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#this one goes out to anyone who followed me for these two
c00kietin · 11 hours
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thank GOODNESS I could finish this- beneath the cut's a profile for them!! :D
buckle up, because it's a lot of information-
TENEBRIS!!!
Goes by they/them pronouns :D
Don't ask them for their age. Even I don't know how old they are.
The one and only leader of the Obitus Cult/Cult of Obitus!!
A very egotistic and anti-social being that has utterly devoted their loyalty to their "god" Obitus.
Can be quick to anger as well, lashes out on their members if they're really frustrated.
Of course, they're nothing like this around newcomers. Needs to somehow convince them to join, right?
Well, they can just force people if they wanted to with spells.
The magic they're capable of involves more chants and recitals, as well as making very strange substances and potions.
Their shopping list looks very strange, as you can imagine.
Kind of tying in the shopping thing, they get all of their resources delivered to their temple. Tenebris very rarely leaves the premises, and the members aren't allowed to leave at all.
They hate children. And chocolate.
And bright lighting- all the rooms in the temple are very dimly lit and all their clothes are darkly coloured.
This is their voice claim!
Their hair is quite heavy (and well taken care of) so you can guess that they're very slow.
MORE THINGS ABOUT THE CULT ITSELF!!
You can call it either the Obitus Cult or the Cult of Obitus- Tenebris calls it the latter.
This group made up of almost 100 people places their faith and loyalty to Obitus.
According to Tenebris- who claimed to have witnessed them in their sleep one night, starting up the cult the next day- Obitus plans on completely obliterating the Earth of humanity and civilization and told them to prepare for the end of the world. basically.
When this will happen?....Tenebris wasn't told that.
They also do not know what this otherworldly overlord looks like- however, they know an eye-shaped symbol (on Tenebris' hat and necklace) is very important as that appeared in their dream too.
The temple is located in a very secluded mountain range- Tenebris was simply told to go there by Obitus and it was already there. Convenient.
As pictured above, members have to have the eye symbol engraved into their wrist (or palm)- after this, they happen to be almost under a trance or brainwashed.
When praying to Obitus, they expose out the arm with the marking and their other arm behind that one, raised up to their face. Like this:
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I hope that makes sense sjkksjks- while they do have lengthy prayer times and different types of prayers, a short and simple one they use is "We place our faith in Obitus."
The temple is full of many different rooms, including a dining hall, summoning room and bunkers (Tenebris gets their own room, obviously.)
They also follow a strict schedule- They must be asleep by 8 p.m. and awake and ready for the day by 4 a.m. They have two food breaks- one for breakfast and one for dinner. Once a month, they also hold a summoning ritual in order to attempt communicating with Obitus once more.
Members have their own jobs as well as worshipping Obitus though- cooking, cleaning, assisting Tenebris; that's all done by them as well.
While Tenebris mainly targets lonely people or those who don't have a social life, they are happy to accept anyone in! Well, that is if you're over 18.
I'm afraid teenagers (and children) are not allowed to join. However, Tenebris does take note of minors who do want to join and if you're REALLY nice, may let you visit the temple if you do some errands for them.
EXTRA FACT STUFF ABOUT TENEBRIS:
I based them more off of what first comes to mind when you think of cults- and, unintentionally, they also partially remind me of the cult in Spooky Month which I forgot existed ;-;
Because, after researching real life cult leaders, I felt like their stories weren't really what I was going for with Tenebris.
I guess the Peoples Temple founded by Jim Jones and the Family Cult by Anne Hamilton-Byrne were partial inspirations- oh, and religious experiences I've had, Catholic-Christian ones that is. (this is in no way meant to portray anything bad about that religion- or any at all- I just wanted to make the cult-y side of this more interesting by basing it off of what I know.)
My sister nicknames them Tenny and I (as well as others hee hee) nickname em Tennis, so you might see that often lol
I'm pretty sure they're the first oc I posted about on here! Although I think the post got like 7 notes-
When I first drew them, which was a while ago, they were more like a triangle shape and had larger eyes- my sister likes this version more but I think it just looks goofier- might post it once I find it :D
Tenebris means Darkness in Latin (according to translators) because I couldn't think of a name for them and just thought "think of something kinda edgy, then make it Latin to sound cool >:D"
Obitus means Death in Latin (according to translators once more I can't speak Latin-)
Thank you for reading this far!! I'm going to just tag @night-terrorzz @lobotomize-d n @gummy-worms-in-my-brain since you lovely people seem to like this cult leader :>
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theheartofthestar · 20 hours
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Prompt 28 - Dogwalking AU
@wolfstarmicrofic - April 28th, 1284 words
The doorbell rings in the middle of a Saturday, and Padfoot, bless that big silly boy, barks and wags his tail in his better impersonation of a golden retriever.
When Remus picked him up from the shelter, he was told Padfoot was a dog not many people took interest in, big and black as he was, people assumed he'd be aggressive. No matter he was actually a sweet silly puppy at heart, no matter his previous owner had obviously trained him well. In French of all languages, but still, well trained once you got the hang of the right commands.
It was Lily who had called him, almost begging him to take this dog. Padfoot was clearly struggling to adapt to the shelter, needed extra cuddles from the humans, and although he was very friendly, the volunteers could see him getting sadder by the day. So Lily, in her endless wisdom, had called the one friend who also needed some extra company, who also needed those extra cuddles, and who struggled to voice that need. And so Remus had found himself with a lap full of Padfoot and jumpers that would forever be interwoven with black dog hair.
Enough to say it had been some very happy six months so far.
So here they are, cuddling on the sofa, Remus with a cup of tea on one hand and a dark romance novel in the other, something he's reading for the bookclub Mary roped him into. Padfoot lying down mostly on top of him, a happy dog smile on his furry little face as he drools in his sleep. The doorbell rings and Padfoot scrambles up, paws expertly finding and painfully digging in all of Remus' soft places.
"Coming! Just a sec! No, Pads, back, stand back- No, Padfoot, wait, listen you need to let me open the door-" Remus finally manages to push Padfoot out of the way and open the door just a crack. Outside, there are two handsome young men, one big and buff and sporting a pair of glasses that would look nerdy on anyone else but on him just look sexy, and one tall and lean, leather jacket and wide legged pants hugging a tight waist barely visible under a crop top.
Remus immediately can be sure of two things: one, it's been way too long since he got laid if he's thirsting so hard over strangers, and two, this is probably a type of scam, since how else would two people that looked like this ever knock randomly on Remus' door?
"Hi!" The dark skinned one says with a bright smile. Padfoot barks louder, trying to push against Remus' legs.
"No, Pads, please shh- Hello?" Remus answers.
"Is that your dog?" Says the man in leather, hands in his pockets, but head trying to peak behind Remus. Padfoot barks and barks and barks.
"Yeah?" Remus says, and it's almost a question. "Sorry for the noise, if that's the problem, we're usually a lot quieter than this, he's just excit-"
"He's a very handsome dog" interrupts the man, eyes shining.
"...ok" Remus doesn't want to be rude, really, but what ever? He almost closes the door in their faces, he would have, if he wasn't both trying to hold the door and stop Padfoot from pushing it open. "No, Pads, please, what is happening, love? Please shhh"
"I told you it was Padfoot!" Says the one with the glasses, slapping the other man on the back and then coming even closer, to kneel by Remus' door and try to pet Padfoot through the small crack. Padfoot goes berserk at this. "Name's James, this is Sirius-" James nods to the other man, and then his voice shifts to a baby voice "-and this is baby Padfoot, yes you are, yes you are baby boy, who's the bestest boy?"
"How did you, uhm, did you find my address from the shelter?" Remus says, thinking maybe Lily lead them here.
"The shelter? He was in a shelter?" Sirius eyes snap up to Remus' face, searching for something. His eyes are still shining dangerously.
"Oh no, I saw you two walking and I followed you the other day" James says casually, as if that's just the most normal thing to do, follow people home, and then adds, with a wink "I could recognize my nephew anywhere"
Remus finally opens the door, and Padfoot runs out, jumping up and down, around the two men. He then jumps right up onto Sirius chest, huge black dog being held like the most precious thing, and Sirius just starts bawling, right then and there, against Padfoot's fur. The dog licks his face and wags his tail. Remus is moved but also very, very confused.
"I was told he was surrendered" Remus says, doubtfully, after the sobs diminish. "His family couldn't take care of him anymore"
"They told me they killed him" Sirius says, and starts sobbing hard again. James runs a hand up and down his back, looking pained.
"Maybe Reggie took him. He's smart like that, and you always said he loves animals, he probably lied to them" James says, and looks at Remus as if asking for support on this. Remus almost throws his hands up. What can he even say? He doesn't know who this Reggie person is! Hell, he doesn't know who these two men are!
"So" Remus starts, feeling at a loss but also starting to feel slightly annoyed. Whoever these people are, they are clearly the previous owners, but Remus- well, Remus loves this dog, alright? And he's not going to let him go, especially not back to the family that abandoned him in the first place. "I'm sorry, but- you can't take him"
The two men look up at him, Sirius still teary eyed, James tilting his head as if confused.
"You can't take him with you, I mean" Remus says, hoping his voice sounds more confident than he feels. "He's- we live together, now, he's been living here for months, and he was in the shelter a long time too, so I don't think-"
"No, I understand" Sirius interrupts, and Padfoot finally jumps down. Wagging his tail happily, watching all of them with big, happy eyes.
"Sirius-" James starts, voice unsure.
"No, James, that makes sense. This is his home now and I think..." Sirius trails off.
"Remus"
"...I think Remus is right" he finishes, hand on his hips and nodding as if trying to convince himself.
James looks at Sirius with something close to heartbreak in his eyes, Sirius looks at Padfoot adoringly, Padfoot comes to Remus, all silly smiles and happy tail, and Remus says something he had never considered before.
"Maybe you could walk him, sometimes?" Remus says, and when two sets of eyes look up at him, he blushes. "I mean, he will still live here, but if you want... You could take him for walks, or to the dog park"
"Oh! Like joint custody!" James perks up with a bright smile. Remus winces.
"Like dogwalking" Remus corrects, but he sees Sirius' hopeful smile.
"Yeah, I'd- I'd love that, actually."
Remus' heart beats faster when Sirius looks him straight in the eyes. He suddenly has a feeling this will all be too much like co-parenting.
He blushes, and when Sirius says he'll stop by the next day and asks Remus for his favorite coffee order so he can bring some for him, Remus fights the urge to bite his lip like a teenage girl.
He closes the door, and slides down until he's sitting with his back against it, and a lap full of happy, panting Padfoot.
"Oh, Pads, what did we get ourselves into?"
-
You can read more of my work here
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dearmrshudson · 3 days
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The post of saddest(?) supernatural moment gave me the idea to maka a list of my own... You know, an honest list which will not push any agenda or exclude one of the main character completely to forcefully feed to a romantic pair which does not even exist.
so here it goes-
10. Dean's reaction after Sam's death in 13x21 :
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This one is so nominal and insignificant to be in this list and not one of top moments for a lot, but this scene ripped my heart open when I saw it for the first time. It manages to show us how Dean's whole world will literally fall apart and make him an empty vessel if Sam is gone and he can do nothing about it - and Jensen manages to portray it with just a walk, two blank eyes and then one drop of tear. Kudos.
9. Church Scene in 'Sacrifice' (8x23):
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Anyone who has not cried in this scene? Perfeftly shows the core of the show, the deep love between two brothers- despite all the reasons, all the idiological differences, all the mature discussion and all- Sam is the baby brother of Dean; at the end he needs Dean to be there as a big bro, to tell him to let it go, to clutch him in his chest. Ultimately they will always choose each other and nothing else will come between them.
8. Dean's death in 9x23:
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One of the saddest death of Dean, and perhaps it comes to this list because of the build-up and drama follows this. Both had their own reasons for the tension they had this whole season, but when the tragedy comes it hits so hard that all those logics fell apart. It scares to peep in Sam's headspace at this time of dean's dying- imagine you discarding the person you love the most as you are reasonably angry with him, and in a few days he is dying in your arms when you have hardly talked out your differences.
7. Why don’t you believe in us too (14x12) :
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Probably should come much later in this list, but this scene stood out in my eyes because it was such a fresh air in the terrible plotless mimicry that SPN had become in later seasons. The scene after ages which sums up Sam and Dean, the codependent brothers whom we had forgotten. Such a long time after we see Sam the little brother, witness the emotional turmoil he was going through silently and how it exploded. The only scene which makes season 14 worth remembering. Also Jared just nailed this scene!
6.) Dead or Alive (3x16):
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This scene breaks my heart in pieces. Dean bravely going for the last fight before the horrible death he will be facing. And he trying to cheer up baby bro, he wants the last memory with his brother to be in this car- singing along together... How his face slowly glooms at the end and his eyes full of fear... Early seasons really were gems!
5. Sam in Mystery spot (3x11) :
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Undoubtedly one of the best SPN episode with perfect blend of mystery, fun, laughter, tragedy and emotion... The funny vibe of the episode ends in a moment when we see Sam is not waking up from the nightmare loop. Then we see a robot- a scary robot who only wants to get his brother back at any cost. This episode is yet another example of how Sam loves Dean just as fiercely as Dean does, and he is not any less codependent.
4. Barn scene and alone Sam (15x20) :
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God! What can I say about this!
Just want to add, Sam wandering alone in the bunker after creamating Dean hurts me equally.
3. John's death (2x01):
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Cannot forget this one. This episode happens to be another favourite of mine, and the way John sacrifices himself for his son proves that a father can go to any extent for his children. The farewell scene of John - where he asks for forgiveness and goodbye to dean without him understanding brings tears to my eyes. Such a beautiful acting by JDM and so realistic portrayal of a flawed, helpless and loving father.
2. End of Season 5 (5x22)
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The ground was set, the battle was about to begin, the ultimate faceoff between Lucifer and Michael was going to start- then what happens? A stubborn idiot boy with a muscle car and hellbent attitude comes in between- knowing that he cannot survive this- just because one of these celestial entities have captured his brother as a vessel and he won’t leave his brother alone. Till his last drop of blood he keeps on trying- trying to reach his brother who is trapped under something much bigger- keeps on telling that It's okay, he is not alone, his big brother is here. And guess what, he succeed. His brother broke free the bind of one of the strongest entity of universe and fought. The climax scene gives me goosebump always followed by a bunch of grief and saddness the ending carries. Had season 5 been the last season of SPN, and this be the exact way the series ended, I would absolutely have no regret!
1. Sammy's first Death (2x21):
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No matter how many sad scenes are perfectly executed in SPN, nothing can exceed the emotion of this one. Jensen will also not be able to exceed the level of performance be set in this particular scene. Period.
So this is it... I must have excluded many. And turns out my list is full of Sam and Dean only and I am also not unbiased 🤣🤣 Well, there are sad scenes that do not involve only the brothers and I still like them, but not my top 10. Maybe have to make list of top 11 to 20 in order to include them. 😁
Please share your favourite saddest top 10 as well.
