than some of the suit finalists

Kendyl - this one was insane to me - she looks gorgeous and I could see this being a real fabric prom dress or a dress a celeb wears on the red carpet. I can’t get past the detailing and the ruffles?? insanely talented

Lily - personally I think this suit would have looked better without the rectangles on the pant legs but that being said, I love this outfit so much, you can tell what she drew inspiration from and I think it’s simple but classy and it works beautifully. I could see this on the runway!

#stuck at prom 2023

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sage-green-matcha · 11 months

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WE’RE NOT REALLY STRANGERS - ETHAN LANDRY 🃏

“Tell the other person to close their eyes and to keep them closed” Playing the “we’re not really stranger” card game with Ethan Landry!

Content includes: fluff! Card game, Softie! Ethan Landry, shy duo!

You lay on the couch of Ethan’s apartment, sighing as you continued to add details to the Google slide. “You know y/n, it doesn’t have to be pretty, just copy and paste the information” you frowned. “I like it pretty, looks like we put more effort into it” You switched the background color to a deep blue, a smile on your face as it matched the other slides.

“I’m getting so bored of this” you mumbled, changing fonts and adding colors, copying and pasting pictures onto it. “How about we take a break? We’ve been working on this for the past hour” You looked down at him, a thankful expression on your face. “I was hoping you’d say that” You shut the laptop, Ethan sitting on the couch next to you.

“We better get a perfect A, we’re putting way too much unnecessary effort into this” The 20-slide Econ assignment was almost done, with only a couple of things left to add. “What do you wanna do?” He asked, chin resting on the side of the couch. You shrugged, looking around his apartment.

“Do you like card games?” You nodded, watching him as he went over to the game closet, pulling out a red box. “What’s that?” He placed the box on the coffee table, the box reading “We’re not really strangers” at the top. “Basically, it’s just a bunch of questions that we get to ask each other to get to know each other better, fits since like…we’ve only really hung out for projects like this” You nodded, agreeing. “Yeah, okay” you smiled, Ethan explaining the rules as he shuffled the cards.

“Okay, uhm I’ll ask first?” “Yea,” he pulled a card, reading it out loud to you. “What was your first impression of me?” You hummed, thinking back to the first time you’d met him. “I think…I thought you were cute, a bit awkward I guess. You seemed really smart so I’m glad I got partnered up with you” Ethan blushed at the compliment, thanking you before you pulled the next card.

“Who do you think is my favorite artist!?” Ethan knew you loved music, and he already knew the answer. “Taylor Swift…?” “Yea! I like how you know that” you bit back your lip, cuddling up to the shared blanket.

“Okay…do you think I like hot Cheetos?” Your eyes turned into lines, pointing at the empty bag of chips. “No Ethan, I think you love Cheetos” He rolled his eyes. “It’s a very solid chip, they’re good” he laughed, smiling at you. “Do you think…that I’ve ever been in love?” You watched as Ethan examined your face, eyes squinted. “I think…that no you haven’t, but other people have probably been in love with you” You turned your head, Ethan biting back his lip.

“What makes you say that?” He shrugged. “You Just have a very loving personality, it’s the first thing anyone picks up on” You blushed and he pulled out a different pile of cards. “Round two is…connection…what’s the biggest mistake you’ve made?” “That’s deep…” he nodded as you thought. “I think it’s probably…hm. Oh, I know. Not sticking up for myself in things that have impacted me, like a lot”

“Like what?” “Like…I was bullied a lot as a kid, I think that kinda messed with how I turned out” he frowned. He could never imagine people bullying you. You were so sweet and caring. “Okay…hmm what non-domestic animal describes you? And why?” You already had an answer in mind, Ethan thinking with his hand on his chin. “A cat?” You shook your head. “That is so wrong” “Really?” You nodded, “You give hamster energy” he looked at you confused. “Well…I guess that kinda does make sense” he was really random and quiet, but he was also smart.

“What’s the worst pain you’ve been in that wasn’t physical?” You felt comfortable with Ethan, so you decided to open up with your mental health issues, if he thought you were crazy then that would probably be the worst pain. “I think…when I was in this really dark place, it was a couple of summers ago but uhm. My mom was sick and I was just depressed…like suicidal” You played with the rings on your fingers, sinking yourself into the couch. “I’m sorry…are you okay now?” His heart hurt for you, looking at you with doughy eyes. “Yea! Definitely, being around people that I care about helps a lot” You smiled at him, trying to give him the indication that it was him you were talking about. “I’m glad”

“What would your younger self not believe about your life today?” You put down the card, snuggling closer to the blanket as the gears in Ethan's head turned, thinking for a minute. “Maybe the fact that I actually have friends?” He laughed and you smiled. “Really?” He nodded. “I never really had friends, I was always really quiet as a kid and- and like shy” he scratched the back of his neck.

“What’s your least favorite personality trait in a person?” “I really dislike pretentious people, like get over it. You’re not better than anyone” You shrugged and he nodded his head, agreeing. “Think of someone that you admire. What made you think of them specifically?” You were the first person that popped into mind, his face flushed as he began to speak.

“The person, they’re just so sweet and, like” he sighed, not able to put his feelings of admiration towards you into words. “They do their best at everything. They go above and beyond even when they don’t have to. It’s like they’re the perfect person and they have such a beautiful personality” he could rant to you about yourself forever.

You just smiled, nodding your head as he described this mystery person. He must have a crush on them, the way that he was going about it definitely showed signs, a small frown on your face. It was the last question of the connection round, going into reflection.

“If we were in a band…what would be our name?” He smiled. “Like, the Econ girls or something” “But I’m not even a girl!” You broke into a small fit of laughter. “I like Econ girls, that’s our band name” he nodded, excepting his fate as an Econ girl.

“What part of yourself do you see in me?” “Honestly, nothing…you’re too perfect” you scoffed. “I’m for real…I don’t think I could compare myself to you” he fiddled with his hands, avoiding eye contact. “Really? Okay, draw” he picked up the card, placing it on the table.

“When this game is over, what will be something you remember about me?” You pretended to think long and hard, already knowing the answer. “Everything, I liked getting to know you better” Ethan felt his heart pump out of his chest, trying to hold back a smile as you pulled the next card.

“What do I need to hear right now?” He chewed on the inside of his cheek, glancing at you and then at the pile of cards on the table. “That the person I thought of first was you” You could’ve screamed, and so could Ethan. His face was flushed as he waited for your response, your eyes just wide as you tried to calm yourself down.

He watched as you held back a smile, your attempt failing before you hid your face in your hands. “Another one?” You nodded, Ethan with a smile on his lips. “In one word, describe how you feel right now” The universe was working with him, all the cards playing out perfectly. “Happy..?” You questioned, nodding to yourself. “Yea, happy”

You pulled out one of the wild cards, pulling out the paper and pencils from inside the box. “Write a message to each other and give it to each other, open it once you have left” You tapped your pencil against the table. Tucking your hair behind your ear as you started to write.

Ethan watched you, attempting to sneak a peek but it didn’t work, trying to come up with what to say to you. The tension could be cut with a knife, smiles hidden as you wrote. “You done?” He questioned and you nodded, folding up the piece of paper.

