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#Backstory Help
saraswritingtipps · 6 months
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Exploring Character Backstory
1. Start with the essentials: Begin by outlining the basic information about your character's past, such as their family background, upbringing, education, and early experiences. Consider their cultural, social, and economic background, as these factors can shape their worldview and values.
2. Identify key events and milestones: Determine significant events or milestones in your character's life that have had a profound impact on them. These could include positive or negative experiences, such as the loss of a loved one, a major achievement, a traumatic incident, or a life-changing decision. These events help shape your character's personality, fears, and aspirations.
3. Examine formative relationships: Explore the relationships your character has had with their family, friends, mentors, or romantic partners. How have these relationships influenced them? What role models or influences have shaped their values, beliefs, and behavior? Relationships can provide insight into your character's vulnerabilities, strengths, and emotional attachments.
4. Dig into their beliefs and values: Understand what your character believes in and values. Examine their moral compass, political views, religious beliefs, or philosophical outlook. Consider how their beliefs might clash or align with the conflicts they encounter in the story. This will create depth and authenticity in their character development.
5. Uncover secrets and hidden aspects: Delve into your character's secrets, hidden desires, or aspects of their past that they prefer to keep hidden. Secrets can create internal conflicts, fuel character growth, and add intrigue to the story. They can also reveal vulnerabilities or flaws that make your character more relatable and complex.
6. Consider the impact of societal factors: Explore how societal factors such as gender, race, class, or historical context have influenced your character's experiences and identity. These factors can shape their struggles, opportunities, and perspectives. Understanding the societal context in which your character exists adds layers of depth to their backstory.
7. Connect the backstory to the main story: Once you have explored the character's backstory, identify how it relates to the main story. Determine how their past experiences, relationships, or traumas influence their present motivations, conflicts, and goals. This connection will ensure that the backstory serves a purpose in the narrative and contributes to the character's growth.
8. Use backstory selectively: While backstory is essential for understanding your character, avoid excessive exposition or information dumping. Introduce elements of the backstory gradually, through dialogue, memories, or subtle hints. This helps maintain reader interest and allows the character's past to unfold organically throughout the story.
Remember, not all aspects of the character's backstory need to be explicitly mentioned in the narrative. It's important to choose and reveal elements that have the most significant impact on the character's present circumstances and development.
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demaparbat-hp · 4 months
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Fire Half-Child
#atla#zuko#avatar the last airbender#atla zuko#zutara#halfblood au#zutara au#atla art#atla fanart#zuko fanart#prince zuko#zuko art#zuko alone#Halfblood AU art#katara#Here comes the Blue Eye Samurai art style influence rearing its pretty head#Gotta love that show's use of lighting#I know this looks like another good ol' Zuko Alone fanart... And it kinda is... But I swear it's also from the HalfBlood AU#I'm still figuring out Zuko's backstory in this AU but I know he was raised in the EK after escaping the Fire Nation as a child#It was probably Ursa who took her freshly burned son and left with help from the White Lotus#I'm... not entirely sure if Zuko remembers everything from his previous life. Flashes of memories and faces but that's it#He believes himself to be a War Child. Ursa loved him but she was also distant in illness and grief.#She taught him to hide his real name and his firebending at all costs. Agni only knew what would happen to him if he was found out.#The last thing Ursa said to him before pushing him out of the burning cottage was to search for his Uncle in Ba Sing Se#He would help him. Keep him safe. And he had answers.#He could tell Zuko of his past and his memories and shed some light over his strange dreams and his mother's sorrow#He just had to reach Ba Sing Se and find him. Uncle would tell him everything about the monster who had burned her mother's back and spirit#Then Zuko would find him#And no demon other than himself would ever roam the earth again#Change of subject. Am I going to keep dropping the full backstory and plot in the tags? Yes. Yes I will. Sorry guys
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ddarker-dreams · 4 months
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i'll never not find it hilarious that kurapika could only endure like five minutes of chrollo speaking before doing this to shut him up JFGKSJFSL
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starry-bi-sky · 2 months
