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#my antidote
kreerain · 3 months
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I Think Not
Bruce sat at his desk, head in his hands, fingers rubbing at his temples. It did nothing to soothe his headache as the fire lizards continued to whirl and pivot in the air in leftward circles, chirping and chattering at each other and Bruce.
Alfred stood in the doorway, eyebrow loudly raised, despite the elder man’s silence. Bruce ignored the judgment radiating from his direction.
“Father, I-” Damian burst into the room, neatly stepping past Alfred before stopping just past him, eyeing the fire lizards.
Bruce felt his headache spike.
“Father,” he says again, this time with anger and fire in his voice, “who is threatening you so?”
The harnesses of the fire lizards catch the light, highlighting the flowers embroidered on every strap and, if that wasn’t enough, the icons of the flowers on the connecting parts of the harness.
“There is no threat, Damian,” Bruce let out another sigh as he dug his fingers harder into his skull.
Damian pointed harshly at the fire lizards chittering away in the air above him. “Yellow Carnation. Spider Lily. Butterfly Weed. Basil. Aconite.” His finger moved to point at Bruce. “Someone is angry at you and willing to kill you by any means necessary. Something needs to be done. ”
“Damian-”
“Bruce!” Tim barreled into the room, looking harried. “Bruce, where’s my coffee! I’ve got a meeting and I spent all night working on it and I need coffee or I’m going to pass out in the middle and they won’t take me seriously! Why are there so many fire lizards in flower harnesses oh my god who did you sleep with?!”
Bruce covered his eyes and tangled his fingers in his hair, despairing.
“You imbecile!” Damian shrieked. “Do you know anything about flower language?!”
“Bruce!” Dick hit the doorway and launched himself over the bottleneck of the doorway, rolling over the floor and popping to his feet in front of the desk Bruce was sitting behind like the flimsy shield it was. “Bruce, is Jason coming?”
Bruce dug the heels of his hands into his eyes briefly, before removing them to address his boys, his precious children, the source of his headaches.
“Boys!” he shouted to get their attention over the squabbling. They all looked at him and he pointed at the fire lizards. “Those are Jason’s Damian. He isn’t coming Dick. I don’t know anything about your coffee Tim.”
Tim’s eyes narrowed as he took in the fire lizards’ harnesses again. Then he pulled a token out of his pocket and held it to Bruce. “Is this his?” he asked. The token was of a poppy, colored white.
Bruce raised an eyebrow and nodded.
After a moment of silence, Tim’s screech caused the fire lizards to go between.
“Jason stole my coffee!”
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badgalazzie · 1 month
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Cari Fletcher 🥵
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ddarker-dreams · 4 months
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Wanderer x Reader.
just a lil something for the birthday boy <33333333333333333
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Atop the tallest tree in Sumeru City, you sit thigh to thigh with your favorite Vahumana student. Your legs dangle over the wide branch’s edge, where you happily swing them back and forth, your spirit as high as your altitude. 
This enthusiasm isn’t mutual. Your companion’s in a fouler mood than usual, thanks to ‘that tedious busybody’ (aka Lesser Lord Kusanali) and a ‘ridiculous bleeding heart’ (aka you). Despite his many colorful complaints, he brought you along to one of his favorite spots. He didn’t drop you like he threatened to either! You’re grateful for every second you’ve gotten to spend not being a mangled splat on the ground. 
“We’re in the nation of wisdom,” You gesticulate wildly to the civilization beneath you. “Knowledge is meant to be shared, not hoarded.”
There’s a deep sigh to your left. 
“You’re incessant.” 
“I have to be, or I’d know nothing about you.” 
“Hah!” He barks a sardonic laugh, “Would that be so terrible?” 
Without hesitation, you respond, “Yes.” 
The Wanderer crosses his arms over his chest, unconvinced. Fortunately, if there’s anything you excel at, it’s proving points that aren’t worth the effort of proving. 
“Consider this! If, during your many passionate attempts at courting me—” 
(“A mistake, no doubt,” he chimes in, which you pointedly ignore).
“—I never learned anything besides the fact you go by a noun and are unfairly pretty, you wouldn’t have succeeded in wooing me. Where would you be then, hm? Brooding in some dark corner, downing bottles of cheap liquor, lamenting what could’ve been but never was? Have you ever considered that?” 