“Look Into each other's eyes for 30 seconds. What did you notice?” You scooted closer toward him, your body nervous as you looked into his eyes. You always knew Ethan was pretty, but seeing him so close made you realize he was way more than just pretty. His eyes were a pretty brown color, creasing at the sides when he smiled.

His lips looked so soft, so pillowy. The perfect shade of pink. You started to even get a bit insecure about your own. Ethan on the other hand took the opportunity to examine you even more. He knew everything about your face, every detail, every mark. He felt his heart beat faster as you looked at his lips, looking back into his eyes with your lips agape.

The two of you got closer, Ethan’s light breaths on your face as he took your jaw into his hands, pulling you closer to him. Your body melted into him, your lips pressing against his without a warning. Heat filled your body, butterflies going crazy in your stomach. He tasted so good, so sweet. And the feeling of his lips on yours was addicting. His hand pushed to the back of your neck, pulling you closer to him if that was even possible.

He pulled away, taking in the sight of your puffy lips, your face flushed in a pink blush. “One more? For good luck?” You nodded and he read the card to himself, instructing you to close your eyes. Your eyebrows furrowed as you waited. 5 seconds, then 10, then 15.

You felt him kiss you again, confused but not mad about it. His hand was on your waist, pulling you on top of him. The feeling of his kiss was like hundreds of fireworks going off inside of you, euphoria filling your whole body. Just the feeling of his hands running across your skin made you shiver, pressing your hand against his chest.

You pulled away and he handed you the card, reading it out loud. “Tell the other person to close their eyes and to keep them closed…wait 15 seconds and kiss them” You shook your head at the card, Ethan pulling you into his side. “I liked that game” “I did too” Before you left you exchanged letters, opening it frantically in your car as you recalled the night's events.

Y/n, you’re the person that I was talking about, but I think you already know that. I'm happy I decided to play this game with you. You make me feel safe and I really like you…It’s easier to express my feelings in letters, but I hope I get to show or tell you in these next couple of rounds.

Yours, Ethan Landry <3

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lowkeyrobin · 3 months

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I'm sorry for spamming you I'm just really excited--

Reader who also streams and just rants a lot while they play Stardew Valley?

Like mid milking a cow or something they pause the game and rant about how to kiss someone or smth?...

-🌕 anon! <3

AH OMG DONT WORRY ABOUT SPAMMING I LOVE YOU GUYS 🫶🫶🫶 but I absolutely love this LMAO I made this into a preference setup instead of a oneshot bc I didn't know exactly who you wanted and I was having difficulty finding a way to stretch it out that long anyways. idk much about stardew valley so bare with me, I rewatched Tommy's video of him playing w Molly to help me 💀💀

MCYT ; stardew valley rants

includes ; tommyinnit, ranboo, tubbo, freddie badlinu, niki nihachu, foolish gamers & quackity

warnings ; language

masterlist

TOMMYINNIT

you'll just be doing some tasks and be like "you know, I've never kissed anyone before. like, how does that work?"

meanwhile Tommy came over a little bit ago to hang out after stream and he just looks at you like 🤨😨

"youve never kissed anyone?? wait... we haven't kissed before? y/n/n, what?"

you shake your head no, confirming that you guys actually never kissed somehow, your relationship was kinda new in both of your defenses.

"we've only been dating like, 2 months, it's fine"

"ARE YOU TRYING TO BE A KISSING VIRGIN FOREVER????"

literally have your first kiss on stream bro

THE EDITS 🫶🙏 I CANT EVEN

the cutest shit ever

TUBBO

you were playing stardew valley for a little calm/lofi stream before you went out to film with tubbo & tommy for a little challenge video

you got a little quiet after a while and started ranting about drama at school

you had some class time with a bunch of popular girls and you didn't exactly fit in with them and drama was starting to arrise

for a solid hour you were ranting about it

tubbo had your stream on as bg noise as he was on the bus to meet up with you and tommy

when you meet up afterwards his first words to you are "did you actually just rant for an hour about school drama?"

you nod and awkwardly smile cause you didn't know he was watching

"you're interesting to say the least"

"you are too!"

RANBOO

you literally paused the whole game mid-farming to rant about some restaurant you and ranboo went to the past day

chat was exploding with "oooo they went on a date" and you were just like "guys it was good food, 10/10"

they get you to join a call with them and you guys talk about it together and your whole experience and how awesome the food was

not to mention the aesthetic of the restaurant was so well put together

you got back to your stream with a little story for your viewers

BADLINU

you started ranting about a movie/show you're fixated on at the moment

went through all the lore, all the characters, background info, etc

Freddie was watching and using tts to talk to you

he encouraged it dw

like he was holding a convo w you and everything it was the cutest shit ever

the edits.

also people clipped the whole like half hour long thing and posted it to YouTube like "y/u/n and badlinu talk about ___!"

you don't even remember it within a week but HE DOES

just one of those cute relationship moments he loves to think about

QUACKITY

you were playing stardew while he was playing gta and you were on a vc together

so obv it kinda sounded crazy 💀💀

"y/n I'm gonna drive my Honda Accord over there and kill all your cows!"

"I swear to God, quackity, don't even dare"

not really ranting but you were yelling threats at him and shit LMAO

NIHACHU

you guys were playing together 🫶

you were teaching her how to do everything and stuff

you eventually went on a tangent about things you do and don't like about the game

she was agreeing to your solid points and stuff

that turns into a rant about hair color and if she can color your hair for you LMAO

FOOLISH GAMERS

"Dude, how do people do that van life shit? I'd die doing that"

straight up hour and a half rant about how much you hate van life tik tokkers while playing stardew valley

he's in your chat like "Yes 100 percent" and adding onto your points LMAO

you both share a hate for van life mfs

#lowkeyrobin #mcyt preferences #mcyt x reader #tommyinnit x reader #mcyt oneshot #quackity x reader #ranboo x reader #badlinu x reader #nihachu x reader #foolish gamers x reader #tubbo x reader #gn reader #gender neutral reader

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sweatinghoneybee · 1 month

Text

I’m so happy this is finally finished! It took awhile to finish but i’m so happy!!

This is just a fanart of a headcanon i have of MC in a transformers fanfic i read in quotev where in the future she becomes a rebel against the senator council and goes threw out Cybertron graffitiing peace protests against the government and puts up hologram posters of facts and the lies that the council puts up to propagandize Cybertron’s population.

Honestly the hardest part on MC’s design is the shoulder and legs wheels cause i’ve never drawn transformers so i was racking my head on how to draw them. And also is it just me but why are transformers helms so hard to draw?!! Like i know it’s a helmet but just kept feeling like i just made them bald. But it’s so much fun trying to draw something that i’ve never tried before and so glad that there’s a concept art for the MC of the story in chapter 18 cause if there aren’t any i’m an absolute goner to draw this!!! And I mostly drew this in the Transformers animated style cause primus save me it would have took me ages of life to draw this in like prime or IDW style (to those who can transformers in that style, i bow to your superior skills cause most people would think that drawing detailed blocks are easy but PITS NOPE!!!)

