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#need to see him zombie-fied
wolveria · 6 months
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Obsessed with the way William moves in the Spring Bonnie suit. The gestures are so fluid it’s uncanny, terrifying, and unfortunately, attractive.
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hothammies · 1 month
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the party leader, mike wheeler - apoc au character details + poll under the cut!
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mike's role in the party:
a scouter - essentially plans runs, checks areas first to ensure safety, and directs the runners during supply runs
assigns basic survival chores at the beginning of each day (laundry, boiling water, patrol, hunting, etc.)
is the "face" of the party -> always the one to negotiate with people of other groups
even though the party likes to give him shit for being kind of rude and bossy about how he talks to them in "leader" mode - they always hang onto his every word! they love and respect him deeply
kind of like a tired dad whenever he's not fighting with someone else -> basically watches over everyone to make sure they're okay
would never hesitate to do something deplorable to protect the party: family first
skills + hobbies:
considered the designated driver (along with max): nancy taught him when he was younger. he was scared about being useless due to his inability to shoot and aim guns so nancy helped him find something useful. max teaches him how to drive manual so that he can drive her muscle car (its how they get over their distaste for each other)
writes an entry in a journal that he stole every day! he lets will doodle in the margins of the paper :)
loves to read whatever's around - particularly interested in history, sci-fi, and old journals from people before the apocalypse (reads them with dustin and el -> they are nosy as hell and live for the drama)
great at using machetes and hatchets -> do NOT let this boy shoot a gun. he will accidentally hurt you and himself
good at fixing up guns and navigating - lucas (guns) and dustin (navigating) taught him :D
quirks / fun facts:
he likes to switch around the pins on his jacket a lot! the party find pins around to give to him (range from terrible to wearable)
since he's the only boy that likes to tie up his hair, max and el like to doll up and play around with his hair during their downtime
is very annoying and particular when it comes to doing survival chores (out of love) -> makes sure that the chores are divided equally among all of them and that no one gets the same chores twice in a row
--- other notes: mike was the first character i had in mind when thinking about this au (no surprise there) and the drawing of him sitting cross legged with a machete in his hand was the first ever "official" drawing i made for this :D i tried to make apoc mike similar to canon mike in terms of his temperament, his hero complex, his self-sacrificial tendencies, his inability to appropriately process his romantic feelings, his natural leadership and his personality. about mike's inability to use guns -> looking at mike's character dnd sheet, his dexterity is low and s1 mike wheeler cannot aim for shit either (see his rock throw). the reason he's most comfortable with machetes (and hatchets) is because of their versatility as both weapons and tools! just wanted to share because i think mike needed a nerf and him not being able to shoot guns is both in character and funny as hell to me i've had mike and will's char sheets done for a while and i really love the way they look :) i'm excited to post will's next! i'm working on the character sheets in batches of two, so which duo are yall most interested to see next? i'll work on them based on the poll results and post them next week at the earliest :) i'll prob also try out some concept designs for the demogorgon-like zombies sometime soon as well!
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adventuringblind · 3 months
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Rest
Norlestappen X Reader
Genre: hurt/comfort, fluff
Summary: Reader is struggling badly with a flair up but doesn't want to admit it.
Warnings: unspecified chronic illness, collapsing in exhaustion, worried boyfriends
Notes: another Nonny request!! Love this one so much! (Comments feed my praise kink and give me motivation to write... if anyone was wondering...)
Masterlist // Request Form // My Website // buy me a Ko-Fi
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The heat had been driving her insane. Qatar is a nightmare. It's so humid that it's difficult to breathe.
Her body despises the heat. It pulls every ounce of energy from her system. Make the pain soar to ungodly levels.
But she's not the one racing.
Max, Lando, and Charles are the ones racing. It's not fair to them that she needs their help when they have to endure whatever hell this is in a death machine for two hours.
She forces her mask back on and pretends she's fine despite her protesting body.
She checks on Charles first. Max and Lando are on the podium, so it gives her some time to see that he's alright.
Which, truth be told - he doesn't look. He's drenched in sweat mixed with cold water. He's panting and trying to peel off his fireproofs.
"Charlie? Are you okay?" She peeks her around the corner, and he shakes his head no.
She helps him get out of the drenched clothing and into a shower. Her phone buzzes violently in her pocket as Charles steps out. She kisses his cheek and dips out to see Lando, the culprit of calling her non-stop.
She drags her body to McLaren. Aching bones won't give her any reprieve as she walks. The heat is unbearable, smothering her mind in a deep fog she can't escape.
The McLaren staff barely bat an eye in her direction. Most give her pitiful looks, probably whispering about how she looks like a zombie.
She'll rest later. Her boys need her right now.
She taps Lando's door with her knuckles. He looks bright-eyed when she opens it. Smells of champagne sweat nearly knock her over. She has to bite back a gag.
Instead, she returns his smile and throws herself at him. "I'm proud of you!"
"Was a good race, wasn't it? A but jealous of Osc and proud at the same time."
She hums and closes the door behind her. Immediately going back to draping herself over the Brit. Effectively using him to help keep her upright.
"Are you alright, love? You look a bit out of it..."
"I'm fine, Lan, just been a long day, is all. Had a lot of cheering to do, you know!"
Lando manages to run around the small room, tugging off his wet clothes, rinsing his hair, and throwing on his team kit.
She grabs something to style his hair with, Lando will be in shambles later if he sees his hair looking wrecked.
She swears they both almost fall asleep to the repetitive movments. A small intimate thing shared between the two of them.
A much louder knock then her earlier one hits their ears, startling the two out of whatever trance they’re in. “Lando! You’ve got interviews to do!”
The Brit groans in disappointment, but gets up regardless. “Thank you, love.” He leans down to where she is still sitting and kisses her forehead. “Will you be alright?”
“I’m going to see Max next, I already saw Charlie.” She throws him a reassuring look. “I’ll be okay, promise.” She even holds out her pinky finger for him to wrap his own around.
That promise, however, is getting harder and harder to keep as she drags her weary bones to Max. Her body is screaming at her to stop moving, find somewhere to sleep for a couple of years before it goes back to making life difficult.
She shakes her head. No, she wasn’t the one driving in the hell today. She can wait until her partners are squared away.
Max greets her outside of the energy station. His face drops when he sees her. Her smile, although genuinely happy, is lopsided. Even the muscles that show her happiness are tired. That should be a red flag, but she continues forward.
Her and Max make their way to his drivers room. His arm wrapped around her waist in much ended comfort and support. She hopes he hasn’t caught on to the way she’s leaning into him to keep herself up.
they flop onto the couch together. “Lando told me you were on your way. He’s a bit worried about you.”
“I told him I’m alright, I promise. The heat is just difficult.”
“Tell me about it.” Max rolls his eyes.
Max’s presence and her comfortable position on the couch do nothing to help her fatigue. The drowsiness is slowly taking hold and she’s not sure how long she can hold it off for.
“You can sleep now, I’ll be here when you wake up.”
She hadn’t even noticed she was asleep, slumped against Max’s body. Not until she cracks her eyes open and sees her lovers laying spread out across the room.
Ice packs are strewn across their bodies. Lando is drooling on Charles’ chest, Max has a hand dangling of the side of the sofa that looks like it was previously in charles’ hair, and Charles is sleeping with his body sitting upright.
She wants to giggle at the sight. They all look comfortable despite the chaotic positioning.
Her body moves on its own accord. the ice packs should be refrozen and she might be able to get her hands on some new ones while she’s at it.
She gets nowhere as Max’s arm wraps around her, pulling her back down on top of him. Lando and Charles stir awake from all the movement.
“Nice try, but you’re not going anywhere.”
She pouts at Max. “But I’m fine now. Just needed a nap, is all.”
Charles turns enough so that both him and Lando are able to see her, even if it’s not well. “The circles under your eyes say otherwise.’ He reaches up to hold her hand. “Thank you for taking care of us, but now it’s your turn.”
She would probably be crying s she had the energy to. The compassion they all have for her, even when she lacks it herself. It’s overwhelming at times. especially when she feels undeserving, like she hasn’t earned it.
Lando shimmies his way out of Charles’ hold and fixes himself. His arm coming up to wipe away the trail of drool. “Now that we’re all awake, I’ve tasked Oscar with bringing us popsicles, anybody want ‘em?”
A course of happy cheers fills the room at the mention of a cold treat.
Her smile doesn’t feel tired this time.
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siriusleee · 5 months
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iii. sterling silver
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Zombie Apocalypse AU | SIMON RILEY x f!READER
↳ SUMMARY: The world is trying to knit itself back together after fracturing apart. You're trying to put yourself back together with it; Simon Riley is just trying to stay alive. ↳ WORD COUNT: 2.2K ↳ TAGS: mentions of cannibalism, mentions of shooting things, mentions of dying. smut to come. canon typical violence to come. additional tags to come as the story progresses. female reader. no mentions of "your name". reader is given a nickname. ↳ AUTHOR'S NOTE: Thank you to the discord girlies for letting me bounce things off of you guys. If you guys like the works, consider donating to my ko-fi. ↳ TAG LIST: There will not be a tag list for this story, as Tumblr has issues with letting me tag people. To get notifications of updates, please subscribe on AO3 or turn on notifications for my blog.
additional chapters | ao3
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You don’t want to tell him your name - it feels vulnerable - the type of vulnerability you couldn’t feel in years; the type of vulnerability that you don’t want to have with a man who’s treated you like he has. 
“Tell me yours first,” your voice feels raw - you haven’t spoken this much in years. 
His fingers flex on the rifle; in his eyes, you can see that he’s having the same internal struggle you are - the same fight to keep every little part of himself that he can. Finally, his hands loosen on the gun, and he sets it down, leaning it gently against the wall. You keep your eyes trained on his hands, on the scars that litter the skin, watching to see if he’ll suddenly snatch the weapon up again.
“I’m Ghost.” The words roll off of his tongue heavily, as if he’s speaking a foreign language he hasn’t spoken in years. As if the restrained gentleness is so odd on his tongue that he can hardly stand the taste of it.
“That’s not your real name.”
“‘Course it’s not.”
It’s not an explanation, not one that’s going to stretch this conversation out longer and keep you from giving up a piece of yourself to him. So you don’t, the first thing coming to mind spitting from you with half-hidden vitriol at having to say anything.
“My dad used to call me Dove.”
It feels strange to tell a stranger something about yourself. This stranger who nearly burnt you to a crisp and force marched you through the forest. Apprehension and a sort of giddy feeling hang in the pit of your stomach - there hadn’t been a single person you’d told that too since before the ending.
His expression doesn’t change between the black fabric of his balaclava; without a word, he disappears into the back room with your bow and arrows still clenched in his hands.  His absence causes your brain to kick into overdrive: you could run now, but would he catch you? Would he need to catch you - why did he even bring you here? He still has your bow, and without it, you might as well resign yourself to starving between the trees.
You could take his rifle, but those are loud and attract Biters. Then there was the problem of finding ammo, so sparse these days that you might as well use it as a club for all the good it would do for you.
Before you can make a decision, Ghost arrives back into the room, hands empty of your equipment. He gestures to a chair on matchstick legs, hauling his pack onto the table. You hesitate to sit down, but finally give in when he shoots you a poisoned look.
It’s an immediate relief to be off of your feet. Blood rushes back into your toes, they sting painfully as you flex them in your threadbare boots. The skin that blistered beneath your burning pants itches terribly, and your chest feels like a weight of bricks lay on it, but it’s nice to just sit after nearly a day of walking. The muscles in your back ache terribly, and not for the first time since the entire world fell to shit, you find yourself wishing for a hot bath.
Your eyes never leave Ghost as he pulls two brown-gray packs from his bag; he tosses one at you, and you catch it on the end of your fingertips. You trace your fingers on the plastic package, your stomach grumbling and clenching at the sight of it.
“How did you get one of these?” You ask in awe, ignoring the suspicion that’s been plaguing you for the day.
“Does it matter?”
No. It doesn’t matter. Your hunger is stronger than whatever suspicion or anger you have at Ghost; anomalistically you rip into the bag, spilling the contents out across the table.
Crackers. Instant coffee powder. The little water-heated bag of lasagna. A chocolate chip cookie. Three different types of water flavors. Strawberry jam. 
It’s more food than you've seen in one place in months. 
You start with the cookie, shoving the entire thing into your mouth - it’s old and brittle. The chocolate has the chemical flavor of a cheap candy bar, but the sweetness is still so strong after having nothing similar in five years. Crumbs fall out of your mouth and onto your shirt, you hear your mom’s voice in your head chiding you about being ladylike, but you push it away. It’s not the kind of memory someone needs right now.
Ghost slides a half-filled bottle of water towards you; you snatch it up to activate the water heater of the food, holding it in your hands as it heats and reveling in the feeling against your cold fingers. 
“You haven’t eaten much.” 
It’s a statement, but there’s no judgment in Ghosts’s voice as he watches you grip the food, waiting for it to be done. You feel like a stray dog with a bone; you’d kill him if he tried to take it back from you. But he doesn’t do anything but lean back in his matchstick chair, his MRE unopened in front of himself. 
“I eat what I can find.”
“Can you find much these days?”
You don’t like how he talks to you, like you’re a dog he’s trying to placate and earn its trust. Running your tongue across your teeth, you watch him, suspicion creeping back in again. It doesn’t feel right - the tone he’s talking to you in.
“Why did you kidnap me? Are we supposed to stay here forever?”
Ghost’s jaw works beneath his mask.
“I told you: I don’t know who you might run off to.” Each of his words is measured, bitten off at the perfect size.
“And tell them what? That a man with a skull mask nearly burnt me alive?”
“Yes.”
It’s maddeningly vague, but before you can retort Ghost speaks again.
“You should eat that. You look like you’re about to fall over.”
Annoyed but starving, you tear into the package. The smell makes your mouth water, and for a second you’re back to dinner in your mom’s kitchen, but that second passes and you’re tearing into the hot food with your fingers. You’d be embarrassed if you weren’t so hungry. But all you’d had for weeks was the smallest squirrels that were too slow for your arrows. Most of them you’d eaten raw, your stomach getting hungrier with each passing day. A few you’d laid out in the sun to turn into jerky when you could spare the time to sit in one place. Deer were too large for you these days, muscle tone disappearing with the summer.
You lick your fingers clean, and then the package too. When you’re done, you turn your attention to the crackers, smearing them with the strawberry jam and then licking the crumbs from the package. 
The only light left is the oil lamps gently illuminating the room. Once you wash the taste of the food from your mouth, your suspicion returns. Ghost hasn’t moved the entire time and when you’re done, he pushes himself out of the chair. His MRE sits abandoned on the table - you eye it suspiciously. There’s a test here, but you can’t work it out.
“You can sleep over there,” he says with a jerk of his head towards the dusty couch. “I’m taking watch.”
Watch for what? You want to ask, but you keep the thoughts to yourself, the taste of jam lingering on your molars. Ghost stares at you for just a moment too long, until you stand painfully and walk to the couch. Sitting for so long has made the pain in your side sharper, the feeling inside of your chest at being locked inside of this small cabin with a strange man more hollow. Curling onto the end of the couch, you settle yourself so that you can see the front of the cabin through the adjacent window, plastic yellowing where it had been taped over a broken pane. The forest outside shivers with the coming snowstorm - you should have been halfway to your winter camp by now. You don’t even know how to get back on the trail.
Ghost slams the door shut behind him; the sound makes you wince. It’s as if he’s completely unafraid of noise, of drawing attention to himself. You don’t like it.
It makes your stomach twist on itself, and you regret eating so fast. You think you might throw it all up. Ghost settles down onto the little stairs right outside the door, rifle resting across his knees. You let your head recline on the arm of the couch, watching him, and waiting for the right moment.
