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caligvlasaqvarivm · 2 months

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Murder, Love, and Destiny: An Eridan Ampora Character Study

Warnings for things from Homestuck, like discussions of child abuse, mental illness, murder, suicide, etc. etc.

Because there's a huge wall of text after this point, I'm going to summarize what I hope to convince you of in bullet point format, and then hope you'll actually read the rest of the text before arguing with me about it.

Eridan is the least casteist highblood, if you ignore all the slurs.

Those are his emotional support slurs.

Pale EriKar was not only canon, but set up to be endgame.

Eridan is incredibly plot-relevant, thematically relevant, and was definitely originally intended to be brought back to life, alongside the other dead trolls.

He's Sad.

The first thing we have to establish is what counts as "canon" for the purpose of this essay. I am only counting the original comic up to Game Over, after which there's a general consensus that Hussie kind of gave up on his original planned ending, and slapped together something that most people hate. So I am immediately disqualifying Pesterquest, supplementary material, fanworks deemed canon, the epilogues, and Homestuck^2.

Moreover, we are taking Hussie's commentaries with a grain of salt, for two reasons. The first reason is that I firmly believe - and will be arguing - that the original plan was to bring Eridan (and the other dead trolls) back; therefore, Hussie (who has a track record of playing coy with future plot twists) can't speak too fondly of him, lest he give it away. The second reason for de-emphasizing Hussie's words is that, post-retcon, Hussie isn't very well going to say that he had plans for a better ending, and then didn't execute on them; to save face, he has to act as though his trashing of several prior plot threads, including but not limited to Eridan, was the plan all along.

Therefore, this essay will not be putting too much emphasis on Word of God, and will instead be relying on textual evidence from the comic itself, of which there is plenty. So without further ado:

Eridan is a Consummate Murderer.

The reason I'm starting with this point is that, far more than any other, this truth lies at the core of his being. Eridan is formally introduced to us with a murder, and he's haunted by an overpowering genocide complex. He outright describes to Rose at one point that "killin is all i evver done practically," and uses "murder" as an expletive (ie "swweet stinkin murder"). With a conservative estimate of 5 kills per week for 4 sweeps (Vriska looks VERY young when she has to start killing, and Eridan was likely a similar age when he began), both Eridan and Vriska easily have bodycounts above 2000 - the real number is probably even higher.

At this point, many raise an objection that Eridan is only killing lusii, but I believe we need to count his kills as troll murders, for three reasons: first, a dead lusus results in the orphaned troll being culled; second, one has to assume he has had cases of trolls trying to defend their lusii, or coming after him for vengeance; and third - and most importantly - Eridan HIMSELF is thinking about the orphaned trolls.

Compare Feferi: Go Home:

That should keep her happy for a while. At least until she dies.

To Eridan: Go Home:

That should keep her happy for a while. And make a freshly orphaned troll somewhere very sad.

So Eridan, to a much greater extent than even Feferi, is thinking about the orphaned trolls he's leaving behind, and considers his own actions to be murder.

Now that we've established the facts regarding his murders - a rough bodycount, and the fact that, by his own admission, he barely had any hobbies outside of it - we can move on to the effect that it's had on him. It's not very good!

Vriska's manipul8tions and murders had to be done for her own sake - if she ever stopped, she died. Therefore, much of Vriska's personality revolves around justifying her own actions so she doesn't have to reckon with her softer feelings, like guilt or kindness - which she expresses would be viewed as scandalous by others of her caste.

But if Eridan ever stops feeding Gl'bgolyb, everybody dies. The stakes he has riding on his shoulders are, at all times, the fate of all trolls, including all his friends. Given Dualscar's title was "Orphaner," it's implied that killing lusii for Gl'bgolyb has always been a violet blood's duty, and is seen as such by the others, which is why nobody expresses gratitude for his hard work even a single time.

Which brings us to our next point:

Eridan is Crushed by Anxiety.

If Eridan stops killing lusii, everybody - especially his friends, but everybody else, too - dies.

If Eridan ever shows guilt or kindness, he'll be considered "weak" by the standards of highbloods - he shares this with Vriska.

Eridan is expected, by aristocratic tradition, to take on the mantle of his ancestor Dualscar and finish his work. Dualscar met a comedically cringefail end, so this is a massive undertaking.

Before finding out that god tiering is an option - so, for nearly his entire life - Eridan has had to live with the expectation that he will outlive all of his friends. The lowbloods from culling or dying on the battlefield, the highbloods from old age, and Feferi from being killed by the Empress when she gets old enough.

(This is reflected in who he talks to the most - Feferi, who's the only one with a natural lifespan longer than his, Vriska, who's a highblood, Kanaya, who's practically guaranteed to survive into adulthood, and Karkat, whose anonblood allows Eridan to give him the benefit of the doubt.)

Also if he can't land his concupiscent quadrants he'll die from that too, but that seems pretty secondary to the rest of his concerns.

He can't even make friends with the other highbloods, because sea dwellers are expected to hate and antagonize them.

He had a free ticket into adulthood, but would almost certainly be expected to join the army and serve as a commander. That is to say, his fate of performing the role of a vicious, murderous sea dweller seems dreadfully inevitable to him.

NO WONDER he can't stop having emotional breakdowns. NO WONDER his chatlogs swing wildly from relentless self-aggrandizement to traumadumping. NO WONDER he's obsessed with murder and death and genocide.

Doc Scratch calls him a "vengeful boy on the path of nihilism," and it's not hard to see why: Eridan's entire life has been about living up to the role imposed on him by society, sacrificing his own time and sanity for everyone else, which he "nevver got any appreciation for anywway." And all he had to look forward to was more of the same, all his friends dropping dead one by one before him. For Eridan, there has never been any hope.

SGRUB could have been a way out for him, but a combination of his own terrible choices, spurred on by his anxieties, and his teammates' unwillingness to knock some sense into him, meant that he only wound up mired even deeper in his hopelessness.

We all know about how Eridan wouldn't stop killing the angels on his planet, provoking their aggression and turning it into a ball of death. How he was definitely not supposed to be doing this, and how his stubborn insistence on it led to his further ostracization from the rest of the group. The thing is, when we look at his angel-murders from the point of view that Eridan's entire life has been about murdering things or else Something Bad™ happens, it actually starts to become... kind of sad.

KARKAT: BETWEEN A TRIGGERHAPPY PRINCE WITH A GOD WEAPON BLASTING ANYTHING THAT TWITCHED AND A MILLION CRAZED ANGELS HE DELIBERATELY ENRAGED, IT WASN'T WHAT I'D CALL AN IDEAL SOCIAL HUB. KARKAT: IF YOU WERE LONELY WHY DIDN'T YOU VENTURE OUT MORE OFTEN? ERIDAN: wwell i wwoulda but nobody else wwas vvolunteerin to pick up the slack on angel killin duties

Killing the angels is something he feels like his has to do, because his entire life has been about killing things he doesn't want to kill. He's unable to break out of that mindset on his own, and his unpleasant personality has scared off anyone who might want to help. No one on the team tries to understand his thought process on a deeper level, not even Karkat, who just tells him it was an idiotic thing to do without addressing his underlying anxieties at all. Indeed, "nobody understands."

And this is really the root of why I think so many people get the wrong read on Eridan - Eridan is constantly contradicting himself, constantly denying his own feelings, constantly pushing an image that he doesn't actually believe in, and constantly insisting that he's fine with all the horrible shit in his life - that he likes it, even. After all, he can't admit to his guilt for his murders, or how much he doesn't want to watch his friends die, or how scared he is about the future - that'd be weakness!

CC: I can't look after you anymore. CA: I DIDNT EVER NEED ANYONE TO LOOK AFTER ME CA: i was totally fuckin fine my ambitions were noble

You see his contradictory nature with his stated love of history, which he only ever offhandedly mentions - because he's not actually that interested in history, it's just something that's expected of someone of his station. And you see it with his wavy accent, which he himself calls "weird" and drops when he's trying to be emotionally sincere. And you see it with his dumbass outfit, which is very clearly an imitation of Dualscar (with the only exception being the wizard-ass scarf, because wizards are his actual interest. I don't believe he likes fashion. I genuinely believe - and Eridan himself says so - that he basically has no hobbies outside of murder).

Even being proud to be a sea dweller is pretty much an outright lie:

CC: You can't )(ave t)(e sort of affinity for "our kind" t)(at you profess if you've only spent, w)(at... CC: A few days underwater, maybe? IN YOUR W)(OL-E LIF-E!

One that he tells because he's SCARED OF THE OCEAN. Because he knows what lives in the ocean, because he's been feeding it his entire life. I see a lot of people who give Eridan an interest in marine life, and I'm telling you, that's just got no basis in canon. He's fucking TERRIFIED of the sea.

And for that matter, land dweller genocide. Eridan doesn't want to do it. Both Feferi AND his internal narration call him out for not actually wanting to do it. He outright states he wouldn't kill his friends.

CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be

But he feels like he HAS to want it, HAS to believe in it, HAS to be talking about it constantly, because that's what's expected from him as a sea dweller, and a sea dweller is ALL that he will get to be. The mutation that puts a violet streak in his hair is damning. It's a fate he feels like he can't escape. Which brings us to:

Eridan is Not Actually Casteist, Well He Is But Not Like That, It's Complicated

Secondary title: Those Are His Emotional Support Slurs, Okay

In the exact same vein (haha) as secretly not wanting all the land dwellers dead, Eridan also genuinely doesn't feel like he's better than lower blood castes. Vriska and Equius obviously put quite a bit of stock into being nobility, and both have acted superior to Karkat for it. Feferi actually revels in her high status, and while she is genuinely well-meaning, she's not as interested in abolishing casteism as she is in changing the meaning of "culling" specifically (the hemocaste, aristocracy, and casteism still very much exist in a Beforus under her rule). Gamzee MIGHT be the only highblood less casteist than Eridan, but then again, as soon as he snaps, he does say a lot of casteist stuff to Equius, although it's unclear how serious he is, and he also proceeds to get really into his weird highblood clown cult.

Meanwhile, Eridan - despite all his slurs and talk of genocide - does not actually try to "pull rank" on a lowblood for being a lower caste than him with a single exception. That exception is Sollux... after he's already shown having entirely caste-neutral opinions on Sollux:

CC: But Sollux finally came t)(roug)(, and now I believe t)(e full c)(ain is complete! CA: man that guy CA: hes a fuckin drama machine it is fuckin pathetic CC: YOUR STUPID FIS)(Y FAC-E IS T)(-E DRAMA MAC)(IN-E T)(AT DO-ES NOT)(ING BUT W)(IN-E AND GLUB. CC: 38P CA: fuck SORRY CC: Anyway you s)(ouldn't say t)(at about )(im, )(e is a )(ero and )(e saved my life. CA: yeah sorry

CA: my feelins seem petty and meaninless noww CA: she had better things to wworry about than my ovverwwrought bullshit CA: like the dead guy wwho savved her CA: so forget it thanks anywway

It's only AFTER he's mad at Sollux for dating Feferi that he starts going in on Sollux with casteist rhetoric... which is treated as unrequited flirting and not serious casteism:

ERIDAN: hey finless this doesnt concern those wwith mustard sludge slippin through their vveins ERIDAN: its a matter for royalty only ERIDAN: so keep your mouth closed or ill slit you open ovver my next meal SOLLUX: w/e bro, not iintere2ted. FEFERI: -Eridan, please! I don't want to see any more dueling. FEFERI: Don't try to provoke )(im. It's not like I don't know w)(at you're doing! You keep trying to spark a rivalry wit)( )(im to get me to auspisticize between you two, and pull us out of our quadrant! FEFERI: It is t)(e oldest and lamest trick in t)(e book. It didn't work t)(en and it won't work now!

THEY don't even think he's being casteist.

In fact, directly contradicting this earlier argument he has with Feferi:

CC: T)(is is t)(e last time I will say t)(is. CC: W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!! CC: GLUB. >38( CA: pshh CA: hemospectrum begs to differ

He OUTRIGHT states his real feelings here:

CA: im the biggest fuckin idiot who ever lived CA: i cant BELIEVE i just opened up to you like a chump when i knew what was comin CA: i am one sad fuckin brinesucker CA: overemotional sappy trash youre right im not better than anybody CA: im worse than anybody CA: EVERYBODY CA: all the bodies

So the question of "is Eridan casteist" has an answer of "kind of, but also no." Eridan DOES espouse the rhetoric; he's constantly saying stuff that a casteist sea dweller "should" be saying. However, if you look at his ACTIONS, and the way he actually treats people, he doesn't actually care about blood color. He'll hit on anybody, and he's rude as fuck to everybody. The real problem with him is that he's terrible to talk to, not that he's discriminatory.

That's the thing about Eridan. Understanding him means looking past the way he presents himself, the lies he tells to himself, and even, at times, the way the narration presents him. His "overblown emotional theatrics" seem a lot less overblown when his problems ARE so real, deep-seated, and constantly causing him an unimaginable amount of anguish.

The problem is, the main people he has to bounce those problems against are Feferi, Vriska, and Kanaya, three of the people most comfortable with their privileged positions, for whom Eridan's genuine emotional distress seems like needless melodrama. Feferi loves being a princess, Vriska enjoys her noble privileges, Kanaya doesn't need to worry about culling. But for Eridan, his noble status, and the duties and expectations placed on him for it, have caused him nothing but pain - of course he would feel like nobody understands. Most of his closest friends genuinely don't, nor do they try to.

Because that's what he is at his core - a traumatized fucking child, who doesn't see any way out. Eridan is not a casteist genocidal sea dweller... he just wishes he was one, and tries to be one, because if he actually was one, he wouldn't feel so awful and scared and sad all the time. He'd be normal, like his friends.

The reason he constantly spouts anti-land dweller rhetoric and uses casteist language is to assuage this cognitive dissonance. That's why he has to come off so strong, present himself in such an aggrandized way, act like such a douchebag. They're his emotional support slurs. He doesn't actually believe what he says, which means he's a Bad Sea Dweller, which means he's Failing, which means Something Bad Will Happen, so he'd better get his ass in line and say something casteist!

And it's all made worse because:

Eridan is Dumb of Ass (and True of Word)

Oh my god you guys he's so stupid that it hurts.

Okay, that's not entirely fair. Eridan is clearly well-educated and book smart; he has some of the most elegant prose out of the trolls, and he's prone to going off on insane rants with it. (Actually, his language gets more flowery and showy when he's trying to impress a stranger, and gets progressively more laid back, chill, and even kind of "bro"-y when he starts talking to people he doesn't feel like he needs to impress.)

CA: at this point i find all her adorable black pixie dabblins to be prime kiddie playtime shit CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about

What I mean is this: his brain is so full of anxiety and cognitive dissonance and murder and death that he struggles to care about other people, which has devastating effects on his social skills. I go really in-depth on how his though process informs his behavior here. The question may have popped up in your mind already: if his casteism stuff isn't actually real, then what is Eridan actually like? The answer is, overwhelmingly, and discomfortingly, SINCERE.

This boy is gunning at 100% emotional earnestness 100% of the time, and it's deeply uncomfortable for others to deal with. He'll swing wildly from insults and derogatory language, to stating a desire to kill all land dwellers, to awe and amazement at his friends' prowess, to demanding that they do things for him, to traumadumping and venting, without missing a beat. Often in the same conversation.

CA: kan its hard GA: What CA: being a kid and growwing up CA: its hard and nobody understands

He's also specifically terrible at parsing hostility. Functionally, he interprets all hostility aimed AT him as either pitch/ashen flirting or "ironic repartee," and similarly views his own hostile words as verbal jousting, pitch/ashen advances, or even just factual descriptions of the world around him (ie calling Nepeta a "kittycat shipper cavve girl"). Hostility and aggression are just kind of his baseline, default state of being, and he basically has no ability to differentiate between good and bad attention. I talk more in-depth about his emotionally bereft upbringing (and shitty lusus) here, but suffice to say that our boy isn't getting any emotional support at home, and as a result, craves attention, no matter what kind.

This also means he's insanely gullible. For example, Rose calls him an idiot to his face, and then blows up his computer, sarcastically calling it "your first lesson in showmanship." Eridan proceeds to literally considers it that, blowing up Jade's computer after he's done talking to her. Furthermore, Kanaya sees him as a burden, insults him to his face, and pretty much just bullies him along with Rose for fun.

So she trains Eridan to become a powerful white wizard of hope to challenge her, as a joke.

And yet, in spite of all that, Eridan still has nothing but gratitude and praise for Kanaya:

ERIDAN: kan i been meanin to thank you KANAYA: For What ERIDAN: for all that trainin you did ERIDAN: i wwouldnt be the incredible holy wwizard i am noww wwithout your help KANAYA: But I Didnt Even Really Train You I Just Made You A Wand ERIDAN: yeah wwell thats all i needed i guess ERIDAN: i just needed for someone to showw a little faith in me so im sayin thanks i owwe ya KANAYA: Okay Then Youre Welcome KANAYA: I Hope You Use Your Magnificent Powers Of Light And Hope For Goodness And Purity And Lets Not Forget Science ERIDAN: dont wworry im all ovver that shit you dont evven knoww KANAYA: Uh Oh I Hope That Didnt Come Off As Too Sarcastic ERIDAN: wwhat KANAYA: The Thing I Just Said KANAYA: I Didnt Even Realize How Sarcastic I Was Being Its Starting To Become A Problem I Think KANAYA: Please Dont Take Too Much Offense ERIDAN: haha damn kan if thats your idea of offense bein made then i honestly gotta fuckin wworry for you ERIDAN: tell you wwhat ill givve you some lessons in dealin out the dark umbrage to repay you for your tutelage in the wwhite science

Like, he's in the middle of genuinely thanking her for believing in him, she makes fun of him to his face, and his response is to laugh it off and offer to teach her how to properly insult someone. It's honestly... kind of sad. Not that he doesn't deserve the ridicule, but what we're seeing here is a traumatized, emotionally neglected boy trying to communicate the best that he can that he loves and appreciates his friends, and receiving nothing but mockery in return.

It's really not a surprise, then, that he goes off the deep end. His entire life prior to the game has been shit; he got broken up with as soon as he entered the game (by someone who didn't even care enough not to use fish puns while doing it); he's ostracized and avoided for the game's duration; and then he spends the rest of his time on the meteor being bullied. He feels deeply hopeless and anxious about their situation because he literally doesn't know how else to exist, and his concerns are dismissed and mocked at every turn. When Feferi turns on him with intent to kill, that's his breaking point.

I see a lot of people say he goes grimdark, or succumbs to external influence somehow, but I don't think that needs to be true (nor is it) - he's just a deeply traumatized kid with almost no support network who's finally been pushed to the edge, despite displaying every possible warning sign and making multiple cries for help. Yes, ultimately, he's guilty for his own actions, but his killing spree - alongside Gamzee's and Vriska's - represents a cohesive failure as a team to address very clear problems in their midst.