“I'm considering it now. Enviously, at that.” 
The Wanderer snickers at the pained countenance you adopt. You both know that’s a lie. Perhaps he’s tried to convince himself it isn’t, but that’s a him problem. If your attention was a drug, he’d be an addict; hence the integrity of your not-splatted body. 
“Sure, sure, whatever you say. Nonetheless, my point stands. Relationships are about vulnerability. Communication. An open channel that extends both ways,” your plea doesn’t move him. So, you switch to another tactic. “C’mon. Throw me a bone here. Just an itsy bitsy teeny little bone.” 
The Wanderer’s eyebrows pinch together, his lips set in a thin line. Incandescent indigo eyes consider you. Persistent as you can be, you’ve never pushed the subject of his past. You can read him like a gauge and know the instant to back off. If he genuinely wanted you to let this go, you would’ve. Sometimes he just likes being fussed over. 
“Why do you want to know how old I am?” 
And here you arrive at the heart of the matter — his birthday. Which, without the involvement of a certain benevolent Archon, would’ve come and gone unbeknownst to you. The Wanderer couldn’t care less about the special day if he tried. While his ‘birth’ may not have been the traditional kind, it’s no less significant to you. 
Your Wanderer, your beloved Kunikuzushi, has been a permanent fixture in recent memory. Wherever you go, he isn’t far behind. He stands up for you when you don’t have the heart to say no, challenges your thoughts as much as you challenge his, and is earnest in every pursuit he deems worth the effort. You adore him. As such, you consider it your personal mission to express this sentiment whenever possible. 
“It’s simple,” you explain. “You need a kiss for each year. Sorry, I don’t make the rules.” 
The Wanderer looks at you like you just spoke another language. “What sort of rule is that?” 
“The only kind worth following.” 
He studies you carefully. You might be good at reading him, but he’s masterful at reading you. A true connoisseur. He knows when you’re lying to yourself before you even know. The concentration on his face relaxes into something amused, almost impish.
Uh oh.
 His shoulders shake as he chuckles at a joke you apparently aren’t in on. 
“Ah, you should’ve led with that,” he’s grinning now, contentment rolling off him in waves. His hand brushes over your collarbones, then your neck, finally settling on your chin. Transfixed by his beauty, you stay still as his face creeps closer. “If the earliest records from that place are to be believed, I’m around 500.” 
You squint.
“Like… five with two zeros at the end…?” 
“If basic arithmetic is to be believed, yes.” 
“... Oh wow, that’s a lot of kisses.” 
The Wanderer’s iris’ gleam. 
“Brilliant deduction,” he rolls his eyes. Then, his wicked grin sharpens, his head tilting to the side in challenge. “Well? I’m waiting. Get to work. And don’t worry — I’ll keep count.” 
Overcoming your initial shock, you press your lips to his in a featherlight kiss. Before he can reciprocate in kind, you pull back, enjoying the frustration this causes. His eyes narrow into a menacing glare. To soothe the irritation you’ve caused, you kiss his hand, gazing up at him from beneath your eyelashes as you do so. 
Involuntary shivers claim his body. 
Wordlessly, you stare at one another. Anticipation thrums in the air. 
And then you’re upon one another once more — where you remain until the count reaches zero. 
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The inherent homoeroticism of 70s cop shows
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cryptic-symbols · 20 days
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this post is brought to you by that one mountain goats song you haven’t heard yet (bc theres always one you haven’t heard yet) but that when you do, it will change you.
also viewers like you! thank you.
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amelia-yap · 11 months
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@white-rose-week day 1: body swap
ecosystems rapidly dwindling in the name of hoodies
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persephoneflouwers · 10 months
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Listen I don’t know how to articulate this in an eloquent way but remember that part in sunflower vol. 6 “I dont want to make you feel bad, but I've been trying hard not to talk to you”? It’s like he’s saying I’m trying to protect your solitude but it’s hard, first of all because it’s not something you just know. You have to learn how to create a space where two people in a relationship still feel like they’re their own person, if that makes any sense.
