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#(my Interest in sharing my things depends on other people being interested
vsaintsin · 2 days
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Writeblr Re-Intro
Yo! I'm V Saintsin. Or V or Vin or Saintsin or whatever you want to call me that sounds right on your tongue. I'm a self-proclaimed Social Media fumbler who got a late start to the party and has never quite figured it out. I hate how hipster and edgy it sounds to say "I'm bad at social media" but like I used to work with some people who actually managed the social media accounts for the business we worked for and there were rules and whatnot and damn, I think online media is just not my medium. That being said, here I am! Hah
I'm an author and general mess who's hoping to be the miracle man (somebody who makes a living writing silly little stories). I do use a pseudonym but please hear me out when I say I didn't realize how edgy it sounds, it just has some sentimental value to my personal life. I'm so sorry that I sound like I'm in my emo phase HAHA
About me -
He/Him Transguy from the American Midwest (arguably the south, depending on who you talk to, but the older people still say "Sodi-pop" and "ope").
I'm dysautonomic, bendy, permanently sleepy, and a survivor of Crappy Doctors Who Suck At Doctoring.
I like DnD, Pathfinder, Baldur's Gate 3, Cyberpunk, Dragon Age, and other things in that vein.
I do make art of my stories and characters (Tablet is currently not working so I'm in a dry spell).
My writing background is predominantly ancient, dusty RPs from as far back as the foopets days and fanfic writing on Quizilla - I am an old and wizened elder of the net.
My formal education was music performance and behavioral neuroscience, I don't really know how I got where I am.
This is not my first rodeo with tumblr but it is the first time I have anything to SAY instead of just lurking.
In the event of malfunction, you can put me outside for 5 minutes and I'll probably factory reset.
My existence as I know it hinges on a massive number of sticky notes plastered throughout my room.
What I'm lookin' for -
Idk, whatever? I'm down for most things. Did you write it? Cool, let me see. I'm not too bent on genre or anything, just fascinated by the art of storytelling.
A bit tentative with fanfiction but that's just because if it's not a fandom I'm familiar with I am rather clueless about what the hell is going on and if it's a fandom I am familiar with I HUNT DOWN THE DEEP LORE.
I like art a whole lot, including fanart. Also art advice, love seeing things from different perspectives and learning something new.
Mutuals, really, for any reason. Building better connections on here, getting to know people. I am hideously bad at this but I try.
What I write -
Science Fiction with heavy subjects that matter to me - trigger warnings on a story-by-story basis.
High Fantasy (eventually books I think?) characters and their backgrounds for DnD and Pathfinder - I have been tempted to share these to help people get ideas or just for free use?
Things that I delete because I have crippling imposter syndrome and publishing makes me nauseous (doin' it tho).
Stories that I hope will make people feel less alone or that people could relate to, stories that I wish I had when life was worse and I was reaching out for anything I could find to keep me afloat, stories that try to be critical of things that SUCK in a way that's any helpful.
Lots of curse words and cussing (that's just how people talk 'round here), dubious science, things that I hope might make you cry but in a good way though.
Character-Driven stories that revolve more around the development of the person and less around the plot itself if that makes sense.
I've put blurb things below for my primary project/series which features a grumpy, queer, 37-year old chain smoking Frenchman and his misadventures with life and love and unbridled rage. If any of that sounds cool stick around and hang out? (This part is a plug bc I did a thing and I'm proud of it) And if my books sounds interesting the first one is 99 cents on Kindle and you just need a phone and a free app to read it!
THE SECRET OF LIFE (Published) - Sci-Fi/Psychological Thriller, Bi M Lead, Lovers to Enemies, AI but the oldschool cool kind not the real world thing that's stealing our future
Carlisle-Trystan Antoinette is a mercenary on a hard road, navigating life and death itself in an infinite cycle started by powers above his understanding. He has one mission - warn The Dianican Space Station of the coming threat and put a stop to a war that would encapsulate the whole of the Sol System before it can ever begin. Unfortunately for Carlisle, reality is a tenuous thing, made up only by our understanding of it. At least, according to his Psychiatrist, who tells him that there is no war, that he was never a mercenary, and that what Carlisle is experiencing is a severe but manageable psychotic break. Stripped of his combat enhancements, his bio monitor, and everything he's every known, Carlisle has a decision to make. Does he give in to the thoughts and memories, so real that he can almost taste them, or does he live a life of comfort and ease, returning to a husband and daughter that he left behind?
TWs: Domestic and War Violence, suicide, rape, medical trauma, grief, drug use
THE SILENCE OF ANGELS (Due July '24, TSoL 2) - Betrayal and Rage, Learning how to love again slow-burn romantic subplot, Learning how to Dad, A general inability for any one thing to just go right
(Quick Rough Blurb that offers no spoilers for TSoL) Making connections isn't easy for somebody who's accustomed to burning bridges. Isolation has always been Carlisle's mantra for surviving his life. Playing a role comes second nature, pretending to be the man that everyone else wants to see in him. When an old friend is murdered Carlisle finds himself as the primary suspect with all evidence pointing to him so clearly that even he calls to question what he is capable of. Unwilling to believe that he could commit such a heinous crime, Carlisle sets off to find the truth of his friend's death - was Carlisle framed or does he truly have the capacity to bring such harm upon those he loves? Old and new bonds will be tested, faith broken, and the future of everyone called into question as lines are drawn and sides are picked.
TWs: Violence, mentions of SA, graphic character death, more grief, more death
I don't know what else to say... Later!
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creatorbiaze · 3 months
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whichever character duo/trio chosen will have detailed files published btw
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mayasaura · 2 years
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Sorry if it's weird to ask this about a post you made so long ago, but could you elaborate on why you put orange instead of green between Camilla and Palamedes? Or instead of both orange and green? Thank you.
Green was a sort of catch-all for “this relationship matters deeply to either the plot or the characters, but there is no other color on the list that applies or I don’t have enough information to make the call”. Camilla and Palamedes have had one career, one set of aspirations, and one best friend shared in common between them since they were children, and Palamedes literally died the first time Camilla lost track of him for twenty minutes. They’re the definition of codependent, so orange it was. Bonded pair, do not separate.
I only used multiple colors if the two aspects of the relationship were in conflict (e.g. friendship and jealousy between Gideon and the Sixth), or if I thought the relationship was particularly funny.
And no worries, it’s not weird at all. I love that people are still looking at and thinking about something I made!
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the-joy-of-knowledge · 3 months
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25 Laws of power for women
Conceal your goals especially the ones that are appealing. Losing weight, reinventing yourself, marrying wealthy. Instead talk about your altruistic goals - to help children, invest in education, this will chase insecure people with vile intentions.
Do not give anyone your source of power: Was is a book that changed your life? a mentor? a movie? Never give up your secret to success. If forced to do say allude to God, the universe, the a random phenomenon
Use the patriarchy to your favor; we live in a world that is, only associate with men who have power, use that power for good.
Never appear too perfect but be selectively vulnerable when needed. Only share something that you will be comfortable saying. You might say “I forget my keys all the time,” “I don’t know how to perfectly park a car “. But never disclose something you are not comfortable with just because you are afraid of being perfect.
Maintain distance in relationships. Friends are the best and you need them. But if you feel that they are becoming too dependent, see them at your own will. But also the reverse could be the case. Your friend may keep a distance, and that is the way of life. You have got to move on from it.
Develop your own style that makes you unique, beautiful, and elegant. Avoid trying to fit in the crowd of people who claim to care less about their style yet have too many opinions about other women’s style
Avoid male friends at all cost, you will have male colleagues, male bosses, male acquaintances, business partners. Keep it that way. You do not want a Truman Capote divulging your secrets to the world. Do not keep a man who does not fit your standard.
You do not have to win at every game. Pick and choose what is best for you and leave room for others. And step down if you have attained that level of success, do not let the society do it for you.
Trust people but remember that we are all humans. So trust with discretion!
Confuse people with kindness; people are not always comfortable with beautiful and intelligent women. That power is too intimidating so confuse them by being genuinely generous, curious, kind, and passionate.
Keep your strong opinions to yourself.. if you support a movement, a way of life, do so silently.
We all have dirty laundry, wash them privately, don’t expose yourself. Remain silent when people try to attack you or shame you. Whatever is not confirmed is not true. You are the only one who knows all the truth about you.
Don’t attract pity or praise: People who pity you do not help you, in fact they might think that you are weak and could mock you at their annual gossipping meeting. And if you are doing things for the sake of praise you are wasting your time.
Choose yourself all the time; never put any one’s feelings above yours.
Trust your own intuition if you feel someone is being malicious towards you, giving you back handed compliments then you should let them go
Never speak bad of another woman. Do not lazy around gossipping. Keep your hands clean and your conscience clear.
Avoid women with low self esteem they will bring you down. For some reason they do not like seeing other women who are doing better than them
Be careful who you seek validation from. Not everyone needs to be pleased. If they are in no way capable of contributing to your life in the ways you prefer, then don’t ask them for their opinions or please them.
Do not compete with other women, if you do you are only putting them on a pedestal. You are making the the standard by which you measure your progress. If you do compete, begin digging your grave.
Do not give unsolicited advice, do not share the inner workings of your mind, If your mouth is very charitable you better start journaling.
Be well-rounded and interesting. It attracts people. It also keeps you busy because you are continually improving and learning. An idle mind is an easily subdued one.
