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#the team now suffers by their dancing
pandagirl45 · 10 months
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Clint: are you in love with buck mister?
Tony: *scoffs* no. Why would you assume?
Bruce: heart eyes
Tony: I don't do heart eyes! Actually I do... angr... *sees bucky not realizing extremis makes tiny electric pink heart eyes with tiny pink electric sparks and pink glow* eyes...
Bruce and clint: heart eyes
Tony: I don't do-
Bucky: tony
Tony: *screams throwing a plate at him scurrying off*
Bucky: *confused*
Rhodey: *staring at Tony as he laments his panic*
Tony: I threw a plate at him!! T-T rhodey!! I'm in love and my reaction was panic throw... *falls over like a melodramatic cat* bury me
Rhodey: tones, it could be worse, you could have had crush on Peter quill
Tony: ew...
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zooophagous · 1 year
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So why do you hate the advertising industry?
Hokay so.
Let me preface this with some personal history. It's not relevant to the sins of the advertising industry perse but it illustrates how I started to grow to hate it.
I wanted to be a veterinarian growing up, but to be a vet you basically have to be good enough to get into medical school. I do not have the math chops or discipline to make it in medical school. I went into art instead, and in a desperate attempt to find some commercial viability that didn't involve moving to California, I went into graphic design.
I've been a graphic designer for about seven or eight years now and I've worn a lot of hats. One of them was working in a print shop. Now, the print shop had a lot of corporate customers who had various ad campaigns. One of them was Gate City Bank, which had a bigass stack of postcards ordered every couple months to mail to their customers.
Now, paper comes from Dakota Paper, and they make their paper the usual way. Somewhere far, far from our treeless plain there is a forest of tall trees. These trees are cut down and put on big fossil fuel burning trucks and hauled to a paper mill that turns them into pulp while spewing the most fowl odors imaginable over the neighboring town and loads the pulp up with bleach to give it a nice white color.
Then the paper is put on yet another big truck and hauled off to the local paper depot, then put on another big truck and delivered to my print shop, where I turned the paper into postcards telling people to go even deeper into debt to buy a boat because it's almost summer. The inks used are a type of nasty heat sensitive plastic that is melted to the surface of the paper with heat. Then the postcards are put on yet ANOTHER truck and sent to the bank, which puts them on ANOTHER truck and finally into the hands of their customers, who open their mail and take one look at the post card and immediately discard it.
Heaps and heaps and literal hundreds of pounds of literal garbage created at the whim of the marketing team several times a year. And thats just one bank in one city.
I came to realize very quickly that graphic design was the delicate art of turning trees into junk mail.
And wouldn't you know it there are a TON of companies that basically only do junk mail. Many of them operate under the guise of a "charity," sending you pictures of suffering children or animals and begging for handouts and when they get those handouts the executives take a nice fat cut, give some small token amount to whatever cause they pay lip service to, and then put the rest of the cash right back into making more mailers. "Direct mail marketing" they call it.
Oh but maybe it's not so bad, you can advertise online after all. Now that there's decent ad blocker out there and better anti-virus ads usually don't destroy your computer anymore just by existing.
Except now when I search for the exact business I want on Google it's buried under three or four different "promoted search items" tricking me into clicking on them only to shoot themselves in the foot because I searched for the specific result I wanted for a reason and couldn't use those other websites even if I felt like it.
And now we have advertising on YouTube and on every streaming service, forcing more and more eyes onto the ad for the brand new Buick Envision that parks itself because you're too stupid to do it on your own.
Oh thats ok maybe I'll get Spotify premium and go ad free and listen to some podcasts- SIKE we have the hosts of your show doing the song and dance now. Are you depressed and paranoid from listening to my true crime podcast about murdered and mutilated teenagers? That's ok, my sponsor Better Help can keep you sane enough to stay alive and spend more money.
It's gotten so terrible that now you have content farms, huge hubs of shell companies that crank out video after video to get more and more precious clicks. Which if the videos were innocuous maybe that wouldn't be so awful except now you have cooking hacks that can actually burn your house down and craft hacks that can electrocute you being flung into your eyes at the speed of mach fuck so some slimy internet clickbait jockey doesn't need to get a real job.
It of course goes without saying that animals are also relentlessly exploited by clickbait companies that will put them in compromising situations on purpose to create a fake fishing hack video or even just straight up killing them for sport by feeding small animals to a pufferfish that rips them apart for the camera.
And all of this, ALL of this doesn't even touch how adveritising is the death of art in general. Queer topics, any kind of interesting art, any kind of sex or substance use topics are scrubbed clean and hidden at the behest of advertisers.
Sex education, a nude statue, topics such as racism or sexism or bigotry in general have tags purged or hidden from search, even life saving information about SDTs or drug use, because if someone saw that and complained then Verizon might sell fewer tablets and we can't fucking have that.
Conservative talking heads often bitch and moan that they're being censored on social media. The stupid part is, they're right! They are being censored! But it's not by a woke mob, it's by ATT and Coca Cola not wanting their adspace sharing screen time with their stupid fucking opinions.
However, they won't ever figure that out, because the talking heads they get their marching orders from like Tucker and Jones ALSO rely on the sweet milk flowing from the sponsorship teat and they aren't about to turn on their meal ticket so they have to come up with even stupider shit to say for the train to continue rolling.
I managed to rant this far without even getting into the ads I see for the beauty industry. The other day a botox ad described wrinkles as "moderate to severe crows feet" as if wrinkles are a symptom of a fucking serious disease! Like having a flaw in your skin is a medical problem that you need thousands of dollars of literal botulism toxin to fix! I was incandescent with anger.
Advertising is a polluting, censoring, anti educational and anti art industry at it's very core. It destroys human connections, suppresses human thought and makes us hate our own bodies. It ads no value, actively detracts from value, and serves no real purpose and I believe it should be almost if not entirely banned.
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nightprompts · 1 year
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&. 𝐚𝐧 𝐚𝐬𝐬𝐨𝐫𝐭𝐦𝐞𝐧𝐭 𝐨𝐟 𝐝𝐢𝐚𝐥𝐨𝐠𝐮𝐞 𝐩𝐫𝐨𝐦𝐩𝐭𝐬.
( this is basically just a very self indulgent list of various fluff, angst, and suggestive themed dialogue sentence starters. )
❛ i could keep you safe. they’re all afraid of me. ❜
❛ i’m trying to fix your hair, so hold still. ❜
❛ your heart is beating so fast right now. ❜
❛ promise me you’ll still be here when i wake up. ❜
❛ you’re not as bad as everyone says you are. ❜
❛ i thought you’d like some company. ❜ 
❛ clean yourself up. you're getting blood all over the place. ❜
❛ here, give this a try and tell me what you think. ❜
❛ you can kiss me, you know. ❜
❛ come back to bed. ❜
❛ you look good like this. ❜
❛ working together again, it’s just like old times. ❜
❛ how is it you always know what i need, huh? ❜
❛ you’re lucky you got away with only a scratch. ❜ 
❛ i can’t imagine losing someone like that. i’m sorry. ❜
❛ you know you can always talk to me. ❜
❛ the only one who gets to kill you, is me. ❜
❛ so, what do i owe this pleasure? ❜
❛ ah, so you aren’t heartless after all. ❜
❛ may i have this dance? ❜ 
❛ it’s okay, you can touch me. i won't break. ❜
❛ enemies make the best lovers, you know. ❜
❛ hold still. this might sting a little. ❜
❛ we can't keep doing this. ❜ 
❛ you look like you've got something to say. ❜
❛ just relax and let me take care of you. ❜
❛ thought you’d be lighter without all that blood. ❜
❛ i had it under control. you didn’t need to do that. ❜
❛ everything looks so beautiful from up here. ❜
❛ you treat all your ladies like this? ❜
❛ well? how do i look? ❜
❛ can’t sleep? ❜
❛ do you mind if i smoke? ❜
❛ i’m scared of ending up alone. ❜
❛ i don’t think i’ve ever seen you smile. ❜
❛ how long has it been since you've slept? ❜
❛ you are losing my interest, and that’s very dangerous. ❜
❛ i’d suffer hell if you’d tell me what you’d do to me tonight. ❜
❛ you look really pretty right now. ❜
❛ i’ve never cared for anyone the way i care for you. ❜
❛ i’m not wearing any underwear. thought you’d like to know. ❜
❛ just a few more stitches and you’ll be as good as new. ❜
❛ i’d say we make a pretty good team. ❜
❛ i want you to forget this ever happened. ❜
❛ i'm here for business — not pleasure. ❜
❛ if i didn't know any better, i'd say you were jealous. ❜
❛ you'd look better down on your knees. ❜
❛ fine, keep acting like you hate me. ❜
❛ kiss me again. ❜
❛ are you asking me out on a date? ❜
❛ just sit there and look pretty and let me handle this. ❜
❛ you okay? caught you staring off into space again. ❜
❛ well, i do feel better now that you're here. ❜
❛ i'm not drunk enough for this. ❜ 
❛ why is it whenever we see each other, you’re covered in blood? ❜
❛ i was wrong about you. ❜ 
❛ the first time i met you, i had no idea you'd mean this much. ❜
❛ you gonna be a good girl / boy for me? ❜
❛ i’m not afraid of you. ❜
❛ books mean more to me than people anyway. ❜
❛ i just wanted to say thank you for protecting me. ❜
❛ how about a kiss goodnight? ❜
❛ i don’t have time for distractions right now. ❜
❛ you shouldn’t be out here by yourself. ❜ 
❛ if i have to think about one more thing today, my head will explode. ❜
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deadsetobsessions · 10 days
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Woo! I’ve finally got time to write! Had to go to a wedding, suffered through eight whole hours of pure disorganized mess, and got mad about it. Emphasis on the disorganized part. So, I bring you: party planner!Danny Phantom.
——
If anyone was to see him now, they’d definitely think that it was odd that Danny was the one in the party planning field. They wouldn’t be surprised if it was Jazz, but Danny ‘wing it’ Fenton planning things? Never.
But here he was, clipboard in hand and checking off hors d’œuvres from the list.
“Anton, could you do a check of the sound system? Make sure everything’s working?”
“Got it.”
Danny lifted the buffet table, laden with heavy food, and used a bit of his ghostly strength to move it over.
“Perfect.”
He double checked the seating chart, and readjusted the miniature ice sculpture centerpieces he made for the party.
Wayne Manor was all lit up and perfectly dusted. Danny ran through his mental checklist. Tabled? Check. Dance floor clean and scuff free? Check. DJ booth and open bar running without issues? Check. Live band setting up with back up instruments and strings? Check. Decorations on point? Oh, he’ll have to get the team to readjust those.
Time to check-
“Danny! How’s it going?” Bruce Wayne beamed and slung an arm around his shoulder.
Danny smiled politely. “Mr. Wayne. Everything is going smoothly. Would you like to check the food the chefs have made?”
“Sure, sure! I definitely need to eat before I drink, haha!”
“That’s a good idea! Good thing you’re about to try a bunch of food.” Danny matched the billionaire’s energy. He’s going to get paid so good.
“So, Danny, are you going to college?”
Danny passed him a small sampler. “Ah, I can’t. Some stuff happened in high school and I don’t really have the grades or the money to.”
Plus, his credentials were in another plane of existence and he hadn’t figured out how to transfer those records yet.
“You could still attend college, I’m sure! Your parents might be able to help pay?” Bruce nommed on the food. He gave a thumbs up.
Danny sighed. “It’s not always an option. Plus, my parents are dead.”
In this universe. His own? Alive and kicking GIW ass.
“Oh, I see-”
“Father.”
“Woah!” Danny blinked, looking down at the baby Wayne the popped up next to his father’s elbow.
“Damian! What’s wrong, kiddo?”
Damian shot his father a flat glare and dragged the laughing billionaire away.
Danny snorted and returned to his tasks. He has to check the speeches and the lighting. Hm… he doesn’t have time to adjust everything how he wants it.
Good thing he knew a guy that could stop time.
“Hey, Clockwork?”
——
“Father, I understand your inclination towards adopting poor black haired and blue eyed orphans, but I would like to remind you that I have far too many siblings to be adding yet another bumbling buffoon.”
“I was not considering that, Damian.”
Damian let go of his wrist with a grimace. “Denial is not becoming of a Wayne, Father.”
“Yeah, B. I could see you grab the adoption papers from all the way over here.” Tim adjusted his tie. “Anyways, Dick is on his way. He’s running a little late because of some stuff in Blüdhaven.”
“Thank you, Tim.”
——
“Batman.”
“Oracle.”
“Look at the footage of Wayne manor.” Oracle pulled up the video surveillance scattered through out the manor. Specifically, the ones of the west ballroom. Daniel Fenton stood in his spot, looking down at his clipboard but a second later, he's moved three inches to the left and the decorations had subtly been moved more aesthetic spots. "I think Danny might be a meta. We'll have to look into him."
Batman stood up, allowing the fondness he had for Danny as Bruce Wayne drain away. This is a potential threat, and Batman will treat him like one. (Danny will remember this.)
"Contact Flash. I need him to scan for any temporal disturbance."
"Understood."