It comes deep into the night when your eyes are fighting to stay awake and your mouth tastes like cotton. He stands, slinging his rifle over his shoulder, and shakes his arms out. His boots crunch over the snow and frozen leaves as he walks at a measured pace along the edge of the cabin.
The moment presents itself to you, and you take it. The door opens with a ragged creak and slams with a shut that rattles the night behind you. But you slip against the snow, knee hitting the hard ground painfully. You let out a pained grunt, and the sound must alert Ghost to your escape.
Feet pounding the ground, you slip on the snow that’s gathered in the night. Behind you, Ghost breathes heavily, but even as the sound of his boots hitting the ground follows you. You should have gotten your arrows from wherever Ghost had hidden them.
You do a hairpin turn around an oak tree, and you hear Ghost shout from behind you.
“Stop! You're going to run right into them!”
You barely have time to think about his words before the ground drops out from below you for the second time today. Your hands scramble against the roots and vegetation that cover the drop-down, trying to find a purchase as you plunge toward a thick darkness. 
In the snow-covered night, you crash into a ravine. The ice-cold water immediately pulls the breath from your lungs. You hear Ghost muttering curses as he slides down the drop-off. 
You sink up to your wrists in icy mud as you try to crawl away from him, but your body is too broken from the day, the pain that scorches through you is too heavy and cold for you to go too far or fight back as Ghost wraps his arms around your waist and lifts you, your hands squelching as Ghost drags you from the mud. 
He clamps his hand over your mouth, whispering harshly for you to shut up as he drags you back towards the wall of dirt and roots.
You try to kick him, but pain lances through the hip you fell on; Simon slings you behind the edge of a half-fallen tree covering your body with his, still hissing in your ear to shut up. You nearly bite your tongue from shivering so hard. He pushes you hard into the ground; you try to push yourself away from him when you hear it.
The cadence of human feet up above you, the steady clink of chains, and the low moan of Biter's. It comes from the bank opposite of you and Ghost. A sliver of flashlight appears at the top of the ravine, sweeping along the banks. Men’s voices sound out in the darkness.
“It was probably a fox screaming.”
“Check all around, just in case.”
You think you’re going to throw up, your heart is in your throat as Ghost presses himself harder onto you, trying to fold the two of you into the ground so that you’re not spotted. 
Ghost hisses in your ear, close enough to make you shiver. 
“That’s the body snatchers you’re so worried about.” He shives, his elbow digging into your side painfully, your surely broken rib seeming to crack harder beneath the weight of him, “Ought to let them catch you for this.”
The threat is enough to make your heartbeat quicken; you wonder if Ghost can feel it in his chest as it’s pressed against yours. The sound of chains and Biters moaning rolls through the cold night air, Ghost’s breath is warm on the shell of your ear. The men talk, quietly enough that you can’t make out their distinct conversations. It’s hard to breathe with Ghost’s hand wrapped over your head, keeping it held closely to the ground.
You want to look up and see if their flashlight is hovering over the two of you; you may have laid there all night and into the next night for all you know. But when Ghost lifts himself off of you, you shiver violently from the loss of his warmth. Pink tinges the horizon even though daylight is still hours off. 
The mud coats almost every part of you, Ghost grabs your shoulder roughly and flips you over, brown eyes boring into yours, and his fingers digging painfully into the bones of your shoulder.
“You try to run away again, and I will let them catch you. Do you understand me?”
You don’t answer; you don’t think you can make your jaw work, but Ghost shakes you, loosening your tongue. The sterling silver moon is being pushed out of the sky above him, his brown eyes hard.
“I understand.”
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chemicallywrit · 21 hours
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Happy Audio Drama Sunday!! When I was a non-teacher adult I thought to myself, surely as a child I exaggerated the desperate need for summer break. Now that I am a teacher adult, I can admit that I was. Wrong. I need a break, but luckily I have time for this.
Here's what I listened to this week!
@ourstoriedinsight's season finale was this week and wow. Wow. The way this show so effortlessly dances on ideas of trust, truth, and ethics while telling a story of four (five? Sir George count?) ridiculous and reluctant heroes who have only a dead friend in common is staggering. This episode especially, as you can see how they really drew together against (and then with) Sage. I love them, your honor. And I would also let Rain be my lawyer. Everyone listen to Our Storied Insight.
Jeez louise @camlannpod, can you give a girl a break? I am so glad Gwaine’s okay, and I’m fascinated by the mistrust Peredur has for him, even after they tried to track him over hill and dale. And I am SO worried about what's about to happen next. I wonder what Dai's going to do about it. I wonder if he'll do anything (please, Dai, do something).
This week's episode of Josie’s Lonely Hearts Club had me rolling. Look, I knew the title going in ("It's French for A Horny Party") and I still cackled when the line appeared in the episode. Josie, I hope you continue changing for the better. Also it inspired me to make beans and rice for dinner and that was a wild success.
When Karim Kronfli showed up at the beginning of the season of Among the Stars and Bones, I was excited, but holy heck. The performances in this show. Oh, right, and the twist at the end--you know, I really should have expected things to get a million times worse, based on how last season went, but this is a MILLION times worse. How are they gonna get out of this one folks???
@keepitsteadypod KEEP IT STEADY IS BACK KEEP IT STEADY MY BELOVED. Things are REALLY going places between Zach and Gabe now and neither of them know it. I love high schoolers, they're so dumb. Admit you like each other, dummies. Shoutout to our great good school nurse trying to fight for kids, and I thought the reveal about Zach's past was remarkably done. I love this show.
In relistening news, Life with Althaar again (what's up, @geminicollisionworks!). I rarely relisten to shows, but this one is worth my while every time. Listen to Life with Althaar, a silly space sitcom that gets Not So Silly when the story decides to commit to the bit. Althaar, I would die for you.
Inn Between is truckin right along with 5.9 this week, which I found absolutely delicious to watch the actors bring to life. It’ll be outdone only by the episode next week. In zombie news, boy oh boy, this week we're doing some recording for The Dead that I'm very worried about but ready for the challenge of. It involves directing singers in a language I do not speak! Lol pray for me. If I can make it til school ends, maybe I'll have some other news as well! Keep a weather eye out.
Hey, want to help me satiate my sudden summer cravings for fun drinks? Buy me a ko-fi!
See y'all next week!
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Note
Frosty Affection request - The first time Bucky had to ask Y/N for help.
Please, thank you and feel free to take your time on this!
-Zombie
Thank you for the idea @thezombieprostitute 😘🩷🩷🩷 Here it goes. I hope you like it.
Frosty Affection || Drabble 2
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Frosty Affection Masterlist
Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more. 
Main Masterlist || support: Ko-fi
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The first time Bucky asked Y/N for help: Because of the education he got since childhood, Bucky is an ace in academics and sports. With his good looks and his brain, he's a perfect guy. 
But God is fair; He didn't make Bucky perfect in everything. 
Bucky is clueless about art. 
Whenever there's an assignment to make a slide presentation, he always gets harsh comments from the Professor. The professor said, "Your material is good, Bucky, but the design looks dead." 
As a perfectionist, it doesn't sit well with Bucky. 
 The frustration grew until he decided to seek help from an unexpected source—his girlfriend, Y/N. She's creative and also part of the photography club at the university. (Before she got together with Bucky, she took a picture of him in secret. 😉) 
One evening, Bucky approached Y/N with his laptop, his expression a mix of determination and vulnerability. "Y/N, I need your help with this presentation. I can't seem to get the design right, and it's driving me crazy."
Y/N, who was always supportive, chuckled at his admission. "Don't worry, Bucky. Art is my domain. Let me take a look."
As they sat, Bucky explained his ideas while Y/N navigated the design world with finesse. Their conversation flowed seamlessly, a dance of creativity and logic. Bucky found himself fascinated by the transformation on the screen and how Y/N's eyes lit up when discussing artistic elements.
"You see, Bucky," Y/N explained, "it's not just about the information; it's about how you present it. Let the design complement your brilliant ideas."
In the next class, a rare smile broke across the professor's face as the professor reviewed Bucky's improved presentation. "Barnes, this is a significant improvement. Well done."
With a newfound appreciation for the artistry Y/N brought into his life, Bucky shot a grateful glance her way. It wasn't just about the perfect score; it was about sharing a part of his vulnerability with someone he trusted.
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The second time he asked for help from Y/N: Bucky grew up in a household where affection wasn't explicitly expressed among siblings, yet he deeply cared for each of them, especially his younger brother Nicholas.
This time, faced with selecting a birthday present for Nicholas, Bucky sought Y/N's assistance.
"I want to get him something he'd really like, but I have no clue where to start."
Y/N, with a warm smile, reassured him, "Don't worry, Bucky. We'll figure it out together. What does Nicholas enjoy? Any hobbies or favorite things?"
Their conversation unfolded into a delightful exploration of Nicholas's preferences. Y/N suggested a few thoughtful gift ideas, and together, they settled on something that combined fun and practicality.
With Y/N's guidance, Bucky confidently selected the birthday present, and as they wrapped it together, he couldn't help but feel grateful for Y/N's knack for thoughtful gestures.
On the day of Nicholas's birthday, both Bucky and Y/N attended the celebration. Nicholas, beaming with joy, couldn't contain his excitement when he saw his sister Y/N, who participated in the party and brought a special gift just for him.
Bucky, with his present in hand, approached Nicholas.
The nervous anticipation lingered until Nicholas, in a surprisingly mature gesture, pulled Bucky closer and whispered, "I knew sister Y/N helped you. Nonetheless, thank you, brother."
With those words, Nicholas embraced Bucky, creating a touching moment between the two brothers.
Seeing Nicholas' joy made Bucky realize how the gift, with Y/N's help, had strengthened their bond.
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Join The Taglist ? 🩷🩷🩷
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Author Note: Hey everyone! 🌟 Your input means the world to me.
If you've got any cool ideas or prompts, whether for this fluff series or any other series, feel free to share them with me!
Just drop them in my ASK/SEND REQUEST box.
Can't wait to hear your awesome suggestions! 🚀💬
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piedpiperart · 1 year
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DC x SPN prompt idea
Sam and Dean get a tip about a haunted mansion from Bobby and they go check it out. It’s Drake Manor in Gotham City, which wouldn’t be a problem since no one was supposed to be living there. Except there was.
Sam and Dean meet Tim as they break into his house. Tim at first thinks they’re burglars but notices they’re carrying strange occult stuff. Tim looks at their stuff for a sec and just goes oh, are you here for the ghost?
And the boys, who had thought the kid was a) not alive or b) some sort of creature, are a bit thrown that this tiny child was left alone for months dealing with this ghost haunting his house.
Tim explains that he thinks she’s the ghost of his previous nanny before his parents fired her, but says she doesn’t do anything harmful, just tries to keep him company or get him to eat more often. She only breaks stuff when his parents are around but she stopped after it got him in trouble.
While Tim is sad for his ghost friend to be gone, he absolutely questions the heck out of Sam and Dean about all sorts of supernatural creatures and ghosts. Sam shows him ways to stay safe and avoid places with signs, etc. Dean teaches him how to fight and shoot weapons.
Tim is like seven or eight and pretty much blackmails Sam and Dean into teaching him how to be a hunter, and Tim ends up finding missions for them because he turns out to be a better hacker than Sam and Bobby. He gets the hunters money, sets up a network of information where hunters work together, and makes gadgets and gizmos for the guys to use against creatures.
Dean and Sam are worried about this small child alone in the house but think he’s better off there than as a hunter out in the real world. They don’t expect Tim to force his way into helping them, and every so often when they need help or info they call Tim then remind him to do homework or eat something.
Their road-trips now have frequent stops by Gotham, and even Bobby’s been able to make the trip to meet the lil guy who hacks his computer every week.
Tim also still knows Bruce is batman, and eventually becomes Robin, right. So he’s off doing that and keeping the whole supernatural world secret from Batman. Sam and Dean however, know the kid too well and eventually find out Tim is Robin. They may or may not take that well.
But! Since Tim is already aware of the ways of browsing the news and internet for crazy interesting cases and crimes, he comes across some posts about a potential zombie. Lo and behold- it’s Jason! So Tim calls Bruce and gets them sorted out. Maybe Talia still finds a way to kidnap him though, or Tim fights her on his own to keep Jason and loses, etc.
Either way, Tim ends up on the outs with the family still because he thinks he’s just filling in for Jason. So when his parents die and Tim is in need of a fake uncle? Who else would he call but Bobby!!
Just imagining Bruce and Bobby in the same room oh man. No doubt Alfred and Bobby would get along or absolutely hate each-other and no in between. I think Bobby would win in a fight against Alfred though. Just sayin.
Que Tim taking a call from Dean while he’s patrolling, thinking he’s alone as he details how to graphically kill someone, only to hang up and turn to see Jason standing right there.
Just, many shenanigans for how Tim seems a bit more unhinged than they thought. Like yeah Robin doesn’t kill, can’t kill when you work for Bats, but Tim Drake the Hunter made no such promises. Tim’s like ‘my first kill-‘ and freaks out the bats until he saves it by saying he’s talking about a game.
Sam and Dean come for a visit and Dick is suspicious. Tim goes on hunter missions and comes back with unexplained wounds. One of the bats might see him kill something and the guy turns to dust. Tim’s like no one will ever believe you.
As Tim drifts away from the bats he goes on trips with sam and Dean or helps bobby upgrade his tech. He lets Dean keep a batarang.
Maybe when Bruce is stuck in the time stream the first person he calls is Dean and Sam and Bobby. They’re like oh hey meet Cas, who then is like “Batman should not be allowed to alter the timeline” and just brings him back. He starts maybe using Cas for emergencies, or Dean tells Cas to keep an eye on tim only for him to step in whenever Tim seems in danger, even when he isn’t. Que Tim trying to convince Cas to wear a disguise when rescuing him in the field, etc..
Or maybe Tim makes a deal with a demon! He brings back Bruce but is fantastic at loopholes and gets out of hell card. Maybe Crowley is angry and takes his spleen just cuz. Dean is not happy.
Supernatural occurrences in the field happen and Tim solves it easily. No explanation. Maybe Constantine comes to solve it only to take one look at Tim and go “fuckin’ hunters, geez”. Or alternatively Tim corrects Constantine, saying stuff like you mispronounced (insert Latin word) or something like that.
Just, overall Tim shenanigans because if one of the bats had knowledge of the supernatural it would totally be Tim.
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moonlitempty · 7 months
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The World’s End (2013), Dir. Edgar Wright, Starring Simon Pegg and Nick Frost
One night. Six Friends. Twelve Pubs. Total Annihilation.
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And with this beautiful entry we end the Cornetto Trilogy Journal Entries (C. T. J. E.’s for short), it’s been a truly beautiful ride! I hope my (frankly deficient and almost awful) little journal entries have provided at least a little bit of enjoyment or inspiration to all of you, my beautiful Peggsters <3
I had a lot of fun making them! And this served almost as an exercise or test in if I had any creativity left, I hadn’t done anything like this before so it was a nice little refreshment from my normal journaling routine.
(Pss, there is one for Spaced on the way, this is not the end!)
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The World’s End proved to be the most exotic (for lack of a better word) movie out of its siblings, while I felt like Shaun and Hot Fuzz were grounded in reality enough that their events could realistically happen in our reality (well, perhaps excluding the zombies), I felt like The World’s End went all out with the mysticism, fantasy, extravagance, and exuberance.
Of course, this is to be expected, it IS a Sci-Fi movie after all! And I didn’t realise how much I needed a nice, time-to-fight-a-planetary-menace movie until I saw this beaut.
Which speaking of that, this movie is visually beautiful! All of Edgar’s Cornetto movies have this signature look I can’t quite put my finger on, but World’s End (I’ll call it that from now on for the sake of convenience) exudes a certain look and feel that I can’t quite describe, it’s sophisticated almost?
