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fluffypotatey · 9 months

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*smashes in like the Kool-Aid man*

PENDRAGON SIBLINGS YOU SAY????

I have. So many Feels. About Themst™

The complexity?? The layers?? The angst?? Hello??????

Their relationship is just So Much, because you are right, it's all tangled up in miscommunication and missed opportunities, and so many problems that can be sourced back to Uther "War Crimes" Pendragon, who wouldn't know a healthy relationship if it bit him on the ass.

If Merlin and Arthur are two sides of the same coin, then Arthur and Morgana are edges of the same blade.

Because it's the lonely childhoods, the shared grief, the friendship, the vulnerability, the fondness, the teasing, the envy, the jealousy, the almost romance, the protectiveness, the betrayal, the loss, the hurt, the refusal to let go and the desperate hanging on, and the love, the love, the love.

Indifference is the true opposite of love.

Hate is love that's gone rotten.

“If Merlin and Arthur are two sides of the same coin, then Arthur and Morgana are edges of the same blade.” oh fuck….

OHHHHHHHHHHHHHHHHHHHHHHH FUCK

WAIT HOLD ON WAIT LEMME PIGGYBACK ON THAT BESTIE @0hheytherebigbadwolf (tagging you bc it will be a couple days after you sent this ask)

(Also, for anyone wanting background context on what me and bestie are bouncing off on: voilà)

OK OK SO

we are all familiar with King Uther being the greatest (worst) dad of all time, correct? places such high expectations on his “only son and heir” whilst never officially acknowledging Morgana as his daughter until the very end?

F+ father of the year :)

he is not above sending his children into the dungeon if they disobey him as seen here:

(Jfc he even put Morgana in chains like wtf)

also, he is not above using emotional guilt towards them when he deems it necessary (aka one of the only times he actually acknowledges them as his children)

UTHER (1x02 Valiant) I trust you will make me proud.

UTHER (1x08 The Beginning of the End) I’ve treated you like a daughter. Is this how you repay me?

UTHER (1x12 To Kill the King) You are the daughter I never had.

UTHER (2x08 Sins of the Father) You would believe a sorcerer’s lies over the word of your father?

not to mention that when Arthur or Morgana try to reason with him or argue with him since they are the only ones with the status to do so, he pulls rank

UTHER (1x12 To Kill the King) May I remind you that you are speaking to your King [...] Take care, child, or I’ll have you restrained.

UTHER (2x08 Sins of the Father) I am your king and your father. You will show me some respect!

UTHER (2x06 Beauty and the Beast) We live in dangerous times, I cannot allow you to undermine my authority.

UTHER (3x10 Queen of Hearts) You have caused this to happen, Arthur. My decision is final.

ngl i could include more but i have already spent hours searching for shit (YOUTUBE WILL DIE BY MY HAND THAT STINGY BITC—) but y’all get what i mean: Uther is an abusive fucker and it has messed up the conditions of Arthur and Morgana

now, about the double edged blade…..

as previously established, Uther is a fucking dick and wants his children to obey him but also adore him. with this behavior, the Pendragon siblings react in two ways: with anger & contempt or submission and remorse

way #1

i’m gonna start with Morgana because anger is the easiest to pick out throughout the show. in the first episode of the first season, our introduction to Morgana’s character is her lecturing Uther about executing the man Merlin witnessed upon entering Camelot (such a warm welcome for Emrys, mh?)

MORGANA I just don't think chopping someone's head off is cause for a celebration. That poor mother. UTHER It was simple justice for what he'd done. MORGANA To whom? He practiced some magic, he didn't hurt anyone. UTHER You were not around twenty years ago, you have no idea what it was like. MORGANA How long are you going to keep punishing people for what happened then?

early on, it is easy to pick up on Morgana’s resentment and anger at Uther, who she believes is blinded by his fear of magic and his need for control (which she isn’t wrong about). also, we find that she isn’t one to back off when poking the bear (Uther). she does it constantly in seasons 1 & 2

MORGANA (1x03 Mark of Nimueh) Why would she kneel on a cold stone floor morning after morning when she could make these things happen with a snap of her fingers? Like an idle king!

MORGANA (1x08 The Beginning of the End) How can this child be your enemy? He's just a boy. UTHER He is a Druid. MORGANA Is that such a crime?…What have these people done to you? Why are you so full of hate?

UTHER (2x04 Lancelot and Guinevere) How many men would you have me sacrifice to save a servant? MORGANA As many as it takes!

to be honest, i wouldn’t be surprised if screaming, arguing and berating Uther about his morals and ethics is her way of proving that she is not weak or submissive to his actions. i mean, Morgana grew up in a household the complete opposite from her time in Camelot. Gorlois, the man whom Morgana considers to be her father and one and only family member, was said to be “just” and “kind” and someone that Uther even considered a good friend who openly kept him in check. Morgana, until the age of ten, understood parental love and empathy unlike Arthur, who spent his whole life without any good or healthy substance of it.

the culture of Camelot and Uther’s wrath is not something Morgana was ever able to fully acclimate to as Uther himself pointed out in 1x12. She “was at odds with [him] since the beginning” and could never picture herself as a Pendragon (point further proven in 4x05: she looked revolted when Queen Annis compared her to Uther) because she didn’t share in their idea of magic = evil and a king = absolute control.

ironic in terms of future plot events, isn’t it :’)

way #2

compare that to Arthur: man’s respressed af. keeps all his emotions under lock and key if they are anything but haughty and serious. y’all, Arthur even says it himself how he “[can't] disagree with Father [Uther] in public.” whenever Arthur finds himself at odds with Uther, he holds his tongue and waits until he can disobey secretly (2x05 when he leaves to rescue Gwen, 1x08 when he helps Morgana sneak out Mordred in the dark of the night, 2x08 when he sneaks out to meet Morgause for more info about his mom, etc). it is only the rare moments when Arthur feels impassioned enough to speak up without fearing any retribution does Arthur talk back at him (so satisfying 👌)

ARTHUR (1x03 Mark of Nimueh) [Morgana’s] right, Father. You hear the word magic, you no longer listen.

ARTHUR (2x08 Sins of the Father) This is what fuels your hatred for those who practice magic. Rather than blame yourself for what you did, you blame them….You hunted her kind like animals! How many hundreds have you condemned to death to ease your guilt?!….You speak of honour and nobility! You're nothing but a hypocrite and a liar!

ARTHUR (3x10 Queen of Hearts) You can't forbid my feelings any more than I can. I won't deny them any longer, I love her. I love Guinevere.

we can even compare how the two react to Uther’s violence towards them

(ahahahahahaaaaa what a wonderful dad)

on the left, you see Arthur’s face right when Uther crushes the morteus flower needed to heal Merlin (his manservant/friend/????) and on the right, is Morgana after Uther discovers she was harboring a Druid child in her chambers and she refuses to listen to his reason.

notice how both faces are remarkably similar 👀

however, Arthur’s look of shock and dismay come from his hope that Uther would do the right thing. that he would help save Merlin’s life from dying of poison. that he wouldn’t use this as a method to teach Arthur “what it means to disobey and cross the king.” he truly did hope, just like he always does with the people he holds close. Arthur cannot help but hope and trust that those close to him will not betray him and yet so many do. hence the remorse

looking at Morgana, her shock comes from the fact that this might be the first time Uther reacted to her words and actions in a physical manner. my suspicion is that most of the time, all Morgana previously got was Uther reprimanding her and yelling at her to stop questioning his methods (bc, let’s be real, she was the favorite child.) never has he lifted a finder on her like Arthur and i have proof (cue transcript!)

AND! and, Arthur is constantly warning Morgana about not angering Uther any further because of the consequences she might face (consequences this boy is very familiar with) when Uther deems it necessary to “teach” his children obedience.

UTHER (1x04 The Poisoned Chalice) You have to learn there's a right and a wrong way of doing things. I'll see you're let out in a week. Then you can find yourself another servant.

UTHER (3x10 Queen of Hearts) You have caused this to happen, Arthur. My decision is final [...] This is for your own good. - UTHER She will die. The enchantment will be broken. You'll see I was right.

UTHER (2x08 Sins of the Father) I am protecting you from your own foolishness!

so educational 🥰 but see, because Uther presents his punishments as lessons, Arthur himself views them as just a fucked up but meaningful way of his father’s concern because “yeah, I am the first born son and only heir to the throne. of course I need to learn not to do silly things like disobey, talk back to him, be my own person.” <- I’m paraphrasing here

Arthur does and has never seen a way out of the life thrust upon him by Uther (see 3x06). succeeding Uther as king, marrying a noblewoman of high standing for heirs and alliance strength was always expected of him. Arthur never saw a way out of this. even when he and Gwen were in their secret relationship phase, Arthur had to remind himself that this would never last. he loved her and knew she loved him, but there was always that reminder (that sounded a lot like Uther) in the back of his head telling him that it would never last so long as he was prince. he had a duty (constructed by Uther) to serve Camelot and going against his father would mean (in his eyes) that he is going against Camelot (as Uther always presented it to be).

so unlike Morgana, he did not kick and scream but stood firm because that was what he believed was stronger. if he stayed in his lane and did his part, then he would be a good king, maybe even a better one than his father, for Camelot. however, the show proves that differentiating himself from Uther actually made him the better king and more respected, but this is not the meta for that. I am getting side tracked.

OK: so we’ve established parental issues between the two siblings. now onto their very complex, complicated yet beloved dynamic

sO, as i mentioned in this post (because i am lazy and too tired to copy/paste the evidence from there), these siblings do care for one another. they just go about it in the most hilarious and repressed and in-denial way (hilarious to me 😤)

when we meet them, it’s established that these two have known each other for some time. enough for them to bicker and have banter, you know, as you do with a Pendragon. also, should add, neither character are ever aware they are blood-related until s3 (because of some weak-ass bitch named Uther), so you have that very, uh, interesting subplot in s1 that everybody forgets about until you rewatch it. (honestly, I have so many questions. number 1: why???? number 2: it’s only in s1—was it scrapped??? is it like it never existed???? what was its purpose to the plot??? bbc explain yourself—)

however, despite how much it is shown that they do care for one another, they’re relationship in s1 is still undefined and vague as if they also don’t know how to accurately define what the other means to them. it’s very similar to the whole “i really love this person so much but is what i’m feeling platonic, familial, or romantic?” because….you know, guy and girl besties who are close are typically expected to grow romantic feelings for each other, so tbh i would not be surprised if both mistook their love as romantically inclined in the beginning bc, reminder, neither of them were aware they were siblings until much later.

[and this is ALL i am saying on this subplot. i do not want to cause any negative discourse, so if anyone has a few choice words about it, either keep it to yourself or feel free to talk about it with people you know. personally? not a fan of the ship and never will be, but i am not here to post about that.]

anyway, have some featured receipts showing Arthur and Morgana slipping up and showing how much they care for each other.

SEE!!!! LOOK AT HOW THE CARE!!!! SEE HOW THEY WORRY FOR THE OTHER AND WISH TO PROTECT THEM FROM HARM!!! (and see how even when they’re on opposite sides there is still that same love. just more warped and corrupted T^T)

^worried/protective Morgana

^Arthur’s face after Merlin informs him that there’s an intruder heading to Morgana’s chambers

Morgana is very aware of Arthur’s trusting nature. Arthur is very aware of Morgana’s empathy and righteous nature. they understand each other so well which is why Morgana knew just how to harm Arthur in later seasons and why Morgana’s betrayal hit Arthur so hard. it’s also why he never stopped trying to reach out to her in s4 & s5. as @merlinemrys said in this lovely post, the show’s driving force is love. love of all kinds. whatever conflict it is, love is there at the center of it all and, in Arthur and Morgana’s case, it does not save them (just like how love does not save Merlin or Arthur from what lies ahead, as the op of the post pointed out).

that is what makes their relationship/love be like a double edged sword!! that is why they are edges of the same blade!!! they protect and fight for what they believe in and for the people they love, but the same blades cut deep and twist their wounds into a lasting scar.

it is because of Arthur’s love for Morgana that he cannot help but hope and mourn the woman he once knew. it is because of Morgana’s love for Arthur that her feelings of hatred are so strong and ugly.

like honestly,

look at them T^T compared to before

their relationship is so tragic T^T because we knew them before it all went wrong. we knew they cared and understood each other. we knew that for some time, they only had each other to rely on for a friend, a crutch, a breather for when the royal life was too much. both of them were fighters and strive to honor their values. both of them had once leaned on the other for support, had wanted nothing but happiness for each other.

fuck, they didn’t even get the chance to really be siblings because they found out too late, and by then Morgana was on a war path and Arthur only found out at the last minute.

like fuck, man

two sides of the same blade: forged with love, yet used for blood

screencaps brought to you by me, @sourdough-morbread, and farfarawaysite

#i will spare you the gorey details of me trying to fine decent screencaps & screenshots for this fucking post or else i’ll get pissed again #(i am considering whether it is worth it to go to war with youtube)#special thanks to my bestie mor for being there for me at the gorey times and helping me find more screenshots #fucking love you bestie 💕💕💕💕#also only including s1-2 bc i am tired and they are the ones where we get pendragon siblings not trying to kill each other #forgive me for always bringing up uther and the pendragon sibs’ upbringing with him it will happen again #also after hours of rereading transcripts and rewatching clips of bbc merlin: it is so obvious that uther cared and treated Morgana like hi #own child more than Arthur. like jfc he let’s her get away with so much stuff he is way for gentle with his words towards her #when he realizes that he was too cruel or rude like bro…..where tf was that for arthur #it just adds to the complicated sibling dynamic because there is the added jealousy and resentment of knowing a parent loved another more #literally most of Morgana’s time with Uther was her at odds with him and yet he views her as his child more #well no ducking dur that Arthur ‘i-would-do-anything-to-receive-my-father’s-love-attention-and-pride’ Pendragon resents Morgana for #always being the one Uther goes easier on and finds ways to turn a blind eye for like wtf #also during my research i was reminded of how done dirty Gwen’s story was by bbc #loses her father to a king fearful of magic barely gets to mourn him bc she now has to keep up the smithy and her maid job; reunites #with her brother who’s been AWOL for some years and still they don’t get a moment to talk about their dad and mourn TOGETHER #her storyline is pushed aside by s4 bc now she’s fulfilling the role of Arthur’s love interest and oh yeah they still need to incorporate #the lanceot/guinevere scandal and then banish her for some episodes without even letting her brother be mad about it like ?????#anyway #continued saga of fluffy rereading transcripts -> uther: ‘it’s been a long time since Ygraine…since anyone’ me: ducking liar >:(#[sir leon begins the slow clap] king you dropped this 👑IT IS 1AM HELP 😂#place your bets on where my laziness for evidence came in! (I honestly don’t know lol scavenging evidence is all a blur)#spent 2 days on this post lol #me: ok i think that’s enough evidence for this argument…………ok maybe ONE more won’t hur—#me after day 2: ….am i done???? am i free????#pendragon siblings coming behind me with a steel chair: nah mate!#me: FUCK THERE’S MORE #bbc merlin #merlin meta #pendragon sibs

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alliddewrites · 9 months

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Your pervy character HCs are starting to grow on me… especially the ones where Ghost and König steal readers panties and cums in them and puts them back 👁️👁️ Those gave me the horniest idea!!!what if after the boys ruin the panties after a jerk session and puts them back for reader to find, they then are creepin on the reader and she finds the pair… and reader notices them watching and then reader puts the used panties on!!! Asdfhfghhjkk I need to go to nasty horny jail

We all need to go to horny jail lol

Sorry I only did König, I didn't know how to incorporate both of them.