——
"Brucie!" A socialite squealed as she came to bestow hugs upon a long suffering Bruce. "My god, this place is gorgeous! You must give me your planner's number. I could absolutely use some fresh eyes for the Annual Spring Party."
"Awe, Janine! I gotta keep some of the good things to myself!" Bruce whined, inwardly smirking as he saw his kids mock-gagging behind the lady's back. "What if your party's cooler than mine? What should I do then? You're already so gorgeous! Why, is that a Birkin?"
Janine lit up and all but forgot about getting Danny's contact information. Bruce patted his own back for a job well done, even if he had to listen to Janine's itemized list of random luxury goods she had to buy before being offered a bag.
He's a Wayne. The Gotham Hermes wished they could partner with the Waynes. Plus, he's pretty sure he's got at least three of those bags somewhere in the manor to bait out Selina.
Catching Danny sliding in between the servers and going towards the kitchen, Bruce quickly excused himself with a disarming himbo grin.
Time to subtly grill the kid.
——
"Hey, Timmy?"
"Hello, Dick," Tim smiled elegantly at the couple who's companies he was about to bring six feet underground and excused himself. "What's up?"
"Have you noticed that the ice sculptures haven't melted at all?"
Tim blinked, eyes sliding over to a harried Danny being followed by Bruce on a mission. Oof.
"Freeze?" He asked mildly, face innocent of any nefarious thoughts.
"That's what I'm thinking." Dick smiled sunnily, throwing an arm around Tim's shoulders.
"Heard the guy's living out near Crime Alley. We should get Jay to check it out." Tim pretended to laugh, grinning as his brains made plans for a stakeout.
"Heard, my ass. You totally stalked him, didn't you?"
"Got proof?"
Dick snorted, removing his arm. "Nope. I'll let Jay know. You should probably help Danny out, though, he looks like he's about to lose his temper."
"Bruce is at it again." Tim sighed. "Yeah, okay."
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starleska · 1 year
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i think ‘Big’ Jack Horner is Disney, and here’s why
many of us have had the pleasure of seeing the incredible Puss in Boots: The Last Wish by now, and were blown away by its clever writing, enchanting animation and emotional character arcs. yet there is one character who booted the trend of having a reason for his behaviour, and outright refused to experience any growth whatsoever.
let’s talk about ‘Big’ Jack Horner, and why i think he’s supposed to represent Disney:
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‘Big’ Jack Horner isn’t just an antagonist in The Last Wish - he’s a villain. a self-obsessed, exploitative, murderous, petty, cruel bastard of a man whose awful behaviour isn’t just motivated by personal slights or childhood trauma: he sincerely enjoys hurting other people. whether it’s cheating his goons (’The Serpent Sisters’) out of a fair payment for their services or being excited about shooting a puppy in the face, there’s no denying that Jack delights in causing others pain and suffering. but what does he have to do with Disney?
let’s answer that question with another question: do you think that Jack, when placed next to the other antagonists - Goldi, The Three Bears, even Death - sticks out like a sore, plum-coloured thumb?
of course he does! but why? well, let’s look at Jack on a surface level. Jack is a monolith of a human being. not only is he physically huge and intimidating, he is the inheritor of an enormous pastry fortune and operates in the manner of a mob boss, with countless resources and a whole variety of powerful magical items at his disposal. indeed, Jack employs a crack team of bakers/assassins called ‘The Baker’s Dozen’ to carry out many of his tasks. although Jack does harm others himself, it is because of these resources - including the people who work for him - that he is able to bypass many of the obstacles faced by our protagonists in an honest and character-developing way (e.g., the Pocket Full O’Posies in The Dark Forest). Jack doesn’t need to have a character arc the way the other characters do, because he is so wealthy and owns so much.
but Jack’s reason for owning so much and being obsessed with magic and magical items isn’t through intellectual curiosity, or a traumatic backstory where he needed to learn how to wield magic. do you know what Jack’s covert motivation for owning all of the magic in the world is?
it’s money.
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when we get the flashback of Jack’s childhood, dancing for the entertainment of an audience using his nursery rhyme, we see him becoming jealous of Pinocchio - and we see Gepetto in the back, absolutely raking in the cash. if we consider this flashback as that crucial moment within which Jack decided to become what he is today - and the presence of our off-brand Jiminy Cricket inclines us to think so - then we can understand that Jack decided that from that moment forward, he would own all of the magic. 
let’s go back to The Baker’s Dozen for a moment. this team of highly-competent, multidisciplinary artisans do everything for Jack, whether it’s baking the pies which make him rich, or laying down their lives at his service. we aren’t given an in-universe reason for why they do this. yes, Jack is feared, but he is still the subject of mockery due to his humble beginnings as a nursery rhyme character. it certainly isn’t due to being treated or paid well. however, if we view the Baker’s Dozen as a metaphor for overworked, exploited artists whose views are routinely dismissed by the money-hungry, powerful corporation who owns their craft...things start to add up, don’t they? considering historic allegations of worker abuse at the hands of Disney, having Jack Horner literally step on their spines and encourage them to flex takes on a whole different meaning. 
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it doesn’t end there. do you recognise the items that Jack pulls out of his Mary Poppins bag when his Baker’s Dozen are being destroyed by the Pocket Full O’Posies - the items that he calls ‘the big guns’? it’s the broomstick from Fantasia, the spinning wheel from Sleeping Beauty, the size snacks from Alice in Wonderland, and a knock-off Jiminy Cricket from Pinocchio - all references to some of Disney’s earliest and most famous films.
still don’t believe me? well, let’s recap more of the items Jack has in his repertoire:
a hook-hand (referencing Captain Hook in Peter Pan)
a trident (referencing King Triton in The Little Mermaid)
poison apple bombs (referencing The Evil Queen in Snow White)
a glass slipper (again referencing Cinderella)
remember what happens when the knock-off Jiminy Cricket (interesting that there are so many Pinocchio references specifically, huh?) is horrified that Jack is losing so many men? Jack says he isn’t worried about losing the manpower, because he has a bottomless bag full of magical weapons. Jack literally gets his power off of the backs of his workers. sounds a lot like a big company justifying worker layoffs and exploitation because they have so many properties and are too big to fail, doesn’t it? 
hell, Jack doesn’t even know what half of these items do! when he’s using the unicorn horns as ammo, he is surprised that they cause people to explode in a shower of confetti. viewing Jack through this lens, it’s difficult not to think about enormous corporations gobbling up properties and churning out content with little to no regard for their artists (looking back at The Baker’s Dozen - some of whom do perish in the fight with the unicorn horns) or what the properties are about. we haven’t even touched on Jack coveting the Wishing Star, a recurring motif in countless Disney movies as representing magic, dreams, and boundless creativity. 
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now, i hear you saying, ‘but Star! why would DreamWorks bother writing their bad guy as a metaphor for Disney?’ believe it or not, this isn’t the first time that DreamWorks have done this. in case you didn’t know, Lord Farquaad is a caricature of Michael Eisner, former chairman and CEO of The Walt Disney Company. the production of Shrek was actually quite troubled; animators who were perceived as having failed on other projects were ‘Shreked’, or sent to work on Shrek, instead of working on other (presumed to be more lucrative) films. of course, DreamWorks was co-founded by previous Disney CEO Jeffrey Katzenberg, hence the animosity towards Disney and its works evident in the Shrek franchise. this is what formed the story of Shrek: an ugly, crude outsider character taking on the clean-cut moralising of a dictator hell-bent on a so-called ‘perfect’ world, all created against the creative backdrop of a painful separation from Disney and a great deal of pent-up rage. 
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the irreverent, crass and sometimes adult humour of Shrek was a middle finger to Disney’s high-censorship control on animation. this is why Lord Farquaad (which you may have noticed sounds a bit like ‘Fuckwad’) is so obsessed with Duloc being ‘perfect’, and why he couldn’t stand the freedom of the fairy tale creatures who are the heroes of the first Shrek movie.
in fact, this kind of meta-commentary permeates the Shrek franchise: 
The Fairy Godmother from Shrek 2, despite being a fairy tale creature herself, is highly prejudiced against characters who break out of their perceived social norms: i.e., Shrek marrying Princess Fiona and getting his Happily Ever After. she is an expansion of the control left over by Lord Farquaad, and rich because of her monopolisation of fairy tale creatures and their stories. 
Prince Charming in Shrek the Third fails miserably to capitalise on these themes, but we’ll get back to him! 
Rumpelstiltskin from Shrek Forever After tackles the gluttony of franchise reboots, and how soulless and rooted in corporate greed attempts to reboot often are. whilst not necessarily Disney-specific, Shrek Forever After follows the box office bomb that was Shrek the Third: a movie which noticeably fails to write a compelling narrative approaching any of the themes of the previous two films. the writers learned from their mistakes and wrote a movie which satirised their own selling-out of the franchise, becoming hollow and unnecessary and ‘perfect’ - the very thing they were making fun of in the earlier Shrek films.
there is one more area i’d like to touch on: Jack Horner’s source material. we know that Little Jack Horner is quite obscure: an 18th-century English nursery rhyme involving a boy who pulls a plum out of a pie with his thumb, and congratulates himself for his fortitude. but did you know that from its earliest conception, Little Jack Horner was associated with foolishness and dishonesty?
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it’s true: the simple yet inexplicable nature of the poem was lambasted for being infantile, and quickly became the subject of revision, moralisation, and even political satire. it is no mistake that to ‘be under one’s thumb’ (as many of the characters in The Last Wish are to Jack, both literally and figuratively) means to be under one’s decisive control. the choice of Jack Horner for the villain of The Last Wish is a clever one, because we could easily have ended up with a sympathetic Jack, whose ostracisation as ‘not even a fairy tale’ may have led to a justifiable motive, even for his specific brand of cruelty. but instead, the writers of The Last Wish have gone one step further; they’ve transformed a source affiliated with idiocy and deception into a metaphor for a global multimedia conglomerate...all while portraying him as simultaneously terrifying, powerful, and ridiculous. 
it has been over a decade since Shrek Forever After was released, and Disney has changed dramatically in that time. a global giant, Disney now owns more enormous money-making properties than ever thought possible, and consistently capitalises on nostalgia for its early properties to make more money and accumulate power. since breaking out of its exclusive licensing agreement with Disney in 2016, DreamWorks has had no official connection to Disney, making the ground for mockery and satirisation of the company which spawned the studio all the more fertile. ‘Big’ Jack Horner is not just a glamorous return to form for the dreadful, unapologetically evil villain which Disney has eschewed in modern times - he’s a hulking, egocentric monster whose avarice rivals that only of the corporation he’s inspired by. 
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and those are my thoughts on ‘Big’ Jack Horner! of course this is by no means the definitive interpretation - we should all just have fun with the movie and come up with whatever theories we like 🥰💖 i’d love to hear your thoughts on him and The Last Wish in general - he’s definitely one of my favourite bad guys to be released in the past few years!
thanks so much for reading, and have yourselves a wonderful day 🥰
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atlabeth · 23 days
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dance until we're bones
pairing: aaron hotchner x fem reader
summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.
a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier
wc: 17.1k
warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one
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Hotch can barely stay awake. 
He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point. 
It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel. 
He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there. 
Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always. 
Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour. 
“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.” 
“Great,” Prentiss mutters. “How bad is it?” 
“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”
“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.” 
Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”
“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”
“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.” 
“Our guy probably isn’t trained in anything, then,” Rossi says. 
Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”
“He doesn’t kill children, though,” JJ notes. 
“Maybe he thinks he’s doing them a favor,” Reid says. 
“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.” 
“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”
“Especially with families being killed,” Morgan murmurs. 
JJ sighs. “I’ll draft something on the jet and make some calls when we land.” 
Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.” 
-
The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file. 
The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene. 
It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house. 
They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt. 
It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control. 
All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.  
Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics. 
They’ll find whoever did this. That’s what gets him through it. 
They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.
Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.  
Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything. 
First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect. 
“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.” 
“What has he been charged for?” 
“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail last year, and it looks like he’s been living in St. Louis for some of that.”
“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”
“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”
Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”
“And hope we pin something down before more bodies show up,” Prentiss murmurs. 
They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind. 
The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive. 
“Remember,” Prentiss says as they come to a stop together, “be nice.” 
“I’m plenty nice,” he murmurs, and she huffs the slightest laugh. 
Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising. 
You.
Your brows furrow at the sight of him, and Hotch has to hold back his shock. 
You don’t live in St. Louis. And your last name certainly isn’t Hartford. 
“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.
He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.” 
Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?” 
Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”
“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?” 
Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.
“We’ll be able to explain everything if you let us in,” he says. 
You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”
You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…” 
You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house. 
It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all. 
Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub. 
“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?” 
“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.” 
“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?” 
He nods. “I had a change of heart.” 
You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.” 
Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”
You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.” 
Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Louis area.” 
“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him. 
“Not you,” Hotch says. “Do you know a Lucas Hartford?”
“He’s my brother,” you say, and your frown deepens. “You’re not saying—”
“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”
And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things: 
Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be. 
Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school. 
“My brother is not a murderer,” you state clearly.
“And we aren’t accusing him or you of anything—” she starts. 
“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”
“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says. 
You glower at him, but you stay silent. 
