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#that way if one day he has to fight against the celestial army again
delphi-dreamin · 1 year
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oh i have a cute one!! what's luke's fave card/board game to play and who's his fave game buddy?
So, I have been thinking and thinking and thinking on this. And we know what the obvious answer is. Therefore, I'm not going to go obvious.
I think that Luke actually really enjoys playing Battleship with Levi.
I know, but, hear me out.
We know that he enjoys gaming with Levi in general. There are HoL vs Purgatory Hall game nights frequently enough that it's mentioned at least twice that I can think of off the top of my head. And as much as he does love playing Candyland with Simeon and Solomon when he's had a hard day of classes and the demons have been picking on him again, his absolute favorite is when Levi sits him down with Battleship.
Levi won't just let him win. Levi treats him as an equal opponent. He has to work for it. And he couldn't win at first. (How the hell are you supposed to beat the Admiral of Hell's Navy at fucking Battleship??) And it would frustrate him to no end. But over time, without him realizing it, Levi was teaching him how to strategize.
Over time, he started to win occasionally. And then more frequently. Until finally, he started winning just as often as Levi. He was so, so proud.
(Once that started happening, Levi introduced him to Risk. Risk nights can last for days, and Simeon has officially banned them on school nights. But Luke eats it up whenever he gets the chance.)
Michael may not realize it, but Levi is training his next General for him.
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Thanks for the ask, Cher!! This one was fun to think about! I love my angel son so much. 🥰🥰🥰
Send me a headcanon request! 💖
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icaberries · 5 months
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Final Flight
(This brainrot won’t leave me alone, so have some MiShanks angst.)
(CW: Major characters death)
Imagine the final war erupting - the Strawhats, their fleet, the Revolutionary Army, and all their allies rallying against the Marines, Blackbeard, World Government, and Celestial Dragons. It’s total pandemonium and casualties rack up on both sides with no sign of stopping. The two forces are evenly matched in strength and forces, and the standstill is taking its toll on them. Something has to break the draw.
Then, somebody lands a fatal blow on Dracule Mihawk.
It feels like time has stopped. Everyone, both allies and enemies that were fighting near the former World’s Greatest Swordsman, are slack-jawed. Mihawk’s eyes are wide, as if he himself can’t believe that he’s been harmed. He staggers, tries to stay on his feet, but blood spurts from the large cut across his chest, and he falls to the ground.
He doesn’t get back up.
The Alliance is outraged. Although Mihawk was infamous, he was theirs. He was fighting for their side. The rage and disbelief ripples through their alliance, from the former Warlords whose acquaintance was just slain by the people they used to work for, to the members of Cross Guild who just watched one of their commanders fall in battle, to a trembling Buggy and an enraged Crocodile who just lost their third, to a disbelieving Zoro who was mentored and entrusted with the title of World’s Greatest Swordsman.
But none of that compares to Shanks’ reaction.
Shanks who’s been fighting a tireless fight for days on end, Shanks who just watched numerous, comrades get hurt and die around him, Shanks who just watched the love of his life go down in a spray of blood.
His Haki ripples throughout the entire battlefield. The sky splits open, and the seas shake with the force of his will. Enemy forces go down like a domino chain, enough to turn the tide of the battle, enough for their alliance to catch their second wind and continue fighting again.
But all Shanks can focus on is Mihawk.
Shanks rushes through the battlefield, through smoke and blades and gunfire and Devil Fruit powers. His crew surrounds him and fends off anyone who tries to get in Shanks’ way. His eyes are trained on Mihawk’s body on the ground, on his still, unmoving chest, until Shanks is finally up close.
The blow has nearly split Mihawk apart. The pool of blood around him stains Shanks’ pants as he drops to his knees.
Golden eyes look up at him, and even through the pain, they crinkle with fondness at the sight of Shanks. Those eyes that used to be bright with life and love now look up Shanks with a haze over them. It’s obvious Mihawk is struggling to keep them open.
Shanks calls for doctors, for anyone - Hongo, Chopper, Trafalgar, Phoenix - but their medical outpost is miles away, and they're in the thick of the battle. No one can come to help them and they don't have much time.
Then, comes the pleading.
“Please, you need to stay with me. I can’t do this without you.”
What’s the use of Shanks’ dream of peace if Mihawk can’t be there to see it? Who else is Shanks doing this for, if not for his love, who just wanted a quiet life?
Mihawk’s lips are stained with his blood. A man of few words and even in death he has nothing to say. But Shanks has known and loved him for a long time now. Mihawk looks up at him with a defeated look in his eyes, his hand wrapped around Shanks as tight as he can manage. Shanks sees Mihawk’s mouth move and without even hearing the words he knows what Mihawk is trying to say.
Dracule Mihawk takes his last breath in Shanks' arm.
Nothing can prepare Shanks for the heartache that followed. He thought he’d know better by now, that after Roger and Uta, the pain would be easier to handle. It isn’t. It feels like his heart’s been taken out of his chest and crushed underfoot, it feels like watching Roger on the execution stand and listening to Uta’s swan song all over again.
You are never prepared for this kind of loss.
Shanks' grief enchoes throughout the battlefield. His Haki trembles with his cries, the entire world shakes with the force of his will, but Mihawk stays still an unmoving in his arms.
(For added angst: Imagine Film Red took place only a few months before the Final War. Imagine Shanks losing his daughter and lover only within months of each other.)
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juney-blues · 5 months
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just finished reading fist of the north star, and now i know why most adaptions pretend the series ends after raoh's defeated
because it probably should have!
i enjoyed the celestial emperor and land of asura stuff a bit but, the series was really starting to retread old ground
kaioh just feels like "what if raoh was even eviler and stronger!!!!" he's literally raoh's secret older brother who was never mentioned ever for some reason
retconning secret family members seems to be how a lot of the series handles plot twists now that i think about it lmao
Lin was actually the secret twin of the celestial empress!!!! this never comes up again and effects nothing.
Kenshiro had a secret older brother who vowed to one day teach him that the secret to hokuto shinken is Respecting Women!!!!
hell even ein (who's whole deal is honestly a retread of rei now that i think about it) had a whole thing where he's introduced talking about how he does all this bounty hunting for a special lady in his life ;) ;) an then PLOT TWIST!!! HE DOESN'T MEAN HIS GIRLFRIEND HE MEANS HIS DAUGHTER!!! (which is a funny bit lmao)
god the series really falls apart with the final story arc though, i think the real reason most fist of the north star stuff never cover anything after the timeskip is because Kenshiro defeating Raoh and finally putting an end to the hokuto shinken succession crisis that was the undercurrent to basically everything after the first arc, and then riding off into the sunset with Yuria, was a WAY more satisfying ending than whatever the fuck was going on with the actual ending
Bat uses heretofore unmentioned Hokuto Shinken powers to erase Lin's memories because everyone in the god damn series thinks that now that kenshiro's wife is dead he needs to shack up with this one girl he met when she was like 9 for some reason, and then Kenshiro gets,, Struck by lightning????? and also loses his memory??????
so we've got a double amnesia plot going on and it's, just,
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so fucking stupid
and then it tries to give Bat this whole subtext to his whole character about how he always looked up to kenshiro like he was an older brother, and it retcons in scenes that never happened to try and deepen that
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and like i love Bat, he was a fun goofy comic relief character in the anime
but in the manga he's just kinda there,,,?
he lends SOME comic relief but aside from the one arc with jackal he's just kinda there in the background, failing to make much of an impression and just kinda fading into obscurity (same kinda deal with Lin) getting ditched by the story for more serious characters, only showing up for the fight against raoh because kenshiro wants someone to bear witness.
and then after the timeskip he does the whole hokuto army thing with Lin, he cries over Ein (which was a fun moment i'll admit)
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and then the story ditches him as soon as the asura arc comes around, and then he just kinda shows up at the end of that to take lin away so ken doesn't have to deal with that weird contrived "pressure point that makes you fall in love with the first person you see" bullshit.
So we've got this comic relief character who for the latter half of the series has repeatedly threatened to become relevant and then backed off, which the series is trying to get me invested in during the 11th hour,
and this is all for, Lin's (clearly unrequited, like good lord) crush on Kenshiro,
a weird one sided nothing relationship that the series keeps trying to push as a thing that should happen, because the series is bad at using its female characters
and this is what it chooses to spend its final moments on???
and then the story just repeats the end of the asura arc and goes "no bat and lin should be together for some reason, gotta pair those spares"
throws in a whole flashback full of stuff that just straight up wasn't in the manga
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i think the top left moment is actually something from the anime lmao (don't quote me on that i have memory issues)
so yeah the final arc is just, retconning a whole bunch of shit, trying to shovel in as much development as possible for these characters in the last fleeting moment of the series as possible, because they were the first 2 major characters we were introduced to i guess
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then we get this whole fakeout death to close it out
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but woooh kenshiro fixed his dying body by, using pressure points, i guess, so that whole death scene was just kinda for nothing, just jerking your chain a bit
just god it's so fucking stupid
it's sooo stupid
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i'm with everyone else i wish things ended here
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cptn-m · 7 months
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One Piece chapter 1095 review
So are we all just getting comfortable in the assumption it's going to be two weeks on, one week off from now on? It's rough, but that's life. I was around for all the venting and complaining when it first went to three on, one off during Dressrosa, and I think if we can survive that, we can adapt to this as well.
The shock and reverence the Marines have for Saturn's appearance is interesting to watch here. While the World Government has always been technically theocratic, literally deifying its rulers, we've never seen much in the way of worship for the Celestial Dragon pantheon, or at least their allegedly world-creating ancestors. My read was always that they didn't really care if their subjects truly believed the myths or revered them, so long as the taxes were paid and a healthy fear of their power - whether divine or military - was maintained. But the opening pages show a more genuine-feeling awe among the Marine rank and file. It'll be interesting to see if Oda goes any deeper into this.
I've mentioned the Vice Admiral with the streak in his beard as a character design that stands out in the past. In the middle panel of the second page you can see him seemingly preparing to pull the crescent-shaped blade thing out of his skull to use as a weapon. What kind of power does this guy have?
And speaking of weird powers, Saturn has healing, vision-based force blasts, and a wider-range pressure field strong enough to keep even Sanji and Franky from standing up. On top of the whole summoning circle thing. Fascinated to see what this Devil Fruit ends up being, and how many liberties have been taken with whatever obscure folklore inspired it.
I expected Borsalino to be dazed but far from out of the running yet, but the official translation makes it seem like he'll be taking more of a breather. I still think we'll see him fighting again before the arc is done. A little more surprising is instead going for a 'you have failed me for the last time' Saturn is pretty understanding that it's "Nika" he was up against, and makes a very hardcore villainous move to stamp out Luffy without any capture or monologue or messing around. At least as a first reaction. He gets himself chatting on the next page, but going for the kill first still makes a statement. As does asking outright for the cruellest order to start the killing, that's a sick bad guy line. Great to see Franky get a moment to save the day. With all the hopes of Egghead being more his arc, it's nice that he at least to gets be on ground level for this pivotal confrontation.
Bonney tells us outright that it was Saturn specifically who ordered her father's destruction, wrapping up one part of the mystery, and it looks like we're about to find out the rest. While going into a Kuma flashback redoubles my confidence that his arrival is going to be what saves the day, I'm once again finding myself wondering how this arc fits together structurally. Wano's darkest hour was the destruction of the ships and apparent loss of the samurai army, which was used as a springboard for Oden's flashback, reiterating the stakes before the Strawhats showed up for the rescue and restored hope. It came up only when absolutely everything was against the heroes. But is this that? Maybe if Borsalino got back on his feet first. Maybe if Lucci was holding the upper hand in the dome instead of fighting Zoro. Kind of like when we went into last volume's cutaway sequence, it feels like things are too in-swing to call this a natural break point.
I don't want to say outright that I think this is something wrong with the arc. The frequent breaks and the new schedule we're all not quite used to yet warp perspectives on longterm storytelling until a reread is done. I could be missing the forest for the trees. But it just feels off somehow in the moment.
On the topic of comparing this flashback to the cutaway though, volume 107 was made extra long to accommodate the whole cutaway in a single book, so maybe the same can be expected of this sequence. We're in the seventh chapter of volume 108 currently, allowing room for 3 to 5 flashback chapters. Oda's able to make that kind of pagecount decently meaty, and any more might turn into a lot of time to spend away from the main cast again, however compelling the lore and history of God Valley ends up being.
But yeah how about this flashback? God Valley? The Figarlands? Holy Knights present? Five Elders present? Stories of Nika being shared? The possible origin of the Revolutionaries? An event Roger, Garp and Rocks were all present for? All at once? This sounds like Christmas. A lore dump on par with the original Reverie Arc.
But I don't want to get my hopes too high just yet, Kaido's flashback showed that Oda's still more than willing to hold some details and bigger-picture ideas back for later, even in the story's endgame.
Anyway, Oda's setting this one up to hurt. The cruelty of the Celestial Dragons is taken to new heights here, especially represented in the death of Kuma's dad, that's so casual, so incidental, so unfeeling that it's happened before you even realise what you're reading. None of the usual build up and huge response, a father is just gone in a couple of panels, and slaves have no time to grieve. And a mean play by Oda that the killing gunshot has the same sound effect of the drumbeat from the song.
The way Kuma's dad delivers the myth of Nika, complete with the drumbeat, before his death though, that makes me feel a little disappointed we couldn't have seen this kind of thing sooner. It's perfect on its own, just give a version of it to some background Impel Down prisoners, or slaves at the Sabaody markets. One little moment like this would have made the Nika reveal at Wano read so much more smoothly. If you put me in the live action writers' room, or in any kind of creative role for a hypothetical anime remake, that might be the biggest thing I'd push for.
God Valley's actual origin was quite a surprise after all the speculation surrounding it, to have not been some longterm sacred site to the World Government. The Buccaneer race is another interesting twist in the story, but have also been left pretty vague for the moment. Is their only distinguishing feature their improved strength and maybe their large size? I'm not sold, considering that characters identified as regular human have been shown growing bigger and stronger. But maybe they don't need to be anything special in terms of abilities. The World Government has shown itself to care pretty deeply about preventing "criminal" bloodlines from continuing, as shown by their rhetoric surrounding Ace's execution. The situation only gets more dystopian when we learn here about seemingly-mandatory at-birth blood tests and hospitals for undesirable blood groups. Pretty rough world to live in.
Although, nearly 50 years ago is a long time for such precise blood testing to exist. Weren't we told that Bloodline Elements were first discovered by MADS? At the time of this flashback, Vegapunk would be 18, and Judge just 9. I don't think they'd be unlocking the mysteries of genetics together yet, let alone passing that info onto the Government. So what other method is the Government using to test for these outlawed races?
Ginny is a cute character design. It's a shame she's about as doomed as One Piece characters get. On the assumption that she's Bonney's mother, she's at least getting through this Most Dangerous Game hunting trip to be old enough to have kids, but it already feels inevitable that her premature end is going to be the emotional heart of this flashback. Conspiracy theories about her surviving and being Ivankov'd into any modern day adult man are fun, but I'm not holding my breath for a second. And if she is Bonney's mum, and that's still an if, it probably rules out the theory that Bonney is chronologically still a kid, just to make the timeline work.
Hopefully the next chapter has enough info to lay out the trajectory of this flashback. The (presumed) need for Ginny to grow up means it can't totally be centred on God Valley, but maybe we get a feel for how long we'll be sticking around there and how much of the main event we'll actually get to witness. See you all in two weeks!
Read this review and past chapter reviews on my Wordpress!
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chaozsilhouette · 3 years
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A Revealing Performance
My rendition for the Shadow Play in @winterpower98's Swap Au.
It was supposed to be a simple thing, then it sort of spiraled into this whole deal. For the effects of the Shadow Lantern, I drew some inspiration from her Cursed Au as I never thought simply using her friends was cruel enough for the Monkey Tyrant.
It serves to show just how far Macaque has grown, but also to highlight just how monstrous he was.
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Mei refrained from downing her bubble tea as she waited for the play to start. It had been a rough couple of weeks with Spider Queen and that creepy girl. And failing to find where Xiaotian had run off to after the misunderstanding. When Macaque sent her tickets to the local theatre, she was ashamed to think it was a trap.
Pigsy and Sandy were right. After everything that happened, she needed some serious me time. She had been too stressed.
Besides, everyone knew Macaque was a total theatre nerd. Few people knew that the star puppeteer was actually the Six-Eared Macaque himself. He would totally send her tickets from his stomping grounds as a way to unwind.
It was a shame that Tang couldn’t join them. Apparently, he finally managed to schedule a meeting with the Celestial Realm and was Taking the demon brothers to figure out a new way of sealing the Monkey Tyrant. It was also his chance to explain their little break-in during New Years. He encouraged her to have fun and if it was good, he’d join them for the next showing.
So here they were waiting for the performance to start. Although she wondered what the fake mayor was doing here. They hadn't seen him since he gave her the skeleton key. Still wasn't sure why he had it or why he gave it to her? Supposedly she was only supposed to have it for a day, but he never stopped by to pick it up.
_____________________________
Sun Wukong was a monkey of many talents, but even he had to admit Macaque was a far better storyteller and his mastery of shadows was sheer perfection. But that just made this plan all the more perfect. What better way to teach his wayward beloved’s little flower a lesson than through a trusted medium.
Obtaining a spot in the local theatre was child’s play, a little magic and they were all but begging him to take center stage. Apparently, they had been scrambling to find a new performer after their star puppeteer had to leave for a family emergency (three guesses as to who that was). And with a little glamor, a set of tickets was left at the little flower's doorstep. As far as she knew, Macaque was proud of her progress and believed she had deserved a reward for all her hard work. She was so desperate for something to go right she hardly questioned how her mentor, who was in parts unknown, managed to secure tickets for a new performer.
In his personal dressing room, Wukong delicately touched up his human disguise. Even if he was going to be hidden in his hanfu and cloak, it wouldn’t do to spoil the surprise. Applying his eye shadow with artful flair, the Monkey King took time to appreciate just how handsome he truly was no matter what form he took. Honestly, who would have thought such perfection existed?
A pulse of dark magic drew his attention to his latest partner in crime.
The Shadow Lantern gently floated before him. Its dark magic practically purring at the thought of being used. Wukong could almost laugh at his beloved’s foolishness. He was there when his darling created the lantern, when he infused his own shadows into its very foundation. Did he honestly think such a masterpiece would tolerate being left to collect dust in a cave?
Normally a magical artifact would never consider turning on its master, but after centuries of abandonment, all Wukong had to do was whisper his intentions to return Macaque to his former self to secure its loyalty. The second he first made contact, he could sense a twisted hunger writhing within and with each performance granting it the chance to feed on the life essence of the viewers…. hehe, he almost couldn’t contain himself.
Looking up at the clock, he saw it was just about time for his next performance. His clones had reported the girl’s presence along with the pig and the water demon. Strangely the one with glasses and the little matchstick was absent. No matter, he could make do with two hostages just fine.
After all, the show must go on.
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The overhead lights dimmed, signaling the start of the play. Smoke slowly poured from beneath the floorboards, generating an air of mystery. In a flash of golden light, a tall man wearing a beautiful cloak manifested on center stage. The crowd silenced themselves at the display.