Reader catching Pervy!König peeping

Content disclaimer:

Smut,

Voyeurism,

Wearing cum stained underwear ig??,

Awkward König boyo,

Female reader

Masterlist

You noticed the first time it happened. How couldn't you? Unknown white stain on your panties that weren't left there by you, while König is acting even more awkward than usual around you? Yeah… It was pretty obvious…

Now, you weren't mad. Quite opposite actually, you were into it. The thought of the big bad Austrian desperately jerking off with your own already used panties, made you so turned on it was unbelievable.

Before, you didn't do much with the supposed 'gift'. You found it, put it in the wash with the rest of the laundry, then proceeded to get off in your room to the thought of him soaking it in his cum, while your clothes were being cleaned.

But that's not what happened this time…

You had run out of clean underwear, so you were looking for a not so dirty one you could wear for the time being.

What you noticed however, was slight movement in the corner of your eye, exactly where the door to your room was.

You knew it was König… He's been lurking around your room and the showers when you were occupying them. He wasn't as subtle as he thought he was.

When you took a slight glance in the door's direction, your suspicions were confirmed. Through the crack, you were able to see his pretty blue eyes behind his beloved hood.

So he wants a show, huh? You'll give him the show of a lifetime…

You slowly bent down towards the laundry basket, purposely sticking your butt out as much as you could. Reaching towards the cum stained underwear, you picked them up by the sides, stretching them a bit for show.

Right after, you quickly bend down, panties still in your hands, lift one of your legs up and slip into them. The moment it happens, you hear a choked gasp from your doorway.

When you hear the sound you turn towards it and stare right into his eyes.

While you did that, you lifted your other leg up and put it through the other hole, then proceeded to completely pull up the dirty piece of underwear.

Still keeping eye contact, you were able to see the panic in his eyes mix with arousal. It's now or never…

"See something you like, my king?"

I'm glad people like my nasty writing lol

Sorry it took so long :c

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saijspellhart · 2 months

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Things I liked about the Netflix ATLA and some critiques:

Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.

They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.

Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.

Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.

Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.

Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.

The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.

Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.

King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.

I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.

Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.

They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.

Emotional points in the show are now more intense and brought me to tears.

Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.

Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.

We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.

The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.

The shirshu looks fucking phemonal.

Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)

The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.

We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.

They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.

I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.

Some Critiques:

They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.

Katara starts off bland in the first episode and it takes a bit for her to grow into the character.

The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.

Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.

There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.

Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.

I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.

I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.

In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.

I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.

Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.

I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.

PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.

This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.

#netflix atla #avatar the last airbender #atla #live action adaptation #live action avatar #review #my thoughts #positive #loved it #it was great #go watch it #recommendation #pros and cons #a thoughtful and positive breakdown from someone who is generally picky and pessimistic about adaptations #spoilers #many spoilers

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george-weasleys-girl · 8 months

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North Star Series

NSFW Alphabet for George & Y/N

18+ only

~•~

A = Aftercare (What they’re like after sex)

George is the king of aftercare. And, while he insists on taking care of the cleanup, it's still very much a mutual activity. Showering together and taking turns washing each other. Cuddles, kissing, checking in with one another, especially if they tried something new or things got a little rough.

B = Body part (Their favorite body part of theirs and also their partner’s)

On himself - his arms. He's very protective of Y/N and loves how he can wrap them around her, cocooning her in his warmth and safety.

On Y/N - her hips. He adores the way they sway when she walks and how she knows exactly how to use them in bed to drive him absolutely crazy.

C = Cum (Anything to do with cum basically… I’m a disgusting person)

George, first and foremost, loves cumming inside her. But, he admits there is just something so satisfying about seeing Y/N covered in his seed.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

It happened during the week George stayed with Y/N while she was sick with the flu. He's never told anyone about it, including Y/N. Despite knowing she wouldn't care, he's still too embarrassed and ashamed about the whole matter.

George had a nightly ritual of masturbating before going to sleep. During the week she was sick, he'd wait until Y/N was asleep, then slip off to the bathroom and take care of business. One night, he couldn't get away. She was asleep but had managed to wrap herself tightly around his arm, preventing him from moving without waking her up. After almost an hour of trying to ignore his raging hard-on, he slipped his hand beneath the covers and jacked himself off, then used his wand to quickly clean up the mess.

E = Experience (How experienced are they? Do they know what they’re doing?)

Both were virgins when they got together. It was a bit of trial and error in the beginning, but they spent a lot of time experimenting and exploring each other. It didn’t take long for them to learn how to make each other feel amazing.

F = Favorite Position

Any position that allows them to see each other's face. The only exception is 69.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

George can be a bit silly at first, but once things really get going, he's very focused on the task at hand.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

George will trim things occasionally, but since Y/N doesn't care either way, it's not a priority.

And yes, the carpet most definitely match the drapes.

I = Intimacy (How are they during the moment, romantic aspect…)

They're both incredibly intimate during sex, even quickies, holding each other close, hands roaming over as much of one another's bodies as possible, deep passionate kisses...

J = Jack Off (Masturbation headcanon)

They both masturbated daily before getting together. And while the frequency is less now, they still indulge and have incorporated it into their sex life, often enjoying mutual masturbation/showing off to one another.

K = Kink (One or more of their kinks)

DIY Porn - It all started when Y/N was in the US, and they sent risqué moving photos to each other. Then George figured out how to rig the cameras to make very short films, and it just took off from there.

Praise kink - This is especially important for George. After feeling second-best for most of his life, he needs to know he's doing a good job.

L = Location (Favorite places to do the do)

In the warmer months the rooftop was their favorite. But once the weather cooled down and now with Death Eaters flying around at all hours of the day and night, the bedroom has taken the top spot.

M = Motivation (What turns them on, gets them going)

"Everything Little Thing She Does is Magic." Seriously. It really doesn't take much to turn George on.

N = NO (Something they wouldn’t do, turn offs)

Sharing. Nope. Not happening. George has had to share everything with Fred his entire life. Y/N is his and his alone.

Pain. Aside from a playful slap on Y/N's ass or the occasional love bite, neither have found inflicting or receiving pain as particularly arousing.

O = Oral (Preference in giving or receiving, skill, etc)

They both love giving and receiving oral equally. That's why they enjoy 69ing so much. They will go for hours slowly teasing and pleasuring each other.

P = Pace (Are they fast and rough? Slow and sensual? etc.)

It really just depends on the situation. If they're squeezing in a quickie, it's fast and hard. All other times George likes to draw it out as long as possible.

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

While they both prefer proper sex, they're certainly not adverse to the occasional quick romp. Usually, in her lab, during one of George’s breaks.

R = Risk (Are they game to experiment, do they take risks, etc.)

As far as experimentation goes, they'll try almost anything once.

George is definitely the riskier of the two, but he'd never force Y/N into a situation where she's uncomfortable.

S = Stamina (How many rounds can they go for, how long do they last…)

George can go for one, maybe two rounds. But he can last for HOURS.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

George had invented a few things for each of them to use while they were separated, but they rarely use them now that they're together again.

U = Unfair (how much they like to tease)

George loves to tease, but he can never maintain doing it for long. The side effect of getting Y/N riled up is that he gets himself riled up as well, and one thing leads to another very quickly.

V = Volume (How loud they are, what sounds they make)

George tends to be quiet in the beginning, with little moans and whimpers, but gets louder as he gets closer to his climax.

W = Wild Card (Get a random headcanon for the character of your choice)

They set their alarm an hour early every morning so they have time to start the day properly.

X = X-Ray (Let’s see what’s going on in those pants, pictures, or words)

Everything about this man is long and slender.

Y = Yearning (How high is their sex drive?)

There's no such thing as having too much sex. Right?

Z = ZZZ (… how quickly they fall asleep afterward)

Once the aftercare is done and they're snuggled up in bed, it doesn't take long. A matter of minutes.

~•~

@milivanili99 @slytherclaw1978 @quackitysdrugdealer @pansexualwitchwhoneedstherapy @ladylizzieofdarbyshire @fancy-pantaloons @samberriejams @totalwitch2 @aslanvez @mrsgweasley @morally-grey-obsessed @asuperconfusedgirl @hmisa11 @superduckmilkshake @junerprsh @wolfkill16 @kaysau2510 @planetkt @thankyouforanonymity @thatonepersonwhocantwrite @smallsweetvanillabean @themaraudersslut @hanne-montana @greenapplegrass @peachesgaeass @Yoursarahg

#george weasley #george weasley x reader #george weasley x y/n #george weasley x fem!reader #north star series #george weasley smut

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kerrtesy · 6 months

Text

A Heads Up

Hello everyone, I hope you all are having a great day or night, whatever time it is for y'all.

Making this post to explain and elaborate on some parts of the recent AU (Bowser's Bodyguard AU, which I'm thinking of renaming) I've been working on. This is going to cover the general story idea, overall vibe, and the games I'm covering with this along with questions I think people may have about the general au.

Don't worry I'll always have this AU tagged, so if you don't like it you can block it easily.

So as stated above this is more of a clarification post and just generally covering my plans for this AU just so people know what to expect.

So I want this AU to be around 6 to 8 main chapters, where I will see if I can combine the Paper and Mario & Luigi universes into one. The first chapter will be on the Mario Movie.

What games will you be covering?

So below are games I definitely want to cover, please note the games are listed in no particular order at the moment.

Super Paper Mario

Paper Mario Thousand Year

Mario and Luigi Superstar Saga

Bowser's Inside Story

Dream Team

All games are going to be rewritten within mind of the character/setup changes. I'm not a huge fan of just writing something that is a paint-by-numbers retelling of the original story; if that's your cup of tea more power too you this is not to throw any shade on that!

For both Superstar Sage and Inside Story I do want to include the side stories the remakes added.

I will say Bowser's Inside Story will be heavily rewritten and I plan on calling it "Fawful's Revenge." The two main reasons are that I'm having Luigi prevent Bowser from eating the vacuum shroom which prevents a lot of the original plot, and I just don't want to draw the inside of Bowser. I don't know what else to say here. ¯\_(ツ)_/¯

Games that will either be short stories or I'm torn on covering:

Super Mario 2

Mario Galaxy (combining 1 and 2)

Mario RPG

Mario Odyssey

Origami King

Mario Sunshine

Luigi's Mansion 1 & 2

Rabbids Spark of Hope

Paper Mario 64

Super Mario 2 is going to cover Luigi's history with the Shy Guys, particularly with him usurping King Wart. This one might become a full/long chapter.

Mario Galaxy is one that might become a full chapter. It depends on what I end up covering. For instance, at the moment I'm debating on whether to have a semi-character death in it. It's weird because on one hand I don't fully consider this a character death, but it also kind of is because they leave the comic at this point and this does heavily impact the cast. So I'm unsure how to fully label this yet.

Mario RPG is a game I am very intrigued by and I would like to incorporate it into the story, but I do not know the plot of the story so it is on the fence right now. I do have at least a few short comics planned for it.

Mario Odyssey is just going to be a few short comics.

Origami King is where I don't know the full plot, but I'd like to do a comic about Shroom City just for some fun world building.

Mario Sunshine I am so torn on whether it would be a full chapter or just a short. I'm going to have to see where I go with it. Whatever it becomes I do plan on calling the chapter/comic "Obligatory Beach Episode."

Luigi's Mansion I'm going to be combining the first two games. I really want this to be a full chapter, I have just been struggling to plan out a full story for it along with fitting it into the rest of the games. I do want to try, but just in case I can't I'm slapping it into this category.

I need to give Rabbids a Spark of Hope a comic or two as Luigi and Bowser have a mission in there that is solely tied to their characters called "The Brains and the Brawn" which helped me think of their setup in this.

Paper Mario 64 will be another backstory one where Luigi attempts to use the Star Rod to send him home, to mixed results.

Games I am not covering:

Please note the games listed below are NOT because I think they are bad games, it's more because I haven't played them and/or I just don't have good ideas for how to fit them into the story.

Color Splash

Sticker Star

Paper Jam

Partners in Time

For Color Splash and Sticker Star, I just don't know the full plots of these games. Though I might do the train scene that occurs in Color Splash when Mario talks to that one Shy Guy.

Paper Jam is similar to the two listed above where I just don't know the plot and I don't want to deal with the multiverse. As in this I'm trying to combine the Paper universe with the Mario and Luigi universe into one.

Partners in Time could change, but at the moment I'm counting it as not covering as I'm just using the concept and the machine E Gadd builds. It won't deal with time travel, but instead the concept of looking into someone's memories. I don't like covering time travel so I'm just skipping it. Like I said I might cover the Cobalt Star and Princess Shroob, but I don't have a lot of ideas going for this so it might just be skipped entirely with her and her sister as villains.

Will there be shipping?

No, I'm sorry if you were hoping for anything. The most there will be is probably implied Peach x Mario, but that's it for the moment. If any of this changes I'll give a heads up just so no one is caught off guard. But romance isn't really the focus of this comic nor do I want to write romance. Listen just trust me on this you don't want me writing romance, I'm not good at it, this is for the best.