“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.” 
“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”
Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”
“You know my name, Aaron. Use it.”
He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.” 
“Ask away,” you say. “Doesn’t mean I’ll answer.” 
“Lucas Hartford,” Prentiss starts. “He’s your brother?” 
You nod. “He lives with me.” 
He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away. 
“Why is that?” Hotch asks. 
You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too. 
“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”  
“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going. 
“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.” 
“What about your parents?” she asks. “Surely they’re a better option than this.” 
“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?” 
Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you. 
“Really?” 
He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him. 
He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her. 
And he didn’t even know when she died. 
You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad. 
“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”
“I’m sorry for your loss,” Prentiss says. 
You nod your thanks, the notion a bit numb. 
“You never told me,” Hotch says with a slight frown.
“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.” 
Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.” 
His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even. 
“I take it this was as much of a surprise for you as it is for me.” 
Hotch nods. “We came here looking for your brother.” 
“Does your team know about our history?” you ask simply.
“No.” 
“Do you want them to?” 
“...No.” 
You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.” 
You wait another beat, then ask another question. “How’s Haley?”
“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”
Your eyebrows shoot up. “Really?”
He nods. “This job isn’t easy for anyone.”
You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.” 
Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you. 
“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.” 
“Pass that along to your brother, too,” Hotch says. 
You reluctantly take the card, but you don’t look at it. “You can see yourselves out.” 
Prentiss nods. “Thank you again. Have a good day, and stay safe.” 
She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door. 
Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again. 
“Garcia?” Prentiss asks after she picks up. 
“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?” 
“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.” 
“On it,” Garcia says. “I’ll call you back when I’m done.” 
“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.
“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”
Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”
“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”
Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret. 
“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”
Emily hums. “Is it too far to ask if you were together?”
“Yes,” he says sternly, maybe a bit too hasty. “It is.”
“Fine,” she says breezily, and she looks out the window. “But that tension was thick.” 
Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case— 
He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.  
You’ve changed a lot. So has he. 
And now your brother is a murder suspect, and you could be covering up for him. 
That’s the only thing that should be on his mind. 
-
“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.” 
“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”
“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”
“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!” 
Mia draws out a mirthless laugh. “You are not accusing me of this.” 
“I don’t have anyone else to accuse!” Cleo shouts. 
They both look at you, and Mia says your name. “You have to settle this before I kill her.”
“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”
You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief. 
“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”
You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you. 
“You have no idea how happy I am to see you,” you breathe. 
“What’s going on in there?” Aaron asks, amused. 
“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”
“You know this is a study date,” he says wryly, and you cut him off with a kiss. 
“Still a date,” you murmur against his lips. “And something seriously needed.”
Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”
“I know,” you grumble. “But I can’t afford a place on my own.”
“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”
“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”
“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”
“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”
He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.” 
“Careful,” you warn. “You keep saying things like that and we might not make it to the library.” 
“You keep saying things like that, and I might not mind,” Aaron muses. 
You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once. 
“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”
“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”
“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck. 
“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”
“Everyone loves me,” you correct. “Including you.”
You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.
“You’ve got that right.”
He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on. 
“You’re a threat to my grades, y’know.”
“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”
“A dastardly plan,” he says with mock austerity. 
“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”
Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs. 
Falling in love with Aaron Hotchner has been the easiest thing in the world. 
“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”
“As long as you don’t tell everyone how whipped I am for you,” you tease.
“Looks like we’ve both got reputations to keep up.”
“Looks like it.”
You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air. 
(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)
You had sky-high aspirations when you were younger. 
Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it. 
You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.  
They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing. 
All you’ve ever wanted to do is help people. 
And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong. 
You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you. 
Because god— what are the odds? 
What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother? 
It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years. 
It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time. 
If the cops want to invade your privacy even further, they can get a goddamn warrant. 
Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”
“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”
“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you. 
“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.” 
“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties. 
You wonder what he sees when he looks at you. 
“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?” 
“Not one for small talk,” you remark. 
“I never have been.” 
“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.” 
You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now. 
You suppose one has to be like that, to try and get anywhere with the types of criminals they face. 
“How long have you been living in St. Louis?”
“Seven years. I’ve had that house for three.” 
“Rent or own?”
“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”
“What inspired the move?”
“Close enough to home to be familiar, far enough to not be.” 
“And home is?” 
“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.” 
“We prefer to get our information from the source,” he says. 
“Sources can lie.” 
Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.” 
Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.” 
He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up. 
You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had. 
You swallow the memory. It still tastes as sour as the day it happened. 
“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”   
“None of those sound like questions,” you say. 
“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly. 
“I don’t know,” you admit. 
“You don’t know,” he repeats. 
“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.” 
“And you’re telling me you haven’t questioned it.” 
“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.” 
Aaron’s eyes sharpen. “What did you say to him?” 
“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.” 
“You didn’t tell him—” 
“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?” 
He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse. 
“Good,” he nods. “You could be putting lives in danger if you do—including yours.” 
“Please,” you scoff. “He won’t hurt me. He never has.” 
“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.” 
“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?” 
“That’s an awful lot of faith to put in someone who hasn’t earned it.” 
“I’ve gotten good at that over the years,” you reply. 
Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly. 
“And you’re wrong, by the way.” 
“About what?” he asks. Again, unshaken. 
“I don’t have a law degree,” you say. “I dropped out.” 
And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you. 
“Why? You were only a year out. You had stellar grades.” 
“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.” 
“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”
“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.” 
“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least. 
“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.” 
Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.” 
You huff a mirthless laugh. “Excellent profiling.” 
“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.” 
You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron. 
“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?” 
“You know th—” 
Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.” 
The room feels a lot colder all of a sudden. “Sure.” 
He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file. 
“I’ll be back,” he says. “Would you like anything? Water?”
You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking. 
“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.” 
“The profile—” 
“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.” 
“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.” 
“I suppose we’ll find out,” he says evenly. 
He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this. 
For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right. 
You have to be right. 
The room feels even colder. 
Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do. 
You wonder the kind of things they’ve come up with about you and him. 
-
Morgan whistles when Hotch walks out of the interrogation room. 
“She does not like you.” 
“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie. 
“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.” 
“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands. 
Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor. 
“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.” 
“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”
“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.” 
“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him. 
And Hotch knows your past is your business—he just can’t believe you never told him. 
He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things. 
“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”
Morgan frowns. “Explain.”
“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”
“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”
“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.” 
“Other fathers to take his place,” Morgan realizes, and he nods again. 
“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.” 
“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.” 
“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”
“That’s how she is,” Hotch claims.
“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.” 
Hotch glares at her, and Reid clears his throat to insert himself back into the conversation. 
“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.” 
They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego. 
“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.” 
Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.” 
“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside. 
He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”
You nod. You already seem more at ease than you were with him, and it makes Hotch… 
Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore. 
Hotch doesn’t get why a side of his brain still thinks this way about you. 
“They sent a new one in,” you say. 
“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”
You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual. 
“I can imagine.”
He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off. 
“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.” 
“Shut up, Morgan,” Hotch mutters.
He chuckles and holds his hands up, and focuses back on the interrogation. 
The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time. 
Time doesn’t always heal all wounds, he thinks. 
When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”
He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”
“What about her brother?” Prentiss asks. 
“The more we learn, the more I suspect him,” Morgan says. 
She nods in agreement. “We just have to find him.”
Hotch isn’t sure yet. 
But for your sake, he hopes his gut feeling is wrong. 
-
Spring has finally sprung in DC, and you couldn’t be happier. 
It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once. 
You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron. 
You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s chest as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard. 
You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you. 
It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round. 
You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed. 
Aaron says your name, and you hum. 
“Are you listening?” he asks. 
“Of course,” you say. 
“Your eyes are closed.” 
“I don’t need my eyes to listen,” you say wryly. “What’s up?” 
You feel him tense for a moment, feel him adjust his position slightly. 
“I got a call from Haley,” he says carefully. 
Your eyes open and you frown. 
You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.
It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate. 
“Yeah? What’d she want?”
“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”
You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.
“Your high school girlfriend wants to catch up.”
“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.” 
“...Okay,” you say slowly. “Do you want to see her?” 
He shrugs. “I thought it would be nice.”
“Do you think she thinks it’ll be more than nice?” you ask. 
“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.” 
Your eyebrows rise. “Your mom gave your ex-girlfriend your number?” 
“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.” 
You chew on the inside of your cheek, trying to think as you look at Aaron. 
You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction. 
But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up. 
“Go for it,” you finally say. 
He frowns, like he was expecting the worst. “Really?” 
“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.” 
You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you. 
“Thank you,” he says. 
“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.” 
He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder. 
“I love you,” he says. It feels more like a reminder than anything. 
You entangle your fingers together and press a kiss to the back of his hand. 
Sometimes you need reminders. 
“I love you too.” 
-
“Four more bodies,” Prentiss mutters. “God.” 
“You can say that again,” Morgan murmurs. 
Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third. 
No one expected this to happen so soon. 
The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt. 
Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work. 
An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation. 
Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved. 
He sees Jack in every single one. He can’t help it. 
Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press. 
Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount. 
“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.” 
He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”
“And his neck,” Morgan mutters. “He’s half decapitated.” 
Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.” 
“You think he’s devolving,” he says, catching on. 
“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.” 
-
The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight. 
JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city. 
The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information. 
“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.” 
“What are they?” Hotch asks. 
“He was on the road all night when the third happened,” Reid says. 
“And how do we know?” Prentiss asks. 
“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.” 
“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”
“Do we have footage from any of those places?” Hotch asks. “We need to make sure.” 
Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.” 
“What about a second unsub?” Morgan suggests. 
Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.” 
“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?” 
“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.” 
“Maybe we’ll figure something out in questioning,” Reid says hopefully. 
Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.” 
“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.  
“And?” Hotch asks. 
“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.” 
Hotch frowns. You? 
“You’re sure?” he asks. 
“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.” 
“And you’re sure about that, too?” Hotch asks again. 
“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.” 
“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.” 
“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up. 
“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.” 
“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.” 
Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.” 
Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail last year.” 
“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.” 
“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.” 
“He’s trying to get back at his dad,” Prentiss says. “We know that.” 
“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.” 
“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.” 
“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.” 
“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says. 
“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”
“He’s coming to the end of the line,” Prentiss nods. 
Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him. 
“His next crime will probably be his last before he goes out himself,” Reid says. 
“You think it’ll be a murder-suicide?” Morgan asks. 
“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.” 
And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him. 
“If his dad was still alive, I’d say he would be the target. But the only one left—”
“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him. 
“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?” 
“The last victim,” she says as she starts following him. “The one person he never managed to save.” 
“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.  
“What’s up, sugar?” she asks. “Got anymore leads?” 
He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—” 
“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.” 
“What would I do without you?” he asks. 
“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.” 
“Always,” he responds, and he hangs up. 
Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him. 
Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze. 
“We’ve got an extra one for you,” Reid says, reading his mind. 
“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.
“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”  
And he does. 
-
You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear. 
Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale. 
A shiver runs through you, the weather only partly to blame. 
Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner. 
It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff. 
Of course you have to deal with this now. 
Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down. 
“You’re already packed.” 
You shrug. “I’m nothing if not efficient.” 
“I could’ve helped you with all this,” Aaron says, frowning. 
“Why do you think it’s done already?” you ask. 
His throat bobs and he opens his mouth, but nothing comes out.
“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.” 
“You didn’t have to do that,” he says. 
“You know what they say about a clean break,” you intone.  
“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks. 
“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?” 
His lips pull into a taut line. “I didn’t cheat on you.” 
“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.” 
Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit. 
“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk. 
“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—” 
“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”  
“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him. 
“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?” 
“That’s not what happened,” he says, but you’re already shaking your head. 
You take the box from him and smile thinly. 
“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”
-
You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open. 
You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.
“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”
His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”
“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.” 
“They haven’t been back, have they?” 
You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail. 
Your smile fades. “Don’t tell me you’ve been drinking.”
“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests. 
“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.” 
He huffs, and you can practically hear him roll his eyes, but he stops. 
“Did you go to class today?”
“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff. 
“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”
“Yes,” he mocks. “I went to class.”
“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.” 
His smile is a bit thin, but he nods. “Thanks. How was work?”
You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”
“She’s still on it?” Luke asks, and you can’t help but smile a bit. 
“Don’t act like you know what I’m talking about,” you say. “Just agree with me.” 
“I agree with you,” he says. 
“That’s it,” you muse. 
Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up. 
“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.” 
“...Of course,” he says, and he takes it back. “Glad I could help.” 
“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.” 
“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?” 
You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”
“…Good,” he says. “I can tell they’ve stressing you out.”
“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.” 
You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to. 
“You remember that guy I dated when I was still in law school? Aaron Hotchner?”
“I think? I was in jail, so.” 
You roll your eyes. “I know I told you about him when I visited you while we were together.” 
“I remember you telling me how he broke your heart,” Luke says. 
“That’s not what I’m saying.” 
“Then what are you saying?” 
“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”
He frowns. “What’d you say?”
“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.” 
“What have they said about me?” he asks. 
“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…” 
You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.” 
You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.” 
“Don’t worry,” he says. “I’m careful.” 
