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#character/story analysis
poorly-drawn-mdzs · 5 months
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My Lawyer is going to Get Your Ass.
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no but think about the Loki from Thor. from Avengers. the fact that he’s fighting for something good that he believes in means so much. the fact that he can sit there and say he just wants his friends back. these friends. the ones who see him for him. who don’t judge him. who he feels like he BELONGS with.
when has Loki ever felt like he belongs anywhere? he’s always been the outsider, the outcast, the villain. at the TVA he has felt appreciated and accepted. no one is singling him out or giving him a hard time for being himself. he FITS. he has come so so far. and shipping aside, the main reason for that is Mobius. someone who has seen every dark crevice of his life and his bad choices and his darkest moments and treated him with compassion and understanding.
the orphaned, abandoned, misunderstood villain has been able to write his own story because one ordinary man believed in him.
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autisticrosewilson · 2 months
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Every time I see a story, be it canon or fanfic, where Jason is like "wow my morals are kind of fucked up I should never kill again" I have to put it down, close the tab, ect. Because HE WOULD NOT FUCKING DO THAT. We're talking about Bruce's number one fan turned antagonist.
Do you not think he's maybe already considered such a thing?
The thing about Jason is that he's as devoted to his views and sense of justice as Bruce is, maybe with a little more flexibility (i.e. he's willing to temporarily stop killing if it's necessary for his overall goals where Bruce wouldn't be able to kill even if it would benefit everyone in the long run) and any run or story where he completely disregards his own moral compass and personal experience to follow Bruce's rules is just a disservice to his character.
His whole thing is that Batman's methods are ineffective and his unwillingness to either do what needs to be done or let someone else do so is a clear sign that he's not the hero Gotham needs. Jason genuinely believes everything he says about the system, and Bruce's ineffectiveness.
His crime lord era wasn't just a silly little thing he did to fuck with Bruce with the final confrontation as the REAL point of Under the Red Hood, he became a crime lord because he believed it was the best way he could help. The point of Red Hood is protecting Gotham, fucking with Bruce was just a bonus. Like the confrontation wasn't even initially planned, Jason haphazardly threw that at the end of his to-do list after he realized he couldn't just blow up the Batmobile.
Stop reducing Jason's motivations to "get Bruce's attention/make Bruce kill".
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Vash and Femininity: Trigun Stampede and its Themes of Bodily Autonomy, Exploitation, and Vague Gender Fuckery
alright sit the fuck down. we're gonna talk about THEMES
I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3
Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.
Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.
Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.
This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.
This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?
Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)
This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.
These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.
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Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.
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Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.
Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.
They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."
Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.
Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3
And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.
There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!
Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you
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wandering-tides · 2 months
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People always rank either Ei or Zhongli (or both) above Venti in power rankings. Like, who is the strongest archon? There are always two answers: Morax or Beelzebul. Never Barbatos.
I like to think otherwise.
This guy has cut mountains with his winds and thrown them so far away into the sea, made winter disappear and turned Mond into what it is today: from a barren rocky land that used to be filled with snow and raging blizzards into this green plain field with gentle winds where agriculture is so much easier then it ever was back then. I don't think people of Old Mond could have ever imagined for Mond to turn into what it is today.
But he still calls himself weak. And people took that to face value. And some still do despite it being proven otherwise by Nahida.
Venti said that an archon derives their power from ruling over their nation. But Nahida denies this later and says that archons gain their power through the faith of the people.
Clearly, Venti lied to us.
And if we go by what Nahida said,,,, Every freakin person in Mond has faith in the Anemo archon. They sing praises of him despite not having been in the presence of their god for 5 centuries. He has a statue and a Cathedral (who else has that?).
So, Venti is Strong.
Remember his gnosis is in the shape of a queen chess piece? Queen has the most freedom on the board. Venti's ideals are freedom. And his element is anemo. Anemo is the free-est element out there.
He might as well suck the air out of your lungs if he so wants to. He governs over it.
My point is, Venti is overpowered.
And let's not forget how that little wind wisp gained archon hood.