Avoid women who want to live vicariously through you; they want to know who you know, shop where you shop, befriend who you befriend, wear what you wear.
Pay attention to the source of your discomfort; get rid of them. You tell them your dreams and they remind you of all your hindrances. They ask why are you dressed so fancy as though fancy isn’t subjective. They undermine you interests and goals. They will also be quick to bring you down because they are afraid of your potential.
Do not fear power or please power. When we see powerful people we try to hard to befriend them, to be close to them but you need to be comfortable without them. Don’t push yourself in the name of friendship, do not try too hard to be in their inner circle. Your independence of mind is the most important. Instead become a powerful woman, aloof to the presence of power but aware of its importance. Be an ingenious and intelligent and use your creativity to uplift yourself. When you do so it will be hard to ignore you. Even the powerful will become an ally.
Enjoy moments of solitude. Use that time to develop yourself, improve your body, learn new skills, create with your mind, read widely, become more elegant, then launch yourself.
Remember the most powerful women are the most intelligent. Inspired by Robert Greene's 48 Laws of Power. Use at your discretion.
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ohnoitstbskyen · 7 months
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youtube
... y'all know Lae'zel is acting scared, right?
Video transcription: I've seen a lot of comments on my short about Lae'zel dismissing her entire character because she's mean and… I'm just checking in here… you guys know she's scared, right? She's terrified. She was kidnapped by the worst monster she knows, infected with the most horrifying death anyone in her culture can have, and then stranded on a hostile world, alone, with nothing to guide her except the dogmatic military cult indoctrination of a cruel lich demigod, telling her that her only hope of salvation is to follow Gith doctrine with total unyielding faith. And still she tries to save you. When she keeps insisting that you must get to the Githyanki crèche, it's our only hope, she's trying to guide you towards the only salvation she knows from the parasite, so she can share it with you. And Gith... aren't supposed to do that, saving an outsider is not part of the doctrine, she's breaking the rules trying to do right by you. None of that means she's not being an asshole, she's rude, dogmatic and unpleasant. But everything she does comes from a genuine, very misguided and abrasive, desire to do the right thing. It doesn't make her behaviour okay, but there is more to her character than just "being the mean one."
To expand on this a bit more than I can in a 60 second short, people acting from fear and from their damage is a major theme among the Baldur's Gate 3 companions.
Lae'zel is terrified and falling back on the only thing she believes will give her back some control over her situation, which is the dogma of the military cult she's in. Shadowheart is much the same, amnesiac and grasping on to the only solid thing she knows, which is her faith, which preaches deception, loss and duplicity as the only certain factors in life.
Gale is an inveterate people-pleaser desperately dependent on other people to help him feed his magic addiction, with his overtly affable exterior hiding a rolling boulder of guilt, ambition, greed, arrogance and legitimate hurt. Asterion is... well, no way to really lay out his deal without spoiling, but the boy has been through it and his self-destructive, hedonistic and selfish impulses are all coping mechanism and self-defense all the time.
None of that make their shitty behaviours okay, but in a fictional story, those kinds of flaws and toxic behaviours are what make for interesting stories and characters. I don't blame anyone for finding Lae'zel unpleasant and abrasive, but I do get a bit Old Man Yells At Cloud about people who casually brag about shoving her off a cliff-side, or murdering her because "she was a bitch" or whatever.
Like... being unable to face discomfort in your media is not a virtue, and lashing out reactively against fiction that doesn't validate your power fantasy isn't a flex.
Of course, I saw a lot of those reactions in YouTube comments and on social media, so my sample is biased by those algorithms, but still. A lot of people seem aggressively proud that they never engaged with her story because the terrified indoctrinated child-soldier wasn't immediately nice to them and I can't explain it but something about that reaction feels puritan to me.
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heartlilith · 7 days
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Synastry Chart Observations
I've had 8th house synastry with a lot of people whether that be in my house or their house. For me, it really is hatred or obsession. I've had people with Mars in my 8th house that I was not sexually attracted to at all, but they wanted me. I've had Mars in the 8th house synastry with someone that I've had an on and off fling with for 5 years.
8th house synastry will transform both parties - it'll be significant whether it's good or bad
When someone's Mars is in your 12th house, you may not understand their motives or whether they like you or not. You don't understand why they do what they do.
10th house synastry is for everyone to see. It's also the highest point in the chart. Meaning, depending on the Lord and planets in the 10th house & aspects, it could mean public scandals, situations that hurt your reputation/career, or everyone knowing your business. Or it could mean that you/your partner values and admires whatever energy is in the house, could "look up" to it.
Moon in negative aspect to Mercury means it's hard for Moon to express their emotions to Mercury. Moon thinks Mercury doesn't understand. Mercury finds it hard to talk to Moon, Mercury could feel like they have to walk on eggshells around Moon.
Someone's planets falling into your 5th house is so fun. It's like a breathe of fresh air. But this doesn't signify longevity (on it's own).
Venus conjunct Mars in synastry signifies HOT attraction, more than just physical
Whatever planet Pluto aspects, it will transform the planet person in some way. Positive or negative depends on the aspect and house placement can also give more information.
6th house synastry wants to be together everyday even if it's just coexisting - running errands together, completing tasks together, helping each other out, working out, etc
Moon in the 1st house synastry is a hard bond to break.
Having your Juno in their first house means they see you as husband/wife material
3rd house synastry is a couple that has friendly debates, takes short trips together, could write love letters (if venus or mercury influences this house), always talking to each other whether thats on the phone or in person
Having your planets in someone's 4th house means you could remind them of their mother
^Same goes for 10th house and father
Sun conjunct personal planets in synastry means there is an understanding, it's similar and familiar. Sun conjunct Sun = Personalities are similar, shared interests | Sun conjunct Moon = Understanding between emotions, Sun listens and understands Moon and vice vera | Sun conjunct Mercury - Mercury knows how to talk to Sun, they finish each others sentences, could talk all day | Sun conjunct Venus - Sun is Venus's type, Sun could be inspired by Venus and vice versa, similarities in love languages and aesthetics | Sun conjunct Mars - Mar's pursues Sun and wants Sun, completely comfortable around each other.
Having Sun, Moon, Venus in someone's 2nd house means they like to buy/give you things or gifts
Sun, Moon, Venus, or Mars in 8th house synastry means 8th house can't stop thinking of planet person
Jupiter in the 5th house synastry is trying different things together or 5th house being introduced to new hobbies
Jupiter in 1st house/12th house synastry can signify having good luck when you're around Jupiter person
Want to know someone's first impression of you? Look at where your ASC falls in their chart.
Having a lot of planets in someone's 5th, 10th and 12th house could make you their muse and inspiration
Check out my Patreon :)
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ghostlyferrettarot · 30 days
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🖤🌗Lilith in the Signs🌓🖤
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❗️All the observations in this post are based on personal experience and research, it's completely fine if it doesn't resonate with everyone❗️
✨️Paid Services ✨️ (Natal charts and tarot readings) Open.
🖤If you like my work you can support me through Ko-fi. Thank you!🖤
🌟Masterlist🌟
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🐈‍⬛Lilith in Aries: the native may feel more of a desire to be independent, to stand up for things he believes in, to cherish individualism, to argue persuasively for his opinions, and to be more sensual and straightforward when in love. The issue is that this can make relationships a little more challenging, encouraging more rejection or the tendency to look for flaws in a spouse since it's hard to commit. Those who were born with this alignment in their birth chart might have gone through periods of rejection.If Lilith is in Aries, don't be scared to look ahead; what vibrates will remain, and if not, don't be afraid to let it go for good.
🐈‍⬛Lilith in Taurus: Lilit in Taurus indicates a stronger sense of tenacity along with an increased attraction to all things sensual and lovely. Additionally, it may increase emotional activity to the point that you look for greater security in relationships. Furthermore, this comfort isn't necessarily purely emotional; you might want to look for individuals who are stable financially, for instance. This particular dependency on tangible, safe things might occasionally cause discomfort and disrupt your emotional balance. Lilith, who stands for feminine power, narrates how the family's ladies acquired strength and empowerment so Lilith is in Taurus could be a clan women who came to power by making excellent use of their resources and handling their finances and belongings with diligence.
🐈‍⬛Lilith in Gemini: It can induce a greater search for independence and make the native particularly interested in intellectual or communicative areas, such as literature and public relations. This position can also suppress emotions a little or make the native more rational. With this placement it is important to understand that what kills or what hurts the native is not the physical offense, but the negative use of other people's words. With Lilith in Gemini this people may be afraid to connect with their environment for fear of rejection Or it could be the opposite, someone who is very good at social communication, who is friendly and fun and connects with everyone.
🐈‍⬛Lilith in Cancer: Lilith in Cancer has a great capacity to intuit emotionally charged issues, perhaps about the past, childhood, lack of protection during childhood, or during a moment of great vulnerability. She encourages the native to reflect on the concepts of family. This movement also speaks of emotions that are gestated in the primordial energy of Creation. The desire to establish emotional ties is intense and these people may obsessively seek to start a family.
🐈‍⬛Lilith in Leo: In general, it brings a greater desire to have fun, increases the desire to participate in parties and perhaps be the center of attention. It increases the chance of convincing and seducing people and slightly increases the chances of being a notable person. Self-knowledge is very important for you to find your true identity and eliminate any type of narcissism and overvaluation of your shape or physical beauty. When seeking recognition and attention, you must be careful not to do so in an exaggerated way. Lilith in Leo represents the energetic vibration of rebellion, uniqueness and creativity. This energy has the quality of helping those with this position.