“I doubt that,” you say wryly. “Still, though. I worry about you.” 
“Shouldn’t it be the other way around?” he asks. “I’m your older brother.” 
“I worry about everything,” you say. “It’s my thing.” 
You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home. 
“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”
Lucas doesn’t respond, though you hear the scrape of the chair as he gets up. 
“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”
Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.” 
“I’m sorry.”
The words come out as a murmur, but you can tell he’s much closer than he was before. 
You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard. 
Then, there’s nothing. 
-
Hotch has been breaking every speeding law there is. 
The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at. 
It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims. 
If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger. 
His hands tighten on the steering wheel. 
“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”
“No one can hurt her if she’s dead,” Morgan mutters. 
“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”
“Yes,” he says, though he wants to say what kind of question is that?
You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that. 
It doesn’t matter that you have history. It doesn’t matter that you likely hate him. 
It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.  
Aaron Hotchner is not going to let you die. It’s as simple as that. 
Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”
“JJ and Rossi are on their way,” she says. “Are you headed to their place?” 
“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.” 
“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.” 
“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”
Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching. 
“Tell me how to get there, Prentiss,” he says. “He’s there.”
“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”
“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”
“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up. 
“What?”
“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”
Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”
“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”
Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night. 
And now… 
Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not. 
“Thank you, Garcia.”
“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?” 
For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it. 
“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.” 
“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.” 
“Thank you,” he says. 
“Good luck, Hotch,” Garcia says softly. 
Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him. 
“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.” 
His knuckles go white around the steering wheel, and for once, Hotch can’t find the words. 
-
It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why. 
You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes. 
Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs. 
Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?
Lucas was the only one there with you. So either he’s in the same situation, or he—
“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops. 
For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze. 
“I was worried I was too rough,” he says softly. “But you’ve always been resilient.” 
“Lucas,” you breathe. “What the fuck is this?”
“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.” 
Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.
You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body. 
You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life. 
And if there’s ever been a fucking time to be persuasive, it’s now. 
“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.” 
He shakes his head. “I know you. You’d run.” 
“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?” 
“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.” 
“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.” 
“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.” 
“I’ve always believed in you,” you say. 
He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”
You shake your head. “That’s not true.” 
“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.” 
You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises. 
“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”
You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided. 
“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?” 
“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!” 
“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.” 
“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”
“He ruined us,” Luke murmurs. “And I’m finally going to fix it.” 
All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to. 
Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.” 
“I wouldn’t dare,” you say weakly. 
When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget. 
Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out. 
You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here. 
You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now. 
“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.” 
“I didn’t,” you insist. “They’re profilers—they figure things out.” 
He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.” 
He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.
“FBI,” he barks. “Hands up.”
Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head. 
“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.” 
“Put the gun down, Lucas,” Aaron says. 
“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”
“Put the gun down,” he repeats. 
“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.” 
“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.” 
“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.” 
“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?” 
“Trust me,” Luke says. “I’m not losing her.” 
He flicks the safety off and you flinch. He’s going to kill you. 
“Put the gun down,” another agent warns. 
“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”
“We’re not doing that,” the woman says. Agent Prentiss, you think. 
“Really?” Luke chuckles. “You think you hold the cards here?” 
“It’s okay,” Aaron says. “Go.” 
Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave. 
“Wow,” Luke muses. “They really trust you.” 
“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.” 
“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”
“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”
“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?” 
“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.” 
Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.” 
“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.” 
“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.” 
“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.” 
“No,” he whispers. “No—we can’t.”  
“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.” 
For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you. 
“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.” 
You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you. 
And then it happens so quickly you barely process it. 
There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground. 
You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you. 
Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him. 
Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force. 
Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead. 
The only part you had left of your family—gone, just like that, with four other families ruined in his wake. 
Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.
“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”
“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”
A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms. 
“I know.”
Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment. 
“You were shot,” he says with your name. “We have to get you to a hospital.” 
You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers. 
But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron. 
“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!” 
You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours. 
“Aaron,” you whisper, your strength fading. You don’t think he hears you.
He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete. 
“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.” 
And as the world goes black around you for the second time, you see his lips form your name. 
It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die. 
-
You wake up in the hospital alone.  
You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you. 
The real surprise is that you wake up at all. 
Lucas is dead. 
He tried to kill you. You thought he succeeded. 
You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real. 
You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life. 
You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day. 
Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all. 
You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life. 
And you can’t stop playing it all over in your mind. 
He was going to kill you. 
Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU. 
Had it not been for Aaron Hotchner. 
The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him. 
“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you. 
But there’s relief there, too.
He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside. 
“How long have you been here?” you ask, your brows furrowing ever so slightly. 
Aaron closes the door and sets his coffee on the table before he answers you. “Three days.” 
“And how long have I been here?” 
“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.” 
You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”
“How bad was it?” you ask. 
Aaron glances away. “You died on the table. They managed to bring you back, but…” 
“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.” 
He shakes his head. “If anyone’s allowed to joke about this, it’s you.” 
Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.  
“You were out for two days after,” he explains. “This is the first time you’ve woken up.”
“Why are you here, Aaron?” you ask quietly. “Why have you been here?” 
Aaron frowns. “Where else would I be?”
Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start. 
“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.” 
“It’s not a crime to want to see the best in people,” he says. “Especially your family.” 
“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”
“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.” 
You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!” 
“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.” 
“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—” 
You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same. 
“And I just don’t know what to do,” you repeat, barely a whisper. 
You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life. 
“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.” 
“Aaron,” you start shakily, but he continues. 
“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”
He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number. 
“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.” 
You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner. 
“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.” 
“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”
For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…
Somehow, you’ve ended up on a completely different side together. 
“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.” 
“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.” 
“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit. 
“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.” 
“I imagine you’re pretty busy,” you murmur. “Unit chief and all.” 
Aaron shrugs. “I make time for the things I care about.” 
Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.
“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out. 
“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume. 
“I’ll give you some time alone,” Aaron says.
Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.  
“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.” 
Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down. 
“Okay.” 
And he stays. 
This time, he stays.
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prettiestlovergirl · 2 months
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YOU CAN BE THE BOSS
tw: MDNI; fem!reader; slytherin! reader; unprotected sex (wrap it b4 you tap it); rough sex; degradation kink; hair pulling; dacryphilia; begging; some drinking; dom! mattheo; bratty! reader; french! mattheo; impact play.
concept: you and mattheo have been enemies with benefits for a while now, but after you score higher on a test... he wants to make sure you still remember your place with him ;) song: you can be the boss by lana del rey
a/n: still pushing the french! mattheo agenda bcos bilingual men make me go weak in the knees (and ruin my panties). my french is still shit, they do not teach you kinky pet names in high school french class! so bear with me you guys. enjoy, my lovelies! 𓆩♡𓆪
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mattheo riddle was the bane of your existence and the source of all your most recent orgasms.
you couldn't stand each other! he thought you were an insufferable know-it-all and you thought he was a cocky asshole. if it were up to you, you'd have never had to interact with him again.
then, after one late night in the library, it was like a flip had switched on in you both. you still couldn't stand each other, sure, but suddenly you both seemed much more bearable to the other when his cock was bruising your cervix.
and thus began the new phase of your relationship: taunting and teasing each other in public and then fucking out your grievances in private. it was the perfect system, really.
today, you had been particularly insufferable to him. you'd scored exactly two points higher on a charms test and hadn't stopped gloating. you needed to be brought down a peg or two, and mattheo knew just how to do it.
you were both in the common room, the quidditch team having thrown a party to celebrate your house victory in the game against ravenclaw.
you were certainly cocky today and you knew it, your small academic victory had made you a bit giddy. normally, you wouldn't have cared, but mattheo was so annoyed by it, you couldn't help but rub it in! how were you to know that there'd be consequences to your actions?!
when your eyes finally landed on mattheo, he'd been holding a red solo cup and talking with theo in the corner. he looked hot, not that you'd ever tell him that. he didn't need his ego getting any bigger.
you were used to him pouncing on you almost immediately after you spotted him, so when your eyes landed on him and he didn't even look over? you instantly knew that it was him being petty.
well, if he wanted to be petty, two could certainly play that game! he wanted you to come crawling to him and beg him to fuck you? you'd rather die! well, not die, but you know.
mattheo could feel your eyes on him, but he made no effort to look your way or give you any attention. if you wanted him, you had to put in the work tonight. if you wanted to be stubborn, he was more than willing to go home alone and leave you to suffer.
the next hour consisted of you trying to gain his attention in a multitude of ways. you flirted with blaise, danced with theo, even left a perfect imprint of your lipstick on draco, and nothing. little did you know, he kept a tally of every little act for... later use.
he continued to ignore you, despite the fact that he wanted nothing more than to grab you and fuck you right there in front of everybody. you weren't his girlfriend, but you were still fucking his, and you were absolutely gonna pay for your teasing.
after another 20 minutes, you were done. he was sitting back on the couch, the usual picture of cocky and casual that both turned you on more and simultaneously made you want to slap him across the face. it was a fine little line you walked daily.
you walked up to him, arms crossed over your chest as you narrowed your eyes at him. "fine! you win." you hissed, only to be met with his stupid smug smirk.
"i'm sorry? not sure what you mean, ma douce, (my sweet) what exactly did i win?" he questioned, giving you a fake n innocent look. "i win at so much, gonna need you to be more specific."
you should have just walked away. he was too cocky, it made your skin crawl, but fuck you needed him. "this! this stupid little game your playing, you win, i give up, lets go. now." you felt like a child, wanting to stomp your foot on the ground and beg for his stupid attention.
"ah, well, since you asked so nicely." he grinned, taking his sweet time getting off the couch and setting his cup down. he didn't grab your hand or look back to see if you followed him up the stairs; he knew you would.
"you are such a sore fucking loser!" you huffed once the door was closed, making him laugh at your annoyance and frustration. "so fucking dramatic." he smirked, hands already slipping under your skirt to grab your ass.
you moved to kiss him, but he turned his head away, instead choosing to place his lips on your neck. "dick." you whined, nails scraping over the nape of his neck while his teeth sunk harshly into your skin. "who? me. i'm being nice, don't want to ruin your pretty make-up, môme" (brat) he scoffed back, rolling his eyes at your dramatics.
you dug your nails into his skin as retaliation, but it only resulted in him spanking your ass so hard you yelped out. "un tel putain de gosse" (you're such a fucking child) he murmured as he brought his hands up and unbuttoned your school shirt.
his hands moved quickly to push the fabric off your shoulders, but his mouth moved slow and rough as he let his teeth graze over as much of your bare skin as he could. he might have been annoyed with you, but fuck did he love seeing you covered in his work.
you were getting desperate for more and he knew it, the slowness of his actions entirely purposeful. "mattheo, please." you begged, head leaned back as he smirked against your skin. "please, what? you know i like it when you use your words."
"i hate you." you grumbled, hissing lightly at the pain of his fingers digging into your waist. "sorry, 'm sorry!" you huffed, biting your lip before going on. "please fuck me. now." you half begged; half demanded.
"that's more like it." he smirked, spinning you around and smacking your ass once again. "get on the bed, salope (slut). on your stomach" he commanded, and you happily complied. you laid down on the bed, ass up in the air just like he'd told you to.
"putain (fuck), look at you." mattheo sighed, lifting your skirt up with his hands while he dragged your panties down just under your thighs. he used his hands to keep your spread open, admiring your already glistening pussy.
"you've been so cocky all fucking day, flirting around, bragging. what would they all say if they could see you now? all soaked and desperate." he cooed, dragging his thumb all the way through your folds.
you whined a bit, hips attempting to grind against his hand the best you could before his other hand came back up and spanked you harshly. "gotta stay still, ma douche (my sweet). don't wanna see your pretty little head get hurt." he teased, rubbing over your warm skin.
"s-sorry." you nodded, instantly whining as he pulled away from you. you kept facing the wall, but you could hear his belt being undone and him stripping right behind you.
mattheo groaned as he wrapped his hand around his cock, moving it up and down a few times as he admired the view of you all ready for him.
you wiggled your hips a bit, desperately waiting for him to put you out of your misery and fuck you. he chuckled at your desperation, smacking his cock against your ass just to hear you gasp and moan out.
"tease!" you huffed, grabbing the bedsheets gently as he started to slowly, teasingly, rub his cock through your wet folds. he was just trying to make sure your wetness was spread evenly, that's all! he was being a good fuck buddy.
"fuck, mattheo, please!" you begged, closing your eyes as he continued to tease and mess with your puffy cunt until you were close to tears.
"i had to watch you walk around, flirting with all my fucking friends like a fucking salope. (slut) now you're here, whining and begging for me to do you a favor? doesn't work like that, ma douce (my sweet). you take what i give you, got it?" he asked, spanking you again for good measure.
"'m sorry! 'm sorry, i know, but please, mattheo! need you!" you begged, his hand moving to hold your hip down to keep you from squirming while your arousal dripped all over his cock.
"you gonna be a good girl f'me? if i fuck you real nice, are you gonna keep running your mouth downstairs?" he asked, to which you immediately nodded. "yes! yes, i'll be so good, won't say a word, promise, just please!" you whimpered.
