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#at this point they are hating him for what they invent of him
wh1msic4alwasab1 · 2 days
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𝐓𝐨𝐲 𝐌𝐚𝐤𝐞𝐫 ₊‧°𐐪♡𐑂°‧₊
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synopsis: your boyfriend takes you out on a date while he sees how well you like the new toy he made for you
tags: overstimulation, semi-public, vulgar, explicit, thigh riding, penetration
wrd cnt: 1.0k
a/n : rewrite/repost from first acc!
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Imagine tartaglia being your own personal toy maker. ;)
He'd love to test all his inventions on you, mostly in you.
One night you'd be taking a stroll with him through the harbor to find a place to eat, as night was falling fast. Before you enter the building, he's got you against a wall in an alleyway and his hand down your skirt, pushing your panties aside and inserting a controlled vibrator into you after you finally agree to his schemes. “Make sure this doesn’t fall out yeah” He said with a grin and quick kiss to the cheek.
You two made a bet before this, if you caved and demanded for him to take you home then you'd be filling in for his errands for 2 weeks.
A few minutes go by, and you're paranoid. Why hasn't he done anything yet? He's usually so eager? A few more minutes go by and it's time to order food, as you begin your order you feel a small vibration in between your legs, here we go.
It was bearable, and you didn't have any trouble ordering anything. You simply look at him and offer a smile.
"Anything wrong princess? You look a little stiff."
“Nope. I feel wonderf-“ As you reply to him you cut yourself off, you could feel a sudden increase in intensity.
Your entire chair was beginning to vibrate and your clit was throbbing at this point. You squeezed your legs so hard and your hands began to fist up, you look at his smug face in a pleased manner and he completely turns it off. Exhaling deeply as laughs.
"You're shaking sweetheart, do you need anything? Should I call the waiter?”
He knows exactly what he's doing, and you hate that it's turning you on so much.
Quickly after your food arrives, you enjoy your meal together without any fuss.
After the bill is paid you walk throughout the shops, heading up to the golden house as Tartaglia had unofficial business to conduct. At the shops, you spy some handmade glass artworks, and spent time looking at them. After deciding to purchase one and going up to the salesman's, you could feel small tingles.
Immediately after, it's all the way up again. One of your knees buck and you drop the money. You squat down to pick it up and the toy is pressing up against all your most sensitive areas, your knees shaking now. You pay for your product and your breathing intensely. You can't handle it anymore.
"Okay you win let's go.", you say, pulling him off to the patio of a nearby tea shop, clutching your bag.
He smirks, "what was that?"
"Tartaglia- take. me. home."
"Home? That's pretty far from here", he sits down on one of the chairs on the patio as the toy is still buzzing inside you.
"Turn it off then you've already won-!”
"Aw baby but it's so fun to see you squirm like this, how about I just give you what you want?"
Your eyes light up slightly, you can't let him see how happy you are or it'll just go to his head.
You nod, thinking he's agreeing to taking the two of you home but he's not moving?
"You don't want it now?"
Here? Now? You could hardly believe him. But the thought of it didn't turn you off, it did quite the opposite.
The toy in your pussy was driving your thoughts and before you could think you were sat on his lap, with your tongues twined. You could feel his hands gripping your thighs as he grinded you into his cock, you could feel how hard it was even through his clothes.
"If you really want it you'll have to show me."
You couldn't take it anymore.
You slipped off your panties and rubbed yourself on his thigh, rutting against him, your pussy was so wet he could feel it soaking his clothes. His hands reached towards your chest and pulled down your shirt, your breasts spring out as he plays with your nipples, watching your tits bounce as you ride his thigh.
"You really want me to fuck your guts huh baby?"
You nod and his hand finally slips down towards your sex, he licks his fingers and rubs your sore clit, you've already came a few times from the toy still left inside your hole.
He pulls you off his thigh and sets you on his lap, unbuckling his belt and you watch his cock grow even more. He slides his tip up and down your slit, pressing his head against your clit.
Finally, the toy is out of you, and not seconds later replaced by his huge cock.
He's bouncing you up on his member, suckling on your chest, watching you rub your clit.
"You look so sexy like this baby, I hope someone sees how perfect you look while I stuff you full."
You almost forgot you were in public, but it just made you more wet thinking about the risk.
Anyone could see you riding Tartaglia, but all you cared about was his cum filling you up.
You find him twitching his legs, furrowing his eyebrows as you suck his cock in, tightening around him as you get closer.
Not after long, he's rutting into you as you bounce and cursing so loud people might just hear. Your moans escape you as you try to hold back, but you end up just releasing on his dick, leaving a white rim at the base of his cock.
Seeing you fucked out and breathless sends him over the edge, he fucks his cum into your hole and you fall into his shoulder, as he breathes even faster.
Time to run errands for 2 weeks!
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whimsic4alwasab1 ™ - do not copy, translate, modify, or claim any of my work as your own.
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piplup335 · 2 days
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Subspace & a reader who is a toxic player!
HEYA, FELLAS!!!
sry I didn’t have time to write, I was quite busy these few days ;-; but hey, now I have time to write! I’m just cramming out whatever time I have to finally rest and finish up reqs :D
honestly I like writing for you all, so I’m not a fan of going inactive LMAO
anyway, enjoy!
requested by…yeah, you already know who you are, you just don’t wanna admit it. I know who you are :)
-
"At last."
Subspace could feel the smugness radiating off of Medkit as he fired a crystal, instantly healing his teammates. Subspace had tried to chase after and take down the other team's Shuriken for one and a half minutes, only to get shot and taken down by Medkit himself, his sworn enemy.
Or rather, Subspace himself didn't try to take down Shuriken.
It was the player. The one controlling him.
More specifically, someone named (Y/N). He overheard the name when someone yelled at them to keep quiet…and judging by the tone, it seemed like this wasn’t the first time.
Deep down, Subspace never wanted to fight anyone. He just wanted to stay in his lab in Blackrock, tinkering on his newest experiments and inventions, improving the Biografts he held so dear to him...after all, the Biografts were the "people" he truly felt close to, the beings he saw as children.
But no, the creators of the endless game he was trapped in pulled him out of Blackrock for ungodly amounts of time, only being able to leave when the server was shut down for maintenance or when the game was closed for updates.
He rarely even got to see his creations as often, only being able to catch sight of them in what the players called a "lobby" or during one of the matches. Regardless of whether Biograft or Hyperlaser was on the same team as him or not, a familiar sight was always appreciated.
To the players, it was just an average video game where you use random characters and fight each other with swords and stuff.
To Subspace, it was hell.
He wanted to be left alone to work on his creations in the eternal winter of Blackrock.
But no, he had to be pulled out of the comfort of his lab just to fight people, most of whom he had never met before.
He didn't even have control of his actions either- everything was decided by the player.
The player. Subspace shuddered at the thought.
He always hated losing control of his body, watching helplessly as the player controlled his every movement. Controlled where he walked, who he attacked, how he attacked...Subspace couldn't even run to save his life if he wanted to.
Sometimes, whoever the player was would be nice to him. On those days, the player would make smart decisions to avoid death, allowing him to effortlessly eliminate multiple opponents by utilising his poisonous tripmines to shred the opposing team's defences.
In other scenarios such as this one, however, the player controlling him was terrible.
They would make the worst possible choices, immediately charging into battle even though he was meant to attack from a distance. They never used his crystals effectively, missing the opportunity to immobilise and slow down his opponents...they made so many bad decisions it was almost impressive.
Today, however, seemed a lot worse.
Not only did this one player, (Y/N), suck at utilising his abilities, but he would also curse him out for being "bad" and "useless".
And now, here he was. He was faced with a death screen with his limp body on the ground as Medkit ran past him to heal the rest of his team.
The player had spent almost two minutes trying to take down a SINGLE PLAYER. The amount of misfires on other people was impressive at that point...
And now it was all for nought.
"Damn it! You suck at this! I spend so much time trying to kill someone and I can't because you do less than 5 hitpoints for your normal attack!"
Subspace internally groaned at this. He was not allowed to cry out loud or make a sound outside his usual voice lines- that would alert the player that he and the others were self-aware about these phights being nothing more than a game.
He forced himself to keep his mouth shut.
Subspace was irritated- he wanted to yell out loud, retort at the player and get some common sense into his head. He wanted to instruct the player as to how to properly play him so that maybe, just maybe, the player could shut up for thirty seconds.
He was tired of seeing the death screen so many times in one match. By then, he had seen it seven or eight times in four minutes and was slowly getting tired of it.
He just wanted to break free from the puppeteer's grasp.
He just wanted to get out of the lobby. He wanted to head to Crossroads, down the familiar concrete path back to Blackrock. He just wanted to put on a warm coat amidst the everlasting blizzard in his faction.
The blizzard gave him a warmth in his chest...a warm feeling that reminded him of home.
"One last minute..." Subspace thought. One more minute, and he could rest for another thirty seconds...until being pulled straight back into another nightmarish round, another round where he'd experience the constant and tedious cycle of spawning, being controlled, getting killed, spawning again...
He wished he could go home, back to Blackrock. He did not like it here.
As the round ended, Subspace got a glimpse of the results screen.
He was last. Again. With thirteen deaths, zero kills, and only two assists.
“Darn it! Why’d I even pick you? Your damage output is trash!”
Subspace could hear (Y/N) let out a string of profanities upon seeing another loss. Just as Subspave thought all was lost and he’d die from madness after all this, he heard Zuka announce something- something he had yearned to hear for the past thirty minutes.
“Phighters- I got a message from the developers. Server’s gonna shut down, maintenance is happening soon.”
Five seconds later, Subspace felt energy return to his joints as he stumbled onto the floor.
Subspace tried moving his arm, then went on to flexing his fingers. It worked.
He let out a sigh of relief. It was finally over.
One by one, other phighters around the lobby stumbled and toppled over as they regained energy in their joints as the players got kicked.
The puppeteers were gone.
Zuka gestured into his van.
“We’re going back to Crossroads. Hop in.”
As the familiar tower in Crossroads emerged in the distance, Subspace finally let his shoulders relax. He was closer to Crossroads, closer to his laboratory, closer to his home…
Subspace wouldn’t need to fight his beloved Biografts like he was forced to in phights. It always tore him apart to attack his creations, the very things he had worked so hard to perfect…the closest thing he had to a true companion.
But now, he could rest.
Other phighters lounged around in Crossroads. Rocket could be seen making small talk with Sword
Hyperlaser and Katana could be seen heading to the nearest bar.
All the phighters seemed to want to have a chat with someone else before heading back to their respective factions.
Instead, Subspace trudged down the path to Blackrock without saying a word, exhausted and irritated from everything that happened.
Biograft spotted this and immediately sprinted towards his creator.
“I just don’t get it!! Why me?? Why do I always seem to get the most talentless players?? I can see their stats and half the people who play me are newbies!!”
Biograft listened. That was his task, anyway- to identify the needs of his creator and adapt to them. And right now, Subspace needed a listening ear- someone who would listen to all his woes about the day.
“Why am I even doing this?? It’s been a week without seeing a player that knew their stuff!! Dear Illumina, WHY?!”
Biograft may have been a robot, but he was programmed to understand what his creator needed and how to respond.
If he needed food, Biograft could cook up a meal.
If he needed a certain tool, Biograft could bring Subspace his trusty toolbox.
But right now, all Subspace needed was some comfort.
The duo trod back to the familiar snowy landscape of Blackrock in silence. Biograft knew that his creator just wanted to go home. He didn’t have the energy for this.
