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#then is it really everything else that's the problem?
bi-writes · 2 days
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what you want you cannot find. so you let someone else find it for you. (18+, dark!simon x curvy!fem!reader, arranged marriage)
you don't really know what you were thinking when you answered the ad. it is many things, maybe, why you chose to apply. why you were grateful to be chosen.
the loneliness, it aches. you cannot find yourself in anyone else, you cannot find the thing that should move you and hold you. you cannot find what it is that should ignite what is asleep, the thing nestled between your ribs that feels like it beats to a rhythm that you cannot hear.
the bitterness, too. there is something sour that you taste. there is acid under your tongue, something rotten between your teeth, and you wish for anything that you would stop tasting it because it reminds you of how alone you are, how alone you'll remain, the inevitable thing that you wish you weren't but that you unfortunately are.
it is the thing you cannot die for because there isn't anything to die for. you live, and you breathe, and you exist, but there isn't anything there. this is nothing that makes you want to gnaw on your own flesh, there is no life you would take in sake of another, there is no purpose to your existence except the hope that perhaps there is still time to have what you want more than anything.
but you don't know what you want. you don't know because everything that you thought you wanted, you do not want any longer. you never feel anything with other men. they are beneath you. they maim what they shouldn't. they complain about things that they can fix. they stare at a problem head-on, with the solution at their back, and they chase their tails. they do not know their right from their left. you hate them. but you want it. you want something. you want one of them, but you don't know which, so maybe if you don't choose, you will find what it is that you don't know you're looking for.
you're alone in the room. they gave you a bouquet of white roses. you hold them nervously between clammy palms. you wear a silk white dress that skims the floor, fabric falling soft over the curve of your waist and gentle along the swell of your cleavage. your hair is loose, and there is a short veil over your head, covering your face.
you stare at your handler. he's dressed in his military fatigues, tactical vest still strapped with the Union Jack across his chest. he has introduced himself as captain john price, and he is the one who arranged for your arrival. he is the one who told you to wear white, and he is the one who gave you the roses.
captain john price is rugged. captain john price is kind. and captain john price is not what you want. you are grateful that you are not yet disappointed with your match.
the door opens behind you. you straighten your posture that extra inch when you hear his heavy gait. there is a pause as the door shuts behind him, and you see his captain nod to a figure that you cannot see. his boots hit the floor low, and you swallow when the sunlight that comes through the window is blocked entirely by the size of him as he stands at your side.
the vows are short. you say your i do first, soft voice that hits his ears in a way that makes him nearly purr. when it is his turn to say i do, your eyes sparkle. he speaks in such a low voice, a Manchester accent that makes your toes curl in the white kitten heels that you wear. a drawl that you can feel in your chest, an accent that ticks a corner of your brain you did not know was there.
"you may kiss your bride."
you turn away from the captain. you tilt your head to look up at him, and you let out a soft breath when you realize the sheer breadth of this man.
he is barely a man. he must be something else. he is dressed all in black, and he wears all of his gear. his tactical vest is stocked well, magazines tucked into their pockets, a grenade dangling from one strap, a handgun tucked into its holster on his chest and around his thick thigh. his belt is heavy with more, knives in sheathes, devices in their places. even without all of the weight, you know the size of him won't shrink.
you cannot see his face. he covers it with a mask, one that resembles the front face of a skull. it is dirty. you aren't certain if it is blood or soot or dirt. maybe it is all of that and more. you cannot see his eyes through the veil either, but they are dark, and they are intense.
you keep your eyes fixed on his as he lifts your veil. the delicate fabric settles over your head, and you see him without obstruction.
there he is.
it is like seeing a man for the first time. it is like being in the presence of the dream you've always had and could never remember.
he tilts his head to the side, curious. he is seeing your face for the first time, too. soft eyes. glossy lips. the curve of your mouth. the untouched skin of your cheeks, the unmarred flesh that you wear. he follows the line of your throat to the peek of your tits dressed in silk. you are a present wrapped in luxury. hand delivered goods, of the finest quality.
his bride. his wife. something he will have forever. he does not know if he has ever been able to say that about anything else. he's never had anything except for his life. nothing except for himself has ever belonged to him, but even now, not even his life is his own, it belongs to someone far away, someone in an office somewhere, who moves the chess pieces of his world around, where he cannot do anything but follow.
you stand on your toes to get closer to him. he thinks for just a second you will ask him to remove his mask, but you don't. you cant your head, and you kiss him over the mask, sticky gloss leaving a light imprint on the fabric. you settle back onto your heels, and your breath hitches when one of his gloved hands comes to settle at the dip of your waist.
"she's all mine now, eh, cap'n?"
you blink, your eyes still on his. you don't move, and you don't say anything. you wonder, if you could see his face, if he would smile.
"all yours, simon."
you let him drag you closer, shuffling on your feet until your hips press against his. your back arches gently as he uses both hands, gripping you around the middle and feeling the soft flesh underneath your silk dress. he is a rabid dog, his next meal at his fingertips. she is his, and he wants to take her home. if his captain was not standing at his back, he knows he would take you on this very floor.
she is mine. she is mine. she is mine.
he has studied your picture. he has memorized your name. he has been waiting for you. he is too awkward to leave base. he is too quiet to attract birds, birds that matter, birds that sing. he is too ravenous to be anything but permanent, he isn't capable of the mundane, of casual. it is everything or nothing at all, and at the sound of permanence, he foamed at the mouth.
at the thought of something to keep, he was blinded. when beasts lose control, they call their keeper, and he had none. this change could be good. this change would do him well. when he ignores the order of a commanding officer, he will bend to yours, because he is bound, wrapped, tied to you with something invisible that weaves between his bones.
you do not know what you were before, but you know what you are now.
you follow after him. he turns to leave, and you let him lead. your heels click as you walk, and when it is hard for you to keep up, you reach for his hand. he grunts when you do, but he doesn't push you away. you hold wilting roses in one hand, and you clutch him in the other. recruits and privates stop to salute or step out of your way, and they stare when they see a trailing angel behind their lieutenant, a pretty girl in a pretty white dress with a veil fluttering against the breeze as you try and keep up with your husband's long strides.
the door he stops in front of is plain and unmarked. he fits a key into the lock, turning it and opening it, and he invites you over a threshold that no one else has ever stepped over. you stand on the other side, holding the roses to your chest. he turns when you don't follow him inside. you get a glimpse of him as a whole, the man that he is, big and menacing and taken. you wonder if he will wear his ring under his glove or if he will put it on the chain that holds his dog tags.
"is this where you live?" you ask. you stay on the other side, looking in, a little timid as you stand there.
he nods, silent. he crosses his arms over his chest, and you admire the bulge of them, the paint of skeleton bones along the fingers of his gloves. you look him up and down before smiling a little.
"is this where i will live, too?"
he shakes his head, a no.
"can't have a thing like y'here," he murmurs. "boys'll eat y'up."
you tilt your head to the side.
"i find that hard to believe," you quip. "do people often eat what's yours, lieutenant?"
he snarls, narrowing his eyes. "no one takes wot's mine."
"then what are you so afraid of?"
"that 'f y'r 'ere, i won't get any fuckin' work done."
you break out into a big smile, pearly white teeth flashing, and he clicks his tongue at your reaction. he reaches up and lifts his mask, pushing it up until it rests over his nose. his nose is crooked from being broken so many times. his face is scarred, as if someone took a blade and carved out the skin and muscle. a deep one stretches from somewhere under the mask to his lip, where it looks as if the skin was haphazardly stitched back together. another long jagged grey streak comes over the line of his cheek down his jaw, as if someone tried to peel his face off.
he grins. it's ugly and unsettling, as if he sees prey that he knows he will catch. your own smile does not fade. his tongue darts out to wet his lips, and you want to taste him. beast, bear, killing machine, the boogeyman, a ghost that haunts, you do not know exactly what he is, but you know, immediately, that he is what you have been searching for.
you do not know him. you do not love him yet, but you will. you are sure of this. you are sure that he is missing piece. he will fill the spaces that you have always felt hollow. he will scratch a place in your head that has always itched. there is something in his eyes, you're not exactly sure what it is, but you can't wait to discover it. you can't wait to explore, to indulge, to lick the salt of his skin and know that everything he is has been waiting for something like you.
you did not choose him, but he chose you, and now you see it clearly. you see this thing, and you know the truth of what's been hiding from you all your life. the curtain has been taken down. the veil is off. the walls are invisible.
"come 'ere," he says lowly. "won't ask so nicely next time."
you drop the flowers onto the floor, crossing the doorway. you kick the door shut, hearing it click, and he comes closer, until you can feel his breath fanning your nose.
"will you love me?" you ask, wringing your hands together nervously. "do you think maybe...do you think maybe that's possible?"
he licks over his teeth, humming. he leans down, knocking your chin up, and your breath hitches when he licks up the side of your jaw, taking in a whiff of your perfume and the sweetness of his bride.
"what a stupid word," he mutters, biting at the curve of your bottom lip. "meaningless. love. bloody hell."
"w-what...what?"
"a meaningless fuckin' word for the things i would do for ya," he continues. "the things i would kill. the heads i would step on. the sorry fucks i would get rid of...just to see y'smile."
your eyes flutter. yes, yes, yes--the unconditional devotion. the terrifyingly beautiful reality of through sickness and in health, until death do us part.
"is it really that easy, simon?" you ask. his gloved hands slip over your throat, sliding low and skimming the silk of your dress before he cups both sides of your ass and squeezes, drawing you closer until you are uncomfortably pressed up against him. his gear digs into your softness, sharp edges cutting into you, but you ignore it as he begins to draw up the skirt of your dress. "is it really that easy to say you'll do all of that for me? isn't it...it's wrong, isn't it? to do those things for me?"
he laughs. humorless, condescending. as if that is the stupidest thing you could have ever said.
"'s olright, swee'eart. gonna take all those ideas outta y'r pretty lil' head."
you relax when you feel his gloved hand under the hem of your white lace panties. your eyes shut, and you reach forward and grip his vest for stability.
"christ..." he hisses. "y'r soaked..."
you are. you have been since you first laid eyes on him, on everything he is. you know why you are here, and he knows why he is here, and that is because there were two people so desperate to find one another, that they let someone else choose. the gods, fate, whatever they want to be called.
matched by design, together by choice.
you lean forward and kiss beside his lips, and you whine when his big fingers slide between your folds, soft on your clit before he fits two fingers inside of you. his gloves are warm, and you wet them easily.
"wot a good girl," he breathes. "knew y'were the right one."
"y-you did?"
"could see it in y'r eyes, dove. could see wot y'needed. could see it plain as fuckin' day. dyin' inside, just like me, aye?"
you shake your head.
"n-not anymore...not anymore..." you gasp, and he tsks as he steps backward, the weight of him heavy as he takes a seat on his perfectly made bed, bringing you with him. you fall into his lap, unafraid to because you know someone of his size can carry you easily, and he hums as you spread your thighs apart. you straddle him, pressed up against the gun holstered to his chest, and you moan softly against his scarred face as he fucks you open with three unforgiving fingers.
"not anymore," he echos, baring his teeth as he pumps his hand. the squelch of it is filthy, but it isn't enough. he wants you to soak his arm, his thighs, his bed, let the slick of you stain him from the outside in. "not anymore. not as my wife."
you scramble. you rip the veil out of your hair, untie the corset of your dress. there's a naked angel in his lap, perky tits and soft figure, giving way to the gorgeous place you keep hidden by white, wet lace. the place that is his, the place that belongs to him, a pretty pussy that will keep him satiated until he breathes no longer.
after he tears apart his enemy, he will have you. after he tastes the blood he desires to see run, he will have you. the adrenaline, the fire, the shout of every order and the sound of their cries, it won't exist anymore in this place, he knows it.