"well, if you promise." he teased, and thrusted all the way into your soaked pussy. he groaned as your walls fluttered around him. you'd fucked dozens of times at this point, but he never got tired of feeling your walls squeeze his cock.
he moved painfully slow, tearing out whines of anguish and frustration from your throat as you gripped his bedsheets. "what's wrong, ma douce (my sweet)? i thought you wanted me to fuck you." he mocked, squeezing your ass tightly.
"please, please, please!" you whined, desperate tears starting to drip down your cheeks as he pulled almost all the way out before slowly and roughly thrust all the way back in. you could feel every inch of him filling you up over and over.
"'m just doing what you asked, ma douce (my sweet). or do you need even more from me?" he scoffed, squeezing and massaging your ass as he continued his slow thrusts.
you instantly nodded, not caring that he was mocking you n calling you greedy. you were too fucking desperate and needy for him and all your tears only seemed to make him want to tease more.
"tellement putain de gourmande." (so fucking greedy) mattheo smirked, punctuating his words with another slap to your ass before finally giving in to your pleads for more and speeding up his thrusts.
"fuck! yes, thank you, thank you, fuck yes!" you moaned, his hips snapping roughly into yours as his free hand gathered your hair into a ponytail, tugging you back and making your back arch.
"such a needy fucking brat, what am i gonna do with you?" he scoffed, looking over your teary face as you continued to moan and whine as he fucked you rough and hard.
you couldn't speak, mind already so hazy from the way his cock stretched your walls. he pulled you into a sloppy kiss, swallowing your moans and squeaks of pure fucking bliss.
he tasted like the malt liquor he'd been drinking from before and you swore you were getting drunk off the taste. he sunk his teeth into your lower lip, groaning against you as he bullied your pussy again and again with no remorse.
your walls fluttered and clenched around his cock, signaling just how close you were to cumming. "mm, please, make me cum, please!" you whimpered against him as he pulled away from your lips, hand still tightly fisting your hair as he fucked you.
"that's it, that's ma douce (my sweet). be a good fucking girl and cum on my cock, yeah? cum all over my fucking cock." he commanded, watching as your legs shook on either side of him while you coated his cock in your creamy slick.
he let go of your hair and you practically collapsed against the bed, face smushing into the sheets. he continued to fuck into you, groaning at how much tighter you felt now that you came.
you whined as the overstimulation started to set in, but you were unable to squirm with your legs all jellylike and his hand keeping you in place. you sobbed in pure bliss, staining his sheets with your mascara and tears.
"fuck, that's it fuck." he grunted, biting his lip harshly as he slowed down. "fuck yourself on me, ma douce (my sweet). make me cum." he demanded, drawing another whiny cry from your lips.
"c'mon, you want to be a good girl, don't you? thought you were sorry for being such a brat, huh? fuck yourself on me." he cooed, kneading your ass while you pouted but nodded and forced yourself back up.
you rocked your hips back against him, working at a sluggish pace as you were still too blissed out to function normally. the alcohol n orgasm n cock still filling you up left your brain numb and blank.
after a few more rocks of your hips, he pulled out of you and started to tug his cock until his cum shot onto your back. he watched as your swollen n gummy cunt leaked with your juices, panting as he watched you collapse and he laid down beside you.
you both laid there until you both caught your breath. your eyes were heavy n you were already starting to doze off when he nudged you. "c'mon, lets get you cleaned up." he smirked, pushing himself off the bed.
"whatever you say..." you mumbled sleepily.
ᵈⁱᵛⁱᵈᵉʳ ᵐᵃᵈᵉ ᵇʸ @ᵐᵘʳᵘᶠᶠⁱⁿ
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halcyone-of-the-sea · 9 months
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omg stop a cap mactavish drabble where they're caught 'n he's gotta keep the reader calm would feed my soul
—Listen To My Voice
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⇢ ˗ˏˋ 5k Drabble Masterlist ࿐ྂ
╰┈➤ ❝ [He orders you to focus on him as the sounds outside the cell get closer. He promises nothing will happen to you. You know he's lying.] ❞
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“Jus’ keep your eyes open and listen to my voice, eh?” The heavy Scottish drawl snaps you back into focus, your head pounding awfully and pain ricocheting up and down your limbs. It’s a stiff and unyielding order. “C’mon now, Sergeant.” 
Coughing, you hack up splatters of blood onto your cargos—hands and arms tied down with rough rope that skins you every time you shift. 
“Fuck,” you mutter, blinking rapidly as the footsteps walk away from your holding cell and disappear with the slam of a far-off door. 
The Captain ahead of you grunts, his hard blue eyes sliding down the wreckage of your uniform; the open wounds and torn fingernails. He doesn’t look much better, truth be told. Your captors had taken pleasure in making you watch the other get brutalized—the vile rage in your eyes yet the inability to do anything. 
It was mental torture as well as physical.
“Oversight ought to know we’re gone,” Soap slides out smoothly, tilting his mohawked head to the side to study the room in casual sweeps, as if not bloodied and broken. “—they’ll be sendin’ out recon teams to scout the area in little under a day. Standard protocol.”
His voice trails, seeing your gaze locked onto the door of the cell, pupils nothing but tiny dots in your burst veins of the once white sclera. Blue finds the way your body shakes, and the man’s large fingers twitch along the arm of his chair.
In the back of his throat, he lets off a rumble and resets his stubbed jaw; the scar along his left eye shifting with his expression. 
“Sergeant,” your face twitches, but you don’t look at him. Inside your chest, your rattling lungs can nearly be heard aloud. 
Captain MacTavish’s lips tighten. “Didn’t I tell you to listen? Pipe up! This is important.” 
Your mind dances between hysterics and the numb oblivion of shock. While Soap had years to adhere to the idea of bare torture—even going through it before—you had no such luck. Experienced with weaponry, yes, but One-Four-One had only taken you on with the idea that you could become better than you already were. 
You’d never gone through an actual interrogation beyond training. 
Fast flinching eyes dart to your superior, chest heaving and adrenaline coating your expression. Blood drips to the floor. 
Soap grinds his teeth and sighs through his nose.
She won’t last like this, he tells himself—blunt and honest. He’d told Price it was a bad idea to let you tag along, and without the reassurance from his fellow, he would have straight-out denied you coming. Too inexperienced. 
This was exactly what he had been worried about. 
But, hell, if that fear in your eyes didn’t make his stomach knot; a heavy rage at the image of your broken skin as all he could do was watch. But it was a silent kind of fury. Weighted with the knowledge of revenge. 
While the man hated dogs, he sure acted like a loyal one. 
“One day,” the Captain tells you—hardened; inflexible. His orbs are like hard steel and his stiff body like rock. “You can take one more day. Just need to focus on me…Copy? I don’t want your eyes to leave me. Not through any of it.”
You push through your haze, staring into his eyes with the vile stench of fear in the air. It was human nature to not want to be harmed. To dread pain and suffering in all senses. 
This man seemed apart from that. 
The Captain grunts, harsher now, “Copy?”
“I-I,” you stutter, lashes fluttering. “I copy, Sir.” 
“Relay.” He barks, watching you closely.
“One day.” Answering immediately, you clear your throat and stifle your whimper of agony—a few of your ribs are broken. “I can make it one more day.”
“Good.” Soap’s accent makes the words clipped and true. Taken as law. “Nothin’ll happen that won’t be repaid. Keep that close, it’ll help.” 
“How many times have you been through this?” Talking helped with the nerves, your focus leaving the sounds in the distant hallways and the loud voices wafting in the vents. The room was cold; you shiver and grimace as your body moved. 
“Too many.” Soap huffs, pulling at his restraints with a heavy hand and growling under his breath when nothing happens. “Comes with the territory, you’ll get used to it.”
You lick your bloodied lips and feel the cuts in them. “...Is that a good or a bad thing, Sir?” 
His lips twitch into a low smirk, shooting you a sly narrowing of his lids. “Well, I’d say that’s up to you now, isn’t it?”
In the grimness and the barbarity, you huff what can be described as a dead woman’s laugh. 
The Captain, still trying to find a loose area of the rope, grits his teeth and utters, “There’ll be no deaths here ‘cept the ones outside this cell, eh? Like I said—focus. When I tell you something, I don’t care how hard it is, you’ll be listenin’ to me. Got that?” 
Footsteps sound up again from beyond, and you tense, eyes flinching wider. Soap grunts out an order and you keep your feral gaze locked on his. Blue eyes bore into you, flaying their meaning deep into your body like you’re made of clay. The uptick in your pulse makes you shake wildly. 
“Keep those eyes right on me. Nothing’s goin' on that’ll kill you, aye?” The door turns and the unlocking of the barrier snaps like electricity up your spine. You want to run, but you know you can’t.
And through it all, you stare straight into Captain MacTavish’s frozen eyes—his strong brow pulled in with authority. He nods his approval with a quick jerk of his head. When the door opens, you can’t help but fear he’s lying.
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mejcinta · 4 months
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Aegon and Aemond vs The Strongs: A Show of Loyalty.
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To this day it's still strange to me that people misinterpret the dinner scene for one or another reason, misreading the words and actions of the characters using bias and/or team politics.
The episode 8 dinner scene picks up from the previous episode years ago on Driftmark when Aemond lost his eye. It is meant to show us what feelings the Greens harbor towards Rhaenyra's family years after a feud broke between them.
Throughout the dinner Aemond focuses on the Strong boys: Luke sitting across from him and Jace who failed miserably at 'turning the other cheek' and disrespected Aegon by asking Helaena for a dance.
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In fact, before taking a seat Aemond is heard lamenting to Aegon about how he hates that they have to break bread with Rhaenyra's brood (I'm paraphrasing but you'll hear it before Viserys is carried into the room).
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In the end, both Aemond and Aegon answer to the contempt and audacity the Strong boys showed them. The scene by all means effectively managed to show us how the brothers now work as a unit compared to when they were younger and Aemond suffered bullying on his own.
Aegon supported Aemond's derogatory toast and even tackled Luke (the boy that gouged out his brother's eye) when he tried to join Jace against Aemond.
And Aemond dealt with Jace squarely in response to the disrespect he showed Aegon and Helaena (we all know that dance was not about Helaena for Jace, but coming between a married couple that has an image to uphold and as revenge against Aegon who foolishly made a move on Baela to insult him).
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From the very start of the scene it's clear that neither Aemond nor Aegon wanted to be at the dinner. They hated that the Strong boys were there and even bitched about them before Viserys arrived.
Aegon's sly behavior with Baela was a provocation he started in response to his displeasure at Rhaenyra and the Strongs being there and Viserys' wish for them to bury their differences without acknowledging Rhaenyra's wrongs. Aegon was pressing for tension to erupt at every chance he could get.
Aemond silently watched him go and did not stop him for a reason. He couldn't bring himself to rebuke Aegon's mischief, not if that meant making the Strongs upset.
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He only intervened when Jace almost lost his cool on Aegon, standing up dominantly to give warning to his nephew and Aegon to a lesser extent (who eyed him knowingly).
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When Helaena rose up to justifiably humiliate Aegon with her toast, (she was clearly upset about his sexual misconduct with Baela and earlier with Dyana) Aemond's reaction isn't shown.
However, when Jace stood up to ask Helaena for a dance with his eyes fixed on a scandalised Aegon (Jace had every intention here to get back at Aegon, not to be the better gentleman), Aemond took notice, meaningfully locking eyes with Aegon, but kept his cool nonetheless; whereas Aegon quietly seethed and squeezed Helaena's beetle (reportedly a gift he'd offered her before the dinner) in his hand.
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Aemond monitored Helaena because he doesn't trust the Strongs with his family. And I'm sure Aegon would've done the same if he was seated in a position where he was free to watch the mother of his children in Rhaenyra's bastard's arms.
Note how he was staring at Rhaenyra while Aemond monitored Heleana and Jace.
The Targtowers clearly watch out for each other when faced with external forces, just as Alicent said they should in episode 6: "In the world we must defend our own".
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When the roasted pig arrived on the table Aemond suddenly took notice of Luke giggling at him, reliving how he and Jace (and a now repentant Aegon) would make fun of him for being dragonless.
The insult was probably less about the pig to him and more about what happened because of his dragonlessness. He gained Vhagar then lost his eye in a sickening twist when the same boy laughing across at him swung a blade at his face!!!
Finally, Aemond lost his cool. He snapped and attacked the Strongs with his infamous toast.
He did not make the toast because of Jace dancing with Helaena, like some believe. He did so because of Luke who had the gall to laugh at his pain!!
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Aegon readily supported Aemond because he too was itching to get back at the Strongs, particularly Jace who despite of having insulted Aegon by dancing with Helaena, could not handle the pun in Aemond's toast.
Aegon and Aemond were obviously fed up with the pretenses at that point of the dinner. From the very beginning of the dinner scene and their interaction with each other, their disgust at the Strongs and Rhaenyra was apparent. They hate that those three can get away with having a lord (Vaemond) murdered in cold blood on top of disabling Aemond without consequence!