“Welcome viewers to a performance you shall never forget!” From the folds of his sleeves, an exquisite lantern floated in front of him. A mesmerizing yet familiar purple glow emanating from the center.
“Our tale tonight is one of love, companionship, and how even the strongest of bonds can be severed through the trickery of the wicked.”
In the background, the shadows twisted and grew in the lantern’s light. Carefully they formed a beautiful scene of a mountain covered in flowers and trees. Attention was gradually guided to the top, where a round stone basked in the sun.
“It all began with the birth of a King.”
The round stone broke, revealing a figure that resembled a monkey. But no, this was a monkey demon, a monkie if you would. The King journeyed down the mountain until he found a tribe of normal monkeys. The group frolicked for a while as the King established himself as the undisputed ruler of the tribe.
A large figure with an ax appeared. The monster brought down his ax upon a small collection of monkeys only to be stopped at the last second by the King. The King used his superior strength to steal the demon’s ax and used it to decapitate the intruder in a single stroke. The monkeys jumped around the King and praised his strength, but the King did not appear satisfied.
“The young King was born with great power and strength, but he sought out more to protect his people.”
The King crafted a raft and set out on a dangerous sea. The King was shown to face off against mountain gods, human warriors, and demonic sorcerers always to reign victorious but never satisfied.
“In his travels, he learned much and faced many enemies, in time his efforts were handsomely rewarded.”
The King climbed a fleet of stairs carved into a mountain to reach a humble monastery. At the top, a stern human stood, but behind him was another monkie. This one however possessed six ears.
“His quest for power led him to a Warrior of potential equaling his own. At first, neither was sure how to react to their mirror, but they quickly forged a comradery that took them far.”
The two monkies trained together, mastering new powers as they sparred.
“Their time together increased their power exponentially and as they grew stronger their feelings blossomed into something beautiful.”
The two were on a cliff overlooking the stars, slowly leaning closer to one another. Eventually, the two faced their opposite and leaned in close.
“Their fates had become intertwined. Their power was unmatched. It was then the King realized what he had been searching for all this time.”
The two shadows merged together in a complex dance until they separated into two beings once again, but not as they began. The two monkeys were now garbed in elaborate, yet practical armor and silks. The King wielded a staff and the Warrior took up a spear.
“Slowly their strength grew to where nothing could challenge them, whether in the Celestial Realm or on Earth.”
The King and Warrior were shown battling heavenly armies and powerful demons with confident smirks. Each battle resoundingly won through their combination of speed, strength, and cunning.
“But it was not enough. The King wished to ensure that he and the Warrior would be able to fight together forever and sought the power and respect needed to secure their future.”
The King took to the Heavens, where he stood before an Emperor in the most extravagant outfit, surrounded by massive guards in magical armor. The Emperor was clearly afraid as the King effortlessly toppled one guard after another, slowly approaching the throne at a steady pace.
“The King’s noble actions were viewed negatively by those who feared his ever-growing power. Eventually, a prison was crafted that could restrain the King, one that not even his beloved Warrior could destroy.”
Just before the King’s latest attack could reach the Emperor, chains wrapped around his limbs and dragged him down to Earth. With a quick flex, the chains shattered, but the King was doomed as a mountain landed on him with a seal placed at the top. The Warrior tried to pry off the seal or find some way to weaken the mountain, his acts growing more desperate with time, yet nothing worked.
“Cruelly, the King was forced to wait until he could be freed, forced to watch his precious Warrior defend their Kingdom on his own.”
With a heavy expression, the Warrior abandoned his efforts to return to the original mountain as dozens of terrifying figures surrounded the monkey inhabitants.
“Centuries passed and their love still burned strong. Soon their patience was rewarded, the King was freed but he was soon trapped in a new prison.”
A monk approached the mountain and removed the seal. The King swiftly destroyed the mountain. The monk humbly bowed to the King and offered fresh clothing and a fillet. The King garbed himself in the gifts only to collapse in agony when the monk prayed.
“Enraged the King played along until the time was right. The King and the Warrior reunited in secret and crafted a plan that would allow them to take their revenge on those that dared to separate them.”
The two monkies hugged and nuzzled each other in appreciation. A quick conversation later, the Warrior changed to resemble the King and joined the monk as the King headed into unknown lands.
“Decades later the King was ready to retrieve his love, confident in his regained strength. But when he arrived the Warrior had changed. It was as if the warrior had lost a crucial part of himself. The Warrior tried to dissuade the King from killing the monk and his companions. He even tried to convince him to give up his rage at the Celestial Realm, believing the war that would ensue wasn't worth it.”
The disguised Warrior was traveling with four colorful characters. The King dropped from the sky in front of the group, a massive crater forming around him. The Warrior regained his true form, but instead of returning to his rightful place, he blocked the King’s view of the monk.
“The King could not believe his ears. This could not be his Warrior. His love always understood his goals and knew why heaven had to pay. The King knew this change was the monk’s fault. The King moved to silence the deceiver in one quick strike only to find it blocked by the Warrior.”
The King and Warrior exchanged blows that tore mountains asunder, split the heavens, and burned down forests. The other demons following the monk tried to aid the warrior, but nothing they did seemed to slow down the King, if anything their attacks only served to further enrage him.
“The two clashed until the Warrior fled with the jailers. Time and time again they clashed, but never could the King reach the Warrior he held in his heart.”
The group fled from the battle, but time and time again the King tracked them down. The locations may have changed, but the carnage after each battle remained as world-shattering as the first. In the end, the Group managed to truly escape, and the Warrior vanished into the shadows he wielded, leaving the King alone with nothing but his memories.
“Even now the King yearns for the companionship of his beloved Warrior, knowing that at his core the Warrior craves the same.”
With the final line sending shivers down the spines of the viewers, the puppeteer vanished in a flash of light.
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As Mei waited for her family to walk out, she couldn’t help but think about the play. It almost sounded like they were telling the tale of the Monkey King. But that was ridiculous. No one knew the Monkey King’s origins aside from minor details from the Journey to the West. Besides the narrator seemed to view the Monkey Tryant as a hero and victim. Clearly, that guy needed a reality check.
“Hello, young one.” Nearly choking on the remainder of her tea, Mei turned to see the puppeteer standing behind her with a knowing smile.
His cloak shrouding the top of his face in shadow. For a second, Mei envisioned her father Macaque. He would adore that look. Actually, didn’t she see a similar outfit in his closet on Flower Fruit Mountain? Doesn’t he wear that outfit when he’s hosting a shadow play?
Wait. How did he sneak up on her like that? Was she that out of it?
How long has she been quiet? Crap! Say something! “Oh. Ah-hello. C-can I help you with something?”
“I was about to ask the same. You do know the theatre is going to close soon right?”
“What?” Mei grabbed her phone. The digital clock flashed that it was past nine. That couldn’t be right. That meant she had been waiting for nearly an hour. But where were the others? Surely, they wouldn’t have left without telling her. Were they in trouble?
“Is everything alright?”
“Ah- yeah, everything’s fine.” It’s cool. It’s cool. She could handle this. She just needed to stay calm. “No need to worry about me. I just ah-I have a few questions about your play.”
“Yes.”
“How did you could up with the concept? I mean, no offense, but your premise could be taken the wrong way.” Maybe it was the panic over where her family had disappeared to, but she couldn’t shake the feeling that she was being sized up.
“Hm. Have you ever heard the expression ‘History is written by the winners’?”
“Yes. It’s pretty common.” Like one of the most used sayings in the world.
“The tale was designed to show that love is one of the most cherished feelings of all and that in order to protect it, one must be willing to do anything to keep their loved ones safe. The King only wished to keep his beloved by his side, but the Warrior was misled and forced to battle against his love. That story may belong to only two, but similar tales can be experienced in anyone’s life. Tell me, can you think of a time you fought with those you cared about due to a misunderstanding?”
Without even considering it, horrible memories resurfaced. Mei arguing with MK as she tried to stop him from leaving with the newly released Monkey King. Mei forced to battle Red Son as his mind was slowly consumed by the True Fire of Samadhi. Tang lying to them about his true identity. Macaque leaving when they needed him most without saying why.
“I see you can.” The puppeteer gently guided her back into the main hall, where she took a seat on an empty bench.
“It’s nothing. I just-” She honestly didn’t know why she was pouring out her heart to stranger. Maybe she really was that exhausted. “-there’s so much going on and I’m supposed to be strong no matter what. But sometimes it hurts, just thinking about all my mistakes. Sometimes I wonder if I truly am strong. What if bringing me into this was a mistake?”
“What if it was?” That voice!
Mei turned to see Macaque garbed in a strange outfit, one that honestly reminded her of the Monkey King’s. She was confused. She had never seen him wear anything like that, he looked like the Monkey King’s twisted shadow.
And that expression! Her father Macaque had never made that face before. It looked as though he was reveling in her suffering.
“What’s the matter, little jade? Don’t worry, I won’t leave you alone.” He extended a hand slowly with the intent to cradle her face. A normal gesture he would use to comfort her, but her every instinct was screaming at her to get away.
Mei jumped to her feet and pulled out her spear, aiming it right between the imposter’s eyes. “Enough games!”
Macaque stared at the spear for a second, his fiendish expression only growing more vicious. He threw his head back with a full-bodied laugh, showing how little he thought of her threat. “Ha. Ha. Ha.”
In a flash of light, the Monkey Tyrant was standing before her, still wearing his puppeteer disguise. “Wow. About time. For a while, I was wondering if you’d ever figure out it was me.” His red and gold eyes carefully roved over her body, taking in every shake and fearful twitch. “Put down the spear, kid. We both know you’re not nearly good enough to scratch me with such a pitiful copy of the Dragon Blade.”
That may have been true, but she’d sooner make out with DBP in full view of Queen Iron Fan than leave herself completely open before this tyrant. “So the play was from your perspective. I always figured you were delusional, but this is a new low. Where is my family?” She all but growled, unknowingly her canines had slightly elongated in response to her rage.
“They never left. I’m surprised you didn’t recognize this.” The Monkey King took out the lantern, once more bathing the room in that familiar glow.
“What’s the big deal about a lantern?”
The stone monkie found her ignorance all the more entertaining. To think he hadn’t warned her of his own past.
“The big deal is that my dear warrior crafted this lantern long ago. It was his finest work and like everything he made it has multiple uses.” With a simple hand gesture, the silhouettes of Pigsy and Sandy appeared on the walls. “The Shadow Lantern can do more than enhance one’s skills in shadow magic, it can trap the bodies and souls of its targets. So long as the targets are trapped, the lantern can steal the shadows of its victims so its master can use them as a personal army until there is nothing left.”
“You expect me to believe Macaque made something so disgusting?” Even as Mei said it, she couldn’t help but recognize how similar the lantern’s magic was to her teacher’s. It was cool and soothing, but on the edge, there was an unmistakable edge of malice. “Even if he did, I doubt he made it without you whispering in his ears.”
“Oh child, you have no idea how many secrets he keeps from you. Let me share one with you.” The lantern grew brighter, and the silhouettes of her family members gained more substance as they peeled away from the walls.
Mei adjusted herself so all opponents were in her sight, but nothing could stop the sweat collecting on her forehead.
She sensed something powerful appear behind her. Jumping out of the way as a spear nearly severed her arm. She faced her new opponent. Only to almost drop her weapon.
Standing before her was another copy of Macaque only this one was even more disturbing. Its eyes burned with purple light, the shadows loving curled around it, but worst of all was the sneer filled with razor-tipped teeth.
“Did you honestly think my love was always so nice?”
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diavolosthots · 3 years
Text
DARK DECEPTION CHAPTER 14
READ CHAPTER 13 HERE
Warnings: none
Pairing(s): Lucifer x F!Reader, Michael
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“Michael.” The name left your lips as if you had known him for forever, but the almost weird look he gave you meant that you did not, in fact, know him forever. He wasn’t mad, per se, but he wasn’t happy either. Maybe that’s just his face, though? God you hoped it was because if not then you feared this was all your fault. Lucifer’s grip on your waist tightened momentarily before he wrapped his coat tighter around you, almost protectively. He didn’t trust Michael and he hated that he needed to ask him for help, but it’s worth it if it meant you’re safe. “Yes, that’s my name. I assume Lucifer told you all about me.” Oh Lord no. You almost wanted to laugh at that assumption. Does he even know Lucifer? The guy would rather keep everything to himself than ever spill anything. Maybe he wasn’t like that as an angel? Was Lucifer that much different back then? You truly wondered. “He… didn’t say a lot, if we’re being completely honest. It’s still nice to meet you though.” Michael still gave you that expressionless face and it almost calmed you. Maybe it truly was just who he is. “Likewise, but sadly I’m not here to talk over tea.” Who would’ve thought. 
Lucifer looked at you and gently pushed you off of him and stood up from his chair, “stay here. Don’t go anywhere. We’ll b--!” “no. She can stay, after all, it concerns her as well.” Oh he didn’t like that at all. The plan was to keep you out of it as much as possible and yet, Michael seemed to completely disregard that. “The Devildom isn’t happy about their Queen being gone.” You wanted to roll your eyes, really. Their Queen? You never even said hi to those people after the wedding. You didn’t even meet most of the people at the wedding! “Well they can get used to it.” Lucifer whipped his head toward you and if this wasn’t such a serious matter, he might have found you cute in his oversized coat right now, pouting, no. Frowning. Even Michael managed to crack a small smile, “I’m afraid it isn’t that simple. Diavolo declared war and although I doubt he knows exactly where she is right now, he’s sure to figure it out. You need to stop him. I’m not putting the celestial realm at risk.” Lucifer knew that much. He knew this would only be a temporary solution but he still hoped to avoid that. Even now, Diavolo did help him a lot after the fall, after everything, and although their friendship never meant as much to himself as it did to Diavolo, Lucifer did choose this route and he didn’t calculate the consequences. Well, he did, but he wasn’t, shamefully admitted, prepared. 
“I know, Michael, and I’m not asking you to. I just need you to keep her safe.” No matter what. He’s trying to be realistic here, he has to be. Seven brothers against an army of Demons and their strongest fighter, their King, is almost laughable. Can you even imagine it? Lucifer has to prepare for the worst possible outcome and sadly, the chances for it far outweigh the good outcome. Michael knows that, too, which is why he made Lucifer an offer earlier, one he never declined or accepted, “You know what I said, Lucifer. It’s all up to you.” All up to him. He’s used to that; he deals with that every day. All his brothers, in one way or another, rely on him. Everyone relies on him. And yet, he doesn’t like that this decision weighs on his shoulders right now. He doesn’t want to think about that scenario, but it’s also so, so hard to be optimistic. “I know. Thank you. I’ll… prepare.” Because that’s all he can do. “We still have your armor, if you want it.” His armor… so many bad memories circle around that thing and although he used to wear it with pride, it will never be like it once was. “Thank you, Michael.” Does it still fit? Still protect him? Will it keep him safe long enough to do what needs to be done?
You watched the two men in front of you, confused and scared. Obviously there’s a lot of history between them, history that you will never understand; could never understand. You didn’t dare speak until Michael left again either, glancing at you before turning on his heel, “Lucifer?” Your voice was soft and it almost hurt his heart. His head turned to look over you, cozy in his coat which didn’t fit the bright room at all; just another reminder that this isn’t where he belongs anymore. “I’m sorry, Darling… I know this is confusing.” Confusing? “Diavolo just declared war and you think that’s confusing me? That’s the clearest part about this! Don’t tell me you’re thinking of fighting after I just got you back!?” His eyes said everything and it was enough to make tears form again in yours, threatening to spill over. His eyes went wide after that and he’s quick to pull you into his arms, pushing your face into his chest. It hurts to see you like that and he knows you’ll be worried. He knows it’ll kill you even if it doesn’t kill him. 
“I have to… I’m not letting you go back there, (Y/N).” “You don’t even have an army!” You wanted to punch him, to scream at him, to pull at his hair until some type of sense entered his brain, but you didn’t. Instead, you pulled away to look at him with anger and sadness and hurt, “I can’t lose you, Lucifer….” “You won’t.” “You don’t know that!” You’re right… he doesn’t know that. He doesn’t know anything, and unlike Barbatos, he can’t see the future, which is another part that worries him. “Maybe Michael knows something….” it was mumbling, meant so more for himself. He forced a smile, cupping your face and leaning down to kiss you softly, “I’m going, (Y/N). I have to. My brothers are down there and I’m not sure how long they can last without me… You’ll be safe up here. Michael promised.” He better keep that promise too. That’s the only time Lucifer begged and the only thing Lucifer ever begged for. You shook your head, beating your fists against his chest, but he only leaned in to kiss your head. “I’m getting ready… help me?” 
If you weren’t so caught up in the potential of losing him, you may have paused in shock at his request for help, but you can’t just let him run off! “Lucifer!” He let go of you to walk to his old closet, staring at the double white doors, adorned in gold. For the longest time, he just stared, almost too scared to open them, but he needed to get over himself. Gloved hands reached out for the knob, opening them both. Immediately, he was met with his old clothes. White and gold, like everything else. Pure. Elegant. An image of his past. And then there it was, his armor, pushed to the far end of the closet. It was pure gold and heavy, usually worn over his usual white outfit, but protecting. The chest plate would protect him from any immediate danger, the heavy boots would keep his feet light and energized; perks of celestial magic. Vambraces would keep his arms protected and, of course, there was a sword. He hated that thing, honestly, and he’s almost sure whoever invented this just put it in for decoration, but it might come in handy today. 
Pulling it out almost felt too foreign. He only wore it once; that one time he fought for God and with the angels, but he trained in it often enough to know what it feels like. He stared at it, almost sadly, before taking all the pieces and laying them on his bed, shifting into his demon form. Even now, even up here, he felt more comfortable in this than he ever did as an angel. “Lucifer… stop.” but he didn’t listen. He took off his long coat and anything else that might come in the way, putting the chest plate on first and then attaching the back to it. His wings fit in perfectly still, although the middle holes aren’t being filled anymore and he knew it. He could feel it. He hated it. “Lucifer!” Once again, he ignored you, putting on the boots that would cover him up to his knees. This definitely looked better when he wore white and his black pants are more than weird-feeling with these. Next were the vambraces, which thankfully still allowed him his gloves, and last but not least… “(Y/N). Give me the Sword.” You shook your head, holding the golden weapon tightly and off to the side when Lucifer reached for it. 
“No! You’re not leaving!” “(Y/N).” “This is a suicide mission Lucifer!” He knew that. He knew that all too well. “I can’t let him win, (Y/N).” “W-we… we can figure it out! Don’t go! I’m sure that Michael--!” “(Y/N)!” He raised his voice, stern. He wasn’t mad at you, he knows you’re hurting, but he can’t waste anymore time and it at least got you to stop. He reached for the sword again, taking it out of your grasp and clasping it to his belt. “I’ll be fine.” He may not be but he won’t admit that. Your eyes were wide in shock; he had never yelled at you, no matter how mad he was. “Lucifer….” “It’s okay.” He pulled you back into him, kissing your head again before just resting his cheek against it, “I love you, Darling. I’ll be back before you know it.” You pulled back from him, the tears spilling again as fear rushed through you, “promise… promise me you’ll be back…..” His eyes were expressionless, searching yours before kissing you once more and finally stepping back, heading toward the door with only one thing left to say.