Just in case I am also just going to flat out say this so no one gets mad or feels misled when reading these comics. There will be no Bowser x Luigi in this story. Listen it's a funny and shockingly mostly wholesome ship, but it's not happening here. So I'm sorry if you were hoping for it, but I'm not doing it.

There might be some one-sided Luigi x Daisy (honestly thinking about doing Daisy x Waluigi because their Mario Party team name is Awkward Date and that is hilarious), and/or one-sided Luigi x Peasley, but in this Bowser will be majorly crushing on Peach. Bowser and Luigi are just platonic co-parenting the koopalings (think the Dungeons and Dragon movie with Sofina and Edgin). I just wanted to state this here so everyone is on the same page.

Quick side note: This isn't about shipping, but character-wise Donkey Kong and anything related to his games will only be in the first chapter. I struggle to write him and I don't know how to involve him in the other storylines so I'm just gonna have him chill in his kingdom. He will probably be making a reappearance in Dream Team as that is where I plan to end the comic.

What is the overall story/vibe of the comic?

The main story is going to focus on adventure and learning to love yourself. That's really the main premise. The story itself is going to focus on Luigi learning how to like himself for who he is and reconnecting with Mario and others while going on adventures. The big overall conflict will be the Chaos Heart itself. In this I really want to play around with the concept of the Chaos Heart and what if it didn't just go away after Super Paper Mario. I don't want to say too much about it at the moment as I don't want to spoil that part of the plot.

I feel bad because with the initial comic/sketches of this au, I made it seem a lot more dramatic/angsty than it will be. Sure there's going to be some drama but it really is more focused on the fun of the world, the adventures the characters go on, and the friendships that form out of them. I swear it's not as angsty (or I guess edgy, not sure if it was or not??) as the original comic made it seem so I apologize if that is what you were looking for.

Why I am calling Luigi Mr. L in this?

So in this, I am having Mr. L be more of his 'work mode.' It is designed to be more of a persona he puts on so he can do his job more effectively, but it is also still a part of his personality. I want to include more of his temper which is often portrayed through animations in Mario & Luigi (you know his stomping tantrum animations). Along with a few other notes, like how in the first Luigi's Mansion you kind of find some pretty sassy/sarcastic remarks through the pictures he takes with the Game Boy Horror, along with some of his dialogue in the Paper Mario games. I also want to play into him having a bit of an ego as well (playing more into the Mr. L in Super Paper Mario).

However, at the core, I do want to keep him a more socially awkward, easily frightened, and a very kind person outside of the mask/persona. At the end of the day he really just wants what is best for his friends and family. And that he is always ready to help someone even if he is scared out of his mind (though he might complain about not getting paid, or take a bit of convincing when it comes to dealing with ghosts.) I am also keeping the self-esteem issues, more so dealing with the fact he feels like all he has done is stumble through life making one mistake after another, and never being enough for the people he cares about in his life.

What are the inspirations for this?

Ghibli movies, particularly Howl's Moving Castle, Princess Mononoke, and Spirited Away. I love their world building and how they handle character stories.

Magical Girl animes, I cannot stress enough how much the masks and his powers/setup are based on the magical girl shows I grew up on.

Majora's Mask, I want to do quite a bit with the masks themselves in this setup. I'm not going to elaborate much on them yet, because I prefer to reveal how they function in the comics than through this ramble.

Funnily enough, the character design that kicked off this au, or at least Mr. L's design was Death from Puss in Boots the Last Wish. I can explain, it was his cloak and his whistle. I've been playing through Super Paper Mario and I kept wondering what if they incorporated references to Luigi's Mansion more like maybe putting in his whistling, or going with a more horror aesthetic for him. Or even goes more into the concept of shadows as well, playing not only his ties with ghosts but also how Luigi feels like he is constantly in Mario's shadow. And when I saw the Mario Movie and that he was captured by the Shy Guys I was like hey wait a minute, I can do something with that.

So this story is just me playing around with those thoughts. Don't get me wrong though, him building robots to fight you along with the absolute banger of a jazz theme, and his cocky/petty attitude I have no notes and I like how he is done in the game.

So yeah this pretty much covers everything, if you read all of this kudos, I know this was long, but I hope I clarified what this comic is going to be like. Though please note that I have a job and I'm going through school, so this is going to take a bit to get going. I'm still writing out the base story, and I like to have one or two chapters fully drawn before I start posting it. I do plan on posting some of the short comics and doodles while working on the main writing.

Thank you for reading my rambles. I hope you all have a good one! : D

#bowsers bodyguard au #mario and the phantom #i think that might be the new name i call this au #im gonna test it out

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misc-obeyme · 6 months

Text

Here is part two with the rest of the characters!

I actually included the three undateables - Mephisto, Raphael, and Thirteen. I'm getting tired of waiting for them to become dateable, so I decided to go ahead and write some for them, too. I don't know how good they are, I feel like I have no clue what I'm doing when it comes to them lol.

I may have also included my OC Arsenios as a bonus... just 'cause I really wanted to write one for him. It's exactly the kind of scenario he would be there for so it just fit so well. Anyway, you can read more about him here if you're curious. He's also the last one, so you can just skip it altogether if you like lol!

FLUFFTOBER 2023

GN!MC x the dateables, the undateables, and one OC lol

Warnings: none that I can think of??

It was an October night in the Devildom and the House of Lamentation was hosting a Halloween masquerade ball. The main hall had been decorated splendidly in oranges, purples, and blacks. An entire feast was laid out, the table full of dishes contributed to the party by Barbatos and Simeon. The room was dark, lit mostly by orbs of orange light, enchanted to float through the air by Solomon. On a small stage there was a live band playing a mix of lively and slow creepy music. The dance floor was filled with demons, all of whom were unrecognizable…

Due to the masquerade theme, special masks had been made for each attendee. They were made by Satan and Asmodeus, working together to create magical masks that would completely obscure each party goer's appearance. Once they put on the mask, a glamor fell over them that transformed them and made them unrecognizable. Every glamor costume was black and incorporated a look involving fancy suits, flowing dresses, and probably too many sequins.

The party organizers all knew what each other's mask-generated costumes looked like. Everyone had been present when Asmo revealed his designs. Everyone… except you. You had insisted on creating your own glamor and thus hadn't been present to see everyone else's.

Now you stood in the middle of this masquerade party, unable to recognize a single person.

And yet you knew that the person you wanted to see most was in the room somewhere. And after a small amount of time, you were certain you had figured out who it was. You made a bold move and asked them to dance. While you were in their arms, they told you to meet them somewhere specific later, when the party was winding down. You agreed and spent the rest of the night exchanging looks with them, anticipating the moment when you would be alone with them.

Had you chosen the correct person? Did you know them well enough that you could determine their identity when their appearance was so altered? And more importantly… did they know who you were?

Diavolo

You actually had to pretend that you didn't know who he was. The reality was that there was no mistaking Diavolo. He walked like a king, moving about the room and talking happily with every demon he came across. He had a presence unlike any other, even rivaling Lucifer in the way he commanded the space and everybody's attention.

You had to intercept him and ask him to dance. He accepted your invitation readily enough, but you weren't sure if it was out of politeness or if it was because he actually knew who you were. He spoke with you easily while you danced and even when he asked you to meet him in the foyer, you weren't sure if he knew you.

You managed to break away later, when things were winding down. You had seen Diavolo going into the foyer and followed him after only a few moments.

His mask was already gone and you found him in full demon form. Diavolo looked absolutely regal standing there, waiting for you. You went up to him, almost intimidated. You still weren't sure if he knew you.

"You wanted to see me, Lord Diavolo?" you asked carefully.

Diavolo chuckled. He reached out to take off your mask. "Were you truly afraid I didn't know you, MC?"

You blushed and looked away.

Diavolo laughed and took your hands, pulling you outside into the Devildom night. Before you knew what was happening, you were in his arms and with a heavy beat of his enormous wings, the two of you were flying. The wind rushed through your hair as you wrapped your arms around him, pressing yourself close.

Diavolo hovered for a moment. "Don't be afraid. I have you. I only wanted to be alone with you for a moment. Up here, no one will see us."

You flushed, amazed at the sight of him, his strong arms keeping you up, the yellow light of the moon splashing across his skin. Everything became heated as he kissed you, the neediness of his lips indicating just how much he had been waiting for this moment.

Barbatos

If you hadn't been deliberately looking for him, you likely wouldn't have noticed Barbatos at all. He stayed out of the way, on the edges of the party, sometimes fully in the shadows. But even in his glamor, he maintained his usual butler pose and his stance was what gave him away.

You weren't sure if he would accept when you asked him to dance. You knew he was a guest at this party, but he had a tendency to go into butler mode even as an attendee. To your delight, he bowed to you and took your hand. You hadn't been sure if he knew who you were, but the way he danced so close to you indicated that he did. Likely, he had known all along. Your suspicions seemed confirmed when he invited you to the kitchen.

You slipped into the kitchen as the party quieted, finding Barbatos making tea. You weren't in doubt of his identity, but the sight was so familiar, any questions were immediately put to rest.

"Come, MC," Barbatos said. "I've brewed your favorite."

You took off your mask. "You always knew it was me, didn't you?"

Barbatos poured you a cup of tea and handed it to you. He met your eyes and took off his own mask. "Just as you always knew it was me."

You put the teacup down on the counter next to your mask. You took Barbatos's face in your hands and kissed him.

Barbatos responded by wrapping his arms around your waist and kissing you back.

After a moment, he pulled away and smiled at you. "Your tea will get cold, MC."

"Let it," you said, kissing him again.

Simeon

You really thought it would be easy to find an angel in a room full of demons, even if they were all unrecognizable. You moved from group to group, trying to figure out if you could find Simeon by his words. Perhaps he would say something that would tip you off.

You were unsuccessful still by the time someone asked you to dance. You almost said no, but something stopped you. You cocked your head and considered him. He was graceful, his hand extended, ready to take yours. You couldn't quite place it, but there was something about him that made you think… could it be…? When he asked you to meet him in the guest room later - your room - you were even less sure than before.

When you entered your own room to find him waiting for you, you hesitated.

But then Simeon laughed and no glamor could hide the musical sound of it.

"I'm sorry, MC," he said. "Did I confuse you by asking you to meet me in your room?"

You sighed, coming fully into the room now and taking off your own mask. "It was a little unexpected, yes."

You walked up to Simeon and took off his mask yourself.

"But in the end, your angelic laugh gave you away," you said with a smile.

Simeon blushed. "I only wanted a moment alone with you and this seemed like the best place."

You put your arms around him. "It is," you said.

Simeon kissed you without prompting, his arms tightening around your waist and pulling you into him.

Solomon

You were the only two humans in the room. Maybe that was all it took. Perhaps it was the unmistakable bond between master and apprentice. You could even argue that after all the time you'd spent doing spells together, you simply knew the feeling of the other's magic. Whatever the reason, both you and Solomon knew each other upon first sight.

You both deliberately kept your distance, each of you sending glances at the other across the room at regular intervals. It was a look of knowing, a soft smile, quick eye contact, a conversation without words. You were the first one to ask him to dance. He accepted right away, holding you closer than a stranger would dare to as you moved together to the slow song that was playing.

You were a little startled when Solomon teleported you right off the dance floor. You grabbed onto his arms as the room spun a bit before resolving into his own room at Purgatory Hall.

You took a step back and folded your arms, frowning at him. "Was that really necessary?"

Solomon chuckled. "You sound upset, MC. After all those looks you gave me tonight, I thought you would want us to be alone."

You blushed and were grateful that you were still wearing your mask. "I mean, yes, obviously, but now everybody's going to be in uproar about it."

"No they won't," Solomon said, putting his arms around you again. "Nobody knew who you were, did they?"

You suspected that some of the others had figured out your identity. But the look in Solomon's still glamored eyes made your stomach flip and you found you no longer cared. You took off his mask and yours, tossing them aside before kissing him.

Mephistopheles

Maybe you wouldn't have known Mephistopheles with the glamor, but he gave himself away with his haughty demeanor. He moved around the room with his chin up, following Diavolo like a puppy. Everyone in the room was aware of Diavolo's identity, so it only made sense that the one constantly seeking his attention was likely Mephisto.

You approached and asked him to dance, knowing that his sense of correct manners would prevent him from saying no. He didn't seem to be able to tell exactly who you were as you danced with him. You wanted to ask him to meet you later, but you weren't sure if he would agree. So instead you mentioned that Lord Diavolo was going to be in the music room.

You were pleased to find Mephisto waiting when you showed up in the music room. He turned to you and frowned.

"I thought you said Lord Diavolo would be here," he said.

You took off your mask. "I'm sorry," you said. "I only said that because I didn't think you'd come if I just asked."

Mephisto's frown deepened as he took off his own mask. "You? What do you want?"

You came closer, tapping his chest with your fingertips, smile teasing. "Oh I don't know. It's a party. You seemed so tense and preoccupied. I thought you might like to let go a little."

Mephisto blushed, but he caught your hand in his. "And I suppose you think you can help me with that?"

You leaned forward, your faces almost touching. "If you let me."

Mephisto pulled your hand so you stumbled forward a little and your lips crashed into his. His arm wrapped around you and you couldn't resist putting your other hand on his cheek as you kissed him back.

Raphael

Raphael was almost painfully obvious. You even heard him say something about spears, which instantly let you know who you were dealing with. He seemed oblivious about who you were and he also seemed like he didn't particularly care who was who at all.

That was, until you asked him to dance. He agreed, but it was clear to you that he was puzzled. Not just about who you were, but why you wanted to dance with him. He likely thought you were a demon and therefore would want to stay far away from him. And yet, as the dance went on, he relaxed, which surprised you. Had he realized who you were? You thought he must have when he asked you to meet him in the garden.

When you arrived, he turned to look at you. He had already removed his mask and he had a rose in his hand, which he handed to you as you came closer.

"I asked you to come out here so I could give you this," he said, his voice serious, his demeanor as stiff as it always was.

You held the rose carefully and looked at him. "Do you… know who I am?"

Raphael smiled and it transformed his face. One moment he had been staring at you with an almost stern expression, but now there was a sweet softness that you rarely saw. "Of course I do, MC."

You sighed and took off your mask. "What gave me away?"