So Feferi and Kanaya are sick of his ass. Sollux hates him platonically, Equius doesn't like him, and Nepeta thinks of him as a creep. Vriska is his awkward ex, and Terezi agrees with him when he calls himself pathetic. He never interacts with Tavros, Aradia, or sober!Gamzee. Is there anyone that treats him nicely?

Uh, okay, so I swear this isn't shipping goggles -

Pale EriKar Is Canon And I Can Prove It

So, I'm going to start this with a disclaimer: you can ship what you want to ship. I don't mind. I don't care. Headcanons are valid, death of the author, etc. What you do in your free time is up to you.

What I am attempting to argue in this section is that an Eridan/Karkat moirallegiance was heavily foreshadowed, one of the most heavily foreshadowed things in the entire comic, and - assuming that the original ending of Homestuck included all the dead trolls being brought back and redeemed - was going to be endgame. There's a torrential amount of evidence pointing to this, and very little of it is acknowledged even by the EriKar shippers, which is a shame.

At the very least, I'll be happy if I can convince some Karkat RPers to be extra nice to Eridans, because they are actually just friends who care deeply about each other. Canonically.

The first thing to note is that Eridan and Karkat, at least prior to SGRUB, talk all the time, to the point where Feferi feels the need to comment on it:

CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro. CC: You leave not)(ing left to talk about wit)( your dear sweet moirail! CC: We are supposed to )(elp eac)( ot)(er wit)( t)(at stuff too, remember. CA: maybe CA: seems kinda CA: odd though

("Can you please stop having an emotional affair with Karkat" "Eh, I'll think about it")

The second thing to note is what the contents of those conversations entail. Sure, they "gossip," but it goes deeper than that, because they gossip about things that Karkat would NEVER gossip about with anybody else, because Karkat usually respects his "VERY GOOD FRIEND"s. For example, here Eridan mentions that Karkat has speculated on Kanaya's love life with him:

CA: you dont wwant to be our auspistice cause you dont wwant to get locked into that sort of relation wwith her i can respect that GA: No Thats Not It CA: yeah it is your real feelins run pretty awwful RUDDY methinks evverybody knowws it CA: especially that assblood karkat he and me havve you so pegged about that its upright silly

And it's not even a one-off thing, because here Karkat is again, mentioning Nepeta's crush on him:

KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK? KARKAT: HER DISINTEREST IN YOUR ADVANCE WASN'T A REFLECTION ON YOU AT ALL. KARKAT: COME ON, WE TALKED ABOUT THIS.

It's a situation he's been trying to "tiptoe around for a long time," and he tells ERIDAN, of all people? MULTIPLE TIMES? (AND HE ALSO TELLS ERIDAN THAT THE REJECTION WASN'T HIS FAULT???? WHAT??????)

So we've established that they talk frequently and about some pretty seriously sensitive topics. But did you know that they also talk about... their feelings?

See, the thing is, Karkat has always been weirdly nice to Eridan. Here he is in a memo near the very beginning of their game, when Karkat is at his most "rah rah, I'm the big bad leader":

FCA: i got a problem FCA: wwith feferi FCA: and im really kinda sittin here in bad shape about it emotionally speakin CCG: OK, WELL CCG: I GET THAT, I HEAR YOU BRO CCG: BUT THIS IS STILL NOT THE RIGHT PLACE FOR THIS SO I'VE GOT TO BAN YOU. CCG banned FCA from responding to memo. CCG: BUT SERIOUSLY JUST GET IN TOUCH WITH ME IN PRIVATE ABOUT IT, OK MAN? CCG: WE'LL GET YOUR SHIT STRAIGHTENED OUT.

Compare that to Tavros asking for advice later down in the same memo:

PAT: sINCE i DON'T KNOW WHERE YOU ARE NOW, bUT MAYBE HELP ME, PAT: aBOUT A THING THAT HAS TO DO WITH A GIRL, PAT: lIKE, PAT: a ROMANCE THING, yOU MIGHT KNOW ABOUT, CCG: YOU PEOPLE ARE IMBECILES. CCG: ALL OF YOU. CCG: I AM NOT POSTING THESE MEMOS TO COUNSEL YOU ON YOUR PAST AND FUTURE DATING PROBLEMS!!!!!!!!!!!!!!!!! CCG: WHY ARE YOU ALL SUCH BASKET CASES. I DON'T EVEN KNOW WHAT TO SAY ANYMORE. PAT: sORRY, CCG: SHOULD I BAN YOU? WHAT'S EVEN THE POINT ANYMORE! ONE OF YOU STOOGES WILL BE RIGHT ON THE LAST ONES HEELS WITH ANOTHER SOB STORY. CCG: JUST CCG: HURRY UP AND TELL ME WHAT YOUR PROBLEM IS BRO.

He then proceeds to dispense no actual love advice; he just points out that Vriska can totally read this memo too, and then mocks them both when she shows up - thus making it clear that he is giving Eridan special treatment.

You see it again in his discussion with Eridan in [S] Kanaya: Return to the Core, where Eridan invokes a "pact" between them, and Karkat immediately plays nice with him, despite himself being extremely high-strung and stressed out:

KARKAT: RIGHT, IT'S POWERED BY SCIENCE, I FORGOT. KARKAT: OR HOPE. WHATEVER THE FUCK THAT MEANS. ERIDAN: i dont fuckin need this from you i take enough shit as it is from the rest a you dirtscrapers i thought you and me had a kinda pact or wwhatevver KARKAT: OK FINE, SHUT UP, I APOLOGIZE. I KNOW IT'S TOUGH BEING YOU.

That's definitely pity, which Karkat states to be the basis of all relationships besides pitch. But, sure, okay, Karkat is sometimes nice to his friends. He is, after all, the Friendship Troll, so that's not necessarily out of the ordinary. But how about the fact that it goes both ways?

That's right, Eridan "100% aggro 100% of the time" Ampora is actually really considerate toward Karkat's feelings, and basically nobody else's. Upon hearing that Karkat is distressed that Sollux has died, Eridan actively puts his own meltdown about his breakup with Feferi on pause:

TC: BeCaUsE OuR GoOd bRo sOlLuX JuSt kIcKeD ThE WiCkEd mOtHeRfUcKiN ShIt CA: wwhat the fuck do you mean by that CA: are you sayin hes dead TC: YeAh :o( CA: oh fuck CA: oh god fuck noww i feel like an asshole

He then goes on to chastise Gamzee for his shitty advice, demanding to be given the chance to comfort Karkat himself instead:

TC: BuT I ToLd hIm tO Be cHiLl TC: BeCaUsE ThErE Is a mIrAcLe cOmInG, i cAn fEeL It CA: that is the wworst fuckin advvice CA: wwhat an awwful thing a you to say CA: MAGIC ISNT REAL STUPID STOP BELIEVVIN IN IT TC: i'Ve gOt tO BeLiEvE At wHaT My hEaRt tElLs iN Me, EvEn iF It's a fAkE ThInG TC: HoNk CA: this is a lot a pointless fuckin rubbish and isnt no emotional help to him or me either for that matter CA: put kar on

Before finally giving up when Gamzee insists he's "too scared of Jack" to help, drinking some Faygo, and trying to ask past Karkat for help, because past Karkat isn't sad yet about Sollux dying. So, to recap,

Eridan's first instinct when in emotional duress is to go to Karkat.

Eridan feels like he knows Karkat well enough to know that Gamzee's advice would be useless (and is proven right by the fact that Gamzee and Karkat's moirallegiance fails for similar reasons).

Eridan is willing to shelve his own emotional meltdown for Karkat's sake.

Eridan demands to be the one to provide Karkat with emotional support.

And this is, again, not a one-off thing. In the memo Karkat opens right after Eridan and Gamzee have both turned murderous, after he's spent several minutes making death threats toward Eridan and insulting him directly, he goes:

CCG: I'M SO UPSET, I'M JUST COMPLETELY FREAKING OUT IN EVERY WAY POSSIBLE. PCA: yeah i knoww wwhat its like you wwanna talk about it

Eridan spends this entire memo under the belief that it's a completely run-of-the-mill conversation they're having:

PCA: i mean yeah obvviously i kneww you wwerent serious PCA: i guess i appreciate the effort youre puttin into cheerin me up PCA: i can alwways count on you for some good ironic repartee kar nobody else really gets our sense a humor CCG: UGH, NO PCA: are you busy PCA: you said youd try to make it to lowwaa soon wwell howw about it

Which implies that offering to listen to Karkat's feelings is also a completely regular thing for them.

But something magical is ALSO happening within this last memo, and to really explain it, I'll first have to be a little mean to the GamKar shippers (sorry).

So, canonically, GamKar doesn't work out for them, despite also being somewhat foreshadowed. In fact, they feature on Nepeta's shipping wall, which is actually, in my opinion, foreshadowing that it WOULDN'T work out. (Nepeta's ships being wrong, and shipping being something she needs to learn to outgrow, is a whole essay on its own, that I'm not getting into here.)

But the thing is, the seeds for them not working out were also planted in the first - and only - real post-moirallegiance interaction that they have with each other, where Gamzee tries to calm Karkat down... and FAILS:

GAMZEE: naw brother, i was just about to all say for you to try and get your settle down on, maybe. GAMZEE: :o( ... KARKAT: OK KARKAT: OK YEAH KARKAT: I GUESS YOU'RE RIGHT. KARKAT: NO, YOU'RE RIGHT, I SHOULD RELAX. KARKAT: AND BREATHE. KARKAT: I MEAN, WHAT ARE MOIRAILS FOR, RIGHT? KARKAT: THIS IS HOW IT WORKS, I STOP YOU FROM KILLING EVERYBODY, THEN YOU RETURN THE FAVOR AND CALM ME DOWN AND I JUST KARKAT: BREATHE KARKAT: LIKE KARKAT: THIS... KARKAT: SNIIIIIIIIIIIIFFFFFFFFFFFFFUCK, THAT SUN IS BRIGHT. KARKAT: CALL ME CRAZY, BUT IT'S KIND OF HARD TO RELAX WITHIN A STONE'S THROW FROM, OH, I GUESS ONLY THE BIGGEST FUCKING STAR ANY MORTAL HAS EVER LAID EYES ON. ... KARKAT: BUT I MEAN, CAN THIS BE HEALTHY? KARKAT: AREN'T WE GOING TO GET BURNED OR HAVE OUR RETINAS SCORCHED BY LOOKING AT IT? KARKAT: OH GOD I THINK I'M HAVING A PANIC ATTACK.

But let's go back to that memo where Karkat is freaking out in every way possible. This is how he starts that memo - so upset about the deaths of his friends and terrified by Gamzee that he can barely string together a coherent thought:

CCG: WE ARE SO SCREWED. CCG: OH FUCK OH FUCK OH FUCK. CCG: GUYS, I AM TERRIFIED, I DON'T KNOW WHAT TO DO. CCG: I'M IN A ROOM FULL OF BODIES, AND I THINK I'M NOT SUPPOSED TO TURN MY BACK ON THEM? CCG: OH MY GOD, I JUST HEARD A HONK. ... CCG: FEFERI, I'M SORRY. CCG: IT WAS MY FAULT, I DIDN'T KNOW WHAT TO DO. PCC: Sorry for w)(at?? CCG: FOR CCG: I CCG: I CAN'T DO THIS CCG: IT'S TOO MUCH FOR ME, I'M SORRY.

In fact, he's so distressed that he bans Past!Feferi and Past!Gamzee almost immediately after they come in. But then Eridan comes in, and... I mean, first of all, just compare how long it takes for him to ban Eridan:

But more interesting are the contents of their conversation. Over the course of talking to Eridan... Karkat completely calms the fuck down. Like he's entirely forgotten that he's shitting his pants with fear. In fact, he even starts critiquing Eridan for his dumbassery:

PCA: evven if i wwasnt compelled to think you wwere still bein flippant and ironic wwith me you cant exactly outright reject me can you CCG: WHY NOT PCA: cause youre future you PCA: doesnt count unless its present you til then its all fair game CCG: IS THIS REAL, ARE YOU BEING IRONIC OR SOMETHING, I CAN'T EVEN TELL ANYMORE CCG: THE PROBLEM IS, I CAN'T PUT THIS SORT OF BEHAVIOR PAST YOU AT ALL, SO I DON'T KNOW. ... CCG: YOU'RE KILLING ANGELS NOW, AREN'T YOU PCA: no CCG: YOU ARE KILLING FUCKING ANGELS, RIGHT NOW, IN THE PAST, WITH YOUR SHITTY GUN. I JUST KNOW IT. PCA: wwell uh PCA: therere just so damn many kar and theyre not gettin any less bloody pissed is the thing CCG: THIS IS WHY IT WOULD NEVER WORK BETWEEN US, MAN.

It's extremely funny. Over the course of talking to Eridan, he goes from:

CCG: OH GOD OH GOD OH MAN OH GOD CCG: NO NO NO NO NO NO NO NO NO

To:

CCG banned PCA from responding to memo. CCG: ANYWAY CCG: THAT'S IT I GUESS.

Eridan isn't even trying to calm Karkat down. He still succeeds in doing so. This is because they are soul mates. And I mean that in the sense that the comic literally calls being moirails soul mates, which it doesn't do for the other quadrants:

A reasonable human translation would be the concept of a soul mate, but in a more platonic sense, and with a more specific social purpose.

That "social purpose" being that an even-tempered troll calms down a more hot-tempered one, and vice versa.

It also goes on to note:

But some pale pairings, as the one above [referring to a picture of Nepeta and Equius], will be strikingly obvious to all who know them.

But what's really interesting is the next page.

And yet others will seem to have been hatched for each other.

Did you catch that? Let me zoom in.

(Also, the blue and red cuttlefish to represent Sollux - Feferi and Sollux spend the whole game together, and even wind up talking about their feelings constantly in a pile - more on piles in a sec.)

In fact... in Eridan's first visual appearance...

The crab has always been there for him.

It's also important to talk about the bottle of Faygo that's been photoshopped to be candy red, Karkat's blood color. The path that it takes actually directly mirrors Karkat's relationships with Gamzee and Eridan - it's initially something that Gamzee has, but winds up being ejected out of his life, and washes up on Eridan's shore. In fact:

TC: SnAtCh aN IcEcOlD, dOg TC: MoThErFuCkIn cHuG ThAt sHiT LiKe yOu aNd tHe bOtTlE WaS ReUnItEd lOvErS CA: are you recommendin a bevverage to me or somethin CA: is that wwhat this is TC: YeAh mAn SlAm A FaYgO CA: i dont havve a fuckin faygo you stupid fuck wwhy wwould i keep that disgusting shit on hand TC: ArE YoU MoThErFuCkIn sUrE AbOuT ThAt? CA: oh CA: oh god youre right i do CA: i totally forgot about it TC: YoU SeE MaN TC: MoThEr TC: FuCkIn TC: MiRaClEs TC: :o)

When Gamzee and Eridan discuss this exact bottle, Gamzee even likens it to "reunited lovers"; it's something that Eridan has had this whole time (after all, he was cheating on Feferi with the guy), but never realized.

There are a few miscellaneous things that don't really mean anything on their own, but put next to all this other stuff, is worth considering, so I'll list those now.

First, they both do the bonk:

Second:

CG: ARE WE NOT FRIENDS ANYMORE BECAUSE OF STUFF I SAID. TA: eheheheh you LIITERALLY a2k me that every tiime are you jokiing. TA: ii cant even tell anymore. CG: IT'S A JOKE MORON. CG: HONESTLY I'M JUST GLAD NOBODY ELSE IS PRIVVY TO OUR CONVERSATIONS.

Third, Karkat muses to his future self about how he misses his friends, especially the assholes, two pages before staring at a dead Eridan's ass (joking, he's definitely looking at WV, but it's still significant that this thought is being associated with Eridan):

CCG: I MEAN, DON'T GET ME WRONG. CCG: I MISS ALL OF MY DEAD FRIENDS A LOT. CCG: EVEN THE ASSHOLES! I MISS THEM TOO. MAYBE EVEN ESPECIALLY THEM, IN SOME PERVERSE WAY. CCG: AND I SHOULD BE RELIEVED THAT THEY ALL SEEM TO BE HAPPY IN SOME WAY, EVEN IF IT'S BY FLOATING NEBULOUSLY THROUGH DREAM PROJECTIONS WITH THEIR FREAKY BLANK EYES. CCG: AND I GUESS I AM RELIEVED ABOUT THAT. CCG: BUT AT THE SAME TIME IT'S LEFT ME UNSETTLED.

Fourth, in the same conversation, he bemoans his failed relationship with Terezi, before Future!Karkat chastises Past!Karkat for his instability and mixed signals. Going back to the page on moirallegiances, an explicit function of a proper pale relationship is stabilizing a troll's other relationships:

The two partners in a strong pale relationship will serve to balance and complement each other's emotional profiles, and thus allow their other relationships to be more successful.

Of course, I don't need to tell you how messy and unstable Eridan's relationships have been.

And finally, Piles of Stuff™ are associated with moirails, and directly stated in-comic to cause an outpouring of emotion:

Standing near this pile stirs powerful emotions. The closer you stand to piles of stuff, the more freely the feelings flow. It is a law of reality.

So here's a seven-word tragedy for you: For Sale, Shitty Wand Pile, Never Used:

ERIDAN: at least i got the upright basic decency to hide my shitty wand pile somewwhere in the lab you wwont find it dont evven bother lookin KARKAT: WHY DO YOU ASSHOLES HAVE PILES OF THINGS, JUST STOP.

(Which he specifically tells Karkat about.)

So, yeah, what I'm saying is, there's just, like, a weirdly large amount to read into here. That Karkat and Eridan are probably soulmates or whatever. And that this is important because...

Eridan Is Plot Relevant (Well All The Dead Trolls Are But This Is An Essay About Eridan)

So. Now we are going to talk about themes. Yes, like we are in schoolfeeding again. I'm going to keep it simple, because "The Themes of Homestuck" is a whole essay on its own, and this one about just the shitty fish boy is already way too long.

I think it's fairly non-controversial to posit that the main theme of Homestuck is, "children should mature, care about each other, and throw off the shackles of their old society, because they will be responsible for a new world one day."

Up until Game Over/the Retcon, this is so prevalent and well-established that SBURB/SGRUB's coming-of-age themes will outright be commented upon by the characters, and the main villain is a child who deliberately stunted his own growth so he could go around kicking over other peoples' toys forevermore.

So, the thing is, with that being the theme of Homestuck, if ALL of the Alternian trolls don't survive to the end, the ending is thematically unsatisfying, because the message suddenly gains an addendum of "well, some kids just need to die," which totally sucks. Like, sure, Eridan was a violent, crazed murderer even at the best of times, but his permanent death within the canon ending kind of means that the comic is saying that people in his position don't deserve kindness or second chances. That position being a traumatized, emotionally neglected child, who was being bullied by people he considered his friends. It's a pretty terrible message.

