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linkspooky · 1 year

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Jujutsu Kaisen, Chapter 204 Thoughts.

I thought I was not going to have much to say about this week’s chapter, because it is mainly fighting, however, I read a tweet about opening words that got cut out of the English Translation of the chapter.

“A life they never asked for, but more brothers than they could hope for.

A special warmth that is a pillar for his heart there….! Choso and his brothers stand firmly together as one!”

Which just perfectly summarizes how Choso embodies all of the positives of a sibling relationship. Let’s talk about what Jujutsu Kaisen has to say about siblings underneath the cut.

1. Big Brother.

What is unique about Choso is that his entire character revolves around the role the eldest born / first son / big brother is supposed to play to their family. Which is ironic, because Choso’s family is his mad scientist father, all of the failed creations he got bored of and abandoned, and also the mother who was abused to make him and all of his siblings.

“A life they never asked for...” is putting it mildly, the life Choso was born into through no choice of his own, is unrelentingly, despair inducing-ly bleak.

The death painting brother’s response in general to this hopeless situation they were born into, and have relatively no control over is to completely rely on each other. They have no relatoinship to their mother or father, they have only had each other for hundreds of years.

Which is where much like Choso’s own hybrid nature, they like many cursed spirits the death paitning brothers horrifying abominations, and yet they regard each other the same way a normal human family would. To the point where Choso’s motivations are incredibly understandable to us the reader because his entire motivation is to try to act as this ideal older brother figure, which could resemble a sibling relationships many humans have or possibly wish for. The way Choso loves his siblings, despite their horrifying origin, is the same way an older brother is expected toc are for his younger brothers, if a bit idealized.

Choso and his brothers are quite literally aborted fetuses at various stage of fetal developments. They were people never meant to be born into this world. They are not equipped to survive. They were abominations sealed away by Jujutsu Academy, and then two thirds of them were killed by Jujutsu Sorcerers soon after they were born. Nobara and Yuji also kill them without hestiation because they are cursed spirits despite the obvious signs of intelligence they showed, whereas they might have hesitated if they were human curse users.

Choso’s love for his siblings represents both Choso trying to make the best of the situation he was born into, and an active choice on his part to love his brothers. As stated in the panel above, Choso and his brothers could so easily hate the world for what it did to them, and yet that’s not their objective, they don’t want revenge, purely what they want is to survive. They were never meant to be born, yet they are trying to live in the world, and live for each other.

Choso, Eso, Kechizu live for the sake of each other, that’s the way they cope and try to make the best of the situation they were born into. However, loving is also an active choice on Choso’s part. There are other siblings born into similiar situations, unhealthy family households who are faced with similiar choices as Choso.

Naoya who has no relationships to his siblings, and at large no relationship to his family treats people as nothing more than dispoable actions, relationships as transactions where he gets something out of them.

There is another you could draw a comparison between Choso in the Zenin household. Maki and Mai parallel Choso’s relatoinship to his borthers in the fact that twins are considered “cursed” because of the omens associated with them. Maki is also born in a way that makes her an outcast to her clan, having a restriction that makes her unable to see cursed techniques in exhcange for increased strength. Choso and his brothers are the shame of the Kamo family, Maki and Mai are considered shameful by their father Ogi and he blames them as the reason he wasn’t made clan head. Kenjaku similiarly, abandoned the Death Painting Bros because he didn’t consider them interesting

The way Choso acts as a ig brother, and the way Mai acts as a big sister are markedly different however. Mai and Maki are continually in conflict with one another. While Choso and his brothers do everything together, Mai and Maki are seperate.

Maki’s intentions may have been to reform the Zenin for Mai’s sake, but she didn’t make that clear to Mai. Mai beleives Maki left her behind, and maybe, Maki did prioritze being strong and defeating the Zenin over her relaitonship with her sister. Maki a staunch individualist would have hated herself if she stayed in that household with Mai forever.

Maki and Mai are born connected, the same way CHoso and his brothers are all connected to one another, but while their sibling relaitonship is a blessing, something they use to make their situation better Mai internalizes the idea that she is a burden to Maki/. THat she is the reason Maki cannot get stronger. That their connection is holding Maki back. To the point where Mai choosing to die is the thing that finally makes Maki stronger. Maki gets stronger, but only as an indivdual, with her sister permanently lost.

Maki is stronger now, but she is stronger alone. This is in comparison to Choso who is labeled weak and uninteresting this chapter by his own father. Choso who even considers himself a failure.

However, Choso always chose his relationship with his brothers over his individual strength. He chose, even to accept and forgive Yuji after learning they were brothers. He is able to find love in his life because he made that choice to love his brothers. Even though two of Choso’s brothers die similiary to Maki and Mai, his situation as a whole is far less tragic.

And I say it’s a choice because during the same arc where YUji and Co fought the death paintings, there was a clear foiling between Megumi’s relationship with his adoptive sister, and the chosen relationship of the Death Painting brothers.

Just like how I choose who to help, you choose who to protect me. Megumi and Choso are foils in regars to the fact that they were abndoned by their actual blood fathers, and despite having no family Megumi similiar to Choso chooses to prioritize his adoptive sister who he has no blood relationship’s well being over everything else.

In all of these cases a good relationship with their sibling isn’t something that happens on his own, it’s a choice made by the characters to try to be good to their siblings.

#choso #kechizu #eso #jjk meta #kenjaku #jujutsu kaisen meta #jujutsu kaisen #maki #mai #maki zenin #mai zenin #naoya zenin #megumi fushiguro #jjk 204 #jjk 204 spoilers

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anystalker707 · 3 years

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Spicy horror

Pairing: Frank x [fem] Reader Word count: ~ 4 000 Genre: Smut / Fluff Summary: It's Halloween, and (y/n) and Frank finally confess their crushes to each other when binge watching horror movies on Frank's place. Kind of content: Praising / Protected / Oral

Requested by @thisisjustforrequestingfanfics (can't tag you, sorry hhh my T*mblr is acting weird)

a/n - I'm sorry that I coudn't proofread, I might do it soon; I was supposed to be asleep rn

"You're just annoying, old man," I tease with a grin. "But don't whine or else you'll ruin the makeup!" I continue spreading the white concealer over his face, careful to get it on the corners around his nose and around his eye, though not to irritate his eyes.

"No, fuck you," Frank groans, his face twitching to suppress any expression. "Why can't we watch it again tonight? They're the best movies! And stop calling me old man, it's just my birthday! I'm not decomposing or anything!" Despite his words, he smiles, opening his eyes once I pull away, leaning back against the chair of the desk – I roll my eyes.

"Yeah, I agree." I grab the eyeshadow palette from the desk and move closer to him again. "TCM is a great series and all, but can we not watch it for a single week? It's your birthday and we can watch literally any horror movie! And it can be special, like, not something we've watched a thousand times already to the point we already know most of the lines." I glare before motioning for him to close his eyes.

Frank sighs grumpily, leaning his head back. "What are you planning on, then? Alien? Jaws?" He lets out a weird cry when I slap the side of his head lightly, though he is soon chuckling.

"And then you complain when I say how annoying you are!" I spread the dark eyeshadow over his eyes, humming. "It's been a while since we've watched The Howling, Evil Dead, House of Wax. I mean, 'm not gonna complain if we decide on Alien and Jaws either." He hums, pouting. "Don't worry, you're still my favorite old man." I press a kiss to his head.

"I hate you," he laughs.

After a little bit of fake blood and retouching on my makeup, the two of us are leaving Frank's house to go to school, waving his mother goodbye. We don't look like what most of the kids will go dressed up as – not putting enough effort nor choosing the same themes as the jocks and popular people and not invisible enough just to throw on whatever in a black theme. Frank looks like a chill vampire with Bela Lugosi's Dracula references, though still looking like a punk, while I decided on one of my favorite characters. Nothing too extra, but still in the vibe.

"You look ridiculous with that hair slicked back." I kick one of the pebbles on the sidewalk. "I prefer the hedgehog or whatever it is in the normal state."

"I honestly feel like I could kill someone just from biting their jugular off." He grins, throwing his nose in the air – I can't help but to chuckle; he's adorable. "But not gonna be anyone from school, they're not worth it neither their blood would taste good." He twists his mouth. "I feel like most I'd get would be booze, botox and steroids."

"Damn," I snort, "awfully accurate. You're gonna starve, sorry."

Frank pouts, looking down, but a smirk soon tugs on his lips as he takes a step closer. "But you're not that bad, baby, you know?"

"Oh, fuck off!" I roll my eyes, clicking my tongue. "You just want to get in my jugular!"

Both of us burst out in chuckles and our conversation eventually dies down when we walk past the gates to inside the school, replaced by jokes at other people's costumes, sometimes needing to hold onto each other from laughter.

We walk into the first class, already a bit late, but all it does is to attract everyone's attention the moment we step in.

"Ridiculous, as always," some girl mutters under her breath. Funny.

Frank wraps a hand around the length of the coat to stupidly bring it to cover the lower part of his face, looking around with narrowed eyes then wide ones. "I smell not just a lot of blood here," he says in a low and raspy voice, "but also stupidity!" He points at the girl judgingly, making her twist her mouth disgusted.

"I hope Freddy Krueger visits you tonight," I say when walking past her, patting her shoulder. A scream comes from her when noticing the fake blood stain I leave behind on her white outfit, having Frank and I chuckling on our way to the back.

No one really pays attention to the classes – it's Halloween, we're even in stupid clothes and anxious for whatever is going to happen later in the day, so the teacher doesn't even bother scolding Frank and I for talking nonstop in the back of the classroom. To be honest, I think only the goody two shoes are actually doing something, sometimes turning around to glare at the others.

"Okay, okay, shut up for a minute!" I tell Frank, taking a look at the messy words over my notebook to check if I forgot to write something down. "We've got The Howling, Alien, Evil Dead, House of Wax, Dawn of the Dead, Funhouse, Pumpkinhead..."

"Fright Night," Frank continues, "Opera, Cannibal Holocaust, Texas Chainsaw–"

"I said no TCM! Fuck you," I curse, rushing to write everything down, crossing out TCM when I accidentaly write it down.

"Friday the 13th, Poltergeist, Near Dark and Elm Street," he finishes, glaring at me. He hits my shoulder, not enough to hurt. "I'll make you watch TCM with me until you have memorized every single frame of it!"

"Your TCM phase will have died down by then!" I twist my mouth bitterly. "Sorry to kill the hype, baby!" I throw my nose in the air with a chuckle at his sulky manners. He furrows his eyebrows, sucking in a breath for words he never really gets to say. "And we still got to watch all these goth movies and shows lying around! Do you think it was easy finding the 60s Addams family show on DVD? Or that one Frankenstein version on cassette." Okay, the last one was easy to find in a yard sale, but still, it was just luck.

"Okay, mommy, please just don't punish me," Frank says with a groan and a fake moan. I stare at him as he's not able to contain his laughter before starting to hit him with the notebook.

"Too bad you're not a good boy, hun."

For once, school ends up actually being nice and just because Frank and I were getting in the character sometimes and pissing people off. By lunch, he had pulled on some sunglasses and looked like the stupidest fucker while eating his sandwich and smudging more of the lipstick and fake blood around his lips. At some point, we had pretended to have a fight and pierce the other's chest with a pair of scissors just to squeeze a bag of fake blood at whoever walked by – mostly some of the jocks or plastics. So much fun.

The house is quiet when we arrive back at it, a couple hours after school ended, and we find out, later, a note from Frank's mom apologizing she can't be here during the rest of his birthday, though she's sure he'll have fun with me.

"Imma take a shower," I sigh, pointing upstairs.

"Sure," he hums, looking up from the note for a moment to smile at me.

Thankfully, I always leave some clothes at Frank's place because I'm here far too often and not always have the chance or disposition to go back home and grab some clothes. It doesn't prevent me from stealing his hoodie, however, and walking out of the bathroom without all of that sticky makeup or fake blood is the best thing ever. Later, Frank is the one to go take a shower while I take care of the food he had already started to prepare.

"Much better!" I raise my eyebrows at the sight of Frank with his hair back to normal and only a bit of black makeup smudges the underside of his eyes now.

"Y'know, I never said a single thing about how you looked," he mutters with his brow low, coming to lean against the counter, next to me, "still, you've been attacking me every chance you got!"

"Does it offend you?" I smile.

"No, but it still hurts!" He sniffles, a hand flat against his chest. "I know I'm too badass for you to handle, but you don't need to let it be that clear!"

I look at him from head to foot. "I hate you, y'know that?"

"Love you too, hun!" He grins and moves closer, cupping my face exaggeratedly to peck my cheek before we head upstairs with everything we need.

We turn the lights on to organize everything, soon sitting down against a pile of pillows and with food surrounding us, though most of it is on the bedside tables since Frank, mainly, gets extremely uncomfortable with it falling on the bed. It doesn't matter, though, since the food and half empty cans end up going forgotten halfway through the movie at the same time the chatter dies down and we watch The Evil Dead as if it was the first time.

Some funny part comes on – well, not exactly funny, but enough to make us chuckle quietly – and brings us back to reality, sighing and glancing at each other, adjusting our postures as we'd slid down the pillows.

Frank yawns.

"Already tired?" I tease, poking his shoulder.

"No." He pouts, crossing his arms over his chest. "Getting tired is for losers." He does glance at the clock on his bedside table, however, and the red glowing numbers say it's six something.

"You're my favorite loser, then." I smirk lightly, exhaling.

Frank's eyebrows knit together as he looks at me, but then rolls his eyes. "Well, duh, of course I am! Who else? I'm the best." He scoots closer until his head is leaning on my shoulder and I can't help but to smile.

"No, I am," I groan, arms wrapped around him.

"I am!" He glares and, at some point, we end up in a wrestling match, pushing each other around the mattress among laughter and curses, which comes to a stop when we start getting too tired and I just let Frank lie down on top of me, head on my chest, still watching the movie. "Do you like anyone, (y/n)?" he asks suddenly. "Like, got a crush?"

Random. Why does he want to know? I mean, I do have a crush, but telling him about it is difficult.

"Um, yeah, I guess, why?" I blink, startled when he suddenly brings himself up on his elbows to stare at me.

"I swear to God I'll hunt them down if you forget about me because of them, do you understand?" Frank presses his forehead to mine. "You're the only one I got, sometimes I'm so worried you'll even leave me for whatever reason."

"What?" I breathe a chuckle, though there's not exactly anything funny here. "Never in my right mind would I do that! And you can't hunt my crush down if my crush is actually you," I laugh in a sudden rush of confidence, which wears out awfully quickly, leaving me lying there and rethinking every life choice.

"Me?" Frank widens his eyes. At the lack of answer, he takes a hold of my collar, straddling my hips. "Did I hear it right? Please, (y/n), (n/n), soulmate? I'm your goddamn crush? For how long?"

I shake my head lightly, shrugging. "Months? A long time."

"And you just told me now?" He cries, forehead pressed to my shoulder. "Slow motherfucker."

"I didn't want you to leave me either, c'mon!" I sigh in defeat, running a hand through his hair. "I remember that time a girl confessed to you and you'd simply vanish whenever she showed up. What if that was with me? I'd not be able to live like this, y'know that."

"Y'know, yeah, seeing it from that point..." Frank shrugs, bringing himself up to face me again. "Still, I wouldn't avoid you like that! Dunno, but it doesn't matter now because you just relieved me of months of suffering. Looking at these pretty lips without being able to kiss it." He furrows his eyebrows, eyes on my lips. "Can I kiss you, tho? Now that we feel stupid for all these months. Damn. At least I feel."

I breathe a chuckle. "Of course! Do you think I wasn't dying to do it either?"

Next thing I know are Frank's lips pressed against mine softly, soon growing firm with confidence. His fingers run along my neck lightly, in a caring manner, dropping to trace my collarbones.

"Also," Frank breathes, pulling away; his face never moves farther than a couple of inches whilst he adjusts his position, lying down beside me on the mattress. "Maybe it's wrong to say and I've always tried to say it in a subtle manner, but–" his eyes meet mine, "–you've got the body of a goddess! Like, dunno, sometimes you comment about not having an 'ideal', skinny body, but you're just so perfect," he groans, wrapping his arms around me tightly.

"Frank!" I tap on his back lightly. It's not that I don't like what he said – no, damn, it sends my heart fluttering, this warmth taking over my chest –, but is it really the truth? I didn't think it was possible for anyone to tell me this.

"No, I'm telling the truth!" Frank grins. "Like, your thighs and all. I just want to squeeze and bite you! Not in a bad way, I mean." I must give him a funny look because of how flustered he grows, tongue playing with his lip ring as he looks away. "There's a lot to unpack, fuck, I thought it was obvious how I always sit there gazing at you and shit, but..."

"Likewise." I glare playfully, making him chuckle.

"Y'know–" Frank smiles lazily, "–this is the best birthday I've ever had, by far." He brushes his lips against mine softly, watching me through half lidded eyes. "Never knew you'd actually like me back. Never believed it was possible, to be honest."

"I never cogitated you like me," I breathe.

"Well, okay," he says, "we've already gotten through this. I think we should focus on now."

"I'm not the one who keeps bringing back past thoughts!" I chuckle at how he pouts, scowling funnily.

"Shut up, shut up, I get it!" Frank rolls his eyes and presses his lips to mine before I can say anything, having me smiling against the kiss until returning it, wrapping my arms around his neck to pull him closer. Now that we've finally kissed, keeping our lips off each others' feels almost impossible – letting go of each other feels almost impossible. "God fucking damnit," he groans under his breathe, moving to press kisses down my jaw, soon reaching my neck.