And i gave little reference on the paint that’s inside the paint spray gun where the colors i referenced to the cover of the fanfic (and i also made MC holding a car spray gun to do her graffiti cause i kind of thought that no one in Cybertron have graffitied yet so for MC to do it in Cybertron like back in her life as a human she uses spray guns that are used to paint cars/alt modes in transformers. And if someone ask on why the spray gun is attached to a hose on MC’s bag thing, the black part of that bag is to storage paints so like the bags used by graffiti artists that i found and the red bottom part of the bag is an air compressor thing like it’s used in car spray gun but in a more portable size. And honestly not sure if i should call it bag cause, atleast in my headcanon on how MC made her handicraft bag, technically it’s just a metal box that MC found that she attaches a cut hose for the sling and maybe and old used air compressor she fixed cause if I remember correctly bags aren’t a thing in Transformers so i tried to incorporate that). And in the background is actually those colored beats like in videos where each music beats the video shows it as a reference to MC’s love of music (and the blue pink colors are not only referring to MC’s optics but also cause in the fanfic she has the power to open a portal to the void/shadow realm so i was referencing that). And the white lines on the edges of the drawing is a referencing to MC hacking and putting up hologram posters cause i thought that if MC is going to get the truth from the government she will need to be able to hack computer systems and such to get them. And it’s just a tiny detail but the curves inside of Nebula as she swirls behind MC where it’s sharp is a reference that she looks like flowing flames but I didn’t want it to be too obvious so i just decided to make her a flowing blob (cause i thought that that’s what she looks like in the solid world if MC isn’t in the void) shadow with slight sharp angles like how stylized fires look like. Also can someone tell me if there’s a device in Transformers to make hologram posters? Cause I wasn’t sure what it would look like so just made it look like a flat disc in MC’s right servo. And just a headcanon as well, MC’s will absolutely splatter herself with colorful paints as not only as protest against the government that tries to make her to convert to their ideals but also just as a fun self expression where while MC is covered it messy paints it’s also made her beautiful with her confidence on not being afraid to stand out and be different (tho i have a feeling that if Knockout saw her like that he’ll have a spark attack) kind of like a transformer’s version of tattoos and such. The feathers on MC’s helm i intentionally put rainbow colors on them cause i kind of thought that the feathers are holographic so every time MC moves her feathers reflects and changes color. And the reason why i made MC and Nebula surrounded with so many colors is sorta kind like a representation how went from just living by under the rules of Cybertron to taking charge in trying to help Cybertron by doing things that’s different by the standards there and giving color to the lives around her. And i made Nebula with wings as a little nod on her connection with Unicron and i just made her sparkly cause i thought it’ll be pretty hehe~ along with the mismatched mascaras that MC uses cause i just thought it adds abit of that rebellious allure especially since the colors that are used are the shade of the other optic’s color!

Honestly this is one of my favorite drawings i made! I’ve always loved those drawings where monochromatic colors being surrounded by like a rainbow bomb around them, so this drawing is definitely my absolute favorites!

X - X - X - X - X

And also if anyone is curious and wants to read the fanfic that i’ve been rambling above on the fanart i made here’s the link to the fic!

Please give some love to the author of this fic cause they’ve worked really hard to make this incredible well written fanfic that goes in depth on Transformers. And don’t forget to leave a heart on their fic! Like seriously go and give this a read! The plot hasn’t even gotten to the war part of the Transformers and it’s already so good! And to those who want a various x reader fic where the relationship goes deeper then just characters falling in love without context, this is a fic for you simping boos out there!

#transformers #fanfic #fanfic recommendation #x reader #reader insert #transformers x reader #various x reader #yandere #yanderes x reader #art #my art stuff #sweatinghoneybee #transformers art #digital illustration #digital art #fanart

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ammonitetheartist · 5 months

Text

Welcome to paradise

(Also yeh I used the Eldritch Uzi design by @electrozeistyking bc. cool 👉👈)

EhehrheEHEHEHHEHEHE-

Judging by when I ended up finishing this, ig here’s your (early/on time/late depending on your timezone) Christmas gift (or general gift if you don’t celebrate it) from me: PAIN

I’ve recently been noodling with the idea of Cyn’s original consciousness being in a little mindspace of some kind, and then I started noodling with the concept I saw brought up by this comic: of the Solver taking Uzi as a host like her, aaand this was born!

Also I was originally gonna draw the panels individually, but since tumblr doesn’t have a way to exceed 10 images on mobile (as far as I know), I had to get creative

Edit: ghgghhhhGHHG WHY IS TUMBLR NOT LETTING ME LINK THE COMIC HHHHGGGGGRRGG- it’s the “She’s Gone” comic by the person I tagged near the top; you can find it in their top posts

Putting the image ID under the cut bc holy fricj-

[Image ID: A comic featuring catified designs of Uzi and Cyn from Murder Drones. The first drawing shows the first four panels; a front view of Uzi in her Solver mode over a snowy night sky, wings outstretched and a yellow X over her visor, then the same drawing with a perspective blur, then a black background with a yellow flash, like a TV turning off, and finally a completely black background.

The fifth panel shows a blurry drawing of Cyn looking down to the viewer, a black blur effect around the edges. The third drawing shows the sixth and seventh panels, starting with Cyn standing over Uzi, who is lying down, followed by Uzi jerking back in surprise upon noticing Cyn.

Panels 5-14 feature a dark, mottled yellow-green background with faint, pale yellow polygons of varying sizes to signify the mindspace. In addition, both Cyn and Uzi’s designs in this mindspace become solid color, with colored lineart. Cyn’s text is yellow and Uzi’s is purple.

The 8th panel shows Uzi on the right side of the drawing with a confused expression, uttering ‘Wh-‘. The 9th panel shows her head whip around in surprise. The 10th panel shows the background giving way to a drawing of Solver Uzi in the center, with her usual colors (very darkened), a glitch effect, and a yellow AbsoluteSolver symbol over her visor.

The 11th panel shows mindspace Uzi with a shocked, lost expression as she mutters ‘Wha…’ in a small voice. In the 12th panel, she turns to the left side of the screen, adding ‘Wh- where…’

The 13th panel shows Cyn sitting on the left side of the screen, a blank expression on her face. In the 14th and final panel, she wears an empty smile, and a dark tear slips from under her visor as she simply says, ‘Welcome to paradise.’ End ID]

#murder drones #murder drones uzi #uzi doorman #murder drones cyn #md cyn #murder drones solver #solver uzi #absolute solver #comic #md comic

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ribbonetteart · 4 months

Text

Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I was confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be, working against my usual style, rendering a background, so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

#Barbie in the Nutcracker #Sonic the Hedgehog #Blaze the Cat #Sonaze #Jess's Digital Odyssey #Sorry for not posting frequently it may happen again

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aguineapigcouldntdothis · 7 months

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Read this if you wanna learn about guinea pigs!!

here is a long post on guinea pig breeds. it is intended to educate any guinea lovers or guinea interested people. these are all the breeds i know of but if there are more let me know and i will include them! I will be separating the images by breed but if there is a satin variant i will include that with the original breed (such as: american and american satin). guinea pig breeds are differentiated mostly by their coat type and color, but i am focusing on coat type here to hopefully cut down on the size of this post a bit plus it is the more important feature usually

Also satin syndrome makes the guinea pigs shiny. it does come with potential health issues but here i am just focusing on the outside appearance of the pigs!

[ID: Image 1: Shiny, brown, short haired guinea pig. The background is brownish and blurry.