It was his desire to protect that helped him into becoming a god. When the nameless bard died, he felt the need to protect whats left. To protect what his friend died fighting for.
And its a pretty cliche concept out their about how a hero grows stronger, in any story. Its their need to protect. Right?
And Venti still wants to protect Mond- despite him saying otherwise. He shows up everytime Mond is in danger. Whether directly or indirectly, he always helps out.
So here is what I think. The reason why he calls himself weak.
Its because he is so strong, strong enough to scare Celestia. So Celestia has put him on some sort of leash. He can't use his powers in it's entirety. There is probably some sort of seal.
So Venti is weak.
Because he can't use all of his powers. Because he is chained to Celestia's whim.
Venti is weakest of the seven because he is the only one who has some sort of leash on him.
The god of freedom, chained.
Plus, it can definitely not be a coincidence that the defiled statue was of Barbatos, out of all the seven. Chained, hanging up-side down and corrupted.
And the fact that the abyss order was going to use Barbatos (chained) statue to create a machine to "topple the divine thrones of Celestia."
None of that can be a coincidence. Knowing hoyoverse, it definitely isn't.
So yeah. Venti is definitely not weak. He just can't use the full extent of his powers as of right now.
Venti is strong, but also weak. If he isn't chained- he is easily the strongest.
He can slice the mountains and throw them far into sea- if Zhongli throws a big peice of meteor on him, venti should be able to cut it in half too. if he has all his power on him that is.
I really hate it when people call him weak just because he said so himself. Especially when it's been proven that we shouldn't take his words to face value.
He is not like our sweet little Nahida, people.
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animaymay · 1 month
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SxF 96 Analysis: Some Small Details About the Reveal
Ok, hear me out. I haven't even read the manga for Spy x Family (yet); I've only watched seasons 1 and 2 of the anime, but I've somehow stumbled upon spoilers for the last two chapters (ch. 95 and ch. 96), and other small bits here and there.
And since I am not totally caught up on the story, I hesitate to call this a proper analysis since I'm mostly going off of what I know from the anime at this point. But!
I've been following the chatter and excitement following chapter 96 and I just wanted to throw this quick analysis out there, since I haven't seen some of these details mentioned yet.
So, I'm going to focus on this particular moment, just for what it is. Down the line, after catching up and having all of the character and story details, I might revisit this scene again with additional insight.
Of course, I'm sure we've all seen this panel at this point.
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At first glance, this panel is beautifully drawn. You can tell that it was drawn with a lot of care and attention to detail. Typically, such manga panels are used to emphasize the fact that this is an important moment for these characters and/or the story.
There are even bits of confetti(?) flying around them, reminiscent of cherry blossom petals; this is another known technique used in manga to indicate the emotional importance of a scene for the characters featured.
That all feels pretty obvious, I'm sure. But I also wanted to point out other small details given here, which could potentially add another layer to this scene for folks.
I've seen a lot of discussion around how Anya's admission here is a big deal (and it is). But I haven't seen anyone mention the small detail here that she whispers, "I can read people's minds."
I believe that is also why we see that speech bubble transparently -- to visually show us the softness of her voice in that moment (in addition to representing Anya's willingness to be transparent about herself).
However, let's consider the conversation up until this moment. Right before, Damian had jokingly asked her, "How did you know about my dog and the pond, anyway? What, did you read my mind or something?!"
Of course, he was not expecting Anya to say, "Yes". But it's not the fact that Anya said, "Yes" that makes this scene impactful. Anya could have easily said the exact same words, at normal volume, with a smirk on her face, and nobody would think twice about it. Damian would have immediately understood that she was teasing him. And anyone overhearing their conversation would have thought the exact same thing.
But that isn't what happened. Because Anya was serious in that moment. With a genuine expression on her face, she says, "Yes" and then she whispers her secret to him.
And that is what shocks Damian. That is what causes him to freeze.
In that moment, he's able to sense her sincerity and hear the truth in her words.