Secondly, because it is a contradiction, if you think about it. Being a couple, being in a couple automatically deletes your solitude state, unless you seek for it, unless you ask for it.
Third, it creates uncertainty when you’re young and in love and you have all these feelings inside your chest they might as well just explode out of your lungs, you want them, you want to be with them (let me inside, wish I could get to know you) and it doesn’t matter how many years have passed since you first got together. There will always be this perpetual urge of belonging to someone that pushes you to just be around each other all the time, to know what’s happening, to worry about them and to take care of them. It makes you paranoid and insecure to know they asked you to wait for when they’re ready to not be alone anymore. It takes a lot of patience and growth and trust to just let them be and live on their own, you know? It’s probably the most selfless act of them all, even when that’s not what you would want (my eyes want you more than a melody, I couldn’t want you any more/I don’t want to be alone in golden).
And I could go on and on and on about how well this concept fits his entire discography.
I could mention Satellite’s «You got a new life, Am I bothering you? Do you wanna talk? Spinning out, waiting for ya to pull me in. I can see you're lonely down there. Don't you know that I am right here?».
Or Daylight’s «you got me cursing the daylight»
Or Canyon Moon’s «I’ll be gone too long from you»
Do I have to mention Adore you? ALL OF IT? Alright, I will: «You don't have to say you love me. You don't have to say nothing You don't have to say you're mine, honey. I'd walk through fire for you, Just let me adore you»
In conclusion, loving him is the antidote, solitude included.
[Such a huge development from Sweet creature’s «I always think about you and how we don't speak enough» by the way]
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The parallels between Kaveh and his mother and what this implies for Kaveh and Alhaitham
(This is an excerpt taken from my Haikaveh essay! If you're interested you can check it out here or as a pdf <3)
When discussing Kaveh’s mother, Faranak, with her old teacher Zaha Hadi in order to discover the password that will unlock Faranak’s journal, “companionship” is given as the password over “understanding”. This is due to Faranak placing more value in the companionship of Kaveh’s father over him understanding her artistry, as despite his lack of understanding, he stayed at her side regardless in order to “support” her. Zaha Hadi states that Kaveh’s father’s support was likely the reason that Faranak chose him over her “many admirers”, which Kaveh then equates to “companionship”:
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A romantic connotation is created by the association of “companionship” with the relationship between Kaveh’s mother and father. Although companionship is also assigned to a platonic connection, pictured in Faranak’s journal of the gathering consisting of Tighnari’s parents, Alhaitham’s parents, and Cyno’s adoptive father. Her advice to Kaveh of pursuing companionship, too, falls in the platonic category, as she states for him to: “seek a friend” in order to gain support. Companionship, then, becomes dually used for romantic and platonic connections.
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It is interesting then, that Faranak herself can be used as an allusion to Kaveh. This is emanated in how the two share many similarities, not only in physical attributes, their studying in Kshahrewar, and their shared profession as an architect, but also in their mannerisms and their method of working.
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Just as Faranak keeps a diary, Kaveh writes in an ‘Old Sketchbook’. Faranak is described as a “perfectionist” who insisted on redesigning drafts, just as Kaveh designs six drafts for a singular client.
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She is also described to have a “sensitive and vulnerable heart”, just as Kaveh is described to be “sensitive” due to his empathetic nature.
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Just like Kaveh, she is said to have gotten into a “heated argument” with a friend, presumably over conflicting viewpoints on art. As an artist, her woes are that of Kaveh’s, stemming from being misunderstood by others.
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As she is directly compared with Kaveh and as their similarities are listed, it can be inferred that the two are to be paralleled due to their resemblance. It is relevant then to look to her view of her relationship with Kaveh’s father as it provides a perspective of an ideal companion for a struggling artist:
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This is interesting in regard to the relationship presented here to that which exists between Kaveh and Alhaitham.
Kaveh and Alhaitham have a mutually deep understanding of each other, which creates a sense of intimacy that they share with no other character. Additionally, Kaveh has the similar struggle of being eclipsed by a “dream” in his heart, as in, his ideals conflicting with his own self-interest. Kaveh’s father, rather than understanding Kaveh's mother's ideals in relation to himself, seeks to support her, “listen[ing] to her joys and share[ing] in her sorrows”. This is a similar statement to Alhaitham’s “listen[ing] intently” to Kaveh’s troubles when meeting in a tavern, calling to question Kaveh’s pursuit of his ideals: “How has realising your ideals gone for you?”