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foggygloves · 2 years
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i couldn't not draw their new halloween outfits especially since it's rantaro's birthday 🎉🎃
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dduane · 1 year
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Hello.
I've seen you posting detailed information about the WGA strike and wondered if you had any suggestions as to how those of us not directly involved can show our support for the Union?
Okay, bearing in mind that all this is entirely subjective at the moment (and so far lacking any more useful input from other sources): a few thoughts.
This will be my third WGA strike. (My first one was in 1988, just after I'd made my first live action sale—s1e6 of ST:TNG). And the thought keeps occurring to me at the moment that this time out, there's a potentially gamechanging player on the field that wasn't there before: truly pervasive social media.
(Adding a cut here, because this goes on a bit...)
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In 2007, social media as we now understand it was still in its cradle. Now, though, those of us who're striking can make our voices much more widely heard. And so can those of us who're not, but just want to show solidarity. Last time, the AMPTP was able to do pretty much what it wanted without the public noticing or having even a medium-profile way to make their feelings known. But this time? Not so much.
So as an otherwise uninvolved person who wants to show solidarity, I'd start with something seemingly low-value. If I was on Twitter, I'd start routinely tweeting about the strike and my support for it—not obsessively, just persistently, a couple/few times a week—using the Twitter hashtags that are gaining ground even now, such as #DoTheWriteThing (and of course #WGAStrike). I would make sure I was following @WGAEast and @WGAWest, to keep an eye on what's going on.
Additionally: I would start politely, but repeatedly—again, maybe once or twice a week at least, and not stopping—tweeting the various major players in the AMPTP, especially the streamers: Amazon, Netflix, Hulu et al. I would start suggesting that their current attitude toward the WGA's contract negotiations is not only unrealistic but potentially (for the AMPTP) bad for business. (And self-destructive, too, as if this goes on much longer in this vein, they'll be seemingly eagerly casting themselves as The Baddies.) I would suggest that their bad behavior, if not amended by them coming to the table to bargain in good faith, might start affecting both my interest in their shows and my willingness to keep paying unreasonable people for access to them.
I should emphasize here that so far there've been no formal calls from anyone for boycotts or subscription cancellations. For the moment, this strikes me as wise. The point for WGA-friendly observers, right now, would be to keep what's happening to the writers visible: to keep bringing it up: to refuse to allow it to be swept under the rug. The "They only want two cents on the dollar!" angle seems potentially useful the more it's repeated. The point is to keep the repetition going: to make it plain, day after day, that the other side's being not just unreasonable, but greedy. Day after day, and week after week, and (if necessary: please Thoth may it not be...) month after month.
And tweeting is hardly all that can be done. Email is cheap and easy. But actual letters, written on actual paper and mailed, can still create a surprising amount of attention in a corporate office. (The saying in TV used to be that for every person who actually writes in about an issue, there are ten, or a hundred, who feel the same way but never got around to it.) Write letters to all the AMPTP members' CEOs, and make your feelings on the WGA's core demands politely plain. ...Especially when those CEOs collectively made almost three-quarters of a billion-with-a-B dollars in salaries last year, when many of the writers working on their shows can't afford rent.
After that: here's another thought, a little more physical. If by chance you're in an area where one or the other of the Guilds are picketing: turn out and support them! Honk when you pass: and if you're interested, show up and offer to walk the picket lines with them. These things get noticed. (In 2007 a bunch of us, both Guild members and non-, caused significant astonishment by turning out to picket AMPTP members' offices in Dublin.)
...Obviously not all that many people are going to be positioned, in terms of location or their own work and time commitments, to show up physically. But online? Find ways to keep this issue visible. The AMPTP wants this to go quiet, wants people to get bored with it, wants people to find reasons to blame the writers. They've tried spinning the story that way before. Don't let them pull that shit. Find ways to back those who're calling them on that, publicly. They do respond to this kind of thing (though they may strenuously deny it). If enough attention continues to be paid by the general public, they will blink—if sometimes excruciatingly slowly, as Disney began to blink over the dispute tagged #DisneyMustPay.
As viewers, and as viewers who pay for subscriptions to things, we far outnumber them. Help be a part of making the AMPTP understand that this quest for a truly fair deal is not going to go away. And the longer they try to act like the Guild's negotiation positions are beneath their notice, the more it's going to hurt them, and the stupider and greedier it's going to make them look.
...That's all I've got for the moment, as I need some lunch. :) ...But I hope this has helped. And thanks for your concern, and your desire to stand in solidarity with us! It's so welcome. :)
ETA: here's a link to the Guild's social media toolkit, for those who'd like to change PFPs or icons, etc., to show their support.
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tender-rosiey · 9 months
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pretty babies – gojo satoru x f!reader
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a/n: idk about yall but I love me some drunk gojo
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satoru never drinks, but when he does, ohoho, you’re in for quite the ride.
today was one of the days when he was less of a chaotic handful but more of an emotional mess who apparently can’t even remember his own wife. you sip on your drink, ignoring the drunk satoru leaning on the bar.
he slurs his words as he tries to flirt, “you’re sooo pretty, y’know that?”
you nod with a hum and give him no further reaction. in situations like these, you figured out that letting him go all out until he is tired and sleepy is the best solution. it really is like treating a baby.
thankfully, after many years of being in the presence of one gojo satoru, you’ve built up some patience.
he rests his head on the counter and he looks up at you, eyes wide and in awe, “I bet,” he hiccups and it is followed by a silly little giggle, “we’d make superrrr cute babies! like all round and chubby and we’d much on their cheeks like…mochi! yes! mochi…now I am hungry.”
a smirk makes an appearance on your face as you glance at satoru who is blabbering about building a family with you and spoiling you rotten.
a little teasing won’t harm anyone. so you quip, “you know,” and his attention is already on you, “you already gave me three super cute babies.”
his mouth is wide open in disbelief as he sits up, “no way!”
“yup! and they’re waiting at home for us.”
his eyes crinkle because of his wide grin, “really?!” he pulls you into a bone-crushing hug, “you got photos?! please tell me that you do!” and he switches to a pout so quickly, it gives you whiplash.
however, you gladly pull out your phone and show him the multitude of photos you have.
ones ranging from him being in a crib to help the youngest one sleep to ones with two of the three kids ganging up on him and him desperately calling for your help. satoru goes through every single photo, head on your shoulder and cheek squished.
he is silent throughout it all and when he is done, he looks up at you, “so that means that you’re my wife?”
you nod and your fingers, naturally, find their place on his head. he feels a little shiver of satisfaction before he smiles, one lovesick and silly smile, “I really hit the jackpot.”
you laugh, pressing a kiss to the top of his head, “I guess you did.”
so you take him back home where the kids are already asleep. satoru crashes on the bed right away, steady breaths filling the room. slowly, you take your place beside him and you feel his arms wrap around you.
he pulls you closer and buries his face in your hair. and you close your eyes, letting yourself be lulled to the land of dreams.
when you do wake up, you’re greeted by satoru literally on top of you and deep in sleep. you would like to let him sleep more especially since he looks so comfortable, but you’re going to suffocate at this rate. so you pat his back lightly, “satoru, honey, wake up.”
he groans and buries his face in the crook of your neck, grumbling something along the lines of ‘five more minutes’.
not budging? then fine, you decide. you take as deep of a breath as you can then call for your kids, “who will help mama?!”
it’s quiet and you can feel satoru smirking against your skin. it looks like he won, but then a bunch of footsteps are heard and it’s your turn to smirk.
your husband lifts his head to glare at you—of course, not without sporting one of his famous pouts.
the door is then slammed open and your eldest son is there, “WHO DARES HURT OUR MAMA?!”
he gasps, very dramatically like a certain someone, and points at his dad, “PAPA?! you’re suffocating mama!”
“again?!” your daughter pops up from behind her brother, staring at her dad in disbelief.
they both stand beside your bed glaring at him and he glares back, the three of them forgetting why you called for your kids in the first place. so you do them a favor and remind them, “satoru…I AM GOING TO DIE LIKE THIS!”
satoru is pulled  back by his shirt and your kids take turns in—trying—to beat him up. you get up, greedily breathing air till you’re satisfied. you ignore the screams of your husband until you’re done with your morning routine.
luckily enough, when you got out of the bathroom, you found no one except your husband.
laying on the ground.
presumably dead.
with a bunch of drawings on his face and his hair contained with multiple hair bands.
you snap a picture of him very quickly then you sit on the ground next to his corpse. you poke his butt and he groans, making you giggle, “what happened to the strongest sorcerer?”
he turns towards you with a small frown, “his pretty wife didn’t kiss him good morning so he had no energy to fight,” his head snaps towards the two tiny figures giggling behind the door, “these monsters.”
they squeal and run away once again before he catches them.
you gently take the hair bands off, “you’re lucky that our youngest devil is still asleep,” you then smooth down his hair and pat his head, “I love the smiley faces on your cheeks.”
he whines and rests his head on your shoulder, “stop bullying me!”
you hum and stroke his hair, “you know, you did something pretty cute yesterday.”
“I am always cute; what’re you talking about?”
“you flirted with me, your wife, and said we would make ‘super cute!’ babies,” you reveal and satoru seems unbothered. in fact, he seems proud and very happy with himself so you continue, “so I had to remind you of our three little devils and then I showed you pictures.”
he stands up, posing all confidently, “what can I say? I excel at everything even being cute—“
“then you cried like a little baby when I showed you my picture post labor and kept apologizing.”
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taglist: @magenta-cat-drawingss @pompompurin1028 @scul-pted @dazaisdeathwish @requiem626k @nameless-shrimp @shinys-bsd-world-1 @sonder-paradise @ravenina14 @jessbeinme15s-notebook @todorokichills @ginneko @missrown @shrynkk @simplyxsinned @beautiful-is-boring @starlostlaiba @izukus-gf @irethepotato @thekaylahub @dazaisbloodybandages @aeanya @sweetcloudsimp @moon-catto @the-midnightskies @pianopuppygirl @gojosblackqueen @jisbizarre @kunikida-simp @fiona782 @kisakitwister @imjustasimpxd @psychopotatomeme @dreamcastgirl99 @watyousayin @doobiebochana @laylasbunbunny @hojicha-expresso @4sat0ruu @nineooooo @chuuyasboots @alekssashka7 @rieejjyubi02 @wemma67 @nothisispatrick300
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copyright © tender-rosiey
do not copy or plagiarize or you will be reported
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pierregazly · 20 days
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every lifetime with you ꨄ oscar piastri
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oscar piastri x leclerc!f!reader
part 2 to but mama, i love him
warnings: charles is kind of ignorant (in a jerk big brother way), oscar is so disgustingly in love (aka tooth-rotting) [wc: 2.1k]
the one where oscar finally faces family dinner with the leclerc's... and it goes exactly how everyone expected. (oscar just really loves his girlfriend, and really doesn't care what her brother's say about it).
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Sunday night dinners, when everyone was able to attend, were a staple in the Leclerc family home. Even as a young girl, one thing you always remembered was Pascale ensuring everyone promised to be home in time for dinner on Sunday. And of course, no one wanted to disappoint Maman.  
Things had, of course, changed as Charles’ and Arthur’s involvement in motorsports grew, as Lorenzo became more involved in his own line of work. But you always put the effort in to make your way back to your childhood home, even if it was just Maman and yourself.  
When Oscar slowly started integrating himself into your life, Pascale was the first person to find out; interrogating you over Sunday night dinner, learning everything she could about the young Australian who had taken over her only daughter’s heart. She always encouraged you to invite him to Sunday dinner, insisting that the boys would be on their best behaviour, and there would be no blood or tears shed - from anyone.  
Which was exactly how you found yourself here, Oscar staring out at your childhood home, his hands steady with a tight grip on the steering wheel in front of him.  
“Maman would not be too happy if you brought the steering wheel in with you. She doesn’t enjoy car talk on Sunday’s, mon amour,” you said, tapping one of his tense hands with a finger.  
Unlacing his fingers from around the wheel, Oscar turned towards you with a timid smile.  
“You see Charles weekly; you practically grew up alongside Artie. It’ll be fine, Osc.” 
Shaking his head immediately, “I’m not concerned about your brothers. They don’t scare me.” 
Quirking an eyebrow at him, your only response was a shrug of your shoulders as you pulled yourself up and out of the car. Following your lead, the two of you walked up the driveway, passing your brother’s cars in the process. Pushing open the front door, you were instantly greeted by the variety of smells that could usually be contributed to Sunday dinner, the aroma invading your nostrils and prompting a smile to pull across your lips.  
Pascale Leclerc’s face greeted you the moment you turned the corner into the foyer, a happy grin across her lit up cheeks. 
“Oh, mon bébé! Regarde comme tu es belle,” she said, wrapping her arms around you tightly. (Oh, my baby! Look at how beautiful you are.) 
Eagerly wrapping your own arms around her, you inhaled her comforting scent, happy to be home and in the arms of the most important person in your life since birth.  
Turning towards Oscar, the large smile on Pascale’s face did not waver. “Oscar, hello! It is so lovely to finally meet you.” 
The moment of hesitation on Oscar’s part meant Pascale had already wrapped her arms around him before he could even blink, pressing a kiss to each cheek and then pulling back with a smile.  
“Lovely to meet you as well, Mrs. Leclerc. Thank you for inviting me to dinner,” Oscar said.  
Pascale waved him off, loud voices filtering into the foyer as the three Leclerc boys made their presence known. 
“Regarde ce que le chat traînait,” Arthur said, his eyes pinning onto Oscar’s frame. (Look what the cat dragged in). 
“Non, we will not be speaking French tonight. You know the rules. Do not be rude, Arthur,” Pascale admonished, sending a glare to her youngest son.  
“What do the English say? Execution by fire? Best way for Oscar to learn, non?” Charles said, looking towards his brothers for confirmation. 
Snorting at his words, “No, you idiot. It’s baptism by fire. Don’t be a jerk, Cha.”  
His eyes swiveled over to meet yours, a mock glare present on his face. “Oh, I’m so sorry. My apologies, perhaps if I’d be able to speak French, I’d be able to use the actual sayings.”  
Pascale’s glare whipped towards her middle son, her hand gently tapping on Oscar’s shoulder as she directed him towards the dining room.  
“Charles Marc Hervé, I’d encourage you to watch your tone. Your ignorance is not appreciated, I’m sure your sister has already begun teaching Oscar French, you of all people should know it is not easy to learn a new language as a young man. Do not be rude.”  
Almost immediately, the scolding evidently struck a chord in Charles, his cheeks brightening as he mumbled out an apology.  
“Certaines choses ne changent jamais, hm, Charles?” you whispered in his direction, sticking your tongue out at him. (Some things never change, hm, Charles?) 
“Ma petite fleur, don’t antagonize your brother.” Sticking his tongue back out at you in response, Charles skirted away as you moved your hand to smack his shoulder. 
