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#no but also like...... even in scenes like these they kill it
hwallazia · 2 days
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ANT!FRAGILE – 최산
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synopsis . in which you pamper your successful boyfriend after his dream night at coachella.
pairing . choi san & fem!reader
genre . smut (mdni!) fluff at the end, comfort, established relationship, idol!au, and a poor attempt of comedy.
taglist . @bro-atz | comment your username if you wanna be added to my permanent taglist! ♡
word count . 3,1k
DISCLAIMER! unprotected sex (wrap before tap!), bath sex, slight degradation? (reader’s referred as “dumb girl” once), dirty talk, softdom!san, sub!reader, dacryphilia?, slight overstimulation, hickeys, size difference, bulge kink, cow girl position, petnames (princess, love, darling & more), teasing, squirt, suggestive language (yn tells wooyoung to kill himself, jokingly! they’re two very friendly friends ;)), coachella san (as a warning itself, yes).
NIC’S NOTES . this took way too long for no reason at all (⁠ ̄⁠ヘ⁠ ̄⁠;⁠) but here it is! my brain rot of coachella san (ofc with teeth rotting fluff at the end bc i’m the one writing it) also, lowercase is intentional! (again, to lazy to write it properly;;)
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you should’ve seen it coming after you found out that your boyfriend, san, would be performing at an event as important as coachella. not that you were complaining though.
you knew how much your boyfriend loves attention, how much it turned him on to hear the fans scream for him, and how the cameras adjust their lens to zoom in on his face or his toned muscles from dancing and moving from side to side. there were constant conversations in which san would ask you “should i wear this?”, “if i unbutton a couple of buttons will i get a reaction from atiny?” of course, you’d tell him dismissively that no matter what he does, he’d always get a reaction from everyone, from you especially.
but taking off his shirt in the middle of a concert? really?
you had already seen him without clothes on the upper part of his body, of course, —and also without clothes down there, but let’s omit details—. the thing here’s that you knew how cautious he was with his clothing, always trying to cover what was most important. but this surprised you, and immensely.
it is, in fact, a sight for sore eyes. but a certain level of jealousy invaded your body; you liked to think that you were the only one with the privilege of seeing his well-worked body. but now millions of people and locals would have photos and videos of your shirtless boyfriend on stage. you definitely couldn’t accept it, even though the entire internet already knows exactly what ateez’s choi san looks like underneath the expensive fabric that covers him at concerts.
you were fully aware that this was his job, and that he was paid for it, but did it really have to be him? why not any other member? maybe seonghwa? or mingi! what about him? he also has a pretty active and... desperate fanbase. it was obvious that more than one fan would pay to get, at least, a glimpse of his abs. so, with so many options, why was your boyfriend the exposed person?
but of course you couldn’t show up in his dressing room with a jealous expression clearly decorating your face, you had to act like the sweet and tender girlfriend you were and put jealousy aside for a moment. your boyfriend had just finished performing on a dream stage for any artist, you couldn’t ruin his night because of a little scene.
you weren’t a jealous or toxic lover; you were a conservative one. you liked knowing that you were special to san and you expected exclusivity from him; consequently, he would receive the same treatment. but you should’ve expected it when you started dating choi san. he’s an idol and that's his job: to cause, in any way, the attention of the fans which, consequently, would keep them afloat or flying through the charts.
but, that was an indelible feature of yours. therefore, in some way, you would make it noticeable.
you hit your knuckles a few times, with moderate intensity, against the modern metallic door decorated by a gold star that highlighted your boyfriend’s band name. you watched as the handle turned slightly and opened the door wide, managing to discover wooyoung with a foaming glass of champagne that found its rest in the palm of her hand. behind his figure, you could see mingi sitting on a noticeably comfortable leather couch next to yunho, both of them clinking their glasses together with a clink; yeosang and seonghwa taking a selfie in the mirror and jongho and hongjoong talking animatedly, perhaps about the upcoming scenarios you thought.
“what the hell are you doing here?” wooyoung said, looking at you confusingly. you narrowed your eyes slightly at his quick lack of courtesy.
“good night to you too, wooyoung. you were incredible out there.” you replied sarcastically, hoping he would finally greet you properly.
“oh thank you so much. but seriously, what are you doing here?” he asked once again.
“what do you mean what am i doing here? i came to congratulate y’all for the show because you totally killed it. all the atiny around me went absolutely feral because of you guys.” you praised, and wooyoung grinned nicely. jongho and hongjoong came up behind him, intrusively joining the conversation.
“well thank you very much, yn.” jongho responded and you gave him your purest smile, truly meaning your words.
“but i also came here to congratulate my boyfriend personally?” you interrogated since his figure wasn’t appearing in your visual field.
“that’s why i was asking! damn, you really don’t listen." wooyoung sentenced, his gaze being comparable to that of a mother scolding her daughter. “as soon as the concert was over, he changed and went to the hotel to see you. he thought you’d be there.”
“but i don’t have a ride home, and my phone died” you explained, doe-eyed as you waited for wooyoung, or any of the boys, to take the hint and quickly take you to the hotel to your boyfriend.
“you could just ask for it, you know?” wooyoung tsked, but finally surrendered to your big, brown eyes with a sigh. “give me two seconds to look for the car keys. i’ll take you there.”
and that’s what he did as fast as lighting since he knew they’d only have that night all for themselves before flying back out to korea. the next day would be full of promotion of their songs to the locals and their stage in coachella, so san wouldn’t be able to even spend a bit of his day with you. 
during the ride to the hotel, wooyoung spoke, “hey just don’t tire him out since we have quite the amount of work to do tomorrow.”
“you know, you could say something like ‘have a nice time together’, ‘take care of him’, ‘call me if you need anything-” before you could continue, he interrupted you briskly. 
“oh hell no. the both of you are responsible adults who know how to take care of themselves without someone else’s help so don’t even try to bother me tonight because i’m exhausted as shit.” he confessed, hands adjusting their position on the steering wheel when cornering.
“oh so now you’re saying i’m a burden?” you asked ironically, knowing wooyoung would catch it was only a joke.
“oh you do know how to think!” he smiled looking away from the road for a bit to lock gazes with you. wrinkles decorated the corner of your eyes as you closed them a little.
“go kill yourself.” you huffed.
“shut up, you love me,” his puckering lips sent a flying kiss to you. he stopped his words briefly, “actually you kind of have to, since i’m taking you with your beloved boyfriend.”
“touché” you agreed. 
the ride to the hotel was quick and calm since you were talking and joking animatedly with wooyoung. and when you least expected it, the car stopped moving. consequently, you turned to look out through your window, yellow lights, and gold decorations hurting your eyes with how beaming they looked, even when it was one in the morning.
“here we are.” wooyoung turned to look at you, his sincere eyes transmitting warmth, “remember what i told you-”
“yeah, i got it mom,” you answered, rolling your eyes vexingly. the man gave you an annoying gaze, so you replied, “what? you’re acting as if you were my mother! chill out, for fuck’s sake. as you said, both of us are responsible adults who know how to take care of ourselves.” you used his own words as a weapon to defend yourself against his exaggerated concern.
“whatever. just go,” he unlocked the car’s door so you could get out of the car once you finished your little conversation. “he’s been a pain in the ass lately because he hasn’t had time to see you.”
“imma get going then,” your hand approached the car door handle and finally opened it and got out of the vehicle. “thank you, woo. i owe you one.”
“you owe me way too many to count ’em” wooyoung wheezed. “but yeah, we’ll add it to the list.” he gave you one final smile, which you reciprocated sweetly.
you finally closed the door and watched wooyoung make his way back to where coachella was taking place, he’d probably go to enjoy the rest of the night’s stages with his members. you genuinely wished for him to do well and arrive with the boys safely, but now you had something more important to do: pamper your successful boyfriend after his dream night at coachella.
after you saw wooyoung getting lost on the dark LA highway, you turned around and ran towards the hotel to get into the elevator and quickly dial the floor of your boyfriend’s room.
once there, before your brain could think about it, your legs moved on their own and guided you recklessly toward the door. you hit your knuckles against it a few times, but there was no response.
“sannie? it’s yn. are you there?” you mutter softly against the door frame. another moment of silence came in response.
remembering your boyfriend had given you the key card, you pulled it out of your coat and faced it against the handle. after a soft peep sounded, you opened the door. just to be greeted with a dim-lighted room.
you wandered around the room, looking carefully at the floor so as not to bump your feet against any furniture or step on any item of clothing that, perhaps in a hurry, had been forgotten on the carpeted floor. you kept repeating your boyfriend’s name until the silence stunned you. the dazzling city lights illuminating what the poor little lamp that rested on the nightstand could not illuminate.
suddenly everything went silent. until you heard, in the back of your head, a faded tune. you quickly recognized the melody and started humming the song, the lyrics of the weeknd’s starboy being the only thing you could think about.
once again, you knocked a few times on the door, this time receiving a response from the other side. a dull “who is it?” was heard. “it’s me, love. yn.” you replied.
“oh, babe! come in!” he said happily, you could imagine the adorable smile drawn on his lips.
you turned the handle gently. and lord, didn’t the scenery you were greeted with turned you on.
your boyfriend’s toned body resting on the bathtub, lavender-scented bubbles covering most of it, his nipples being exposed to the fresh bathroom air that would soon turn into a heavier one, and his arms resting on each side of the tub. a serene, yet excited, expression decorating your boyfriend’s gaze.
“hi, beautiful,” he welcomed you. his eyes becoming crescent moons due to the effect of his beaming smile.
“there they are, those beautiful eyes i love so much,” you mumbled, walking right next to him to caress his left cheek soothingly. “how’re you feeling, champ?”
“alive as fuck,” both of you giggled at his response, your loving gaze locking with his for a moment of comfortable silence. suddenly you felt his hand fondling yours.
“mind joining me here?” his sharp eyes turning darker than they already were as they looked at you. fortunately for your boyfriend, you were willing to give him the moon and the stars that night.
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you still can’t explain how you ended up on top of san, the water covering up to your navels, while he moved his thumb masterfully over your clit and his fingers repeatedly entered your cunt. his phalanges stretched you deliciously, causing several moans and moans from you.
“is that the spot, sweetheart? you're shaking so much.” his voice was hoarse and deep as the ocean, causing dizziness to affect your common sense.
“y-yes, don’t stop, please- ahh! ngh...” you could barely answer.
“sorry, love.” he announced before stopping his movements, drawing a annoyed, pathetic whine from your swollen lips. before you could insult him, he spoke first. “’wanna feel your tight cunt cumming around me, pretty.” during his brief pause, a pitiful cry from you was heard. “will you let me?”
“yes!” you answered desperately, “y...yes, i’m all yours, sannie. use me.”
san let out deep groan, which resonated inside your ears and made your heart jump out of your ribcage for a second. you rapidly adjusted yourself so you could reach the height of his crotch and massage his veiny, prominent erection, then align it to your entrance.
“go down slowly, don’t want my pretty girl to break.” he expressed, his soft, low voice driving you insane. still, you looked at him with cocked eyebrows.
“break? hah. surely, coachella drove your ego up to the clouds.” your eyes stabbing daggers into his. his hands found a home on your hips, slightly drawing them down to insert his cock inside you. your hand landing on his bare chest stopping his every move.
“nah. it’s just that you’re kind of fragile after all.”
you knew he was messing with you, provoking you. if there was one thing he always reminded you of, it was how strong, determined, and passionate you were, and it was one of the many features that made him fall deeply in love with you.
“let’s see who’s the fragile one here” you went down without warning on his cock, surprisingly touching your cervix all at once. a moan was snatched from both of you. your shaking body began to move carefully up and down him.
“f-fuck, yn- mm,” you heard a strangled moan from your lover, his lower lip was caught in between his teeth.
“f-fragile? that’s y...your- ah! your shit ass cock.” you manage to respond, notoriously provoking him.