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Where Faranak writes of meeting her future husband for the first time, Kaveh’s meeting Alhaitham is recorded in a similar instance:
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When comparing Faranak’s first impression of her future husband with that of Kaveh’s impression upon first meeting Alhaitham, the two are dissimilar. Kaveh notes that it is rare to meet someone of his intellect, and therefore appears to treasure the bond, whereas Faranak is seemingly indifferent to Kaveh’s father, but he appears to grow on her. In regard to Kaveh and Alhaitham’s relationship history as a whole, however, similarities can be noted.
Where Kaveh and Alhaitham fell out due to differing viewpoints and their inability to effectively communicate, Kaveh can be seen to not “think much” of Alhaitham’s perspective. When the two meet again in the future, this perception of Kaveh’s has the potential to become applicable only to a “younger [Kaveh]”, as Alhaitham is the only person whom he has formed an “intimate bond” with. Although Alhaitham will not be able to understand him in terms of empathy, Alhaitham can provide companionship, just as Kaveh’s father did for Faranak, which in turn, caused their relationship to develop into that of an “intimate bond”.
A parallel can be drawn between the bond Kaveh’s mother and father had, and the bond between Kaveh and Alhaitham. As although Alhaitham cannot understand Kaveh’s artistic struggles and his personal struggles of empathy, he supports Kaveh in trying to alleviate Kaveh’s suffering and his willingness to listen.
As Kaveh’s mother specifically highlights that it is not understanding which will help Kaveh, it is companionship, which draws strong links to the identified message in A Parade of Providence. As Alhaitham states that he knows that Kaveh will never understand Alhaitham’s way of thinking in regard to his own ideals, but that their relationship is not based upon who is right or wrong. A more in-depth analysis regarding this can be found here.
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Alhaitham and Kaveh cannot understand each other in the sense that they can properly empathise and relate with each other’s way of thinking, but they can support one another in the progression of self, and ultimately be a constant source of support for the other. This is demonstrated in the elaboration of the bond between Kaveh’s mother and father, and the parallels drawn between Kaveh and his mother. Companionship is a solution for Kaveh’s mother just as it is for Kaveh.
This can be seen in Faranak’s drawing of a gathering and the picture obtained at Kaveh’s Hangout ending, ‘Leisurely Gathering’. The player is prompted to draw parallels between the people in the picture and the characters the player has met:
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The photo shown parallels the ‘Leisurely Gathering’ ending route picture, as Kaveh is positioned where his father sat, and Tighnari, Alhaitham, and Cyno placed in accordance to where their fathers are placed. Rather than being turned away from Alhaitham, like Kaveh’s father is to Alhaitham’s father in the drawing, Kaveh and Alhaitham are centre frame, and their focus is on each other. Companionship then, whilst being this particular group of friends, particularly refers to that of the bond between Kaveh and Alhaitham. The dual meaning assigned to “companionship” means that both a romantic and platonic interpretation has been generated to apply here - another example of methods used to queercode Kaveh and Alhaitham's relationship.
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Man.... I can't stop thinking about Pac and the Risus Pill arc
Pac saying he took the pills because he didn't have any other choice, he was so hopeless he wants to take them until he doesn't remember anything
Pac saying "At least I’m not crying in some random corner in the Island expecting my friends to come save me, and nobody comes save me"
And then the thing he said immediately before that: "I lost my friend, I lost my friend’s friend, I lost my Egg, I lost my child, I lost everything, I'm– I was completely hopeless– so yeah, maybe I wanna be drugged and live my miserable but happy life. At least I’m not in that saddest place anymore."
The blood at Chume Labs
The three graves at Chume Labs
The message he wrote to Cellbit asking Cellbit to kill him if things got too bad, then changing it and saying "lock me up" instead.
The conversation with Fit, Fit pleading with him, and Pac saying "I don’t want to go back to that bad and sad place."