The table had been set like all previous Sundays before that, the only difference being the extra setup beside you, cutlery and plates laid out for the Australian’s benefit.  
“Is there anything I can help with, Mrs. Leclerc?” Oscar said, ignoring Arthur as he silently imitated him, a grin falling onto your brother’s cheeks as he plopped down in his unofficial seat. 
“Just Pascale, s’il vous plaît. And non, Alexandra and Charlotte kindly helped with everything already. You are too kind to offer, Oscar,” she responded, a large smile overtaking her lips.  
“You are too kind to offer, Oscar.” 
“Don’t be rude, Artie. Maman can still take you out of this world, right, Maman?”  
Nodding her head in agreement, Pascale whacked the man in question over the head with a tea towel. Placing the final dish of food on the table, the matriarch of the Leclerc family gestured for everyone to sit, all remaining members of the room taking their seats.  
The usual pre-dinner rituals were conducted, Oscar politely engaging in all of them to the best of his ability.  
As the chatter began to pick up around the table, you could feel your anxiety spike every time your eyes wandered over to one of your brothers. For the fact two of them had driven alongside your brother more than once, all three eyed him up every opportunity they could. 
“So, shall we discuss the elephant in the room?” 
“Is it the toxic smell of your cologne, Cha? I’ve been wanting to talk about it for years,” you quipped.  
Lorenzo stifled a snort at your words, shoving a spoonful of food into his mouth as he eyed the both of you.  
“Shut up, you know what I mean. Oscar, what are your intentions? Is this some secret McLaren sabotage thing?”  
You couldn’t tell if Charles was serious, your eyes widening as you scrambled for what to say in response. 
“Not everything’s about racing, mate. I could care less about McLaren or Ferrari or whatever, when I’m with your sister. There’s more to life, evidently,” shrugging at his own words, Oscar continued to shovel food into his mouth. 
You could barely contain the internal swooning at his words, your hand gently squeezing Oscar’s thigh as you smiled at him in response. Lightly squeezing your hand back, both of you looked up at the sound of a groan from across the table.  
“This is going to make me throw up, truly. Maman, please let me speak French to articulate how disgusted I am at this,” Arthur mockingly gagged, his eyes pleading for his mother to accept his request. 
Pascale ignored her youngest son’s dramatics, turning her head in Oscar’s direction instead. 
“Oscar, dear… I’ve heard the story of how you and my daughter began dating from her view, I must hear it from yours as well. It’s such a lovely story,” Pascale practically cooed, prompting instant eye rolls from all her children sitting around the table. 
“Yes, Oscar. Tell us all how you corrupted our sister. Please.” 
The urge to hit both Arthur and Charles grew with every little quip and comment they felt necessary to make. Before you even had the opportunity to retaliate, you saw Charles wince, his head swiveling towards his girlfriend in dismay.  
“Enough, mon amour. Tonight is not about you,” she said, a smile being directed towards you after the fact.  
The Australian beside you cleared his throat before he began, gently squeezing your knee in the process.  
“I’m sure she tells it far better than I do, but I can give it a whirl. Racing with Arthur for so long, I think we knew of each other but didn’t really… know each other? Obviously, we had run into each other at different racing events throughout the years and exchanged polite small talk, but it wasn’t really until the Monaco Grand Prix last year where we really had the opportunity to get to know each other.” 
Oscar was quick to shovel more food into his mouth before continuing his story. 
“I was trying to avoid all the interviewers and Sky Sports presenters on the Grid and ended up running right into her. All I knew is one second, I was running, next second I had barreled someone over and was holding their head from smacking against the concrete,” you could hear Alex and Charlotte cooing out soft ‘aw’s’ from their side of the table at his words. 
“Thank those quick driver reflexes, hm?” Arthur joked. Multiple heads around the table nodded in response. 
“I guess it sort of went from there. She, of course, had to give me a hard time for trying to ‘kill her’ as she so kindly says all the time. I offered to make it up to her... we ended up going for dinner after the race, and I suppose the rest is history. Thank God for Monaco, of course.” 
“Oh, so you’re the reason my sister didn’t attend family dinner after I got knocked down for supposedly impeding your teammate?” Charles quipped. 
Huffing towards your brother, before you even got the chance to snap at him, you were cut off. 
“Charles, shut up. We didn’t have family dinner after Monaco, you were miserable and I’m pretty sure you said some very nasty things to our family group chat which almost had Maman in tears. We didn’t have family dinner for weeks after that, so shut up, and let Oscar finish his story. Merde,” Lorenzo said, shooting a glare towards his youngest brother. 
Oscar looked towards you, silently questioning whether he should continue or not. Squeezing his knee in confirmation again, the Australian continued. 
“She ended up coming to visit me during summer break, and things became official from there. It’s been the best seven months of my life, I couldn’t imagine my life without that day in Monaco, now,” he looked towards you as he finished his story, a soft smile on his lips as you looked back at him adoringly. 
“I’d let you run me over in every lifetime, mon amour.” 
The two of you were caught in your own little world, your eyes locked on one another’s, small smiles gracing both of your lips. Missing the small look between your mother and brothers, Charles begrudgingly accepting defeat, Arthur eager to find some way to make a joke at the expense of both of you, Lorenzo simply content to see his baby sister happy.  
Maman, though... the sheer delight was evident in her eyes, a small sheen covering them and her lash line as she watched the two of you silently interact.  
The night continued, the honeymoon phase between you and Oscar so obvious, so prominent. He took advantage of any chance he could get to press a kiss to your head, to your head, to your cheeks, and especially to your lips. All respectfully, of course, but he couldn’t take his eyes or hands off you.  
Charles took his chance to corner the younger driver, threatening a world of hurt and sabotage if anything were to ever happen to you, physically or emotionally. Oscar’s nonchalant response of “Yes, alright mate. Whatever you say, of course,” further antagonized your brother.  
It was Maman’s acceptance that Oscar was most concerned about though, eagerly asking you once the two of you were back in his car, whether you thought she liked him. You were positive the answer was a resounding yes, especially after watching Pascale squeeze him tightly in a hug, pressing a kiss to each cheek again – and then proceeding to whisper in your ear how happy she was that you had found a man who loved you so incredibly much.  
Later that night, when both of you were curled up in bed, your legs intertwined, and your head pressed against his chest, his heart beating below your ear... you knew. There was no place you would rather be. No person you would rather be in love with or loved by. 
“In every lifetime, Osc, I want to be the person you’re in love with. Promise me that I will be?” 
“I already promised you every lifetime, mon amour. I will choose you, always.” 
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sorry but oscar is absolutely the one guy on the grid who loves his girlfriend so much and would probably actually die for her... so he's a total simp and would take on all three of the leclerc brother's for lerclerc!reader.
anyways i hope you guys loved this, as much as i loved writing it 🫶🏻
as always, my requests are currently closed but if you have any recommendations for things you'd like for me to write... i'm happy to take them on. please feel free to interact with me whenever you want also!!
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capslocked · 2 months
Text
PASCAL
male reader x karina & irene
part 1 of two roses, by every other name
28k words
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It goes without saying that Karina’s reputation is flawless. 
Irene’s is remarkably not.
You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."
-
You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.
It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 
It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.
“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”
It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.
And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.
Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.
The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.
Also, just as straightforward: crossing any number of those lines has its own kind of appeal.
"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."
Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."
The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.
“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."
The twisted irony is that the two of you could pick up any woman, anyone at all.
"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.
"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"
Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.
If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.
"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.
"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"
You pull Irene in closer. “She’s not you.”
-
For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.
Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.
It happens to someone Irene knows, once. You pray every year it will happen again.
Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.
And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.
The machine’s so fine-tuned and tightly wound, like clockwork.
"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.
And so it goes.
You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."
"Uh-huh," you say, eyes fixed on her reflection in the mirror.
"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 
You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 
“So I guess, pace yourself or something.”
"Ever the salesman, Irene," you say, facetious.
"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 
It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.
Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”
She muses it right into a laugh. Covers her genuine smile with her fingers.
"Hey," is how you answer, always.
You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.
And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.
"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."
She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”
And so it goes, and so it goes.
-
"Have a drink," someone keeps saying.
As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.
Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.
And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.
Happy New Year, sorta. You wait it out.
-
She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.
This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.
She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.
Character, setting, scene; it’s all rather textbook, no? 
You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.
And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.
She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.
She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.
You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.
Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.
"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"
Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.
“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"
"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.
She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."
As if you had any intention of absconding without her.
-
Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.
"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"
A real celebrity.
The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:
You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.
Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.
“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”
You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."
Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.
"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.
You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.
Who the hell else could make it sound dignified, pretty even: ménage à trois.
Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?
Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”
You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.
Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."
Add that to the fact the girl’s utterly shrouded in myth.
Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.
Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.
Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.
You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.
A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.
You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:
Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.
So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 
“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”
"And wouldn’t you know."
It’ll sound smooth, probably. Irene will roll her eyes.
“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”
"Hm, I’m thinking."
You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.
She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.
You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.
Irene will finally perk up, gleaming.
Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.
But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.
But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.
She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.
It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.
It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"
And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."
Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.
In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 
The light will change. The intersection will empty. The radio will turn to static.
You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.
"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"
The difference won't matter. "I'm suggesting," you'll say.
You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"
Tough to say.
Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.
And - she would, really.
She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.
"I think she's great," you might say out loud, lowkey.
And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."
It’ll make the cab driver clear his throat.
"What you’re saying is ‘no.’"
Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."
You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.
"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."
The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."
You've been speaking in code for years. She means: way, way, way too straight.
"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”
"Um, do you mean Rosé?”
“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.
You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.
Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 
And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 
What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?
-
(The truth is: it doesn’t go like that at all.)
-
Enter then, Yu Jimin.
The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.
An assay into form over function. She's never cared for pragmatism.
But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.
Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.
Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.
A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.
Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"
Not for long, the question lingers.
"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.
"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.
You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.
"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.
"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."
"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.
Oh, and listen, no one gets it better than Irene.
"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.
"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.
"Are you out here waiting for someone?" you have to ask. 
"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"
"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.
"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."
This is sorta how you've always known her. 
Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.
Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.
"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."
Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."
Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"
"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”
Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."
“You're one to talk, Irene."
“Careful,” Irene warns.
"What, you gonna set me straight?"
"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.
There's no kindness to the way she laughs. None.
She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"
-
Depending on who you ask, you’ll get different results.
Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.
She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.
Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-
"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.
“That’s more or less the gist of it,” you offer.
“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."
"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"
Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.
But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.
If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.
Doesn’t matter who you are, that’ll fuck you up for real.
And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.
Irene is not stupid. She picks up on everything, and there's a lot to unpack:
"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.
“Well,” you played along, because you’re not really without blame here either. "Have you?"
"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."
You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 
"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."
You remember the knit of her brow.
“Do not.”
You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.
"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"
"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"
Karina hums. "Ah, so - you think I deserve to have a little fun."
"Maybe," she draws it out a little longer.
Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.
Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.
She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -
"Both of you should know I'm not that type of girl. Who puts out so easily-"
"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.
"Yeah, well. If this isn't a setup, then, what-"
“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."
"Ha."
You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.
"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”
Karina just runs her tongue across her lips, sighing.
“No strings attached, no special treatment. Or anything."
"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."
"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."
There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"
"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.
Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 
You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 
"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."
Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 
The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.
"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."
It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.
(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 
Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.
"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."
Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."
Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 
“Oh,” she breathes out, and it sounds sated and needy all at once.
You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.
Just to keep her gasping, panting.
Like a woman starved for it.
"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"
Karina nods, slightly. It’s all she can manage.
You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.
"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.
When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.
Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.
"That feels - so," she starts, and bites off the rest of the words.
Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:
"- so, good, oh. Do - ah, fuck. Oh, god-"
-and vanish somewhere in Irene's mouth.
"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"
And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.
Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.
She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"
And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 
You both do. 
Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.
Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 
"Oh my fucking god." Karina can only gasp, jaw-slacked open. 
Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.
"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."
Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.
And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-
“I'm… fucking cumming.”
Karina spends the entirety of her first orgasm between the two of you, heaving.
The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.
How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.
"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."
"You said to," is all Irene says, amused. 
Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.
She breathes, "god. Irene."
It sounds an awful lot like she's begging for mercy.
Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."
"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"
Karina replies, "only everywhere I still haven't gone."
Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.
It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.
Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."
She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.
"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.
It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."
“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."
Karina sighs. “Well I’d hate to get all the way here and half-ass it.”
You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.
All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-
“-sorry, whose cock?” Irene has no intention of letting her off easy.
You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"
Karina just shoots you a sharp-eyed look. "You heard."
"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."
"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."
The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.
“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”
It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:
"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 
You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."
“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”
"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"
The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.
"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."
There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-
Like Karina wants you to look.
She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 
She laughs at the premise. 
“I dunno, what's a girl to do?"
You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.
And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.
-
So what if, by some pure hypothetical, this all spirals out of control?
You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.
Irene laments and hopes in the same breath. 
She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.
"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."
"Honey," is how Irene responds, leisurely.
There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-
Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.
"I wouldn't have you beg for anything."
It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.
Karina can't deny it's everything she wants.
"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."
Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.
You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.
"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."
She ends it so charming.
“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."
Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.
"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"
Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.
“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”
Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.
“I know, I know - that feels so good, right?” Irene coos.
You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.
Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.
“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”
All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.
“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.
There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”
Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”
And the girl absolutely fucking keens.
You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.
"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."
If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.
"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.
It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 
“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:
"-until it's leaking down these fucking thighs-"
"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.
“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”
"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 
"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”
"Fucking, please, god-."
Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"
Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:
She slaps Karina, right across her tits. "Fucking cum on it."
One.
Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"
Two.
"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"
Three.
Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"
Four.
The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.
"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."
The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-
"God, I can’t, just- ah.”
“Breathe,” Irene says.
"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.
Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"
You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."
You're about to just pull her down and absolutely cream her, stuff her full - a mess.
And she wants you to-
"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.
She’s right. It does. Her, coming undone. You, at wit’s end. 
Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 
You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 
A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.
Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 
“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."
You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"
It’s wicked, for one thing. More than that, it's seamless:
While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.
“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.
Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."
No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.
You absolutely get it. 
How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.
She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.
So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'
Who stands any chance to resist?
And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"
Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 
The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-
"You can cum for me too, baby."
It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 
“Just cum.”
You watch it knock the architecture right out of Karina's legs.
-
Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-
Look - the tumultuous tangle you three make is all over the fucking place.
One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.
There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.
And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.
The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.
Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'
Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.
"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."
You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 
Karina presses, all cheek - a very dry, "cute."
It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.
The three of you know she deserves nothing less.
“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”
Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.
The thing is, with Irene: facades fade fast.
Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 
“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 
The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:
She simply shudders apart.
Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.
Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 
“Irene, look-” 
Well, at least she’s tuning in on all the right frequencies.
"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"
Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.
“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."
Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.
You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.
“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"
Irene lets out this wanton sound, desperate.
“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”
You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.