A sigh escapes my lips at the kisses, though it turns into quiet pleased sounds at the feeling of his teeth pulling at my skin and sometimes closing around it, sucking on it whilst all I can bring myself to do is tugging onto his hair. Suddenly, however, feeling his hands traveling down to my hips and squeezing them makes me gasp, probably reacting a bit more than I intended.

"What?" Frank pulls away at the same moment, eyes wide. "Did I do something wrong? Please– Damn, I'm so sorry!"

"N-No, no," I finally bring myself into speaking up, feeling my cheeks burn bright red. "I, um, I actually... liked it. A lot. Sorry if I scared you, I just wasn't expecting it. I don't mind, really," I insist as he continues looking at me with furrowed eyebrows.

"You sure?"

"Yeah!" I smile, bringing him for a quick kiss before he's trailing down my neck again.

Frank's hands go down my body, experimentally at first and then squeezing my hips again, receiving another reaction this time, including just a soft gasp as I push my hips up – a shiver runs down my spine with it, a nice one. Fuck.

"Damn..." Frank breathes, hands running down to my thighs then up again to slide under my shirt. "It's a bit early, maybe–" he shrugs, looking at me, "–but... is it okay if..."

Holy hell. "Of course," I say without thinking much – he continues to stare, so I nod.

"Fuck yeah," he mutters, lips against mine for a few seconds before he's pulling my shirt over my head and the expression on his face carries such admiration that I can't help but to feel embarrassed for a moment. He never lets me cover myself, nonetheless, hands flying to my waist to hold firmly onto it as he's pressing kisses from my stomach to my hip. "No, seriously–" he sits up again, "–how can someone be so perfect?" He seems to be talking mostly to himself, getting rid of his shirt.

"Dunno." I grin. "How does it feel to be so perfect, baby?"

Frank exhales shakily. "You'll be the death of me and I ain't even joking." He presses a kiss to my collarbone, starting to nibble down at the skin again, trailing down to my chest, lips sometimes lingering over my breasts – sure as hell he leaves a few marks behind, considering how invested he gets.

Something tells me he doesn't know what to focus on. His hands never stay in the same place for too long, going down my thighs then trailing up to my waistband, up my torso, and then he repeats it.

"C'mon," I mutter, placing his hands on my waistband. He's a bit hesitant, but quickly undoes the buttons and starts pulling it down – I help him, kicking the pants away in the end.

A string of curses slip past Frank's lips as he quickly gets rid of his jeans too and, when coming back, he kneels down between my legs this time, spreading them apart. Our lips are yet again locked in a kiss, different from the others, more heated up and urgent this time as we hold onto each other. I play with the hair on the back of his neck and tug onto it instead at the feeling of his hands around my ass, groping.

"Frank, damn," I breathe quietly for a second we pull apart and, opposite to earlier, he gets the hint and does it again, humming against my lips. Once he stops groping, his hands just run along my skin, up and down my body, sometimes lingering. The most lovesick look decorates his face when he pulls away. My heart.

I place my hands on Frank's shoulders as I sit up, changing our positions. He observes me with wide eyes and I smile at him before pressing kisses to his neck, leaving behind a hickey before I can go lower and lower until my fingers are around the waistband of his boxers and I pause, looking up at him, and continue after he nods.

Frank's already half hard, a breath hitching in his throat as, after discarding his boxers, I assume my previous position.

Even if it's not the first time I've done that, this nervousness still lies under my skin as I wrap a hand around him, pumping him lightly before wrapping my lips around the head experimentally. He breathes sharply.

Only halfway through it that I allow myself to look up at Frank, pausing for a moment after finding out he's been watching, propped up on his elbows, eyes focused on me and jaw slack, but I don't look away, hollowing my cheeks instead and watching him break under my gaze, letting go of all the tension for a second.

I repeat the motions a few times and pull away, licking up along the underside, around the tip, and he's suddenly pulling me away – eyes wide and face flushed this time.

Frank mumbles something I can't quite understand, but it doesn't really matter. He moves closer, both of us soon assuming the position we were in minutes ago, pressed against each other. Now, he removes my underwear and his hand slips between us, however.

Pleasure is sent ringing up my spine at the feeling of Frank's fingers slipping past my lips, quickly finding my clit and wasting no time on working his thumb on it while a couple of fingers tease my entrance. Moans just escape my throat easily after he breaks the kiss, mouthing his way until the inside of one of my thighs – he bites and sucks on the skin there. His tongue is suddenly there, then, against my clit, working around it before being replaced by his lips and my vision goes fucking blank when I can feel him sucking on it.

"Fuck," Frank curses once pulling away, moving to frantically rummage through the nightstand's drawer; I groan at the loss of touch, pushing my hips up into nothing.

Hearing the sound of foil being torn makes me understand what's happening, and I watch him rush to slip the condom on, giving us a moment to catch our breath before he's positioning himself, a hand on my hip whilst another holds himself up.

"Tell me if there's something wrong, okay?" he asks slowly, "I'll stop right away. Don't be afraid."

"Same to you," I say softly, cupping his face to pull him for a soft, quick kiss.

Frank smiles with a nod and looks down before I can feel him against my entrance, pushing in slowly. I wrap my arms around his shoulders tightly, feeling his chest vibrate against mine with the low moan coming from him, replaced by a sigh once he sinks in completely. He starts moving right away, hips jerking experimentally before attaining a heavy and slow pace which doesn't last long due to how needy we are already.

I gasp at how he thrusts in harder, wrapping my arms around his shoulders to hold him close and having my legs around his hips, instinctively.

Curses and praises are breathed into my ear among moans, somehow making the pleasure pool down in my lower stomach even more intensely, summed up to feeling his hands groping on my ass again, fingers sinking into the skin.

"You're just so perfect, (y/n)," he babbles, "and even better that now you're all mine."

Suppressing a louder moan turns out to be impossible at the feeling of Frank's hips reaching a certain angle and, soon, the answer I had in my slips away from my grasp and all there's left is just how good he feels. I travel a hand up to his hair, remembering how he reacted to it earlier, and tug on it in a form of response, though also wanting to hear how pathetically he moans at it.

"'M gonna cum," I manage to say before being cut off by a moan, arching my back.

"Me too, babe," he groans, "almost there."

Frank pauses, adjusting himself so a hand is under my thigh and another on the mattress for major support and his thrusts are suddenly harsher. I throw my head back at the same time, holding onto him tightly, and it doesn't take long for all the pleasure that had been building up so far to unravel at once – it apparently triggers the same on him, considering how tight his grasp gets whilst a higher pitched moan comes from him.

Coming down from the high, I feel almost numb, in a good way. Frank pulls away and I'm only aware of him when he's lying down next to me, both of us breathing heavily and unable to do anything aside from staring at the ceiling for a long moment.

"Damn, I love you so much, so much," he mumbles again.

I breathe a chuckle, feeling him cuddling up to me, arms wrapped around me. "And I love you, dumbass." I press a kiss to his head.

"My girlfriend now, right?" he asks. "Nevermind, you don't get to choose." He chuckles, though it quickly dies down. "Just kidding, okay? Tell me to and I'll fuck off."

I laugh, still breathless. "Of course I am. I didn't confess for nothing."

#frank iero x reader #frank iero imagine #frank iero #mcr #mcr fanfic #mcr x reader #fanfic #fanfiction #x reader #female reader #n*fw #my post #my chemical romance #fluff #smut #imagine #oneshot #requested

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ifeelallwrite · 3 years

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Let’s talk about Hospital Playlist. (KDRAMA REVIEW)

note: does contain spoilers

When people ask me what is my favorite Korean drama of all time, with no doubt, IT’S HOSPITAL PLAYLIST. This drama has the comic relief, the emotional scenes, realistic characters-just to name a few. No toxic relationships and petty revenge fights. Nothing else will stop me for saying that this is the ultimate feel good drama.

SYNOPSIS: The drama shows insights into the daily lives of doctors and nurses working at Yulje Medical Hospital. It focuses on 5 doctors who have been friends since medical school, who also play together as a band.

This drama encompasses so many elements and characters so bear with me yo this might be real long

Hospital Playlist is produced/written by the Shin-Lee PD and writer pairing, whose previous works were the renowned Reply trilogy and Prison Playbook (which are *chef’s kiss*) I really like that all their dramas really highlight humanism, and puts emphasis on creating a heartwarming and realistic series. There isn’t always a major conflict to be resolved, but instead it showcases how different people-in this case mostly those in the medical field-go on about their daily lives. I also liked their reasoning to produce a medical drama which was that hospitals were where the most dramatic moments occurred, for example during births, deaths or sickness. And since we are still in the Covid-19 pandemic, it ties in greatly to be paying homage to all the medical personnel saving lives. Hence, props to those who were involved in this meaningful masterpiece <3

The drama is not the usual 16 episodes, but has 12 episodes for each season (SEASON 2 IS COMING SOON YAAS) Good thing is I felt that they were still able to weave a dynamic storyline in the first season even with lesser episodes. The writing was just top-notch with the witty humor bits. Additionally, the music is AMAZING. I love the concept of the main characters being a band and playing different songs every episode too.

Okay, now onto the characters. I thought that every character in this drama was well rounded. Starting of with the main five characters, also known as The 99ers, whose distinctive personalities and natural chemistry make all of them extremely likeable. All main characters are professors of different specialties, and I find the male OB-GYN (Seokhyeong) and female neurosurgeon (Songhwa) very refreshing. Also, I like Shin-Lee dramas always have characters that might be realistic yet hardly seen in other dramas or films. For example, Professor Ahn Jeongwon. Despite being a chaebol (inheritor/heir), he isn’t depicted as a spoilt brat or a cold character, instead as a warm Pediatric doctor who uses his wealth to secretly support patients in need. However it makes him stingy to his friends LOL

To be honest, I really thought I was gonna dislike Junwan due to his cold and tsundere nature. I pretty much believed that he was going to be the party pooper type of the bunch, but with the writer being a master of character development, he turned out to be really sincere and hilarious at times. Same for Ikjun, who apart from his enthusiastic and happy go lucky exterior, cares the most about the people around him. Although Seokhyeong seemed detached and introverted, he shows a emotional side to his friends as well as his mother. Songhwa is literally a girlboss though haha she’s smart, capable and gets along with everyone well. And she’s the most sane out of the bunch.

With all the main characters, we have the relationships. Junwan is the first to date seriously with Iksun (the dog or Micky? jkjk) who is Ikjun’s sister. When it first happened I was like not again Jung Kyung Ho (bc he dated his best friend’s sis in prison playbook too LMAO) I think their relationship was realistic and open. It also showed a more sensitive side to Junwan who would do anything for her. I especially liked how he said he didn’t need access to her phone because he trusted her. Yet as all couples do, they have their fair share of ups and downs. Like conflicts on getting married and a long distance relationship as Iksun moves overseas for graduate studies. I don’t really know how to take the ambiguous ending for these two, as Junwan receives the returned box (that has the ring he sent) I really hope nothing bad happens to these two though.

I’m sure we all love Wintergarden couple though, tbh they’re kinda my OTP at the moment 🤣 It was pretty much a ‘will they won’t they’ relationship with a relatively slow build. I think Gyeoul turned out to be one of my favourite characters. Shin Hyun Been did a good job at portraying her as a straightforward but innocent Resident, who is pretty much openly crushing on Jeongwon. The scenes they had together were adorably awkward (and the scene where he gives her chocopies omg) And when Jeongwon battles his inner conflict to become a priest, the final decision where they kiss was beautifully shot, with the actors both showcasing their emotions extremely well.

Then we have Chihong who pursues Songhwa, his professor. Midway through the drama, it is also shown that Ikjun and Songhwa might have had romantic feelings for each other. Songhwa ends up rejecting Chihong’s confession. In my opinion, Chihong was quite a interesting character but I didn’t really like him at the end. (I like the actor though) He did a real jerk move during drinking games, insisting on Ikjun to confess his feelings towards her even though he is already trying not to put Songhwa in an awkward spot. Although his character did end up making a cool exit and when I thought about his incredible story of soldier to doctor, I kinda regret disliking him that much. As for IkSong, In the final episode Ikjun confesses to her one last time, and we are left waiting for Songhwa’s reply. As much as I love this pairing, I don’t think that the ship will sail or maybe not as quickly as we think. I believe Songhwa would meticulously consider the sacrifices to their friendship or other aspects and might not be able to bring herself to it, but I hope it’s otherwise.

Lastly not forgetting Seokhyeong and Minha, another Professor+resident pairing. This one’s a bit ambiguous though, mainly because there hasn’t been much romantic development. To me, the most impactful scene came from Minha who had been irritated by continuous night shifts and was on the verge of a breakdown. She ended up remarkably saving a patient, starting off surgery on her own for the first time. Oh man Minha was such a lovable character, I remember feeling so bad for her but extremely proud of her for her accomplishment. Although Seokhyeong seemed a bit aloof and distant (which was intentional bc he’s an introvert) I think the backstory and all the hardships he faced with his family really made me feel for him. I hate to break it to you, but I’m not so sure if the ship will sail because of the phone call from his ex-wife and Minha’s somewhat rejected confession. But who knows, they might pull off a twist 👀

Apart from all these characters, there are more characters HHAHAH However, I think this is the killing point of ShinLee dramas. Unlike typical dramas which usually focuses on a main character and 2-3 side characters, they like to cast a diverse range of actors (especially those from theatre/musicals and lesser known drama/movie actors) while actually give their characters personality or a reason to be there. I’ve seen many dramas where extras or side characters were kind of irrelevant thus making me feel that they weren’t needed to build the storyline, yet ShinLee dramas hit different y’all. Every role, no matter how small, holds significance to the drama. It really seemed like a collaborative work that shows off every actors skills (and not forgetting staffs) and teamwork.

Anyways because there are way too many characters and too many scenes for me to mention them all, I’ll just talk about some honourable mentions heheh

1. Sunbin and Seokmin confession scene (ahh so cute)

I kinda sensed that they liked each other at the start but I didn’t know Seokmin would ask her out on a date at the end. Even though it’s kinda awkward that they are dating and working with each other though (both are in the same department) but hey the confession was cute and awkward and just warm and fuzzy 🥰

2. MAMA ROSA IS THE QUEENN

I think we all (would) love Mama Rosa because she’s a real one ☝️ (probably the coolest mother ever) She’s feisty, hilarious and kind to others. Plus her friendship with Ju Jong Su was just adorable and super wholesome. The scenes where they were supporting one another through tough times and hanging out with each other when they felt lonely always put a smile on my face. Oh and how Mama Rosa treated Gyeoul was extremely sweet. (as well as Seokhyeong’s mother) Despite her tough exterior, she’s a likeable character for being a strong but caring woman.

3. Just Do Jae Hak

I seriously love this guy so muchhh omg he’s so funny

Do Jae Hak has a funny amd clumsy personality, though it’s clear he’s been through a lot and is strong willed person. From admitting his indecisiveness to counselling Jun Wan on his love issues, there’s literally nothing to hate about him.

4. Uju and his dadd

The father and son chemistry between these two is so good omg. The scenes with these two are so adorable and heartwarming (not to mention hilarious) It’s amazing to see how Ikjun cares so much for Uju despite his hectic workdays while going through infidelity issues with his ex-wife. Uju is matured for his age and shows his love and appreciation for his dad too, making their interaction a great portrayal of a healthy family relationship💞

5. the food stealing the show🥘

Who doesn’t love food and when a show has great food scenes? Some of the best scenes are definitely when the 99s gather to eat. It really showcases each character’s personality with the tiniest details as well as highlight warm delicious meals. Just don’t watch this when you’re hungry at 2am in the morning guys you’ll be drooling all over your screens HAHAHA

Of course there are way more aspects, like Hongdo and Yoonbok, Ikjun and Iksun’s pigeon jokes and raps, or Jeongwon drunk crying in the chicken shop with his brother (who was his coach in Reply 1994 when he played Chilbong LOL)

Most importantly, I think it is the themes and messages that you get from the drama that really create such a lasting impression. Not only does it hit you in the feels with the hardships of hospital patients, or the hardworking doctors+nurses who are working long shifts saving lives, it also tackles topics of friendships through the possibilities of platonic and friends-to-lovers relationships. However I think the biggest lesson for me came from Seokhyeong, who learns to live his life doing what he want, with the people he treasures. Although the drama might seem slow at times (mainly because there isn’t really a main plot line/conflict occurring), but this drama would still bring you on a journey where you would laugh, cry and finish the series, begging for season 2 ✌🏻

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mjsparkour · 3 years

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Okay, I asked you a while back for some fic recs and I am in need of more. Have you read any Gina x Ricky lately? Would love for you to share the ones you've loved

Hey!

I’m so glad you liked my rec the last time, there have been alot of fics that have been written since you last asked so this list was super hard to limit. There are alot in this list alone (17 overall I think). I could always recommend more, Rina writers are just so talented. So here's a list of some of my favorites <3

The Story of Us by peculiarblue

‘gina learns that sometimes things have to fall apart so that they can fall back together, right where they were always meant to be’ This is a complete 2 part chapter fic

Thee Rina bible. It’s everything we could ever want and need. Everything we want s2 to be and more. It’s an absolute masterpiece in every way. So many parts where I nearly died, the angst in the fight scene, the tension before they made up (the dress scene that reminded me so much of that amylaurie scene I lost my mind a little more), them being absolutely gone for each other!!! it’s just perfect in every way.

When Your With Me and Were Alone by orphan account

‘Ricky Bowen remembers everything.’ This is a one-shot three-part completed series.