"y'll never want for anythin'," he mutters. "y'll never be lonely. always get wot y'want...wot y'need...wot y'deserve..."
you reach up and cup his cheeks gently, pressing your mouth to his as you ride his fingers eagerly. you want him, you want this, you want all of it, even if it isn't what's right. but something brought you here, right into his arms, and this is what you deserve.
he's not even human, you don't think. he must be something else. with how good he makes you feel, with the sheer precision that he rocks his fingers into you, the way he smiles, he must be made of only something synthetic, something not organic.
you feel so small underneath him. he tosses you onto the bed, your head hitting the pillow gently. you giggle, and his grin widens. he has a warm pink tongue, and it's between his teeth, and you giggle again when he moves his head from side to side, staring down at you. he's studying you. you assume he has seen photos of you, but this is his first time seeing his bride for all that she is. soft, pretty, unscathed by war. at least on the outside--but on the inside, you are not as you seem.
there's a parasite in you. something that slithers behind your eyes and settles in that corner of your brain that only he can touch. he knows that feeling well. he feels it every time he is in the field, and he feels it now, with you. he chases this tick when he works. it knocks his senses just right, makes him feel good and big, like the reaper that he really is. he can be this with a rifle in his hand, and he can be this without it, with the weight of his wife in his hands.
you smile, biting your lip, and you spread your legs for him. his eyes fall between your thighs, and he chuckles. he brings his gloved hand up to his mouth, the one that smells like you, and you watch as he slips it inside, sucking on it for a moment before he uses his teeth to take both gloves off.
he bends, still in all his military glory, and he sticks his tongue out, licking a fat stripe up the seam of your cunt, using one thumb to pull the puffy lip apart and suckle on your clit for just a moment.
you gasp, arching your back, and he stands to his full height again, laughing.
"oh, y'taste sweet," he purrs. "y'taste good. hard t'believe i'll have this cunny for m'whole fuckin' life."
"believe it, baby," you coo, and he sighs. he nods his head, reaching low, gripping himself through his cargo pants and squeezing his cock. you follow his movements, watching him pay special attention to the tip of him, running his finger over where you guess the slit is as he watches you squirm. "why are you so far away, simon? don't you want me?"
he laughs again, smiling wide, and he nods.
"course i want ya, swee'eart. who wouldn't want ya, huh? who wouldn't want this?"
you meet his eyes. the question is a sound one, but it never mattered that you were wanted, what mattered is that you never wanted. not really. not until now.
you watch him as he reaches for his zipper. he undoes it easily, unbuttoning his pants and shoving them low. they won't go very low, thanks to the holsters around his thighs, but it's enough that you watch his cock stand at attention, the red tip of him leaking down the sides, making the bulging vein on the underside of him shine.
you whine a little, and he growls happily, watching as you cup the swell of your tits and squeeze them in anticipation. perfect, perfect, perfect girl, practically a mail-order bride that checks every single fucking box.
he grips you by the thighs, yanking you to the edge of the bed. you whimper when he slides the tip through your folds, letting it catch at the entrance before smirking down at you.
"'s big," you hiccup, and he tsks, shaking his head.
"y'can take it, swee'eart," he murmurs. "y'r a riley now, luvvie. y'know what tha' means?" you shake your head, your eyes a little watery, and he smooths a hand up your sternum, gripping you around the throat gently. "gonna find out...gonna find out how well a riley takes wot they're given."
"simon--"
"'s alright, luv, we'll start nice, yeah?" he breathes. you grip onto his forearms when he feeds you his cock, slowly, and your back bows at a sharp angle as you squeeze him for everything he is. "fuckin' hell...yeah, just the tip, yeah? oh, good girl..."
good girl, yeah...i'm a good girl--
you cry out, digging your nails into him when he mutters fuck it and bottoms out. his palm flattens just under your belly button, a choked groan leaving him as he presses down, a rush of something fucking glorious running down his spine. it's a high--he's so fucking high, as if he is popping fucking pills.
"feel me here, yeah?" he drags his hips back, smoothing a hand further up your stomach until he paws one of your tits, squeezing it firmly. you nod, sliding your hands up his arms, fisting the fabric of his mask at the base of his neck. you feel him everywhere, you feel him in your chest, running down your spine, you feel him in your mouth and in your head, and it feels so good, it feels so so so so good.
"yes--yes!" you gasp. fuck, he's huge, he's putting a shadow over you. you're naked, bare underneath him, and his gear rocks with every thrust, and it's filthy because you wonder if he worked, you wonder if he didn't even change before he went to marry his perfectly-picked bride, you wonder if he got off the tarmac not even an hour after killing his target to go and take what is his.
how long ago was it that he last fired his weapon? the gun on his chest, did he use it before he saw you?
i bet he did. i bet he used it. i bet he smoked the cigarette that i smell on him, and i bet he came here, and then he married me, and now he's all mine, and he's fucking me six ways to fucking sunday--
you think you're drooling. your lips are wet, and with every smack of his hips against yours, you feel a little more trickle down the side of your face. you're moaning, gripping his neck, pulling him further down on top of you. you want him all around you, you want him inside, you want him to come every day wearing this terrifying fucking uniform and to fuck you so stupid, you forget everything except for the name he has given you.
you want to know nothing except for his name. simon. riley. simon. riley.
you want to know nothing except for what you are. his wife. his wife. his wife.
it's so hard to remember to breathe. his hands grip you tight around the hips, and he's losing momentum, hissing, letting out choked groans as he brands the shape of his cock into you. he never wants you to forget what he feels like--he never wants you to know anything except for him, for the rest of your life.
"simon--" you whine, and he smirks, reaching up to hold your face in one big hand, keeping you still as you chase the grind of his pelvis against your puffy clit. "simon--!"
"tha'sit, luvvie...yeah..." he nods, "look at me--look at me," he leans down, a big weight over you, suffocating you, "good girl, yeah..." he clicks his tongue, "cum f'me, swee'eart. cum f'y'r husband, yeah?"
you lean up, chasing after him, gripping onto the sides of his face as you kiss him hard. it is the first time you really kiss him. slotting your mouth over his, slipping your tongue into his mouth, the sting of your wedding ring cooling his warm face as you taste him for the very first time.
it is gone. the bitterness that you always taste, the acid and the sourness and everything that always is so unpleasant under your tongue, it is gone when you have him. he takes it out of your mouth completely, and you chase after this just as you chase after the harsh grind of your clit against his pelvis.
he is carrying you. you're lifting, coming over some kind of sweet, exhilarating euphoria, and you're blinded by it, by the feeling, by him. you want more, more, you want it all, and he said you could have anything you want, that you'll never need anything ever again, he said, he said, he said--!
he laughs when you come. he swallows your moans, hisses when you soak his pants. you are the prettiest thing he could ever hope for, the personification of the things he does not deserve and could never have, and it is selfish that he has taken you this way, but he does not fucking care.
the things we cannot have are the sweetest, the most desirable. and simon is nothing if he isn't a thief.
he is nothing if he doesn't just take what he wants. he likes to think that perhaps he adopts the "ask for forgiveness, and not for permission" philosophy, but he does not ask for forgiveness. and he has never asked for permission.
"please--simon--" you gasp, looking up at him. your eyes are wet, and a few tears wet his hand around your face. "please--inside me, please..."
"'s olright, luv--" he grunts, pumping faster, his pretty little wife just begging for him, for more, and how could he say no to that? "easy, baby...i'll give it t'ya, don't worry, fuck--" he hisses, "lieutenant's wife gets woteva she wants..."
"please--inside--" you choke. "simon, inside, i-i want it inside--"
fuck, that is all he needed. he nestles deep, pressing his hips to yours, and you kiss him once more when you go blind again. a second high, when he stuffs you full. just as you should be. just as you always should be.
"yeah, fuck--" he breathes. "tha' wot y'wanted, yeah? nice and full, good girl..." he licks his lips, standing up straight, and just when you think he is pulling out, he yanks you back towards him, cum leaking down your thighs as you cry out from being so sensitive.
"simon!" you gasp, giggling, and he grins, patting your ass gently before pulling out. you let your knees fall onto the cot, swallowing hard as you watch him tuck himself back into his pants and zip them up. he brings the mask back down, and you watch as he slips his gloves back on. "hmm..."
he tilts his head to the side, sighing as he watches you settle there. something warm settles in his stomach, something satisfied.
"like havin' y'in my bed," he says lowly. "look nice there."
you smile, and he holds out one hand, beckoning you to sit up. you do, slowly, a little shaky as you try and compose yourself, and he leans down and kisses you through the mask. you close your eyes, humming, leaning into his touch.
"so i can stay?" you ask, and he chuckles.
"mmm...y'r so cute, luvvie..." he rumbles. "a doll, yeah? can't say no to ya."
you look down at the ring on your finger, a solid gold band complete with a precious diamond. you will have to get used to this--you are his wife, you can ask things of him, and you don't think he'll say no.
you look up at him when he tosses something at you. an army green shirt of his, and you slip it on, letting the fabric fall, and you lay back down in his cot as he moves around his room. you lay in comfortable silence, watching as the thing that calls himself your husband looks for files on his desk, adjusts the gun strapped to his thigh, shuffles his boots across the linoleum. you are mesmerized by what he is, and you haven't known him even a day.
you don't believe this is your vision askew. the honeymoon phase. the sugary sweet moments in time at the beginning where nothing is wrong, where all is well. simon riley is a practical man. he does not lie. he does not do things he does not want to do, and he does not say things he does not want to say. he is not in the business of comfort and ease, that much is clear to you.
simon riley is practical and resourceful. you think maybe he counts his words. that he doesn't say more than he has to. waste his energy on things that don't require it.
his wife. i'm his wife. his wife.
"why..." you swallow. "why...why did you pick me?"
he pauses as he stands in front of a locker. when he opens it, you see shelves of personal weapons stashed away, handguns of different sizes and shapes, knives of differing steel, toys that with a small push of a finger could destroy whatever building they went off inside. you don't flinch, don't blink, don't feel fear. you don't know why, but you just don't. you don't think it's possible.
he doesn't look at you as he surveys what lines the walls of it.
"just knew y'were the one f'me, swee'eart," he mutters. he shuts the locker, and the lock clicks. he comes closer, twirling a small blade between his fingers, and you don't cower away when he flicks it towards you, holding your chin up with the sharp tip of it. he hums appreciatively at this. "in all honesty, had no idea really until i saw ya, 'f you'd be mine."
he bends down, leans close, and you follow the curve of the blade with your head, keeping your eyes on his. there is no timidness in your gaze, and for that, he beams under the mask. perfection in one woman.
"and what would you have done if i wasn't the one?"
he shrugs.
"would've killed ya, luv."
"just like that?"
"just like tha'."
the tip of his blade drags, sliding up the length of your throat, along the line of your jaw. your lips part as he traces your mouth with it, and you tilt your head to the side as you trace the edge of it with your tongue. he leans forward more, pressing his forehead to yours, and you can see where the eye-black around his eyes fades into his pale skin under the balaclava. you see yourself in those eyes. the you that you have been waiting for. the you that you have missed for your entire life. the you that has been hiding, too scared to come out, too afraid of what might be said if someone saw the real you.
she had not been hiding. just lying dormant, in someone else, waiting for you to come home.
you smile, big, and simon presses his mouth to yours again through the mask, kissing you there, growling from deep in his chest, a purr that only emanates the contentment and the relief he feels because he has found that thing to live for. it is so easy to die. it is so easy to give oneself for what they believe. it is not hard to give the best of yourself away, he knows that.
what he has never been able to do is find something that will keep him alive. he has only ever lived because he found dying pathetic. he found it cowardly. but the alternative had been just as unforgiving, just as unfulfilling. but not this. not you.
you will make it difficult to die. you will make death a challenge. and when he eyes that smile, this one that you give only to him, he is happy to be given this new objective.
"but don't worry y'r pretty head about all tha', luv."
you give him those eyes, and he drinks it all in, all that you are. finally, finally, finally--
"until death do we part, yeah?"
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megistusdiary · 1 day
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thinking about professor!signora and TA!arle sharing you 😓
(consider this happens once you're not in her class anymore)
(suggestive themes utc - tw age gap/power imbalance)
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you're an undergraduate student in professor lohefalter's class, and arlecchino is the TA.
you get pretty close with them over the semester, and they mention to you that every summer they take a group of students to italy for research, and they'd be delighted for you to come along.
what a coincidence the trip takes place right after you're technically not a student of professor lohefalter's anymore, nor is arlechino tutoring you now.
and, even stranger is that the "group" of students has dwindled down to just you. oh, and your luggage somehow gets "lost" on the way. luckily, your generous professor has no problem buying you a whole new wardrobe of the most fashionable clothes there!
too bad most of them are so short that every time you lean over, everything is exposed :(
she reassures you these were all the hottest items back when she was your age, and promises you look perfect dolled up like this.
and don't worry! rosalyne is happy to take you to get waxed so you don't have to worry about any stray hairs in your new little bikinis. isn't she the best?
ah, and your accommodations surprise you the most. turns out it's your professor's lavish family vacation home you'll be staying in. both women watch you gush over the home, eagerly looking around and marveling at the spacious interior.
they think you're adorable, and of course, you find them both more attractive out of school clothes and in something a little more casual.
obviously, rosalyne could see the way you eyed both of them all semester, the way your thighs would clench beneath the desk where you thought she couldn't see.
arlecchino knew you would purposefully pretend not to understand things as an excuse to see her. why else would you chase after a grad student with a good few years over you? though, she would entertain the notion, knowing full well you were just an attention seeking little thing.
both of them are more than happy to play around with you. over the trip, you don't really end up doing much research. instead, you spend the next few weeks being their pretty little toy ♡
and they're not opposed to continuing to share you between themselves when you all return in the fall
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keyotosprompts · 17 hours
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not easy to please ⋆⭒˚。⋆
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they're your sibling's enemy, so of course they're yours too. they're despicable and you seriously want them dead. luckily for you, the feeling's mutual.