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The editing in this film is the best in the entire trilogy, it’s got that signature snappy and dynamic style Edgar does so well, but this time it’s refined to the maximum level, with every scene change and transition leaving you in awe in a “THAT IS GENIUS!” sorta way.
Actually, I remember absolutely losing my shit at the intro ALONE, it was that much of a treat to the eyes.
The score was just PHENOMENAL as well! Normally I’m not one to pay much attention to a film’s score, they almost blend in and become complementary to the film in some cases, but this score drew me in almost immediately. It just started to become more and more impactful and present with each passing scene, I stopped taking the score for granted, and the whole film became a feast for the senses, the scene where Gary, Andy, Sam and Steven are driving away from Newton Haven was so powerful and imposing, I must get this score on some sort of physical format (don’t trust digital media to last forever! much less streaming!)
The plot was the thing I was most afraid of, I’m not known as a huge Sci-Fi guy, I find it quite boring and even uninteresting most of the time, so I was terrified of feeling disconnected from this film. The contrary ended up happening, I think this film may have put me onto the genre! That strange sort of cosmic horror and the implications of bigger and stronger societies outside of our own planetary grasp is very, very intoxicating.
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GARY WAS PHENOMENAL.
The first time I watched the film I was honestly a little afraid that I’d dislike him, every little juvenile and childish joke or one liner he’d pull made me worried, specially since he was surrounded by a bunch of people that clearly knew he was not someone to trust. This all changed relatively quickly though, I learnt that Gary was just someone clinging to the past and the fun times he used to have with his mates, and honestly his struggles with addiction and feeling like you have nothing going for yourself hit particularly close to home for me. I ended up completely adoring Gary and I wish him the best, my sweet 40 year old baby boy.
The dynamic between Gary and Andy was perhaps the most interesting in the entire film, you could even argue it’s the central theme of the whole film, and seeing how it all slowly developed, unraveled, and blossomed, and Andy grew to care for Gary again was very, very sweet. The scene where they’re together at The World’s End was the most cathartic and powerful moment of the film. To err is human, truly.
I struggled to grow particularly attached to the rest of Gary’s and Andy’s friends, besides Steven and Sam, I didn’t care much for Oliver and Peter, admittedly, sorry!
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This movie was surprisingly powerful, even now I find myself still thinking about it, specially the message of how making mistakes and being imperfect is part of the core nature of being human, to rob us of imperfection is to rob us of humanity, of warmth, of thought, of intention.
The World’s End. 10/10.
Until I (inevitably) rewatch you again, Cornetto Trilogy, which will probably be sooner than I expect it to be ❤️💙💚
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colourstreakgryffin · 10 months
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Random Kamaboko Squad Post #2
Let’s see what the Kamaboko Squad is like during movie nights
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Kamado Tanjiro
Tanjiro loves his rom-coms. The cute wholesome stories of love and success, such movies make Tanjiro’s heart flare
He has a specific night for movies since he needs to make enough time, but on this night, he prepares as many snacks/drinks/blankets as necessary
Tanjiro likes to cuddle with you during movies, legs entangled and hands running over your shoulder and hips. He is quite touchy and loves feeling your head on his chest
Instinctively twirls your hair in his fingers, braiding small sections slowly as he waits out the credits
Tanjiro will most definitely share the snacks and drinks he begun having with you if you ask
Kamado Nezuko
Nezuko really likes her animation fantasy movies! Ones produced by Disney that is wholesome and lovely, these have Nezuko’s full attention
She is quite flexible and she wants to watch her favourites all the time so she’ll prepare for a movie night every night if possible
Nezuko lays her head on your lap and wraps her arms around your hips during the movies. Sometimes, her hands pat down like a cat, it’s really cute
She draws random patterns on your thigh lightly with her claws as she hums the lyrics of the songs
Nezuko got pillows and blankets solely for you so she wraps you up in a warm soft cocoon before the movie starts
Agatsuma Zenitsu
Zenitsu seems like the type to like romance movies but he actually loves himself some grand adventure movies! A story of exploration and action, Zenitsu adores them all
This boy is the type of guy to enjoy movie nights but also sticks to a schedule so you two get to have a movie night together once every week with no failure
Zenitsu pulls you onto his lap and massages your back so you get comfortable, the way you struggle to keep your eyes open with his amazing touch has him livid
Presses soft kisses to your head and forehead at random times as he is intrigued with the movie
Zenitsu brought his haori with him so if you’re cold, he’ll put it over you and keep hugging you. Your comfort is his priority
Hashibira Inosuke
Inosuke’s most favoured type of movies is violent war action, movies like Way of the Samurai have Inosuke roaring in victory over the fights
He’d prefer to watch these movies more often as he is fascinated by them but with his slaying career, he doesn’t get the time. But when he does, you two will be watching a lot all at once
Inosuke snuggles to your side and stays out for hours on end. He pretends to not be but he is quite affectionate and he’s especially comfortable with your warmth
Everytime, as the credits roll and you fish out the next movie choice, the king of the mountains takes a quick nap on your chest
Inosuke is a bit forgetful so you’ll have to prepare for you two, but that doesn’t mean Inosuke isn’t capable of giving you what you want. Ask for your phone and he’ll reach over for it
Tsuyuri Kanao
Kanao finds herself really enjoying crime action. Like Shinobu, she enjoys a story of intelligent detectives solving a horrible crime
Unlike most of her fellow slayers, she’s even more busy so her time to relax is quite minor, though, she’d prefer to have movie nights with you all the time since she feels so safe and warm
Kanao has the habit of holding both of your hands in hers as you both sit by each other, through the movie’s introduction. Her thumbs occasionally rub up-and-down on your hand
She’ll gladly give you more of her blanket or pillow so you’re comfortable. She doesn’t mind being cold, she values that her love is happy over anything else
Kanao always brings spare pyjamas with her so you don’t have to worry about it. She has custom-made pyjamas only for you and likes to put them on you as the movie starts up
Shinazugawa Genya
Genya seems like the type to cute wholesome stuff, right? No, this boy actually really likes Thriller Sci-Fi. Series like the Walking Dead! He finds zombies so interesting
Will always make time for you altogether so suspect a movie night with him at least twice every week! It’s his favourite de-stressor in all honesty
Genya lays his head on your chest to hear your heart beat, his arms caging you in a sweet protective style. He’ll never let go, no matter what
He may or may not purposefully stroke your back and draw patterns on it so you fall asleep. He adores your sleeping face, it’s so beautiful
Genya is the one who picks up all the movies and sets them up for you two so you don’t have to move a single muscle
I don’t know the artist name but credit, of the art above, goes to him/her/them!
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resident-mercie · 10 months
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Carlos Oliveira Fic - Halcyon Days (Chapter 4) (NSFW).
notes: canon violence + depictions, needle imagery, suicide references, intimate kiss scene, perspective changes.
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➵ In a desperate bid to ensure the safety of his sweetheart, Carlos takes a detour from his mission to locate a vaccine.
If you were asked if you wanted to live or die, the average person would assume you’d just offered them a trick question. But is it really living if you lose the one person who gave you purpose? Or is it just surviving for the sake of it? How do you continue once you’ve lost the purpose that once fulfilled you? Is it at all possible to find another lost soul out there who can emulate that sense of purpose for oneself?
September 29th, 9:20pm. Spencer Memorial Hospital.
Manoeuvring across city while trying to protect the incapacitated wasn’t easy, but Carlos wasn’t the type of guy to go down without a fight. The hospital loomed, eerily derelict considering the many people who would’ve headed there after beginning to notice infection symptoms. Right now, no one else mattered to Carlos but his querida, and procuring a vaccine from Bard for her was his current and only priority. Oliveira panted with exhaustion, a low, husky breath that encapsulated his growing lethargy. He hardly took notice of his physical state however, as he was much more focused on the health of someone else.
Mustering his strength, he gently lifted his sweetheart into his arms, before placing her atop a gurney bed in a room stemming from the reception hall, ensuring that she would be comfortable. A groan escaped her lips as Carlos laid her down, and seeing his love in pain was an image that drowned his heart in anxiety.
“Fight it, querida. I know you’re strong enough to. I’m gonna get you that vaccine, even if it’s the last thing I do.”
He placed a gentle kiss on her forehead, praying with everything in him that nothing would happen to her while looking for the treatment she so desperately needed. With a low whisper, he took her hand, tracing his calloused thumb against her soft palm. “You’re gonna be okay, I promise.”
Leaving his sweetheart to rest, Carlos walked back into the reception hall, retrieving his radio from the breast pocket of his gear.
“Tyrell, where’s Bard now?”
“Lab in the back. Stay frosty. I’m on my way.”
“Copy that. I’ll go on ahead.”
Carlos walked further into the hospital, taking a hallway that revealed a reinforced smell door.
“Welcome to the office of Dr. Nathaniel Bard. Please state your business directly into the intercom.” A robotic voice rang out throughout the room, echoing endlessly, a dystopian pep of cheer in its voice that didn’t suit the ongoing situation.
“Dr. Bard, are you in there? Open up! I’m here to rescue you.”
“No voice match found.” The robotic voice rang out again, its unwavering cheerfulness becoming gradually more grating.
“Voice match? What kind of sci-fi bullshit goes on in the city?”
It seemed a different route was necessary in finding Bard’s location. Carlos retraced his steps through the hallway, this time taking a different door.
“Score.” Carlos sighed, a little bit of good fortune finally coming his way, this time in the form of a hospital map. He ripped it off the cork board, pocketing it for his own use. Even with the aid of a map, however, Carlos was still on guard, his torch revealing streaks and droplets of scarlet and crimson that blemished the floor.
Opening the next door, he fell back in shock, as gargantuan claws writhed between the gap in which the hallway doors were now ajar. Whatever the creature lumbering towards Carlos was, it was so far removed from the zombies before it that it could’ve been a whole new undiscovered epidemic in Raccoon. It was a scaly, bipedal creature, with mandibles that were akin to some sort of insect, chattering and grinding as it approached the perplexed UBSC member. It had a cry that was similar to a whirring sound, rather than a howl or a shriek, as it began to approach Carlos, swinging its claws in vehemence. It moved fluidly, mandibles whirring, as Carlos fired his trusted assault rifle relentlessly. Whatever it was, it was far more defensive than the typical zombies Carlos had seen thus far. Round after round penetrated its flesh, yet the creature rarely took notice of the damage that it was enduring. With a piercing shot to the eye, the creature keeled over, its whirring reaching a crescendo, before stopping entirely as it hit the ground.
“Jesus fucking Christ.” Carlos let out a shaky breath, praying to whatever divine power that there wouldn’t be any more of those laying in wait.
Reaching an office-esque room, Carlos happened upon a discovery that stirred just the slightest feeling of hope inside of him - some kind of tape player, and a tape already inserted into it. He clicked the play button, only half listening, not wanting to get blindsided by whatever creatures were lurking in the midst of the hospital. It repeated a conversation between Bard and an assistant, and while the contents of the tape illuminated the downright unpleasant personality of Bard, it wasn’t something for Carlos to be concerned over.
If I can play this tape to the robot lady outside Bard’s office, it’ll gotta open!
Carlos returned to the entrance of Bard’s office, the ticket to getting in there secured firmly in his grip. As expected, whether it was the assistant’s voice, or Bard’s, it was the piece of the puzzle that allowed the door to Bard’s office to open.
“Dr. Bard, are you in here? I’m here to—“
Crimson liquid was spilt haphazardly across the PC atop Bard’s desk, with Bard sat in his office chair, unmoving and disjointed, a piercing hole driven through his skull.
With a sigh, Carlos retrieved his radio once more.
“Tyrell, come in. It’s Bard. I think he’s been shot.”
“Shit. But what about the vaccine?”
“I’m lookin’. I’ll get back to you when I find it.”
Carlos began searching through Bard’s PC - files, emails, anything that might be lead for locating the vaccine.
“An email? To some guy named Greg Tester?”
Oliveira skimmed the email, uninterested with Bard’s descriptions of parties and his ‘girls on the side’. Carlos was concerned with one thing, and one thing only - finding that vaccine for his querida.
“There’s only one dose in the hospital?’ Carlos slammed the top of the PC in frenzied frustration, praying that it was still somewhere in this god forsaken shitheap. If he couldn’t save her, Carlos thought, then he’d sooner kill himself with a bullet from his AR. Or just let his querida turn him, because at least they could still be together in some form of apocalyptic stupor. “God fucking damnit!” He shouted, punching his fist through the PC screen, the Umbrella Corp logo now fragmented where the glass screen had been splintered.
Almost on cue, the door next to Oliveira glowed with a green hue, automatically sliding open.
“Is there something in here?”
Carlos shivered a little, as he entered the refrigerated room beyond the newly revealed door, frantically opening one of the refrigerators as he realised what was contained inside of it.
The vaccine sample— the vaccine sample from the email. It was an otherworldly violet colour, as it shimmered iridescently in Carlos’s palm. Finally, some good fucking fortune.
Carlos ran through Bard’s office, clutching the vaccine as if his own life depended on it.
“Hang tight, querida. I’m coming.”
Fighting zombie after zombie, Carlos made it back to the room in which he left his sweetheart to rest, as she laid there, half-consciously crying out in pain.
“It’s OK. You’re gonna be okay.” Carlos kept whispering, trying to reassure both his love and himself.
He rolled her over gently, pulling the lid of the vaccine off with his teeth, preparing her arm for injection. Caressing her arm with his hand, the vaccine seeped into her bloodstream, Carlos laying her back to rest once the contents of the syringe had been used.
“This shit better work.”
Carlos couldn’t help but doze off as he waited for the vaccine to come into effect. A quiet, peaceful slumber, as he sat against the edge of the gurney bed, waiting with baited breath for the vaccine to work. That was, until the door burst open—
“Jesus Christ! Tyrell, what took you so long?”
“You need to check this out, Chief.” Tyrell gave a solemn look, wincing slightly as he grabbed a remote for a television monitor suspended from the ceiling.
“Attention, all citizens of Raccoon City. The spread of the virus has been deemed uncontainable— as of 12:00am on October 1st, Raccoon City will be destroyed via missile threat— all citizens of capable thought are urged to evacuate immediately— this is not a test— attention all citizens—“
“What the fuck? That’s only a day away! There’s still people who need our help! And querida—“
“I know, chief. What’s our next move? City’s overrun.”
“Call the government, tell ‘em we have a cure! The city can’t be microwaved just yet—“
Carlos’s tirade finished abruptly, as he watched his sweetheart slowly rise from the gurney bed, delirious and a little stunned, but alive. And more importantly, cured.
“Well, I’ll be.” Tyrell smiled, standing up from his chair. “That vaccine’s the real deal. I’ll phone the government. You guys have a moment to yourselves.”
Tyrell left the room, radio in hand, leaving Carlos and his sweetheart together once more.
My vision was still a little blurry as my eyes adjusted to the blinding lights of the hospital room. There was a dull pain in my right arm, that had been bandaged up using scraps of clean fabric that Carlos had managed to source in various drawers and cabinets. What the hell happened? Where was I?
“My God, minha querida, you’re alright!” Carlos exclaimed, enveloping me in an embrace so tight I had no choice but to reciprocate, melting in his touch. “Are you alright? Any side effects?”
“You came back for me! You really came back for me!” I sobbed, holding Carlos even closer. “You did all this for me?”
“I promised I’d do everything I could to make it out together, didn’t I?” Carlos gave a teary smile, moved by both my emotion and his sheer sense of relief that his sweetheart was still kicking.
“You did.” I smiled, inching closer towards him, our gaze meeting in a moment that was so gentle, so intimate.
His lips brushed against mine, in a way so delicate that I could relish in the warmth of his skin, his scent becoming more and more alluring. Carlos kissed his sweetheart in a way that made their spiritual union to one another more physical. A sharing of breath, an undeniably passionate moment. They both felt the heat rise within them, manifesting in their cheeks, a sense of desperation growing stronger as they both wanted more. It was electrifyingly tantalising, as she ran her hand through his chocolate curls, two hearts becoming one as their closeness became dizzyingly stronger.