How safe is their family? How can they trust the Strongs and Rhaenyra when punishment and death follows everyone that dares to challenge them? That is why Aegon and Aemond were evidently frustrated with Helaena and Alicent respectively at the dinner. The boys believe they know a threat when they see it while the ladies are more accomodating of Rhaenyra and the Strongs, Alicent especially believing (perhaps out of resignation) that there could be a chance at peace.
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What transpires after the toast shows the factions within the Targtower family itself. Alicent and Helaena being more open and neutral, Otto wanting to maintain appearances and Aegon and Aemond being understandably doubtful and hostile.
The scene is so much more complex and informative. It shows us the relationships between the Targtowers and what their stances on Rhaenyra's party is. How they work together and how they are divided.
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sarafinamk · 2 months
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Fallen Angel (Smiling Critters Space Riders AU Reader Insert) Part 1
Summary: You failed as the Prototype's "archangel," and this is your punishment; being left to die while at the mercy of your enemies.
(This is my contribution to the Smiling Critters Space Riders Au. Please check out the talented @onyxonline for more context. I hope y'all enjoy.)
TW: Blood, Injury, Near Death, Imprisonment, Trauma, Death Implications, War, Witchcraft, Religious Trauma, Religious Imagery and Symbolism, Religious Cults, Religious Worship, Slight cursing
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You had one job: lead your people to victory. You are a warrior, a healer, a messenger. You are an archangel that needs to spread the word of the Prototype by any means necessary. You need to do your part to save the souls tainted by the condemned ways of the heretics. That’s why you’re here in the first place. Instead, you failed…
It's hard to say how long your mind has been hazy for. All you know is that it burns so much. Fiery hot and raging cold sensations dance and mingle around your body especially where blood was pouring out. The feeling of liquid invading and burning your lungs worsens the more you try to gasp for air. Flashes of light won’t stop assaulting your eyes even as spots of darkness slowing dance their way into your vision. As you close your eyes and try to ignore the sharp tingling in your eyes, one thought stands out among the rest.
‘So, this is what damnation feels like…’
A blurry orange figure looms above you followed by a red and a blue one. They shield you from the harsh light, prompting you to slightly open your eyes. More figures loom around you. All the sounds echoing around you are drowned out by the blood rushing in your ears. You suppose that this is a fitting punishment. You failed your people, yourself, and the Prototype. And now they have come to take you away, to give you your just deserved judgement. The thought alone is enough to make you whimper as your body curls around itself protectively. You try so hard to ignore the inferno now growing where your wounds are. This proves to be futile as hands pin you down, preventing you from curling in on yourself. The sounds grow more urgent, louder even. You couldn’t resist their grips anyways. You should’ve known it was futile to fight the inevitable. As blackness conquers the last of your vision, you pray that you will be granted mercy. You pray that your sins will be forgiven. You pray that your dedication to your duties will lead you to the happiness you have been promised. You pray that you have done enough to grant you eternal happiness. And you pray that you will continue to do good in the next life you are given…
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The team has been waiting outside the operation room for hours. Bubba and Bobby wasted no time getting you into operation considering your critical condition. Dogday has been pacing nonstop since getting you onto their ship. He was the one who insisted on taking you with them despite the protests from his teammates. Memories, emotions, and questions spiraled around and around his head, never giving him a second to rest. You’ve caused a lot of damage to not only his team but other parts of the galaxy. Dogday, however, being the sunny, kind-hearted leader he is will be damned if he just left another victim of the Prototype to die. Given the state of your injuries, unfortunately, the chances of your surviving in the long run are slim to none. That was stated by Bubba himself. Regardless, they still had to try, at least.
The canine knew that part of it was wishful thinking from Bubba and a couple others. Dogday can’t say he blames them for disliking the idea of helping one of the Space Riders’ most dangerous enemies. Leaving you to suffer the consequences of your actions means one less enemy to worry about. No one knows how or why you became the Prototype’s archangel apart from your Divinity powers. And maybe Catnap is right about the fact that Dogday’s heart is too forgiving for his own good. It’s just that that thought of leaving you, lying down, alone, and bleeding on the battlefield doesn’t sit right with him. That is not what the Space Riders is supposed to represent. They’re meant to give victims of the Prototype a second chance at life.
If you survive… maybe he and his friends could give you that chance. He hopes, at least. You could help a lot of people and use your powers for good. The riders could have a powerful friend and ally by their side. You could protect them like how you always protected your troops and the Prototype in past battles. You could have people to turn to and not leave you to die alone in the battle the moment things spiral downhill.
Dogday isn’t entirely naïve, though. Even if you survive, and you do agree to change your ways, there will be a lot of obstacles in your path. The obvious one was getting backlash from the Commander and members of HQ. The riders would have to disclose that they are hospitalizing one the most wanted enemies in the galaxy sooner or later. Given everything you’ve done, people are going to demand justice. Some will want to draw blood in the name of vengeance. Dogday would rather not risk that possibility. Maybe he and Bubba could find a way to convince the Commander and the Council to let you serve your sentence here under the riders’ supervision while you are being treated.
Time was passing so agonizingly slowly compared to Dogday’s thoughts. He wishes he could get some news on your condition now. At the very least, a slow update would suffice. Anything would do to finally put his aching head to rest. As if the heavens finally decided to answer him, the doors finally opened. Everyone, asleep or otherwise perks up hearing Bobby approaching. Her eyes droop, but her small, satisfied smile told everyone what they needed to know. Dogday breathes out a sigh of relief. You still need to be monitored for the time being. The surgery may have been successful, but that doesn’t mean it will be a guaranteed smooth sailing recovery. There are still a lot of risks that need to be accounted for at this time. The Space Riders rescued you in time, and that thought is enough to finally put the canine’s whirlwind of thoughts to rest. Dogday can now focus on the next priority; figuring out a way to disclose the recent events to the people of HQ.
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augustinewrites · 1 year
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before the start of each academic year, the akademiya hosts a welcome ceremony. back when alhaitham was a student, he really didn’t care to attend. there was no academic advantage to attending, and he didn’t care for the research opportunities he could glean from networking. 
his reasoning came more from contrarian deposition rather than moral conviction, and has not changed since. not when he was a student, not when he was a graduate student, not even when he became the scribe. it was simply because he’d gone once and it was, in his opinion, incredibly boring.
the two of you basking in the afterglow of post-coital bliss when you bring it up.
you’re tracing soft, nonsensical patterns across his chest, lulling him into a false sense of comfort. “so…about the welcome ball…”
“i am not going.”
“haitham,” you pout. “we have to go because we’re faculty. think of it as mandatory fun!” 
“you’re using an oxymoron,” he points out flatly.
“no, you’re the moron.” you giggle, reaching up to poke his cheek. “you’re also the grand sage.”
“acting grand sage,” he corrects, turning his head and biting playfully at your finger. “and as far as i’m concerned, attending social functions is not in my purview as the temporary replacement.”
the two of you have been going back and forth about this for the past week. but alhaitham, the former captain of the akademiya’s debate team, had beaten you at every turn. now you were delivering your final rebuttal, which was smartly planned to happen following your…ahem, illicit nighttime activities, when he was more pliable and susceptible to suggestion. 
“it may not be in the grand sage’s job description, but in your job description as a boyfriend? i declare that it’s mandatory.” 
“so this is a dictatorship, not a relationship. noted.” 
he laughs when you smack his shoulder. “if you don’t come, i’ll tell everyone you’re stuck at home due to uncontrollable bowel movements.” 
“and i’ll tell them it’s due to your poor culinary abilities,” he counters.  
you gasp loudly, clearly offended. “what if i tell them that the great haravatat alumnus, the akademiya scribe, and current acting grand sage alhaitham fell asleep reading a book?”
“what will you tell them i was reading? your thesis?”
you smack him in the face with your pillow this time, rolling over with a decisive hmph and taking the duvet with you in an act of petulant defiance. 
his face breaks into an easy grin, chuckling softly as he reaches out to curl an arm around your waist, pulling you close. he presses his lips to the top of your head. “i’m just teasing. if you want me to go, i’ll go. you don’t have to blackmail me.” 
“you don’t have to,” you hum. “ i’ll just go with general mahamatra cyno. he’s probably a much better date than you anyway. he’ll hold my hand and refill my drink. i bet he’s a better dancer than you are too.” 
“i suppose i’ll just have to prove you wrong then.” 
_____
the welcome ball is…tolerable at your side. alhaitham may be the acting grand sage, but sumeru’s international relations would certainly suffer if he was left to his own devices when it came to navigating small talk. 
he’d been in the role long enough to learn not to outright insult other dignitaries, but he was always quick to point out what could be improved or what wasn’t working with little discretion. 
that’s where you come in. you’ve always been inclined to politeness, effortlessly easing yourself into conversations and saving him. he appreciates it, even when he has to watch lord kamisato of inazuma’s tri-commission kiss the back of your hand with the utmost reverence.
perhaps it's his jealousy that prompts him to ask you to dance. or perhaps it’s because if alhaitham had to choose between making a fool out of himself and proving you wrong, or maintaining his dignity and proving you right, he’d choose victory nine times out of ten. 
(he’s quickly realizing that he should have let this be the tenth.) 
the room that was much too hot and crowded came alive with movement as the quartet began the smooth notes of a waltz. 
he’d read up on the basics the night before, studying the correct steps and positions and commiting them to memory. he considered himself well enough informed that he didn’t take kaveh’s offer of a dance lesson. more time on contemplation, less on execution, right?
wrong. he still steps on your toes and dips you on the wrong beats. 
but you, with your starry optimist eyes and unending patience for him, don’t let go of his hand, telling him you’re not going to let him leave until he’s given you a proper dance. 
reminding him with a teasing grin that this is a dictatorship, after all.
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mhsdatgo · 2 months
Note
Do you think the show is biased against the Greens vs. Team Black? If so, how should the show have demonstrated that both teams are awful, in your opinion?
Hello anon!
I've got a lot to say on this one.
First of all, yes. I totally think that the show had some obvious kind of bias towards the Blacks. Not necessarily with the way the Greens were treated as devils with no likeable qualities except for Alicent (even if there are several instances of them doing so) but more because of the way the Blacks were whitewashed.
Rhaenyra.
Look, you'll never catch me not expressing my contempt for this woman, no matter the fact she was brought up by a man who did nothing but spoil, enable and indulge her in everything and anything she says and does. I can see the path they're taking in the show by adapting her as an irresponsible woman who flees at the minimal inconvenience and cowers to her dad at any minor inconvenience, but literally everything that makes her Rhaenyra Targaryen, Rhaenyra Targaryen, is removed.
She just looks like the next girlboss Targ Dragonrider queen after Daenerys. They basically made GOT season 8 and sent show!Rhaenyra as an apology. But in doing so they basically made her... Boring. Her and her children, which I don't love or hate. (The closest one I am to "liking" is Jace, I guess, but the leaks are just making me rethink everything again.)
I would've loved it if they had given us ONE pre-Dance book!Rhaenyra scene that would've made her appear more ruthless than what we have on the show, and not just the time when she offered 10 year old Aemond to be tortured. Make her ask Daemon to go after Vaemond (sorry pookie) like she did in the books, make her feed his corpse to her dragon. Sure that wouldn't have made me change my mind about how much I dislike her bUt it WOULD'VE made me go "damn she stands on business."
I wanted her to act out of grief and insist on going to war when she miscarried Visenya and lost her father, because although I don't think that the Greens did kill that poor little girl (she had dragon features and was likely going to die anyway) I do think that Rhaenyra should've been allowed her pain and the irrational and impulsive thinking that comes with it.
Alicent.
OH BOY.
Where do I even begin with this one?
Olivia Cooke SLAYED. Lemme just start with that. She took the whole cake and ate it too and left no crumbs. The direction they've taken with her is a realistic one, at least for the actions and decisions she's taking. Reckless, for sure. Risky, deathly even. Her fear is realistic, even for someone as Alicent Hightower no matter how much determination had protected her from dread.
What I don't like is the way she was treated as everyone's object and her shutting up about it. From Rhaenyra to Larys, everyone uses her for their own disgusting pleasures or outlet of frustration. And she's made to take it without fighting back even once. The one time she does, bless her, she's treated as a woman who's gone mad.
Now, I would've been fine with her taking all these hits if only they knew how to make Alicent change properly and completely from there. If it was me, the incident at Driftmark would be my start to revenge. No longer would I look at Rhaenyra with hope to reconcile with her. No longer would I bear any more of Viserys' shit when it's clear his first daughter (the image of his first wife) bears way more importance to him than me and all the four kids he forced me to have combined.
They'd have to nightly talk me out of suffocating him with my pillow a minute more for every wince and ache my now eyeless son suffers, for a month straight if not more. I wouldn't eagerly stand by his side and listen to his last words only to mistake them for permission to go along with my plans. I'd stand there passively at best, waiting for him to be done, before leaving the room.
Everything else can just be left the same way it was. Her fear when she realizes the effect Viserys' death has on her and her children is realistic. I'd break down for a moment too. I'd act as soon as I could too. I'd cry tears of relief, dread, grief (depends on how you interpret that scene) too. After letting his stinky ass rot for a fortnight. I would've preferred this to be a "there was a plan, but we weren't ready to act it out" situation more than a "what the fuck is going on" situation.
