#ALSO CAN I JUST SAY that the more i learn about key characters the more i realise that not all of them are completely bad and not all are

[generouskittentidalwave]

Watching the She-ra reboot after 5-6 years

Hey remember that show in 2018 that came out on Netflix during Tumblr's Twitter era and stirred up enough toxicity to turn you into Dave the Skeleton in the highschool science classroom?

Well BUCKLE IN for a RIDE cause I recently watched that show for the first time after avoiding it for YEARS, after seeing the fans and the haters be so devoted to either the fans praising it like a godsent deity or haters devoting their whole life to finding something wrong with every aspect of the show that it makes you wonder if they realized that they've become the Catra that they sought to destroy, I decided to avoid even touching the show and went about my life in other fandoms.

Well years have passed and like a Hallmark movie time abruptly went on and the drama soon faded, the tides have settled, the war has ended, and neither side remains the same. The fans have grown up, matured and enjoy the show as it is and the haters have lost all that sweet sustenance back in 2019 and have went the ways of the DoDo. With everything finally settled, I joined in on the rush of new fans recently that started rewatching the series and wanted to display my thoughts as well as a first time watcher ^^

I went in well aware of all the criticisms in mind, and having seen the original She-ra, and I just gotta say that my worrisome thoughts on watching it was completely washed away from the start of the show. I was worried of Adora being that one marysue character that is from the bad guys side but is actually a good a guy with the personality of white bread and with flaws of just being "a little bit QuiRkY" but she completely shooed away those fears. She is a well balanced character with a unique and well done backstory, her character breaking away from the steriotypical chosen ones and her having flaws that don't take away her being a good person but instead have their own charm and relatability that makes her very fun and down to earth. She is so golden retriever coded and I love it. What I like most though is that she wasn't "random main character comes in to lead everyone to victory out of nowhere" , instead of making her the unsaid leader, they made her the main character who is the muscle of the group and part of the heart and has to learn overtime and understand their ways instead of making her the leader. It makes way for her to pave and earn her way as being the main character instead of it being given by default by making her the leader and I love that break away. And that break away also helps to counter the fears I heard about the white savior trope by making Adora the way she was and making Glimmer and Glimmer's mom the queen the actual leaders of the rebellion that they helped start.

Love the best friends squad, I love Glimmer's growth and her bond with Adora, I like how she went downhill and built herself back up again as a person as it was very realistic with her being so young and having to replace her mom as queen. Bow is my spirit animal, period, but I really want to know more about his huge family. I imagine that because they are all historians they must go to the academy or similar academies that Bow was meant to go to and I can see why they wouldn't question him not being there as 12 siblings is A LOT to keep track of. Swiftwind is great but he shall always be known as Horsie and the queen's sacrifice hurts everytime I see it, I love how she owned up to her own flaws. Shadowweaver messed up being a mother figure 3 times, she needs parenting classes fr, 'nough said. I love all the princesses but Mermista is my personal favorite. Also why is aunt cast named Castaspella, I can't even say it without dying of laughter 💀🖐️

Now I know some of you are sitting at your computer with 5 monsters in hand and sweat anxiously dripping from your forehead as you dramatically hover over the keys just WAITING to write a five page essay response if I even dare to utter the name Catra and her relationship with Adora. So, I'ma give you my opinion.

Honestly, their romance was the end goal since the beginning and the story made that clear and honestly I like Catra's growth as a character from her knowing she has anger issues and actively working on it to better herself, helping to save others and helping to save Adora in the end. Her realizing that pushing others away to protect herself only harms her and everyone around her in the end and her realistically taking it slow and steady to better herself as a person for herself and for Adora is something a really like. Yes their relationship was hella toxic, especially in the middle (but I do like how Adora recognized that and punched Catra when they were in the portal). The build up was great, the middle ground of her doubling down was great, and I think her growth at the end was great and that the two are happy and not in a toxic relationship with eachother anymore at the end. I think what truly makes it odd is although the redemption was great the time constraints made it so they couldn't flesh it out to help answer and address the past actions that were caused by her, they did so great with her slowly becoming better and better, and so it wouldn't have come off as bad as it did if they had just a bit more time to address everything with that instead of being forced to dive right into it which definitely left a- well- less than good impression to it's audience. But they tried their best with what they could do and honestly for a show as surprisingly dark as this I'm just glad they aren't in a toxic relationship anymore and are happy in the end and that Catra got redeemed. It definitely wasn't trying to romanize abuse, however it came off as such due to constraints and them rushing the ending which gave plenty of ammo to people who already hated the show to have a reason to hate it more. In my opinion if you don't like it that's valid, if you do like it that's valid, me personally I'm not a romance person so I couldn't care enough either way.

Now to address some things I know some people are waiting for, but in speed run fashion. Mara's She-ra design was the fault of the designers not agreeing on what they wanted her to look like, I was expecting her to have brown flowing hair not blonde, I get the stripping of individuality message they tried to go with, it just needed better designers and better execution but that's as deep as it goes. It's not that they are racist, they are more along the lines of "you need a more organized team cause her design changes every five seconds like wtf" kind of situation. I'm glad they didn't automatically forgive Hordak or accept him but I'm glad he was changed enough to not be a killer that's mass murdering people anymore and as long no one is dying by his hands anymore and people don't automatically forgive him then that's fine by me, whatever keeps others from dying a horrible unnecessary death.

Overall, in conclusion, love the show, great depth, great characters, love the humor and amazing magical girl transformations, awesome rep, stronk princess punching things, would most definitely recommend, especially now with all the wave of chaos it's initial release sucked in now evaporated. (Seriously there are full tags and blogs deticated to hating a show about glowing princesses fighting aliens, it's okay to not like a show but come on people there is more to life than that 💀) Enjoy it, have fun, and I hope you have a great day/night! ^^

#she ra and the princesses of power #she ra #she ra spop #spop #spop adora #spop she ra #she ra adora #she ra glimmer #she ra bow #she ra mermista #she ra catra #she ra hordak #tv shows #netflix series #netflix tv series #netflix tv shows #netflix shows #netflix #tv series #princess #princesses of power #princesses

[kaylinalexanderbooks]

OC interview

Thanks to @bloodmoonloveletter here, @mk-writes-stuff here, @illarian-rambling here, and @elsie-writes here!

Last did Wade here.

Doing Jazlyn now because I don't talk about her enough and I'd like to develop her character more!

Are you named after anyone?

“Nope. The one and only, girl. I'm just Jazlyn!”

When was the last time you cried?

“Oh, pfft! I don't cry. Maybe out of sheer boredom listening to Dr. Ass-ghar ramble on about her rules and how I'm not following them! Like, girl, I can't help that I have fire powers and lit something on fire! That would be like getting mad that Gabe got a little dirty. Oh, and her meetings are the wooorst. Yeah crying for my life in there.” [It was during Ewan's clarinet solo actually]

Do you have kids?

“Girl, what? I'm not even eighteen yet! Close... I'd love kids, honestly. A lot of them! I'd have so much fun with them!”

Do you use sarcasm a lot?

“Look, I know I come across as someone who uses sarcasm, but I'd rather just flat out say what I'm thinking. Why be like ‘wow that was so riveting’ when I could say, ‘this is the most boring crap I have ever seen in my entire life’? So much easier, no mental hoops. Besides, Ewan is the most oblivious to sarcasm I have ever seen.”

What’s the first thing you notice about people?

“Their confidence level. I can usually tell how someone feels about themselves based on how they stand. Posture is the key, but also what they're doing with their hands.”

What’s your eye colour?

“Brown. With some golden flecks when the light hits them right, according to Ewan.”

Scary movies or happy endings?

“Easy, scary movies. This question is stupid - they aren't opposites. However, nothing is more fun than a horror movie. Love getting the blood pumping. Yelling at the characters for being massive dummies is also the best. Horror is the most entertaining to watch with others. Ewan thank the Lord is also a horror enthusiast. We make a habit to have at least one or two horror movie nights a month.”

Any special talents?

“Oh, several. I am pretty athletic. Took cheerleading a while back and now I am on my high school basketball team. At first, I wasn't sure I would like basketball - my coach in middle school pulled me aside and recommended it due to my height, but I love it now. I am also getting pretty good at learning archery. Lighting the arrows on fire makes that more exciting. I am also pretty good at martial arts and my pyrokinesis. Working on breathing fire without burning my throat. Thank the Lord I have Wade to heal me so I can try again!”

Where were you born?

“I was born in flippin' Utah. I know--lily white state, you'd never guess. Ewan and I plan to move somewhere else once we can. Can you believe he was born in Alium? That ain't fair.”

Do you have any pets?

“Ewan and I plan to one day get a dog. We have been planning on moving in together for a while.”

What sort of sports do you play?

“Like I said, basketball. I would love to learn how to play this Alii fireball sport. It's very similar to basketball, but pyrokinetics pass around fire. That sounds like so much fun, man. Did you know they have to keep a healer at each game because not all pyrokinetics are immune to fire? And the audience can get hit too if they're not careful! This sounds like such a fun sport.”

How tall are you?

“I have finally passed six-foot-three. Alii heights are a blessing and a curse.”

What was your favourite subject in school?

“I hope you tell me PE counts as a subject cause I ain't saying anything else. School sucks, girl. I have gotten detention for the lamest reasons imaginable.”

What is your dream job?

“I would love to be in sales. Something about convincing people to do what I want is inticing. Planning on getting a marketing degree when I go to college next year.”

Tagging @leahnardo-da-veggie @eccaiia @mysticstarlightduck @monstrouswrites @mrbexwrites @gottestod-writes @willtheweaver @winterandwords @i-can-even-burn-salad @elizaellwrites @chauceryfairytales @somethingclevermahogony @faeriecinna + anyone else who wants to!

TSP intro

TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites

Blanks below the cut

Are you named after anyone? When was the last time you cried? Do you have kids? Do you use sarcasm a lot? What’s the first thing you notice about people? What’s your eye colour? Scary movies or happy endings? Any special talents? Where were you born? Do you have any pets? What sort of sports do you play? How tall are you? What was your favourite subject in school? What is your dream job?

^for an easy copy and paste

#the secret portal #tsp #teaspoon #jazlyn nyambura #oc interview #oc tag game #writing tag game #my oc #writers on tumblr #writing community #writers of tumblr #writing on tumblr #writeblr #writeblr community

[3hks]

How to Get Better at Writing Without Actually Writing

Are you looking to improve your writing without needing to write? I'll admit, I am definitely that kind of person--I have the hardest time even finding something interesting to write--despite that, I have noticed that my writing has vastly improved over the past year or two when it was hardly a hobby, and here's how I did it!

ANALYZE DIFFERENT WORKS

Yes yes, everyone tells you to READ, READ, and READ, even I will agree. However, unlike what some people tell you, you don't actually have to read all those classics like Heart of Darkness or The Hobbit. Of course, those books are very beneficial, but if you find no interest in those types of books (like me), then don't read them!

If you prefer reading casual stories posted by online authors, whether it be a fanfiction or their own, original story, it still qualifies as reading! As long as you are able to find a work that you particularly enjoy, that's all you need!