Back in the lab, Biograft listened to Subspace.
The lab was Subspace’s haven, the only place where he felt comfortable enough to let loose.
Subspace spent so much time in the lab, more time than in his own house so much so that Biograft would often worry for its creator. Subspace would then reassure it, saying that he’s just doing what he enjoys. Never once would Biograft ever see Subspace at his workstation without his concentrated expression, only changing when Subspace chuckled softly every time a component worked as intended.
But today was different.
Subspace was resentful of the player, and back in his lab was where he finally let out all his pent-up rage.
Upon entering the lab, Subspace collapsed onto a nearby chair, groaning in annoyance.
“That little sh-!! I did what I could to accommodate his stupidity, but what did he do?? Curse me out, that’s what!!”
Subspace got up, pacing around and stomping on the ground to emphasise his point.
Biograft watched his creator. It could hear everything the player said, and despite being on the opposite team, it could almost feel a sense of empathy towards his creator, deep down in his processors.
“And do I have a damn choice as to whether or not I get controlled?? No!! This crap is all part of a VIDEO GAME, and I don’t have a say as to whether or not I participate!! Can’t I like, call in sick??”
Subspace picked up a screwdriver and was about to hurl it at the wall…but he paused, looked at the tool, and set it back down on his workbench.
He collapsed back into the seat, groaning in annoyance.
“…apologies, Biograft. It’s been a rough day…and I finally get to let loose.”
Understanding his situation, Biograft’s processors whirred to life, processing the new information. The soft hum of the processor was the only sound in the lab as Subspace lay on the chair.
As Biograft’s processors grew silent, it walked over and put an arm around its creator.
For once in a long time, Subspace felt some warmth.
And it wasn’t from his usual coat.
-
thanks for reading, and I hope you enjoyed!
if you do have feedback, please drop it in the comments so I can improve my writing for you guys! :D
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mhsdatgo · 21 hours
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The Helaemonds/Helaegons need to calm down.
Don't get me wrong, it's always refreshing to see some people fill in the gaps of a basically untold relationship such as the one between the green kids in general, but this goes beyond basic obsessive shippy discourse. Leave this poor girl alone. Why's there an obsession with having her be romantically paired with her brothers, one worse than the other?
I understand the show has basically shown so little of her to the point where we didn’t even have a coronation for her on screen, so therefore you can self insert through her and have fun with headcanons regarding Aegon and Aemond. Really, I'm not faulting their girlies, you can be head over heels for whatever actor in character you want (unless you put them on pedestals and start acting like they did nothing wrong and pounce on whoever contests them, THEN we have a problem) but I assure you, Helaena would barely want anything to do with either of them.
Aegon is a sex pest turned sex offender, a drunkard and a neglectful father and husband at best. Her infamous toast in ep.8 has us believing that he cannot for the life of him interact with her unless he's horny drunk or that he forces himself on her at worst.* He was ready to leave them all in ep.9 before he was caught. Even the book is subtle about their relationship: all we know of them is that they sleep in shared chambers, that she was someone important and reliable in Aegon's council before B&C, and that he named her and Alicent the true Queens of his reign.
*(⚠️TW: PERSONAL OPINION⚠️ I'm not saying this last one isn't a possibility but it's sill outrageous for the way people speak about Helaena in defence of this "claim". No, she wouldn't joke about her own r*pe in front of the whole table full of people she doesn't know and right beside her abuser, and despite the hour-long metas I've read about how she's basically "too sheltered" to know what r*pe even means, I assure you she's a high-functioning autistic, not 5 years old. She can understand it perfectly.)
Helaemond is a pure show invention, I honestly wasn't expecting this many people to go up this kind of train. They barely interact, and most of the time it's Aemond saying he'd "perform his duty" should Helaena ever be wed to him, or that stare in ep.9 when he enters her chambers toiling after Alicent. It's, as always, the Aemond girlies who think poor Helaena would live her best life with Aemond, or that they are already romantically involved behind the scenes. The amount of "if one possesses a thing, the other will take it away" edits from people that are FULLY CONVINCED "the thing" is Helaena and that "the one" and "the other" are Aemond and Aegon respectively is honestly concerning.
Fics that are all about Aegon doing the worst and unspeakable things to her so "Aemond can come and save her" are y'all okay? Out of all people, HE has to save her?
Babes, I'm sorry to break your bubble, but this isn't Aegon IV/Naerys/Aemon on steroids. Aemond didn't give two shits about Helaena. No, he wasn't jealous when Jace came to ask her to dance, he just wanted to stir some shit. If we talk about the books, he didn't fucking hesitate to leave King's Landing, his sister, his mother and whatever he was doing for the Riverlands the second he heard that Daemon was there. And he brought the only means of defence they had with him. If he knew how important Vhagar was for the city's defence, he's evil, if he didn't realize it, he's dumb as fuck. Which one is it, Aemond girlies?
People beat each other to the curb about Jaehaerys, Jaehaera and Maelor's paternity like it's the Wars of The Roses. They put Helaena and Alys against the other like they have personal beef with one of them.
Stop mentioning this sweetheart only when it's about praising or hating one of her brothers. No, it's not the only option you have because she's underdeveloped as a character. There's actually another one.
LEAVE HER THE FUCK ALONE.
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licorice-lips · 3 days
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Hi, everyone! So, I know there's a lot of controversy about Rhys's behavior Under the Mountain (at least in Brazil fandom it's a hot topic), a discussion that is valid and definitely needs to be had, so I did a lot of research on the subject and compiled the three texts that influenced me the most into a compilation that I'll share here — along with my thoughts and additions.
These texts that serve as my supports were made here on Tumblr and can be found under the following titles, although the third one is the most comprehensive of them all:
*Rhysand's Defense Post (The author had only read A Court of Thorns and Roses when she wrote this).
*The Difference Between Tamlin and Rhysand: The Man on the Throne and the Man in the Arena — Acotar and Acomaf's Excerpt Analysis (The author was following the small teaser quotes for A Court of Mist and Fury and analyzed them).
*Understanding Tamlin and Rhysand — A Post-Acomaf Reconciliation of Rhys's Actions Under The Mountain in a Culture of Defeat.
In addition to discussing Rhys's behavior, however, I'm also going to discuss Tamlin's behavior and compare the two. It's going to be quite fun… Just a heads up that I don't want any hate messages. Do you want to share your thoughts agreeing or disagreeing? That's fine, but with respect. Any offensive comments will be deleted.
Now here's my defense post for Rhys:
Leadership is a heavy burden. When you're a leader, especially when it's not your choice but comes to you because of the family you were born into, for example, responsibility can be a burden. But when you're a leader, there's something very important to consider when making a decision: those who follow you.
All of Rhys's actions as High Lord of the Night Court must be thought of to put the well-being of those he is responsible for first. And when he, Tamlin, and the other High Lords are Under the Mountain, he decides that he will be Amarantha's whore to ensure that his Court is in the best possible condition within the situation — he lets himself be raped to ensure that his people and his family remain safe when he could have done nothing.
But from the moment Feyre strikes the deal with Amarantha, he is the only one who is truly in a position to make a difference: the other High Lords do not have enough of Amarantha's trust for her not to suspect anything if one of them tried to bargain with Feyre as Rhys did, for example. If any other High Lord — Kallias, Thesan, Helion, etc. — tried the same thing as Rhys, Amarantha would have been suspicious.
So in this case, he is the only one who can truly act.
But he doesn't have to. The point is that his Court is reasonably safe because of his role in the court Amarantha built, so Rhys doesn't really need to help Feyre win. But he does it, not because he wants his power back, but because he's the kind of leader who will do everything achievable to change — for what he believes is the best — the lives of his people.
And I'll talk about how admirable that is later on when we're talking about the culture of war and defeat, and about Tamlin's behavior. So, he decides to act, and he tells Feyre in A Court of Mist and Fury:
"I decided at that moment that I would fight. And fight dirty, and kill and torture and manipulate, but fight. If there was any chance of freeing us from Amarantha, it was you." (A Court of Mist and Fury, page 550, Brazilian edition)
He knows, then, that the fight he would have to wage was not the beautiful, heroic, noble thing we're so used to seeing: Rhys knew that his actions to ensure victory — for Feyre and Prythian as a whole — would be horrible and would probably haunt him for the rest of his life. He knows that. And he doesn't excuse himself for a moment. He doesn't invent, he doesn't embellish, he doesn't paint himself as a hero. He knows he's not and he really isn't a hero.
A hero is someone who sacrifices themselves in a grand gesture to save the entire population, a true hero doesn't really sacrifice one person to save others. And while Rhys does have his own share of sacrifices, that doesn't excuse him from the horrible actions he took Under the Mountain:
So, the first part of his questionable behavior in Under the Mountain comes to light: the moment he twists Feyre's injured arm to convince her, to scare her enough to accept his bargain. This is a minor moment and my description alone makes it understandable: he does what he does to keep her alive and charges an insignificant price (which he planned to release her from later, as he himself says) to keep up appearances.
And Rhys needs to keep up appearances because his whole game to defeat Amarantha depends on how he appears to her and to other people: no one can notice while he moves the pieces on the board to bring the advantage to them. No one, not even Feyre, who is the "lamb to the slaughter," so to speak. And she can't know for several reasons:
Feyre is not in a mental condition to act and pretend to hate him as much as he needs her to pretend. So if she knew what he was doing, she would probably let something slip, or wouldn't be convincing enough, because honestly? Who could?
Rhys spent the last 50 years fighting alone and being surrounded by people who constantly despised him for being Amarantha's whore or for those who tried to ingratiate themselves with her through him, so he doesn't trust others easily, even though he was falling in love with Feyre, as he says in ACOMAF.
He couldn't trust that Feyre wouldn't trust others — Lucien and, therefore, Tamlin — with this knowledge. With their mutual hatred, they would surely end up messing things up.
Feyre was there to protect the High Lord who killed his mother and sister — and Rhys didn't know that Feyre didn't know the history behind his and Tamlin's relationship — so, in theory, it made sense that he wouldn't want to show his "true face" to her.
That's exactly what the book is about: like a retelling of Beauty and the Beast, the book is about how appearances deceive. If Feyre found out that Rhys is a decent person right away, it would be the same as throwing the whole intention of the story out the window.
So we have the second — and most controversial of all — point: the dance and the wine. I'm not going to mince words about this: It was sexual harassment. Period. But with this, Rhys manages to:
Get Feyre out of her cell, which is driving her crazy, as she says in this part: "I was alone, locked in silence — although the screams in the dungeon continued day and night. When they became unbearable and I couldn't ignore them, I looked at the eye in my palm." (A Court of Thorns and Roses, page 356, Brazilian Edition). And let's face it, anyone would go crazy in an environment like that.
Keep an eye on Feyre so that no one else could harm her — something he disguises with a comment about not liking others to touch what's his — and that's a curious thing because Feyre never expresses concerns about being abused by others after Rhys starts taking her to these parties (it's also interesting to note that despite the various traumas of what happened Under the Mountain, Feyre never showed any signs of trauma from sexual abuse, as far as I know — and again, not that this excuses Rhys, it's just a factor to point out that maybe she understood his game better than we did).
To leave Tamlin full of anger — which he claims is the main reason for all that theater during A Court of Thorns and Roses — so that he wouldn't hesitate if he had the slightest chance to kill Amarantha in the end or between challenges, no matter as long as he didn't hesitate. Because from Rhys's perspective, Tamlin is the noble golden prince who might spare Amarantha's life to demand some kind of trial or something. Which I consider he might have been dumb enough to do too.