Image 2: profile view short haired orange and white guinea pig. the background is white.

end ID]

this is an american guinea pig! it is fully short haired with all its hair going back towards its hind end. they can come in many patterns and colors! The left is an american satin guinea pig. the short haired guinea pigs show the shinyness very well.

[ID: image 1: Fuzzy, shiny, orange guinea pig with fur in rosettes/cowlicks. Background is blue.

image 2: Guinea pig with the same fur texture but not shiny. it is brown, light brown, and cream. Background is beige.

end ID]

This is an abyssinian satin guinea pig and an abyssinian guinea pig. their most distinctive feature is their rosettes/cowlicks! they basically always look like they were just towel dried after a bath.

[ID: image 1: long haired, shiny, blonde guinea pig with its hair in front of its face. it is on a teal blanket and in front of a white wall.

image 2: long haired brown guinea pig with the same fur texture but not shiny. the background is white.

end ID]

This is a peruvian satin and a peruvian guinea pig! they have long hair that parts down the middle and have bangs on top of their head that grow forward and out unless they are cut. they can be given endless fun haircuts! some are even triangle shaped

[ID: image 1: shiny, Orange and white, long haired guinea pig with no parting in its hair. it is on a blue blanket.

image 2: not shiny blonde guinea pig with shorter hair but the same texture. it is on a wooden table with grass in the background.

end ID]

These are silkie satin and silkie guinea pigs. They have long, smooth, flat hair and unlike peruvians they have no part down the middle. these pigs are also known as shelties. sometimes they look like wigs!

[ID: White, black, brown, and orange guinea pig with long fur and no part down the middle. It has short fur on top of its head that sticks out slightly. the background is white.

end ID]

Coronet pigs are similar to silkie pigs but they have a rosette on top of their head! this makes it look like they have a flat head or they just got a bad haircut but it's fully natural for the breed! basically the mullets of guinea pigs

[ID: Brown and white guinea pig with the fur on the top of its head creating a circle shaped indent. it is being pet on the chin and standing on black fabric.

end ID]

This is an english crested guinea pig! They're known for the indent on their head, known as a crest. They can come in many colors and are great starter breeds because of their short fur. also you can put a grape or blueberry on the crest!

[ID: Gold guinea pig with white fur on top of its head. it is standing on a blue blanket

end ID]

This is a white crested guinea pig, also known as an american crested! they have the same indent as the english crested pigs but different coloring. these pigs are solid colored except for the crest which is white

[ID: image 1: fuzzy brown and white guinea pig with very short and slightly shiny hair that sticks straight up. it is standing on blue fabric.

image 2: fuzzy brown and white guinea pig with very short hair sticking straight up. it is standing on a small salmon colored mat.

end ID]

These are teddy satin and teddy guinea pigs. They're known for their short, soft hair that sticks straight up. They both look and feel like teddy bears and are essentially stuffed animals in guinea pig format.

[ID: Brown, fuzzy guinea pig with short hair that sticks up and slightly back. The background is white.

end ID]

This is a rex guinea pig! they are very similar to teddy guinea pigs but their hair is coarser and it tends to go backwards a bit instead of sticking up. however it can be hard to tell the two breeds apart without feeling their hair because they are very similar!

[ID: Brown and white long haired guinea pig with lettice in front of its face. it's hair is wavy.

This is a texel guinea pig and yes its hair naturally grows like that! they have long, smooth, wavy hair that grows down and slightly backwards. Just like silkies they are essentially the wigs of the guinea pig world!

[ID: Adult blonde and white guinea pig with coarse, long, wavy hair. under its chin is a baby guinea pig the same colors and short wavy hair. the background is white

end ID]

These are alpaca guinea pigs! they are similar to texel pigs because they are both curly breeds, but they are a bit different. alpaca pigs typically have denser fur and their babies are known for being ultra cute!

[ID: Brown and orange guinea pig with medium length hair that sticks up all over the place. the background is light blue.

end ID]

This is a sheba/sheba mini yak guinea pig! it is a mix between a peruvian and abyssinian guinea pig and is known for it's medium length, bedhead-like hair. its hair doesnt grow as fast as a Peruvians and it breaks off more easily so its wonderful for owners who want a longer haired pig without as much work.

[ID: White guinea pig with very long, luscious, and slightly wavy fur. the fur on its face is short. the background is white.

end ID]

This is my favorite breed, the lunkarya/lunk guinea pig! it is a mutation of peruvian guinea pig, but there can be lunkarya silkie and lunkarya coronet pigs too. they're known for their long, slightly wavy hair that can't be smoothed out, unlike their straight haired counterparts.

[ID: Fully bald guinea pig with mostly pale pink skin and some dark brown skin. the background is white.

end ID]

This is a baldwin guinea pig! it is the only fully hairless guinea pig breed so its pretty easy to spot. they are born with full coats of hair and lose them within a few weeks (but oftentimes less time). they were a result of a recessive genetic mutation that causes complete hair loss.

[ID: Mostly hairless guinea pig with short, fuzzy orange hair on its nose, ears, and feet. its skin is black and it has peach fuzz throughout its body. it is standing on blue and white plaid fabric and the background is white.

end ID]

this is a skinny pig! unlike the baldwin pig, these pigs have a bit of hair. they have the most amount of hair around their face and legs, but there is a bit of peach-fuzz-like hair throughout their entire body. they are born with their mostly-hairless coats!

[ID: Partially hairless white guinea pig with a brown nose. it has sparse, fuzzy hairs throighout its body. it has slightly more hair near the front of its body and its face. the background is fuzzy red fabric.

end ID]

This is a werewolf guinea pig, which is a distinct variation of skinny pigs! While skinny pigs are mostly bald with peach fuzz hairs, werewolf pigs have quite a bit more hair but still not full coats. theyre basically half hairless piggies!

[ID: White and slightly brown guinea pig with long, dense, slightly wavy hair and shorter fuzzy hair on its face. it is standing on a brick wall with a garden in the background.

end ID]

This is a minipli guinea pig! it is a mix of lunkarya and alpaca piga that only started being bred fairly recently. it has the thick hair of the lunk and the coarser hair of the alpaca. however since its hair is more brittle it won't reach lunk lengths.

[ID: Orange and slightly white guinea pig that is fully shorthaired except for a mohawk-like ridge running down its back. it is standing in the grass and the background is a metal fence.

end ID]

This is a ridgeback guinea pig! It is a variant of the abyssinian guinea pig known for its mohawk. this fashionable piggie has this mohawk because of the two rosettes on each side of its back that cause the hair to stick straight up.

[ID: Brown, orange and slightly white guinea pig with medium length, smooth, wavy hair and short fuzzy hair on its face. the background is white.

end ID]

This is a merino guinea pig and also our last pig of the list (unless i need to update it)! The merino is a mix of the texel and coronet breeds and it has distinct features of both. this pig has the wavy, smooth coat of the texel and the same forehead rosette as the coronet!

i hope you all enjoyed these pigs!! let me know if there's any i missed. wheek wheek!!

#guinea pigs #guinea pig posting #guinea pig breed #pigblr #rodentblr #guinea pig facts

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yourmaidsp · 1 month

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How do you come up with your compositions? They are so cool I wanna know if you have any huge inspirations :-) your art is so lovely

Hiiiiiii! Awww thanks for the appreciation!