Raphael blushed lightly. "It was your kindness. I did not think a demon would ask to dance with me. I would have recognized if it had been Simeon or Solomon."

You couldn't help yourself. You leaned forward and pressed a kiss to his lips. To your complete surprise, Raphael put his hands on your waist, keeping you there and kissing you back. You found out in that moment how soft Raphael could become.

Thirteen

You expected it to be difficult to find Thirteen. You thought she likely didn't even want to be at the party at all. So you supposed she would keep to herself. But you should have known she wouldn't be able to give up a chance to trap a certain sorcerer. She had brought a trap that looked absolutely terrifying, but before it could be sprung, Barbatos intercepted it and had her take it apart.

She was sulking about the lost opportunity when you asked her to dance. The way she brightened up immediately made you think she must know it was you. You were the only one she seemed to genuinely like. She danced with you happily, smiling the whole time. When the dance was over, she asked you to meet her later in the planetarium.

As soon as you arrived, she was at your side. "MC! You came!"

You laughed and took off your mask. "How did you know it was me?"

Thirteen giggled. "Your shiny soul, of course! It was the first thing I saw when I got here!"

You blushed and reached out to take her mask off, too. "I might not have figured out who you were if it wasn't for that trap you brought."

Thirteen frowned and shook her head. "Barbatos ruined my chance."

You took her hand. "Maybe, but I'm sure you'll come up with an even better trap for Solomon."

Thirteen pulled you closer, her smile back. "You're so sweet, aren't you, MC?"

"Only to you," you said, leaning in and pausing only a breath away from Thirteen's lips.

Thirteen needed no further prompting, letting her lips meet yours as your arms slid around her.

Arsenios

The live band playing on the small stage seemed to consist of a group of demons all wearing the glamor-giving masks. You were a little mesmerized by the one who was playing the piano, but you had no idea who he was at first. You watched them play as you moved about the room, your eyes always going back to the demon at the piano. A few times, he looked up and met your eyes.

You noticed when band members began to take breaks, one of them leaving the stage while the others played something soft and mellow. So you were hovering by the drink table when the demon who had been playing the piano came to the table for some water.

"Hey there, MC," he said as he filled a little cup from a large glass jug with slices of Devildom citrus floating in it.

You frowned. "You know me?"

He shrugged and drank the whole cup in one long gulp. "There's a rhythm to the way you walk," he said.

Something about the way he said this clued you in to his identity. "Arsenios?"

He took off his mask, revealing that you were correct. "I didn't think you'd know me."

You pretended to be offended. "Really? Who else would recognize someone by the rhythm of their walk?"

Arsenios chuckled. "Yeah, okay, smart ass," he said.

You grinned and grabbed his hand, pulling him away from the drinks and into the nearest empty room, which happened to be the library. He let you lead him, an amused expression on his face when you turned back to him.

"I'm glad you're here tonight," you said. "Even if it is as the entertainment."

Arsenios reached up to remove your mask. He put it carefully aside before cupping your cheek in his hand. "And? Are you entertained?"

You leaned toward him. "Not yet."

Arsenios pulled you close and kissed you, arms enclosing you. You could just hear the soft strains of the music - sans piano - behind the beating of your heart.

part 1 with the demon brothers

flufftober | kinktober | masterlist | Thank you for reading!

taglist: @anxious-chick @t0tallycoolname @libidinous-weeb

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jolenes-doppelganger · 2 months

Note

uuhhhhmm hi!! i was wondering if you’d be up to write a (smutty?) story about rose the hat!!! nothing specific but (i assume) you kind of know how rose is… and maybe incorporate that in the fic? and the whole steam thingy? yeah…

anyway! have a great day!!

[Hi! Thank you for the request! I really leaned into her more sinister qualities that were explored in the book, specifically her fascination with blood. She is a dark character, so this fic is reasonably dark. ]

The Debt

Rose the Hat x f!Reader (NSFW- RATED EXPLICIT)18+

Summary: Returning to the windy city was always a trip Rose dreaded. Not for the drab blocks of concrete, but for the memories that lingered. A child she’d let get away, a meal that had escaped her. The cost of that lapse. What happens when the familiarity of the city converges with the familiarity of a touch?

Warnings: Dark themes (threat of bodily harm, threat of murder, depictions of post-murder situations, etc), graphic sex (oral R receiving and giving, 69, penetration via fingers R receiving, breast worship giving, near smothering of R, light spanking receiving, blood kink, brief bondage, biting), !! Dub-con/coercion !! [Moments of straight M/F interaction between Rose and Crow, allude to nudity, brief touching, but not any more graphic than the novel itself described these interactions.]

A/N: Once again, this fic is not indicative of my moral code, I would NEVER condone someone pursuing a similar relationship, especially if the themes of dub-con/coercion are in any ways similar or amplified. *To be reasonably true to the characterization of Rose is to understand that she is an evil person and wouldn't show up to your door with a bouquet of flowers and a home-cooked meal.*

Word Count: 3.669k (hehe 69)

Rose hated Chicago. Chicago meant traffic, smog, disorder and weird looks. Traditional caravans sailed right by the town, so driving through it with the True Knot's troop of motorhomes would be both a nightmare coordination-wise, most certainly drawing unnecessary attention. The Knot camped out in a trailer park, using cars to drive into the city while a few stayed back to ensure the safety of their caravan; prime members slept in hotels in the city. Rose and Crow were assigned to a suite, sharing a King bed and a bathroom. Sleeping in a hotel meant access to a shower and larger amenities, but the wide open spaces bothered Rose. She preferred the coziness of her Earth Cruiser over the opportunity to shower at any given moment.

"Rosie, whatcha got on your mind?" Crow asked, chest bare, lounging in the bed after their coital affair.

Rose snorted, tits out and unashamed. Her hat was set off to the side, hair tousled from their passion.

"I hate Chicago, that's what's on my mind."

Her lover nodded, trying to remain considerate, but he was really focusing on the curve of her breasts.

"It's temporary. We'll get the kid by the end of the week. And in the meantime..." he smirked, reaching to bring her in closer.

Rose rolled her eyes, playfully swatting away his advances.

"As if you were hard again." she protested.

"What if I was?"

Rose reached down. He was flaccid, predictably so. They hadn't fed in a while. He was like any man in his mid-50s, capable of lasting one round, needing a little blue pill to sustain an erection for longer than a few minutes.

"We need to eat." Rose grimaced.

She got up from the bed, walking into the large shower. She was tired. One look at herself in the mirror and Rose saw just how weak she was getting. They needed that kid. Her crow's feet were growing more pronounced, her belly sagged, so did her breasts. Cellulite littered her thighs, and her upper chest had that ugly scaly look that developed in older people exposed to the sun. It was unbearable. She turned the light off and showered in the dark.

<------------->

It was done. The little girl with the braided pig tails was limp in front of Rose; the child's body had given up. Normally she'd be feeling extra frisky right now, leaning into Crow's advances as he felt her up under her bloody shirt, but she just felt hollow. Giving out cleanup duty was easy. Crow pressed on the child's chest, pushing the last bit of steam into the metal cannister. Rose cut off the friendship bracelet the child had on, tying it around the cannister. Crow sensed something was off, and he followed her into the Earth Cruiser. She put the cannister away, looking up at him with vacant eyes.

"What's wrong?"

Rose walked into the bathroom, using the reserve water to fill the sink, stripping her clothes off as she washed away the blood.

"The kid. The one we lost ten years ago."

Crow sighed.

"The one that disappeared after we followed her into Joliet?"

Rose nodded, lost in her own thoughts.

"I want to borrow your truck, head into the town. I need a night for myself."

Crow frowned. Rose only ever went out alone in dire circumstances. She was upset, and it perturbed him.

"That can wait 'till morning, let's spend tonight-"

"No." she cut him off. "You have a hallway pass, go fuck someone else tonight."

Now Crow knew something was off. Rose was possessive, unreasonably so. If he so much as looked at another woman, he'd hear about it eventually. But offering a hallway pass unprompted? Something was up.

"Rosie, stop. We're going to talk about this." Crow planted his hands on his hips.

"No, we're not."

Rose pulled on a fresh pair of clothes, jeans and a sweater. The topper came with her, obviously. Crow attempted to block her as she left, but he was only a few inches taller than her. With the top hat she had the odd ability of appearing a head taller than everyone atop of her 6' frame.

"Move."

Rose exited the cruiser, Crow's keys in hand. She jumped into the vehicle, speeding out of the campsite. She had one destination in mind, one person in mind.

"Alright you little snot." Rose fumed, focusing her attention on an energy signal she'd been trying to pinpoint for the last decade. "You want to play games? Don't you know what you cost me?"

For the first time in decades, Rose was speeding. The True Knot never violated traffic laws. It drew attention, but in Rose's current state of mind, pushing 80 on the highway was the only reasonable balm to her anxiety. Through the midst of her anger-fueled aggression, she felt it. A little sensation, a prick of energy so damn familiar it made her stomach flop. She slowed down, pulling into the far right lane, focusing her energy on that little bubble of energy.

"Oh honey, you're still here, huh?" Rose whispered. "(Reader) was your name, wasn't it? But that's not what we called you, little minx. You're a Pandora's box."

Rose drove through the suburbs of Joliet, drawing closer and closer, running Crow's gas tank down to the last quarter. It didn't matter, she was close. The little buzzing in her head continued, until finally it was unbearable. Rose grinned, pulling off to the side of the road in front of a cute little red brick house. She didn't do anything, not yet at least. Instead, Rose adjusted the rings and bangles on her left hand. Left for receiving, various 'lucky' charms she'd collected. The right hand she kept bare. It was her dominant hand, she liked it bare. That and it was the 'giving' hand. She didn't need any sort of energetic enhancements, more likely hindrances upon her.

"You're alone in that little house, Pandora." she smirked.

Creeping toward that house like a wanted visitor, Rose waved to a few neighbors who were walking about. The only malicious element that could even tickle the minds of observers was that hat. Tipped at that weird angle, barely hanging onto the crown of her head, like a poorly perched bird. Rose reached for the knocker; she didn't need to try the doorbell to know it was broken. A soft click as the door opened.

"Well, hi there." Rose smiled.

You didn't have time to fasten the dead bolt before she'd forced herself in, towering over you and pinning you against the nearest flat surface.

<------------->

She'd tied you up. The deranged woman with the most certainly semi-cognizant hat had tied you up on your childhood bed.

"Who the fuck do you-"

"Shut up." Rose demanded, slapping her hand over your mouth. "You're gonna listen, you're gonna stay quiet, and if you scream I will sew your mouth shut."

She moved around the room, closing the curtains, locking and barricading the door. Nothing was going to interrupt this, no one was going to stop her from getting that revenge she'd been dreaming of for a little over a decade.

"Three True died because of you." Rose sighed, settling on the bed in front of you. "They starved. We were all starving, but they couldn't hold off. And you? Look at you." she snorted. "What are you, a teenager? No, you might even be in your twenties. I've forgotten how old you were when we were tracking you."

The heinous monologue ended there. Rose pulled out a pocket knife, focusing on digging out the dried blood she hadn't gotten out underneath her nails.

"Are you a cannibal?" you asked, quiet.

Rose snorted.

"I mean, sort of. We don't eat flesh, but we eat. And you... God, you would have been tasty. Now you're grown up. Age ruins all the goodness of steam, it spoils, tastes rotten."

You swallowed, staring up at the woman with the knife.

"So by not being able to find and eat some part of me... People died."

"Not people, dear. True Knot, my family. The most important people alive."

Rose's personal fable was inherently narcissistic, unyieldingly ignorant of the world around her.

"So you're better than me because you eat... Kids?"

Rose rolled her eyes, grabbing your face.

"I'm better than you because I'll live for centuries. The oldest of us have seen empires rise and fall, we've seen society advance, society crumble, all of it." she whispered. "We are the chosen few, the best. You're... A rube. A stupid, forgettable little tick."

She seemed awfully presumptuous, you thought. But your small judgements were out of place with the extreme fear that clouded most of your higher processing abilities. The animal brain was clawing out from it's cage, and you knew that this meant the odd things would start happening. Ever since you were a kid, it had been the same. You were normal, happy, unbothered, and then once someone put you in a corner, it was like something out of a paranormal movie. The ropes at your wrists got loose. Then the ropes at your feet. They were spinning out, moving with every rapid beat of your heart. But your telepathy was no match for Rose's abilities.

Blinding white pain filled your head as Rose pressed two of her fingers into your left temple. Hands reaching up inside your head, hands clawing and tugging at the animal bit of your brain, shoving it down, pinning it into a corner. It was brutal, and it left you groaning from pain.

"Naughty little thing. But talented, so talented. Telepathy? At your age? God you would have been tasty. Maybe you still are..."

In your state of wooziness caused from Rose's rape-like invasion of your head, you hadn't noticed her reaching for the pin off of her hat. And then that pin was being pressed through the flesh of your clavicle, hitting the hollow skin there. It stung, badly. With a horrid scream, vapor sprung from your lungs. The woman inhaled it readily, her eyes flashing bright blue. And then she sputtered. She removed the pin, coughing and hacking violently.

"You taste... Disgusting." she winced, her face screwed up in disgust.

Blood trickled down from the wound on your collarbone.

"God I need to get that taste out of my mouth, it's like spoiled milk." Rose complained, looking around the room for something to rinse out her mouth with.

Her choices were scarce. Half-stale soda, water, (which wouldn't do a damn thing), or... Now that would do.

"Mnm." Rose smiled, licking the blood from your clavicle away.

Her tongue was revoltingly wet, and it stung where she licked you. Rose's face was screwed up in a light smirk, watching with interest as your body reacted against your ever-rational mind. Her tongue was soothing, and there was a degree of sensuality to her movements, the way she leaned down, rolling her tongue slowly over the wound. She was straddling you, a hand on your shoulder, the other behind your neck. And the tongue continued to work, the papillae of her tongue drawing a light friction over the wound. It was... Arousing.

"Did I tell you that you could touch me?" Rose smirked.

Your hands were resting on her back, drawing unconscious patterns.

"... No."

Rose chuckled at this, nipping lightly at your neck.

"You're enjoying this... Twisted little girl."

The bite went straight downwards, causing your pelvic floor to clench involuntarily.