His gut reaction is to believe her, whether it's because it's Anya or because of how she said it. It isn't until he has a second to think and his brain kicks into gear that he starts to notice the disparity between what he knows to be true and what Anya is telling him. In a split second, he questions this, and then ultimately rejects the notion that she could be telling the truth.
Why?
The obvious answer would be that what she's told him does not line up with what he knows to be true of reality. The rational and logical part of his brain overrides his heart and his gut, ultimately recognizing this disparity and forcing him to reject Anya's claims.
However, they are at a young enough age that it wouldn't be uncommon to easily believe in "impossible" things like magic or superpowers. So, there's also a chance that it goes a bit deeper than this.
Perhaps this sudden display of sincerity and truth from Anya didn't line up with her typical behavior with him. He's not used to seeing that side of her, and as a result, his mind resorts to him thinking that she's lying to him. He thinks that she's just teasing him. Not only because that's what he expects from her, but also because the only other alternative would be for him to admit that they've just shared a true moment of openness and transparency between them.
Anya's whisper implies, "this is only for you to know." As a defense mechanism, Damian's brain decided that it was more likely that Anya was teasing him than it was that she was being vulnerable with him in that way.
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Another detail from this moment stems from the fact that this reveal takes place while they are dancing together. Partner dancing is an activity that requires cooperation and teamwork. At first, we see Damian and Anya struggle with getting the hang of it, but eventually they start working together.
That, in itself, seems to be a fairly good representation of their relationship with each other. However, even more so, it follows the flow of their conversation in this moment. It isn't until they start cooperating that they start to open up to one another.
And the pinnacle of the conversation -- the reveal -- happens at the exact moment when Damian dips her. Not only does this make for a picturesque panel, but it is also a symbolic visual of what's happening.
Dipping your dance partner inherently requires a level of trust. The person being dipped has to literally put themselves in their partner's hands. Depending on the dip, they are giving up varying levels of control and safety over to their partner. They have to trust that their partner won't drop them, or bring them too close to the floor; they have to give up their balance and trust that their partner can hold the weight that they're giving up. And their partner takes on the responsibility and burden of that person's trust (as well as trusting that the person that they're dipping does not throw themselves around carelessly).
And here, in this scene, despite the bickering we see Anya and Damian do, we see that there is at least that small amount of trust between them. Anya trusts Damian to dip her, and Damian trusts Anya to be dipped.
But underneath the surface level, the fact that Anya whispers her secret to Damian while he's dipping her reinforces the idea that she trusts him with that knowledge. In that moment, she gave up some of her own control and safety, and placed it in Damian's hands. Only his. Her whisper implies, "this is only for you to know." And he's been given the responsibility and burden of deciding whether to hold it, or drop it.
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rozaalright · 2 months
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I think the big thing about qTubbo right now is that he is absolutely terrifying.
He clearly cares about the eggs, but he is extremely condescending towards them, especially Sunny. And he seems very keen on teaching the other eggs "the right thing" to "learn from their mistakes" and isn't afraid of hurting them until he is stopped by a third party.
Instead of being somewhat of a punching bag like the previous version of him, he is more like a ticking bomb.
You don't know how far you can push him, you have to be careful with him because anything you say might set him off, you have to say what he wants to hear unless he tells you otherwise. Especially seeing how he wants to control the situation.
He is extremely aggressive and you don't know when he will get physical.
qTubbo is scary because he is one step away from actually crossing the line and hurting someone, and no one knows when he will stumble over that line.
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fumifooms · 3 months
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Laios Touden and autism; admiring the non-human
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Do you think people exaggerate when they scream about Laios being autistic? Do you feel like it’s weird that so many people including autistics are so set on Laios, the problematic (but incredible and kind) king TM, being the most autistic that has ever autisticed? Why do we cheer on autistic people wanting to be monsters?? Isn’t that weird?
Well, of course it depends on the way it’s done, it can be done quite offensively, but long story short Kui blew it out of the park. The thing is, autistic people really do like monsters and animals and robots. Nonhuman does not mean subhuman, it just means Other. Feeling a connection with them has been shown to be an extremely common autistic experience for that very reason.