I'm actually working on a more comprehensive art tutorial rn (bc someone asked here earlier), that would include composition， but I'll do a shorter answer first for u bc you're asking sth. more specific ?( hope it's okey (❁´◡`❁))

(Oh and also I've seen ur req! don't worry, I'm doing that as well, it's just there's still some before yours( ´･･)ﾉ(._.`))

Um and when the long tutorial is out, feel free to check that out ~

On Composition:

Goal

For me the goal of my illustration r Storytelling n full on Emotional experience.

(It's something I've been trying to achieve but cannot guarantee I hit it all the time, sometimes bc of my habit I'll lost myself during the process and looking back find out I miss something important, so the following is the best theories I could provide. Most of improvement r still in daily practice(●'◡'●))

To paint with beautiful compostion, you'll first have a solid story in mind, it can be simplified into " who when where n what", writing them down on a note n stick it near by would help.

And as to emotional experience, is something I can't get hold of all the time... music might help I guess? I have headcanon playlists for every chatacter or ship I wanna paint, and extract emotions from them everyday.

But there's some practical methods too.

Methods

I've worked storyboard n director for 2 years in the past, even though I'm not proud of the projects I worked on, some knowledge might still be useful.

It's mostly 2 methods: Silhouette & Movement

Well for silhouettes there's already bunch of books discussing this, one of my favs is Framed Ink, I'm sure u can find a pdf somewhere on the net.

(I find this photo on the internet bc mine is not around)

Basically it's that, think about the objects within your image, by using shadows n their original colors, you can split it into interesting shapes. This will visually elevate the overall feeling of composition.

Also, there's a cheat build in humem's understanding of an image.

basically this, putting important object on the 1/3 points of an image is the fastest cheat.

Also, contrast your silhouette. If you're painting sth that has no background, try giving your silhouette a constrasted design.

(like in this one, the right side is smooth but I'm putting lots of variation on the left.)

For movement, think about your image as a shot taken when your characters r doing sth.

They would each have a direction to move to, and that forms their movement. Your job here is to arrange them into logical or emotional lines.

If it's a series of work, u can plan out the movement toward the same direction.

(the only time you're seeing their car facing left is when they stopped, I was trying to say that their trip kinda ends here)

Also for manga, comic n movie, make sure your important information is within safe area.

(the area within dotted lines is the safe area, u want your character's expression to be mostly within it. if it's like extreme close-up, the certain area u want to emphasize should be within it.)

I have some examples for these two theories.

First let's analyze this screenshot of one of Kurosawa's film, Seven Samurais.

The story here is that these guys r about to fight, possibly some big conflict. There silhouette can be sumed up like this, within the orange line.

We see this guy sticking out from this shape, implying he might be the head of this crowd.

Movement wise, their spears n heads face the same direction, telling u that the enemy will come from that side. Even this is a still frame, the movement is implied perfectly.

Another sample from Synecdoche,NY by Charlie Kauffman

This is a minimalist way of conveying emotion, u only see one main character here, and hardly any movement. Why is it so powerful?

Our main character, Caden, is in the almost center of this shot. He has a clear n simple shape. You don't normally put your main object in the center, so we'd assume he's very important.

Then there's this repeated notes in the background. When something is repeated a lot, it giver u an impression of pressure. Especially when he's surrounded by them, and they take more space within the frame than he does.

Also, this is a down shot, the camera is pointing down and behind him. You'll feel your character being watched or at his lower point of life when u do that.

Inspirations:

Movies mostly, and traditional artists.

Back when I was in film school I watched a bunch of movies n that slowly became a habit, movies r very good sources for ideas.

Even if you're not having enough time, watching reviews n analysis would also help, (but I'd suggest u try to consume the films not listening to critics to get a unique experience.)

Some of my favourite directors are:

Kelly Reichardt (First Cow)

Apichatpong (Tropical Malady, Memoria);

Charlie Kaufman (Synecdoche NY, Adaptaion);

Satoshi Kon (Paprika, Perfect Blue);

Kurosawa Akira (Yume, Kagemusha );

Edgar Wright (Shaun of the Dead, Hot Fuzz );

Kusturica (Black Cat White Cat, Underground 1995);

Carol Reed (The Third Man)

Errrm I hope it's helpful? (❁´◡`❁) The next tutorial is gonna be even longer.

#maid's requests #art tips #art theory

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whirligig-girl · 8 months

Text

Star Patrol rocket Piccard-5 encounters an artifact of the incredibly powerful White Marble Civilization. circa 2169, colorized & shipgirlified.

Commission for @foxgirlchorix, based on a render by Holly for @torchship-rpg

This is some of my best rendering work ever! These commissions do have a knack for putting me out of my comfort zone enough to continue developing my technical skills and style.

Image ID: Digital art of two ship girls in a black and blue nebula background. One girl is a very large solid white marble statue with a naked feminine form, pitted and cratered with meteoric impacts, drifting belly-down though space. Instead of a face, her head has a large hole which glows yellow-orange, with a white marble sphere held in space outside of it. A green tractor beam is being emitted towards the second girl, a Torchship named Piccard-5. She is a silver girl with her body resembling a star patrol jumpsuit. Warp drive rings circle her waist like a hula hoop. She is wearing a spherical ball helmet. She is wearing white rocket boots. She has glowing red-orange radiator panels as wings on her back. The white marble sphere's tractor beam is slowly disassembling her into individual hull sections, disconnecting her radiator wings, removing her boots to reveal the rocket propellant inside her legs, and taking her body apart. Piccard-5 is reacting with a worried or confused expression. End Image ID.

Artist's notes and concept sketches in the read more:

When this render was posted Levana immediately had the idea to make it one of a series she was planning on commissioning me for, of shipgirls based on Torchship's Star Patrol (and alien) rockets. So we quickly brainstormed how it would go down and what she could afford price-wise.

When I do big commissions with new characters where I'm creating the design without an existing OC reference, I charge extra for character design. That doesn't just go to waste! Here's the concept art page:

The White Marble shipgirl is inspired by the Eerie and Enigmatic Empty Vessels by @murmurlilies, which Levana really likes--if you look at her blog you might see one of those posts reblogged multiple times. I wanted to pay homage to the eerie and enigmatic empty vessels without directly ripping them off! The first sketch on the upper left is imagining the girl poses by breaking her arms into segments and moving them around, but that never looked quite right to me. The second is basically just a direct study of the empty vessels (with a ball head). The third is after a little more refinement--I liked the cute hair on the empty vessels so I wanted to keep the head mostly intact, and I found a way of keeping the silhouette of the jagged angular hips on the empty vessels but in a very different way! Meteoric impact damage, just like on the original Torchship render. I also used an edited version of one of the Empty Vessels drawings for the thumbnail sketch in the lower right out of laziness.

There's also a sketch of what Piccard-5 looks like when she's not being disassembled. Piccard-5 has a rounded main hull, so it looks much more like a regular space suit helmet than the frustum-shaped helmet on the Newton-2 shipgirl I sketched a while back. The Newton-2 shipgirl had heat radiators as wing shapes on her boots, but making them actual wings on her back makes the disassembly image all the more unsettling.