How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-
“Just say please, doll,” Karina tells her.
If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"
You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.
"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"
"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"
Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.
You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.
The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-
It steps out into pure necessity.
She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.
"Honey," her voice wavers. Then, it falters: "please."
The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.
You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.
Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.
In and in and in.
Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.
It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.
“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"
There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-
"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?
Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.
And in case you missed the point:
"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"
There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 
Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.
And so it goes, and so it goes, and so it goes.
-
(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.
More relevantly perhaps, it is that race and rise you feel inside your chest. 
Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)
-
“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."
You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.
So,
You and Karina happen to be two things at once: very tired, and very awake.
"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 
A bit of color.
"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.
She finishes with a cough. And says again:
"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"
Well. She's got you on that count.
"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."
“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."
"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 
Karina reaches in. Lets her fingers graze yours. Her skin is cool. 
“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”
She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.
Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.
"You're not, I dunno, say embarrassed?" you ask, after a beat.
"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.
“Because I'm not the type.”
The heavy stream of smoke then blown right into your face.
"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"
There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.
"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.
"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."
“We’re not married,” you correct.
“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”
The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.
"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."
She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.
“I really thought she was going to make me call her mommy or something, I swear-”
"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”
"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.
"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.
Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-
The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."
She’s probably right.
"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.
"You’re really going to let them in on what we all got up to?"
"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."
-
On Monday: the holidays are officially over.
There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.
You head downtown with a cup of coffee in one hand and a musing mood in the other.
On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 
The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.
She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.
The messages just keep on coming and there's really no better descriptor.
And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.
There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.
-
Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.
Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.
You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.
She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-
“Don’t you Joohyun me,” is her lightest rebuke. 
She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.
And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.
"Actually, here," you say, "can I?"
She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.
"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"
It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.
“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 
She doesn’t really care.
You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.
"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks
“I think, definitely, should open a bottle of wine-”
That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.
But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 
She’s totally caught you staring.
The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.
You tell her as much when you end up fucking her right there on the counter.
It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.
"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."
"I wouldn’t push your luck," is all you choose to tell her. 
You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.
"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."
Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-
"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"
You stop fucking her, halfway.
"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”
Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.
But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 
To the vice, the virtue, and everything in-between.
"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 
The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"
You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.
You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-
Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-
Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.
You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"
Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 
"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 
Like fucking her is the only thing the two of you ever do.
Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.
"I bet it all sounds like, ah, the prettiest fucking music - in your head-"
“Fucking god, Irene-”
“Mhmm?” she fucking coos.
Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.
Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-
"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”
Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”
What, is that tacit approval? Probably. It’s hard to think straight.
So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-
"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."
(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.
You never say yes. You never really have to.)
This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-
The sight alone.
When her head tips back, tongue passing over her knuckles, and she swallows-
"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."
She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.
And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.
You’ll make your vows like any other.
"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.
You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.
The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"
-
The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.
"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."
“Okay then why all the go-around; the wait-and-see; what’s her endgame?”
“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.
"I think you might be projecting."
"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."
"An affair," you repeat, skeptical.
"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"
"And you figure we should be the ones to dole it out."
"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 
"That's the fantasy."
And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.
You listen until it feels less and less like the decisions have already been made.
“Okay, babe,” she’s presenting her case. “Hear me out.”
And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?
(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)
"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."
There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-
"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.
"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 
Right in her warm, wet little mouth.
Jesus, her tongue too-
She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-
Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 
She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.
To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.
"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.
She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"
You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-
"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."
Her pout, right there, waiting.
You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.
When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-
There are no questions. This is simply Irene, doing what she loves.
She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-
Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.
"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.
There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.
"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 
The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"
Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-
She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.
"Yeah, god, okay- I’m just gonna go ahead-" 
There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 
"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 
Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-
It’s all flexed in your back. Every muscle. Every fiber.
Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.
(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)
"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.
The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.
Though it's a pleasant daze. She prefers you soft like this, really.
All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."
If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.
-
The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.
// Karina 10:41 pm > i'm bored.
// Karina 10:42 pm > suggestions?
// 10:49 pm > have you tried looking into an incognito tab?
// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?
// Karina 10:58 pm > help a girl out here.
"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."
"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."
Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.
// 11:01 pm > sorry. i'm not in the business of just handing out freebies
// Karina 11:07 pm > really
// Karina 11:07 pm > thought we were making progress here
// 11:11 pm > you're funny
"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."
"Something edgy," you deadpan.
"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.
"No," you say. “God, no.”
"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."
// 11:13 pm > u alone right now?
"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"
// Karina 11:13 pm > yeah. i am :/
You and Irene are both struck a little dumb by that. 
“Sheesh, she must have had her finger hovering over the reply button.”
"Yeah," you say, eloquent. “Who could blame her, though.”
"Uh-huh." Irene exhales, staring a bit pointedly.
// 11:16 pm > cool if I come over?
// Karina 11:17 pm > and… do what?
Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."
“Can you fucking leave it-”
Irene rolls her eyes.
// 11:18 pm > do you need ideas
// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though
"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"
"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"
Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.
"How, what - babe."
"You could promise to let her sit on it."
"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"
"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."
Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"
"Just- have sex. Tell me about it after."
The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.
The sigh. That long, heavy thing. A leadup you do so often.
The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."
"Wait," and she's saying, "wait. Wait."
And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"
"Mm."
Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.
Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.
"You'll be good right?"
"I mean, sure," is what you manage, watching her lips close.
"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."
There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-
"And give her an extra hello from me."
"Okay, I love you, but also you're insane, like certifiable."
"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.
-
You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-
Until she answers and leans out, pulling open the door. It takes you by surprise-
"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."
It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.
"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"
There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-
"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."
Though, unfortunately, the suggestion falls short on delivery.
"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."
She drags you another step forward, with just the hot flash of her gaze. 
"Shut the door behind you?"
"Locking it too," you tell her.
The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.
As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.
"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."
She must see the confliction you're in-
"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."
"I- don't really-"
She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"
Your lips draw themselves a blank on anything useful, while your heart rate accelerates.
"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.
-
You’re not exactly supposed to end up on your knees for this.
This isn't quite how you pictured-
Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-
Karina, for the longest few seconds, is shocked into stillness.
Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.
"Yeah. That would work."
Like it's no big deal-
"Do you need instructions? I can get a bit graphic."
"Actually, you know what?" you choke a little, and - "trust me."
You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-
And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-
(You know, god help you.)
-
Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.
"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."
"What the hell do you think?" you say, dumb.
There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"
"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.
"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.
You lay it all out for her. Everything she wants to hear.
-
Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.
Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.
Always traveling for this reason or that.
And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.
The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 
In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.
To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.
After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.
The long and short of it is: 
She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.
“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."
“Yeah, I’m sure she’d love that.”
Karina does the most insipid thing. She fucking winks. “I’m sure she would.”
-
"Uh, are you kidding me?" you ask Irene. 
It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"
Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"
She takes another spoonful of yogurt between her lips.
"-she'll let you do anything, promise."
“That’s fucked up.”
“I know.” Irene wags the spoon at you. “It’s great.”
-
It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"
In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.
-
You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:
It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.
Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.
Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"
Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.
“Elaborate.”
"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."
"Are you really."
She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”
Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.
“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."
Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-
“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"
There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."
Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.
“So.”
You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.
You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.
“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”
She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"
"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.
You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-
She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.
Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.
"Fuck," is the harshest exhale she's ever dragged out from you.
She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.
"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"
On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.
Because on the other, the movement is so, so direct. 
Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.
"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 
“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"
"Holy fuck, you're-"
"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"
You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.
But instead,
"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.
Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-
"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"
You cum just like that: 
"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."
You shoot clean up, all thick, hot splatter.
Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.
"Jesus, Karina, baby you’re-"
"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”
And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.
(Sanity is being generous, considering.)
You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.
Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.
You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 
Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.
Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.
-
(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.
She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.
The protégé, the goddamn heir-apparent:  
But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 
So you see, if you and yours have both decided to ruin her-
It is a disaster-in-the-making, isn’t it.)
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griffonsgrove · 3 months
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Hiiii!!! See your doing writing requests for Hazbin, Its my hyperfixation so I am in need of more content 👀 so I'd like to request maybe Vox general or NSFW headcanon ( either one is good lol-) with a afab reader maybe? This is my first time requesting something like this so sorry if I'm a little nervous or bad at requesting. I think this is how people are supposed to request? XD
General Dating Headcanons | Vox
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a/n: You're totally alright dear! You said everything just fine! As I've stated before, I got early access to the first two episodes, and it's been so interesting to analyze vox's character! I hope I can do him justice!! He's starting to grow on me now. I'm gonna stick with a gn!reader just because these are general headcanons and I want them to be suited for anyone!
fandom: Hazbin Hotel
wordcount: 1299
cw: SPOILERS FOR HAZBIN HOTEL, swearing, vulgar content, stalking, death and mentions of death/murder., toxic/absuive relationships.
(PLATONIC):
Vox’s got eyes EVERYWHERE in hell. There is no escaping his line of sight unless you go completely off the grid. Which is pretty difficult to do when the entirety of pentagram city is covered head to toe in VoxTech.
However, if you don't pose a threat to him, he really doesn't give a shit about you otherwise, and won’t pay that much attention to your life.
When you first fell into hell, you were mostly confused as to how you wound up here in the first place. That quickly subsided into fear as you noticed the large variety of demons and sinners casually walking down the sidewalk like it was an average tuesday. 
You’ll never forget the sight of seeing a demon gnaw off the arm of another and swallow it whole, like it was an all-you-can-eat buffet. 
You wander aimlessly down the streets, keeping to yourself and being very cautious of those around you. Your clothes were in tatters, and you didn't have any form of money whatsoever, what were you to do??
You had two options: Somehow find a job in this new horrific realm, or, die.
You didn't care too much for the latter.
This is how you stumble across one of the largest studios/clubs in hell, owned by probably the most feared overlords in pentagram city. The V’s. 
You get hired to be nothing more than a waiter/waitress, to serve the patrons of the club, mostly serving them their drinks.
You weren't too fond of the work uniform either. It left nothing to the imagination, and exposed alot of skin, far too much to your liking. The job actually paid somewhat decently though and it was enough to be able to sustain a living. You were quick to rent out the nearest apartment.
One day, while you’re out on the main floor, making your rounds, your eyes briefly lock with the TV demon across a sea of sinners. Call it cheesy, but it was almost like a spark went off the moment he laid eyes on you. Which is something that doesn't happen often with the tech-savvy overlord. Who were you??
He lazily beckons you over with a claw, to which you obediently follow, although it doesn't hide the sheer nervousness written all over your face, He gives you his drink order in that sultry, velvet voice of his, eyeing you up. You gulp slightly and are quick to bring him his order. He thought you were so cute trembling for him.
He begins to stalk observe you closer after that. If you have any electronic devices he’ll watch you through your screens, trying to get a glimpse into what your life was like outside of work. The things you enjoyed doing in your free time, favorite shows, foods etc.
He def goes through your search history.
He would start showing up more in the sections you worked at, oftentimes minding his business, but occasionally striking up a conversation with you.
You did have to admit he was quite the charmer, his smooth voice was hypnotic to you.
OBSESSIVE TENDENCIES. If he notices some creep won't leave you alone while you're working, he’ll take care of them personally, it’s never a pretty sight afterwards. He cant have anyone taking what's his.
You're oblivious to his stalking and possessiveness, you don't think much of it, maybe that's because he puts on a friendly face when you’re around him.
But after some time of getting to know you, He’s the one that eventually asks you out on a “date”. You’re skeptical at first, but decide to accept his offer. And also partially because you were afraid of what would happen if you said no.
(ROMANTIC):
Ngl it’s kind of a situationship in the beginning.
Vox is a busy man, it’s constant work maintaining the studios (especially valentinos temper) and managing the entirety of hell's technology. So, he may ghost you at first.
That being said, He will still keep an eye on you. He often watches through your phone while you sleep, just to make sure you’re safe. Hell is a dangerous place after all.
Speaking of, you’re now under the protection of the V’s, so that’s a plus! You never have to worry about another demon laying a finger on you. They usually never get close enough to anyways.
He very easily gets jealous. He won't show it on the outside because he has an image to uphold, but you can tell every time from that crazed look in his eyes.
Vox is a possessive lover; he wants to keep you all to himself. If he could, he’d keep you locked up by his side all day.
CONTROLLING. He HAS to know where you’re at, at all times, and who you’re going to be with (lest you face one of his tantrums). Also dictates what you wear, He likes to dress you up to his liking, like you’re his own personal doll.
Insecure much?
Say goodbye to privacy btw. He constantly has you in the back of his mind and a watchful eye on you. It can be kind of suffocating at times. The two of you have gotten into a few arguments because of this.
Valentino gets jealous of you too. How dare you take his boy-toy away from him? He’s often giving you the stink eye and will threaten you behind vox’s back. You’re too scared to tell Vox, because you don't want to face Val’s wrath.
You know briefly of his and Val’s “relationship” it all had seemed very one-sided and completely unhealthy.
You're often having to calm Vox down. The man has a very short temper and is easily provoked. 
Imagine you pressing little kisses to his screen after he found out about Alastor’s return. He remains stoic, but secretly enjoys your affection.
Some of the pet names he loves to call you include; Doll, Dear, Darling, Sweetheart, Babe.
Pretty old-fashioned ik, but he's a classy man alright?
He tends to be pretty touchy, always having a clawed hand on the small of your back, or an arm wrapped around your waist. It’s more of a possessive trait of his, to keep what's his close.
He loves having you sprawled on his lap while he’s in his screen room, you stay nuzzled into his side, often taking naps while he does broadcasts.
He TOTALLY spoils you btw. He’s one of the most powerful overlords in hell, ofc he has the money to show it. Whatever dingy apartment you had before, forget about it bc this man has you living in a penthouse suite in one of the most expensive apartment buildings. He sees you looking at something in a store or online?? Boom, it’s yours now.
He loves buying you clothes, as I’ve said before, you're his “doll” and he loves playing dress up with you.
And if you buy him something?? He’s taken by surprise at first, he’s never really been on the receiving end of that affection, so whatever it is you give him he’ll cherish it.
If you ever have someone bothering you, or want to get rid of, you just say the word babe. He’ll be feeding them to his sharks >:)
The man is emotionally constipated, ok?? All he’s ever known from relationships is what he shared with Val (and trust me that was a train wreck). He’s rough around the edges, short-tempered and isn't always easy to get along with, and he’s incredibly possessive which can be suffocating to deal with at times. This probably stems from him not wanting to actually be alone, He doesn't want you to slip out of his grasp, so he keeps a tight leash on you. But underneath all these flaws, he really does love you and care about you. At the end of the day, He just wants someone that will stay.