My favorite series, it’s gotta be. It’s the first of its kind for rina fics. Lore does an incredible job of realistically writing rina’s characterization and reactions to Gina moving and what would happen after. A wonderfully talented writer, utilizing the power of her words while minimalist carries an effect.

You Know Me Better by This_is_Riri

‘Gina was moving. This would be her sixth move in seven years. She was used to it by now...only this time, it felt different. Post episode 7.’ This is an incomplete multichapter fic.

This one really gets you at your gut. Heart-wrenching for both characters but mainly gina. The vents that happen to both characters, it just makes sense that so much more than their vunerabilities bonds them together. Perfect execution of the mutual understanding trope.

and I know I’ve kissed you before by ptrprkrs

‘but I didn’t do it right / can i try again, try again, try again? or: 5 times ricky kisses gina + 1 time she kisses back’ This is a complete one-shot.

I love a good five times plus one fic. This one is heartwarming, cheeky and cute. It gives a healthy balance of the inevitable anguish that comes with pining (and not just for the character but for frustrated readers that just wanna put these kids together already) but also the sweet innocence and fluff from first love (or first love adjacent).

what love might have done by rradioh

‘Ricky follows his gut. Everything changes. Some things stay the same.’ This is a completed one shot.

A good look into what could've been for season one. Reflecting moments that felt like they could’ve easily been placed in the show and showed the subtly of the growth of rinas relationship. It wasn’t something that was thrown into our faces but came gradually and this fic facilitates that growth with key moments that add to that. A Great one-shot.

And the 7th Thing I Hate The Most That You Do (You Make Me Love You) by iknowpIaces

‘It doesn’t help that he really does look good in his costume. God, she hates him. She hates him. She hates him. Then, he has the nerve to smile at her. And Gina hates how that smile alone sends her over the moon.’ This is a completed one shot.

SOOOO GOOD. No one understands, I love the trope where one person has a crush on the other and it's unrequited (or it seems that way) but eventually it's apparent that they're also just as gone for that person as soon as they start moving on, or feeling fine with having their feelings not reciprocated. Then they're both just mutual pining messes, ugh I love it. This fic handles the trope with care and rina just comes together organically.

lesson in love by finelineholland

“Give me 4 weeks. I’ll help you out. Like… a crash course, if you will. 'How to be the perfect boyfriend for Nini Salazar-Roberts': A class taught by yours truly.” This is an incomplete multichapter fic.

A rom-com in the form of a fic. It’s so true to Ricky and Gina as characters and their dynamic. The writing is really good and gives so much in terms of plot. I really hope it updates soon because I love a good makeover/transformation fic, it gives she’s all that and geek charming in the best ways.

take me to the feeling by peculiarblue

‘gina meets a stranger at a party she doesn't want to be at, and let's herself fall in love for the night, wherever it takes them’ This is a completed one shot.

Katie does it again. Another classic that makes us fall for rina while they fall for each other under the stars. You can’t help but feel something for them right off the bat because theirs something about the cheekiness of the dynamic and so real. You can’t help but fall for them, a must read.

The Last Time by mytearsricochet

‘this is the one where gina meets ricky and nothing is against them. except for a few misunderstandings, forgotten birthdays, wrong people, and missed opportunities. because as much as love doesn’t care about time, this is the one where time cares about love. and with time, everything falls into place.’ This is a completed one shot.

SO UNBELIAVBLEY UNDERRATED. This fic is too excellent, it's everything rinas could want. it’s an incredibly well done long slowburn that makes you strap in for the ride. With all those teasing moments where they're mutually pining and they're just on the precipice of finding out their feelings for one another only to hold back and stay friends (until the end of course). The end makes you work for it, but so worth it when you get to it.

10 Days in “Love” by kindredspiritsxo

‘It was almost the end of high school and nobody had it figured out. Especially Ricky Bowen. His parents had recently divorced, he had no idea what he's doing for college, his longtime girlfriend dumped him the month before and now he's been replaced by one of the most popular guys in school.

To make matters worse, he leaves for Europe in two days for his senior trip. The same senior trip that said ex-girlfriend and her new boyfriend were going on. So, Ricky did what any desperate teenage boy would do to try and get his girlfriend back: he devised a plan. A plan that included the help of Gina Porter and playing pretend for 10 days.’ This is an incomplete multichapter fic.

I love a good traveling fic. Sometimes all it takes to get a character to wake up about things going on in their lives or feelings for character b is a good change of scenery. This fic does a great job of utilizing the enviornment to facilitate rinas love story through one of my favorite tropes, the fake dating trope. There's some angst along the way because nothing can ever come easy but it's not without its reward. It gives me major spiderman far from home vibes just solely because of petermjs adorableness and how that energy kinda translates to rina in this fic more so in the beginning before they have this repertoire.

on the line by peculiarblue

‘with everything in her life finally at a stand still for once the last thing gina needs is one curly haired skater to come in and give her a reason to change again

(or, gina lets ricky back into her life the only way she knows how, at a distance, through daily voicemails, until her heart remembers why she can't love him anymore.)’ This is a completed one shot.

It hurts in the best way possible! that is the best way to describe this fic. Were taken on a journey where I personally wanted rina to just talk to each other in person but the magic was all in the voicemails and the power of their connection. There was a satisfying ending, I couldn't ask for more. If you haven’t read literally everything written by Katie go read it, it won't disappoint.

but everywhere just brings me back to you by ptrprkrs

‘or, ricky is just a little in love with the voice of the girl at the starbucks drive-thru’ This is a completed one shot.

An amazing fic that hits every spot effortlessly, even the ones you didn’t know you had. Like Ricky being a lovesick puppy going to a drive-thru just to hear Gina’s voice for coffee, he doesn’t drink or like. All the while they’d been connected all along. I’m a sucker for any kind of soulmate implications or stories where people are unknowingly connected like that so this ones a real favorite for me. It’s sweet, lighthearted and funny and a great read.

About Love by goldenthread

‘a series of Interconnected one shots and canonical aus for Ricky and Gina <3.’ This is an incomplete multichapter fic.

Here's where I enter some shameless self-promo...I wrote this recently. It’s just some loosely connected one-shots I have of rina based on canon. I write about an alternate first meeting, what would've happened if Gina had to understudy Nini in a rehearsal and (for a future chapter) a babysitting au (for what happened when Gina actually told Ricky the truth, she was babysitting her neighbor's kid when she talked to him at the skatepark). Check it out if it sounds like your thing!

in your eyes by finelineholland

‘you always try to hide the pain, you always know just what to say. i always look the other way. i'm blind, i'm blind. in you eyes, you lie, but i don't let it define you.’ This is an incomplete multichapter fic.

There is something about Rina being written about from an outside perspective that is just so excellent. The story starting with Nini noting the obvious chemistry and their connection and being threatened by it, I don’t know it's just so pleasing to me. Another fic like that one of my favorites (one that I’m pretty sure I’ve suggested in my other rec list), pretend i don’t see it in your eyes by spobylol. Another absolutely excellent read that does not miss once. This story in contrast also writes from rina’s perspective as well which I also thought was well done.

right from the start I knew by anonymous

‘“Uh.” Ricky really didn’t think this far ahead. To be fair, it’s not like he’s ever thought ahead about anything ever in his life, so this is really to be expected. “We - forget about it? Maybe. Or like - I don’t know. I think I have to figure out how to be like - a person right now. By myself.”

“Same.” Gina says absently. “I’ve spent what feels like my whole life thinking about what other people think of me. It’d be nice to - to be able to try looking beyond that for a change.”

Post-Season 1. Ricky and Nini break up, but that doesn't mean things work out right away.’ This is a completed one shot.

The most iconic love confession I’ve read in a rina fic to date. it’s just so good, a certified rush every single time. The mutual pining hits spectacularly especially when you see just how soon it starts to hit Ricky that he’d made a mistake getting with Nini and him paying for that mistake. The writing only amplifies it. Also Ricky telling Gina he’s obsessed with her? yeah, I automatically added this fic to my list of faves.

If they only knew by goldenthread

‘Ricky Bowen never really bought into the whole soulmate thing (except he did) but life got in the way and now he's sort of pretending to date new (totally not intimidating) girl Gina Porter to win back the one and only Nini Salazar Roberts. Not a single thing could go wrong.

The one where Ricky and Gina aren't so good at the whole soulmate thing and they fake date.’ This is an incomplete multichapter fic.

More shameless self promo, sorry y’all but I’m super proud of this one. It’s a soulmate and fake dating au, combining two of my fave tropes into one to make this (surprisingly) long fic. It’s a whirlwind of emotions and a lot of moving parts in the story. I plan on updating within two months then after that there's three more chapters until its finished :) hope y’all enjoy it if you decide to give it a read!

you are the best thing & the worst thing (that’s happened to me this whole year) by tophsgf

‘Gina's roommate Nini is unbearable. What's more unbearable, however? Her very charismatic and totally off-limits sort-of boyfriend.’ This is a completed one shot.

An amazing fic, I need more people to know about it! I really like fics where the development between Ricky and Gina is gradual, which seems to be the case for a lot of fics but for this one in particular I like its execution. Obviously, at first, he’s with Nini so it’s like the dynamic is at a point of comparison from the start but we quickly learn that thanks to good ole mutual understanding and overall compatibility Ricky and Gina are just right for each other. A fun read that hits all the bases.

#rina #ricky x gina #ricky bowen #gina porter #hsm #hsmtmts #high school musical #high school musical the musical the series #nini salazar roberts #rini #rina fanfic #rina fanfiction #rina fics #gina x ricky #disneyplus #disney

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beyond-far-horizons · 4 years

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Analysing the Zutara Cave Scene from a Writing and Psychological perspective

Forgive me, I’m an enthusiastic newbie to the ATLA fandom and Zutara (mainly because I knew the ship was perfect for me but was not canon and so I held off watching it for years.) So I know you’ve heard it all before but I wanted to break down this famous scene in more depth from my background as both a writer and a student of psychology. It’s also important since the age old ship wars are being resurrected (which I want no part of) and Zutara and this scene has been looked down on and belittled from some quarters.

Warning - Wall of Text TM incoming!

The main thing that gets most people is these mortal enemies going from hating each other to being open and vulnerable in about five minutes of screen time. I get the impression more time and therefore more conversation has gone on off screen, but it’s amazing that Katara goes from tirade at the literal face of the Fire Nation (a country whose plagued her people and killed her mother, and Zuko himself who has hunted her and her friends, captured her at least twice and has had several intense fights with her)

to tenderly touching Zuko’s face and “let me use our one of its kind Holy Water TM to maybe heal your face.”

Also as others have pointed out Zuko lets this ‘peasant’ (who defeated him, wounded his pride and foiled his lifelong goal several times) touch his scar when he doesn’t let anyone else do that at this point, even girls he’s been close to.

I doubt many Zutara shippers think this happened because the two suddenly decided the other was hot, even though there might be an unconscious physical attraction under all the animosity. But no-one can deny the writers were trying to show a shared connection that makes them open up to each other. That to me makes the relationship much deeper whether it’s platonic or romantic.

Katara, despite her understandable rage at Zuko, is surprisingly open to forgiving and helping him as soon as he -

a) mentions they have something in common - the Fire Nation being responsible in some way for the loss of their mothers.

b) his resolution to make his own destiny and overcome his difficult past associated with the scar.

I just love this about her character. She’s passionate, feisty and full of integrity but she can’t stop herself wanting to help make things better, even to one of her worst enemies. Her compassion is such a strength and it comes out even more when she realises she’s accidentally hurt his feelings re his face.

Zuko in turn is softer with her than I’ve ever seen him with others, even Iroh most of the time. He doesn’t get angry or even really defensive and he opens up about his mother for the first time. Extraordinary considering he’s talking to an enemy.

But this isn’t the first time he’s tried to win Katara over against his normal combative persona. When he captured her in Ep 9 you’d expect him to threaten her, especially surrounded by his men and bloodthirsty pirates. Instead he asks for her understanding and tells her (the little peasant and enemy of the Fire Nation) about his lost honour.

He then goes momentarily into full skeevy villain mode (which I loved) and offers her necklace back by placing it round her neck. (As an aside, yes this was totally the wrong tactic considering it was her mother’s who the Fire Nation killed, but I do love that he unknowingly offered her a Water Tribe betrothal necklace.)

Analysing it more deeply from a writing and psychology perspective, I’d say Katara represents the integrity and vulnerability that is at the core of Zuko’s character - the thing that got him that scar and banishment from his warlike family.

The same side he struggles with and that Iroh tries to heal and encourage within him. It’s masterly from a writing POV that they brought this mirror up and allowed Zuko to connect and own this aspect of himself again briefly before Azula (the opposite representation and Zuko’s ‘shadow’) literally crashes the party. This is truly his ‘crossroads of destiny’, raising the stakes and therefore making us - the audience - ache all the more when Zuko makes the wrong but understandable decision to choose Azula and his family’s version of him and betray not just Katara but Iroh too (dat angst.)

(As an aside look at the framing of the above shot. They do this alot showing him literally caught between two sides. In the previous scene with Azula and Iroh, they show both the unscarred and then scarred profile of Zuko to show the ‘two sides of him’ symbolically represented by Azula and Iroh.)

Two sides, Fire and Water, the battle of opposites and the bringing of balance is of course the core of ATLA, and Zuko and Katara’s fraught relationship sums this theme up perfectly. Another reason so many still ship them and feel aggrieved by the non-canon ending.

I think Zuko is so wounded by Katara’s refusal to forgive him and so determined to earn that forgiveness is because she represents his true ‘honour’ - the right way to be - to fight for balance and justice with integrity no matter what. Thus he must make amends to her, not just as someone he has wronged, but as the mirror of that aspect in himself.

Thematically this is tied up beautifully in him asking her to join him to defeat Azula in the final season and them working together to do so.

(As another aside, the theme of balance and Yin and Yang is also mirrored in Zuko and Katara’s relationship and character development. At the start Katara is the caring, altruistic almost motherly sort and Zuko is the angry, aggressive pursuer. However like Yin and Yang that contain an aspect of the other within them, whenever Katara meets Zuko she becomes more aggressive and is allowed to process her grief and anger, unlike with her friends. Zuko, in turn is often softened by her, reawakening his compassion and deeper feelings. Yes these aspects are also fostered by others, but Season 3 highlights this dynamic to Zutara allowing Katara to address her anger and Zuko to practice caregiving and support.)

Coming back to the Cave Scene - the most poignant part for me isn’t actually the face touch (even though I love it). It’s the final glance between them as Katara and Aang leave. Katara looks back worried, it’s as if she can sense the threshold Zuko is on and feels torn between staying and supporting him and her duty to Aang. I feel if they had had more time together Azula would have had less chance to turn Zuko.

He looks back at her softly and there’s a beautiful musical cue, hinting at things unsaid and unfinished, she gives him a final lingering glance, still anxious, then goes.

We all know what happens next.

Conclusion

Looking at this from a purely plot point of view it -

raises the emotional stakes and therefore make Zuko’s betrayal hurt worse.

Sets up Zuko knowing about Katara’s healing abilities and Spirit Water so he knows there is a possibility the Avatar could be saved. This all plays into the shenanigans of Book 3, letting Zuko go back to the Fire Nation, Azula giving him the credit and then letting down her father etc.

Giving Zuko more character development work to earn everyone’s trust esp Katara’s when he finally makes the right choice.

However I’m surprised that Bryke didn’t realise how this episode would look to the eyes of most fans esp Zutarians. Yes you could say it’s hetero-normative and why can’t they be just platonic etc but it was the Noughties, it’s a kids show and they are blatantly playing into those well known tropes - Zuko’s previous verging-on flirtatious treatment of Katara, his uncharacteristic softness and openness with her, her touching his scar, the music, their lingering glances, Aang’s jealous look (you could argue it was animosity towards his enemy but while we get this from Zuko, it is definitely played as suspicion about a potential rival so close to ‘his girl’ from Aang’s side.)

Ultimately the writers didn’t choose the romantic route, which I feel is a real shame and missed opportunity because of the depth of feeling and potential there. But what I really resent is when people act like Zutarians were stupid and/or biased for seeing and loving that potential. I hope this analysis has shown that the romantic subtext was strong (and much more believable for me than with Katara and Aang) and in line with the core themes of ATLA itself. This also refutes the suggestion that Zutara was somehow dark, toxic or shallow cos ‘he’s a bad boy’ or something.

Zuko was owning his own struggles, emotions and destiny in this scene, it’s why Katara finally opens up to him. She doesn’t have to ‘do the work for him’, but she supports him in it as he supports her later on when he earns her forgiveness. And that’s why I love it!

Thank you for coming to my TED talk...

#zutara #zuko #katara #atla #avatar the last airbender #meta #my meta #my writing #long post is long #wall of text tm #anti-kataang #better put that in there even though I don't really go into the rival ship #antis please don't interact I respect your right to ship let's be civil

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max-vandenburg-is-life · 3 years

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Long Loki rant incoming

Ok first things first I've always liked Loki a lot as a character but I don't consider myself a really really big fan mainly because I haven't read the comics. So all this rant is gonna be only about mcu loki and loki in the mcu has been written differently depending on the movie so yeah. And on that note let's go!!!!

So today I'm gonna talk about what I liked and what I didn't like about the Loki show. This is obviously just my opinion, you can disagree with me! I'd love to hear your opinions!

