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ophelian-darling · 6 months

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𝐓𝐞𝐚𝐫𝐬.

𝐅𝐞𝐚𝐭𝐮𝐫𝐢𝐧𝐠 : Satoru Gojo, Suguru Geto and Kento Nanami - gn reader.

𝐒𝐮𝐦𝐦𝐚𝐫𝐲 : Their Obsession was too much to handle, and you find yourself growing impatient with their acts of dandling, till you had enough.

TW : Implied Kidnapping, Physical and Verbal/psychological abuse, Blood & Injury.

enjoy ♡

𝐒𝐚𝐭𝐨𝐫𝐮 𝐆𝐨𝐣𝐨 :

Days passed like a vision through the glass, slow to come and quick to go, without even a faint image of them or a smallest fragment of memory, as if you were looking into someone else's life, not your own. The horizon blended now into Satoru's eyes- you were no longer able to see the real extension of a natural blue, instead looking through his irises, faux felt and fake friendly, non-stop and ad nauseam. a smile would paint itself across his features and a kind touch would cosset your hands, attempting to mimic a color of romance.

"Whatcha Thinkin' of, Babe?" He asked, a honeyed voice softening his words, already knowing what was in your head; wanting a sweet lie out of your tongue. You hated his voice- no, everything about him, from his stares, the contorts and shapes of his face and the many shades of his affection; one minute, sugar and honey drip off his tongue, in Hopes of aiming at the moon and winning your trust, the other all of his sweetness is poisoned and laced with venom, intentions of wounding your ego into submission. At times, to him, you were Valentine, Babe, Love and Dreamboat; just as you were the useless, pathetic, whiney and liar, depending on his mood.

The horror of him was his eyes, they were softly in a cruel way, no effort of smiling or laughter could coffin the rage and Mania you were too aware of. You were always on alert, counting your sins and thinking of ways to redeem yourself, mentioning Kissing back, twisting your lips with pink lies, thanking him for his gifts and wearing a gleeful expression on your face.

"Aww Satoru! you spoil me, I don't know what would've happened to me if you weren't around!..."

You felt maggots crawl under your skin, rushing forth to your brain while you struggled to keep your smile. The more the hours fly, the more your cover of ardor cracks. a thin string of bitterness lining from beneath your nail right into your heart, stitching more into a scornful crimson slowly.

Just how dare he- take you against your will, fondle and caress you as if you were a mere housecat and call himself a saint for bothering to look after you, while you don't remember asking or consenting for any of his attention? During so many times, including the moment as of now, you'd imagine him bleeding, cascades of red contradicting his snow complexion, pieces of glass needling his eyes that you hated with all Satan's grudge to heaven. You are sure no single speck of a tear would warm your eyelid if he dies, it was what he deserved.

"You okay, Love? something is off with you" Concern painted his face, while his blues remained ever unsettling.

Your mouth clinged into a straight tight line, no longer able to remember the supposed smile. a harsh retort died on the tip of your tongue, leaving the room to even a harsher, short-lived silence to stretch.

His thumb traced on your cheek, before he stood up "I'm gonna make you a cup of coffee to lift you up a li'l, stay here while I'm in there"

Of course you're staying here, where else would you go?! Moving an inch without seeing his face was less likely than seeing a green sky.

The string of your heart sewn itself thicker. As memories of him puppeteering you flashed unwelcomed, the scornful thread darned into a ferocious rag, veiling any sense of your heart, caging it with a hating aviary. You carried yourself up, heading to the kitchen absentmindedly, guided by the heavy feeling in your chest. He didn't tire himself to look around- not like you could do anything, wrapped around his digits to control.

An unknown tune he hummed caroled the small kitchen, his hands moving around to prepare the mugs and the coffee, too immersed in his own realm of thought to discern your motives.

If you ever got the chance to recount this exact moment, you would say that it happened so fast that your mind didn't settle on one image: did you shatter the mug on the top of his head or the back of his neck? You don't remember, yet the anamnesis of your muscles retained the surge of Adrenaline, a slow motion second of your hand grabbing the porcelain cup and breaking it on his skull. you do recall he said something- things. a series of slurs that were too filthy, every curse and insult in the scripture.

The crimson rag was torn off from your heart, a delicious feeling of revenge drugging you in a lucid Catharsis. your fingers twitched, your body braced itself for whatever beating it was about to receive. Oddly enough, he continued groaning and grunting, holding his head in both his bloodied hands.

Dark red seeped through his white locks, oozing down his neck, sullying his shirt and tinting his fingers and hands. For the first time, his strange blues held an emotion different from insanity, a glassy layer over them, just a tad bit up from his usually static stare. his eyelids wept with red as he stared at you for a moment, saying nothing, before heading -as it seems- to the bathroom, a trail of red spots on the floor marking your deed.