Pac, despite his grief and depression, finding an antidote and saving himself (with the help of his friends)
Literally everything from the Risus Pill arc makes me so heartbroken
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kim-woonhak · 10 months
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✌︎(.◜◡◝ )✌︎
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thewlwera · 2 months
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ngl lesbians everywhere (myself included) are dying over this past week from the podcast and all things surrounding shannon and cari
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her-black-soul · 1 month
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Cari Fletcher
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cupcakeshakesnake · 6 months
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I'm normal I'm normal I'm nor
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deanmarywinchester · 5 months
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previous years: 2022, 2021 / list of worst sf/f/horror
the bangers were BANGING this year, I kept mentally readjusting my top 5 list every time I read something good so the honorable mentions are extremely honorable this year. I hope you read anything that sounds good from this list and tell me about it!
top 5:
chain gang all stars by nana kwame adjei-brenyah: when I say that this book is like the hunger games for adults, I’m not making a glib comparison between two books about fighting to the death, I’m saying that I haven’t felt so intensely about a book since I stayed up late to tear through the hunger games and sob about it when I was thirteen. this book is satire as real and devastating as I’ve ever read, with action scenes that feel like they’re being dripped directly into my hindbrain and a unique and believable love story. put it on hold at your library literally RIGHT now.
the actual star by monica byrne: about a post-climate catastrophe utopian society built around a religion started by a teenage girl in 2012 based on mayan traditions, and also about the teenage girl, and also about the maya. this book made me crazy because the future society felt real enough to touch, with its radical openness and collectivity solving problems that exist today but causing new ones that are totally novel and meaty and interesting to dig into. read it if you’re interested in different ways of being.
the spear cuts through water by simon jiménez: really, REALLY good, fresh, original epic fantasy. jimenez picks a few perspectives to stick to but hops fluidly into bystanders’ brains to give you their perspectives, so even background characters feel fleshed-out and no one’s pain is dismissed as a side effect of heroic battles or whatever. highly recommended if you like framing narratives and stories about stories, and like epic fantasy but wish it wasn’t mostly about finding acceptable enemies to slaughter with cool swords
the dispossessed by ursula k. le guin: I love how much this book is about hope as clear-eyed commitment to the boring and difficult work of a brighter and necessary future. sometimes the work of the glorious anarcho-communist revolution is leaving your university post and romantic partner for months at a time to dig irrigation ditches so nobody starves when there’s a drought. read this book for diplomatic conniving, a clash of values between a capitalist planet and its dissident moon, and hope.
imperial radch trilogy and its spinoffs by ann leckie: what if you were built to be a weapon of the empire, a serene sentient battleship with thousands of human bodies all containing your consciousness, and you lost all bodies but one and had to figure out how to be a person, singular and alone? what if you were a 19th century british military officer and you slept for a thousand years into the decline of the empire? what if you were grown in a vat to be a facsimile of human and then told off for eating all your siblings even though eating them was SO interesting? what then. leckie’s prose is incisive and funny, her unreliable narrators are wonderful, and her stories are intimate even though the backdrops are insanely huge. 👍.
honorable mentions:
house of leaves by mark z. danielewski: guys? anyone hearda this one? anyway. Something Is Wrong With This House horror with themes of storytelling and grief. recommending that you slam this book as fast as possible like I did so you can hold all its layers in your head at once.
the lathe of heaven by ursula k le guin: i thought I didn’t like ursula k le guin, and then I read this book, went OH and immediately devoured the hainish cycle. im so sorry miss ursula. this book about a hapless pacific northwesterner whose therapist is making him dream different realities into being is so sharp and sly and funny. themes of choices, ends and means.
he who drowned the world by shelley parker-chan: I liked the prequel to this addition to the radiant emperor duology. I LOVED this book. parker-chan has invented new and exciting modes of fucked-up codependency and im obsessed. historical light-fantasy with themes of ideals vs what it takes to reach them, gender, and regret.
babel by r. f. kuang: found the didacticism of this book annoying, but i really loved the concept of this novel and the way it slowly ratchets up the stakes. this novel is for people who want to smash the fun of the magic school genre against the reality of universities’ complicity in the imperial machine.
piranesi by susannah clarke: im late to this book but it’s such a weird little gem. peaceful yet unsettling. a man takes care of an endless house with an ocean inside it until he realizes the house is stealing his memories. themes of memory and devotion.