First I wanna talk about is the writing of Loki's character. So previously it has been established in the mcu that Loki doesn't do bad things just because he's a bad guy or because he wants power above everything else, but because after all the manipulation and lying he went through as a child, the abuse, always been seen as less than those around him and being taught to hate himself for who he was (a Jotun). He wants validation and being treated the same as the others, he doesn't really care about ruling or being king. His actions are a result of his trauma. So the show painting him as "He's a bad guy!! He's evil he can't help it it's in his nature!! He just wants to be king!!!" felt off to me since it completely goes against all the previous canon. Apart from that, I feel the show also erased other aspects of him that had always been essential to his character, such as him being very smart and always having a plan, and his powers (he BARELY used his powers throughout the season and he's supposed to be the best sorcerer in the nine realms. Please). So yeah there's that. I didn't absolutely despise his character in the show or anything like that, he generally seemed more happy and chill and that was good, I just felt some aspects of the character seemed inconsistent.

Apart from Loki, something I loved about the show were all the new characters that we were introduced to. Sylvie was absolutely fantastic, she had a well written tragic backstory, she had a goal and she had layers. She was a really well written character. Also she was just really cool overall, she had a cool personality and seeing her use her powers was very fun. (Sylvie your hand in marriage) (I guess I can talk about the "betrayal" now. So yeah not gonna lie I don't think it was that bad. She had a goal she had been pursuing her whole life and she obviously prioritized that before a guy who she met a few days ago. She did hurt him of course but still it's easy to understand her decision.) Mobius was also really cool, in the first episode I didn't like him much but I started liking him a lot later on. He's just a good guy, he wants to help people. (HE ONLY WANTED A JETSKI MARVEL). And I liked his story a lot, he was forced into working for the tva because his memories were erased and he was told what he was doing the right thing when killing all those people, but once he finds out all of it was false he immediately starts going against it and trying to help as many people as he can. Ravonna was also a good character (I keep saying all of them are good characters lol they're well written ok). Like okay she was a little bit evil but I liked her. I really liked her ambition and her confidence. I would have loved to know more about her life at the tva, because it seemed like because of her position she knew some things that most didn't. Hunter B15 was also really good, loved her character development. Casey only appeared in the first two eps but for some reason I liked him a lot idk why. Casey my beloved. Kang was mind-blowing good, he absolutely carried the episode. He was so fun to watch and a very interesting character. This is how you do villains Marvel. And then all the Loki variants were amazing. Classic Loki was great, he was more mature and wiser than the Loki we're used to watching and I felt really sad about his whole situation (aka trying and failing to find his brother because he missed him, getting pruned and then dying). Kid loki was a BLAST, I really liked the little funky dude and I would love to know more about his life. Boastful Loki didn't appear for long but I liked him a lot, he looked like a really funny guy I wish he had had more screen time. And then there was the Lokigator which was also great. President Loki was also cool (meaning he had the coolest outfit), but we didn't see much of him. I think that's a big problem with the show, because they made it seem like it was gonna be more about the other Loki variants and their timelines (that's what it seemed to me from the trailers) but then we barely got that. Sad shit.

Now let's talk about the writing of the show in general. The writers definitely went off with the philosophical conversations, I enjoyed them greatly (Loki's and Mobius' talk in the second ep and Loki's and Sylvie's talk in the third ep were amazing). Something I didn't like at all about the show (this is probably my biggest complaint) is that the writing of the show throughout the episodes didn't seem consistent, like each episode seemed to be a different genre, and that made the whole story feel weird. What I'm trying to say is: the first episode was about Loki learning more about his life and reflecting on why he does the things he does. There was more to the episode but it was mainly that. It was a very emotional episode. The second episode looked like a cop show, they investigated a crime scene in the beginning, they did some detectiving, they had a great breakthrough and found out were the villain was hiding in the end. The third episode was an action episode. It gave me the vibes of mid season episode that isn't too relevant to the plot in which the characters go on some short mission. The fourth episode I can't exactly categorize it I think it was kinda like episode 1 but with some more action. The fifth episode was also a mix, they had a lot of reflecting on Loki's character like in the first episode and then also some action. And the last episode was mostly just exposition and a tiny bit of action at the end, very philosophical and stuff. It also felt like in the first two episodes they were indicating that the show was gonna be about free will and good and evil but that kind of disappeared for a big part of the show. I'm trying so hard to explain myself well, I hope what I say makes sense. Now my opinion on the episodes, my favourites were definitely ep 1, 3 and 5 (haha odd numbers go brrrr). The pilot was absolutely amazing, and I loved the direction the show seemed to be taking (YES MARVEL explore his trauma mmmm that's some good shit right there). It was really emotional but like in a good way. The third episode was great. I think it balanced really well the action and the dialogue, seeing Loki and Sylvie going on their shenanigans, using their powers and fighting was really fun, and then the train talk scene was absolutely amazing (bi loki yay! Gonna talk about this later). The fifth episode was great mostly because seeing all the other Loki variants and how they contrasted between each other was fantastic and I loved it. I really hope we see more of the variants in the next season. The other eps, the second and fourth were okay, the one I think was the worst one was the last one. Damn that episode. It was a very slow episode. Thank god the guy who plays Kang was really good because otherwise the episode would have been impossible to watch. There was so much exposure but it felt like we already knew most of it? They talked about how multiple timelines existing was bad because chaos and stuff, and they talked about the war in which the different timelines battled each other. Ok we already knew this. I feel like the only important thing to take from that whole talk was that Kang's variants are very powerful and dangerous and they were introducing the villain to the mcu. The whole episode felt like instead of giving closure to the characters or ending some storylines, the main thing it was doing was introducing the concept of the multiverse for the next marvel movies.

Something that surprised me a lot about the show is how important it is for the mcu storyline. Like in the first episode they talked about how the tva (and of course Kang) was much more powerful than the Infinity Stones, when basically all previous marvel movies were about them and about their power. And then Kang was revealed to have created a sacred timeline, he controls absolutely everything that happens. All of this is so important and for some reason I didn't think the show was gonna be like this. Not that I'm complaining, this is great. And I feel like a lot of people are not realising how big it is? Like I don't see much talking about how this is literally the greatest power in the universe.

Damn this is getting long sorry.

I suppose I'll have to talk about it because it has been this big thing. I'm talking about the loki x sylvie pairing. I didn't like it too much, it felt a lot like the writers went "he's a guy she's a girl so they have to fall in love", like I felt they had a very different dynamic and when they said that I was mostly surprised and confused. Because they were variants of each other their romance felt weird to me, and the fact that they made a character genderfluid and then made a woman and a man version fall in love also rubbed me the wrong way (I'll talk about the genderfluidity later). I did like the mobius x loki pairing more, but still I don't think they should have got any romance this season, I feel like there has to be a lot more progress in that relationship before any romance. I generally feel like Loki should first start getting some friends and then later on we can start with romance. But yeah this is just my opinion. And all the drama and discourse there has been over this???? Some of you guys look ridiculous not gonna lie.

Ok now let's talk about representation. I'm not poc myself so I don't feel like I'm in the position to say if something was good or bad, so I'm not gonna talk about poc rep. The show did a good job with female characters, many of the main characters were women and they were very well-written, not sexualized and cast appropriately for their age (I can't believe I'm praising this, this should be the bare minimum. Why is media in general so bad. Like please just.) About the bi rep now. I'm sure that the writers or directors of the show had to fight really hard with marvel so that they could make loki canon bi, so yeah cheers to that guys good job. Obviously it's not enough, and I really hope his bisexuality is explored more later. But yeah we finally have a queer character in the mcu this is big. Now about the genderfluid rep. OOF. I have a lot to say about this. It was bad. Really bad. I don't know if they just don't know what genderfluid means but that's what it looks like after watching the show. Not only were all of the variants cis, but they also went on to say that Loki as a woman was a weird and uncommon thing. Oh my god. And what angers me the most is the fact that Marvel used the so called genderfluid confirmation to their benefit. They exploited so much that little piece of paper that said his sex (not even gender) was fluid. I saw SO MANY articles praising marvel for making him canon genderfluid, and then it was absolutely shit. Absolutely shit. Out of everything in the show this is definitely what I hate the most.

Gotta calm down now. The soundtrack of the show was amazing, the actual songs they used were perfect and then the music they composed for the show was just *chef's kiss* (i have no idea how they're called but the song that plays during the title sequence WHAT A BANGER and the one that plays when loki and mobius are looking at the whole tva from the balcony in the first ep WHAT A BANGER). The aesthetic of the show was also great, the colours were really pretty (Lamentis bi colours my beloved) and I think it had some really cool shots. The acting was great, I'm gonna highlight Kang because I thought he was amazing. The costumes and that stuff were also really cool, I really liked seeing all the different versions of outfits they gave to the Loki variants (if anyone is interested I made another post reviewing all the variants' outfits) and Kang's funky costume was great too. The design of the places and that stuff (I have no idea how to call these lol I'm trying so hard but I don't know any of the technical words) was great: Lamentis was really beautiful, the void was also very cool and the tva was really well designed.

Ok y'all I think this is it. I'm so sorry this is much longer than I expected and if anyone actually reads all of it i love you and PLEASE tell me your thoughts (if anyone wanna chat about the show with me privately send me a message!!! I love talking with y'all). A little final note, English is not my first language, nor my second, so yeah sorry if I can't explain myself well. Bye!!!!

#i feel like this is super long and boring so if anyone actually reads all of it thanks #these are basically all my thoughts i really had to let them out #overall I'll say it was a pretty good show if we forget Loki's weird characterisation and the terrible genderfluid rep #i realized a few days ago that i can actually say whatever i want #like i can say my opinion i can say what i think and then people can disagree with me! and it's no big deal #I'm allowed to have opinions on things as well as everyone else #I'm working on some stuff #anyways that's all #please tell me what y'all think #I'd love to talk about the show!#loki spoilers #loki show #loki series #sylvie #mobius #kang the conqueror #he who remains #classic loki #kid loki #lokigator #gator loki #boastful loki #bisexual representation #genderfluid representation #ravonna renslayer #hunter b 15 #marvel #marvel show #loki #an original post no way

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sevenkittensinatrenchcoat · 3 years

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The Broadway Revival Doesn’t Get Comedy

Here’s another long essay hating on the Broadway Revival. I promise that this will be the last one of these, because I think I’ve summed up all the problems I have with it by this point.

The title of this essay isn’t universally true. There is good comedy in the Broadway Revival. But, most of it comes from the actors improvising. When it comes to the comic relief numbers of the show, the changes in choreography and staging, and even in plot in one case, generally fail to understand how the jokes in the numbers work.

Now, I know that explaining the joke makes it less funny, but in order to explain why the 2016 comedy doesn’t work, I’ll have to explain why older versions do. Why is the 1998 film funny, and why are bootlegs/pro-shots of earlier productions funny, in places where 2016 falls flat?

To begin with, you might be wondering, “in a show full of strange nonsense and little concrete plot, what would you call a comic relief number?”. There are plenty of numbers in the show that have a comedic tone to them that I don’t consider comic relief numbers. The Rum Tum Tugger is usually full of comedic bits, for example, but it’s not a comic relief number. Why? Because it does something other than be funny and lighten the mood. It’s a song all about a major character who’s just appeared. Apart form Chorus Tugger in the opening, who usually doesn’t stand out much, we haven’t seen Tugger yet. After the cats leave after The Naming of Cats, we don’t see him again until his own number, where he interrupts the party to tell us what he’s all about. Tugger, as a character, is introduced as high-energy and a troublemaker, which leads to comedy, so the song has comedic moments, but it’s not purely a comic relief number.

Most songs in Cats are like this. They’re songs about what makes a character tick, and because these characters are onstage for most of the show, it’s good to let the audience get to know them. But, there are a few numbers in the show that don’t introduce characters and don’t advance the plot. They’re just entertaining little skits that don’t fit anywhere else. These are the comic relief numbers.

In a full production of Cats, in which no songs are cut, there are three comic relief numbers: Bustopher Jones, The Pekes and the Pollicles, and Growltiger’s Last Stand. The first one might be confusing. Bustopher Jones introduces a character. Shouldn’t it count as one of the character songs like The Rum Tum Tugger? The difference is that, while Tugger sticks around and plays a role in other events of the show, Bustopher is only present for his number. He shows up, there’s a song, and then he leaves and is never seen again. This makes the number into something of a non-sequiter.

Gus the Theatre Cat also revolves around a character who’s really only there for his own song. In productions that cut Growltiger, this is all you see of him. But, Gus the Theatre Cat isn’t a comic relief number because it’s one of the few songs that doesn’t have a comedic tone. There are jokes here and there, and in most stage productions the character of Gus is more comedic than he is in the 1998 film, but the song has a softer tone, no dancing, and Gus eventually leaves in tears. Though the 1998 film stands out in this regard, even in other productions, this is not a comic relief number.

Another thing you’ll notice is that Bustopher Jones, The Pekes and the Pollicles, and Growltiger all come after more serious, less energetic numbers. Grizabella the Glamor Cat and Gus the Theatre Cat are both quite sad, and the play basically changes the subject to lighten the mood. Old Deuteronomy isn’t sad, but it’s slow and more serious. When the tone of the show starts to get serious, a comic relief number is added to lighten the mood. The pattern breaks with Macavity, with the song followed by a fight, to show that the stakes have been raised and things are getting serious. Mister Mistoffelees comes along as a more upbeat number, but the change in tone here is pretty much a plot point. Everything seems bleak and then Tugger starts this number to give everyone hope. Mistoffelees restores power after the light goes out as part of this shift. We were at our literal darkest moment and now there’s a spark of hope.

So, now that we know what numbers are comic relief numbers, it’s time to go into how and why they work, or how and why they don’t when things go wrong. Since the Broadway Revival cuts Growltiger, I’ll focus more on the other two, but the new version of The Pekes and the Pollicles borrows from Growltiger, so the stuff that was borrowed will also have to be discussed. But, before we get into all that messy business, let’s take a look at Bustopher Jones:

Bustopher Jones:

Most of the comedy in Bustopher Jones, though there are a few simple fat jokes in there, comes from how other characters react to Bustopher. Bustopher keeps an air of dignity about him as he formally greets everyone and discusses his clubs. He’s not the joke here. This is a song of Amusing Background Events. With the queens, you have Jenny’s crush on Bustopher and Bombalurina clearly not getting it but trying to be polite about it and not kinkshame Jenny over it. With the toms, you have the kittens getting over-excited and the older cats, desperate to impress Bustopher, rushing to stop them from making a scene, making a scene themselves in the process.

In particular, there are three characters to watch in this number who provide the best comedy: Mistoffelees, Skimbleshanks, and Munkustrap. Two out of the three of them, which two depends on the production, will go into fanboy mode, often competing for Bustopher’s attention. Broadway-based productions tend to have Misto and Skimble compete for Bustopher’s attention, while London-based productions, such as the 1998 film, tend to put more focus on Munkustrap. He barely contains his excitement and is shown to be Not So Above It All, though he’s usually more level-headed than whichever cat, Misto or Skimble, he’s being contrasted with.

Basically, the joke is that Bustopher is considered super-important, despite not having a clear place in the tribe’s hierarchy, and everyone goes nuts trying to impress him, get his attention, and make sure that everything is perfect and nothing goes wrong. This joke works best when Bustopher is actually pretty laid-back and everyone’s freaking out over nothing.

The 2016 version doesn’t get this. You do see characters scrambling around, trying to make sure everything’s perfect, and get Mungojerrie and Rumpleteazer as far away from Bustopher as possible, but, at the moment when it’s the most important to get this right, it fails.

The biggest problem with the number is Bustopher’s solo. It’s performed well enough, like most of this production. That’s not the problem. There are two main problems: a staging problem and a writing problem. The staging problem is where the above explanation comes in: When Bustopher sings his solo, no one gathers near him. In other productions, a group of toms gather around Bustopher where they hang on his every word, try to get his attention, and try to look important in front of the others. There’s always one, Misto, Skimble, or, more rarely, Munkustrap, who tries to stand way too close. But, 2016 Bustopher is given plenty of room to just stand there and face the audience. No one seems to be paying that much attention to what he’s saying.

There’s also a problem with how the solo is edited and the break that follows it. The problem isn’t that Bustopher’s solo is shortened. Lots of productions do that. The problem is in what’s cut.

The full solo consists of four quatrains: sets of four lines. The second and fourth lines rhyme with each other, so each quatrain ends on a rhyme: rules and Schools, Blimp’s and shrimps, bones and Drones, Glutton and mutton.

The original Broadway run of the show, and many other productions copying it, the second and third quatrains are cut. You go from Joint Superior Schools to “If I’m seen in a hurry”. The 2016 version cuts the first and second quatrains, only including the second half of the solo. The problem with this is that it cuts the first quatrain.

Cutting directly to the third quatrain is musically awkward, because there’s no build-up to this point in the song that’s song loudly with a choir backing it up. But, when it comes to the joke that’s being told in the solo, cutting the first quatrain removes the set-up and changes what the joke is. With the first quatrain, the solo is about the various clubs Bustopher goes to. Starting at the third quatrain, the joke is mainly a list of foods that Bustopher likes, even though the clubs are mentioned.

The first quatrain is the only portion of the solo to not mention food at all. It’s all about the social etiquette of gentlemens clubs. A gentleman in the early 20th century wasn’t supposed to belong to more than one club. So, in order to go to eight or nine, as Bustopher does, one would have to make sure that the clubs didn’t meet too close together, so that someone from one club might see them at another. It’s part of his strategy in going from club to club: he imitates the etiquette of the humans on the surface, while actually breaking all the rules behind their backs.