“i don’t think it’s a shit ass cock, beautiful- ngh.” he panted, “just look how full you are.” he held your hand delicately despite the momentary brutality and placed it over your belly, a small lump formed there, “full of me, and my shit ass cock.” san breathed, kissing your collarbone, leaving cute lovebites in it. “you cry and beg for it every single night, hun. what does that have to say about you, hm?” a pitiful whine left your lips, demonstrating san that you were truly incapable of formulating coherent words. you were just too fucked out.
“well, lemme tell you,” he continued. “you’re just a dumb girl who needs to be fucked by a big fucking cock, otherwise, you don’t stop whining.” he said profoundly, his voice stimulating all your senses at once as he absolutely ravished you. “isn’t that right, princess?”
“i- ah! sannie, pleeease.” you blubbered, your eyes shedding the most precious tears.
“i asked you a question, darling. and i expect you to answer.” he sentenced sternly, grabbing your jaw and mushing your cheeks together. a pout was, therefore, formed on your lips.
“yes! yesyesyes, you’re right. i just need and think about being fucked by your big fucking cock-” you acknowledged, immersed and lost in the feeling, feeling like he was fucking you just like the first time.
“you’re such a cutie when you whine for me.” he chuckled while you, on the other hand, couldn’t hold back your screams anymore. his eyes stuck to your bouncing breasts, and your parted lips.
“what happened, princess? is it too much?” he cooed at you, looking at you adoringly, his eyes beaming at the sight of you.
“n-no,” you tried with all your might not to stumble over your words, but it was almost impossible since your thoughts were interrupted by the intrusion of your boyfriend's cock into your tight cunt.
“no? let’s see if it is now,”
your bastard boyfriend directed his hand toward your vagina, his ring finger and middle finger deliciously touched your clit. san watched as you exploded inside, his cock was bringing you closer to an abysmal orgasm that you doubted you could withstand, but you were a masochist, and despite all of this, you continued to go up and down on his cock sloppily.
“san! i’m s-so close- fuck!” your frowned eyebrows, reddened cheeks, swollen lips, and arched back made san float, he couldn’t worship you more than he already did at that moment. he was internally so grateful that you were his. only his to kiss, to hug, to fuck, and to adore.
you had had many guys behind you in the past, and they all promised the same thing: ‘i promise you the moon and the stars’, but absolutely none of them reached the level that choi san reached, who promised and delivered to make you see the stars, the moon and– fuck, he made you see the entire milky way every time you were with him.
“go on, babe. let it out for me, i got you,” he hid his face in the crook of your neck when you slowed down bouncing, and then he lifted it up. his lips brushed your neck, a position which he took advantage of to lick and suck on the side of it, adorning it with some nice and new hickeys next to the ones he did some moments ago.
san did everything he could to give you a good orgasm, a strong one, but pleasant. he loved seeing your expression as you had reached the peak of pleasure, a squirt erupted between your bodies, causing strangled moans to come from both mouths. your walls became tighter, squeezing out every drop of cum held in san’s hard cock. you felt how a strip of that viscous, white essence warmed your insides even more. the feeling even being comfortable in some kind of way.
“see? i didn’t break, idiot. hah,” you huffed out a sigh, looking at that beautiful face that you would never get tired of.
“mhm, you’re always so strong and beautiful. aren’t you, my love?” he reacted breathlessly as he stroked your cheek, as if it were the finest diamond.
“always, and only for you,” you wrinkled your nose as you looked at him foolishly in love.
you turned and felt stupid every time you were around this man, but what could you say? you weren’t complaining at all.
that man was capable of loving you in all your facets, in all your states and moments.
you were also grateful that choi san was yours, and solely yours.
“well, big boy,” you started, settling into his chest with him still inside you, keeping you warm, “i’m very proud of you and your achievements, love. you really brought home the trophy.”
“actually, you came here all by yourself.” he flirted, a cocky smile causing a giggle to ring inside your ribcage. “hm. thank you, princess. but the actual trophy is you and will always be you.”
you hid your face with your hands, splashing a little water unintentionally, “don’t start being all mushy, you softie. i’m gonna cry otherwise,”
he laughed, his voice causing your skin to vibrate lightly. “okay okay. wanna finally wash up?”
“can we just... stay like this? just for a bit,” you closed your eyes, enjoying the warmth your boyfriend provided you.
“of course, princess. whatever you want,” he held you in his arms safely, making you sleepy. two minutes of silence filled with tranquility and love passed, until san started talking, “remember you’re always my trophy.” he muttered lowly with his honey-dripping voice.
“babe,”
“hm?”
“shut up.”
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crookenbeer · 1 day
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! Matt was SO RIGHT in this scene btw !
I remember when a 'certain group of people' got mad at Matt for this scene....when he literally has every right to be pissed off?? That certain group of people feels like Matt needs to baby Karen's feelings or else he's 'mistreating her' lmao they are so CRINGE. Matt literally had every right to be pissed off for Karen's ill-advised decision (which Foggy also thinks was ill-advised).
For someone who gets mad at Matt for being reckless, Karen sure does make sure to do the most reckless thing possible at every turn 😁 I guess to that certain group of people only Karen is allowed to be reckless. And that everyone around her should treat her like a baby when it comes to her feelings and Matt and Foggy has no right to call her out, but she can call everyone out at any time lmao!
Matt Murdock you were so right to be angry in this scene, you're a real one and not a spineless fuck like someone and tells things like they are. They could never make me hate you 😙
I wish someone could tell that certain group of people that Karen is a grown woman. They think she should be babied at every turn and that's why "[redacted] is the right man for her" Like eww what an ick. Treat the grown woman like a grown woman maybe? They just want her to be given positive affirmations at every turn and get praised for her bravery even when it literally gets people killed 💀
Btw that certain group of people use this scene as an evidence that "Matt is an asshole and mistreats her" 🤣 telling the truth and calling dumb shit out is being an asshole now I guess. This is the same Karen whose 80% of screentime is calling people, particularly Matt out btw.
Like they cannot give a legitimate reason as to why Matt isn't allowed to be mad in this scene other than "because it hurts Karen's precious feelings" lmao. Well sorry not sorry if you're hurt over him keeping it real. And let's not forget he did SAVE Karen's life (for the 3rd time this time) but I guess he is not permitted to be pissed off or feel some anger and emotions according to #THEM
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sunnytheopossum · 3 days
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I’ve been rereading the MH comics (and rewatching the entire original series and watching analysis videos and reading all the puzzle deconstructions and watching all the behind-the-scenes--) and I wanted to talk about something I’ve noticed and also redraw one of my favorite panels in my style!
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I love this one panel on page 19 in volume 3.5 SO MUCH! It legitimately made me tear up the first time I saw it. Watching the original Marble Hornets for the first time all those years ago (and honestly even still upon further rewatches), I always thought that the most tragic thing about Tim and Brian’s dynamic was that they used to be best friends, but then they had such a severe falling out that they would be willing to kill each other in the end, but this… reading this one scene put their entire relationship in a whole new light! They both felt hurt and betrayed by each other because of the circumstances they were forced into, but they never stopped caring about each other, and that’s DEVASTATING! I hope so badly that in future volumes (or possibly even in eckvanet if we’re lucky??) that we see Brian and Tim reconcile somehow, because if given the chance, I don’t think either of them would hesitate to do so. Love these boys.
(Also don’t mind the fact that he’s holding Alex up by the scruff of the neck like a wet cat, it just makes the whole scene even better imo and I wanted to emphasize it more in mine lmao)
Also also, dearest Troy Wagner: if the boys ever do see each other again and make up, can this be how the scene plays out? ( vvv ) Please and thank you.
XOXO -Sunny
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heycasper22 · 2 days
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Acotar long theory - Rhysand & Gwynriel.
Spoilers all SJM books
Rhys Knows about about the mating bond between Gwyn and Azriel.
This is a theory that I can really get behind anyway and here's why. 
Staring out with SJM retconning the events surrounding the raid on the temple in Sangravah. In ACOMAF Rhys states he had to wait for confirmation from Azriel that Sangravah had been raided, Mor also appears to be shocked by this news so we can take for granted that Azriel was either there or obtained the info to pass on to Rhys.
In ACOSF however SJM changed this to Azriel definitely being there, first and slaughtering all the Hybern soldiers, then Mor a few minutes later and then Rhys arriving in person. 
This is actually the part of the recton that I find the most interesting. That Rhys himself turned up. Sarah could have retconned it so Azriel then Mor and Cassian winnowing in together with less tampering with what she originally said. Rhys often delagates tasks/missions to others.
Having Rhys present leads me to believe that there would be some purpose in his being there, Mor I think could be accounted for as a female presence to help the priestesses. Gwyn even specifies what the characters do, Azriel kills, Mor heals but not what Rhys did. 
So what purpose could Rhys have had in that scene?
Was he put there just so that he was already introduced to Gwyn and could snipe at Nesta when he sees them together in the training ring? He already knows why all the Priestess are at the HoW library, he could have sniped at Nesta wether or not he knew her personally or not. 
For this I'd like to look at some examples of Rhys talking about his own power, the particular way he describes what he was doing with his power while UTM
"I made a web between all of them, actively controlling their minds every second of every day, every decade, to forget about Velaris, to forget about Mor, and Amren, and Cassian, and Azriel." - ACOMAF
"anyone flying or traveling near Velaris would see nothing but barren rock, and if they tried to walk through it, they’d find themselves suddenly deciding otherwise." - ACOMAF
“Amarantha didn’t know they existed. And when someone tried to tell her, they usually found themselves without the mind to do so.” - ACOMAF
We know that it is in Rhys' wheelhouse to make people forget and importantly to make people switch tack when their mind strays towards a subject he wishes to remain a secret. Imagine you wish to tell someone something but suddenly all it slips away and now you're just wondering if you left your oven on. 
So if you will, go on this journey with me, and we say for instance, a mating bond snapped into place for Azriel and Gwyn upon their first meeting, how truly, truly terrified might she have been in that moment. After everything she'd just been through.  
Gwyn says that Azriel "slaughtered them all" 
Could his rage have been something to behold even for Rhys to know what it was? As Ruhn can tell when Hunt goes into a Mates rage in HOSAB?
Could Rhysand have snatched Azriel's mind in that moment, and made him forget? Just tied a little knot in his mind and held onto it all this time?
I suppose a good question is would Rhysand do that, because we know that he could. 
In ACOWAR there's a scene that's brought up frequently in regards to ships and has been gone over quite thoroughly but I'd like to go over some bits and pieces that interest me for this theory however.
The conversation Rhys and Feyre have before leaving for the Hewn City chapter 24.
Feyre feels guilty for entering Lucien's mind without consent, albeit she did this because of her deep concern for Elain. 
'Would you have done it? '
'Rhys considered. Yes. And I would have felt just as guilty afterward.'
Rhys confirms he would go into a friend's mind, and that he would feel guilty for doing so.
He then goes onto assuage Feyre's guilt, determining that she had a good reason to do what she did.  A 'for the greater good' sort of reasoning. 
We see this reasoning resurface in Rhysand in ACOSF where he makes a poor choice in hiding the real risk of Feyre's pregnancy to her. He didnt wish to upset her, and wanted a solution to hand before he informed her. This isn't necessarily about the really poor choice he made more that he believed he had sufficient reasoning. 
To go back to ACOWAR ch24:
Feyre asks if Rhys thinks Lucien and Elain are well suited, he doesn't really give and answer except to say that Lucien is loyal and fiercely so, and then we get this interesting choice of words:
“So is Azriel.”
“Azriel,” Rhys said, “has been preoccupied with the same female for the past five hundred years.”
Not in love with Mor, but preoccupied, distracted by. 
Then immediately afterwards Rhys, who never really tells Feyre what to do, basically asks her not to get involved in Azriel and Mor's business. As though he really takes no issue with his brother being 'preoccupied' with Mor. 
Rhys also does not offer any comment about Feyre's thoughts on Azriel and Elain as a couple. 