Divert Amarantha's attention, as, thinking that Feyre was already humiliated and abused enough during those nights, she wouldn't give Feyre those ridiculous tasks anymore (like cleaning that filthy hall or collecting lentils from Rhys's fireplace). And if you reread ACOTAR, she really never gives those small tasks to Feyre again after that.
Send a message to those who could read, as Rhys himself says: he crowns Feyre every night, and for the cruel ones, this would be a subtle kind of mockery, but for those who could see beyond the evil, Rhys was declaring Feyre the champion of them all. He declared that he believed in her and in her potential to free them all.
Convince Amarantha that he's still playing on her side — a belief that was shaken by Rhys betting on Feyre in the first task and closing that bargain to heal her arm. This might be the most fundamental of all points: the one that allows the game to continue toward victory. He needs to prove to Amarantha that he's doing it for fun, out of cruelty, considering Feyre as the whore of the whore, someone lower than the lowest of courtesans. Thus, Rhys clears the way to act when the time is right.
By taking Feyre with him to those parties, he moved not one, but six pieces of the game to be in his favor. He killed six birds with one stone. Strategically, it's an incredible tactic, by the way. But morally, this act leaves something to be desired.
So why the wine and the dance? Because Rhysand plays with appearances. Everything in his game depends on it.
Feyre wouldn't play the whore of the whore while conscious, no one with a shred of self-respect would accept that without knowing the reason behind it, and Rhysand, for the reasons I mentioned, wouldn't tell her anything. So he makes her drink the wine to keep the whole purpose of that show and keeps her close to prevent her from being touched by anyone other than him.
But besides that, the wine is a form of escape, a way to forget about the horrors, as Feyre herself says at the end of the chapter where all this happens:
"[…] and I began to long for the moment when Rhysand would hand me the goblet of faerie wine and I could let loose for a few hours." (A Court of Thorns and Roses, page 381).
In fact, Rhys sees it this way: when he is forced to kill the High Lord of the Summer Court (not Tarquin, but his cousin from whom he "inherited" the title, Nostrus), he himself drinks the wine with Feyre — it's an escape from the character he so carefully plays because not even Rhys can bear everything without letting the facade fall, even if only a little.
Note: not that I'm saying this would be a healthy way to deal with all that trauma and accumulated stress, but considering the place they were in and the situation, perhaps it was the most… effective way.
I have to say, however, that all of this doesn't justify what he did: it was still sexual abuse and it's still very bad and very serious. However, I need to point out to you: what we do to survive often does not reflect what we would be in a normal situation (normal being their everyday life without Amarantha, in this case).
When we are confronted with a situation like this, where to survive we end up needing to do something horrible, many say they would never do and would take the noble path of dying before giving up their values and principles, which is great, it proves that you have a very good character. The problem is that Rhys doesn't have the choice to think only of himself and how much this abuse will cost his dignity and principles because every decision he makes affects his people.
So here's my question for you: could you love someone who chose to preserve you instead of saving thousands of innocent — children, women, and men — who are under their responsibility?
Because I couldn't love someone who did that. And that's how I make peace with what Rhys did to Feyre Under the Mountain: I couldn't love someone who condemned the world to save me from abuse that I know I can endure — even if it causes me terrible harm.
Of course, it's entirely valid if you decide not to forgive him for what he did, because, after all, it's a morally gray action when you consider the whole situation they were in and what Rhys did. So, no one is really wrong for not forgiving Rhys for what he did, but those who forgive him aren't wrong either. It's very important that we understand that.
Now, an argument that is often used and that annoys me every time I hear it is that Sarah "changed Rhys and Tamlin's personalities because of shipping", so she ignored everything Rhys did Under the Mountain to make him the hero just because fans liked him. There are so many things wrong with that that I don't even know where to begin, but let's analyze all of Tamlin's, Feyre's, and Rhys's behavior throughout the ACOTAR and ACOMAF stories and show why I know Sarah did absolutely everything with careful consideration:
There is a trait that is very striking in Tamlin from the beginning of the ACOMAF story and is especially explicit when Alis tells the whole story about Amarantha, Tamlin, and the curse, which is the fact that Tamlin can't deal with the consequences of his actions:
The first time he does this is at the beginning of the curse when he gives up sending his soldiers to die for him, thus Tamlin simply gives up not only freeing himself but all of Prythian, all the people who live there, and still condemns the human lands in the process. He only started sending the soldiers out of desperation after 46 years, look at Alis's speech:
"For two years, he sent them, day after day, needing to choose who crossed the wall. When there were only a dozen left, Tamlin was so devastated that he stopped. He canceled everything." (A Court of Thorns and Roses, page 294, Brazilian Edition).
The second time I can point out is Feyre herself (this because I'm ignoring the events during her stay in the Spring Court, as I don't remember what happened): he takes Feyre to Prythian with the intention of making her fall in love with him, but at the first glimpse of direct danger from Amarantha — in this case, the scene where Rhys makes him kneel — he sends her away.
He gives up saving Prythian because he can't stick to the decision to put Feyre in danger so that she could break the curse, so much so that he condemns himself for it, because Feyre only doesn't say that she loves him — and breaks the curse — precisely because she's leaving:
"— I love you. — He said, and stepped back. I should say — should say those words, but they got stuck in my throat because… Because of what he needed to face, because maybe he wouldn't find me again, despite the promise…" (A Court of Thorns and Roses, page 261, Brazilian Edition)
These are the main events, and perhaps I could list more for you if I reread A Court of Thorns and Roses. But what does this show us? That every time Tamlin makes a decision, he freezes and backs down at the first sign of an obstacle. He retreats and avoids anything that shakes him.
So it makes sense that Tamlin's reaction Under the Mountain is paralysis — a common behavior among leaders in times of war and defeat, by the way, which aligns not only with Tamlin's personality but also with the reaction of a true leader in such a situation.
Alright, let's stop there and go back in time to analyze Feyre's behavior:
Right from the start, we learn that, even being the youngest of three sisters, Feyre was the one who, when they were starving, took action and sought a solution, which shows us right away the kind of person Feyre is: she's the kind of person who acts when forced to face danger, whether it's something intangible, like death by starvation, or tangible, like Amarantha.
This is proven repeatedly throughout the books: when she seeks answers with the Suriel, when she tries to fight off the bastards who tried to rape her at Calanmai (because paralysis can also be a reaction to abuse of that kind), when she goes to Under the Mountain to fight for Tamlin without even hesitating, when she heals from the traumas of Under the Mountain as soon as she has something to focus on, something to dedicate herself to.
And this is one of the fundamental differences between Tamlin and Feyre: while he paralyzes, she acts, and whether we like it or not, differences create friction. Especially with what happened Under the Mountain because she and Tamlin were separated, and neither of them experienced trauma together. Paralysis generates a different trauma from the trauma of someone who is acting, so the end of their relationship begins when she goes to save him Under the Mountain — and Tamlin freezes.
Then we have Rhysand, who is exactly like Feyre: he acts when confronted with danger or defeat and has thousands of actions of his that exemplify this:
As soon as he becomes High Lord, he bans the wing clipping of Illyrian females regardless of the reaction of the Illyrian lords or what they thought about it. It's not that he doesn't care: Rhys, unlike Tamlin, is willing to pay the price that comes when a decision is made.
He becomes Amarantha's whore to protect his people from her getting too close to them. He doesn't care about the cost to himself simply because Rhys knows he's doing some good for his own people by letting himself be raped.
When he sees in Feyre the chance to do something to free all of Prythian, he goes all in knowing that that game would be total defeat or victory. He acts.
When Hybern starts threatening Prythian, he is willing to do whatever it takes — lose a potential friend, hand over the city he loved with all his heart to horrible women, give up his own life — so that they wouldn't fall into slavery again.
When the war comes anyway, he faces it head-on and uses every card he has to stop the King of Hybern: monsters of all kinds, all his power, his own life, and the truth about himself, about who he is.
And these are just a few examples. The fundamental difference between Tamlin and Rhys, just like between Tamlin and Feyre, is how they respond to situations and traumas.
Quoting Teddy Roosevelt (btw, this is a direct translation of the Portuguese version of the quote, so it can be different from the original):
"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."
Feyre and Rhysand are the ones in the arena, they are the ones who fight to be able to act in the face of evil — Amarantha. And it's interesting to note that those who condemn Rhys for the dubious actions he took Under the Mountain never say anything about Feyre committing murder there as well, which is a crime as heinous (or at least should be when it comes to innocent people) as Rhys's.
I'll tell you why: when we're faced with a gray and complex character like Rhys — and we don't know his heart, instead we're "infected" with the main character's partial view — we tend to connect him directly with evil, instead of understanding that this character is neither wholly good nor bad. We forgive soldiers for killing people in a war — that's also a combat in Under the Mountain, so why can't we forgive both Rhys and Feyre?
We forgive Feyre because we know how sorry she is, we know her heart, and we love her. But Rhys? He's the High Lord of the Night Court — which alone triggers some unconscious alerts within us — and he's playing dirty, hiding, and being a horrible person, so why should he be forgiven?
That's what our brain unconsciously thinks sometimes, and it makes us judge some characters more severely. Understanding the duality and complexity of a character is not an easy task; it requires a lot of empathy and an open mind.
But why am I saying this? Because it's important to understand: Rhys and Feyre are extremely similar, and they understand each other at a fundamental level because of that. Tamlin, on the other hand, has a completely different personality. He's the one who freezes, who paralyzes.
Rhys and Feyre experience the trauma Under the Mountain together, so Feyre and Tamlin are separated, which, combined with the glaring difference between the two, makes it difficult — perhaps impossible — for them to heal together because, out of loyalty to the character's nature, Sarah can't make Tamlin talk about what's happening like Feyre needs.
Even after Under the Mountain, Tamlin's instinctive action is to freeze. So he doesn't talk about Feyre's nightmares, he pretends not to see her despair, he turns away from her need to talk about the subject — because looking at her trauma would be the same as acknowledging his own.
And he can't do that because it's part of his nature to freeze. But this isn't healthy, hence the explosions of anger, and hence he locks Feyre up the moment she tries to assert herself: these are the consequences of forcing someone who deals with PTSD by freezing to actually deal with their traumas (that and the fact that he's horrible).
I can understand that (not in his relationship with Feyre, I'm talking more generally here, about him as High Lord, he can rot otherwise) but I can't forgive it like I did with Rhys because, unlike the actions Rhys took, paralysis only allows evil to continue to grow and end up imprisoning us (this is, in fact, one of the reasons why Tamlin didn't try to fight like Rhys while Amarantha was killing Feyre: his lack of previous action left him unable to take action when it was time to "put up or shut up").
While Tamlin's paralysis pushes us down while doing us harm, Rhys's actions, as horrible as they may be, are done in the hope of something good, they're done to move us forward. I can forgive him because I'd rather be someone who does horrible things in the hope of creating something better than be someone who allows evil to continue to grow until it imprisons me.
It's that simple.
And Feyre is exactly that kind of person. She needs to act, she needs to talk about it to heal. She needs to have a purpose, not be coddled like Tamlin — and his trauma — wants her to be.
The relationship between her and Tamlin becomes abusive the moment he tries to stifle her feelings to maintain a state of paralysis. And that's something you'd expect from a character like Tamlin, that's how he was built. But this happens long before Under the Mountain: I remember that on the first day Feyre yields to the dresses Tamlin gave her in ACOTAR, I think it was the morning after Calanmai, she warns herself to be gentle, to be kind, when dealing with Tamlin and Lucien.