𝐒𝐮𝐠𝐮𝐫𝐮 𝐆𝐞𝐭𝐨 :

In your dreams, the sunrises and sunsets were sin crimson, dark as Abel's blood. You'd see Suguru and yourself, sitting on a shore, its sea so transparent, hued with the cinnabar rays casting from a cloudless sky. You often look forth into the puce red horizon and not to him, rarely ever locking eyes with his. One time, as you remember from a shattered vestige in your awakening, you rotate your head to the side to see him staring at you; a half erased smile contouring his lips, Black eyes mirroring the skyline that stretched to no end in sight. Twice or thrice, he'd say something, a trail of meaningless letters sliding down his composed voice. You don't retain on his words exactly, but your name was amongst them; during a glib talk of his, your name rolls down his tongue with his usual calmness, scripting your dreams as such almost always ever since you were tied to him.

"Something in your mind, Dear?" The calmness- you can hear the smile in his inquiry without looking at him, drumming through your skull in an image of him in your dreams. You looked up from your lap, noticing that he was stitching something up, the needle struggling to remain still in his fingers. Of course, he was anything short of a tailor as much as he was short of a lover, wanting to be something he can't be but insisting anyway like the stubborn cockroach he is.

You rolled your tongue across your teeth, only to let out a muffled 'nothing' as a response. you were really trying hard to not hurl at him, he was getting on your nerves for just his existence.

He chuckled, digging the needle into a red fabric "Something is in your mind indeed. I don't know what it is and why you look so upset, but I promise I'll make you feel better"

You'll only make me feel better by choking on a dagger, Suguru. you wanted to say, yet being completely aware that it'll have consequences- ones you were needless for. The numbness on your face is constantly pricking its presence across your flesh, swells and mounds that remind you of his black eyes losing their serenity, metamorphosing into a brutal night dark. His hands slapped and punched as equally as they billed and cooed, and your skin has grown hateful of both.

He does not appear as a human at all. in a vast space of thinking, you would theorize that he was not much but a parasite that sucked life out of everything beautiful, including love. his version of amour was twisted, burying care under Control and killing fondness to revive fervor. Cords you couldn't see snaked around your heart and soul, burning as they got tighter, paralyzing you with apathy that was leisurely altered to a pale hue of resentment, until it fully discolored to a dim rage.

It creeped its way to your fingers. you could hear Satan's whisper, planting the vilest of ideas in your mind; at least you had the luxury of hiding your thoughts and making them behind an expression you can't feel now- you're becoming him, a hollow shell of one face and multiple voices, already sensing the stitches of a mask, a dull one that a death face left more lineaments to remember. you were blessed with emotions unlike him, there's no way you'll melt into Suguru.

"Darling I have a surprise for you, look!" He announced cheerfully, bringing the piece of fabric he's been working on to your attention.

He raised the Obi belt in his hands, proud of his handmade sewing. you scanned it carefully: the silk is red candy colored with few golden flowers orienting it, not much skill or talent radiating off of this mimicry of a cloth.

"I intended to offer you this as a birthday gift, but I preferred giving it to you now. maybe it'll cheer you up a little, you've been really quiet lately…" the damn calm smile decorated his face again, this time a drop of what sounded like concern is mixed with it.

You took the thing from his hand, acting like you're inspecting it but in fact holding a cackle. how in hell's seven circles he expected you to wear this?! If Suguru thought with that little sense he always prides himself of, he'd see that he wasted such a gorgeous material on such a failure of an accessory.

"Do you like it? I hope so…" there's an octave in his voice translated as 'please tell me it's the best gift you ever received', too bad it's ugly to give him the pleasure of hearing a compliment.

"I've been working on it for weeks. I had to choose between red or pink, deciding to pick the former because I thought it would look better on you… I'm nothing of a tailor, but I did my best" he rubbed his palms together, as if an imaginary balm coating them. he laughed a little "I gave myself a lot of needle pricks, but it was worth it-"

"It's awful"

You didn't have to look up to see his face.

"What?" He muttered, completely not seeing this coming.

"It's terrible, I hate it" a joyful spark twinkled throughout your body as you said so. the smile that you tried so hard to repress curved itself on your lips. you felt you could add more fuel to the fire.

"The color is dull and this silk looks cheap, but that's not why it's ugly. I bet a child can sew an Obi belt better than you do. this thing should go back where it belongs, the trash."

The silk wasn't cheap at all. you silently praised whoever produced it as the fabric resisted between your fingers. for a second, you considered just throwing the belt at his face, but you already teared it up a little, imagining that you were tearing Suguru apart between your fingers, the very same Suguru who was standing in front of you, ghostly pale and owl eyed, uttering not a word.