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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#dpxdc prompt#this is just me torturing danny for a little bit because im stressed and i cried for an hour while i was driving so im taking it out on B#thanks for being my little stress ball danny#aha my old middle school habit of frankensteining two characters together is resurfacing again :) yall should've seen my wattpad drafts#in middle school. i had 50 of them and most of them were me combining two characters together to make one person and putting them in one au#my most memorable being skydoesminecraft and harry potter. THAT was a fun worldbuilding experience#do i think that growing up with the fentons would fix bruce/danny completely?? hurm. no. dont kid yallselves jazz is not a licensed#therapist not even at like. nine when she meets danny. she's not helping him through his trauma in the slightest. she's nagging.#she's his sister or sister-like figure before she's his therapist. would he be#*entirely* like canon bruce tho?? no. dannybruce is a mix of the both of them. but this is still the first post of the au and is more so#just me doing the equivalent of popping a stress ball so nothing is smoothed over. mostly im just trying to keep bruce's trauma prominent i#danny's character because he IS Bruce. i dont want him to just be 'danny with bruce's backstory but without any of the ugly bits'.#danny and bruce is used interchangeably because they're the same person but sorry if his personality feels imbalanced i came up with this o#the spot. was going to type more but the stress has left me. for now. watch ur back danny 👀
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little-pondhead · 1 year
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I forgot about this.
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The whole reasoning behind the Supervillain Danny AU sketches was that his villain persona was the complete opposite of his normal, sane self and hero persona. Danny plays into the Fenton name really hard, and ramps up the “mad scientist” bit, taking inspiration from both his normal civilian life and his parents, thus using just his last name as a villain.
And then I wanted to add what Sam and Tucker might look like if they joined in on his shenanigans. To keep with the “opposite of their normal life” bit, let’s throw in some ghostly artifacts that help the two keep up with Fenton’s madness.
Sam would get an angel’s halo that helps her form ghostly wings, and she’d play into the good-two shoes angelic look, and then she opens her mouth and verbally assaults you. She pins her bangs back and wears clothes that better fit a celestial aesthetic and uses all the etiquette training her parents taught her. Manson looks like some sort of regal angel and people expect her to be the nicest out of all of them. She’s not. Manson is the sneakiest and most bloodthirsty one, and heroes regularly wonder if she has actually committed murder or not.
Tucker takes inspiration from his time as a pharaoh. He has a metal postiche that enhances his physical ability. (Maybe it gives him dreadlocks too, but I like to think Tucker is just wearing a whole ass wig.) He wears a strange mix of street wear and his pharaoh outfit, and throws his tech-obsessed self out the window. Fenton is the nerdy one here, so now Foley is the muscle. Foley plays up meathead American bully stereotype hard. He delights in throwing hands, and hunts down supers just for the sake of a fun spar. (For him not for the supers.) Foley’s favorite people to fight so far is Killer Croc and Superman. Heroes are concerned about what would happen if Foley fought for real, but then they saw what he did to the Joker “as a joke” and decided not to ask any more questions.
Basically, the trio looked at their civilian lives and picked out what they considered “villainous traits” from the people around them that they then played into as villains themselves. If that makes sense. Sam hates how her parents want a perfect child, so she makes herself look like one. She speaks in backhanded comments and has a snooty attitude, which she learned from other rich people. Tucker is constantly confronted by bullies everyday, and all the rogues that come to Amity are always fighting, so that’s what he decides to mimic. Yeah, he now gets to be the big and strong protector of the group, but all his experience with fighting have been bad ones, and that reflects in his style. And finally, Danny. Why does he take after his parents and play into the family name? Because the Fentons are one of the biggest obstacles and source of anxiety in his life. Danny associates mad scientists to pain and other bad things, so even if all he’s being helpful in a really annoying way as a villain, his parents and the threat of the GIW still influence how he presents himself. Because to Danny, those two things are far more scary than a kid with a pirate ship or a man wearing a bat fursuit.
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wardengrill · 2 months
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Hotch in Natural Born Killer
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luxaofhesperides · 2 months
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Ghostlight prompt: Danny and Duke being childhood friends, but Danny tells Duke the moment the accident happens and such cause he trusts him, only for Danny to go radio silent when giw decide to block the town communications in senior year.