But after Under the Mountain, Feyre can no longer accept that her feelings be stifled simply because her traumas are consuming her from the inside out. So she fights back. And that's what completely ends their relationship.
But the point is: both Tamlin, Feyre, and Rhysand follow exactly the line of their personalities throughout the story. They are those kinds of people from start to finish. There's an evolution, of course, but it's an evolution of beliefs, opinions, and perceptions — their essences remain the same.
That's why Sarah is brilliant in these books: by being completely faithful to her characters' personalities, she created a story that discusses abusive relationships, the varied responses of certain types of people to trauma, and the various reactions of leaders in times of war and defeat.
But the point is: none of them were changed to fit a ship, simply because they weren't changed. All three of these characters act exactly the way they should within the limits of their own personalities.
Rhys is the High Lord who plays dirty to create a better world, and Tamlin is a leader who can't make a tough decision. And there's another fundamental difference between them:
While Rhys knows that, from time to time, he'll be forced to make decisions that will end up harming part of his people (and will choose the lesser of two evils), Tamlin still struggles with the enchanted vision of a superhero who saves everyone without exception. And when that doesn't happen — because it's never possible to save everyone no matter what you do — he prefers not to act.
I think the two things that illustrate very well the kind of person Rhys and Tamlin are is the Illyrian tradition of cutting the wings of their females and the Tribute:
Rhys risks a revolt to improve the lives of his people and sticks to that decision, willing to pay the price for it if the result is a better life for the Illyrian females, while Tamlin fails to abolish an extremely unnecessary tax because his inability to act makes him cling to archaic traditions like the Tribute.
So, yes, I forgive Rhys for what he did Under the Mountain, because I couldn't love someone who freezes and leaves me to die. I prefer to love someone who cares so deeply about something — a dream — that they're willing to fight and play dirty for it. And then go to battle to defend it.
Hope you enjoyed it! Feel free to point out points that I didn't comment on; I'll try to respond to everyone's comments!"
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marsconer · 1 year
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marauders stans and their absurd ideas about snape turning me away from the community and into the arms of you snape stans???? more likely than y’all think!!!! would y’all take me? <3
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voidcoretxt · 11 months
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if the world was a good place this wouldve been the c!dream team ending
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keptvigil · 1 year
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Alistair asking Zevran to do something that Zevran agrees to even though he didn't want to or should've said no [idk what, let me live], and Alistair getting increasingly annoyed as they go along, making sarcastic comments, before finally rounding on him "WHY did you agree to this why are you doing this why are you HERE"
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Okay time for the PBS Kids essay
Read it under the cut!
:readmore:
In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.
Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.
Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.
Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.
Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.
This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.
For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.
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Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.
Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.
Just one year after the debut of Mr. Roger’s came Sesame Street.
While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.
While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)
At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.
Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.
White actors were and still are a minority on show.
In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.
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It doesn’t get more explicit than this.
I want to point out this comment because it’s funny
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You’re telling me this bitch isn’t Hispanic???
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Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?
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That’s right. Non-white focus.
These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.
Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.
It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.
Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.
Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.
A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”
One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”
There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.
Sagwa, the Chinese Siamese Cat
Created by Chinese-American woman Amy Tang
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Dragonfly TV
Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups
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Maya & Miguel
One of the network’s first Hispanic-led shows
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SciGirls
I shouldn’t have to explain what the goal of this one was.
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Molly of Denali
When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!
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It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.
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Disney Jr. could never. (Other than trying to teach colorblindness, of course.)
I’m gonna have to cut this into two parts, since I just hit the image limit
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letoasai · 11 months
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dp x dc Chronos
An idea that’s probably been touched on before but well.. once more! 
~
It had begun with a meltdown. Being a fifteen year old was tough. High school was the time in your life where you were picking up life skills without even knowing it. Social skills, study habits, responsibilities stacked on responsibilities. It all seemed rather unfair when their brains weren’t done developing yet or… whatever Jazz had been telling him one afternoon. 
The point was, being a teenager wasn’t all making memories and messing around. It was hard. Add on dying to that work load and things got complicated. Add on a ghost portal that allowed ghosts to come and go as they pleased when you were the only one that could safely stop them and things got stressful. 
Parents that were trying to kill you…went without saying. 
Become a king of a realm by fifteen, and see how you handle the sudden workload. Danny had been holding up fine, until he wasn’t. Until a particularly loud boom in his parents lab from whatever their latest torture invention was cause a tremor of fear to shoot up his spine. In an instant, panic was sparked. He wanted to leave, he thought about it often, but how could he just leave Amity Park behind? Would it be better outside of his parents house? Could he live alone?
The fear latched onto his core, and not being able to relax in his own haunt was apparently counterproductive to a healthy, happy halfa. 
Before dying, Danny hadn’t been familiar with panic attacks, now, they weren’t entirely uncommon. One moment he would be overthinking in his bedroom, the next he’d be on his bed or the floor curled up in a ball. Tears flowing and throat clogged, he would sob under the weight of his responsibilities in silence. He doubted his parents would notice, but he hated to worry his sister. Being quiet was a must.
It was one of these episodes that had led to Clockwork appearing in his room, lifting Danny up into his arms like a child without even a weak protest. A post-it was left for Jazz so she wouldn’t worry and the king was returned to the Infinite Realm for a night. 
That was the start of Danny spending time in Clockwork’s citadel any time he was feeling overwhelmed. Being outside of time, he was given the time to relax, sleep, or study. It lessened the burdens of trying to be a normal high school student, hero, and king all at once, or at least gave him a safe place to crash. 
At least once a week, Danny made his way into Clockwork’s lair, long since allowed to enter on a whim unless expressly told otherwise for a day or two. For all Danny was king, he did his best not to interrupt Clockwork’s work and he knew beings from other dimensions popped in from time to time. 
If Clockwork didn’t want him meeting them, he was going to take his opinion to heart and make himself scarce. 
Danny wasn’t sure why he got the privilege to hide behind the ghost of time but he didn’t shun the offer. Any chance to get some sleep was a good one when he had ghosts like Skulker or Johnny waking him up at three in the morning with their bullshit. 
Danny floated over a sofa, backpack forgotten on the floor and books hovering around him. The crown that hovered above his head kept going back and forth between being covered by ice or green flame. It seemed to do what it wanted like a living creature. 
Danny had his own room in the citadel now but he was positive the sofa was put in Clockwork’s viewing room just for him. 
He slept there more often than not. 
“Hey Clockwork.” Danny called. He’d be ignored if Clockwork was deep into peering into the past for future, but would otherwise get an answer. “Can i ask you a question?” 
In the time it took Clockwork to turn to face Danny, his age had altered subtly, five or ten years younger than middle aged. 
Danny had always thought Clockwork had three ages he shifted between. His child form, middle aged adult, and old man. The longer Danny stayed in the citadel though, he learned that wasn’t the case. 
He’d seen Clockwork go from an old man, to a man about twenty. He’d slowly shift younger and younger through his teens until he stopped in his child form. Danny had seen the opposite too. Clockwork as a young preteen growing into an adult in the span of a breath. Dark circles would appear under his eyes and laugh lines etched into his face of a much older man but Danny wouldn’t have called that form elderly. 
It was fascinating. 
“What can i do for you, Majesty?” Clockwork asked, a hint of a smile already curing his lips. He likely already had the conversation they were about to have memorized. 
Danny groaned. “Can’t you just call me Danny? Majesty is so… so…” 
“Accurate?” 
“Bleh…” Danny muttered, slowly floating until he was upside, but his book turned with him so he could continue to look at it. 
Clockwork only laughed at him, that soft noise that said he was amused at Danny’s plight, but Danny was far from offended by it. 
“You’re the master of time, right, but were you the god of time too?” He pointed at his textbook, crown on top of his head doing slow flips. “Chronos?” 
“Ah,” Clockwork chuckled, arms crossing over his chest. His de-aging had abruptly stopped and he instead started growing older again. “Indeed. We are the same.” 
“Really?” Danny perked up and went back to skimming his book while rotating in the air. The edges of his wispy hair were looking like smoke. “So you were an ancient Greek god? That’s cool.” 
“Yes and no.” Clockwork said with a shrug. “Time is a funny thing. I was there, of course but more in the capacity of their stories. I predate the Greeks.” 
“Huh,” Danny hummed, growing quiet again as he read a little more but Clockwork didn’t return to his parade viewing. He instead waited for Danny to continue. “So wait, you were one of the first… titans.” he read. “Cool.” 
“Yes.” Clockwork agreed, “That was a very long time ago now.” 
Danny quirked a brow at a line in the book and glanced back at Clockwork. “‘Destructive and all-devouring’, huh?” 
“I was young.” Clockwork agreed, not bothering to deny it. “We all have that phase.” 
“Uh huh… How did this rule of yours coincide with Pariah Dark?” 
Clockwork grew older still, his beard starting to grow. He also relaxed into a floating/sitting position. “They didn’t really. Much of what you are reading is a mortal human interpretation. If you think stories in your high school become exaggerated, you should hear the true origin stories of the ancients sometime.” 
Danny was snickering. “I’d actually like that but none of them like talking about stuff like that. Did you really eat your kids?”
“Something to that effect. I’m afraid i was not a very good father. I was at a very different place in my life then.” Clockwork said. He didn’t sound particularly proud of it, but he didn’t look broken- hearted either. 
Danny didn’t quite get it. Clockwork had basically been his ghost guardian long before he’d even known that was a thing. He probably would have just assumed Clockwork would make a good dad. Then again, being a ‘present’ dad was probably tough for the god of ‘time’. 
“Hm,” Danny hummed and flipped the page while floating right side up again. He rubbed at his face, the constellation freckles across his cheeks twinkling. “Wait. Wait, wait, wait.” Danny muttered, clearly reading through a paragraph. 
Clockwork’s shoulders were shaking with quiet laughter. It wasn’t usually this easy to coax Danny into doing his homework. 
“You died. Zeus kills you. Did Zeus kill you? Your son?” 
“Yes.” 
There was a moment where Danny’s face warped into something like grief before it disappeared, suspicion forming in it’s place. “Did you know that was gonna happen? Did you let Zeus kill you to maintain a good time line? Did you know you’d just be the ghost master of time?” 
Clockwork just smiled and shrugged. 
“Ancients!” Danny cursed. “Are you serious? You were looking that far ahead already? Even then? That’s insane.” 
“I have not confirmed or denied anything. On the other hand, we all have our talents.” Clockwork mused. “Does this knowledge entertain you?” 
“I mean, it’s cool.” Danny muttered again. Clockwork wasn’t usually so chatty but he was more likely to tell him past things opposed to future things.
He went back to reading and Clockwork went back to his viewing clocks. It was only a few minutes before Danny spoke again. 
“The Elysian Islands. Are those in the Infinity Realm?” Danny asked, “They sound familiar.” 
“Yes.” Clockwork mused. “And before you ask, Zeus didn’t actually have anything to do with them and Pandora would get huffy at the mere mention of it.” 
“Are other gods in the infinite Realm?” 
“Some, but not many of the ones in your book there.” Clockwork said, twirling the staff in his hand. Danny could tell he was doing something along the time stream but Danny had no idea what and he didn’t ask. He was not looking to get sent on another timeline errand. “There are other places where they reside. Some even living. Those in the realm however, are your subjects.” 
“Oh.” Danny muttered, getting the same sour look he got when he was reminded he was king. 