“I promise.” 
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dwellordream · 3 years
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“…If the crusades were primarily military expeditions, and women were not expected to fight, we might first ask why they were present in significant numbers. What motivated their involvement? The answer to this question is not easily discernable since there were women from all classes of society present on crusade. Moreover, historians have no way of knowing for sure how many women and other non-combatants actually left with the crusading armies. The sheer length and size of many campaigns meant that for any medieval army to function effectively, it required many non-combatants – engineers, bakers, artisans, tailors, squires, prostitutes and so on – in addition to the presence of fighting men and their commanders.
Numerous women formed a part of this retinue; however, the vast majority of women were poor and, in comparison to the knights, foot soldiers and other male warriors who set out alongside them, militarily unsuited to the task of conquering the Holy Land. Many of these women came alone or unmarried, while others had left their homes to come on crusade with their whole family in search of a better life, no doubt influenced to some extent by the enthusiasm and excitement which greeted the whole concept of a holy war. Other factors probably also influenced their decisions to leave for with the crusade army. The fact that certain celestial phenomenon such as aurora and comet sightings around the time that the First Crusade was being preached auspiciously coincided with the end of a long French drought in 1096 may have prompted some women to leave with the crusade army, although it is hard to know for certain.
Moreover, there is also the possibility that, for those who wished to make the pilgrimage to Jerusalem, the prospect of travelling with an armed force who could protect them all the way appealed to unarmed female (and male) pilgrims. One eyewitness to the preparations for the First Crusade, Bernold of Constance, even recorded that ‘innumerable’ numbers of women disguised themselves in men’s clothing, possibly because they wished to actually take up arms against the enemy. This suggestion is supported by the Anglo-Saxon Chronicle, which asserted that ‘women and children’ were amongst those who ‘wanted to war against heathen nations’. Furthermore, we cannot discount the spiritual incentive of simply going to the Holy Land, which undoubtedly would have also helped motivate the masses of men and women to leave on crusade.
In some cases noblewomen also left on crusade, usually in the company of their husbands or other male relatives. Eleanor of Aquitaine, Marie of Champagne, Marguerite of Provence and Eleanor of Castile are all well-known examples of women who followed their husbands on crusade to the Holy Land. Once again though, the motivations for noblewomen who went on crusade are not easily ascertained, although the length of the crusade expeditions (which could last for years) probably had something to do with it, especially for couples who wanted to stay together. Other women appear to have acted fairly independently: around the time of the First Crusade, Emerias of Altejas took the cross by herself, but was persuaded by the bishop of Toulouse to endow a monastery instead of leaving for Jerusalem.
Alice, countess of Brittany, took a crusade vow in the 1260s, and, after her husband died in 1279 without fulfilling his vows, left for the East – specifically the city of Acre – in the late 1280s. On a broader scale, Kedar has drawn attention to an extant passenger list of a crusader ship in the mid-thirteenth century that had 453 passengers on board, forty-two of which were women, and of these women twenty- two were travelling with no male companion. Whatever their motivation, the fact that certain lords and their wives had to consider such decisions at all helped differentiate the crusades from other, more localised military escapades fought on a smaller scale that did not involve the same prospect of spiritual reward or the same possibility for material gain (at least early on) in the form of land.
Clearly, then, there were women from a range of different backgrounds present on crusade, for a variety of different reasons. The support which they rendered to the fighting men, however, was primarily indirect and auxiliary regardless of their social rank, and included such tasks as washing, cleaning clothes, cooking, gathering supplies – even picking lice and fleas off the men’s bodies. They might also provide comfort to the men (through prostitution), or when new territory was conquered they could assist with and become a part of settlement plans within that territory. In another sense, however, women could provide spiritual support for the men, encouraging them whilst they fought and praying for God’s favour.
The medieval poet Baldric of Dol, for instance, in his account of the First Crusade, noted that women and other non-combatants were an integral part of the spiritual side of the crusade and prayed for the men whilst they were fighting. Although this may not sound like a particularly useful form of ‘support’ to those living in the twenty-first century, spiritual supplication was still important since the crusades were a holy war and it was believed that God was on their side. Prayer thus helped ensure God’s favour and consequently the likelihood of military success.
The provision of supplies to the fighting men, most notably water, was another basic but essential form of support women rendered to men on crusade. Describing the female presence at the battle of Dorylaeum, one anonymous chronicler at the scene notes how ‘[t]he women in our camp were a great help to us that day, for they brought up water for the fighting men to drink, and gallantly encouraged those who were fighting and defending them’. Likewise Margaret of Beverly, whose brother recorded her experiences in the Holy Land around the time of the Third Crusade, recounted how she put a pot on her head for protection and brought water to the men on the walls during Saladin’s siege of Jerusalem, being injured in the process by an enemy projectile.
Oliver of Paderborn, whose account of the Fifth Crusade is one of the most detailed and important sources available, also recalled a similar form of female support during the crusaders’ attack on Damietta in Egypt, when he mentions that ‘the women fearlessly brought water and stones, wine and bread to the warriors’. Not long afterwards, during a skirmish between crusaders and Saracens at a castle south of Damietta, he mentions women carrying and distributing water to clerics and foot-soldiers.
The Fifth Crusade also offers examples of how women might assist an army with other supplies besides water. Powell has documented how women were said to have helped grind corn for the Christian army whilst it was besieging Damietta, how they were in charge of the markets selling fish and vegetables to the crusaders, and how they helped attend to the sick and needy. Most notably, Powell notes that women even acted as guards in the crusade camp and were assigned with weapons to prevent desertions and maintain order while the army prepared for a fresh attack against the city.
Joinville too, in his chronicle of the Seventh Crusade, described women who ‘sold provisions’ raising a cry of alarm when the Count of Poitiers was captured at the battle of Mansourah (February 1250). These examples suggest that women could be of definite help on a military expedition, and whilst we should not generalise and assume that women fulfilled the same logistical roles in every crusade or medieval military campaign, it is important to be aware of the different ways they might have rendered basic support and provisions to armies on campaign.
At the same time, however, women sometimes did become much more involved with military actions and appear to have actually used weapons themselves on the enemy, though not specifically in hand-to-hand combat. During the second siege of Toulouse in 1218, for instance, women from within the city supposedly operated the mangonel or perrière (a stone-throwing device) that killed Simon de Montfort, leader of the Albigensian Crusade, just as a Frankish woman ‘shooting from the citadel’ with a mangonel was said to have destroyed the Muslims’ mangonel at Saladin’s siege of Burzay in 1188.
Acting in a similarly defensive manner were the women who helped repel the French attack during the siege of Hennebont in 1342 by throwing stones and pots of chalk from the walls onto the enemy at the urging of Jeanne de Montfort. Likewise, in 1358 women also played an important role in defending the French township of Senlis from an attack by French nobles during the short-lived but violent peasant uprising known as the ‘Jacquerie’. In this case, the townsfolk were forewarned of the attack and had their women stationed at windows ‘to pour great quantities of boiling water down upon the enemy’ while their men-folk fought off the attackers.
…Nevertheless, there are accounts of women who dressed in armour and who may have physically fought the enemy. In studying the evidence available, though, we must be very careful in accounting for possible bias in the sources, particularly in accounts where the author’s ulterior motive may have been to portray the enemy in an unfavourable light and especially when it comes to descriptions of actual female combatants. Hence we must treat as suspicious a passage by the Byzantine chronicler, Niketas Choniatēs, about mounted women bearing ‘lances and weapons’ and dressed in ‘masculine garb...more mannish than the Amazons’ on the Second Crusade. According to the modern translator, this passage was assumed by Steven Runciman to refer to Eleanor of Aquitaine and her retinue, despite the fact that her name was not specifically mentioned. While Eleanor was indeed present on this crusade, the passage makes more sense, however, if it is understood as an attempt to criticise the Franks as uncivilised and even barbaric compared to the Greeks, because they allowed their women to don armour and unnaturally fight as warriors.
In the same way, Muslim chroniclers’ descriptions of Frankish women who supposedly dressed up and rode into battle at the siege of Acre ‘as brave men though they were but tender women’, and who were subsequently ‘not recognised as women until they had been stripped of their arms’ – as well as another Muslim account of a Frankish noblewoman who allegedly fought at Acre alongside 500 of her own knights – must be treated with caution. As Nicholson has noted, for both Christians and Muslims ‘it was expected that good, virtuous women would not normally fight...in a civilised, godly society’. By depicting Frankish women as warriors, therefore, the Muslim chroniclers could illustrate the barbarous and heathen nature of Christian society and contrast it with the properly ordered Muslim society where women knew their place. Thus, while we cannot rule out the possibility that some women at Acre may have actually dressed up and fought, the Muslim accounts are certainly questionable.
Likewise, other accounts of female combatants and women in armour that do not appear to be influenced directly by religious bias must still be carefully evaluated. In France, Orderic Vitalis recorded how Isabel of Conches rode ‘armed as a knight among the knights’ during a conflict in 1090 between her husband, Ralph of Conches, and Count William of Évreux. Although Orderic remarked on her courage among the knights, he says nothing about her subsequent actions, and thus we have no way of knowing if she actually fought. In a similar vein, the English chronicler Jordan Fantosme, writing primarily of the rebellion against Henry II by his son Henry ‘the Young King’ in 1173-1174, asserted that the earl of Leicester had his wife, Petronella, countess of Leicester, dressed up in armour and given a shield and lance before the battle of Fornham in October 1173.
According to Fantosme, Petronella encouraged the earl to fight the English, but fled from the battle while it was in progress and then fell into a ditch where she nearly drowned. Fantosme, however, was the only chronicler to describe Petronella’s martial deeds, and Johns has argued that he was clearly trying to portray Petronella in an unsympathetic way in order to emphasise that women should not be involved in military affairs. Fantosme wrote to entertain, but also to instruct moral lessons and highlight divine law; Petronella thus served as an example against women’s involvement in war and the follies of accepting female advice. Nevertheless, Petronella must have been present or involved in some way since other sources do mention that she was captured after the battle along with the earl and that she was present with him on campaign in England.
Further afield, in the Holy Land, William of Tyre contended that in the first crusade army’s excitement at the imminent capture of Jerusalem ‘even women, regardless of their sex and natural weakness, dared to assume arms and fought manfully far beyond their strength’. His account, however, cannot be verified as no eyewitness accounts of this siege actually describe women acting in such a manner. Likewise, although the memoirs of the twelfth century Muslim nobleman Usāmah Ibn-Munqidh mention several female combatants – a female Muslim slave who rushed into battle ‘sword in hand’; a Frankish women who used a jar to try and help fend off an attack on Frankish pilgrims; a Muslim woman in Shayzar who captured and had killed three Frankish men – it is important to be aware that Usāmah was recalling these anecdotes sixty years after they supposedly took place.
…It is because of this need for more defenders that other accounts of female combatants may be considered more reliable. For, even though Muslim writers are our source for the story of a female archer at Acre who, in defending the city, ‘wounded many Muslims before she was overcome and killed’, it is quite possible that in the heat of battle, when manpower was necessary to fight off attackers, this woman was forced to draw a bow. Equally plausible are these same Muslim writers’ astonishment at finding women amongst the dead on the battlefield after a failed Christian attack on Saladin’s camp, though this revelation does not tell us that these women actually fought.
Then there is the case of Christian women who executed the crew of a captured Turkish ship at Acre. According to the Itinerarium Peregrinorum, ‘the women’s physical weakness prolonged the pain of death, because they cut their heads off with knives instead of swords’. Again, although the women were not actually fighting in battle, it is quite possible that this event did occur given that the men had been defeated already and the women were perhaps motivated by thoughts of revenge. As Evans points out, the passage still displays ‘a gendered approach to weaponry’ in that the Muslims’ death at the hands of women is emphasised as ‘humiliating’ and reference made to women’s weakness – implying that the women were acting in an unnatural way.”
- James Michael Illston, ‘An Entirely Masculine Activity’? Women and War in the High and Late Middle Ages Reconsidered
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thevalleyisjolly · 3 years
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Thinking about alternate character classes lately, and I’m always thinking about A Crown of Candy at any given point in time, so without further ado, for your consideration:
Wizard!Theo, except that he’s the only wizard ever with a positive Strength modifier because that would be hilarious.  Wizard!Theo, who learned more from Lazuli than anyone knew, whose magic isn’t loud or flashy but spell notes hidden in a false prayer book, a soft glow on the tips of his paws and a muttered breath as one of the princesses falls from the top of the staircase again only to land on their feet, as softly as a feather.  In this world, he’s officially the royal tutor, because there are things that Caramelinda doesn’t know, but she does know what Lazuli taught him and she knows where his loyalties lie and she knows that one day, one day the spark she can see in Ruby’s eyes will need a teacher but will more importantly need a protector.  And to the princesses, to the rest of the court, to the world, he’s a slightly gullible, rather awkward tutor who stands on ceremony far too much, and they laugh at him and his silly little sprinkle pet and isn’t he a bit of a large goon?  Even Amethar forgets, every now and then, what he’s seen Theo do on a battlefield, to a battlefield, because as awkward as his social skills may be, Theo is committed to the part and he plays it well.  In any lifetime, in any world, Theo loves his people and he’ll do what he has to for them.
Bonus subclass: School of Abjuration obviously, this squishy gummy bear has one mission, and that’s to protect people.
Rogue!Lapin, because obviously.  Rogue!Lapin, who never summoned the Sugar Plum Fairy, who smiled and charmed and lied his way from the street to the service of a minor but respectable lord, and from there up and up the social strata until he is chamberlain to House Jawbreaker.  Duke Jawbreaker doesn’t bother much with him, but Spearia Mentha takes one look at Lapin, standing too straight and tall, the accent of the common mountain folk still seeping out at his edges, his eyes sharp and clever even when bowing and murmuring obedience, and she thinks “Hmm.”  And when her sweet baby has to go to Castle Candy as hostage, a safe and willing hostage, but a hostage nonetheless, she writes to dear sister Caramelinda and asks would it be alright if she sent someone from her own household, just to keep an eye on the boy, for her peace of mind as a mother?  Liam arrives at Castle Candy, sans pig, plus one very stuffy guardian, and Lapin Cadbury looks up at the towering spires and parapets of the castle, and a small, rare smile flashes across his face for just a second.
Bonus subclass: Mastermind is really the only way to go, isn’t it?
Sorcerer!Amethar, but listen, alright, my kingdom for Sorceror!Amethar who grows up with magic as rage flowing through his veins, whose wrath manifests not as bursts of concentrated battle fury, but in wild surges of strange and powerful magic.  There is magic in the blood and bones of House Rocks, an old and willful magic.  His sisters protected him, as much as they could, but still, there are whispers, more so once the young prince becomes the grieving king with the eyes of the world on him.  People mutter about the witch king of Candia, they say that he’s levelled armies with his sorcery, that he’s bewitched the Emperor Gustavo into friendship, that he’s dangerous and brings only death and destruction.  And it hurts, it does, not because he cares what other people think, but because they aren’t all wrong.  Look at him, the Unfallen, alive when so many have died.  It hurts that he has so much power singing in his blood, and he’s the one who’s powerless, who can’t be the protector, who must be the protected.  Why him?  Why not strong Rococoa, or brilliant Lazuli, or kind Citrina, or cunning Sapphria?  Why is he alive and not them, when he is the wildcard, the dangerous one, the last person who should be king?
Bonus subclass: I mean, it’s gotta be Wild Magic, no doubt about it.
Druid!Cumulous is another story that writes itself.  Druid!Cumulous still swears the same vows of dedication and protection to Candia’s magic, Candia’s secrets, and so Candia itself rises to acknowledge that.  It isn’t the red glow of the Hungry One that surrounds him when he fights, but the bright pink of the frosting sprites, the warm chocolate of the fudge brownies, the brilliant lemon-yellow of the river dragon’s scales, the slightest tint of sugar plum purple.  All spirits are fickle and unpredictable and dangerous, but they can recognize faith and they can appreciate service and they can reward what is freely given.  The Sugar Plum Fairy considers this one for a while.  She has no little pet bunny in this world, no servant to demand wishes from.  But fairies are jealous, too jealous.  Hearts and minds and souls, of course they should be hers, wholly hers, why wouldn’t they be, and for all the vastness of her realm, all her secrets and all her magic, there is something more to Candia than what is just in her.  So she lets this one be, and lays her trap for another prize, a bigger prize…
Bonus subclass: You could honestly make a good argument for Circle of the Shepherd or Circle of the Land, although Circle of the Moon is pretty great for more combat-focused war guys druids.
Warlock!Saccharina’s life is still a tragedy, because magic was only the most obvious thing that the nuns tried to beat out of her.  Warlock!Saccharina is not born with lightning in her fingers and a storm in her heart, but she is born with a strength and a will that the nuns despise.  In this world, Saccharina looks in the window, in the mirror, and she still sees a blue woman, a kind woman with a kind face, reaching out to her, comforting her when the nuns mistreat her, telling her wondrous stories and magical secrets.  In this world, the Rocks sisters, held in a false afterlife, stage a jailbreak.  Rococoa raises herself back to the living, cold with vengeance against the man who murdered her.  Citrina hitches up her skirts and hikes off to Vegetania, prepared to visit as many dreams and instigate as many supernatural miracles as she needs in order to reform the Church.  Sapphria laughs and winks and goes off to do something mysterious and terribly complex and probably very clever.  And Lazuli?  Lazuli goes to find her eldest niece, and to help her do something about the frankly terrible situation she’s in.  She is no spirit of the dead that a small exorcism by a provincial abbess can banish, but something new, something more.  And when Saccharina finally drowns the monastery, a grim smile on her face, it is with eyes and fingers that glow a brilliant, sharp blue.
Bonus subclass: Either Great Old One or Celestial, depending on how Lazuli fights her way back to the waking world.  Reaching out to the mortal world from the afterlife?  Probably Celestial.  Something strange and mysterious that’s never happened before in all of creation, and isn’t entirely comprehensible even to her?  Great Old One.
Barbarian!Jet grows up with so much rage inside her, but a rage for others, a fire for others.  It’s a rage that goes bone-deep, born of so much love and fear, because Jet Rocks may be sheltered and immature and naive, but one thing she does know, one of the earliest things she knows, is that the world is dangerous for people like Ruby, people like Pops, the world does not like people like Ruby and Pops, and as young as she is, she’s already heard how people whisper and seen how they point at Pops when his back is turned.  And if they found out about Ruby-  It’s a different rage that drives Barbarian!Jet, not a mindless battle frenzy, but love sharpened to the keenest focus, to protect, to guard.  In this world, and in every world, Jet Rocks loves her sister above all else, and will do anything to make sure she is safe.  Her parents worry, of course.  Caramelinda looks into her daughter’s eyes, sees hard steel and the heart of sacrifice, and she weeps when she looks into the mirror and sees the same, this is not the life she wanted for her.  Amethar understands.  He knows.  He knew the minute his daughters were placed into his arms for the first time, and the instinct to protect something so precious, precious beyond measure.  He just didn’t want his daughter to understand as well, not so soon, not so young.