⇴ struggling ceo and their know-it-all office worker
how did this mf become the ceo of one of the most progressive countries in the world?? they're clueless and you're the one that has to fix all their mistakes. you seriously don't get paid enough for this (unless they can come up with another way to pay you).
⇴ marriage of inconvenience
what happens in vegas stays in vegas. except when you've signed an official marriage contract, and everything is so much more complicated before. now this person is stuck with you until you can divorce! (or will you?)
⇴ forbidden hate
your parents absolutely adore the idea of the two of you together. they have wedding pinterest boards, future plans, and baby names for the two of you. only one thing: you two kinda hate each other, and hell would have to freeze over before you'd ever get with them.
⇴ no more second chances
sorry dude! f'ed up really bad the first time, and now you're not giving anymore chances, and your ex has to deal with the consequences. one problem: they can't deal with the consequences bc they're literally in love with you. hm. just what will this person do to get you back?
⇴ not so secret identity
everyone knows who they are. not even the old mask and hat trick could prevent people from identifying them. and it's fine–they absolutely bask in the fame. one problem though: they're a constant target to the entire world. perfect!
⇴ separated from each other
they never get any alone time. alone together in an elevator? too bad, a party of ten just showed up, pushing the two of you on the opposite side of the elevator. finally alone at home? nope! unfortunately, your friends make a surprise visit! oh how will you two ever get past this?
⇴ "you deserved it."
a normal person would've asked "who did this to you?" except your bond is not normal. not in the slightest. i mean seriously, what does this person want from you?
⇴ "i can't have you, so i'll let someone else take my place."
they know that they're not good enough for you, and that you deserve someone better than them. so, they choose to let you go, and hope that someone else can make your world light up like they used to
⇴ the one that is still here
everywhere you go, this person is there. whether it's physically, mentally, or spiritually, everything ties back to them. everything reminds you of them. you couldn't even escape if you tried.
⇴ playboy but he's actually a nerd that cannot get play
he's gorgeous–he's the most attractive man you think you've ever seen in your life. you think he's probably got it all–girls or boys coming up to him nonstop. only, that's not true in the slightest. somehow, he's managed to fumble every single time.
⇴ nobody wants the bad boy
he's troubled. there are rumors of him starting fights 24/7, and he lives in a bad area. he could really fuck someone up. nobody wants him.
⇴ "you must be delusional"
lovers that know that they're in love with each other, but when admitting it to their friends, they shut down their feelings.
⇴ loving someone to save them
none of that breaking up nonsense. love is power. their love and support causes you to be stronger than ever. knowing that there's love out there gives you a reason to keep on going. love saves you.
⇴ too smart to live
you've outdone yourself this time. bypassed every guard, rule, and law without anyone catching you. so, of course, there's only one solution here: to eliminate you.
⇴ different worlds (revised)
you grew up poor while they grew up rich. now, in the present, you are the more successful one, while they are struggling to get their life together. now, you must help the one who used to be in your current position, and fix things together.
⇴ one-sided blind date
rule one of having a blind date: you should not know who you're meeting. well, too late! you sneaked a peek at your friend's phone and found out who you'll be seeing soon. now, you're scrambling to get out of this date because you know exactly who it is.
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aspoonofsugar · 1 day
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Charlie and Vaggie: Anima and Animus
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There's something that I've been dying to say More than anything, more than anything Need you to know I love you more than anything More than anything
Charlie and Vaggie have intertwined and complementary arcs, which are beautifully explored through the jungian archetypes of anima and animus.
WHAT ARE ANIMA AND ANIMUS?
According to Carl Jung, the anima and animus are parts of the human mind. In particular, the anima is the feminine and the animus is the masculine. Everyone has naturally both, but society promotes specific gender values and drives people to repress traits culturally associated with the opposite gender. So, to fully be complete, a person should integrate the negated part. In stories, this usually happens through a meaningful romantic relationship.
Charlie and Vaggie are two women, but they still exhibit opposite gender traits:
Charlie is a princess, who sings her heart out at every chance. She is focused on words, ideals, feelings and she strongly believes in love. All traditionally feminine traits.
Vaggie is a soldier, who shows pride in her fighting abilities. She is focused on actions, pragmatism, battles and she strongly believes in strength. All traditionally masculine traits.
And yet, things are not so simple. Let's consider Charlie and Vaggie's designs for example:
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Charlie usually wears masculine clothes, as she prefers androgynus suits. Not only that, but her name means "free man" and she goes with the gender neutral "Charlie", rather than her given name "Charlotte":
Valentino: YEAH! That BITCH Chuckie or Chandler, or I dunno- Something mannish like that.
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Vaggie usually wears feminine clothes, as she sports a short skirt and loose long hair. Even her name is linked to femininity, as it literally means "vagina":
Angel Dust: You're doing great, Vagina.
Even when it comes to Chaggie's The Nightmare Before Christmas's allusion...
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Charlie references Jack Skellington, as she is the Princess of Hell and a passionate dreamer
Vaggie references Sally, as she is a run-away and Charlie's level-headed helper
So, Charlie seems superficially more feminine and Vaggie appears more masculine, but their looks and inspirations suggest otherwise. Why?
In truth, even if Charlie is a singing disney-like princess and Vaggie is a badass super-soldier, they don't perfectly fit the typical anima and animus characterization. This is true for their appearances and on a deeper level. Specifically:
Charlie is linked to the anima (feminine), but she is active (masculine) and stronger than Vaggie. Finally, even if she is passionate about feelings, she is often insensitive. For example, she doesn't notice her loved ones' struggles, like Angel's pain and Vaggie's insecurities.
Vaggie is linked to the animus (masculine), but she is reactive (feminine) and very sensitive deep down. Moreover, she is weaker than Charlie in terms of raw power, so her obsession with protecting the princess is misplaced.
Charlie is an anima character with a strong repressed animus and Vaggie is an animus character with a strong repressed anima. They have to integrate with each other to become whole. Still, what should they learn from their partner?
LOVE AND HATE
Charlie and Vaggie have the same problem declined in opposite ways:
Husk: Princess, is a bleeding heart who wants to solve everybody else's problems 'cept her own.
Husk about Vaggie: This one judges everyone and everything because she hates herself.
Charlie wants to fix everyone in an unconscious attempt to fix herself. She loves everyone because she herself wants to be loved.
Vaggie is cold and closed off out of guilt and self-hate. She is suspicious of everyone because she can't really forgive herself.
Both girls have low self-esteem, but Charlie tries to compensate with love, whereas Vaggie tries to defend with hate. These different coping mechanisms stem from their upbringings.
Charlie is the daughter of Lucifer and Lilith, who love her deeply, but are also distant and neglectful. As a result, she admires them, but feels unworthy of their attentions and legacy:
Lute: The only reason you're still here is because daddy gave you and your hellborn kind a pardon from an exorcist blade. How does that feel, to know how little you matter?
She is stuck being the lovable, but useless princess.
Vaggie is brought up in Adam's army, which is an abusive environment, where hate is seen as strength. Vaggie has a place in the world because she kills and is good at it:
Adam: You were on the front lines, I wouldn't forget a bad bitch like you. It's why I named you after the best thing ever. Vaggie. Anyway, you sure fucked up, didn't you?
She is stuck being the ruthless and remorseless soldier.
The path ahead for both girls lies in discovering they are more than just the princess and the soldier. In particular:
Charlie must accept she herself is capable of feeling negative emotions, like pain and anger. She can be aggressive and this doesn't make her mean. It makes her healthy.
Vaggie: Well, I mean… You're the princess of Hell. You don't really use the power that comes with that, which I love about you, but maybe you can… I don't know, command a little more… Authority? Charlie: But that's so mean. Vaggie: It's not mean, exactly. It's… uh, aggressive kindness.
Vaggie must learn to open up to others. She must show vulnerability and express her positive feelings more. She has a merciful and sensitive side, which doesn't make her weak. It makes her strong.
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Chaggie have the potential to help each other bloom. Vaggie is the first person to tell Charlie she should be more self-assured in her role of Princess of Hell. Charlie is the first person, who takes care of Vaggie as she is hurt and unable to defend herself. Charlie can teach Vaggie to embrace her inner maiden (love, mercy). Vaggie can show Charlie how to be a real warrior (aggressivity, strength). At the same time, their opposite mentalities lead to some problems in their relationship.
TRUST FALLS (APART)
Charlie: I trust everyone, so maybe you know better on how to build it properly!
Angel Dust to Vaggie: To be fair, do you trust any man? Any men? Men?
Charlie trusts everyone, whereas Vaggie trusts no-one. So, none of them really knows how to trust properly. This becomes obvious in the episode Scramble Eggs, where:
Charlie trusts Vaggie so much she doesn't realize she is putting a lot of pressure on her partner:
Charlie: Oh, come on. It'll be easy! I'm sure you can handle this. Vaggie: Yeah, um, Sure, I can handle this. No problem.
Vaggie trusts Charlie so little she isn't able to confide nor lean on her partner:
Charlie: It's no big deal, Vaggie. You know, maybe I can just help, uh- Vaggie: No. I told you you could trust me, and I'm not going to let you down.
Charlie acts like the damsel and lets Vaggie handle the whole situation. Vaggie plays the knight and refuses to share the burden with Charlie:
So I, I'll be your armor Do whatever it takes, I'll make the mistakes I'll spend my life being your partner
The song Whatever It Takes plays the princess/knight motif straight. Vaggie sees herself as worthy of Charlie only if she can be her knight in shining armor. This may seem sweet, but there is something to be said about Vaggie echoing Carmilla, a mother who is singing to her daughters:
So I, I'll be your keeper Do whatever it takes, I'll make the mistakes I'll keep you safe and keep this secret
It makes sense for a parent to shoulder the burden for their kids' sake. However, a person wanting to do the same for their lover is unhealthy. Especially, when the secret of a balanced relationship is established early on:
Charlie: From the dust of Earth, they created Adam and Lilith, equals as the first of Mankind.
The two partners must be equals, but Vaggie sees herself as inferior to Charlie and tries to over-compensate. In this way, though, she takes away Charlie's agency. Charlie instead knows something is off deep down. However, she does not address the matter because she would need to go deeper into herself, her feelings and her relationships. And Charlie wants to avoid it at all costs.
Chaggie's communication issues are conveyed meta-narratively in Charlie and Vaggie's individual songs:
-Charlie's Happy Day in Hell has our princess sing so loud that she almost covers Vaggie's warning:
Charlie: If I can show them the dream I've dreamed That any soul can change! Vaggie: Those angels' minds are hard to change Charlie: Then they will know everyone can be redeemed From the evil to the strange! Vaggie: They're bloodthirsty and deranged!
She doesn't listen to Vaggie.
-Vaggie's Whatever It Takes is sung by our knight to her princess, but Vaggie has Charlie leave before the beginning:
Charlie: Vaggie, don't say that! You do so much! It's- Vaggie: I'm sorry. I'd… I'd like to be alone for a minute.
She doesn't talk to Charlie.
Eventually the couple's trust exercise is solved positively:
Charlie: No, no, I'm sorry. I'm sorry I put pressure on you. We work as a team. I guess I just thought all this would be easier, but, we'll figure it out, together. I mean, look what your exercise did for them.
Charlie goes out of her way to talk with Vaggie and Vaggie's team-building works. Charlie puts both her and Vaggie's feelings into words, whereas Vaggie builds trust through her actions.
Despite this, Chaggie don't really address their problems, which come back stronger:
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Adam: Don't you act all high and mighty Did you ever think your little girlfriend might be a liar? Vaggie: Don't, Adam, please! Adam: What's the fuss? Why hide the fact that you're an angel just like us?