Clockwork lowered his staff, done with his chore. He hovered closer to Danny now, ruffling his hair and dislodging his crown which spun around of its own accord on top of Danny’s head. The sentient accessory very much attached to its new wearer. “If there are any in the Infinite Realm who find you lacking, you need not pay them any mind. Pandora, Fright Knight, or Frostbite would be more than happy to deal with them. You have every right to be here.” 
Danny just grunted. Peer pressure was hard enough at school. It was worse in the Infinite Realm. “I’m not looking for fights.” 
“You do not need to prove yourself. You’ve done that enough. You must merely be you to succeed. You are balance, and balance in life will find you soon enough.” 
“Awe, you haven’t said anything cryptic to me all day. I was starting to get worried.” Danny muttered, a smile tugging. 
“I would never make you go without.” Clockwork said with a fond roll of his eyes. He was so old now that his beard nearly touched the floor. 
“Ancients forbid.” Danny muttered, snagging his book out of the air. “Wait, did you say there were some living? Wait.” His mind whirled to a previous school assignment. “Isn’t Wonder Woman’s dad supposed to be Zeus. Is Wonder Woman your granddaughter?” 
Clockwork just smiled and ruffled his hair again. “Don’t you have homework to finish?” 
“Oh Ancients! She is. Classic deflecting. Holy crap.” 
He let himself drop onto the sofa, over dramatic with his realization. “You have ties to the Justice League!” 
Clockwork did sigh that time. “A charming notion, i suppose.” 
“You’ve as good as admitted it!” Danny grinned, pleased to have learned something new. Had it been anyone else, he might have thought he learned something Clockwork didn’t want him to know. Clockwork knew everything though and only let slip what he wanted to. 
“You are a hero yourself, Danny. No need to be enamored with the League.” Clockwork turned to go back to work, eyes scanning screens before him. 
“Yeah but they’re real heroes.” Danny grumbled, opening his book again. Clockwork’s lack of response meant he wasn’t going to answer that line of thinking. “Fine…” 
The two of them were left in a comfortable silence for a few minutes more until Danny broke it himself. Even though Clockwork knew it was coming, he still jumped when Danny gasped harshly from excitement. 
“Saturn! You’re Saturn! Saturn is like, one of my top three favorite planets!” It was the pure joy on Danny’s face that had Clockwork laughing this time. 
“You would have a top three.” 
“Of course i do!” 
The door had been flung open for him to now talk about space and precisely why he had so many favorite planets specifically. Clockwork let him, happy to let one of his obsessions take its course. Talks about space banished all thoughts of the Justice League and ‘real heroes’. 
Danny knew he’d have to take his history books with a grain of salt. Eaten children or no...Clockwork had always been a good guardian to him. ~~ I might add on to this...  It’s almost like Danny was reading the same wiki page on Chronos that i was... lol 
Part 2  and Part 3 
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princeoftheeternalbog · 3 months
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Really sleepy and so like sleeping with you headcannons lets go
I'm not sure half of these are even on the same vibe so uhm like do with that what you will, this is so long and it's atrocious but oh well. Also sorry if its ooc😻
I think maybe one line of suggestive in Franky's and Namis.
I feel like i forgot someone tbh..
Luffy
Sleeps anywhere and everywhere but sleeps better and longer next to you. Thus he is obsessed with sleeping with you and whenever he wants to sleep now you have no choice you must take sleep too. He snores and drools but that's kind of a win because then he doesn't care if you do yk? Loves taking naps with you and it's a way he likes to connect with you. Always kisses you before you sleep and after you wake up. He's so comfortable to lie next to because he's so squishy and he holds you in like every way possible because he doesn't have to worry about circulation being cut off or anything.
Zoro
Again he will sleep literally anywhere. He sleeps like a log but somehow you are the only person able to wake him up, Robin theorises it's his observation haki keeping an eye on you but whatever it is you are Zoros designated alarm clock. However, there is about a 30% chance that when you wake him up, he will just snatch you to cuddle and go back to sleep. You cannot escape his hold and if you keep trying to wake him up he'll just bite you(gently) idk he's feral. Depends on his schedule if he's comfortable or not, usually when he's bulking up he's squishier and it's nice to cushion your head on.
Sanji
Never naps and it's so alarming. How does he survive on like 6 hours everyday we will never know. Anyways he's very clingy when he's sleepy but in like a 'I don't want to bother you so I'll just sit over here looking really forlorn', just take the man to bed. Is somehow so comfy to sleep with it's actually annoying because after a certain point you just can't sleep alone anymore. Always tucks you in if you don't get up at the same time as him and he'll leave little snacks and drinks on your bedside table for when you do wake up. Sanji has a more lean muscly build so it's more comfortable to have him lie on top of you and he is not complaining in the slightest.
Nami
Loves cuddling in the winter, hates it in the summer. She's really sensitive to the temperature yk it's that innate sense of the weather, so when it's hot she is hot. But she really likes being able to touch you, so after a certain point she just forces franky to install(invent) air conditioning and it makes the summer so much more bearable. After this there's no escape, you will be cuddling every night (unless boundaries yk). She always tries to convince you stay in bed in the morning...and it always works. She's very persuasive okay. Lets you use her as a pillow, like her chest or thighs or tummy, she just wants to be next to you.
Usopp
Really shy about sleeping with you the first time. Only the first time. After that well lets just say you created a monster. He's really good at telling when you need a nap, especially when you won't admit it. He just subtly ushers you to a comfy spot and then oh what a surprise your eyes are getting really heavy and hm Usopp wouldn't mind if you leant on him for a bit and then snoreville. He thinks you're so pretty when you're sleeping because you look so peaceful and relaxed, so even if he's not tired he will always agree to a nap. He will carry you to bed. And he's so casual about it too, I guess because you're not like watching him directly so he's just like really chill.
Robin
Actually has a nap schedule with her sleep schedule, she usually takes a very short one after lunch because her power can be quite draining and so once you find this out it's just a big cuddle session which she loves. She tends to keep you to a sleep schedule too but she won't force you if you are really insistent on staying up, but she will say I told you so when you're grumpy and feel sick the next day. So lovely to sleep with, she barely moves, never hogs the blanket, doesn't snore and somehow always stays very cool even in the summer. She also always makes sure you get into bed safely if you're drunk or ill, even if she is too, she really cares about you.
Franky
I won't lie...he builds himself an entire like cushion add-on thing so you can comfortably sleep next to him. He looks like a giant marshmallow man it's so funny. But also it's so cute because he takes your comfort so seriously and he runs multiple tests to make sure it's the absolute comfiest he can be for you. Loves naps but absolutely adores actual bedtime because of the whole like rituals and because he knows he doesn't have to get up in like an hour. Sometimes he will seriously overwork into the night, but on those occasions it's fairly easy to coax him to bed(😚). Also he wears one of those stupid scrooge hats tbh. And yes he says super in his sleep.
Brook
Really insecure about sleeping together because he thinks he'll be uncomfortable to lie next to or cuddle :(. On the other hand, you're also really worried because you don't want to accidentally hurt him while he's asleep, so for the first few months you sleep in beds that are close enough to hold hands instead. Eventually when you both become comfortable with the idea, you end up sleeping together almost every night and you occasionally nap together too. He wears really soft padded pajamas to make sure you're comfy. It's surprisingly more comfy to sleep next to him than you thought it would be.
I won't lie sometimes you do shit yourself waking up and seeing a skeleton.
Jinbei
So responsible, absolutely will stop you from napping if it's too close to bedtime. He knows sleep is important but he also knows a routine is important...and he can't bear watching you sleep alone so if you mess up your schedule then you're messing up his. This also works for if you try to stay up late too, he'll straight up snatch you off the ground and just carry you to bed no matter how much you complain. Really good cuddler, like really good. He always knows how much pressure to use while holding you and when you want more or less contact, knows when you need extra blankets, when you want to sleep in a hammock instead of a bed. He's got a sixth sense for your sleeping habits (read: he's desperately in love with you).
Law
Really grumpy about it. And really shy. Also he's a hypocrite, he'll stay up working till early hours of the morning but if you dare even try he's stood there staring at you like the mf eyes of notre dame. He always wants to cuddle but absolutely despises asking so again he just stares, you can always tell though because his ears go really red. Once you're in the bed though he's suddenly mr suave i will arrange everything, he will literally pick you up to manoeuvre you both into a better sleeping position and doesn't even bat an eye. He will nap but you have to trick him into it, he secretly loves it and lets you do it even when he knows what's happening.
Kidd
Needs like 15 million blankets to sleep. Uses one of said 15 million blankets to wrap you up like a burrito if you refuse to come sleep/nap with him. But actually it kinda does hurt his feelings so you can make up for it by playing with his hair until he falls asleep. Loves napping, he's like an overgrown cat and he'll sleep literally anywhere. But if it's anywhere other than his or yours (or killers) room he somehow? manages? to scowl? in his sleep? Yeah I don't know but it just stops his crew from messing with him because he looks so angry. Like Zoro he will literally just snatch you if you're in his vicinity, like you walk past for two seconds and then suddenly your vision flips and you're just stuck in this iron grip. He won't let you go and the crew just walk past you too.
Killer
You literally don't sleep together until you've been dating for like a fucking year. He really values his privacy and you really respect it which culminates in neither of you asking for such a long time that you both forget its a common couple thing. Until someone asks why you don't sleep together and then you guys are like huh idk and then that's the day you finally do. He's a good cuddler but he's a blanket hogger and you have to braid his hair before bed or it will end up in your mouth. On the plus side, he will make and leave breakfast or coffee (or anything you want) on your bedside table if he wakes up first. Also he always picks the best bedsheets and eventually buys two quilts so you can at least have some blanket when he snatches it all.
Ace
Naturally runs like a furnance and is hell to sleep next to in the summer. But he gets really grumpy if you dont sleep next to him so the crew make you suck it up I'm sorry. Literally you're like clawing at the walls as they throw you in and lock the door. Anyways he's a really good cuddler and so comfy to sleep with, and he always takes naps with his head in your lap. He loves to have you sleep on him too because he loves to look at your face and stroke you hair, idk he likes being slow with you even though he's really energetic. Being naturally sleepy and like a little radiator also tends to make the people around him sleepy so you two are banned from working next to each other because you both just end up napping.
Marco
He doesn't sleep a lot because well he doesn't really need to. But he adores sleeping with you. It's one of his like favourite 'bonding' activities, especially if you haven't been able to be alone for a while, he just loves being that close and the intimacy of sleeping in each others beds. On another note he's obsessed with making your bed really comfy because as a doctor he knows sleep hygiene is important and as a bird...well yk...nest. He's not shy about it but don't tease him because it will hurt his feelings and he won't tell you to save your feelings, beautiful sweet man that he is. LOVES a good nap/cuddle especially in the winter, if you both have spare time he just bundles you both in a big fluffy blanket and just exists with you for a bit.
Izou
He is surprisingly a really undignified sleeper, which is why you don't sleep in the same room for months when you first get together😭. When you finally do, you wake up with his arm in your face, his hair is everywhere, there's a pillow across the room, the blanket is somehow under the bed, you're just like wtf how. And Izou is just (⁠ ⁠´⁠◡⁠‿◡⁠`⁠). But he gets better over time because his brain becomes more aware of your presence as you become more important to him and then bedtime settles into comfy chaos. Pillows still end up everywhere but he is now your cushion so you don't really care. He doesn't really nap anywhere that's not his room but if you do then he carries you to bed :).
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stevebabey · 1 year
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no one asked but this is the post that inspired this! thank u immensely for the luv <3 number 1 comment was wondering what steve’s bids were & from his pov, so without further ado...enjoy — part one here!