🐈‍⬛Lilith in Virgo: They have a character that is not afraid of loneliness, they are independent and do not sacrifice their autonomy for some company. They are very selective with their friends and partners and do not dedicate time to the bonds that do not find meaning in the shared moments. This positioning of Lilit can make objectivity in details a little difficult, influencing the native to criticize things or people at first glance. Her analytical and psychological abilities tend to increase and they may have very strong intuition. The problem is that they may not be exactly aware of these abilities or, out of modesty, may not admit them.
🐈‍⬛Lilith in Libra: Lilith in Libra can intensify the thirst for justice, this position indicates a constant search for equality and beauty and at the same time a great need for symmetry in relationships. The challenge of this displacement is that natives often face scenarios where independence is threatened. with Lilith in Libra you may have difficulty establishing healthy boundaries in your social connections. This is because Lilith represents our darkest side.
🐈‍⬛Lilith in Scorpio: Lilith in Scorpio can generate a tendency towards self-destruction or an overwhelming need to go against what is established. People born under this sign have an intense and magnetic energy that can attract others to them. In addition, they are very passionate and deep people, which allows them to connect with their darkest part and have the ability to face fears and internal traumas. In addition, it can speak of people with a strong and defiant character who do not follow conventional social norms. People with this position may be curious about issues associated with sexuality, power, and individual and social transformation.
🐈‍⬛Lilith in Sagittarius: Here this native has the opportunity to unite intellect and spirituality, in addition, he suggests an influence that gives rise to a greater desire for knowledge and adventure. He usually contacts other people in search of more experience, always with good intentions. Also, he can talk about detached people, who feel that they cannot dedicate themselves to a single person, who need to adventure, travel and discover other cultures. This individuals must be careful from those who try to take advantage of their generosity as well as they must avoid nurturing vices.
🐈‍⬛Lilith in Capricorn: It tends to slightly intensify the desire for status or to obtain a prominent position, it induces the native to be a little more indifferent or demanding with others, but sometimes it is important to make concessions. On the other hand, it can increase the sense of discipline and duty, basic things to achieve a prestigious position. It is important to keep in mind that those born with Lilith in this Earth sign can express themselves in a harsh way emotionally, and their own limitation makes it difficult to expression of others. They treat the people they love with somewhat authoritarian dynamics and expect them to respond in a certain way.
🐈‍⬛Lilith in Aquarius: Lilith in Aquarius can intensify intuition, the desire for adventure, and a bolder attitude. She can stimulate independence or rebellion. Lilith in this Air sign, by not respecting what is established, they can adopt a permanent attitude of being contrary and testing everything around her. Their biggest urge is to cut ties and be totally autonomous, which can cause discomfort with others. These natives may feel that they do not match their family, they feel like the black sheep or the oddball of the clan. Then, they leave the blood network in search of a group to which they belong.
🐈‍⬛Lilith in Pisces: This positioning can cause the person to intensify themes, such as imagination, fantasy, artistic sense and inspiration. It may also stimulate a greater inclination to help people or an appreciation for social work. However, such influence can cause one to neglect oneself and fail to meet one's own needs. You must be careful not to get caught in illusions. Your spirituality or creative imagination can bear good material fruits, and it is necessary to deepen your knowledge and self-knowledge to unlock good ideas. You should always think about how to develop your spirituality and intuition to get a good idea of everything that happens around you.
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sehya · 2 months
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✧˖°. ࣪𖤐 𝐓𝐡𝐞 𝐋𝐢𝐬𝐭𝐞𝐧𝐞𝐫 𝐚𝐧𝐝 𝐓𝐡𝐞 𝐓𝐚𝐥𝐤𝐞𝐫
✉ ʟɪᴋᴇ ᴛʜᴇ ᴛɪᴛʟᴇ ꜱᴀʏꜱ.
𝐂𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫(𝐬): 𝐋𝐮𝐜𝐢𝐟𝐞𝐫 𝐌𝐨𝐫𝐧𝐢𝐧𝐠𝐬𝐭𝐚𝐫 × 𝐑𝐞𝐚𝐝𝐞𝐫
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Loneliness has accompanied Lucifer for years. Year after another, his company was filled with inanimate objects with neither the ability to speak, move or feel. While he could manipulate the actions of the objects, it doesn’t change the fact that he has no real company to speak of.
So it felt strange when there was suddenly someone sitting on the same table set up for a tea party that he normally shares with just a group of rubber ducks.
The feeling was….phenomenal.
Lucifer doesn’t even know why you’re tolerating his ramblings. He wonders if it’s out of politeness, but he dismissed the idea halfway upon witnessing the way your eyes shine with interest, the way your eyebrows moved depending on what he’s talking about and the small smile hanging firmly on your delicate face. He has your full attention and for Lucifer, he feels happy being the sole focus of your attentiveness. Heck, he’d take your hums and nods over other people’s company.
“You know…” Lucifer smiled, cheek resting on his palm as he leaned against the table with eyes never leaving yours even for a second. “I have to thank you for helping me pack. It’d be a totally boring process without you.”
Your eyes softened, placing down the tea cup slowly before you reach out and held his hand, smiling. “Anything for you.”
Lucifer grin and giggled, completely enamoured with your kindness and understanding. It took so much from him to let go of his hesitations and apprehensions, too scared to enter yet another relationship after his heart suffered from the first. Now, however, he was glad he did.
You’re like the brightest of star that burned down his walls and willingly fell in his hands, melting his heart and mending it anew. Lucifer loves the fact that you don’t mind his too much chatter, and even more when you listened with such genuine interest.
“I mostly stayed here, so the things in my room isn’t as much as the things in here. I hope you don’t mind helping me out in unpacking, too. I mean…If that’s alright with you, ahaha. I don’t want to take up too much of your time just in case you have something to do.”
That's a lie.
If he could, Lucifer would like──no, he would love to have all the time you could possibly give him.
“Oh, right, before I forgot. Remember when you mentioned about the duckies that looks like us, wellllll…” Lucifer stood up, and without letting for of your hand, he summoned a box and placed it in front of you, opening it with an excited grin. “Ta-da!~ A personally made ones by the hands of the big boss of hell. Ah-hm, what do you think?”
Lucifer watched with a touch of nervousness despite the big grin on his face as your eyes widened, staring at the pair of rubber ducks that has obvious traits to you both.
Then he saw your face erupted in red. Your eyes were staring at his gift. “You…really made it?”
It was just a random comment.
Lucifer giggled, “I made it for you.”
“You made it for me.” You whispered, feeling extremely touched. “You mean…these are for me? I can keep them both?”
Lucifer saw your eyes brightened, picking up the rubber duck that looks like him with such gentleness, as though it’s made of porcelain that could easily break. His breath hitched when you turned to him, then back to the rubber duck, then back at him, then you smiled at him.
“Lucifer…”
“Yes?” he answered hoarsely upon noticing your eyes goes lower. He somehow has an inkling what you’re going say.
“Can I kiss you?”
Lucifer grinned, he was right. Licking his lips in anticipation, he answered. “I, yeah, of course. You always can.”
With a smile, Lucifer felt your gentle hand on his face as you stood up to capture his lips in a gentle kiss before pulling away, smiling softly as you ask. “They look amazing, our little figurines. I'd like to hear their little quirks, I'm sure you did something like that back-flipping one that spits fire. Can you tell me about it?”
Lucifer was put in a daydream by your kiss, but upon hearing your words, his eyes lit up as held the hand on his cheek, squeezing it a bit. “Oh boy, how’d you know I did a little something? You’re in for a lot of talking, because trust me, these two have lotsss of amazing little quirks. Be ready to waste your time on listening to my chitter-chatter.”
The rise in the corner of your lips was enough to tell Lucifer you don’t mind and that you’ll spent however much time needed just to listen to everything he wants to say, and that, for Lucifer, is something he would forever be thankful for.
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✧˖°. ࣪𖤐 𝐀𝐮𝐭𝐡𝐨𝐫
✉ Hope you enjoyed ᥫ᭡
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felmonth · 5 months
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(Edited and slightly better developed! Will be updated until further notice)
Hey, neighbors! I am alive! XD
AAAAH! I finally managed to finish Tom's sheet, but for Au "Actors," the author of this AU is @frillsand. I've been wanting to create drawings related to this AU for a while now, and there are still comics that I want to share.
Wally won my heart -cries- 😭💘, of course, haha. I'll be sharing with you all the comics that come to mind regarding this AU.
WARNING: Before proceeding, this may contain sensitive content, you have been warned. I hope you enjoy the extended blog and the extra mini-comic to lighten the mood.
Well without anything else to say about it...let's start with Tom Unlucky, the stylist!!
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Tom Actor's Story:
In a town called "Titirilquén," Thompson (Tom) Lucky grew up alongside his mother and brother Jack Lucky. They depended on each other for everything. They didn't own a television, but they would find TVs on in stores where mostly there were news and interviews with celebrities. Both of them dreamed of becoming actors inspired by the experiences shared by those celebrities on television. Their school further fueled their interests, as it offered a theater subject and a variety of art-related courses.