But, the point is, Bustopher is listing the various clubs he’s managed to get food from. He’s sort of cheating them all, though I doubt they’d care that a cat was frequenting more than one club. Going to different clubs that are located far enough apart that people from club A are unlikely to walk past the meeting place of club B is quite a feat and it takes a lot of skill to pull off. Bustopher knows what clubs he can do this with and what food he can get from them. If he wants seafood, he goes to the Stage and Screen. If he wants curry, he can go to the Siamese or the Glutton. Foxes is too close to one of his other clubs for him to go there, but he can get fresh meat of the same quality at Blimp’s.

The first quatrain sets up and explains the joke. Without this set-up, the joke becomes one about gluttony, making it more of a fat joke than it is when the first quatrain is included. To make matters even worse, the 2016 choreography adds this instrumental break where the cats put together a restaurant for Bustopher and give him various foods, doubling down on the joke being purely about Bustopher’s gluttony, not how he messes with high society. It’s still a joke and people might still find it funny, but it’s not the same joke and comes very close to being “it’s funny cuz he fat”.

The entire point of the number is that Bustopher’s weight is part of why he’s celebrated. He’s fat because he’s clever, managing to trick a bunch of rich humans into giving him fancy food off of their own plates. Because he looks like he’s wearing a tuxedo and spats at all times, the gentlemen at the clubs see him as fitting in, even though he’s most likely a stray. If he had an owner who was feeding him, he wouldn’t have developed this whole routine for getting food. The people who probably wouldn’t give food to a homeless human, seeing it as “feeding strays”, will literally feed a stray just for looking like he belongs. It combines two things that cats tend to love: food and messing with stupid humans.

So, the lack of emphasis on how other characters react to Bustopher and the reason why they react that way weakens the joke. But, to give credit where credit is due, I do like how they double down on Bustopher being Tugger for older women but have Jellylorum seem to be just as into him as Jenny is.

The Pekes and the Pollicles:

Here’s where the Broadway Revival goes completely off the rails. Both The Pekes and the Pollicles and Growltiger are often cut from productions to save time. They’re both “play within a play” scenes, which can be a bit confusing in a show that rarely ever uses dialogue to introduce the numbers. The Pekes and the Pollicles in particular seems to come out of nowhere. “Yay! Old Deuteronomy is here! Now let’s make fun of dogs!”

So, the Broadway Revival, like every production, had to decide what to do with these numbers. Would it keep them? Cut one of them? Cut both of them? But, for some reason, they invented a new option: Combine the two.

2016 Pekes and Pollicles isn’t The Pekes and the Pollicles. It’s a combination of The Pekes and the Pollicles and Growltiger’s Last Stand. The song is moved to where Growltiger is normally done and parts of the melody are mixed in. The Rumpus Cat, as a character, is equated to Growltiger as a character Gus played back in the day. This is where the trouble starts.

Now, I’ll once again stop to give credit where credit is due: The 2016 opening to The Pekes and the Pollicles is really sweet, with Old Deuteronomy encouraging Gus to play the Rumpus Cat one more time. Growltiger is basically a dream sequence of Gus flashing back to when he played Growltiger. Getting to see him actually relive his glory days one last time is nice. If they used this opening for Growltiger instead of The Pekes and the Pollicles, it would’ve been a good addition to the number.

So, Growltiger and The Pekes and the Pollicles are both plays within a play. Why not combine them? Well, the main problem is that The Rumpus Cat is not Growltiger.

Now, a lot of people hate Growltiger’s Last Stand and I’m not going to act like it’s some kind of masterpiece. I personally find the number to be sort of middle-of-the-road. If you see it more than once, the shock value of the cringey Asian stereotypes starts to wear off and, with a few exceptions, the number feels kind of dull. Andrew Lloyd Webber himself said that he was never really pleased with how Growltiger turned out and the London Revival rewrite might be worse than the original, at least musically. But, I’ve seen a few productions of Growltiger that I thought were kind of funny, usually by taking the racial stuff and sort of saying, “We know it’s bad and we can’t make it better, so we’ll just make it worse” and playing it up to the point of absurdity, like a parody of the sort of Yellow Peril stereotypes the song includes. I’ll also give credit to the Tecklenburg non-replica keeping the Siamese in silhouette behind a sheet.

When I say “The Rumpus Cat is not Growltiger”, I mean that how the two characters work comedically is completely different. You can’t just swap one for the other without rewriting the comedy of the entire number to match.

You’ll notice that Growltiger is in the title of Growltiger’s Last Stand. The song centers around Growltiger as the main character. The Pekes and the Pollicles includes the Rumpus Cat in the full title, but said title is so long that you rarely ever hear the song called that. The Rumpus Cat plays a key role in the story, but he shows up later on. The song isn’t about him. He’s not onstage for most of it.

This means that the comedy surrounding Growltiger and the comedy surrounding the Rumpus Cat work completely differently. The comedy of Growltiger is the comedy of Growltiger’s Last Stand. It all revolves around him. This is a joke based on a wacky character. The joke in The Pekes and the Pollicles isn’t about a single wacky character. It’s about a play where everything that could go wrong does with Munkustrap acting as the straight man. He’s the only one taking this seriously, perhaps a bit too seriously. The Rumpus Cat is just another thing that goes wrong. He’s funny, but so is everyone else who calls attention to themselves throughout the number.

Putting Gus as the Rumpus Cat into the Pekes and Pollicles is performing the number but with the joke from Growltiger. The Rumpus Cat enters the story too late for this to work, so Gus spends most of the number onstage, sharing the narrator role with Munkustrap. Furthermore, in order to include Rumpus Catified versions of Growltiger’s jokes, pretty much every memorable joke from The Pekes and the Pollicles is cut. Nothing goes wrong with the rest of the cast. The first Peke and Pollicle say their lines correctly. The March of the Pollicles and the Scottish Pollicles are cut, removing all the gags there, including Tugger playing the bagpipes at such a fitting moment that only Munkustrap is upset at first.

The fact that nobody messes up is especially weird in this version, because it’s spontaneous. Old Deuteronomy decides that Gus should get to play the Rumpus Cat again and everyone just automatically knows their role in the play. The Pekes and the Pollicles is a show Munkustrap put together for Old Deuteronomy. He had everything planned out. There were rehearsals. But, nobody showed up to rehearsals and nothing goes according to plan. If the play were spontaneous and everyone messed up, it wouldn’t be as funny, because that’s what you’d expect. Nobody had time to learn what to do, so they don’t do it right.

Instead of having the comedy come from the cast of the play messing up, the comedy is about how over-the-top Gus is. He’s narrating now, so why is Munkustrap even there? He does sort of play the straight man to Gus’ antics, but, because Munkustrap isn’t in charge here, he can’t show as much frustration. He can only awkwardly question things and be ignored. The worst case of this is with the “heathen Chinese” line. Most modern productions replace “heathen” with a less offensive word. It almost always feels a bit forced, but it works well enough. Some productions just leave the line as is, which makes it seem like they don’t care, but it doesn’t make the problem any worse. 2016 instead decides to call attention to how bad the line is by having Munkustrap question it, with the line being the older Gus’ fault. Not only does this make Gus less likable, it doesn’t actually solve the problem. The song can’t stop to acknowledge it, so, even though Munkustrap questions it, he still says the line anyway, making the whole thing a waste of time. They should’ve either changed the line or left it alone. But, they basically tried to have it both ways.

Trying to have it both ways is the fatal flaw of the number. They could’ve cut Growltiger like the 1998 film did. If you hadn’t seen any production of the show before seeing the 1998 film, you’d never guess that there was supposed to be a song between Gus and Skimbleshanks. It can be easily edited out. They also could’ve kept Growltiger and used redesigned, less stereotypical costumes for the Siamese, like the Vienna Revival did. It wouldn’t solve everything, but an effort would’ve been made. But, by combining Growltiger with another number, they both did and didn’t cut the number. Instead, the messed with and weakened The Pekes and the Pollicles so they could reference Growltiger without actually performing it.

The places were Growltiger’s melody is used for lines in The Pekes and the Pollicles feel forced, because those words weren’t written for that tune. That basically sums up the whole problem. One song was combined with another in a way that felt forced and awkward, because the elements of the two numbers weren’t meant to go together.

In conclusion, I think the Broadway Revival’s comedic downfall came from a sort of indecisiveness. They wanted to keep things the same but also change them, possibly not even knowing what they wanted to change them into, only that they wanted to change them. They wanted to shorten Bustopher’s solo, but not the way it’d been done before. They wanted to cut Growltiger, but not in the way it’d been done before. They wanted to do Cats, but not in the way it’d been done before.

There’s nothing wrong with wanting to try new things. This could’ve been the template for an interesting non-replica if they really committed to doing things in a different way. But, they got stuck in between, wanting to be different, but not wanting to be too different. So, they tried to fix what wasn’t broken and sell it as New and Improved. This paved the way for the 2019 film to do the same, but with even worse comedy and without the advantage of the numbers being performed well by a devoted cast who knew what they were doing.

TLDR: 2016 messes with comedic numbers in ways that weaken them. It makes Bustopher Jones more completely about gluttony and tries to combine The Pekes and the Pollicles with Growltiger, failing both.

#bustopher jones #gus the theatre cat #the pekes and the pollicles #growltiger #cats 2016 #taking comedy too seriously tbh #do the thing or don't #you can't have it both ways

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cacoetheswriting · 3 years

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christmas alphabet - spencer reid

a/n: request: this is just fluff, no warnings in place. enjoy!!

A = After Dark (a date after dark? late night cuddles? surprise mistletoe?)

On cold winter evenings, when Spencer is not travelling for work, the two of you like to cuddle up on the coach under a fluffy blanket. A cup of hot chocolate in hand; with an even number of marshmallows each. The night is either spent discussing both of your days in detail or watching old Christmas classics, like Miracle on 34th Street for example.

B = Baking (how does baking sweets go? for or with someone?)

The brunette doctor is skilled at literally anything he sets his mind to, but baking is not his forte. The kitchen always ends up a huge mess, and whatever concoction he was attempting is dangerous to eat. However, Spencer enjoys baking with you. Together you make a quite the team and the gingerbread cookies are a big hit with the rest of his team.

C = Cold (it’s cold out! how do they react to the freezing winter air? does someone else help with fighting the cold?)

Spencer enjoys the lower temperatures, they’re a nice contrast to sunny stuffy Las Vegas where he grew up. You on the other hand struggle with the crispy icy air and often find yourself stealing his scarf for extra warmth when you’re out and about.

D = Date (christmas date! how is it asked? where do they go?)

You ask the brunette agent to go ice-skating with you. Spencer is reluctant at first but you hold onto him tight and any fears wash away. You whirl together around the rink in slow circles, simply enjoying the moment.

E = Evening Dance (a night at a ball? or maybe just silly dancing in the kitchen?)

Spencer catches you one wintery morning humming along to Blue Christmas by Elvis Presley. He gently takes your hand in his and the two of you slowly sway around the living room.

F = Fireplace (how do they spend their time by the fire? hang stockings? fall asleep on each other?)

The two of you bought stockings with your initials, a lovely red pair with a fuzzy top. Since there is no fireplace at your place Spencer hung them underneath your mounted television. And whenever you feel like cozying up on the coach together you simply turn on a ten-hour fireplace video on YouTube.

G = Grateful (how grateful are they to spend time with others? enjoy being alone or with others?)

The hazel-eyed doctor is extremely grateful to spend time with you, not only over the holidays. While he likes the occasional meet-up with his team for after work drinks at their favourite bar, Spencer definitely prefers spending time with you alone. He's loves comfortable company more than anything.

H = Hosting Family (how does family work? are they invited to others, or stay with their s/o?)

While Spencer would love to spend Christmas with his mom, his unpredictable hours don’t usually allow him to make set plans. Therefore instead you decide that you will spend the holidays with your family, and if by chance he is free to join he will.

I = Invitation (a sudden invitation comes up! what’s it for? how do they react?)

An invitation arrives for dinner with his team and their loved ones on a faithful Saturday in December. Of course Spencer asks you to accompany him; he wouldn't have it any other way. You’ve met his friends before so you shouldn't be nervous, but yet for some reason you were. This occasion felt different somehow. More intimate.

J = Just In Time (the present arrives just barely in time! how do they rush up to hand it to them? do they wait for the perfect time?)

Spencer spent weeks trying to decide what to get you for Christmas. Nothing he thought of seemed right. You weren’t a material person, which is one of your many qualities he adored. He wanted your present to be thoughtful, he wanted something meaningful. About a week before the holidays, he came across a website that sold customisable star maps. He ordered one then and there - a map that showcased the stars the night you first met.

K = Kiss (how do they react to a kiss? flustered? happy? surprised?)

When Spencer first kissed you it was gentle, almost timid. As if he was afraid to fully let himself go. Now when he kisses you he does so with all his might and immense passion. He cups your face with his hands and pulls you in as close as humanly possible.

L = Lights (christmas lights are important! how do they hang them? around the house? on the tree? outside? what kind of shenanigans go on?)

The brunette agent had given you a key to his apartment. One night in late November he comes home after working a case to find you already there, tangled in a rope of lights. You tried to surprise him by slightly decorating his place for the holidays, but instead found yourself entwined. Spencer can’t help but chuckle at the sight. He sets off to help you; after taking a picture to commemorate this precious moment.

M = Mistletoe (how do they react to suddenly being placed under a mistletoe with their crush/lover?)

He gets flustered at first, mainly because you’re in public and everyone is watching. But the second your lips brush against his the whole world dissolves and he gets completely lost in you.

N = Naughty or Nice? (how has your character been this past year? are they a trickster or a good of heart?)

Definitely good of heart. Spencer is one of the kindest people you have ever met. He’s caring, he always puts you first and stops at nothing to make you happy. The only time you could describe him as naughty would be in bed.

O = Opening Presents (how do they react to opening presents?)

Eagerly, although very neatly. Even though he is extremely excited to see what you got him, the hazel-eyed doctor rips off the wrapping paper so precisely that it is actually good to reuse.

P = Packaging (wrapping presents is never easy. how do they fair?)

Packing presents with Spencer is just as organised. All the pieces of the festive wrapping paper are a perfect size for each gif and the ribbon is measured before cut to the correct length; so that there is no waste.

Q = Question (how do they confess? is it the big question, or something smaller but just as intimate?)

“Y/N?” Spencer catches your attention. You look up from the book in your lap and meet his honey gaze. “Yes?” “How would you feel about spending next years holiday in a cabin somewhere? Just the two of us?” A smile spread across your facial features. “I thought you didn't like to plan that far ahead, especially around Christmas time.” You teased. He smiled back at you. “I don’t, but with you I can break a few of my rules.”

R = Relaxing (how do they relax with their s/o? the best ways? the cutest?)

Watching Christmas movies, cooking, discussing various topics, or sitting in comfortable silence and reading. Simply enjoying each others company.

S = Snow (how do they like the snow?)

Spencer likes to share uncommon facts about the snow; more than the weather phenomenon itself. “Snow is actually translucent, not white.” The brunette doctor chimed as the two of you looked out the window admiring the first snowfall of the season. “It’s the light reflected off a snowflake’s faceted surface that creates its white appearance.”

T = Tree (how do they decorate their tree?)

Gold fairy lights intertwined with a simple white wreathe hung loosely around the Christmas tree at your apartment. Mixed between the more traditional-looking gold bobbles were various fancier ornaments that reminded both of you of your relationship, such as: a stack of books, R2-D2, fast food items, gin bottle, a coffee cup.

U = Undying Love (how did they fall in love? what was the real moment they found out?)

Your constant smile and positive outlook on life, not to mention your delicate beauty, lured Spencer in right from the start. He fell for you hard and pretty early into your relationship. And now not a day goes by where he doesn't tell you just how much he loves you.

V = Villa (how is it in their house? festive? normal? candles?)

Apart from the decorations you had plopped around, the doctors apartment remains normal. The two of you have focused more of your time and energy decorating your place - from the living room to the kitchen and bedroom, there is even a miniature Santa in the bathroom.

W = Wish (what is their biggest wish for the coming year? or in general?)

Spencers biggest wish for the coming year would be to keep evolving in this relationship with you. He hopes to grow even closer with you, learn more about you and explore the world with you (if he ever gets the time off work).

X = eXcitement (general excitement about christmas? love it? hate it?)

He’s excited because you’re excited. Seeing you so happy around the holiday season warms his heart and he hopes he’ll get to cherish these moments with you for years to come.

Y = You (how does their s/o react to them being beautiful? handsome? to them in general in the christmas season? how in love are they?)

The brunette doctor constantly reminds you how perfect you are. Whether you’re dressed up for an evening at the bar with friends or simply sitting on the sofa in a matching wintery pyjama set, Spencer will be sure to point out just how beautiful you look. You of course do the same. There is something about hearing you say how handsome he looks that makes his heart skip a beat.

Z = Zzzz… (how do they sleep? lots of blankets? none? cuddled closely to their loved one?)

Wrapped up in a large duvet and blankets mainly because you get cold during the night. Spencer’s arm is placed gently yet firmly around you. He holds you close, quietly snoring into the crook of your neck.

masterlist

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analyzingadventure · 3 years

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I’ve wanted to write about this for ages and Psi has kind of made relevant so

I always thought it was weird if we saw a Digimon die and then come back as the exact same species of Digimon.