Charlie has been ignoring Vaggie's dark side, so she is devastated when it comes out. Vaggie instead has been hiding the truth from Charlie, so it is revealed in the worst way possible. After this, there is an inversion in Charlie and Vaggie's dynamic:
Vaggie: Charlie, can we talk about this-- Charlie: We can talk later. Right now, we have a job to do. You with us?
Vaggie is the one looking for a conversation, whereas Charlie pushes her girlfriend away. Before they can reconcile, the two girls need to go through individual trips and to find the guidance of two mentors.
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A singer
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A dancer
SINGING AND DANCING
Rosie and Carmilla are mature versions of Charlie and Vaggie:
Rosie is the Ruler of Cannibal Town, one of the nicest place in Hell. She is good-natured, but respected by her people. Moreover, she runs an Emporium, where she helps her clients with their personal problems. This is pretty much what Charlie would like to do with the Hazbin Hotel. Rosie is also a singer and is inspired by Dolly, from the musical "Hello, Dolly!"
Carmilla is Hell's top weapon dealer, so she specializes in war and is herself an exceptional fighter. However, she is not ruthless and mostly fights to protect her loved ones. She is the kind of person a more balanced and self-assured Vaggie might become. Carmilla is also designed as a ballerina and her two daughters are called after protagonists of famous ballets.
Why do Charlie and Vaggie's adult selves have a singing and dancing motif? That's because Charlie and Vaggie are respectively a singer and a dancer.
Charlie is a singer:
Charlie: My name is Charlie, I like to sing! And when we get to know each other it's the greatest thing!
She always conveys her feelings through songs, like her many attempts to pitch her hotel (to the Sinners, to Adam, to the Cannibals). What is more:
Charlie: But Lilith thrived, empowering demonkind with her voice and songs.
Charlie wants to become like Lilith and to empower people with her voice. Her objective is to grow into an inspiring leader, who changes minds and touches hearts with words.
Vaggie is a dancer:
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The problem is that she has yet to realize it. Vaggie struggles with self-expression, which is why she has very few songs in the first season. That said, she shows her devotion through actions, like her determination to fight for Charlie. What she needs to learn is a new fighting style rooted in love. That is dancing, a way to express one-self through the body. This is made clear by the two cut episodes Challenge Day and The Baphomet Ball:
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This cut plotline had Vaggie fight proto-Carmilla and lose. Charlie would later cheer her up by inviting her to a Ball. There proto-Carmilla would be impressed by Vaggie's dancing skills. The basic idea is obvious. Vaggie is a fighter, who must evolve into a dancer.
So, once again Chaggie is complementary:
Charlie is linked to singing, words and "soul", as she herself is the Heart of the Hazbin Hotel.
Vaggie is linked to dancing, actions and "body", as she herself is the Arm of the Hazbin Hotel.
As a result, they are given opposite missions to save the hotel:
Charlie must convince the Cannibals to join her army (singing). She must find people, who will help them fight.
Vaggie must discover from Carmilla how to fight the exorcists. This means both learning her fighting style (dancing) and obtaining the angelic weapons.
And yet, to succeed in their respective areas of expertise both Charlie and Vaggie must step into the other's shoes.
Charlie learns to better understand Vaggie and by doing so she realizes the importance of actions:
Rosie: If there's anything I've learned, it's that words are cheap, but actions, they speak the truth. So, what have her actions said? Charlie: That she believes in me, and what we're doing.
Not only that, but she is forced to take a look inside and starts unpacking some of her negative emotions:
Charlie: My girlfriend is an Exorcist angel, and she never told me Rosie: Oh, shit! Quite a secret. How does that make you feel? Charlie: Just, angry, because we share everything, because she always supported me, and my ideas, and-and- and now, I don't know whether or not that was just more of the lies! Oh no that's a horrible thing to think! Do i think that?! Yes! N-no. Kinda?
As a result, she comes up with a song that combines her natural showmanship and charisma with a new resolution to act:
Charlie: For the first time in my life I might have to be ready for this Ready to be the one who's leading from the front Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home And although I kinda feel unsteady Now I need to be ready for this
Charlie steps into the role of leader and is ready to take action:
All: For the first time in our lives We know that we are ready for this Rosie: We'll show Heaven a fight they won't forget! All: It's time to take a stand Charlie: It is time to lend a hand! (Cannibals: Huzzah!) Against the angels and their deadly threat! All: We cannot take it anymore The time has come to go to war Prepare to fight, we're ready for… THIS!
Vaggie inspires the residents of the Hotel to stay and convinces Carmilla to help. By doing so, she shows how much she has grown thanks to her time with Charlie:
Vaggie: What's important now is that we're going to have a fight on our hands. Look, this hotel is about to become the most dangerous place in hell, and we….I, can't guarantee your safety anymore. I still believe in Charlie's dream. I know this place can work. But none of you signed up for this. I'm gonna go learn how we can fight back, and when I come home….Well I'll understand if none of you are here.
Moreover, she learns to fight in a new way intertwined with music (Charlie's passion and world):
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This fighting style is focused on defense and survival, rather than attack and killing:
Carmilla: Angels attack quickly, viciously, and without mercy. You'll need to defend better than that.
Carmilla: Well, look at that. You might just survive this.
It is based on love:
Carmilla: I see you're driven by your detestation Your every step is stoked with animus You need a different type of motivation Or there's no way that you can handle this I know you're thirstin' for vengeance, Vaggie You're out for blood But you'll only stand a chance if you're out for love
By the end, Charlie and Vaggie meet each other in front of the Hazbin Hotel. Charlie leads the people (soul) and Vaggie has the weapons (body). They have also grown enough to better understand each other. Charlie empathizes with Vaggie and forgives her lie. Vaggie realizes how much Charlie cares for her and is ready to value herself more:
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At the same time, Charlie faces some of her repressed "aggressivity" and makes an important step as Princess of Hell:
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Rosie and Alastor: She's bound to pass the test as Princess of Hell Like her Daddy, she is madly power-fell!
Vaggie instead learns some "self-love" and makes progress into becoming a true angel:
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Carmilla: You're gonna fight without gloves And when that push comes to shove Yeah, you just might rise above Long as you're out for love
These changes are fully embraced and tested in the final battle.
FINALE: DEVIL AND ANGEL
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The fight against the Exorcists is where Charlie and Vaggie's integration is on full display, starting with their designs:
Charlie wears a mini-dress with a heart decoration and wields a shield.
Vaggie fully covers her body with an androgynous and practical attire. She fights with her signature spear.
The usually masculine looking Charlie appears feminine. The usually feminine appearing Vaggie looks masculine. Their outfits also fit their respective fighting styles. Charlie is defensive, whereas Vaggie is aggressive. Wait... isn't something wrong? Shouldn't Charlie grow more aggressive and Vaggie more defensive? Yes and this is precisely what happens as the battle progresses...
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Charlie is overwhelmed by her anger and grief over Sir Pentious's death and unlocks her full demonic form. She goes from defense (shield) to offense (pitchfork) and injures Adam. Finally, she transforms her arm into a claw and stops the First Man in his tracks.
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Vaggie is attacked by Lute, loses her spear and is forced on the defensive. She protects herself from Lute's relentless assault until she reveals her angelic wings and traps her opponent. Eventually, she has pity of Lute and lets her live.
Charlie's climatic moment is a show of strength, whereas Vaggie's is a show of mercy.
In other words:
Charlie appears more feminine, but acts more masculine
Vaggie appears more masculine, but acts more feminine
In comparison to their usual dynamic, Chaggie go through a complete inversion. This development is conveyed also by a small detail: their hair. Charlie lets hers loose, while Vaggie ties hers.
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Charlie's hair usually covers her horns and is tied because she represses her demonic side. The moment she gives in to her inner demon, the horns come out and the hair gets loose, just like her feelings are untamed.
Vaggie: I'm not used to fighting with long hair.
Vaggie's hair is an attempt to hide her past and vulnerability. She has it grow after her abandonement to mask her scars (her eye and missing wings). In the finale, she ties it to fight freely. In this way, her brand new angelic wings can come out in all their beauty.
So, Charlie embraces her demon side, while Vaggie has her inner angel emerge. The twist is that Charlie the demon teaches Vaggie how to be a proper angel. Vaggie the angel instead shows Charlie that there is value in demonic traits. They integrate with each other to become the best versions of themselves. This shows also before and after the fight.
In the Finale, Charlie expresses all her self-loathing:
Charlie: He did it for us, the ultimate sacrifice He gave me his trust, and look how we paid the price This bloodshed could have been avoided If I convinced Heaven to work together I took a hotel and I destroyed it I know I could have done better Better, instead of letting you down
Thanks to this, her loved ones come to her side and support her. What is more, she starts to back up her words with actions:
Katie Killjoy: Charlie Morningstar managed to fend off the angelic attack with more than just nice words.
In More Than Anything Reprise, Vaggie conveys her love to Charlie through words and is there for her in a moment of self-doubt and weakness:
Vaggie: You've already done so much So many lives you've changed So many souls you've touched And in the end, if it's only me you've saved
She shows her sweetness and sensitivity.
By the end of season 1, Chaggie are together and stronger than ever. They have made the first steps into integration and tapped into their respective potentials. Both as individuals and as saviors of the universe.
THE MYTH OF EDEN
Charlie: Drawn in by Lilith's fierce independence, Lucifer found her, and the two rebellious dreamers fell deeply in love.
The series starts with a retelling of the myth of Eden, which is set-up as the heart of the series:
Plot-wise all the characters are living with its consequences
Theme-wise it shows the birth of love between the first man and the first woman...
The twist is that the first couple isn't Adam and Eve, but Lucifer and Lilith:
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Who are foils to Charlie and Vaggie:
Both couples have a demon and an angel, who fall in love against the odds.
Both Charlie and Vaggie foil Lucifer in different ways. Like her father, Charlie is a wide-eyed idealist, who doesn't fit in her kingdom and wants to change it. Like the devil, Vaggie is a fallen angel, who is let down by heaven and finds love in hell.
Both Charlie and Vaggie are set-up to foil Lilith. Charlie is a demon full of love, who wants to empower others with her voice. Just like her mom. Vaggie is an angel hidden in hell, who keeps secrets out of a misplaced wish to protect others. Lilith is a demon hidden in heaven... wanna bet that she is keeping secrets from her husband and daughter to protect them?
Why is there such a juxtaposition between the two couples? Two reasons:
Charlie is gonna deal with her complicated feelings for her parents through Vaggie. Her partner is gonna challenge her to grow into her own person (microchosm).
Lucifer and Lilith unwillingly broke the world, but Charlie and Vaggie are gonna fix it (macrochosm)
This is why the two couples are immediately juxtaposed:
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After Charlie ends her retelling of The Story of Hell, Vaggie arrives to check on her.
Lucifer and Lilith destroyed the status quo:
Charlie: But this gift came with a curse. And with this single act of disobedience, evil finally found its way to Earth. With it, a new realm of darkness and sin. And the order Heaven worked to maintain was shattered.
Charlie and Vaggie will bring a new and better one:
Charlie: We'll make a difference, wait and see Charlie and Vaggie: We're gonna do this, you and me
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pukanavis · 2 days
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Fuyume Hanamura Idol Story 1
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ーThe Yumenosaki Academy library, two years since the establishment of ES.
Fuyume: Excuse me?
Are there any fairy tales here…?
Oh, the shelf over there is the section for picture books and stuff?
Thank you for your help.
~...♪
(Ah, she was right. Yume recognises a bunch of the books over here.)
(They’ve got a good selection to choose from but the categorising is a mess. They’re just randomly thrown onto the shelf without any care for alphabetical order or release date.)
(Oh well…apparently no one has any love for fairy tales…)
(‘The Little Mermaid, ‘Momotaro’, ‘Tale of The Bamboo-Cutter’, ‘Snow White’, ‘Urashima Taro’, ‘Cinderella’—)
(Oh! It might not be the one Yume was looking for but he’s in the mood to read Cinderella today.)
(This story is another one that Yume adores.)
(It’s a tale about love being rewarded.)
…♪
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Fuyume: …? Hm? Oh, uhm, you’re that nice person from earlier—did you need something?
You were so kind to Yume earlier, so he’d be happy to give you some company.
Huh? The Yumenosaki Academy library is off-limits to anyone that doesn’t work for or attend the school?
How could you tell that Yume isn’t a student here?