As for Azriel's ACOSF bonus chapter, a lot of people where mad at Rhys, either for him interrupting an Elain/Az kiss and meddling in their business or just for the simple fact he seemed to be 'throwing his weight around' a little bit. 
Rhys' surface level explanation of this as a Ruler makes sense, but let's look at a potential different angle. 
"What if the Cauldron was wrong?"
Rhysand blinked. "What of Mor, Az?"
Azriel questions the Cauldron and the first thing Rhys does is to bring up someone he knows Az is preoccupied with, a 500 year distraction to keep him chasing his tail. 
"The Cauldron chose three sisters. Tell me how it's possible that my two brothers are with two of those sisters, yet the third was given to another"
Rhys' face drained of color. 
Rhysand does not pale easily. From my checking, that descriptor for him seems to be reserved for if something really upsets him or freaks him out (like Feyre talking about her death)
So for him to drain of colour, that sentence has to have really really bothered him, guilt perhaps at something he has done? 
We know a mate bond can never truly be broken or go away, but for the males it can "drive them mad" 
Could this be concern over Azriel's mental state not just because of the rash decision to kiss Elain where anyone including Lucien could see, but for what Rhys thinks might happen to a mated male when he does not remember that he is mated or who to?
"You believe you deserve to be her mate?"
This could be Rhys looking for that reasoning, has he done the right thing or made a huge mistake. 
"Allow me to make one thing very clear. You are to stay away from her." 
This seems pretty extreme, unless however you alone understand how truly messy things could become, aside from all the explanation he gives about Lucien, including the blood duel (Which is odd for Rhys to mention as he knows Lucien is Helion's son) 
Gwyn is Nesta's friend. Azriel is already physically spending time in Gwyn's presence, perhaps Rhysand is hoping he'll be able let go soon. How mad you might be at your brother being so close to everything he ever wanted and him fucking it up, even if it you had a part to play in it. You would put your foot down. Hard. 
"So you will leave Elain alone. If you need to fuck someone, go to a pleasure hall and pay for it, but stay away from her."
Where is the: 'Hey brother I know how you must be feeling but dont worry, there must be a special someone out there who loves and deserves you, get out there and look!' ?
The options he confronts Azriel with are, hey what about the girl we all know you're never going to get with or failing that, pay for a sex worker? Seems like Rhys might actually be limiting Azriel to people he believes he won't form an serious relationship with doesn't it?
"Snarl all you want."
"But if I see you panting after her again, I'll make you regret it."
This actually stuns Azriel out of being angry, Rhys doesn't do this sort of thing normally. 
So if you add this up with Rhys saying Elain would have the full support of the Night Court should she wish to reject her mating bond, why would Azriel have to stay away from Elain forever? If that's what she wanted and he wanted. 
Something so out of character for Rhys it shocks Azriel, just to set up a forbidden love trope? 
As mentioned some were pissed at Rhys for all this.
But SJM likes to do this to us, she likes for us to BE ANGRY at characters, and then give us an explanation that breaks our heart or at the least helps us understand later down the line. (If I factor in my long Elain theory we might even be thanking him for interrupting!)
Because Rhys would have done this for Gwyn, not for Az, but to protect her, to try and offer her some peace while she heals.
If this theory where true, I'd like to imagine that he had a conversation with her and let her know that full stop that Az wouldn't try and pursue her unless she was ready wether that be 2 years, a decade or never. 
But again what we have seen is Rhys being down right horrible sometimes, if he believes it's for the greater good, then we usually get the actual explanation for it later. 
Further on in the BC Azriel obviously interacts with Gwyn. 
"For a heartbeat their gazes met. He blocked out the bloody memory that flashed, so at odds with the Gwyn he saw before him now" 
Did he block it out? 
Or did he just get too close to remembering everything.
Did Rhys yank on that leash?
"I just. . . I know you like to be alone." 
Gwyn most definitely could have perceived that about Azriel, but in theory she also could have asked someone who knows him to tell her about him. 
'Azriel dipped his head in a sketch of a bow. something restless settling in him. Even his shadows had calmed. As if content to lounge on his shoulders and watch.
But--- sleep. He needed to at least attempt to get some.'
'He wouldn't go so far as to call Gwyn a friend, but...'
These buts... These sort of... interrupted thoughts, paired with sense that Azriel isn't entirely sure why he's doing some things. It does give the sense of other forces at play.
I know some people like to go in for the Gwyn is lightsinger theory, personally I don't (I address this in my long Elain theory) Especially with the points at where these thoughts are cut off. 
I know some also like the 'fake bond' theory like Aelin/Rowan/Lyria. Maeve of course having similar powers to Rhys, I'd find it much more likely however that Rhys would use his power to 'hide' a bond for good, than to fake one, for evil. Or even to fake one full stop. 
Mating bonds are powerful things though as we see in ToG even with an altered mind Rowan is still attracted to and still falls in love with his actual Mate.
Does Rhys really have the power totally control everything about Azriel's bond to Gwyn now that he's actually interacting with her? Perhaps they'll fall in love before Gwyn and Rhys fess up to having known all along.
One would think though that Rhys trying to keep a hold on such a powerful and primal force might affect Azriel though...you would expect to see something more than interrupted thoughts, something more physical like oh, I don't know...
Headaches? 😉
Again this is just a theory, theories are fun and we all like to rummage through the text and try and figure stuff out through this long wait. I can't believe it ended up being this long even though I really tired to stick to the topic at hand! Plausible or not plausible? If you got this far, thanks
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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txttletale · 3 hours
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Could you say a bit more about your thoughts on zygon inversion?
the whole two-parter is about how refugees (the zygons) who are being settled by the british government, and how some of them are Good Refugees who just want to assimilate and be Normal Human (read: British) People and some of them are Bad Refugees who join a scary terrorist group that use this fucking banner:
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it is, i think, completely impossible for anyone with even the slightest understanding of european political discourse to not immediately scan this as being, if not a 1-1 to metaphor exactly, about as damn close to being About Muslim Immigration as it gets, playing on the everpresent fear of the european white supremacist right that asylum seekers and refugees from west asia are all secretly suicide-bombers in waiting. and this episode takes the liberal stance on this, which is that yes, obviously some of them are insane violent evil militants who just want to kill people, but some of them are The Good Ones, and we should figure out a way to find and punish The Bad Ones without impactiung the Good Ones Too--this is, broadly, the liberal stance on immigration in the UK, and it is obviously also prima facie accepting of islamophobic ideas! jack graham did a great piece on it.
the doctor's little speech at the end of the zygon inversion essentially boils down to 'war is bad, you just want war because you're an arrogant idiot who won't be affected by it'. which would be all very well and good in an episode like the frontier in space, where the confrontation is between two competing imperialist powers full of bluster and bravado and jingoism--but in talking to UNIT and the zygons, he's textually equivocating between refugees who are unhappy with their mistreatment at the hands of the British government and the British government agency mistreating them (yes, i know UNIT is nominally plurinational but that is not the portrayal of them we are getting here.) the fundamental problem with the scene is that bonnie (as elizabeth sandifer has pointed out) is only there to say vacuous nonsense that basically amounts to "i love war and violecen and i think its good" so that the doctor can heroically say, "actually, itsNot good." she's written as such an embarrasing caricature for the doctor to knock over that it imo makes the whole speech profoundly unearned.
of course, peter capaldi sells it, like he often sells garbage he's given to say! it's even a moving speech against war, when taken out of context--but taken in context, it's just equivocating between the oppressed and their oppressors and treating them both as equally responsible for making peace, and i think that's morally repulsive.
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triviallytrue · 3 days
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Watching something as iconic as NGE is kinda funny because every now and then something happens and you're like "oh! that guy! from tumblr!"
General thoughts:
Poor Shinji. Dude keeps getting put in situations.
The Ender's Game comparison keeps coming up for me - child soldiers utterly essential to the cause. The big difference is that they are just completely flubbing their psychological management in NGE - in Ender's Game they had eyes on the kids 24/7 and maintained in-depth psychological profiles on all of them, whereas in NGE they have loads of money and manpower focused on maintaining the EVAs but their equally-essential pilots are just... going to school. Shinji got punched and they didn't know!
And what is Misato's deal, anyway? She's in her 20s and has a crazy amount of authority (she just requisitioned all of Japan's power) and they're just kinda... letting her manage Shinji? It's not her job, but she's just doing it? She's his commanding officer but also his mom/sister, which is a really bad combo. Also I don't think I'm imagining the grooming undertones, those seem intentional.
The real motivator for someone like Shinji is (of course) his social connections - the two schoolkids and Rei, and then maybe to some degree Misato, and then even more distantly his father. Kids don't put themselves through severe distress just for the abstract concept of "saving the world," especially a world that has thus far been very unkind to them. To bring back the Ender's Game comparison, this feels like a very deliberate point that Graff and friends were aware of (the way they used Valentine as a strategic resource) but in NGE it seems to be mostly happenstance that Shinji made some human connections before completely shutting down.
Rei thus far is an interesting foil to Shinji. Normally I get kind of put off by scenes like the one where he walks in on her, but it gives you a lot of important information about both of them. Shinji, underneath all the abandonment issues and repression, is still a pretty normal kid - awkward, horny in that embarrassing adolescent way, deeply self-conscious. Rei is alien (or perhaps just very autistic). She just doesn't clock 90% of the tension at all. She pilots the EVA without complaint (though perhaps with equal psychological distress, just heavily repressed). She also gets along very well with his shitass dad, which is revealing in its own way.
I'm told there is another child, a red haired one, named Asuka(?), the thus-far only implied Second Child. Wonder why she isn't here yet?
I heard that it was some kind of twist that the EVAs were alive in some sense, but doesn't that naturally follow from the first couple episodes? Unit 01 moves to save Rei without a pilot and then goes berserk to kill the angel. Maybe there's more to the twist that I don't know yet.
What's up with the angels? Why are they here, what do they want, what are they exactly? Who cares. They are a plot device in purest form - they enable the rest of the show, but the show is not meaningfully "about" them. They didn't half-ass it though - the designs are absolutely phenomenal.
Oh, and there's some second project NERV is working on, a human transformation thing that got mentioned once and never again. That will probably be important eventually.
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scar-lie · 2 days
Text
The remaining of you [Natasha]
Summary : Dealing the aftermath of the scene Natasha dreaded to come sooner in her life
Pairing : Natasha Romanoff x Fem ! Reader, Mom ! Natasha x Daughter! Romanoff
Warning : shouting, crying, mention of death, scared little Romanoff, torture, nightmare, I thinks that's
Word count : 2,514
No one has permission to repost my work anywhere, if you see it please let me know.
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“What is your problem, Nat?! You can't just drop her off just like that, like she's nothing.” Wanda screamed at the red head, whose head was low, taking a deep breath and placing her hands on the table in the kitchen.
 "Wanda, please, not now,” Nat whispered, swallowing the lump on her throat. But Wanda’s not having any of her shits anymore; she's tired of seeing how the little redhead heart broke every time Nat refused to do anything with her.
"No, Natasha, I’m not gonna let you throw her like garbage anymore; enough was enough; that girl is trying to at least have your attention, even for a second, but you always rejected her; you don't even spare her even a glance, and it broke her heart.” Saying Wanda was furious was an understatement. She took the girl under her wings a week when Natasha and Yelena brought her in, seeing how the baby was craving some affection and skin-to-skin contact.
"Wanda, please, it's not that easy.” Natasha was thankful that most of the Avengers are on mission and some run their own errands, leaving her, Wanda, and the 5-year-old girl in the compound.
“What Natasha? It is not easy for you to show a little affection to your daughter. You have 3 years, Natasha, 3 years to pull yourself together, 3 years that she's under my wings to protect, to love, admire, care for, and to be a mother to her. She's just a little girl, Natasha, and she's craving her mother's attention. Why can't you give her that? ”Natasha saw the hurt in her eyes, and she knows that it's not only Wanda's emotion she's showing but also the little girl too.
“I want to, Wanda, ok, I really do, but I can't, ok, I just can't,” Natasha shouted, looking up at Wanda with tears in her eyes.