Because some people don’t understand why we autistic Tumblr Laios stans cheer “autism! Autism!” whenever he talks about monsters and feeling alienated to humans so! Here’s a post about how yes even research papers are analyzing the special connection we form with animals. I’m not even joking but Laios Touden & the mass cries of relatability with autistic people he gets and all the love for him could be used as study material and evidence for future papers because the link is that strong. Oh also I think it’s notable that being autistic and undiagnosed vs diagnosed makes a huge difference. In my experience as someone who was undiagnosed up until 18, it’s even more alienating to not know that there’s a reason why you’re different, being gaslit that you’re ‘normal’ and you just need to try harder and get with the program, etc. Personally when getting diagnosed I went through the 5 stages of grief because the thought of having been fundamentally different all your life (a difference which you will never be able to change) and mistreated for it when you weren’t “wrong” all along makes you unload all the anger and sadness and loneliness and sheer trauma you’ve built up over time. Like it’s world shattering.
So! Back to seeing dogs as family. Also I implore you to value experiential evidence when it comes to autism and other neurodivergences because brains are complicated and neurotypicals not being able to understand us well even with scientific research is like, a whole thing even though we’re right there speaking about how we feel and being right every time because the topic is literally us and how we experience the world. 
Disclaimer for this whole post that, of course, no group is a monolith and everyone has different experiences or can diverge from the norm of the group, and that doesn’t diminish the validity of either side! Like, I know autistic people who have trauma with dogs and hate them. But, trends do happen, and in this case... Autism is very “My experiences with humans make me feel dehumanized in a bad and lonely way so instead I’ll dehumanize myself in a good and inspiring way”.
“I was treated like a failed human my entire life and you’re surprised that my response was to become a dog.” -Patricia Taxxon
It’s literally well recorded that autistic people relate to animals more than humans globally. With this post, besides spreading autistic Laios truthism and explaining why the portrayal hits so deep for so many,  I want to show in what way this is a very specific experience and not looking at his character through an autistic lense really misses a lot of why he’s everything that he is. (Tacking allegedly onto here for legal reasons, different interpretations are valid etc etc /gen). This honestly isn’t super long though.
To define an important term, anthropomorphism in the studies and in this post means to attribute human traits to the nonhuman, which not only includes anthro furry designs but also animals irl, inanimate objects, and animated media as opposed to live action, to humanize them and empathize with them.
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Paper: https://www.liebertpub.com/doi/10.1089/aut.2019.0027 
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“Dogs taught me how to hunt and socialize and work in groups”, Laios having internalized body language... So real so real. I, too, make a great dog impression. And I want to emphase the part that it helps greatly develop a sense of emotions and relationships! For Laios, he didn’t get along with kids his age, it was him, Falin and the dogs against the world. Since it’s a group of dogs too, it taught him group dynamics and social hierarchies (like with Falin being considered as being below the dogs in authority according to the dogs rip), and the importance of group coordination when hunting.
For me, I cannot like, concisely explain just how much animals were important to me developmentally. I also grew up with dogs, but like I vividly remember encounters with like hamsters as well just radically shaping my understanding of boundaries, the importance of giving something space and the way you interact with them and respect their side of it. Unlike humans they don’t really mask how they feel, it’s direct cause-effect reaction and data gathering. There are no words involved, so the focus on having a perfect phrasing and tone is gone, leaving just pure interactions. 
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There’s also no reason to mask how you feel either, and you don’t have to feel silly over wanting to form a connection and it showing, what, is the dog gonna laugh at you because you obviously want to make friends with it? Toshiro or Kabru might, but dogs and cats will just tell you to fuck off and leave it there worst case scenario. I often say that I think one reason Marcille is special to Laios and he feels comfortable around her is because she emotes INTENSELY, she gestures, she puts her whole body into it, her facial expressions are pretty exaggerated and her ears even emote too- like with a dog’s ears!