Red ribbons rippled through the small space between your hands and feet, forming a pile on the floor and resting in place. your heart clenched in excitement, a reaction that replaced the usual fear of him beating you senseless in such situations. you awaited for his hand to fly, for his voice to raise, but none came.

His gaze froze. He apparently couldn't contain how his present ended up being nothing more than some piece of garbage that had to be disposed of. Suguru opened his mouth then closed it before turning his heels around and exiting the room. bringing back your eyes to the remains of the belt, it now jumped to you that there was something written on the back of it.

𝐊𝐞𝐧𝐭𝐨 𝐍𝐚𝐧𝐚𝐦𝐢 :

It is agreed upon as a human truth, that Shackles do not necessarily form as chains- For it merely requires a key to be freed from. but in most absent minds, the understanding of captivity and freedom were abridged in crime and punishment or torture (always coming first as physical in most thoughts), yet there is a sort of abstract bindings; way more restraining than tangible ones and with no limit of their ability to fetter the prisoner regardless of how strong is their will to break free, or how far their access to the key goes. mind games have proven themselves to be more effective throughout history, even in the simplest circumstances. What is more, playing on the strings of sentiment: romanticization of bonds -no matter how abusive they were- such as parenthood, friendship or more formally formed ties; marriage.

There is this magical thing about marriage : it is a golden cage, a caressing shackle perceived as a warm nest in a vision of a romance, colored as red and pink, planted as roses. a cuff that priests call matrimony, poets call union and goldsmiths call rings- you name it; it's still a menacle, whether spouses consented to it or not.

Kento was the typical man with the ordinary ambitions of immersing in a job (best if it paid generously), owning what is enough and settling down. To him, marriage was the ultimate expression of love, more than a mere ring, a wedding or flowery vows.

"I do have for you a love so dear that I drink from what your lips touch, I breathe when your lungs exhale, I slumber on where your skin embraces the mattress; one of both life and death."

- Your adoring one.

Engraved in red, the words slided over your heart's veil, forgotten in a memory of a cold rib. Satan lured Adam with an apple, so how would sugary words find any trouble deceiving?

"You're making me worried, Sweetheart…" sotto voce in the nature of a Dove's coo; disgustingly fondling.

Of course, a silver tongue cuts sharp in the same way it pours coquetry. life with Kento was seeing a moon and its dark side. under the beam of light, his lips mulls everything on you; kisses on your lips, cheeks and forehead blossomed, full rainbow ray of flowers were gifted to you, mostly red, attached to them little cards and billets-doux that enveloped letters of dalliance, arranged together and too sweet to the point it sickens you. The irony of his dimness was that he's more tolerable when he gnashes his teeth; wounds at your skin and soul, scolds and punishes in a parental manner. even for days, you'd hear the beast howling in your ear, ringing through the corridors of your head and it hurts to think.

Your eyes reflected in his figure, kneeling in front of you, not meaning they were drinking in the sight of him.

His thumbs brushed across your palms "Can I see your smile again? you look beautiful when you smile, you already are no matter how your face appears" nothing stirred up in you, emptiness of a blind man's face swam through the void.

"Please… sweetheart.." your composure nearly broke; a laugh dwindled within your throat. Does he think that you were a sole toy?! there to be played with, clothed and stripped to the colors of his whims, put on a pedestal at dawn and degraded at dusk?! it gnaws now on the branches of your chest, melts in your heart and fills your brain with a spiteful flow.

"I've got something nice, just for you, I'm sure it'll make you happy" with that, he left quickly and returned just as, something in the outlines of a large flower bouquet behind his back. no surprise, he had a proclivity for flowers; for how red are roses, for how fragrant was jasmine and for how innocent were lilies.

"I love you Sweetheart, never forget that!" as expected, roses. a pink posy of them.

You took the bouquet from his hands, glaring at the flowers in a burning grudge. for a flash of a glint, Medusa's serpents coiled between your digits, circling wrists, their skin flaying with yours. a bottle of somber tears shattered, impuring your core with loathing never imagined to be stored in your soul. With the swiftness of a sword out of its sheath, your hand flew high, landing the thorny plants across his face, over and over again, no drop of fear in you. Kento succeeded in grabbing your hand- not the one attacking him, squeezing your wrist to make you yield, but to no avail. your blood rushed hot through your veins, carving your mind with screams of violence and to hurt him more, that is when your fists balled and your ankles rose up sharply.

"Stop!"

You would never. your hands had their own mind, they scratched and punched and grabbed to your heart's content, avenging you after so long of a macabre suffering. your shackles started to unravel, each movement of yours freeing the hollowness outside you. short minutes stretched forth like long hours until you were done- or like you were over with him for now.

a blur on your vision subdued, the faint image clearing line by line. Kento was on the floor, leaning on a chair and balancing his weight on a knee, right hand shielding over his face. you couldn't see the damage well through his fingers till he got up, still holding his face in his hand, silently giving you his back and leaving you to your own devices. as he left, you noticed red across the sides of his hands and arms; few cuts and swells distorting the fabric of his pale skin.