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I’m not trying to attack you, but do you know that proshipper means someone who supports and romanticizes pedophilia, incest, and abuse? Your reblog on that post seems to read that you think antis just hate on people for having ships they don’t like. But it’s completely different than that. Just looking on the proshipper side of Tumblr and the internet and you can see people happily shipping children and adults and making nsfw content of such things.
i appreciate that you're not being outright hostile, but i have to say, that on its own put you above basically every anti i've interacted with.
i understand where antis are coming from, i really do. there are a lot of things on the internet that make me deeply uncomfortable, including the minor/adult ships that you mention. i don't want to anything to do with those kinds of ships and i would be happiest if i never saw them again. which is why i'm proship.
nine times out of ten, if i see that kind of ship brought up on my dash, it's because i was following an anti without realizing it, and they brought it up unprompted and untagged, to talk about how bad it is that they exist. they are the ones putting that kind of content in front of my face and making it harder to avoid.
the thing about people who ship those ships is that they're generally very aware that not everyone wants to see that kind of content, and so they tag it. they make sideblogs to talk about it. they don't go out of their way to shove it in people's faces. that means i, and everyone else who doesn't like it, can avoid it.
what antis want is for it to not exist at all. they want the tags to be purged and blocked, and for anyone who uses those tags to have their accounts deleted. and sure, that might get rid of some of it, but do you know what would happen to the rest? it would stop being tagged. people who don't want to see it wouldn't have the tools to avoid it. this isn't just a hypothetical, that's what's happened any time a fan space has tried to do that.
that's not even getting into the rabbit hole of what should be banned and what shouldn't. obviously any content that depicts real children or real life abuse shouldn't exist and shouldn't be allowed to be posted, but basically any platform that people use already enforces those policies, and there's not much of a slippery slope to go down there. if it involves real living breathing people being abused, it's bad. end of discussion.
but the same can't be said for fiction. ask ten antis for a specific list of all the content that should be banned, and you'll get ten different answers. what about kink? what about roleplay? what about horror and murder and anything that involves fictional characters being graphically tortured? what about people using art to process terrible things that have happened to them? what about art that uses dark themes as a horror element? if you just want to ban anything questionable to anyone, that's the line of thinking that gets any mention of lgbt existence banned. and again, this isn't just a hypothetical, this has happened before, and that's generally where it leads.
i know, from personal experience, that antis do, in fact, send harassment to people just for shipping things they don't like. i've gotten accused of absolutely vile shit for shipping two fictional characters who were both consenting adults. i've seen ship wars turn into moral battlegrounds, over ships that an average person wouldn't bat an eye at.
the thing about "romanticization" is a whole other can of worms. the anti logic goes like this: if someone sees something (even if it's very obviously fictional) in a positive light enough times, they will start thinking it's okay in real life, and go on to hurt real people. the problem with that is that it's just. blatantly untrue.
if it were true every horror movie fan would be a serial killer, every person that studies dark media would be an unhinged psychopath, and everyone who is into ddlg would be a pedophile. but they're not. they just aren't. people have directed movies just as fucked up as the darkest shit on ao3, and are still capable of being normal human beings who know right from wrong in real life.
even if someone is that impressionable, scrubbing away the existence of every piece of questionable content isn't going to solve their problem, because they're still going to be vulnerable to con men, scams, and cultists. the only thing that would actually materially help someone like that is developing their own morals and critical thinking.
children are also more impressionable, and there's a lot of content that's not suitable for them, but that doesn't mean that content shouldn't exist. it just means that they should stick to spaces designed for them (which most social media sites, tumblr included, are not) or, if they're old enough to be responsible for their experience online, they, or a trusted adult in their lives, should block and filter out things that they aren't comfortable with.
which is what everyone on the internet should be doing. it's what i do, and it's made the internet a much more pleasant place to be. and it's why i sometimes worry for antis mental health, especially teenagers, because they're being told it's right and moral to seek out content that makes them uncomfortable and to engage with the people making it. and that's just. really bad. it's not good for the creators that they're harassing obviously, but it's also really bad for them! it's not healthy to seek out things that make you feel bad, and it's a terrible internet safety lesson to teach minors that it's okay for them to seek out and engage with people making adult content.
individual harassment and crusading is never going to succeed at removing dark content from the internet. it just isn't. at best you might get a small percentage of people who create that content to stop sharing it, at worst you're just going to make people stop tagging it, and either way, you're exposing yourself to things that make you feel bad, when you don't have to.
if you want to materially change the type of content you see, you can. the block button is your friend, use it liberally. same with content filtering and tag blocking.
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sp0o0kylights · 4 months
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Give meee: an Eddie who went into a small little bookshop on an Indie trip and stumbled across an in person fandom meeting. 
It's mostly Star Trek, and also mostly women, but the stories they have are nothing like Eddie's ever read. 
He's barely a teenager, and already protective of himself and his real identity--but everything he's ever wanted is written down, right here, on a little zine with Kirk and Spock doodled on the cover. 
They’re not--it’s not obvious, that they’re what he is, but the story itself is blatant and Eddie ends up being so obviously close to tears, he accidentally outs himself without ever saying a word. 
(He also ends up on the mailing list, then being sent home with several hand printed copies of all kinds of zines.) 
Eddie would remain on this list well past his third senior year in high school. 
Past bats, and Vecna and Steve fucking Harrington. 
Flash forward to his first apartment.The tiny one he shares with Steve when they followed Nancy and Robin to college. 
Steve knows Eddie’s gay. 
Or rather, Steve has been told, but Eddie's still pretty clammed up about it. He's not yet where Robin is, ready to bemoan her loveless existence while draped over their crappy, thrifted couch.
He makes jokes and he flirts and he absolutely says things he shouldn't, but none of it is real. 
It's flash. Showmanship. 
It's the persona that yes, is him, but Eddie consciously built it. There’s nothing soft or gooey there, nothing anyone can use to hurt him. 
So when he comes home and sees that plain, padded envelope with the neatly printed label on the counter, torn wide open and flat without its contents?
 Eddie panics. 
His heart thunders in his chest, vision tunneling as adrenaline kicks through him. 
He wants to bolt-- should bolt--except ever since he almost died his brain no longer obeys him. 
Not when it comes to running, anyway. 
Instead it fights him to a standstill, freezing his feet right to the living room floor. 
The urge is still there. 
To run, and save face the cowards way. 
Vanish before Steve could get at a part of him that had once kept Eddie out of Wayne’s trailer for two days, until the old man had hunted him down and made him come home, huffing about how he’d love Eddie no matter what but he better never disappear like that again. 
(Which Eddie did anyway, and of everything that happened with Vecna, it’s that he regrets the most. The stories he heard of Wayne putting up posters. Squaring off with angry, too-righteous townies, and--)
A sniffle jerks him out of his thoughts. 
Eddie gasps, entirely unsure of when he stopped breathing. Stumbles back and turns, right in time for Steve to come out of his room and amble down their hallway. 
One hand rubs at his eyes, and the other is--the other has…
Eddie identifies the cheaply printed, stapled zine immediately. It's one he's wanted to read for a while now, solely because it features a story about Kirk and Spock being stuck in a cave together on a planet that has  bat-like, vicious animals on it. 
Kirk gets bitten after something goes wrong with the transporter and, look, it’s carthiatic okay!? Sue a guy for wanting to read a romance about a situation he identifies with! 
Steve looks up from the zine and startles. 
For a second his eyes go dark and flat, the same way Eddies and Robins and Nancy's and everyone's does when caught off guard. 
It's gone in a flash though, Steve visibly relaxing when he clocks that it's just Eddie. 
He keeps the zine pressed to his sweater clad chest,  and huffs out a laugh that's half forced and half pure relief.
“Fuck Eds, you scared me! I didn’t know you could be quiet.” 
“Uh huh.” Eddie manages, voice sounding totally and absolutely normal and not at all ten octaves higher than it usually is. 
They stare at each other for a second. Long enough that Steve's eyebrows crinkle in the middle, which is the first hint that he’s beginning to worry, and Eddie really cannot handle Steve being worried right now.  
“What's--” Eddie’s voice cracks and he coughs to recover. “what's that?” 
Steve frowns at him for a moment, until Eddie gestures at the zine in his hands. 
“Oh!”
Steve holds it up, as if to show it off. 
“It's a little book Robin got in the mail. It has a bunch of stories in it. They're normally boring as fuck but this one's from Star Trek.” 
Hearing the words ‘Star Trek’ out of Steve’s mouth shouldn’t be weird, not anymore, when Eddie and Dustin have been on a two man mission to nerdify Harrington as much as possible, but it still kicks like a mule to hear him say such things without any prompting. 
“You know what Star Trek is?”
“Eddie,” Steve tuts, tongue clicking in his mouth. “everyone knows what Star Trek is. It’s nerd shit, but like, old nerd shit. My grandparents used to watch it when I stayed over. This?” 
 He shakes the zine, so hard Eddie wants to snatch it away from him.
 “This isn't nerd shit. This is excellent.”
Steve gives the zine an appreciative glance and hell, maybe Eddie accidentally walked into another dimension. 
He’s been trying to get Steve to read more, rediscover the joys of books the public school system does its best to destroy, but until now Steve hasn’t really taken to it. 
Enjoys when Eddie reads aloud sometimes, and has started to bug Robin to do it for him too, but otherwise?
Eddie’s nerve seen him with anything that had the written word on it that wasn’t a cooking or car related magazine. 
“Honestly,” Steve’s saying, “I think Robs fucked up, this isn't her style at all. She’s gonna be pissed.” 
He eyes the thing appreciatively, like the gift it is. 
“I'm stealing it the second she figures that out.” He adds decisively. 
“You like it?” Eddie asks. 
“Mmm.” 
“Even though it's--it's got…Kirk…” 
Steve's frowning at him again. “What?” 
“It's queer man. It's really queer.” 
Steve peers at him, the crinkle back in his eyebrows. 
“I know. Wait, how do you--” 
And well. It’s now or never. 
“It's mine.” Eddie says in a rush.
“No it's not.” Steve scoffs, and okay, maybe this is a dream. Eddie pinched himself twice already, but perhaps a third time would wake him up?
(It does not.)
“it was even addressed to Robin. Well,” Steve has one hand on a hip now, his default position when arguing, “Robbie, but she goes by that sometimes.” 
Which Robin does, but not in the fucking mail.
Without a word, Eddie turns and goes for the envelope the zine came in. 
Steve follows, invading Eddie’s space to peer over his shoulder (and that’s Eddie’s fault too, that closeness, but he didn’t think it would be turned on him in a moment like this--) 
There's a sticker on the envelope’s label.
 It’s barely hanging on, half of it curled into the air.  Round and yellow, with little black lines, it becomes immediately obvious that one of Robin's smiley face stickers has migrated again. 
They're all over the apartment. Remnants of a phase she went through after she stole a roll of them from her and Steve’s job at a local toy store.
This one had clearly jumped ship from its original spot (likely on the ceiling somewhere), and was now firmly over the E in Eddie's name. 
‘Ddie’ still isn't exactly ‘Obbie’  but--
Steve leans around, snatching the envelope up and bringing it close to his face. 
Far too close, like he can't read it, eyes squinting as he examines the label--and suddenly Eddie knows exactly what happened. 
He laughs, an explosion of noise that's half hysterical and half disbelief. 
Steve looks at him. 
“What?” 
“Oh my God,” Eddie says, one finger jabbing in the air in the vague direction of Steve’s nose. “I told you you needed glasses!” 
“I do not!” Steve protests immediately, but his eyes are darting around the envelope. 
He’s scrambling to figure out what Eddie’s seeing, trying desperately to find a hole that can prove himself right. 
Eddie decides to help him, by plucking the smiley sticker off the envelope. 
“See?” He jeers, and shit okay, maybe his life isn’t over just yet. “It says Eddie, not Robbie!” 
“You guys have got to start using your government names for this shit.” Steve bitches, but it’s weak.
Eddie feels a grin coming on, and lets it overtake his face. 
“So...Kirk and Spock huh?” 
“They’re cute.” Steve defends instantly, before sighing his defeat and tossing the envelope on the table. 
The zine he keeps in his hands. 
Eddie crosses his arms and leans against their rickety table. “Even though they’re both guys?” 
“I thought we were past this!” Steve whines. “I went to a gay bar with Robin last weekend!” 
Which is news to Eddie. 
“You didn’t invite me?” He gasps, feigning hurt by putting a hand over his heart. 
Truthfully he still hasn’t fully recovered--is play acting himself, almost, but is rapidly coming around to the idea of Steve appreciating queer fanfiction. 
“We did!” Steve rolls his eyes so dramatically his whole head moves. “We absolutely did, You said,” 
Here Steve’s voice pitches into a mockery of Eddie’s  that he will not give him points for, even if it is a little hilarious, “Me? At some loser bar? Fuck no, I’ve got a campaign to write. Starbuck, don’t you have homework?” 
“I didn’t know that was a gay bar!” 
“You did! Robin told you!” 
“Okay well, I wasn’t listening!”  
“Clearly. I keep telling you we need a fucking--system or, I don’t know, a code word or something!”  
“Yeah well, when you wanna make us a safe word for conversations, big boy, you let me know.” 
They’re both laughing a little now, this argument veering into familiar territory, with Eddie not really listening and Steve mocking him for it later. (As well as vice versa, with startling regularity.) 
“You really like it though?”  Eddie says after the laughter winds down, gesturing to the zine still clutched in Steve’s hand. 
“Yeah.” Steve confirms, easy as he’s said anything else. Like this isn’t embarrassing, or almost worse than the time Wayne found Eddie’s porno mags and alphabetized them as a joke. 
“It's part of a mail tree. I’m supposed to send it on to the next person when I’m done with it. I make copies though,” Eddie rushes to add, because Steve is now clutching the little booklet to his chest in horror, as if Eddie was about to rip it out of his hands. “If you like I’ll show you my other ones?” 
Steve eases his grip, giving Eddie the little smile he makes that makes his stomach flip. 
“That’d be cool.” 
(Later, Steve pokes at Eddie’s thigh from where they’re both sprawled on Eddie’s bed, Steve having switched the new zine out for one of Eddie’s copies. “Are you going to laugh at me if I ask you to read some of these aloud?” 
“Only if you don’t laugh when I ask you to take me to that gay bar.” 
“Deal, but on the grounds you’re barred from making fun of my flirting attempts. Robin doing it was bad enough.” 
“Well you deserve it if you’re hitting on women at a gay bar, Stevie.” 
“I wasn't hitting on women you asshole.” Steve says and oh.
Oh.
Eddie feels the floor drop out from under him for the second time that day. 
At least this time it’s not fear that thunders through him, but possibility.) 