(This isn’t specific to any series though I do use Adventure a lot in this discussion. May also contain spoilers for Psi)

Now admitedly there aren’t too many examples of this in the franchise (Patamon and Leomon being one of the few notable ones), but that is mainly because deaths are fairly rare, and even deaths we do see, it’s even rarer to see them come back (even when we know the mechanics of the world should make it totally possible)*. But nonetheless, it always felt weird to me when it did happen (or when us fans assume the Digimon would come back as the same species)

To properly explain why it feels weird to me, I first need to ramble about Digimon as “persons” and evolution as a whole

The thing that makes people who they are, are their memories. It’s their life experiences and their feelings of those experiences. It’s not where you’re born, the community you live in or the culture you’re raised in- of course these do affect who you are, but all they do is influence your life experiences and feelings about everything. They are incredbly imporant, and they play a factor in making you “you”, but those things aren’t “you”; “you” are your memories. And an imporant note here, is that who you are changes as you grow older, as you gain more experiences, feelings and memories. That’s why the “10yo you” is different from the “20yo you” or "40yo you” (etc), and why you will continue to change, even if it was ever so slightly, as you get older. Hell, the “you” who started reading this essay minutes ago is already a different person from the “you” who is reading this sentence right now. “You” are everchanging, ever-evolving.

So what makes a Digimon “them”? Or, more specifically, what makes each Digimon the species they are? Yes, this is a deeply related question for me, because we humans (I swear I’m not a robot) do express “who we are” outside, through our actions, our interests and how we appear to others, though not just what clothes we wear but also stuff like how we do our hair, tattoos, bodymods etc, not to mention things people don’t have control over from eye color, race, bodytype, height, all the way to disablities.

So if we as humans express so much (and so little) of “who we are” through how we appear, how would Digimon do it? How do Digimon express who they are?

It always just made sense to me if that was through evolution. That just as a Digimon experiences things, their evolutions will reflect the person they are, their feelings, memories, who they want to be.

Honestly this is one of the main reasons why I’ve always hated strict, Pokémon-like evolution lines (not even trees, just lines!!) in Digimon, the idea that these non-physical, A.I. data monsters can only appear a certain way through their lifespans based on whatever they were born as is just depressing to me. And while one might argue “it’s just how they are”, that rule only exists if you specifically go out of your way to write it in, otherwise there’s no reason for it to exist, but I’m getting super sidetracked ranting right now

Like just as an example of the kind of freedom I like to think Digimon could and should have, I want you to picture in your mind an Agumon.

Just a regular ol’ Agumon, living in the Digital World, minding their own business. This Agumon starts travelling for fun, enjoying seeing the world and whatever. During this time they realize they’re not really built for travelling and while their stamina increases as they go on and they get better at hiking, they still kind of wish they were more “built” for this type of activity so that they could enjoy their life more- And eventually they evolve into a Centarmon! Now they can move faster (etc) and enjoy their travelling life more, and they do just that! Life is great! Until one day they come across the ocean, a beautiful, vast “world” of its own, but one... they can’t explore, at least not any longer than they can hold their breath. They still spend their time exploring what they can, near the beaches etc, until one day their wish to explore the ocean is fulfilled and they evolve into a MegaSeadramon! And now they have great access to the oceans!

Like this example is very extreme, but you get what I mean, with the idea that the evolutions reflect the type of person the Digimon is, what they enjoy and who they want to be. It’s the ever-evolving reflection of their heart that I love

**(Sidenote at the bottom)

And this is why I think it'd make sense if Digimon came back as a different species entirely.

Because while death may have reset their evolution stages back to zero, if the Digimon retains all their memories from their previous life, all their experiences, hopes, wishes and dreams, all of their feelings... Then why would all the growth the Digimon had gone through in their previous life be reset? Shouldn’t their new life continue their previous growth and take different forms to reflect any new paths the mon might take in this life?

Just to use the Agumon from above as an example, if this mon died after spending quite some time as a MegaSeadramon, loving being a sea serpent and living in the ocean, wouldn’t it make sense they came back as a Sangomon instead of an Agumon (and yeah I think the Baby forms could be different too, depending on what they were but I’m skipping these)? Now of course, if they were happy living in the ocean and just totally content there, it’d make total sense if they then evolved to Seadramon and finally back to MegaSeadramon, I’m not saying they can’t come back to where they started at. What I do think is that it’d be weird if this mon went through the same Agumon -> Centarmon -> MegaSeadramon lifespan all over again if they wanted to be a sea-dweller from the get-go. And of course, as I alluded earlier; what if this Digimon, while living in the ocean as a Sangomon during their second life actually felt like they had seen what the ocean had to offer? What if they started hoping they could explore the skies? What if that wish helped them evolve to Airdramon instead, and they never go back to being a MegaSeadramon? This is what I mean when I say the second life would be a continuation of their life and their growth, it shouldn’t reset those things.

Now of course, from a simple writing point of view, it’d be confusing if a Digimon we were previously familiar with died and came back as a totally different Digimon, and even more confusing for kids. It’s easier to keep it simple and leave the Digimon the same species as they were in their previous lives

Additionally, most of these characters that we’ve seen die have always been minor characters with limited to non-existant histories; characters like Leomon, Whamon, Scumon+Chuumon, Piccolomon etc, while they’re all really well characterized with distinct personalities, they don’t have histories, backstories, they’re not deep characters. And making this many minor characters with deep backstories for a kids show would be really hard to pull off when you have deadlines to meet and no budget. So showing “the growth” these Digimon have gone through is not really do-able, not with these characters at least.

The Digimon with the most potential here would be Orgamon (the best developed minor character in Adventure) but he never died, Nanomon for sure, and possibly Wizarmon (esp. since his data could be like mildly busted, due to not being a Digimon originally and then dying in the Human World; if anything I think it’d be fun if Wizarmon could “come back” but as a Bakemon or something)

And as far as Patamon goes in Adventure, I do think with him it’s fine he came back in the same Digimon forms. Like my previous examples with “the Agumon”, this would be like natural evolution that happens over long, looong periods of time, years upon years no doubt, as the Digimon grows as a person. But the partner Digimon, they don’t really have the time to grow naturally, their evolutions aren’t really reflections of their growth. Rather, their evolutions are just powered up versions of who they are, with some reflection from their human partners. So with these partner Digimon (especially the Adventure-type “soul fragment” Digimon, less so with other series like especially Xros Wars), the evolutions being super linear does make sense and work just fine. And as an extention of that, these Digimon dying and coming back in the same species works out, like with Patamon in Adventure

Psi however, makes things a lot more interesting, because in Psi, the partner Digimon have backstories of their own.

Now for the most part, since the partners had lost their memories of their time fighting Mille as the Warriors, their growth being totally reset and them going through the same steps all over again does kinda make sense, it’s maybe a lil dull but that’s probably just my bias from being overly familiar with these characters.

But then there’s Patamon and Tailmon, two Digimon who retain their memories from their previous lives and the growth they’ve gone through. That growth, was own their own, from their own lives without any influence from any humans. But now, they have human partners, who influence them and their growth. And Psi has seemingly kind of spoiled the endgame for us, at least to some capacity?

We know in their previous lives Patamon and Tailmon were a Seraphimon and an Ofanimon, but based on the new key visual/poster, it seems Psi wants to use Goddramon and Holydramon as their final evolutions instead! And honestly, even if these evolutions didn’t come as a result of all the stuff I’ve rambled about in this post, it’ll still work for me for those reasons.

Additionally, while we know Patamon was only temporarily taking the form of Pegasmon because he lost his power and was literally unable to evolve to Angemon, for previously mentioned reasons if they had kept the Pegasmon evolution for the rest of the series it still would’ve worked for me, as it could’ve been seen as Pegasmon being a reflection of Takeru’s childlike innocence influencing Patamon’s evolutions

But yeah. I can’t remember if I had like a bottom line when I started writing this but it sure as hell is gone from my mind now, point is, I kinda wish Digimon’s evolution was seen slightly differently and written slightly differently, and explored more, especially through the Digimon who had previously died (who I would also like to see come back when the rules of the universe allow it instead of just ignoring the fact that they should be alive and well). And generally speaking I wish Digimon were written with more depth. Thank you for reading this incoherent mess

*Sidenote; arguably I think this could’ve applied to tri. as well, the Digimon who had their memories wiped completely could’ve totally evolved into different Digimon and maybe even should’ve

**Sidenote, this wouldn’t mean there’s NO limitations to what species a Digimon could evolve into; for example, just because you want to be a super powerful heroic Digimon like Omegamon it doesn’t mean you CAN evolve into Omegamon; if being valiant and heroic at heart were requirements to evolve to Omegamon, then unless you’re truly valiant and heroic at heart then you probably wouldn’t be able to evolve to Omegamon, if anything you might end up as Omekamon instead. Similarly if a certain species have other specific requirements, be it like Jogress requirements or Digimentals etc, then unless those requirements were met the evolution wouldn’t be possible So what I’m getting at is that limitations/requirements could totally still exist (depending on the rules of the specific setting), but being “the right species” to go from A to B wouldn’t and shouldn’t be one, at least not in my heart, but I digress

#Analysis #Analyzation #Holy shit I wrote an essay for this blog #This is like the first one I've written here for YEARS

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tricewithaz · 3 years

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THOTS ON SHADOW AND BONE

Hello everyone! it is I, Trice, and i come with my thoughts on the Shadow and Bone show cause ive got many

I'm gonna divide this in what i liked, what i disliked, and what i think could have been better but didn't really bother me. Feel free to send your opinions too!

As a whole, I really liked the show and I think it's a great adaptation that both fans and newcomers will enjoy. It's super well done! and every episode had me glued to the tv even though I knew what was going to happen.

Beware this is long

To start,

What i liked

Mal and Alina

I never really liked Mal in the books, mainly cause he had like, nothing going on for him, and not having his pov made him no favors whatsoever. Alina's perception of him was everychanging, two factors that didn't make him unlikeable necessarily, but that made me not want to read about him. In the show he's way more likeable and even though he still doesn't have a lot going on for him, you can see that he's always trying to protect alina, and you also see a bit of his demeanor through Archie's acting. I think he made a great job at portraying him. And Alina! Alina who in the books was essentially a y/n sort of character (although she did get better over time), her character, likes, dislikes, her DRIVE was incredibly portrayed in the show. Also Jessie (loml, marry me) and Archie have incredible chemistry together and they sold their yearning SO WELL (and so did the kid actors portraying them as children oh my GOD)...yall...i cried when they held hands. My favourite scene was definitely when Alina took care of Mal's wounds (a favorite trope of mine). And the HURT in their eyes whenever they thought the other was in danger....i saw the show dubbed but I'm sure their voices made it beyond incredible as well, their face acting was just on. point. Overall the show rEALLY makes me root for them both individually and together which is something the books didn't manage to do.

The Darkling

AAAAA i really enjoyed the Darkling omg, incredible charisma, Ben does such a great job (and so did his voice actor in Spanish oh my GOD). His acting was just as I imagined it in the books and i loved how he could be as sweet and mysterious as he could be menacing. In fact! i liked him more than i did in the book, and i think it was a great choice to make him more human. I'm not sure if this was Ben or the writing, but i could really see his yearning for an equal, for Alina, his loneliness and his thirst for power and control too. Great love interest, even greater villain. And his wardrobe was phenomenal. I also really liked how they implied that The Darkling was a name given by other people, it was very believable that people would call someone who literally controls shade something akin to "son of the dark" or something of the sort, instead of it being a name he gives himself or his job title (both if which are incredibly pathetic and cringy to think about).

Jesper

No comments. He was just great. I love Kit.

Nina

Omg Danielle did SUCH a great job at portraying Nina, it's exactly how i imagined her in Six of Crows.

Helnik

THE. YEARNING. THE. CHEMISTRY. I didn't love their scenes at the boat but once that was over I was practically screaming at the screen to jUST KISS ALREADY. Calahan and Daniell have such good chemistry together and the few changes they made only served the story better. I did wish they had development over more time cause Matthias' change of mind felt too quick, but i get why they had to rush. Because of how good their chemistry was, their fallout also was incredibly painful.

Inej's fear of the Menagerie and her morals

Amita's portrayal of Inej's hurt, devotion and her refusal to kill (and later hurt cause she has killed) is incredibly subtle but so SO effective. She's so talented really and truly sold Inej's feelings throughout the show.

VFX

Man.....the fold, the volcra, the grisha powers.....kudos to the animators and overall artistic team cause they were incredible. Also seeing the different title animations in each episode was such a tiny detail that made me so excited and they all looked so good.

Ketterdam

Again, kudos to the artistic team, everything about Ketterdam felt so alive (and weirdly moist), truly sold a kind of aesthetic and life that is so characteristic if the Barrel, even when i didn't imagine it that way in the books.

David

He appeared like, twice, and both times were so cute and charming I can't wait to see more of him both on his own and with Genya.

The Wardrobe

So, at first i hated the keftas. I thought the looked tacky and costume, but when you see them on screen they're just perfect (although i have to say the patterns on some of the keftas were kind of...cheap looking? and the training keftas were just kinda boring. My favourite was the Darkling's. Aside from that, i really liked Kaz's and inej's clothes too. Very distinctive and recognizable (although it was kind of weird seeing Inej in teal instead of purple lmao).

And the queen's dresses. Chefs kiss.

It's...so cheesy (affectionate)

The whole show felt like the kind of movies I would watch as a kid like Harry Potter and Pirates of the Caribbean. The writing was stylized enough to make it incredibly dramatic and overall there was just so much heart behind all of it. Definetely a show to watch again and again and feel all of it, cause that's what it being so cheesy managed, to make me actually feel for it. It feels like something to watch on a rainy afternoon after a bad day....it's great okay i really enjoyed it, even (specially) the most unbelievable parts of it. And here's the thing, it's something that i think a lot of newer tv and film have lost, so this is good.

What i didn't like

Zoya

Mostly cause of the writing. Originally, in the first book, i didn't like her, neither as a character (stereotypical mean girl with no other motivation than to bang the love interests....all three of them....what's new i still think it's an incredibly sexist trope) or a person (hey at least this was intentional), but over time i grew to LOVE her (mean girl turns out to have a good heart and actually respects the mc and decides to fight alongside her cause it's what's right, without necessarily liking her or giving up her character??? AND she has strong motivations??? now THAT'S new). In the show, i hoped they would keep her mean girl nature while foreshadowing her depth, but all they did was turn her into a petty seductress with barely any screentime, and that only makes her not even a bad antagonist but just a boring character to watch. Not only that but they took away a big part of her character that needed to be developed in the next books. I wanted to watch her rivalry with Alina, her unjustified venomous tongue too, I wanted to be entertained by her and I wasn't. This was also a problem cause when she finally changed teams, and when she hugged Alina, it was incredibly unsatisfying, it would have had a way stronger effect if we had seen her being Ruthless Zoya with a big ambition. I also didn't like how we were told that she didn't like alina, or that she had a family, instead of it being shown on screen. Just from the show, all i can tell you about her is that she likes to bang people and she has a good moral code i guess. Yall, I'm so petty about this.

Kaz

So, I didn't hate him, in fact i think I would have enjoyed him if I hadn't read the books first, cause the two things that bother me about him were two essential characteristics of him in the books. FIrstly, he seems so strained, instead of the seemingly laid back, almost chill looking (even though we know he's not chill at all) Kaz we see in the books, the Kaz that always knows something that you don't. Show Kaz doesn't seem to always be in control, to always have the last word, the last laugh. Instead he seems strained, all the damn time. And I think this is mainly a writing and directing issue. And he also seems weak, something Book Kaz would never do. This is also an issue cause because he doesn't have the same presence he has in the books, the times where he is weak, don't seem as effective. Sure, Pekka Rollins has essentially reduced him and humiliated him, but I haven't seen enough of Kaz being actually dangerous for this to be shocking and for Pekka to seem even more hateable (and, i really liked Pekka, loved him as an antagonist more than i did in the books). Idk, Kaz was so charismatic and just fun and engaging to read in the books that his portrayal in the show felt lacking.

Alina's power's VFX

The little suns were cute and all but the light coming from within her was just ugly I'm sorry.

SFX

A lot of the sound design was just too stylized for the tone of the show i think. I particularly remember the sound of Mal's punches....what's that about.

What i think could have been better, but didn't particularly dislike

The Crows' storyline

And i think part of this is a consequence of Kaz not being as witty as he was in the books. Where's the incredibly complicated heist moves? the even more unbelievable C and D plans when something goes wrong? I didn't like that them getting Alina was essentially just luck, cause i didn't see enough of them being smart and quick on their feet. I also think it was unnecessary to have their storyline mixed with Alina's, i would have enjoyed watching a different heist, maybe in Ravka as well, and them incidentally crossing paths with Alina, more than i liked this storyline. ironically enough, the heist was the part i was least interested in

Genya and Alina

I just feel like her relationship with Alina wasn't strong enough, and i think it's because the show tried to make us believe they were much closer than they were without spending the necessary time in them.

Overall, I really really enjoyed the show, i will be watching it again (particularly cause i want to watch it in English) and i cannot wait for the second season omg (although i have to say, I'm scared for Nikolai)

I think that's all! I would also love to read yall's opinions and have a conversation.

#Shadow and Bone #Shadow and Bone spoilers #sab #sab spoilers #grishaverse #the grisha trilogy #six of crows #malina #helnik #shadow and bone series #sab review

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thedinanshiral · 3 years

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My personal DA4 wishlist + thoughts

I’ve been teasing this post for a couple of weeks over at Twitter, i’m the worst! But anyway, since game journalism has decided to confirm, once again, that the next Dragon Age game will be set in Tevinter like that’s breaking news, now’s as good a time as ever to write all this down.