So Duke-does he tell Danny he's Signal or not? Up to you-gets worried the longer no contact goes by.
Maybe the away game thing seen in other posts where the sports team still does away games and Danny gets enough good will with star or dash maybe and they send a message to Duke that's some coded phrase and Duke knows shits going down?
(yourlocalcorviddad, it's a side blog so didn't want to send from main sorry)
Danny is not someone who is on his mind a lot, these days. It’s to be expected, considering how distance and their double lives eat up all the time they have to talk. Really, it’s a miracle that they were able to speak enough to learn about their own individual vigilante work, especially with Duke bouncing around foster homes for a good portion of that time. 
They haven’t spoke in months but that’s normal for them.
Duke thinks he can be forgiven for not knowing something was wrong. He still won’t forgive himself for it.
“Danny’s gone?” he repeats, feeling numb. There’s static ringing in his ears, his entire world hollowing out.
The guy in front of him looks grim, unable to meet Duke’s eyes. Did he introduce himself? Duke can’t remember, can’t keep his spiraling thoughts straight in his head. “He’s gone. His entire family is gone and we haven’t been able to call for help because… well…”
“It’s those guys, right? The ones in white?”
“You know about them?”
“Danny told me. Danny told me a lot about what he did in Amity Park.”
The guy lets out a slow, relieved breath. “Good, then I don’t have to explain. Sorry, it’s just that it’s not something we talk about, especially out in the open. After the last few months, things got really bad. We know the GIW took the Fentons, but we can’t find out how or why and they’ve got us on a tight lockdown.”
“Then how did you get out?” Duke asks. Another arguably more important question pops into his mind a second later. “Actually, how do you know about Danny and… you know. The other things.”
The grimness on the guy’s expression fades away some beneath the sudden shame and embarrassment. “Oh, that. Well, I dunno how much he told you about his, like, daily life, but, um. I’m Dash. Baxter. I bullied him?”
Dash. 
Dash. That’s a name he recognizes. 
Danny’s complained about Dash a lot in the past. Since they were in middle school, really. Duke would always get mad on Danny’s behalf about how terribly he’s being treated, how no one would stop such obvious bullying. And every time, Danny would laugh it off and say in that soft voice of his, It’s alright, Duke, really. Having you care is more than enough for me.
It never stopped the bullying, though, but the way Danny talked about Dash changed when they both entered high school. He was still annoyed about everything Dash did, but there were less insults about him, less venting about every little thing that pissed Danny off about him, as if he just didn’t care anymore.
And there is, of course, the most memorable time Danny called Duke about Dash over the summer.
Hey, Danny, Duke had began, only to be cut off by Danny yelling, I kissed Dash?! Or he kissed me?! What am I supposed to do now!
And Duke, despite the jealousy he felt at hearing that Danny and Dash kissed, laughed so hard he cried while Danny yelled at him to be helpful. 
There wasn’t any discussion on Dash since, beyond a comment here and there about a funny fanboying thing Dash had said about Phantom. The focus of their conversations shifted towards how hard it was to be heroes or vigilantes, quiet reassurances that they’re both doing the best they can, tips traded about best ways to patch themselves up and get through the night. Sometimes, it felt like Danny was the only person in the world to really know Duke; all his pain and promises, his dreams, everything he was Before and who he became in the After.
He’s missed Danny, but the last message Danny sent him told him that things were getting rough in Amity Park, and to not call or contact him until he reached out first.
So Duke trusted in Danny and focused his attention in Gotham, putting his all into becoming a better hero, someone people can rely on. 
He thinks that maybe he should have fallen into the Bats’ bad habits of invading privacy to make sure Danny’s okay. 
Too late for that now, though.
“I know you,” Duke says after a long moment. “He talked about you sometimes. Come with me, we have a lot to discuss.”
Dash looks appropriately nervous, but he doesn’t argue. 
It’s a tense, quiet walk to the library where Barbara works. She’s stationed at the front desk when he arrives and greets him with a smile, eyes flicking towards Dash in question.