It's even worse when you consider what other trolls don't make it to the end - Nepeta, the most outspoken troll against the hemospectrum (and Davepeta does NOT count, don't try to tell me the final culmination of Nepeta's character arc is being combined with some guy she barely knows and a bird). Feferi, who genuinely wanted the best for others, even if she was kind of a privileged princess. Aradia and Sollux also stay behind in the bubbles, even though their lives have pretty much been endless parades of suffering and being used by other people. Even Equius doesn't deserve it - he was kind of a casteist freak, but not irredeemably so, and the fact that he became kinder to Karkat over the course of SGRUB proved that he had the capacity to change. And Tavros, allergic to himself and being insulted by Vriska, is a terrible way to end his arc.

It's also really clear that, since half his friends are dead, Karkat just doesn't really have anything to do. His title is the Knight of Blood, and Blood is about bonds - romance, friendship. And yet, he ends the comic having never figured out what Blood was about, with no confirmed filled quadrants (sorry DaveKat likers, but within the comic itself, DaveKat is never confirmed), and most of his bonds nothing more than ghosts in the bubbles. It's a terribly unsatisfying ending for the most narratively important troll.

I think, then, that even if you don't agree that Homestuck should have ended with full revivals and redemption arcs for all the trolls, the essay is going to proceed on like you do, so, sorry, I guess.

The thing with Eridan, specifically, is that he's actually tied deeply into the plot and themes, and his return means more than just Karkat finally getting a date (although that's important, too). Eridan is directly intertwined with a prophecy to kill Lord English; he's set up to mirror Caliborn and Calliope; and thematically, his redemption would be the most clear instance of the "interrogating society" part of the theme of Homestuck, because Eridan is kind of the Society Troll. And also, he was definitely supposed to be Roxy's wizard boyfriend.

Just gonna get that last one out of the way real quick because it's a fast one, Roxy fucking loves wizards and is a hipster. Eridan is a wizard and is also a hipster. Roxy has a crush on a prince. Eridan is also a prince. Roxy wears a purple striped scarf. Eridan wears a blue striped scarf. Roxy uses rifles. Eridan uses rifles. Momlonde's introduction includes a passive-aggressive fridge battle that features a cameo of Eridan's quirk.

Using the colorful MAGNET LETTERS, you recently left a succinct message, which may or may not have been directed toward anyone in particular. But you couldn't find the letter W, so you just stuck two V's together. Your mother then purchased a fresh pack of W's and left them there for your convenience.

Yeah. So. Uh. Not only did Eridan need to be brought back to date Karkat pale, but he also needed to be brought back to date Roxy flushed. Can you imagine how funny it would be. They'd get together within 5 minutes of meeting for the first time and Rose would lose her shit. Anyway.

Him being a parallel to Calliope and Caliborn is also a quick one - Caliborn uses Riflekind/Sceptrekind, and Calliope uses Pistolkind/Wandkind. Eridan's two weapons are rifles and wands. Lord English is described as an evil wizard and at one point is shown using Calliope's wand. Eridan is also an evil wizard who uses a wand.

Look, I'm not saying that Eridan is necessarily directly related to these two, nor am I even necessarily saying that he and Roxy HAVE to date, but I am saying that he's got Weird Plot Connections that make him bizarrely relevant to characters that only come into play well after his death - almost like the comic was setting up that he would be coming back. His reaction to Cronus supports this, which I go into detail about here.

There's other strange "Eridan's plot important" things, too - like the fact that he's completely unimpressed by Faygo, considering it to be "just soda," and seems to be the only non-cultist who's okay with it. Or the fact that he's actually been awake on Derse since before the game (but unable to hear the horrorterrors, maybe foreshadowing some psychic resistance?) which he casually reveals to Kanaya and which Terezi is aware of, hence he's included in the people she names are "in" on the existence of the game. Or the fact that the genetic code for Alternia's first guardian was written within the pages of four FLARP books, with the addition of a fifth code Gamzee wrote in Karkat's ~ATH book... but Eridan was the fifth FLARP player in the team, implying that Doc Scratch/LE influencing Gamzee caused him to usurp Eridan's part of the first guardian code, giving LE his way into the trolls' universe.

Individually, it's all kind of nothing, but it just paints a bigger picture of Eridan being weirdly relevant, especially when we get to the juicy stuff:

The Prophecy

ARANEA: The 8ard of Hope may seem a little jaded these days, 8ut he once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. ... [T]his magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. ... ARANEA: 8ut at some point he 8ecame disillusioned with magic. If there ever was any truth to his far fetched vision, the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to 8e as much of a failure as he did, then perhaps on to some other Hero of Hope.

ERIDAN: i slaughtered enough angels to knoww my limits and wwhere i stand against the lord of all angels they prophecized

GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson CA: wwhat the fuck is a grandson CA: is that some kind of pervverse human familial thing GG: umm yes ... CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be ... CA: i kinda think thats wwhy i found the gun in the first place CA: but noww im forsakin it because fuck i just found a better destiny than my old crappy one wwhich i nevver got any appreciation for anywway

Jake is supposed to have been the one to defeat Lord English. (No, Jake defeating pre-LE Caliborn right before he gets sealed into Cal doesn't count! He doesn't even get the final blow in that fight, DIRK does.)

But Eridan at one point had that destiny on his shoulders. Aranea turbohealing Jake, and the resultant hope field, summons a bunch of angels, which are heavily associated with Eridan - yet another random connection that Eridan has with future plot events.

Jake was another character, alongside Karkat, who was kind of reduced to a joke by the end, despite the fact that he had literally, directly, been passed the destiny of defeating Lord English. It's hard not to see this as a consequence, at least in part, of removing Eridan from the story. By cutting him out of the fabric of the ending, several plot threads - including this prophecy - are left dangling in irrelevance. And so Jake, like Karkat, now has nothing to do.

Homestuck is generally a series where every prophecy does come true, which makes it kind of startling when several prophecies fail to - Feferi's to "unite the two races," Jake's to defeat Lord English, and Karkat's to bring "compassion, forgiveness, and equality among all bloodlines" in the Signless's place.

That last one is actually relevant to:

The Thematic Importance of EriKar As Soul Mates

Eridan represents the worst aspects of Alternian society. He's a sea dweller at the top of the caste structure, with free reign to murder whoever he wants, soaked in the blood of thousands of innocent trolls. He espouses the casteist rhetoric that their society is built on, calling for the deaths of all land dwellers and the oppression of the lower castes. And while he should be benefitting from his position of privilege, it has also done nothing but hurt him.

Karkat, meanwhile, is a pariah. A mutant who would've been culled on sight, who spent his entire life living in hiding, and most of the game in fear that he would be ostracized or worse by the rest of his friends if they found out about his blood color. He's also the second coming of Troll Jesus, and thus, more despised by the Alternian ruling class than a mutant normally would be. For most of his life, he dreamed of nothing more than finding belonging within the society that had deemed him unfit.

Their friendship is something that "should not be." The highblood and the mutant. The royal-v and the off-spectrum. The empress's sea dweller and the second coming of the signless. Eridan "should" see Karkat as a miscreant to cull on sight. Karkat "should" be terrified of Eridan's very existence.

But in reality, Eridan doesn't give a shit about blood color, and Karkat just wants to be accepted. Eridan just wants someone to care about him, and Karkat loves his friends. Aside from Feferi, Eridan is the only highblood who never comments about Karkat's mutant blood, and they were best buddies even before Eridan knew.

Eridan and Karkat getting together isn't JUST the two most undateable trolls on the team finally landing a stable quadrant. These two, moreso than any other pairing, represent the themes of Homestuck. Children growing up, caring about each other, and throwing off the shackles of their old society.

In the pre-retcon timeline, their team failed to do so. This led to Gamzee falling into his highblood clown cult, Equius letting himself and Nepeta die by submitting to his place in the hemospectrum, Vriska killing Tavros because she couldn't allow herself to show weakness, and Eridan completing his caste's dream of genocide. Karkat spent the entire meteor trip and beyond beating himself up about it, since he considered it all to be his fault.

But with the introduction of John's retcon powers, they have the chance to, one by one, redeem themselves. I believe that's how the original ending would have gone: Terezi would ask John to bring Vriska back, because she only feels comfortable fixing her own mistakes. Vriska would then have asked John to bring back Tavros, whom she regretted killing. Tavros would be there for Gamzee, rendering him an ally. Gamzee would ask John to bring back Equius and Nepeta. Equius would ask John to help him not make the same mistakes with Aradia, and Aradiabot would catch John by the wrist and demand he bring her back in time to before she died, allowing her to circumvent her own death and Sollux's guilt. Sollux would ask John to keep him from provoking Eridan, saving Feferi. And Feferi would be pretty ok with the way things were... but KARKAT would then pull John aside, and drop an entire book of mistakes he made on John's lap, and this would result in a finalized timeline where all his friends are alive and god-tiered.

Because all the trolls SHOULD have survived.

Vriska should've survived because people should be allowed to have second chances.

Tavros should've survived because caring about each other, and being willing to show kindness and mercy, are good things.

Gamzee should have survived because people mired in religious fundamentalism and cults deserve to be offered a helping hand.

Equius should've survived because people should be allowed to grow and change their beliefs.

Nepeta should've survived because she was the anti-casteism troll. Casteism is bad, folks! Not only that, but I'm convinced that she was originally going to give the Ultimate Self exposition, and Davepetasprite^2 had to be contrived in the canon ending in order to shortcut Nepeta's character development, ruining it in the process.

Aradia should've been allowed to stay with the rest of the team and live a life free of the control of evil uncles and shitty ancestors.

Sollux should've been allowed to stay with the rest of the team because we all deserve to heal and be happy.

Feferi should've survived so she could be in a kismesistude with Nepeta, and realize that casteism itself is bad, not just the definition of culling, and then used her Witch of Life powers to even out the lifespans between the next generation of trolls, which needs to happen or else casteism will just happen again as long-lived highbloods inevitably amass power. And, also, it would complete the prophecy Gl'bgolyb gave her that she was intended to unite the two races (dream bubbles don't count, because by that metric, Sollux did more than she did by establishing a connection between the trolls and humans).

And Eridan should've survived, because the harm society has done to us can be undone. We don't have to submit to the roles it imposes, to the laws it wrote, to the abuse it inflicted. We can be free.

I've seen a lot of people who believe that such-and-such character did SUCH awful things that they don't deserve a happy ending. Oftentimes, it's Eridan, but nearly all of the dead trolls have gotten this treatment. So, let me just ask all of you who have gotten this far and still hold that opinion one thing. Do you think that's what Troll Jesus would have wanted?

This is why pale EriKar is so important: for it to happen, Eridan has to make a choice between upholding the beliefs of his shitty society, or pursuing a happier, kinder future, one where he outright rejects the caste system. For it to happen, Karkat has to shake all his insecurities about not being good enough by Alternian standards, and take on the duty of creating something better than what he came from. If pale EriKar happens, it means Eridan and Karkat choose love, not fear. Compassion, forgiveness, and equality.

This choice - this pairing - is the ultimate representation of giving Alternian society one big middle finger. Saying, we don't need you anymore, fuck off! Saying, we reject you at your core; we will choose something better! Saying, we will create a new world, and it will be kinder than the one we came from!

Pale EriKar means LOVE WINS.

Thank you for reading.

#homestuck #eridan ampora #karkat vantas #erikar #im also going to tag all the other trolls that feature because yeah.#vriska serket #feferi peixes #nepeta leijon #equius zahhak #gamzee makara #kanaya maryam

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bitchy-craft · 4 months

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What They Think Of You | Pick A Pile

Hello and welcome to this Pick A Pile! In here you'll find out what they think of you, how they perceive you, what kind of person you seem to be in their eyes. I hope you guys enjoy and find this useful. Do make sure to leave comments down below on your experience! I do want to remind you all that this is a General Pick A Pile which means this is for a lot of people: therefore keep what resonates and leave what doesn't.

Masterpost > Questions > Paid Readings

Pick A Pile!

Pile 1:

To them you look like a person who fears getting close to others. You may have a lot of friends, you may be friendly to everyone around you, but you don’t talk much about your personal life to others, you’d rather keep that to yourself. You distance yourself that way.

You look like a person who knows what they want to do, or look like someone who sees the positive in everything, even though you might be the complete opposite in real life. They see you are a person that worries about a lot of things, but because you don’t open up the way they need to, to understand, they believe you worry about nothing, that you make things bigger than they actually are. Which is something that can be resolved by simply communicating and opening up to one another.

Pile 2:

To them you look like a person that wants to do too much things for you to handle. You constantly do things you know are too much for you, think you can handle one more little thing. You seem to them like a friendly person, someone who can get along with anyone if you believe they are worth your time.

You are someone that will finish tasks with precision, you only deliver things you deem as good enough or perfect. You look like a person who strives to be the best, for people to look up to and adore.

To them you look like a person who takes quick conclusions because you believe you know everything about the situation to make a correct assumption.

Pile 3:

You seem like a strong person to them, someone who knows what’s right and what isn’t. Even though you come over rather childish, you will stand up for the people you care about, to them you seem incredibly loyal.

This spontaneous side, and possible child-like excitement you carry with you to them also has down-sides. They believe you won’t be able to take serious situations serious, to them you seem like someone who won’t realize when something is important, you’ll simply skip through all troubles without knowing there are any troubles in the fist place, they believe you are naive, yet have the opportunity to grow and learn if someone gives you this reality.

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bvidzsoo · 16 days

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Love Me Like A Rockstar (8)

Chapter 8: Own My Mind

Author: bvidzsoo

Pairing: Song Mingi x female reader

Warning: cursing

Word count: 8.3k

Genre: university!au, enemies to lovers!au, rockstar!au

Summary: Love. You wanted none of it. You had already been heartbroken very badly once, you didn't wish to go through that ever again. But the Universe works in intricate ways and, somehow, you found yourself webbed up in a local rockstar's life, Song Mingi. He was everything you expected him to be, yet nothing like you imagined him he would be. What happens when you find mutual understanding and have heartful conversations? Will he be able to break down your walls? Will you be able to chase away his darkness?

A/N: Hello, lovelies! I'm back with a new chapter and let me tell you, ever since I've started writing this there's been little changes to the plot here and there, but...we should all thank Song Mingi for the way he's been acting this weekend for bringing a major change to it (i wanna kms ha-ha *dies in pain*) Anyways, I have a love-hate relationship with that man right now, don't mind my dramatic ass. Please listen to Maneskin's Own My Mind before or while reading this chapter, just the usual! If you want to be added to this story's taglist, just leave a comment on this post and you'll be added! Also, the drawing our girlie is talking about that is on her bed (later in this chp.), is absolutely waterbomb Mingi and it's a call-back to chp. 4 hehet. I have a surprise at the end of this chapter lol. One last question and then I'm going, should I do a Q&A surrounding this story? Like, if you have any curiosities about it, you can send in an ask and I'll gladly answer it! ^^ I hope you'll enjoy this part and, as always, let me know your thoughts about it!

Taglist: @orshii @or5i @lovely-red2 @scarfac3 @juicy-red @sunaswifes-blog @voicesinmyhead-rc @teez-the-time @maru-matt @kyeos4ng @deathbyyeekies @chicksmoothie @mjlbn01 @xhexy @sharksandminhos

⟨Series M.list ↭ Previous Chapter⟩

♫Playlist♫

I shivered as I hurriedly shrugged off my jacket, backpack discarded the second I stepped inside my warm home, the loud thunder cut short as Mingi quickly closed the front door behind himself, hissing and groaning. I turned my head to watch him struggle out of his worn-out jacket as I stepped out of my shoes, hardly believing that from just a few minutes out in the rain, even my socks got soaked. Mingi’s head shook as his body trembled, and I couldn’t help but chuckle as I watched him. He looked quite hilarious with his black hair sticking to his forehead, glasses so wet he couldn’t see through them anymore, loose clothing now sticking to his lean body like a second skin.

“What’s so funny?” Mingi playfully furrowed his eyebrows as he took his specks off, shaking the water off the glass, as wiping it against his already wet clothes wouldn’t have helped him in ridding his glasses of water.

“You.” I mumbled with a chuckle as I peeled my cardigan off, skin covered in goosebumps as my damp skin was exposed to the chilly air in the hallway. Mingi rolled his eyes, and placed his glasses back on as I took off towards the wardrobe by the stairs, chewing on my bottom lip. Mingi would have to change out of his wet clothes, unless we wanted him to catch a cold. I couldn’t leave him standing there like that, shivering and sniffing as he already sneezed loudly. His apology was sheepish, but I just flashed him a small smile before opening the heavy door of the wardrobe. There were minimal chances that the box I was looking for was still inside the wardrobe, considering the fact that my mother would go on a cleaning frenzy every month and throw out almost everything inside the house that she deemed unusable anymore. Therefore, there were almost one to zero chances that the box I so vividly remember having placed here ages ago, was still in its spot.

“Uh, do you think I could use the bathroom real fast?” Mingi asked, voice sounding unsure as I kneeled down in front of the wardrobe, eyebrows furrowing when I didn’t spot the box right away.

“One second, let me find something.” I called out, leaning forward as I pushed my mother’s long coats hanging in my face out of the way, and disappeared further into the wardrobe as I pushed and pulled at the thick blankets she kept in there. I thought about giving up for a second, about her having thrown out the contents of the box I was searching for, but I gasped when I felt the sturdy cartoon underneath my fingertips. With a triumphant smile, I pulled on it, a few scarfs and my very old Hello Kitty beanie falling out in the process. The box felt heavier than I remembered it to be, and my heart settled knowing that my mother didn’t throw it out. But that didn’t mean it didn’t start beating wildly once I sat back on my heels, box placed in front of me. A chill ran down my spine, and I knew right now that it wasn’t because of the chilly air and my damp skin. Whatever still remained inside this box…is what I never had the strength to throw out, to fully get rid of every memory lingering of Yunho. I gulped, chewing on my bottom lip as I hesitated opening it up. But there was another loud sneeze, and as I briefly glanced at Mingi, I couldn’t help but notice the light red tinge on his cheeks as he typed away on his phone, completely soaked. I really had no other choice but to open up the box of pandora.

And a lump formed in my throat when I finally opened it, a stale scent hitting my nose. My eyebrows furrowed when a golden butterfly necklace sat on top of everything, a harsh reminder of all the gifts Yunho would buy for me during our relationship. I have thrown out all the gifts, except this one. It was expensive, and frankly, too beautiful to be thrown out or gifted to anyone else. Gulping, I pushed the necklace aside and sighed as I dug around the box, jaw clenching at the three sketchbooks getting in my way. They were filled with drawings of Yunho and myself, of all the places we’ve been to, of all the places I have wished to visit with Yunho. Of all the memories we have once made, and of all the memories I wished we could’ve made. Being an artist was amazing, but at certain times it was a nightmare in disguise, brain able to conjure such vivid images that never happened, that it could fool me into thinking that they have actually happened. I sighed quietly as I felt eyes on me, and finally found what I was searching for. A fuzzy and faded knitted sweater, a plethora of colors mixed together, from beige to a light purple, black and silver in the mix too. I pulled it out of the box, together with the grey sweatpants, and cleared my throat as I stood, hands burning the longer I held the clothing in my hands. I felt guilty, almost disgusting as I neared Mingi again, trying to avoid his eyes as he had an easy look on his face, smiling despite continuously sniffing.