When reading, the key to improving at writing is to always study the story. Take a moment to look at certain words or phrases that stick out to you. How does the author use them? What do they mean? Keep track of the characters' development and how it affects them. Additionally, note things like powerful scenes, dialogue, and more to have an idea of how you can create something just as impactful. For example, if a text made you cry, think about how and why you reacted like that. This can actually help you re-create events that hold the same effectiveness, if not more!

To add on, if you really dislike reading just that much, then you can always analyze things like shows, movies, etc. However, this will prove to be less efficient because you often don't get access to the text behind the shows. Still, it's a good way to study the plot, characters, character developments, dialogue, and relationships!

2. PROOFREADING

No, I'm not saying that you should be an editor; this actually ties back to my first tip. Remember how I said that if you don't want to read classics, then don't? Well, this is because forcing yourself to read them is completely unnecessary (unless you like them or want to write like the author, of course). As a matter of fact, reading poorly written stories can be very helpful for improvement!

When we read books or novels that have obvious grammar errors, repetitive words, and choppy sentences, we will realize these mistakes and point them out to ourselves. Being able to scout out faults means that we are able to learn from them and grow! Noticing these things will also help prevent you from making the same or similar mistakes!

3. STUDY TIPS ONLINE

I used to go search up websites on Google whenever I wanted help with a certain topic. Of course, not all of the sites are reliable and/or helpful, but some point out good ideas that a couple of us just need! This can be especially useful regarding the things that we are unfamiliar with when writing. They can offer a base foundation and tips on how to start and finish!

They can also serve as a great inspiration for fresh ideas and new perspectives!

Yes, these three tips are pretty simple; however, I have found that they work very well for me! People vary from person-to-person, so it can't be guaranteed the same effect, but this is the best I got! HAPPY VALENTINES DAY! <3

Happy writing~

3hks :)

#writing #writeblr #writerscommunity #writing tips #creative writing #writing advice #improve at writing #improve at writing without writing #writers on tumblr #writer tips #get better at writing #get better at writing without writing

[dragonmuse]

Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

#our flag means death #ofmd #ofmd spoilers #the strangest message sent #and no idea if it was on purpose #I kind of think it wasn't somehow #but boy howedy did it come across

[burntoutdaydreamer]

3 Steps to Improve Your Characters and Make Them Three-Dimensional

So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason. 

I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.

1) What is this character’s fundamental belief- either about the world or themself?

2) Where does this belief come from?

3) How does this belief hinder them, and are they capable of growing past it?

Alright, here’s what the process looks like in action. 

Let’s say I have a character I need to flesh out for my story.

Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.

What is this character's fundamental belief?

Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.

Where does this belief come from?

Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.

How does this belief hinder them, and are they capable of growing past it?

Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.

Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.

She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.

Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.

Main Takeaways

And there you have it!

You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.

Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.

Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.

Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.

Happy writing y'all!

#creative writing #writing #writers of tumblr #writers on tumblr #writing community #novel writing #writerscommunity #writing advice #writing problems #on writing #writing characters #character development #writing help #fiction writing #writing tips #writing thoughts #long post #really long post

[i-literally-cant-with-this]

Listening to horny music when you're ovulating. I have been listening to Chase Atlantic Swim and Into It but I'm sure whatever horny music you have will work too!! (These men are your men, too!)

A/N ::: Yep. Ovulating. This is self-indulgent and I love it.

C/W ::: Uh, I'm ovulating. There's gonna be sex stuff. Duh.

WC ::: 1,038 +/-

Draken (sorry he's like #1 on my to-do list - NOT that everyone else is #2 or anything. I just think of draken first 🤷‍♀️) ♧ Usually knows when you're on this track because your taste in music and demeanor/physique changes ♧ He's observant AF ♧ Believes only an asshole wouldn't notice their girls moodswing (no negative connotation implied here - just a change in mood) ♧ Is down for WHATEVER you're down for ♧ Purposely manspreads on the couch/oversized chair because he knows you can't resist climbing on his lap even when you're not ovulating ♧ Will NEVER tell you he doesn't want you ♧ His dick is yours, it's just between his legs ♧ His legs are also yours ♧ Is all about your slightly more swollen and way more sensitive tits ♧ [He thinks he is] Compliments you on how "fucking tight you are" ♧ Has his hands all over anywhere he can reach ♧ Grabs your fat ass (don't try to tell me that Draken's girl has no ass because I will not listen to you) ♧ Kisses you everywhere he knows you're sensitive because you will be more sensitive there now ♧ Doesn't thrust as deep or hard because too many times he's heard you say "Ow fuck!" ♧ In conclusion, Draken is the best fictional character in the world (jk ... not kidding.)

Kazutora ♤ Generally knows what's up with your ovulating cycle ♤ He knows that you get crazy, crazy sensitive, crazy horny and you play horny music ♤ Takes your music choice as a cue to go to you ♤ Loves this time with you because you're so sensitive ♤ He'll go down on you every opportunity he has/can get ♤ Has a particular affinity for your clit and tits during this time ♤ Presses his cock against your ass in the night if you make the mistake of inching too close to him and wiggling around to get comfy ♤ Can't help himself and he'll say as much ♤ You're so pretty (all the time) but right now there's an animalistic prowess and soft glow radiating from you ♤ Baby boy can't (and won't/won't have to) help himself because he knows you want him to stuff your needy little cunt just as much as he wants to

Chifuyu ◇ Sweet lovey is still learning ◇ But MY GOD is he a quick learner ◇ He has caught on to some of the music you play being more suggestive this time of the month than other times ◇ Secretly wants to dance on the coffee table with you and bump into you while you're grinding your ass against his crotch ◇ Would die if you actually ever asked him if he wanted to do that - even on the floor because the coffee table is ... damaged? (Him and Baji were fucking around one night and Baji tripped, falling backwards onto the poor table. Dumbass.) ◇ Takes. His. Time. With. You. ◇ He focuses on EVERY part of your body - not just your erogenous zones ◇ Has you so warmed/worked up that you're beyond impatient and you practically jump his bones ◇ Loves when you take the lead like that and give him what for ◇ Low-key teases you on purpose, if he's being honest ◇ Would only admit that to you if you threatened to beat him up or withhold sex

Mikey ○ Likes to get you pretty worked up at first ○ Likes it even more when you're really needy for him ○ Wants to hear your pretty little voice/whines/whimpers begging him for his cock ○ But let's be real here, usually dives for your tits and pussy first ○ He knows exactly what you like and will eventually get there ○ In the meantime, it seems to generally be about him and his favorite places/things to touch/kiss/lick/suck on you ○ Which, luckily, coincide with stuff you like, too

Baji ☆ Looks forward to your most needy time of the month ☆ Has come to love the music you play when you want to fuck ☆ Will pay extra close attention and earn brownie points with you ☆ Actually gives you brownies that him and Chifuyu made for you (sometimes these 2 are your simultaneous boy toys - Fucking kill me now so I can try for this level of heaven) ☆ Makes. Out. With. Your. Cunt. Until you tell him to stop. ☆ Sucks on your neck until you're dripping onto the sheets ☆ Fingers you slowly ☆ Like, insanely slow ☆ When he finally climbs on top of you and slides into you, he tucks his face back against your collarbone and kisses his teeth, telling you how you're the only girl he will ever want/need/love

Ran (4 hours have passed since I last wrote on this and I've since gotten a box of toys and lordy lordy one of them made me think of this man - you'll see why) 〰️ His ears perk up immediately when those songs come on - he knows the order, he knows the words - he knows what they mean (to you) 〰️ Doesn't necessarily actively seek you out, but he always knows where you are and where he can find you if you're not where he thought you were initially 〰️ His favorite toy is one of those things that looks like a waterpik and is designed specially for DIRECT clit stimulation 〰️ Ironically enough, it also looks like a little baton 〰️ And who likes batons? 〰️ Ran. Good job, class 〰️ He will run this around your nipples until they're hard and pebbled 〰️ Then he'll tease your clit with it 〰️ But not on 1 setting, no no, baby 〰️ He changes the settings each and every single time you're about to cum 〰️ His favorite is the one that starts out strong and diminishes - repeat 〰️ He will get you RIGHT there and you will feel so good and happy that he's finally going to let you reach this 〰️ But no, baby 〰️ You have about another 45 - 60 minutes of this 〰️ And don't forget he wants to cum, too

@katshimizuu @kazutora-kurokawa @arlerts-angel @viburnt @southside-otaku @darkstarlight82

#tokyo revengers #tokyo revengers smut #tokrev #tokrev smut #tokyo revengers headcanons #tokrev headcanons #tokyo rev smut #tokyo revengers x reader #tokyo revengers x you #tokrev x reader #draken x reader #draken x you #mikey x you #mikey x reader #ran x you #ran x reader #baji x you #baji x reader #chifuyu x reader #chifuyu x you #kazutora x you #kazutora x reader #kazutora smut #mikey smut #draken smut #ran smut #baji smut #chifuyu smut

[indie-ttrpg-of-the-week]

Trans made TTRPGs

Due to… recent events that I would rather not talk about, today's post is a highlight of different tabletop games made by trans peeps! These games are fantastic in their own right, of course, but you can also know that they were made by incredibly cool and attractive people

(Also, these are flyover descs of the game, they'll get more in-depth singular posts later, this is because I am lazy)

Perfect Draw is a phenomenal card game TTRPG that was funded in less than a day on backerkit, it's incredibly fun and has simple to learn hard to master rules for creating custom cards, go check it out!

Songs for the dusk is fucking good, pardon my language, but it's a damn good post apocalyptic game about building community in a post-capitalist-post-apocalypse-post-whatever world. do yourself a favor and if you only check out one game in this list, check this one out, its a beautiful game.

Flying Circus is set in a WW1 inspired fantasy setting full of witches, weird eldritch fish people (who are chill as hell), cults, dead nobility, and other such things. It's inspired by Porco Rosso primarily but it has other touchstones.