Ooh, cause Yume isn’t wearing the uniform…?
That makes sense…no biggie, Yume will be sure to wear the school uniform next time.
Yume is really good at sewing, so it won’t be a problem…fufu ♪
Huh? That’s not the issue?
Yume doesn't like anything you’re saying right now.
Here he was thinking you were a nice person.
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Fuyume: Huh? Yume’s name is Fuyume Hanamura.
And you are? …Anzu-san? You’re a graduate of Yumenosaki?
You’re here at your old school to do some producer work, huh? It made you feel nostalgic so you’ve been walking around the grounds…? 
Oh, is that the case? Hmm…♪
Then, aren’t you and Yume in the same boat? Yume goes to a middle school separate from Yumenosaki and you’ve already graduated…right?
It sounds like neither of us are allowed to be here.
Let's work together then, okay? If you pretend you never saw Yume, he won’t go around yelling, ‘There’s a trespasser in here!’ …♪
What do they call it? A contract, business, bargaining? Let’s do something like that…♪
If you’re willing to comply, Yume will leave you be. He isn't particularly interested in you anyway.
Yume is just here to read some fairy tales.
…♪
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Fuyume: Huh? Did you need something else? You want to know what Yume is reading?
Ehehe, you’re interested in fairy tales? Sounds like we can get along.
Ehehehehehe. Yume is just reading a picture book about the massively popular princess, Cinderella. Though, he actually wanted to read something else. 
Maybe you’ve heard of it? For some reason, no one in Japan knows about it—it’s a fairy tale about an amethyst. 
Even if you don’t know the story, maybe you’ve heard this quote before?
—”The amethyst broke into pieces.��
Fufu. I guess you haven’t heard of it. Oh well.
Basically, it’s a story about an ordinary girl that comes across an amethyst that can grant any wish that she desires.
In fact, she actually fuses with the amethyst and becomes a crystalised-human of sorts.
It’s a curse put on her by an evil witch…ehehehehe ♪
The plot is kinda similar to ‘The Happy Prince’. Actually, something like ‘Arabian Nights’ or ‘The Monkey’s Paw’ might be a better match.
After transforming into the wish-granting amethyst, the girl wishes for her crush to pay attention to her, or to become better friends with people—
With each little wish she makes, the amethyst uses its power and gradually begins to crack—
Aah…♪ Eventually, her body becomes so fractured that it crumbles away and she loses all of the love and friends that she had been granted.
Her loved ones view her like a monster and chase her away in fear.
After everything, the final wish she makes is—
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Fuyume: —Ah, wait, Yume thinks you should read it for yourself to find out what happens next. Spoilers are a crime!
Ehehe. If there’s one thing Yume can say, it’s that he empathises with the amethyst girl and even admires her.
At the end of it all, the final remaining piece of her—
Becomes a ring that showers the wedding between her best friend and the one she loved in joy.
After everything, her final wish is—wait, oops, Yume just realised how much he’s spoiling. He’s really really sorry.
You don’t mind? Really? You’re super kind, you know?
Ehehe. You see, Yume shares the same wish as the girl who became a ring.
—-“I wish for your life to be full of joy.”
During her final moments, the girl whose selfish asks led her to break apart used her last wish to bring someone else happiness. 
Ehehe. Yume doesn’t have the power to grant wishes but he’ll do everything he can to achieve that too.
For example, Esu goes to Yumenosaki so Yume snuck in to watch over him in secret.
Huh? Does Yume love Esu?
It depends how you define ‘love’ but yep, Yume loves Esu.
But it's sad, isn't it? The reality we live in isn’t a fairytale.
—The amethyst already shattered long ago.
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The Man 6
Warnings: non/dubcon, and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: mob!Lloyd Hansen
Summary: a demanding customer complicates more than your work life.
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️
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You stare at your phone. It can’t be. After everything else going wrong, you can’t deal with Floyd. It suddenly makes sense why he was messing around with your phone. Ew, he’s kind of a creep.
You don’t answer and put the phone away. Well. You have no money, you’re about to have no home, and your milk is spoiled. Don’t panic. You can figure this out. You’re an adult, aren’t you?
First, go to the bank. You need milk. Once you have a coffee, you’ll worry about the whole eviction thing. You leave the convenience store and open Maps to look for the nearest bank kiosk. Not too far, one block. At least you’re getting your steps in.
You follow the directions on screen and turn to cross the road. You’re so distracted, you forget to look both ways and nearly get hit by a gleaming bumper. You wave a head but don’t look up. You need to get to the bank.
You come up to the pulsing blue dot and glance around. Huh. You don’t see a bank. You turn around and face the ATM built into the side of the building. Oh goddang! You walked to a bank machine, not a bank. Is it you? Are you the problem?
You drop your shoulders. Alright. You’ll just try again. You scroll to the next location and spin around, nearly colliding with a new wall. Oh, not a wall, a person.
You look up at Mr. Henson as he watches you with a line between his brows. Somehow, you’re not very surrpised. This guy is everywhere. It’s almost like he has no hobbies.
“Oh, hi, sorry, excuse me, I’m just on my way to the bank--”
“Ah, running short? Need me to spot ya?” He raises his hand, showing a black credit card.
“Um... noooo,” you utter in confusion. The other day, you ran off after calling him names. You really don’t believe he’s changed his stripes. He’s still a snarling tiger getting ready to feast. “Thanks, but I--”
“Things are tight. Job market’s trash, housing isn’t any better, and those banks,” he whistles and puts his card away, “they like to fuck around, don’t they?”
You look at him, scrunching your face up.
“Y-yeah. Weirdly, I did just get a notice to...” your voice trails off. “Why are you bugging me?”
“Bugging you?” His brows pop up and he guffaws, “oh, sweet lips, you’re funny, you know that?”
“Yeah, I know few jokes but--”
“Think a little harder, cupcake,” he lowers his timber and stares at you.
You blink and wet your lips, pushing them together. Think about what?
“Look, about yesterday--”
“I’m talking about today,” he insists.
“Sure, uh...”
“Do I really need to spell this out for you?”
“Spell what out?” You cringe, clawing for some hint of what he means.
“Your bank card isn’t working, right?” He asks, you nod. “You’re getting evicted.” Another nod. “You have no job.”
You make a face, “yes, okay. Rub it in. Alright. I get it. You’re some important guy and I’m a loser. Don’t worry. You own this city but I think I’m on my way out.”
He sighs and presses his fingers flat on either side of his nose. He drops them and opens his eyes again, “it was me. I’m the reason you—Don't you understand what I can do to you? I got you fired, kicked out, and poor in one day. What else do you think I could do?”
Your chest hollows out and your stomach lurches. What? Him? He just doesn’t stop.
“Sir, what—why would you—I'm sorry I called you a meanie. I was upset and the coffee, I tried--” You sniffle and shudder out a half-sob, “I didn’t mean to.”
“Yeah, well, you shoulda shut those sweet lips and opened those ears, huh?” He grins, “look, cupcake, you’re not going anywhere. You try to run back to your family, I’ll find you. Your mom’s a good lady, you shouldn’t trouble her. She doesn’t make enough teaching brats to put up with another one.”
“My mom—how--”
He spins his finger in the air, “catch up, honey bun. Alright? This is it. I’ll lay it out real clear for you, right now. You have no money, no home, you have nothing. You are nothing.” He jabs his finger at you, “so, I can solve all your problems and make you something.”
You look around. There’s really no way out. He’s a psychopath. You think. You don’t really know the difference between that and sociopath.
“Are you like CIA or something?” You ask.
He scoffs and flinches, “oh man, you are something else. Really, each time you open that mouth, I’m blown away by the idiocy. Rather just get blown, you get it?”
You shake your head and pout.
“Look, I think we can sort this out, Floyd. Really, I’m really sorry and I understand now. I get it. You’re very important and I messed up. I’m nothing and I did everything wrong. And from the bottom of my heart, I apologise. So, can I please have my life back?” You say, “I think we’d both be happier if we just went on our way and never saw each other again.”
His eyes dart away and he stares into the distance. Exasperation wrinkles above his brow and he looks back to you, hands on his hips, “too late, buttercup. So, let me put it as plain as I can. You don’t get a choice. You belong to me now. Just like everything else in this city. You are mine.”
“You can’t... do that.”
“I am doing that,” he insists. “Another thing,” he raises his hand, showing his palm, “it’s Lloyd.” He emphasizes the consonants of his name, “Lloyd Hansen. You can call me sir or Mr. Hansen. Hell, if we’re getting frisky, you can call me daddy.”
“Ugh,” you groan in disgust and curl your lip.
“Ugh?” He mimick the noise, “I’m about to--” He shakes his hand and sucks in the end of his sentence, “fine. Show, don’t tell. Got it.”
You cry out as suddenly he lunges at you. He grabs you by the back of the neck and hauls you forward down the sidewalk. He marches beside you as you writhe and paw at his large hand. You whimper, helpless as pedestrians move out of your path.
“Your mouth got you into trouble, now let’s see if it can get you out,” he growls.
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littleavengerfics · 2 days
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How about WandaNat x little reader. Reader goes to the dentist and is told that sucking her thumb/her paci has ruined her teeth, so now needs braces / surgery. Next time R drops she has a massive temper tantrum when she can't self sooth. Desperate to sleep before a mission Wanda creates a paci using her magic
Soother (Wanda Nat x little reader)
(sorry this took a while, life got crazy, hopefully you like this, if you don't let me know if you want something changing and I can do that for you)
It was a day all three of you were dreading, the dentist appointment. The caregivers knew it was gonna be a hard day for you all as you hated going to the dentist. "baby, come on get dressed we have to go in an hour." You groaned pulling yourself out of bed, "I don't wanna go." You huffed giving her a pout. "I know, you've been trying to get out of it all week, but it's not happening." Natasha smirked, picking out your clothes, she loved doing it everyday, even if you weren't little. "Nat. I brush my teeth twice a day and floss, there is nothing wrong with my teeth so I don't need a dentist."
"Y/N you're not going to get out of it, if you stop whining and behave at the appointment ill buy you a treat after we are done and you can watch two movies before bed tonight." You couldn't help but smile at her proposal as you knew it was only gonna come up today." fine I'll behave but just know I'm not happy about it."
"I can live with that for an hour. It's either a slightly grumpy you or an angry wanda and right now ill take the first." As she spoke she heard wanda yelling that they were going to be late. As much as you hated going to these appointments wanda hated running late for them even more and with you and natasha it was like that most of the time. Though thanks to their driving you still always arrived early, much to your dismay.
***
"baby don't worry, I'm sure everything is going to be fine." wanda reassured, squeezing your hand. You weren't so sure. When the doctor came in your heart started racing, holding Wanda's hand was helping but not enough. You needed something else and before you knew it your hand made it's way up to your mouth. The doctor chuckled a bit which made you frown. "there's our problem." both wanda and Nat looked at you and it was only then you realised there was a whole other conversation going on between the three of them you didn't understand. You still didn't pay any attention until natasha pulled your thumb out of your mouth.
"Really? It caused all that damage?" natasha said in a worried tone, the look on her face made you want to cry. If Nat was upset clearly something was wrong.
"It's not the end of the world, we can give them some invisible braces to fix the issue. The thumb sucking, however, does need to stop." It was a sentence that made you completely freeze. You didn't like that doctor anymore, at first she seemed nice but now you weren't so sure. By the look on your caregivers face you could tell that was going to be a rule and you weren't happy about it.
"That's going to be tough. They never stop." I barely listen as he starts giving them suggestions of how to deal with my bad habit. "there are some alternatives, there is chew safe jewelry and even adult pacifiers that can help with thumb sucking and other habits. If you use them responsibly and stop when there is pain or discomfort it won't cause as much change."
"I will look into those, thank you." Wanda smiled, hoping this would be a solution to their problems. After they left the dentist y/n dropped again after getting all of their work and it soon became a constant battle to keep y/ns thumb out of their mouth. Each time they were stopped they seemed to get more and more upset, by the night Wanda and natasha were mentally exhausted from the tantrums, it got even worse when natasha got a phone call. "babe, we have to leave for a mission tomorrow. We leave early in the morning."
"There goes our plan to just let them cry it out till they fall asleep while we wait for the delivery, Im already slow in the morning, I need to sleep tonight." Natasha nodded, she of all people knew about Wandas hatred of the morning, she knew it would be a rough day if they didn't get to sleep soon. "can't you use your magic to make them sleep."