Bonus subclass: Path of the Ancestral Guardian, I think, because Jet’s rage is rooted in and for her family.  Also, imagine the confusion and the angst the first time Jet summons past ancestors to fight with her in battle, and none of them include her aunts because they’re too busy raising hell elsewhere.
Bard!Ruby tumbles out of the cradle with a cheerful tongue and a clever mind, and Amethar has to stop himself from calling after Sapphria, because Ruby is so much like her, so nimble on her feet, so clever with her words.  But it’s Caramelinda that sees it first, how Ruby’s leaps and cartwheels hang just a little too long in the air, how Jet brightens and sharpens too fast after just a word from her.  And it’s Theo, of course it’s Theo, who catches Ruby and Jet trying to rob the cookie jar with a spectral, definitely magic, definitely arcane hand floating in the air, where did she even learn that, he doesn’t have that spell, this is bad, this is very, very bad.  Ruby’s more careful after that, after Mom’s lecture about how dangerous it is, and Pops just standing there, looking stern, nodding along to everything that Mom’s saying, not saying a word to the contrary.  Her magic is just for Jet now, her and Jet and nobody else, and she does a very good job of pretending she doesn’t know anything else, pretending like she doesn’t feel the thrum inside of her, pretending like something isn’t singing in her blood with every leap and twirl and handstand.  
Bonus subclass: College of Valour?  It gets that combat flavouring without being as specific as College of Swords, but I’m open to suggestions.
Warlock!Liam, and he is so young, so lonely, roaming the forests around Castle Manylicks, when he finds her or maybe she finds him.  Just a sweet little fairy who knows where to find the best seeds, the ones that have a little bit of magic in them, and here’s a lonely little boy who’s so interested in what she can show him!  And then of course, this isn’t just any lonely little boy, this is the son of Duke Jawbreaker, someone royal, someone important.  I’ll be your friend, she says, coy and sweet, a nice friend, not like your brothers.  I know lots of things, secret things, magic things, that I can show you.  Come with me, do you want to see something really neat?  Her magic is almost golden, almost Bulbian, with the slightest whiff of something rich and sticky and sweet and purple, and Liam’s only glad that he has a friend now, someone who’s nice to him, who’s interested in the same things, who remembers his name and doesn’t pick on him because he likes seeds more than swords.  Lonely children don’t need to be threatened or coerced, lonely children don’t need deals with the devil.  Lonely children just need a kind voice and warm approval and someone to show them affection, and the Sugar Plum Fairy knows just how to work with that.
Bonus subclass: Gonna diverge from Lapin here and go with Archfey as the warlock/patron relationship, because Liam isn’t in a position where he has to pretend that his powers come from the Bulb, so the SPF can lean into her feyness more.
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monstersdownthepath · 3 years
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Spiritual Spotlight: Tanagaar the Aurulant Eye
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Lawful Good Empyreal Lord of Night, Owls, and Watchfulness
Domains: Animal, Darkness, Good, Law Subdomains: Archon, Feather, Moon, Night
Chronicles of Righteousness, pg. 25
Obedience: Find and observe a mouse or rat from no more than 30 feet away. Continue watching the mouse, unseen, for 100 breaths. Catch the mouse and release it in an area where owls hunt. Benefit: Gain a +4 sacred bonus on saving throws against effects that would hinder your sight or hearing.
Oh my god
After all these years, after all this searching, we’ve finally found it. We’ve found an Obedience that justifies carrying around a Sack Of Rats! It’s a miracle!
Anyway, this Obedience is ironically somewhat difficult to perform if your DM is being a stickler about it. Note that you not only have to find a rat--which means if you’re using a Sack Of Rats, you have to release it and then relocate it--but you have to watch it while being unseen. While one may assume that “unseen” simply applies to the rodent in question, the linguistic gymnastics we tend to pull here at Monsters Down The Path LLC to cheese Obediences sometimes works against us, and in this case “unseen” may not simply apply to your prey, but anyone. If your DM applies this additional stipulation, I hope you’ve got a good Stealth mod! And a good excuse about your weird behavior.
While Tanagaar isn’t exactly an evil guy, he’s not especially well-known, and your weird prowling may get some raised eyebrows. The good news is that as a Lawful Good deity (and an Archon at that), the number of times you’re likely to be sent into Evil territory to subtly work among them is 0, reducing your chances of needing actual excuses about why you’re skulking around like a cat. If, for whatever reason, you want to keep your worship of the Aurulant Eye under wraps, simply being a catfolk, kobold, or goblin is a good enough excuse.
Next comes catching the vermin and releasing it in an area where owls hunt. Simple enough in almost any environment but a desolate stretch of empty desert, winter wasteland, or subterranean cavern, as owls are very widespread, to the point that this Obedience could simply say “release it into the wild.” The biggest problem is refreshing your rodent stock, an issue that goes largely unaddressed in other Sack Of Rats Obediences because those usually require the death of any small critter, and this one specifically requires rodents. Better take up rat catching as a hobby or frequent the local pet store, I guess!
The benefit is more amazing than it looks at first glance, because Monsters Down The Path LLC’s patented Linguistic Gymnastics is here to point out that any effect which could impair your sight or hearing is blocked, even if that effect is SECONDARY, such as against powerful spells like Sunburst or against afflictions like Blinding Disease. Having your senses stripped from you is always bad, even for a short time, but the fact this benefit applies to “any effect” that would “hinder” your sight or hearing means it works on everything from having dust blow in your eyes to an enemy’s Greater Shout, and it can potentially give you an edge against dozens or hundreds of other effects which tack on sensory abuse as a bonus effect, making it a fantastic bonus at all levels. It even applies to EVERY saving throw instead of just Fortitude!
Boons are gained slowly, typically achieved once you reach 12, 16, and 20 Hit Dice. Followers of the Empyreal Lords, however, can enter the Mystery Cultist Prestige Class at level 8, which grants them their Boons much quicker! Entered as early as possible, you gain the Boons at levels 10, 13, and 16 instead. Mystery Cultists MUST take the Celestial Obedience feat, NOT Deific Obedience.
Empyreal Lords do not grant the typical Evangelist/Exalted/Sentinel spread (and cannot enter those classes), instead having only one set of Boons granted to their followers regardless of their class.
Boon 1: Forest Dweller. Gain Calm Animals 3/day, Eagle Eye2/day, or Deeper Darkness 1/day.
Oh, interesting! Never seen Eagle Eye here before, and it’s actually a good spell! ... sort of. It creates a magical sensor above you, upwards to 400ft+40ft/lvl, from which you can see as though you were there and rotate your viewpoint around freely. It’s more or less to give one a birds-eye view of a battlefield, akin to someone playing an RTS with an over-the-field viewpoint to make commanding armies easier, though the birds-eye view is also very, very useful for spotting threats to a small group of people (such as the party) that they cannot see from the horizontal plane.
Also, needless to say, but having a safe way to see the surrounding terrain from several hundred feet above it can make navigating towards a destination or landmark much easier. With a 1 min/lvl duration and 2/day availability, you can be the party’s aerial lookout without ever actually leaving the ground and putting yourself in danger, and the sensor itself is invisible as well if you fear flying enemies. Eagle Eyes isn’t useful at all inside enclosed environments, and in fact cannot be used to spy into the floors above you unless you have line of effect, but if you want to peel inside, say, the Evil Wizard Tower without alerting them via the use of a familiar or similar, go crazy.
Calm Animals causes up to 2d4+CL HD worth of animals to become docile and harmless for its duration, but for it to actually work on a group of animals, they all must be roughly the same type (i.e. a pack of wolves) and cannot be further than 30ft apart. This isn’t really a problem, as using it on a bunch of angry animals usually means you’re hitting a pack of scavengers or predators you’ve angered, and its generous scaling means that it’ll be useful at all levels of the game whether you need to slow down a charging pack of raptors or just one big T. Rex--wait a T. Rex has how many hit dice? well, scratch that particular idea I guess. unless you get lucky with your 2d4 roll. Still useful. The big problem is that it’s completely useless against anything that’s not an Animal, and if an Animal suddenly receives the gift of sapience--even temporarily--the spell has no effect on them. That makes this spell useful for traveling through the wilds (or, rarely, stopping the charge of an enemy warhorse), but not for much else.
Which leaves Deeper Darkness, the spell which hammers your party just as hard as it does an enemy. Creating a 60ft sphere of absolute black can send chaos through the ranks of more or less any foe, because if the area was already low or dim light it becomes supernaturally pitch that not even darkvision can pierce it! Not even yours. Cutting off your party’s ability to see is just as crippling for them as it is your enemy, so be sure to have some method to actually take advantage of the shroud or you’ll end up swinging at empty air or, worse, swing at allies. While it’s good for making an escape, Obscuring Fog is way better, way cheaper, and doesn’t take away your magical flexibility.
Boon 2: Owl's Eye. You gain darkvision out to a range of 60 feet. If you already have darkvision, increase its range by an additional 60 feet.
Wow! Boring! But useful for more or less everyone, since not needing torches or a light source when skulking around in the dark or keeping night watch makes it less likely you’re spotted by some prowling predator or sadistic dungeon-dweller, but it’s noting spectacular or even particularly noteworthy. I appreciate that Tanagaar extends existing darkvision outwards, but it’s rare you’ll actually need more than 60 feet unless you’re actually adventuring in an open area after dark.
It’s a decent Boon, but it’s also insultingly easy to replicate with existing spells or cheap items (such as a Wand or Potion of Darkvision), making its impact a little hard to appreciate.
Boon 3: Hunter's Edge. You gain Sneak Attack +3d6. This increase to Sneak Attack damage stacks with Sneak Attack damage you may have from other sources. Whenever you deal Sneak Attack damage with a piercing weapon, you deal +2 points of damage per Sneak Attack die.
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huh hey that’s pretty good
hey aren’t you supposed to be Lawful, Tanagaar? Not that I don’t appreciate a little bit of pragmatism among the forces of Good, but stabbing someone in the kidney from behind seems kinda underhanded, doesn’t it? Then again, so does summoning flocks of owls to gouge out enemy eyes or appearing before them as a terrifying phantasm to gently coerce them into surrender. Even Law knows when it needs to fight dirty, I suppose.
Not that you HAVE to, mind; with how easy it is to set up a Sneak Attack (you literally just have to be flanking), you don’t have to be particularly sneaky. Just standing across from an ally and stabbing someone in the throat when they turn away from a brief second deals +3d6 damage to them, which is already good before you take into account that, actually, it’s 3d6+6 because Tanagaar superdupercharges your Sneak Attacks with +2 damage per die! Even NOT having SA to begin with is still adding a flat +6 damage to your attacks that stacks with all your other damage modifiers, but having SA available beforehand--such as by being a Rogue, a Ninja, a Slayer, or one of the rare archetypes to hand it out--is especially viable because Hunter’s Edge stacks with ALL other sources. Have +5d6 from your class already? Now it’s 8d6+16 damage.
It’s even tastier if used on a ranged weapon, but make no mistake, it’s still pretty damn nice just at its base regardless of your build... unless you’re a Mystery Cultist, which is aimed mostly at casting and doesn’t get anything particularly martial-aligned until later levels. Classing into Mystery Cultist also means that your Sneak Attack is unlikely to be at all impressive (you may reach 6d6, but certainly not the impressive 8d6 I proposed), but the only other option is waiting for this ability to kick in at level 20, which is simply unacceptable. Aside from that, the only real problem I have with this ability is that it specifically works with piercing weapons... and since Tanagaar’s holy weapon is the kukri, you actually miss this Boon entirely if you stick only to his weapon of choice, and your god actively discouraging you from using any of their sacred aspects isn’t a good look for anyone!
You can read more about him here.
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elgaberino-mcoc · 3 years
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MCOC Wishlist Blog Character Spotlight KNULL
by Marco “Prophet of Knull” Garcia ed. Other Gabe
BACKGROUND
Knull is an ancient malevolent deity whose existence predates the universe itself, and was originally content to drift through the endless abyss that existed before time.
He used his weapon, the Necrosword, to combat the Celestials who disturbed his darkness. With this sword Knull severed the head of a Celestial. That head is now Knowhere, a popularly-known Marvel location and a battle zone in the Marvel Contest of Champions Battlerealm.
Wanting an army, Knull then constructed the aliens we all know, love, and sometimes hate, the Klyntar race of gooey symbiotic aliens.¹ Later, after a debacle with the Mighty Thor, the symbiotes rebelled against their “God” and trapped him on a desolate planet, later known as Klyntar. There the God of Symbiotes waits and plans his escape, hoping to one day lay waste and bring Darkness to the universe.
“The End is near. God is coming….”  
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Editor’s note: the next several sections are designed to familiarize the reader with Knull’s worthiness to be featured in a video game, compared with the myriad other Marvel characters from whom Kabam could choose.
POPULARITY
Technically, Knull has been around since 2013, and appeared in Thor: God of Thunder Vol.1 #6 by Jason Aaron and Esad Ribic, as he was a shadowed figure from whom Gorr the God Butcher steals All-Black the Necrosword.
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He was then revealed by name by his creators in Venom Vol. 4 #3 by Donny Cates and Ryan Stegman in 2018. 
Knull has had huge fan buzz around him since his inception and his name is only getting bigger. Despite fewer than a dozen appearances initially, Knull headlined the King in Black line-wide event that began in December 2020, from the minds of Donny Cates and Ryan Stegman. 
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Editor’s note: Arguably named after Knull, the King in Black initial release was considered critically to be a high-stakes situation, due to the perceived hype. Its comics made regular appearances in bestseller lists after the event launched, suggesting the Knull name and story, in conjunction with the strength of his creators’ reputations, was strong enough to sell books. Overall the King in Black arc has also gotten good critical reviews. 
KNULL AS MATERIAL FOR OUR MARVEL GAME
Editor’s note: these character spotlights usually explore several factors to determine whether it is reasonable to expect Kabam to seriously consider the character as a candidate for addition to Marvel Contest of Champions. Among these factors are inclusion in other similarly-marketed games, mainstreaming in comics and other media, mentions in MCOC lore, Kabam conversation, or community rumors, and pure hype among summoners.
OTHER MARVEL GAMES
Knull has been featured in other games already: first in the Spider-Man Unlimited mobile app,² then in Marvel Future Fight. In Marvel Puzzle Quest, Knull was originally only part of the backstory description of the playable Prophet Carnage character, but was eventually released in his own right in May 2021.
KNULL AND THE BATTLEREALM
Arguably no direct mention of Knull has happened in either [Marvel Contest of Champions or Marvel Realm of Champions], but it can be said he was alluded to in the motion comic that accompanied the release of Cosmic Ghost Rider and Red Goblin in October 2020.
Then, when story mode Act 7 was released in December 2020, this dialogue was revealed, which has been strongly speculated to be a reference to Knull.
CLAIM TO FAME: KNULL IN OTHER MEDIA
Knull has not enjoyed a reference in any Marvel Cinematic Universe content to date. Hel has only been mentioned in the Disney XD cartoon Spider-Man: Maximum Venom with a retelling loosely based on his comic book origins. 
UNIQUE WAYS KNULL COULD FIT INTO THE MCOC META
Knull could be a massive boost (editor’s note: synergy hub) to many Symbiote champions or champions in general. I see him as a Cosmic [based on what I was told by co-creator Ryan Stegman], with massive damage. Being the creator of symbiotes, Knull could outfit any [non-#Symbiote] champ with a “Klyntar symbiote” of their own to enhance their kit or base numbers. He could also operate with #Symbiote champs similarly to the way Apocalypse enhances Mutant champs. He could also work as a counter to Symbiotes or anyone who would have ever been bonded to a Klyntar before in canon, which would include most of the Spider-Fam!
Knull’s kit could alternately introduce a #Codex tag to add to certain non-#Spiderverse Hero champs who have famously bonded to symbiotes (paging Red Hulk or even Deadpool).³
A PEEK BEHIND THE CURTAIN?
No mention of Knull ever came out of the Kabam team or anyone related to MCOC. Then again, Kabam never likes to tease big-name additions like Knull would be. Mid-September 2021, one data miner claimed that Knull is forthcoming.
WHAT DO SUMMONERS THINK?
Summoners seem to dig Knull. He was the winner of the first Tournament  of Battlerealm Future, March Addness 2020, which was co-hosted by MCOC Wishlist creator Other MCOC Gabe and Unofficial MCOC Podcast veteran UMCOC Deacon on Twitter. The tournament pitted hundreds of characters against one another for votes from Summoners expressing who they would prefer to enter Marvel Contest of Champions. He cleaned house throughout most of the tournament, earning his addition to the MCOC Wishlist, where he has risen into the top 50 most wanted champions.
Due to recent ramblings by the author, and the introduction of Red Goblin to Marvel Contest of Champions, people have warmed up to the idea that Knull might actually be coming to the contest. (Even community-renowned comics expert CTMCOC agrees!)
Once below rank 250 on the MCOC Wishlist, Knull now stands as the #31 most-wanted champ, with over 550 Summoner upvotes as of this writing. 
KNULL: CHAMPION BUILD IDEAS
PROBABLE CLASS
As mentioned above, Knull is a canonically cosmic entity or deity who purports to predate the universe itself. This forms a strong case for the MCOC Cosmic class of champions.
POSSIBLE ABILITIES
Like many Cosmic champs’ builds, I can see his relying on many Active Buffs with massive damage and defensive potential due to Symbiotic Armor. Perhaps as Knull collects Codices, he gets stronger and this mechanic could be used in game as persistent charges. The more Codices he gathers, the more potent his Buffs could become. He could utilize Fury, Aptitude, Armor, Cruelty, Precision, and other critical-damage-enhancing Buffs. Bleed and Armor Break Debuffs are likely as Knull breaks down his enemies with bloodthirsty ferocity.
POSSIBLE SYNERGIES
Knull's status as the God of the Klyntar could enhance all #Symbiote champions just as Apocalypse does for Mutants.
Venom could get a unique synergy called “Daddy Issues,” allowing Venom a 2% attack boost for every Buff converted on his sp2 but as passive Fury stacks. I imagine Carnage with something like a “Prophet of Knull” Synergy allowing 95% resistance to incinerate effects, allowing him to heal from Incinerates, since Carnage has no weakness to fire when he is operating as Knull’s prophet in the comics.
Knull could also be built to spend Persistent Charges to enhance #Symbiote champions in order to increase their stats and enhance their buffs.
It would also be clever to have a Synergy with Void called “Knull and Void” allowing Void access to a non-stacking Armor Break Debuff, such as on his Heavy Attack. More debuffs for Void would be devastating. 
Knull could also enjoy a basic “Enemies” synergy with Thor and Silver Surfer. A great champ to release in conjunction with Knull would be Gorr the God-Butcher, a notable Thor villain, played by Christian Bale in Thor: Love and Thunder, and the other best-known wielder of All-Black the Necrosword.
•.•.•
Editor’s note: this concludes Marco’s commentary and notes on Knull as a potential champion. Anyone tracking the conversation about future champs knows that the name of Knull comes up frequently among Summoners, and his rise in every voting event in the community tends to support the notion he is greatly demanded by Summoners and would make an excellent addition to the game.