Wanderhome is a game about being cute little guys going on a silly adventure and growing as the seasons change, its GMless and very fun

https://weregazelle.itch.io/armour-astir Armour Astir has been featured in here before but its so damn good I had to post it twice. AA demonstrates a fundamental knowledge of the themes of mech shows in a way that very few other games show, its awesome

Kitchen Knightmares is… more of a LARP but its still really dang cool, its about being a knight serving people in a restaurant, its played using discord so its incredibly accessible

https://grimogre.itch.io/michtim Michtim is a game about being small critters protecting their forest from nasty people who wish to harm it, not via brutal violence (sadly) but via friendship and understanding (which is a good substitute to violence)

ok this technically doesn't count but I'm putting it here anyways cuz its like one of my favorite ttrpgs of all time TSL is a game about baring your heart and dueling away with people who you'll probably kiss 10 minutes later, its very very fanfic-ey and inspired by queer narratives. I put it here because its made by a team, and the expansion has a setting specifically meant to be a trans "allegory", so I'll say it counts, honestly just go check it out its good shit

https://willuhl.itch.io/mystic-lilies

Mystic Lillies is a game inspired by ZUN's Touhou Project about witches dueling powerful foes, each other, and themselves. Mystic Lillies features rapid character creation and a unique diceless form of rolling which instead uses a standard playing card deck.

https://preview.drivethrurpg.com/en/product/141424/nobilis-the-game-of-sovereign-powers-2002-edition I… want to do a more general overview on Jenna K as an important figure in indie RPG design, but for now just know that Nobilis is good

https://temporalhiccup.itch.io/apocalypse-keys Apocalypse Keys is a game inspired by Doom Patrol, Hellboy, X-men, and other comics about monstrousness being an allegory for disenfranchisement. Apocalypse Keys is also here because its published by Evilhat so its very cleaned up and fancy but I love how the second you check out the dev's other stuff you can tell they are a lot more experimental with their stuff, this is not a critique, it is in fact a compliment

Fellowship! I've posted about this game before, but it is again here. Fellowship has a fun concept that it uses very well mostly, its a game about defining your character's culture, and I think that's really really cool

Voidheart Symphony is a really cool game about psychic rebellion in a city that really does not like you, the more you discover for yourself the better

Panic at the Dojo is a phenomenal ttrpg based on what the Brazilian would call "Pancadaria", which basically means, fucking other's people shit up. Character Creation is incredibly open and free, meaning that many character concepts are available

Legacy 2e is a game about controlling an entire faction's choices across time, its very fun

remember to be kind to a trans person today! oh also don't even try to be transphobic in the reblogs or replies, you will be blocked so fast your head will spin

#indie ttrpg #ttrpg community #ttrpg indie #ttrpg #trans creator #trans #trans pride #queer #queer creator #perfect draw #wanderhome #songs for the dusk #flying circus #armour astir #michtim #thirsty sword lesbians #mystic lillies #apocalypse keys #fellowship #ttrpg of the day

[reiderwriter]

✍️Introduction and Masterlist✍️

About me: Hi! I'm Kacie, I'm 21, and I use she/her/any pronouns. I'm from the UK but I'm currently an English Teacher in South Korea (if you want to know more I'm totally open to conversations about it!) and this is my side blog, so I follow and respond to comments from @studykac

Writing: At this point in time. I only write for Spencer Reid. I will pass on any requests that focus on other characters because I don't currently write for them. A lot of my work is also NSFW. If you are under the age of 18, do NOT interact with any of my posts that are tagged #maturereiding - please block this tag!! When my requests are open you can request through the Ask box, or through DMs, but please keep in mind I do have a full time job, so I will do my best to get things out quickly. You can find my recommendations in the tag #reiderrecommends!

Other interests: kpop, especially Seventeen, SHINee, NCT and BTS, Criminal Minds (obv), NCIS, reading any genre of books (here's a link for my GoodReads page), Percy Jackson, languages (learning Korean currently!), English Literature, Jane Austen etc.

Requests are: CLOSED (open again in October) - find my request guidelines here!

Writing:

Spencer Reid x Reader NSFW

Everyone Looks Better in a Sundress // 3.8k

Summary: The AC at the BAU decides to take a holiday during a summer heatwave, and when you decide the FBI’s dress code is merely a suggestion, you unwittingly catch Spencer’s eye.

Warnings: Dom!Spencer, sub!reader, semi-public sex, fingering, car sex, degradation, name-calling, edging, praise-kink, dumbification

Everyone Looks Better in a Sundress pt. 2 // 2.4K

Summary: After a hot encounter in your car, Spencer pulls you inside your apartment hoping to give you some more relief from the heat.

Warnings: Dom!Spencer, sub!Reader, soft Dom, oral (M receiving), pet names, degradation, face fucking, messy sex, creampie, breeding kink

Margaritas and Mistakes // Part 1 // Part 2

Summary: On a group night out, you get a little more drunk than you want to, and when Spencer shows up looking like the love of your life and not just your coworker, you realise that the margarita’s are having more of an effect than they should be.

Warnings: Suggestive language, dirty talk, heavy petting, hickeys, making out, mentions of arousal etc. (part one)

Show You What Devotion Is ❤️‍🔥

Summary: After a lustful encounter on the jet, you and Spencer decide to try out a friends-with-benefits relationship. What you didn't expect was for his sex drive to be so high, and your need for him to overpower your ability to function properly.

Warnings: So many, check the post for details.

More Than Words 🫶 // 8k

Summary: After telling a white lie to your family about your relationship status, you're forced to ask your coworker Spencer to pretend to be your boyfriend for a weekend wedding.

Warnings: Mostly fluff, penetrative sex, creampie, mentions of Spencer's childhood.

The Us That Could've Been 💔 // 5.7k

Summary: They say to get over a man, you have to get under another. Spencer isn't sure why the idea of you doing just that makes him feel so bad.

Warnings: angst, unprotected sex, creampie, spoilers for season 8, mentions of Maeve, Spencer is emotionally illiterate etc.

Unhappy Holidays 👻🦃🎄🎆// 5k

Summary: You're unlucky enough to run into Spencer Reid at holiday celebrations four years in a row. In the New Year, you're resolving to rid him from your mind forever, but you never were one to stick to resolutions 👻🦃🎄🎆

Warnings: Enemies to lovers, low-key work rivals, semi-public sex, car sex, hate sex, fingering, thigh riding, creampie, unprotected sex (no condoms but contraceptive mentioned), slight spoilers for s4 of Criminal Minds (but not really).

Spencer Reid x Reader SFW

The Lightbulb Moment // 4.8k

Summary: You want Spencer all to yourself for the first few months of your relationship and he's only too happy to comply. Unfortunately, you're two dumbasses who can't keep their hands off one another.

Just Hanging Out // 3k

Summary: To kick off your vacation, you find yourself at Rossi's mansion with your team for a big summer barbeque. A hammock in the garden catches your eye, and you enlist Reid to help you have some fun in the sun.

(Not smut but highly suggestive, read at your own discretion).

Isn't She Pretty, Daddy? // 2k

Summary: You're a teacher, and you have to call in one of your students' parents to talk about their recent troubling behaviour. It's more embarrassing than you thought when Spencer Reid shows up.

Series

That's What You Get // complete 💕

Summary: After three weeks on a case in Vegas and a particularly draining phone call from your mother, you decide to take Reid up on his offer to show you the sights of Las Vegas. When you wake up the next morning, you realise that one of the sights was a 24hour Wedding Parlor, and that you're now Mrs Reid.

Genres: Fluff, smut in later chapters, angst in later chapters, happy ending.

Playlist: Me and You in 2024

Summary: One song fic a week throughout 2024!

Genres: Various, check individual chapters for specific warnings!♡

Answered Requests

(NSFW) Request inspired by Taylor Swift's False God 🙏// 2.2k

(NSFW) Request for a soft!Dom Spencer with cockwarming and breeding kink 💕 // 2k words

(NSFW) Request for Reader introducing vanilla!Spencer to a BDSM lifestyle ✨// 0.7k words

(SFW) Request for Reader kidnapped by unsub and saved by Spencer 💕 // 2.2k

(SFW) Request for pregnant Reader and Spencer who is an absolute fool for her 🌸 // 1.2k

(SFW) Request for shamelessly flirting with an oblivious Spencer 😊// 2k

(NSFW) Request for post-Maeve Spencer who uses sex as a coping mechanism 🫡//4.6k

(NSFW) Request for alt!sub!Reader meeting the team for the first time (and they totally think she's the Dom) 🤭// 1.5k

(NSFW) Request for CNC office sex with Spencer 🚫// 1k

(SFW) Request for Spencer finding out you knew Emily was alive 😿// 0.7k

(SFW) Request for training session with Spencer 🤼‍♀️// 1.8k

(SFW) Request for I Can See You inspired angst 🥺// 1.7k

(NSFW) Request for Spencer making the reader beg for it ❤️‍🔥// 1.6k

(NSFW) Request for CNC with soft!Dom Spencer - shower sex 💦// 1.3k

(NSFW) PROMPT REQUEST - Professor Reid doesn't know he's distracting the class 👓// 3k

(NSFW) Request for Sub!Spencer begging reader to dominate him 🫣// 1.7k

(NSFW) Request for Genophobic virgin!Reader ❤️‍🩹// 5k

(NSFW) Request for Professor Spencer with a jealous gf 🐺//2k

(SFW) Request for reader helping Spencer through recovery 🤕// 1k

(NSFW) Request for possessive Spencer reacting to your little black dress 💃// 2.5k

(NSFW) PROMPT REQUEST - Undercover with an "excited" Spencer 🕵‍♂️// 3.6k

(SFW) Request for playing video games with Spencer 🎮// 1k

(NSFW) PROMPT REQUEST - munch! Spencer is obsessed with you 👅// 2k

(SFW) Request for Spencer babying an oblivious reader 👶// 2k

(NSFW) PROMPT REQUEST - sharing a cold bed with Frenemy Spencer 🛌// 3.5k

(NSFW) Request for reader being distracted while Spencer is reading 📚// 1k

(NSFW) Request for Pillow fort sex with Spencer ⛺️// 2k

(NSFW) Request for car confession and oral with Spencer 🚗// 1.7k

(NSFW) Request for dancing the night away with Spencer 💃// 2.5k

(NSFW) Request for the morning after Spencer loses his V-Card 😶// 0.7k

(NSFW) Request for reader confessing to Spencer when he's in his anthrax shower 🚿// 0.7k

(NSFW) Request for Spencer finding readers unusual sensitive area 🤝// 3.5k

(NSFW) Request for Spencer and Hotch!Reader secret relationship 🤐// 6k

(SFW) Request for reader being jealous of Spencer and Lila 🤽‍♀️// 2.1k

(NSFW) Request for gun kink 🔫//3k

#spencer reid #spencer reid x reader #criminal minds #reiderrecommends #spencer reid fanfic #Masterlist #criminal minds fanfiction

[cdlum]

I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

#tutorial #2024

[fandom]

Deltarune

This is Toby Fox’s website and we’re just living on it. For more than seven years, his games have cast a spell on Tumblr, stealing the hearts of fans with their winning combination of storytelling, innovative gameplay, and characters filled with heart and determination. Our first look at Toby’s world of monsters and humans came in 2015 when Undertale was released. We learned the meaning of mercy and that while talking through conflict might not be the easiest path, it’s always the right one. When the first chapter of Deltarune came out in 2018, absolute chaos ensued. We met Kris, Susie, and Ralsei and set off on a brand new adventure where you fell in love with the Undertale universe all over again.

The second chapter came as a complete surprise and was one of the best gifts Tumblr received in the past year. You immediately latched onto the continuation of some of the best lore in gaming and memed the living heck out of it. You also spammed our dashes with a tiny little man in pink and yellow sunglasses—so much so that he ended up becoming the #1 video game character on all of Tumblr this year. Spamton had a chance to become a [[big shot!]] and, boy, did he take it. 

And he wasn’t the only new character Deltarune threw into the mix. As a game with a combat system based almost entirely (if you’re playing correctly) on social interactions, its characters are key. They're relatable and make you want to root for them. Even, and often especially, for the bad guys. We can almost hear you yelling, “I can fix him!” into the void, and we believe you! Remember that one time you talked about the Deltarune villain, Queen, so much you skewed the tag data for one of the biggest bands of all time and the actual Queen of England? We sure do. And when Noelle Holiday joined the party, your team was finally complete.