At school, Jack exhibited a captivating personality in his school theater performances, earning admiration from everyone. However, Jack felt uncomfortable because nobody paid attention to his brother, who was also improving with each performance and costume. Therefore, Jack decided to involve his brother in everything to make him stand out just like himself...
Over time, the school grants Jack a special scholarship that involves working in one of the largest studios in Titirilquen despite being very young. This news greatly delights Jack, so he mentions it to his brother about this opportunity to become what they wanted to be at that time. Unfortunately, those who gave Jack the opportunity were very disappointed when he brought Tom to work with him, so they reluctantly accepted Tom only because Jack requested it.
When Jack was not around Tom, they assigned him different tasks than what an actor should do, completely deviating from the agenda that Tom had planned for the week. This led him to become overloaded with tasks, but he didn't complain because he thought it had to happen when living the life of an actor.
Jack and Tom were the first young actors in the Titirilquén studio. They initially performed in a few presentations for a museum, and then the director decided to create a program with them. Both did their best until they became somewhat more known thanks to the news in their town, and Tom was no longer as ignored as when he first joined. They reached a broader audience, leading them to want to learn more about the people in their town. So, they started learning sign language and refining their voices for musical sections to begin a small program aimed at families.
Both were directed by the same assistant, "Ron," but due to unforeseen circumstances, he had to retire because he had to move to another country for another job opportunity where he could earn more money to support his family. They had a new assistant, a woman named "Cherry," and from this moment, problems arose. The new assistant was serious and easily stressed when the director had to tell her what to do. As a result, she left the job of directing to the two young actors.
This assistant was starting to have too many problems with the brothers, she envied that both brothers mentioned the previous assistant's actions. However, they did not say this with bad intentions but rather so that he could do his job well, since the director was demanding regarding what should be on the schedule of both brothers. Over time, the work environment between them improved, but something was missing in the assistant's life, the brothers did not say many things to her or chat with her, but instead spoke only among themselves.
One day, Cherry overheard a conversation between the two brothers about the previous assistant. Cherry misinterpreted this as a threat to her job and felt worthless to both brothers. He decided to come up with a plan with his fellow students. The plan was to put one of the brothers in a problematic situation so that she could do something to help them and get recognition for it because according to her, the brothers did not value her.
The chosen target was Tom, as Cherry considered him weak and incapable. After finishing his singing section of the show, Tom left the studio to take a break and have a drink.
He noticed that his co-workers near a restaurant were calling him to chat, Tom without noticing any suspicion in them, approached them with great joy, because he admired what his co-workers were doing in the studio.
And being recognized and starting a conversation by them was a great joy for Tom, since he always lived underestimated as just a simple doll who cannot stand out among humans.
Unfortunately, there were ulterior motives. While they were talking to Tom normally, they took him behind the studio, which looked like an alley, and there a cruel scare developed. These coworkers mentioned negative things when they entered the alley and Tom felt uncomfortable by his coworkers' sudden mood swings. He tried to back away, but was easily caught. While saying negative things, they gradually destroyed parts of his body, including arms, legs, wrists, and fingers. They showed no concern for the little puppet's screams and fear because, to them, he was just a doll that couldn't feel pain, or so they claimed, they made fun of him for being too dramatic when he screamed.
When this situation came to an end, the group of companions left, leaving him alone, Tom remained on the ground, crying without understanding how the situation took such a sudden turn. Just a few moments ago everything was fine and now he was helpless on the ground, motionless. He could only see the cotton sticking out of his body and his limbs outside his body, he could only move his head at the moment, he felt completely useless. He prayed that his brother would find him and help him, but then Cherry appeared, pretending to be worried about Tom. She helped him in this terrible situation and took him to the emergency tailoring service.
Now, with Tom recovered, he was mentally depressed and shattered. He looked at his stitched-up body and felt very insecure about venturing into the streets inhabited by humans. He didn't want to go through a similar situation again, so his only support rested on Cherry.
Tom was immensely grateful to her for helping him in this terrible and stressful situation. After a few long minutes of silence, he told his assistant that he didn't want to continue his acting career. This surprised Cherry, but she said nothing and just listened, offering ideas. She felt quite good about helping Tom in these moments of stress. She informed the director about this decision, and of course, he was very concerned and saddened, especially when Tom requested not to inform his brother.
When Tom was discharged on the same day as the accident, he didn't want to go home because a thought crossed his mind: he had always depended on his brother and was only causing him problems. So, with a heavy heart, he decided to distance himself from his brother. The assistant supported all of Tom's ideas, including the idea of complete separation. She was happy that Tom depended on her, so she found him a job outside the country without consulting him.
From Jack's perspective, after the accident, he found it strange that his brother didn't appear on the show. He asked the director why there were sudden changes in the program and why his brother wasn't there. The director decided to be tough with him, saying they hired him and not his brother. He gave Jack new rules for the new direction of the show. Jack was devastated by this news. He considered quitting his job but thought better of it; he wanted to see his brother at home.
When he arrived home, there were no traces of his brother or his belongings. He tried calling him, but there was no phone coverage. In his desperation, he contacted the authorities to inquire about his brother, but they only started working after at least two days of being missing.
This situation was stressful for Jack and his mother. They were very worried and considered various possibilities of what might have happened. Tom decided not to tell them anything when offered a call by the authorities and declared that he wouldn't return home. His family was concerned because they heard a weak voice through the phone, but it was all they could do as the studio was too secretive with the information.
Both brothers remained separated for a long time. For Jack, nothing was the same without Tom, and the show looked depressing. Despite this, he maintained a forced smile for his audience. Children asked a lot about his brother, leading him into deep depression.
Tom, moved to another country, working in a new studio as a stylist. He adopted a fearful, anxious, and panicked attitude, afraid of everyone. To distract himself, he overloaded himself with work, trying to maintain composure by breathing deeply. He couldn't stop thinking about his family, and he knew what he was doing wasn't healthy, but he wanted to stay away for a while.
Well, that's roughly the story. It's long, but I feel that now it's better understood than before. Thanks for staying to read and loving Tom Actor! -cries-
Curious facts about Titirilquén today:
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Lately, I've been hooked on a series called "31 minutos," so I included some things from that series. I highly recommend it, it's in Spanish, but there are English subtitles available. Titirilquén is from that show.
Titirilquén doesn't have hospitals because literally no one gets sick there. However, there are places like Mrs. Juanita's service, who takes care of the damaged puppets in this town.
Titirilquén was a town of only puppets but tired of being anonymous and as an unknown town, they decided to include people in their town, building a civilization, the negative of the town only benefits the humans that its own puppet inhabitants.
Facts about Tom:
(Jack's data was deleted to create his respective sheet)
He is 27 years old now.
He speak spanish but he learned English thanks to Cherry.
He is very naive, and that works against him, as he decides to trust everyone.
He has a puppet friend in this studio and his name is Lulu but he affectionately calls him "Wolfy"
When he first arrived at the studio, the studio people confused him with Wally, so since that day, some just call him "Pink Wally." (This is due to his height, skin tone and hair shape, so Tom changed his look to messier hair to not look like Wally)
Tom is a very good worker, but he always hides after finishing his work and doesn't get distracted by anything while working. If a human talks to him, he ignores them, but if it's a puppet, he takes time to chat.
Despite hiding, he is found by children, most of whom are human.
He misses being an actor but is very afraid.
Alongside his brother, they worked on a children's educational program called "Sing until Counting to 3." They taught children songs that included sign language. However, when they leave, the program is completely forgotten by the director.
Tom and Jack are not the same height, Jack has to bend down to hug and talk to him.
Tom usually wears makeup, always in pink or fuchsia, which is his favorite color.
Tom often sees little due to his poor eyesight, so he sometimes needs glasses to see clearly, but he usually doesn't use them because he finds them unnecessary.
Tom has fallen in love with Cherry due to her concern for him (friend, realize...).
As you can see, Tom is afraid of humans, and you rarely find him crying in studio places where people don't live, or even paranoid. If you find him in this situation, make him feel comfortable because he is completely unstable at that moment.
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People consider him strange and curious because he often hides and is fearful, and they don't understand why he behaves like that. (It doesn't mean he avoids bad situations with the studio's humans; some of them respect the puppets, while others decide to hate them.)
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Tom in this Au has a human brother, in the style of muppet protagonists. His name is Jack Lucky and they are both very close and have achieved many things together by working as a team. Jack is very attentive to his puppet brother, caring for him and trying to understand him as best he can.
Will Tom manage to become an actor again? Will his life improve? Will his brother Jack locate him after a long time? Will Tom continue to call himself unfortunate? Find out in the next episode... *Felmonth bids farewell to the viewers watching the video.*
NOW, COMIC! YAY!!
Title: "First unlucky day"
Reference movie: "White Chicks"
I don't know what Janet's design is like, I didn't find any reference, so I made it with what I found.
And well that was all, I hope you liked everything, I did the best I could and as always if there are questions ask without problems.
Bye byeeee!