Begrudgingly, Eddie has to admit that Robin might be right.
It’s impossible not to be looking for the bids since he brought them up to her. Even though Eddie was fully expecting to tell Robin to suck it, maybe even wager what little money he had against this working out, Eddie can’t help but watch for them in every interaction. And fuck, she’s right.
They’re little, but they’re there.
The first one Eddie would’ve missed if he wasn’t looking for it. Actually, that’s a lie; Eddie does miss it, until Robin points it out, the nosy bitch. It’s minuscule and honestly, it just seems like Steve asking his opinion — which friends do all the time! It’s why Eddie brushes right over it.
“Okay, be honest,“ Steve had said, walking and talking as he entered the living room where Robin and Eddie were sprawled across the couches. They were both waiting on him, the three of them set on heading out to the drive-in to catch a film.
Eddie can’t fathom why Steve felt the need to change his outfit for it, but when he returns, he gets it. It’s not quite the usual polo Eddie had grown to like on Steve, this one hanging a little looser, the colour a bit darker than Steve’s usual choice, the sleeves a little shorter — almost midway to a muscle tee.
Steve’s fingers fiddle with the distressed collar of the shirt, smoothing invisible wrinkles and fussing over nothing. He swishes back his floppy hair with a flick of his head. “It’s a new shirt, I know it’s a little different - but what do we think?”
He says we but he’s looking at Eddie.
Eddie, who has taken to trying to reel in his gawp because what the fuck Steve? It’s like he’s well aware of what drives Eddie insane and has specifically leaned into it. Some evil goblin in Eddie’s brain whispers think how good he’d look in your shirt and he squashes it, giving a visible twitch to shut down that train of thought.
From the other couch, Robin clears her throat loudly and smiles sweetly at her best friend. “It looks great, Steve.”
It’s sincere and Steve’s mouth tugs up, nearly a smile but his gaze fast-tracks back to Eddie. Eddie nods in agreement, a bit sluggish from his distracting thoughts and god dammit, the extra exposed skin of Steve’s arms are so not helping. “Yeah, looks... looks good, man.”
Steve smiles, lips pressed together but his shoulders curl in just a bit, deflating just a tad. From where Steve can’t see her, Robin waves her hands wildly and catches Eddie’s attention. He watches as she gestures wildly and it takes a moment to realise what’s she mouthing — ‘A bid! That’s a bid, you idiot!’
Oh fuck, Eddie thinks. Cos it totally was; the question, the focus on Eddie. He doesn’t even think about the logistics of it, of the fact Robin was right, just jumps right into picking up the bid.
“You trying a new style?” Eddie asks and then thanks whatever god invented the whole fake-it-to-you-make-it schtick because he’s feeling so far from casual or confident. “Going metal on me, big boy?”
Eddie just manages to catch the grin that breaks across Steve’s face as he turns away, giving a scoff — it comes out too soft though, giving away his complete lack of annoyance. He pulls that usual Steve Harrington pose, hands sliding onto his hips, and screws his face into some melted smiley-grimace. “Shut up, Munson.”
Eddie grins and goads on the blush that’s beginning on Steve’s neck, a glorious tinged pink colour. “If this shirt is any indication, you’d pull it off just fine.”
Eddie watches the blush climb higher as Steve ignores the comment, his smile still giving him away. He grabs his coat and pats down his jeans — ridiculous tight acid wash jeans that Eddie hates he’s somehow become attracted to — ensuring he has his keys and wallet. Once assured, he looks up at his two friends again, brows raised, and says, “Ready to rock and roll?”
That comment alone has Eddie seriously reconsidering his type in men.
There’s only a brief moment to talk about it when Eddie and Robin cajole Steve into going and getting them both popcorn to get a moment alone. Steve had scoffed, face twitching in the way it did whenever he tried to hold back a bitchy comment, but he still stomped off in the direction of the snack stand.
The moment he’s out of earshot, both voices explode in the back of Eddie’s van.
“What did I say—”
“Jesus H Christ, you were right—”
“Literally how many times do I have—”
“Oh my god, you were right—”
“ —before you realise I’m always—”
“Robin.” He cuts her off, hands landing on her shoulders. Robin eyes them warily, lips still parted from how her rant had been cut off. “Robin, I’m gonna kill you.”
“What?” Robin’s nose scrunches up. “What the hell are you—”
“Oh Christ, I can’t believe- how long have you noticed those bids?” Eddie’s aware he sounds a bit estranged, eyes probably wide and it doesn’t help when he softly shakes Robin back and forth. She lets herself be shaken, hair flying back in forth. “I can’t believe you didn’t tell me! You are such a bad gay friend!”
Robin smacks his hands off her shoulders with a frown, her freckly face perturbed at Eddie’s outburst. “Dude, it’s not my fault! May I remind you that until very very recently you were seeing someone else? What difference would it have made?”
Eddie waves his hand, disregarding the point with a shake of his head. His unkempt curls cover his face and Eddie sweeps them back in one motion, “What difference would it have made? Oh my, Jesus—“
Whatever long-winded sentence Eddie was about to spit out is lost by the sound of Steve’s approaching footsteps, effectively shutting both of them up.
Eddie flings himself to the other side of the van, putting an unusual amount of distance between Robin and him like they were being caught doing something they shouldn’t.
Robin frowns at him and gestures wildly with her hands in a way that means what the fuck man? Eddie gestures back, though he’s not entirely sure what his fast hand motions are supposed to mean when Steve rounds the door.
He’s got two buckets of popcorn tucked under each arm and Eddie quickly crosses his arms, tucking his hands into his armpits like his stupid hand motions will somehow give him away. 
Steve looks up, stopping just a way from the edge of the van, and looks at the pair of them. His eyes track from Robin still sitting on one of the old cushions and looking two seconds from burying her face in her hands, across to Eddie. He huffs a laugh and kneels on the edge of the van.
“I know he’s gross Robin,” He begins, tone light, as he holds out one of the buckets for Robin to take. “But c’mon, is the distance really necessary?”
Robin snickers as Eddie makes an appalled noise, both of which make Steve smirk. He holds out the other for Eddie to take and Eddie snatches it, glaring at him over the buttery rim for his comment. Then takes a handful and shovels it in because he can’t think of a witty comment to retaliate. Steve crawls into the van and plops himself between them with a content sigh.
“See? Gross.” He teases, shoving his hand into Eddie’s popcorn bucket to grab a handful. Eddie scowls and chews a little faster when the flavour on his tongue seems to register in his brain.
His eyes stare at the popcorn bucket as he chews, then swallows — up the front of the van, the radio that’s tuned into the correct frequency begins playing the opening credits song as the screen changes. Silence sweeps across the drive-in but despite the sudden hush, Eddie has no qualms about breaking it.
“Sweet n’ salty flavour?” He asks Steve, only half attempting a whisper. Robin shushes him instantly, her focus already on the movie that’s beginning. Steve smiles, looking a bit sheepish beneath the glow of the drive-in screen, but he nods.
“I know you like it.” He whispers with a small shrug of his shoulders. Like it wasn’t a big deal. Fuck, Eddie thinks again and hastily feeds himself another handful of popcorn before he says anything majorly stupid in response to that, like: Oh, amazing- have you noticed the big fat crush I have on you as well?
He doesn’t even need to look at Robin to know she’s smiling, smug as ever.
Steve, God bless his oblivious little heart, doesn’t even realise he’s doing it.
Steve likes Eddie. Eddie is— god, Eddie is different but he’s good.
He’s this strange amalgamation of traits that Steve can’t comprehend how they fit together in one body or how Eddie manages to pull it all off completely charmingly.
He’s loud, he says rude things, he’s fucking dorky, and far too sweet on the kids — he likes to tease Steve, and yet somehow, when Eddie calls him ‘pretty boy’, Steve knows he’s not actually making fun of him.
Steve likes Eddie, likes his boyishly endearing charm, likes his touchiness towards Steve that no other boy his age is like, likes his messy curls and his ‘holier than thou’ attitude about metal music even though Steve doesn’t get it, like at all. And fuck, Steve really wants Eddie to like him.
It reminds him faintly of when he first started working alongside Robin at Scoops. That thought tickles in the back of his mind, something along the lines of how he had wanted Robin to like him for other reasons, but he doesn’t delve into it.
To Steve, it’s simple: he just wants Eddie to like him.
After the night at the drive-in, between Eddie acting strangely skittish and Robin giving more amused snorts than usual, Steve knows something is up.
He knows they must have discussed something when they sent him on popcorn duty, the bastards. He tries his best to not feel left out; god knows Robin and he have more than a dozen secrets they’ve sworn not to tell anyone but each other.
Besides, Steve trusts Robin to come and tell him if he really needs to know, even if it does worry him a bit. He bites down his anxious thoughts, even trying for a moment to see if there’s a pattern he’s been missing.
That train of thought gets derailed when Steve recalls instead Eddie’s delightful reaction to his new shirt — that Steve definitely hadn’t bought for that specific reason.
Even though Robin had given him that look when he’d first shown it to her — her bright eyes had narrowed, her smile turning a little more coy, and Steve had felt his ears get a little hotter. She hadn’t said anything though, just suggested that he should wear it tomorrow night when they were going out with Eddie.
God, he was glad she suggested it.
Rewinding over Eddie’s parted lips, the way his brown eyes had drank in the details as they trailed up his body and lingered on his arms— Steve had the sudden thought to flex the muscle, just to elicit some reaction, but it had gone out the window at Eddie’s original dismal reaction.
‘Yeah, looks... looks good, man’. Said all aloof, like he hadn’t really thought it. It was like bursting a balloon hidden behind Steve’s ribs, one he wasn’t even aware was there until it was deflating pathetically, making his shoulders sag.
Then— ‘You trying a new style? Going metal on me, big boy?’ And dammit, it’s like Eddie had clocked exactly what calling him ‘big boy’ had done the first time in the Winnebago.
Eddie had then grinned, done another once over of the new shirt, even as Steve pretended to search for his keys and wallet while saying something snarky to try to cover up the heat crawling up his neck. Yet, Steve found himself smiling too because, fuck yes, Eddie liked it too.
But, apparently, whatever Eddie and Robin had discussed wasn’t considered important enough because Robin never brought it up.
The thought and worry about it melt away in Steve’s mind until the memory of that night is about Eddie’s compliment, about his cat-like grin over the popcorn bucket, and how he had leaned over to whisper every bad joke into Steve’s ear all through the movie.
Some of them had been down-right filthy jokes which Eddie only seemed to enjoy more when Steve screwed his face up and nudged Eddie in the ribs, yet unable to hide his smile.
After the third vulgar joke and subsequent nudge, Steve had chided ‘dude’ with a poorly hidden grin. Eddie, smile all cheeky, had nudged him back with a ‘dude’ of his own.
Which, of course, ensued a nudge competition til Robin had given a shush that librarians all over the world would be jealous of. But Steve didn’t even care because he and Eddie were arm to arm, pressed close together and Eddie…didn’t move. Stayed close, like he wanted the closeness the same way Steve did.
Steve only remembers the strange drive-in moment when Robin brings it up finally, on one interesting Saturday night.
It’s not the usual routine; it’s not very often that the whole group gets together to share drinks and get rowdy.
But it was for Robin’s birthday and she’d been persuasive enough to get even the introverts, like Jonathan, to come along. Though, she was aware he’d probably spend the night on a pool lounger, stoned to high heaven. Whatever floats your boat, she’d said, happy for the company in any form.