This article was originally drafted almost entirely in late 2020, and has been dug up and completed in September 2021 after MCOC Trucos released a purportedly datamined leak suggesting Knull “is Coming” to Marvel Contest of Champions in October 2021. -OG
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NOTES 1. The Klyntar alien race is most popularly represented by Venom, and his fellow Klyntar aliens Carnage, Scream, and the other names associated with their stories of superhuman symbiosis and “Venomization.”  2. Spider-Man Unlimited was well ahead of the curve announcing Knull for a video game in 2018. It got there by virtue of attempting to release almost every noteworthy Spider- and symbiote character as playable video game characters. Knull was not yet a character most people would consider important for gaming. 3. A codex (pl. codices) is the term for the biological traces a Klyntar symbiote leaves in its host’s system after separating from that host.
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osakaso5 · 3 years
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La Danse Macabre
Episode 2
Chapter Index
2-1: Rebellion (1)
The world has been split in two.
The Ark, which floats in the sky, radiating light. It's a paradise for only the chosen few.
In contrast, the Surface is on the brink of ruin. A barren wasteland with scant resources. Its inhabitants fight each other for survival.
The Surface, five days before Rebellion abducted the Celestial...
Libel: ........
Libel: ...It's beautiful. 
- - - -
Cura: Quit looking down on me, dammit...
Fuga: The folks at the Ark are still ignoring us, huh?
Cura: ...It's not working out too well, no. We might as well be asking a brick wall to negotiate with us.
Fuga: Sigh... Same as usual, then. They think they're too good for us.
Cura: They don't care about our problems. We could all be starving to death down here and they still wouldn't give a damn.
Cura: ...I guess that much is obvious by now, but it's still really messed up that we've got this huge split between the upper and lower classes.
Fuga: I know, right. Why does our quality of life have to be so different, just because we weren't born up there?
Fuga: Instead we gotta fight for scraps in this wasteland. Pisses me off.
Fuga: Maybe we should start picking a fight with the Ark, like the other resistance groups?
Cura: ...Our goal is to get the Ark to support the Surface.
Cura: We're not trying to bring them back down here. That's what our leader decided, remember?
Fuga: ...Right. Libel's orders.
Cura: That being said, there's a limit to how much we can do, especially with all the conflict down here. It's about time for him to...
[Door opens]
Fuga: Speak of the devil. Hey there, Libel.
Libel: ...I have an idea.
Cura: Huh?
Libel: We'll take the Celestial.
Fuga: Celestial as in, the one all the people up above worship?
Libel: Yes. We'll steal it.
Cura: There he goes again...
Libel: We'll take the Celestial hostage, and negotiate with the Church of Nerve.
Fuga: Hostage!?
Libel: Yeah, if we take the symbol of their faith away from them, they'll have no choice but to acknowledge our existence.
Libel: It should at least give us a direct line of communication with the church.
Cura: ........!
Fuga: Whoa, that's Libel for ya! Always thinking on the grand scale.
Cura: ...You're right, we might get the negotiations we've been asking for if we succeed. Emphasis on the if.
Cura: But listen up, Libel. I have exactly three concerns you need to address first.
Fuga: Oh, looks like Cura's going into vice captain mode.
Cura: Shut it! 
2-2: Rebellion (2)
Cura: Concern number 1. How are you gonna get us on the Ark? In case you didn't know, it's floating in the goddamn air.
Cura: The elevator that connects us to them is heavily guarded. We don't have the weapons or fighters to subdue them all.
Libel: We'll use a blimp to sneak in with the clouds late at night. If it's just me, you, and Fuga, we won't need more than one.
Fuga: Ah! I've never been on a blimp before. Sounds fun.  
Cura: ...Concern number 2. The Ark is protected by the Unity Order. If we want the Celestial, we'll have to go through them. And this is a rich people's army we're talking about. Their weapons will be on a completely different level from ours.
Fuga: Lemme answer this one. Libel would never lose, even if it's against the Unity Order!
Libel: ...What he said.
Cura: Damn Libel fanboy... Alright, concern number 3!
Cura: Do you even know where this Celestial will be? We'll be going after a live deity. There's no way it won't be locked deep inside the church somewhere.
Libel: ...I know. The Celestial will be at the cathedral in five days.
Cura: In five days..?
Cura: ...The festival!
Fuga: What festival?
Cura: It's basically a big party held by the Church of Nerve. Once every four years, the Celestial gets paraded around in front of its worshipers. ...And that's happening in five days.
Fuga: Hmm, so they're all obsessing over something they can only see once every four years. I guess the folk above are into some pretty weird stuff.
Libel: We'll sneak in the night before, and wait in hiding for the festival to begin. Then, as soon as the Celestial appears...
Libel: We'll take it.
Fuga: Whoo, sounds like a blast!
Libel: I know, right?
Cura: W-wait, Libel! Stop acting like we're all settled here!
Libel: Why? I addressed all of your concerns, didn't I?
Fuga: Exactly. If all we do is sit around, it'll be game over for us soon enough.
Cura: I've got plenty of other problems with the plan! If we take into account the three day trip to the Ark, we won't have nearly enough time to gather supplies and equipment!
Libel: I only came up with this idea today, so there's nothing I can do about that.
Cura: Don't get all defensive with me! We'll have to fly a blimp with no lights on, in the middle of the night, so the guards won't notice us! How will we do that if we can't even do a test run first!?
Cura: Also, there's the matter of getting us and the Celestial back down here! How are we gonna make it to the Surface in the chaos that I'm pretty sure will ensue!?
Libel: ........
Libel: ........
Libel: ...I'm sure you'll figure something out.
Cura: Excuse me!?
Libel: I'm counting on you.
Cura: Wait, Libel! You can't leave the most important details to me every goddamn time!
Fuga: Libel's just showing how much he trusts you. Right, Libel?
Libel: Yeah, of course.
Cura: I'm not falling for that one. Ever since we first met as kids some ten years ago, you've been making me clean up after your crazy plans!
Cura: This time, it's way too large-scale! If we fail and make an enemy our of the entire Ark, we're done for!
Fuga: That's the nice thing about Libel, he thinks big. Right, Libel?
Libel: Yeah, that is the nice thing about me.
Cura: Don't encourage him, Fuga!
Libel: Fuga. Let's go train, so we'll be out of Cura's hair.
Fuga: Yep! Sure thing, boss!
Cura: ...You've gotta be kidding me. 
To be continued...
Translator’s notes..? 
I’m back! Sorry for the long wait! 
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mindmeltonabun-blog · 4 years
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Tale of The Nine Tailed: Analysis and Theories
First and foremost, I would like to give my sincerest praise to the cast and crew of Tale of The Nine Tailed ! It is simply a wonderful and very thought provoking show! I strongly recommend it to everyone! 
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Now, I’m going to forewarn you all that this post will be very LONG, but hey you might learn a thing or two and be able to draw your own theories and/or conclusions after reading this post! I had previously posted some of these connections/theories on my Twitter, but I figure hey why not post them on Tumblr too !
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What Is An Imugi/Imoogi? What Is It’s Goal?
In Korean folklore, Imoogis are lesser dragons that look like big snakes or kind of like a basilisk from Harry Potter.
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One of an Imugi/Imoogi’s main goal is obtain a “Yeouiju” or a celestial orb which allows it to become full fledged celestial dragons which can rule the skies. In the context of TOTNT, there is such a type of “Yeouiju” in the form of Lee Yeon’s fox bead. Therefore, I believe that the ultimate goal of the Imugi/Imoogi is get Lee Yeon’s fox bead.
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Side note, I kind of think that the Imoogi not only wants to rule the skies, but the ground too. I wouldn't be surprised if he sought to do so by raising an army of zombies (maybe thats who Lee Yeon was seen fighting in the intro credits) ! 
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Why be content with just ruling the skies when you can rule the entire world? Additionally, he could have further ambitions to not only rule the world, but to also rule all realms like the heavens and the Underworld. 
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The Imoogi is very strategic into getting what he wants. By strategic I mean that he likes to use people as leverage or use their own weaknesses against them.
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Therefore, I believe what happened originally during Ah Eum’s time is that the Imoogi had possessed her body in order to get Lee Yoon to hand over his fox bead. The Imoogi knew how much Lee Yoon had loved Ah Eum and would be willing to do anything for her. 
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However like Voldemort, the Imoogi did not anticipate the power of love and sacrifice. Ah Eum had temporarily gained control of her body long enough to do either two things: ask Lee Yeon to kill her or run into Lee Yeon’s sword thereby killing herself. In either cases, she fulfilled her promise to Lee Yoon which was that she would always protect him.
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Now jumping back to the present time, we know that original target of the Imoogi’s plan was Ji Ah. Why? Because his lame self wanted to do what he did in the past and use her again to get Lee Yeon to hand over the fox bead. However, this time around, Ji Ah had Lee Yeon’s fox bead inside of her which offered protection from full possession by the Imoogi. So then the Imoogi’s minion (tv station president) took the next best thing which was Ji Ah’s parents to be used as leverage at a later time so that Ji Ah would hand over the fox bead. 
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However, things have now changed because Ji A gave away the fox bead to the fortune teller to save Lee Yeon. Now I have mixed feelings about this situation. On one side, I find it romantic that she’s willing to give up anything to save Lee Yeon. On the other side of it, I’m like girl why are you so stupid?! Lee Yeon literally gave up his mountain title in order to give Ah Eum/Ji Ah that fox bead.  It’s almost like Lee Yeon’s actions were met in vain. Plus, when Ji Ah said she doesn’t believe in destiny or that sort of stuff, it also got me riled up because it was a contradiction to the whole premise of her character in the first place. From the get go, the writer wrote that Ji Ah believes in the supernatural and mystical. So then why wouldn't she believe in fate and destiny?
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Anyways back to more analysis. Without the protective effects of the fox bead, Ji Ah can once again be possessed by the Imoogi. 
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What the fox bead had done for Ji Ah was that it protected Ji Ah from the effects of the Imoogi piece aka horcrux that was inside of her. The notion that the bead had offered protective effects can be seen when Lee Yeon first gave it to her where a protective shield was erected and this was again seen in ep4 when Ji Ah cried. Also, it was confirmed when Sato said how Lee Yeon’s fox bead was meant to protect all beings, but instead Lee Yeon chose to use it to protect only one person.
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The Fortune Teller’s Message
Something of particular interest is what the fortune teller told Ji Ah about the bead. He told her that even without the fox bead or moon, her life is still “blessed”. I think what the fortune teller meant by this is that even without the protective effects of the bead, her life is still “blessed” because she will always have Lee Yeon by her side to protect her. 
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What I think will happen next is that Lee Yeon will go back to the fortune teller to try and get his bead back. Meaning Ji Ah will probably confess to Lee Yeon later on just what exactly she gave up in order to get him back. And again the fortune teller will ask for something precious to Lee Yeon. There are a few things that are precious to Lee Yeon such as Ji Ah, Lee Rang, and Lee Yeon’s immortality. Now we know that Lee Yeon would never give up Ji Ah, so then this would bring about other two things into play: Lee Rang and Lee Yeon’s immortality. I think its more of a poetic justice if Lee Yeon trades Lee Rang in. However, I could also see Lee Yeon trading in his immortality since his dream has always been to become human. Who knows though! 
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Only One Will Live: Imoogi Vs Ji Ah and Lee Yeon vs Ji Ah
In Harry Potter, there was a prophecy that “for neither can live, while the other survives”. This same message is conveyed when it comes to the Imoogi & Ji Ah and Lee Yeon & Ji Ah. 
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We saw what had happened the first go around when the Imoogi had possessed Ah Eum. In the end, Ah Eum chose to sacrificed herself so that both the Imoogi and the piece of him inside of her would die. Thereby, she prevented the Imoogi from using her to get Lee Yeon’s fox bead. Now presently, the same situation is basically happening again. However, if Harry Potter managed to kill the piece of Voldemort in him and still survive then Ji Ah can essentially do the same. So, how you might ask? I think the solution greatly lies in getting the fox bead back in her. If Ji Ah can temporarily die in order to get rid of the Imoogi piece inside of her, then she can be revived by the protective qualities of the fox bead. 
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Even if Ji Ah survives against the Imoogi, it might be at the cost of losing Lee Yeon. The fortune teller even told our couple this, “If you two keep hanging out, one of you will die”. This same message is again heard in ep 7 preview when Taluipa’s husband tells Lee Yeon, “You or the girl. One must die in the end.” So can there be a situation where the Imoogi is dead and both Ji Ah and Lee Yeon are alive? Yes and it comes in the form of the Lee Rang factor.
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The Lee Rang Factor 
We all know that our little puppy, Lee Rang, may put up the facade that he hates his brother, but in reality, Lee Rang loves his brother a lot.
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There was a clue dropped in ep.4 that hints in the end Lee Rang will be the one that saves both Lee Yeon and Ji Ah.
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The hint was in Taluipa’s hand, the movie “A Better Tomorrow”. Briefly, the movie is about two brothers, Ho and Kit, who love each other a lot. However over the years, they began to develop great animosity and resentment towards each other mainly due to their differences in beliefs and professions. Ho was a criminal while Kit was an upstanding police officer. Eventually, Ho does see the error of his ways and seeks to atone for them. In the end, the two brother reconcile and Ho decides to  join his brother Kit on a path of righteousness. Similar to Ho, I think Lee Rang will do the same. Lee Rang will atone for his mistakes and thus sacrifice himself to save Lee Yeon and Ji Ah. 
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What is Ji Ah?
Seems like everyone these days has been wondering what exactly Ji Ah is. Most people seem to think that she is part Imoogi. However, there has been a bunch of clues in the episodes that answers this question.
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I believe Ah Eum/Ji Ah is Princess Bari, the first shaman goddess from Korean mythology.
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Princess Bari was nicknamed the “Abandoned Princess” because she was the last and 7th daughter of a King who had no sons. Due to her gender, she did not receive any attention from her parents and was thus abandoned.
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Eventually, her parents’ lives became endangered and in order to save them she had to travel to the Underworld to get the elixir of life. Such a tedious journey showed her deep commitment to the virtue of “filial piety” or one’s love and respect for one’s parents. She became a role model for many women during this time because she was willing to sacrifice herself for the very parents who had abandoned her. 
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As a reward for her strong adherence to filial piety, the Gods made her the first shaman goddess who’s job was to help and guide spirits. 
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thecreaturecodex · 4 years
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Infernal Duke, Saurafer
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Dinosaurs Attack! © The Topps Company Inc. Image accessed on Flickr here
[Monster 1000, everyone! I think! In updating my indices, I found that that’s harder to pin down than I had thought, what with templates, multiple monsters in one entry, and non-monster but game mechanics posts. But I’ll be treating this as Monster 1000 because even if it isn’t officially, it’s darn close.
I figured I would commemorate the milestone with a monster that embodies the Codex somewhat. I’ve been thinking about how to do it for a while (since around monster 900 or so). I was eventually inspired by some of the major themes of the blog. There’s a lot of dinosaurs and a lot of fiends around here. So here’s a patron for them both. The Supreme Monstrosity originally appeared in the Dinosaurs Attack! series of super-violent trading cards (seriously, be aware if you’re going to click through the source link) as the leader of an army of time-displaced, ferociously murderous prehistoric beasts.]
Infernal Duke, Saurafer CR 26 LE Outsider This orange scaled horror is a bipedal reptilian humanoid taller than a giant. Its skull is swollen and features a crown of horns and six eyes. Its arms end in muscular paws, leathery wings grow from its back, and its tail ends in an immense spiked club.
Saurafer Devil Dinosaur, the Supreme Monstrosity Concerns dinosaurs, competitions of strength, savagery Domains Evil, Law, Scalykind, Strength Subdomains Devil, Ferocity, Judgment, Saurian Worshipers evil druids, reptilian humanoids, gladiators Minions fiendish and half-fiend dinosaurs, horned devils, stygionyx Unholy Symbol a fanged maw biting a globe Favored Weapon heavy flail (or natural weapons) Obedience win a competition of strength. If you are alone, spend 1 hour writing an argument about why one individual or creature would win in a fight with another one. Gain a +4 profane bonus on Intimidate checks, and add 4 to the DC needed to successfully intimidate you. Boons 1: rage 1/day; 2: mass bull’s strength 1/day; 3: extended frightful aspect 1/day
Saurafer, the Supreme Monstrosity, is an infernal duke who rules over violent competitions of strength. He is perhaps the physical embodiment of the doctrine of “might makes right”, and seeks forever to test his power against other creatures. His chosen species are dinosaurs, which he sees as emblems of ferocity and power. Saurafer delights in pitting creatures against each other, especially dinosaurs against creatures of other eras and worlds, in order to see who is the superior. He is a sore winner, but an even sorer loser. He despises birds, as they are a reminder that in many worlds, dinosaurs succeeded not by becoming larger and stronger, but smaller and more intelligent.
As to be expected of the patron of savage combat, Saurafer is an absolute terror on the battlefield. He toys with weaker foes, using his fear abilities to send them scattering and then picking them off one by one. Those that resist are blasted with spells and breath weapons. If all else fails, Saurafer flies into a savage rage, which rarely ends until either he or his enemies are slain. Although he delights in one-on-one battles, if he fights multiple foes at once, he evens the odds by summoning devils and dinosaurs to aid him, or even uses animal shapes to turn devils into dinosaurs and improve their melee abilities.
Saurafer stalks the blighted realm of Avernus, single-handedly destroying armies that attempt to make a foothold in Hell and testing the forces of other infernal dukes. He is an example of a malabranche promoted, as he was successful in dragging an entire planet into the clutches of Hell. He hopes to someday repeat this performance, and is looking for ways of summoning and controlling enough dinosaurs at once to invade a whole world. Although he is not terribly intelligent by the standards of the hosts of Hell, he does not tolerate condescension, and is a shrewd judge of character. He has eaten at least one malebranche who did not show him proper respect.