“These are the only male clothing we have in the house,” I said as I reached my hands out, looking at Mingi’s chest rather than eyes, “hopefully they’ll fit you.”

“And if they won’t, you can always give me one of your colorful fuzzy cardigans.” Mingi’s tone was playful and I chuckled, giving him a playful glare. Those cardigans would never fit his broad shoulders. The tightness was gone from my chest as Mingi took the clothes from my grasp, a thankful look on his face. The guilt remained, but it wasn’t so pressing anymore.

“You can change in the bathroom downstairs,” I pointed towards the closed door across from the wardrobe, “towels are in the cabinet above the toilet. Do you need a hairdryer?”

Mingi shook his head with a smile and gave my soaked hair a light tap, “Thank you, Y/N.”

The way he seemed to linger on my name sent my heart into a dumb frenzy, and I found myself flustered beyond, emotion so foreign I forgot how to speak for a second. And Mingi didn’t miss it, fuck, because he walked away with a smug smile towards the bathroom and paused in the doorway for dramatic effect, before disappearing with a damn wink. I huffed, glaring daggers at the closed door as I scurried to shove everything fallen out back inside the wardrobe, closing its door rather harshly. I licked my chapped lips and raced up the stairs, throwing the door to my room open and taking a second to take in its state. My desk was messy, but that’s just how it always was, I couldn’t do much about it right now. I opened the blackout curtains, however, the weather already gloomy enough to cast shadows inside my dark room. I flinched as another thunder rumbled through the sky, and grabbed the first clothes I found in my closet, walking to the bathroom upstairs.

After having changed into wide legged leggings that had cotton on the inside, I quickly threw on a white tank top and a soft pink mock neck sweater, sighing in content as warmth finally enveloped my body after I have dried up the dampness on it with a towel. I skipped down the stairs as I had a towel around my head, messily towel drying my hair, completely missing the tall form standing at the foot of the stairs as I stumbled into him. I yelped, but Mingi quickly steadied me by the elbows. Before I had the chance to pull the towel off my head, two large hands grabbed at it and started softly rubbing the towel against my wet hair. I froze, everything inside me stopping as even my breath stilled, eyes wide open. Mingi said nothing as he continued with his actions, quietly humming to himself. I was afraid he’d be able to hear my loud heartbeat as I breathed through my mouth, lips parting as I struggled to calm down. I was thankful for the towel hiding my face, because I could feel the blush spreading down from my cheeks to my ears, and even neck. I couldn’t remember a time when I have blushed this hard, and it made me feel slightly disoriented. For God’s sake, Mingi was simply towel drying my hair for me, why was I having such a visceral reaction to it?! My mind seemed to be screaming at me, but I was too busy trying to regulate my breathing, doing so quietly, as Mingi’s hands became a little rougher, almost pulling on specific strands of hair. My eyes narrowed as he turned my head left to right to his likes, and I groaned as his fingers dug into my scalp.

“Hey, stop it!” I whined and slapped at his hand, making Mingi chuckle as he ruffled my hair to the point I had strands from the back falling into my eyes.

“Oh, good,” He was still chuckling, “for a second there I thought you had fallen asleep with how quiet you were.”

Despite not being able to see his face, or anything if I looked ahead, I could still peek down and see his feet. I was standing on the last step of the stairs, and with an evil grin, I jumped down, his naked toes falling victims to my attack. Mingi yelped loudly, and I cackled as I pulled the towel off my face, smiling at him smugly.

“Serves you right since my hair is all knotted up thanks to you.” I raised my eyebrows at him as Mingi had his right leg raised, massaging his toes with a pained expression.

“So you break my toes?!” He exclaimed, his deep tone a few octaves higher, making me snicker to myself as I threw the towel at him, making him yelp and look at me with an appalled expression on his face.

“Stop being a baby,” I stuck my tongue out at him as I walked towards the front door to lock it before I went inside the kitchen, “And wear some slippers before you come to the kitchen.”

Mingi was closely following behind me, ignoring my words, “What, one of your dwarf slippers? It’s either my toes or heels will be dangling off.”

The image was funny in my head, but I ignored it in order to throw him a scrutinizing look, “The tiles are cold in here, you’ll catch a cold.”

A wide smile spread on Mingi’s lips as he leaned against the doorframe, arms crossed in front of his chest, biceps bulging underneath the tight fabric of the sweater, “You’re so cute when you worry about me, doll.”

There goes the pleasant exchange we’ve been having up until now. My voice became devoid of any expression besides the glare I threw at him, mirroring him as I crossed my arms in front of my chest, “I’m not cute. I’m merely saying you’ll probably catch a cold since we’ve been out in the rain not even fifteen minutes ago. And since you’re a singer you should be taking a lot more care of yourself.”

Mingi remained silent for a few seconds, until I watched a light hue tinge his cheeks. Was he blushing because I was lecturing him? Just what in the hell?!

“You’re right, sorry.” Mingi mumbled, but showed no intentions of actually following through with my words as he walked further inside the room, sitting at the table, feet up on the chair as he hugged his long legs to his chest. For such a tall and broad man, he looked extremely tiny sitting on that chair right now.

“Uh,” A little confused by the turn of events, I looked around the kitchen, trying to remember the initial purpose of me coming here, “Right. You don’t like tea, so we have coffee or hot chocolate to warm us up, which one would you like?”

Mingi’s eyes lingered on me for a second too long, taking in my whole being before his eyes settled on my face again, a smile so genuine settling on his lips that his eyes were sparkling, “Hot chocolate is fine.”

I hummed, a little breathless, then turned to open the cabinet above the microwave to take out two tall mugs for the hot chocolate. For some reason, I didn’t mind Mingi’s eyes following my every move as I tinkered around in my kitchen, taking everything I needed in my hands to prepare them on the counter. The thought of having Mingi inside my home, sitting in my kitchen, wearing my ex’s clothes, acting like we’ve been friends since forever seemed to hit me at once as I froze for a second while pouring water inside the second mug, Mingi’s mug. And what was even more surprising was not finding any thoughts that suggested that this was wrong, that I shouldn’t be doing this, that Mingi didn’t belong inside my kitchen. I didn’t want to dwell more on why it all felt so right, so instead, I watched as the mugs whirled around in the microwave, locking these thoughts away for later…I knew they’d come back late at night to haunt me, it’s just how it always was.

Mingi clearing his throat gained my attention as I glanced back at him, and tried not to look too long. The way Yunho’s clothes perfectly fit Mingi’s form was alarming, albeit the sweatpants seemed to be slightly too long for Mingi. I’ve had Yunho’s clothes since highschool, which was a few good years ago, yet they still fit Mingi. It made me wonder if the two ever exchanged clothes or wore something matching, like best friends would do for fun. I know Yunho had once mentioned having matching rings with Mingi, but back then I was too jealous about their closeness to ask any further questions about any other matching items they had. And it was a little surprising just how well Mingi’s skin tone was complimented by the colors of Yunho’s old sweater, Mingi’s necklaces sitting on top of the knitted fabric. That sweater was one of my favorite’s while Yunho and I were dating, Yunho always seemed to be glowing when he wore it. At some point I had even forgotten that I still had it. Perhaps I should do something about the contents of that box, join my mother next month in her frenzy cleaning marathon and throw out its contents.

The microwave pinged and I took the two mugs out, realizing that Mingi and I had been staring at each other for at least a good minute, my cheeks flushed again. A soft chuckle was heard behind me, but I ignored it for my own sake. The silence didn’t last for longer as I opened the little packages containing the hot chocolate powder to pour into our cups, “This might sound crazy, but I swear I’ve seen this exact sweater on Yunho quite a few times.”

I froze, thankful that I had my back to Mingi as panic flashed over my face. Deep breaths, I had this. Mingi didn’t have to know, I could lie my way out of this. And so, I forced a small smile on my face as I faced him while walking to the fridge, “Really? Well, coincidence, maybe. It’s my cousin’s sweater, he forgot it here once, but as he lives overseas he never came to get it and my mother just placed it away for when he comes to visit us.”

I didn’t have one single male cousin. Let alone cousin’s that lived overseas.

“Oh,” Mingi mumbled as he picked at an undone string on the sleeve of Yunho’s sweater, “Yeah, that could be it, a coincidence, I mean. Besides, my memory is a little fuzzy, I might be wrong.”

I gulped away the guilt that suddenly bloomed in my chest and grabbed the whipped cream, raising it up, “Whipped cream for your hot chocolate?”

I grinned at Mingi as he slowly shook his head, “I drink it simple.”

“Really?” I asked surprised as I walked back to the mugs, “Not even with marshmallows?”

Mingi shook his head with a small smile and so I mixed his powder with the warm water, handing it to him. Mingi had a fond smile on his lips when he took it, his cold fingers lightly brushing against mine, making me blush like a stupid schoolgirl who has a crush. And I do not have a crush on anyone, let alone on Song Mingi. I swiftly turned around, hoping that Mingi didn’t notice me blushing as I quickly put whipped cream in my hot chocolate and stuck two marshmallows in it, putting everything away quickly. I turned to face him as I took a sip, leaning against the counter. Mingi sat in a cross-legged position on the chair as he had the mug in his hands, ring clad fingers wrapped around the warm ceramic. I couldn’t help myself as my eyes lingered on his painted nails, slowly trailing up to Mingi’s face. His black fluffy hair fell in his eyes, obscuring his sharp eyes slightly as they were devoid of the black eyeliner now, a few blemishes tainting his otherwise glowing skin around his jaw, glasses slipping low on his tall nose, and plump lips red and slightly wet from how much Mingi always licks his lips. The simplicity of his whole being has never looked more attractive than right now, and as Mingi opened his mouth to say something, I was startled by such alarming thoughts, and so I hurried out of the kitchen.

“Let’s go up to my room!” I called out, on the brink of crying from all these stupid emotions I was suddenly feeling, trying to calm my crazily beating heart. Who allowed my brain to think in such way of Song Mingi? When did I even start considering him attractive? He was annoying, obnoxiously loud, arrogant and irritating, there was absolutely nothing to like about him or find in him attractive. I had to get a grip of myself right now! Mingi’s footsteps were dull as he followed after me, probably surprised that I had waited for him at the top of the stairs, unknowing of the storm inside my head, matching the raging storm outside. Lightning flashed every two seconds, skies rumbling with thunder, shaking even the ground at times. I hated storms, but suddenly it wasn’t as unbearable as before. When Mingi stood next to me, I lead us towards my room and pushed the door open, leaving it like that as Mingi walked in once I stepped aside for him, allowing him inside my safe space.

I have never been consciously proud or embarrassed of what my room looked like, the thought of what others thought of it absent up until right now. As Mingi walked further inside, head turning each and every way, taking everything in, suddenly I realized I was scared of what he would think. My walls were painted a light grey, on purpose, and there was little to no space left bare except for the wall on which the window was. My bed was pushed up against the wall to your left just as you walked inside, sketches that I have done throughout the years plastered up and put on display, my very first drawing even making it up on my wall. It was my little personal museum, a way of reminding myself of where I started out and how much I have evolved ever since, and even how much I was still changing as I was experimenting with my styles, learning a new technique in the class of Mr. Yoon. The desk across from my bed was messy, like I have said, it was littered with everything I needed to have at hand. Pencil holders filled to the brim, at least five of them, then there were brushes and little paint tubes littered all over it, notebooks and discarded sketches sitting underneath it, with my laptop hanging just a little dangerously off, not having paid much attention where I have put it this morning. A plain canvas was spread out on the little free space I still had, a project I had planned on starting today, now postponed for tomorrow. The wall above my desk had three modest shelves filled to the brim with books and some vinyl’s I have started collecting not long ago, pots and plants hanging off from the sides. The wall around the shelves was decorated by posters and pictures of my favorite bands, a few of my favorite paintings mixing in with them. The little stand next to my desk had my vinyl player, plants underneath it and around it, little ones. And then in the corner there was an old guitar that once had belonged to my mother, who has had a phase back in highschool and dreams of becoming a band member, famous and rich. She didn’t have the heart to gift the guitar to anyone, so she’s always kept it and passed it on to me once I was old enough. I never had an affinity for playing any instruments, but I do enjoy good music. A mix of old and new artists making it in that mix, actually—perhaps Noir Zenith slowly becoming one of them too, but Mingi didn’t have to know that. My closet was to the right just as you walked in, and it was of dark and sturdy wood, expanding from the ceiling to the floor. I had a little mirror right on its right side, the wall above and behind it, going right behind the door even, littered with my favorite painter’s paintings. Of course, they were only prints made at the local copy shop, but that didn’t matter. Fairy lights hung above my bed and from the lamp on the ceiling. The two nightstands on either side of my bed were more organized than one would expect from me, little makeup buckets placed on the one closest to the window, charger cable and some headphones sitting on the dark wood. The one nearest to the door had pictures of myself and my mom, and of Seulgi and I on display with a little clock, its drawer so filled with notebooks that I couldn’t quite close it. Thankfully the drawers of my desk weren’t so filled, I had just rearranged them last week, one evening when I was too restless to sleep.

Mingi was quiet as his mouth was slightly open, eyes wide as he took everything in, eyes falling onto my bed. I followed his sight and was mortified to find my biggest sketchbook open and displaying a quite realistic sketch of Mingi performing on stage. It was from the night I had a breakdown and Mingi found me in that diner. Seulgi had sent me some pictures she had taken of Wooyoung and accidentally slipped in one with Mingi too, and because the image just wouldn’t leave my mind, I knew I had no choice but to draw it. I dived for the sketchbook as if my life depended on it, all of it happening so fast I hoped Mingi didn’t actually catch what the drawing—or better said, who—the drawing was of. I shut it closed and pushed it off the bed, the light thud loud in the silent room. When I turned to look at Mingi, ready to face his smug face and taunting words, I was surprised to find his attention on something completely different. Of course, I should’ve expected from a man who plays in a band to be enamored by the vintage guitar in my possession. Its body was a light blue and had cherry blossoms painted over it, something my mother admitted to doing so, which lead to an argument with her father back in the days when he had seen the “damage” my mother had done to the pricey guitar.

“Is that a Martin D-19?” Mingi gushed as he walked toward the guitar, mouth hanging open. My eyebrows raised at his knowledge about it upon one glance. To me, it looked like a regular acoustic guitar. But then again, I should’ve expected it from a music major and a guy who has a literal band and plays the bass.

“Yeah, it was my mother’s.” I answered as I set my mug on the nightstand and sat at the edge of my bed, watching the awed expression on Mingi’s face. He had placed his mug by the foot of my desk as he crouched down, admiring the guitar from up-close.

“It’s absolutely beautiful.” Mingi whispered, fingers carefully tracing its body. Not even at gun point would I have admitted my next thought, which was of just how beautiful Mingi looked in this exact moment. Lightning flashed and the ground shook with the intense thunder, making Mingi tense for a second before he turned back to face me with the prettiest smile I have ever seen on someone.

“Your mother knows how to play it?” He asked, sounding enthusiastic. I was breathless, but after a big gulp, I forced my brain to function.

“Yeah,” I answered with a small smile, “she was a big rock lover back in the days, even wanted to start her own band. But due to her parents negative reactions to it, she unfortunately had to give up on that dream and do something more ‘real’.”

I rolled my eyes at the end of my sentence, not very fond of my grandparents. They weren’t bad people, but they also treated my mother harshly, and even myself, always asking about my future plans and straight up crying when I told them I wanted to become a painter. I saw the way Mingi’s face hardened for a second, but I knew he didn’t want to talk about it as he became expressionless quickly after. I was curious what made his mood become sour so quickly, if he perhaps related to what I have said in some way, but I wouldn’t prod. If he wants to tell me, he will sometime. So, instead, as a distraction, I scooched up further on my bed and patted the mattress next to me with a lazy smile, watching Mingi’s eyes slightly widen. He looked a little shy as he grabbed his mug and rose up to his full height, steps almost hesitant as he approached the bed, making me snort. It made Mingi narrow his eyes as I crossed my legs underneath myself as he kneeled on the bed and then settled beside me, long legs extended as he playfully wiggled his feet left and right. I chuckled as I clasped my hands together, letting them rest in my lap as Mingi took a sip of his hot chocolate. The silence was comfortable between us, the harsh rain hitting the windows loudly, wind rocking trees harshly, and the lightning and rumble a constant background noise.

“Last time when we performed at Outlaw, when you didn’t come,” Mingi paused and turned his head to look at me, “you know, when we met at the diner—”

“Let’s not talk about that.” I muttered with a grimace and Mingi hummed, licking his lips.

“Right, so, that night,” His voice was quiet, lips pulling into an abashed smile, “the crowd was bigger than usual, at first I blamed it on being a rowdier night, but it turned out those people were there to see us, Noir Zenith, to see me.”

I felt a small smile appear on my own lips, Mingi looking pleased with himself despite the light pink tinge of his cheeks, “And now Hongjoong might help us sign with a record deal, I feel like everything is finally coming together. Like my hard work is finally being rewarded.”

I bit my lower lip to stop myself from smiling too wide, subconsciously reaching out to hold Mingi’s arm as he looked me in the eyes, “That’s so good, Mingi! You deserve all the praise and attention your band gets, you’re really good.”

“You really think so?” Mingi sounded small, eyes wide in wonder as he flushed more. I knew I have said some things that weren’t the nicest, and now it made me realize that Mingi never deserved hearing those things from me. Yeah, I didn’t like the guy much at the beginning—not that now I like him more—but I still shouldn’t have shit on his music, on something he pours his whole soul and heart into.

“I really do, Mingi.” I slightly squeezed his arm, hoping that he could hear the sincerity in my voice as a wide and bright smile spread onto Mingi’s plush lips, so contagious that I found myself with a matching smile on my own lips. I chuckled, for some reason not wanting to release his arm just yet, the knitted sweater soft and warm under my touch.

“Lovely seeing you slowly turn into my number one fan, doll.” Of course, trust Mingi to ruin the moment. My eyes narrowed as I sighed loudly, slowly shaking my head. Mingi chuckled before taking a large gulp of his not so hot anymore chocolate, eyes twinkling with mischief.

“Now, don’t get cocky.” I rolled my eyes, pulling my hand off his arm, watching as his eyes lingered where I have touched him, “I can recognize good work without becoming your fan.”

“Whatever helps you sleep at night,” Mingi mused playfully and I scoffed, bumping my shoulder into his before I went to retrieve my laptop from my desk, “Seonghwa and Wooyoung want us to try out new genres.”

“Really?” I asked surprised as I settled back in my previous spot, knee brushing against Mingi’s thigh, “Like what?”

“Well, nothing specific, just something little softer.” Mingi pursed his lips, fiddling with the mug in his hands, “Maybe something more indie rock.”

“I love indie rock,” I muttered absentmindedly as I powered on my laptop, “and why are you reluctant?”