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angelicdanvers · 4 months
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BRACELETS | luke castellan.
pairing: luke castellan x fem!reader
summary: y/n finds herself a friend to celebrate her special day with. takes place before the lightning thief. luke & y/n are the same age. wc: 1.9k key: n/n = nickname
taglist: @repostingmyfavs @rinisfruity14 @soobin-chois | pm or comment to be added <3
a/n: merry christmas to those who celebrate!! this goes out to all my loves who just wish for one person to embrace them and spread happiness <3
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sixteen.
it was finally y/n’s sixteenth birthday, and once again, not a single person to celebrate with. being a child of demeter was sweet, everyone was kind all around, but y/n simply couldn’t find her people.
she got along with everyone, no one had anything against her. sure, older kids would pick on her from time to time, but that was an automatic agreement she signed when joining camp two years ago.
she just couldn’t develop as strong of a bond with anyone. she’d sometimes fall asleep with silent tears, wondering if she was broken or missing something key. if everyone was nice, why couldn’t she trust? form a relation?
the night wielded a nice breeze, wafting through y/n’s locks as she sat by the strawberry fields, playing with the leaves. a slight glow emitted from her fingertips as she trailed them along the soil, a small smile on her lips. 
glancing towards the amphitheater, she could see those her age dancing and singing, having the time of their lives. the younger kids had dispersed due to curfew, she noted. 
they all seemed to be in glee.
snapping her eyes shut, she fought back the intrusive thoughts and inhaled a sharp breath. opening her eyes, y/n grabbed some of the soil, stacking it into three layers. grabbing a strawberry, she delicately placed it atop and pulled away to admire her makeshift cake.
“happy birthday, n/n — happy sweet sixteenth,” she said loud enough just for her to hear. looking up at the glimmering stars, y/n decided to make a wish.
all i wish for is belonging. true belonging.
y/n went back to her cake, grabbing the strawberry and picking herself up from the ground. dusting herself off, she took her water bottle and gently rinsed the strawberry. placing it between her teeth and softly biting into it, she savoured the taste as she walked down towards the amphitheater and then the cabins.
she felt stupid for not wearing a proper jacket or shirt, but she did enjoy the fresh air leaving a chill to her skin. y/n was hoping her black tee would blend her into the night, especially as she neared the amphitheater. she wasn’t entirely keen on interacting more at the moment — it was past twelve and she knew she couldn’t match their energy.
“hey, y/n?”
the girl halted in her tracks. turning on her heel, she came face to face with none other than the loveable hermes boy lightly jogging up to her.
“hi luke,” she greeted, passing him a small smile. 
luke smiled back immediately. after a silent beat, he spoke again. “i just wanted to say, ha —“
“hey, luke! get over here, man, we need your backup vocals right now!” one of the hermes kids yelled, y/n couldn’t tell who from their distance.
“yeah, give me a sec!” he screamed, turning back to the girl.
“no dude, we need you RIGHT NOW! we’re gonna be mashed potatoes if you don’t!”
luke rolled his eyes, positioning himself back towards the theatre. “can’t you see i’m busy?”
“you can talk to anyone about anything whenever, luke! this is a one time exclusive!”
“stop quoting missy elliot, and no, give me two minutes!” he replied, a slight whine in his voice.
a scoff followed, “we’re gonna be eliminated, castellan!”
exasperated by bickering with his brothers, luke sighed and nodded. “i’ll be right there!” 
the boy instantly spun back around, wanting to wish the demeter girl a happy birthday.
she was at least 30 feet ahead of him, speed walking away with a slight slump to her shoulders.
luke’s smile dropped. another day, another day of being unable to fully attend to her. these countless moments have occurred more than he could fathom — he was always pulled away from the one girl he didn’t want to be pulled away from.
and yet here she was, disappearing out of his sight once again. “this karaoke better be worth it,” he grumbled under his breath as he trudged back.
the next morning was calm, not many campers up to anything special. there was a soft pitter patter on the window panes, but y/n didn’t mind. the rain rejuvenated her.
throwing on her raincoat but paying no mind to her shorts or shoes, y/n left the cabin with her stash of bracelet material in her pocket and sprinted through the paths, heading to chiron and mr. d.
luke’s attention immediately perked up at the bolting girl, and he realized this might just be the one time he can say anything.
subtly running after her, he watched as she entered the big house and rather excitedly. he followed inside, keeping a distance when he heard her begin to speak to chiron.
he didn’t mean to eavesdrop, but he did hear it all.
“may i call my dad?”
“of course, y/n. here,” luke could hear the shuffle of a phone, and footsteps coming closer to the edge of chiron’s office. 
the dial tone was evident. it went through three times before he heard the young girl speak.
“hey dad. hope you’re doing good. should've known you weren't gonna pick up. i turned sixteen today, fyi. hope your kids are doing fine and same with that blonde bimbo,” she spat, making luke’s eyes widen. “i’m not coming home for christmas. might be early to determine but i’m sure i won’t. bye.”
she walked back to chiron, and luke could hear light sniffles coming from her. his heart sank. 
“for all it matters, i’m here, we all are. happy birthday, y/n. you’ve always made us proud, you’ve always been an asset to us, you deserve to know that no matter what,” chiron reassured, and luke could hear the girl softly thank him.
stepping outside of chiron’s office and shutting the door behind her, y/n broke into a sob in the hallway. it was one thing to have others not be around, but when family abandons, nothing feels real anymore. 
luke observed as she stopped her tears almost as quick as they started, wiping her eyes as she headed towards him, unbeknownst to her.
“uh,” luke cleared his throat, “hey, y/n.”
y/n’s face warmed up, startled at his presence. hurriedly fixing herself up, she nodded. “hi luke.”
“i’m sorry for last night,” he apologized, scratching the nape of his neck. “i was trying to talk to you but i guess i got carried away with everyone else,” he paused, looking down, “as usual. i’m sorry.”
y/n shook her head. “it’s okay. don’t apologize, life happens.”
“right,” luke acknowledged awkwardly. “speaking of life,” he approached her in a friendly manner, “i wanted to wish you a happy birthday last night. you’re sixteen, one of the biggest milestones in anyone’s life!”
his enthusiasm made the corners of y/n’s lips tug up, and she watched intently as he continued. “you deserve an amazing birthday, and i’m going to give that to you.”
y/n was not expecting that.
“c’mon, let’s go.” luke held his hand out to her, his dark curls practically bouncing in excitement. a sweet grin crept onto her face, making the young boy smile even wider. she accepted his hand, and the second he felt her palm within his, the fragility made him realize he could never be a part of something that’d hurt her ever again.
she was stronger than anyone he knew, enduring all the shit the world put upon her. he just knew he couldn’t be one of them to do the same. 
together, the two gracefully left the big house, trampling down to camp and rushing towards god knows where.
somehow, they ended up at the pavilions, and without a second thought, y/n pulled out her bracelet material. luke was confused but watched eagerly as she carefully took the little sacks out.
“wanna make some friendship bracelets?”
“friendship bracelets?” luke asked, unsure of the concept.
y/n nodded. “today’s the day someone willingly decided to hang out with me. i was going to make some alone but if you want, we can create matching ones and mark our friendship.”
luke grinned toothily, “so we’re friends now?”
y/n nodded, “i’d love to be, if you don’t mind.”
his eyes screamed happiness, “i definitely don’t mind.”
the two taped down their threads, choosing colours that work cohesively with one another’s. “now you’re gonna wanna take this thread and do a tuck-knot with it,” y/n explained, showing the boy to her left the steps.
after getting the basics down, the two fell into a comfortable silence, threading away and adding some cute hand-made clay beads here and there. “i’m not too childish for wanting to do this, right?” y/n suddenly asked, a nervous smile on her face.
luke shook his head and gave her a hearty grin. “i don’t think there should ever be such thing as “too childish”, sucks the life out of everyone,” he looked back down at the bracelet, “plus, when you’re a demigod, what else is there to do? play video games? we’d be dead in minutes.”
y/n laughed. luke froze.
he’d never heard her laugh this much. she sounded pretty.
“you’re not wrong,” she slowly caught her breathing and softly chuckled. “are you close to finishing your’s?”
the hermes boy nodded and watched intently as y/n’s delicate fingers tutored him on how to securely tie the ends of the bracelet. watching her move so effortlessly made his heart skip a beat — she was perfect.
even though this was the smallest activity they could ever do, she was perfect at it. it made him wonder why he didn’t seize the opportunity to be her friend beforehand.
“hey, y/n?”
“yes, luke?”
“i just wanted to say,” his breath lightly hitched when she began placing the bracelet on his wrist to make sure it was of right measurement, “that, uh, you’re really pretty.”
now it was y/n’s turn to freeze.
“but, i’m not doing all of this to just be your boyfriend or whatever. hell, we’ve just begun our friendship,” he stifled a small, sweet laugh, “so when i say this i really just mean it from the bottom of my heart. i don’t want it to influence you in any way, i just want you to know how i’ve seen you for the past two years.
“you’re gentle and loving, not to mention stealthy and incredibly intelligent. i love whenever i look over and you’re always doing something that captivates me. i’ve been an idiot to admire you from afar for this long, but you’ve always deserved to know and be appreciated. i’m sorry i couldn’t give that to you sooner.”
y/n looked into luke’s eyes, somber traversing in her’s. “may i hug you?”
luke nodded, and y/n wrapped him up in her arms. the boy held tightly onto her, a sudden thought of losing her intruding his mind of peace. “happy birthday, y/n,” he whispered into her ear as they continued to embrace.
“thank you, luke. this means the world to me.”
luke now knew he had to give her the world, no matter what.
their matching bracelets would only be a reminder of what there was, what there will be and what will be gone.
2K notes · View notes
astarions-wife · 5 months
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Okay so looking at the facts, Astarion says he was “one of Cazador’s first” spawn, which makes sense considering it was ~200 years prior, which puts this at 1294 for his turning. However he says “one of” which implies he wasn’t the very first, meaning one of his siblings was before him.
Through the game, we can rule out a few of his siblings as being first. Leon canonically has to be the last, as I doubt that Cazador brought another spawn into the mix during the last 10~ years. Leon has a human child, that he had prior to vampirism, and with both the favorite spawn ledger, and Victoria’s appearance, we can assume she’s likely between 8-10 in that general range. The favorite spawn ledger goes for (six) years, with Leon being 5/6, and Violet taking one year. This can easily imply he has only been a spawn for six years, and also says that given Victoria’s appearance, she was probably only 2-4 when brought to Cazador’s palace, but that’s a story for another time.
Pale Petra’s tells Dalyria in the inn that it’s been “a hundred years of eating rats”, so he was probably turned in the late 1300s, judging by this. Dalyria on the other hand was a physician to the Parliament of Baldur’s Gate, and given that the medical group she speaks of wasn’t founded until the early-ish 1400s, it’s likely that she was found during this time period.
This leaves three: Yousen, Violet, and Aurelia. Now I highly, highly doubt that Yousen was the first of the spawn. A gnome is an odd choice for a vampire spawn in the first place, so he likely wasn’t the first. This would leave Violet and Aurelia, although given one of my previous posts about Violet (found here), Violet likely wasn’t the first—the shadow curse was founded in the past hundred years if I’m not mistaken, and considering the evidence seems to lead her here, she was probably around the same time as Petra’s, perhaps a bit before.
This leaves Aurelia as the first spawn, which makes sense to me. She seems the most anxious, the most scared. She’s the only one who truly, truly begs you for help if you talk to her once Cazador is gone, and centuries of trauma would do that to anyone. Therefore, my ranking is as follows, in order:
-Aurelia
-Astarion
-Yousen
-Violet
-Pale Petras
-Dalyria
-Leon
I know their ages are different, but timeline wise this puts Leon as the youngest, and Aurelia as the oldest—which it doesn’t mean anything, but it’s interesting to think this, considering they’re the original two who are sent after Astarion at the Elfsong Tavern.
As always, this is completely in theory! Only a few of them have concrete evidence, so let me know if I’m missing anything—and feel free to use this for writing or lore as you see fit!
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shadesoflsk · 2 months
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YOUR? OUR MARGARET
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PAIRING: Leon Kennedy x Single mom!reader
SUMMARY: Life slowed down when Leon first saw those tiny rays of sunlight. But he didn't think he would fall in love with the whole sun. Or: Leon falls in love with a single mother.
WARNINGS: Brief mentions of alcohol, government, leon's traumas, love confessions, Leon is a bit insecure and awkward but he's also a sweetheart and has a soft spot for kids, cheesy and corny type of love, this is just fluff believe me!
WORD COUNT: 4.5k
AUTHOR'S NOTE: If I had a nickel for every time I've written about Leon's transition from vendetta to death island I would have two which it isn't a lot but it's funny it happened twice. If you wish to know what song Leon played this is the one I had in mind. As always, I hope you like it. This is my Valentine's Day fic for today!
MY MASTERLIST
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Gruesome scenarios and depressive states of mind have tainted Leon's path in life. However, the grizzled and gloomy agent has had a rather rough patch this last year in which he was left alone to die in his own sorrow—Raccoon City, Spain, China and his already-known addiction took a toll on him.
He doesn't have anyone to blame, nor does he want to. Yeah, he could blame the government for stripping him of his innocence and his genuine wish to help people but he felt like he had failed his nation, not the DSO, not the FBI, just him.
Behind closed doors, in the white house and for everyone else he's Agent Leon Kennedy, Mr. Kennedy, and if someone were to ask the president he'd say he's the most trusted weapon the country has. 
He has grown accustomed. His shield has hardened to the point he's numb to most things he should find disturbing or annoying yet he couldn’t help but wish someone would see him the way he really is. 
A bittersweet feeling grew in Leon’s system. Alcohol no longer brought the same dull sensation that’d put him to sleep even in the loudest and sleazy bar. So, slowly he grew out of his addiction. Not alone, though. Alongside him were a couple of therapists which he reluctantly confided in. Not because he didn’t believe in mental health, but because he thought it wasn’t for him.
Also, his friends made his life a bit better. Spare the man the embarrassment, but friendship does indeed make you see the world more colorfully. It was nice hearing his name slip out of his friends' lips. Leon, Leon! Aww, Leon. 
However, life didn’t prepare him for the moment his name was replaced by a:
Dada.
Therapists had told him he should look for a hobby, something that’d fill those moments where boredom or monotony would push him to fall back into his deadly addictions. And he completely understood, he ought to follow the experts’ advice in order to actually improve.
It was rather easier, he was not a complicated man. 
Even before the Raccoon City incident, he loved exercising. Whether it was lifting weights, cycling, or plain running he’d always be found doing something. The mere thought of just lying in bed was something he’d never engage in, especially not now that he’s getting better. 
So, he combined two things. One he was familiar with and a second one he hasn’t been able to really connect with: nature. 
Near his current apartment, there was a small park in which he goes jogging. Usually, his schedule would only allow him to go there in the early hours of the morning where the only people he’d find were retired grandparents who danced to some Spanish music he couldn’t understand.
Peaceful, he liked it. 
But when he was getting used to his daily morning jogging, a call from work told him they needed him ASAP. So, his little detoxicating activity would be postponed to the afternoon. 
After dealing with the usual stress from work, calls from Hunnigan, and a rather bothersome headache, he got to his apartment and decided to get ready and not skip his so-needed jogging. 