"I'm not. Well, I am, not because I want to-"

Rose's lips crashed against yours, tongue immediately pressing through your lips as you gasped. Claiming, tasting, exploring. She coaxed your tongue out slowly, her hand cradling your head, massaging gently.

"Give me your tongue." a voice sounded in your head.

It was feminine. You obeyed, sticking it out. Rose's lips enveloped the muscle, sucking wetly. The result was immediate. Your hips twitched, your core clenched, and you let out a desperate moan into her mouth. Rose let out a low hum of approval, continuing to suck your tongue in and out of her lips, imitating oral sex. The suggestion was arousing, and when you pulled away, the look on her face said it all. Rose was pleased. She knew she was sexy, she knew what she was doing was hot, and the fact that you were confused, horny and scared, all against your will, it only served to pad her ego.

"Poor thing... Are you worked up?" Rose crooned, stroking your sides. "Tell you what... I'll make it better, but then afterward you and I are going to brainstorm a way to work off your debt."

Your words caught in your throat. You didn't want to owe her anything, that would be very bad, but you had a feeling that it wouldn't matter what you decided. She'd laugh if you told her you didn't want to fuck her, and probably fuck you anyways. But then again, to make the best out of a bad situation... Who would blame you?

"Mhm, you'll come around." Rose hummed, licking a stripe up your neck. "And it will be reaaaaal good."

Your hands were resting on her back again. She didn't scold you this time. She took the topper off, setting it to the side. Her hair was a little frizzy, but it really didn't matter. She looked like a fallen goddess either way. Her hands reached for the hem of her sweater, pulling it off. Pert, large breasts jiggled with the movement, unencumbered by a bra or other garment. You wondered why you hadn't noticed it before. Rose wondered why she was wasting her best window of performance on a rube.

"You like what you see? Oh I know you do." Rose smiled, resting her elbows on either side of her face. "Kiss them. Give them the attention they deserve."

You obliged, angling your head up to kiss one of her nipples. Tentatively at first, and then a little surer. Rose pulled down your bottom lip, silently beckoning you to open your mouth. She pressed her nipple into your mouth, sighing in delight as you obediently swirled your tongue around the areola.

"Beautiful. A little suction, not too much, I'm not a cow." Rose sighed.

Adding increasing levels of suction, you stopped when Rose let out a low moan, her hips bucking against your stomach. You alternated swirling your tongue and sucking, drawing the sweet noises from Rose's mouth.

"The other side now, my other girl is feeling left out." Rose breathily gasped.

As you swirled and sucked the other nipple, she reached up to pinch the previously worshipped breast. Her hips twitched erratically, and judging by the increasing frequency of her little gasps and moans, she was getting more aroused. Finally she pulled back, her nipple sliding out of your mouth with a wet plop. Rose pulled at her jeans, sliding them down her knees and onto the floor in one swift motion. Whether she took off her panties at the same time or was never wearing any, you couldn't be sure.

"Stay put." Rose ordered.

You leaned back against the bed. She put a knee on either side of your face, lowering herself as she spread her labia open. The sight was both daunting and arousing, her inflamed clit pulsing angrily amidst the pink strip of her inner labia. You opened your mouth as she lowered her entrance over your mouth.

"Lick." she breathily moaned.

You licked a stripe up from entrance to clit, tasting her for the first time. It wasn't anything pungent or otherwise remarkable, but it was good. She fisted her hands in your hair as she rocked against your tongue, pushing her clit into your nose.

"Stick your tongue in, fuck me with your tongue." Rose rasped.

Obeying, you punched your tongue in and out of her hole, catching her secretions with your tongue. Rose moaned emphatically, continuing to grind her clit over your nose.

"That's it, just like that..." Rose praised. "Pull me against you."

Grabbing her thighs for support, you pressed her down into your mouth, alternating between licking stripes up her labia and fucking her with your tongue. Her moans grew louder and more emphatic, pressing her clit into your nose until your nostrils closed, preventing your ability to breathe. She worked faster against you, riding your face with reckless abandon, either unaware or unconcerned with your lack of air. In a last ditch effort to prevent suffocation, you pistoned your tongue in and out of her earnestly until she let out a howl of pleasure, squeezing her thighs over your face.

...

"Hey, wake up!" a voice echoed, muffled and unclear.

A sharp sensation, someone shaking you. Things came into clarity, bit by bit. Rose was over you, shaking you and slapping your face. She came into focus slowly, her face flushed.

"Fucking finally." she swore.

Arms pulled you up, stripping you of the sweaty shirt that clung to your breasts. You weren't wearing a bra, who could blame you? It was midnight on a fucking Tuesday. Or Wednesday, you guessed.

"Are you awake now? I'm not done with you."

You frowned, still adjusting to being awake after nearly suffocating to death between the woman's thighs.

"Naughty thing. Lay over my lap, I'll get you awake again."

You groggily obeyed, breathing steadily. Rose's hands caressed your back gently, pulling your pajama bottoms down. You were still uncomfortable, although your arousal had significantly dulled following you passing out. Her hand caressed your panty clad bottom, squeezing and pulling the flesh expertly. You let out a soft hum of contentment.

"Wouldn't have been a bad way to go, you know." Rose teased, continuing to knead your buttcheeks.

You gave an unconvinced hum in response. Rose let out a low chuckle, giving you a playful smack on the rear.

"Let's try this again. This time you can be on top, huh?"

Rose helped you up, after taking off your panties of course. She laid upon the bed, and you moved to straddle her face.

"Nuh uh. Turn around, the other way."

You obeyed, facing her legs.

"Now lean down. Hold my legs open, that's right, princess."

Princess. The name felt more intimate than the other titles she had given you, most were insulting. You found yourself looking forward to tasting her again. Her clit still remained engorged, and you busied yourself with licking at it as Rose drew her hands back and forth over your thighs.

"Pretty pussy you've got." she crooned.

A sharp bite to your inner thigh. It shocked and aroused you, and your core clenched involuntarily. Rose gave a low chuckle at the sight.

"Is she this wet for me?" Rose cooed. "Might need to have a taste."

Her tongue parted your labia, circling your entrance. Your hips bucked into her mouth, and she smacked your butt in jest.

"Naughty."

To make up for your unintentional disobedience, you leaned down, spreading her labia and exposing her engorged clit to your tongue. You circled it a few times before pulling the hood back, sucking softly. Rose's reaction was immediate. She groaned, kneading your thighs tenderly.

"Mhm. Good girl."

Her tongue returned to your entrance, licking lazily, occasionally rolling over your clit. Enough to stimulate, not enough to really please. It was infuriating, but you doubled your attentions in the hopes she would reward you. Taking her clit in your mouth, you sucked it, drawing it back and forth between your lips like she had done earlier with your tongue. Rose moaned, letting out a few words that you didn't understand, a foreign tongue. Then her mouth was at your clit, her tongue drawing steady circles over the nerve. You felt her thighs clenching, and you held them open as she reacted accordingly. Her mouth abandoned your clit, and she moaned out, her hips thrusting against your mouth. Then her mouth was sucking violently against you, two fingers roughly penetrating you. But just as her orgasm subsided, just as a familiar clenching began in your abdomen, she pulled away.

"No!" you whined.

A harsh smack cracked over your ass.

"Shut it."

She pushed you to the side, sitting up. She used your shirt to wipe the mess off her face.

"If you want to come, you'll crawl over here and ride my fingers."

Much to your utter dismay, (and deep humiliation), you saw the truth in her eyes. Crawling into her lap like a discarded puppy, you winced as the pushed two of her fingers into you once more. But that was were her roughness ended. A hand encircled her waist while her thumb rolled gentle circles over your clit.

"Put your arms around my shoulders, princess."

The soft praise and gentler look returned to her eyes. She smiled softly at your obedience, pressing a gentle kiss to your neck.

"You've been good... I suppose I should reward you."

Her fingers moved gently in and out of you while her thumb moved in that soft pattern. It was good, a gentle stimulation to push you up to a gentle climax. You had the feeling that if she wanted you to squeal in pleasure, she'd do so, but this was an allotment, not a reward. Her kisses on your neck turned into soft, tender bites, matching her tone. A slow build up to climax began, and you wrapped your arms tighter around her.

"I.. I'm gonna-"

"-I know you are. Now moan my name, 'Rose'."

You felt your lower muscles slowly starting to clench, and you let out a soft whimper.

"Rose!" you obeyed, feeling your pelvic floor clench and unclench erratically.

It was fulfilling, but not by much. In truth, you'd been most stimulated when you were pleasing her, a truth that made you aware of a darker truth. Rose was toying with you. She wiped her hand off nonchalantly, putting her hat back on. With that one action, she went from uncommitted lover to sinister debt-collector.

"Now. About that debt."

<------------>

A/N: This is really just a one-shot, I don't see a part two or continuation, but I would be more than happy to write a similar story or use a similar template to create a series. Feedback is always welcome. :)

#rose the hat x reader #rose the hat x you #rebecca ferguson x reader #rebecca ferguson x you #rose the hat smut #rose the hat x reader smut #rose the hat x you smut #lesbian #lesbian smut #doctor sleep #rose the hat #flanaverse

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anniflamma · 7 months

Text

Rating the most gayest King David adaptions

For the past few weeks, I have been watching and reviewing ALOT different adaptations of the story of King David from the Bible to determine which ones are the gayest.

But first, let me provide you with a recap of David and Jonathan's story.

David and Jonathan were two central figures in the Hebrew Bible, with their story primarily found in the First Book of Samuel. David was a ruddy shepherd boy who became famous for slaying the giant Goliath with a stone and a sling. Jonathan, on the other hand, was the son of King Saul, the first king of Israel. Jonathan's heart was captured instantly upon seeing the striking young hero. As the Bible says, “The soul of Jonathan was knit to the soul of David.” Shortly after their first meeting, David and Jonathan expressed their commitment by making a covenant with each other. This significant moment is vividly portrayed in 1 Samuel 18:3-4: "Then Jonathan made a covenant with David because he loved him as his own soul. Jonathan removed the robe he was wearing and presented it to David, along with his armor, sword, bow, and girdle." David and Jonathan grew so close that it appeared they might one day rule Israel together throughout the following 15 years. However, they faced numerous challenges when King Saul grew jealous of David's popularity and success, fearing that David might take the throne from his family. Saul attempted to kill David multiple times, while Jonathan consistently came to his friend's rescue through various means. However, they were eventually forced to part ways. "And as soon as the lad was gone, David arose out of a place toward the South, fell on his face to the ground, and bowed himself three times. They kissed one another and wept, one with another, until David exceeded." Tragically, Jonathan lost his life in battle against the Philistines, leaving David in deep mourning. He composed a heartfelt lament known as the "Song of the Bow" (or what is famously called “How the Mighty Fallen”) to honor Jonathan and Saul's memory. "I grieve for you, Jonathan my brother; you were very dear to me. Your love for me was wonderful, more wonderful than that of women."

So, as you can see, I will rate each adaptation based on its portrayal of three specific moments:

Jonathan removes his clothes and makes a covenant with David.

When they have to separate from each other, as they embrace, kiss, cry, and David exceeds.

David's lament that he loved Jonathan more than women.

If these three moments are faithfully retained in the adaptation without altering the text, it will be considered queer in my evaluations. Naturally, there may be exceptions if the adaptation deviates significantly from the original material or if it primarily focuses on adapting specific aspects of the story while still hinting at or incorporating subtexts. In such cases, they may also receive points.

NOW, LET'S BEGIN!

Disclaimer: Some of these "reviews" will sound professional, while others I will act like a gremlin, because these movies actually broke my brain cells. So if you get whiplash from how my behavior suddenly changes all the time, consider yourself warned.

Another disclaimer: Don't be like me and do something similar to this... I don't think this was healthy for my brain.

Jonathan what now..? 1/5

So I'm going to be kind and bring up that the story of King David is long, especially if you make an adaption of his whole life. It's reasonable to expect modifications to accommodate the chosen medium. And frequently, this leads to Jonathan's character being sidelined, either because he's deemed less important or because there's too little time to delve into his role in the story.

Due to that, I won't delve deeply into those adaptions because of that.

Superbook Reimagined (2011) - CBN

Jonathan doesn't exist in Superbook... That all. I WONT TALK ABOUT THE SUPERBOOK.

David and Goliath - Animated Stories from the Bible (1985) - Rich Animation Studios

So this one is pretty interesting. Apparently the same studio that made The Swan Princess (1994) made the series called Animated Stories from the Bible. And I weren't aware of this while watching this episode, however I did noticed, that yes, this had a very low budget but you could tell that it was made by professionals. I have one thing I need to comment on this movie. Eliab and Jonathan looks pretty goooood...

I mean LOOK AT JONATHAN! FFF***KING HELL! HE LOOKS LIKE A HOT VILLIAN AND I LOVE IT! The character designs are sleek! Expect for David. David was trash. So why is this one so low down on my ratings? You see the episode only focus on the upcoming fight between David and Goliath. In a sense, the episode's emotional core are more about David and his brother Eliab, with the brother not believing that David could defeat the enemy. Jonathan has a really small role, and he doesn't really interact with David that much. However there is a scene, when Saul gives his armor to the shepherd and it doesn't fit him cuz he is a smol bean, Jonathan comments on that the boy is going to get killed while having this frustrating / angry tone. Indicating that Jonathan don't believe that David and of course get astonished once he triumph. But that is all we get. I wished I could rate this higher simply to I just love the character designs.

David - A Musical by Sound & Sight Theater

Alright, I'm going to say it. This is probably the most campiest and "we need to tell you about Jesus" - musical there is. The songs are freaking great, very modern, almost anime-ish and very EPIC! But then they suddenly they strike you with, "Hey do you know who Jesus is?" Anyway, my favorite songs of this musical is Never Back and Psalm 24.

I only listened to this musical on its recorded album. Overall, I found it very enjoyable! However, I was quite disappointed that they didn't have Jonathan none of their songs. There were no solos for him, and all I could do was imagine if there was a strip covenant scene or not between each number. They didn't even have a "We are best bros" song! They also removed a lot from the emotional core when David mourned the loss of Jonathan. David sings the song "How The Mighty Fall," which is very short, but for some reason, I really liked it. Even though it's short and David only repeats Jonathan's name over and over again, I could feel that sadness. Still, the musical also left out several scenes from the original story, possibly because it aimed to be more family-friendly and was very sanitized so no one would get upset. AND WHY IS THIS MUSICAL ENDING WITH JESUS?!!

