This is an amazing sequence of panels. 10/10, no notes
742 notes
·
View notes
I love the idea of the Wayne kids dropping extremely vague and disturbing comments during galas. Especially when in uncomfortable situations or if they're just bored. They pull out things from their nightlife too. Other times they just make shit up.
Socialite: Oh, dear, your cheeks look so sullen! Who sucked the life out of you?
Tim, dead serious: An old man with a goatee.
Socialite: Uh... what?
Dick: Once I broke my knee so badly that I swear I could see part of the bone sticking out.
Socialite: Good lord. How on earth did that happen?
Dick: Just clumsy gymnast things ^^
Socialite: The white streak is certainly a bold fashion choice.
Jason: I saw someone get decapitated once, so I could be doing worse in terms of what's on my head, yknow? At least I have one.
Socialite: What's your favourite colour, sweetie?
Damian: Red.
Socialite: Oh that's lovely!
Damian: Like the blood of my enemies.
Socialite: Oh.
Socialite: You must be new to these kind of events.
Duke: Uh, yeah, they're kind of scary. But I've had worse.
Socialite: Worse.
Duke: Well I've been left on top of a skyscraper before with no way down just to 'get over my fear of heights' so, yes.
Socialite: You don't talk very loud, do you? I can barely hear you.
Cass, with a straight face: If I spoke any louder every glass in the room would shatter.
Tim, behind her: I can vouch.
10K notes
·
View notes
I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
Both of these kids deserved so much better from the world.
8K notes
·
View notes
One of Oda's great unappreciated talents is his ability to keep his world and story consistent even as the scope outgrew his original plans by several orders of magnitude. I think there's enough in Thriller Bark to know that Oda always planned for Kuma to be a secret Revolutionary, but I doubt anything but the broadest strokes of his backstory was hammered out until much later. The Eleven Supernovas, and thus Bonney, weren't even conceived until Saboady, and even if you wanted to say that Oda already knew Kuma let himself be turned into a robot because he had a kid, he had to twist the threads of the story to turn Bonney into that kid.
To be perfectly honest, Kuma during his introduction is a whole lotta smoke. All the reader knows is his moniker and that he had the reputation for committing atrocities. That's as close to a blank slate as you can get while still building hype, and that blank slate lets Oda slot in whatever he feels is appropriate once he gets to the point where Kuma's backstory is important. That flexibility is a wonderful tool, but Oda's careful to keep the old consistent with the new, and that's enormously difficult when writing serialized fiction over a period of 25+ years
368 notes
·
View notes
I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"
Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.
imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws
8K notes
·
View notes
Every day I wake up and think:
“At some point Izzy realised how out of control things had gotten, and started putting himself in between Ed and the crew, as much as he could. Especially when Ed was too drunk/high to even know what he was doing. Cause Izzy doesn’t want the others to suffer more for his mistakes.”
“They are all bonded through shared trauma now.”
And every day I cry like a baby.
11K notes
·
View notes