The afternoon sky was painted with a hue of blue mixing with the slightest orange color, the gentle breeze hitting Leon’s face as he jogged around the park. His tempo never missed a beat not even after an hour or so between his physical training and some pauses. Sweat fell from his forehead and onto the ground with each step he took, meaning that he was reaching exhaustion.
At last, he found solace under a tree that cast a shadow, perfect for Leon to catch his breath. Closing his eyes, he let his lungs inhale as much air as they could.
His peaceful moment was broken when a tiny voice called out for him. Or rather, mistaken him for someone else.
“Dada!” A little girl came walking to where he was seated, wobbly steps trying to reach him. 
“Margaret!” You appeared out of nowhere before the toddler could reach and hug the stranger. The giggling and excited kid seemed to have heard “run faster” by the way she didn’t stop at your call.
A hint of confusion washed over Leon as he watched the scene develop with rather curious eyes. A mop of curly hair running away from your grasp. The white dress turned into a slightly brown color, Leon guessed the child must have been playing in the dirt.
And then a glimpse of a faint smile replaced his previous bewilderment as his eyes fell on you. As you tried catching your daughter, he observed her antics and your patience. 
Finally, your hands lifted the little one as her tiny legs kicked in the air, ready to run in the air. 
You fixed Margaret’s dress and messy hair while her bright eyes continued being focused on the man sitting on the grass. Her hands doing the typical “grabby” motion to Leon. Sighing in defeat, you spoke to the man.
“Sorry, don’t know what happened.” You sheepishly said as you offered the man an apology for your daughter’s previous mischievous actions. “She usually doesn’t call random people dada I assure you.”
“She gave me quite the scare.” Leon chuckled as he got up from the grass. “My past actions flashed before my eyes.” 
“As I said, I’m sorry.” You repeated your words while your daughter tried wriggling her way out of your arms. When she saw that her mother’s grip wasn’t budging, she took matters into her own hands.
She started crying.
You weren’t letting your daughter play with a stranger, that much you knew. 
“My name’s Leon, by the way.” Leon said, extending his arm, but he pulled back as soon as he saw that you were too busy handling the tantrum your daughter was having. 
You told Leon your name which easily fell from his lips to confirm he heard you well. “Do you normally come here?” You asked.
“Yes, but just in the mornings.” He responded, watching the little one pouting. “Something came out today so duty called. Cops don’t rest.”
“Wait, Are you a cop?” You seemed to relax at the revelation and he couldn’t help but get a Deja Vu from this little interaction. A friend of his asked him the same question, but at least now he wasn’t surrounded by zombies.
“A cop…” A whisper came out from Leon’s lips, a playful yet gentle smile formed on his face. “Kinda.”
“I’ll assume you’re way more important than that.” You adjusted Margaret in your arms when she finally calmed. Although she kept on staring at Leon, her bright eyes focused on him. “Because if you were indeed a cop or a chief you’d be puffing your chest out.”
“Are they always like that?” He acted surprised.
“Here, in New York? I don’t know… you tell me.”
It’s been a while since he last spoke with someone this freely. Surely he has talked with his friends a lot. But they were people he had previously known and shared the same past as him, a connection to the outside world seemed impossible and even greedy in a way.
Soon, both of you found yourselves unable to stop talking, even Margaret chirped from time to time, making her opinion loud and clear. He got to know a bit about you, and you got to know little fragments of his life. The ones who wouldn’t lead him to share more than necessary, obviously.
Despite the rough exterior, his constant frowning stopped as a soft expression replaced it. Margaret's chubby hands absentmindedly held one of Leon’s fingers as he spoke with you, blabbering and being overjoyed by his presence. 
However, her cheerful mood slowly turned sour as soon as she got hungry. Glassy eyes and sobs warned you that the conversation would come to an end.
“Yup, I gotta go.” You murmured trying not to bring more stress to your already distressed baby. “It was nice talking to you.”
“Likewise.” Leon kept his hands in his pockets, unable to come up with anything else. He wanted to say that perhaps they could repeat this. But then again, he’s been so deprived of normal social interactions that he no longer knows if that would sound creepy. 
“Have a good night.” He decided it would be the wisest thing to do. He watched your soft expression as you took your little girl’s hand and waved goodbye. 
Ever since that little interaction, his schedule changed. His morning routine was long forgotten. An excuse was made, something between the lines that his shift changed so he has to work in the mornings. 
And he was delighted to spend time with both of you. The highlights of his whole day would be getting to hear about you and Margaret. 
Each day that passed meant new memories being made. From the way he got to know Margaret’s favorite ice cream flavor to your childhood dreams. Every detail mattered for him because he could now see how simple life could be.
He took—both of you mostly— on little dates. Let it be to try a new cafeteria near the park, drinking an americano while Margaret drank from her sippy cut which was filled with chocolate milk. 
However, there were times in which Margaret would stay with a friend of yours. Allowing you to be alone with Leon. And while he appreciates the joy and happiness your daughter brought, he also loved the moments in which he could focus just on you. 
Sadly, years of training didn’t prepare him to man up and make the first move. When he thought he would brush away every insecurity and second guesses, something would come up. 
He wanted to grab your hand, the waiter would come at the worst time. He wants to compliment you, he'd almost choke with his own saliva. He wanted to give you a goodbye kiss after driving you home, someone would call him.
It was as if the universe was against him.
Thankfully, you had picked up those hints. And if Leon wasn't the luckiest man out there, you can help him in his predicament.
On a usual afternoon, as Margaret played with the leaves that had fallen from the trees, you shot him a question.
“Would you like to have dinner with me?”
“Huh? Yes, it sounds nice.” Leon absentmindedly replied, thinking it would be like the rest of your dates.
“I mean… In my house. I don't think I've invited you yet.”
In the meantime, Margaret had grabbed some leaves which she placed on Leon's hair. The man didn't even react to it, already used to her antics.
“I wouldn't like to intrude.”
“You wouldn't. See it as a friendly meeting.”
Friendly meeting, of course. He couldn’t be so selfish.
“If you insist.” He says as the little one giggles, her smile just showing two teeth. “When would it be?”
“Are you free this 14th?” 
He nods, he doesn't even remember if he's in fact free. But he'd make time. 
Besides, who works on Valentine’s Day?
     ⊹˚₊‧───────────────‧₊˚⊹
He wishes he would've realized about the implications of the day sooner.
The other dates have been nothing but platonic. Of course he had been nervous, biting his nails to the point where had to put on clear nail polish. 
But this one is for Valentine's Day. Day where people confess their love in dramatic ways. Some lucky people even propose on this date. 
Leon has been out of the dating game for years. He believes he'll mess it up somehow, especially as he sees the reflection of himself in the mirror. 
Of course, he knows he's getting better. But his appearance tells everyone otherwise. His hair continues being dark, a big contrast from his past self whose blond hair would be the talk of some people.
The palm of his hand brushes over his stubble cheek. The sensation of those tiny hairs is similar to blades. He looks at his watch, there is no time to shave. The last thing he wanted was to be late on his first date.
He sighs and walks toward the table, on top of it are two bouquets. One has multiple red and pink roses, that one is for you. The other one consists of a single white rose, for Margaret. Even if he has forgotten the basics of dating, he wouldn’t go empty-handed to your home.
The drive to your house isn’t an easy one. Not because he lacked driving skills, he is pretty much proud of how well he could drive when he is not facing life-or-death situations. 
He takes his car, just for today. He knows he has to be himself and show you his love for bikes. But he would be lying if he wasn’t a tad scared about coming to your house driving his usual motorbike. What would you think? Surely you’d dump him for risking his life or something like that.
But he is so damned anxious. He turns on the radio, trying to muffle his thoughts but the first thing that comes up is a Valentine's Day advertisement. ‘Don’t mess up your date today! Try our newest product and—’ He’s trying, he doesn’t know what the ad is talking about but he needs no product for this date to be a success.
He turns off the stupid machine. After all, today’s music sucks. Nothing personal, he just doesn’t like it. He’d prefer if the radio played real music. Some Deftones and Korn would do. 
But right now he’d dance to anything. Valentine’s Day, after all, should be a romantic getaway from the normalcy of life. Even though years had made him a corny individual, if it’s with you, romanticism should never die.
He’s rambling, his head is a mess. He sees himself slow dancing with you, Somethin’ Stupid playing in the background. He foresees a future in which he could paint next to your daughter, suns and trees never looked so pretty as he imagines that scenario. 
Dating you would come with the whole pack, he knows well. But even at his age, he still feels like a broken child whenever he sees himself in the mirror. Memories of his innocence being stripped away of him and his present still clinging on to the faint threads of hope. 
So that’s why he made the promise of taking this relationship seriously. No matter if you end up being nothing more than friends. People often say that you just know when you meet the one. And he saw the beacons of lights announcing the whole sun when he met you and your little one.
Eventually, he reaches your home. Double-checking the address you had previously sent him over text, he confirms this is the place you live in. A modest house, enough for you and Margaret. 
He switches off the engine and takes out the key from the ignition. Placing his hands one last time on the steering wheel, he takes a deep breath, mentally preparing himself. And with a newfound conviction, he grabs the two bouquets and gets out of the car.
When he walks towards the door, he immediately knocks. If he dared to wait just a second just to calm his anxiety, he’d spend at least 5 minutes staring at the wooden material. So, he sacrifices that priceless time in order to face reality.
A ‘coming’ is heard by Leon a few seconds after he knocks. Eventually, the front door opens and you welcome him with Margaret in your arms. “Hey.” You greet him, Margaret doing the same as she waves her hand.
“Hey, you two.” Leon says with a warm smile, trying to hold back the fact that there hasn’t been a better image than this. “I couldn’t come empty-handed to your house so I took the liberty to bring you these.”
Leon then hands you the bouquets he had brought—the bigger one for you, and the smaller one with a single rose for Margaret. 
“Are these for me?” A dumb question, of course. But there’s no harm to ask and surely it would get a nice reply from Leon who has been dancing around the idea of flirting with you. Too scared to come off as awkward and silly.
“I don’t see another pretty woman around here.” It slips so smoothly out of his lips. Leon Kennedy, you still got it, he mentally praises himself. 
“Yeah, right.” You roll your eyes, satisfied with the answer you received. “Please, come in.”
Leon nods and enters your house. The living room was nicely organized, and the way some toys blended in with the decoration brought a smile to his face. The perfect balance between the sober expected room with the colorful and childish playthings.
You set Margaret on the floor not before giving her the rose Leon gifted her. She absentmindedly walks toward the couch and sits down to inspect what an amazing thing the funny man brought.
“Well, looks like she likes them.” Leon hums as he watches how Margaret starts happily tearing the flower into tiny pieces. Her antics filling Leon’s heart, he could get used to this feeling.
He wants to.
“Yup, definitely.” And your eyes meet Leon’s, his piercing blue eyes are not cold as he often thinks. They remind you of the beach sea, of the gentle waves and the gentleness they carry. 
And he sees himself in yours. In your eyes, he isn’t a cold and depressed agent who is fighting off the odds. He admires the man he’s becoming. The man who despite everything he has experienced, wants to do better.
“I haven’t told you yet but…” Leon trails off as he gathers the courage to do this simple yet nerve-wracking action. “Happy Valentine’s Day.”
He grabs your hand and brings it to his lips. Without breaking eye contact, he kisses your knuckles. A gentleman through and through. If he could win your heart, he’d do anything to protect both of you.
Although he was lying, even if he weren’t to win you over, you have already gained a friend who would literally save the world for you to live in with your most beautiful miracle. 
“You’re sappy.” You shake your head laughing, but you don’t push Leon away. In a way, your teasing comes off as a thank you. 
“And you break my heart.” He chuckles, letting go of your hand which falls to your side.
As it does, your eyes fall on Margaret. While she continues playing with torn pieces of the flower, you see her head swaying slowly from side to side, as if fighting off sleep. 
“It’s nap time for little Margaret.” You break the silence as you walk toward Margaret whose tiny fingers still try to tear up the already destroyed rose. 
You pick up Margaret and with the way she isn't getting fuzzy, your assumption was correct. She is fighting against Morpheus, sadly losing.
You glance at Leon who is standing in the same place you left him. Admiring the scene of you carrying your daughter. 
“Would you like to help me?” You murmur. 
Of course he does, he wants nothing more but to embark on this new life. He has seen so much horror and for once, he wants to indulge in this domestic dream of his.
“If you let me.”
Humble, timid, and definitely not showing how enthusiastic he was about helping you. 
You nod and guide him upstairs. Margaret’s room was just next to yours, even though you prefer to sleep with her, still too nervous about her getting tangled in her own blankets.
As both of you reach the room, shades of pink and white greet Leon. Some toys are scattered around the floor too. Proof of Margaret’s wholesome behavior. 
Margaret shifts in your arms, her previous peaceful demeanor changing given the frustration of not falling asleep yet. She is pretty much easy to handle when nap time comes, but today is one of those days.
“You told me I could help.” Leon's hushed voice reaches you. His eyes express the need to assist you in a task like this. 
“Sure…” Your heart flutters as Leon steps up to help you. You indeed asked him if he wanted to come with you. But the fact he had so eagerly accepted the role made you appreciate him even more.
If that was even possible.
As Margaret starts letting out soft cries, you hand her to Leon who is quick to catch her. At first, Margaret is held rather awkwardly which brings a smile to your face before her cries get really serious.
You help Leon by moving his hand. That gains a quiet ‘ok ok’ meaning that he got the hang of it. 
He positions Margaret on his chest, her face seeking the crook of his neck as she continues letting out tiny sobs. With his hand supporting his back, he rocks her.
If anyone were to see him, they'd think he's a father holding his daughter. But in his mind, he's holding your world, his world. 
Oblivious to it, Leon started humming a song. He doesn’t know where he had heard it before. Maybe it came from his mother, a memory he thought was deeply buried in his mind.
Eventually, your baby falls asleep which definitely boosts Leon’s mood as she grins. He's built for this! He thinks.
He lays Margaret in her crib. The little one breathes slowly as she drifts off to dreamland.
Both of you slowly and quietly walk out of the room making sure not to make any loud noise and wake the sleeping princess. 
As you slowly descend from the stairs and are once again in the living room, Leon’s mind is filled with expectations.
What's next?
What is he supposed to do now? 
As if on cue, your words break the silence.
“I forgot to order the food.” You sheepishly admit as you nervously laugh. Between cleaning the house before Leon came and taking care of a toddler the fact that a dinner without food wouldn't be a dinner slipped out of your mind.
“I'll do it right now just give me a second to search for this one restau—”
“Hey, it's okay.” Leon reaches for your arm before you can walk toward where the phone is. He takes this opportunity to do all the things he has wanted to do with you. To accomplish each one of those silly yet endearing wishes of his.
“Besides… this is a great excuse for us to bond more.”
He lets go of your arm but instead, his hand takes out his cellphone. Your eyes curiously watch as he types something.