Mingi seemed surprised that I had caught on, but it was quite obvious in his tone that he didn’t sound very enthusiastic about it, “Because my voice is rough and raw, unlike Seonghwa’s who’s smooth and almost angelic, and Wooyoung’s who’s can reach pitches I can only dream of and has a roughness that is absolutely soft at the same time, alluring.”

“Your voice is deep and powerful, it conveys every single emotion you’re feeling when you sing, Mingi. Your raspy tone alone tells a story, even without speaking the same language I would understand what you’re singing about. But just because it’s rougher and more powerful compared to Seonghwa and Wooyoung’s doesn’t mean it’s not beautiful and enchanting, Mingi.” Occupied with typing in the password to my laptop, I failed to notice the way Mingi’s breaths became shallow, the way his eyes bore into the side of my skull, “I think your voice is unique and desirable, you should be proud of it and not look down on yourself because of it. Many wish to have what you have, so really, don’t think any less of yourself because you think Seonghwa and Wooyoung are somehow better and more alluring. It’s not true, each one of you has their charm and well…I think you’re the most charming out of the three of you.”

I didn’t expect the expression on Mingi’s face when I turned my head to look at him. His jaw was clenched and his eyes were glazed over as his sharp eyes watched me intently, his breaths loud as his cheeks were red. My eyebrows furrowed, and for a second I worried I have made him angry, but the longer I looked, I realized the look in his eyes had nothing to do with anger. I gulped and averted my eyes, suddenly feeling my heart race again, biting my lower lip and trying to ignore the overbearing proximity between us. It was only our knee and thigh touching, yet it felt like Mingi was all over me, his scent still strong despite having changed out of his clothes and getting soaked by the rain. He always had a sharp scent surround him; it reminded me of pine trees.

“Thank you.” At last, Mingi found his voice and it was lower than before, goosebumps covered my skin as the low baritone of it traveled through my body. I nodded once in acknowledgement, not trusting my voice as I went on the internet to search for some movies to watch and pass the time while we wait for the storm to pass. If it passes, “Do you think rapping would fit my tone?”

It was an unexpected question, but as I mulled over it, I concluded that Mingi had the perfect timbre to both sing and rap, “Yeah, I think it would.”

I dared to take a peek at Mingi from the corner of my eyes, and was relieved to find the intensity gone from his face, instead, a soft smile grazed his lips as he finished his hot chocolate. He leaned back and placed his empty mug next to mine on the nightstand and fished his phone out of his pocket, “I found some old videos of me at school plays, let’s see what my music genius bestie thinks of them.”

I rolled my eyes, but nevertheless peered over Mingi’s shoulder in curiosity, “Don’t make fun of me, I’m merely stating something that someone with not musically trained ears hear. You should be more thankful.”

“I’m more than thankful, Y/N.” Mingi suddenly turned his head, our faces too close for comfort, so I quickly leaned back as he placed his arm on my thigh and pressed play on a video he pulled up from his gallery.

『Do you wanna, do you wanna own my mind, own my mind?

Do you wanna, do you wanna own my mind, own my mind?

Do you wanna know what the good, good, bad things all feel like?

Do you wanna, do you wanna own my mind, own my mind?』

The movie of my choice was simple, The Quiet Ones. Nothing better than something a little spooky while there’s a wild storm raging outside, but to my utter surprise, Mingi looked terrified after only ten minutes of watching it. We were both leaning against the headboard of my bed, pillows behind our backs, and laptop placed between our lower bodies as our legs were stretched out. And despite the laptop being between us, Mingi’s shoulder pressed against mine not even five minutes after settling in our current spots. Trying to watch the horror movie, which was one of my favorite movie’s, turned out to be a fail, and I had no choice but to give in to Mingi as he only stopped whining when he got what he wanted. And that was watching a rom-com from the nineties, called 10 Things I Hate About You. I’ve seen it numerous times already, but it never gets old. There is something about the way the actors play their parts, and the plot too, that have me coming back to it with the same enthusiasm I had for it when watching it for the first time. At first, I thought Mingi hadn’t seen it and had only went along with my suggestion because he didn’t know what else to watch, but when he started quoting Patrick’s lines as if he were the character himself, I narrowed my eyes at him and poked his arm. After some painful jabs, he admitted that it was his favorite movie and he regularly rewatched it, especially if he was in a bad mood. That was a piece of information I wasn’t expecting from someone like Mingi. He looked like a guy who enjoyed tough and brutal movies, with the occasional romance movies if a pretty girl begged him to watch it together. Turns out, Mingi’s favorite genre is romance, and he hates horror, and depends on the type of thriller whether he likes it or not.

We found ourselves joking and laughing throughout the movie, making our own commentary about it after our first disagreement. Which was about whether Patrick accepting the money to charm Kat was right or wrong. Of course, it was very wrong to play with someone’s feelings and get paid for it too, but Mingi argued that if he never accepted it, then him and Kat would’ve never gotten together. And for that, I threw in the hypothetical scenario of him accepting money from Wooyoung so that he could take me out on a date and make me fall in love with him if that meant Wooyoung could have Seulgi date him. Mingi’s eyebrows furrowed and he declined such scenario, exactly proving my point why this was so wrong then, but he remained believing that for Kat and Patrick it totally worked out. And then he had the audacity to compare my stubbornness to Kat’s, making me call him just as stupid as Patrick was.

Time flew by as our laughter got louder, completely missing the way the rain had started to quiet down as we were immersed in the movie we were watching. It felt like a bubble was wrapped around us, isolating us from the cold world, and letting us enjoy ourselves without being so cautious of what we were saying. It felt nice. I couldn’t remember a time when I was able to let loose with someone other than Seulgi. It was a nice feeling, it made me excited in some way, completely making me forget that I was doing this with Mingi. He made it too easy to forget my worries and made me feel really comfortable all of a sudden, never stepping out of line—if we ignore his stupid flirting—and always keeping everything lighthearted. It was a nice change for once.

I groaned as I let my head fall back, lips pursed as my ass had gone numb from sitting so much in one place. Mingi snickered as Kat reversed into Joey’s car, clearly amused by the snarky remarks exchanged between the two characters. He was clearly into the witty exchanges, especially between Patrick and Kat, even having said that it makes Kat attractive how quickly and well she can shut Patrick down. I had told him that she wouldn’t have to do that if Patrick wasn’t so stupid most of the time, making Mingi roll his eyes at me, and say that I simply didn’t appreciate some good banter. Which wasn’t even true, I liked bantering if it had a smart purpose, not just to rile each other up, what was the point of that?

I licked my lips as my head lulled to the right, eyes falling on Mingi’s profile as he had his legs up, leaning forward as he hugged them around his knees with one arm. He was smiling and chuckling, pretty red lips pulled to the side, showing off his white teeth. His brows were dark, and his browbone being more prominent really sharpened his face in a very aesthetically pleasing way. Mingi’s face was very beautiful, and as an artist, I couldn’t help but admire it, and recognize it. So many pretty portraits of his face could be made, pity he doesn’t model. My lips pulled into a tiny smile at the thought of him modelling for me when we had to sketch human forms for our next class. I’m sure my professor would appreciate my drawings even more. Mingi’s glasses were discarded, and my eyes paused on his long nose, biting my lower lip just as Mingi chuckled again, rubbing his eyes with the heel of his palm. He sniffed before rubbing two fingers against his plump lips, wetting them not even a second later. I gulped as I suddenly wondered what they would taste like. It was such a startling thought that I jumped, but Mingi suddenly looking at me certainly scared me more. I gulped, instantly blushing as a friendly smile painted Mingi’s lips as he leaned back, placing his head on the pillow, and letting it roll to the left. Our gazes connected, and I wasn’t surprised to find my heart beating so quickly once again, my lips pulling into a straight line as I struggled to keep my breathing even. Mingi’s easy smile didn’t disappear as his eyes racked over my face, it only became wider.

There was a whole galaxy behind those beautiful deep brown eyes of his, they sparkled with life and an excitement I haven’t seen in anyone before. I wished that I could recreate that in my drawings, but I wasn’t good enough to give simple eyes such deep emotions yet. And I really wished I was able to do so, because the longer I stared into Mingi’s eyes, the more lost I got in them, thoughts and worries disappearing into nothingness. Mingi’s hand twitched for a second and I tensed when I felt a finger gently poking my cold hand. I gulped, but I wasn’t able to look away as ever so softly more fingers brushed against my skin like feather, Mingi’s bottom lip between his teeth. His actions were slow and cautious, probably afraid that I would pull away, but I was too captured by his alluring gaze to even think to move away from him. Slowly, his longer fingers intertwined with mine and his rings cut into my skin when I squeezed his hand, uncaring that it hurt a bit. I knew my cheeks were now surely very red, but I couldn’t actually be bothered to feel embarrassed, not when Mingi’s cheeks were dusted pink as well. His high cheekbones were flushed the pretties color they could have been, and I smiled as Mingi blinked, looking abashed. Somehow no words had to be exchanged between us, everything felt comfortable, scarily familiar. I haven’t felt like this…since my ex. And not even with him have I felt so safe and understood, it always seemed like there was some invisible barrier between us, and I never understood why. With Mingi, if I allowed myself to feel and be unafraid, no barrier lay between the two of us.

I gulped, eyes suddenly falling on Mingi’s lips as his tongue poked out just slightly to wet them, his plump lips red and full. I’ve never seen a person have such full lips, and it made me wonder if they were as soft as one would imagine them be. Aware that my eyes were glued to Mingi’s lips, I looked back up in his eyes, trying to ignore how insanely attractive his mole right underneath it made him look. There was something about Mingi’s bareface that was so charming and beautiful that it almost made me feel jealous of it. Mingi sniffed quietly, and his bottom lip was between his teeth again as his eyes fell to my lips, my rapid heartbeat halting for a second. Could he be having similar thoughts to mine? I wouldn’t know, but when Mingi’s eyes found mine again, they were just slightly more intense and sharper. Like he was determined and nothing could stop him. I gulped loudly as he moved his head, just lightly, but it was closer than before. My heart was beating like crazy, but almost as if I was under a spell, I found myself shifting my head just a little bit closer. Mingi’s eyes no longer were on mine, and as my lips parted when I licked them, I felt Mingi’s hand squeeze mine just a little bit more. I gulped as I proceeded to lean even closer, my eyes fixated on Mingi’s lips now too, just wondering and wondering infinitely if they were warm, soft, wet, and what they would taste like. I didn’t startle nor flinch when Mingi angled his body so that he could lean dangerously close, the bridge of his nose brushing against mine. His hot breath mingled with mine as our lips were parted, a pull so magnetic I couldn’t untangle myself from it even if I tried to. My eyes threatened to flutter closed as I pressed my nose against his, the side of our lips rubbing just a little together as I couldn’t breathe regularly anymore. Mingi’s lips pressed ever so slightly against the corner of mine, feather like, and it suddenly wasn’t enough. The distance, it was too big—even if it didn’t even exist between us anymore—and I squeezed his hand as I angled my head to finally press our lips together, Mingi’s breaths audible due to our proximity.

But suddenly, a door was slammed shut loudly, “Sweetheart, I made it home finally! I saw a car parked in front of our house, all’s good?!”

The curious and shrill voice of my mother sent Mingi and I flying away from each other, both of our eyes wide as I was panting, my whole body burning. I couldn’t look at Mingi as I scrambled to press pause on the movie and Mingi was off the bed in a flash, sprinting towards my window. I could still feel his hot puffs against my face, and I gulped as I forced myself to forget everything I felt just seconds ago.

“The rain stopped,” Mingi’s voice was hoarse, so gravely that I had to clench my fists to stop myself from doing something I would regret, “I will be going.”

“I’ll go downstairs, let my mom know you’re here.” My voice wasn’t better off, I sounded breathless. I felt lightheaded as I got off the bed, standing and pausing for a second.

“Right, I’ll change back into my clothes and then—”

“No,” I didn’t mean to sound desperate as Mingi’s eyes fell on me, I had to look away in embarrassment, “keep them, they are of no use to me.”

“Right.” Mingi cleared his throat and I quickly walked past him, thankful that he stepped aside, and hurried out of my room and down the stairs. I took a deep breath to compose myself as I heard my mother placing down plastic bags in the kitchen. I needed to behave like everything was fine, when nothing was fine anymore.

“Hi!” My greeting was high pitched and way too cheery, my mother’s eyes narrowed when she saw me standing in the doorway, “Glad you made it home, the storm was awful.”

“It really was.” My mom grimaced as she continued unpacking the groceries, “You got home alright?”

“Yeah, uhm, actually,” I gulped and bit my lower lip as I heard Mingi coming down the stairs, “a friend from university drove me home as it was already raining, and he, uhm, stayed over. Because the rain was so bad he wouldn’t have been able to drive home. You know, safety measures and all.”

My mother paused and looked up at me with both of her eyebrows raised, “He?”

And on cue, Mingi appeared next to me, glasses pushed up on his nose adequately for once and hair not as messy as before, “Hello, my name is Song Mingi.”

“Nice to meet you, dear.” My mother’s eyes were glinting, looking way too happy for someone who was just introducing themselves. I was afraid of what would come, so, I grabbed Mingi’s arm and guided him towards the coat hanger.

“Mingi’s leaving, mom.” I said as I let go of his arm, averting my eyes as he wore his shoes and pulled on his jacket.

“Already?” My mom asked with a pout, coming to stand in the doorway, “Don’t you want to stay for dinner, dear?”

Mingi froze, eyes first finding mine before he looked at my mother with a polite smile, “Don’t worry, Mrs—”

“Oh, don’t be all formal with me, I hate that shit.” My mother chuckled and winked at him, “Call me Boyoung.”

Mingi gulped, seemingly taken aback by my mother’s behavior. I couldn’t help but chuckle quietly, knowing how surprising the contrast between my mother’s personality and mine was. Sadly, I haven’t taken after her when it comes to my attitude, but that’s fine.

“Well, Boyoung, thank you for your offer, but my friends and I actually agreed on dining out tonight.” Mingi’s excuse sounded real, so I knew he wasn’t lying. I gulped when my mother threw me a very slick glare, almost saying that this was my fault. I rolled my eyes, offended by her assumption.

“That’s a pity, dear,” My mother pouted, but soon a bright smile appeared on her lips, “But you are invited for whenever you feel like having dinner with us, right, my starlight?”

I tried not to glare at my mother for the outrageous nickname, especially when I saw Mingi’s lips twitch in amusement. I told her not to call me that in front of others so many times, “Right, mom.”

My mother chuckled, all too aware of my dislike for the nickname, before her eyes landed on Mingi again. There was a brief pause, one too awkward for my liking, and then Mingi was clearing his throat and opening the front door.

“Uh,” He made eye contact with me briefly, “talk to you later.”

“Wait,” My mother’s eyebrows furrowed as Mingi stepped outside, trying to adjust the strap of his backpack, “Aren’t those Yun—”

“Talk to you later!” I loudly said, making sure to send my mother a very alarmed look as Mingi froze for a second before he hummed quietly and took off towards his car.

The air was chilly and humid due to the harsh rain, and as I closed the front door, I knew I had a lot of questions to answer when my eyes fell on my mother’s amused face.

❱❱ Next chapter

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lol, this is the surprise I mentioned...I saw this post and it would just not leave my mind, besides, I think it's very fitting for our plot, no?

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psychelis-new · 2 months

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pick a pile: "What type of karma/karmic cycle are you healing now"

[TW FILLED READING]

take a breath and choose the photo or number that calls you the most to read about what karmic cycle you are called to end in this moment and the triggers that may be related to it. it could be something from this life or a past life as well. piles seem to be interconnected somehow so if you're called by more than one pile, it's okay (but remember to focus on the word "now" when asking your question). reminder that I'm not a therapist of sort, so take everything with a grain of salt or just as an input to maybe navigate further within or contact a professional figure (if necessary according to you ofc). it's also a general reading so messages may not/all be for you.

don’t take the reading too seriously. only take what resonates with you and leave the rest. if you're not called by any pile, let this reading slid as it may not hold messages for you. if you're called by more than one pile, there may be messages in each of those piles. remember that is a general reading and some things may not resonate with you. energies can change and readings are based on present ones (as you read); you're always in charge of your life. readings do not substitute real life experience nor professionals/doctors advices.

(photos found on unsplash)

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pile 1 (relationships/communication)

You are probably healing something related to your connections/relationships. It could be something you couldn't see properly in your past (or at least you couldn't see from a different perspective) but now you are starting to realize or will soon. Maybe it's an habit you picked up in your early life, like wearing a mask in fear of being judged or left alone, or people pleasing, or always being there for others but feeling like a burden when it was you the one supposed to receive as much (and therefore acting as an independent person who doesn't need anything and for whom everything is fine). Maybe you also *fear* misinterpret others' behaviours in your regards, or you may overthinking if they are somehow betraying you or something. Like treating you in a certain way but actually thinking differently of you? Maybe you fear being lied to, somehow. And not being really appreciated unless you overgive and try to not bother them with your "problems" (which are problems ofc, but you may try to keep them for yourself and deal with them alone or deem them as less important than others' problems and put them in a second position -as you put yourself on a second choice level compared to others). You may be thinking: if you give so much and don't ask for anything in return, how could they leave you? It could be a reasonable thought, but at the end of the day it's not... Relationships are far more complex than this, and also very different (so maybe not everything in this pile may resonate with you).

Ofc it's understandable where you come from: you probably had been dealing with lies/betrayals/abandonment of different kind in your life and now it's hard to both be yourself and also trust others. But the message you send when you're being too self-reliant/independent (a silent cry for help despite what you're showing) cannot often be heard by them. All they can read between the lines is: "I'm okay, I don't need you". And ofc, this doesn't make people interested in you, especially if it's an habit of yours to keep them out of your needs (and out of your life: people cannot read our minds, and they're not here for that. But those who care would like to experience the joy of helping us, if we let them in and told them about us and what we need. They'd love to help us as much as we love to help them. They'd love to feel as happy and warm inside as we feel after we help them. But maybe first we need to stop and think about who we really are and what we really need from others, and from ourselves too. And let ourselves be vulnerable, knowing we can survive anything and that often others' reaction to us are not related inherently to us: we're not responsible of what they do with our trust/words).