This year marked the first anniversary of Deltarune’s second chapter, and you celebrated with every post type Tumblr has to offer. You survived the Tumblr Sexyman poll and the Spamton Sweepstakes, and for that, you all deserve the shiniest gold ribbon.

All of this to say that Toby Fox wins Tumblr. Undertale, for Tumblr, was a total cultural reset, and its impact is still felt even seven years later. It first appeared on our weekly video games list way back on September 21, 2015, just days after the game’s release—and it has been on every single list but one since then. So we’ve always known that Deltarune would find a loving home on Tumblr, and it truly has been so loved.

#year in review #deltarune #tumblr2022

[dulcewrites]

Fool Me Once (pt 2)

Pairing: Aemond targaryen x reader (wc: 3.6k)

Summary: Despite learning about Aemond cheating on you, life has never been sweeter. Who knew being so bad could be so good.

Warnings: manipulation, mentions/allusions to pregnancy issues, mentions of self harm

A/N: first, I just have to say thank you for the response to part 1. I truly had no idea it would get the reception it would. Thank you to everyone who followed me as well. I hope I can continue to produce stuff y’all like. I’m hoping to write more hotd stuff, Aemond and non Aemond related. I plan on taking a small hiatus but will be back around thanksgiving weekend. I will be writing on/off during that time but just away for a trip/the holiday. If you have any hotd requests my inbox is always open. I would try to get them out either before my hiatus next week (11/16) or after it ends (11/26). I’m pretty open to writing any character, though I will warn you I’m way more fascinated by the greens so they just come easier to me. Anyway please reblog, like, and follow if you read anything you enjoy 🫶🏽🫶🏽. And some housekeeping: in this Aegon is not r*pist who enjoys watching children fight (the hotd are truly…. not right for the cartoonishly evil way they wrote Aegon). He’s just petty and neglected. Also the timing of this is different from the books bc Aemond meets Alys pre dance.

Fmo masterlist

Blog Masterlist

A bastard Strong. The irony is not lost on you. Your straight-laced husband fucking someone who is the complete opposite you. Older, no kids, no title, and no duty to uphold. At this point, it doesn’t hurt anymore. Instead, it makes your blood boil in the most delicious way. Aemond’s betrayal made you realize how you’ve been going through the motions; endlessly sleepwalking, hoping one day Aemond would come around. It woke you up to how much he’s taken advantage of you. He sees your kindness, and aversion to standing out as a weakness. Something he can manipulate and twist like one of his daggers.

The both of you must have forgetten where you came from. A rich, well respected house. The only daughter of smart, albeit conniving, family that knows how to get what they want. Your family didn’t have dragons or absurd ideas of exceptionalism to help you gain power. You’ve learned that inflated egos and prideful indulges can cloud Targaryen judgment. A trait you hope skips your children.

Shame on you for thinking Aemond would be different. Shame on him for the carefully curated facade.

All you do after Larys Strong comes to you the first time is think. You can’t remember the last time you’ve had this many options in front of you. Your mother’s words about patience run through your head. Keeping your wits is key. Play your hand too quickly, and you lose all leverage. You have Daella and the babe in your belly to think about. You stood pat in the beginning; Lord Strong simply relaying messages to you. You make sure Alys gets the letter Aemond wrote, and the ones after that. Lord Larys makes sure you get the details of each letter exchanged.

When the days grew lonely, and your body aches because of the babe in your stomach, you think about the letters. The declarations of love and recounts of lust filled meetups simmer in your head, but it’s the mentions of you that makes the anger sizzle and crackle. It makes the guilt you feel wash away.

You question if the rumor is true. That his Alys is a witch. Does her magic allow her to see the way Helaena can? Fuzzy premonitions and dreams that only make sense after they happen; a gift and a curse. A part of you wishes it to be true. You hope while your stomach stirs with untold truths, hers stirs with regret. Maybe the pain that runs through you leaves an unfamiliar taste in her mouth. That she can’t quite put her finger on it, but she feels you.

You wonder if when Aemond prays, he asks the Father to protect him… to protect her. The same way when you pray, you ask the Warrior to help you find the courage to destroy him.

It started with a bruise. A bruise that you don’t even remember how you got. Maybe one of those things you just wake up with. But it’s there, on the inside part of your left arm. It’s starting to fade but an otherwise noticeable bruise that stands out when you wear something with shorter sleeves.

The idea doesn’t come to you till you see the curiosity in Alicent’s eyes when you absentmindedly rub the bruise while asking if she’s seen Aemond. It’s only you two in the walkway; an unusually quiet day at the Red Keep. Her eyes go from it to the far away look in your eyes. It makes her tilt her head in thought.

“No dear, I haven’t,” her eyes go back to the scratch. “Are you doing alright? I know for some, the second babe can be even harder than the first.”

You look down at your arm, and something just clicks.

“I’m fine,” you start, then you make your voice tremble a bit. “I will be fine. I think I’m just tired.”

You give her a strained smile, and she returns one that tells you she doesn’t believe you. You can feel her big brown eyes burning into your back when you walk past her towards your chambers. There could be two thoughts in her head: you did this yourself or someone else did it to you. Either way, her son’s sweet pregnant lady wife is not doing well, and her son is nowhere to be found. Queen Alicent is one of the smartest, if not the smartest, person you know. She sees the change in her son; the change in the dynamic between Aemond and you.

It hits you. It would be too easy to physically harm Aemond. Though the idea of taking the blade that hangs from his hips and putting it to his throat has crossed your mind more times than you’re proud of. It would be too easy to get Larys to kill Alys. You don’t want to give Aemond the satisfaction of having his whore’s blood on your hands.

Where’s the fun in killing when your rage could be channeled into something more… methodical.

Under all that false bravado is the little boy who got picked on for not having a dragon. To break the man means bringing out that little boy. A truly broken man can’t love anyone. Isolation, and self hatred. What a gorgeous combination for your dear husband.

If this is going to work you need to up the ante.

So, you write. If Aemond and Alys can document their love, you can document your pain. You sent your lady in waiting out to get a blank book from one of the maesters. The color dyed cow skin feels smooth under your hands. There needs to be a slow build. Each day you grow closer and closer to shattering. Whoever reads it needs to know Aemond brought you to this place. He is the villain in the story of the poor, innocent wife that did nothing but carry his children and try to love him.

It will read like a diary, but to you it is a creation. A mixture of truth and imagination. A manifestation of pent up feelings. Purging and revenge all rolled up into one. You make sure to mention how terrified you are for your safety, and for you children’s safety. How an angry or disenchanted Aemond is nothing to toy with, especially if he has a bastard witch on his side. How maybe life would be better for Aemond if you just weren’t around.

But this fading bruise isn’t enough. Neither is just having a diary that will be discovered in due time. A deep cut, a dark bruise, half hazardously placed hand prints.. now that could work.

There’s something cathartic about the pain you feel when the dagger slices through your skin. The blood is so red and warm. It smears so smoothly on the page. Blood on your dress, cloth pressed to the wound, and wandering the halls is how Ser Criston finds you. You notice the worried, confused look in his eyes when you stutter out an ‘I don’t know’ when he asks what happened.

As the maester tends to your wound, you notice how Alicent and Criston stand in the corner of Alicent’s quarters. They occasionally glance at you while they whisper to each other. You recognize the familiar crinkle she gets in her forehead when she’s upset. All her children do it too.

“Sweetling, we both think it might be a good idea to give you your own knight of the kingsguard,” she sits next you. “Just to help you and… keep an eye on you during this vulnerable time.”

You blink. Not one mention of her son. But it’s clear to see how Ser Criston is with his queen. Submissive, and utterly devoted. Having someone like that is an asset. So, you smile weakly and nod. The more people who see you in this way, the better.

Ser Quinton Throne was quiet in the beginning. As if he was scared to be in your space. A far cry from the rambunctious knight his brother, Rickard, is. Moving past the initial shyness, he is attentive and even indulges Daella’s fascination with him. Despite you telling her not to, she would always run up to him, tugging on his white cloak to get his attention. She likes having someone around just as much as you.

The distance between Aemond and you had started to carry over into his relationship with Daella. Kids are more intuitive than adults give them credit for. Your throat felt tight when you daughter finally asks where father goes. You lie; it comes easy to you, easier than you thought it would. It makes you think if this is how easy it is for Aemond to lie to you. Or for everyone to not gloss over the clear problems in your life.

You would lying if you said it wasn’t nice having a man around, even if it was his job. It was Aemond’s job to do right by you, and he couldn’t do that. A man carrying out his orders with a warm smile was welcomed. The comfort of having someone who sweared his allegiances to you, and only you, and intended on keeping them.

You look from your embroidery loop to see Daella and Ser Quinton sword fighting with wooden swords. It’s an uncharacteristically sunny day. Perfect to get much needed fresh air, and apparently going to battle.

“She’s gotten quite good.”

Like a storm rolling in to ruin a sunny day, your husband’s tone is ever cold and distant. You hate the uncomfortable energy that radiates when he sits next to you.

“Yes, she has,” you stare at the Lysene lilac flower starting to come to life on your loop. “He’s good with her as well.”

You know he won’t like you saying that. He hates Quinton being around, and he especially hates how Daella taken a liking to him. Aemond scoffs and mumbles something under his breath you can’t make out.

“It’s just lovely having real protector around,” you continue to push your luck. “Someone so attentive and… strong.“

You look at with his a sickening sweet smile. He opens his mouth to say something, a complaint or rude comment since those seem to be the only reasons he talks to you, but he is interrupted by Daella yelling out for him.

“We’ll talk about this later,” he mutters to you, getting up.

“Oh you’ll actually be here long enough for that?”

The words slip out your mouth and it makes him turn to glare at you. It reminds you of the gossip you heard about him when you first arrived at court. How cold the king’s second son can be. It should’ve been a warning to you.

Quinton takes it as his cue to leave them be; you know he can sense how much Aemond doesn’t appreciate his presence. You watch as Daella clings to her father. As selfish as it sounds, you patiently wait for the day she too realizes he can’t be depended on.

“My mother used to make me embroider,” your knight’s voice breaks you out of looking on. “Something about being dangerous with a needle is just as great as being dangerous with a sword.”

You take a good look at him. If Aemond is the moon - ethereal, mysterious, and always changing, then Quinton is the sun. Bright, forward facing, and shines brighter with time. His choppy black hair, beard, and warm standing in contrast to your husband’s Targaryen features.

“Sounds like a smart woman,” you smile as he sits next to you.

His eyes linger on your embroidery work before traveling to you right arm. The blade wound was just starting to scab and scar over. His first day on duty was marked by seeing your husband give a long lecture on safety and ‘using your brain’ after Aemond saw your wound. The blade cut wasn’t under pure circumstances, but the look of resentment on your face was real. He saw that. He’s never asked what really happened to your arm.

“How are you my lady,” he whispers. You told him he can address you by your name, but he still insist on the formal names especially around others. “Is the babe giving you trouble.”

Ser Quinton, Helaena, and Alicent are the only people that seem to care about your well being, on top of the babe’s. Aemond concern went making sure the babe was fine to just not asking all together. It’s better that way, you think. You don’t think you’d be able to take fake concern about your little ‘mistake’.