"No, I promised myself I would never use my powers on them like that." the two were interrupted by y/n dumping all their toys on the floor and crying. Wandas mind was quickly changed, but she decided to try a less forceful approach first, she conjured a pacifier similar to the one she had seen on the Internet.
She couldn't believe it when y/n took to it, their wails turned into light sniffles within a few minutes and they stopped acting out. Wanda picked them up, "there see, everything's okay. You're okay, you like the paci?" y/n nodded settling against Wanda who put them to bed, "goodnight baby sleep tight." Natasha and Wanda breathed a sigh of relief as the little went to sleep peacefully, Wanda cleaned up the mess with her magic and the two turned themselves in for the night as well.
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WIBTA for going out if I don't have to?
Huge oversimplification, obviously. Basically, I'm disabled, in a way that makes it very difficult for me to keep up my hygiene (showering etc - I do wash my hands). I do my best, of course, and it's something I'm working on improving. But it's still nowhere near as good as it should be.
When I do have to go out, I try to use products to cover up any bad smell I may have, but I feel a huge amount of guilt for 'inflicting' said smell on other people. I know this might just be me being overdramatic, but it ends up with me trying to avoid going out if I don't absolutely have to.
The thing is, I /want/ to go out. Staying at home all the time is definitely not good for my mental health, and probably just piles on top of my other problems to make hygiene (among everything else I have trouble with) even harder. I want to go out and do things. I want to have fun and not just be stuck at home all the time outside of things I /have/ to do.
But I don't want to force people to have to deal with having to smell me, and that feels like it's technically 'more important', especially since the problem /is/ technically 'my fault'. WIBTA if I went out and did things around other people that I don't really have to, or should I wait until/unless I can fix my hygiene, regardless of how long that takes/if it ever happens?
If it matters, some extra pieces of info - my sense of smell got messed up by Covid, so I can't really tell if/how badly I smell, or if the products I use are enough to cover it up - I just have a constant fear that I do smell. Only a few people have commented on it in the past, and it hasn't happened in a while, but I don't know how much of that is just people trying to be polite.
Also, for the record, this is not bait or me seeking sympathy or anything like that. I genuinely want to know people's thoughts/verdict. Thank you!
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rougecreator1 · 18 hours
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I See the Light ||
|| Poly!plastics x nonbinary!reader
(i myself am poly!)
|| Warnings: heavily Regina focused, only mentions poly!plastics, some swearing, hinted at smut, absolute fluff, brief mentions of stage fright & anxiety
|| Summary: Regina's auditioned for the school play; Tangled as the role of Rapunzel. She gets it, of course. Only problem is the boys auditioning for Flynn Rider don't have a spark with her. It's so bad to the point where the play director considers dropping the play, reader steps in and saves the day.
(anon request)
Requests open!
Started: April 27th
Finished: April 28th
~~~
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Regina had been working hard to audition for the role of Rapunzel in the upcoming school musical play; Tangled. The girls helped her rehearse, each taking various roles. You played the role of Flynn Rider during Regina's practice sessions.
When it came to audition time, Regina got the role. Of course. Why wouldn't she? She's Regina George. Rehearsals were going well, everything was going their way. Until the night right before the big showcase.
The guy who had been casted as Flynn Rider got sick; because of course if anything could go wrong it would be the love interest not being available. None of the guys had the right chemistry with Regina. You watched from the seats as guy after guy tried playing the perfect Flynn Rider to match Regina's Rapunzel. Nobody seemed to have the right spark. Everyone was getting stressed out.
Including the casting director, who was fidgeting with his clipboard next to you. Why was it so hard? Surely there was at least one guy that could both sing and match Regina's energy.
Three more attempts pass before the casting director decides to call it quits for today and they would try again tomorrow. How they'd pull it off in time for the play, they weren't sure. At this point the director and casting director were beginning to think they should just postpone it.
From where you sat, you could see the disappointment in Regina's face. You knew how hard she had been working towards this.
You get up and join Regina on stage, she glances at you and sighs.
"The boys in this school are bunch of talentless dumbasses." Regina complained, folding her arms across her chest. You stifled a laugh.
"That's certainly one way to put it. I can't believe none of them passed." You replied, draping your arm around Regina and pulling her into your side. You would have kissed her forehead, but the problem was nobody at school knew you part of the plastic's polycule.
Yeah, they knew you were associated with them. But they didn't know anything else beyond that. You weren't ready for them to know.
Regina suddenly gets an idea and looks directly at you, finger quickly pressed your chest. You tense at the sudden movement and raise an eyebrow at her in confusion.
"What..?" You ask, not sure what got her excited all of a sudden.
"You!" Regina says, as if it were the most obvious thing in the world. You?
"Me..? Me what?" You weren't catching what she was putting down.
Regina noticed how slow you were to catch on and groaned," you could be my Flynn Rider!"
"Uh, Regina- hold on-" You stuttered out, completely taken aback. You? As Flynn Rider? In front of the whole school? Yeah, you weren't sure your stage fright would agree with that.
Sure, you were good when you were helping Regina rehearse. But that's because it was just you and your girlfriends. That was easy. This? This was a whole different level of preforming you weren't ready for.
"Oh come on, baby! Please?" Regina gave you a soft look which made your heart melt. Sighing deeply, you thought about it. Regina George really did have you wrapped around her finger; a moment ago you wouldn't have even had to think twice about the thought of being on stage. Now? You were at least considering it. Regina continued with trying to persuade you, after all she knew all the right buttons to push with you." Maybe... there'll be something in it for you as a little thank you~" It was the way her voice suddenly switched into that lower, suggestive register that made your head spin.
You stuttered out a response, but it was too fast and jumbled for either of you to understand what you had said. Your cheeks turned red and Regina laughed.
"That's a yes." She smirked at you and snapped her head towards the casting director, who was in a deep conversation with the director.
"I got a Flynn Rider!" She shouts, getting their attention and shoving you out in front of her. You nearly stumbled but she kept a grip on your wrist.
Their eyes went to you and your whole body tensed, they shared a look.
"Might as well give them a chance. We don't have much time to find a replacement." The casting director said, the director nodded and sighed.
"Do you know the lines for 'I See the Light'?" The director asked you, you nodded. You had it memorized from how much you had helped Regina with audition preparation," Preform that scene for us."
You and Regina got into your respective positions and Regina started off the song. Her voice was beautiful, every time you heard her sing you couldn't help but be absolutely enthralled by her. A smile spread on your lips, anyone who looked at you could see that starry, dreamy eyed look on your face.
When her eyes met yours, sparks flew. The directors could tell.
You started your part of the song and they were pleasantly surprised by you, any anxiety you had had about this before just faded away as you and Regina hit the duet portion. Hands held, staring into each others eyes as if you were the only people on the whole planet.
The rest of the cast had stopped their various tasks, just watching the two of you in awe. Most people were recording the whole thing, which meant it got spread around to tiktok and other various platforms.
Examples of some of the things being said about you and Regina;
@ randomstudent69: get you a man that looks at you the way Y/N L/N looks at Regina George
@ otherbitch41: FLYNN RIDER WORSHIPS RAPUNZEL AND HERES PROOF
@ idkmanijustexist: i dont know which i would rather be
@ somebodyshere11: i know they've fucked i just cant prove it
By the end of it all, you were really fighting the urge to just kiss Regina then and there. You weren't ready to be publicly out, so you held yourself back but God you were going to kiss her when you guys got home.
Your grin was uncontrollable as you just continued to stare into her eyes, her mirroring your expression with an uncontrollable smile of her own. Something that you usually only got to see behind closed doors.
The casting director and director shared a look with each other and nodded.
"Well, that's settled. L/N is our Flynn Rider." The casting director made a note on his clipboard.
There were so many whispers going around from the cast but you just didn't care, not when Regina was looking at you the way she was.
By the time you got home, you made damn sure to make out with your amazingly beautiful girlfriend.
~~~
When it was finally showtime the next day, everything went perfectly. You and Regina were the best possible match.
Karen and Gretchen were watching from the crowd, front row seats with Cady next to them. Gretchen made sure to record everything so you guys could see just how amazing you were. She also made snippets for your guys shared tiktok account.
After it was all over, you didn't even have to come out. People knew you were in the polycule without you even having to say it. The chemistry you and Regina had on stage completely gave it away.
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Hi so I’m 15 and in a relationship for the first time so I don’t have experience with any of this stuff. My partner and I have been doing sexual stuff for a few months now I just have some questions.
First, I was wondering how we can do sexual things in a way that doesn’t bother other people in the house. Like maybe that’s a dumb question and the answer is just be quiet but idk it’s hard bc my partner is very vocal. Also there’s very few opportunities to do stuff without anyone else home so that’s not rly an option.
Also my parents have been very weird about my relationship with my partner. Making lots of odd comments such as “i wonder if they’re having sex up there” (to my brother who is a *child*) and giving me lots of looks that just kind of make me feel really bad about my relationship. I know that sex is natural but they make me feel really bad about it and I could use some advice on what to do about that
Next, my partner and I are both interested in getting in to kink but I don’t really know how to go about it. I’ve never heard of people getting into that stuff as minors and we don’t want to do anything too crazy especially since we don’t really have access to any supplies.
You’ve definitely talked about this before but could you tell me what kind of protection is best and easiest to use and obtain for f/f sex. School didn’t teach me how to use anything other than a male condom.
Thank you so much. Sorry for asking so many questions
hi anon,
your first question is going to be pretty circumstantial; I don't know what the layout of your house is like or how realistic it is to wait for privacy. the ideal if of course to wait until everyone else is either asleep or out of the house, but I recognize that the former may be difficult if not impossible for someone your age and you've already said the latter is hard to come by. using other noises, like music or TV or white noise, can be helpful, although it's unlikely to prevent your parents from speculating.
to address your second problem most directly, I'm afraid there's no much that I personally can do to rectify that. it is unfortunately very normal for parents to have an anxious, awkward, and difficult time adjusting to their children becoming sexually curious. I think the most crucial thing to remember here is that this has nothing to do with what you're doing being gross or wrong, and most everything to do with how your parents were raised to think about sex. unless they have specific concerns they want to raise with you about sexual safety, their reactions are most likely coming from a place of discomfort that they don't know how to channel appropriately. that's not a shortcoming on your part, but on the people who failed to help them develop a better way of understanding their own feelings about sex - and, yes, on them for how they're handling those feelings now.
I'm unsure exactly what you're interested in exploring, since kink covers a very broad array of activities and "supplies" could mean almost anything, but I would definitely recommend an abundance of caution in your explorations. kink is great, but that doesn't mean it's easy for for everyone. there's a reason that you seldom hear of people your age getting into kink, which is that it generally requires a great deal of practice with navigating partnered intimacy and communication - something that few teenagers have had time to develop the skills for. kink is also something that many people find works best as a communal activity, by finding others to help introduce them around and sharing experience to help safely explore their fantasies; for obvious safety reasons, few kink spaces are looking to admit 15 year olds. by all means, do your research - Evie Lupine's youtube channel is a great place to start, with a backlog of hundreds of videos covering all kinds of kink-related topics - but be careful with how you act on it, and recognize that kink comes with more potential complications and risks than "vanilla" sex that cannot be taken lightly.
if both parties have vulvas and vaginas then you can use dental dams for protection during oral sex, latex or nitrile gloves or finger cots to cover hands/fingers, and external ("male," although there's nothing inherently gendered about them) condoms for any penetrative toys (or cut them down one side to flatten them out and make the aforementioned dental dams).
please don't apologize for asking questions! questions are how you learn and stay safe :)
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I'm sorry but I've read too many dystopias to believe this whole "King Magnifico kinda has a point" deal.
He is magically removing his subjects' ability to resist his rule in any meaningful way. He pulls out any ambitions or desires for anything greater and only returns them once he's cleared them of anything subversive. Old man playing the lute to inspire the younger generation is bad because he might inspire them to dangerous ideals like change or improvement or, god forbid, democracy.
"But some wishes are bad!" You know what else is sometimes bad? Emotions. But if you've got a society that says "someone could kill someone in anger so we're going to remove all emotion forever except for the elites that run everything", you'd still get why that is a bad thing and a con. I know the myth of the benevolent dictator has far too much hold on our culture, but the idea that the guy lobotomizing the entire population is definitely doing it for their own good and and it only happens to give him absolute power and control over them is ludicrous.