There’s enough of them there that it almost resembles some sort of party— and makes Steve try not to think about the last small party he threw here. He can tell Nancy notices it too, eyeing the pool a bit too long in a way he’s very familiar with, then taking a swig of beer.
So, Steve heckles them inside — doing a fantastic mothering impression as he waves the group indoors with a promise of pizza, and that has both Jonathan and Argyle perking up and beginning a fast discussion on the best pizza toppings.
Eddie makes a fuss, because of course he does, and moans terribly when Steve tries to roll him off the pool lounger he’s on. He’s had a bit of a joint and some beer, and Steve’s learned that he gets adorably stubborn after some substances.
“Stevie, this is mean,” he had pouted, gripping the edges of the lounger and staring up at Steve with those big brown eyes. “You telling me I did all that bonding with you for nothing? Can’t even lounge by the pool! I’ve got a couch at homeeeee.”
Steve had sent him an amused look of disbelief, hands on his hips after his first round of flicks against Eddie’s arm were apparently fruitless to get him to move. “Really? Didn’t peg you for a gold-digger, Eds.”
Eddie had snorted at that, one hand coming to slap over his mouth. Steve couldn’t quite hear what he had said but the words pegging and anytime slipped through and Steve thinks he could get the gist of that.
“Oh for Christ’s sake,” Steve muttered, feeling the tips of his ears turn warm. He didn’t know how Eddie could be such a menace— or why he enjoyed it so much when he was. Steve waved a hand in the direction of the doors, ignoring Eddie’s delighted snickering. “If you go inside now, you can be on music, alright?”
And that had finally got them all indoors, Eddie whooping and skedaddling through the doors in an instant, with a call of ‘no take backsies!’ echoing behind him.
Inside was much cozier, the whole group a little more connected when squished up on the couches together. Eddie had taken Steve’s word and was jamming a cassette into one of the speakers when Steve made it back inside after scouting around the pool for leftover cans and butts to throw out.
He’s just been thinking about what playful jab he could make at Eddie’s music, like Eddie always did to him when Robin hollered at him from the kitchen.
“Steve!” She’d yelled excitedly and he come to find her quick, brows raised as he entered the kitchen. She was grinning, already a bit jumpy as she got when she had a bit of liquor — but apparently not enough because when Steve saw what she’d called him in for, she’d announced, “Tequila shots!”
Which lead to now. A hazy combination of beer, tequila, and a bit of weed, and Steve is feeling good. Robin had managed to hijack the music not too long ago, with a hiccup of ‘it’s my birthday’ that had Eddie surrendering with a pout.
She’d since put on a bit of everything: some Blondie for Nance, Talking Heads for Jonathan, and some Bowie, just so she and Steve could dance along to ‘Magic Dance’ and she could do all the silly little goblin voices that made them both cackle.
Steve realised at some point that Robin was playing their mixtape, the one she’d made for driving in the morning, and nearly tripped stumbling over to her in his excitement. He grabbed her shoulders, not too hard, and squeezed.
“Is it- is this our mixtape?” Steve asked, words slurring only a bit. Robin gleamed, hair bouncing with her excited nod.
“Yes!” She was already dancing, even though the tape was between songs — because she knew what song was coming. “It’s Springsteen time, Steve!”
Right as the drums to Born to Run filtered out the speaker.
And oh, Steve loves Robin so much. He loves having a best friend that knows his favourite song and gets jittery and excited because she knows it’s about to play— that she put it on this mix for him.
“You’re my best friend!” Steve says, the words bursting out like he can’t control them. He doesn’t even feel embarrassed, just happy, just drunk, and overwhelming happy to be able to have this.
And even though Robin knows this, she still beams, feet dancing along and just begins to sing along with the song, “In the days, we sweat it out on the streets of a runaway American dream…”
It’s a brazen drunken performance from the both of them. Steve’s chest is heaving after just one chorus that he’s pretty sure he put his whole soul into and he’s so fucking happy —and it feels like pure instinct to seek out Eddie, his eyes scouring the room for him.
Eddie’s leaned up against the wall, hiding his smile behind a can and Steve doesn’t think twice about it— doesn’t think about why he’s so drawn to Eddie, why he wants to include him in this happiness — just extends his hand out and grins.
Eddie sees the bid coming this time.
Part Three.
— 
yes i saw all ur lovely tags and MAYBE cried about it. but thats none of ur business.
@orangeandthefairroadkill @swimmingbirdrunningrock @sadcanadianwinter @phantypurple @omg-elledubs-things @henderdads @farfaras @mixsethaddams @prismandblue @kerlypride @bushbees @legitcookie @temporalcoffin @callmesirkay @beautifully-useless @millyditty @cinnamon-mushroomabomination @ninjapirateunicorns @darkwitchoferie @vi-the-best-you-can @psychosnowfox @desert-fern @scarletzgo @cr0w-culture @softpink-candlelight @livingforfictionalcharacters @makewavesandwar @kozuuji @rhapsodyinalto @eddiethesexy @cassaloopa @lightwoodbanethings @qu33rcommunist @moonlitkilljoy @starkdusk @theysherobinbuckley @sanguineterrain @loganwright @sillysparrow @hotcocoaharrington @eddie-munson-is-my-wife @she-is-tim @steddiehearts @sideblogofthcentury @sidebarre @corrodedcoughin @stevieclaus
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nexysworld · 4 months
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Summary: Leon is sent on a mission to carry out a hit for the government. He hated these missions the most, but worst of all you weren't supposed to be there. You weren't supposed to see him. Pairing: ID!Assassin Leon x Fem!Reader Tags: NSFW, MDNI, Smut, canon typical gore, graphic depictions of murder, comfort sex, mild dubcon, unprotected sex, fem!receiving oral sex, soft sex, angsty sex, hurt/comfort/hurt, dark content, descriptions of wound dressing. WC: 5.2k
A/N: This was a birthday fic for the wonderful @elfven-blog. <3 Title from the lyrics to the song Sextape by Deftones. Edit: I also have a bot based on this fic now: Character AI | Spicychat
Read on A03 || Ask Box || Masterlists
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Cool air bristled the hairs on the back of his neck, limbs tingling with the typical anticipation of what came next. Hits weren’t his favorite type of mission, not by a longshot, he wanted to save people, not kill them. But with experience came a certain professional numbness and a way to compartmentalize. It didn’t help that the locale for this affair was in the dead center of a suburban upper class neighborhood. Every home had that same limestone brick or white overlapping paneling. Every door the same mahogany brown, tacky lawn gnomes, overly green grass, white picket fences – the works. The possibility of witnesses was high, the escape routes limited. 
Regardless, Leon was a professional, and he would make it work. He always did.
Tilting his wrist, he looked down at the gold rolex, it was a little past 2:30am. He listened closely, to ensure there was no movement inside. The double windowed back doors were his point of entry. The brass knobs were old, the locks inside not quite as intricate as modern ones, all it took was a good smack against the swiss army knife he’d jammed into it for the lock to click open. The door opened quietly, he made sure to not close it completely behind him to ensure he could make his escape. 
The house had an eerie quiet over it, almost like the universe knew what was about to happen. Leon cracked his neck and let out a breath, careful to not touch anything as he moved throughout the lower floor, clearing each room. The kitchen was pristine, nothing out of place on the island or counter. There was no homely smell of food, only the lingering scent of some harsh cleaner. Not a sign that anyone had even been down there within the past several hours – a good thing, he noted. Through the archway came the living room, he had been hopeful someone had opted to sleep on the couch, separate targets were easier targets. Unfortunately for him, he wasn’t so lucky. 
The plush gray sectional was untouched, not so much as a divet into the cushion. The TV remote lay on the dark oak coffee table. Unlike the kitchen, this room felt more homely. The faint smell of some fruity air freshener was all over, the cherry walls were lined with gold plated frames of the family. 
His target was some small town politician, Jackson Moore, normally somebody not noteworthy to the government in the slightest, but he made the unfortunate mistake of shaking hands with terrorists, facilitating the sale of some new viral invention through the local pharmacies. The idea of another Raccoon City incident made his stomach turn. He wasn’t sure who he held more anger for, the people like this person who’d bring it about, or the government that he knew turned a blind eye until now – the same government who wouldn’t make the effort to save the people who uphold it. 
He shook his head, and pushed his bangs back refocusing for a moment. He scanned over the pictures. Most normal family outings, some graduation photos and holiday ones in there. Hunnigan had told him beforehand that all of the kids were off to college, none due back for several more weeks. The only targets in the house were Mr. and Mrs. Moore. 
There was only one more room on the bottom floor, where he was sure his victims were, the master bedroom. Leon made his way over, silently padding down the short hall staring at the door. It was cracked, the sound of light snoring and the smell of mint wafting from the room. He peeked inside, letting his eyes adjust to the dark room, a string of moonlight the only thing illuminating the sleeping lumps on the bed. 
He tested the door, it squealed slightly as it opened making him freeze. One of the sleeping forms moved slightly rolling over. He waited, still as a statue until he was sure that both still remained asleep before sliding himself through the narrow opening he’d made. 
Looming over the sleeping forms, he pulled his gun out from it’s holster attached to his waist. Even with the silencer, he knew he needed to be quick. One shot would wake the other, and then it was a matter of speed. He cocked the pistol, taking a few more steps towards the unaware persons before him. The gun felt heavy in his hand, but he lifted it anyway, deciding to start with the official target first. 
Will the trigger pulled back, the room lit up for a split second with the bang of the gun. Time slowed as he watched the man’s body jolt slightly, blood splattering onto the pillow, the walls. The smell of gunpowder and iron hit his nose. The man’s fingers twitched slightly before his movement stopped. Just like he had expected, his wife was awake instantly, though no noise came from her. 
Wide eyed, she stared at Leon, then down at her husband next to her. Her mouth opened like she was trying to scream, but the noise was caught in her throat, tears welled in the woman’s eyes. Blood had splattered onto her too, some chunks of brain along with it dripped from her curlers onto her lap. Her trembling hands reached over to her husband, “Jacks.” She whispered, reaching over and putting her hand on his deformed face. “Jacks.” She leaned over the man, trying to scoop the bits and pieces of him back together. 
Leon wanted to feel sorry for her, wanted to wonder if that’s how someone might react to his death some day. But he pushed those feelings aside, she was a target, culpable in everything just as her husband was. He lifted the gun again, pointing it at her.
As she looked at him, eyes wide with fear, her mouth formed the shape of a word. He didn’t need to hear it to know it was a plea. He pulled the trigger again.
Deadshot, like putting down an animal, between the eyes. 
Her body crumbled over itself as she slumped forward onto the bed, the back of her head exploded open like a volcano of bone, blood, and brain matter. 
Not dwelling on it,  he put his finger to the device in his ear. “It’s done, Hunnigan.” “Good work Leon. I’ll make sure that –”
“Hey mom, you still up? I thought I heard something.” 
The soft voice pulled Leon from his conversation, there were footsteps out in the hallway and the sound of a lightswitch clicking on. ‘Shit.’ He cursed to himself inwardly.  He took a few steps back from the door, whispering to Hunnigan. “You said there were no other targets here.” “There aren't –” “The daughter is home.” “Does she know you’re there?” “No, not yet.” 