“My bladder is being pushed on, I’m finding clumps of my hair on my pillow, and Maester Oliver told me this baby will weigh more than Daella did,” you reply lightly. “But other than that I’m doing fine.”

This pregnancy had knocked you on your ass. You’re sure the stress and thoughts that consume you don’t help. You know how it feels to come into a fracture family; it makes you feel awful for the babe in your stomach. Your parents tried hard, frankly too hard, to pretend things were good between them. Trying to prove their union was more than a duty for their houses. Till this day, you don’t know what’s worse: knowing they didn’t share that love or the years you watched them fake everything. They had ambitions, and to carry them out there needed to be an appearance of an united front. You took your father’s lead, knowing he always tried to have your best interest. The relationship you have with your mother often ebbing and flowing, especially since your marriage.

When you ravened your mother about your pregnancy troubles, she tells you that this is your responsibility to your husband. Harsh and utterly true. You don’t know if your father ever had indiscretions like Aemond, but you know she’d never plot the way you do. Her calculating nature showing up in different ways. Instead of going after him, she chose to focus on elevating you.

Her and Queen Alicent remind you of each other. Devoted to a fault. A victim who had no other choice but to fall in line.You pray for the both of them. Pray that they find peace with the sacrifices they’ve made. Pray that you never get that far. A shell of yourself. Duty, responsibility, cleaning up others’ messes - what a dull way to live.

“Once he’s out, I’m sure it will all be worth it,” says Ser Quinton, voice not wavering.

He’s trying to be kind, mentioning the working theory in the castle that you’re having a boy. You try to smile at the thought. It’s hard to believe that. Plan or not, you still have to know the truth about the father of your children. There is hole left in your heart about that. Him disrespecting you is one thing, but his words pertaining to your unborn child is another. A sudden spurt of anger rushes over you thinking about everything. It makes you stand abruptly.

“I’m feeling tired,” you watch as Daella pretend to stab her father with her sword. Her giggles ringing out when he reaches to pick her up. The dichotomy of Aemond Targaryen will always fascinate you as much as it terrifies you. How he manages to smile in her face, and lie to yours is quite a sight to watch. “I’ll send Margret out to get Daella.”

Waiting for the perfect moment is not going to work. There no time like the present.

The stiff upper lip of this family is something you noticed the moment you stepped into their presence. It’s seeped into the way they gatekeep a dying Viserys. Alicent is cold and collected in the most beautiful way. A sharp glittering icicle. A pretty rose littered with thorns to keep you admiring from a distance. Even Helaena, who you consider a friend, keeps certain things close to the chest. It’s better to keep the full truth away from her.

But there’s Aegon.

Pitiful, and lonely Prince Aegon. A drunk with a bad attitude. But he’s also the most painfully self-aware person you know. There will be times that you and him exchange looks, as you are in on the joke. That everything is a farce. One day someone will just come up and say it’s all been a bad dream. You think it’s the reason why he frustrates Aemond so much. The teasing on top of him never taking the Targaryen name seriously. Aegon spends his days trying to drink and fuck his way out of thinking about his life. Stuck in a royal cuckold. The first born son of a king with nothing to show for it.

He’s messy, nosy, and so openly brash. He’s your missing chess piece. The perfect pawn.

You leave the diary around places in the castle you know he will be. It’s not until you conveniently leave it in the play room where all Daella, Jaehaera, and Jaehaerys all frequent that you know he’s taken the bait. His lilac eyes seem to follow you whenever you two are in the same room. It takes days for him to confront you; book in hand and wry look on his face.

“Is it true? Everything you wrote?”

You stroke your belly while looking at him, a small smile on your face.

“Does it matter that if it is,” you tilt your head, and his eyes glitter with something you’re not used to seeing.

He mirrors your head tilt with a full blown smile on his face this time. It’s like a bright light after weeks of darkness. A person who also sees through the bullshit that enraptures once you call yourself a Targaryen.

“I greatly underestimated you my good sister,” he whispers. You know he’s thinking about his own words. ‘Pretty but horribly dull’.

“That’s fine,” you motion to the seat next to you. “You can make it up to me.”

Queen Alicent stands facing the fire. Aegon, Helaena, and Ser Quinton off to the side. All of them standing across from where you sit. Aegon gives you a knowing look while Quinton’s eyes are filled with pity and anger. Pity for his princess, anger towards his prince. Helaena looks like she wants to say something.

“I… do not know what to say,” her voice is strained with pain. You know this hurts for her. The image of the perfect son being destroyed. The pedestal she put him on crumbling before him.

You’ve gotten better at crying after Aegon told you tears will be necessary to sell it. It’s an automatic response now. The perfectly timed emotion that breaks like flood gates when Alicent holds out the diary. You say you’re embarrassed. That you never meant for anyone to read it, especially not anyone in the family. Aegon gets to be the concerned good brother. He rubbed your back, while his mother called for Helaena. She needed to know who else knew about this.

“I can say what everyone is thinking,” Aegon pipes up. “He’s a fucking cunt.”

“Aegon.”

His mother turns to glare at him, but it doesn’t deter him.

“Walking around with that self righteousness just to fuck a Strong,” he scoffs. “Calling his child a mistake?”

The words makes Alicent sigh, and squeeze her eyes shut. Helaena continues to play with her fingers with a quizzical look in her eye. If Aegon of all people can judge, the actions must be bad.

“This all my fault,” you decide to take it up a notch. Your breath catches. “I must’ve done something to deserve this.”

“Oh my sweet girl,” Alicent walks over and sits next to you, pulling you into her chest. “None of this is your fault.

“I just don’t know what I did to deserve this,” you continue. That part is true; what the seven hells did you do to deserve this marriage? “This, and the baby, and missing my family. I’m just so unhappy here.”

Alicent strokes your hair. You can feel her heart thumping in her chest. You can tell she’s upset and scared. Scared for what your unhappiness means. You’re a risk now.

“Maybe… my father can come and visit. He hasn’t been here since Daella was born.”

After you got married, your parents left court to tend to your house. They felt their work was done. That the marriage was as far as their political ambitions can go. They visit from time to time to see their granddaughter but normally you’re the one who has to make the trip.

“Of course,” you can see the wheels turning in her head. “I’m sure the Hand would love to pick his brain on some things. Your father has always been so kind and helpful”

Queen Alicent is as predictable as she is smart. Your dad thought your marriage would help him get a seat in the small council. When no offer came, his ego was bruised. If your marriage couldn’t, maybe a desperate Alicent can. The idea of sending a raven about the news makes you have to bite back a smile. An ally in an castle full of strangers.

“I’ll speak to Aemond about this,” she nods to herself. “You don’t need to be worrying about this in your condition.”

The disappointment is clear in smooth voice. Before you can reply with a thank you, Helaena finally piped up.

“A baby’s green eyes spurs brighter skies.”

She mutters it before looks at you curious. You look down at your swollen belly, feeling confused. Neither Aemond or you have green eyes. You try to push the sinking feeling out of your stomach. Even Aegon, who normally ignores Helaena’s cryptic language, has perked up a little.

You take a look at Ser Quinton… his eyes as green as spring grass.

Ok this is my first one doing a tag list, so I’m sorry for those I’ve missed. It only let me do 50??? Idk it’s it’s different on desktop or I’m doing something wrong. Hopefully I can find a more conducive way for this. I also only tagged people who specifically asked: @afro-hispwriter @crispmarshmallow @unabashedlyswimmingtimemachine @its-sam-allgood @lol-im-done @grey-water-colors @sassysaxsolo @justsumstufff @lilithskywalker @dc-marvel-girl96 @bekky06 @claudie-080102 @cloudroomblog @shelbythequeen @crazylokonugget @solacestyles @instantpeachpeace @katyadenauer @nsainmoonchild @deeeeexx @iwanttohitmyself @rosa-berberifolia @noisyinfluencerstrawberry @princessmiaelicia @bregarc @castellomargot @thesadvampire @chaosmagiq @icarusignite @happinessinthebeing @flavorofsalt @wishfulwithwine @slut-for-eddie-munson @rosaryos @mistalli @inana-mm @winxschester @papery-maniac @nolongereviliwantlove @fultimefangirl @missusnora @skinmittensgoblin @duckworthbean @b00kdiary @chiyausu @alexandra-001 @tachibubu @juneisreading @mariaelizabeth21-blog1 @verycollectivecreator

#aemond x oc #hotd imagine #my writing #sorry for the delay.. the tagging kicked my butt 😭 #also if there’s typos I’m sorry 💀💀 #also sorry for once again leaving it ambiguous… couldn’t help myself #aemond targaryen x reader #black!reader #aemond x reader #aemond targaryen imagine #Aemond targaryen

[fandangotales]

Head empty just

Sagau but readers cellphone now has infinite battery for some reason and theyre on tiktok and watching genshin edits until one of the acolytes sees and gets curious so reader shows everyone the edits made for then

Zhongli: why am i........geo grandpa

Xiao: morax isn't my father

Yae: what is an........Eiussy and why do these humans want it so bad

Venti: (trying to force scara to have anemo vision after seeing the sad scaramouche edits) BUT THE EDITS, YOUR BACKSTORY IS SCREAMING AIR BOY!!!

Scara: GET THE FUCK OFF ME!!!!

WHOOO MY FIRST REQUEST ASK!!!

anyways-

When I tell you that a phone in TEYVAT would be absolute chaos… I mean it.

I can 99% guarantee you that Albedo has asked to experiment on what he refers to as Their Grace’s “strange device.”

(Please keep your phone away from him, as it will not make it out of his lab intact.)

Other acolytes who aren’t as curious about HOW and WHY it works may find interest on seeing you use your device to watch videos.

The people of Teyvat aren’t familiar with advanced technology, so I’d assume it’s fair to say that they would treat your phone as a Divine Object, comparable to the Anemo Archon’s Holy Lyre.

Since you are The Creator, it would be valued a lot more.

Nobody, not even one of the Archons, is allowed to touch such a holy object. Such a thing would be viewed as incredibly disrespectful. How could any of them, lowly acolytes, have the audacity to come into contact with your beloved “phone”?

Now, assuming that the reader can still watch Tik Toks, of course they would like to share some of them with certain characters, because why not?

Also, why wouldn’t you let them in on some of the jokes that are popular in the Genshin Fandom?

If Zhongli knew that he was referred to as “Geo Grandpa” I think his reaction would be one of initial shock.

“What does the title ‘Geo Grandpa’ indicate, Divine One?”

After a little explanation from you, I think he’d catch on. He is aware of his age, after all.

Others may think that the title “Grandpa” is offensive towards a former archon of all things, but he doesn’t mind as long as you are the one saying it. The term “Grandpa” is often used between mortals in a family, so does this mean that you considered him as family?

Whenever you call him by that name, you can expect to see a soft smile across his features.

When Xiao discovered that the fandom considers his relationship with Morax to be one of father and son, he was speechless for a good minute.

You gave him a look, trying to suppress your laughter.

“So…? You’re not denying it.”

He huffed, crossing his arms. “Morax is not my father.”