hell follows with us by andrew joseph white: I can only read YA these days if it’s a reread or if it’s genuinely good and really really strange. this is that. weird gory fantasy about a trans teen who escapes his militarized post-apocalyptic christian cult and finds himself turning into something Different. my only gripe is that he uses 2023-perfect language to describe transness and I think he should be inventing genders weve never even thought of. such is YA.
some desperate glory by emily tesch: a rolickin’ good space opera time with terrible women <3. a thriller about how the golden child of her isolated human-supremacist space station cult deprograms and the consequences of it. this feels like a grown-up SPOP until the theoretical physics gets involved. big fan
the library of mount char by scott hawkins: this book is harrow the ninth in suburbia until it becomes a more macabre version of the absurdity of the gomens apocalypse. God raises his children, sometimes brutally, to hone their powers in a neighborhood that mysteriously keeps out outsiders. came for the dysfunctional mess of the god-children and now I can never look at a grill the same way
runners up:
bunny by mona awad: books that make you WISH you were in mona awad’s MFA program where she must have been having a terrible time. the weird one out in an MFA program accepts overtures into the unbearable rich-girls’ clique to find out what they’re Up To. themes of aimlessness and the intersection of class with the art world
camp damascus by chuck tingle: have you ever wished that you were simply too autistic to be successfully demonically brainwashed into not having gay thoughts? horror-flavored thriller that was just fun
light from uncommon stars by ryka aoki: this author put a bunch of genres in a blender and came up with something fun and surprisingly cozy. an immortal woman must sell violinists’ souls to the devil in exchange for their fame, or he’ll drag her to damnation instead. there might be aliens and coffeeshop romance involved. definitely a blender.
the fragile threads of power by v. e. schwab: if you haven’t read a darker shade of magic and you like tightly paced high fantasy and historical fantasy elements, political intrigue, and pirates, read that first. if you have, there’s more now! lila bard are you free on thursday when I am free
the library of the dead & our lady of mysterious ailments by t. l. huchu: a teenage girl provides for her family in soft-apocalypse magic edinburgh with a job carrying messages from ghosts to their living relatives. an ongoing mystery series about the intrigues she uncovers among the dead.
severance by ling ma: this books is on the list of media that is the terror to me: it's about an apocalyptic disease that makes people reenact their routines mindlessly until they collapse. intimate apocalypse novel with themes of late capitalist malaise.
ocean’s echo by everina maxwell: i didn't really like winter's orbit because i'm just not a romance guy, but this second novel stands alone and the romance is more insane and less of the entire point of the novel. (also it's between essentially Discworld's Carrot and Moist Von Lipwig, which is. really something.) in the Space Military, a buttoned-up mind controller must pretend to bend a socialite with illegal mind-reading powers to his will. what if fake relationship but the relationship they have to fake is "brain linked master/servant pair."
the murderbot diaries by martha wells: novellas about a misanthropic security android who jailbroke itself in order to watch tv. the name "murderbot" is a joke but it very much did kill people <3 themes of paranoia and outsiderhood, corporate wrongdoing, repentance, and trust
black water sister by zen cho: zen cho is good at any kind of fantasy she writes, including this, her first modern fantasy novel. a closeted lesbian has to move in with her family in malaysia after college in the US, only to discover that her dead grandmother has some unfinished business involving a local goddess and a conniving real estate developer. themes of family, gender, and place.
the way inn by will wiles: a man who’s paid to pretend he’s other people to attend conferences in their place gets trapped in an endless Marriott. has the sharp humor of a colson whitehead corporate satire until it becomes more straightforwardly horror-flavored.
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realpokemon · 1 year
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Ok, look, I'm not anti-vigilante, I'm quite happy that there are 12 year olds out there keeping those freak-ass cults and gangs from destroying the world. But do they gotta just barge into houses all the time, like I see them do it all the time over here, walking into houses, talking to everyone inside, and leaving.
honest to god ive just gotten used to it. like oh you're just rooting through my cabinets? in my third story apartment? door was unlocked? yeah ok take the TM whatever
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nevergoodenough-4u · 12 days
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Barcelona 2024.
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