David “the straightest man” and Michal his truest love that has ever existed before Bathsheba came into the picture and a lot of Shoulder Taps for Jonathan 2/5

Superbook (1981) - Tatsunoko Productions

I can't believe that I watched three episodes of Superbook... Can I explain this mess without dying inside? So, this is a Japanese anime from 1981. The series covers the events of the entire Bible in its 52-episode run. I watched the English dub, and yeah, what else can I say? It's probably the best dub I've ever heard, with genius acting, including their screams. You can tell they aren't really screaming because they know it will break the mics. To get straight to the point, their relationships are just good friendships, and they see each other as brothers. However, they do follow the story very faithfully, pun intended. But, of course, they add in more scenes with Michal so her relationship with David looks romantic, and Jonathan takes on a wingman role. There is no stripping scene, which is understandable since it's an animated series for kids. Instead, they merge the covenant scene with their separation. To sum it up, they shake hands and repeatedly tell the audience that they are only friends. Okay, we get it!

But then we have the Lament scene: "Oh Lord, may you have mercy on his soul. Your glory, O Israel, has been slain. How the mighty have fallen in battle. I grieve for you, Jonathan, my brother… My brother…" THEY WERE SO CLOSE! They looked at the rest, "You were very dear to me. Your love for me was wonderful, more wonderful than that of women," and then they were like CUT! But the best delivery line in this adaptation must go to Saul: "How stupid to believe he could murder a hundred philistines without being murdered HA HA HA HA!" I can't do this anymore…!

King David (1997) - Mondo TV

This Italian animated movie features child actors who can't seem to deliver a line without mumbling and speaking at the lowest decibel levels imaginable. Thank goodness that Kid David and Kid Jonathan grew up after… Let me check… The first 15 minutes of this movie… Well, they are childhood friends in this one, so I guess that's a win. Michal is from Sweden. Saul repeatedly tells his (also Swedish) wife to stfu in every scene he's in. Storywise, this movie shakes things up a bit. When David is chased into the wilderness, both Michal and Jonathan join him…? It's really confusing what's going on because the next moment Jonathan is back with Saul, hearing his plan to attack David in the mountains, so he runs back to David to deliver the news. All of this happens in about 3 minutes. But when they finally have their farewell scene, they, of course, do the Shoulder Tap! However, they hug with an animation that lasts for like 3 frames, and… you know what, I'll just let you witness this…

And then we have the Lament. It's pretty faithful, but as you guessed, they changed the last line from "You were very dear to me. Your love for me was wonderful, more wonderful than that of women." to "I loved Jonathan as a brother. We rode together, his hair flowing free in the wind." …I don't know if they made it worse or better…

King David - A musical by Alan Menken & Tim Rice

I acted like a fangirl when I realized that Alan Menken and Tim Rice had created a musical about King David! I was so hyped and really thought it was going to be really gay... I think I expected too much...

The musical premiered in 1997 and was a grand and ambitious show. While it may not be as well-known as some of Menken and Rice's other collaborations, such as "The Little Mermaid" or "Beauty and the Beast," I was blown away that this musical even existed in the first place. The music itself is really good. It reminds me of "The Hunchback of Notre Dame" but more campy. My favorite is the song "The Death Of Saul." Genius! And of course, "Never Again," sung by Judy Kuhn. There are so many Disney stars in this show! It's insane! However, this musical is not without its flaws. The story's scope, which covers many events, can at times feel rushed or disjointed. The mistake that the creators made was trying to cover it all. So the musical has 2 acts. The first is about David in his younger years until he becomes king, and the second act covers everything from Bathsheba to Absalom's revolt, ending with kid Solomon singing about Jerusalem. This results in Jonathan becoming like a background character, and this makes me really angry. So almost every scene that David and Jonathan have together, Jonathan is replaced with Michal. TIM?! ALAN?! What are you two doing??? You are basically telling us, without explicitly telling us, that the relationship of David and Jonathan is queer by having Michal instead. Like... what..? This is the same guy who made "Jesus Christ Superstar," and that show is definitely "not straight", so I have no idea what's going on in his head. Anyway, Jonathan has only 1 song/melody called "You Have It All." It's when Saul shows that he's going crazy when David becomes popular, and Jonathan takes David away from the palace to a safe place. Sigh... You can tell by the lyrics that Tim is trying to be cheeky but immediately backtracks by having both David and Jonathan overly articulate the word "friend" in the song. (I seriously recommend you to listen to the song, just so you understand what I mean.) DAVID "I love my friend!!! as I love life and both I cherish. Uncompromising and unfailing. I swear this covenant we make will never perish. In any circumstance prevailing" JONATHAN "It's very hard when things come easy. You start to fear a bitter end. I promise you, you have a friend!!!" However, Jonathan gets a reprise again in the separation scene, but then Michal suddenly pushed Jonathan aside and takes it over with her own song. Then we have the Lament. The song itself is really good and beautiful. It's like a sad Disney song. But the lyrics themselves have this uncertain tone on who David is singing about. But they do reveal it at the end. "Jonathan... Jonathan... Who loved me more bravely than you, whether harlots or wives!" We can clearly see that David mourns over him. But for me, it feels so awkward...

They are just friends..? 3/5

The King: Story of David (2004)

I felt like I was on shrooms watching this. There's this three-minute scene where David sings to Saul... I can't even explain it, it's just horrible. Poor Saul looks absolutely horrified when this abomination of character design from a different show enters the room and sings with the voice of an adult woman.

AND WHY IS MICHAL PURPLE?! They also switch her name’s pronunciations like 5 times in this movie... Well, about Jonathan. So they took the approach that David is a literary child and had Jonathan as an adult… What the hell am I supposed to say about this? Oh god... I hate this.

Then David grows up, gets the same artstyle as the other adults and instead of Saul nagging David to marry Michal, it's David himself that asks Saul to marry his daughter, just to make sure that we know that he loves her soooo much. This results in Saul wanting to kill him, which leads to the separation scene. So maybe you are now asking me, why is this movie up here on the list? Looks like they made sure that David was the straightest man that has ever straightening. Oooh, I’ll get there. So we get to see a jpg of David and Jonathan look at each other for like 10 seconds, then tap each other on their shoulders, look at each other eyes and David says with the most sultry voice ever “Jonathan…”. Surprisingly, hug each other and weep. huh… didn't expect that. That voice that David used was enough to make the whole freaking movie a gay so that's why it's up here. If I ever have to watch this again, I need to get paid.

The Bible (2013)

Ah, yes, I remember this one. I watched it when it aired on TV, and I was just a wee little teen falling in love with the guy who played Samson. But we'll be watching the fourth episode of "The Bible Series." This episode was a speed run through the whole story of David, with a lot of stuff cut. Yet, the subtext in this adaptation is gorgeous! We have David walking to Goliath and Jonathan looking on with worry in his eyes—MULTIPLE TIMES! And miraculously, the actor managed to hit Goliath despite having the freaking sun in his eyes at full blast. That poor actor with his nonstop squinted eyes couldn’t see shit on set. Once Goliath is defeated, Jonathan and Saul run to David and are proud of him. All we get from the Covenant Stripping scene is Jonathan taking David's hand and telling him to come with him and fight the enemies, like best bros! Then a montage arrives, and David and Jonathan are older. Saul is jealous and touches David a little too much for my comfort. Meanwhile, Jonathan is just sitting on the floor eating figs. Wat?

And then Saul proposes the idea that David should marry Michal, and Jonathan's face falls. Gasp! David gets sent to kill 100 Philistines, and we get this wonderful scene with Saul and Jonathan. Saul: "You love him like a brother, don't you?" Jonathan responds with a warm, soft smile, looking at David riding away. "I do..." Saul gives off big "My son is totally straight" vibes. Sadly, this episode neither has the separating scene nor anything that resembles a covenant. And yes, they also skipped the majority of the Lament. Maybe I am projecting... I am probably projecting.

They are friends! I PROMISE! 4/5

King David (1985) - Paramount Pictures

This movie provides a different angle on the biblical story of David and Jonathan. The film includes a line that suggests a strong emotional connection between the two characters, though it doesn't explicitly delve into romance. It doesn't say that David and Jonathan are in a romantic relationship, but it makes you think that they have deeper layers to their "bond." In other words, I really ship them in this adaptation! They didn't have the strip scene, but they did have a scene where both of them are at a lake, water sparkling in the sun, looking into each other's eyes. Jonathan softly cups David's cheek and says, "I love you as I love my own soul."

... Wait, he touched his shoulder softly, not his cheek... Forget it. But they are very tender toward each other. However, we can't have great things because the separation scene was very weak. All we get is that they are both on horses, and then they just say goodbye, and that's it. No hugs, no tears, no kissing, and no exceeding David. But I can add that Jonathan's death was very heartbreaking. After watching awful animated death scenes, it was a breath of fresh air. The Lament, for some reason, had a spooky tune, not really like a man grieving for his soulmate. Why is this adaptation so high up for me? Well, Jonathan said "I love you" while looking into David's eyes with a beautiful natural background. That is enough for me.

Ancient Lovers 5/5

Beloved King: A queer bible musical

(There mentions of SA)

You can already tell by the name of the musical... "Beloved King" follows the young shepherd David as he is thrust from rural fields into the royal court. After his sudden rise to prominence, David finds himself the object of affection of both the heir to the throne, Prince Jonathan, and his father, the domineering King Saul, forcing David to re-navigate his relationship to love and power as he tries to follow the path laid out for him by a mysterious entity called God. The first-ever staged readings of "Beloved King," complete with all songs and live accompaniment, were scheduled for March 12th and March 13th, 2020, at Oberon, the second stage of the American Repertory Theater, in Harvard Square. Both events sold out well in advance, but they were canceled the day before opening due to COVID-19. However, the team rallied and quickly pivoted to film a dress rehearsal in an empty theater just before lockdown. One of the most hilarious things about this musical is that the characters are dressed in simple linen garments that look like they belong in a children's nativity school play, only to have David and/or Jonathan strip and expose their flashy sparkling spandex briefs. Undeniably, it fits perfectly with the nightclub-inspired atmosphere that this show has.

This musical feels like it's straight from the Archive of Our Own. Jonathan and David are dating, and we have a jealous Saul who is not jealous of David's popularity, instead, he desires him sexually and tries to bang him. When David denies Saul, that's when Saul tries to kill him instead.

The musical has all three scenes checked. The covenant scene, with Jonathan stripping and "more." There was a scene of their farewell, however, they haven't released that one song, so I can't really say anything about it yet. Lastly, the lament song in its full glory. Sadly, the whole musical isn't out yet. They have only released six demo samples, and let me say that "ADONI" is THE MEET-CUTE SONG!

This musical was the very thing that made me nerd out on the Bible again. So maybe I am biased, but how can I be biased if they depict David and Jonathan's first meeting with them banging each other in Jonathan's tent?

David et Jonathas: An opera by Marc-Antoine Charpentier

This one was a hidden gem I didn't know existed. Thank you @alatabouleau for the recommendation! It's an opera from 1688. It's all in French, so I was worried that I would have missed all of the lyrics, but I found a translation pamphlet and found one of the concerts on the live-opera Versailles website. All I can say is it was beautiful and so, so, so queer.

The prologue starts with Saul, disguised as a visitor, consulting the Witch of Endor to learn his fate in an upcoming battle against the Philistines. The Witch summons the spirit of Samuel, who predicts Saul's downfall, including losing his family and crown.

In Act 1, David, banished by Saul, seeks refuge among the Philistines. He returns from a victory and is praised by warriors, shepherds, and freed captives. David only wishes that, whatever may come, Jonathan should be spared. The Philistine king tells David that a truce has been arranged between the Philistines and Saul to discuss whether there shall be peace or war.

In Act 2, during the truce, David and Jonathan reunite. And then they both sing the song “A vostre bras vainqueur,” and it's the most beautiful harmonic song I have ever heard. It sounds so romantic, even if they are only singing about them being best friends. However, jealousy brews as Joabel challenges David to combat, leading to a plot against him. Joabel convinces Saul that David is a threat, leading to David's exile again.

In Act 3, Saul accuses David of treason, and David is forced to leave. However, Jonathan follows David into the wilderness so they can sing their goodbye, “Vous me fuiez!” Don’t forget this is an opera, so everyone is really dramatic, and I'm loving it. JONATHAN “You flee from me!” DAVID “You always follow me!” JONATHAN “May I not share my grief with you?” DAVID “See into what danger my misfortune leads you. Let us forget one another.” JONATHAN “Cruel one!“ The song continues with them singing about not wanting to be apart and if they see each other in the battlefield, they won’t fight, but instead save the one they love. And then the song ends with David trying to leave again, and Jonathan begs once more, only to be told by David: “Would you now wish to add to my torment with your tears?”

This song… I want to make an animatic of it...

In Act 4, Saul prepares to battle the Philistines and David. Both armies are eager for war, fueled by Joabel's manipulations. David promises to save Jonathan and his father.

And lastly, in Act 5, the battle unfolds, with Saul's defeat. Then the song “Qu’on sauve Jonathas” starts. Jonathan is mortally wounded, and David finds him. He believes that Jonathan is dead and mourns for him, which wakes Jonathan up to be able to speak to David one last time, asking: “What sad voice is calling me?”. David begs Jonathan for him to live, but the prince tells him that he can’t. And with his final words, he kisses David and then dies in his arms.

“Despite the harshness of my fate, At least I can still tell you that I love you. ” David is to be declared the new king of Israel, but he still grieves for Jonathan, ending the opera with his final line: “I have lost what I love. My Lord, to me all is lost.”

Well, I cried in my bed.

I didn't know that I needed a story where David was by Jonathan's side in his last moments in life. And the kiss! THE KISS! Though the kiss depends on which adaptations you see. If it's 2022, then there is no kiss, but if it's the 2012 version, then there is one. However, with or without a kiss, it's still romantically tragic.