You wheezed, clearly amused by his flustered expression. Xiao was avoiding your gaze, clearly trying his best to convince you that he did not see the older man as a father figure.

The term “Eiussy” was completely unknown to the Lady Guuji… until she joined you in watching the short films know as “Tik Toks” on the magical screen of the divine “phone”

Now, Yae Miko is quite clever, so it was only natural that she would grasp the concept of what “Eiussy” meant.

She watched a few videos which featured similar titles, such as “Tartussy”, “Scarussy”, and “Kokussy”. All of them played a key role in her eventual understanding of just what exactly “Eiussy” meant.

The very moment she learns the true meaning, I can guarantee you that she will casually bring it up in conversation.

“Your Grace, you would be welcome at Watatsumi Island anytime!” Gorou beams, waving goodbye to you from the docks of Ritou.

The Watatsumi ship had finally arrived, after a lengthy delay following your business meeting with the Inazuman Officials.

“Thank you, Gorou.” You started to say… but the ever famed doggy general had already boarded the ship, and was out of your sight.

“Hmm…” a recognizable voice trailed, as her hand lightly touched your shoulder. Miko gave you a knowing look. “I guess he wanted to get some of that Divineussy”

Your expression remained blank.

“Perfect use of that title.” You praised, staring after the ship, as it departed into the sunset.

If and when Venti saw all of the sad Scaramouche edits… let’s just say that you’d have to physically restrain him.

Restrain him from making his way over to the Balladeer as soon as possible, that is.

Scaramouche would just be doing Fatui work, maybe trying to convince the recruits that the stars are indeed a lie…

And… bam.

A random ass bard pops up out of nowhere.

“Good day! Would you be interested in gaining an anemo vision?”

“What the fuck.”

#cultau #sagau #genshin impact #genshin impact sagau #genshin cult au #genshin crack #genshin sagau #venti #zhongli #genshin xiao #scaramouche

[raven-at-the-writing-desk]

thinking about book 6 battle simulations

I was thinking a lot about book 6 lately! (Not for any particular reason, I was just ruminating, haha...)

During the examination segment, Riddle, Azul, and Vil were put into one group and Jamil and Leona were put in the other group. Idia then put them into VR simulations in which (simulated) Trey, Jade, Rook, Kalim, and Ruggie approached the subjects to upset them. This is for the purposes of STYX to gauge their combative capabilities and blot accumulation. What I noticed on another read of these parts was that Idia makes sure to inform all the subjects they are about to enter a VR simulation BEFORE they dive in... and yet despite this, group 1 (Riddle, Azul, Vil) was still caught off-guard when Trey, Jade, and Rook attacked them. Meanwhile, Jamil in group 2 automatically defers to Kalim but Leona is the one who notices something is fishy about the situation. Now, now... this is interesting 👁️ Why might this be, I wonder~ (You bet I'm going to analyze the heck out of these small details!)

***Main story spoilers up to book 6!!***

First thing to consider: it's possible that perhaps the characters don't fully understand what "VR simulation" is, as most of them did take a while to come to their senses. Of the 5 subjects, Riddle is the most likely to fall into this category. He seems to be slightly confused by the concept of a "virtual space" when Idia explains the examination to them (which likely conflicts with Riddle's very traditional understanding of "tests"). Furthermore, Riddle has expressed in Endless Halloween Night that his mother did not allow him to play video games or to watch TV so he'd usually do crosswords or solve other puzzles for fun. He's not completely technologically inept (like Malleus), but Riddle does have a somewhat limited scope of how items and procedures are to be used, especially if it lies beyond its normal means. It's likely that he has not thought of VR simulation being used in the scenario in which he finds himself in now.

The other 4 subjects, however, most likely understand what VR is and shouldn't be confused by the simulation. Azul is very savvy and keeps up with trends, which can factor into his business(es). He even brings up streaming as a potential source of revenue in book 6; man has his fingers on the pulse of pop culture to know what will sell. Vil, being a celebrity and the leader of the Film Research Club, must have an understanding of various technologies used to achieve certain effects (especially as director of his own projects). Jamil constantly deals with Kalim's requests and, being in Kalim's social bubble, must get exposure to all kinds of crazy technologies. Leona, being a knowledgeable prince, surely must understand the concept of VR simulation.

Okay, so... why did they (mostly) still get "tricked" by the simulation anyway? The key words today would be "trust" and "dependence".

Thinking about it, there's one thing that separates group 1 from 2: the boys in group 1 have a tendency to rely on others for support and validation whereas the boys in group 2 are consistently shown to be more independent than their peers (even if they, too, seek validation). Let's go through them one by one!

GROUP 1

Riddle

Riddle is presented as a tyrant that rules with an iron fist, particularly in book 1 where he stars as the main antagonist. However, it's also pretty blatant that Riddle has become increasingly aggressive due in part to others enabling him. Ace specifically calls out Trey for this, saying that his failure to intervene or to quell Riddle's temper has resulted in Heartslabyul students suffering for it. Cater is also complacent, as he and/or Trey often follow Riddle's orders and remove Adeuce from the dorm multiple times in book 1. Riddle relies on these upperclassmen to listen to him and carry out his bidding, and he feels validated when they do. It's a lesson he has learned from his mother. He is the most powerful, and therefore he should be the most correct. Notice how Riddle is quick to anger when others refuse to obey him and how often he demands for them to conform. He becomes enraged when the Heartslabyul mobs rebel and chuck an egg at him. But what hurts him most of all is, perhaps, Trey turning too. Riddle was mad about the mobs acting up, yes, but he still did not overblot. Not yet, at least. No, Riddle overblots only AFTER he tries to attack Ace with the rose trees... and Trey steps in with his UM to overwrite Riddle's collar, turning it into cards. Trey's relationship with Riddle cannot be understated here. In this very moment, Trey, Riddle's childhood friend (one of his first friends), vice dorm leader, silent yes man, his most trusted confidant, has betrayed him. He is proving Riddle wrong, that the most powerful mage is not the most correct. "Are YOU going to tell me that I'm wrong too? After all I've done to protect the rule of law?! [...] I... I refuse to believe this!"

From these examples, we can clearly see that Riddle is someone who is reliant on others--not that he isn't a capable mage, but rather he is reliant on others for his own sense of self-worth. Indeed, even in his post-OB flashback, he indicates feeling proud and excited when his mother praises him for good grades or successfully performing a spell. This is reiterated many times over in book 1, in which Riddle feels satisfied and even smug when his students fall in line, and spirals into uncontrollable rage when they don't. There are a select few whom Riddle has chosen to place his faith in, and Trey is one of them. Trey, who gave him his first slice of strawberry tart and has been supporting him as his vice for over a year now (since Riddle became dorm leader in his first week as a first-year student; now is the start of Riddle's second year). That's why he feels so hurt when Trey is suddenly chastising him, telling him that he's behaving irrationally.

If we reexamine Riddle's post-OB flashback, you'll notice that Riddle says he is lonely without every outright stating the word "lonely". The phrasing makes it sound as though Riddle does not understand his own loneliness, like he doens't even know the word or want to acknowledge it as reality. He is awkward and unsure around Trey and Chenya, who invite him out to play. He follows his mother's rules because he believes that is what will bring him happiness. He wonders why, in spite of following all those rules, he still feels hollow inside. Then, once Riddle has awoken, he confesses that he always wanted to play more with Trey, and that he wants to talk with everyone after a meal. Riddle. at his core, craves companionship rather than dominating his peers. Trey was one of the few friends he ever had, and so Riddle puts a lot of stock into his support. This may be why he was quick to believe the fake Trey in the simulation, and why he looked so shocked when Trey started attacking him. Here is a boy who has already been betrayed once, experiencing that same betrayal again at the hands of his childhood friend. How scared must he be of losing his oldest friend, of Trey turning his back on him or seeing him as a monster? 😭

Azul

Due to the bullying he experienced in his childhood, Azul works very hard to maintain a new image of someone who is cool, confident, and composed. Part of that is passing himself off as someone who is large and in charge, while posing Jade and Floyd as his lackies who do whatever he tells them to. The reality of the matter is that the twins are very much... there to do their own thing, and they just kind of go along with Azul's schemes because they seem to be a lot of fun. When you stop to consider it though, Azul definitely puts a lot of trust into the Leech brothers even though they're both shady and can be flippant at times. It's the twins going around and advertising Azul's services to the student population. It's the twins who help him expand his business and acquire new items (as all three's Dorm Uniform vignettes are about the Octatrio conspiring to acquire the rights to and/or advertise their new drinks). It's the twins who are asked to run the Mostro Lounge whenever Azul is absent. Time and time again, Azul falls back on Jade and Floyd. They've been with him since middle school.

In book 4, both Azul and Floyd insist that they aren't really "childhood friends", but they do consider each other "equals". As Azul describes it, "I strongly doubt Jade or Floyd have any binding allegiance to me. This is all and elaborate game of pretend to them. [...] If I made a poor choice as leader--or even simply a boring one... They would turn on me instantly and seize the dorm leader seat for themselves." Floyd follows with, "We ain't got any plans to challenge him, either... for now, anyway. Aha ha! [...] We stick with [Azul] now 'cause it's fun. If it stops bein' fun, we drop him like a bad habit. Easy." The twins and Azul are both very aware that their relationship is a temporary and transactional one. Azul himself has even fully considered the possibility that Jade and Floyd may one day turn on him. This is all true--however, I also believe it's possible that the Octatrio are not being entirely truthful to themselves and do actually care for one another beyond the confines of their business ties or "having fun". In book 3, Jade and Floyd sense that something is wrong, and their immediate thought is to go check on Azul because of this gut feeling. Jade warns Azul of the consequences of misusing his UM. They are also the first to check on Azul after his OB and insist that he rest and find it within them to gently tease him over the situation. Even the way they address each other is "special". Jade and Azul have a tendency to be polite and use the honorific "-san" after everyone's name... except for each other and Floyd. Floyd, meanwhile, tends to give everyone a nickname... except for Jade and Azul. They drop these naming conventions within their group because that's how much they know and trust each other. Further proof of this is that when Floyd first meets Azul in the post-OB flashback of book 3, he calls Azul "Octopus-chan". Azul used to have a nickname, but no longer has one. This implies that a lack of a nickname actually indicates that Floyd is more intimate with someone than if he had nicknamed them. The same goes with Jade and Azul, who are usually so formal and polite.

I've already established that Azul acts in ways which indicate that he is close to the twins, as much as he tries to deny it and come off as tough. He drops the honorifics for them and he trusts them to do his bidding. What I find most telling, however, is when Jade and Floyd check up on him right as he's about to OB. "Jade! Floyd! Ahhh, you've finally come back to me," Azul says (if you listen to his voice, he sounds SO relieved). "Would you believe that thanks to these FOOLS, I've lost all of my contracts? Which is why I'm going to need your powers now. Come on, give them to me!" This is notable because, prior to this, he was forcibly ripping powers out of mob students. But now with the twins--Azul makes a CONSCIOUS decision to ask Jade and Floyd for them to willingly give up their powers to him. Azul is emotional and acting without tact here, but he STILL stops to ask the twins for them to surrender their magic. He cares about getting their consent specifically. When the brothers deny him and Floyd says Azul has become lame, that's when Azul snaps. His loyal henchmen are refusing his request and he's lost all his accumulated wealth. He's going to become the weak, friendless crybaby he once way all over again.