It was perfect. Momentarily, it was like the world around me had fallen, and that it was only Carlos and I in this room, totally secluded. Our shared warmth, and the butterflies fluttering in my stomach, however, were crushed as the television above us emanated an emergency alarm that made me pull away from my moment of bliss.
“All citizens capable of rational thought are urged to evacuate immediately. The missiles inbound for Raccoon City are just hours away— this is not a test—“
Happiness is a feeling incompatible with this world.
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The Vamp and the Were [IronStrange]
Summary: Tony would mark the day he met a vampire that did not immediately jump at his throat. Just for once – that would be a nice change.
Relationship: Werewolf!Tony Stark / Vampire!Stephen Strange
Tags: hurt/comfort, idiots in love, angst, fluff
Ko-fi | Read it on AO3 | Masterlist | Word count: 1.2k | Previous | Next
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Chapter 6: Wong isn’t surprised nor concerned
Tony couldn’t believe he was here. He should avoid this place. Never come back here. Or better; burn the whole thing down.
But Tony needed answers. God, he had so many questions.
He swallowed the boiling anger and knocked on the door of the sanctum. After a few seconds, it was Wong who opened.
He looked coldly at Tony. “Are you here to kill Stephen?”
One trait Tony appreciated in the man was that he was always straight to the point. No sugarcoating involved.
“Haven’t decided yet. Not before I talk to him.”
Wong nodded, deemed his decision fair. He walked away and left the door open for Tony, who followed inside.
“Are you also a bloodsucker?” he asked the sorcerer.
“No.”
“Prove it.”
“No.”
It sounded more like he didn’t care enough to do so. It could be exactly what a vampire would say. Wasn't it convenient that magic helped mask his smell? He could be anything; vampire, demon, ghoul… okay, no ghoul. Those were pale and rather bloated. They really looked the undead part. Like zombies.
Wong reached the big staircase and turned towards him. “Look, some sorcerers are vampires, some are human. We can co-exist if we really try. But I understand that your experience with vampires in the past hasn’t been the best.”
That was probably the longest Tony had ever heard Wong talk, so he didn’t quite know what to say. But the man was right that Tony was biased in his opinion about Vampires ever since they killed his parents and kidnapped him in Afghanistan.
Wong continued talking, walking upstairs. “Stephen is sulking in the library. Please don’t damage any books should you choose to fight him.”
The nonchalant way Wong talked about it made Tony wonder if he just didn’t care or if he didn’t think that Tony could actually hurt Strange… wait, sulking?
The Were made his way to the library. He was by now used to the unnecessarily long and weird hallways of the Sanctum. The maze-like paths were different every time he walked them, but he mostly ended up at the right place – sooner or later.
Only now did he realize that the building was perfect for housing vampires. No matter the temperature outside, it was always slightly too cool inside. And the windows showed different scenery, but there was never direct sunlight pouring in.
There was so much about the doctor's behavior that only now made sense. During the day, they had only met indoors when Tony was visiting the Sanctum. And their missions were always scheduled for the nights. Sometimes in the late evening or early morning, but especially those morning meetings the sorcerer had always kept quite short.
Stephen never ate any food Tony brought. He always had a plausible excuse at hand: he had just eaten, or wasn’t hungry.
Tony had been blind not to see the clues. Blinded by his crus-… friendship.
But that friendship was based on lies.
He finally entered the library. Stephen was reading, but had noticed his arrival, for he had lowered his book and fixed his gaze on Stark. His posture was tense.
Tony stopped in front of him and crossed his arms. “So?”
“So what?” Strange didn’t move. He was perfectly still, like a statue.
“Don’t you have anything to say? Like an apology for deceiving me?”
Stephen clenched his teeth. He was sure there weren’t any words that would help his case. “I have nothing for you.”
Tony’s anger flared up. “Really? Nothing? You lied to me!” he accused the sorcerer.
“I did not. I corrected you when you called me a witch. But you never once asked me if I was a vampire.”
The Were emitted a low growl, mostly in annoyance. “That’s a technicality and you know it.”
“What do you want me to say?” Strange asked him angrily. “Sorry I didn’t tell you I was a vampire the first time I met you – Tony Stark, Vampire Hunter? You would have killed me immediately.”
“You kinda saved my life so I would have at least waited a minute or two.” At least Tony liked to think that. But fact was that regarding the undead he usually shot first and asked questions later.
He growled again and this time Stephen hissed back, suddenly on his feet with his fangs out and his eyes flaring red.
The tension in the room was palpable as they faced each other – but nobody leaped forward. Nobody attacked first.
“Why did you come here?” Stephen asked.
“I don’t know…” Tony deflated visibly, his shoulder sagged. He had already wondered about the same question. “I just…” Realizing that he wasn’t about to kill Strange, that he didn’t want to do that, he flopped on the couch and looked at the sorcerer with his big brown puppy eyes. “Why did you take the bullets for Peter?”
Stephen too sat down. Albeit a little slower, on an armchair. His posture still was anything but relaxed, but he seemed less wary than before. He interlocked his fingers.
“The same reason why I protect the world from evil. And the same reason why I saved you from that rogue vampire all those months ago: I’m a doctor. I save lives.”
Tony snorted. “Last time I checked vampires had to drink human blood in order to survive. I don’t think there’s a vegan option here.”
“Blood bags.”
“Huh?”
Stephen looked up from his hands at Tony. “I haven’t taken blood from a human in a long time. Blood bags are sufficient.”
Tony didn't seem convinced. “Where do you get them?”
The Vamp looked at him as if it was obvious. “I used to work in a hospital and I still have a lot of connections.”
Tony stored that information away for later. The finger of both of his hands touched at their tips, his gaze fixed on them without really seeing them.
Nobody said anything. They both weren’t entirely sure where they stood with each other.
Finally, the Were sighed and rolled his shoulders. “Can I have a coffee?”
It made Stephen relax visibly - even if his posture still remained all proper - because he realized that if Tony asked for a drink, things would turn out okay.
“Of course.”
With a motion of his hand, Tony’s favorite mug appeared on the small table. Gratefully, the Were reached for it.
He still had a lot of questions. Like when did Strange get turned? According to reports, it was a painful and unpleasant procedure. Did he undergo it voluntarily?
Most Vamps did not – who would want to be a monst-… hunted by the government and society?
How had he achieved such good self-control?
And, “Does that mean you finally start eating in front of me? Or more like drinking. I was starting to think you had some kind of eating disorder. Not that I would judge that…”
Stephen's eyebrow wandered up. How could someone undead act so alive in his facial expressions?
“What I’m saying is,” Tony continued, “I wouldn’t mind if you drink your juice boxes in front of me.”
“They are not juice boxes,” the Vamp insisted.
“They are if you stick a straw in them.”
Stephen looked like he wanted to strangle him.
But he didn’t. He was perfectly in control. Probably more than some Weres Tony knew. Actually, he could never imagine Stephen attacking him.
___________
Tony: "I could never imagine Stephen attacking him." Me, the author of this story: "Yeah, well…about that…"
Tag list: @jekyllhydetrash @goopierthenyou Tell me if you wanna be added/removed
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machinesonix · 2 months
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Okay with Dune 2 being mostly about messianic philosophy and the next one probably even moreso, I wanna talk about what I see as the BIG MESSIANIC PICTURE behind the setting, or at least what I believe it to be. There's going to be spoilers in here, but they're not going to be anything you're going to see on screen in this trilogy.
I'm gonna start off by highlighting something that might not be totally obvious at first glance. There are two completely different prophecies Paul finds his terrible purpose in. The Kwizatz Haderach is the ‘ultimate human’ envisioned by the Bene Gesserit who will have an enhanced power of prescience because he can project the Other Memory through both the X and Y chromosome and free humanity from its animal nature. The Lisan al-Gaib is a myth planted in the Fremen culture by the Bene Gesserit in case the Sisterhood ever needed to control them. The big tldr is that Bene Gesserit training involves a lot of learning through observation, so their kids tend to learn things so fast it looks like they already knew them and they pass that off as a miracle. 
I think it’s pretty obvious we’re supposed to find this Kwizatz Haderach thing pretty sus. The disciples of this prophecy are themselves purveyors of false prophecy. Paul certainly doesn’t believe he’s the Kwizatz Haderach, and that’s because he knows he’s not the Lisan al-Gaib. But he does wind up ticking the boxes. He does in fact survive the Water of Life ritual despite his sex. He is indeed uniquely prescient because he can see both sides of the Other Memory. Thing is as we move forward into the books that are not getting movies, we’re asked to reinspect this because of all the other Kwizatz Haderachs.
Brian Herbert gets kind of a raw deal because he didn’t have his father’s writing chops, but we’re comparing him directly to a person many consider to be the greatest science fiction author of all time. What he did have is a deeper insight into his dad’s setting and philosophies than anyone else, so miss me with any mess about which books you don’t consider canon unless you’re ready to go all Council of Nicea with me. Anyway, a really prominently weird thing that loses a lot of people is that Paul’s kid is a worm. He’s not born that way, he basically does the Water of Life ritual in the middle of a bunch of pupating sand worm larvae and comes out of it as a big worm with a human head that can produce spice in his own body. Leto II claims that he’s the Kwizatz Haderach, and to be fair, he is way more of an ‘ultimate being’ than his dad. People worship him not as a prophet, but as a god. Paul brought revolution to the universe, Leto II brought peace. It’s the peace of a godlike tyrant who can read minds and punish dissidence before it happens, but as long as we’re comparing people to their dads it's not like he started a race war that killed 26 billion people in the name of ‘justice.’ 
You may have heard Duncan Idaho winds up being the real Kwizatz Haderach. If you remember that gimp suit beetle thing in the first movie, the Harkonnens and their Tlelaxu buddies take dead people and turn them into sort of clone-zombie servitors called gholas. I’m not making any promises, but there is a real possibility the third movie will have Jason Momoa in a gimp suit, because Duncan is the best ghola. The second Duncan Idaho, bearing the edgy mid-century sci-fi moniker Hayt, is a gift from the Tlelaxu to Paul after his rise to power as an ostensible ‘we’re sorry we helped the Harkonnens kill your entire family.’ If you’ve seen the 1984 Dune movie you’ll know that the Duke of House Atreides keeps a pug. What you might not know is that it’s been the same pug for 10,000 years by virtue of genetic xeroxing. Once Leto II takes over, Duncan becomes the new house pug. Duncans serve as mentats, swordmasters, philosophers, and more over millenia of incarnations. Eventually one of the Duncans gets slammed with all the memories of the previous Duncans and he’s got this totally bizarre version of the Other Memory where he can remember all of his ancestors' memories, but his ancestors are also himself. Thereafter he can run like the Flash and fistfight robots and people call him the Kwizatz Haderach. Like I said, Brian’s books are petty controversial among fans.
Also the reverse-Bene Gesserit wind up making a Bizarro Kwizatz Haderach at one point but he’s just prescient enough to see that there isn’t a future where he isn’t just a washed up fraud. 
Now let’s put it all together. I think the core philosophical study at the center of Dune is the question ‘What is a messiah?’ And like any great work of art it really is more about the question than the answer. Our three Kwizatz Haderachs (I’m not gonna count Thallo, he’s more like an allegory for Joel Olstein) propose some possibilities. Paul is the guy who ticks all the boxes. His messianic status is descriptive, not prescriptive. He isn’t actually the guy the Bene Gesserit thought it was going to be, so that notion of predestination is gone, but if the Kwizatz Haderach is ‘the man who can use the Other Memory,’ then he’s it. He and the people around him knew the prophecy and chose to lean in that direction, he got 
Leto II is the closest thing to a divine manifestation that fits in this universe. He is literally in the body of one of the unstoppable forces of nature the Fremen venerate as their protector. He calls himself ‘God-Emperor’ in a setting where every man, woman, child, face dancer, and thing in between is raised on the principle that there is a monotheistic creator deity and that deity wants humanity to flourish. Everyone who didn’t believe in God got killed by robots ten thousand years ago. By insisting on literal religious worship of his political station, Leto II is seriously making some waves. Imo this is sort of like an extreme example where the question is more like ‘Is this what it takes before you’ll call someone the messiah?’ Even then, the fact that this dude is definitely NOT God in the way this setting understands it casts aspersions on the idea of a visibly supernatural force being inherently divine.
Finally, Duncan is a total freak accident. He is the ‘perfect human’ because he has been iterated on and improved over and over again, but he has nothing at all to do with the Bene Gesserit breeding program. Thousands of years after the Fremen uprising, when everyone thinks the Kwizatz Haderach is ancient history, there’s this guy with super powers. Unlike Paul, there’s no prophecy to suggest he might be the Chosen One and no decision to lean into the mythos surrounding it. The idea of iteration is really important with Duncan. Pardon the unflattering comparison, but there’s something kind of Heglian in how perfection is an inevitability as long as someone keeps stirring the pot. 
I would argue that aspects of all of this are present in the first book. Leto II and Duncan are just deeper explorations of some of the questions posed by Paul. And if I’m to wrap this all up with a neat little bow, I think the point of it is that they’re all totally valid Kwizatz Haderachs. ‘Kwizatz Haderach’ are just words. For ten thousand years, there was a description of a thing and nothing existed that fit that description. There was a plan to create something that fit the bill, but we got a guy who could do the miracle even when we went off script. At that point it just seems like a semantic argument. Likewise, Leto II is pretty much God. He’s immortal, he sees all things past and future, his body produces and feeds him the chemical that puts him in that trippy oneness-with-everything. He sure as fuck isn’t what anyone was expecting God to look like, but it’s pretty much theologicially bankrupt to be like ‘Excuse me, something isn’t the universal superbeing unless it’s exactly what I already had in mind’ even if people do exactly that all the time. If the 400 meter single worm-boot fits, as they say. I’m not exactly how to make this sound as serious as I mean it, but Duncan as Kwizatz Haderach is basically like Brian Herbert shoving the pile of Korans off his desk and going ‘Fuck it, look.’ This guy’s got nothing to do with the Bene Gesserit. He has the genetic memory of his masculine ancestors, but you probably couldn’t get away with calling it the same thing Paul does in court. Half the reason he gets called the ‘perfect human’ is the sentiment expressed by ‘Oh dawg, Duncan, bro, he’s the realest, most human out of any of us.’ He is just called the Kwizatz Haderach because that is the language that exists in the culture that is closest to what he is. But you know what? Same with Paul, or Leto II, or even the Joel Olstein guy I mentioned. 
Prophecies don’t predict saviors, they make them. Chani has a line in the new movie that’s something like ‘Promise them a messiah and they will wait forever,’ and I think that’s Dune boiled down to its most essential notion.  
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Word Count: 713
Notes: He/It Skizz our beloved >:3
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Cleo doesn't even need to open her eyes to know who or what is in front of her. Soft, almost chuffing sound muffled in as best a way as he could.
“Staring at me again, Skizz?” They don’t even open their eyes.
“I can’t help it!” The angel says loudly. “You’re so hot!”
She hums as Skizz giggles, all too giddy as always. A wing comes up, resting carefully over her side and sitting there as lightly as it can.
“Can you blame me?” He adds.
It's then that they open their eyes, looking at it with an eyebrow raised. But it's smiling, bright as the dawn and the day, welcoming like the morning bird’s call.
As he leans forward, hand gently on her thigh – Skizz learned a long time ago not to touch higher – that smile on his face, she shifts backwards with a soft groan.
“Bad pain day?” It says softly.
“You caused this.” They add with a slightly pained laugh.
And then they’re both laughing, mischief high in their tone.
“Do you want me to make breakfast? Make up for what I did last night?”