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andthebeanstalk · 11 months

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Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

#hlep #original #mental health #my sympathies and empathies to anyone who has to rely on this kind of hlep to get what they need.#the people in my life who most need to see this post are my family but even if they did I sincerely doubt they would internalize it #i've tried to break thru to them so many times it makes my head hurt. so i am focusing on boundaries and on finding other forms of support #and this thing i learned today helps me validate those boundaries. the example with the milk was from my therapist.#the example with the towing company was a real thing that happened with my parents a few months ago while I was age 28. 28!#a full adult age! it is so infantilizing as a disabled adult to seek assistance and support from ableist parents.#they were real mad i was mad tho. and the spoons i spent trying to explain it were only the latest in a long line of #huge family-related spoon expenditures. distance and the ability to enforce boundaries helps. haven't talked to sisters for literally the #longest period of my whole life. people really believe that if they love you and try to help you they can do no wrong.#and those people are NOT great allies to the chronically sick folks in their lives.#you can adore someone and still fuck up and hurt them so bad. will your pride refuse to accept what you've done and lash out instead?#or will you have courage and be kind? will you learn and grow? all of us have prejudices and practices we are not yet aware of.#no one is pure. but will you be kind? will you be a good friend? will you grow? i hope i grow. i hope i always make the choice to grow.#i hope with every year i age i get better and better at making people feel the opposite of how my family's ableism has made me feel #i will see them seen and hear them heard and smile at their smiles. make them feel smart and held and strong.#just like i do now but even better! i am always learning better ways to be kind so i don't see why i would stop

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bigfatbreak · 17 days

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Birds of a Feather previous / next

#my art #feralnette au #birds of a feather #long tags #sorry I went apeshit in the tags #LETS SAY IT ALL TOGETHER NOW #I - M - A - G - OOOOOOOOO #its fun drawing marinette's back to Alya and having her appear stout and unstoppable and totally logical #and then you see her face and she's like two seconds from completely snapping and is keeping it together by a thread #as a note just because mari feels very certainly abt smth doesnt mean she's right. feelings can be valid and also irrational #in the throes of grief she decided it was better to be alone than to lose someone again so she started pulling away #and lila made pulling away very very very easy to do #shes also vaguely aware she's being unfair in pinning this on alya which is why she started spinning the drain on cockmoth again #legitimately all the shit that's happened to her wouldn't have been so catastrophic if he was never in the picture and she knows it #but the bitterness of her bestie choosing a fantastic liar over her at the worst of times stiiiiiings #alya's personal timing was bad but lila really took advantage of the fact that marinette had been acting off and weird #she basically clocked marinette as being unstable from SOMETHING and made up a lie about her #knowing she wouldn't have the strength to defend herself #between her social life going tachy bc of lila and losing fu in a way that felt like personhood death marinette was really put on the spot #and alya doing her thing of busting in there and assuming her bias is correct was a terrible combo #essentially marinette is highly unstable and alya is just realizing that #busting in and giving her a lecture when she's slightly hysterical and definitely delirious from exhaustion is NOT the way #to show her she's self sabotaging #cuz thats just gonna make her double down on self sabotaging. bc marinette will not accept that she is also a CHIIIIILD

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owlpellet · 7 months

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if you are an artist just trying out commissions for the first time as holidays come up, my advice to you to avoid burnout is have a clear ToS that states what you do and do not want to do.

not what you can and cannot do, but what you do and do not want to do. don't try to be the cheesecake factory of commission artists and take every single commission even if it doesn't suit your style or preferred subject matter. don't write a little disclaimer about how you aren't very good at backgrounds or vehicles but will do your best; that's how you get a client that for some reason wants a full brooklyn cityscape from you and suddenly you have spent five months stressed out and guiltily avoidant of other projects. just say you aren't offering backgrounds.

if you're not interested or confident in concept and design, be clear in your ToS that you need specific references for things like clothes and features. coming up with design ideas is a completely separate skill from rendering them; figure out with what you are comfortable before accepting the task. a lot of clients themselves don't understand that saying "do whatever" is basically tasking you to design for them, something for which you are well within your rights to charge accordingly.

pick your niche and hone it, and stretch your comfort zone with private work. you'll figure out as you go just how far your comfort zone stretches and can update what you offer accordingly.

#these on top of taking comms at a reeeeally bad point mentally #are mistakes i made #and mistakes everyone i know has made #i still feel Not Great about my last time opening and ultimately refunding a couple people #because i was trapped in the porta potty of my own brain #idk if i will ever open formally again it left me feeling so bad #but you!!!#you will not make this mistake

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confessedlyfannish · 25 days

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"