For a moment, Leon doesn't utter a word and you can see how his fingers are slightly shaking.
Leon looks up from the phone and gives you a gentle smile before he sets the phone aside. After a couple of seconds, the slow and wistful chords of a piano announce the beginning of a song.
“May I have this dance?” Leon extends his hand toward you. 
You opt to accept his hand. In the back of your mind, you wanted to tease him one more time. Just like you did when he told you happy Valentine’s. But you feel this is way more important than those simple words.
As your hand locks with his, he pulls you closer to his body. His free arm finds its home in your lower back, not too low to keep it PG and not to discomfort you in this intimate dance.
Letting him guide you, you sway from side to side. His past self wouldn't have imagined that he could reach this level of serenity and tranquility. The simple thought of having a family was like a faraway dream.
Your head rests comfortably on Leon's shoulder, the scent of his cologne being your new favorite aroma. The one that brings you memories from the time you met him to all the dates you had that led to this very moment.
The song continues its course, and the outside world is forgotten for a moment. No words are exchanged as both of you drown in the homely feeling of dancing in each other's arms.
After a while, without lifting his head and allowing his lips to ever so slightly graze against your ears, Leon's voice cut through the peaceful melody.
“Let me in.” He whispers, his hands ever so slightly tightening around your middle section. His words brush against your ear like the soft melody that plays in the background. 
“What do you mean?” 
“Let me in, in your life. I don’t want to ask you to just be your partner.” The weight and truth of his statement turn your head in a messy place. “I want to be part of your life and Margaret’s.”
He wants to stick around, he wants to be greeted by you and Margaret each time he comes back from a mission. He wants to give Margaret the childhood he never had. And, he wants to fulfill every little dream you and he may have. 
“I want to wake up next to you each morning. To Margaret telling us she's hungry in her own way.” He's always been a man of few words, but in this moment he could recite the whole bible if he wanted. 
“I want to put Margaret to sleep every day just like I did today. And I want to sleep next to you every night, knowing that you're safe.”
“I don't want you to be a memory.” His lips move to the side of your face, daring to kiss your cheeks in a sweet manner. “I want you to be my whole life.”
Smoothly and with ease, his words fall from his lips while his tempo never falters. His thumb now softly rubs your skin, where his hand is located to support your back in the dance.
He'd want to take pride and tell you he's that good with words. However, many times he has rehearsed this speech that if he had stumbled on his words he'd have let the earth swallow him.
And as the song came to an end, so did Leon’s confession. 
A few seconds of silence create the worst nightmare in Leon's imagination. He could already hear your words telling him you don't feel the same that you're already in love with someone else or—
Your knuckles caress Leon’s face, feeling the growing stubble on his cheek and jaw. The sensation of being touched like this has been a long-distance memory that he's completely forgotten what being loved felt like.
He now feels both of your hands cupping his face, prompting him to look you in the eyes. His blue eyes lock with yours and admire the softest of expressions drawn on your face.
As he gazes into you, he can only think how in love he is. And what a good life awaits for him.
And what feels like both an eternity and a split second, your lips connect with his in a tender yet meaningful kiss. One that he's been expecting after all this time.
The one is indeed not a myth.
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AUTHOR'S NOTE 2: I had so much fun writing this. There's something about found family that makes me all soft and sappy lmao. And sorry if my despiction about cops is wrong... I've never set foot in the US so spare your writer the embarrassment. Anyway, I hope you all have a beautiful day! No matter if you spend it with your lover, friends or alone. (Dividers are from: @/cafekitsune)
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💬 SHADESOFLSK: Comments, reblogs and likes are very much appreciated.
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bomber-grl · 4 months
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General Percy Jackson dating hc⋆°🌊
~ ⋆。‧𖦹 Percy Jackson x Gn!Reader(no pronouns)
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Percy is so sassy
I think we as a fandom have established that, however sometimes you underestimate how far he’ll go.
No matter how long you’ve been dating he’ll still be sassy 😔😭
Of course it’s downgraded though
He chose mercy today
Anyway
Although he can get sassy sometimes, there is without a doubt that he loves you.
If there are 100 people who love you Percy is one of them. 1 person who loves you? Percy is that person
Zero? Percy is dead
He absolutely adores you, even if he can be a big idiot sometimes.
Now, when the two of you got together it was pretty much the same as when you were friends
Just romantic
You’d get reminded of your relationship when he calls you his girlfriend/boyfriend/partner
Especially in front of others
Or when he starts holding your hand and kissing you
It’s definitely a change
But not necessarily a bad one
Hes the type of guy to make being your boyfriend his whole personality
(Not actually but let me explain)
He’ll def wear those shirt with “I love my [insert your preferred title]
And he won’t care who sees it 😭
He’s proud no matter what
And is an absolute menace if anyone says anything about it
Or to you, for that matter
He’s powerful and we all know that
You can obviously defend yourself however sometimes he just can’t hold back
If anything were to ever happen to you
Let’s just say the opposing side will be as if it never existed.
I don’t see Percy as the jealous type ngl
I’ve seen many others say he would be and I think he could be, but only sometimes
He knows you’re just as loyal to him as he is to you
However if he sees anyone flirt and you don’t notice or tell them to back off-
He will for you
He won’t hesitate to slide an arm around your waist and ask what the hell the other person is doing with a raised eyebrow
He sasses the other person so much he leaves no room for argument 😭
Percy trusts with everything he’s got
So if you were to ever betray him he’d be crushed
Especially if you really know him
Just don’t betray him 🤷‍♀️
Percy follows you around all the time when he’s got nothing to do
He’s strong and independent
…wheeennn he’s away from you
He’s always by your side
And he loves to spend time with you too
He can’t say goodbye without hugging or kissing you
That’s a definite quirk of his
He’s technically not supposed to exist but it makes you glad he’s the only demigod child of Poseidon
And the only other person who shares his cabin is Tyson, so that way you two can sleepover and cuddle.
Ofc you guys get to actually do that once Tyson stops talking to you guys 😭
Only when Tyson goes off do you guys have time to chill in his cabin and the sleepovers you have are almost endless
I say almost because you eventually got caught by the harpy’s and luckily Chiron came in time to prevent you guys being ripped to shreds :,)
Before all that happened tho, you and Percy would cuddle and you’d play with Percy’s hair
He LOVES having his hair played with and his scalp massaged
And he accidentally insinuates that he misses that the most out of you getting banned from his cabin
The audacity for him to miss your massages rather than your presence
He let you have his share of desert as an apology for as long as you want 😭😭
You felt guilty so eventually you stopped 😭
If you are a sword fighter like him, you both often spar together.
You hit two birds with one stone
You practice your skills, and get to hang out together
What could be better?
Even then, if you specialize with daggers or a spear then it still works out
Sorry if you’re an archer 😭
Before you’re even introduced to Sally she already loves you!
And vise versa
Percy talks so much about you guys to each other that you practically already met her
And she already knew about you before you guys even started dating 😭
Percy told her (albeit a bit reluctantly) that he had a crush and the rest was history
When you finally meet it’s an automatic click and the both of you hit it off
Honestly Percy’s happy to see two of the most important people in his life getting along.
So, we’re all aware of how much of a menace Percy is, right?
Well he absolutely teases the fuck out of you
If that’s how you’re comfortable with
It’s not bad but it’s definitely silly and makes you smile at his antics, especially when you’re pretending to be mad at him 😭
You’re so weak for him lol
As is he for you
Mans is a simp and a so called “free thinker”
That changes when you step into the room and start talking to him
So after you guys got banned from going into each others cabins for unplanned sleepovers you guys had to make the most of the time you had together during the day
Just imagine an innocent camper walking by and seeing “beat ares, stopped two wars” Percy
The thing is, Percy is absolutely putty in your hands and has his head resting on your lap with your hands in his hair
Some would usually tease but with his reputation nowadays, nobody dares
With the exception of close Ally’s and ofc, Clarisse
It’s little moments that get you guys closer than ever like when there’s campfires and you can just enjoy the moment
Or when you can go into the lake
Which is where you guys had your first kiss
And it was sweet and spontaneous
And then awkward afterwards because of the walk back to your cabins 😭
Even then Percy gave you a quick peck and ran off
Best believe he was kicking his feet once he got back to his cabin 😭
you awoke the next day with being the new hot gossip in camp so that was… interesting
Anyway
I’m aware that I’ve made Percy to be a bit a menace
Although he is exactly that on the regular-
He really does care about you
Sometimes whenever he looks at you he can’t help but think about how lucky he got
He’s glad to have met you and tries his best to let you know at every chance he gets
Even if the things he might say come off as cringe, he means it
Maybe to a less cringey extent tho lolol
Bro can’t help it, he’s a romantic at heart
But only ever for you
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churipu · 4 months
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𐙚 THREE TIMES NANAMI MADE YOU CRY ⋆ ˚。
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featuring. nanami kento x reader
warning. referral to the reader as 'wife'
note. i just felt so mellow today — because a lot of sad nanami edits have been passing by in my fyp and i'm about to have a mental breakdown because of it, when i catch gege >:( a lil note, i cried writing this bcs i miss nanami so much help
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✴ ONE : WHEN HE PROPOSED TO YOU
it took him a short time to realize that he wanted to spend the rest of his life with you — he sees you cooking breakfast at the crack of dawn just for him before he goes to work, and he realizes that, yes, you were the one for him.
"do you want to marry me?"
your head turned to him slowly, eyes following just a few seconds after and you blinked, "i'm sorry, what?" you ask him.
nanami's eyes raised up to meet yours, "do you want to marry me?" he repeats his question calmly.
it was a day like every other — the both of you sitting on the couch, the television on yet nobody's paying attention to it. nanami has his eyes on the magazine in his grasp, and you were on your phone, scrolling through social media.
"yeah, of course i do."
nanami takes out a velvet colored box from his pocket and opens it up, you stared at him in confusion; wondering if this was a joke or not, is he actually proposing to you while you were in your pjs? but that actually didn't bother you — it was the fact he is proposing to you.
"marry me." he murmurs out softly, taking the beautiful ring out of its place, waiting for your acknowledgement.
your tears began flowing out and it took nanami by surprise, "sweetheart, i'm sorry. was it too sudden? you don't have to—" you shook your head at him, wiping your tears away.
"i'm just so . . . happy, ken."
that was the first time he made you cry.
✴ TWO : HIS WEDDING VOWS
your wedding was a simple ceremony. it was filled with fun and laughter, your loved people were there — his loved people were there, gojo and his students were there. it was just, a one fine day, really.
when it comes to the delivering of vows, traditionally; the groom goes first.
"y/n, i'm not good with my words, but you know me better than anyone else, so i assume you know that as well. we met five years ago when i bought a casse-croûte in a bakery you worked in; and if you had told me then that we'd be standing here and i'd be spending the rest of my life with you, maybe i wouldn't believe in you and told you that you were saying nonsense.
first and foremost, i would never thought that a one stop shop in a bakery would lead me to the love of my life — that day, i decided to stop by the bakery you worked in because my usual place was closed for the day, when i think about that, i get so overwhelmed; if my usual shop had opened that very day, maybe you would be standing here with another man, another man who is not me.
y/n, you are the most curious person i have ever met in my life. and i am pretty sure you are asking yourself now, what is kento thinking of right now? the answer is you. i am thinking about you now, later, and forever. from the first day you asked me if i liked casse-croûte, i have not once stopped thinking about you.
i was never a person who sought for relationship or thought of it a lot in the past, but when you came into my life. i began thinking of my future with you, making our own happy family, having kids, traveling the world, all of that. the moment i saw you take your time to wake up before me to cook me breakfast before i go to work, i knew i just had to make you my wife. i want to spend the rest of my life with you.
you love me and completed me in ways i do not know existed, and my love — i promise you, that from here onwards, i will continue to love you and every piece of you and for who you are yet to become. i promise to be your husband, your best friend, your partner in crime as you always like to name it, and your number one supporter, also as you name it.
above all, i promise to show you how lucky i am to have you in my life. i cannot wait to start a new chapter in my life with you, i love you."
it was safe to say that everyone in the room was crying, including you (and gojo, who had to be escorted out by megumi because the male was straight up sobbing loudly).
✴ THREE : WHEN HE DIED
shibuya. october 31, 2018. god, how much you dreaded every single thing that happened in there — just the thought of october coming after that year made your stomach churn in sadness.
the day a lot of people lost their life, including nanami.
nanami is a strong man, and you know so. you believed in him, never did you once stopped believing in your husband; but the whole time nanami was fighting for his and everyone's life in shibuya, you were back at home with your few months old son.
"daddy is going to be okay, yeah? he's gonna be back soon," you cooed to your son despite the rising wariness.
but no, nanami never came back.
the one to break the news was no other than itadori yuuji himself, the sole witness to your husband's passing — he knocked on your door, beaten up, although his wounds were tended to. you knew the shibuya incident scarred the young boy with something that couldn't be closed off now or maybe ever.
"he's not coming back, is he?" you ask the teen with a sad smile.
itadori broke down on your porch that day. and you, nanami's wife was the one comforting him, after all, watching someone you care die in front of you was traumatizing. but itadori blamed himself for nanami's death — he was baffled when you pulled him into a tight hug, "it's my fault y/n-san! i killed him. he's dead because of me."
as much as nanami doesn't display his affection to itadori, you were a witness to how nanami really feels towards the young boy. telling you how he wishes your son would grow up to be just like itadori, bubbly and energetic. nanami cares about itadori like the boy was his own — although failing to show it.
"did he . . . did he say anything before he . . ?"
itadori cried in your embrace, "he . . . said he was sorry. for not coming back. and that he loves you and your son so much . . ." itadori was barely taking breaths in, he was hyperventilating in your arms, "he said he was sorry that he won't be able to accompany you to malaysia."
"okay." you didn't cry as itadori was breaking the news to you, you couldn't.
nanami's death quieted you — you didn't cry the first week, still not believing he was actually gone. finding yourself sitting on the couch, waiting for the male to open the door and to call out for you, "y/n, i'm home."
but it never happened. nanami was really gone. he's really dead.
grief is such an odd feeling, you relied on itadori to look after your son for the first two weeks as you didn't find yourself in the right mind to be capable of taking care of your own flesh and blood. a day before your son was going back into your care — you went grocery shopping, to buy things both nanami and you used to buy.
it was a mistake on your part not to use a basket or a trolley, putting all the stuff on the cashier counter was hard work. and as the baby food you put on top of the pile slipped through your fingers and dropped onto the floor, splattering the contents everywhere, you can't help but to let a few stray tears out.
your silent sobs turning into a full blown breakdown in the middle of a grocery shop as everything began coming in, a reality check.
that nanami was no longer going to be there with you again, you couldn't feel him anymore, you couldn't hear him anymore, you couldn't smell his cologne anymore.
but the world doesn't stop for that, it will keep going and you had to go on with your life without him.
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© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE
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