“I would love that.” She says in mock annoyance, but she already knows that Skizz sees it as soft. Some kindness under the surface that’s only seen by some.
“Want me to carry you?”
They shake their hand, tentatively sitting up with a groan. “It doesn't hurt that much. I can walk on my own."
There's a hand on her side again – the one that’s fully intact – as Skizz places a soft kiss on her cheek. "Rest a little bit, okay?”
“I don’t need rest, love.” They hum, turning to kiss him.
It rests its head on her shoulders, looking at her with big, blue eyes in an all too begging sort of way.
“No, Skizz.”
Skizz’s sigh is exaggerated as he leans back, looking away with that same expression.
“Skizz.”
“I wanted to make you breakfast in bed!" Skizz complains loudly.
"Sweetheart, you know I don't like to eat in bed." They point out with a smile.
His feathered tail flicks with annoyance until he sighs, giving up on the fight.
The zombie slides out of bed on wobbly feet, slowly shuffling over to where she put her crutches the night before. She quietly thanks her partner's patience, the angel already dressed and in the kitchen by the time she's left the room.
Sunlight filters through the windows of the small cabin, dancing over feathers and skin and hair, illuminating every inch of the open space that Skizz has made and each inch that the now wingless angel takes up. It wasn't just for them, Cleo knows that, but it never stops the feeling in their chest.
It makes her pause, even just for one moment, to question her heart and how cold or rotten it might truly be.
But they watch it, hear it's soft singing, smell the rotten flesh it chose to cook with. And it chose that, chose them, chose learning new things to accommodate their specific needs.
She's walking again, moving to stand comfortably next to Skizz as he continues to sing something.
"Clebert, the bacon’s almost done already so do you–"
"I thought you wanted me to rest." They say with a laugh.
"You looked like you wanted to help." Skizz says with a smile.
She rolls her eyes, shaking her head. "Fine, if you insist."
Their partner looks proud of himself, the feathers on his cheeks and ears fluffing out before laying back down.
She slips off one crutch, putting it to the side as Skizz hands them an egg.
There isn't a lull of silence that follows as they cook, instead there are jokes and laughter and teasing. Skizz telling her that they'll need makeup, Cleo helpfully reminding it that they bruise easily.
It’s less of a quiet thing, not even a gentle thing, but it feels like home and safety and warmth as Skizz looks at her with a smile and leans down to kiss her as he chuffs. There’s a hand in her own once she’s done, calloused and scarred, but soft.
They don’t say “I love you”, at least not that often, but with moments like this does it even have to be said?
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Our ko-fi
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stealingyourbones · 2 years
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DPXDC Prompts Masterlist #1-47
Who's Barry?
Tim's New Roommate
Murder Cop & Murder Cop
Tucker Hacks into the Watchtower
Superman's There from the Beginning
Billionaire v Billionaire
GITC Tucker
Who Really needs Skin? Not I.
Young Again Old Again Roomies
Woah Dude is that a Metal Arm?!
Dontchu Wanna Save The Planet
"Nay, A Demon that I am Not, What Would give you the Thought?"
Blüdy Good Cops
F. U. C. K. Y. O. U. Goodbye.
The Phantom Pain of Your Death Still Hurts
Technically Am I Possessing a Zombie?!
Never Accept A God's Challenge To A Drinking Game
Oh, While The Jester Was Looking Down, The King Stole His Thorny Crown
Dash, Flip, Jump. The Life of a Robin
Now you see me, Now y- WHAT THE FUCK
Red Headed Roomies
He Brews The Life Giving Elixir
Cold Blooded Assistant
It's Almost Like I Can Still Hear His Voice
Bibbidi-Bobbidi-Boo
Plant Based Energy
"Some Believe in Me and Others Won't. Now You See Me Now You Don't. I Roam, I Float, I Fly, I Exist but Alive Not I. I Jaunt, I Haunt, The End I Truly Seek for Death's Door That I Already Have Reached."
Step 1: Place Your Fingers to Your Wrist or Neck. Step 2: Count Beats for 60 Seconds. Step 3: If No Pulse, Wait For Your Heart to Beat Again
"I Don't Go Out To Eat. I'm Too Scared of Extra Chemicals In My Food"
Autopsy Report. COD: Unknown. Actively In Pursuit of Victim
The Man, The Myth, Slowly Becoming a Legend.
Confusion of the Con Artist
The Curse of True Sight
The Lights Guide The Way
The Ghosts Follow You Too
A Rigged Boxing Match
The Court of Owls Has Sentenced You To Die
S2E6 Supers Unmasked? | Killer Moth
Such a Forgetful Lot
Holy Sci Fi Dimension Shenanigans Batman!
I Got Family Back In Illinois
Time Is A Flat Circle
You Would Not Believe The Specifications Joker Has on the Tailoring of his Suit Jackets
Maybe Tearing Portals to Different Realms Has Consequences
His Trauma is Eating Him Alive (Literally)
Gotham Birdwatching
Congratulations! You Unlocked the World Map!
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cherrysoulth · 3 months
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Pissin' Our Pants Yet?- Chapter 2: Match in the gas tank
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💕Pairing: Negan x Female Reader 
✏️Genre/au: Canon, Action, Smut, Sci-fi, The Walking Dead Fic
✏️Rating: PG 18+, explicit
📝Wordcount: 9954
⚠️chapter warnings: Shitloads of cursing, Gore details (zombies), Mentions of cults, mentions of cult practices, dictatorship status
<<< 𝕮𝖍𝖆𝖕𝖙𝖊𝖗 1 | 𝕸𝖆𝖎𝖓 𝖑𝖎𝖘𝖙 | 𝕮𝖍𝖆𝖕𝖙𝖊𝖗 3 >>>
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Hii! Did you stumble across this work? Glad you're here 😊 Please, let me know your thoughts once you are finished. Feedback keeps me motivated to write 😁
Note that English is not my first language, so please if you find grammar mistakes, let me know. :)
My gratitude goes to @alldevilsarehere90 for her hard work on beta reading 🧡
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The silence quickly spread across the room. He wants that kind of social pressure on you. He wants you to feel the tension of the expectancy on you to give the right answer.
"I. Am. Negan." You say in a firm tone, as his eyes study you closely.
You realise now why he chose this moment and does not wait for you to be more integrated. Being Negan means giving up your identity to be part of the team, doing things as a group, as Negan would. If you were not Negan, your attack on George would then have been an attack on Negan. So, even if you don't mean it, it was the only possible answer.
"That's true, you fucking are!" he smiles at you with a wolf grin. "Let's see what succulent dinner my wives have made tonight. See what I was talking about? This will be my treat for your cooperation earlier. Still though! You can ask for anything you want." he says, rubbing his hands first then looking at you from up with a smile. "Anything..."
After that little moment of initiation, you follow him through the backstairs in the building, to the top floor where his chambers are. Two beautiful women in elegant black dresses are waiting, leaning on the frames of the double doors. They both look surprised to see you but not a single word leaves their perfectly painted lips.
"I'm going to make myself comfy and then I'll show you around." He gestures for you to come into his room but you stay in front of the open door, seeing how black and grey reign in his private space. It looks fancy, neat, with the big squared windows giving light to the space, it contrasts the general shadow staining the hallways on your way here. One that isn't real an illusion feeling towards the unknown. What is his life like when he is there, alone or with his wives? His mouth twitches, followed by a raised eyebrow in what you interpret as his way of saying 'Ok, don't come in then'.
You watch as he takes his jacket off and does the same with his white tee. Now, you can see his toned back and some tattoos on his body. An old marine unit sticks out in his upper arm, as the only one with known meaning for you. The rest seem pretty personal, you would need to ask about them to get more understanding.
He's not too muscular but sexy as hell. Gorgeous. It stirs those basic instincts in you, making you want to kiss his jaw, his neck, his throat going down his chest. Bite him, lick him. You gulp, without realising. As he grabs a clean piece of clothing and, he reprimands you , with fun, easily read in athe singsong tone.
"I know you're staring."
Instantly you look away towards the wife at your right, then to the left one. They both are giving you a pitiful look. You can only guess it's because Negan can't see them. You've seen their earlier reaction when he arrived: fear. Almost perfectly covert with stoicism but too familiar to miss. 'Why do they fear him? They are his wives. Is he mistreating them?' The idea angers you.
"You ok? Have you seen a ghost?" asks Negan, snapping you out of your thoughts, being just a few centimeters right in front of you. Then you notice the wives are back to staring to the front again, like two beautiful fallen angels protecting their master's door.
"Yes. I mean... No. What are we having?" you wonder in an almost childish tone following the rhythm of his earlier reprimand, letting him pass and following his way. 'Why is everyone so scared of him?' Then something twists in your stomach, sensing the danger possibly creeping in the shadows, from the nervous atmosphere suffocating the room..
As you take a tour through each floor, you can observe there's a general flow in the decoration, since his living room matches his quarters and at the same time is similar to the one in his wives' dormitory. Negan has shown you around when he's decided to 'ask' a subtle order- the wives to add another plate for you at dinner and the four women in that room glanced at you sympathetically while Negan explained to you how having his wives can make him feel human again.
Those stares on their own, would have pissed you off at another time but for some reason, it hasn't hit yet. You are not sure what that look is for, anyway. 'Do they think I'll become a new wife or something...?' you brush it off, not really caring about what they might think about you.
You see the general palette: black, grey, silver, champagne and gold. Except for the flowers on the table: red velvet roses. Perfect, as if they were specially chosen for an advertisement. Everything looks as if you are not at the end of the world at all but in a luxurious house, except for the windows that shake you back to reality. Dust stains them since there's no way to clean them from the outside at this height, but you can still see through them clear enough, the extension of terrain where walkers may lurk between the trees. The outside world that once was precious to look at from above but now just makes you think how harsh it is to walk in it. Truly harsh.
You are surprised by Negan's classy ways. You would have expected something more like a gangster-style kind of thing; sexist, with strippers or at least a pool bar. Maybe because some of his guys look like the kind that lack such classic taste, who prefer vulgar stuff and looking at a woman like they are meat, only made to please them. Maybe you are just judging by bad experiences, you don't know these people anyway, because you have found this place to look like a king's harem instead.
You used to like motorbike gangs. Most of them were cool, some were even hot. Usually, you got involved with a guy from a club and fled before things got too serious. Especially if they got emotional.
Your mum and dad had you and your brother at a young age as a consequence of their love. He was a police officer and ended up being shot when he tried to arrest a thief. That was one of the reasons for you to avoid falling in love with someone, that fear of people dying on you. But a broken heart was the main reason.
You had a boyfriend once and you fell in love blindly. The guy was too broken or you were too young and inexperienced to help him at all. You tried your best, god knows you did, but it all ended up as a useless effort.
He had been your first love, your first in all and that always leaves a mark.
You avoided drugs and guns too, even though you knew some people inside the gangs worked on that. You were just a hangar under or maybe they considered you a lay on, - although you never heard them use that word towards you because of your brother's association with a club. If they ever did though, you were deaf to stigmas in order to avoid being banned from entering a club, for causing trouble because of those comments. You needed to be thick-skinned when it came to male-centred clubs because sexist jokes or comments were almost the norm.
The percentage of drug dealers in motorbike gangs was really low but you happened to come across the wrong people a couple of times. Especially when it came to your ex-boyfriend's brother who was a dealer and a consumer. 'Even with that, those were easier times,' you think 'Or at least I didn't have that many life-threatening situations...' Your brother and your ex made sure to keep you away from trouble as they knew what was behind the curtains and wasn't shown publicly.
His wives are already seated at the table when you snap back into your current reality. As he properly introduces them to you, you notice that they are all dressed in black and high heels like the other two, they look ready for a party in the hot spot club of the moment. But it seems more like you are at a funeral with the kind of tension coming from them with the; 'I don't know what to say' hanging heavy in the air. You think that someone else, in your place, would feel uncomfortable because of it but you like them, like someone that enjoys a bird that's inside a cage. Beautiful creatures on display.
Some people feel the need to free them, and you are that type.
You do not understand how their relationship with Negan works. So far you get that Negan likes to explain things loud and clear, so you probably just have to ask a question, sit down and listen but you don't know if it is a sensitive subject to break on your first night in this place. Especially in front of his wives. 'Six wives!' you think. 'What is he trying to compensate for?'
The wives almost don't say a word during the dinner and you just add the necessary conversation just to keep Negan talking. You need to know more about him, how he thinks, how he moves but he starts to talk about the attack on his outpost and the fact that it has to be a group running around his territory without him knowing who they are. He seems pissed about it again by the way he chews on the bread. The ones he knows don't have enough nuts to defy him this way, according to him.
"So, honey, what have you seen before you arrived at the mall?" he asks before putting the fork with the last veggies in his mouth. The redhead wife, who presented herself as Frankie, looks at you for a second, seeming surprised.
"Do you want a full report of the situation surrounding your safe perimeter or do you want just the general concept? I'm gonna need some maps and our current location, to be able to do the first but in general, everything is screwed up. I've seen a couple of places where you can get interesting stuff, useless for other groups, useful here." you explain, while you play with a pea with your fork. Sherry, at this point, asks if you need to be left alone.
"No, it's fine, finish your dinner, sweetheart," he tells her in a gentle tone and then returns his attention to you. "So, hearing the way you said that, it sounds as if you had military training. Were you infrom the Army?" he asks genuinely curious but with his normal tone.
"My mum was. She taught me to be the tough person I am now," for the way he looks at you fully focused on your words, you understand he wants you to keep talking. "She died a few months ago, along with my brother and I left the group I was with. No hard feelings, no shit, I just couldn't stand to care about someone else... and see them die too." Then you see something in his eyes like it resonates with him, something deep down his soul that he shows from his heart, just for a second. Only to compose himself with that intimidating look that clearly hides his feelings.
'That ain't about the men he lost last night' you think. 'Who have you lost, big bad wolf?'
After the wives leave for the night, you two stay chatting about all kinds of things that come to mind. Just as if you were two friends catching up with each other's lives after a long time apart. At least that's how one could see the scene because there is a point where you can tell he's somehow letting his guard down with you with how he speaks and what he says, even his gestures.
It's not difficult to know, aside from his comfortable stance of walking around the world like he owns it, he's always aware of everything. And at the end of the day, it must be exhausting. Even with that in mind, you can't fully pity him for what he is and what he means to other people. There's also the fact of how easy he's making things for you, when you are sure there's others who have had to claw their way up to the top. Or so you've assumed from what George said.
It means he has something in mind for you. Things are never this easy and when they are, there's always something behind it. There's always a price to pay. Breaking the silence that's formed after your internal cognition, you excuse yourself, wanting to get back to your room and he insists on escorting you.
"It's been a pleasure, Negan. It was the best meal I've had in a long, long time," you say to him when you are just a few steps from your door. "Thank you. Have a nice sleep. I'm sure I will." you give him a little smile, more out of tiredness than gentleness.
"No goodnight kiss?" he questions, when you open your door, putting an arm against the door frame with a smile, while you enter backwards to keep facing him.
"I don't think so," you answer, arching an eyebrow while turning to take off your jacket and leave it draped on a chair.
"What a shame! Maybe tomorrow... Goodnight darlin'." he says, staring back at you for a second with that smile before he starts to walk back to the corridor. You stand there listening to his footsteps retreating as he walks away. It has been an intense day but at least tonight you have one less worry: you aren't going to wake up with a walker chewing your face off. The rest is just the same.
It takes you practically seconds to fall asleep once you get inside the covers and your head falls onto the fluffy pillow. Your chat with Negan lasted until the early morning, when everyone seemed to have gone to bed, quietness reigning inside The Sanctuary and you are very tired already from sleeping rough on the road. When you are alone, time seems to lose its sense. At some point you stop counting, now you can't remember how long you have actually been alone. You think it has to be at least six months for the seasons' change but that isn't precise enough.