I think there’s def also things to be said about how he gravitated towards Izutsumi at first, all excited, was eager to sleep in the same bed as her, but in the Izutsumi sleep rating chart we see they really just casual and chill so it’s not a Laios talking to Shuro deep into the night situation just a “I like sleeping besides animals” situation and that is enough to hype him up. I love how he pet her in the extra about why Chil let her sleep with him too. He’s just so transparently eager to befriend her, even if in the end they weren’t all that compatible and he accepted that.
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There are honestly so many examples I could give for this. Like Grandin the famous cow lady.
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More about autism & empathy:
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https://www.spectrumnews.org/news/double-empathy-explained/ (Also mentions a study in which groups of autistic, allistic then a mixed group played a game of telephone and both singular groups had similar levels of information retention, but the mixed group was significantly worse. As an autistic person yeah duh, obviously autistic people are different from one another and can have plenty of interpersonal issues, but communicating with other neurodivergent people feels pretty intuitive and straightforward and comfortable. One of the reasons why neurodivergent people tend to naturally gravitate towards each other I suppose.) 
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^ Paper: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5932358/  For good, extensive summary of why we relate to animals so much you can go to the “anthromorphizing and asd” section of the paper. This paper extends to our widespread liking of cartoons and robots as well. Ok so this is a whole thing I won’t get into here but this is a big reason why a lot of autistic people are agender leaning as well. Genders and queerness in general is a lot about social constructs, and being queer is being marginal to these, not fitting into boxes or challenging those social norms and conventions. Queerplatonic relationships are a great example of this, where the framework of the relationship is platonic but the intangible nature of what it is exactly is the point, not familial not anything but everything at once too, just adoration, I like to say having pets is a bit like it as well, bc obvi it’s not romantic and often not fully familial, very platonic but also sooo much cuddling and adoration and kissing and whatnot that you wouldn’t typically do with a friend or family member. I’ll talk about qpr and labels another day though.
I got carried away but queerness in Dunmeshi is something I 100% want to make a big post on one day. Experiencing the world with different guidelines and not registering things to have the same boxes, sigh. Personally I also relate to Laios on a gender level, “cis by default because I don’t care all that much but if I were to dig deeper I’m probably otherkin and I want to be socially associated with traits of monsters and animalistic rather than man/woman” sighh hard to be a cryptid in this day and age. I wish we had a term like furry but for monsters, I want to be in the fantasy or folk tale genre ty, like changelings. Goshh changelings... You know, the irl myth where people said their neurodivergent kids were fairies’ children instead of human. Diminished physical sense of self means I see myself as some unknowable black  void aesthetic wise, but like in a way that simultaneously makes me feel seen. Like becoming a monster, losing your sense of self but also somehow just being simplified and seen for what you are, it’s weird to try and explain. This post is more about relating to the nonhuman than about seeing yourself as such, but like connect the dots right, that IS an important point of Laios’ character. It’s because our brains literally work different than allistics which makes us feel as other, but also because of social ostracization and functioning in a different way than society at large, living in the margin of society, being weird and non-conforming.
Meanwhile, animals and social norms... Like ok, showing your neck and rolling on the ground to show that you’re friendly and harmless and play biting might not be proper. But have you considered that it’s also fun and feels very intuitive. Play with a dog in the dog’s way I promise it is so nice and freeing. Play tug of war and growl back when they growl. Hiss at your cat to tell them they do something wrong, engage with them on their level.
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Autism made social life hard, but it made animals easy. Do you have anyyy idea how good it feels to mask all day every day and feel constantly misunderstood or like you’re doing a performance but then you can just, drop all of that in the company of animals and they understand you. They understand you. You form an understanding and rapport so easily.
And this whole thing with Laios is so explicit too, with the Winged Lion saying “You’re sick and tired of the human world”. Notice the choice of words. Sick and tired of the human world. Exhausted from the constraints, sick of the mind games. It really isn’t as much about loving monsters as it is about loving the nonhuman. Relating to them because you feel that you can actually understand how they work and think, and feeling like they could understand you back as well. Animals are safe.