You're learning how to properly communicate your needs, your fears and your boundaries. How to let others see you for who you are without any fear of judgement. How to be able to properly receive all that you wish for in a relationship. In order to do this, you need to take a brave step and look at what is going on from another perspective, different from the one that is suggesting you you're simply not good enough to have good and fulfilling relationships; or that you're unlovable or that people leaves cause you're just supposed to be alone forever. Or that everyone hates you. That is not so. Don't trust your wounded ego in this, do not follow its pattern into the hole. Be stronger than those fears, and see yourself as the lovely, kind and sweet human being you are. The very deserving of love and acceptance human being you are. And start by loving and accepting who you really are. You're not too much to bear with (as I read not long ago: when you fear being too much asking for something, it's generally because you didn't get enough of that). Analyze your relationships from a more objective point of view: we tend to see the "guilt" in the others (we blame them for abandoning us/letting us down, feeling resentful for how they treat us but also powerless when confronting them) or in ourselves (we're not enough for them/we cannot be seen and this may makes us angry too), but in relationships the truth is often halfway. And lack of proper communication, respect and understanding is what ruins everything (together with possibly not-compatible issues/traumas: if someone cannot give you what you ask for it's okay, other people will be able to fulfill your needs. Do not stuck/fixate yourself to receive from one single person everything you need, stay open. And let yourself be seen first: do not always wait for others to be interested in you to start with; at times it's hard for people to climb our walls and they may renounce, so at least lower them a little here and there, as you feel comfortable to. For as much as it can be okay to generally not be the one always taking the initiative, it's good to occasionally do that and show interest in the other as well). Anyway, don't be too harsh on yourself: you always acted and act for your best, to save yourself from pain, and you couldn't see that you probably were helping this pain staying alive, unconsciously searching for confirmations of its existance and of your inhability to have good relationships (maybe you were searching for them in the wrong places?). Forgive yourself and others (especially those who gaslighted, diminished, silenced or *unconsciously* taught you that you're not worthy first), and let things change for your best. Let your people find you.

For a few: If by any chance, you're not hiding yourself but actually trying to stand out or show yourself at any given time, it's probably the other face of the same coin. You try to get the attention you couldn't get to receive and what you learned is that to get it, you need to stand out or call for others/interrupt them, make them notice you, show you're as worthy if not more by being more vocal, and feel better about yourself after succeeding. Many people may not appreciate this or believe you do it as a form of egoism, but it's generally not so. Try to balance and listen to others too, do not just let your fear of ending up being unseen take you over and eclipse others (Ik you can't always see that cause you're trying to fulfill your own need and therefore unconsciously closing off from others' ones, but it can happen). You'll be seen as much as you need anyway. Be patient. :)

song: through the dark | vanbur

[if you're called by pile 3 as well, feel free to take a look + if you have been seeing lot of 3s, it could be a confirmation for this pile n.1 being yours]

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pile 2 (control/abandonment issues)

Out of all the piles, I think yours is the one needing more work, and also more patience, time and reflection/introspection. Be kind with yourself and go slow.

You're probably closing (or need to close) a chapter in regards to your need to be in control of what is going on in your future/life. You're deeply scared of the unknown, of not being able to control what is happening and probably you also fear not being able to take your own decisions but having to conform or accept whatever is going on for you. And ofc this is scary because the moment something you don't want to will happen, you won't have any other choice but to lower your head and obey/go with it. It's like you're caged. The future and this *fake* lack of control are making you pretty anxious and in need of knowing every detail of your life before taking any action, to be sure it's all okay. Maybe you also fear not being able to really close with this chapter and being trapped in it forever? As said, not knowing how things may turn out, would be too "risky" for you. I feel like it's also too scary to receive some kind of "no", whatever it may be about. It would crash you (or you think it would, somehow... but why?).

You probably need to separate yourself from what is going on around you. Nobody has real control on what life offers to us and when/how, nor on others' feelings about us (which only depend on how those people see us from their personal pov and based on their own experience of life, on their background: they can only have opinions of us based also on what we allow them to see of us). But we have whole control on ourselves, on our emotions and on how we respond to life and other people' choices/thoughts about us (what we make them mean about us). And we have control on what we want to do, how, when, why and if we want to say "no" to something. We have free will (I understand in some cultures and maybe also families it's a bit more complicated than this, but maybe you can get to at least politely talk and show your pov instead of giving up since the first minute? Or find a compromise on something else. Idk... Maybe it won't go as bad as you think, especially if you also silenced yourself out of fear in the past. Maybe the no's we've got in the past were about a specific thing for a reason, and not about everything as we think). I guess many times you just accepted your fate/destiny in the form of a decision taken by someone else (an authority figure of any type, from a boss to a parent... even tarot/astrology readings -excessive/anxious consume-?), without ever contraddicting them, feeling you're the one that doesn't know anything, feeling not enough to/inferior. Accepting what they were telling you about who you are and who you are supposed to be and obeying, living up to that (in pain and resentful, but still...). Or maybe this is also a way to save yourself from failing? If it's someone else guiding your life or telling you what to do/who you are, you won't have to take the blame of being "wrong" or feel guilty for having taken a "bad" decision and being a bad person, maybe. While it's good to get guidance and opinions in proper/healthy ways, we cannot let others take decisions for us all the times. They cannot live our whole life for us: we are beings that are too complex to be reduced to what others just perceive of us or want us to be. I think you may be dealing with perfectionism and fear of failure too: maybe you learned you need to keep specific high standards (in what you say, think, do...) to feel worthy/loved/appreciated, and not living up to them may mean, somehow, that you lost your self worth or it changed (lowered).

But that's not true: your self worth is always the same since the day you came on this Earth and it's the same as the one of everyone else on this planet, even if you cannot see it because of how you were/are treated or treated yoursef. Or feel you were treated: as kids we don't understand the reasons behind adults' behaviours, and if they too are not so emotionally stable or able to verbally explain things, it may be difficult to understand what is going on since we are learning all that from them (= esp. the "authority figures" around us: caregivers/parents/teachers/relatives...). We may make their reaction to us not being "perfect" (= not acting as they would want us to) mean we're not enough, we're bad, not deserving enough, and that we need to perform better to receive something good/praise/love and to obey to them, because we cannot take decisions that are correct. We're a failure and cannot do anything right. And we may risk losing them or them may let us down/abandon us if we don't perform well.

I think you need to move into known water, to know everything is good and will be good, so that you know you won't fail? Or that you won't be considered as "bad", whatever that bad means to you (probably that you're not worthy of something, of others, of... Idk). Not knowing/not having the control means you won't be sure of how things will be and if you will be able to make it, to survive (yes you will), to be considered well and... not abandoned. But if you keep the control of what is going on and get confirmations that you're taking the right decision before taking it definitely, and that all will be fine, you can actually perform well and do things right and be sure of your success and nobody will see you as a loser and leave... right? Well yes, but no. Cause that's not something that you or anyone's actually able to do: we cannot control what's outside of us and know every little detail of it with absolute certainty... And those "authorities" may be wrong as well when taking decisions for you. You may be scared of being you cause you feel like you lack something (you are "unable to do things well", eg.) and people may end up leaving, while if you try to control everything (eg. plan what to say/do based on how others will respond/what they like and not on who you are and what you think for real) instead you'll know that all it's fine and safe and you're okay and they won't leave, and you'll be accepted and a good person. But again, we cannot control it all: many things are not depending on us in this life and probably.. it's about trying to deal with your guilt (an old wound too, again in regards of how you see yourself and think you are seen: "imperfect/flawed", bad) and letting yourself just be you. We're all imperfect and flawed, occasionally bad; we need to forgive ourselves and just be kind with ourselves cause we're trying our best anyway, especially when we're actually trying: it means we're allowing ourselves to take risks and live our life no matter how it will be, but we'll get to live it fully at least. And to decide for our own self. To see what can happen good, to trust that the unknown doesn't have to be bad, nor us, even if we're not "perfect" (remind yourself that perfection is not an absolute dogma, everyone of us has their own definition of perfection, and society has its own as well that btw keeps on changing whether it's physical or about life goals. Someone not liking you doesn't mean nobody likes you). Take control of your fears, talk with them, acknowledge them and love them. Be there for them and yourself: you can do this.

song: just one day | deproducers

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pile 3 (self neglect/emotional avoidance)

You're generally healing a cycle of self neglect. You either dismissed or deemed your experience as less important or worthy, you probably use/d to compare with others a lot and see them as better than you too. Or more deserving. I think you may have disconnected from yourself in order to follow and help others, or out of a huge traumatic experience (nothing strange here: it's a common self defense mechanism). You probably felt responsible for others cause that's what you learned is your duty here (also to survive/save yourself in some way: eg. you had to grow in an "unsafe" environment, so you tried to keep it as emotionally safe as you could by taking charge of making the mood/solving problems that weren't yours to solve, or something like that; you could have learned to read others' emotions by being hypervigilant of their moves/words so to predict their moods and save yourself), but it's not so.

You're trying or are called to come back to yourself. To get back in touch with your core. To do this, it's important to take time for yourself, and do some self reflection (journaling could be a way too: you don't have to write things chronologically or that are reasonable, just let your thoughts/emotions flow). Reconnect with your body too through healing movements (yoga, walking, exercising... as you wish) or simply taking good care of it by giving it rest and the correct supplements it needs. Realize your worth and that you're deserving of receiving and give to yourself, especially time (you have lot!). It's important that you reconnect with yourself also cause that way you can reconnect with your intuition as well and trust yourself again. You may have stopped trusting signs or downloads or even your own feelings or gut instincts, deeming them (and yourself) as wrong, incorrect, likely to fail. But that's just probably a fear of yours: an insecurity that originates from having judged your mistakes too harshly (maybe after having being criticized the same way a lot, or having been caused to feel guilty for unimportant stuff, even unwillingly -cause of other people's issues: especially if you were surrounded by people self criticizing a lot or self talking negatively, you may have picked up this same habit too. But what if instead of "stupid/ignorant" you're just distracted or tired/stressed and therefore you made a mistake, that is very likely solvable too?). On a side note, self trust doesn't mean you feel sure and okay when taking an action. You may still have doubts or not like what you may need to do. We're still humans, and we can trust ourselves and still be scared of being wrong. But our intuition will always tell us if what we're doing is the right thing to do, no matter how it will turn out (intuition may not always be right especially if we're not grounded and also if->).

Your inner critic/wounded ego may be a bit too strict when it comes to you, pretending perfection in you in particular but also around you. Being ready to always point out every little flaw or incongruence that you may see. It may really shut your intuition as well. All this acts as a self defense mechanism: getting what you wish and having your intuition actually pointing you towards that result could be scary, so you tend to find flaws or imperfections in it to keep yourself away from that and safe in a known situation (even if it's not what you want). But we can only end up ruin intuition when trying to look at it through reason/thoughts. You may need a lot of constant reassurance, cause you may tend to overthink a lot and get any little negative sign as the confirmation things aren't going well (at times you may also be so focused on needing a specific answer that you may shut other possible ones out of you: try to stay grounded and open before asking for confirmations or such, especially from your Guides). You may also tend to project your fears and perceived imperfections on others: as Carl Gustav Jung said, we tend to project and judge others first to defend ourselves from their judgement, but it's actually ourselves that we're judging. Not them.

It's okay to put yourself first: as long as you are not trying to impose yourself on/take advantage of others, you're just putting yourself on their same level. And showing yourself you're deserving of as much. And you do. You don't have to always help others reach their goals by giving up on yours, or letting them having what you want: you're too kind for this world, but this world won't give you a prize for doing this. It will just give you nothing (and this also if you're doing it out of fear of actually getting what you want, not just cause you think others are better than you or you better play it safe to feel included/not be let down). So, fight for what you want. Acknowledge your wishes, emotions, desires... yourself. Show how much you care about yourself and stop comparing with others: there will always be someone better than you but not in everything. They may be better at something, but not at everything (put things into perspective). And even if they were better at everything, according to you, are you sure that your definition of better is the same as the rest of the world's one? Or is it personal of your life/you being harsh on you? And what if you can reach their level too instead of feeling inferior them? Or what if you're already there but just cannot see it?... What if you're just different and nobody is worse or better, actually? What if your different is what's is best for someone else, and for you too? It may feel scary, but try to be more balanced when it comes to see your worth and what you can do, who you are. When it comes to trust yourself. There's so much you can have, and already have, don't close your eyes to it our of fear. At times we need to do the scary thing: take ourselves by the hand and move in unknown waters. And it doesn't have to be as unsafe as it seems. Master your ability and knowledge, learn from your emotions instead of shutting them down out of fear of knowing them and their reasons (you may fear finding some hurtful truth in the process: if so, and if it feels too much, ask for help or guidance to someone you trust or a professional figure): they don't want to hurt you, they want to teach you and help you work on what you need in order to get what you deserve and want. Listen to yourself, come back to you.

For a few: Again, don't let your wounds/fears disconnect you from your intuition or make you misunderstand a need of yours with an intuitive hint. At times we may misinterpret signs/symbols because we really need a specific answer/confirmation emotionally/to feel better (especially in hard times). And having any little confirmation (or what we think it's so) can cause us to focus on something generally comforting/entertaining as a way to distract ourselves from the real problem/issue. Focusing on that problem could be too scary/overwhelming so we try to attach ourselves/fixate on other things/ideas/emotions to avoid dealing with the "real" ones. But we may not realize it. And for as comforting as it may look on the surface, it could really be something not good for us, as it may also lead to delusion (related to that specific thing/idea: be mindful, great things will come for you anyway and that's out of question. It's not an absolute no, but a call to see yourself and heal first). Therefore yes, try to focus and know your emotions first after having neglected yourself (and having been neglected) so much. Take good care of you.

song: under the bridge | all saints

[if you're called by pile 1 as well, feel free to take a look]

- ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ -

pile 4 (discomfort/changing)

You're probably dealing or learning to deal with discomfort in your life. I think maybe you don't feel like you belong with the environment you are in (it may also be about who you are, not just where), and you may feel isolated. Or probably it's a bunch of different reasons, like a huge tower moment you're going through where it seems everything is against you and you cannot find a way out. It's a sad/lonely period, negative period in general and it may be more or less long. Pretty umcomfortable time in general. You're healing and losing sight of what else is going on. You're called to take a look within, into your heart, and like try to bring it back to life (esepcially if you feel "numb" somehow or lost) to realize it can beat again and you have power against all the darkness and negativity around and inside of you. You can still fight for yourself and win. Darkness is also there, the moment we learn how to watch it, to make the light shine brighter. To help us find happiness and peace too. To enjoy the process of change, and that change can actually be good despite the discomfort. And that healing is a part of our life, not all of it.

As humans, we tend to focus on what goes bad and notice all the other things that go as bad, even the smallest ones, losing sight of the little good that is around (as it kind of lose importance in our negative perspective: who cares if the sun is shining again and flowers are blossoming when there's this *negative thing* in my life?). Probably it's a matter of balancing better your thoughts, without letting them spiral and take you places you're not supposed to go (and won't even get to go: when we spiral, we may just end up creating fake thoughts in our mind out of fears and general negativity. This will keep the cycle alive and not let us get out of it but just kind of even attract more bad stuff into our life -or notice it more easily-. When we're more positive/happier, we shine, attract better things and are able to see also the good side and good events that do always happen in our life, despite everything else). When for example we don't get rid of the stress we may pick up in our daily life (even a slightly stressing situation may create an imbalance in our emotional and mental state if we don't get rid of the excess of energy it creates), when we're used to respond with fear/stress/anxiety to specific triggers even if we know we're safe, when we need for things to not change in order to feel safe, when we're tired, sleepy, cannot give our body the correct supplements it needs and feel depleted... we create the perfect inner environment for ourselves to start being overwhelmed and even spiralling or having panic attacks/burnouts at the smallest next stressing event. And the urgency we get to get out of that negativity asap, may just add more stress and pull us further down.

Do not let all these illusions to govern you, whether you create them in your mind, increasing your emotional instability when you start overtinking (even random unreal stuff that you have no proof may happen: our minds tend to fill up the void/the unknown/future with negative/fearful/fake thoughts so to block us in the same old cycle. They do this to keep us safe but we can show them that maybe they don't have to fear the unknown for they don't know how it will be for real) or you allow them to take space in your mind cause you "forget" to take care of you to give them attention. You are the one in control of your emotions and of your choices/priorities: most of the times anxiety originates from overthinking our insecurities and our "inability" (we feel the one always "wrong", lacking, failing... maybe also cause we don't trust our memory. But once you are grounded and trust yourself, your insecurity won't have much power anymore). You can take breaks and give yourself a time out before things get out of control. You can talk with your heart, with yourself, and your inner child too (probably the one who bears most of the stress and fear for various reasons -this may not be your only pile ig), and you can find space and time to disconnect from the stress you are experiencing. You can distract yourself by focusing on more comfortable things, using any of the various methods you can find online (focusing on naming things around you, on your breathing, on feeling your body and where you are/your senses...). You don't have to confront your fears immediately, and again you don't have to follow them. Or you can stop following them. It's not easy, especially at first, to recognize what is happening, so give yourself time and be patient. It's okay to shut those voices inside, and focus on something else, especially on you and what may be your needs at that time: prepare yourself for a bath or treat yourself something, anything that can relax you and nurture you; it's important to give yourself back, especially when you need breaks after working hard so that you realize you did well and can unwind from the stress of it. Especially, take naps if you can or need: I feel pretty drained suddenly. Try to not sleep deprive yourself (ofc overthinking/stressing can be very draining so it may be that that's also not allowing you to sleep/rest properly). If you're scared of sleeping because you may either lose time or have nightmares, remember you have time (plan it well: even a 5-10 minutes nap can work magic) and work on what these fears mean for you and how they originated: what are the nightmares about, what they want to show you about you? Ask for help if you need, also if you cannot deal with the negativity and all that is happening by yourself. For as long as it's good to distract yourself from triggers when you feel too overwhelmed, it's also good to try and check them more closely once you feel more calm/grounded, to see why they're there and what they want to show you about you, what you may still need to heal. What you may need to do to free yourself from this negative cage and see things from a more positive (or at least neutral) perspective. Yes, if you cannot change your mental pattern, work on finding similar sentences to those your mind is suggesting you that may have a more neutral meaning.