“Hey, Babs, got a private study room open?”
Her gaze sharpens and Duke can’t help the feeling of relief that flows through him, knowing that Oracle is ready to look out for him. “Let me check,” she says, turning towards the computer to click around a few pages. “Study room 8 is open.”
That’s the study room with a working lock and soundproofing. It also has cameras and a mic inside, but all the other study rooms have one too, just for safety purposes. Things could always go terribly wrong when people are locked together in a small room, and having video and audio evidence of what happened has assisted in more than a few cases. 
He leads them up to the second floor, past the students studying and the group of young children in the back corner of the library listening intently to a read aloud. 
The only occupied study rooms are those up front, closer to the stairs. The back rooms are empty and quiet, the perfect place for a little impromptu interrogation.
“So,” Duke says as he closes the door to study room 8 behind them. Dash sits down as if this is just a casual conversation, but the way his foot taps against the floor betrays his nerves. “Danny’s gone. And somehow, that lead you to me.”
Dash glance around, then leans closer to drop his voice into a harsh whisper. “The Guys In White got some insane upgrades a few months ago and forced every citizen of Amity Park into a surveillance state. The entire Fenton family is gone, but we all know it’s really because they want Danny.”
“Explain the situation in Amity Park some more.”
“Well. It’s like this: we didn’t take them seriously, so they upped their moves and got us trapped. No one goes in or out of Amity Park without good, verifiable reason. We have a curfew and we can be randomly stopped and searched for ectoplasm or exposure to ghosts. Most of the ghosts have left, but a few of the stronger ones hang around to cause trouble to get the GIW off our backs for a bit.”
“So how did you end up in Gotham?”
“I was invited to tour the college. And since outsiders were expecting me, the GIW let me go. But there’s definitely some that tailed me to Gotham, but I can’t find them at all. Even talking to you now is a huge risk for me.”
Which means they don’t have much time to talk before someone comes looking for Dash. His words, paired with everything Duke’s heard from Danny, paint a deeply unpleasant picture in his mind. “Are you going to be in trouble?”
“Nah, I’ll be fine. It’s Danny we’re all worried about. He told me before he got caught that if anything happened to him, I should find you. Tucker helped us narrow down where exactly you are and sent you that text to get you to where we met.”
“What do you think I can do?”
“I don’t know,” Dash admits. “But Danny trusts you, and he needs your help.”
Duke was never going to say no to this request to begin with, but damn if those words don’t make him want to run to Amity Park without waiting for anyone else.
“Okay,” he says. “Okay. I’ll help rescue him and bring down the GIW. You should go now, before they get too suspicious.”
“What are you planning?”
“I got a couple of friends who are good at destroying government property. Trust me, you’ll see what we’re up, we’re pretty noticeable if we’re pissed off enough.”
“Don’t take too long then,” Dash says, standing up, “I expect a good show from you. See you around, man.”
And with that, Dash pats Duke’s shoulder and leaves the study room. Duke doesn’t follow after him.  He’s got a rescue to start planning, and the less time he wastes, the better.
In the end, it’s pretty simple. It’s not a hard mission at all when the time comes for them to act, but the amount of data they gather and have to shift through is daunting. But that’s more Tim and Barbara’s forte, so he trusts them to handle it. 
Together with Red Robin, Spoiler, and Black Bat, they hit Amity Park hard and fast. 
One night was spent learning the lay of the land and every station and lab set up by the GIW. The second night was spent burning it all down and tossing open cages full of green blob ghosts and a few transparent, weakly glowing human ghosts. Stronger ghosts, glowing brightly, joined them in a few places with battle cries and maniacal laughter.
They split up and took down all the bases and patrol stations on their own, sweeping through the city like vengeful shadows. 
By dawn, the GIW were in shambles, without any bases or equipment, and rounded up for arrest. 
Cass was the one to find Danny and his family; his parents were forced to create weapons for the GIW under threat of Danny and Jazz’s torture. Danny was locked up like an animal and studied. Jazz had restraints on, including a muzzle, and a bloodthirsty rage in her eyes. Apparently, she had put up the most fight and, while being studied for repeated exposure to ectoplasm and radiation, started biting people.