Saurafer               CR 26 XP 2,457, 600 LE Gargantuan outsider (devil, evil, extraplanar, law) Init +9; Senses darkvision 60 ft., Perception +37, scent, see in darkness, true seeing Aura frightful presence (150 ft., 5d6 rounds, Will DC 34), unholy aura (DC 27) Defense AC 45, touch 15, flat-footed 40 (-4 size, +5 Dex, +4 deflection, +30 natural) hp 555 (30d10+390); regeneration 10 (good and epic or silver and epic) Fort +27, Ref +26, Will +31 DR 20/good and silver; Immune charm and compulsion effects, death effects, fire, poison; Resist acid 30, cold 30; SR 37 Defensive Abilities fire shield, freedom of movement Offense Speed 50 ft., fly 100 ft. (average) Melee bite +42 (2d8+15 plus 2d6 fire and 2d6 acid), 2 claws +41 (2d6+15), gore +41 (2d8+15), tail slap +39 (3d8+22 plus reeling blow) Space 20 ft.; Reach 20 ft. Special Attacks breath weapon (100 ft. cone, 15d6 acid and 15d6 fire, Ref DC 38, 1d4 rounds), frenzy (75 rounds/day), powerful blows (tail slap), trample (2d6+22 plus 4d6 fire, Ref DC 40) Spell-like Abilities CL 26th, concentration +35 Constant—detect chaos, detect good, fire shield (warm), freedom of movement, speak with animals, true seeing, unholy aura (self only) At will—blasphemy (DC 26), fear (DC 23), flame strike (DC 24), greater teleport (self plus 50 lbs. only), mass charm monster (animals only, DC 25), telekinesis (DC 24) 3/day—greater shout (DC 27), quickened mass inflict pain (DC 25), primal regression (DC 26) 1/day—animal shapes, gate (DC 28), meteor swarm (DC 28), summon fiendish dinosaurs, summon (1 devil of CR 20 or lower, 100%, 9th level) Statistics Str 40, Dex 21, Con 36, Int 23, Wis 31, Cha 28 Base Atk +30; CMB +49 (+51 bull rush); CMD 68 (70 vs. bull rush) Feats Blind-fight, Cleave, Combat Reflexes, Dazzling Display, Flyby Attack, Great Cleave, Improved Bull Rush, Improved Initiative, Intimidating Prowess, Multiattack, Power Attack, Quicken SLA (mass inflict pain), Shatter Defenses, Snatch, Weapon Focus (bite) Skills Acrobatics +29 (+37 when jumping), Climb +39, Fly +26, Handle Animal +36, Intimidate +51, Knowledge (arcana) +30, Knowledge (nature, planes) +33, Perception +37, Sense Motive +37, Spellcraft +30, Stealth +20, Survival +34, Swim +39, Use Magic Device +33 Languages Celestial, Draconic, Infernal, speak with animals, telepathy 300 ft. SQ infernal duke traits Ecology Environment any land or underground (Hell) Organization solitary (unique) Treasure double standard Special Abilities Frenzy (Ex) Saurafer can enter a frenzy, granting him a +4 morale bonus on attack rolls, melee damage rolls and Will saves, as well as 120 temporary hit points.  These temporary hit points are lost first when Saurafer takes damage, and disappear when the frenzy ends. While in a frenzy, Saurafer suffers a -2 penalty to Armor Class and cannot use any Dexterity-, Intelligence- or Charisma-based skills, except for Acrobatics, Fly, Intimidate and Ride, or any ability that requires patience or concentration (such as using spell-like abilities). Saurafer can end his frenzy as a free action. If he frenzies again within 1 minute, he does not gain temporary hit points again. Treat this as the mighty rage and tireless rage ability of an unchained barbarian. Infernal Duke Traits (Ex/Su) Saurafer is an infernal duke, a powerful unique fiend. He possesses the following traits:
Immunity to charm and compulsion effects, death effects, fire, and poison.
Resistance to acid 30 and cold 30.
Telepathy 300 feet.
Saurafer’s natural weapons, as well as any weapon he wields, are treated as epic, evil and lawful for the purpose of overcoming damage reduction.
Reeling Blow (Ex) A creature struck by Saurafer’s tail slap must succeed a DC 40 Fortitude save or be dazed for 1 round. On a critical hit, creatures that fail this save are instead stunned for 1d4+1 rounds. The save DC is Strength based. Summon Fiendish Dinosaurs (Sp) Once per day as a swift action, Saurafer can summon one or more fiendish dinosaurs with a combined CR of 20 or less. These dinosaurs obey his commands without question and remain for 1 hour or until slain. This is the equivalent of a 9th level spell.
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Hey, it's me again! The Anon that constantly comes back because I'm too lazy to play the new lessons myself.
Anyway, Lesson 30-something, what happened in it? I've just seen screenshots and most of them are Solomon blushing (which, well, can't really say I'm complaining).
Hope you answer, and I'll probably ask you about the lessons after this.
-Anon that's still somehow stuck on Lesson 31. Seriously, I should really start playing the game again soon.
I'm screaming I literally wrote this whole thing and it got deleted because tumblr refused to send it and just banished the reply into the void i want to fight someone. I'm so sorry I'm gonna bang my head against something now.
It's okay if you ask cause I need someone to rant to after lessons!
So two days before the ritual to break the pacts. Solomon is researching how to use the night dagger.
Lucifer & Satan are arguing on the staircase (cause 50% of all important conversations happen on staircases - and I mean this sincerely). Lucifer promised mammon he'd come play cards with him and Satan doesn't want him to go cause he thinks it'll be a scam (he's worried about his dad big brother❤). MC asks Satan if he's worried about Lucifer and that makes his affection go up. He asks MC to promise him to go with Lucifer and keep an eye on him. He ruffles MC's hair and gives them the same we'll still be friends talk that the others do
They go to play cards and place bets, if Mammon wins he gets Lucifer's credit card for a day and if Lucifer wins he gets mc alone for a day. You can choose whether you want mc to either play along or cheer for Lucifer. (And look my MC's performing Olympic grade gymnastics to avoid Lucifer's advances & this lesson has a lot of options to romance Lucifer that I didn't pick so...)
Lucifer gets distracted by Mammon's car before they start playing.
WE GET THE BACKSTORY ABOUT THE CAR!!!!!! AND LOOK IT'S BEING THERE FOR SO LONG WITHOUT BEING ACKNOWLEDGED THAT I WAS ALMOST CERTAIN IVE BEEN HALLUCINATING IT. the backstory was actually really cute.
Mammon really really wanted this limited edition car (it had a rare colour) so he worked his ass off and earned money to buy it (I think it's mentioned that this is the first thing he bought from his own money). But by the time he'd earned enough it had been sold out. As far as Mammon knows Lucifer spoke to the dealer and was able to find one last car (can you do that? Can you just ask them to look in the back and they'll just pop out with a car they accidentally overlooked?). BUT Lucifer recalls that he actually spoke to diavolo and called in a special favour to get the car for mammon. Lucifer tells mammon he was impressed by him and I no longer possess a physical form I'm now a bowl of goop with thumbs to type
Lucifer wins (duh) and mammon asks to speak to mc alone. He tells them that even if their pact is severed he'll always be their first man. MC says 'I won't forget.' Mammon does that stuttery thing and says something like 'don't forget.' He hugs them tight. I added a screenshot of this (& other important moments) to my first answer but I don't wanna risk it cause if I lose this again I will realistically commit homicide. But anyway this line killed me 'suddenly I feel like the invisible bond between us is even stronger than it was before'. If I wasn't a puddle before I would be now
The next day mc & Lucifer meet up to go out, Asmo and mammon complain, I'm a total dick so I don't let MC hold Lucifer's hand and it makes him sad (I cry). They meet Solomon at the gate and he says he needs to talk with MC but can wait till after. He suggests going to the carnival (from the beginning of the season) cause it's the last day at the devildom and Simeon was planning on taking Luke but had to bail to go to the celestial realm. (Also the devildom is only one city/district right? I always saw it as the capital of The Devildom as a whole)
Lucifer laments not being able to remeber their first time at the carnival, mc gets to reassure him that it's okay. They get popcorn and go on the ferris wheel.
He asks them what they spoke about last time on the ferris wheel. The answers are 'Lucifer' or 'diavolo' . if you choose diavolo he throws shade at past Lucifer for being an idiot and talking about another man when with MC (*SNORT*) .
LUCIFER CONFESSES!!!? HE SAYS "MC I LOVE YOU"?!? HE'S THE FIRST BROTHER TO DIRECTLY CONFESS AND HAVE MC DIRECTLY CONFESS BACK.HE BASICALLY SAYS 'ANYWAY PAST LUCIFER WAS A FUCKING IDIOT BUT I LOVE YOU'. my mc goes 'lol as a friend'
Yes yes ik mammon technically confessed first and did so twice (thrice?) but neither were direct. The first was him agreeing with mc about them being in love in front of someone else and the second was under the influence of the truth bracelet. Asmo confessed too but in a 'never thought I'd find someone I love more than me. That's wild' way.
After mc shoots him down he goes 'that sucks guess I'll have to try harder to make you fall for me'
@like-nxrthernstxrs if you say you love him back, you get to kiss and mammon who followed you sees and goes quiet which yeah no, no thanks
I didn't unlock the locked lessons but screenshots show that all the brothers follow them I think (imagine the nightmare of dating one of them for real tho? Like you, me and your friend Steve except Steve is your 6 brothers who want to sleep with me)
The most notable exchange during them is when Levi asks whether Lucifer seems happier without his memories (he actually is more carefree) but mammon says he wouldn't be happier because he loves all his little brothers and he wouldn't be happy if he couldnt remember them. Levi tells mammon it's gross whenever he starts acting like an actual older brother (so we've seen mammon step up to the role of a older brother every once in a while - specially when Lucifer isnt able to - and he's actually really good at it? And that's just💞💞)
When they go home, solomon's in MC's room. He goes 'so do you want the good news or bad news first? Actually they're both bad news and you're fucked lol'
The dagger is so old that it doesn't have enough power to break the bonds and even when charged with Solomon's power it isn't enough.
The only way to restore the power is to use it to stab a powerful demon in the chest and have it absorb the demon's power.
Then he gives mc the dagger and is like 'anyway go stab Lucifer in the chest or we're all gonna die'
MC's like 'what the fuck'
Solomon goes 'lol just kidding i wouldn't ask you to do that'
Solomon tells them that he spent his whole life protecting humanity and that he is willing to do anything to save it. He tells them that choosing between all of the three realms and one demon should be easy. But he can't because he knows that'll make MC sad and he doesn't want to hurt them (honestly some of the dialogue from Solomon, Simeon and even diavolo makes me wonder if they'll ever become LIs down the road)
Lucifer has been eavesdropping the whole time (obviously) and kicks Solomon out.
Mc tells time not to worry and that they'll figure something else out. He tells them that he cares about his brothers and them (he puts a bit of emphasis on MC) and that he wants them to stab him. MC keeps on protesting. He grabs their hand and makes them point the dagger to his chest. You get a choice. You can either stab Lucifer, MC or command him to 'stay'. If you choose to command him, he freezes for a sec and then tells MC they are too distraught to be able to put any actual power behind the command. He moves their hand to stab himself. The screen goes white. If you decide to stab MC he screams their name. The screen goes white
A '???' voice tells them to stop and that it's not needed. Simeon (the only person with even a single braincell in this entire game) stops their hand and tells them they've been brave. He slips an old ring on to their finger. The screen goes white.
The screen's still white but now it's white in a way that makes it look like it's sunlight blinding the screen.
Another '???' voice apologises to MC for not being able to meet them before. It asks mc why they refused to stab Lucifer. They can say it's because they love him, because they didn't want anyone to get hurt or because they wanted to find another way. And look even if you aren't romancing Lucifer you have to admit at this point of the game MC does love him and all his brothers as well.If you pick the first option the voice says that it's a good thing and that they should cherish that love and let it grow. If you choose the second it tells them they are kind. The voice then tells them that after seeing how much the brothers adore them it expected them to be wicked and that it's happy they aren't. It tells them that they don't have to worry and that the ring of light will keep their powers in check and that they should go back because the others are worried. MC wakes up to Lucifer calling their name.
I'm 90% certain the voice in Michael, 10% of me is terrified it'll turn out to be God. And look I'm not religious, I don't really believe in anything and either way I was raised in a Buddhist household so God has never been anything I believed in BUT God talking to me through an otome game is definitely not something I need rn or ever really
Mc, Solomon, Simeon and Luke are by the lake at the palace. Solomon says he can finally relate to Mammon cause Lucifer had punished him. Simeon reveals that Lucifer had punished diavolo as well and would be coming after the rest of them that kept this whole thing secret from him (And this kills me! This man loves his family so much he was not only willing to go against God and his army when his family was in danger but he was also willing to lash out at DIAVOLO who he has so much respect & loyalty towards when he accidentally put Lucifer's family in danger!??? Anyway any chance I had of solidifying into a physical state has been completely swept away)
It's revealed that Simeon may or may not have stolen the ring from Michael who still loves Lucifer and keeps a shrine to Lucifer all of Lucifer's things from the celestial realm with him. And honestly I want whatever superpower Lucifer has that allows him to act like a dick with major issues but still makes ppl just absolutely love him. (I absolutely adore how easily om! throws around the word 'love' or actions of love. And I don't mean regarding MC. I mean between the brothers, undateables, Luke and side characters. Like at this point there's no doubt that despite all their differences everyone loves each other.)
Simeon (or Luke) note that now with the ring MC is as powerful a sorcerer as Solomon and may someday surpass him. Solomon is asked of he's jealous and he says he's not and he's glad to finally have someone like him.
Solomon pulls MC aside and asks them for a favour. They can either ask what it is or say 'anything for you'. If you choose the second option he blushes. He tells them he has spent his whole life looking out for humanity (thousands of years) and that he would like to work side by side with them to protect the humans. In his own words they'd be 'partners'. You can either agree or tell him it sounds like a pain in the ass. If you agree he says that a part of him knew they'd agree. (I can't remember if this is said outloud or implied but I'm assuming this means Solomon will teach them to use actual magic thus making 3 out of 4 of my main game MCs magical apprentices. Nice.)
*Solomon refers to himself as 'the witty sorcerer' confirming that all their aliases in the cards have actual canon meaning...so Mammon's 'fallen warrior' and 'punishment party' is basically just confirming he was probably the only one classed as a fighter from all his brothers back in the celestial realm and that he's a masochist right? That's what that means?*
Barbatos arrives to welcome them and ask them to follow him.
The lesson ends.
The pre stabbing scene with Solomon and mc doesn't really follow the exact dialogue of the first scene in S2 and the backgrounds don't match either (the human world vs MC's bedroom). Now this could mean the devs fucked up or it could mean there's more BS waiting to be stirred up. Personally I believe it's the first one BUT with how determined the devs seem with turning all of Lucifer's hair white i wouldn't be surprised if it was the second either
Hope that helps 31!❤ sorry it took some time I had to take constant breaks to scream cause the app sucks :)))
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femalechibiblogger · 4 years
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My ‘One Piece’ Theories
1. The people of The Great Kingdom had powers that were transferred into regular fruits, which became known as ‘Devil Fruits’. This was because the Twenty Kingdoms were about to destroy The Great Kingdom, so the citizens transferred their powers into fruits so that these powers could live on within other people who ate the devil fruits. 
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2. Im, the real leader of the World Government, was given the surgery that could make a person immortal. If so, then Im was probably around during the Void Century, knew the mysterious ‘Joy Boy’, and is the only person who knows all of the world’s secrets. Im has an interest in Luffy, Blackbeard, Shirahoshi, and Vivi...though it has not been stated as to why he is interested in them. It could be that Luffy, Blackbeard, Shirahoshi, and Vivi will all play a part in the revealing of the One Piece and the world’s secrets...which Im will go to great lengths to prevent from happening. 
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3. The Ancient Weapons...Pluton, Poseidon, and Uranus...were designed to defeat the World Government and free the countries from its control. The World Government does not want anyone to know about The Ancient Weapons or learn how to build/control them. That’s because the members of the World Government know that, if the Revolutionary Army get their hands on The Ancient Weapons, then they will be able to use them to overthrow the World Nobles. 
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4. Those who have the initial ‘D’ in their names are descendants of the first Celestial Dragons who rebelled and did not take part in forming the World Government. Instead, they joined forces with the Great Kingdom and attempted to prevent the Twenty Kingdoms from destroying it...but they failed and spread throughout the globe in hiding. But they believed that future generations would succeed in freeing the world from the World Nobles, and each generation born from them was given the initial ‘D’ as a warning to the World Nobles and Celestial Dragons: Their own bloodlines would bring about their downfall.
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5. Joy Boy, a mysterious figure who existed during the Void Century, was the king of the Great Kingdom and was the first pirate who ever existed. After his kingdom was destroyed by the Twenty Kingdoms, Joy Boy sailed around the world and left behind clues on how to destroy the World Government. He hid the final clue on Laugh Tale and had the Poneglyphs created in order to aid those who wish to bring down the World Government. He wanted the other countries and islands to be free from the World Nobles, and wanted all species to be able to coexist without persecution from the World Nobles and Celestial Dragons. But unfortunately, Joy Boy was unable to do this all on his own, but had faith that a future generation would carry on his dream.
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6. The Celestial Dragons, who are the descendants of the rulers of the Twenty Kingdoms, were named after actual dragons known as ‘Celestial Dragons’. Celestial Dragons were dragon-like creatures who had extraordinary powers and were used by the leaders of the Twenty Kingdoms to defeat the Great Kingdom. Afterwards, the Celestial Dragons became a symbol of their wealth and victory. If this theory is correct, then the dragons are either extinct or live in a far off land.
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7. The Country Wano, which is isolated from the rest of the world, was likely isolated due to the World Nobles’ corrupting influence on other countries. The World Nobles likely tried to steal Wano’s wealth but were unsuccessful, and the Shogun closed off Wano’s borders so that the World Nobles would no be able to exploit the country’s resources. Joy Boy likely visited Wano to have the poneglyphs made before the country became isolated. After Oden returned from his travels with Gol D. Rogers and learned the world’s secrets, he wanted to open Wano’s borders before ‘Joy Boy’ returned. This may be because when ‘Joy Boy’ returns, the World Nobles will no longer have influence on any countries and islands, which means that they will not be able to exploit Wano’s resources.
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8. The Straw Hat Pirates will likely receive a few more members during and after the Wano Arc. It is possible that Carrot, an anamorphic rabbit girl from Zou, will likely become an official member of the crew and sail the seas with them the rest of the way. It is also possible that Momonosuke, the future Shogun of Wano, might also join them before becoming the new Shogun...like his late-father ‘Oden’ did when he decided to sail with Gol D.Roger. Kiku, a samurai from Wano, may become another new member after Kaido and Orochi are defeated. Guess we'll just have to wait and see.
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9. Momonosuke, who gained the ability to turn into a dragon because of an artificial devil fruit, will likely be able to use his power to fight Kaido. The Yonko, Kaido, can transform into an enormous dragon because of a zoan devil fruit. While the fruit that Momonosuke ate was deemed a ‘failure’ by Vegapunk, Momonosuke may be able to unlock its true power and transform into a dragon as powerful as Kaido. This would lead to a battle between the two of them, that could determine both of their fates. 
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10. The Grand Line, a massive wall that separates the four seas, could end up crumbling down so people will have easy access to the other countries and islands. While the Grand Line is said to be unbreakable...if one part of it is broken, then the whole thing could come crashing down. This would unite the seas, which could bring prosperity to the world as more alliances would form between the kingdoms of the four seas.
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11. Tama, a little girl in Wano, will possibly tame all of the Beast Pirates who ate SMILE zoan devil fruits. Tama ate a devil fruit that gave her the ability to create dango from her cheeks. If animals eat one of the dango, they will obey Tama’s orders no matter what. Tama’s ability also works on people who have eaten the artificial zoan devil fruits, as they are now part animal. Tama used fed a dango to a horse-type woman named Speedy who, when fed one of Tama’s dangos, saw her as her ‘master’ and began to obey her commands. In the Wano Country Arc, Tama may be able to use this power on the rest of the zoan Beast Pirates in order to control them and turn them against Kaido and Orochi. 
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12. Koby, a Marine whom Luffy befriended at the beginning of the series, will likely battle Luffy on the island Laugh Tale. Luffy and Koby will likely have an epic battle before Luffy claims the One Piece. Other Marines, such as Smoker and Tashigi, might also become a part of the battle as well. This could mean that a war between Pirates and Marines will take place on Laugh Tale. Not only will it be a battle for the One Piece...it will also be a battle against the World Government. The fate of the world will depend on the fates of the Pirates and Marines.