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Extra: It is assumed that in this unplanned part, Wally told Tom "Consider yourself unlucky for working with me from now on." (No canon for me xD but extra)
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Bye uwu)/💐
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writingwithcolor · 4 months
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What Makes an Ethnic Villain "Ethnic" or "Villainous?" How Do You Offset it?
anonymous asked:
Hello WWC! I have a question about the antagonist of my story. She is (currently) Japanese, and I want to make sure I’m writing her in a way that doesn’t associates [sic] her being Asian with being villainous.  The story is set in modern day USA, this character is effectively immortal. She was a samurai who lost loved ones due to failure in combat, and this becomes her character[sic] motivation (portrayed sympathetically to the audience). This story explores many different time periods and how women have shown valor throughout history. The age of the samurai (and the real and legendary female warriors from it) have interested me the most, which is why I want her to be from this period.  The outfit she wears while fighting is based on samurai armor, and she wears modern and traditional Japanese fashion depending on the occasion. She acts pretty similar to modern day people, though more cynical and obsessed with her loss. She’s been able to adapt with the times but still highly values and cherishes her past.  She is the only Asian main character, but I plan to make a supportive Japanese side character. She’s a history teacher who knows about the villain and gives the protagonists information to help them, but isn’t involved in the main plot otherwise.  Are the way I’m writing this villain and the inclusion of a non-antagonist Japanese character enough to prevent a harmful reading of the story, or is there more I should do?
Why Does Your Villain Exist?
This makes me feel old because David Anders plays a villain with this kind of backstory in the series Heroes starring Masi Oka. 
I think you want to think about what you mean when you say: 
Villainous (In what way? To whom? To what end?)
Harmful (What tropes, narratives and implications are present?)
I’m relatively infamous in the mod circle for not caring too much about dimensions of “harm”. The concept is relative and varies widely between people and cultures. I don’t see much value in framing motivations around “What is less harmful?” I think for me, what matters more is: 
“What is more true?” 
“Are characteristics viewed as intrinsic to background, or the product of experiences and personal autonomy?”
“Will your portrayal resonate with a large audience?”
“What will resonate with the members of the audience who share the backgrounds your characters have?” 
This post offers additional questions you could ask yourself instead of “is this okay/not okay/harmful.” 
You could write a story where your antagonist is sly, sadistic, violent and cold-blooded. It may not be an interpretation that will make many Japanese from combat backgrounds feel seen or heard, but it’s not without precedent. These tropes have been weaponized against people of Japanese descent (Like Nikkei Japanese interned during World War II), but Japan also brutalized a good chunk of Asia during World War II. See Herge’s Tintin and The Blue Lotus for an example of a comic that accurately showcases the brutality of Japan’s colonization of Manchuria, but also is racist in terms of how Japanese characters are portrayed (CW: genocide, war, imperialism, racism).
You could also write a story where your character’s grief gives way to despair, and fuels their combat such that they are seen as calculating, frigid and deeply driven by revenge/ violence. This might make sense. It’s also been done to death for Japanese female warriors, though (See “Lady Snowblood” by Kazuo Koike and Kazuo Kamimura here, CW: sexual assault, violence, murder and a host of other dark things you’d expect in a revenge story). 
You could further write a story where your antagonist is not necessarily villainous, but the perceived harm comes from fetishizing/ exoticizing elements in how her appearance is presented or how she is sexualized, which is a common problem for Japanese female characters. 
My vote always goes to the most interesting story or character. I don’t see any benefit to writing from a defensive position. This is where I'll point out that, culturally, I can't picture a Japanese character viewing immortality as anything other than a curse. Many cultures in Japan are largely defined by transience and the understanding that many things naturally decay, die, and change form.
There are a lot of ways you could conceivably cause harm, but I’d rather hear about what the point of this character is given the dilemma of their position. 
What is her purpose for the plot? 
How is she designed to make the reader feel? 
What literary devices are relevant to her portrayal?
(Arbitrarily, you can always add more than 1 extra Japanese character. I think you might put less pressure on yourself with this character’s portrayal if you have more Japanese characters to practice with in general.) 
- Marika. 
When Off-Setting: Aim for Average
Seconding the above with regards to this villainess’s story and your motivations for this character, but regardless of her story I think it’s also important to look specifically at how the Japanese teacher character provides contrast. 
I agree with the choice to make her a regular person and not a superhero. Otherwise, your one Asian character is aggressively Asian-themed in a stereotypical Cool Japan way (particularly if her villain suit is samurai-themed & she wears wafu clothing every so often). Adding a chill person who happens to be Japanese and doesn’t have some kind of ninja or kitsune motif will be a breath of fresh air (well, more like a sigh of relief) for Japanese readers. 
A note on characterization—while our standard advice for “offset” characters is to give your offset character the opposite of the personality trait you’re trying to balance, in this case you might want to avoid opposites. You have a villainess who is a cold, tough “don’t need no man” type. Making the teacher mild-mannered, helpful, and accomodating would balance out the villainess’s traits, but you’ll end up swinging to the other side of the pendulum towards the Submissive Asian stereotype depending on execution. If avoiding stereotypes is a concern, I suggest picking something outside of that spectrum of gentleness to violence and making her really boring or really weird or really nerdy or a jock gym teacher or…something. You’re the author.
Similarly, while the villainess is very traditionally Japanese in her motifs and backstory, don’t make the teacher go aggressively in either direction—give her a nice balance of modern vs. traditional, Japanese vs. Western sensibilities as far as her looks, dress, interests, values, etc. Because at the end of the day, that’s most modern Japanese people. 
Sometimes, the most difficult representation of a character of color is making a character who is really average, typical, modern, and boring. 
- Rina
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autistichalsin · 3 months
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Halsin and abandonment issues
One thing I've come to conclude about Halsin's character, based on many parts of his story and some lines he says, is that he might have abandonment issues.
To begin with: he lost his entire family over the years to accidents and disease, per his writer. That's the kind of thing that leaves deep scars- watching everyone you love fade away over years, until at a "comparatively young age" you're the last of your family and turned over to the Druids to be taken care of. (His writer didn't specify an age, but if he was young enough to be "turned over to the Druids" instead of "finding his way there" then it is likely he was not an adult.) There's no time to lose your family that isn't absolutely horrible, but as a young person is far, far worse.
Then there's Halsin's other traumas, all of which involve isolation; he was a prisoner for three years in the Underdark, and despite this, no one thought to come looking for him to save him. He lost most of his fellow Druids in the battle against Ketheric Thorm and the Shadow Curse that followed- and what few didn't die, he still lost their friendship to his leadership position, the "weight of responsibility". His one lasting friend in all of this, Thaniel, was lost to the curse and Halsin spent over 100 years blaming himself, fighting to be the best leader he could at the Grove, and having no one at all he could lean on for any of his burdens. And then he wound up kidnapped again, this time by the goblins, and when he returns, almost all his Druids have been turned against him, some even holding him in contempt. All experiences that are isolating in nature and reinforce to him that he can't rely on anyone else, that he is the only person he can depend on, and that in the end, everyone he cares for is going to leave or die.
It's not just speculation that he feels that way, either. He has several lines about his survivor guilt and isolation:
"[...] there is a burden to being the survivor... the witness to others' tragedies. It only grows heavier with time."
"[...] Grim as it is now, it was worse on the day of the battle. A vivid wound upon my memory. I was lucky - I lived, when so many did not. It would take me a day and a night to recite the names of all the friends I lost."
And lines that indicate he's used to being left, too.
If the player rejects him after he wildshapes (emphasis mine):
"Ah, I see. Well, of course. Back to camp then."
Saying "of course" implies it's not entirely unexpected.
After the final battle, if the player declines to have a celebration and says the party should split up:
"It was always destined to be so, if we prevailed. But the foreknowledge makes it no less bittersweet..."
He was expecting the party not to stick together.
Similarly, if a love-interest player breaks up with him in the ending:
"I see... After all my years of living, I know all too well that nothing lasts forever. Yet a parting can sting, nonetheless. But that just means what we shared was precious, and will live on in my memory. Thank you - I am a richer man for having met you."
The "nothing lasts forever" really sells it, to me, especially because the context makes it clear that he isn't just making a general statement- he's talking about relationships and people. Again- he was expecting it all to end.
His worry in the epilogue, when a solo-romanced player comes to the party with him, hints at this even more: "You could have done anything, gone with anyone... yet you chose me."
He's surprised that the player, even if they're in love, would want to live with him and share his dream. He can't believe they really wanted that- he even says that he keeps expecting to "stir from the dream".
I feel like that shows a lot about how Halsin feels after all the loss he's endured- he doesn't ultimately believe anyone is going to stay with him, whether because they choose to leave him, or because they'll die.
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specialagentartemis · 14 days
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Hey, would you be willing to elaborate on that "disappearance of the Anasazi is bs" thing? I've heard something like that before but don't know much about it and would be interested to learn more. Or just like point me to a paper or yt video or something if you don't want to explain right now? Thanks!
I’m traveling to an archaeology conference right now, so this sounds like a great way to spend my airport time! @aurpiment you were wondering too—
“Anasazi” is an archaeological name given to the ancestral Puebloan cultural group in the US Southwest. It’s a Diné (Navajo) term and Modern Pueblos don’t like it and find it othering, so current archaeological best practices is to call this cultural group Ancestral Puebloans. (This is politically complicated because the Diné and Apache nations and groups still prefer “Anasazi” because through cultural interaction, mixing, and migration they also have ancestry among those people and they object to their ancestry being linguistically excluded… demonyms! Politically fraught always!)
However. The difficulties of explaining how descendant communities want to call this group kind of immediately shows: there are descendant communities. The “Anasazi” are Ancestral Purbloans. They are the ancestors of the modern Pueblos.