Here is PDF links to pamphlets with english translations:

English translation (2009 version)

English + German translation (1998 version)

The Prince's Psalm: A novel by Eric Swan Quinn

So here it is, Beloved King: A queer bible musical was the one that pushed me down into the rabbit hole but The Prince's Psalm was the one that got me stuck here. I highly recommend this book, and it leaves me speechless how it isn't more popular! So The Prince’s Psalm is a queer and romantic retelling of the story of David and Jonathan from the Bible. The book begins with David's childhood, providing perspectives on his early life and relationships, especially with Micah and David’s family. Micah and David had a deep friendship that grew into young love and they became each other's firsts. A core theme that comes up regularly in this novel is about being treated and viewed as equal in a healthy relationship. Micah held a weird place in my heart. I enjoyed “not liking” him. I could immediately see his immaturity in his relationship with David. Of course, I understand they were both young and immature, yet this was important to emphasize the message, which I believe it’s about being equal in a relationship. Micah loved David, but he saw him somewhat beneath him due to David not fitting the stereotypical masculine man image. And every time they "play" with each other Micah calls David "My Slave" despite David's irritated and uncomfortable of it. So the moment when Jonathan is introduced, the first thing he calls David is "My Prince" and do everything that David wishes Micah would do for him but wouldn't. If we are going to compare Jonathan and Micah, it's pretty obvious which one are the right choice. But who cares about Micah, we are talking about Jonathan and David now! So the plot follows Jonathan summons David, hoping on his musical talents to aid King Saul's from being tormented by “evil spirits”. David's initial experiences within the palace only reinforce his sense of inadequacy in the eyes of those he admires and cares for. He plays tirelessly, day and night, in an effort to soothe the king's troubles, ultimately healing King Saul's fears of God’s abandonment. From that moment forward, Jonathan can no longer resist David's charms, leading the two to become inseparable. As they spend a winter together, their bond deepens, uniting their bodies and souls. The novel doesn't delve into explicit sexual scenes, instead, it focuses on the emotional connection between the two characters. Nevertheless, they do have quite a lot of intense passionate sessions, it just written with a flowery language. So their oath, the exchanged rings, the beautiful yet sad promises, is heart moving. Every moment felt perfect and captivating! Jonathan's death left me shattered. I cried a lot. And cried even more when the book included the whole Lament. After devouring all 480 pages, I found myself wanting the story to continue. Eric Shaw Quinn made a wonderful job in reimagining the familiar narrative yet adding new in depth layers to it. I wholeheartedly love this novel! So is it gay? Yes.

THE END!

Finally, I have finished everything. There was more, but there is no way in hell I will continue.

What did I learn from this experience?

Nothing really, except that the people whose arguments claim that David and Jonathan's relationship isn't romantic at all, yet in the same breath, they can replace Jonathan with Michal, and suddenly it is romantic. I learned that their arguments are worthless at the core.

But despite with the pain and cringing, I loved nerd out about my favorite David and Jonathan adaptations! And I think I did this just because of that.

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snakeunderyourboot · 21 days

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Some sketches from Malevolent!

I am obsessed with this podcast to the point of drawing so much about the ✨boys✨ I love when the media focuses on the relationship between characters, which is not love but not not love, they just care about each other and they try so hard to be better versions of themselves, but just doomed by the narrative. Poor guys, lets throw them into a mixer

Anyway....Enjoy!

My design of King in Yellow, John and Yellow.

The first one is the final design of King in Yellow. I love the idea of giving him pupils because the idea that some eldritch fucked-up thing has pupils really terrifies me. In the second pic, there is an old design of King in Yellow, that I changed a bit because he looked too human-like. There are also designs of John and Yellow, but I will probably change Yellow's design because he looks too human-like.

I really love the idea of a mask, so I decided to incorporate it into my designs. I broke it into upper half and lower half to bring some ✨symbolism✨. John has a lower part of the mask, which symbolizes his inability to talk and communicate with anyone except Arthur. Yellow has an upper half of the mask because from the first second, he was brought into the world, Arthur basically named him King in Yellow. He doesn't know anything besides that and never got a chance to learn about it. Therefore, he now bears the upper half of the mask as a crown of who he supposed to be

Now to the John design!

I wanted to make John's design different throughout the whole podcast, to symbolize his changes. At first, he literally is some unformed piece that was torn from someone with force(=therefore cracks). At the end of the first season, he gets his cloak and mask, with the truth of his true identity. While he is going through the Dreamlands and accepts his past as the King in Yellow, he gains a halo (which you can see in the design of the KiY. Yellow also has one, but with a different color)

In seasons 3-4, he has a human body and in general looks more human-like, which was made intentionally, to show how he changed. Also, he gets rid of the hood, which is connected with my small headcanon, that it was the King who took it off and saw how much John changed and how he is no longer his piece. At the end of season 4 he gets rid of the mask and his fire now has golden light attached to it. That is connected with Kayne's "You are the only king in this plane of existence now, take it for all I care" or something like that I don't remember correctly now. In short, it means now, that John is his own person, that isn't connected to the King in Yellow anymore. Depending on the Yellow's fate, I maybe will give John another halo

The boys✨✨

I don't have anything to say here, just wanted to draw them in their full sizes

Some small sketches about them

I like the idea when John sort of has his own body, but when Arthur turns his head, John automatically does the same. The same goes with their hand and foot

Just a small idea about John having a mouth. Definitely just an idea, but it was fun to think about. Snakey boy

I always forget, that John's hand is left, not right, but anyway, the moment from episode 26, where John calms Arthur during his mental breakdown

The obligatory “John describes in explicit detail some hideous thing and Arthur tells him to shut the fuck up”

Them holding hands!!!!

BONUS!!!

That was my first art of them! I just took the general fandom design for John and called it a day. Funnily, I drew that before I got to the season 4 finale

Anyway, thank you for your attention!!

#malevolent podcast #malevolent #malevolent fanart #john doe malevolent #malevolent john #arthur lester #malevolent arthur #malevolent spoilers #??? maybe #king in yellow #yellow malevolent #the king in yellow #traditional sketch #укртумбочка #український tumblr

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astralartefact · 27 days

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NieR Re[in]carnation The People and the World Transmigration and the End of Reincarnation

If Red is the color of ______ then why did I ____ the ending of NieR Re[d ]carnation?

Between YoRHa:Dark Apocalypse, some of the RoD stories and now this, a pattern has been established:

If I didn't really like the ending of a NieR story, chances are 100% that given a couple hours to days I will figure myself into "This is the best thing ever written, I committed blasphemy against the god king by ever doubting his vision."

Because to be open and honest about it, right after playing it the ending was kinda boring to me - because if you paid attention to the periphery and knew the deep lore you already expected 90% of the reveals, the only really new thing is the rundown on what happened to His, Her and N2.

Let me phrase it like this: the Time Loop Theory didn't really need confirmation up until now. It was a thing because it fits the themes, but acknowledging it wouldn't really add anything because the vague sense of inevitability already exists simply by alluding to it and the previous narratives all already had it built into them without it anyways - so I think the only reason they hard confirmed it now was because it literally added to the story. Him and Her being stuck in the time loop of humanity's failure is why they despaired.

So long story short, the stuff they 'confirmed' I didn't really need to be confirmed (cries in no y:da) and as fine as it was, not having an immediate "Oh Shit!" Moment made the chapter kind of boring. So while kind of neat it didn't really do anything for me.

But I also finished Reincarnation at 5AM. So I went to sleep and Io and behold, I awoke to a revelation by the god king:

This was amazing. This story logistically paid off on the entirety of the game's narratives in a single chapter all while talking about something new. What the fuck. Once again, this shouldn't work. How did they do that??? How is the writing in this game so tightly unified despite being literally fragmented into 20-ish individual stories??? This game has the most writers of all NieR games and yet every single story is pulling at the same rope??? Like, how???

To me NieR Reincarnation is about two things: Number 1 - Reincarnation is a Cage, all humans are born into some level of agency-less-ness and wouldn't you know it, they have no agency about that Number 2 - 'Humanity' is a more complex thing than just 'Being of the Human Species' (which is basically the NieR theme)

I think the Robots in the cast illustrate this the best: Dimos and Marie and Yurie and 10H (and Noelle and 063y and F66x) were made for a purpose, but they didn't choose their purpose, their creators did for very specific reasons. But against all odds they find themselves human and humans have wishes and dreams, even if it's just to fulfill their purpose, they seek out the agency to make those dreams come true and if they pray for their dreams to come true they will find a way.

By experiencing the pain and despair of solitude He became human, because He wanted, He wished to not experience it anymore. By experiencing the pain and despair of the machine lifeforms N2 became human in the same way and She became human by incorporating N2's experience of pain into Herself.

And as Humans they pray for a better future. And maybe they can't do it on their own, because they're human and humans fail and cry and shit and die. Maybe they desperately need the help of someone who can help, even if it's just a little girl who is selfless enough to offer them an encouraging hand despite all of the mistakes they made. But by praying for their dreams to come true, by not outright denying the possibility of a better future, simply by hoping this better future exists we can reach it, because we're human. We will find a way.

So even I, from one Prayer to another, want to Thank You for Praying. Please believe in the future you want to see, because otherwise it will not happen. And remember, all Prayers lead to the Cage.

Also Drakengard symbolism because GODDAMN IT, JUST MAKE ANOTHER DRAKENGARD GAME YOU-----

They called her the second girl, but she's at least the third!!! (i think four if you count crym?) (but i'm pretty sure only i do that so let's do three)

I'm fucking pissed. You dare to leave the Drakengard Shit, MY beloved Drakengard Shit, as subtext symbolism??? How dare you. How absolutely dare you. I hope you know I am praying for Drakengard 5 (not a mistake) Yoko Taro and as I have established in this post you yourself have said that prayers come true if you believe in them so go ahead. I'm waiting.

No Seed of Resurrection talk, No word on Mother, No Accord, just the girl with One's horns doing the Manah stuff I deserve, because I called it back when Replicant Remake came out.

No but really though, I wonder if there might be a reason that we got basically 0 answers to Drakengard stuff and only answers to the NieR side of things. Apparently - and I have no quote for this, I just read some chatter about it - Yoko Taro has said that the next NieR game is planned, but will only come after another game he's making... and well... if this final chapter has made anything clear by omission it's that Drakengard isn't NieR... Just saying...

Also, this still it wasn't a Y:DA reference after all... They didn't even slightly allude to it q_q #AnoggForReincarnation is truly over...

But let's talk about the color Red for a second, because I have a thought.

I'm not going into it too much, we all know Red is a pretty symbolically heavy color in general, but in NieR and honestly even more so in Drakengard especially - they literally just did stain a girl in white in blood again, that's the Drakengard thing - but...

Mama's Pod is also Red. She receives a Red Carnation, a common Japanese Mother's Day gift, from 10H which is the key to 10H unlocking the truth. Clearly Red isn't just Hatred... but I haven't thought enough about it to really tell you what that's about. I will have to think about that - and if I ever come to a conclusion on that front I will tell you all about it.

Anyways, that's it for now... I can confidently state that NieR Reincarnation is my favorite NieR game and honestly by a long shot. I don't give a shit that it's a Gacha, I can't do anything about that and Yoko Taro, Yuki Wada and the Rest of the Team did the absolute most with the hand they were dealt, because clearly someone up in Square Enix does not like what the silly mask man is doing and doesn't give him the budget and creative liberties he truly deserves.

Once again a sincere Thank you for Praying - please believe in the future you want to see, no matter how distant and unattainable it may seem. You will still have to look out for and grab the hand reaching out to actually reach it - but you will only see that hand if you're hoping for one to come your way in the first place.

Speaking of which, here is my Prayer for the day: #AnoggForWhateverComesAfterReincarnationBecauseIfThisWasReplicantEndingEPayoffThenY:DAPayoffHasToBeNext

#nier reincarnation #yoko taro #nier #I will miss doing these...#but thank you to all the people who read like and reblogged them <3 #Thank You for Praying #I'm slightly cringing typing it out because it feels like telling somebody to be religious #but read the post. i actually really like what reincarnation did with that. praying is just hoping for a better future #and you don't need god for that

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cilil · 2 months

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AN: Written for @thelien-art's Valentine Event. Thanks for all the lovely art, dear! I incorporated your designs into the story and hope you like this one!

special: thelien's valentine event

♡ pairing: Melkor x Mairon (view the art here) ♡ synopsis: as the Lord of Angband and his consort attend a solstice celebration, Mairon reminds Melkor of something he thought he lost a long time ago ♡ warnings: / ♡ short oneshot (~400 words) ♡ AO3

The solstice celebration was in full swing, and the court of Angband cheered when king and consort walked into the hall, hand in hand, garbed in festive robes.

Melkor acknowledged his subjects with a small nod, nary a grand gesture nor a speech coming from him, for his attention belonged to his companion alone.

Mairon, tall, elegant and glorious, wore luxurious red robes and golden jewellery of his own making. His lips were artfully painted black and golden, matching Melkor's own garments, and his long red hair was partially braided but otherwise free, a perfect synthesis of the regal, proper way he presented himself in public and the hidden yearning to let his flames burn freely that they had discovered together so long ago.

He turned his head as he perceived Melkor's gaze, red and golden eyes finding his.

"You are beautiful," Mairon spoke through ósanwë, and his voice drowned out all others.

Melkor, for all his pride, had long since known that he had lost much of his splendour, that he was no longer the mighty, untouchable Vala who had once courted his beloved and won his favour and loyalty. Ever since his own flesh had become his prison and his hands had been burned, he had often wondered what Mairon thought of him now, if he was disgusted by his weakness, if he regretted pledging himself to him. In his darkest moments, he knew with piercing, painful clarity what he had done, that he couldn't fix it anymore, that he might never be able to fulfil all of his promises to his beloved; and for all the lies had told throughout his life and for all the people he had betrayed, he had intended to keep his vows to his husband.

And yet, here Mairon was, still by his side. His precious little flame, fair beyond words, telling him, incarnate, scarred and weak, that he was beautiful in his eyes.

Pulling him closer, Melkor wordlessly kissed his forehead. He had to tiptoe ever so slightly to do so, whereas in earlier ages he would have had to bend down or lift the Maia up; there no longer was much of difference when it came to the size of their forms. Mairon's fána, his hröa.

They would exchange more kisses later, he vowed silently. As many as it would take to return the favour and ensure that Mairon knew exactly how beautiful he was in his eyes as well.