The Fentons are big names in this conflict. Tim makes the executive decision to burn one of his out-of-state safehouses so they can hide and recover in peace, then promptly moves them into it as soon as the EMTs give them the all clear. They’re gone by the time the sun is rising over the horizon, and the curious Amity Parkers that have gathered behind the blockade of police cars have to be reassured that the Fentons have been taken away for their protection, not for further abuses. Even then, tensions are high and the locals are clearly prepared to start rioting now that they have a chance to fight back.
As vigilantes, they’re not meant to interact with cops much. Perhaps it’s simply their experiences in Gotham that keep them at a distance, disappearing into the neighborhood the moment attention shifts off of them. Either way, Duke is hurrying out of Amity Park with the rest of the team on his heels, eager to return to Gotham and follow up on their own leads to make sure the GIW is properly gutted and dismantled. 
Duke heads off for the Hatch as soon as they reach Gotham, hoping to shed the suit and finally be able to call Danny. The guilt of not noticing how bad things had gotten rolls through his stomach, and more than that, he’s missed hearing Danny’s voice. 
The first few calls go straight to voicemail. Duke leaves a quick message asking Danny to let him know how he’s doing as soon as he can talk. 
Then he goes for a shower and to change into civilian clothes, prepared to make his way to Wayne Manor to let Bruce know how everything went. And hopefully distract him from his Disappointed Father/Leader Lecture about taking on missions behind his back, as if Duke can’t handle himself. And also because Bruce has no leg to stand on when it comes to this. He’s fully prepared to throw that entire lecture back into his face at a moment’s notice.
The post-mission exhaustion is hitting him hard and fast. Duke has to brace himself against the wall once he’s out of the shower, resisting the urge to just lie on the floor and sleep there until he starts feeling more human. 
Somehow, he gets himself into some sweatpants and a plain shirt, pulls on a pair of mismatched socks, and begins gathering his things so he can get to the Batcave. 
He’s in no state to be driving. Maybe someone would be willing to take him there?
Just as he reaches for his phone to thumb through his contacts and see who he can bother, it buzzes in his hand. Duke blames the way he jumps on his exhaustion, then blinks his tired eyes to squint at the name that pops up onto the screen.
Danny.
All at once, his exhaustion fades away. A rush of adrenaline runs through him as he scrambles to accept the call, already pacing around the room so he doesn’t fall asleep. 
“Hello?”
There’s a moment of silence, then the exhale of a breath that turns to static over the call. “Duke,” Danny’s tired voice says. “Duke…”
“You doing okay? I couldn’t get to you before you and your family had to leave and go into hiding, but I’ve been worried about you, man.”
“I’m good. We’re all fine, now. Fentons are strong, you know? We’ll bounce back in no time.”
From what he’s heard about Danny’s family, that’s most definitely true. He’s seen the pictures of walls Jack Fenton has burst through with his body. It’ still hard to believe that no one in the family is a meta, outside of Danny.
“You need anything? I can get it to you, just say the word. Anything at all.”
Danny hums, then asks with a playful note in his voice, “Anything?”
“Anything.”
“I need you. How fast can you come meet me? I’ll even pay for express delivery.”
Duke laughs, so relieved at hearing the lightness return to Danny’s voice that he feels weak in the knees. “It’ll be at least two days. I gotta sleep and debrief with Batman before I can see you. It’s gonna take some time to get out of Gotham again.”
“Maybe I can go to you, instead,” Danny suggests. “Fly over and be there is less than an hour.”
“Are you in any shape to be flying right now?”
“I’m fine! Already healing and everything,” Danny insists.
“It might be dangerous if any rogue GIW agents go after you.”
“Well,” Danny says, “That’s why I need to get to my knight in shining armor sooner rather than later, right?”
Duke bites his lip to fight back a smile, blinking his eyes forcefully to keep them from closing under the heavy weight of exhaustion. “Does that make you a damsel in distress?”