I changed the hairstyle on the white marble girl when I drew the main drawing because I wanted to evoke like, greco-roman marble statues, and so a curlier/braided look worked better than the cute pixie cut of the empty vessels. I'm really happy with how the final product looks. I knew I wasn't gonna be able to half-ass it with the rendering, you know, just a little shading along the edge; this required a lot of careful thought and it was a lot of fun to do! Especially where the craters interact with the terminator (line between light and dark), just like on the Moon, which I have a lot of experience sketching (see below--the following sketches were made while looking through telescopes at the Moon at night)

Here's a WIP of just the line-art:

and with the basic shading done on the marblegirl

I started with like, a cel-shaded look (?), and then went in and softened the edges, then went over it again to fix the craters. I also added the marble texture to the unshaded base layer.

For the Piccard-5 girl, I spent a lot of time trying to get the pose right. I wanted it to be a little stiff, she's in a suspension beam after all, but not too stiff? And I had to decide like, what pieces should be detached, and where should they be going. In the render, hull pieces are often displaced towards the side, but when doing that to a humanoid, it ruined the pose too much, so i avoided doing too much weird stuff to the torso and kept the disassembled pieces largely to one axis. The cross sections are hollow because they're ship decks. She's a spaceship, not a robot girl. The warp ring was suspiciously untouched by the dissassembly beam in the original render, but i had the marble girl pull a few pieces off of it in my drawing.

Probably the one thing that isn't based on something happening in the render is the belt. Like, rockets don't have belts, cosmonauts do! So that was a fun little touch.

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yoruqueenofnightsims · 11 months

Text

How I edit my Sims' shadow in Photoshop

as requested by @adelarsims

& based on this tutorial.

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1. Taking a screenshot

First of all take a screenshot of the Sim - I always do CAS but in-game works too ofc.

I take mine in front of a background that loosely matches the color of the background of my edit, in this case white. If you have a fancy CAS background, I recommend this CC by @sonyasimscc to easily get a simple background for screenshots.

I also use this tutorial by @katverse to get really good screenshots, I use 4000x3000px resolution, and this tutorial by @vyxated to not have a CAS UI in your screenshot if you use a reshade like me.

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2. Setting up the Photoshop file

Now in Photoshop create a file, I use 1250x2000 px.

I made a few guidelines, pink being the middle of the image and dark blue guidelines for my shadow editing.

I have a usually white background and a slight Curves adjustment layer with a gradient layer mask so it gets slightly darker at the bottom, completely optional ofc.

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3. Removing the original background

Import the screenshot and place it however you want. I try to align the Sim in the middle and make it as big as possible.

Then select the layer and go to Select - Subject.

This will usually do a decent job.

If there are some leftover unselected areas (like on her left hand on the hip) you can either add them to the selection now or edit the layer mask later.

Then create a layer mask.

Since the screenshot has a similar background, it shouldn't show too much if it is not perfect.

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4. Creating the shadow

First duplicate the Sims' layer (Shortcut: Ctrl + J).

The layer is probably a Smart Object, so you need to rasterize it and right click the layer mask to apply the layer mask.

Now lock transparent pixels and paint the layer black.

Next unlock the transparent pixels again and move the black layer below the actual Sim. Leave it selected.

Now you will need the Perspective Warp tool.

Draw the grid over the Sim, it doesn't have to be perfect, but make sure every part of your Sim is in the grid and nothing pokes out.

Press enter.

Now you want to drag the upper 2 corners separately wherever you want the shadow to be. I always put mine to the left and around the upper thigh area. I also try to match how slanted the left and right side are.

Now move the bottom 2 corners to try and match the shadow with the Sims' feet kinda. It won't work perfectly and you will need to fix it by hand after.

Press enter again.

Now go in by hand and fix the shadow around the feet.

Simply paint with black on the same layer and erase parts if necessary.

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5. Making the shadow look nice

I like to change the layer opacity to 35%, but it depends how strong you want the shadow to be.

Next I apply a tilt shift blur, unlike in the video.

I use a blur of 15px.

Move the circle at the edge of the image basically or a bit below by dragging the middle of it. Then rotate it on the bottom line by around 10°.

Next move the solid line to the middle of the circle and the dashed line around the ankles.

Then press OK at the top.

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6. Optional: Gradient layer mask

Lastly I like to make the shadow fade out a bit towards the top.

Apply a layer mask to the shadow.

Then get your gradient tool and the default black to white gradient.

Hold shift to make a straight line and drag the gradient down.

This is how I roughly place mine so it's not too strong.

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And that's it!

If you have any questions, let me know~

#sims 4 editing #sims 4 tutorial #sims 4 editing tutorial #yorututorials

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just-some-random-blogger · 1 year

Note

Idea for when the spirit moves you: reader asks Morpheus if they can decorate the palace for Christmas and do Christmas things like watch the nutcracker and other Christmas movies and listen to Christmas music, hot chocolate in front of the fire, snow things and dream pouts and pretends to be brooding but he’s soft and loves it

Christmas Lover

Dream of the Endless x Reader

Summary: Now that you had access to the largest hall ever and a supplier of all your dreams, nothing was going to stop you from enacting the Christmas you have been dreaming of since you were a child.

Word Count: 1k+

Warnings: Matthew the "Grinch" Raven, gender neutral!reader, reader is the type of person that plays Christmas music in september (auto jail), fluff, typos, etc.

A/N: this took a while to get back to but i have only one (1) assignment left SO I CAN DO WHATEVER I WANT AW YIS LETS GET IT I hope you like it baby <3 honestly dream could have been broodier in this but he's mostly clueless and just happy to be here AHHAHAHAH Tagging: @pinksirensong @deniixlovezelda @shadow-pancake9

"Boss, I think you should know something." Dream doesn't spare him a glance. But then Matthew says your name. Suddenly, Dream is all ears. The raven sighs, "I don't know how to say it." "Say it clearly, say it plainly-- no matter how bad it may be." "... ... ... you're dating a Christmas Lover™." "..." "and I don't mean how everyone likes Christmas, I mean the kind that-" Last Christmas by Wham! starts playing in the background. "THAT'S what I mean!"

"No, it's the wrong color, babe. It needs to be more blue."

Dream conjures blue Christmas lights.

"NO! I don't actually mean they should be blue. You know how in the color spectrum, some colors have a more blue hue, some have a more yellow-"

Dream conjures the same golden Christmas lights, but in a more 'blue' hue.

"That's not enough."

Dream changes it.

"Okay, now that's too much."

Dream releases a breath. Matthew squawks from the ceiling. Dream eyes him, hearing the faint 'I told you so' he muttered. Once he turns to me, his stern expression melts and he releases another breath. Out of nothing, he creates and gives me a clicker. I look at it as he places it in my hands.

"Whatever you think of will materialize after you press this button," he mutter as he clasps my hand, "but you must be careful not to-"

I do not let him finish as I think of a life size music box that was playing The Dance of the Sugar Plum Fairy while a dancing ballerina spins with the music.

My jaw drops and I fall to my knees when it appears before my eyes.

Dream grabs my hands and sinks down to me in concern, "my love-"

"THIS IS THE BEST THING EVER!" I exclaim grabbing his face, giving him an excited pouty look. I sniffle out of exaggeration then place a kiss on his shocked face before pulling him in my arms, "thank you, thank you, thank you-"

"That was the worst thing you could have ever done, ever! Like, ever! Like, in like the entire history of the Drea-"

"You have not seen the entire history of the Dreaming, bird."