I'd also slap that "you toil in service of other men" dialogue from Rhaenys right back in her face (sorry grandma) since if we're talking about the show, it's literally the only thing she has done throughout the season.
House Velaryon.
HEAVY on this one. They have been done so wrong on so many levels. Every single one of them.
Laena was made to "pursue" Daemon, she changes from a precious, small and shy little girl to a confident, seductive young woman (teenager for fuck's sake, screw everyone who thought making her change this way would've been good) and later on a side piece, "the one Daemon settles for because he can't have Rhaenyra" even if it was known that she was the only one he was never unfaithful to, "she's made her peace" (WTF???????).
It apparently never hits Corlys that the bitch who he believes has made him childless (I AM TALKING ABOUT DAEMON) deserves no support from him and his house or that Luke should actually become a ward there at Driftmark if he's so adamant on keeping this farce that he's a Velaryon and the next Lord of the Tides.
Vaemond is seen as the odd, evil and power hungry one for pointing out that his house is falling into an OBVIOUS bastard's hands whether this kid likes it or not (even as my support for this claim goes as far as questioning Luke's parentage) and to add insult to injury he's made to say Rhaenyra is a whore, which never happened in the books.
The Silent Five are removed completely, Vaemond's sons as well (@redrosesandcharmingsouls knows I was FROTHING at the mouth waiting for Daemion Velaryon to make an appearance but the motherfuckers couldn't even give me that) so that we don't have any kind of reason to believe an execution so brutal and unjust had any repercussions on the support House Velaryon has on the Blacks overall. They are made into Rhaenyra's cheering squad through and thorough, even if they have every reason to be anything but.
The Laenor situation is actually really fucking funny. They made him leave instead of killing him to not bury the gays and they aren't aware that this has totally fucked everything up. Like thanks for telling me ALL of Rhaenyra's children are bastards. Cool, HOW THE FUCK TO YOU HANDLE SEASMOKE NOW?
Aegon II.
No this isn't an apologist post. I'm actually slithering on the ground on my knees for TGC daily but Aegon is a clusterfuck right now, no matter how you look at it. They tell us he's a psycho drunken rapist and he likes to watch children fighting every Sunday and when you actually see his adult version he's a crying love starved bitch of a man and he winces and frowns when Vaemond's head is cut off.
Instead of taking the throne to protect his children, he takes it because he's forced. And that makes Alicent the villain in everything once again. Now it doesn't matter if you look at the book version or what we see of the show version, everywhere you look this is just out of character.
It's inconsistent. He's made the worst thing ever so people can say "See??? They believe a rapist is better to put to the throne than our girlboss virtuous heir!!!" you either make him a psycho or a touch starved baby, why make both?
So yeah, I think this is all. For now. We'll have to see how this show progresses to see if I change my mind in any way.
Thanks for the ask!!!! ^_^
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polarisjisung · 6 months
Text
cherry flavoured
13— THIRSTY FOR ATTENTION
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SYNOPSIS: y/n, the campuses notorious heartbreaker, had never been one to settle down, running from the word commitment since the concept had first been introduced to her, but one smile and a little cherry coke seems to do just the trick when she runs into captain of the dance team, park jisung
PAIRING: dancer!jisung x fem!reader
WARNINGS: swearing + mentions of divorce, some real shitty friends
NOTES: no I didn't post this by accident, you saw nothing 👺++ the jump in thought to jisung is still stressing me out but I didn't know how to put it in smoothly 😭😭
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Brain on overload, y/n's shallow breaths grew deeper with each step taken towards the edge of the court, the orange ball she had been bouncing falling from her ever loosening grip as a hand rose to her head, double vision kicking in thanks to her light-headedness
she felt sick, stomach doing backflips as her mind struggled to process the rapid brewing of thoughts, incessant and one after the other when she fell into a seated position, leaning against the cold metal grill of the court fence
she felt as though she was on fire despite the cold sweats that racked her body, eyes closing despite her best attempts to keep them open, heart thumping out of her chest, she couldn't breathe.
and all the girl found herself doing was hopelessly dialling for her mother as tears began to roll down her cheek
y/n missed her mother, she missed the warmth of her words, the sweetness of her hold, she missed the motivation and support her mother would give in speech, in looks, in her presence.
she missed her mother, who was thousands of miles away, her mother who didn't text anymore, she didn't call anymore, respond to calls, barely taking an interest in her own daughter's life. y/n wanted nothing more than to see her mum again, to run into her open arms and sob into her chest but as the sound of another unanswered call rung in her ears the girl found herself feeling utterly alone.
the desire for the ground to swallow her up whole, never to be seen again was strong, in fact it had never been stronger, a lump in her throat caused by lack of oxygen as she began to choke back on the salty droplets falling from her eyes, tears that left her skin feeling hot and sticky in the cold of the night.
a player, a slut, words no girl was appreciative of, and y/n was no exception. words that had long been used to describe her, thrown at her despite the walls she built up to shield herself from their hurt. y/n found herself burying her head between her knees, wishing she had her mother to fall back on, like thousands of girls her age did, like she had before. feeling ugly on the inside left her looking down at herself disgusted, ashamed of what she was. and with no one to tell her otherwise, y/n was starting to believe them.
it had started with jiung, just last year, but it felt like an eternity of suffering under fake smiles and false confidence.
jeno had long filled the gap of a safety net, taken the initiative to take care of the girl he knew and loved as his best friend, someone y/n had appreciated always but now he too was swept away by the tide, lost between insults and accusations that tarnished her reputation further
she wanted to scream, opening her mouth to do so only for nothing to escape past her lips, struggling for air, this time at the intake of too much oxygen, causing her to rock back and forth, eyes glued to the basketball that had rolled across to the other side of the court.
the image of a hooded figure, ball tucked between his waist and arm, with a gummy smile and an energy that radiated warmth, flashes across her mind, and the glimpse of blue in her minds eye confirms the thought of him
jisung who made her feel comfortable, jisung who made her laugh like no one ever had before over those corny jokes and his cute habits, jisung who had stood up for her when no one else ever had, jisung who saw past the steroetypes and straight into her eyes with those gleaming brown ones of his that sparkled with honesty
if there was one thing she knew, whether it be as an artist or a basketballer, there was a right time for everything, a correct order, a time to follow intuition and a time to understand discouragement and back talk, y/n knew jisung was something, someone, she didn't want to let go of
she wanted to get to know him better, see him dance, hear him sing like he did in the car every time he dropped her back home, she wanted to know silly little facts about him that no one else ever would, and she was ready to take a chance, even if the whole world was against her.
in this moment, when it truly felt like she had no one, y/n wanted him more than anyone else, she craved for the deep scent of his cologne to infiltrate her senses and blind her with the feeling of safety, she wanted his big arms to wrap around her and tell her it was okay, she wanted him by her side.
and y/n l/n wasn't one to let go of things she wanted.
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prev | masterlist | next
TAGLIST (open): @jenobubbles @justalildumpling @jising-jisang-jisung @nanawrlds @222brainrot @chichiuu @dinonuguaegi @ishireads @yyy90210 @hibernatinghamster @stqrrian @makiswrld @everywonuu @marizhua @luumiinaa @asteriaskingdom @jeongintwt @90s-belladonna @000rpheus @jammingjaem @yayloona @neozon3nha @mfaal @conwunder @toroufriteh
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slyscoutess · 3 days
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BLOUKOUT || FORMULA 1
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I think we're all chronically online enough here to know what's going on, and rightly so, on TikTok right now, but don't worry, if for some reason you've been in a cave the last few days and haven't heard , let me explain everything with such precision.
In recent days, the Met Gala 2024 was unveiled, and with it celebrities from all lists came together with a single cause, to put themselves in the spotlight with exaggerated clothes and a ticket more expensive than yours and my life. Among these was the influencer hayleyybaylee, an American influencer who thought it would be wise to record, edit and publish a video with her exaggerated clothes, heading to a dance that only the elite within the biggest elites have the right to go to, in the audio of the video? a line that is certainly historically excruciating.
while Rafah, the only theoretically safe place, or at least that was what had been promised to the Palestinian people, was being completely bombed, Hayley was publishing a video with the audio of Marie Antoinette: “let them eat cake”. If you, like me, are a history lover, you know well the episode in history that the French people lived from then on.
With the memory of this audio, we reclaim our power as the people in control, we gave these people the platform and from these people we can take the platform away at any time we want. If the government and the rich are not giving their time to those in need, we will need to force their gaze in the direction we want.
Here we have a term: the people for the people.
because it's literally all we have.
with that, we brought our guillotines outside and decided to take from them what they don't know how to use; their voices and their platforms. blokout2024 is a line that anyone can participate in, the best way to help is to share lists and that includes your own, but it was bothering me how there were names that never appeared there, the formula 1 drivers.
These playboys who spend the year doing Vrom Vrom don't pay attention to anything that doesn't affect them and this was seen with the whole Christian Horner harassment case and some of the reactions to this case. It's time to demand some responsibility from them, they are not babies, they are not children, they are men who are always ready to defend harassers and say that they respect racists and criminals.
“but love, boys can't talk about it” Sir Lewis Hamilton, as always and once again, proved that they can. the man continues to publish links and news about Palestine, and this is not recently, and we know that when Lewis makes donations, he is not in the habit of taking a stand on them, just as he recently did for the Brazilian people with the case of Rio Grande do Sul, the other pilots and their partners just don't care. not to mention the teams and their bosses. This even affects the Formula 1 Academy, with Charlotte Tilbury as a sponsor and frequently in the paddock, for those who don't know, Charlotte recently fired Bella Hadid, a Palestinian woman, for protesting and continuing to speak about the country of her blood and family.
remembering that there are convinced Zionists within the paddock, such as Lance Stroll's girlfriend, sister and brother-in-law, the latter is also Daniel Ricciardo's best friend. Tell me who you hang out with and I'll tell you who you are.
I'm not here telling you to stop liking your favorites, I'm not here telling you to stop watching the races, I love some of these and it will hurt me to block them, but not as much as it hurts me to know that they close their eyes and remain quiet in all their luxury, I'm here saying that we need to demand a position from these men and women, we were the ones who gave them the platform, how many people in Palestine can be fans of these people who ignore their suffering on a daily basis? so keep writing fanfics, follow the gossip pages, but the officials need to take a stand
If even the swifties are doing it, why can't we do it?
Let’s Start Big:
BLOCK
FIRST HALF || SECOND HALF
HONORARY MENTION
LN4 |
LN Rancing Kart |
Lando JPG |
Lando Movie |
Quadrant |
Max Fewtrell |
Lec |
F1Academy |
Nico Rosberg |
Romain Grosjean |
Jenson Button |
Kimi Räikkönen |
Sebastian Vettel |
Mick Schumacher |
Magui Corceiro |
Ollie Bearman |
Liam Lawson |
James Vowles |
Bianca Bustamante |
Sky Sports F1 |
Zak Brown |
Christian Horner |
CS55 Racing |
Arrow McLaren |
1 paper cut doesn't really hurt, but 28 million paper cuts can kill you. Let's fucking hit the pentagon, only follow trought fan accounts.
We, the damned of the earth, have only each other. And that will be enough.
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papaleon · 7 months
Text
I'm Still Full of the Love You Want
pairing: RE4R!Leon Kennedy x afab!Reader
wc: 2.4k
summary: Leon has come back from Spain and, on the advice of his therapist, he's learning to associate the bad memories with something good. That something happens to be you.
content: leon gets cuffed, p in v, oral (reader receiving), no protection (wrap it up guys), i just replayed resi4r and i can't get over leon being chained to the ceiling (inspo), leon is a good boy
18+ MDNI, this is literally just pwp
a/n: please be gentle, i haven't written fic in years, this post has a lot of my writing firsts including the perspective and the smut. it has been sorta proofread, all mistakes are my own. enjoy! <3
Leon let out a deep groan as you moved to straddle his unclothed thighs. The handcuffs you had just finished latching to the headboard clinked as he tested their strength. See, Leon had just returned from his mission in Spain. He was, of course, tight-lipped and bound by a very intimidating NDA to keep the details quiet. But, even though he wasn’t able to share the grisly details with you, you could read Leon like a book. He always wore his pain, anger, and anxiety in his eyes, as much as he’d hate to admit it. 
Right now though, his face only told of pleasure, and that was enough for you. You offered him a soft smile as you ground down onto the meat of his muscular thigh, pressing down just enough for him to feel your want. 
“C’mon baby, please.”
Leon’s work mandated therapist, Dr. Woolf, had recommended he work to associate the horrors and trauma he’d experienced with something positive. You were certain that Dr. Woolf did not intend those new associations to be with sex, in fact you had a few qualms with the whole thing but it was the only thing that seemed to help Leon. After years of witnessing the love of your life suffer with his own memories, day and night, you figured you’d do anything to help him. 
So here you both were, blue moonlight kissing warm candle light as it danced over both of your bodies. You had just finished stripping Leon down and cuffing him, wrists over his head, after a very lengthy discussion about limits and how this tied back to Spain. 
This wasn’t that bad, baby, I swear. You had stared at him as he spoke, looking for any hint of a lie. My gear was taken and we were chained to the ceiling. It could have been worse. He smirked at that. You had feigned indignation and lightly smacked his chest. This you could deal with. You knew he suffered much worse but you tried to leave your worries unspoken. 