“I want to cuddle her, kiss her, bond with her, spoil her, sing to her, or tell her story. I want to be Wanda. I really want to be a mother to her, but I just can't…….I-I” Natasha shook her head, wiping her tears that were now falling. She knew how her daughter was hurting; she heard every cry; she knew she always knew.
“Then do it; love her; show her that she matters to you because she will not love you or be there bothering you for your attention forever. Don't take her for granted, Natasha; you have a precious girl who loves you more than life itself; don't waste it.” Wanda stands tall in her spot, getting strong for the kid and not cave in and comforting her; she has to do it for the sake of the little girl who's sleeping upstairs.
“Don't let your insecurities get the best of you again; don't push her away like you did with Y/N; if you really love Y/N, you will take care of that little girl you two made; don't let history repeat itself.” Wanda quickly got cut off by Natasha's sudden outburst, with tears streaming down her face.
“You wanna know the reason why? Huh? That's the reason why I can't look at her; I can't be with her because every time I look at her face, all I can see and think about is Y/N, how she lay in that fucking bed unresponsive, how I didn't protect them, that I let her alone with an open window for my enemies to attack freely, and I blame myself for what happened, because if I could just be brave and don't let these thoughts get the best of me, I should have been there to protect them, or I should be the one laying in my own fucking blood, not her.” Natasha then punched the cabinet beside her, wanting to let the emotions out.
“I can't, Wanda, ok, because that day keeps flashing in my mind when I look at her eyes. She reminded me of how stupid, reckless, and selfish I am. Because of me, her mother got killed, and she got kidnapped right after she was born.” Wanda frowned, looking at Natasha with sympathy, so Natasha shook her head, not wanting her pity.
"Don't, Wanda, please don't look at me like that; I don't need your pity, Wanda.” They quickly got interrupted with the cute little voice in the entrance of the kitchen, making both of them look up in the direction.
“Auntie Wanda? ”The little girl whispered, clutching her big husky dog stuff toy that's a little big and taller than her, looking at her auntie with doe teary eyes, pout lips, and her cheeks and tip of her nose are red until she saw the redhead in the room, making her feel small and want to hide, so she scooted to the side, trying to hide in the small cabinet, only the head peeking out to look at her auntie Wanda.
"Oh, sweetheart, what happened? Why are you hiding there? ”Wanda softly talked, walking to the scared little girl, and sat on her heels to be on the same level as the little girl. She quickly wrapped her arm around her auntie, sniffling, and still had a strong grip on her stuff toy, so Wanda took her in her arm, one hand rubbing her back while she cried and one arm under her bump, and swayed her back and forth to comfort the little girl.
“I-I had a bad dream,” the little girl mumbled, soaking her aunt’s shirt.
“What dream is it? Can you tell Auntie Wanda what a bad dream it is? ”She nodded, looking at her auntie and wiping her tears, then resting her head on her auntie's shoulder while playing with the neckline of Wanda's shirt.
“I-I saw blood and bad guys,” Wanda giving her a reassuring smile to continue.
“And……and they took and I saw this fat old guy; he-he said I-I would stay with him from now on, and-and I saw dead body besides him,” the littleredhead cried again, seeing the woman lifeless, not knowing it's her mother she saw.
“Is it the same old guy and the same woman you saw?”Wanda asked softly, looking at Natasha, who has a defeated look on her face and a mixed emotion. She truly can't read Natasha at the moment.
“Yes, the beautiful woman with Y/H/L Y/H/C and arrow necklace, then the guy has glasses and white hair.” This makes Natasha clench her jaw and fist, knowing who the person her daughter is talking about, and she's afraid that the scene is that night her world will stop.
"Shhh, it's ok, sweetheart. You're here with me. You're safe now. He's not going to take you. It's ok.” Wanda gives Natasha a small smile, then goes up to their room floor to comfort the little girl and put her to sleep, leaving Natasha alone in the kitchen with her thoughts.
Natasha is jealous of Wanda. Yes, she's jealous of how Wanda can naturally take care of her daughter, how she loves Wanda, and how they both bond and do everything together. She's  pretty jealous because she wanted a daughter; that's her one dream—a daughter with you.
So Natasha goes to the gym again to get all of her frustration out of her body and mind, to block everything that's bothering her, and maybe, just maybe, it will block the nightmare she has had since your death.
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"No, no, please, don't hurt her. You got me, ok, hurt me instead. Just please don't hurt them,” Natasha begs the faceless woman in charge of guarding her. She's strapped down to the chair in the corner of your room where you're peacefully sleeping with your 8-month pregnant belly. You look peaceful and gorgeous.
But all the begging is useless because four women enter the room, and Dreykov is mockingly smiling at her. She hates it so much, but she didn't think of that; her mind and eyes are in your sleeping body.
When the four women approach you and the three women pin you down, it makes you awake in panic. They made sure you didn't move much, and the other one proceeded to slit open your stomach, making two big cuts, one horizontal and one vertical.
This makes you scream in pain, with tears running down your face because of the unbearable pain you are experiencing. You can feel her hands moving through your insides, slicing you open. You tried to break free to save you and your daughter from them, but you are no match for them; they are strong and can kill you in a second.
“NOOOOO!!!! PLEASE STOP IT! Please, please, I’ll do anything. Stop hurting her, stop hurting them.” Natasha screams, trying to break free from the restraints to try and save you both, but all she can do is watch you suffer from the hands of Dreykov, where she also watches how he takes her right after they cut the umbilical cord.
She watched how they just left you laying in your own bed, bleeding and unable to move or breathe. She watched how life drained out of your eyes, how the color of your skin turned pale, but how you looked at her in the eye while you were dying. 
“Y/N? No please, no don't leave us please, no no noo please, no don't take my baby away no please.” Natasha keeps screaming, crying, and begging, but it's all no use; your dead in front of her, eyes still open, and your daughter is taken away. She's left there in the chair, feeling every pain.
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“Wake up, wake up, Ms. Romanoff,” the little red head shouted, shaking Natasha violently. The other few attempts she made to gently wake her up didn't succeed, so she shook and slapped her to wake up.
“NOOOOOOO! ”Natasha screams, sitting up, beads of sweat rolling down on her face while she's panting, looking around the room until her eyes land on the little redhead who's now on the floor barefoot, head down, and nervous.
She got scared when Natasha suddenly jolted up, thinking that Natasha would hit her or shout at her, so she quickly climbed down, head low and nervous, so she kept taking small steps backward.
This didn't go unnoticed by Natasha, so she took a deep breath, closing her eyes, and Wanda's words kept echoing in her ear: “She will not love you or be there bothering you for your attention forever. Don't take her for granted, Natasha.”
And seeing her own daughter get scared and afraid to be near her is heartbreaking. She knows that sooner or later, her daughter will slip away, so she quickly gets out of bed, going to her daughter, but the little girl quickly backs away when she hears her footsteps.
So Natasha stopped, kneeled down, and carefully reached her arm out with a small smile. This made the redhead look up at the hand and up to her mother's face. Seeing a small smile made her butterfly fly in her stomach, but she was still skeptical; she didn't know Natasha, so she kept staring at her outstretched hand.
“Hey, it's ok, I’m not going to hurt you or scream,” Natasha softly said, making eye contact with her daughter. This brought her to tears, seeing your face on her daughter even though she had Natasha’s fierce red hair, green eyes, and button nose, so she quickly wiped it away for her sake.
“Wh-why are you crying?”Little Redhead asked, stepping forward and reaching out to wipe away the tears that keep running down her face, so Natasha chuckled to cover up the crack in her voice. 
“Nothing; I-I’m just happy and sad at the same time,” she said, giving the little redhead a genuine smile. She was happy that she got how caring you are.
“Can I give you a hug? ”She asked innocently, making Natasha admire her, analyzing every detail on her face, and the silence made the little girl a little bit nervous, thinking that she didn't want hugs.
“Auntie Wanda said if I saw someone's sad, I should ask if I could give them a hug, ca-cause Auntie Wanda said it always works because my mommy used to do it before.” This makes Natasha even fall in love deeper with the little girl, so she quickly hugged her daughter tight, but not too tight to hurt her.
The little redhead smile, wrapping her arms around Natasha, resting her head on her shoulder, happy that she gets to hug her momma for the first time, so she’s relishing this moment, afraid that in the morning she will ignore her again.
“Are you feeling better? ”She asked innocently, so Natasha nodded, cradling her to her arm, and sat at the end of the bed.
“Yes, yes, I am.” Natasha sat the little girl on her lap and looked at her face.
“You look so much like your mother.” The little girl blushed, smiling and getting a little shy at the compliment.
“Th-thank you, you look pretty,” Natasha chuckled, tucking her little girl's hair behind her ear.
“You should go back to bed; your auntie Wanda’s not going to be happy when she finds out you stay awake at this time,” Natasha whispers, and the little girl looks down, fidgeting with her own hands, a bad habit she gets from you when you're nervous, scared, or overthinking, so Natasha stops her hands and holds them. 
“What's the matter? Has something happened?”The little girl contemplates if she will tell her or not, but she has no other choice cause Wanda got called on an emergency solo mission, leaving her with the redhead, so either she should stay awake all night and wait for Wanda to tell her or she should tell Natasha and have a good sleep.
“I-I had a bad dream again,” she shyly said, still looking at her lap.
“The same one you said earlier? ”The little girl nodded, so Natasha took her chin and made her look at her.
“Hey, it's ok, I’m here…… How about you join me in my bed, and we will sleep next to each other? What do you think??”The little girl eagerly nodded; her eyes went wide, and she had a huge grin on her face. She feels like it's her lucky day, spending the night sleeping next to her mother.
“Will you tell me a story? ”She asked, getting in the middle of the bed, and Natasha got under the cover, leaving space for her daughter and inviting her in so the little girl could quickly snuggle at her.
“Of course,"  Natasha starts to tell her a story about how she and her mother met, making the little girl listen carefully and getting amazed by the story until she’s sound asleep in Natasha’s arm, making her smile, and seeing the little girl sound asleep makes her heart melt, so she wraps her arm around her and joins her in a slumber sleep.
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mylittlevsoldier · 2 days
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Mike's "Will Voice". - An Essay by me.
If you’re a byler you know about the “Will Voice '' . But if you somehow don’t or you’re new, the “Will Voice" is the voice that Mike uses when he is talking to Will and ONLY Will. Normally Mike is a little abrasive and defensive to most people when he is talking to them. But when talking to Will, his voice is soft and quiet, just above a whisper, gentle. 
Before we get into it, I think you should just know that the “Will voice” isn’t just something Byler’s made up! The directors tell Finn (the actor that plays Mike) to use a “special voice” when talking to Noah (The actor that plays Will) when filming.
DISCLAIMER - i actually didnt think this was going to be this long so sorry in advance but here are my thought i hope you enjoy! i love you!
“It was a seven, the Demogorgon. It got me.” - Season 1
One of the VERY FIRST SCENES in the show is Mike using his “Mike voice” Even if he really doesn't have to say anything at all. After Karen tells everybody to leave and all of the boys are hopping on their bikes to go home, Will is the only one left behind with Mike. Will admits to Mike that in the campaign they're playing, the Demogorgon got to him and killed him. 
Something about this scene is just so…. The look of understanding, the nod. Mike is just more gentle with will than anyone else. 
Right before this he was just arguing will Dustin about weather his sister is cool or not but with Will it’s different. 
Unfortunately, since Will really isn’t in the whole rest of the season, because yknow he’s in a whole other dimension there aren't a lot of other scenes where Mike is using his “Will voice” However, Mike was the person who wanted to find will the most behind maybe Joyce. Saying that he “was the only one who cared about Will”, so that is something. 
“Crazy together.” - Season 2 
In my opinion, season 2 is like beak soft byler. The first season 2 byler moment was..
The Arcade Scene
As soon as Mike snaps Will out of his trance, his vision, whatever you want to call it, he goes right back to Will's comforting voice and tries to make it feel better and distracts him with a dig dug. 