No nightmares this time, but no dreams either. Just the whiteness of an empty mind. At least that is the sensation you feel before the knock on the door breaks your state of mind travelling nowhere and you wake up startled. For a second you panic 'Where the fuck am I !?' as you frantically search for the knives on your belt. Then you remember everything that happened the day before and breathe, as you stand to look through the dirty glass of your window. This new day is starting to break, you can see it in the faded purple and orange that stain the horizon. You wonder what time it must be until you remember the clock. Half past six. 'Why!?' you roar internally for whomever it's outside the door.
"What?" you voice out in a dry and moody tone as you open the door.
"Good morning sweetheart...Uuuh...Nice panties." says Negan, who's already resting his forearm on the door frame. You remember now that you took everything off and just left your panties and top on. 'Like he hasn't seen a woman in her underwear...' "You ain't wanna go out like that, right? So hurry up and get dressed, it's time to see what kind of cards you keep up your sleeves." you have already started to dress before he's even ended the sentence. "So," he says as he leans with his right side against the door following your every move with his dark eyes. "Today you'll go with Arat. You're gonna check the places you told me about yesterday. And that better be good, 'cause I'm coming too." he adds with a grin and some brow raising.
"I thought the king would be too busy doing..." you roll your wrist while looking away as if you are thinking. "Whatever kings do..." you conclude looking at him. "If they do anything at all," you add in a lower tone, as you turn around to pick up your backpack from the closet.
"You think you're funny, uh?" he says, faking offence. When you turn around his smile tells you he did find that funny.
"You look like you had a good fu--sleep last night." 'He's not your friend. His private life has nothing to do with you.' you think while tying your boots. To your surprise, there's no immediate response or a joke and when you look at him, he seems to be trying to decipher you as if you were talking another language.
"Are you... jealous?" he asks you as if having a lot of fun with the question. You know he is joking but you roll your eyes. "The candy shop is open for you too, darling. You just have to ask for your favourite sweet," he adds, bouncing his knees thrustingraising his pelvis, as a sexual insinuation.
"Jealousy is for insecure people or those who see a cheating bastard on their partner or cheat themselves. Besides...I should feel or have something for or with you for that to be even possible. So, no. I'm sorry for your ego but the answer is no." you answer, as you walk to the door expecting him to move aside to let you pass but instead he walks towards you. "I don't want sweets either. You can get decayed teeth." 'I can be metaphoric too, you know?' you add for yourself.
"I know I'm growing on you. Since the moment we met," he tells you, with a hot voice that runs chills down your spine. 'What if I do? It doesn't mean anything is gonna happen.' you say to yourself. He gets so close, his mouth is almost touching yours. "Besides...We do have something." that thought gets lost in your mind when you feel his breath on your mouth and kiss him, letting passion do its own work.
You put your hands around his nape between his deliciously warm skin and his leather jacket. Your lips smoothly caress his and you feel the wetness at the centre, inviting the caress from the tip of your tongue before you deepen the kiss. Then you stop for a second, without letting him go, just to take his lower lip between yours. Just after a second, you're back to attach your mouths again. Meanwhile he grabs you by the thighs to put himself between your legs, then moves to press your back against the wall. But when he puts his hand under your top where it meets your hip, something switches inside your head.
"Ok, ok, ok. You proved a point here." You say, breathlessly. To that, he lets you down softly.
"I'm not sure about that. I think I could keep with this all day long...Just to make sure you get it." he says without moving, proudly looking at you from above, with a mischievous smile.
"I don't think that's gonna happen." then you recall that's what you said last night. 'Be more true to your word if you want to be taken seriously.' you tell yourself. "What I mean is, stop playing with me. I don't want this mess. Just be with your wives and leave me out of it." Just as soon as you say that, you leave your room with the devil hot on your trails if chased by the devil.
Minutes later, you ask the first Saviour you find in the hallways where to go to find Arat because all corridors are so similar you are not even sure where you are anymore. You find her near a truck. Negan is already there, bouncing and giving orders while some jump in vehicles and head out. As soon as you reach Arat, Negan gives you two maps and instructions, acting as if you are just any other Saviour. Exactly what you want, even though you still have the taste of his mouth in yours and it's driving you insane.
It's been too long in abstinence and he's like the red juicy apple for Eve.
You and Arat are meant to go to the head of the convoy, just behind Negan's truck. There are another four trucks that will take other routes with him, to be able to check other spots near the one that's been chosen for you; the abandoned school, to try and find out if there's anything interesting.
When everything started, the schools were used as camps for the special forces because of the open spaces and many classrooms. So there could be something left behind.
But you don't get that lucky. After expecting to find a good load of guns, it seems that the army left only a few men here. As far as you can see, they were attacked by walkers while they were trying to move the few survivors to the military helicopter. You two start clearing out the outside from the last walkers wandering around and decide to leave the inside of the building for later, in case a herd decides to appear and you lose the chance to pick up the stuff that's waiting outside for whoever wants to take it.
You start checking the place for any weapons left on the floor and any car that might still be useful.
"This one is fine," you say to Arat after checking a four-wheel engine but after looking for the keys in every place inside the car, it comes up empty. "It needs a jump starter, the keys are nowhere to be seen," you tell her, then notice she isn't near anymore, searching for her you see she's putting a couple of assault rifles and some ammunition inside the cab of your truck while she keeps an eye on where you are.
Then, both of you walk to a unit for medical supplies in sync, you open the door like the SWAT would do and a walker comes out after a few seconds, falling through the stairs. Just to find himself stubbed with a throwing knife. You two enter and check if there are no other walkers inside. The place is clear and kind of clean, with only little stripes of skin stuck to any sharp edge as if the walker has been moving around the room attracted by something that's been outside.
"Pick up three plastic boxes." Arat orders, so you walk outside directly to the van.
"Kyle, do you see anything?" you ask through the radio to one of the Saviors. His mission is to look after you and Arat from a highway road next to where you are. He's using a sniper to see more accurately if anything moves around to the camp.
"Two lost souls, no horde. I see many walkers through the windows of the building. Be safe." says the man cutting the communications.
When you two have put the medical supplies in the back seat of the truck, you two decide it's time to check inside the building.
You two stay in front of the door for a few seconds before pushing the entrance open. The hallway is clear all the way along the school, as you move around to take the fire extinguishers and other supplies that were left along the walls. Mainly boxes with basic camp supplies such as; torches, batteries, pillows, blankets, disposable medical outfits and masks that you two put on a metallic trolley. Next to it, you notice an exhibitor with yearbooks and trophies. Taking everything to the truck that Arat has now moved to the front of the building to ease the work.
Once you've emptied the corridors, you two move room to room from the entrance all the way back to the rear doors.
The library is full of books but there's only one body sitting at the study tables with a bullet wound in the head and a handgun still held by his unanimated fingers. Taking the gun and checking there's still bullets inside, you place it in your backpack. You also check inside the librarian's desk and find a gold handwatch and a bottle of Nina Ricci perfume. You place them in your backpack too. On your radio, you notify the scavenge party that's with Negan, about the books on the next channel. The man on the line says they'll pick it all up later. Somehow you expected Negan to answer but you shake yourself out of the thought.
'That can only end badly. Stop thinking about it.'
You meet Arat at the entrance as she walks carrying a box towards the truck. There you take the watch out of the backpack and place it between the sheets inside of it, taking one of the material bedding with you back inside the library, to cover the body with it.
"Why am I not surprised?" says Arat leaning on the door frame. "Don't bother, he's going to be left outside. We don't waste time burying people." You are not surprised because it would be a task that never ends if you buried every single dead body you found. But you still leave the body covered before following her.
As you open the science classroom door, you're met with a huge walker, coming at you, desperate to eat your fresh flesh. You stab him in the cerebellum through the jaw with your hunting knife. But before you are even able to open the lab cabinets, you hear Arat's footsteps approaching you.
"What are you doing here?" she asks impatiently as if you are wasting time.
"We need to pack this stuff, it can be useful for someone who knows how to use it."
Arat raises her shoulders in response. "Fine. But leave it for later, let's keep going. I've found the rest of the supplies in the gym but there's some dead-not-so-dead there." she says.
You take your knives from your belt and nod. You two walk the hallway side by side and push the door open with opposite feet. She kills the first walker with her hunting knife and you throw your knives putting three others out of their misery, as she kills another one from further away before it even has time to come her way. You kill the last one left with your own hunting knife.
"Good job." she congratulates you, as you move to pull out your knives from the putrid skulls.
"Thank you," you nod, as you clean them with a rug hanging from the edge of a bed. There you notice a couple of bodies between the lined-up bunk beds, shot in the head. When you look around there's more. Placed exactly like that. What you hate the most about it, is that it doesn't phase you. Something that would have kept you awake at night almost three years ago, doesn't affect you that much anymore. You've stopped trying to see the person behind the corpse in order to keep your sanity but they were people and they were shot before turning.
"At least they didn't suffer," Arat tells you from behind as she picks up a box.
"But why would they do this if they had supplies?" you wonder. She stops for a second and looks around, then towards the supplies.
"You saw what happened with the helicopter, maybe there were too many of those things around and they thought it was the best they could do." she says as she places a box in your hand. "The ones we've killed just now, they weren't shot. So they didn't have enough bullets to defend themselves and there was definitely not enough food to feed this many people."
"They thought they would starve to death because of the walkers and decided to end it before that," you reply in understanding. Some bodies were chewed on by the ones that died in other ways. "The ones we've found in the other classrooms were locked from the inside..." you tell her as you two walk down the hallway. You can only imagine why. "We should park the truck next to the emergency door, we'll go faster. I'll go pack the lab stuff and I'll take it to the gym."
While she manoeuvres the van, you manage to open the cupboards and fit a first cardboard box full of test tubes and other glass materials. You decide to leave the chemicals for later and run to pick up the trolley from the entrance to place the boxes in it and go to the gym. While Arat places some supply boxes filled with dry food and other survival supplies, you position your boxes in the gap behind your seats. Pulling up the folding bed to be able to place them next to each other and avoid piling them up. Then you jump out to help her with the boxes and a defibrillator that was in the gym instead of the medical unit, for some reason.
When everything is on the back of the truck you two take a walk around the playground at the back of the building, directed to where the four-wheel is so you can drive it to find the rest of your group. That's when you find something you didn't expect in the slightest; a flamethrower. Without thinking twice about it but knowing you probably shouldn't have, you aim it at the school bus, which is already a little bit tatty and shoot against it.
'I might never get another chance...' you think with a smile on your face.
"Did someone hate school?" you hear Negan from the radio in a fit of laughter, probably watching the scene from the highway too, and in a matter of seconds Arat appears.
"I wouldn't have guessed this would happen today. Now, I know you're having fun, but, stop playing with that shit. I want it." he says, the last part with a stark, authoritative tone that reminds you which position he holds above you all.
You don't answer to the radio but roll your eyes as Arat gets down from the cabin and walks towards you, along with the radio in her hand and a cheeky smile. When you start to walk towards her, you hear a weird noise, like metal cracking and you two drop to the floor just as an explosion bursts behind you.
"Are you psychotic!?" asks Arat, not smiling anymore and still on the floor. The noise of flames and metallic parts falling around is almost deafening
"What the hell just happened!?" you ask, eyes wide open in shock. Your confusion clears, thinking you were being attacked before you realize what you've just done.
"You did it, you silly bitch!" she says laughing from the depths of her lungs. "What are you surprised about!?"
When you look behind, the bus you've just burned is all messed up with pieces of it surrounding you. You two were lucky to not get badly hurt or winding up dead by the shrapnel. You just have a few cuts, the same as Arat.
"Was that supposed to happen!?" you ask even more surprised now that you understand the mess you've just made. She shrugs her shoulders.
"Are you guys ok!?" you hear Negan's voice over the radio.
"We are heading in your direction, are you under attack?" says Dwight, getting on the frequency. You hear the sound of their engines in the distance.
"Negative. I just bombed a school bus!" you say, starting to laugh. "Oh my God! That was...fun," you say as you keep laughing.
"How old are you? Ten?" Dwight replies, trying to sound serious but you can hear in his tone he's actually amused. "Be careful that's sure to call the attention of the walkers," he warns, cautiously.
"Don't be such a pussy, Dwight! You think I'll let the ladies be eaten like a red velvet cake by those tasteless pieces of shit?" says Negan. "Not on my watch," he adds, with no reply from Dwight. Not that he expected one, of course. "Coast's clear, ladies. Pack whatever you found and get hell out of there 'cause we can't see shit through the woods."
"Yes, sir." you hear Arat answer dutifully through her radio. "Seems like we are done here," she tells you while turning towards the truck.
You put the flamethrower with the rest of the stuff in the trunk and make sure everything is safe inside for the journey. Then you head to the road following her with the car, you see through the mirrors that some walkers are arriving at the place.
'What counts is not the amount, it's their position and they are coming from everywhere.'
"Negan, you see that?"
"Hm... Yeah. It might be risky just for some books." he says. "Boys, turn around, we'll pick up the readin' if we drive by. Another day," he orders.
When you two meet with the rest of the convoy, you find Negan staring at you as if he's going to lecture you like an undisciplined child. Instead, he just checks what's in the back of the vehicle to have an overview of everything.
"Well done! That's a good load!" he says, with a smile that doesn't fool you or anyone who knows him. The tension in his voice says otherwise, and you are unsure if he's even trying to hide that fact. When he gets near his car, you realise that he's having the courtesy to wait for you two to be alone to say whatever he needs to. From what you've picked up from Arat, Negan's very public about everything. So it has to be bad. "Alice, you'll drive with me. I think we have to discuss some of the rules again." Just like that, without giving an option, he jumps inside his car and puts the engine on.
You hop in and wait for some shouting and blaming but instead, he remains silent for a bit
.
Come as you are by Nirvana sounds on the music player masking the silence.
"What in the fucking fuck were you thinking!?" he says suddenly while looking at you sideways. "I'm good at reading people and I don't fucking think you are one of those kamikaze shit-fucks who don't give a fuck about dying or getting someone else dead. SO. Tell me, are you nuts!? 'cause I would like to know before I put someone else at fucking risk because of a sudden fantastic idea you might have..."
"Don't be an asshole! I might seem nuts to you but I didn't know that was going to explode like a fucking balloon!" you respond, rolling your eyes and turning your body towards him.
'Well, I kind of knew. But I thought it wouldn't look the way it does in films.' To that, he calmly pulls the car to the side of the road and with his arm out of the window gestures for the rest of the trucks to keep on their way.
"Ok, then you are just a reckless lady," he says, looking at you as he keeps gesturing. "You are out of the mission. No Saviours for you. I'll find you something to do inside. If that ain't enough, I can be a lot more of an asshole, just try me." he continues looking at you directly, resting his elbow on the top of the headrest.
"Hm, I think that's unbeatable. I think I'll pass, thank you," you say sarcastically, looking at the front quite angry. It takes you a minute to cool down a little and notice that he's right to be angry. Looking at him again, only to see he is giving you the 'no shit' look. "Oh, 'c'mon. I thought you had a sense of humour." you say with a tone still stained with sarcasm causing him to arch a brow, still not smiling.
Then he moves his arm and puts it around your shoulders, and places two fingers down your chin invading your personal space with his body, as he moves. He kisses you, somehow needy, causing you to melt as it turns deeper and sensual, starting to create tension in your lower body. You have the urge to straddle him but instead, you hold yourself back and try to keep up with his kiss. 'He is such a good kisser...' His tongue slides between your teeth and that makes you lose control, pulling him to you by the jacket and cutting the space between your bodies. At the very moment you are about to move on top of him, you hear the growl of a walker as it gets near your side of the car and you pull away quickly.
" 'C'mon baby don't run away again," he says, with a heated tone, almost sweetly, as well as a little bit frustrated. This time it's you who kisses him with your hands at the sides of his face.