When things change, they change emotionally and energetically first (you can feel it in you, despite it not being so clear but just feeling unsettling), and that's what you may need to work on the most. Changing may feel scary and may bring you lot of negativity or mental/emotional traps or make you fall into a negative pattern about how it may be. It may re-open old wounds, even ones you didn't know existed in you. It may give you fallbacks about triggers/issues you thought you healed already (healing is not linear and these are perfectly fine: plus the closer we get to ending a cycle, the stronger they get). But with patience and time, self compassion and forgiveness, you can work through all of them and see them from another pov. You can use them at your advantage too. You can start seeing the good again. Take time to grieve what you're leaving behind, to give yourself proper closure, and move on. Stay balanced and present, enjoy also whatever else life is offering you at the moment, and do not discard anything out of fear of not being healed yet (being healed also means we do not react unheathily/anxiously to triggers anymore, not necessarily that we do not get triggered anymore; and we don't know what experiences we may need to make in order to "complete" our healing process or check it: trust your balanced self).

song: forward motion | daya

#pac #pick a pile #pick a card #pick a card tarot #pick a picture #pick a card reading #pick a photo #divination #tw triggers #tw trauma #tarot readings #tarots #healing #intuitive readings #psychic readings #clairs readings #tarotblr #tarotcommunity #self help

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r3medialch8os · 10 months

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since it is clear to all my favorite episode is my namesake i'm going to outline some of my favorite things about remedial chaos theory.

everything leading up to the Darkest Timeline scenario. before we get to the darkest timeline, several time bombs are planted. we as an audience gradually learn about these but the characters' knowledge of them resets with every new timeline. for one, annie's gun is only adressed in the first timeline. then, in the second timeline when shirley storms out, we become aware of the fact that when the door is slammed hard enough, the rolling boulder model is triggered. further, we learn about britta smoking, pierce bringing alcohol, and the troll doll and its effect on troy. all of these things come to a head in the darkest timeline. troy leaves hastily because he doesn't want to miss anything therefore slamming the door, which triggers the indiana jones model. then the rest follows. it's genius because the chaos was unpredictable but as the audience we recognize all the elements that make it that way.

in every timeline, pierce makes a joke involving eartha kitt. the comedy of it is that every time, the segway he employs is more outlandish. it seems like a gag until jeff's timeline comes up. when jeff leaves to get the pizza, pierce in fact does not make the joke, showing us he was doing it to impress jeff the whole time, offering character insight.

jeff hits his head on the ceiling fan in every timeline. again, it seems random, until at the end annie deems it as 'karma'. we realize then, that jeff hitting his head throughout all the timelines was a karmic punishment this whole time, because he was being unfaithful in his pizza-getter divising system which governed the timelines in the first place.

there is a lot to be said about the implications about what happens when a certain group member leaves. troy's leaving causing the darkest timeline has been thoroughly discussed. what i find most interesting about this particular fact is that the timelines are not real, or so they are denoted. it is emphasized over and over again that abed is the one making up the timelines. therefore we can assume his subjective opinion influences the outcomes of the timelines. we could even assume that the whole episode takes place in his brain. it gives a lot of weight to the significance of troy leaving. in any case, it's not just that particular timeline that's interesting on this front.

when abed leaves to get the pizza, every pairing in the study group has some form of a heart-to-heart and then a disastrous outcome of that very moment resulting into a fight. they go through emotional rollercoasters, maybe more so than they have all episode. it is interesting to note that abed's departure allows the study group to access their emotions more freely, whether they be positive or more negative. it's intriguing how abed assuages these intense emotions, and how these kinds of emotional confrontations would have never happened with his being there.

the timeline where jeff leaves is also fasinating as it clearly illustrates how the group will still have fun without jeff, maybe even more so when he's gone. this is also shown in s03ep01 but becomes even clearer here. the group becomes more carefree, cheery.

the prime timeline, the one where jeff gets the pizza, is when abed catches the die. this scene is hilarious because none of the study group members have experienced the timeline scenarios as we the audience have because they are in fact living their lives in the timeline as is considered normal. this is what makes it extra funny that they indulge abed in his lengthy verbose speech. they really like each other a lot. it's cool.

anyways, this episode is my very favorite ever and i could talk about it forever.

#community #abed nadir #nbc community #troy barnes #abed community #troy community #remedial chaos theory #community analysis #jeff winger #six seasons and a movie #shirley bennett #britta perry #annie edison #trobed #tv show analysis

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leavesdriftinginthewind · 1 year

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I think what pisses me off most about the Wednesday fandom is that so many are intentionally ignoring the fact that Tyler is MEANT to be a tragic character because he is a Hyde. We basically have it beaten over our heads that Hydes are the outcasts of outcasts, deemed too difficult to help, and therefore abandoned and left to their own devices, basically giving them no way to NOT be tortured into being someone’s slave or ultimately having something tragic or awful happen to them that forces out their Hyde and leaving them to become a monster and/or get killed.

So many people blame Tyler for every bad thing that happened in this first season when he LITERALLY had no option but to do exactly as Laurel wished. He was TOLD to go murder the people he murdered, he was TOLD to get Wednesday to trust him, he was TOLD to go after Eugene, he had no CHOICE but to obey, it’s literally in the show’s lore. And we are both told AND shown what lengths Laurel went to to literally torture this teenage boy into becoming a monster that was FORCED to obey her. Not only that, but all that “mama” talk and physical touch is gag-worthy. SHE is the true monster who wanted everyone dead, and she ruined that boy’s life to try and get what she wanted. And the show INTENTIONALLY shows AND tells you all that.

We are SHOWN how Tyler was chained, beaten, poisoned to bring the Hyde out, to become Laurel’s perfect slave. And still so many see HIM as the “true villain,” stating that if he was truly “good” he never would’ve done all he did. Meanwhile the lore has TOLD you, Hydes have no choice. But WAY too many disregard this plot point entirely simply because they see it as something to cling to for their preferred ship to happen. That’s infuriating to me, truly. Not only from a standpoint of really loving Tyler as a character, but also from a standpoint of it being apparent to ME of where the story is going, and knowing that so much of the fandom is gonna be pissed off about it because it’s Tyler-centric.

We are given so much information about “Hydes have been banned from Nevermore for 30 years,” “Faulkner was studying Hydes but he died before he could finish his research,” “nobody knows for sure if, once unlocked, Hydes are only monsters or if the person they were is still in there.” Between all this within the narrative itself and Hunter talking about how he’s excited to explore the duality of the Real Tyler versus the Hyde next season, I think it’s obvious that Wednesday and Tyler are basically going to get to the bottom of this “are Hydes all 100% bad and dangerous” problem themselves, and the result of their research will probably get Hydes accepted back into Nevermore.

Wednesday already knows how unjust the whole system is, she mentions it FREQUENTLY in the first season. Once she gets past feeling betrayed by what happened in season one, it’s likely going to weigh on her that someone she cared about deeply enough to bring her walls down for, to actually seek out to KISS, was so hurt by this system that he ended up doing all he did. And Tyler is inevitably returning, the writers have talked about how we’re going to learn more about Tyler and explore his true feelings for Wednesday. They’ll be brought back together, no doubt. And thus, the deep dive on Hydes will probably begin.

I don’t care what you ship, I don’t even care if you really LIKE Tyler as a character, but I DO care that so many have made him out to be a pure villain simply because that suits their own personal narrative better, and makes them feel like it’s more likely their preferred ship will win the “war.” Like, try and WATCH a show, actually WATCH it, and not simply cling to bits and pieces that suit the storyline you’ve made up in your head. You’re SUPPOSED to hate LAUREL, you’re supposed to, at the very least, wonder if the Real Tyler is still in there, if he can be helped, and you are SUPPOSED to feel some pity for the boy who was forced into becoming an enslaved monster.

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eamour · 10 months

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past, present and future

when we are speaking of time as in past, present and future, we must keep in mind that manifesting doesn't happen linearly. time — the way we know it — doesn't exist. we only ever experience consciousness, therefore we can only experience it now. we are defined by what we are conscious of in this given moment, not by what we used to identify with in the past or what we are going to identify with in the future.

there is no objective past.

what is our past? how do we know that it has existed? well, memory. again, manifesting is a process that is enabled by our consciousness. what we are conscious of — or in other words — what we have been conscious of in the past only exists or continues to exist the way it does because of how we choose to remember it aka how we choose to be conscious of it. you could say that the past is an illusion.

dwelling on the past.

dwelling on the past, dwelling on past mistakes that have been made, and so on means to dwell on a state — an unfavourable state. if you repeatedly return to that state, you become aware of it once again, you experience it in your imagination and relive it. and, well, you embody that version of yourself again and what used to be a "past state" becomes your "present state". when you dwell on the past, you re-identify with the past version of yourself and bring them "back to life". why? because as we already know, what we are aware of being now manifests. "because our thoughts of the past that we dwell on, do not recede but precede in our future." — edward art

choose what you want to remember.

now, what does this mean? since we are all the conscious creators of our lives and the outer world is just a reflection of our inner world, we need to pay even more, actually most of our attention to our awareness. you get to choose what you want to remember, as "there is no difference between an 'imagined' past and a past you think you experienced". — vesora, my beloved.

you are not who you were once.

past and future — just like present — all exist within you, your mind, your imagination. you don't have to be tied to the past. you don't have to declare it as true if you no longer desire it. you are not obligated to deem it as real. and remember, no one can forcefully try to associate you with your past if you don't want it!

there is nothing to regret.

don't feel ashamed of yourself and of what has once happened to you. don't beat yourself up, don't complain about the past, don't feel sorry for yourself and use that energy to create a new, better version of what has once existed or happened. because, again, past mistakes (made by you or others) don't define who you are now.

change what has happened.

see, the 3D is a the physical product of the imaginal acts made in the 4D. it doesn't exist on its own, nor does it have to remain the way it is. and who is in charge of it? you! so you decide what is going to be a part of your life, what has been a part of your life and what will be a part of your life. all change that results in the physical world has to be imagined in the mental world first. that's how you manifest — that's how you decorate life.

be in charge of your story.

knowing that your past is whatever you make it and only exists in your mind, it quite literally means that you carry your "story" within you. it's like your whole past can be rewritten whenever you feel like it and no one can take that away from you. no one can influence you or take away your power as you and you only are in control of your path!

be present, live now.

you can change what you want to be aware of any time. you can always choose to rewrite your entire story, to add an unexpected plot, to end and start something new, to add a side story, ... to do whatever the hell you want, simply because you can and you will! let this be your wake up call to finally move on, forget about the history you are clinging on to and imagine a new story. leave the past as it is as it can no longer harm you. don't go back to it, don't look back, just move forward.

with love, ella.

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cuethediscoandthedrinks · 1 year

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hi! um idk if you've done it already but please write about brat tamer! jake 🛐 yk he's into the whole thing. you misbehave or tease? you're in for it 🥵

OH ur right

jake sully + brat-taming hcs-

• i canon that he's not a "brat tamer" in its cliche, but more a soft!dom brat-taming, if you get what i mean

• the basis for his sexual life is that he pleases. he pleases, but he pleases for him, and for you, but ultimately for him

• compare him to quaritch, and you'll see what i mean; there's no real sadistic quality to jake, or a need to be 'in control' so much as guide and lead you where he thinks you'll like (and where/how he wants to see u, but i don't think we're all ready for that nasty yet)

• that said, when you act up he'll still take great pleasure in establishing some daddie!boundaries, ngl. it stems more from a place of intrigue and paternalistic care than anything else. if you bat his earnest caresses away, or send a disgruntled glare in his direction, he'll just want to know why

• jake's pretty confident in meeting your needs, and has all the proof necessary via his past experience with other partners in his human life, and the prior intimate moments between him and you; e.g. your moans and squeals, and the sheer amount of pussy juice that he's slurped up since he first met you,

• so it's more that he's interested in pursuing this seemingly left-field bratty development from you. it'll often start with his quirked eyebrow, some squinted eyes and a small amused (yet partially confused) open-mouthed smirk, bc what hasn't he done to make you cum all over him already?

• jake'll then become incredibly hesitant. less so in an insecure, introverted way, but more in a cautious and observant manner; despite the external murk that comes with him figuring out what could make you react as you have, he's internally pretty delighted bc this means you're only getting more comfortable with him,

• more willing to experiment, and express yourself and your feelings to him. even if it's in a snide, uppity, slutty and bratty manner sometimes

• after some particularly sassy backtalk from you one that can't be dealt with later by his tongue, or fingers, or thick cock he'll just falter his movements ever so slightly, watch you a little more intently, and let the amusement settle in

• he's amused, and eager to fix it. that's mostly the energy that develops when you go full bratty on him. some "....everything..ok, babygirl..?", or "hm..now, you know i don't like when you talk to me like that.", or maybe even "...uh-uh, now what did we say about backtalk, huh? *tsk*" often roll off his tongue, accompanied by some extra patronizing and pseudo-sympathetic hums of disapproval, and maybe some shaking of his head if you're in a more public place

• it also depends on the disobedient behavior, bc if it's more on the teasing end; e.g. bending over extra low, exposing your soft, slickened pussy, or slurping on some fresh fruit, letting the warm, sticky juices dribble down your open mouth, he doesn't really give a shit

• behavior that stems from dissatisfaction, on the other hand, gets to him much more. if he's receiving complaints in the form of pouted lips, little lacklustre head-shakes and huffs of lust-tinted boredom, he'll have something to say and do about it

• but he loves to observe and figure out what exactly is wrong before making any moves gotta put that marine expertise to good use. he figures there's little point in jeopardizing his soft!dom position by sexual shots in the dark, if you will

• therefore, he'll just become extra vigilant to look for clues, and eventually figure out what's on your mind. to him, it's usually a finger, cock, mouth or pussy thing though. if you squeeze your thighs together, or squirm and quietly whine apropos of nothing, he'll deem it a pussy problem

• likewise, if you subconsciously start suckling on your fingers, maybe pushing them in ever-deeper until you're silently glucking and choking on them, little moans and gasps escaping you, he'll know it's a cock issue

• or, if he catches a glimpse of your bright-eyed stare in his peripheral vision, raking over his vast, broad blue form, sucking ever so gently on your bottom lip - eyes glazed over, lulled and mesmerized by whatever erotic daydream you're occupied with, he'll know for sure that it's a mouth and finger thing.

• that means he'll begin to make his way over to you, maybe subtly, maybe more obviously, and just try to coax you out of your bratty shell a bit

• some little smirks, doe-eyed looks and sidling up nice and close to you, skin on skin; perhaps snaking his long, toned forearms and biceps around your waist, or intertwining his legs with yours

• all the while planting some light hot-mouthed kisses to your neck or collarbone, brushing his hair against you, or nuzzling into your exposed skin.

• he could go full strict dom on you, but he's always more partial to playing good cop, so slow and steady encouragement for you to communicate what it is you want, that's his go-to, "...talk to me babygirl..you can do it, tell me what's on your mind..",

• "you remember what i said last time, don't you?...if you wanna feel good, you gotta talk like a big girl...ok, sweetheart?",

• "...now, i don't know what's wrong, but this tantrum of yours isn't gonna get you anywhere, alright?...don't make me do things i don't wanna do now, ok?...'cause i know you can be a good girl for me."

+reqs open as usual <3

#i am in <3 #cuethediscoandthedrinks #cuethedisco #cuethequestions #jake sully smut #jake sully x reader #jake sully #na'vi smut #na'vit x reader #colonel miles quaritch #avatar miles quaritch #miles quaritch x reader #miles quaritch smut #miles quaritch #colonel catboy quaritch #colonel quaritch #avatar smut #avatar x reader

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sayhoneysiren · 9 months

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WHAT'S UR SEDUCTIVE CHARM

I II III

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welcome sirens! this reading is for entertainment pursposes only based on the downloads i receive. do not attack me if the message doesn’t resonate. keep in mind this is a collective reading, not a individual one. with that being said, enjoy!

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xx HoneySiren xx 🍒

I ~ Your charm is your Elusiveness. You prefer to keep your circle small and don't open up to others easily. It takes effort to get your attention and tie you down, since you have high standards. Many of you may attract athletes or be athletic yourself. People seem to be in awe with your physique. You could enjoy dressing in leather and velvet fabrics.

Underneath your cool exterior you are a very compassionate, sensitive and spiritual person who can be shy at times or have anxiety about being seen. People view your shyness as 'cute' and instantly become somewhat protective over you. In a social setting, you are probably stationed in the corner of the room waiting for others to approach you or surrounded by close people you know.

Your eyes are alluring and can be felt across the room. People yearn to know more about you and what lies behind your enchanting gaze. They question why you're so quiet and to yourself.

When getting to know you, people notice that you are blunt and honest, preferring to cut straight to the point. You can clearly see through players, fakeness and egos and you're not here to entertain the bs. It also surprises people that you are so intelligent, headstrong and charming. But you only open to who you deem worthy.

II ~ Your charm is JE NE SAIS QUOI, Unfamiliar, profound and spellbinding, You are a person of potent power and you know it. Your essence oozes a calm confidence that fascinates and touches everyone around you.

Many may view you as a lone wolf or distinct in the way you present yourself. No one can check you off into any box. Some of you are of a different descent than those around you,

making you seem exotic. People could be enthralled by your accent, voice, unique fashion sense or your culture. You don't care about appearing weird to others. Staying authentic to yourself is most important and by doing this you give others hope, expand their minds and show them that they too can express their truest selves. You take them to another world where they can see themselves with loving eyes.

A glo' up' has been real for some of you and your looks have evolved tremendously. People describe you as a baddie or an it girl. You just have a captivating quality. On top of that, you KNOW how to seduce and don't care about being labeled 'bad'. Some of you embrace the label of the 'bad girl'.

People love taking time to get to know you and you enjoy talking about your big dreams. You don't stay still, always seeking to grow. Therefore always evolving.

III ~ Your charm is the Finesser.

From first glance no one would expect you are a powerful witch. The spell work and affirmations you do helps you manifest things excellently. You are able to see situations for what they are and manipulate it into what you want them to be. You may also be connected to nature and have some unique spiritual tattoos.

You are the undercover player moving in very strategic ways. You’re the type to meet your crush and reverse them to like you. You charm them by playing coquette and get them on your side to do whatever you want. You may use the affirmation "Everything I want wants me more."

You have many different sides to show, but you never reveal your full hand all at once. One day you're innocent then the next day naughty, happy then sad. You always have a one up one people, so things never get dull with you. You may also love to shock and surprise people.

You're not boastful or afraid of showing vulnerability. You know this works in your benefit and no one suspects you until it's too late. Until they're too far gone under your charm.

People think you're losing but you’re actually winning.

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makethosenarratorsfight · 10 months

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UNRELIABLE NARRATORS; SEMI FINALS

Lemony Snicket Propaganda:

(I would like to preface this by saying that Lemony Snicket is the author's pen name, not a real person, and he exists as a character in-universe as well as being the one in-universe who writes the books!) I'd say he's unreliable because he spent time collecting information about the Baudelaire kids and then... wrote books about it. He has no idea what any of their dialogue actually was, what they were thinking, or even the whole plot, he's just doing research into the incidents and then filling in the gaps to make it a story. What ACTUALLY happened to the Baudelaires? Nobody really knows for sure

While the Baudelaire siblings are in potentially life threatening danger, he will randomly start talking about his own life and just leave the siblings hanging. For example, once Count Olaf was threatening to kill Violet, and then Lemony randomly began talking about how he met the love of his life at a costume party. This man CANNOT stay on topic. Usually when a new character is introduced, Lemony tells us right at the start that they’re either going to die or that the Baudelaire siblings will never see them again. Foreshadowing is not subtle in these books. CONSTANTLY emphasizes how miserable he feels while writing these books. At one point he admits that he had to put his pencil down and go cry for a while because of how sad it made him. Once he filled an entire page with nothing but the word “ever” to emphasize how dangerous it is to put forks in electrical outlets. He also repeated a paragraph about deja vu later on in the book to give the reader deja vu.

Marvin propaganda:

this bitch is crazy you can't trust a thing she says!!!! but um seriously he is neurotic and while recounting his childhood everything is wack and doesn't make sense and ummm. Idk the man lies he withholds information (such as names of main characters he deems unworthy or important details) he makes he presents his fantasies like actual canon events (how marvin eats his breakfast, rape of ms goldberg) he tries to convince himself and therefore us that he's straight ummm he's just a little freak and an attention whore and a liar and a fugly slut and i love him. Heart

#lemony snicket #asoue #a series of unfortunate events #marvin #falsettos #in trousers #unreliable narrator battle #unreliable narrators #semi finals #polls

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dekusleftsock · 5 months

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Don’t y’all love it when a popular tiktok creator is analyzing a character and interpreting it so, so wrong, and him and his dumb ass take is spreading.