In the next episode, it Halloween. And we ALL know what happened on Halloween night of 1987.
Will’s episode on halloween 
When Will has a bad vision, who is the first name he calls? Mike. Not Lucas, Not Dustin, not even Max. Mike. Not anyone else but Mike. And who was the first one to find Will and the first one to comfort him? Micheal Fucking Wheeler. And he was using the same soft voice he always does when talking to Will, barley over a whisper. Not to mention that Mike wouldn't let anyone touch Will but himself after Will snapped out of his episode. 
Talk in Mike’s Basement Scene
After Will had this awful episode, Mike takes Will and only Will back to his house. Will rambles and rants about how he feels stuck and Mike? He is attentive, sweet, listening, letting him get all of his words out. I’ve noticed with other people Mike can come off like he’s abrasive and harsh but with Will he is nothing close to that. 
In this conversation also consists of Mike helping Will express his feeling by finishes his sentences for him when he just can’t get his words out. In the few times Mike does speak, he does not break out of the gentle voice and literally never breaks his gaze from Will, not once. 
EVEN WHEN MIKE TALKS ABOUT EL HE TALKS IN HIS WILL VOICE. AND THE ONLY REASON MIKE BROUGHT UP EL WAS FOR WILL’S BENEFIT. 
And then the most iconic Byler line in Stranger Things history, “If we’re both going crazy, we’ll go crazy together, right?” “Yeah, crazy together.” So gentle, so sweet, so wholesome.
The hallway scene 
Mike immediately notices something off with Will and has to make sure everything is okay. 
Side note: even when Will isn't with Mike and the party, Mike will literally do anything he can to help Will. That’s his only priority at the moment. 
Will’s bedroom scene
Even when Will is talking about “Him” Mike still reminds him that Will is a good person, calling him a “super spy” Mike is doing absolutely anything he can to comfort Will and make him feel any better. (P.s. this moment is so wholesome I love it.)
And then the “yeah, yeah I really do” The PRIME example of “Will Voice” The gentleness, the voice, the look, the nod, the reassurance, AND THEN THE REACH FOR THE HAND. 
Hospital Scene (Will wakes up)
Will wakes up and Mike is obviously right there (‘cause he slept in the chair next to the bed, WHICH IS LIKE MY FAVORITE BYLER MOMENT OF ALL TIME) and asks if Will is “hurting again”, Mike keeps his eyes steady on Will. His only focus is Will right now. He keeps his voice soft and he asks will things to make sure he understands and that he is hearing what Will is going through right now. 
Mike recalling how they met 
Even though the poor boys voice is shaky because he is literally trying (and failing) to hold back tears, it’s still soft and reassuring. 
“It’s not my fault you don't like girls!” -Season 3 
The movie theater scene
This scene is one of my favs from Season 3. Mike is the first and only person to realize something is off with Will and say something to make sure he’s okay. The "you okay?” and “you sure?” are so gentle and soft. It reminds me a lot of someone jumping at a scary part in a movie and their partner wrapping their arm around them and asking if they’re okay. 
NOT TO MENTION THE NOT SO SUBTLE LIP GLANCES. 
(Also the little gay panic Will has after Mike ask if he’s okay and the blush on Mike’s cheeks before) 
The scene right before the fight scene
Mike immediately notices Will is upset after Mike makes his “joke” and he goes back to his voice that always gets Will and tries to convince him that they (him and Lucas) do really want to finish the campaign. 
The fight scene
Mike IMMEADLEY goes back to his will voice after he drops the bomb shell because he know he fucked up and he did it BIG TIME. The big difference between Mike’s “Will Voice” in Season 2 and Season 3 is that in Season 2 he was really using that voice with Will because he knew that it was comforting to him but now in season 3 he uses it because he knows Will will fall for it. 
(Also you know how Max says to El that Mike will come crawling back to El in no time? The only person he came crawling back to apologizing was Will.) 
“Get away from the door” Scene 
@myname1sca1 brought up a great point! The scene where Max is trying talk to Billy through the door, Will has a feeling that “He’s here” and Mike turns and say to Max to get away from the door a=in a gentle, quiet, soft voice and when she doesn't listen, he turns away from will at screaming at her do get away from the door. He was only using that voice because he was looking at Will and dropped that voice as soon as he looked away. 
The “Not possible” Scene
Toward the end of season 3, Mike realizes that he was being (in his own words) an asshole the whole season and starts caring about Will again. And when Will comes out and puts his box of D&D on the donate box, the thing he has loved since forever, Mike makes sure that he knows he is giving it away. 
Will knows he’ll just use Mike’s when he visits the won’t join another party. That’s not possible.  
(Plus the look on Mikes face after Will says “not possible” is adorable.)
"I didn't say it." "You didn't have to."
Will's bedrooms scene
OMFG THIS SCENE
Immediately Mike is relaxed. His voice low and calm and he lightheaded. The "You didn't have to" AND THE SMILE. This is a COMPLETE contrast to has he is around El in this part of the season. When with her, he is all tease and feel like he can never say the right thing.
Also, the absolute adoration for Will in his voice. When he says "It's Hawkins, it's not the same without you."
You can also really tell that Mike is really confiding in Will and letting his guard down which he never really does with anyone. Including El. Especially with the whole line "I don't know what's going to happen next." And if you know Mike Wheeler he never tells ANYONE that he is wrong or that he doesn't know what's going on. So, the fact that he feels comfortable enough with Will is something.
"But you make her feel better for being different." Season 4, Vol 2
"We have to Kill him." "And we will." Scene
The MOMENT Mike finds out that Will can feel that 001 is there, he jumps back into being his reassuring, gentle self for Will. This scene reminds me a lot of the "Yeah, Yeah i really do scene for season 2.
OMG WE ARE DONE, if you made it through all of that, I love you so much. If you want to see more things like this PLEASE PLEASE PLEASE PLEASE let me know because i love writing essays about Byler analysis!
also let me know if there's anything I missed because if i miss enough things i will gather it and but it in an update!
RESOUCES
Stanger Things I The First 8 Minutes - Series Opener [HD] (Still Watching Netflix on YouTube)
Stranger Thing 02x02 - Mike and Will 'Crazy Together' Scene (Raghaua Daroui on Youtube)
Byler compilation (Season 2-3) (GoraculGerard on Youtube)
every byler scene 1080p I Stranger Things Season 4 Vol 1 (longbttms on Youtube)
byler 1080p scene pack I Stranger Things Vol 2 (longbttms on YouTube)
@myname1sca1 's post!
people who wanted to be tagged!
@lebylershipper
@ash-the-wise
@tender-emotional-music
@wallywise
@willbyerswatch
@hearteyes-wheeler
@paloma-ascends-into-hellfire
@hollarious2
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despair-nagito · 1 day
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Kristoph is a very interesting character, even when we're looking at something so simple as his name in the original language.
Sure, there's the thing of reading his name backwards (as ひときり) and in result we get a word that means "assassin", but should take a look how his name IS written. It contains kanji for "fog" (霧) and "person" (人). Do you remember that scene?
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We never learned what his secrets were, they were hidden deep in his subconsciousness and there was no proof that would help to learn more about him and his motives. I honestly doubt that he would be brought back into the series, so it's something that we need to figure out on our own. The only hint we got are Phoenix's words: "dark, cold, full of despair". In my opinion, killing Enigmar for picking Phoenix over him in a game of poker is too shallow and there's probably a deeper reason he did what he did. What if, for example, someone (other than him) killed his and Klavier's parents and this person is a free man, because they were defended by Phoenix himself?
We can also read his Black Psyche-Locks as simply telling Phoenix: fuck off, you won't get any info from me, forget it;
or that he's broken to the point you can't do anything about it and opening his Psyche-Locks would lead you nowhere, because you can't "save" him.
…Well, whatever. I'm just overthinking, like I usually do.
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mrghostrat · 2 days
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i’m not sure if someone already asked you this, but now that you posted flawless, you’ll finish atws? or you’ll start posting the editor au? so sorry if you answered this question before
yea i wanna focus on atws next because its been sitting there for too long. editor au is still in progress, much longer to go than flawless, and i might not even write it privately until i have the next chapter of atws done
but fuuuuck man, just to vent for a minute
i’m trying so hard and nothing is killing my motivation more than this fic. i can only ever write like 50 words at a time, and it’s pulling teeth for every letter. flow doesn’t exist. even after editing down this scene, or trying to skip past it and write the funner bits that come later. i think my inspiration is just dead for this world and it’s gonna take a playlist or multiple rereads or some other kind of external trigger to get me in the mood for it again.
i’m upset that i’m struggling with this world, but it’s also frustrating that of course it’s the one that’s everyone else’s favourite 🫠
i don’t think it’s demand avoidance because i’ve had so many days where i think about it and get myself amped up like yEAHH gonna write streamers today!! and then i open my doc, fully medicated and all, and everything dies on my fingers.
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muffinrecord · 3 days
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I've been pretty positive about Yuu so far, but watching her magical girl story... hmm.
Basically I like everything about Yuu, but man that serial killer bit is the only thing that really sticks out as an overt bad choice. Having Nagisa stand around and watch Yuu kill people is such a weird choice, it feels more like fanfic than actual canon. Like this doesn't feel like something that could happen in Magia Record-- or hell, even in Madoka Magica either.
For example, Sayaka has a scene on a train where some dudes are being sexist assholes and it's left up to the viewer to decide if she kills them or not. It doesn't go: Sayaka killed them and also they were calling out for help the entire time while Madoka watched you know?
That said, this is something I can see in a bunch of the spinoffs (Kazumi, Oriko, Suzune), but I think everyone agrees that the spinoffs are of dubious quality. I love me the spinoffs but they're a hot mess.
I dunno. It's one thing to know that Yuu is a serial killer, it's another thing to have a character watch her go around and kill people and not intervene in any way. Especially in a story that goes out of its way to not do that. Walpy hitting Kamihama is noted to have no causalities at all (which goes a little too far in the other direction imo but it is what it is), Suzune isn't able to kill anyone in Kamihama and is dealt with by kicking her out (and not killing her), the deaths in arc 2 are mostly accidental and have massive consequences, everyone is forgiven in the end-- this isn't a story that really has "watch someone kill people and do nothing" in it's cards, you know?
I actually liked Nagisa's Wish for a lot of things. For example, I like that Nagisa didn't think she could be a magical girl until she saw Yuu, because she assumed that magical girls had to be good people-- aka, Nagisa did not think she was good. But that's not because Nagisa is a bad person. Nagisa is just unloved, and since she's a young kid, she's internalized that to mean that something is wrong with her, not that something is wrong with her mom. It's heartbreaking to see her go from "I can't be a magical girl," to seeing Yuu the murderer, to then going "oh okay if she can be a magical girl then so can I." Like sweet pea, your mother not loving you is not the same as being a killer. You've done nothing wrong. You are not a bad person for having Feelings and Emotions about the neglect you are experiencing.
However the serial killer/organ seller bit just goes too far for me and it kind of overshadows a lot of the better ideas present in Nagisa's Wish. Like how can you focus on the interesting ideas about justice or self worth when there is a serial killer/organ stealer walking around.
I think that the best qualities of Yuu are her design and how creepy she is-- having her actually go all the way and be a serial killer/organ seller actually makes her less creepy in my opinion. Yada yada, less is more, leave it up to the viewer's imagination. If she was just off, if we just knew that something was wrong with her and that people are disappearing but it's not outright stated what she's doing... I dunno. That would make her a lot more scary to me. A lot of fear can be found in apprehension and outright telling all the details will fill in too many gaps.
Like, the things that we all like about Yuu would be her voice direction, her memory issues, the way her Live2D is designed to be slightly off kilter from everyone else, the gap between her attitude and the darkness she engages in, the weird weaponry she uses and how it changes the way she walks/moves-- all of this is effective because it is offputting and different, not because the narrative is telling us "hey she kills people and sells their organs."