The problem isn't that Magnifico has a point, the problem is that Disney thought he'd need a magic book to be "really" evil rather than realizing that an absolute monarch running a system Brave New World would envy is already a terrifying villain. Stop trying to half-ass a sympathetic explanation and commit to the bit, Disney! Down with the king!
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welcometololaland · 2 days
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almost uploaded a picture of my bank statement instead of this header! happy days!
thanks for the tags @hippolotamus @kiwiana-writes @happiness-of-the-pursuit @rmd-writes
@nancygillianmvp @terramous @tellmegoodbye @freneticfloetry @beautifulhigh
@orchidscript @myheartalivewrites and @strandnreyes (don't think that was a real tag but i'm taking it anyway to force you to love me).
1. How many works do you have on Ao3?
49 (last time it was 46 but i feel like that isn't enough of a difference? disappointed in myself dfhskjh)
2. What's your Ao3 bodycount word count?
1,119,086 which does include some co-writes, but I also have around 200k of unposted WIP in my google docs so i'm counting it (including a fully written fic - someone put their hands around my neck and force me to edit it PLEASE).
3. Which fandoms do you write for?
red white and royal blue, 911 lone star, top gun maverick (flirting with winter's orbit always)
4. Top 5 fics by kudos?
the order of these has changed but not the identity:
Speak for Yourself (RWRB) (you know when eminem said he'd never be able to top My Name Is? this is my version of that)
Fifty First Dates (RWRB) (oodie agenda reigns supreme)
The RIng-In (Lone Star) (otherwise, lone star is in danger of being eviscerated from this top 5 lmao)
(Not) A Cinderella Story (RWRB) (NDAs are hot, apparently)
Cursed is a State of Mind (RWRB) (cursed caffeine is the main drawcard let's not lie)
5. Do you respond to comments?
i try my absolute best to. i am currently really behind and i apologise for that (the problem is, i reply to comments before i post anything and i haven't posted anything in ages).
6. What is the fic you wrote with the angstiest ending?
serious answer - Contaminated
my answer - oh baby i'm a fool for you because we never find out if they actually watch twilight and that's a damn shame
7. What is the fic you wrote with the happiest ending?
literally everything else - i don't really do open endings or sad endings! in the words of the great philosopher, skepta: "nah, that's not me."
8. Do you get hate on fics?
i used to, but i haven't in ages! thank god for that.
9. Do you write smut? If so, what kind?
yes, although i have to say i've been moving away from pwp lately. i feel my best smut is written into longer fics where the sex serves a plot or characterisation purpose within the frame of the overarching narrative.
10. Do you write crossovers? What's the craziest one you've written?
yes, a RWRB/LS but i never finished it. ALTA is a veronica mars inspired tarlos fic which kind of feels like a crossover at times.
11. Have you ever had a fic stolen?
not to my knowledge :)
12. Have you ever had a fic translated?
yes! Phonography (Lone Star) has been translated, as has Baby, Make Your Move (Lone Star) and Warm Whispers (Lone Star). I'm very grateful to the incredible people who have made these translations happen - you are so talented.
13. Have you ever co-written a fic?
yes, many with @dustratcentral. I also wrote a chapter of a co-written fic with a whole bunch of incredible RWRB authors called never the same twice.
@rmd-writes and I have created (Un)Professional Services and (upcoming) Call Me (By Your Name).
The Rainbow Fish was co-written with @strandnreyes.
I love co-writing so much and I am always open to anyone who wants to give it a go!
14. What's your all time favourite ship?
me + my unposted wips.
15. What's a WIP you want to finish but doubt you ever will?
probably the aforementioned crossover which was apparently also my answer last time.
16. What are your writing strengths?
i'm allergic to giving myself compliments but i would say maybe dialogue/banter and worldbuilding.
17. What are your writing weaknesses?
keeping things short. also, exposition.
18. Thoughts on writing dialogue in another language in fic?
kinda scared to because i don't speak any other languages and i'm so hesitant to annoy my very talented multi-lingual friends with my annoying questions.
19. First fandom you wrote for?
we don't talk about that.
20. Favourite fic you've written?
probably still Love Game because the experience was just so amazing and i never wanted to stop writing it.
heaps of people have already done this so leaving an open tag and also a couple of suggestions under the cut but apologies if you've already participated or been tagged 7 million times:
@bonheur-cafe @theghostofashton @thebumblecee @indomitable-love @eclectic-sassycoweyes
@tailoredshirt @vineofroses @liminalmemories21 @mikibwrites @birdclowns
@ladytessa74 @basilsunrise @cold-blooded-jelly-doughnut @rosedavid @sanjuwrites
@alrightbuckaroo @three-drink-amy @marjansmarwani @dumbpeachjuice @doublel27
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android!Robin has several technical problems, the most important ones having to do with her memory card, battery and motor skills.
Androids are supposed to have perfect photographic memory, but Robin's memory is poor even by human standards. She tends to forget where she left her keys, what she was going to do when walking into a room, etc. She forgets her schedule all the time, as well as Nancy's, and can't remember a recipe to save her life. Dustin and Suzie say it's a problem with the connections needed to access her memory card, rather than with the memory card itself. It's fixeable, but extremely difficult and expensive. Robin wants to get this fixed and she's working hard to pay for it - she doesn't want to be an inconvenience. Nancy will support her decision, but she really isn't bothered by Robin's poor memory. She just hopes she's doing it for herself and not to make herself "easier to handle" for other people (she's been told that's what her worth was based on her entire life).
She's only had one memory card her entire life (as far as she knows). Nancy's greatest fear is Robin hitting her head and it breaking. One could potentially take out the memory card and delete it or install a new one - that is Robin's greatest fear.
At one point, her connections get so bad there will be days in which she can't remember Nancy at all, or what her own name is. She'll act almost like a normal android those days - following orders, not speaking unless necessary, not expressing emotion unless instructed to, etc, though her poor motor skills, battery problems and bad memory will make it difficult. It freaks Nancy out every time, and she always tries to get her to snap out of it as if she were human, before accepting that love can't solve this problem, and calling Dustin and Suzie to fix it. She'll pay any price if it means having her Robin back.
Robin lets herself be turned off without complaint, without even the terrified shudder Nancy used to feel when she forcibly did it during their first weeks together. Robin's docile obedience as she let Nancy do this to her, and the way her body went limp in Nancy's arms, never failed to bring Nancy to tears.
It would take days for Dustin and Suzie to fix some of Robin's problems. This one took between one and two weeks. Longest it ever got was 16 days. During that time, Robin would lay lifeless on their workshop's table, her battery sitting somewhere else to prevent her from turning on automatically. Dustin insisted that he and his lady (as he called Suzie) worked best when their kingdom (their workshop) was untouched by foreign hands, so Nancy wasn't always welcome to visit Robin in that state. Nancy was relentless, though, and she usually managed to convince him to let her in for a few minutes. He thinks it's pointless - it's not like Robin can feel her there. She can't even dream. It doesn't change anything. In fact, he worries Nancy will be more disturbed than comforted, because Robin's entire skull, neck and spine will be exposed - only it's not bones and flesh inside, but metal and plastic circuits, plates, chips, wires and pistons. He's careful to at least put her face back in place when Nancy visits. He expects her to be taken aback by the sight, but instead, Nancy's eyes are full of so much worry and care and adoration as she observes Robin's lifeless body. She doesn't dare touch her - she doesn't want to hurt her. But she misses her so deeply.
When it's all finished, Nancy takes her back home with the utmost care and tucks her into bed. She waits by her side until she turns back on, and softly talks to her, asks her how she's feeling, brings her some water and asks her questions, to see if she's back to normal. Because it's all recorded in her memory card, Robin can remember everything - can remember the time she spent not knowing who she is, thought she can't remember if she was self-aware during those episodes. Whenever she wakes up, she's just happy to see Nancy, and wants hugs and cuddles from her, but she begins to cry out of fear as she tries to remember the details of not being. Nancy holds her every time, asks her if she wants to watch cartoons or if she wants her to read a book for her, to keep her from spiraling. She hates seeing Robin look so small and scared, but she also knows she's not scared of anything Nancy can protect her from. The horrors haunting her come from her own mind and her own nature.
(Dustin and Suzie make a copy of Robin's memory card and give it to her, just in case).
Dustin and Suzie take care of any fixes Robin needs. They're much nicer than any other technician at the previous repair shops she's been to. The most usual fixes have to do with weakness and stiffness in her knees and hips, especially on her right leg (it got broken pretty badly during a beating by her last owner - Billy Hargrove. He wanted to make her unable to walk. The person his father sold her to next did a poor job fixing her). These fixes are usually quite simple and take very little time. She will refuse to see them, though, until she reaches her breaking point when she struggles to stand up, or when she suddenly falls to the ground. It always worries Nancy to death - she's terrified of Robin hitting herself and suffering even more damage. It always takes some convincing for Nancy to get her in her car and on their way to Dustin's workshop. Sometimes, the fix will be so simple they don't even need to turn her off. Nancy holds her hand during these.
The third big problem is her battery. Thankfully, her battery is detachable and easily replaceable. They only had a mayor issue with it once, and they had to order a new one. Robin's model is rare enough that it took over a week to get there. During that time, they installed solar pannels in the balcony and Robin had to be connected to them with long, thick cables that stretched all around the apartment. It was more amusing than anything else, having to step around the cables and make sure none of them got accidentally disconnected. Cloudy days made her pretty much useless and had her lying in bed watching cartoons all day. She was completely turned off after sunset and she was up by sunrise. Needless to say, she couldn't leave the apartment for the week and had to call in sick to work.
Good thing was, though, that the new battery worked much better than the previous one. It lasted much longer. Nancy had only seen her this excited a few other times. The way she kicked her bedroom door down with a wide smile on her face as she yelled at her to come to the kitchen just made Nancy smile with adoration. Robin showed her the box in her hands - she was shaking with excitement - and asked Nancy to help her install it. She turned herself off and Nancy did the rest - disconnected cables, take out old battery, install new one. When she turned Robin back on, she was more full of life and energy than she'd ever seen her be. Free from her cables, she immediately grabbed Nancy's hands and dragged her outside - the sun was shining and she wanted to run around in the park, to roll on the grass and count the cloud and photosynthesize with a good book in her hand. To Nancy, she looked like a puppy, or a happy little bird just released from its cage. She could never say no to her, they would spend the entire day outside if Robin wanted to.
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maccreadysbaby · 2 days
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A Hundred Ways to Become a Wayne
batfamily + oc insert
tw: none
wanna read more? here’s the table of contents!
want to read the first fic in the hundred days series so you understand what’s going on here? here it is!
the one chapter in this whole fic where bentley makes a rational decision
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part thirty-nine
❝ UNLOVABLE ❞
TUESDAY — SEPTEMBER 8 — 11:07 AM
BENTLEY WOKE UP SO DISORIENTED AND FUZZY AND CONFUSED THAT HE JUST STARTED CRYING.
There were bright white lights in his face, and he wasn’t in his bed anymore, he was somewhere else. There were people moving around him, but he didn’t pay attention long enough to decide who, only long enough to decide he was terrified and wanted Bruce. What time was it? No idea. What day was it? No idea. Was he at the hospital? Was something really wrong with him?
“Whoa, hey… hey there, chum. You’re okay,” 
Bentley relished in the familiar voice, peeling his heavy, kind of sticky, newly-wet eyes open to glance around the room. It took a solid minute for his brain to catch up to his vision, but when it did, he realized he was in the cave, and Bruce was sitting right next to the bed he was laying in.
He tried to bring his hands up to hide his crying eyes, but paused mid-movement when he realized he was attached to a drip.The movement also seemed to trigger a wave of soreness that washed through his whole body.
“Hey, hey, you’re okay. Just relax. You’re here, with me, in the cave. Everything’s okay,” Bruce spoke in his typical level, gentle tone, one of his hands landing on Bentley’s forehead like it always seemed to. Though, for some reason, he looked… really tired. Worn down. 
Bentley breathed in and out shakily, gathering his bearings, trying to stop crying for no reason for the five millionth time in his short life. (Seriously, he had to be setting a record at this point.) Instead, he relaxed back down onto the bed and let Bruce card his fingers through his hair.
“Where’s… Nico?” Was the first thing he managed to whisper.
Bruce got a strange look on his face, before he replied: “Bentley… you’ve been down here for five days. Nico and Asten went home. It’s Tuesday.”
Bentley blinked a few times. It was Tuesday? He had been… he had been completely out of it for five whole days?
He looked around the empty room warily. “What? What happened?” 