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Like I could go on about how Laios admiring even just demi-humans like orcs is because they’re socially seen as non-humans more than any true physical thing, that they’re not bound by human society and its rules and live with their own lifestyle. But it would deal myself 1000 points of psychic damage and I am not ready to cry today. It’s idealization 100%, and like, Laios DOES want to be treated as human, to be valued, but it feels like an unreachable thing meanwhile becoming a monster is instant gratification and freedom and a sense that now no one will be able to hurt you in a way that reaches you, never again shall you be defenseless, and then if people dehumanize you then that only strengthens your sense of identity as a monster and UGHH ugh ugh.
And like. This post is a mess at this point but if you want to kinda delve into the more “why” then I recommend this Patricia Taxxon video essay. It starts out on a very different topic, but it’s all about autism and finding comfort in the inhuman. Long story short is othering made us like this also animals are just simpler to intuitively get along with.
So when I post this
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I mean it. I really mean it when I say he’s me. I have never felt so seen. So many conflicting emotions all wrapped so concisely yet so intangibly woven into the whole storyline so subtly. 
Not being depicted as a monster of an human being for feeling/having felt that way?? The manga understands you. The world can understand you. Other humans can understand you. You can bond with them. You can. And I think that’s a big part of Dungeon Meshi too- Laios opening up to others about how he really is and his interests, and all the bumps on the way but how it was the only way to truly get to know each other and bond. With the climax being Laios confronting head on his complex with monsters and humans, and his monster-loving side and animalistic side being exactly what saves the whole world, what saves humanity. Because Laios does value his friends, does think humanity has beautiful sides to it, he wants to help it thrive and eat and become more accepting, carving out a kingdom for misfits and demi-humans. At the end of it, transforming into a monster and being free is a daydream fantasy, and the reality of it is that Laios does belong in the world as he is, and does receive and give out love.
If you enjoyed this you’ll probably like some of my other Laios analysis!  Here’s an analysis of his succubus and what it says about his relationships with other humans. And here’s an analysis about his relationship with Shuro from his perspective.
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Every day I have to contend with how Soriku fandom just spoils me with in depth analysis about the series itself as much as it spoils me with analysis of characters and the ship
Reading stuff like necklace theory, "riku is the light", the sleeping realms theory, and just fan analysis and translations of the original jp version of kh changed my life man
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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poorly-drawn-mdzs · 10 months
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You're mine now, old man.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#a-qing#xiao xingchen#A-qing's story kicks off so strong. You really get a sense that she feels strongly attached to xxc during the pre-empathy scenes#and that she has a strong sense of loyalty and perseverance with strong survival instinct#but then you see her before all the tragedy and you *immediately* learn she is a clever trickster!#She follows xxc not out of gratitude but out of a sense that this guy is her meal ticket.#xxc is kind and strong but most importantly *noble*#she can smell the self-sacrificing bright eyed hope on this stranger. She knows the mere fact she's a young blind girl means#he will protect her. The fact he gives her a little money doesn't hurt her justification but tbh she would have followed all the same#a-qing is *the* catgirl of all time actually. Follows you for the fact you provide food and shelter. Opportunistic. May grow to be loyal.#That's not even getting into the parallels here between these two characters and wwx (who is seeing these events play out)#the yi city trio are arguably the three split aspects of wwx: who he feels like (a-qing the opportunist) who he wants to be (xxc the noble)#and who he feels seen as (xy the vengeful).#one day I'll write a more robust analysis on that. prob in the tags though#(His a-qing parallels are also tied with the fact they both were street rat orphans who learned how to code-switch to be whoever#they need to be to feel safe. I have a lot more thoughts to share but augh another time...another time)
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withoutrunes · 3 months
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Sir Pentious' Death
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So there's something glorious about Sir Pentious' death being INglorious.
It proves that redemption isn't about success.
What makes Sir Pentious worthy of Heaven isn't that he hurt Adam with his final attack. That'd be one thing, but this is Heaven, not Valhalla; great and epic feats of warfare are not what earns one a ticket to the Pearly Gates.
It is the courage and willingness to die to save others- i.e. not the act itself, but the decision to perform the act- that is the mark of glory, that evinces the greatness that makes redemption possible.