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The Ancestral Puebloans as a distinct cultural group defined by similar material culture aspects arose 1200-500 BCE, depending on what you consider core cultural traits, and we generally stop talking about “Ancestral Puebloan” around 1450 CE. These were a group of people who lived in northern Arizona and New Mexico, and southern Colorado and Utah—the “Four Corners” region. There were of course different Ancestral Pueblo groups, political organizations, and cultures over the centuries—Chaco Canyon, Mesa Verde, Kayenta, Tusayan, Ancestral Hopi—but they generally share some traits like religious sodality worship in subterranean circular kivas, residence in square adobe roomblocks around central plazas, maize farming practices, and styles of coil-and-scrape constructed black-on-white and black-on-red pottery.
The most famous Ancestral Pueblo/“Anasazi” sites are the Cliff Palace and associated cliff dwellings of Mesa Verde in southwestern Colorado:
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When Europeans/Euro-Americans first found these majestic places, people had not been living in them for centuries. It was a big mystery to them—where did the people who built these cliff cities go? SURELY they were too complex and dramatic to have been built by the Native people who currently lived along the Rio Grande and cited these places as the homes of their ancestors!
So. Like so much else in American history: this mystery is like, 75% racism.
But WHY did the people of Mesa Verde all suddenly leave en masse in the late 1200s, depopulating the whole Mesa Verde region and moving south? That was a mystery. But now—between tree-ring climatological studies, extensive archaeology in this region, and actually listening to Pueblo people’s historical narratives—a lot of it is pretty well-understood. Anything archaeological is inherently, somewhat mysterious, because we have to make our best interpretations of often-scant remaining data, but it’s not some Big Mystery. There was a drought, and people moved south to settle along rivers.
There’s more to it than that—the 21-year drought from 1275-1296 went on unusually long, but it also came at a time when the attempted re-establishment of Chaco cultural organization at the confusingly-and-also-racist-assuption-ly-named Aztec Ruin in northern New Mexico was on the decline anyway, and the political situation of Mesa Verde caused instability and conflict with the extra drought pressures, and archaeologists still strenuously debate whether Athabaskans (ancestors of the Navajo and Apache) moved into the Four Corners region in this time or later, and whether that caused any push-out pressures…
But when I tell people I study Southwest archaeology, I still often hear, “Oh, isn’t it still a big mystery, what happened to the Anasazi? Didn’t they disappear?”
And the answer is. They didn’t disappear. Their descendants simply now live at Hopi, Zuni, Taos, Picuris, Acoma, Cochiti, Isleta, Jemez, Laguna, Nambé, Ohkay Owingeh, Pojoaque, Sandia, San Felipe, Santa Clara, San Ildefonso, Tamaya/Santa Ana, Kewa/Santo Domingo, Tesuque, Zia, and Ysleta del Sur. And/or married into Navajo and Apache groups. The Anasazi/Ancestral Puebloans didn’t disappear any more than you can say the Ancient Romans disappeared because the Coliseum is a ruin that’s not used anymore. And honestly, for the majority of archaeological mysteries about “disappearance,” this is the answer—the socio-political organization changed to something less obvious in the archaeological record, but the people didn’t disappear, they’re still there.
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lurkingteapot · 11 months
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Every now and then I think about how subtitles (or dubs), and thus translation choices, shape our perception of the media we consume. It's so interesting. I'd wager anyone who speaks two (or more) languages knows the feeling of "yeah, that's what it literally translates to, but that's not what it means" or has answered a question like "how do you say _____ in (language)?" with "you don't, it's just … not a thing, we don't say that."
I've had my fair share of "[SHIP] are [married/soulmates/fated/FANCY TERM], it's text!" "[CHARACTER A] calls [CHARACTER B] [ENDEARMENT/NICKNAME], it's text!" and every time. Every time I'm just like. Do they though. Is it though. And a lot of the time, this means seeking out alternative translations, or translation meta from fluent or native speakers, or sometimes from language learners of the language the piece of media is originally in.
Why does it matter? Maybe it doesn't. To lots of people, it doesn't. People have different interests and priorities in fiction and the way they interact with it. It's great. It matters to me because back in the early 2000s, I had dial-up internet. Video or audio media that wasn't available through my local library very much wasn't available, but fanfiction was. So I started to read English language Gundam Wing fanfic before I ever had a chance to watch the show. When I did get around to watching Gundam Wing, it was the original Japanese dub. Some of the characters were almost unrecognisable to me, and first I doubted my Japanese language ability, then, after checking some bits with friends, I wondered why even my favourite writers, writers I knew to be consistent in other things, had made these characters seem so different … until I had the chance to watch the US-English dub a few years later. Going by that adaptation, the characterisation from all those stories suddenly made a lot more sense. And the thing is, that interpretation is also valid! They just took it a direction that was a larger leap for me to make.
Loose adaptations and very free translations have become less frequent since, or maybe my taste just hasn't led me their way, but the issue at the core is still a thing: Supernatural fandom got different nuances of endings for their show depending on the language they watched it in. CQL and MDZS fandom and the never-ending discussions about 知己 vs soulmate vs Other Options. A subset of VLD fans looking at a specific clip in all the different languages to see what was being said/implied in which dub, and how different translators interpreted the same English original line. The list is pretty much endless.
And that's … idk if it's fine, but it's what happens! A lot of the time, concepts -- expressed in language -- don't translate 1:1. The larger the cultural gap, the larger the gaps between the way concepts are expressed or understood also tend to be. Other times, there is a literal translation that works but isn't very idiomatic because there's a register mismatch or worse. And that's even before cultural assumptions come in. It's normal to have those. It's also important to remember that things like "thanks I hate it" as a sentiment of praise/affection, while the words translate literally quite easily, emphatically isn't easy to translate in the sense anglophone internet users the phrase.
Every translation is, at some level, a transformative work. Sometimes expressions or concepts or even single words simply don't have an exact equivalent in the target language and need to be interpreted at the translator's discretion, especially when going from a high-context/listener-responsible source language to a low-context/speaker-responsible target language (where high-context/listener responsible roughly means a large amount of contextual information can be omitted by the speaker because it's the listener's responsibility to infer it and ask for clarification if needed, and low-context/speaker-responsible roughly means a lot of information needs to be codified in speech, i.e. the speaker is responsible for providing sufficiently explicit context and will be blamed if it's lacking).
Is this a mouse or a rat? Guess based on context clues! High-context languages can and frequently do omit entire parts of speech that lower-context/speaker-responsible languages like English regard as essential, such as the grammatical subject of a sentence: the equivalent of "Go?" - "Go." does largely the same amount of heavy lifting as "is he/she/it/are you/they/we going?" - "yes, I am/he/she/it is/we/you/they are" in several listener-responsible languages, but tends to seem clumsy or incomplete in more speaker-responsible ones. This does NOT mean the listener-responsible language is clumsy. It's arguably more efficient! And reversely, saying "Are you going?" - "I am (going)" might seem unnecessarily convoluted and clumsy in a listener-responsible language. All depending on context.
This gets tricky both when the ambiguity of the missing subject of the sentence is clearly important (is speaker A asking "are you going" or "is she going"? wait until next chapter and find out!) AND when it's important that the translator assign an explicit subject in order for the sentence to make sense in the target language. For our example, depending on context, something like "are we all going?" - "yes" or "they going, too?" might work. Context!
As a consequence of this, sometimes, translation adds things – we gain things in translation, so to speak. Sometimes, it's because the target language needs the extra information (like the subject in the examples above), sometimes it's because the target language actually differentiates between mouse and rat even though the source language doesn't. However, because in most cases translators don't have access to the original authors, or even the original authors' agencies to ask for clarification (and in most cases wouldn't get paid for the time to put in this extra work even if they did), this kind of addition is almost always an interpretation. Sometimes made with a lot of certainty, sometimes it's more of a "fuck it, I've got to put something and hope it doesn't get proven wrong next episode/chapter/ten seasons down" (especially fun when you're working on a series that's in progress).
For the vast majority of cases, several translations are valid. Some may be more far-fetched than others, and there'll always be subjectivity to whether something was translated effectively, what "effectively" even means …
ANYWAY. I think my point is … how interesting, how cool is it that engaging with media in multiple languages will always yield multiple, often equally valid but just sliiiiightly different versions of that piece of media? And that I'd love more conversations about how, the second we (as folks who don't speak the material's original language) start picking the subtitle or dub wording apart for meta, we're basically working from a secondary source, and if we're doing due diligence, to which extent do we need to check there's nothing substantial being (literally) lost -- or added! -- in translation?
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magicalink · 7 months
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Do they fuck or do they make love?
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Headcanons with no specific AU! Mainly character x reader but it ended up implying character x character ships too in sime characters. I wrote this headcanons and when I was reading them to my boyfriend (who is my only beta reader) he started giving his opinions about them and I found his comments absolutely hilarious so I decided to include them! 🤣 First go my headcanons about the character and then my boyfriend's comments indented. Some of them are unhinged 🤣
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Venti: Depends on the partner and the situation. He adores making delicate love to you but he's always up for a quickie in the middle of the house, the forest, anywhere and anytime you're willing. And oh Archons, is he intense when he does any of the two! He likes sex to be THE experience, and he tends to be over the top when it comes to it. Also an uncontrollable moaning machine.