Matthew turns to his master from his shoulder, where he was perched on. He watches the Endless' fond expression grow in the subtle way only one as he was ever capable of.

Matthew also watches as one of the HUGE toy solider nutcrackers begins to topple over because of how it was being hugged. Why were you hugging the nutcracker anyway? It's not like you conjured it up to be super soft and huggable.

I look up at the massive wooden statuette and feel my pulse quicken as I realize it was falling down on me. I let out a scream and attempt to flee, but then I feel hundreds of thousands of pieces of popcorn shower me. I catch my breath and look at the popped kernels around me. I turn to Dream, who was already looking at me.

"Popcorn!" I grin, pulling one out of my hair, putting it into my mouth, "and it tastes nice!"

Dream smiles back at me. He barely mutters, "does this great joy come badly to you, Matthew?"

Matthew sighs, "love is blind."

"What is that horrible smell?"

I perk up and heavily start sniffing the air, "oh my gosh."

Dream watches me zoom across the place.

Matthew takes flight, tailing me, "why do I feel like this has Christmas spirit written all over it?"

I reach the annex in the Dreaming that I conjured up, my temporary Christmas kitchen, and find, indeed, that what would have been my Bûche de Noël was now burning.

I cough when I pull the thing out of the oven, charred, smoking. It brings tears to my eyes for 2 reasons, #1, it smelled horrible, #2, I just ruined Christmas.

"What is the meaning of this?"

I turn with teary eyes to Dream, who comes up to me and grabs my face.

"I just ruined Christmas!"

Matthew eyes me from the 100 layers of blankets my head was barely sticking out of. I had been crying about my cake, as one does after ruining it. He hands me another tissue with his beak. I struggle to pull out my hand from the blankets but end up getting the paper from him.

I blow my nose.

Matthew sighs, "I'm pretty sure Christmas can't be ruined by a burnt cake."

"You don't get it, Matthew. This is Dream's first Christmas. All the best memories I have growing up was during the holidays and I just failed in sharing this thing I love so much by not being able to do the only thing I did myself for him."

"Yeah, but-"

"Everything up until this point was made by his powers," I sniffle, "and yeah, I used the clicker to get the ingredients for it, but I baked that cake! Except I didn't," I sigh, "It's my mom's recipe! I feel like I'm with her, being hugged by her, when I eat it... and I ruined it."

"... ... I didn't realize Christmas meant so much to you."

I snort, "yeah, you just think I'm crazy."

"I never said that."

"You didn't have to, it's written all over your-"

"I have these," Dream cuts in, holding a bunch of things in his hands. DVD cases. "I checked the archive of your memories and compiled all the films you loved watching growing up."

Dream sits next to me, eyeing the 1000 layers of blankets between us, then shows me the cases.

I begin to feel my chest constrict. I pout, "you did this for me?"

Dream's brows knit at my expression. He stiffens. He leans in, but is hindered by the 10000 layers of blankets. He clears his throat, "of course."

"Alright," Matthew decides, flying over to his master, "I see a Barbie film," he swoops in and grabs the CD, "we're watching a Barbie film."

I break into a grin and curl deeper into my blankets.

I notice how Dream uncomfortably shifts beside me 100000 blankets, so I offer, "do you want to cuddle?"

Dream looks at me, somehow shocked my the idea.

I struggle to open the blanket, but I eventually make room for him. I immediately latch on his arm and snuggle on his shoulder, giggling the way I always have on Christmas day, "I love Christmas cuddles!"

Dream pulls me close to him, looking down at my large grin, "I conclude the same for myself."

"Hey, Dream!" I raise my hands up and get to my tippy toes, "do you know what this is?" Dream looks at the thing I struggled to bring overhead. He places a hand on my side, so I do not topple over because of my stretching. He looks down at me, tilting his head, "I believe this is another Christmas tradition I will promptly learn about." I grin and nod, "this is called mistletoe." "Mistletoe," he nods back as he grabs the thing from my hand and holds it over our heads himself, "and you must hold it like this?" I chuckle, falling flat on my feet, as I snake my arms around him, "yeah, not really, but something really special happens when two people are underneath a mistletoe." "And what is that?" "They must, with absolutely no exceptions whatsoever, EVER, kiss." Dream's eyes crinkle, "I see." "NOT ON MY WATCH, FOOLS!" Matthew crows as he grabs the mistletoe from Dream's hand. He turns over, seeing it was all for naught as the two share a kiss anyway, "ew." Matthew croaks when he finds himself in a cage, "oh, come on!"

#dream of the endless #sandman fanfic #dream of the endless fanfic #dream of the endless x reader #dream x reader #dream x you #the sandman fanfic #sandman fluff #the sandman fluff #dream fanfic #morpheus x reader #morpheus fanfic #dream's first christmas #dream of the endless x you #the sandman crackfic

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ombrathefurry · 15 days

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how do you generally design characters/choose color pallets?

whenever I try and create a good color pallet they always end up clashing and looking absolutely awful

i've tried using websites but they always end up being very bland, so i'm turning to the expert lol

the only character i've created that I actually. like. is the one that's just a black freaking tiger with rainbow glowing stripes, but that's because monochrome with color pops just always is flawless </3

Expert what expert

I'm by no means any expert, but I'm really happy you think my designs are appealing enough for you to ask me this!!

I ALWAYS try to come up with a character concept or idea for who they are before I start designing. Because of this, you see a lot of my designs turning out to be designed very strategically, with their features actually having proper functions and reasons to be there

This is why I have such a hard time with gifted designs. I don't know how to make them work without a background or concept I can really connect to properly.

For specific character designs, I usually think of and flesh out a basic idea in my head. Depending on how lucky I end up being, I can imagine every detail right off the bat. Other times, I have to put some work into it and experiment a little.

Here's an example of me working out a character design WIP right now

Development of Mr. V

Some characters just pop into my head exactly the way they are, like how Samuel did

Cogsworth too

Some of my characters come from dreams, too, and I just immediately sketch out my interpretation of the idea I'd had

Peter came from a dream about a white rabbit with a weird face killing a nuclear family's father leaving the mother and child alone with no idea what happened (it was disturbing, (there are more disturbing details,) which is why I made peter very unsettling)

Butch came from a dream that had something to do with fake peppino from pizza tower running around the It Steals maze area throwing cleavers at whoever he ran into

Dreams are a GREAT place to come up with character concepts

They give you a very solid ground before you start designing

One of my guidelines for creating characters is that they should be instantly recognizable as their own character. What are their special features? What defines them? What features would I keep if I were to draw them at the bare minimum detail? What parts of the design would make the character unrecognizable without them?

For example, Reena without her yellow.

Queen without her shadows.

You see this rule pop up a lot online, though mostly focusing on the idea of the silhouette of a character standing out from the others.

While I think it's a good option for when it comes to developing designs, I don't like worrying about it too much. I try to create the individual features of the character rather than immediately think about the silhouette.

All things considered, you're also totally allowed to break the rules to achieve something else. For example, Saleem and Minnow have identical silhouettes because I wanted them to give an uncannily similar vibe. Some characters who were derived off of others through dreams I might have had have very similar silhouettes as a nod to their origins, though have very differentiated individual features.