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13. Some people believe that Joy Boy, who existed during the Void Century, will return one day...even though it has been 900 to 800 years. If Joy Boy is said to return, then it’s possible that Joy Boy ate a devil fruit with a very, very rare ability: The ability to allow a person’s soul to possess a newborn body after the previous person’s death, and the cycle would continue no matter how many times the soul has been reborn. This ability would be similar to the cycle of the devil fruits, as the fruit’s power always possess a normal fruit and transform it into a devil fruit after the person who had that power has died. If Joy Boy did possess this power, then his soul continued to be reborn as a new person over and over again, and it would not have affected said person if they ate a devil fruit, since the soul is possessing a new body. If this is the case, then Gol D. Roger was likely one of Joy Boy’s incarnations and found out about it after reaching Laugh Tale. After Roger died, Joy Boy’s soul had likely possessed Luffy before he was born, which could explain the similarities between him and Roger. Im and the other World Nobles likely know about this, and are obsessed with catching and killing Luffy in order to prevent him from reaching Laugh Tale to prevent Joy Boy’s return. If Joy Boy returns, then everything that he was unable to accomplish during his time will be fulfilled in the current time. 
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14. Pluton, Poseidon, and Uranus, the three Ancient Weapons, are all meant to be controlled by the Pirate King. Joy Boy, who may have been the first pirate, designed the Ancient Weapons so that only a pirate like him could use them. Pluton is said to be a very powerful ship, Poseidon is a mermaid princess who can control Sea Kings, and Uranus is possibly a ship that can fly. If Luffy is the true Pirate King and Joy Boy, then Luffy would have control over these weapons and use them to destroy the World Government. If Im and the other World Nobles got their hands on the weapons, chaos could ensue as they would use the three Ancient Weapons to destroy all pirates and anyone who poses a threat to their power. They could even use the weapons to destroy the Marines, as they would have no use for them anymore. But it is likely that the Ancient Weapons are not meant to destroy the world, but rather...they are meant to unite the world instead. Guess we will have to wait and see.
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15. It has been shown that Luffy will destroy Fishman Island. But this may not be a bad thing. If Luffy does destroy Fishman Island, then would probably be for a good cause. Fishman Island’s destruction could lead to Fishmen and Merpeople being able to live amongst humans and other species without persecution or racism. This will likely be a part of a New Age, in which all species will be able to co-exist with each other.
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16. The identity of the One Piece has always been unknown, and will not be revealed until the end of the series. I believe that the One Piece is a poneglyph that has the history of the Void Century written on it. But this could only be a part of the One Piece. The next part of the One Piece could be ancient artifacts from before and during the Void Century that could reveal all of the world’s secrets that the World Nobles are so desperately trying to prevent from being discovered. The One Piece is said to shock the world to its core...meaning that it’s big reveal could bring about a war that will lead to a New Age: A world where countries are free from the World Nobles and pirates help maintain peace within the New Age. 
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c-is-for-circinate · 4 years
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The Three Dragons, or, Repentence, Revelry, and the Hero Resolve (a tale of Onde)
So when I offered to go telling stories from my D&D game the other, I got several votes for the elves, and I wrote that one out, but several people were also very interested in the dragons, and, well.  The Hero Resolve is one of my very favorite not-technically-a-god-but-honestly-might-as-well-be NPCs in this game, and making up folklore for a world that doesn’t exist is pretty damn awesome, so--
Once upon a time, there were three evil dragons.
.
Things tend to come in threes in stories.  On Nokomoris, where the entire eastern side of the continent has been settled for tens of thousands of years by dwarves, gnomes, and humans, tales of people-in-threes are everywhere.  This tale in particular, which has been told and retold so many times in a million forms that it’s barely recognizable, is sometimes told about a dwarf, a gnome, and a human villain, a trio of bandits or thieves or murderers or the like.  It’s also sometimes told about three trolls, or three vampires, or three unwary foxes, or anything at all that might bring harm to a small village in the middle of nowhere.
The way the story is most truthfully told, the way that matches up, more than it doesn’t, with the world that actually happened--begins with three dragons.  They were all of them adults but far from old yet, and they lived together in the mountains somewhere, in one lair shared between the three of them.
The largest and strongest and proudest of them all was the black dragon.  His very favorite thing was to come roaring in to a village or farm and strike terror into every heart, to ravage and ruin it and leave half of it to spoiling without even taking it for himself, and send the survivors terrified away to tell tales of his power and glory.  He was, he knew in his heart, the very very best; and he was full of violence and wrath, but his greatest sin was pride.
The fastest and cleverest and most joyfully cruel of them all was the green dragon.  Her very favorite thing to do was to catch just a scant clawful of little squishy two-legged people, and promise their survival if they’d play her game and could win it.  She never played fair but sometimes she let them go, if they’d entertained her just exactly the right amount to tickle her happy.  The world was, she knew in her heart, the most wonderful toy to be played; she knew vengeance and anger, but her greatest sin was cruelty.
The third dragon, the blue dragon, was the youngest and smallest of the three.  They were not as strong or as fast as their friends, though they were sturdy (and any dragon is strong and fast enough.)  They were not as clever or as vain, but they were wise (and every dragon is smart and beautiful enough.)  They were, in fact, very much the most practical dragon of the trio, and very much the most beloved.
(But C, you say, that’s not how dragon stats compare in 5e at all.  It’s blue dragons with the high str and cha, black dragons with the high dex.  The adult blue dragon CR is higher than the others!)
(But y’all, I say--this is a fairytale.  And also not all chromatic dragons exactly match their written stat blocks.)
(Yes.  I said “not all chromatic dragons”.  Back to the story.)
The third dragon was the practical one, as I said, and was very much the one who made it possible for three adult dragons to live and hunt and pillage the countryside together instead of fighting each other to miserable pieces.  The blue dragon had seen very easily how the three dragons might fight, and might destroy one another in the process, or might go their separate ways and each take his or her or their own small patch of territory, to defend from heroes and larger dragons alike--or they could band together and rule and ravage the skies. 
The blue dragon made sure that when they chose which village to attack, it would be large and mighty enough to satisfy the black dragon’s vanity, and that they didn’t accidentally step on anybody interesting enough to satisfy the green dragon’s need for a challenge.  They made sure that any survivors left to spread their tales could not raise an army against them, or find the secret trails up the mountainside to the dragons’ shared lair.  They ate nearly every two-legged victim the green dragon might have let go.  Their greatest sin was callousness, for they cared about no one at all besides their two dragon companions, and them only barely at that.
And so the three dragons fought, and flew, and thought themselves invincible for many years.
.
Now, there’s another figure that’s a cornerstone of folk tales throughout Nokomoris, and that, my friends, is the Pretty Witch.  Oh, she’s a princess sometimes, buckled under by the weight of trying to protect her kingdom, but on the whole, princess stories never really took off around here.  The great romantic heroine of the ages is the village witch.
Usually she’s a druid or a sorceress, to go by d&d terms.  Sometimes, in the stories, she summons a fae or a demon or a celestial or an elemental from another plane to help her against some great threat, and they fall in love; other times she captures an enemy and keeps them in her hut, and they fall in love as she nurses them to health and also interrogates them for their evil plan; in yet other stories, a brave hero faces all the witch’s challenges and proves they can protect her.  Some of the best stories, of course, combine all three.
Most real village witches never reach such a fairytale happily-ever-after, of course, or even get past casting second- and third-level spells.  The vast majority of village witches are either old enough to be someone’s (or everyone’s) mother or too busy to be interested in most offers of romance, and plenty of them are both.  That part’s true enough of the witch in this story, too.
Her power, on the other hand...
Well.  There are always exceptions.
.
The story says that one day as all three dragons swooped together onto a village on the edge of their territory, they watched a small woman step from a hut on the side of the village and raise a staff.  The story says that, mid-swoop, they began to feel themselves shrink--that the black dragon found his scales running together and turning soft and brown-pink-pale, and the green dragon found her claws growing short and weak and flat on her arms, and the blue dragon found their wings disappearing from their back even as they tried to pull up and fly away.
The story says that by the time the three dragons hit the ground, they were dragons no longer.  Every story argues, a bit, about what they were and which one was which, but--in every good bit of folklore about three people out in the world, there’s a dwarf, a gnome, and a human, so that must be what these three were here, right?
(It wasn’t, in reality--but it doesn’t really matter.   They were all people, soft and squishy two-leggers, and what does it change if all three were halflings or tieflings or even dragonborn, any more?)
They hit the ground on two legs each, naked and brown and pink and suddenly, for perhaps the first time in their long dragon lives, scared.  And all at once, they began to run.
(But C, you say--what about legendary resistances?  And anyway Polymorph is a concentration spell, one witch can’t cast it on three dragons at the same time anyway.  Hell, if they were swooping down on the village, fall damage alone should have knocked at least one of them out of it when they hit the--)
(Shhh, shh, I say.  It’s a story.  This isn’t how it really happened.  Of course it isn’t.  It really took days, or a team of adventurers, and probably both, and there were traps and wands and artifacts of all kinds that went into the doing.  This is only the version people tell each other--and it’s a better, shorter one, and lets us get to the rest of the story much quicker, usually.)
(But really, you say, even still, it’s just Polymorph--one good injury and they’d be right back to being themselves.  Surely three adult dragons would know enough about magic to realize that.  Surely one of them would be smart enough to try and injure themselves or one of the others to break it, right?  Maybe the blue one.)
(You have to let me get back to my story, for that.)
So--yes, yes, you’re right.  They all three of them hit the ground and fell immediately unconscious, how’s that?  Or perhaps only one of them did, but that was very much enough.  However it happened (and it must have been more than a thousand years ago, it must have been before Kera the Conqueror swept through the lands, must have been a thousand or two thousand years before your mother was born), however they fell, whatever they saw--the three ex-dragons did not become themselves again.  The spell did not break.
(Not even True Polymorph can do that, you say--
Yes, I say.  I know.)
(And why do we keep interrupting the story like this, anyway?)
(Well.  Because it’s a fairytale.  It’s the lore of legends.  This is a story to tell at bedtimes and campfires and long afternoons spent working with your hands while the children at your feet learn to spin yarn and shell beans and mend things.  This is the sort of story that’s meant to be told with interruptions.)
.
The man who had once been the black dragon woke up, and discovered that he was still a man, and he fled.
He had no direction in mind; his head was clouded, and his eyes were weak, and his feet were soft and clawless and he had no wings at all, and he had never run across ground like this before in all the many years of his life.  He had no thought save escape, and he ran without stopping except to fall to his knees and drink from a nearby stream like a dog before he forced himself up to run again.
He collapsed, eventually, outside a woodcutter’s hut.  He could not even bestir himself when the woodcutter and his wife brought him inside to nurse him back to health.
It took a full week before he could do more than stand and hobble, and in that time the woodcutter’s family nursed him with nothing but kindness, and man who had once been a black dragon found himself struck to the heart by it.  He had done so many things in his time as a dragon that he had been proud of, but now it seemed that he was a person, weak and desperate, and would be for the rest of his life.  It was unthinkable that a mere woodcutter like this should nurse a great black dragon back to health.
It was unthinkable for a person to have done the things the man had done, when he was a dragon.  How could a man live in this world of men, having done such things?  How could he be proud of who he was?  And so, faced with the kindness of the woodcutter’s family, the man who’d once been the black dragon began to feel the most tremendous guilt that has ever been felt in all the world for the things he’d done.
(Oh? Do you doubt him?  But man, or dragon, or dwarf, or tabaxi, whatever he was--he’d always been the best.  If he couldn’t be the very best killer, he could at least be the best at guilt.)
He would atone, he decided.  He would atone for the rest of his life.
When the man who’d once been a dragon could stand and walk without pain, dressed in the woodcutter’s old clothes and boots, the woodcutter finally asked what his name was.
“Repentance,” the man said, and went on his way to seek it, and that was the last anybody ever saw of the great black dragon.
.
(Oh, you think there’s more?  Of course there is.  A man appeared in the city to the south, and set himself to punishing every evil, including himself, however he could, and there are enough stories about him to last hours.  None of them are happy, of course--even when he found love, he could not allow it to bring him joy, because of course he deserved none.  And so the man Repentance found himself bringing sorrow even now to those who came to care about him most, caught in an endless loop of sin, and so he could never forgive himself or be redeemed, no matter what.  But at least he wasn’t a dragon.
Is that better?)
.
The woman who had once been the green dragon was even now a little cleverer than her first friend, and when she stood and realized that she was still a woman and not a dragon at all, she fled with a goal in mind.
It took days of careful, desperate travel, but she knew all the secret paths back to their lair in the mountains, where the three dragons had kept all the wealth and weapons they’d claimed as treasure over the years.  The woman draped herself in finery that seemed coarser and fouler-smelling now than it had when she was enormous and beautiful without it.  She put on the armor she’d plucked from the backs of knights, and then took it off again when it was too heavy, and eventually she had dressed and armed herself and filled a pack with as many riches as her new weak arms could carry, and set off again before anyone else could arrive to find her.
She found a port, and made her way onto a ship, bound over the sea to a land that had never known her as anything but this.  She sailed for days, and planned out her future.
She had lost her claws and so much of her power, but the world was still built of games, was it not?  And she could still play, with money and cleverness and secrets.  She was beautiful, apparently, by the standards of people, even if she was so much less awesome and terrible than she’d once been.  She could make claws out of daggers and a life out of this.  She could be a lady, a thief, a queen.  She could make do.
(You think she should be despairing, vengeful, angry?  Woman or dragon, gnome or goliath, no matter what--she was always ready to carve joy out of any chest she could find.  Why not find it again?)
When she disembarked in the new land, the guard at the port asked for her name.  “Revelry,” she said, and went off to seek it, and that was the last anybody ever saw of the great green dragon.
.
(Oh, it’s a parable now, is it?  Well.  What good folk story isn’t?
You want the rest?  She became a bandit queen and a baroness, and was feared and adored by many, and gathered riches and servants and lovers and secrets.  You could tell stories for days about the wicked and cruel exploits of the Baroness Revelry, and some of them would be sexy, and some of them would be fun, and some of them would leave you feeling queasy in the pit of your stomach afterwards, and in some of them, you’d be on her side.  After all, at least she wasn’t a dragon.
Is that enough?)
.
When the person who had once been the blue dragon awoke, they saw the witch of the village.  They saw the look in her eyes.  They saw the deep forest, and their own new delicate feet and hands and bones, and the torches from the other villagers approaching.
They stayed put.
The witch stayed, too, and watched them, and when the townspeople arrived she sent them away.  The witch was a very long way from young, and not as beautiful as she should have been, for this to be a really good story, but--for all that, there was something of power in her eyes.
“What will you do now?” the witch asked of the person who had once been a blue dragon, who had not taken their own eyes from the witch’s face and her gnarled broomstick.
“I don’t know,” said the person who was not a dragon any longer, who did not see any benefit to lying.  “What would you have me do?”
They were both quiet for a long moment as the witch looked the ex-dragon over, with her thoughts as impenetrable as a witch’s mind ever are.  Then she said, “Come inside.  I have floors that need sweeping and wood that will need chopping for the winter.”
.
The person who’d been a blue dragon slept on a pile of blankets on the witch’s floor.  The witch gave them chores to do in return.  They fetched water from the well, and scrubbed and cleaned, and learned to cook and tend a garden.  It was not a thing like being a dragon, except for all the wrong reasons.  The witch was small, and kind, and old, and not a bit of her was weak.  The no-longer-dragon had never known anyone as relentlessly practical as themself before.
Nearly every day people from the village would come by.  Some would come begging for help with colds and children and cows, and the witch was always kind to them, while her new lodger watched from the corner with sharp dragon-gold eyes.  Others would come with gifts, a few eggs here or a sack of flour there.  Sometimes the villagers with gifts had asked for help in the days before, and sometimes they hadn’t.
The person who was no longer a dragon asked questions, sometimes, and the witch would answer them, sometimes.
“Why do they bring you tribute?  Do you require it of them?”
“No,” said the witch, and, “they do it because it is kind, and right, and makes their world better in the long run.  Now go tend to the garden.”
Or, “Why do you not take over this village and half the countryside?  You have the power for it.”
“Because I do not wish it,” said the witch, and, “because they do not need me to, and because they and I are all happier that I do not.  Now go and tend the garden.”
Or, “Why are you kind to the ones who do not bring you gifts or tribute?  They do nothing for you, but you are generous to them.”
“Because,” said the witch, “it is kind, and I am able, and they are not, and that is what it means to be a person.  Now go and tend to the garden.”
Every time she answered a question, the witch would send them out to tend the garden.  The ex-dragon was careful with every plant, because it was only foolish to be careless with a witch’s garden, and learned to water every one exactly as much as it needed.  They learned to harvest berries and vegetables and herbs, and tend to the flowers and shrubs that produced nothing of any value, but only grew.  And they began, little by little, to understand.
.
Eventually it was winter.  The witch showed the one-time blue dragon how to drag their blankets closer to the fire, and how to chop the firewood and bank it at night to keep it going so they would both stay warm, and all the other things that needed to be done with the world frozen in white.
There was no more work to do in the garden, but by then the no-longer-dragon’s questions had changed, too.
“Why did you turn me into this?”  The witch could have picked anything, after all--a rabbit or an insect or a stone, and never thought about it ever again.  But she had chosen a person, who could walk and talk and think and work.
“Because it would save this village,” the witch said.  “I had not a care for you at all.  Now come and learn this potion.”
Or, weeks later, “Why did the villagers forgive me?”  They still came every day, and nodded to the ex-dragon when they passed, and didn’t flinch to do it.  They were not witches.  They didn’t have her power.
“Because they don’t know who you are,” the witch said.  “Or because they know and don’t care, or because you have done them no harm since coming here, or because they are too dead to hold a grudge, or perhaps they haven’t forgiven you at all and are only pretending.  Now go and bring this amulet to the miller and his wife.”
Or, after even more weeks, when it was nearly spring--”Why did you let me stay?”
“You know the answer to that already,” said the witch.  The person who had once ravaged the entire countryside as a great evil blue dragon found that they did know, after all.  It was the same reason as the bushes with no berries and the amulet for the miller, and everything else, too.
“Is there a difference between a dragon and a person?” the dragon-who-wasn’t asked.  “Between a tiefling and an aasimar and a human?  Between anything at all?”
“You know the answer to that, too,” said the witch, and of course, of course they did, by now.  “Ask what you really want to know.”
“Do you care now?” the person asked.  “Do you care about me, even though you didn’t then?”
The witch’s hard face softened, then.  “Do you?” she asked in return.  “Have you learned to care, after all that?”
The person thought about needy bushes and hungry inchworms and a thousand trips to the well on foot, about tea with the miller’s wife and little brown eggs from the seamstress’s daughter.  They thought about whether they already knew the witch’s response to this question too, in their heart, and what it would mean if they were wrong.
“You know the answer to that,” the person who was a witch’s apprentice now said, because they had learned well, and because some things hurt too much to admit if they’re not returned.
Then the witch stepped forward, finally, and pulled them into her arms like a mother.  “You’re my own child, now,” she said.  “Everything changes.  The past only matters because it gave us what we have now.”
.
(Does it seem too easy?  It’s not.  Growth never, ever is.