“I mean, I did need rescuing, so I guess? I’m not much of a damsel, but I could put on a pretty dress for you. It’ll be like playing pretend when we were kids.”
“Oh, man, I kinda miss those poofy dresses. I think I could still rock on, put it on top of the armor when I go out for patrol.”
Danny snickers. “Signal: the most well dressed vigilante in Gotham.”
“That’s me, baby!”
The last of the agonizing fear that’s choked him since he first talked to Dash finally melts away. Danny’s fine now. Everything’s okay; the GIW are done for and there’s plenty of people willing to look out for the Fentons. This will never happen again.
“Hey,” Danny says, voice suddenly turing more serious. “Send me your location. I wasn’t joking when I said I could fly over to you. And before you say anything! I do need it; Jazz and my parents are smothering me and I just need to get away from everything and pretend all of this never happened.”
The admission softens Duke, makes him shove away everything that tells him this is a bad idea, that Danny needs more rest first, that having Danny fly over alone and without warning any of the Bats fills Duke with anxiety. 
He does miss Danny. More than he can put into words.
“Yeah, okay,” he says at last. “Come meet me, Danny.”
He texts Danny the location of the Hatch before common sense tells him to be more careful with his base of operations. Not that it matters, anyways; if there’s anyone in the world he trusts with everything, it’s Danny. 
Then he sends the Bats a quick text saying he’s crashing in the Hatch and to not bother him until the sun is fully up two days from now. Oracle gives him a thumbs up emoji, which is a good guarantee that she will personally see to it that no non-emergency messages interrupt his rest and recovery time.
Duke has no idea how long it will take Danny to get to the Hatch, so he putters around, cleaning up the space and straightening it out in an attempt to keep busy enough that he doesn’t crash. Travel really takes it out of him. It’s one of the cons of being born and raised in Gotham: he doesn’t have the stamina to travel outside of it, especially when they were there and back in less than three days.
Thank god for Tim’s many motorcycles and his tendency to see the speed limit as a weak suggestion that can be ignored while on a mission.
Ultimately, the call of sleep is too strong to resist. 
One moment, Duke is sorting through files on the Hatch’s computer, and the next moment, he’s face down on a bed with his face shoved into a pillow. 
Blearly, he manages to pull his phone out of his pocket and send Danny a typo-ridden text that hopefully gets across the message of might be asleep so just come in, don’t wait for me to answer the door.
He’s out like a light as soon as it sends. The last thing Duke registers is his phone dropping out of his hand and falling against the mattress with a little bounce.
When he begins to wake up, something’s changed. As much as he wants to go back to sleep, awareness comes back to him slowly and Duke forces himself to claw his way out of unconsciousness to figure out what, exactly, is bothering him so much. Until he figures out what’s changed in the room, he won’t be able to sleep because he’ll be worried about someone breaking in.
His mind comes back online long before his body does. It’s only when he tries to move that Duke realizes he’s no longer alone on the bed; there’s someone wrapped up in his arms, body temperature a little too cool to be a normal human.
Blinking open his eyes, Duke looks down at the head of messy black hair and feels Danny’s soft breath ghost across his chest. 
“Danny?” he manages to say, voice rough with sleep. 
Danny hums and doesn’t move.
“Hey, look up. Let me see if you’re really alright.”
“Mmm, no,” Danny mumbles, burrowing his face into Duke’s chest some more. “‘m sleepy.”
A good argument. Duke is also sleepy. 
“Fine,” he says, “Check in the morning, then. G’night, Danny.”
“Night, Duke. Thanks for saving me.”
He tightens his grip on Danny, contentment burning warm in his chest. “Always, Danny. I’ll always save you.”
That’s why he’s a hero, after all. To save others, to reach a hand out to everyone the way he needed when he was younger. To keep the people he loves safe. To make sure Danny always finds a way back to him. 
This is what makes all the pain of this lifestyle worth it.
Danny makes everything worth it.
(@yourlocalcorviddad tagging to make sure you see this!)
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poorly-drawn-mdzs · 6 months
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Happy Halloween and Wei Wuxian day!