He looked beautiful like this though, you thought as you ran your eyes over him. Leon Kennedy certainly had a reputation that preceded him. A rookie cop turned hardened agent, a bit of a sarcastic, stoic dickhead if you pissed him off, and a selfless protector. Someone you would want on your team but certainly never wanted to get on the bad side of. But you knew more. He had lived through so much strife and hardship, he was hidden behind years of trauma and survival instincts, but deep down he was a person who longed to be cared for and understood. You were more than happy to give that to him. 
“Darling, I need-“ Leon’s request stuck in his throat, hips kicking up, cock jumping as you ground down hard against his thigh. The pressure on your clit pulled a small sigh out of you. You started to pick up your pace, riding his thigh in earnest now. 
“What do you need, hmm?” You smiled wide at Leon, his hands flexing as he tried to move to touch you. He let out a frustrated groan. 
“Need to see you, s-since I can’t touch.” You dropped your eyes, scanning over Leon’s naked body, still covered in scars and healing bruises. Your gaze stopped at his cock, hard and lying up against his toned stomach. You could see how flushed the tip looked, slick pre-cum dripping, pooling where his cock met skin. Your mouth watered, you simply couldn’t help it. A very vocal part of you wanted to lean down, lap up his mess and take him into your mouth. Later, you promised yourself. 
You, of course, were still dressed. You wanted to give Leon a show. These ‘re-associations’ were to be as involved and lengthy as possible, Dr. Woolf had mentioned. Anything to give Leon’s mind more incentive to replace the bad with the good.
“You wanna see me?” You teased as you ran your hands along your body, fingers teasing under the hem of the t-shirt you were wearing - stolen from Leon’s drawer.
“Fuck, yeah please l-let me see you angel,” Leon nodded fervently, his words were starting to slur together slightly. You always liked seeing Leon lose his poise and control, your strong-willed boyfriend squirming and begging underneath you. It didn’t happen often but you relished in the moments Leon would let you in like that, let you take care of him, show you his trust. “…shit baby you look so good in my clothes.” 
“Okay baby, you’re such a good boy for asking.” You smirked as you swung your legs over to kneel next to Leon, needing to remove your lounge clothes. He whined and bucked his hips at the loss of contact, your own slick shiny and cooling on his thigh. Leon just stared at you hungrily. He’d been so patient for you, so good, so you teased the hem of the t-shirt before pulling it off in one quick movement, dropping it off the side of the bed onto the floor. 
“You’re so fucking beautiful,” Leon’s eyes darted to your chest, taking in the sight. You blushed lightly. Leon always looked at you like he wanted to devour you whole, like you were the only other person in the entire world, like he loved and desired nothing more than you. Wanting to hide your blushing cheeks, you leaned down quickly to kiss him, chaste and soft given the current circumstances. The chains rattled again as he moved to reach for you. 
“You’re so good to me,” You whispered as you sat up to pull your sleep shorts and panties down and off. You shuddered as the cold air met your soaked cunt. Leon went slack jawed, his cock jumping slightly off his belly. 
“‘Course sweet thing,” his voice was gruff, filled with want as he stared at your dripping core. You discarded your shorts onto the floor next to your top before moving to straddle Leon’s hips this time. You firmly dropped down to drag your slick cunt against Leon’s cock, the tip bumping against your clit. Leon moaned low and deep, his look of shock immediately replaced by his eyes rolling back into his head. Your own breathing started getting ragged, you wanted nothing more than to slip him inside but you had to control yourself, you really wanted to do this right, to make this last. 
“C’mon baby, ride me,” Leon’s hips pushed up, attempting to slide in whenever you bucked your hips forward. You shuddered, slowly but surely losing the will to tease. It was especially hard when Leon was looking up at you like that, like he was about to cry. “W-wanna make you come.” 
“Yeah?” You groaned loudly, losing the rest of any willpower you had before reaching down to line up his thick cock with your dripping hole. You slammed your hips down hard, a sharp smack mingled with the loud moans of you both. It burned, the sudden stretch, but that didn’t matter when Leon filled you up perfectly, you just couldn’t help it, you craved that feeling. You could see a flash of frustration in his eyes as you slowly started fucking yourself on him. You could feel him shift beneath you, feet planted on the mattress so he could find his own pace. You leaned forward, back arched as your chest met his as you tucked your face into his neck. 
“Thank you,  thank you, thank you-“ Leon chanted softly, groaning as he thrust up into your tight, wet cunt. The sounds were obscene, you felt impossibly wet, Leon’s pre-cum mixing with your slick. 
You finally gained your wits enough to push back into his thrusts, angling your own hips just right so each thrust hit the right spot. You had heard Leon wince as your nails dug into his shoulders, but it barely registered as you barrelled toward your own orgasm, hanging onto Leon like a lifeline.  
“Gonna … gonna come baby, you’re gonna make me come,” you felt Leon’s cock throb inside you as his own thrusts grew erratic. “Unlock the cuffs f’me darling, wanna touch” he squeezed his eyes shut, and let out a sigh. You stilled your hips, leaning over to the nightstand to grab the small key. Leon took advantage of your position to lap and bite at your nipple. You leaned into the sensation.
“L-leon please,” you reached over to unlock one of the cuffs finally allowing Leon’s hands down. He remained limp, pliant under you. 
That is, until you unlocked the second cuff. 
He pushed himself up quickly, slipping out of you, rolling you both over until he was firmly planted between your thighs and had you pinned down by your wrists. You were about to whine from the emptiness when you felt him slide back into you, bottoming out in one quick motion. 
Leon set a frantic pace from there, pushing your knees together and leaning over to press them to your chest, his eyes squeezed shut and eyebrows furrowed as you took him even deeper. You could feel the tip of his cock nudge against your cervix with every thrust, sending small sparks of pain through your abdomen, but it only made the fire in your belly grow hotter, made your skin tingle all over. 
“Ah, ah, ah, fuck, Leon!” You bit through gritted teeth, losing all the poise and confidence you had when you controlled the pace. Leon’s fingers intertwined with yours and you held on for dear life, unable to do 
“so fuh-fucking good for me baby, taking me so well,” Leon moaned. It took all the energy you had left to open your eyes just to see Leon lean closer, his soft hair falling over his brow and his jaw locked, willing every bit of his body not to let go yet, he wasn’t done with you. He leaned even closer to kiss you. “You were meant to take this cock right? Only you. Your pussy is so tight huh, angel? Fuck you were made for me weren’t you?” 
All you could do was nod dumbly, squeezing your eyes shut as the fire raged inside both of you. Leon was relentless, fucking into you hard and fast, like a man starved, every thrust hitting the perfect spot inside you. The pressure was building, and you couldn’t really hear what you were saying anymore, you were just babbling about how perfect your cock is, and fuck me, I love you. 
Leon’s pace started to falter, just as you felt your orgasm approaching, but that didn’t matter, as you felt him move to pull out. But you simply couldn’t have that. “No, no, no, no! Come in me Leon, baby, please!” You whined, squirming underneath him. “Wanna feel you, puh-lease, fuck!” 
Leon growled lowly, “You want my cum darling?” There was no more teasing as he lined his cock back up with your puffy, fucked out cunt. Yes, and please, fell out of your mouth like a chant even before he was finished the question. 
“Come in me please, Leon, ‘m close, so close.” And who was he to deny you a single thing? Leon grunted as he started up his brutal pace again, only managing several more thrusts before slamming into you, bottoming out, as he fucked his cum deep inside you. You clenched hard at the throbbing warmth, your soft, tight cunt milking every last drop out of Leon. 
“That’s right, good baby. Take it all. So good just f’me, hmm?” You moaned, nodding weakly, still trying to push your hips against his. The fire raged on in you, your cunt was begging for release. 
“Wanna come, make me come Leon, please, need it.” You whined, putting on the best pout you could manage. Leon chuckled lightly at the sight before pulling out and letting your legs down gently. You were about to complain when Leon leaned in to leave kisses all over the column of your throat, down to your breasts and over your soft stomach before he laid himself down between your legs. 
Your hands reached out to tangle in his hair as he started suckling little marks in the crease of your thigh, so close to where you needed him. 
“Duh-don’t tease,” you whispered, tugging lightly on his strands and bucking your hips up, hoping he’d take the hint. And so he did. You felt yourself melting into the mattress from the very first slow drag of his tongue. Leon seemed content fucking his cum even further into you with his tongue. You sighed and moaned and the fire in your belly burned bright again. You felt his fingers run their way up the inside of your thigh. He pushed two fingers inside, replacing his tongue, crooking them and fucking you, hard and fast. You felt the pressure building quickly, and your cunt squeezed down hard. 
“Gonna come Leon, you’re gonna make me co-“ Leon chose that very moment to latch his mouth over your poor, neglected clit and suck. You finally felt that heat snap as you came, gushing out all over Leon’s hand and face. He continued fucking you through it, the wet sounds positively obscene as your sensitive cunt twitched and dripped. Leon didn’t stop until you were twitching from overstimulation. You had to drag his face away by the iron grip you still had on his hair. He winced lightly as he moved up the bed to drape his body over you. “Sorry,” you whispered, easing up on his hair, followed by “Thank you.” 
“No, thank you!” Leon said as he nuzzled into your neck. You both just laid there, panting for a while, locked in a warm embrace. You dozed in and out of sleep, waking just enough to feel Leon starting to move his hips and feeling something warm and hard pressing up against your thigh.
“Really Leon?” You mumbled, amused. “Already?”
Leon just chuckled, pushing himself up to lean over you and line his hips up with you again, slowly sinking back into your wet, warm cunt. “Can you blame me?”
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kamotecue · 8 months
Text
18 ➷ l. horan
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pairing: lindsey horan x reader
summary: a cute moment between two lovers when their favorite song comes on. lyon!reader, french!reader
⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ ⋆✦⋆ ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯
you heard the door close making you look away from the puzzle that you had assorted the pieces to their color. you saw lindsey walk through arched doorway giving her a soft smile, as she opened her arms while walking to you.
“give me a hug, baby.” lindsey said, as you stood up wrapping your arms around her waist as she held you in her arms.
“tough day at training?” you asked, as she gave you a soft nod. you didn’t train today as you weren’t cleared by the physio, you had suffered a knee injury during the game against france vs australia, where it had lead to penalties.
“you know what would make it better, mon amour?” you asked, with a grin on your face as lindsey chuckled at your mischievous look.
“what will?” she said, as she hummed.
“alexa, play 18 by one direction.” you said, as alexa continued the command. lindsey laughed at your silliness, as you gave her a bow holding your hand out.
“really?” lindsey said, as you just gazed up at her and nodded. she accepted your hand, as you pulled her closer.
i got a heart, and i got a soul
you watched as her eyes sparkled at you, the tiredness has gone away and she looked at you in adoration.
believe me, i will use them both
one of your hands was on her waist, as the other was in the air, interlocking on of her hands with yours as you took a few steps around the shared apartment.
we made a start
you thought about the moment she went pro, she first played for colorado rush and had three appearances for the team. before her transfer to paris saint-germain a fellow french professional team.
you didn’t like the idea of how they treated her there, it ruined a part of her so you were determine to stay by her side, even if you were miles away.
be it a false one, i know
didn’t everyone tell you that it was a reckless decision? being a couple, young and in love? however, it worked between the two of you. you had been together since you both were 18, and now you were both here dancing in the dining area at 29.
baby, i don’t want to feel alone
you weren’t one for being alone, you enjoyed it yes. however, you were clingy when you needed to be. it annoyed others, but for lindsey it didn’t. she actually loved your clingy side, the cuddles you’d give her, and how you would talk about topics you were passionate about.
so kiss me where i lay down, my hands pressed to your cheeks, a long way from the playground
you were training on an empty pitch one day, lindsey joined you as she had nothing better to do, and she also wanted to spend time with her girlfriend. during the break, you’d lay a blanket underneath the nearest tree and would simply lay on it.
she’d kiss you, and you’d have your hands pressed to her cheeks which made the kiss even more romantic.
i have loved you since we were 18.
you were utterly in love with the blonde that you had met in the youth team. however, you made your debut for the senior team of your father’s country as the us already had a good line up.
it was the tulips that you’d give her every day, you’d pick them and removed the thorns so she wouldn’t get pricked by them.
long before we both thought the same thing, to be loved and to be in love
would you believe me, if it took you both a long time to realize your feelings? you both wanted to focus on your soccer career, yet you noticed this when you saw her hanging out with someone else.
to be in love was one thing, but to be loved was a whole other story.
all i can do is say that these arms are made for holding you, oh-oh
if there was one thing you’d love the most, it was holding lindsey in your arms, in the middle of the night, when your watching a movie, or out of the blue when she’s cooking.
you always told her that your arms were made for holding her, which she found true.
i wanna love like you made me feel when we were 18
when you were both 18, it was indescribable. there was the happy stage, the little quarrels that you’d have but you both solved, the lessons you learned.
it made you both grow as individuals, as a pair and as a person. you were glad that you met lindsey horan, the love of your life.
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