Basically I really love Yuu, but I do have some criticisms for her character and I understand why some folks don't like her.
That said, it did lead to this fantastic line from Kyubey so like,
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You take some, you lose some.
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Yandere Alphabet: Tobias "Ticci Toby" Rogers
It was genuinely so much fun to figure him out. (If I would care, it would almost be scary how many of my own habits I projected onto him, but o well...) I hope you will enjoy this little thing!
Toby Rogers
One word: Unstable. That is all you need to know about him. His movements, his moods, his sanity. All of it is unstable. Wishing you good luck would feel condescending at this point. So I´m just gonna laugh quietly to myself as I leave the scene of the crime. You are aware that this man is a disaster waiting to happen, right? Oh well, you are done for anyway. Byebye~!
Affection: How do they show their love and affection? How intense would it get?
He comes closer to you, leaning down to get on eye level with you, as you struggle to stand up again. Faster than you react, he already grabbed you by the collar of your shirt. Beneath his googles you know he is staring at your face, and even though you can´t see his eyes, it gets uncomfortable quickly. He leans further into your space, leaning to your neck. His fingers, jerking slightly, brush aside your shirt, as he pulls down his mask. Then nothing but pain, as he buries his teeth in your shoulder. Licking the blood away, he bites down again. Carefully circling the indents of his teeth, he whispers something about scars. Later he clings to you, demanding head pats and cuddles, and every once in a while, he will scar you again with his teeth.
Blood: How messy are they willing to get when it comes to their darling?
The scream ends in a gurgle, as he slams down his hatchet again, and again. And again. Again. He won´t stop. Blood is splattered all over the floor. It´s dripping from his hair and face. When his movements stop, he turns to grin at you widely. The wound on his cheek distorts his face even further. Hatchet still in hand, he grabs for the corpse with the other hand, and drags it over to you. You´re shaking as he simply drops it down in front of you. Rolling on the balls of his feet, he almost looks like a child. Nothing left of the rage, he had relished in only moments before. He looks like a cat who is proudly showing off his prey. You notice how his face suddenly seems to shift at your lack of an reaction, and you quickly lean over to inspect his kill. Thank you, you mumble out as you look over the wound, slightly poking them to get your hands bloody, because you know it will make him happy. No problem, that´s what a good boyfriend should do, no? Watch out for his partner? And you are mine after all! His sentence ends with a little laugh, as he crouches down next to you, to explain to you in detail how he slaughtered the other.
Cruelty: How would they treat their darling once abducted? Would they mock them?
He flips faster than you can predict. Sometimes, he seems amused by the way you flinch away from him, whenever he moves to fast. Mocking your reactions to him, and setting you off on purpose. His laughter, a rasp that must hurt, echoing through the little cabin. There is no escape from him. Other times, he looks at you with worry. His eyebrow furrowed, as he slows down on purpose. You can see how he clenches his teeth, trying to suppress the jerks of his body. Something, that is not only not really possible, but also puts him in a terrible mood. You don´t mind the laughter or the worry. Because what you really hate, is the anger. Because sometimes he rages, when he sees you flinch away from him. He is up to your face, screaming, spit flying into your face. His grip becomes so tight, you swear, that you feel your bones creak. In those moments, you always fear, that he will always grab his hatchet next to put an end to it all. You hate it.
Darling: Aside from abduction, would they do anything against their darling’s will?
You were shaking again, standing in the middle of the cabin, when you felt how his arm snaked around your waist, only to pull you flush against him. He was breathing against the back of your neck, as he seemed to relax. After a moment he also wrapped his other arm around you, only to rest his entire weight on you. With a satisfied sigh, he pulled away from you after a few minutes. You blanched, when he pulled you towards his bed. A happy smile on his face, as he pushed you down, climbing to lay on top of you, as close as possible. Obviously in the mood to cuddle, no matter what you would say.
Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?
Whenever he had a nightmare, you would be awake long before him. His sudden jerking of limbs right next to you, pulling you from sleep. Every time you would slowly sit up, not touching him, and instead wait for him to wake up by himself. Shuffling back to lean against the wall, you wait. When he would finally come to with a big gasp, he would look around panicked. It would only take a moment, before he grabs you, and burrows his face in your lap. Big sobs shaking his body. He would talk, but stutter heavely, thrills and whistles would make it hard to understand him. Never mind, that he was still slurring his words from sleep. This would be the only time, he would be vulnerable in front of you. Straight from a nightmare, he would use you for his own comfort. Talk to you, till he felt better, about whatever his brain had cooked up that night. It was easier to placate and comfort him on those nights. You had learned that the hard way.
Fight: How would they feel if their darling fought back?
He doesn´t seem to register the punches, the kicking. Ignores the screaming. He laughs when you bite him. Cooing at you, proud for you to marking – maybe even scarring – him like that. He bites back as well. Drunk on joy of how you seem to reciprocate his feeling for you. This is not a game, that you can win. The look in his eyes tells you, to appreciate that he sees your fighting as a game, that he enjoys scuffling with you. Because if you already can´t win the game, you would certainly loose the fight. And the consequences would be gruesome.
Game: Is this a game to them? How much would they enjoy watching their darling try to escape?
He loves the hunt. You can see it in his eyes, how much he enjoys it, whenever you try to turn away from him. To run. To escape from him. He adores the chase. His eyes glinting in delight, when he jumps up to chase after you. His feet carrying him securely across the uneven forest ground, while you stumble. He knows, that you won´t escape him, and deep down you know the same thing. His confidence let´s him be calm, while your panic clouds every thought. The woods around the cabin are familiar to him, while you struggle not to fall. No matter where you turn, you know he will still be on your trail. You can hear him whistling behind you. And when his weight suddenly slams into your back, his knees pressing into your back, as you hit the ground. He lets out a delighted hoot. It´s only slowly, that he will get off from you. Pulling you from the forest floor, absent-mindedly patting dirt from your clothes, as he pulls you back to the cabin.
Hell: What would be their darling’s worst experience with them?
He leans over you. At the moment you are still sleeping. Completely unaware of the intruder in your home. He can´t help himself, but to reach out, and softly caress your face. You won´t wake up. Not yet. You are a surprisingly heavy sleeper, as he just finds out, and it suits him just fine. He looks around your room for a moment, shuffling through your papers, rummaging through your pictures. There is a smile on his face, but soon enough, he looses interest in that. The source of it all, after all still sleeps right there. You scream, when you wake up. His face is covered, as you kick and scream, desperately trying to get him off of you. He doesn´t budge. He easily pulls you from your bed, and before you know it, slams your head against the edge of it. Your screaming stops as you dazedly look around. Everything seems to swim and dance. You mumble out something like that and he just laughs quietly, as he lifts you from the ground, half-dragging you from your room, out of your home. You don´t know it yet, but it is the last time you´ll ever see it.
Ideals: What kind of future do they have in mind for/with their darling?
He looks at you laying on his bed. Still unconscious. You´re breathing peacefully, blood dripples down your face. Not that you notice it. With a quiet sigh, he stands up to get a wet cloth. Carefully dabbing at your wound, he wonders why he even took you in the first place. His tongue clicks, more annoyance than tick, as his head rolls to the side. Settling back down into the chair to watch you, he drums his fingers anxiously on the armrest. He already knows how this will end. No matter, what he will try or attempt, how much he wants to trust in you. There is only one possible ending left for you and him. You will leave him. You will betray him. And he, in a fit of rage will kill you. It´s almost sobering, and he chuckles slightly. He always set himself up for disappointment, but he doesn´t mind. It´s always nice, while it lasts. You twitch, seems like this story is about to start. He doesn´t know the middle, but it comforts him, that he already knows its end.
Jealousy: Do they get jealous? Do they lash out or find a way to cope?
You had noticed, before he came for you, that the people you would get closer to, would vanish. They would become the victims of gruesome murders. His murders, as you had to realize later. The rage he felt, upon seeing you with someone else, drove him, to murder them in a gruesome fashion. It calmed him down tremendously. Toby would later talk to you, about his murders. Seeming almost proud, as he looked at you. Either not caring, or not recognizing the horror you would mirror back at him. Wide eyes, short breath. For him, you looked excited. And so he kept talking. Happy to share his stories with you. While you slowly realize, that you won´t get away from him alive. Not with how easy killing seems to be for him.
Kisses: How do they act around or with their darling?
You watch his every step. But that isn´t surprising. You just woke up in this place one day. Him chattering endlessly into your ear. If the situation was any different, it would be easier for you to admit. Toby is actually quite sweet, when it comes to you. He has his mood swings were he is annoyed and in general aggravated by everything, but you also noticed, that he distances himself from you before that. You see, that he quiet literally bites his tongue, and just waves you away instead. His entire behaviour just tells you how much he adores you. He tends to sticks close to you. He listens attentively, when you say something. You´re always touching somehow, with how he tries to cuddle up to you.
Love letters: How would they go about courting or approaching their darling?
He was picking at his cheek again. Pulling at the edges of the wound with his fingers, when he clasped his hand in his lap to stop himself from ripping it open even further, he unconsciously started to prod it with his tongue. Toby was nervous. Terribly so. His eyes track your movements almost lazily. He perks up when he notices, who you are talking to and his teeth grit. When blood suddenly pools into his mouth, he opens it again, and carefully feels out, how much of his tongue he accidentally bit off now again. Not much. Lucky. It would be a lot easier if he could approach you. Felt confident enough in himself, to simply go up to you and introduce himself. He ticks. His head rolling to the side, as he clicks his tongue. It repeats several times, before it finally stops again. The stress is slowly getting to him, which only makes everything worse. After all, he is very aware of how he looks – his hair is disheveled, his clothes always dirty, there is a giant hole in his cheek and he looks like he hasn´t slept in days – and the habits he has – the ticks, so many of them, the stutter, and quite frankly the social ineptitude – that approaching you can only become a disaster. So he thinks of something else, as he watches you disappear behind your door, checking the lock quickly, as he leaves. It´s not a very good one. It would be easy for him. And well, once you´re with him, it can´t be that bad, right? With a grin, he hounds down your newest suitor, happily whistling, as he already plans to come back tonight.
Mask: Are their true colours drastically different from the way they act around everyone else?
It´s hard for him to control his emotions in any manner. He tries sometimes. Leaves, when he feels, how his emotions nearly overrun him. But it never works. His mouth is often so much faster, than his mind can keep up with. He talks about blood and guts, and how fun killing those guys were. How much fun it was. All the while not even realizing, that you aren´t enjoying what he talks about. Sometimes he simply sits down next to you, refusing to say anything, as he simply watches how you move. He knows, that he will say the wrong thing again, when he opens his mouth. It´s inevitable for him. He can feel the tension building up in his body, and the sudden way, that it releases again. Sometimes it´s just a click of the tongue, a slight twitch, and other times a full body shiver. He never could hide, mask like other people did. With his body, his emotions. And over time, he stopped trying. He grew more careful, sure, but he was always true to himself.
Naughty: How would they punish their darling?
You look at him. He is shaking, as he tries to take deep breaths. You can see, that he is trying to say something, but it seems like he has problems forming the words. His brows furrow, almost like he is in pain, and then he violently twitches. His head drops down to his shoulder, there is a loud crack, and you flinch away. You can see, that he suddenly looses his balance, and drops to the floor. His attempts at speaking stop, as he simply rides out the ticks. For a moment you wait, breath held, to see what he will do next. He is slow, when he pushes himself back to his feet. You can tell, that he is still angry, and his stutter is worse. „Go away!“ He points to the room, he shares with you, and you don´t try to fight him on it. You leave. Slide down the door. Only moments later, you can hear things breaking, screaming. It doesn´t stop. His crying gets louder, as he lets out his frustrations on the furniture. Nothing will be left standing in his path. You are safe in the room. Still scared.
Oppression: How many rights would they take away from their darling?