And we've even seen him develop this courage in a smaller subplot: look how he started out with talking to Cherri in the last episode!
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But eventually he got the gumption to tell Cherri how he felt, in the most dramatic way possible.
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Sir Pentious changed, and THAT change is what propelled him to make the decision to risk his life- a risk that became entirely real- to save his friends.
Letting Adam wipe out Sir Pentious, beyond being a good way to really establish just how damn STRONG Adam really was, shows that his redemption wasn't about Sir Pentious' success.
It was about Sir Pentious' heart, who he was inside.
And it was enough to earn him not just Heaven, but to appear there before the Seraphim themselves.
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And you can see the heart on his design, on his bowtie!
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Expanding on my previous post, I think having to take care of child of the enemy would be such a wonderful deconstruction of Leviathan's character.
Leviathan's main motivation for everything he does is to protect the future of Hell, to protect the children and avange the ones that were lost in the experiments. He eliminates anything that might be dangerous for Hell because if there's even a 1% chance of someone suffering he would blame himself for it. He wants to go find the seed of the fruir of knowledge even though he knows it's a dangerous journey, just because it might save his subjects.
Also, Leviathan (as far as we know) has the most personal reason to hate angels. He's seen them at their cruelest and they've always been a traumatic force in his life. While the other kings got to have more peaceful childhoods (again, we don't know if they were abused, I'm just going off what we know) Leviathan never had that priveledge. Even before the war he was abused by them, and now, in his adulthood, he still can't move on because he sees his subjects being killed and tortured by the same people that abused him.
I think that out of all the characters, Leviathan would be the most... interesting father. Don't get me wrong, he won't be bad, but the sort of abuse that Leviathan had to go through changes you in ways you might never expect. He loves kids, the main reason he fights this war is to make sure the children in Hell get a childhood that isn't characterised primarly by war and death. But if he had to deal with a child 1 on 1 for long stretches of time...
He'll probably be extremely overprotective of them, going by the same rule of 1% change of danger = death. The way most parenting works, especially from people that were abused in their childhoods, is that of trying to protect the child from the trauma they experienced. I doupt Leviathan would even let angels look at his kid, or anyone that he percieves as dangerous for that matter.
We also see in the Orias event that Leviathan can be very nice to the people he likes, and I think that it would be the same for his kid. It would be something like
Leviathan strangling MC: I need to kill you, MC, for your life is bringing certain doom amoungst my people
Levi's kid: Dad, can you help me with my algebra?
Leviathan dropping MC to the ground: Yes, sweetheart, what is it? Do you want us to repeat your multiplications table?
Tl;dr of this post is - stop saying Leviathan would be a shit dad. He'll be overprotective of his kid, but he'll never in a million years hurt a child
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qulrikkek · 8 months
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I think we don't talk about this scene enough, so let's dive in:
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Earlier episode 5 establishes that Din and Bo had grown closer to each other, while staying at the Covert:
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There's plenty of space so there's no need to sit so close to each other unless they've grown closer.
Now back to this scene where the Armorer asks Bo to remove her helmet.
She was hesitant, and we rarely see Bo being hesitant about anything.
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Now ask yourself why? Why was she so hesitant here?
Why wouldn't she want to get rid of her helmet? Not so long ago, she called Din's tribe a cult because of keeping their helmets on.
So what changed?
She lost her home. Din offered shelter. Then she *accidentally* joined his cult.
It's not indicated anywhere how much time passes between episode 3 and 5, but I would say at least a few weeks, if not a couple of months.
So why wouldn't she be relieved to receive the chance of removing her helmet?
You could say, well because she would become an apostate in the other's eyes, and therefore would be thrown out of the Tribe.
But, the Armorer refutes that by explaining "Bo Katan is walking both worlds."
But she is not concerned with the others, at least not at first. Her whole attention is hanging on Din's reaction.
She's afraid of losing his respect, and his friendship they had forged during their time together in the Covert up until this point.