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devondespresso · 9 months
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FINALLY
after NINE. HOURS. (NOT including meals and sleep) ITS FUCKING DONE.
A complete floorplan of the entire Harrington house. Including too much thought about random, throw-away lines from characters and squint-to-see-it background glimpses inside.
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plently of stuff in the actual house is altered or straight up ignored in favor of following the fiction logic and because I Wanted To. A lot of this is motivated by my headcanons for the Harringtons and how I'm writing them in my fic, but I'm also certainly not an architect so it's by no means perfect. It is, however, unreasonably canon compliant in the few bits we do see.
Thought Process (for context):
the darker shaded floor areas are lower than the rest, some bits like the garages having stairs and some areas like the sun and dining rooms list being like a step lower. Windows are marked with dashes along the outside, sliding doors are two thin lines slightly overlapping, stairs change color as they diverge from the level we're looking at, and furniture is eyeballed so don't look to closely a the scale.
not all closets are labeled, just the ones i figured could be confusing. Steve and the guest rooms have closets i promise.
the laundry room and pantry are not the same size but by the time i noticed i was exhausted. so pretend they're both more reasonably sized.
i don't know what the floorplan symbol for garage door is and then i forgot to look so the headlights point to where the doors are and you can see them clearly in photos so yeah.
The general layout is based on the idea that the Harringtons are or were into hosting dinner parties and business meetings in their home, especially as a young rich couple looking for respect in their circles (Mr. Harrington taking on his father's business and reinforcing that power, Mrs. Harrington climbing her own social ladder and building an image).
So the house is laid out with hosting areas towards the right with the office big and near the dining room because it's more than just a workplace, it represents him as a businessman. In canon the entryway and living room both have very high ceilings and no second-floor above them, so I'd imagine they're also aware of how the top floor looks from below, hence the fancy double/french doors to the master bedroom which is in plain view from below. Steve's room and the guest room are's nearly as visible.
As for the kitchen and sun/pool rooms, I see them more as secondary hosting areas that aren't used as the main location most of the time and are more this background setting to these events that still feel rich. The kitchen is massive and mostly for dinner-parties and Mrs. Harrington's social events.
The kitchen and main bathroom's placement is based on a line Steve said to Barb giving her directions to the bathroom: "down past the kitchen, to the left". With the massive living room on the left and wanting to keep the dining and office close by, i interpreted the "to the left" part being like "find the kitchen, then turn left". And with the rest of the area being open-concept, the bathroom would be the only normal door over there and easy to find. it's a bit of a stretch with just that line, but it makes sense to me with the rest of the context for the layout.
the basement is similar to this, though not as openly displayed so I imagine its for slightly closer friends. Theres a garage door down there so I figured Mr. Harrington might have a cool car he shows off, like he's letting people in on a personal detail about himself. There's also a guest room down there (the only one still considered 100% for guests, more on that later) for those people.
beside the basement garage, there was originally one main garage that holds two cars, obvious Mr. and Mrs. Harrington's cars. I imagine they bought the house before having kids, so a third one wasn't on the mind but after having Steve they added the front one (either turning the carport into a closed garage or they never had a carport and added a whole new addition, up to you)
Both garages lead to the same part of the house, and that area is the only one besides the water heater room that is purely function over effect. It still looks good like the rest of the house but it's not made to be fancy because guests would rarely need to be over there if at all and it's not noteworthy from other parts of the house.
In my headcanon, Steve's room used to be a guest room, staying his room from nursery to present with Mrs. Harrington renovating every now and then. Its one of those places in the house that doesn't have to look perfect for all to see, so she gets creative and has fun with it.
The upstairs guest room is also unofficially Mrs. Harrington's room, based on a line where Tommy mentions a fireplace in "his mom's room" instead of "guest room" or "parent's room" or "master bedroom". I belatedly realized this could be a solidarity thing with Steve hating his dad and calling the master bedroom his mom's room, but that was after 9 hours of this and im not changing it but there you go. In this version, I imagine she leaves the master some nights because her marriage with Mr. Harrington is failing (cheating and all, I wouldn't want to be in the same bed with someone who cheated either)
the master bathroom was an executive decision, just looking at the house in canon and not having enough space in my first attempts, i decided the triangle roof part above the dining and office could fit a master bathroom.