You try to run, when he leaves the hut for the first time. You can´t believe, that this is supposed to be your new home or whatever he calls it. It makes you sound like some sort of stray animal, that he picked up on the way. It aggravates you. When you finally get the damn lock on the door open, you don´t wait for another moment. You´re out of the door and running. The forest is not familiar to you, you don´t even know, if you´re close to your actual home. A giddy laugh almost escapes you, that is tragically cut short, when the handle of a hatchet just barely misses you head. Ducking, you stumble forward. Turning to the side, you can see the man – What was his name again? Toby? – watching you. Though, you can´t see his eyes through his googles. He stands still for one moment. In the next, he is already upon you. Throwing you down to the floor, his weight enough to immobilize you. „Not now. Let´s play later, kay?“, with that he simply starts to drag you back. The hand around your ankle like a vice, as he slowly, but clearly not bothered by you, makes his way back to the hut.
Patience: How patient are they with their darling?
You swallow. Completely unnerved by the way, he is looking at you. Wide eyes staring at you. Almost lazily, he makes clicking sound with his tongue. It´s strange to someone act like this. You carefully try to move further away from him, hoping that a greater distance will lessen the absolute terror you are feeling at the moment. It doesn´t work. Instead a smile slowly grows on his face. His eyes bright. The gaping wound on his cheek wrapping to accommodate the change. You shudder. He lowly starts to talk. His voice nothing but a whisper. He stutter, you notice, and if you would actually listen to what he says, you would notice, that sometime he interrupts himself with a strange term or phrase. But you don´t, so you only notice his stutter. Not that you are focusing on that either, as he slowly crawls over to you. Closer and closer, till he can reach you again. His fingers twist themselves into the hem of your clothing, as he keeps talking to you. His eyes unwavering. Looking at you. Maybe even through you. You don´t know. All you can focus on is the way he holds on to you. Careful. Afraid. Not willing to let go. Never letting you leave.
Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?
You have stopped to answer him for quite some time now. No matter what he says, you seem to ignore him. At this point, he is sure, that he said something to upset you, but he doesn´t know what it was. And he can´t ask you either, because you are giving him the silent treatment. Well, he talks enough to fill the silence between the two of you by himself. And you always had been a good listener. Though recently he started to notice a saccharine smell clinging to everything, like rot or mould, in the hut. He shrugs it off, and helps you to the living room. Unmoving. So still, but he hefts you up anyway to carry you over. He absent-mindedly wonders, if you would at least eat something today. He talks to fill the silence. The smell of decay his most loyal friend. And you. Or whatever is left of you.
Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?
Sometimes he does wonders. He looks at you, and imagines a world where the two of you could have met differently. Before long though, he will shake his head again, forgetting this flight of fancy, as he focuses on what he has. There is no use for him to cry over lost opportunities. There are already so many things, that he doesn´t know. So many things, that he had forgot. He will watch you, stay close to you, in this little hut, that he calls his home. Sometimes, he will wonder again, when you cry yourself to sleep. But instead of wondering for long, he simply takes you in his arms to shush you back to sleep. There is nothing he can do about it now. He doesn´t regret taking you. Because he knows, he would have regretted it more to let you go.
Stigma: What brought about this side of them (childhood, curiosity, etc)?
Some days, Toby will flinch away from loud men screaming with rage, without knowing why. He will look at some girls, and wonder why they seem familiar to him, as if they remind of someone he once knew. When he works, he sometimes hums something under his breath, without knowing the words to the melody. Even then, he is sure, that when he tries to sing you to sleep, that the words would be in a language he had forgotten a long time ago. He is reminded of a past, that doesn´t exist any more for him. Toby has lost many pieces of himself. Too many. He can´t give anything of himself away any more, without becoming hollow. So, when he gave you his heart without knowing, he had to keep it close. No matter what.
Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?
There is a heavy clump in his chest, pressing down on his lungs, as you let out another anguished wail. He was fighting against his won tears, as he tried to calm you down, but nothing was working. He couldn´t even remember what had upset you so suddenly, or when you had started to cry like this. He coos at you, pulling you into his arms with a hug. Peppering kisses across your face – over the bridge of your nose, your eyes, before pressing one deeply to your forehead – while he carded through your hair. Even if he didn´t understand why you so sad, he knew that the two of you would get through this. Together.
Unique: Would they do anything different from the classic yandere?
Before long, you notice, that his mood tends to be... unstable. It´s not something, that is very surprising at first – the whole man seems to be the definition of unstable – and yet it is still something, that you notice quite often. Because no matter what you do, he will still lash out without rhyme or reason. Sometimes at you, sometimes when he quite literally recoils from you to leave the room. It´s quite – at least that´s one word for it – strange. Another thing, that tends to draw your attention is how he clings to you. No matter where you go or what you try to do – When he is there, he will hold onto you. Most days he will try to fill the silence with his talking, still always keeping an eye on you as if waiting for your approval. On other days, he will be quiet, but his hand will be fisted into your sleeves, as he simply holds on. The strangest thing, though, is how used you get to him.
Vice: What weakness can their darling exploit in order to escape?
He was gone again. You didn´t know if it would only be hours, days or maybe even weeks. You look over the little hut, he called home and you called far less favourable things. You think about it for a moment longer. Then decide „Fuck it!“ and bolt. You don´t if you will run directly into his arms or if you will actually get away. But event then, he could still catch up to you. Doubt floods your mind, but for the moment you are free. You would laugh, if he didn´t remind you so much of yourself at the moment. Because no matter how much you wanted forget, you could never quite do it. Leave behind the days on which you would basically barricade yourself into your room to avoid all possible contact with other people, and instead of doing something – anything – productive, stare at your wall for several hours. You understood him in that moment, and quite frankly hated yourself quite a bit for it as well. You sat down next to him, and wondered if he would even care in this state, if you simply walked out of the door.
Wit’s end: Would they ever hurt their darling?
It happens quickly. Like everything with him does. Without warning or any prompting. No sign for you. Nothing. One moment, he is still cuddling up to you. And while you are uncomfortable with it, you still let him do what he wants. He is talking about something or the other – you aren´t really listening to him – while you pet his hair slowly. Tousling it one way and then another, as you hum every once in a while. You could almost call it peaceful. And in the next moment, he is screaming. Cursing loudly, he lashes out. You shriek in fright, when he goes for your face. The pain is sharp, when his fingernails cut your cheek open. He is nearly spitting, as he yowls in anger. He throws himself away from you, as you start to sob quietly. Tearing at his hair, he flees from the room. Later, he will apologize. All soft again. „Sorry, sorry“, he wont´t stop repeating, as he wipes the dried blood away, and presses a soft kiss to your face, which he cradles between his palms. „Love you“. Still you can´t help but to notice the slight tremor running through his limps from now on.
Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?
Toby likes to bring you gifts. Sometimes, at least. It´s never something grand. Little things, that reminded him of you, that he presents to you with a smile. It´s almost cute. Though sometimes, when he thinks you aren´t looking, you see the mask fall. How his eyes take in your reaction. He is manipulating you. You know that. Doesn´t mean, you know how to stop it. He likes to think, that he is a good boyfriend. He adores you. But worship? Revering you? No, thank you. He likes to be close to you. Likes to hold you. Likes to play fight with you. He likes the quiet moments, and the screams. But some days, he hates you as well. He knows that. It´s nothing, that he can change. He could never worship you. You and him are too human for that. Just mortals. Just people. But that is what he loves most about you. Being human.
Yearn: How long do they pine after their darling before they snap?
He had forgotten, when he had started to follow you around. Has it been a week, a month? Maybe it had been summer back then, he muses, as snow melts on his gloves. He doesn´t remember the first moment, he saw you. But he does remember, that he always recognized you. No matter how much time had passed. He always felt like he knew you. Maybe he did. He wouldn´t know. He has forgotten so many things, that were supposed to be important. A low growl escapes him, as you entertain another idiot. No matter how often he cleans up, there always more of them vying for your attention. Seems like tonight will be busy for him again. He wonders if you would like to hear all the stories, he collected while watching over you. Though, they might be a bit bloody for your taste. He clicks his tongue, a low whistle following, as his eyes follow you again. Maybe one day, he will make sure, that no one else can get your attention except him.
Zenith: Would they ever break their darling?
He watches your every move carefully. Afraid, that he accidentally hurt you again. He knows, that he feels pain different than you do. He knows, that you deal with some things differently than he does. He knows all of that. So, he watches you. He sees it, when your eyes go glassy. When your facial expressions start to dull. He sees it. He knows something is wrong, when you lean in close to him. Sighing almost wistfully, as you intertwine your hands. You never done that before. He tries to break you out of this mood. Maybe you need something new to entertain you? Maybe some fresh air? It´s not like he adores you like this too, but he worries over you. When your spark does not return to you, he gives up. Instead, he simply leans closer to you, holds your hand like he always wanted to, and tells you of his day. You don´t flinch, and he doesn´t mind.
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xoxotlou · 2 days
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there’s something so special about seeing yourself in a character- i truly resonate so deeply with ellie for so many reasons and i thought i would just talk about that for a bit because i think it’s really cool 🫶
-her relationship with joel mirrors that of me and my dad, the first time he called ellie “babygirl” i cried because that’s what my dad used to call me.
-her relationship with dina struck me too, the way she loved her so deeply. ellie goes all in when it comes to emotions ive noticed, much like i do. she would do anything to protect dina, including leaving her. the scene where dina tells ellie shes pregnant hit me so hard, because she cares so much about dina and yet she gets angry and hostile because she’s so upset.
-this is a bit of a jump- but the way she wanted her immunity to mean something. i have a lot of times in my life where i will go through hell to get something, and if it doesn’t end up working out i feel useless. i always have to be the bigger person and help others; much like how ellie wanted to make a cure, even if it would kill her
- her journaling- i’ve been doing it for years and it’s so important to me to have pieces of myself and my life physically on paper
-her love for pus-
-i look a lot like her which was cool to see, we have a lot of the same features and the exact same face shape and nose so i love cosplaying her :)
-her violent tendencies, i was put in sports at a very young age and it was my whole world- but oh my god i was intense about it- i got into so many fights as a kid too, usually to protect my friends and myself(im not like this anymore dw!!! bad childhood phase-)
-the way she interacts with jj reminds me of when my sister was born :(((
-her half up bun hairstyle is literally my signature!!!
-her nerdy ass is so funny to me- i’m also obsessed with comics, dinosaurs and space
-
thank you for coming to my ted talk.
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matan4il · 5 hours
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On Friday, during Passover, a terrorist attack took place in Israel. The terrorist attacked an 18 years old girl on the streets of Ramla, stabbed her in the back, leaving her seriously wounded, as he ran away. The girl was in the city visiting a friend, whose father and brother heard the girl's screams and chased the terrorist. The dad, a civilian with a personal weapon, neutralized the attacker. The girl's state has since improved, but she's still hospitalized.
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There is footage of the terrorist chasing the young girl down the street, stabbing her in the back without even stopping, causing her to collapse to the ground, as he continues, and flees the scene.
The anti-Israel protests on college campuses in the west are horrifying to watch. They were bad enough when they started on Oct 8, while Israel wasn't even counting its dead yet, because we were still fighting terrorists invading our country and endangering our civilians, so Israel's army was still not free to do anything in Gaza, but these protests have somehow gotten so much worse. They've become more openly antisemitic (we've seen more and more people doing the Nazi salute, and using signs calling for a "final solution," the whitewashed Nazi term for their intended annihilation of all Jews):
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They are now more openly calling for blood (in the past week or so, we've seen no calls for a ceasefire, instead we've heard chants to kill Zionists, to burn Tel Aviv, for Iran to fire rockets at Israel, meaning at its civilian population, and to globalize the intifada, a wave of anti-Israel terrorist attacks. During the second intifada alone, over 1,200 people in Israel were murdered). They've also become more physically violent, with more and more Jewish and pro-Israel people being assaulted, and even requiring medical care:
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I've been seeing so much, and it's being talked about on the news here more than you can imagine. The presidents of Israeli universities even did something unprecedented, that they've never done during any of Israel's former conflicts, no matter how bad those got. After publishing repeated calls for foreign universities to fight antisemitism and protect their Jewish students, the presidents of Israeli universities have now published an open letter, lamenting that the problem might be beyond the capacity of university presidents abroad to solve, and addressing Jewish students, stating they have a safe space here, offering them any assistance with pursuing it.