Like it was one thing for you to be wrong

ITS ANOTHER THING FOR YOU TO BE WRONG AND MAKING OTHER PEOPLE MORE WRONG

If one more person says that Izuku is “underdeveloped” and that he’s “uninterested in all of his other relationships” and that he “has a power imbalance in his relationships with other characters bc they care more about him than he does them” STOP. PLEASE STOP.

A fundamental part of Izuku’s character: He is an UNRELIABLE NARRATOR. Most of his character is, therefore, told through SUBTEXT.

Izuku doesn’t say that he feels ashamed about his feelings for Katsuki.

But he does say that he thinks they’re gross.

Izuku doesn’t say that he thinks that Toga and her feelings aren’t human

But he does say that she is the “perfect counter to this quirk”.

THE LIST COULD GO ON.

Izuku is an unreliable narrator in a third person omniscient story (though sometimes mha acts more like a third person objective story? Anyway). That means that the way we do not understand the story is not through a retelling of what is happening to you, the viewer, unreliably—instead it is not telling you the full extent of his character and his thoughts.

To say “izuocha’s relationship is underdeveloped because it’s one sided” is NOT the same as saying “bkdk’s relationship is underdeveloped because it’s one sided”.

Izuku has always been obsessed with Katsuki. At some point the rhetoric being passed around was that it was Katsuki who was underdeveloped and uninterested in the dynamic. Now that rhetoric has been reversed since we’ve seen so much of Katsuki’s POV.

Ochako has always been obsessed with Izuku, NEVER THE OTHER WAY AROUND. In fact, Ochako’s arc even surrounded letting go of those feelings… as literally said in the text. Because that is a textual statement that she makes.

Izuku does not understand how or what Ochako loves in anybody, especially him. She loves a unique sense of personhood, which Izuku has always carried, and of which she saw in the entrance exam.

Izuku does not know how to view things he deems as “girly”, and Ochako very personally CANT be in a relationship with someone that she has realized is very repressed. Her friendships turn from friends to fascination very quickly, into her heroic form. (Think her few moments with Katsuki in that extra, or how disinterested she became of Izuku as she saw him run away from help, and not know how to respond to an apology. Or, hell, how much more interested she became when Himiko was honest with her feelings in their second real confrontation. She even says that she “admires how she can love so freely, and say it with her whole chest”)

LIKE ALL OF THESE THINGS. THIS IS WHY IZUOCHA ISNT DEVELOPED. That’s a purposeful choice in genius writing, at least in my opinion.

Bkdk is a result of Izuku being uninterested in acknowledging said feelings, and this is shown to be different because of the amount of times he has had that imply a deeper emotion or thought that we are not told. Think black whip, controlling your heart solely surrounding katsuki, “my feelings are gross”, the ear piercing scream when katsuki was kidnapped and the “this was a total loss” line, relaxing into katsuki’s arms after the apology, only coming home because of Katsuki, comparing romantic feelings toga had for him and admiration to ALLMIGHT and not katsuki who was “actually in his life”, I COULD GO ON FOR HOURS.

This is absolutely NOT underdeveloped, this is called SHOW NOT TELL. Horikoshi is so purposeful in what he shows vs what he tells. He tells you that ochako and toga are the same, he tells you that katsuki is worried about Izuku, he tells you that katsuki is there to step in when deku can’t handle it on his own, he tells you that ochako has a crush on Izuku, and he tells you that Katsuki is Izuku’s “closest person”.

But he also SHOWS YOU SO MUCH MORE. Unreliable narration is such a key part of Izuku and his character. Izuku doesn’t understand Izuku as much as the audience doesn’t understand him. It’s why I genuinely think most interpretations of his character are wrong, because you really can’t take him at his word. It’s the same reason no one understood katsuki for the longest time, he was in the same circumstances of a character who is only showed to you, not told.

I know i named so many god damn references so if anyone is curious as to what specifically I’m talking about with what, I’ll gladly show what scene I’m referring to. Apparently I can’t remember a damn thing but this manga anyway.

#I’ll gladly be shouting this to the rooftops no one can shut me up #this was made like a month ago idk if anyone could tell but I just edited it LMAO #bkdk #midoriya izuku #mha deku #bkdk brainrot #bakudeku #bnha deku #mha analysis

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spiderfreedom · 4 months

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my suffering is profound and legitimate, yours is frivolous nonsense

Just reading a blogger I like but I had to laugh because she was talking about how beauty practices are bad for women's mental health, and she left a note saying "unlike gender affirming care! gender affirming care improves people's mental health and it's nothing at all like cosmetic practices."

TIL, when an older woman gets botox to remove her wrinkles and avoid facing the inevitability of decline and death, her problem is spiritual/structural and she needs to Do The Work to deprogram her ageism, unlike people with dysphoria, who of course have legitimate claims to cosmetic alteration.

And it is cosmetic - no part of the body that is altered by HRT or SRS or any of the feminization/masculinization surgeries is failing to function or functioning poorly. The problem is with the brain, which perceives the body parts as foreign or undesirable. We may sympathize with someone struggling with such a condition, but that does not change that the body parts being altered were already healthy and the alterations are cosmetic, and the relief being brought about is mental.

But plenty of trans people openly admit that separating body dysmorphia and gender dysphoria is a losing game. Contrapoints's video on "Beauty" (transcript) has the observation that she feels least dysphoric when she is meeting feminine beauty norms:

But I also think that trans people often talk like gender dysphoria is this intrinsic, personal experience that's always 100% valid and never has anything at all to do with the external pressure of beauty standards. But in fact, gender dysphoria is not sealed away in a vacuum away from the influence of societal ideals and norms. [...] When I try to psychoanalyze myself, I find that my desires to look female, to look feminine, and to look beautiful are not exactly the same, but they're woven together so tightly that it's kind of difficult to untangle them. And the opposite is also true, that for me feeling mannish or dysphoric usually goes along with feeling ugly. I don't have a lot of days where I walk out the house thinking "well, I'm giving femme queen realness, but apart from that I look like absolute shit".

Max Robinson's book "Detransition," from an FTM perspective, points out how the prospective trans man views his suffering as unique from and distinct from women's, even as the surgeries they seek are not especially different:

The stereotypical cosmetic surgery patient is seeking to become closer to being perfectly feminine - she wants to be beautiful. Transitional cosmetic surgery, on the other hand, is widely understood to mark the patient as ex-female and therefore unfemale; this is part of the meaning FTMs seek to create through surgery. FTM desire for cosmetic surgery is positioned as something totally different than the stereotype of a woman who 'merely' seeks beauty at her frivolous leisure. FTMs are deemed to have a rare affliction that needs urgent, life-saving treatment. Conversely, there is nothing more common than for a woman to become obsessed with her socially-deemed 'unsatisfactory' looks and desperately seek to change them, believing that such a change is the only thing that can restore her quality of life. This comparison will feel like an insult to the FTM. It will feel that way because we believe other women's suffering doesn't matter, and recognize how much ours does. Women's suffering is ordinary but ours is extraordinary. For us to matter, we must be differentiated from the silly little woman who wants to be pretty so badly she'll pay thousands of dollars (now billable to credit cards and loan programs designed to pay for elective surgeries!) to risk her life and health. These women don't need to be fixed; we do. FTMs know that we don't deserve a woman's fate but have not yet realized that no woman does.

I have more to write on the topic of the relationship between gender identity and beauty culture, but I'll end this one here. It makes sense that somebody who is identified with the opposite sex would also be affected by the standards of beauty expected of that sex. (Non-binary identification is more complicated and requires separate treatment.)

#mypost #beauty culture #gender identity ideology #radical feminism #100 notes tag

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vixensbrainrotts · 4 months

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The one behind the mask

Content: Short imagine

Tropes: tattoo artist! reader, hairdresser! reader, vaguely gothic! reader, Draken is kind of obsessed with the reader here, but nothing really too deep

Warnings: some mention of scissors and tattoos (lmk if i missed anything)

Summary: Takemichi has to find out more about the past-you, so he decides to ask around the gang to see if anyone has any connections. To his luck, Draken deems him fit to meet you, and so Takemichi gets to experience your expertise first hand

Vixen’s two cents: This is such a random idea, idek where it came from but lmk if you like it or not. Also! Requests and asks are open, and if you’d like to be a moot (to perhaps proofread or triangulate ideas) pleaseeee feel free to message me!!!! Now enjoy

"She's the best at what she does, trust." Draken's voice left no room for argumentation, his gruff voice sealing the deal as he leans back into the couch behind him. He was on an endorphin high of sorts, his confidence boosted due to the fresh lineup he just got, the growing hair now cut shirt, his signature style refreshed.

Akkun frowned behind Takemichi a little, a bit disheartened by the 'threat' you posed to him and his future business. "So... She cuts hair and therefore she's under special gang-internal protection?"

Draken chuckles heartily and shakes his head. "No, no. More than that. She‘s the best tattoo artist i know too! Ask any guy who got a tattoo in the past three years who tatted it, and she's your answer. She does it well, too. I remember back when a guy wanted an impossible coverup for an ex's name- she made it work, right as rain! And there was an awful lot of ink to cover."

Takemichi didn't quite grasp why or how you achieved the status you unintentionally had in the gang, but it was vital information for his future, real-time version. When Naoto had asked him to research you a little closer in person, Takemichi had expected you to be another fierce gang leader- one who dons the same scary-looking plague mask as you in the future.

What he had not expected was to learn that you were apparently a hairdresser-tattoo artist fusion type thing. Why did you play such a big role in the future? Sure, he understood having a favorite barber, Akkun being the best example for that, but placing them in the closest circles of a highly criminal gang for exclusive trimming rights? That's a little far, no?

"You don't get it, do you?" Draken asked, his hands on his thighs, rubbing them as he rose to a stand in one movement. Takemichi flinched a little, a bit taken aback at how easily Draken would read him. "No, not really. I-" Before he could finish, he was interrupted.

"What's this about?" he was cut short by the other twin Dragon. "Mitsuya-kun!" Takemichi startled. "Y/n. He doesn't quite get why she's has the place she has here." Mistuya's eyes widened a sliver at Draken‘s words, and he threw an arm around Takemichi's shoulder. "You got any plans Hanagaki?" Takemichi shook his head no in response. "Good, 'cause we're givin' her a visit."

And with that, Takemichi's fate was sealed. Mitsuya and Draken pulled him along towards their bikes, Akkun tagging along behind him per Takemichi's request. The group settled onto their bikes and drove off, and Takemichi tried to keep track of the path from hither to thither, but lost track after the turns got too confusing.

After a while, both bikes came to a stop, pushing down the Kickstands in front of a grungy-looking little shop, the doors glazed in a matte cover, only leaving an outline that looked like a Plague-doctor's mask. Ah. There was a parallel he could draw. "Is this the place?" Akkun asked, his voice laced with a bitter touch of distaste, probably intimidated by your place in the hairdressing market.

"Yup! This is where dreams are made a reality!" Mituya spoke, his voice a lot livelier and genuine than usual. "She's gonna have a field day with you Mitchy." Draken snickers as they push open the doors to the shop, a little jingle playing in response.

"What's that supposed to mean-" Takemichi's voice died in his throat when his eyes fell on the interior. Dark, weird, gothic, wonderful. Those were the words that come to him t describe your shop. Kooky portraits, lacey details, and a million different shades of black were highlighted only by the mahogany of the front desk and the dimly glowing lamps and candles littered around the walls and surfaces.

There was a black bulletin wall with a few dozen sketches pinned to it, the title "Please let me put this on you" in the center of pictures of flowers, bugs, lace designs, birds, and many, many others that didn't fall into the eye too directly.

On your desk and on a shelf behind it laid a few skulls of animals Takemichi couldn't even begin to place, the only hint being the type of sharp, white teeth they did (or didn't) have.

There was a scent of something in the air, but Takemichi couldn't place that either. It was a pleasant mix of natural and synthetic, a unique mix that lingered in his nose and clouded his mind with a very welcomed sense of calm.

"Coming." An unexpectedly soft voice called. What however emerged from the corridor leading off to somewhere next to your desk, looked nothing like the voice Takemichi just heard. The guy was almost bigger than Draken and just about the same amount of bald, his face littered with piercings and clad in a style much too modern to fit the shop.

The guy didn't talk to them however, he only turned to the desk, pulled out a wallet, and started fidgeting with the bills. With his back turned his scalp was on display, an impressive image of a burning, hyperrealistic black and white skull faced the group. It was new, they could tell by the slightly red skin, and the shiny coat of a second skin placed carefully overtop. Takemichi held his breath. So that's what you do. Draken pointed a finger at the fresh tattoo and pulled his brows upwards for a moment, clearly impressed with how clean it looked.

Then a second pair of footsteps sounded from the same hallway, and this time Takemichi was sure it was you. Lo and behold your figure emerged, clad in something much more appropriate to the shop's aesthetic, black latex gloves still on. "Ah." you looked a little unimpressed when you caught sight of the group looming in your reception.

"Didn't I just get rid of you?" it was purely rhetorical, because the moment you passed them, you were tending to the guy standing at the desk, showing him a clipboard and then mumbling a price at which the guy nodded and passed the money, saying his thanks before bidding you a pleasant afternoon before leaving the shop, the door falling shut and the little jingle playing again.

"And to what do I owe the pleasure?" You ask, sorting the money into the register, separating the tips and putting them into a little box beside it. "Hi y/n." Draken started, grinning from ear to ear. "Hello, Ken. Speak. What do you want?" You didn't spare them a glance as you finished up and pulled the gloves, chucking them into a bin under the desk.

"Right, so, I've brought you someone in desperate need of your assessment." Draken finished finally, stepping to the side to reveal Takemichi in your line of sight, and it was as if you felt the shift, you looked up.

When your and his gaze locked, a shiver ran down his spine and he could feel sweat trickle down his nape. He gulped and shakily brought up a hand to send you a little wave. “Oh fuck.” You mumbled to yourself, eyes darting form his face to his hair and down to his face again. “Yeah alright thanks for the charity case.” Takemichi didn’t know whether to feel offended or not.

“It’s bad, isnt it?” Draken leaned over your desk and jerked a thumb over his shoulder at Takemichi. “Worse.” You replied curtly and then waved your hands at the group, ushering them to back up a little. You bustled your way to the hallway, waving a hand to them again. “Come then.”

You left the group a bit aloof, but after a few seconds of standing in silence Draken and Mitsuya started following you into the side rooms. Take Michu and Akkun shared a look before following cautiously, a little unsure of what to expect.

Once they entered a room you had already set up a chair in front of the biggest mirror Takemichi had ever seen, and were sorting out different tools and products on a tray in front of the mirror. Draken and Mitsuya had taken a set on a couch adjacent to the seat and were idly chatting about this and that to you in terms of the shop as well as a few questions regarding your previous client.

Idle chit-chat halted when you laid eyes on Takemichi and gestured for him to sit. “Well then, please sit.” Takemichi shares a brief look with Akkun again, who by now has taken seat in the grandfather armchair beside the couch the others were on. “Mkay..” he mumbles and sits stiffly.

“Relax!” You say as you come up behind him “You look like you’re about to shit yourself. I promise i wont stab you or anything.” Your face morphs into something that might resemble a smile before you grab his hair cautiously, carding your fingers through it, judgemental eyes scanning his hair. “Hmm Ken, when i said you should bring me your worst i didn’t really mean it.“ Ken laughs in response “You should know me by now, i dont make promises i cant keep!”

You roll your eyes a little “I would have appreciated a heads up if i knew that this is what you’re bringing me…” you pull the hair out of his face and tilt his head to different angles. “He has a good face with strong features, its just unfortunate how he’s decided to work with it.”. You speak as if he’s not in the room with you.

After a few moments of silence you release his head again and grab the scissors hanging from your belt pointing them at Takemichi through the mirror. “I know what i have to do with him.”

Mitsuya and Dranken whooped in response. You tell him about what kind of hair he has, how to treat his scalp, what colors and shades would (and wouldnt) suit him and how to style it properly.

By the time you’re done, you and him had agreed on a cooler, slightly darker shade of blonde as well as a more maintainable cut thats easier to style. Then you began unleashing tool after tool, product after product, and Takemichi thinks that this is the longest and simultaneously shortest hour he’s ever experienced.

When you finally deem your work as finished, you have him turned away from the big mirror in anticipation. “You ready?” You ask him with a slight smile on your face and grab the back of his chair, ready to spin him around. Before he answers, Takemichi looks over to the guys sitting on the couch.

Draken nods approvingly, “You’ve dont it again y/n, i cant believe it!”. Mitsuya wolf-whistles jokingly, “Damn Mitchy! Your girlfriends about to be real happy.” and Akkun’s mouth hangs open in pure admiration “How...? what…?” And thats all the approval he needs to turn nod at you, allowing you to turn him around.

For a second Takemichi wasn’t sure who was looking back at him through the mirror before he realized that it was his reflection, eyes just as wide as his felt, but the hair about a million times better than the last time he looked at it. All of a sudden he understood why the guys cared so much to keep you to themselves- you were a one in a million find.

“So.. What do you think” you ask, knowing well what the answer was. Takemichi wishes he could have answered but the words caught up in his throat, so he stayed open-mouthed like a fish out of water. “I think he likes it.” Draken answered for him and rose to a stand, the others following suit behind him. “We’re done here then.” You conclude and pull the cover off of Takemichi’s still frozen body.

“How much do i owe you?” Takemichi finally chokes out once Akkun had pulled him out of the seat and towards the shop’s front. You glance up at Takemichi and shake your head. “Nothing. I had enough fun fixing you, so perhaps just consider coming back when time’s due?” You walk behind the counter, checking something that looked like a schedule. “Now it was a pleasure doing business, but i have a client coming in for a sleeve in half an hour and i think i want a lunch break beforehand.”

“Thank you so much!” Takemichi says again before turning to the door, running a hand through his hair confidently. Akkun follows closely behind him, keen on inspecting the new cut from every angle, whilst Mitsuya throws a “We’ll leave you to it then!” Over his shoulder to you and leaves the little shop as well.

Takemichi is still too caught up in the bliss before he realizes that one of them is missing. “Wait!” He stops abruptly, “What about Draken?!” Akkun gasps in realization too and goes to turn around but is quickly stopped by Mitsuya who pulls the both of them along.

“Leave him to it, I think he’s getting lunch before his appointment so dont you worry about them.”

#tokyo rev x reader #tokyo revengers #tokyo revengers x reader #x reader #tokyo rev x you #tokrev #tokyo manji revengers #tr content #draken #draken x y/n #tokyo revengers fluff #tokyo rev #draken x reader #ken ryuuguji x reader #ken ryuguji #ken x reader #ken x you #ken x y/n

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