Knowing all of this, it makes sense why Azul was as startled as Riddle was when the simulated Jade attacked him. Azul claims that he anticipates this day--but he still seems to disturbed when it actually happens. It's true that perhaps this surprise comes in part from Azul having no indication that the twins were getting bored of him, so this is coming out of left field in his perspective. But... it could also be that he's hurt by the sudden shift, even if he and the twins have been telling themselves all along that they'd toss each other out without a second thought once they lose interest. This calls back to Azul's concerns right before he overblots: that his "business partners" (whom he refuses to call his friends) have lost interest in him and will now leave him alone and with nothing. He relies on the brothers not only for labor, but as his company and his confidants. When that's taken away from him... what does Azul have left that's worth anything?

Vil

Vil is another person who typically passes as very independent. He looks after himself quite well and is often the one nagging others to do the same. The thing with him is... he's still a celebrity at the end of the day, and a celebrity like him is always aware of his public image and the eyes on him. That's Vil's Achille's heel: as a celebrity, he is constantly concerned with how others perceive him. This is a lesson he learns in book 5--that he shouldn't let other people's judgment of him or a silly popularity contest determine his self-worth. Ah, but let's remember... book 6 begins like a mere DAY after book 5. Sure, Vil's character arc may be over, but that does not mean that he has suddenly completely changed. Up until yesterday, he was aggressively training to overcome his rival and to show the whole world his true beauty. Vil still, to some degree, finds value in how he looks and how others see him, as it strongly ties into his career. To this end, he sees Rook as a valuable individual.

Now, there's a lot of contention about whether or not Rook is a good influence on Vil or not, as some interpret his commentary as derogatory or unnecessarily critical. I'm not going to get into that; here, I am going to speak plainly about how Vil himself views Rook's feedback. In Vil's Labwear vignettes, he confides in Trey that he relies on Rook's keen observational skills to reflect the truth back to him. A celebrity must look at his best, and he can count on Rook to not mince his words and point out even the most minute of changes at a quick glance. (Vil himself is also extremely strict with himself, but lacks the superhuman abilities that his vice dorm leader does.) Rook has been doing this since long before he even transferred to Pomefiore, critiquing Vil's performances and such, not just his looks alone. This led into long discussions and debates between the two, which demonstrates how much Vil values Rook's perspective. Even back then, Rook was one of Vil's greatest supporters, but not exactly a totally blind "yes man". He is offering the kind of feedback that Vil seeks, not empty, sugar-coated niceties. This is why, in spite of his betrayal at the end of book 5, Vil eventually accepts it, as he trusts Rook's keen eye and judgment. What's interesting about book 6's examinations is that Vil seemingly takes charge of his group. When approached by the simulated classmates, Vil steps up and, after a moment of silence, says, "No... It's nothing. Let's go." (Vil is known as a skilled actor and can easily sniff out an act himself. Was the silence hesitation as he, Azul, and Riddle reevaluate the scene? Hard to say, but I'm assuming that STYX's state-of-the-art tech was able to perfectly simulate Rook, and thus confused Vil and co. for a while.) Rook strikes him with a spell, and that invokes a great emotional reaction from Vil, who seems to be the most aghast of the group. The fake Rook then declares that he's going to claim the dorm leader seat from Vil, which shocks him. "As you know, I appreciate beautiful things. Hence... I can hardly allow someone who's acted as ugly as you to occupy the Fairest Queen's throne!" The scene then cuts away to a battle. Now, while we don't get any extra dialogue from Vil to show his reaction, one interpretation could be that he was stunned into silence. Why is this a believable occurrence? Because the fake Rook called Vil out for "ugly" behavior. This is significant because back when Vil was overblotting, he was desperately shouting for people to "not look at him" because he's "so ugly". Here, ugliness does not mean literal ugliness or something that is visually unappealing. The "ugliness" being spoken of refers to being morally rotten, as Vil was speaking on his guilt after resorting to dirty tactics to try and take out his rival (when he had previously sworn to win on his own merits alone). The simulated Rook might be referring to this, which induces great shame in Vil, who is aware of the weight of his sins. Heck, book 6 even starts with Vil taking accountability and sincerely apologizing to the whole NRC Tribe for causing them trouble. Vil blames himself for their team losing, as it was his OB that forced them to fight and physically wore them out before their big performance. "What does it matter who forgives me?! I can't... I can't forgive myself!" He may still have lingering guilt regarding this incident, hence why he's the one predominantly reacting when the vice dorm leaders betray group 1. His mirror and huntsman, who speaks only the truth to him, now tells him of his ugliness. What else can that be, if not the truth reflected back at him?

GROUP 2

Jamil

To be clear, Jamil did not automatically go after the simulated Kalim. He automatically defers and tries to go along with his dorm leader (and only starts fighting once Leona declares the simulation for the sham it really is). Why? Surely Jamil is sharper witted than that. To this, I say... of course, it's just that Jamil's so used to being a servant that he reverts back to submissiveness as soon as he's put in a circumstance where there's a power dynamic. He’s not the one relying on Kalim—Kalim is often the one relying on him. You need proof of Jamil's servile mindset? He was intentionally talking down his own skills ever since book 4 and, according to Azul, has been purposefully maintaining painfully average grades (which, in of itself, takes a lot of effort). Admittedly though, those are conscious choices, not unconscious ones. But how about back in book 5, when Vil announces him as one of the lead vocalists and Jamil's immediate reaction is not to accept it, but to humble himself and insist that Kalim would be better suited for it (when Kalim actually isn't)? Jamil has to stop himself, back up, and accept the nomination, which he has earned for himself, rather than relinquish it to someone less deserving. Years and years of serving someone else, forced to play the part of the inferior servant, will beat that attitude into his mind, regardless of how much he resents the position.

Even now, Jamil feels like he usually has to follow someone else's lead. Leona, the upperclassman and dorm leader, provides that lead for him in the VR simulation. This leadership + independence is something they would butt heads over later in book 6, as Jamil begins to act overprotective of his current charge (Leona) as he does with Kalim. While Jamil has played the part of Kalim's attendant and childhood friend, the reality is that Jamil cannot stand those roles. He desires to stand out and to be recognized--something which is evident in book 4. Before he brainwashes the Scarabia students, he's always framing himself in a positive and helpful light to them and speaks humbly about his abilities. After he brainwashes the Scarabia students, he has them heap him with praise that he had never gotten in his childhood. In the post-OB flashback, we see Jamil's parents scolding him for outperforming Kalim, even in something as simple as a game. The headmaster of a great arcane academy overlooks him in favor of someone far less capable.

Jamil knows he can be great, but he's intentionally being told to not reach those heights. He feels stifled and trapped, and no one understands his plight that he cannot escape from. This results in Jamil distancing himself from others and coming to rely on himself and himself alone to make his wishes come true. He can't rely on his family, who are beholden to their legacy of being servants to the Asims. He can't confide in friends because none of them are quite like him, and Kalim would ignorantly brush it off. He can't tell third parties because, as Crowley as demonstrated, they dismiss him outright. Jamil, as he acts throughout book 6, is doing so in an effort to find his own strength and to be able to act on it with the freedom he seeks. To play support not because he has to, but because he, the individual, wants to. As Jamil states before overblotting, he wants to "be free" from these precarious circumstances where a wrong move could doom him and his family... but he only has so many liberties to work with. This leaves him in a strange limbo situation where he still isn't fully independent but desperately wishes to be. We see him fighting against the restraints, and to varying degrees of effectiveness depending on the context and his state of mind within that context.

Leona

From a young age, Leona seems to have worked tirelessly to obtain recognition. Like Jamil, Leona was in such a position (second-born prince) that, despite his efforts, he kept being rejected and beaten down again and again. As we see in his post-OB flashback, this is what eventually broke Leona’s spirit and made him develop a pessimistic outlook on his prospects for the future. The thing is, even though Leona does not really have hope for himself, he still manages to inspire hope in other people, from underclassmen to the students of his dorm. Book 2 is entirely about Savanaclaw looking to Leona to save their own futures, and him trying to do so for their sakes. His club mates extol how he can so quickly hone in on their best skills and advise them on how to sharpen those skills. Jack admires Leona’s plays, so much so that he wished to one day play alongside Leona. He’s even able to get beastmen of different species to get along and live peacefully under his rule when this has historically been difficult for his older brother to manage. All in all, Leona has all the makings of a leader. He stands out from the crowd, knows when to leverage his power and intelligence (playing smarter, not harder), and commands with ease.

… That being said, Leona’s presence can be so powerful at times that it’s also isolating. This was the case for his childhood, which is depicted to us as many palace servants being fearful of Leona’s devastatingly strong magic. He also uses this strong magic against his dorm mates when their intentions clash in book 2–and he comes close to killing someone in the process. He’s also just notorious in general for being grumpy or unfriendly toward others, including one instance in book 5 when he seems upset that you’ve showed up in his classroom. Leona drives people away from him, whether because of his strength or because of his prickly attitude.

At the same time, i would also describe Leona as a tactician that keeps some degree of distance from those he commands. He makes it clear he's willing to use others to achieve his own goals and does so many times over. Book 2, when he tries to take out Malleus to help his dorm leaders while also trying to prove to himself that he's capable. Book 3, when he helps Yuu and co. dissolve the contracts including one of his own he made with Azul, etc. Leona knows how to best use his own abilities, as well as those of others. That's what makes him so formidable--he can read others and judge the situation extremely well, and he knows when it is smart to fight and when to tactically retreat (such as in book 6, when he immediately surrenders to STYX agents rather than make a scene). Leona is a self-sufficient man.

There’s the question of Ruggie, of course. Leona is often depicted as lazy and relies on Ruggie to do many daily things for him, such as laundry or fetching food. This obviously throws a wrench into the claim that Leona is more "independent" than those in group 1, doesn't it? He doesn't even come close to Jamil, who actually does all of these tasks himself. Well, not exactly. I don't think "independence" here really comes down to that alone. Riddle, Azul, and Vil all relied on Trey, the twins, and/or Rook to some significant degree to inform their own senses of self. Jamil had this belief of deferring to his "betters" (the Asims) instilled in him, regardless of his personal feelings on the matter. And Leona? Leona does not significantly rely on Ruggie for his self-worth (dude was 100% going to sand him in book 2). Yes, Leona was likely looking to help his dorm members in part to prove to himself he is capable of leading a pack, but he gives up when he realizes it was a fruitless effort. He doesn't become reinvigorated to keep it up or to try again, even when his dorm members (Ruggie included) plead to him. Leona is acting selfishly, and he refuses to acknowledge their perspectives--he's set in his own ways and is driven by his own thoughts, not those of the people around him. Perhaps this is what allows him to discern truth from lies with such clarity, as it is Leona who rouses Jamil to his senses and leads the charge against the VR simulation Kalim and Ruggie.