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The worst protests are in the US, at Ivy League universities of all places, but I've heard horrifying things about universities in Canada, France, Australia as well... I feel like I can't really do this subject justice in just one post, so if I only share with you one last thing about it, this following vid would be it, because it's bigger than just the protests, and at the same time, partly explains how so many people have been recruited into them. It's a typical example of how in this complex conflict, real facts (such as vids filmed on the ground) are often taken out of context and manipulated to present a simplistic narrative, in which Zionists (i.e the overwhelming majority of Jews) are presented as intrinsically violent and evil, while ignoring and even lying about the anti-Jewish violence at play:
Jews and Jewish allies abroad, please take care of yourselves! And don't let all the hate get to you... Just because there's a lot of them, doesn't mean they're right. Or even that they're the majority. They just give that impression by being more vocal than anyone else, and taking over public spaces, pushing everyone else out.
(for all of my updates and ask replies regarding Israel, click here)
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codenamesazanka · 3 days
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I'm sorry, I'm fixated on The Walk because it has seemed like such a pivotal point in Shigaraki's life, and in the story. And then when it finally came time for Deku to save Shigaraki/Tenko... it gets relegated to two measly panels. 
In Chapter 69, Shigaraki reveals his resentment of basically the entire world for being so carefree when they know, logically, someone is out there suffering - "someone, somewhere...is off killing people, for whatever reason... these fools keep smiling and laughing... living their lives." 
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Later, building on this idea, he realizes - and states out loud to Deku - that All Might annoys him because All Might has created a false sense of peace. Plus, All Might himself smiles so bright and cheerful, as if he's invincible, as if he can and has saved everyone: "The reason these fools can smile and live their lives... is cuz All Might's always got that grin on this face... Smiling wide, as if to say... There's no one he can't save!!" 
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Paired with a flashback of a severed hand, much like the ones Shigaraki wears, the implication is clear: Shigaraki resents how no one came to save him when he had a quirk accident that killed his dad/family; moreover, specifically, he seems to hate the bystander effect - that tragedy and suffering can happen but the people around such incidents can just not give a single crap. There are people in trouble, but the majority of the world doesn't bother to help, because they think Heroes will take care of it - All Might, especially, has made them feel like it's just not their problem. 
This was before Shigaraki regained his memories, but his life since the amnesia hasn't really disproven any of that. He was picked up by AFO, a Villain, first of all; but he would later create the League, all members of who have clearly suffered from something and was never saved - not by Heroes, but also not by people who are supposed to protect them, like parents and family, and not by their fellow humans. 
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There's a reason Shigaraki targeted Bakugou to kidnap and recruit - he saw someone who seemed to be restricted and suppressed, literally bound and gagged on live television, a thing allowed and even awkwardly laughed at by the people around him. All Might was smiling as he presented a medal to the clearly upset boy. And so he thought Bakugou would understand.
When Shigaraki remembers his past, his memories also don't disprove the bystander effect and his hatred of it either. In the house his father built, everyone saw he was suffering, but did nothing. They never stepped in to stop Kotarou’s harsh punishments; in fact, they only ever come to him in the aftermath to try to coax him to stop crying - essentially telling Tenko that hey, they aren't going to stop the actual problem (Kotarou), but they will try to make Tenko accept it. As if it's not their problem, but rather Tenko's. Tenko says that all he needed was just to hear a word of encouragement from them, but they couldn't even give him that. 
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All this passivity in the family eventually leads to the moment when Kotarou slaps Tenko hard - twice! - and yet his mom and grandparents only stood by and watched. (Afterwards, they apparently also allowed Tenko to be forced to stay outside, crying, until nightfall.)
Then, of course, is The Walk.
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Dozens of people saw a clearly-distressed lost child walk past them, and did nothing. Tenko at that moment is tragedy and suffering made manifest - he's a tiny little boy, alone, scared into silence, bloodstained, barefoot on concrete in a city. He's not hidden away or in some unknown corner of the shadowy edges of society - he's there in front of everyone, in broad daylight. 
And no one bothers to give a crap. Or, even if they do, briefly feeling troubled at the sight, they look away. The one lady who did try to help ends up deciding this was above her pay grade and explicitly states never mind, Heroes will take care of it. Everyone at the scene feels it's not their problem. 
(And the thing is - Tenko knew he deserved to be saved. There's one line that always stuck out to me: "I thought maybe the reason no one helped me was because I was being punished for killing my family." 
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Tenko knew he did something bad, he was feeling immense guilt, so much that he was rendered mute, but he wasn't expecting to be punished then and there - he hadn't written himself off. Not being helped wasn't a foregone conclusion yet. He killed his family, but he wanted help - he knew he should be helped. Basically, it wasn't immediately, "I did something bad, so of course a Hero won't be here, now I need to run away and hide" - it was "[I did something bad, but] somebody... anybody, just me tell [what to do]. Someone help me." The idea that he deserved being ignored because of what he did seemed to have only come afterwards. 
This is why, I believe, in Chapter 365, Inner Tenko thought, "I wasn't broken back then... but it's not like anybody reached out a helping hand to me. It's not like anybody even looked at me." 
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Two of the flashbacks are scenes from after he did a Bad Thing - Hana running away after he killed their dog; the old lady turning away, after he wandered into the city post-massacre. He did a Bad Thing, but "I wasn't broken back then..." 
There's also the flashbacks of the family pre-massacre. Scenes of his grandparents trying to pacify him, of his mom looking sad, of Kotarou being angry with him - all likely because Tenko was in trouble for talking about Heroes again, which was against the household rules, but wasn't/shouldn't be a strike against him. He was restricted and suppressed and couldn't fit in with the family, but "I wasn't broken back then..."
All those people in his family, on the streets - none of them ever helped.)
The Walk is the ultimate embodiment of his long and ongoing issue of Heroes and regular people doing shit nothing. It's the exact complaint Shigaraki was giving in Chapter 69. It's completely damning. 
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This is what Shigaraki means when he says "everything I've witnessed..." in Jaku in Chapter 281 (and again in Chapter 379). He's seen it all - how there's all this pain, but Heroes have not done anything about it. And because Heroes are pillars of the community - because Heroes are civil servants, essentially representative of the governing system - the regular masses of citizens both follow their example while also becoming complacent. Now they just smile and laugh, living their lives, as if Heroes will and should take care of everything and all will be and is fine. 
Early on, Shigaraki put most of the blame on Heroes and so focused most of his plots on them - the USJ attack and Camp Raid were on Hero students - but he very much disliked the civilians and their bystander apathy too, and was already starting to make plans to destroy the system that enabled that. It’s remembering the Shimura Household Dysfunction and The Walk - the lack of help, the rejection, all civilians that passed him by - that really solidifies his hatred and conviction, causing him to fully embrace destruction - his attacks post MVA doesn't target just Heroes, but everything and basically everyone.
AND YET. Barely any of this shows up when Deku comes to save Tenko in Chapter 418. 
In fact, it starts in Chapter 417, when Nana and Deku intervene in Kotarou's slapping of Tenko. The rest of the family is noticeably absent. The only thing Deku and Nana needed to do was stop Kotarou. That Tenko also had an issue with how the family kept taking Kotarou's side and abiding by the abuse? Not relevant anymore, I guess. 
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(Also, Tenko actually does believe he's broken, been broken from the start for being born with Decay. He even wonders why Deku would come help him. Somehow "I wasn't broken back then... but it's not like anyone even looked at me," has become "I'm broken and who could ever look at me given the way I am?" Note additionally that Deku doesn't actually discourage this notion. He only says "Well, I'm here to take your hand and give you peace.")
Meanwhile, The Walk is no longer part of Tenko's origin - or at least, not significant enough to warrant a Memory Environment. Yes, it's true that stopping and saving Tenko at The Massacre means Tenko wouldn't go on to walk The Walk, and I suppose you can argue that technically the issue of bystander effect has been solved since someone did finally show up to help. Deku didn't have to help, but he did. He made it his problem to figure out why Shigaraki seemed so sad inside, and he reached out a hand. 
But like. The Walk is still a thing that happened? It's still a problem? All those people still ignored a five year old? Deku saving Tenko doesn't mean the old lady suddenly gained a backbone and conscience to not walk away. In fact, it just makes it even more 'not her problem' because after all, a Hero did show up! She did exactly what she was supposed to do - nothing. 
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It’s just not addressed. To quote @stillness-in-green, “Shigaraki gets way more dangerous to the common civilian after he gets his memories back, and it's a real crock that the story doesn't address that specific turn and what causes it, instead retrenching to "The Slap Bad; AFO Bad.””
I don't like Deku much, and I probably would've rolled my eyes at it, but I did really think Deku would get to be at the memory of The Walk, and he was see all these civilians ignoring Tenko, and he would be gutted and horrified, and maybe he’ll hear what the old lady say about “the police or a hero or somebody will help” as she leaves, and he’ll think something like ‘that's right, a Hero should be helping… but that doesn't mean all you civilians can't even ask if Tenko’s okay and walk him to a police box’, and he would chase after Tenko to save him, and maybe even say something like ‘What you said at Jaku about civilians being coddled. I know it too well that they didn’t want to get dirty. They're trying to support Heroes better now, but they should also support each other. We should all help each other. Let’s change things. I’m here now.’ Because it would make sense and provide a conclusion to this whole thing???
But no. Shigaraki wants to destroy because Tenko was sad he was born with an evil quirk and because of that he doesn't know how to love himself and so the source of the problem ultimately lies with himself. Deku is here to validate his existence so Tenko can feel better that someone accepts him so he can learn to love himself and stop all this nonsense. Except wait it turns out AFO gave him Decay and also turns out AFO manipulated his life since even before his conception so who knows what's even real anymore. Maybe the people on the streets really wanted to help Tenko but AFO made a gas leak fill the city with Asshole Gas and so no one helped and Shigaraki has been operating under a gaslit delusion for the past 15 years and his grievance against bystander apathy is completely invalid. Bummer. 
The series hasn't ended yet, and it's possible that the Walk will still be addressed. I've seen it theorized that civilians will show up to help stop AFO and finally save Shigaraki/Tenko like he had wanted all those people on the streets to do all those years ago. 
However, without the problem explicitly stated or even known - Deku never sees the family passivity, and he seems to have only caught glimpses of The Walk (and of course has no reaction/introspection/opinion on it) - this feels unlikely. Plus, the recent chapter hasn't filled me with hope or inspiration. The best the civilian could do was offer an All Might t-shirt. That's not exactly "I won't assume a Hero will take care of it and I'll take action myself"; it's more "I'll trust in Heroes even more to take care of the problem." I know that's not exactly fair, in that fighting AFO and helping a lost child are problems of very different magnitudes. But the fact the story hasn't given the civilians an opportunity to ‘redeem’ themselves, so to speak, in the latter case kinda proves my point, I think. 
So far, the story seems to think that Shigaraki's issue with passivity and complacency is actually irrelevant. Or has been solved by Deku. Who took on the immense task of saving Shigaraki because he possesses a drive to save others that eclipses all common understanding. So Deku is special, and thank god someone so special existed to save Shigaraki. Because otherwise, Shigaraki wouldn't have been saved. Due to the majority of people being passive and complacent. Which isn't a thing that needs to be dealt with.
(Or, I guess you can say that it was All For One who planted the hatred of bystander effect into Shigaraki/Tenko (if he didn't somehow manipulate the people on the streets (and the Shimura family, previously) into ignoring Tenko), since he did say “Everyone just passed by, pretending not to see, thinking some Hero would save the day. Who decided to make the world this way?” when he first found Tenko. So even that hatred and grudge isn't ‘true’ and we can dismiss it. ¯\_(ツ)_/¯)
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