She seems to want to say something in her own defence, but can't, because there's nothing. Instead, she's pleading with her eyes. (Katee's acting here is phenomenal)
This moment is about whether or not Din will reject her for taking off the helmet, like her Nite Owls rejected her for not getting the Dark saber.
And we know, that he not only doesn't reject her, (like he did in the past at their first meeting), but he joins to help her seek out her fleet.
From this point on, Bo is looking for his approval, and support.
Continuously!
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It's so intriguing to watch how much she comes to rely on Din.
Then the pledge scene:
She's completely taken off guard.
She didn't expect him to support her after revealing how she surrendered, which inevitably led to the Night of a Thousand Tears.
This time Din goes beyond the simple nod of support by pledging his undying loyalty.
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This marks another turning point in their relationship.
*Don't even try to tell me this isn't romantic as hell!!!*
It's clear where their relationship is heading.
She even says it:
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Gif credit to: @enidsinclair
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zeb-z · 7 months
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no ok because forevers solo mission into the nether and all the vague ‘if I don’t return’ and ‘I’m sorry’ messages he’s left behind is made all the more heart wrenching because he wasn’t meant to be the martyr.
bad has been setting himself up for tragedy. it’s in the self destructive choices he makes, his hyper paranoia, his self isolation, the way he’s literally turning blue and can’t seem to notice it himself. and from a meta perspective, it’s obvious - he talks about lasting consequences, he makes very clear framing and music decisions, the story arc has been setting up for something big. he’s got a book that says it’s for forever’s eyes only and hinted at him needing his help. he’s said to tina that he’s 100% sure of one person ending up dead at the end of all this. he’s made it clear he’d do anything he thinks would get the kids back - self sacrifice included.
it’s been an anxious build up as bad gets worse and worse. as his friends pick up clues and notice. bagi says she knows that bad lies and can cause havoc, but she’s not going to leave his side because he is too sad to be left alone. foolish takes note of his color blindness before anyone else. forever demands his time and reassures bad daily that he is there for him. gives him a flower every day. makes an entire party just showing how much bad is cared for and loved. keeps talking and visiting even when he’s ripping out his hair with annoyance because bad just won’t quit being a nuisance, or argumentative, or a probable kidnapper.
it feels like love and doomed endings. it feels like a build up to something tragic. it feels like trying to save a drowning man who won’t let anyone pull him up. because bad is ready to work for the feds, torture people, burn down anything in his way, sacrifice himself in his desperation and grief.
but now its forever who’s gone and decided any danger to himself is worth it for his son. who’s left behind vague goodbyes and see you soons, unsure if he’ll survive but set on the kids surviving at the very least. he’s already decided his death is worth it.
and while it’s not a surprise, it’s enough of a script flip to punch us all in the gut. because we expected tragedy, we expected uneasy goodbyes and self destructive choices and that effect felt across the island - but we didn’t expect it to be forever.
and neither did bad - who relied on that flower every day
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lhachia · 6 months
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Spoilers for Wriothesley story quest, archon quest 4.1
Cw: child trafficking, abuse
I see a lot of people talking about Wriothesley triggering Lyney's PTSD but I haven't seen any talking about vice versa and I'm a bit surprised? We learn in Wriothesley's story quest that his adoptive parents were child traffickers and that he had multiple siblings sold or killed before he ran away/took his revenge. In his "About Lyney" dialogue, Wriothesley says, "I'll admit that when I removed the House of the Hearth's spies in the underworld, that was kind of an intentional provocation to the Fatui. But their only response was to send down a bunch of children..was it because they truly saw those kids as disposable?" And that remark really stood out to me since we know the HotH is an orphanage, which creates some very interesting parallels to how Wriothesley grew up. He and Lyney both describe their parents/Father as loving despite the fact that in one case, they're trafficking and killing children, and in the other, they're sending children to a literal prison isolated from any help where previous adult operatives have already died. If anything, I think the situation with Lyney & Co is a wretched reminder to Wriothesley of his own past and inability to protect his siblings, and he's doing what he can now to protect these children because their parental figures clearly have no qualms about potential harm coming to their charges, even if he has to be an asshole to do it.
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