#twst #twisted wonderland #Riddle Rosehearts #Azul Ashengrotto #Leona Kingscholar #Jamil Viper #Vil Schoenheit #Idia Shroud #disney twisted wonderland #disney twst #book 6 spoilers #notes from the writing raven #Trey Clover #Ruggie Bucchi #Cater Diamond #Jack Howl #Savanaclaw #Octavinelle #Tweels #Jade Leech #Floyd Leech #Kalim Al-Asim #Scarabia #Rook Hunt #twst analysis #twisted wonderland analysis #twisted wonderland character analysis #twst character analysis #Ace Trappola #Dire Crowley

[gallusrostromegalus]

So how much are you willing to talk about Ulquiorra?

I will talk so much about him. There are so many things wrong with that man, but to make a brief list of his most notable features:

He's dumb as hell.

I say that with tremendous sympathetic affection. Ulquiorra barely thinks. It's easy for him to do nothing and go nowhere. He eats chocolate in the middle of the night in the dark. When he gets access to a garden, he often just stands around in it. He's often waiting for things to happen.

He just LOOKS smart compared to nearly everyone else in the fic because he doesn't have much to say, so he's not constantly opening his mouth to jam his foot down it.

Consequently, Ulquiorra starts off having little to no initiative of his own. Stuff just happens to him. Some of that is because he is colossally depressed, but he's depressed because the idea that he has control over his circumstances has straight up not occured to him.

The first person he meets that shows him that "You can just do whatever you want, forever" and the boundless joy it is to be a creature of free will is, unfortunately, Aizen. And Aizen left off the key corollary "-EVERYONE is allowed to do whatever they want, forever. We are all equal in God's dead, empty eye sockets."

So Ulquiorra wanders around trying out this "doing stuff" thing without any concept of ethics.

I realize I am infantilizing this character, but I am doing so in a twilight zone "hey, wouldn't it be fucked up to watch a fully anatomically functional person who is able to speak and blow stuff up with his mind go through the emotional development steps of a toddler?", because I think that's a fun high-concept premise to explore with him. Yeah, what if a toddler could speak articulately and also destroy you? How would he act? How does he feel, learning to have feelings?

It'd probably suck for him and everyone around him, and make him very easy to manipulate, for one thing.

So I don't think Ulquiorra is evil, because evil takes intent. He is dangerous to be in the general proximity of, though

Like a horse

lose

in a hospital!

I love that sketch as much as the next person but if an IRL horse got loose in a hospital it would be bedlam, but the horse would be mostly confused and probably willing to follow around the first person who looked like they knew what they were doing.

You know, like how Ulquiorra follows Aizen around because that's the first guy he's met who THINKS he knows what he's doing, and is good at convincing others he knows what he's doing!

So Ulquiorra's entire first character arc is being exposed to more and more people and realizing he does have control over his life, and that he can take actions, and that those actions have consequences.

Like being emotionally devastated by a teenage girl because he was an asshole to her and she's willing to scream at him about it.

Hm.

Consequences hurt.

He lives through the Las Noches arc, and decides to follow his own star!

He follows it right through a portal that was not meant for him and now he's sort of trapped in somewhere he's really, really, really, really, REALLY not supposed to be.

But it's a beautiful place

And nobody is forcing him to do anything.

And for a long time, he just stands out in the garden, waiting for something.

But then

Ulquiorra experiences a novel pair of emotions that he's recently learned from his new...

Orihime is too mad at him for him to call her a friend.

-but he did learn the names and therefore the experience of two new emotions from her: boredom, and it's natural remedy: curiosity.

So Ulquiorra's second character arc is him learning how to be himself without anyone telling him who he is and what he ought to be.

He's travelling up Maslow's hierarchy with the inscrutable but unstoppable instinctual drive of a salmon returning to its spawning ground.

This has lead to an important discovery on my part: Ulquiorra is terrific for comedy because he is the ULTIMATE straight man to everyone else's nonsense, because he's immune to nearly all nonsense.

He doesn't have societal taboos to be hung up on, nor any sense of what is "normal", so the sole thing he geta hung up on is a lack of internal consistency in others, meaning he can slip between straight man to the absurdist at the drop of a single scathing observation. Yet, he retains a sort of understated dignity that compels people to try to earn his respect.

Hence, I'm having fun turning him loose on the most absurd, internally inconsistent and frankly, insane batch of characters in the series:

The Royal Guard.

:)

#AEIWAM #An Elephant Is Warm And Mushy #bleach #bleach fanfic #ulquiorra cifer #Ulquiorra #mild spoilers

[writingquestionsanswered]

how do I describe things in my stories? Like clothing, room, characters etc. it feels I put in too much detail. And is it also necessary to always describ new scenary? For example, when a character goes to their friends house the first time, is it necessary to describe the rooms they enter? Because I want my readers to be able to visualise properly but it feels as though I'm overflowing them with information sometimes

Describing Scenery, Clothing, and Other Details

The amount of description varies from one author to a next, and how much or little (or often) you describe things will be part of your unique writing style. However, you definitely don't want to overwhelm the reader with a bunch of unnecessary detail. So, really the key is to do two things: give the reader just enough detail that they can fill out the rest, give the reader details that are important.

Give the Reader Just Enough Detail - Human brains are amazing. We're generally good at filling in missing details. If I show you the following image:

... your brain is perfectly capable of imagining the rest. You can imagine the mountain peaks and the rest of the lake. You don't need to see them to understand they're there and imagine what they look like.

That said, if I say, "Brenda appeared, wearing her signature torn jeans and favorite band t-shirt..." that's a pretty good image of what this person is wearing. The reader doesn't need to know what cut or color the t-shirt is, whether it's tucked in or loose, what band is depicted or what the specific design is, what color and cut the jeans are, where the holes are, what shoes they're wearing... none of that matters unless it does.

Give the Reader the Details That Are Important - If it's important that Brenda is wearing tennis shoes because later she'll be identified in a security video because of those shoes, then that then becomes an important detail you'd want to include in that description. Otherwise, don't bother. The reader doesn't need to know she's wearing white high-tops unless that's important for some reason.

So, when a character enters a new place or encounters a character for the first time (or encounters them in a new scene/situation), you want to give a little bit of detail to help the reader imagine what they should be seeing in their mind's eye. You also want to give them any details that are important for them to know later. You just don't want to overwhelm the reader with a bunch of unnecessary details.

Here are some other posts that will help:

Guide: Describing Character Appearance and Clothing The Right Amount of Description (5 Tips!) The 3 Fundamental Truths of Description Description: Style vs Excess/Deficiency Weaving Details into the Story How to Make Your Description More Vivid Adding Description to Your Writing

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[leocchisart]

OKAY; We need to talk about this TyZula scene:

this scene has been talked about a LOT. specifically by anti-tyzula/azula fans. but for this "rant" im looking at it through the lens of just azulas character.

it is DETRIMENTAL to azula as a character. this will be a slightly indepth review i guess. im sure someone already talked about this and what im going to say, but i just want to bring it to light considering some of the anti-azula/tyzula stuff i've been seeing recently

Part 1: Azulas reaction to the way Ty Lee approaches her

the way ty lee approached azula is really important here. you might just think, "oh leo it's just Azula being jealous!" but when ty lee walks up to azula saying, "thank goodness you're here!" (i didn't get this part in the clip cuz im a fool and didn't record it on time but whatever go watch the clip on youtube) this qoute is really impactful. it possibly made azula feel less than ty lee. here is the qoute again, "Thank goodness you're here", i feel like azula would take this very personally.

even just the single first sentence. "Thank goodness" is obviously ty lee thanking azula, but for what? you might say, "well yeah for being there" but i genuinely believe azula would interpret this along the lines of, "she only wants me when she needs me" or something like that.

Part 2: Azula's jealously towards Ty Lee

i think a lot of people solely think she's jealous over the boys liking ty lee more than her. but it's not just that. i genuinely find that azula is not only jealous of the boys, but also social interaction in general. specifically with ty lee having that skill and her not.

we don't have much information as to mai, ty lee, and azulas experience in the Royal Fire Academy for Girls, but im assuming azula didn't need much social skills to succeed there. she had two close friends to deal with people speaking to her, and was literally a crown princess of the FIRE NATION. if she couldn't get what she wanted whether mai or ty lee were there- she could always use her royalty as her advantage. i also can see her threatening those in school who opposed her (without using her royalty as a reason). there is a key moment we see during a flashback where azula and ty lee are playing. azula did her best to preform a cartwheel and failed while ty lee succeeded. because of this azula actually pushes ty lee down!

keep in mind that this is one of azulas closest friends other than mai. we can only IMAGINE what azula would do to a student who got in the way of something she wanted.

so yes; azula is jealous of ty lee getting attention from boys, but it's not solely that. it's her social skills that she's also jealous of.

Part 3: The Conflict

azula gets defensive after her reaction to the previous plot point. she verbally attacks ty lee because of it. azula says to ty lee, "those boys only like you because you make it so easy for them! you're not a challenge, you're a tease."

yes azula is "critiquing" the "way" ty lee attracts men. azula is saying she'd do the exact opposite. but the opposite is all she knows. she grew up learning the power of being the best, being perfect, and fear mongering. she genuinely sees that as the way to handle ANY social situation.

as far as, "it's not like they actually care who you are." qoute goes; azula sees this as another flaw in her interactions with men.

example is when she tries to convince chan to to maybe (?) have a relationship or farther; she uses (not exactly royality) but her skills as a skilled bender for a reason to stay with her. considering she has no social skills, her only option (in her mind) is to use her higher power. ty lee doesn't use her high rank in nobility (along with her chi blocking abilities) to what azula would call an advantage.

im not defending azulas verbal assault on ty lee. im solely explaining (imo) the feelings behind it.

Part 4: Ty Lee's reaction

This one is simple. ty lee is hurt by azulas words. obviously.

Part 5: Azula's redemption for this scene

it already baffles me when people say azula is (pure evil) just based on her actions between others. but this scene shows a side of azula we haven't been able to see so far through the series. an apology. not only did she apologize to ty lee but admitted her mistake and explained why she said what she did. i think it's insane that people solely walk past this scene and only see it as azula bullying ty lee. if anything it's the opposite. yes she makes a rude remark, but after seeing ty lee's reaction she IMMEDIATELY takes her comment back an apologizes.

this is so human and shows a side we hardly ever got to see. especially when it's specifically between her and ty lee. their relationship is so important as far as azulas character goes. (not to get too deep into it but,) even in "Azula and the Spirit Temple" ty lee is one of the illusions that the spirit attempts to make her happy with. azula obviously has a strong connection to ty lee in a loving and caring way that most people look past. whether it's from these scene or that specific comic. obviously their relationship has unhealthy flaws but what relationship doesn't?

Part 6: A quick resolution

so there you go. basically an essay on a single 36 second clip i just wanted to give azula some light because people ALWAYS paint her as "crazy" or "evil" but that's simply not true. same goes for TyZula. yes there is a power imbalance, but azula does admit her mistakes and apologizes for hurting ty lee's feelings.

Anyway thanks for reading!!

#atla #princess azula #ty lee #tyzula #azula #ty lee atla #avatar the last airbender #im scared to post this