It took more than a summer and a winter, when it really happened.  It took more pain and more yelling and more doubt to build that trust.  But it did grow.  And the story’s tidier, like this.)
(And if the forgiveness here surprises you on either side, or the willingness to try, well--)
(Witches are practical down to their bones, and whether they use it to be cruel or kind or selfish or saviors-of-all is down to them, but they all know there’s no sense in discarding an outstretched hand when it’s offered.  It worked, this time, for the right people with just the right amount of neediness and hope.  Sometimes the world does that.)
.
By the time summer came around again, the witch’s apprentice had had plenty of time to think and ponder and consider who they were to become.
The only difference between a dragon and a person was their shape, after all, so what was evil for a person must also be evil for a dragon.  What was wrong for a person must also be wrong for a dragon, and always had been, whether the dragon they’d been had known it or not.  So: they had done great evil, long ago and far away, and could not make it undone.  What next?
The witch, who was just as practical as her apprentice, sat and talked to them as they cooked and knit and worked potions and spells together in the hut all winter long, and by the time the world was warm again, the apprentice had made a decision.
“I can’t stay,” they said.  “I’ve done too much harm in the world.  I need to go out and do it good instead.”
“Because you think it will fix things?” the witch asked, to make sure, and also because she had grown to love her apprentice as her own child and did not want to see them leave, either.
“No,” said the apprentice, who had learned well.  “Because it’s kind and right and I’m able.”
“So be it,” said the witch, and hugged them close, and said, “Be Resolve, then, and return safe when you can.”
“Resolve,” the new druid said.  They went off not to seek it, for they’d already found it in their own heart, but to see it through.
And that was the last anybody ever saw of the blue dragon.
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And that’s the end of the story.
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(Well.  It’s an end.)
(Oh, you want to know about the Hero Resolve?  There are months‘ worth of stories about that, and you’d probably know a few dozen of them yourself already, if you lived in Nokomoris.  They all go more or less the same way, really.)
(The Hero Resolve arrives in a town, or a valley or kingdom or mountain or an island in the middle of the sea, and someone, somewhere, is suffering.  They find somebody with the power to do something about it.  It might be the sufferer themself, sometimes, but usually it’s not.  Maybe it’s the local lord who’s too distracted to notice the problem, or the local witch who’s too overwhelmed to cope.  Maybe the local bandits are too incompetent at stealing to provide for their children.  Resolve isn’t always picky in the way you’d expect, when they choose who to give advice.)
(The advice isn’t always easy to follow, mind you.  There’s hardly a good story in that.  But if they do follow Resolve’s suggestions--they’ll live happily ever after, eventually.)
(If not, Resolve will generally have to beat them up first, with shillelagh staff or beast form or just a bit of bare-handed cleverness, probably, depending on who’s telling the story.  But everyone else will live happily ever after anyway.)
(And that’s it.  That’s the Hero Resolve.  They roamed for years, back and forth across the continent, to every place you could ever name.  They fixed a lot of problems.  They probably took a couple levels in monk or something.  Every culture on Nokomoris has some variant on the Stubborn Hero stories if you ask.)
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...
...
(Oh, you want more?)
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(Well then.)
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Once upon a time, as the Hero Resolve was out wandering the land, they came upon a rumor of a great evil on the other side of the sea.
(There, that’s how these stories are supposed to start, right?)
Since they had nothing else better to do that afternoon, they packed up their staff and their lunch and all their magic items, the bow with a string spun from spider-silk that could send an arrow through solid rock, the cloak that looked like a midsummer sky dyed with berries grown in water from the Spring of Life, and so on and so forth, as y’do.  They took a boat and sailed over to the kingdom on the other side of the sea and asked the crew and the passengers what they’d heard in these rumors about a cruel baroness who tormented the land with her powers, and pondered how they’d deal with the problem when they got there.
They had just about enough information to go looking for the Baroness’s castle when they disembarked in port, and found it in short enough order.  Some versions say they asked a magpie for help.  Other versions say the Baroness sent the magpie herself, to invite the renowned hero into her parlor, looking for another game or--
Or who knows what.  The important thing is that Resolve found themself ushered into a lavish entryway draped in silver and velvet, and from there into an even more lavish parlor draped in damask and gold, and then into an even more lavish dining room draped in platinum and silk.  They were still dressed in their sea-salt-stained traveling leathers, with their spidersilk bow and their sky blue cloak.  They had their iron knife at their belt, and their staff that had been a gift from the witch when they first left home, that looked like nothing so much as the gnarled stick of a broom with the bristles pulled off.  And there in the dining room of sumptuous luxury, they sat down to wait.
When the Baroness herself came in, she was--well, nobody is quite sure what she was, gnome or tiefling or even a tall graceful elf, in a world before elves.  She could have been dragonborn or human or one of the cat-people, bird-people, turtle-people from the south, who knows?  It’s different every time somebody tells the story.  Everybody agrees, though, on this: that she was as breathtakingly beautiful as a single moon on a pitch-dark night, and that her eyes glittered the color of gold.
Their eyes met, the Hero Resolve and the Baroness Revelry, two pairs of dragon-gold eyes in faces that should not have held them.  For one long, breathless moment, it was as though no time had passed at all, and then they fell into each others’ arms and hugged with arms they’d never had to put around each other before.
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Resolve and Revelry slept that night curled up like lovers in Revelry’s enormous fur-draped bed.  They spoke, a little, about where and how and who they’d been in all the years since they’d seen each other.  They hid more.  The Great Hero Resolve had made a whole life out of seeing the end of the sort of deeds the Evil Baroness Revelry had made a life out of seeing done.  There was only so much they could admit to each other of themselves.
And yet...they were still both of them so very much themselves.  Revelry’s grin and sparkling wicked wit still brought Resolve to helpless laughter.  Resolve’s steadiness and dry understated insight warmed and calmed a thing in Revelry’s chest that had not been calm in so many years.  They had neither of them been quite this happy in all the time they’d been apart, and now, back with each other again, it seemed like the real loss hadn’t been their claws and fangs and wings at all.
Resolve was used to sleeping lightly and waking early.  The witch always rose with the sun, and it was only sensible for a hero on the road, whether they camped by the side of the road or in haylofts or let themself be made a guest of anywhere.  They opened their eyes with the first light of dawn, and looked down at the woman sleeping next to them, and thought about the sharp edge of their iron belt knife, which had killed fiends and monsters and people.
It would be simple, to do the job they’d come here to do.  They loved their oldest, dearest friend, of course they did, but--
How does an evil thing love?  It seemed impossible that Resolve could have ever really loved their dragon-companions, back when they were still a dragon, before they understood what love or evil or being a person even meant.  It seemed impossible for Resolve to still love her now, and if Revelry was still the same as she had been, how could she ever love anything at all in return?
The Hero Resolve felt the hilt of their knife on the floor beside the bed, and watched their long-lost heart’s companion sleep until Revelry opened her eyes, glinting golden in the morning sun.  And looking at those eyes, Resolve let the knife go, and promised themself that they would try again tomorrow.
That day they breakfasted together, and Revelry showed Resolve all the halls of her manor and all the gardens of her estate, and Resolve showed off some of their many shapes and forms, and they told longer and truer stories about their lives.  Resolve tried to grasp for their namesake every time they caught a glimpse of the evil in Revelry’s stories, again and again, all afternoon and all night.  They slept tangled together in the same bed again.
And so they lived for a week, with Resolve trying to find conviction within themself and failing, with Revelry discovering more joy in her long-lost friend than she’d felt in all the years in between, with Resolve’s iron knife tucked safely beneath their pillow in Revelry’s bed every night.
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On the seventh morning, Resolve got as far as drawing the knife in hand.  They’d thought a million times this week about attacking their old friend in the middle of the day, and every time they caught sight of those old familiar eyes, they lost the nerve.  Murdering a sleeping lover in her very bed...it was cowardly and dishonorable, of course, but it would be effective.  Effective mattered more than honorable.  Resolve had learned that from the witch all those years ago.
Results mattered more than intentions.  Fine, Resolve loved Revelry with so much of their heart that this might break them forevermore.  So what?  Revelry was a monster, a scourge on the land around her, a murderer and worse.  That mattered.  Resolve’s own heart would heal, or wouldn’t.  They’d slaughtered too many people in their own time for their feelings to be worth more than the lives of Revelry’s future victims now.
And yet, as they sat poised with knife in hand, watching Revelry sleep...once more, they hesitated.  And this time, when Revelry opened her eyes, she saw the knife before Resolve could tuck it away.
“Are you going to kill me, my love?” Revelry asked, as calmly as a still summer morning.
“Yes,” said Resolve.  “Yes I am, because whatever you are to me, you bring so much suffering to the rest of the world.  It’s kind and right to do this, and I’m able, and whatever else I am or ever have been, I choose to be a person.”
Revelry nodded a long, slow nod in the quiet of the room’s dawn light.  Resolve waited for her to grab for a weapon or a spell or Resolve’s own staff, for the Baroness had become quite a wizard in her own right in the time since they’d known each other last.  And they waited, poised and frozen, until Revelry said,
“Then I’ll let you.”
Resolve drew back in shock and confusion, and Revelry continued, “I’ve felt more joy this week with you than from any thing I’ve seen or done in all the years we’ve been apart.  I’d rather you kill me than watch you leave again.  I’d rather know I could at least make you happy.”
“This won’t make me happy,” Resolve snapped, with tears in their eyes.  “It has to be done, even if it does ruin me to do it, but that doesn’t make me happy about it.”
Revelry frowned, then, and for the first time began to reach below her own pillow.  “Really?”
“You know I love you,” said Resolve, and all in a flurry their iron knife met the rod Revelry kept tucked safely to hand in bed every night, just in case--though this hadn’t been the way she’d expected to use it.
“Then I can’t let you kill me,” Revelry said, rolling to her feet and facing off against the great hero now, both of them barely armed and dressed in bedclothes, squaring off with the enormous fur-draped bed between them.  “I love you too much to let anything make you miserable, including yourself, whatever you think about your morals now.”  And then they fell to fighting.
It was a strange, furious half-battle, both of them trying too hard not to hurt the other in spite of themselves, desperately working to keep their voices down before the servants of the house could hear and came running.  They twisted and fought, arguing the whole time--
“I can’t just let you keep doing the things you’ve always done!  You were given a chance at a whole new life, and still you’ve chosen to be a monster!”
“Why do you care about them?  What are any of them worth that you care more about them than yourself?”
“Because they’re people!  And I’m a person!  And so are you, but you don’t want to be!”
“If I stop tricking idiots to their deaths, will that make you happy?  And keep you from trying to do something ridiculous and self-destructive like murdering your own lover in the name of honor?”
“It doesn’t count if you’re only doing it to please me!  I can’t be the only thing in the whole world you care about!  Your entire morality can’t just be me!”
“Well why not?”
And they fell back, both of them panting and bloodied, in now-ragged night gowns, staring at each other from opposite sides of a destroyed room.
“I don’t care about torturing them,” said Revelry.  “It’s fun.  I don’t care if it makes me evil, I don’t care about them or their feelings or their stupid little lives, but I care about you.  I’ll stop it all, if you ask me to.”
“This is a terrible foundation for a relationship,” Resolve said.  “But fine.”
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(Yes, I’m taking liberties with the story.  Know your audience, they say.  Most of the time that bit’s just a lot of arguing, or more violent and less dramatic or romantic depending on who’s telling it, but who doesn’t love a good half-naked sword fight?  Why ruin the tattered nightgowns thinking about the fact that the two major participants are mainly caster-classes, anyway?)
(One of them is clearly an illogical idiot, you say.  Fair enough, but let’s table the discussion there before you and your neighbors get into your own virtual brawl over which one it is.  They’re both illogical idiots.  That’s how love--and fairytales-- work.)
(Want a life lesson from this one?  Don’t turn a single person into your entire moral compass and your whole world.  Also, don’t try to force yourself to stab the person you’re in love with for the Greater Good.  None of this exactly how it actually went, and it only worked out in the end with a whole lot of luck and a lot more hard work than we have time and space for here.  This is a fairytale.  It’s not meant to be exact history.)
(But yes, from me to you--it did really end happily-ever-after, even when it actually happened.  Or at least, as-happily-as-ever, which is about as good as real life ever gets.)
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In the end, Resolve and Revelry slipped off in the middle of the afternoon, without a single word to the servants or any sign of their going.  Revelry brought a single small bag of tools and treasure, less even than she’d taken from her old hoard when she first began this life, and they boarded a boat back across the sea under fake names, with secret grins that threatened to burst out into laughter at every moment.
Resolve brought Revelry back to the home of the witch who they still called Mother, and introduced her by name, and did not explain the details of their past, although the witch was canny and clever and figured it out right away anyway.  Eventually, when Resolve ventured forth across the land once again, Revelry came with them, and together they learned to turn saving-the-world into a game interesting enough to keep Revelry’s attention even when Resolve wasn’t watching them at every moment.  She never did quite learn to embrace guilt or regret, but she grew to find a soft spot for scrappy, clever underdogs who just needed half a chance to learn to fight.
They did eventually come to the city where the man Repentance lived and worked, and met him and embraced him again, for a while.  He still remembered his love for the blue dragon, but he could not forgive his one-time companions for their pasts any more than he could forgive himself.  Revelry, at least, was easy for him to condemn and hate, but most especially he could not understand how Resolve might have come to see the evil of their past crimes and yet still willingly laugh and live and find joy in it all anyway.  In the end they parted ways quickly, for while they all three of them now sought to bring good to the world, Resolve and Revelry chose to pursue it through happiness and hope, and Repentence could only see regret.
And so they traveled on for many years, and lived very nearly happily for very nearly forever after, and that’s all there is to the story of the Hero Resolve and the Baroness Revelry.
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The end.
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(No, I mean it this time.)
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(Look, that’s the end of the story!  There’s plenty of other little side-stories and folktales in there, but whenever anybody on Onde actually tells this story, this is where it ends.  That’s how it goes!)
(Yes, I mean it.)
(Yes, I realize I've said that these are two extremely high-level spellcasters, both of whom remember spending centuries of their lives as nigh-immortal dragons and one of whom has barely found enough of a sense of right and wrong to qualify as Chaotic Neutral.  And I’m suggesting they lived out the rest of their short natural lives as a couple of flightless humanoids and never found a way to correct their lives or forms.  And they never ran into any desperate tragedy of disparate species lifespans, or had to deal with archdruid timeless body, or--)
(Yes.  Yes, I did say at the beginning of the post that this was the story of my very favorite near-godlike NPC, but--)
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(Okay.  Okay, fine.)
(There’s one more thing to know.)
(This isn’t part of the story, though, so don’t go spreading it around.  Nobody on Onde knows this part, except for those that do.  And that’s a story for a very different day.)
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True Polymorph is a ninth-level spell.  It can transform any willing wizard or druid who’s already at a high enough level to cast it into a fully-grown adult green or blue dragon with ease.  It’s permanent, if you concentrate on it for a full hour.  And dragons can cast spells, even the sorts of spells that would let them turn back into an old humanoid form that’s gotten comfortable and familiar, and maybe they rarely learn to do much in the first thousand years or so of life, but most dragons aren’t forced to live as humanoids for a couple of decades or centuries to figure out how, so--
Well.  True Polymorph lasts without being concentrated on, anyway, once it sticks, but--even it doesn’t tend to hold up well to dropping to zero hit points or running afoul of a Dispel Magic, after a while.
(Yes, the RAW are ambiguous, here.  And?  This is Onde.  True Polymorph can guide the world into holding a new shape indefinitely, but it can’t rewrite the truth of existence.)
A fully-grown adult dragon may not find themself reduced to zero hit points all that often, but Resolve and Revelry weren’t about to give up adventuring just to return to their old forms forever.  Dispel could get...awkward.  There had to be a safer way, didn’t there?
“How did you make it stay?” Resolve asked the witch, so many years later that even an archdruid such as the witch had become old.  She shook her head.
“There’s a spell,” she said.  “With components I never saw in all my life before or since.  They’re long gone now.”
(Was it a spell?  Was it a one-use spell scroll, enchanted in centuries gone by and long forgotten?  Was it a magic item?)
(Does the nature of the MacGuffin matter, in the end, or just its effect?)
“But the spell exists” said Resolve--and, well, what are heroes for if not tracking down mysteries and finding components?  Plane-shifting to gather sap from the forests of the gods, or the bones of every material plane, or the dust from the plains below Sigil itself, or--well.  Does that matter, either, the how?
It’s very difficult to tell a legendary hero that there’s no way.
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(They transformed the man Repentance back, too, when they changed themselves.  It took them two days to hunt him down and slaughter him, two dragons against one, when he decided that it was his duty as a dragon again to do exactly the thing that dragons were for.)
(It goes like that, sometimes.  Not every redemption arc quite works.  You can tell yourself that he let his oldest companions rip his throat out, in the end, out of the last shards of love for them or horror at what he’d become.  It might be true.)
(Everybody learns.  What they learn, on the other hand, is entirely up to them.)
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There are people to the west of the Western Wall mountains, in the dragonlands where all colors of dragon are common, and known, and feared, who tell a story about a high valley in the dry lands of the peaks, surrounded by dense pine forests and bare dust-blasted stone and open sky.  If you need something--if you truly need something, and you’re desperate enough to do what it takes to get it, you can climb up there looking and ask.
You’ll get advice from somebody, if you’re lucky, if you can make it past the storms and the woods and the heights up the secret paths to get there.  Follow it no matter what, however hard it is, and things will turn out happily ever after for you in the end.  If you reject the advice, things will turn out happily ever after for someone, probably, but there’s a good chance you’ll get your ass kicked on top of the problems you already had, first.
It’s not a bad place to retire, when you’re old and enormous enough to call yourself truly Ancient.  Ruling the whole world is a nice idea to toss around every couple of decades, but really, it’s such a lot of work, and--really, it’s enough of a job just being your wife’s conscience (or letting your spouse be your conscience), let alone taking on an entire planet full of other people too.  Better, really, to let things go along on their own way.
It’s not a bad place to raise children up here, either.  Oh, there’s plenty of bloodlust and rage in most wyrmlings of any color, but--what’s bloodlust and rage got to do with anything?  How is anyone supposed to learn how to be a person, without somebody there to teach them that they are?
They go their own way, when they’re old enough, and some of them for the better and some of them for the worse, but--
Well.  That really is beyond the end of this story.  There’s no telling what hasn’t happened yet.
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As to ‘happily-ever-after’...
That’s a fairytale ending, of course.  Resolve and Revelry have been to the feywild plenty enough times to know a fair few fairy tales direct from the source themselves, but at this point, we’re not really telling a campfire bedtime story any more, is it?  Now it’s just backstory for a couple of NPCs who are still alive.  They’re as happy as any old married couple who’s had centuries to grow into each other.
They’re not quite gods, because even an ancient dragon with an archwizard’s spellbook or an archdruid’s control is still a creature of flesh and blood and bone, and mortal in their own way.  Some villain or hero or furious ex-student, some god or quest or just old age and ennui will get them eventually.  No telling how, though, or when.  No telling what might happen in the mean time.
No telling when the Hero Resolve might pull on a different shape and go on walkabout for another few years once again, with or without their love at their side, and see what they’re able to do for the world.
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