Locations: Tevinter, clearly. It’s been pretty much a given since the end of Trespasser in 2015, with that scene where the Inquisitor stabs a map on a table directly on Tevinter as they promise to go after Solas to stop him. But also concept art and several stories from Tevinter Nights heavily imply Antiva, Nevarra, the Anderfells, and maybe Rivain. For those of you who don’t know your Thedosian Geography 101, that’s basically Northern Thedas. And it makes sense, since so far for three games straight we’ve been first stuck in Ferelden, then the coast of the Free Marches, and later the rest of Southern Thedas. We’ve never been North, only heard of it. So in DA4 i’m sure we will finally be able to visit.

Characters: If we’re going to Tevinter, we must meet Dorian again, maybe meet Maevaris Tilani as well (previously only seen in comics), judging from the latest comics series, i’m hoping for Fenris too. And going by the latest teaser trailer, we might see Varric again. As for characters that so far we have no news of, i’d like to see Cole, the Iron Bull, and if by any chance BioWare feels like blessing us with a Hawke/Fenris reunion i might just die happy. I’d also very much like to see the Inquisitor, but more on that later.

Companions: considering concept art and the latest teaser trailer, plus Tevinter Nights stories and new characters, we have an interesting repertoire of new potential companions. A Tevinter mage, an ancient elf (like a temple guardian) or a dalish elf (like Strife), a Nevarran mortalitasi or spirit, Antivan Crows, Lords of Fortune (new faction, kind of like treasure hunters), Qunari lady, maybe an alchemist or shapeshifter, Grey Wardens (possibly a dwarf), a liberated or escaped slave, a Siccari (Tevinter spies/assassins)..even past agents of the Inquisition could return.

Plot: We know Solas wants to take down the Veil. We know there’s two archdemons left, and Grey Wardens are regaining some spotlight in concept art lately. We might have to fight on multiple fronts simultaneously and be strategic about it. Solas might even unleash a double Blight just to keep us distracted while he focus on his own goal, who knows. But many other things are happenig in the margins and all over the place. The Qunari Antaam is having a crisis with some of its members supposedly going rogue, the order they’re so proud of is breaking up, and the whole of Northern Thedas is facing an imminent threat of invasion. Tevinter is still dealing with remnants of the Venatori and might soon be dealing with a slaves rebellion and/or a political and social reform (Magisters Dorian and Maeveris have been working wirh the Lucerni, a group aiming to restore and redeem Tevinter). The Antivan Crows -the de facto rulers of Antiva - may be dealing with a succession crisis, as their First Talon, a powerful feared and respected but old lady, might not be around for much longer and seems her chosen heir has died before his time. Meanwhile in the Anderfells nobody’s heard anything from the Grey Wardens’ HQ at Weisshaupt since the end of Inquisition, and as told in the novel Last Flight, the sudden reappearance of griffons may have had something to do with that radio silence. So you see, get ready for another +100 hours long game because BW has plenty of stuff to keep us busy with. But in short, DA4 seems will be about primarily searching, finding, and dealing with Solas. Regardless of what you decided at the Exalted Council in Trespasser, the Inquisition or what’s left of it is most likely the group orchestrating that mission. As it was so clearly stated then, they need new people Solas doesn’t know so he can’t foresee their actions, so it’s possible the DA4 protagonist is a new agent or a third party hired to do what the Inner circle can’t due to their familiarity with Solas in the past. But at the same time -and this is assuming we get to find Solas in this game - i definitely think the Inquisitor could easily show up again. No, losing an arm doens’t mean they’ve retired forever, prosthetics do exist in Thedas, a world where you can combine dwarven craftmanship with enchantments, seriously, i don’t ever want to hear “but they lost an arm” ever again as an excuse to write them out. And no, marrying Cullen or joining the Red Jennys is no impediment to join the “Stop Solas” Squad; the end of Trespasser means something, mainly that this is personal. Be it they loved them as lovers, as friends or ended up hating his guts for using and betraying them, the Inquisitor’s relationship with Solas makes this very personal, and so having any other character do that face off would cheapen all of it, all that bittersweet angsty development and expectations of either revenge or closure. That moment should happen between those two. It adds a ton of motivation due to their past historyas well, something a new protagonist would lack entirely. My personal best hope is for a sort of dual protagonist thing, say we play new protagonist for most of the game but a selected missions or scenes where we play as the Inquisitor once again and take over for key and heart-wrenching dialogue options. My second best hope is for the Inquisitor to show up as playable for the moment we catch up with Solas. My third and final best hope is for the inquisitor to be a sort of advisor but more like new protagonist’s boss/employer to whom they report back to and get new missions from. The Inquisitor can be stuck in meetings for the most part of it, i just want to know they’re there, behind a door, super busy but there. A cameo like Hawke’s in Inquisition is the bare miminum i can take, anyhting less than that like a mention in a sidequest description or a footnote in a codex entry would be a total injustice.

Romances: I’m open for pretty much anything, as any good BW fan would be. But i’d like romances to feel more alive in the sense that they don’t abruptly get stuck once you exhaust all related quests and dialogue options. As much as my Adaar liked that spank from the Iron Bull, that it was the only thing they could share after their romance was locked was a bit..meh. I liked Dorian’s tho, because his gave one the option to talk a bit, go for a walk, gossip, and sure, it all happened off-screen, and there were limited possibilities, but it was nice and made their relationship feel a bit more real, like they had more to it than kissing and stuff. It happens in most games, once you secure a romanceable companion suddenly you run out of things to do and share with them, and you get stuck with the same 3 lines of dialogue over and over again. There should be a way of solving that.

Side quests: i’m ok with fetch quests initially as it is a good way of forcing the player to go out and explore huge maps, but i’d also like the fetching to have some meaning other than checking things off a list. I want to explore many ruins, and -can’t believe i’m actually saying this- i want a Fade quest. Wait! I know what you’re thinking but don’t kill me just yet, here’s my idea: what if we could visit the Fade at certain locations to witness memories or meet with spirits and recollect information on Solas, his past, his present? Both to understand him better (keep in mind we’ll most likely get a new protagonist who isn’t familiar with him like we are as players) and try to locate him or predict his next move. It would be i think i great way of having visions of Arlathan in its golden age, maybe seeing some of the other Evanuris, how they interacted with each other and with the elves in their service, what really happened ...i just want that sweet, sweet lore, i need it.

Technical stuff: ok, graphics will be amazing for sure, but i also would really really like: better, more varied and longer hairstyles, PLEASE. Body sliders, it’s damn time we get them. Mounts that actually make a difference! Let staves blades make damage in combat, I’M BEGGING HERE. Combined classes, MAGICAL ROGUES! A homebase we can fix up/build on/redecorate as fully as possible (Skyhold was great and i love it to pieces but why were those walls NEVER repaired????) . More casual outfit options, idk i love to dress up my characters, maybe some transmog? A day/night cycle and please i would love to see Thedas’ second moon, also weather variations depending on the region. Yes, i’m ambitious.

Gameplay: i’d like more AI options for companions, but not quite like in DAO, that was too much and i rarely used it. I’m curious how they’ll do combat this time but i know for sure i don’t want the kind of combat that has me going almost frame by frame pausing at every second, it’s annoying for me. I want large areas like in DAI but with a bit more stuff to see and do although one of my favourite maps is the Hissing Wastes so i won’t complain if we get a literal desert but i’d also like it to have secrets hidden around, make me work to find and solve them, i love exploring, i jump and click on EVERYTHING like i’m still a kid playing Monkey Island. A companion in concept art seems to be holding what looks like some form of rifle, so i’m curious how they’d incorporate that in the game. I know Tevinter has the magics and dwarves have the skill, a firearm is totally within the possibilities in-game without breaking any lore; also super curious what sort of skill trees Crows or Lords of Fortune could have, are they rogues, or warriors, or both??

So far, that’s what i got in my head.Well, most of it anyways, i may have missed something but this post has to end somewhere lol

What’s in your head? Feel free to share! Have you been thinking on how you’ll create your next protagonist? All i can think of is magical rogues and that glowing bow was all the hype i needed.

#Dragon Age #Dragon Age 4 #Tevinter #da4 wishlist #DA4

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mindmeltonabun-blog · 4 years

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Tale of The Nine Tailed: Analysis and Theories

First and foremost, I would like to give my sincerest praise to the cast and crew of Tale of The Nine Tailed ! It is simply a wonderful and very thought provoking show! I strongly recommend it to everyone!

Now, I’m going to forewarn you all that this post will be very LONG, but hey you might learn a thing or two and be able to draw your own theories and/or conclusions after reading this post! I had previously posted some of these connections/theories on my Twitter, but I figure hey why not post them on Tumblr too !

What Is An Imugi/Imoogi? What Is It’s Goal?

In Korean folklore, Imoogis are lesser dragons that look like big snakes or kind of like a basilisk from Harry Potter.

One of an Imugi/Imoogi’s main goal is obtain a “Yeouiju” or a celestial orb which allows it to become full fledged celestial dragons which can rule the skies. In the context of TOTNT, there is such a type of “Yeouiju” in the form of Lee Yeon’s fox bead. Therefore, I believe that the ultimate goal of the Imugi/Imoogi is get Lee Yeon’s fox bead.

Side note, I kind of think that the Imoogi not only wants to rule the skies, but the ground too. I wouldn't be surprised if he sought to do so by raising an army of zombies (maybe thats who Lee Yeon was seen fighting in the intro credits) !

Why be content with just ruling the skies when you can rule the entire world? Additionally, he could have further ambitions to not only rule the world, but to also rule all realms like the heavens and the Underworld.

The Imoogi is very strategic into getting what he wants. By strategic I mean that he likes to use people as leverage or use their own weaknesses against them.

Therefore, I believe what happened originally during Ah Eum’s time is that the Imoogi had possessed her body in order to get Lee Yoon to hand over his fox bead. The Imoogi knew how much Lee Yoon had loved Ah Eum and would be willing to do anything for her.

However like Voldemort, the Imoogi did not anticipate the power of love and sacrifice. Ah Eum had temporarily gained control of her body long enough to do either two things: ask Lee Yeon to kill her or run into Lee Yeon’s sword thereby killing herself. In either cases, she fulfilled her promise to Lee Yoon which was that she would always protect him.

Now jumping back to the present time, we know that original target of the Imoogi’s plan was Ji Ah. Why? Because his lame self wanted to do what he did in the past and use her again to get Lee Yeon to hand over the fox bead. However, this time around, Ji Ah had Lee Yeon’s fox bead inside of her which offered protection from full possession by the Imoogi. So then the Imoogi’s minion (tv station president) took the next best thing which was Ji Ah’s parents to be used as leverage at a later time so that Ji Ah would hand over the fox bead.

However, things have now changed because Ji A gave away the fox bead to the fortune teller to save Lee Yeon. Now I have mixed feelings about this situation. On one side, I find it romantic that she’s willing to give up anything to save Lee Yeon. On the other side of it, I’m like girl why are you so stupid?! Lee Yeon literally gave up his mountain title in order to give Ah Eum/Ji Ah that fox bead. It’s almost like Lee Yeon’s actions were met in vain. Plus, when Ji Ah said she doesn’t believe in destiny or that sort of stuff, it also got me riled up because it was a contradiction to the whole premise of her character in the first place. From the get go, the writer wrote that Ji Ah believes in the supernatural and mystical. So then why wouldn't she believe in fate and destiny?

Anyways back to more analysis. Without the protective effects of the fox bead, Ji Ah can once again be possessed by the Imoogi.

What the fox bead had done for Ji Ah was that it protected Ji Ah from the effects of the Imoogi piece aka horcrux that was inside of her. The notion that the bead had offered protective effects can be seen when Lee Yeon first gave it to her where a protective shield was erected and this was again seen in ep4 when Ji Ah cried. Also, it was confirmed when Sato said how Lee Yeon’s fox bead was meant to protect all beings, but instead Lee Yeon chose to use it to protect only one person.

The Fortune Teller’s Message

Something of particular interest is what the fortune teller told Ji Ah about the bead. He told her that even without the fox bead or moon, her life is still “blessed”. I think what the fortune teller meant by this is that even without the protective effects of the bead, her life is still “blessed” because she will always have Lee Yeon by her side to protect her.

What I think will happen next is that Lee Yeon will go back to the fortune teller to try and get his bead back. Meaning Ji Ah will probably confess to Lee Yeon later on just what exactly she gave up in order to get him back. And again the fortune teller will ask for something precious to Lee Yeon. There are a few things that are precious to Lee Yeon such as Ji Ah, Lee Rang, and Lee Yeon’s immortality. Now we know that Lee Yeon would never give up Ji Ah, so then this would bring about other two things into play: Lee Rang and Lee Yeon’s immortality. I think its more of a poetic justice if Lee Yeon trades Lee Rang in. However, I could also see Lee Yeon trading in his immortality since his dream has always been to become human. Who knows though!

Only One Will Live: Imoogi Vs Ji Ah and Lee Yeon vs Ji Ah

In Harry Potter, there was a prophecy that “for neither can live, while the other survives”. This same message is conveyed when it comes to the Imoogi & Ji Ah and Lee Yeon & Ji Ah.

We saw what had happened the first go around when the Imoogi had possessed Ah Eum. In the end, Ah Eum chose to sacrificed herself so that both the Imoogi and the piece of him inside of her would die. Thereby, she prevented the Imoogi from using her to get Lee Yeon’s fox bead. Now presently, the same situation is basically happening again. However, if Harry Potter managed to kill the piece of Voldemort in him and still survive then Ji Ah can essentially do the same. So, how you might ask? I think the solution greatly lies in getting the fox bead back in her. If Ji Ah can temporarily die in order to get rid of the Imoogi piece inside of her, then she can be revived by the protective qualities of the fox bead.

Even if Ji Ah survives against the Imoogi, it might be at the cost of losing Lee Yeon. The fortune teller even told our couple this, “If you two keep hanging out, one of you will die”. This same message is again heard in ep 7 preview when Taluipa’s husband tells Lee Yeon, “You or the girl. One must die in the end.” So can there be a situation where the Imoogi is dead and both Ji Ah and Lee Yeon are alive? Yes and it comes in the form of the Lee Rang factor.

The Lee Rang Factor

We all know that our little puppy, Lee Rang, may put up the facade that he hates his brother, but in reality, Lee Rang loves his brother a lot.

There was a clue dropped in ep.4 that hints in the end Lee Rang will be the one that saves both Lee Yeon and Ji Ah.

The hint was in Taluipa’s hand, the movie “A Better Tomorrow”. Briefly, the movie is about two brothers, Ho and Kit, who love each other a lot. However over the years, they began to develop great animosity and resentment towards each other mainly due to their differences in beliefs and professions. Ho was a criminal while Kit was an upstanding police officer. Eventually, Ho does see the error of his ways and seeks to atone for them. In the end, the two brother reconcile and Ho decides to join his brother Kit on a path of righteousness. Similar to Ho, I think Lee Rang will do the same. Lee Rang will atone for his mistakes and thus sacrifice himself to save Lee Yeon and Ji Ah.

What is Ji Ah?

Seems like everyone these days has been wondering what exactly Ji Ah is. Most people seem to think that she is part Imoogi. However, there has been a bunch of clues in the episodes that answers this question.

I believe Ah Eum/Ji Ah is Princess Bari, the first shaman goddess from Korean mythology.

Princess Bari was nicknamed the “Abandoned Princess” because she was the last and 7th daughter of a King who had no sons. Due to her gender, she did not receive any attention from her parents and was thus abandoned.

Eventually, her parents’ lives became endangered and in order to save them she had to travel to the Underworld to get the elixir of life. Such a tedious journey showed her deep commitment to the virtue of “filial piety” or one’s love and respect for one’s parents. She became a role model for many women during this time because she was willing to sacrifice herself for the very parents who had abandoned her.

As a reward for her strong adherence to filial piety, the Gods made her the first shaman goddess who’s job was to help and guide spirits.

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thr-333 · 3 years

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Could you possibly do one where Mari/Mari and marine is/are the daughter/son of the joker?

I actually planned quite a lot for this after you asked but could never get my thoughts to make something comprehensive so I give up here's what I got!:

-Twins are Joker and Harleys kids born before the two split up(and so help me they will split up this story needs gay aunt Ivy)

-As you might know, these two clowns have another kid; Lucy. Harley left Lucy with her sister when she was born. In canon, she thinks Harley is her aunt but I would say in this fic she learned the truth when the twins were also dropped off.

-So the twins grew up in Gotham with their aunt and big sister knowing full well who their parents are; as such they make the responsible choice to suppress every part of themselves that resembles them and constantly dye their hair in an effort to avoid looking like them. You know healthy coping mechanisms. -

-Naturally, Marinette has brown hair with blue eyes and Marion blonde with brown eyes.

-Their personalities are a bit different from Mismatch.

-Marion is still a trickster and a trouble maker but this time around has Marinette fully involved and responsible for his shenanigans. He has a bit of a habit of talking to himself(or singing random phrases), sometimes in the third person; he hates when he does, so Marinette always tells him off. He’s always gets the impulse of dying his hair outlandish colors and will vehemently deny his favorite color is green.

- Marinette is crafty, both figuratively and literally. She’s smart, her mother is a doctor after all she can be manipulative to people that arent her(close) family to protect the ones she cares about. She has a deep-seated fear of becoming a trophy, an object to be put on display like her mother and so dresses the opposite and pushes away her love for fashion.

-They will always call each other Mari but if someone else tries they both answer its a nickname they strictly use for each other.

-In a world where Gotham exists it makes absolutely no sense that Gabriel wouldn't start his reign as Hawkmoth in Gotham(the place with the most negative emotions like geez) so that works out perfectly for the twins becoming heroes(Adrien can move to Gotham or be left in Paris to be kept safe your choice)

-Instead of the twins proving themselves by helping an old man up off the street they go a step further is beating up the thugs that try to rob him(all Fu’s set up of course). When they come home to find two mysterious boxes on their beds they make the only rational conclusion children of the joker would; it’s a bomb!