Thanks for reading!

taglist: @angbangbaby @asianbutnotjapanese @a-world-of-whimsy-5 @bluezenzennie @edensrose @eunoiaastralwings @i-did-not-mean-to @melkors-big-tits @melkors-defense-attorney @singleteapot @stormchaser819 @wandererindreams

#melkor #morgoth #mairon #sauron #angbang #melkor x mairon #ainur #silmarillion #oneshot #silm fanfic #silmarillion fanfiction #valentines day #valentines special #valentines event #cílil writes #my writing

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queer-ragnelle · 20 days

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Hi! I hope I do not bother you, but I'd like to ask a thing (if you already answered this in another ask I'm sorry) because you seem to be the most qualified person to answer. In a retelling, when how much is too much changing? I am writing two whole Arthurian fics and while I mostly mix and match from different versions there are some things I fully changed (one of the most egregious, for example, being Palamedes dying early in Post-Vulgate fashion and Safir as the one who slays the Questing Beast and the killing being an expression of vengeance instead of newly-found peace despite this definetely not being the case in the original text). I think what I changed works better for plot reasons but I am a bit uncomfortable with it, especially when it comes to characterization. But on the other hand there are so many different versions that I find it hard to say if I am ruining it or not because even in the canon plots and characters' personalities change a lot but I don't want to do something that ends up being "in name only". When is too much too much?

Hello! I don't know about being the most qualified person to answer, but I can certainly give you my answer! I've explained this a little bit before here and here, but can elaborate again for you, especially because I think those characters and that text in particular should be handled with care.

Before you determine what amount of reinterpretation constitutes the right balance, pause everything, and pinpoint your audience. Are you writing fanfiction for your own self-fulfillment and enjoyment? Maybe also for a handful of friends who share your ideas? In that case, there are no rules, do whatever you want. That's your space, your story, and you bear no responsibility to uphold some unquantifiable standard of characterization "accuracy." Fandom is your sandbox and you can build whatever castle you want! Be free!

The next thing to determine is what characters you're changing and why. Not all changes are created equal! For example, if you wanted to absolve Arthur of the May Day Massacre to write a more honorable King, it's not all that drastic a change. There are many texts, old and new, in which that narrative beat never occurs. If noble Arthur serves your story better than morally gray or evil Arthur, and it can be done without compromising the Arthurian fabric from which you sample, go for it. Alternatively, if you decided to incorporate additional violence into the story, especially if attributed to a character who had not previously done those things (such as rapist Gawain, ie, inverting his Maiden's Knight role he's known for), you're going to have a harder time selling the reader on it. Generally speaking, a positive or neutral change will always be easier to sell than a negative one.

This is especially important if you intend to publish something you write for a broader audience. That's a different matter, in my opinion. In that regard, the thing you create is contributing to an Arthurian body of work that's meant to stand on its own. Fanfiction exists in a writing niche which assumes a base knowledge from the reader, you may not necessarily explain what Camelot is, or what chivalry means, or who Palomides is. That's fine and dandy. It's for fun!

But with a published book standing alone on the shelf, the author is expected to establish the framework of the world their story takes place in. That may or may not align with "canon" and therefore maintain or depart from the expected. This is where your decisions as an author matter. While Arthuriana is anachronistic by design as a literary tradition that's evolved alongside its authors, the moment you decide on an era to write in (if you put a year to it or imply one based on what historical aspects emerge), you now bear responsibility to depict that as accurately as you can. Even if it's a mishmash of "Medieval" spanning a few centuries, it should still bare resemblance to the era. Particularly in our current political climate with constant misinformation and even disinformation spreading, it's important to do the research necessary to create something genuine so as to avoid misrepresenting the past and the people in it. For example I think it would do a disservice to an Arthurian story to ignore religion, particularly one about Palomides or his brother Safir. To write them as areligious is to ignore the role in the Arthurian narrative they were created for. They're Saracen, (even if Palomides converts in some versions), and to ignore the way religion and race interconnect in Medieval society would be disingenuous.

[Idols in the East: The Saracen Body by Suzanne Conklin Akbari]

And, more to your point, that aspect informs character. The stories define Palomides by his religion, by his race, and how that impacts him in the face of a rivalry with Tristan, a white Christian, for the love of Isolde, another white Christian. This isn't to say that you're obligated to depict racism, or to put the characters into situations that oppress and hurt them, but to write something "race blind" is to erase the character's identity, and that would be too great a change, for me personally, to get by.

That being said, if you're writing in 6th century Britain, your research might lead you to think, "Hey wait a minute, Islam doesn't exist yet! But Palomides and Safir are written as Muslims, so how can I stay true to both the era I'm writing in and the characters if that anachronism is built right in?" Well, that's where you have wiggle room to be creative! Perhaps they're Zoroastrians or follow one of the many Berber religions that existed at the time. Even Tristan could reasonably be written Pagan in this era, as he has in many retellings before you sent this ask. Maybe Tristan's Mithraic or Druid or Jewish and that in and of itself helps mitigate some of the tension between the characters as neither are Christian. All of this should be handled with great care, of course, but the point is that there aren't really straight answers about what changes are worth making.

Your discomfort in this isn't unjustified. I've been there. But it doesn't mean you're doing anything "wrong." It's not a crime to conceptualize changes. I had a lot of anxiety writing Ragnelle and her brother Gromer as Zoroastrians. But I went on to find an editor who studied the religion, and asked my Zoroastrian mutual for help, who put me in touch with a practitioner that agreed to beta read my books and inform me on my handling of it. There's no perfect story, but all you can do is give it your best effort.

I don't think it'll benefit you to worry about "ruining" the story with changes such as Safir pursuing the Questing Beast. That sounds awesome! And your plan about vengeance is baked right into the source material, as the Post Vulgate indicates that QB had killed all of Palomides's brothers before he finally defeated her, so your story has some textual basis in a medieval source. (Not that you need it to be "allowed" to write that, but it may help your anxiety to know!)

[Post Vulgate Quest for the Holy Grail: 87. Galahad and Bors Chase the Questing Beast and Meet Palamedes and His Father, Esclabor the Unknown.]

One other thing I'll point out is choosing the language you use matters a lot. You can have some characters behave a certain way toward Palomides or Safir or this "futile" quest that resembles historical prejudice while utilizing word-choice throughout that signals to the reader you, the author, know what you're doing and understand the nuances at play. Reading broadly will help you with this so much. Not just non-fiction for your research, but other Arthurian retellings as well. I personally didn't love Persia Woolley's handling of Palomides in her Guinevere Trilogy. He was referred to as "the Arab" throughout which seemed like a "lesser evil" placeholder for "the Saracen." It's usage acted as a generalized umbrella term to other Palomides and didn't indicate his area of origin beyond constantly reminding the reader that he wasn't white. (Whereas Gawain was "the Orcadian" and Lancelot "the Breton," which differentiated their white cultures from one another while homogenizing Palomides with every other Eastern person in the story as a monoculture.) Furthermore, many characters were afraid of him (I mean literally making the sign of the cross and hiding when he walked in the room), which isn't consistent with a Post-Roman Britain, in which the population would have been mixed. I prefer the handling of Numidian Sagramore in Bernard Cornwell's Warlord Chronicles. Sagramore, as a Black man, is a part of Arthur and co's community, even if the Saxons themselves are unnerved by him. He's respected by the narrative. It's usually better to be specific (Numidian Sagramore versus Arab Palomides) particularly if that character is a minority and the word is leaving the mouth of a white character. This article discusses this aspect at length and really eased my own concerns depicting these characters and doing them justice.

[Saracens and Black Knights by Maghan Keita]

Here's another example of generalized versus specific language.

[Sword of Lancelot 1963: Merlin refers to "the Orient."]

[The Adventures of Sir Lancelot 1956: Merlin refers to "the Iberian Peninsula."]

So in my opinion, as long as you don't white wash Palomides or Safir and avoid writing them as "exotic" or "mysterious" or in some way barbaric in the pursuit of the Questing Beast, you're fine. Even in La Tavola Ritonda, Percival pursues QB for a time before Palomides picks up the quest, which is the opposite order in which that occurs in Post Vulgate where Percival and the other grail knights assist Palomides to defeat her at the very end. Many versions don't maintain the incest-monster aspect of QB from Post Vulgate either, like in Perlesvaus or Moriaen, she's just a monstrous creature and that's sufficient to tell the story the author has in mind. Even from a characterization standpoint, Malory wrote Palomides as volatile and melodramatic, having fits in the woods over his grief from which only Tristan could coax him out of, where in La Tavola Ritonda, Palomides is mostly chill and sweet, to the point Dinadan teases him for being a push-over haha! In regards to Safir, there's far less textual source material to base him off of than Palomides, so you have even more creative freedom! Literally the spectrum is so vast you can pretty much characterize however you desire if you keep in mind what the core of the character is and why that's important to their identity and the historical significance of that identity. (Even if it's something you have to bulk up, such as you will for Safir.) If you're ever unsure, it's never a bad idea to ask! Plenty of historians, or medievalists, Arthurian enthusiasts, or people of different cultures would love to discuss this subject. You might have to dig a little, but I can't imagine it'll be harder than my search for a queer Zoroastrian beta reader willing to read a trilogy-length Wedding retelling haha! It'll benefit your writing to submit to the mortifying ordeal of being known so others can give you feedback. Share some passages with a trusted few and gauge their reactions. Read what other people have done and take notes about the way they chose to characterize Palomides or Safir—did [aspect] resonate with you? Or did [aspect] ring false? Exploitative? Hollow? Why? Then step back, take another look, and go from there. It's about vibes and can't be defined, but you'll know when you know.

Hope this helps. Good luck and have a nice day!

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writing-frenzy · 6 months

Text

It's the things you don't see (That can be Misunderstood)

@werinia

You have probably seen that idea somewhere. Evil sqh. He is not going to change tragic moments. They are the best part of his book. Porn can disappear but these would stay. So if butterfly effect is going to destroy a tragedy or an important plot moment he will save them. SQQ & YQY tragedy and SXY&TLJ tragedy were saved. When LBH stuck too far away from where he should stop. SQH took him and brought to Washerwoman. She decided that he is a father of a child, so SQH named himself Luo Feiji. He was helping Washerwoman with money, which could let her to stay alive but… LBH didn't want to leave from his adopted mother so SQH killed her. LBH swears to find his 'father'.

AN: Huh, this is my first time seeing this idea... hmmm, this idea plot goes against all my Airplane!Shang Qinghua characterization on how I have him. Even at his evilness in my brain, Shang Qinghua is more about going with the flow, inaction, apathy, but occasionally spiteful sabotage against those who fuck with him or mess with his ideas and plots. (Still very much he who wrote Binghe, it just takes... a lot to open that side to him)

So, I'm gonna take this idea and probably mangle it beyond recognition. Sorry, I'll try and incorporate as much as possible. (Hope you still enjoy it)

-------------

There were many ways a certain An Ding Peak Lord found himself waking up on some days. On the rare, like finding a once-in-a-never-before-seen-treasure if you weren't the protagonist or Author god of this world, Shang Qinghua could actually wake up fully rested, no dreams to torment him or anyone but birdsong to wake him up. Otherwise, it was a random pick of if someone was knocking (well, more like banging) on his door with a 'sect emergency' of sorts. On others, his King could sometimes come for a morning report instead of his nightly one, bringing with him an uncomfortable chill and frozen feet for Shang Qinghua to welcome the day to.

But if there is one thing Airplane hates waking to, it must be the System's ungodly screeching alarm.

!WARNING: WORLD COLLAPSE IF PROTAGONIST DIES!

"I heard you the first fucking time damn it." the brunet transmigrator curses, dressing and disguising himself more akin to a shady merchant than the actual Peak Lord he just so recently became. If he's going where he thinks he is, considering all the drama that happened with a certain Head Disciple and Demon Lord, and a Protagonist in trouble, that can only mean one thing.

Something happened at the Luo River; just great, just what he needed right now. Of course he wants to spend his night looking for a baby in an icy river, thank you world so much for that.

Grumbling, Shang Qinghua goes down one of the many secret tunnels in An Ding, with it twisting and winding down into a deserted valley, where he is soon off like a shoot on his sword.

As he spends most of his night with the system blaring an alarm in his ear, constantly having to cast a life-detecting spell, Airplane truly curses the fact he had to have little Binghe born when it was so damn cold; sure, his cultivation helps him keep out the worst of it, but it does not stop the fucking fact it is still cold enough that he can literally feel the chill from his sword to his feet. Nature can and still is the biggest bitch out there, no matter what.

It is with no little relief that he finally gets the ding he wanted from his spell, showing a human life finally.

Getting little future Demon Emperor from his basket, Shang Qinghua sighs in relief seeing the baby is just really cold, something the Peak Lord can easily fix with his abilities. Eyeing the basket, Shang Qinghua struggles a bit with himself before sighing, he places one of his emergency coin purses in it, something he knows will at least help out and hopefully not get him anymore System Alarms for a while. After getting himself and the baby situated as he stands above the water, he then casts an invisibility spell upon himself, settling in to wait for a certain washerwoman to finally come so he can direct a basket down her way... Not realizing in his drained and tired state it didn't work like it should have.

(Years later, Binghe listens to his mother as she swears to anyone that will listen that it must have been his father's spirit that must have pushed the little baby over to her washing, waiting, willing hands. After all, how else could a healthy little baby survive going down the stream on one of the coldest nights of the year? Even as she weakens, she could never forget the barely there, almost more an outline of fog then man that had directed a basket down her way, and the relief in brown eyes when he saw her take him before he disappeared in the dawn's light.

Binghe grows, knowing if nothing else, at least one of his birth parents must have loved him, if they even defied death to ensure he could live with his poor, but ever so loving mother. It makes him wonder at times, about his origins, makes him want to find out more about his history and his first parents.

As it is, Airplane Shooting Towards the Sky spends the day after his little rescue working through a migraine and the mother of all colds.)

-------------------------------

SQH gets Binghe to his Mother: Check

Washerwoman sees him and thinks it's Binghe's Father: Check

Shang Qinghua provides funds: Check

Binghe grows up knowing about a 'Father' and wants to find (more info about) him: Check

I can say I kept to the spirit of it at least? Hope you liked this, sorry it came so late.

#airplane shooting towards the sky #shang qinghua #svsss #scum villian self saving system #mxtx svsss

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