Bf: Nah, he fucks. All the time. Cuz he is drunk all the time. We all know his only love is alcohol. I agree on the moaning machine part though, he is loud and doesn't care if others hear.
Diluc: Makes love. He has no time for sex if it's not with the love of his life. Doing it with him is a ceremony to remember. Expect long sessions full of kisses, heartwarming confessions, and body worshipping.
Bf: Accurate. Total gentleman. He only makes love. And possibly the first time you do it he will propose to you the morning after.
Childe: Fucks. He is all in for the adrenaline and pleasure in life, whether it's battle or it's lust. He wants to dive in and feel as much as he can,the more intense and dangerous, the better.
Bf: A fucking degenerate. He loves violence and competition and if he doesn't get it in sex then he's not interested. More of a masochist than a sadist, don't be surprised if you fight him and he ends up insinuating sexually to you. Especially if you're winning the fight. He wants to get beaten up. To sum up, he has a very weird way of "making love"...
Xiao: Makes love. To him, it's something sacred that should be shared with the people you love and respect the most. Will worship every inch of your body and be desperate to convey his feelings to you. Will focus completely on your pleasure, so make sure to calm him down and reward him a bit too!
Bf: Turbo virgin who self cock blocks all the time. He is always afraid: of hurting you, of making you uncomfortable, of saying something wrong, of looking at the wrong place...If you moan he asks you if you're okay. He gets soft all the time because he is afraid of hurting you. He has suicidal thoughts half the encounter. But yeah he makes love.
Albedo: Who knows, really. He's still studying what's the difference between the two. And he sure is doing an experiment and carefully studying it when he has sex with you. To be perfectly clear, he loves you, but this whole thing about sex and human relationships is new to him so he's trying to understand all these new feelings. 
Bf: "Making love? Fucking? What is that? I'm the chalkman." Doesnt have a dick and if he had, he is not interested in human relationships at all. But if you manage to fuck him he would be writing down notes about it the whole time.
Scaramouche: Fucks because he thinks giving in to love will make him weak.💔
Bf: Fucks and he only thinks about his mommy issues while doing it. He only fucks to dissociate. And if you treat him with basic human kindness he will start seeing you as a maternal figure so be careful.
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Wanderer: Now understands that lying about his feelings is the true form of weakness and doesn't want to waste a single more second of life, he makes love to you making sure he makes crystal clear how he feels about you: in the most explicit, toe-curling, fluid dropping way he can. If you like it hard, prepare to be smacked until you can't sit the following day.
Bf: He's gone to therapy so the mommy issues are better but he's still annoying af. He plays hard to get and pretends not to be committed but the truth is he's just being tsundere and hiding the fact that he is eating from the palm of your hand.
Kazuha: Makes the finest comfiest love in the world. Fucks like a horndog when he's drunk or high but won't stop telling you how crazily he loves you while doing it.
Bf: He is high af the vast majority of the time and during sex, it's no exception. If you manage to fuck him sober he will be the super reflexive and emotional type that cries during sex. But he fucks you lovely but won't make love to you, he only makes love with the love of his life Tomo, the rest of you are his cattle. He's a super friendly guy so after sex he will share his weed with you.
Gorou: He's a gentleman who wants to become good at making love but is extremely shy and gets flustered easily so he fucks sloppily. An adorable sight to behold!
Bf: I agree he is a little gentleman.
Tighnari: Makes love. Except when he's in heat. Then you have to be prepared if you wanna handle him. 
Bf: another stoner. He would experiments with aphrodisiacs all the time, makimg them into weird salts or sth.
Cyno: Very similar to his jokes. He's completely sure he's giving his best at making love to you or Tighnari and showing you his devotion, but his poker face, stoic manners, and scary appearance make him look like he's angry fucking you. He doesn't get what he's doing wrong and doesn't do it on purpose. But it doesn't matter since you know him very well and not only are you used to his antics but you also have become sensitive to his very subtle changes of expression.
Bf: He can't help bit to tell bad jokes when he fucks. Self cockblocks himself all the time: either he goes soft in the middle of the act because he's laughing at his own jokes or he makes so cringy jokes that his partner gets uncomfortable and leaves. He can't help it, if he doesn't get them our he will explode.
Itto: Fucks wildly but it's his way of making love. He is just too brute to control the size and strength of his body, especially when he is under the effect of the feral feelings he has for you. 
He loves you so much he can't help but to pick you up like you're a potato sack and swirl you in the air like you are a rag doll and take you with him everywhere. When he hugs you he leaves you breathless, when he kisses you he leaves you all sloppy and when he fucks you…well he leaves you sore for weeks but let's say it's totally worth it!
Bf: totally disagree! It would be so hard to fuck him, he would be clueless and friend zone or family zone you all the time. If you tell him you wanna be more than friends he would say "Superfriends??" With the biggest smile. And if you manage to fuck him he would be super careful, he knows he is a brute and is scared of hurting you.
Thoma: Makes super lovey-dovey love. Always double-checks if you're comfortable and enjoying the experience. Knowing he's making you feel good makes him glad and arouses him so don't be shy and tell him if he's doing it well!
Bf: nononono, absolutely wrong, you're blinded by his looks. He is a degenerate masochist and he only fucks Ayato. They have this weird dynamic where he literally acts as his dog.
Ayato: Another one who depends on the partner and situation. Honestly, he's so overworked that he desperately needs a good fuck. Ok maybe many of them. But not only he doesn't have the time, but also he can't be seen sleeping around due to his political position, so probably he'll only get to have sex when he finally finds the person he wants to marry. He hopes to be able to marry someone he actually loves instead of marrying for political reasons. So if you're the lucky one, expect heated sessions of lovemaking from this touch-starved man! Also, he'll love you but that doesn't mean he's gonna stop being a merciless tease 👀
Bf: Degenerate sadist who only has eyes for Thoma and makes him go through so much weird stuff they don't even remember what is to have normal sex. Tying him up and putting him on a leash is the most normal thing out of what they do.
Kaeya: Fucks. He lives for the spectacle and the mystique of it. Also, he's super popular around Mondstadt and wherever he goes so he sleeps around a lot. He has tons of admirers from both sexes and he makes sure to reward their love and devotion. He knows exactly how to please people, how to exacerbate his natural beauty and how to leave them crazy for him. He's simply so erotically natured. Probably the most experienced guy you know in the field. 
Bf: Agree. Turbo slut. No more comments needed. If he manages to open his heart he can be sensitive. But that only happened once and it was with his own reflection in a mirror.
Heizou: Fucks lovingly 💕 He loves teasing and making his partner flustered. People and relationships are simply so fun and fascinating to him. And when he gets to be sexually intimate with someone it's even better! If you end up involved with him, be prepared to be taken to your limits.
Bf: Another degenerate. Probably makes you pretend you're a criminal to chase you around town. Pretty sadistic and I can imagine him having yandere tendencies. A cool guy though. When he is not horny.
Al Haitam: Zero interested in the matter. Until he met you. He is learning everything from scratch and even though he's always been a fast learner in everything, this subject is particularly hard since he needs to stop rationalizing and let his feelings take control for once. But his feelings for you are pretty intense, so little by little he is learning how to make love to you 💚
Bf: I imagine him as a turbo aspirator 3000. He would suck your soul out of your genitals. If you manage him to make him interested in sex, which is highly unlikely because he is like 0 interested in any kind of human contact. I picture him having sex with Kaveh and Kaveh would be a pillow princess and Haitham despite being the kind of guy who always sits down and just reads books he would be restless in bed, doing all the job and moving him around.
Kaveh: Another sweet-sweet love guy! He'll make sure to treat you like a princess and spoil you rotten in and out of the bedroom. He'll do the corniest expressions of chivalry but please bear with him, it genuinely comes from his heart. But if you want to see a more sloppy and wrecked side of him, you can always seduce him after he goes to the bar…
Bf: Sassy pillow princess. Or prince? Idk how to say it. He doesn't do anything but he will be all the time criticizing or praising what you do like a talent show judge. "Come on? Is it the first time you suck a cock or what?" You can imagine this kind of behavior is what infuriates Al Haitham and motivates him to go feral and fuck him around the whole house until he shuts the fuck up.
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BONUS: This is an old draft but now that Neuvillete and Wriostheley are out, we couldn't let them out! So for this, we are interchanging roles, my bf will give you his headcanons and I will comment!
Bf: I'm 100% sure both Neuvie and Wriot are completely opposite in bed from their personalities in public. Our chivalrous and calm Neuvie is a pasional beast in bed. He is unsatiable, he is a dragon after all. Gives me the same vibes as Zhong Li who acts super calm but when fucking Childe he destroys 3 hotel rooms every night (exactly the type Childe loves. He got a crush on him when he struck him down at Fontaine's court. I'm sure Zhong Li will get jealous when he finds out and we will have some dragon drama going on) Back to Neuvie, he is super feral but he doesn't fuck, he makes love. It's his draconic way of making love. He is also very emotional and if he likes you, after having sex and having calmed down, he will open his wallet and start showing you the pictures of his 300 Melusine daughters and tell you their names and each of their jobs. He is a very proud dad.
Wriothesley loves you from a distance. While you fuck he is super sweet and loving, but during everyday life, he sucks at showing his feelings. He reminds me of the dad of Komi San, super silent but full of love. He communicates through glances (like a dog). Everyone thinks he is a bad boy but he's a super sentimental guy (won't admit it though) If you give him a gift he will treasure it forever and if someone breaks it or steals it from him he will beat them up.