I look to various other artists and designers I like for feature ideas when I'm super stuck (usually when my ideas are more abstract)

for example, scrawl came from a very abstract dream and literally didn't have a face (they were just a bunch of hands and looked a little bit like a black void worm from Rainworld)

I took inspiration from Fooffle's Space AU Warren for his face, Sir Needle's sona's ears for his hair, and gave him this sweater from a random thing I found on Pinterest that I liked

Bennet (and the rest of the caravan gang) came from a dream about various different individuals riding on a wagon - Bennet specifically in the dream was Uncle Ben who runs The Urban Rescue Ranch. I ended up giving him the name Bennet in reference to this, as well as Uncle Ben's broad shoulders, muscular build and curly hair.

Queen's entire existence is inspired off of the protagonist from Bendy and the Dark Revival. As a nod to this, I gave her a partially monochrome color scheme with some accents. Queen's shadow face was inspired off of this specific fanart of Caesar from The Mandela catalogues.

(I can't find the source for the life of me sobs)

Mr. V was inspired off of Itward from Fran Bow, as well as Pastra's sona Clyde the veldigun. I gave him Itward's large hat and formal attire, and Clyde's long limbs and striped patterns. I also gave him deep halloween colors as a nod to both inspiration's aesthetics.

My biggest thing about features is there has to be a REASON why they have these features, but that's just personal preference (and there doesn't have to be a good reason, or even a reason at all every single time)

okay now for the main part of the ask (I've been stalling)

Sorry if this is disappointing, I don't have a process for picking colors that work together

It's a lot of trial and error, and some characters I've even stalled making profile pictures for because I don't know what to color them as.

to me, you can pick any color you want. It's actually very impressive to think about how many colors you could use.

I'll try to explain what I do know about the placement of colors, though. It doesn't matter what colors you use, but in my opinion, the placement of these colors is what really matters in designs.

Depending on how many colors I'm planning on giving the design, I like to split them up into parts. Primary coloration (1,) which takes up most of the design, secondary coloration (2,) which takes up less of the design but still a good amount, (Sometimes I have more, tertiary, quaternary, whatever, that take up about an equivalent ratio of the design as secondary,) and accent colors (3.)

Similar colors can also be grouped together in these sectors. For example, all the purple in this character would be primary, the greys secondary, and the oranges the accents.

For Chakra, his purples would be primary, all the bright colors of the wounds secondary, and his outstanding eyes accents.

Each sector should be different and differentiable from one another!

Divide your character up into sectors for coloration. Decide what colors go where. Sometimes it takes a bit of shuffling to find what works for you. Adding inbetween colors to branch the gaps between your selected colors can help tie things together, too.

To me, instead of WHAT colors you use, it all comes down to how you USE those colors.

Cordis is mainly dark colored, primary, with their secondary rainbow colors and their accented white features. Even with rather bright colors in their palette, they still come off as a dark gloomy character because of the placement/ratio of those colors.

Monarch has very clashing colors, though when separated and balanced out, they appear harmonious and work together.

Anyways that turned further into a rant about character design than anything else

I hope this helped :D

#answered #art #oc #tutorial #design tutorial #kind of #i guess #sorry this took so long #lol #sources to images are linked #for all the ones that arent mine #and that need sources #character #character design #long post warning

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kimbapisnotsushi · 7 months

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oh please talk about kawanishi taichi i love that silly guy

OF COURSE ANON I TOO LOVE THAT SILLY GUY LET'S GET IT!!

(also i am SO sorry for taking so long oh my god i am back in action and catching up i promise!!)

i think he likes beanies in his casual wear

idk kawanishi feels like such a beanie person but not the douchebag slouchy ones he's got one that's a little snug and has something embroidered on it like a bird or something

okay that's a lie. he has ONE douchebag slouchy beanie that makes him look like how a high school romance shoujo mangaka of the mid-2000s would dress a flashy somewhat-delinquent teenage boy (honey lemon soda my beloved)

this, of course, could not be farther from the truth

the entire second year is scared of him bc they never somehow realize he's there until he says something and they're like "holy SHIT". this also means he knows a bunch of hot gossip

(the hot gossip miyagi group chat: kawanishi, watari, onagawa, and narita)

on the other hand. that means the students of 2-5 win the contest for "best cultural festival attraction" between classes bc they had the best haunted house the miyagi prefecture had ever seen

he's on really good terms with the school nurse because sometimes he sneaks into the infirmary to take naps during lunch or gym periods

knows how to lockpick BECAUSE he keeps trying to sneak into the infirmary. and occasionally the school roof for their "team bonding picnics" so that tendou doesn't have to keep swiping the key from the student council

i'm not just saying this bc i like enamel pins but i think kawanishi DOES like enamel pins. he's got a collection of these edgy sarcastic ones that he thinks are hilarious in a "started-ironically-and-now-i-can't-stop-pipeline" kind of way

he's got this whole tumblr-grunge-indie-hipster thing going on with his douchebag slouchy beanie and denim jacket with pins all over the collar and ripped jeans and converse sneakers and shirabu thinks he pulls it off unfairly well

i feel like kawanishi also really likes fantasy/sci-fi and is actually SUCH a huge secret nerd about it. and really likes cyberpunk and fantasyland settings you'd get from like idk snow white with the red hair or nivalis (i KNOW it's an indie game that's not even out yet but sue me i don't know cyberpunk all that well)

he and tsukki actually become friends while arguing about how much of akira is deep meaning and how much of it is actually just straight up bullshit because WHAT the fuck was that

also he's subscribed to a bunch of these small artists on youtube who make background music and fun art to go with them bc he can put together a great soundtrack for getting hw and studying done

likes getting lil gifts for shirabu, especially to add to his stationary collection. shirabu has sticky notes in the shape of whales and ice cream and paper lanterns and washi tape with fireworks and beach motifs and bakery stuff and it's all because of kawanishi

kawanishi just sticks to the plain solid-color square sticky notes that he uses to leave shirabu notes around his dorm. just small things, really, a reminder that this is a place shirabu belongs and it is a place he is loved. you're doing great. get some water soon. i'll bring you dinner, just text me. don't forget to sleep.

and shirabu will be hard pressed to admit it, but those might be his favorite sticky notes of all

#LMAO WAIT I REMEMBERED SOMETHING I COULD HAVE USED INSTEAD OF NIVALIS #not that i should have bc idk if it counts nor can i rec it in good conscience but. the aesthetic fits i think #anyways i googled a bunch of stuff for this and that's how i learned that final fantasy is apparently cyberpunk???#this completely messes with the image i had of it in my head for like. the entire last eight years or so #also like. i'm assuming this came from my mixed inarizaki/shiratorizawa post where i talked kawanishi and kawashira there a bit #so pardon me for getting a lil bit sappy there at the end. bc i love them #ANYWAYS I AM SO SORRY THIS TOOK SO LONG TO GET OUT OH MY GOD I HOPE YOU ENJOY ANON TY FOR THE ASK <333 #kawanishi taichi #shirabu kenjirou #kawashira #honorable mention also goes to:#tsukishima kei #and #tendou satori #haikyuu #haikyuu!!#haikyuu hcs #sou says stuff

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