Bruce sighed softly, brushing his opposite hand through his own hair. “Someones been fiddling with your DNA, and it made you pretty sick.”
Oh. Right. Superpowers. Bentley looked down at his own feet under the cottony blanket, exhaling subtly. 
“Bentley,”
He looked back up at Bruce, who had a little smile on his face. 
“I will never, ever, ever get rid of you,” He reassured, sighing lightly. “I promise.”
Bentley looked down at his hands, exhaling shakily before he muttered: “My… my father told me… he never loved me. And, uh, that he never would.”
Bruce stayed silent for a moment.
Bentley breathed in and out. It was now or never, wasn’t it? The hard questions had to be asked so things could be fixed, right? “Will you tell me the truth?”
“Of course, bud. Anything,”
Bentley twiddled his fingers, purposefully keeping his eyes away from Bruce when he whispered: “Why is it so hard for people to love me?”
Bruce’s blue eyes grew grim, and he scooted his chair closer to the bed with a squeak. “Bentley Whittaker, you are not hard to love. In fact, you’re almost impossible not to love.”
Bentley looked away, breathing in to force away the urge to cry. “Then why doesn’t he love me?”
Bruce sighed lightly. “That’s his own choice, his own problem. It has nothing to do with you. You are an incredible, brave, amazing kid, Bentley, and I loved you the very first day Dick brought you to me.”
A moment of silence passed.
“Hey,” Bruce continued, his hand moving through Bentley’s hair again, and the child finally looked over at him with slightly glassy eyes. “You could set the whole world on fire and I’d still tell everybody you’re mine.”
Bentley looked down at his feet, blinking rapidly as his eyes began to burn. Did that mean that maybe Bruce wouldn’t hate him for all the things he did? And he wouldn’t get rid of him? And he could stay and keep living with them even though he was an emotional, irrational trainwreck of a child?
Bentley sniffled. “I’m…” Cold? Lonely? Tired of lying? “Can you hold me?”
In one smooth movement, minding the IV tubes, Bentley was with Bruce in the chair.
A few moments of silence passed.
“I wish you were my father,”
A few beats came and went, and Bruce kissed Bentley’s hair.
“I am,”
Oh, God — there it was. The one statement that utterly broke Bentley. That changed something inside of him just like his real father’s statement had. Something cracked. Something moved. 
And so Bentley did what Bentley had been so determined not to do for literal weeks.
“You promise you won’t hate me?” He muttered into Bruce’s shirt, making himself small there, tucking his knees up. 
“I could never hate you, Bentley,”
Bentley breathed in and out. Once. Twice. Three times. Maybe it really was the right time. Maybe he really should do it — just get it over with. Nico would’ve done it. It was good. It would make everything better, right? Right?
“I wasn’t kidnapped,” Is what he started out with, but then backtracked, because that was not a great place to start. “I mean, no, I was. I was. But, the… uh… the night you guys thought I went missing I actually… uh… I ran away.”
Bruce said nothing, but didn’t make a disapproving sound or expression, either. So Bentley continued.
“I guess… uh… I guess it really started back when… right before school. Or right after, I can’t remember. Something was wrong with Damian. And I tried to talk to him but he got mad…” Bentley cleared his throat. “He told me I wasn’t worthy enough to be a Wayne. That I didn’t belong here and you only had me because you felt bad for me.”
At that, Bruce let out a little sigh.
“I think he was kind of sad, I dunno… I know he didn’t really want to hurt me. I think. But he did anyways,” Bentley shook his head. “And I started looking at everybody, at Dick and Jason and Tim and Damian and Cass and Steph and Duke and… Y’know. They’re all superheroes. Really cool superheroes. And a bunch of them were Robin, and I obviously can’t be Robin, but… I… I had to do something, you know? I wanted to be good enough. So… uh… Asten and Nico and I decided that… uh… we were going to go after the Secret Keeper. Because I could prove that I belonged here if I caught a villain like you guys do.”
“So you left, in pursuit of her?” Bruce inquired gently.
Bentley nodded. “Yeah. Asten found some connections between the missing people and the Areopagus and Dr. Keene, my teacher, and found this cabin in the woods that he owned that a bunch of the victims had stayed in, so we went to check it out. Which… sounds pretty random and dumb, now, I guess…” 
Silence passed.
“Uh… he found all that out by finding all the locations of where the people went missing and… uh… well. We kinda… stole Dr. Keene’s phone to get to the cabin schedules and stuff…” Bentley fiddled with his fingers awkwardly. “I know it was bad… but we wanted to help. So, uh, we met up at Nico’s house and started going to the cabin.”
Bentley exhaled heavily. Telling the truth felt strangely… good.
“We walked for a long time, and stopped by Asten’s house in Crime Alley for him to get something, and that was when Nico told me he was adopted and when I realized he had superpowers. Real ones — he has superspeed. And, well, that didn’t go over so well. He was… is really struggling with it. But, uh, anyways, Asten came back and then the Secret Keeper knocked me out and showed me all kinds of futures. Ones where I die, where I work with my father, where I was Robin… and she told me my choice to go to the cabin would lock me in and out of some. So I chose to keep going.”
Bruce still didn’t respond, keeping the door open for Bentley to continue.
“We broke into the cabin. And, uh, it looked pretty normal… at first. And then we found a trapdoor that led to the basement. Asten told me it was called a morgue,” Bentley shivered at the thought. “We opened up one of the fridges and… it was scary. I had an anxiety attack. Nico threw up in the floor. But Asten was fine, I think, and there was this computer down there that had tons of videos on it. Of our teacher, Dr. Keene, working in these labs, turning normal people into metahumans. The first one he did was his own daughter, Charlie Reins… who became The Secret Keeper. And he mind controls them all.”
Bruce exhaled.
“A bunch of the missing kids were in those videos, like Titus Lancaster and Davis Henderson. And we learned that… that… Dr. Keene was… is working for… my father. Trying to destroy you. That’s why the Secret Keeper has been attacking us. Because of me…” Bentley inhaled sharply. “Anyways, we were down there and we heard someone coming, so… we… hid in some of the fridges. Which wasn’t fun. I don’t remember much from then because I was freaking out. We ran out of the cabin and everyone was scared and Asten got his foot stuck in a bear trap and we were trying to help him and then there was a grenade and we all got knocked out.”
Bentley exhaled, sort of shaky, cringing at himself. Word vomiting wasn’t usually something people liked, but Bruce didn’t seem to mind.
“And I woke up in a warehouse, but I wasn’t actually there because it was just the Secret Keeper. I saw Jason die, and it… was really scary. I… I saw you. And I begged you to bring me home but it wasn’t really you…” Bentley fought back another round of stinging in his eyes and forced himself to get it together. “Then I woke up. Davis Henderson, the waiter that got knocked out at that bar because of me, he was there and he got me out of the machine before they could do mind control, he said.”
Bruce nodded slightly. “I remember hearing about Davis.”
“Yeah. He has to wear these super huge metal gloves now, because he kills anything he touches. His mind control was broken. So he got me out, and then we went to get Nico and Asten. And I got shot. Which was scary. And… he told us about Titus Lancaster, who can teleport, and he was going to have surgery to get new mind control so he didn’t have it then. And Davis told us to find him and that he could teleport us out,” He explained. “So we ran for a while. Lots of people were killed. Davis killed a lot of bad guys that were shooting at us, and… Nico did, too, but he didn’t mean to. He has air powers now that can make you choke.”
Bruce hummed.
“But when we were running out the Secret Keeper showed up. So Davis told us to run and he fought her. I’m not sure what happened but I hope he’s okay. He saved me…” Bentley cleared his throat. “But we found Titus, who was really scared, and he teleported us to the manor. And Asten told us not to tell anyone so I… didn’t. And you know everything that’s happened since I got home. Oh — except… I went to see my father to try and convince him to stop, but he said no. And that if I told anybody anything I knew he’d use a plan b that would destroy all of Gotham. But I don’t know what it is. Oh, and Asten has fire powers. And… I guess that’s everything you didn’t know.”
Bentley sighed and looked up at Bruce, who looked near-emotionless, processing all of the information he’d just had dumped in his lap.
“I… I know those things were bad, and that I should’ve told you, and that I did a lot of things I shouldn’t have done, but please, please, please don’t get rid of me. I’ll be better — I won’t do anything bad again. Please don’t-“
“Bentley,”
The Bentley in question was starting to cry again. “Please don’t get rid of me, Bruce. I promise I’ll be better. I promise. You can get me in trouble and yell at me and lock me up or hit me like my dad used to, but please just don’t get rid of me.” 
“Bentley. Look at me please,”
Begrudgingly, Bentley looked up, his brown, watery eyes meeting Bruce’s icy blue ones. 
“Please don’t get rid of me. I love you,”
Bruce breathed in and out. “Here’s what I have to say, okay? You’re right. Some of those things you did were risky, reckless, dangerous, and wrong, and you were impressively, almost stupidly brave to do them. All because you want to be loved and accepted and validated.”
Bentley looked down, wiping at his furiously leaking eyes with his non-dripped hand. 
“Do you want to know what one of the most defining traits of a Wayne is?” Bruce questioned, glancing down at Bentley with a smile that threw the child for a loop. “Being impressively and stupidly brave, and doing things that are risky, reckless, dangerous, and wrong, all because you want to be loved and accepted and validated.”
Bentley said nothing.
“Every single person in this family, Bentley, has done something like this. Even me. Some of us more than once. And while I can’t say I’m thrilled about what you did or what you went through… You survived, you told me the truth, and you were trying to do the right thing. And, I’d have to say, all things considered, I’m pretty proud of that,” Bruce stated with a smile. “I am proud of you, Bentley. And I love you. So. Much. You’re pretty much stuck with me whether you like it or not.”
Bentley had never felt more relieved in his entire short life. Bruce loved him, and he wasn’t going to get rid of him, and he wasn’t mad at him… what kind of fever dream was this? How was it going just like Bentley hoped it would?
“Hey, bud, I want to ask you something. And I want you to be totally, completely honest, okay? Your answer needs to be yours and only yours,”
Bentley nodded slightly, still wiping at his eyes. 
Bruce breathed in deep, running a hand over the child’s head with this fond gleam in his eyes that before now, Bentley could have only dreamed of. 
“You’ve been living here for almost a year. Fostering for over half of it,” Bruce exhaled. “I think this is as good of a time as any to ask… how do you feel about being adopted, like Dick, Jason, and Tim?”
Bentley freaking lost his mind. 
(In the arms of his dad?)
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anawkwardlady · 2 days
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I'm not going to say anything groundbreaking, i'm literally going to punch an open door so yeah.
That part of the arc is interesting because it's truly when you get that not only everything about the school is a facade but also that being aware of it doesn't do anything on the long run. Violet says in the first episode "the Houses are all the same" they really are, Weston College already proceed to make a selection of its students and the Houses are an illusion of some kind of meritocracy, of hard work on the process. You're only selected based on your status : the artists, sportsman, and intellectuals are not the best in their crafts they're just the richest ones (doesn't mean they're not talented or whatever but it's a small pool). All students need to keep high scores, (it's a school with a reputation) and have an somewhat acceptable level in extracurricular activities, houses are really not that special.
Social climbing your way to become fag of Prefect and Prefect through work and normal means is almost impossible if you're not yourself known or exploiting someone else. You'd think no one would fall for something as obvious as "Rich boy with servants at home is somehow a master chef who loves to work and knows how to multitask to an impossible degree without lashing out or looking tired while keeping a perfect score" it's because the prefect either already know it's impossible and close their eyes on it or are naive to that point because they only got where they are through connections and past family members also being Prefects. Everything from the Houses to their fag selection is an illusion of work and merit.
When they discover Maurice bullying and abuse it ironically only reflects how suggestible they are to Ciel's facade who is able to win them over with a smile and a bingo of acceptable words. Everyone will be able to reach their happy ending where the greedy social climber is punished and the deserving boy got the place that he deserved. Funny enough it already starts by hinting at Maurice being the one bullied now but in a acceptable, righteous way (it's only right to punish someone who did bad through humiliation). They're indoctrinated to that point, the system is not dysfunctional it works perfectly. Redmond hears Maurice whole rant and never interrogates himself on the root of the problem, since he decided it was due to that bad apple and the other one... and the other one... and the other.... It's also interesting the other prefects don't care to check whether people are being treated correctly or not, if theres any exploitation issue in their own house. We found the one guys, enough activism for today lkjhbjkl
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