"I'm not doing this here with a half-rotten undead dude trying to get into the car to eat our asses off. Simply not my kink." With that, you free yourself from his hold and make yourself comfy on the seat. "By the way, you better not look me down on me like another one of your caged birds or be sure there will never be another kiss for you from these lips. Just biting and blood," you warn him, meeting his eyes directly. To your surprise, he doesn't say a thing, instead, he chuckles and starts the car again.
When Negan pulls in at Sanctuary and you jump out of the car, you listen in to what Simon is explaining to Negan.
There's a place named Alexandria, where the people that killed the Saviours in the outpost live. Then they laugh about someone called Gregory and Negan gives orders to a group to go find those people the next day.
You take the chance to get away and head to the showers. It's not as if he will not know where you are if he wants to, you are aware of that. Even with that, you need some space from him. 'Don't let him play you around. You are stronger than that.' you think. 'It will be just for fun, no emotions involved' speaks your demon, very convincingly.
You step into the cubicle and turn on the shower, the water runs warm just a few seconds later. It falls over your body taking with it the dirt and sweat from your work with Arat. You wonder why you are letting yourself get so carried away with him. You don't even know him. Some of his character traits can be analyzed by his behaviour but you can't really know how he is without being too involved. He does not have friends, only subjects and that's exactly the way he treats them. 'How could I ever get to know who he really is?'
Negan looks like the kind of guy who knows where his place in the world is. Self-confident. But these kinds of things are usually the ones that get girls and women confused, what he does is what matters. How he treats you and the people that surround him, not what he says or what he tries to scheme. The wives' behaviour is a red flag and the smart choice would be to run away. As usual norm noone is ever an exception to the rule if they do it to another person they will do it to you, no exceptions.
Most people who need to exercise control above everyone around them are usually abusers at one level or another. You understand that Negan uses power to control people and also violence to punish those who don't follow the rules. It's an acceptable measure in extreme times like this but still, unacceptable if he overpowers his wives to make them do what he wants. Instead of running like your instinct and knowledge tell you, you choose to stay, thinking that it is too early to judge.
You come out of the shower all built up in your decision, then get dried and dress in the same clothes you wore the first day you came here. Clothes aren't so difficult to scavenge but someone's bothered to wash them and leave them folded over your bed. Thing that you appreciate since you've been in this placeset is, without any doubt, it's very comfortable. You finally put on your new boots. When you go out, there's no one in front of the bathroom but still you walk to your room stealthily. You come across Sherry who seems to go around just as careful as you do. For good or bad, you think maybe that's a sign from the cosmos to ask her some things.
"Sherry, can I talk to you?" she gives you a suspicious look, as if she thinks you're untrustworthy. "Please," you put your hands together, pleading.
"Sure, follow me," she says and, with an unsure look in her eyes, leads you to some back stairs that don't seem very busy. "Go ahead."
"It's about Negan. I need to know how he is." First, she seems troubled, then she looks around worriedly. "It's just that I need to know what happens when there's no one around," she seems confused at first but then her eyes turn a little more soft and you read sadness in them. Suddenly you feel disappointed about Negan as if you expected something better. "I mean, how is he with you when there's no one around or when there's just the wives with him?" you clarify, in case she's taken the question as you lusting over her husband.
"He doesn't hit us if that's what you're asking," she says, leaning on the wall behind her but looking at the ceiling. "But he has terrible ways to make you do what he wants," you look at her horrified and your stomach curls. "Well, I don't mean in a sexual way... He's against rape as you might know already and he gives us protection. He's a gentleman in that way but we're with him because that's all we could do or we had no other option." She explains to you her story, when her sister Tina, said she would think about Negan's marriage proposal. Her and her husband, Dwight, tried to escape, but Tina had died and they had no choice but to return, she had to marry Negan to save Dwight's life.
"So you two... Shit... That sucks..." you mutter. She just gives you a nod and you don't want to bring her down with memories.
"One way or another, he always gets what he wants. If you give it to him it'll make your life easier, believe me." She then explains to you about the other wives.
You are furious and want to face him, even though you know it wouldn't be a smart move. 'How can he be such a bastard to make people abdicate their will like that. He's a fucking dictator. I already knew that but he's definitely not a clean-handed one...' He has a full army with him so it wouldn't be very smart to threaten him physically to leave you alone. You are not getting out of this place, now you know for sure. It would be smart to do your best with the situation.
"Ok, thank you for your time." you say, softly.
"I'm sorry if I broke your fairy tale," she says genuinely, making you think that she thought you might be falling in love with Negan. 'If they think that, maybe Negan does too,' you think. 'That could be an advantage.' You don't say anything to her to make her think otherwise, instead you part, walking back to the corridor. Before the door to the backstairs closes behind, you hear the sound of a lighter.
You take your time, caressing the walls with the tip of your fingers. When you enter your room it catches you off guard that Negan's there, sitting on your bed with his left ankle on top of his right thigh and dropping the weight of his torso on his arms, tilted backwards. Lucille's resting on his lap.
"What are you doing here?" you ask him, in an annoyed tone sounding a little bit more pert than you meant to. "It's wrong to invade other people's privacy, you know?"
"The last time I checked, this was my fucking building and the questions were asked by me. Have we changed the roles? Because fuck, I had no fucking clue." he says narrowing his eyes as a way to intimidate you but when he sees that you don't change your expression, he looks at you like: 'What's wrong with you?'. Maybe he's being genuinely himself but he definitely hits a nerve. 'I can't just act like I'm dumb and let him get away with everything.'
"I'll just tell you this once: I'm not below you, more than an employee for its boss. And with this, I mean that I respect you and you respect me. Understood?" you say without any kind of fear, before he opens his mouth.
"What a nerve! How dare you," he replies, with a rough chuckle. It seems to you as if you have pointed out something obvious to him. You expected another kind of reaction but for some reason, he hasn't considered your claim a problem. Maybe it's because you are alone. You get that's your only advantage over all these people. "As I tried to make you understand, I have my tactics to make people do what I want but my only intention with that is to create a chain and order. Not to abuse my position of power."
'Liar.'
"When people follow the rules everything is fine, they produce and receive points for it but I don't intend to dominate what they do with the rest of their free time in certain terms. The same goes for you. There's also the fact, that I have a fucking soft spottingle for you, I think I've been pretty clear on that. But you are not bound to anything, sweetheart. Everyone has a choice, even if they take dumb ones."
'Do we? Do you even know how untrue that is?' That's just a bunch of lies but he really seems to believe his words so much, if you didn't know any better, you would believe him. It pisses you off.
"Till when?" you ask, frowning. You are so furious that you let your tongue loose. If he wants you around, he's gonna get what that means. "Until you get fed up and decide that there is something you can hurt me with to convince me?"
Sherry told you that's how he got three of the wives and you're definitely not accepting that. "I don't have a family, so you have nothing to grab me by the balls with. For now. Should I keep an eye on not making friends, so I don't make them a target of your anger when I don't do what you want?"
"Watch that tone," he warns, suddenly serious and sitting rigid on the bed, staring at you with a 'Be careful.' written in his eyes.
"What if I don't Negan, you gonna kill me?" you say expressionless, letting your hunger for balance and justice get the best of you. "Come on, do it, who the hell cares? Show me what you got."
He looks at you, furious, and stands closing the distance between you but you notice he leaves Lucille on the bed. He approaches you quickly and without warning, as he raises you by the thighs, kissing you. His lips own yours hungrily and makes way for his tongue to invade your mouth while backing you against the wall. His taste raises your skin in goosebumps and suddenly you forget that you're angry. His mouth descends to your neck and you lose the north. You feel that pressure coming down your stomach to the innermost part of your being but it is his hands moving towards your rear that shoot something inside your head and there's no turning back.
You slide your right hand behind his neck from inside his jacket, while your left-hand goes down between the two of you searching for the end of his white shirt. You slip your hand underneath and find yourself in direct contact with his skin. His toned torso tightens and relaxes with the movements of his breathing, his heated skin feels so smooth under your fingers.
You feel him hardening like a rock right against your centre, making you lose the relaxed rhythm of your breathing when he breaks the last of the distance between your bodies. You gently bite his lower lip, pulling it towards your mouth and intensifying the kiss. You feel like a drug addict about to receive a dose of your favourite high, except that this time it's superior quality.
You drag your nails gently over his abdomen, wishing to leave a mark on his skin as your hand travels lower to the button of his pants, while your lips stay moulded to his. You begin to introduce the tips of your fingers into the waistband of his underpants.
"You see I wasn't kidding, huh?" he says confidently, half-laughing in your mouth but making space between you so you can manoeuvre.
"Shut up..." you reply, stopping your hand from going further. You move your hands against his jaw as your lips explore his, parted, tongue sneaking inside his mouth to caress his with the tip, an invitation to dance. His tongue responds, twirling around yours, dominating the movements. He can't avoid grunting, as your hips push against him in pleasure.
He whisks you over to the bed, discarding Lucille out of the way but leaving her carefully standing against the bedside table. Then he liyes you down, like a fragile piece of crystal, appreciating the lines that form your body, focusing on the ones in his direct line of sight, the way your top hugs the sensual curve of your breasts. As his eyes grow with lust, his head is working on what he wants to do to you while he takes off his jacket and places it on the armchair in front of the TV unit.
As he walks back to you he stops for a second staring at the image of you leaning on your elbows watching his every move, studying the frame of his body, the straight, secure, yet relaxed, posture of his back. The way his white t-shirt hugs the width of his shoulders and gets a little bit loose at the end, insinuating an easily accommodating hips size, as tall and broad as he is. When your eyes set on his bulge his smile widens proudly, but your eyes soon move to his feet as he kicks his boots off, triggering you to do the same, eyes still fixed on each other.
"Wait." you ask, before getting out of bed, as he curiously watches your every move. You press the button on the door knob locking it with a click and turn on the music player sitting on top of a bookshelf next to it. It's loud enough to cover up the sounds Negan has been inflicting on you but not so loud to bother anyone.
"Come down to the black sea swimming with me ah-ooh uuh." you sing with it before you turn around walking back to him, circling him as you wrap your arms around his back and hug him from behind, kissing his back before gently grabbing his hand to leading him to your bed.
Your synchronized movements escalate from the foot of the bed to the pillows, with you moving backwards as he crawls with you until he's towering over you. He fits himself between your legs, pulling your hips towards him while claiming your neck. You gasp when you feel one of his masculine hands climb up your side to get under your shirt, raising up goosebumps in its wake. At this point, you know this is going to be worth your while.
'Negan's hot like the damn sun.'
Something visceral inside of you takes over your conscience and you practically wrestle him under you, flipping him over using your hips and legs. You yank off his white tee, frustrated by it obstructing your vision and toss it aside. Finally able to see the full glory of his chest and abdomen, covered in a decent amount of unruly dark hair until it trails down, hiding underneath his pants. The perfect amount on the perfect body.
'Shaved six-pack youngsters are overrated.' your mind defines.
Your red top slides up, slowly, as your hips roll over his hardness to the rhythm of the music. Making it all feel more like a strip tease. A little groan escapes his throat.
Your mouth attacks his neck, nipping and sucking hoping to leave purple love bites but you don't remain there before moving down his chest and stomach trailing soft and poisonous kisses full of desire. That is until your chin meets the edge of his trousers, you lift up to observe him; arms crossed behind his head letting you do as you please while enjoying the view.
Your fingers trace the form of his member, caged inside those tight black pants and his breath halts. Your hips settle over his just to see him react, as you move them teasingly whilst slowly unbuttoning and unzipping his pants. His hands grip your waist tightly before you stop moving them, then one hand moves to undo you too as the other keeps you firmly in place.
"In case you change your mind and go running, this is the moment to stop it. Please, don't play with me," he says and you feel a sense of wariness and frustration in his tone, disguised in sarcasm. He wants you so bad he's letting his guard down just long enough for you to hear that out.
'I'm far away from running, big bad wolf...'
Then he raises his torso and your noses rub against each other. "Oh! Turns out you can ask for things nicely..." you fake surprise. "Will it turn out that you are indeed a charmer, after all..." you say, your nose nudging his again before your lips meet his. Tenderly you bite on the lower with a slight smile, making him grunt a little.
'Fuck. Shit!'. You squeeze your eyes shut. 'This bastard is gonna make you fall for him!'
"Everything ok, babe?" he asks, worrying creasing his forehead.
Just nodding before going straight back to kissing him again, you hope that whatever is starting to grow inside of you for him will die as soon as you see his bad side for yourself. Deciding it's too late to worry, knowing that the fear transpiring all over Sanctuary isn't due to a one time incident but too many.
Getting to your feet at the edge of the bed and pulling his trousers off his long legs. 'Hell if I don't love his body and his height already...' your inner demon sounds, much to your dismay. As you toss them aside too in a mess on the floor, Negan's already sitting up at the edge of the bed, kissing your belly as he slides the fake leather covering your legs down to your ankles. He bites your hip bone making you shiver as you resume your seat on his lap, feeling his warm and full form now that there are not many clothes left between you.
"Do you have condoms?" you ask him, knowing this is the right moment to ask before you get too into it. Knowing if the answer is no you're just not going to do it.
'I should have asked beforehand...'
"Of course, darling." He reaches down to his pants and takes out a couple of condoms from the pocket.
'Great! He actually came here with the intention to get in your pants.' Somehow, valuing the situation, the idea makes you frown. 'Well, who's to blame you for giving into your urges at the end of the world. You could die tomorrow. Although with Negan around it doesn't seem likely.'
"Well, honey, as you may know I'm married to a lot of women." he responds to the expression on your face. "Not all married man take fucking care of this stuff as they should. But if you're gonna cheat, do it safely at least, don't bring a fucking disease to your partner or get your lover pregnant. You don't need to be too smart for the 'better be safe than sorry' shit." you understand his point and find it something to agree with. You rub him with your lower body parts to get him back in the game, although his erection hasn't ceased.
'Hell does he ever relax?'. You notice his body is slightly tense too, you put pressure on his shoulders as you keep grinding.
It has its effect, and you are soon under him as he takes your panties off. 'I guess we are done talking.' you think, right before he lures a moan out of you by attacking your neck, going down your body mercilessly. His teeth meet parts of your body that make your lower body tense, as if he knew where to bite and kiss. He's exploring every inch, getting to discover those little secrets that will make you ready for him.
Your arousal is quick, after who knows how much time since you've been touched like this but at this point you are raging and needy. He must have read it on your face because he rids himself of his boxers as he meets your eyes, pulling the condom open and down his length in no time.
'He knows what he's doing, damn if he ain't hot as hell!"
His tip meets your entrance without wavering from your gaze, attentive to any sign of discomfort,as he slides inside slowly. You notice you didn't quite size him up correctly before unless it's the sheer lack of sex thwhat has made you unprepared. The pressure of your walls trapping him inch by inch of his advance. Both of you seem to have forgotten how to breathe when his length is fully inside of you but he doesn't move, to your surprise. He seems perplexed somehow, with something clearly on his mind.
"Did I leave you drained of energy already?" you say in a mocking-like tone. "You should do more cardio Negan or you will die here-"
He cuts off your prattle with a quick push in before pulling out just as fast, with a smirk of victory. His face relaxes as he moves slowly, studying yours.
'He's trying to see if he's hitting the spot.' your mind babbles.He moves his hips with experience, aiming at the right angle, while grabbing your left thigh to hold you in place, making you feel like you are in heaven. His mouth meets your neck when you let your head fall backwards as your back arches. "Negan..." you whisper.
"M'Right here, babe..." he whispers against your neck. Your only answer are quiet moans. You can feel goosebumps under your fingertips along his back. His mouth meets yours between airy breaths as his pace accelerates, feeling his thickness hit just the right way.