Feel free to use or reference this in your own fics! Feel free to block out my furniture or walls and make your own version. If you share my image please credit with an @ mention!! (again, 9 hours) (thank you fhalsfhd)
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blue-rose-soul · 2 months
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Vaggie: Alastor, what the hell!?
Charlie: You can't hit a kid!
Alastor: That child was acting like an insufferable brat. Someone had to set it straight.
Charlie: It doesn't matter! You don't hit kids, that's no way to teach them to behave!
Alastor: Well, that's how I was raised.
Vaggie: Who the hell raised you?
Alastor: My mother's murderer.
Charlie: ...
Vaggie: ...
Everyone else in the hotel: ...
Husk: ...Yup, that tracks.
Alastor: ??? :)
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rebouks · 3 months
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Previous // Next
Alex: Did you just take a picture of me? [The girl leapt to her feet, squinting at Robin as he emerged from the bushes; it was far too late to run away] Alex: You totally did, didn’t you? [Robin didn’t know what to say, or how to explain. Taking pictures of people whilst they were in their own world was just.. fun; whether they were appreciative of that, however, was usually 50/50] Alex: Can I see it? [Robin barely had time to nod before the girl skipped toward him, brazenly but gently angling the screen to see] Alex: It’s a good one though-.. do you always take pictures of people when they’re not looking? [Robin shrugged loosely; he was just glad that she didn’t seem offended] Alex: This camera is pretty fancy; did you steal it? [Robin blinked, shaking his head] Alex: Woah, your parents must be loaded! [Robin snorted, shaking his head again] Alex: Hm, I guess you wouldn’t be camping if you were loaded though-.. you’re camping, right? [Robin nodded, gesturing vaguely in the direction of his campsite] Alex: How long are you here for? [Robin held up his hand, five more days] Alex: Ugh, I’ve been here forever… [Robin raised a brow questioningly] Alex: My dad’s looking after this tower thingie for a friend whilst he’s on some show he won’t let me watch. Cool, huh? [Robin smiled, hoping to convey the fact that it did indeed sound cool] Alex: It was at first, anyway-.. now it’s kinda boring. [Robin wondered how long she’d been here for the forest to become boring, but he couldn’t bring himself to ask] Alex: You don’t talk much, do you? [Robin dug the heel of his shoe into the grass idly, offering the girl another shrug. He was starting to think that his choice to remain silent wasn’t always a choice at all…] Alex: My dad’s a bit like that sometimes, especially since-… [Robin frowned, she didn’t need to finish her sentence, though she couldn’t have known that…] Alex: Well, never mind-.. hey, do you wanna see the tower? [Robin widened his eyes as if to say, really?] Alex: Sure! Dad isn’t home so it’ll just be us. [Robin lifted his sleeve to check his watch, there was plenty of time until curfew] Alex: It’s super neat inside, c’mon!
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sidoyaboi · 1 month
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I want u…
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kartsie · 1 year
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Todd brain rot (and Sheila too I guess)
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martianbugsbunny · 5 months
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Ngl the funniest part of Monsters University is the revelation that Randall doesn't squint all the time because he's suspicious and paranoid it's just that he can't see for shit
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writeouswriter · 2 months
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You ever come up with a story concept and think oh this is brilliant, this is so good, this is so clever, I'm a genius, people will love this, and you brainstorm and you outline and you create a whole host of details about it, but also you... don't want to write it, not in a "I dislike writing" or "I want someone/something else to write this" type way, but in a "I love and enjoy this concept and want to be the one to execute it if it ever comes to pass, and yet this story/genre just isn't really me" way, like this is good but I'm not the one to do it, but also I'm the only one to do it, it's mine
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stealingyourbones · 8 months
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Short DPXDC Prompts #866
Jazz is Cass's Therapist. It's been 5 years. Jazz has feelings for Cass. It's extremely unprofessional, she knows. Still. She can't help but wish that Cass would feel the same for her.
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