-Not wanting to get the police involved for obvious reasons they find the security footage(which gets the police involved in a different way) and start tracking down fu to see why he’s trying to kill him.

-And as you may recall at this point in canon Ladybug and Chat Noir are defeating an Akuma, well they're not here they’re off to beat up an old man so thats Batman’s job for the time being.

-The twins get caught up in the fight as civilians and are saved by Batman who immediately recognizes them(you don't think Batman has case files on all of Jokers hellspawn?) so that’s gonna be a problem later but never mind that for now~

-The twins track down Fu, who is wondering why they aren’t out fighting the Akuma. Long story short Fu comes back to the house with them and proves they aren't bombs giving them the miraculous.

-I’m a bit indecisive on the names. I thought Marinette would be Red Bug and Marion Black Cat(yes I know that names already taken I don’t care). But I thought Crimson Bug would work better because then their names would start with the same letters. Then I wanted alliteration like Black Bug and Crimson Cat but that obviously doesn't make any sense since Chats color is green not red-- then I realized it would be completely in character for them to call themselves that confusing everyone in the process so no one quite sure whos name is who(if you wanna write it go with whatever I just thought it could be funny)

-As for costumes Marinette's probably wouldn't be skin tight because deep down she really doesn't want to look like that but more practical armor or less form-fitting at least. Marion's hair turns green when he transforms something he freaks out about and Marinette's turns red(glowing or not either would look cool)

-So anyway they go off to defeat the akuma blah blah blah Batman seeing these two young untrained superheroes can only think of one thing: I have to adopt them. So that’s gonna be fun!

-Anyway they go back home trying to be sneaky and immediately get caught by Lucy: ”Don’t tell Aunty!”-- ”Oh I already know” (her names Delia by the way)

- So now the twins get a support system and a family that will look out for them unbelievable right? This support system immediately threatens Fu making sure he actually trains them and doesn't just set them loose on Gotham.

Anyway that's the end of my semi-cohesive plan and here's a vague outline for the fic:

1. Becoming ladybug and chat noir setting up adoption, and school(Bruce invites them to Gotham academy to keep an eye on the jokers children)

2. First day at school setting up Artemis(and by extension young justice), and own passions, Adrien is also at this school now so Marinette falls, Jason finds out falling in love with Marion

3. Becoming friends with Artemis, convinces them to give their passions a try, Marion runs from hood, some let me adopt you stuff also Jason's spite for Cat Noir

4. Skip a bit of time a few months or so, young justice need help Artemis suggest mari and mari, Marinette has a smackdown with batman about their heritage, at odds with young justice Artemis comes to their defense. Young Justice have an ‘oh’ realization on the job when Marion sings a lullaby to a scared child, now the young justice form the mari and mari protection squad

5. Doing ladybug and cat stuff batman approaches them again this time luring them into adoption with a partnership on finding hawkmoth, Red Hood and cat fight. Marion comes back all huffy and there's a scene with Lucy this time comforting them, Marion goes out to get air runs into hood marion bristles stirring Jason to meet him as a civilian, class come to visit, at odds with lila

6. Doing well at school even made a few friends when the Paris class come to visit completely under lila’s control, lila tries to slander the twins for not worshiping her only to out herself when she tells everyone they laughed at her(the twins never laugh), Jason also drops by further discrediting her, lila tries to throw their heritage in their face but they get support openly working with heroes as civilians, this little section ends quite happily with them being sort of accepted at school and batman tolerating their existence for not attacking the person who tried to make their life miserable

7. Time skip few years out of high school now, ladybug and cat are working well with gothams vigilantes widely considered part of the batfam even if no one knows each other's identities. As mari and mari they are doing good work mainly outside of gotham. Marinette is starting a fashion boutique with a little financial help from Wayne enterprises she also does costume design for heroes and villains, villains mainly because she can't stand their current outfits. Marion quite likes his music but isn't sure how he will feel in the public eye is great friends with Jason and the skip picks up with them officially starting to go out identities unknown. They are still hesitant about their identities in civilian life Marinette starting her business under a false name and Marion cant start his because of his heritage. Jason officially has to admit they are going out to the family is met with grilling by aunt and sister, joy by harley once she tries giving them sex advice they leave, his brothers tease and both are tense about Bruces reaction but he begrudgingly accepts. Are out as ladybug and Cat still snippy with hood but it’s not as bad they are closing in on hawkmoth. Go to hang out with young justice as well they aren't well-liked in Gotham but they’re fine with that(not really)

8. NOW things can go to shit joker finally has enough of them deciding to get a hold of them but I think it should be as ladybug and chat revealing their identities to the world. The twins are terrified rightfully so. Get saved now it’s weird between hood and marion, marion feeling betrayed Jason knew who he was and knew who his father was but still decided to date him and he just can't understand why. Adrien was so scared for Marinette and now they both have to work out why. Gotham is at odds the heroes they admire are born from a villain they fear. Bats are a bit weird feeling like they were tricked while also kind of acknowledging the twins are good people

9. Harassed in their everyday life now the twins go to young justice where they get met with awe for being established independent heros, bats there are acting weird but the twins say something to shift perspective leaving to let them mull on it. Jason tries to apologise saying he doesn't see Marion like that blah blah Marion has a breakdown asking how he can be anything but a villain. Marinette's having whiplash going from loved to hated and still dealing with the trauma of seeing her father. They snap. In public a big ol scene and they get akumatised everyone sees it, it’s on tv. Hawkmoth comes out to get their miraculous the batfam can’t beat him. He’s monolouging probing at their deepest fears when they snap back to reality realizing none of it’s true every part of them has worked to be good people and they are they don't hand over their miraculous beating the akumatizaton and beating hawkmoth while akumatised.

10. They are released from the hospital a few days later, getting hesitant recognition on the streets. It's not thunderous applause but it is something. Their family comes to pick them up, Adrien is crying to Marinette about not scaring him like that(her family took him in when Gabriel was revealed). Marion gets picked up by Jason they patch things over. They get accepted into the batfam and work as ladybug and cat for everything. Marion decides to start playing music and Marinette reveals her face to her fashion brand.

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fellowstrangetownappreciator · 3 years

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La Fiesta Tech and other unfortunate decisions 1: Greek House powered by hatred (Tank and Johnny)

After my last post about my general play style for university in TS2, here I come with something more specific! (aka a blog that promised to be about gameplay is finally posting gameplay)

I ran 35 Sims through college at once - the 8 Strangetown and Pleasantview teens, La Fiesta Tech premades, plus student bin families from the other two universities. In this post I’ll focus on one of the households, what their general experience was and what are my headcanons about it.

Now, I don’t have the save file anymore. The neighborhood succumbed to corruption just a rotation after, so I restarted. It was a learning experience and now I know to run HoodChecker after every rotation and to batbox gossip memories frequently. However, I’m over it and enjoying my new hood even more, I just thought I write a short disclaimer that these bits won’t have any mentions in future posts. But my interpretation of the characters still stands and doesn’t change regardless of save files.

Anyway, let’s get down to business!

...to defeat Academic Probation.

When Johnny Smith signed up for an assignment to establish and lead a Greek House of his own, he was overjoyed. Even more so when he saw the name "Grunt" as his assigned partner.

Founding a Greek House with Ripp? AWESOME!

But... the Grunt in question wasn't Ripp...

No. It was the a**hole Grunt. They’ve already been living in one dorm (with like 14 other people) and the place was a battleground.

To be fair, Johnny and Tank didn't just fight and nothing else. Yes, fighting was like 90 % of how they usually spent their time together but there was something else...

Chess.

In this particular game Johnny had become surprisingly fond of chess and frequently rolled the want to play it.

Chess has always been Tank's favorite game.

They played quite often and it was one of the rare times they were having fun together and actually talked instead of yelling.

But are a few games of chess enough to earn one forgiveness for a teenhood of nastiness and abuse?

In Johnny's eyes rightfully not.

He had to admit the a**hole is quite chill when he's not being a total d*ckhead but that didn't change anything about the fact that Tank had been terrible to him for no good reason ever since forever and he hated him for that.

Those feelings... weren't completely mutual.

College was Tank's awakening. He found himself away from his father, away from prying eyes that would judge him for not being perfect and for the first time in his life, he felt quite free.

And empty. And alone. He realized he had no friends and that the only person who truly liked him was his father and he would most probably stop if he ever learned of Tank's inner world.

He decided it was a high time for a change.

But habits aren't easy to break, especially if they're the only thing you know. Tank had never learnt to relax around people, never learnt to talk to them just to get to know them, never learnt to express himself, never learnt how to make friends.

Why, he had never needed to! They would have been a weakness, an unmanly stain of lollygagging on his consciousness. He was taught that friendships form themselves on the battlefield and it's a waste of time to try to create them otherwise.

It was quite awkward when he started approaching Ripp in attempts to mend their relationship. Tank has hurt Ripp in the past, he actually treated them quite horribly, fueling his own confidence from being the older, bigger, stronger one and from their father approving of such behavior.

Their father has never said it out loud but it has always been simply there that Tank was the superior one. More obedient, stronger, faster, more masculine. Smarter, even! How could Ripp with an attitude like theirs, with their lousy academic results even compare to by-the-book and hardworking Tank?

Yet it was Ripp who was seemingly happier, like they didn't even care about father's disapproval or the pressure of being the offspring of a venerated general. Tank realized he admired them for that. They did things Tank wouldn't even dream of. They didn't hide who they were.

Forgiveness... forgiveness isn't easy to attain. But Tank was determined to try anyway. At the very least he would stop causing any more harm to his sibling in the future.

It wasn't that straightforward with his new alien roommate, though.

Johnny was special. First he despised him because his father taught him they were inherently dangerous and invasive, they needed to be driven away. But that got quickly buried under memories of aggression and hostile experiences. It was by all means Tank who started it and Johnny was only fighting back but that didn't matter deep in Tank's head, his brain had connected Johnny to unpleasant, awful things regardless.

But he was also the most... attractive person Tank knew. Tank couldn't help himself. He wished Johnny Smith wasn't an alien, so they could've been friends right from the start. He was athletic, even more than Tank, was interested in the same sports as him and was damn good at them, he has always had good grades without seemingly having to study that much, and all around, he would make such a worthy friend!

Friend. Was that something Tank sincerely had on mind when he fantasized about Johnny? (And did he do that a lot!) No. Not at all.

Ripp has long been out, proud and loud about their orientation, not denying they liked boys and girls and anything in between and beyond, and the general was giving them dirty looks and deprecating remarks for it. He wasn't outright punishing them, mainly because he expected nothing more from Ripp and knew his middle child was simply "a weirdo" but Tank was sure his reception would be even worse if he came out.

He was supposed to be the good son, after all. The heir. He was not supposed to think or do or, by the Watcher, be something his father considers perverted and unmanly. He could only imagine the horrible things the general could say to him and the thought alone was enough to make him shudder.

Once again Tank simply didn't understand Ripp. They liked girls, so the world didn't even had to know that it's not all there is to it. They could've just find themselves a girlfriend and not face any judging generals. That's what Tank would do!

But he couldn't. He wasn't like Ripp. He only ever felt attracted to other men and male-presenting people. There was nothing he could do, no way he could force himself to be any other way.

And nobody knew. Not even that girl from their high school that Tank asked to prom so that he didn't look weird. They were on amicable terms but they weren't even friends, they just helped each other out so they didn't seem like outcasts to the whole school on the prom night.

He remembered his father being elated and encouraging him to invite his "girlfriend" for a dinner soon, so he could meet the fine young lady that might just one day become his daughter-in-law.

Tank had to tell him that it unfortunately "didn't work out" and that he "needs to focus on his studies and training anyway" and the general then praised him for it.

Little did he know that his favorite son, even back then, was not only gay but had a hopeless crush on an alien boy.

Every time Tank tried to interact with Johnny and be nice to him, he got reminded of his feelings he was so ashamed of and of his fear of his father disavowing him, so he said something mean instead or didn't talk to him at all.

The only exception was chess.

Sometimes, when a game neared its end, they spoke. And they talked... casually. It was awkward and cautious but it was a conversation and it felt... good.

Playing chess with Johnny became Tank's guilty pleasure. (even worse than watching make-up tutorials on SimTube!)

Being forced by the assignment to live together for six semesters was equal parts a living hell and a dream come true.

They had a small house on La Fiesta Tech premises that they were to transform into a lively Greek House.

"This place looks like shit and smells like a prison cell. Or vice-versa?"

"You got everything you have for free, Smith. Stop bitching."

Johnny sighed and opened up a book. "Says someone whose loaded dad literally sent him money for this house."

"I thought your family was also well off. Is that incorrect?"

"We have a financial situation called None of your business, Grunt."

"Sorry for asking like a normal person."

"Nothing you do is 'like a normal person'."

...

"I quit! You're unhinged, Smith!"

"Tell me something I don't know."

"I found a knife under your pillow!"

"You found -what? Why the f*ck were you looking under my pillow?!"

"I was just changing the sheets. I did mine, so I thought I'll do yours, too!"

"Why the f*ck would you change the sheets on MY flipping bed?"

"Because you are a disgusting manchild and it stank."

"I was gonna change them tonight! And, guess what!"

"What?"

"YOU also have a knife under your pillow!"

"I don't!"

"Yes, you do, liar."

"How do you know that?"

"I saw you put it there yesterday, you galaxy brain. The question is, why the hell do you have a f*cking knife under your pillow?"

"Why do you, Smith?"

"Because I live with your ass. I sleep better knowing you can't just murder me in my sleep. Now you tell."

"Same. I've slept with a knife under my pillow ever since grade school in case a robber got to our house. I won't stop now that I live with YOU!"

"..."

"I won't kill you. I'm not a freak! Killing is wrong, even if it's parasites such as you. And, besides, I'm not stupid. If you turned up dead, I'll would be charged immediately, even if I didn't do it."

"So why do heck do you think I would kill you, Grunt?"

"I... don't know."

"Anyway, were you for real? Are you quitting? We fail this assignment but I'm chill with that if it means getting rid of you."

"No, no! I'm not going anywhere until we pass. I'm not a quitter! But if you want to quit, I'll respect that and be glad this circus is finally over."

"Fine. Are we getting pizza for dinner tonight?"

...

“I invited my family for a lunch...”

“Alright. I’ll be in the library. Or the gym. Haven’t decided yet.”

“No.”

“No?”

“I want you to be here, Grunt.”

“Why? So you can all make fun of me?”

“Stop being so defensive. I want you to be here, so you can just chill with us. And my folks are gonna know you’re actually... okay.”

“I don’t think that’s a good idea.”

“And if you hang out with mom, dad and Jill, you’re gonna know they’re okay, too.”

“That’s not how this works. I can’t just act like we’re friends now and everything’s peachy.”

“Well, who said that? Maybe that’s exactly how it works. You never know until you try!”

“If anything goes wrong-”

“Nothing’s gonna go wrong. It’s not that deep. We’re been living together for nearly three f*cking years and had a sh*tton of time to talk. In fact, I already told them you’re my friend now.”

“I thought we agreed we wouldn’t use the F-word!”

Johnny laughed. “What? F*cking? F*ck? C’mon! Your dad can’t hear us!”

“No, the other one. The FR-word.”

Johnny rolled his eyes and grinned. “Go friend yourself!”

“Okay, I’ll stay for the lunch. I’ll go get my tuxedo...”

“Please don’t.”

Reaching a truce was a painfully slow and slowly painful process. Sometimes Johnny wondered if there’s even a point. Sometimes Tank wondered if it wouldn’t be better just to focus fully on his studies and forget that Johnny existed.

But they had to live together, they had to work together organizing parties and happenings in order to grow the Greek House. They had to speak. And when the exams drew nearer, the only person who was available for evening study sessions was usually the other.

What did they study anyway?

Tank rolled the want to major in Drama while Johnny studied Political Science. Tank has never told his father the truth of what his field of study is and knowing his father has access to the university's statistics and probably could fact check that in Tank's house there lives a Drama major and a PolSci major, he pretended he's doing Political Science and Johnny is the one majoring in Drama.

When the general came for a visit to attend Tank's graduation, Johnny played along with his lie.

The relationship between Tank and Johnny improved drastically over the three years. They still weren't exactly close friends but were healing with a prospect of a friendship further along the way.

Were they romantic with one another?

No. Johnny reciprocated Tank's attraction and maybe something could happen in the future but Johnny fell in love autonomously with somebody else.

With a different Grunt, to be exact.

(typing angrily)

Anyway, even though Tank's crush on Johnny ended up futile, it was still a great experience for him.

In college, Tank Grunt really flourished, despite the initial struggle. He realized a lot about himself and started working on his social skills and repairing his relationships.

He also found a friend in none other than Ophelia Nigmos and she became the first person he ever came out to.

Plus, he was the most academically successful Sim of the whole 35 students I played, being the only one who graduated with a flawless 4.0 GPA.

Unlike Ripp, Tank returned back to live with their father and Buck for the time being. He was expected to enter the army and needed a place to be. Moreover, the general was vocal about choosing him as the heir who inherits the Grunt house someday, so it was simply right for Tank to go back and live there.

Was it? Wasn’t it?

Tank was definitely having second thoughts.

He didn’t wonder anymore if military was the right career path for him. He knew it wasn’t.

But was he ready to let the world know who he really was?

#the sims 2 #ts2 #gameplay #la fiesta tech #tank grunt #johnny smith #premades #simbrl

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