One of his phrases would be "If something happens to my schmoochpsiepups I will kill everyone in Teyvat and then myself," and when he messes up with you for being unable to show his emotions he goes to a karaoke and sings "Baka Mitai" all depressed. He has 0 emotional intelligence and would go there often, crying "Oh, I wanted to tell Y/N how much I love them before they went away and I just groaned 'hmmm' AGAIN 😭😭".
YET ANOTHER BONUS: If Neuvillete and Wriothesley were in a romantic relationship, I'm sure Neuvie would tell him about all of his Melusine daughters. Wriot would act all cold and as if he didn't care but in fact he remembers all their names and thinks about them as his adoptive daughters. Don't be surprised if you walk down the street and see a Melusine falling down and he rescues her and goes to buy her an ice cream cone. He is a proud dad too.
Me: I have no comments. I agree with everything. And Wriot singing Baka Mitai would be amazing, he has the voice of Jotaro and Erwin after all.
FINAL THOUGHTS: Wow this post was longer than intended. AND ONLY NOW I realize we left Lyney and Zhong Li out. I guess bc to me Lyney is kinda teen coded? I feel like they wasted so much husband material making him look so young. I've seen the fandom drawing him as an adult and he looks so hansome. And both my bf and I rambled about Zhong Li but we forgot to include an entry for him 😂 He says it's ok because he's tied to Tartaglia and we spoke about him in Tartaglia's section 😂 God we are a disaster. Anyway, I hope you enjoyed the post, whether you found the headcanons hot or my bf's comments funny. He is scared of getting cancelled though 😂
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spitdrunken · 3 months
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I’m loving your vees x reader take and I thought I’d add some of my own:
You push back against the vees once, and it ends badly for you, especially with Val.
ooooo i love this thought!!
notes: implied (sexual) assault (not done by any of the Vees), forced prostitution
Maybe this is the universe where 'you' are an erotica writer for the Vees, completely unaware of the amount of privileges you're being given. Well, compared to the typical unfortunate soul that ends up doing 'contracted work' for them, at least. You aren't worked to the bone by Vox, not held to Velvette's high standards nor lashing tongue, or made to spread your legs for anyone or anything by Valentino, including himself. You just stay in your small office, meet your deadlines, and have semi-regular meetings with Vox. Really, you have no idea how lucky you are.
Pushing back against the Vees could mean anything. Perhaps you insisted on getting more royalties in return for your work, or for your deadlines to be pushed back. Depending on how long you've been working there and the level of interest from the Vees, you might have messed around with someone too much, and protested against the consequences.
An example will need to be set. A first punishment should be one of the roughest ones, the three of them agree, in order to set a good example for the future. And, well... Who better to leave it to than Val? Valentino will give you something worth actually bitching and moaning about. He's likely not angry enough to actually shoot you, but there's plenty of other things he can fuck you up with! His goal is making you know your place, know how nice they've been all along... What better way to show you that, than making you walk the track?
Valentino makes enough money off of his porn and demons begging to hook up with his people, that he doesn't actually send people out on the street anymore, except as a punishment. The risk is simply far higher than any possible rewards, in Hell at least. He's famous now, so there's no need for it. The only thing worse than a dumb whore is a dead, dumb whore, he'd laugh out when asked about it. But this shit was what he made the majority of his money came from back in life, so he knows exactly how to dit.
You'd get dressed up in clothes of Valentino's choice, flashy enough, and obviously related to the Vees, so that you're sure to get your fair share of attention. You'll get demons drooling at your feet, without you even having to try. Though the possibility of you getting robbed is just as present. Valentino practically shoves you out the door, a hand on each of your shoulders, and a grin on his face. You're allowed back inside when you make me a bit of cash, baby. How about a thousand? And then slams the door in your face.
You're left out on the street, and shaking. You stand out far more than you'd like, and you have no interest in actually going through with what's been ordered of you. But how else are you supposed to get that much in cash, that quickly? You stand there, trembling, entirely unsure of what to do. Your phone vibrates in your pocket.
Valentino: i can see you out the window. Valentino: get OUT THREE Valentino: you don't want to stand around for too long.
And maybe you go out there and try, or maybe you don't! Either way, you're such an obvious target that it doesn't take long for you to be cornered in an alley, knife to your throat. (And even though you know you can't actually die anymore, that all of your cells will, eventually, regenerate, that doesn't make your fear any less poignant.)
Perhaps you are only robbed, perhaps something worse, but after that, when you're alone again and crying, your phone starts to vibrate so hard that you take it out and throw it away-- It feels like it's about to explode, after all. And out pops Vox, all pleasant smiles and offering you to take you back to headquarters. You're safe now, just trust him. If he'd been able to do that all along, then, why didn't he save you before? The question is ready on your lips, but you don't speak it aloud. You know the answer, and you're not ready to hear it spoken by another.
...You guess you know why Velvette sometimes calls him a 'prince', now.
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rin-and-jade · 3 months
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Are You? What about You? Them? : A Post about Differentiating Types of Parts.
We all know that spiderman meme where they pointed to each other because they share similar qualities that confuses their selves;
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Like this. Right?
They all sounded so similar that we neither knew which is which at first glance..
And so, at the end of this post you will be confident in pointing out who is who, just like a spiderman who can tell apart from its own multiverse friends, that is. So let's get pointing to the smaller details!
How it works..
We know what it's like to be conscious, yeah? What if i were to tell you that yes, there are varying degrees of consciousness, and that we all can fluctuate on those levels too?
The levels of consciousness can vary from only being aware of its physical surroundings and react instinctually (lesser level), to being able to self-introspect and understand what they like and dislike (higher level). This is all dependent on many different factors and i want to clarify that it takes more than just 'awareness' to tell a fragment apart from an alter for example. But, still important to know what level its at.
This explains why shards, and fragments are less flexible when facing an issue, as they're more limited or not as equipped as an alter in terms of reasoning or level of logic/knowledge. So why is that? It can be from the intensity of dissociation, and other things like how much implicit and explicit memories it retains, this includes experiences.
How to tell them apart..
Sure, theres a spectrum to this too, as every type of part can be a bit different though still can categorized loosely, not meaning it has to fit perfectly to the box :
1. No sense of identity and, or tangible form/shape outside of performing a specific task, or hold a single memory/mood. (Shard)
2. Small sense of identity (a trait that is distinctive/distinguishable), possibly have a less blurry appearance than level 1 and still performs specific tasks, have little to no memories/range of emotions. (Shard)  
3. Mish mash of small qualities, but not enough to encapsulate an identity/personality, may have a sense of existing, and can emotionally react to environment/situation. Usually have a defined innerworld form, and may retain some memories but depends on origin, still fixed on role. (Fragment)
4. Has a developed dominant facet, which can be seen more lively and autonomous compared from level 1-3,, but still a bit rigid and have a narrow/limited view in general. Can distinguish and identify feelings, and have goals/hobbies/interests, self curiosity/exploration to function outside role. (Fragment, leaning to alter)  
5. Has a multifaceted personality in which it cannot defined by one word, fully knows its likes and dislikes, long term goals, morals, and a complex view on life. May have developed purpose outside role job, pursuing self-fulfillment. (Alter)
So in conclusion, shards are not wholly self aware and rely on current implicit memories, from my own system experience shards feels so blank, lifeless, somewhat robotic. Fragments have a partial sense of autonomy, it can rationalize and react to its own accord, reason, and learn/explore,, though had not fully know who they are. Alters are like any other usual people, where it has accumulated knowledge and experience that had shaped then throughout existing, reinforcing a faceted sense of self and purpose.
Growth to perfection..
Are you also wondering if shards and fragments can grow to an alter? The answer is, yes! Though some can be stuck in a certain stage, which is nothing to be ashamed about, and doesn't need changing.
Though, this takes a really long time and process, i note my own fragments will reach to a stage where it barely matches the loose category of an alter in 6 months, and to be a fully developed alter, it might need a whole year (okay this is my own calculations, other people will have it slower or faster).
To grow a shard towards a fragment category, my theory is that you have to interact with, and let them immerse/exprience the real world by supervision (outside of its role task) to develop more environmental, and self awareness. They will be very limited in terms of knowledge and names so this is a good time to start introducing these, and they may not even realize they exists themselves before sometimes,, try nudging them activities to experiment, and foods to taste, examine emotion wheel.. theres a lot to start from.
To grow a fragment to an alter, start introducing other views and complex topics, the goal here is to create a more developed understanding of life. From my experience, all my fragments have a dominant facet, e.g. angry dog vibes; and slowly let them learn how to be soft, or act more polite,, it will slowly solidify as a new facet, now capable of being kind and not always behaving threatening/i-will-still-bite-you attitude to every situation, as it now can be more flexible which facet it should use depending on situation.
Last words..
So, you are now an educated spiderman who can not only point out, but understand the basics of why,, and how to grow a part to have a better sense of awareness!
Let me know in the comments, i would like to hear why the part you had specifically picked/chose is possibly a shard/fragment/alter from your own reasoning and interactive mini discussion with me,, lets finally put them into real practice yeah?
Also, Happy Valentines, *offers you a free heart chocolate*
- j, your educational fiancée
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