"Oh my God..." your breath hitches as his precise movements build up pressure in your stomach, your impending orgasm looming.
"I know, darlin'..." he mutters in your ear as his pace increases, speeding up your climax and putting you over your limit, until you explode a shaking, quivering mess underneath him. Faster than you ever have and more desperate, as your nails trail sharp lines down his back making him growl deep.
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I hope you enjoyed this. Let me know your thoughts and reblog to let it spread 😊 See you soon! ~
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makima-s-most-smile · 9 months
Text
Trigun Maximum 7.1
Me: Okay, I rush quickly through the volumes to catch up.
Also me: *rambles your ear off*
Happy Days
Dunno, how that can be a happy day when the ships are nearly falling down. Don’t worry, they stay in the sky… for now.
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And Rem’s obvious fear that is strong enough for her to take time to call the twins WHILE the ships have an emergency and Vash’ constant cautiousness make Knives worry, too. If the twins are such an exceptional appearance, why didn’t Rem wake the other watchers?
But Knives has more important things to do than worry! He seems intrinsically connected to the emergency at hand.
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I… watched too many sci-fi-horror stuff. My first thought when seeing the hand was: ZOMBIES!
And ewewewewew, needle in neck. NOOOOOOO! EWWWWWWWWW! I am so icked out.
They have no brainwaves when being frozen. We learned that in the last chapter. So, they are dead. Imagine being nothing and suddenly… BAMM! You’re back! Cold as hell and need to act immediately. Fuckity.
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Hi, Conrad! You look exactly like 150 years later. Tell me your skincare routine.
Three years. I shall make a note, this seems important.
Eh, typical crew banter. At least it is not like ‘98. Brrrr….
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Knives, what did you do?
And the crewmembers are sus. Do they know? Why would they know? But they zoom in on something, maybe something that happened three years ago? But Rem lies. And suddenly that friendly crew banter seems less friendly and a predatory feeling added.
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Rem does not accept. She thanks the crewmate, but she does not accept it! With the sus scene before it reads like Rem is shielding the twins from the crews knowledge. And it looks more and more like Rem is hiding something like fear and mistrust behind her friendly face. (Also, I think it is somewhat funny that Rem and Wolfwood act so similar. Both don’t truly lie, they avoid and distract.)
How did Rem not see Conrad not going into coldsleep? She had to be pissed at Knives at that moment to err like this! XD And we get the confirmation that Knives was the cause for the emergency and that’s why he is so locked onto his little tablet.
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A year… later more to that.
I think Rem’s handling is a bit naive. She just wants to take the twins into coldsleep with her. That’s okay. But how does she think her crewmates other than Conrad will react? Does she have different pods for the twins? Isn’t there a high risk that one crewmate would see two more pods in use? Or does she want to take them in the same pod with her? Then they would be discovered at the next emergency. Conrad seems to be on her side, while not completely okay with her violating the rules, he tolerates it. And while in coldsleep, Rem is unable to act if some crewmate decides to… whatever. 
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Vash’ expression. He does not believe it immediately, but Knives makes him believe and trust Conrad’s words and in a peaceful existence. It is so weird to see Knives being the hopeful and excited twin. And in the current timeline, both are full of pain and despair. Just Vash is masking behind the smile he learned to wear.
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I think of her like an echo, like the image of Conrad was one when Knives killed him. The twins do not know. They think of their little crush instead and need to check her pod first. They cannot discern if the image is real or not.
An abandoned, medical wing with a fresh, cut flower. A memorial for someone or something and it is taken care of. Maybe Rem or Conrad (since it seems he just went back to sleep) put it there. With the distrust for the other crewmembers, I doubt it was one of them.
Tesla, the name is not foreboding at all. Like Tesla the inventor without whom our day and age would not be possible, but who was duped out of his inventions, who was used up until he died poor and isolated. (The man loved pigeons and I know I would have vibed with him just for that)
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Yeah, the subject… the dehumanised subject. The person being able to perceive, feel and hurt that is just a soulless subject. The subject that is able to speak! How did it take ONEHUNDRED days for someone to pipe up about the ethical questions of: Cutting the child up! I didn’t get it in the first read through, but she got tumours most likely because she was scanned so much. Do you know how much you need to be x-rayed for that to happen? Many, many, many times. Daily... And they did not care… Tesla was not able to perceive pain in their warped view. 
We only see three of the five crewmates loom over Tesla. With the dispute and everything, we can assume that Conrad and Rem weren’t involved, but also weren’t able to stop it. Either because they weren’t able to get through to the other crewmates or being overruled.
The question of ethics is an important one for me. Even distancing myself from the horrible feeling I have about all of this and look at it more rationally, why did they do this? Yes, curiosity mixed with dehumanisation. But I mean not only that, aren’t there protocols and behavioural standards that they have to keep up? *points to Germany and Japan in the 40s* There is a reason those exist! The SEED project has to have rules for behaviour and for emergencies! How to act if something unforeseen happens! And human rights do not stop working just because you are in space. These people played god, they played with a lifeform! A lifeform they were able to perceive as conscious! There are so many things that can be tested without vivisecting her! And besides that, do they even have the training to do so? Their work is to keep the SEEDS ship on course… Sorry, but engineering stuff and ship stuff to VIVISECTION… that’s a far jump. What was even their goal in this? Because I don’t read any here. I just read someone ripping off the legs of a spider to see what happens. Understanding Tesla and her power is not their goal! There is no hypothesis, there is no thing they want to prove. Even the simple idea of: How does Tesla work/perceive stuff… Because for that… they could have talked and used tests that aren’t… *stares at the picture* ripping out her heart to see what happens. We see them use EEGs! Some close friends work in research. To make a study that contains humans they need to get through a dire evaluation process, and an ethics committee and more often than not they get denied because some wording is slightly off. Hell, they had to go through hell to get a study with pigeons approved! (granted… the pigeons were euthanized and their brains were cut up into small slices).
Tesla didn’t even reach her first birthday. That’s why it is so important that the boys are a year old to Conrad.
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Even in death they did not leave Tesla whole. Her brain is separated and her angel arm, too. The rest of her body is torn apart and left floating in a tank like a medicinal specimen.
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But I like these panels. “Someone just like us.” Interrupted by the very personification of grief and regret. Then Vash seeing what happened with Tesla.
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Yeah… yeah…
What do you think? How long did Knives and Vash stay in the room, staring at Tesla in terror? Vash looks dehydrated and starved… How long did it take for Rem to look for them and find them, much less retrieving them.
Separate Ways
I… wouldn’t call that weakness, Rem… I know the wording is meant to resemble a prayer… but… Weakness is me binging on a chocolate cake, weakness is falling back into a bad habit, weakness is lashing out at someone in pain, weakness is letting someone step over your boundaries because you are too afraid of rejection. Weaknesses are things that make us fallible, that make us be at odds with each other and that make us imperfect, but still loveable beings. Weakness is not cutting up and killing an innocent child in slow motion. That was a continued active decision to be horrible. They did not reflect upon their actions at all. 
“Forgive us in our weakness.” And Rem cannot ask for forgiveness for her colleagues. They aren’t the least affected by what they did, okay, Conrad. But asking for forgiveness is nothing you can do in proxy. And it should not be on the boys, too. They need to work through their pain and grief. The only person who could forgive is Tesla, but she is dead. Rem needs to work through her guilt herself, not that she is really good at it. Vash truly takes after her.
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Oh, how the turn tables.
Vash goes full Knives. Understandable. Vash is the more cautious brother. Even then he was hopeful, it was always with Vash staying reserved and awaiting rejection. And with the last chapter of volume 6 in mind, his way of thinking gets constantly affirmed. Though the question is what changed from this little Vash to the adult Vash. Because adult Vash does not allow himself those thoughts, while he is rejected by humans most of the time. The thoughts are there, they make him and they make his behaviour. But he denies himself these at the same time, ignoring his feelings and hurts.
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Vash going for the throat. Not unjustified, but still hot damn.
Rem was at least a bystander in Tesla’s death. Either she, Conrad or the both of them voiced the ethical questions, but it took 100 days until it was dire enough for it to be written in the report. But we don’t know for sure. Rem’s and Conrad’s involvement is kept in a pretty vague light. Maybe she even experimented on Tesla at the start? We can’t know. But we know it haunts her.
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Interestingly, Rem’s grief is about herself. It is not entirely about Tesla, but her involvement in her death. It is about her not having enough power in any way to stop the crew. Adult Vash mimics Rem in this with his martyrdom. This whole situation of Rem’s guilt makes me think of the base ideas behind the Milgram-Experiment, Asch-conformity experiments and peer pressure, while the torture itself reminds me of the banality of evil. There are of course complicating factors here, like that in this situation there is no higher authority figure and we don’t get a code of behaviour, the isolation of the crew members and more.
I… pity Rem, I feel for her, HELL, I get how isolated she feels from her peers, how (from what we can gather) she was powerless to stop the torture. I feel the dilemma she was in, I feel for her. But at the same time I judge her for her words. While Vash is lashing out, he has points! How can he trust Rem right now? He knew of his otherness the whole time and now he was confronted with what happened to others like him. Rem hid that from him. Somewhat rightfully so with him being a child, but still… Vash does not know how she tried to stop this or if she tried to stop this at all! He doesn’t know her pain and this is not the moment in which it should be about her guilt. But she makes it about herself. Rem is there for them because of her guilt. She wants some kind of forgiveness for her being unable to protect Tesla. The twins cannot give her that. No one but herself can give her that. But having her guilt towering over their whole relationship makes it unhealthy and quite frankly Rem a bad role model. Rem hides herself from the twins, giving them an incomplete picture of a person to look up to. This lashing out from her is a rare occasion of showing her true self and I don’t believe adult Vash has a grip on the real Rem at all. He mirrors her, but he is unable to see that the role model he had is very unhealthy and ill.
In the end, Rem wants to do some kind of atonement for her involvement with Tesla (be it by being an active torturer, by being a bystander or being helpless to stop it) and she uses the twins to get it. I don’t think of her as a monster, but she was in no position to be a mother to the twins and it shows. She was an everywoman that got dealt a hand that was way beyond her abilities.
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Peach! A peach is an interesting symbol. It can mean life and immortality. Considering the following scene starts with a peach and how impactful it was…
It is also interesting that they don't seem to talk really. Rem does not really open up there, she puts on a mask and tries to wittle down Vash to get him to eat. She doesn't help him through his pain like this. Ignoring the others position is not the way to help people.
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Ugh, Vash sprouted the same thing to Wolfwood. It is so fucking judgemental. And like Vash’ similar lines in that talk (the other with the devil are total hits), these lines totally miss the mark. What about this is too light?! I know Rem says this, because she cannot help Vash with his trauma here. She wants to help Vash, she wants him to live and she is out of any helpful options. But those lines are so empty… It is the same with the typical depression sentences that people get: “Have you tried not being sad? You are just lazy. Other people have it worse than you.” They are voiced frustration, they are a cry of helplessness, but they are the opposite of helpful. They are without empathy. They deny validity to Vash’ feelings, they push them aside. And I hate that. Worse, these lines just make Vash’ mental state so much worse, which ends with this.
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And this is the pivotal moment for Vash. He got his revenge. He got his anger out. And it is empty. Revenge is nothing, it leaves you a shell. His hurt clouded what and who he truly cares for. And now his action finally takes him out of his stasis. 
And that’s why adult Vash tries to not kill/hurt in anger. Because it leaves you empty, it doesn’t solve anything. The person you hurt is gone, but you are still hurt. He learned it the hard way. Rem is the example of people trying to change, if people who hurt you are doing better by you. And because she did it, everyone else has to be able to do that, too. (Well, everyone is able to change, but not everyone will change, but that is Vash’ fallacy here, not mine.)
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Oh, Alex is finally mentioned. Rem was so deeply depressed. Look at all the alcohol bottles. Alcohol as coping mechanism runs in the family -_-
Rem has been depressed, her loss made her. She should be able to emphasise with Vash in his stupor. But if you are that deep in it… getting out of it needs to come from yourself. You need to be wanting to get better, you need to get help in therapy or with medicine or better both. She cannot force Vash to get better. She should have known. (Sorry, but that is something close to my heart, I am miffed at Rem here!)
I like and I don’t like the blank ticket. For once it symbolises that you can start anew at any time. You can choose where to go, your past does not bind you down. But… for some people it does. The blank ticket only works if you are unbound by responsibilities, by community, hell, by money. There are limits. And Vash never got to understand that. Rem wasn’t there to teach him. Well, she was. But the lesson did not stick. Because, yeah, her ticket was blank, but he chose her responsibilities to all the people. She chose to try and save as many people as possible. She could have jumped into the rescue pod and flee with Vash and Knives, but she didn't, because her responsibilities bound her to this place. And I don't feel Vash understands that.
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Oh, he knows.
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He looks so dopey, I get cuteness aggression.
But with the chapter title in mind, this is where Vash and Knives drift apart.
King of loneliness
Front page showing Vash and Wolfwood. Nice.
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Okay, we finally get more info. Nothing about if Conrad and Rem were part of the experiments in the beginning, but at least now we know who started opposing. And, yes, it is the right thing to inform Knives. I still feel split about it, since they are a year old, they do not have the emotional maturity to handle it/Rem has not the abilities to handle child trauma, but then again they are able to understand so much more, would hiding really work? Let them make informed decisions and they get to.
Making my rounds back to Conrad. That is why he wanted to stay with Knives, even after betraying him. Because that was his kind of atonement. He feels guilty for being unable to help Tesla, he projects that onto Knives, too. I groaned at him betraying Knives that late, but it makes sense. Giving Knives a new body, trying to help him, he was acting out of his guilt. Still massively stupid and in complete denial, but there is some sense in it.
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Because that’s healthy… Rem and Vash feel something is off about Knives, maybe more than just the shock about Tesla. But they trust him. And he shows emotions, he cries. While he isn’t his chipper self, there is the old Knives. But is it just a mask? I am not sure. Towards Rem, maybe not, but Vash gets some more sinister vibes.
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*stares at adult Knives, who hides his fear behind aggression and anger* Yeah, fear is completely pointless… Sure… No way you are going down the rabbit whole of genocide right now.
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Again, NIghtow’s brilliant display of two different emotions in one face. Fear, sadness and hurt vs. anger and madness. The current Knives takes over the small, fearful kid.
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*stares* Much rational, so emotionless, no fear at all. I always laugh at this sentence. He is so far gone in this moment...
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Porque No Los Dos?
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Those numbers… make no sense. If 802 of 1.000 ships got destroyed, then there would be 60 Mil casualties and 20 Mil missing due to the ships being still lost. Or are the missing persons just the people who aren’t known to have died or have been lost after the initial crash?  And how many survived? We could at least take a shot in the dark and math an estimate of survivors..
Okay. 80 Million lost or death. Taking that the death toll and lost are both directly caused by ships lost/destroyed and not the aftermath. 
802 +124 ships gone. 
80M/926 would be people per ship. 
Thus 
80M/926*124
= People survived in emergency landings 
around 10.713.000 survived the initial crash.
We know much death and strife followed until humanity stopped stumbling that much. So, I assume that the population took another downfall and is now back to where it was.
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Knives, you are able to reflect enough that you did an oopsie by killing your sisters, too. But you are unable to understand that fear hides behind your anger or that you abuse Vash… Man…
Knives is not completely wrong about his assumptions about humanity as a gross. But that makes it so difficult to get through to him. Yes, his sisters are exploited, but he is a big cause for this. Should humans just give up and die? And he ignores the blatant devotion the plant engineer showed, he ignores how many of his sisters are well taken care off. 
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Did his sister truly merge of her own will? Or is it another moment of Knives ignoring others autonomy because he is so rational?
“And from that moment on, the world was plunged into chaos.” I… think it was chaotic before that… but yeah, rat in a corner-Knives is another level of deranged.
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