There was a moment of silence on the line before she spoke again. “Leon.” Hunnigan’s voice was serious, she knew him well enough after all these years to know his thoughts. “Leave no witnesses.” “There won’t be, she doesn’t even know I'm here.” The sound of the fridge opening and closing indicated the girl’s location.  “Everyone at the location is a target, Leon. Everyone at the location is a witness.” “Not if she – “ “Leon, this is an order.” “I can wait for her –” “Leon –” 
“She doesn’t have to die.” “Dad, is that you?” The sound of his voice, despite him doing his best to stay at a whisper, must've alerted the girl.  There was shuffling around on the other end of the line, the next voice he heard made his blood cold. The head of the D.S.O shouting into his ear. “Kennedy, this is an order, kill her! Complete the mission. Do you understand me?”
“Understood.” He said flatly, disconnecting from the call. In a worse stroke of bad luck, the door to the bedroom swung open nearly at the same time. 
And there you were. 
Glass shattering as it hit the floor, water splattering around as the light from the hallway lit up the room from the opened door. You trembled in place as you processed the sight of things. Leon was frozen where he stood too. You were an adult, but young, more importantly innocent in all of this. Rarely in his forced-on-him career has he had to kill someone completely innocent. Usually it was the partners of criminals, civilians caught in crossfire. But never someone as young as you, never in a situation so targeted.
He hardly registered the shriek you made before you bolted. Acting purely on instinct he took off after you, the delay of his own shock didn’t matter much when he noticed the slimy trail of bloody footprints from where you’d ran through the glass left in the hallway. His own boots crunching it against the ground as he moved.  If you had been smart, you’d have turned for the front door, or even the back. Instead, nearly sliding on your own blood you went for the staircase, the one route that would trap you on the upper floor. You let out a yelp of pain, trying your hardest to only use your less injured foot to bounce up the stairs as quickly as you could, the blood matting down into the carpet with each step. 
It didn’t take long for Leon to catch up, thumping up each one loudly as his boots made contact. He wasn’t sure why he didn’t take his gun out, why he was even letting you attempt this unwinnable escape, he also didn’t know. Maybe it was just delaying the inevitable. 
He reached out for you just as you made it to the top of the stairs. A simple shove was all it took to send you flying into the decorative hall table that waited at the top. A sickening crack was heard as your head collided with the dark wood, knocking it over as you rolled over with a groan, dazed from it. Managing to prop yourself up on your elbows, Leon could see the trickle of blood that began to run down your eye and cheek, along with the starting to swell shiner from your high-speed table collision. 
You scuttled backwards, as best you could, haphazardly tossing the vase that had fallen at him. It missed, and went crashing onto the stairs. Tears mixed with the blood on your face, diluting the color, only leaving the dry specs stuck there. You looked pathetic and terrified in a way that made Leon’s heart twist.
“P-please… don’t.” You pleaded, putting your hand out and up as if that simple gesture would be enough to stop him, distance him from yourself. 
He couldn’t do this, at least not like this. He kneeled before you, cupping your uninjured cheek in his hand. “Shhhh. Shhh.” 
“P-please… I won’t tell any–” “It’s ok,” he cooed. “It’s not my style to hurt pretty girls, you know that?” He added as he scooped you up from the ground bridal style. He knew he shouldn’t be doing this. Getting his DNA all over you, getting your blood on him. This wasn’t a clean kill, this wasn’t what the upper brass wanted. For the moment though, he didn’t care. “Where’s your room, Sweetheart?”
You didn’t point or make a sound, your eyes darted from him to the cracked door next to him and then back to him as you shook in his hold. He wedged it open the rest of the way with his foot, before gently placing you down on your bed. It didn’t look right, all the blood staining into the fresh and plush sheets. It was different than your parents downstairs, the whole room screamed you. From the decor on the walls, to the laptop on the nightstand, your college hoodie hanging off the back of the chair at your desk. More reminders that you didn’t deserve this. 
Before you could, he swiped the phone off of the side table, stuffing it into his pant pocket. “I know you hurt right now.” He said sweetly, “Give me a minute and we’ll get you all cleaned up, alright?” He gave you a moment to process his words. ‘What the fuck am I doing?’ He asked himself, as he held your hand, patting your arm gently. He could see the confusion in your eyes as the gears in your head turned to try and make a decision – timidly you nodded. He shot you his signature smile. “Atta girl. Stay here for me, no funny business.” Pointing a finger gun at you before he slipped out into the hallway and into the upstairs bathroom. 
The suddenly bright lighting stung his eyes, he saw himself in the mirror, your blood speckled onto his jacket, some dried to his face. He looked rough, a cold sweat broken out onto his face, blue eyes distant looking back at himself. He splashed some cold water onto his face to calm his nerves before digging around to see if there was anything he could use to alleviate some of your pain, even if temporarily. The medicine cabinet was well stocked, though nothing would be enough to really combat the pain of your cracked head and torn up feet. He bit his lip as he grabbed some bandages and the bottle of peroxide. 
First aide wasn’t really his specialty, but he knew enough from training. Along with the other supplies, he filled the empty cup on the counter with warm soap water, and took the washcloth with him. 
To his surprise you were exactly where he’d left you, splayed out on the bed, looking scared and exhausted. Your head rested against the pillow, eyes staring up at the ceiling. “I’m going to take a look at your feet first.” Not that he really gave you the option, but you nodded in return. Leon was no stranger to gore, guts, and the rest, but something about them gave him pause. There was so much blood he could hardly see what was skin and what was glass. “It might sting just a little.” He assured, pouring the cold liquid out onto your feet. You hissed and squirmed a bit, but he placed his arm over your ankles to keep them still, watching as the peroxide bubbled, clearing away the redness of the blood. Small pieces of glass fell with it onto the now stained carpet. He opted to speak to you, see if he could get you to calm down some more while he worked, pouring more over the wounds. “You’re in college?” There was something about you that was indescribable to him, familiar to him, and he wasn’t sure why. 
“Yeah.” Finally you answered with words, voice barely above a whisper.  “Shouldn’t you be at school then? I thought the semester was still going.” He as he checked you over for any more obvious glass. When it was clear the peroxide had done it’s job, he took the bandages, gently wrapping them around your feet, gauze padding them. 
“D-dropped out.” You squeaked out. “Last minute decision, had to come home.” He tied off the bandage before moving to look at your face. “School’s not for everyone. You’re probably better off without it.” Leon dipped the washcloth into the cup, wringing it out over the carpet, not really caring about the mess. He dabbed it gently against your injured face, helping to remove the remaining mess and to get a better look. Luckily the cut above your eye seemed superficial and the blood had stopped running, it was just a matter of cleaning up the  dried mess that was left over. He was careful around the tender purple skin as he cleared as much as he could. “You have a boyfriend you leave back at school?” 
“No. Never had one at all actually.” You replied, wincing when he accidentally touched a painful spot.  “Never had one?” He asked more for himself than as a real question to you. ‘Hasn’t finished school, never had a boyfriend. This is so fucked up. She can’t be any older than Ashley was…’ He thought to himself, debating whether the court marshalling would be worth letting you go. In the same train of thought, he considered what would happen to you if he did. The government would probably send someone else just like him, someone less soft. He bristled at the thought, sitting up straight on the side of your bed. “That’s a shame, I would’ve thought a cute girl like you would be drowning in guys asking her out.”  “Not really” You seemed to relax a bit now, well as relaxed as a person could be in your state. He could still tell from your blown pupils and 1000 mile stare that you were still in shock. Probably a good thing. “My parents are… were, strict.” Your face contorted like you were about to be sick at the memory. 
Leon went back to stroking your cheek gently for comfort. “So no boyfriend, ever have your first kiss? First time?” Now that he had a better chance to really look at you, all cleaned up he realized who you reminded him of. Not so much Ashley, she was more strong willed and you didn’t quite look the part either. It wasn’t just the age, no…your voice, mannerisms, the way you looked. It was so very much her. Someone he hadn’t thought about since before even Raccoon City.
“Yeah. Wasn’t very good, some drunk frat boy.” You admitted leaning slightly into his touch. Silence passed between you both, nothing but the ceiling fan whirring above you. An automated air freshener spritzed roses and lilac into the air, barely covering the distinct peroxide and blood smell. Leon was surprised when you finally spoke again. “Why did you do it?”
The look on your face gutted him more than it should have. “I had to.”  “Because of his job?” “Something like that, yeah.”  “Did he deserve it?”  “Yeah.”
You nodded, turning your eyes away from the ceiling to look at him. There was another tense silence before you spoke again. “Are you going to kill me too?” 
He felt a chill ran over his body at the question. He leaned forward pressing his forehead to yours, moving his hand up to stroke your hair. “I don’t want to.” It wasn’t a real answer and he knew that, but it was honest.  “Why are you being nice to me?”  “I told you, I don’t like to hurt cute girls.” “That’s not it.” 
How you read him for filth like that he’ll never know. “You remind me of someone.” He leaned back just enough to look at you again, but kept your faces close, so close he could feel the warmth of your breath on his face.  “Who was she?”  “My first girlfriend.” He admitted.  “What happened to her?”  “We broke up.” He said with a short laugh. “Right before my very first day as a cop.” While the conversation was far from appropriate for the situation, he supposed it worked to calm you down more as he felt you relax into the bed. His internal struggle was still playing tug-of-war with his psyche, not sure of how to proceed.
The piece in his ear picked up with some static before Hunnigan’s familiar voice was heard. “Leon are you there?” 
He ignored her in favor of continuing to dote over you, hand gently running through your hair, taking in your features more. That trepidation never left your eyes – he understood it. He probably looked psychotic right now, a murderer who was being eerily kind. He was self aware enough to know that much. 
“Leon, we haven’t heard a status report. Has the last target been eliminated?” She spoke loud enough this time that while it couldn’t have been above the lowest whisper for you, it was obvious you heard it, eyes widened again, mouth opening slightly. To keep you quiet he leaned forward pressing his lips to yours, a soft kiss you didn’t really return. “Stay quiet for me, ok?” He mumbled against your lips, before sitting up again. He considered replying to Hunnigan, but looking down at you, he took his earpiece out, tossing it to the other side of the room instead. 
Hey eyed you again, before adding another kiss. ‘I shouldn’t be doing this.’ He reprimanded himself, as he placed another this time to the corner of your mouth, then your cheek, then jaw. Another on your neck for good measure. ‘I should’ve done it the second she opened the door. I should’ve done my job.’ Despite his mind’s dialogue he continued now at your collar bone. ‘Like ripping off a band aid…. I can’t let her last moments be like that.’ He began to rationalize as he looked up at you. “Let me make you feel good.” 
“Wh-what?”  “You deserve better than a drunk frat boy. Let me make you feel good.” He repeated.  “Why?”  “Because I want to.” He could clock the nervousness in your voice immediately. “You can say no.” He added. “I’m not a rapist.” 
“A-are you going to kill me if I say no?”  “No, of course not.” Again, it wasn’t technically a lie. He wouldn’t be doing it because you declined, but he felt mild disgust with himself for side-stepping the reality of the situation again. ‘It’s better this way though. For her.’ 
“Ok.” You said, nodding at him to continue.  He treated you like glass, gently working your thin tank top up and over your breasts. He continued by kissing each one tenderly before taking your left nipple into his mouth, swirling his tongue around it until he felt it pebble. When you whimpered at the feeling, he began to suck on it, kneading your other breast with his hand. When he pulled himself off with a pop, he looked down at you, lips parted, eyes closed. Enjoying so much despite him having done so little. Adorable. 
He ran his thumb along your bottom lip until he saw those pretty eyes crack open before capturing your lips again, taking the chance to slip his tongue inside once parted. You were sloppy with inexperience, but tasted like dessert, sweet. It made his cock twitch against his pants. He groaned slightly into your mouth, ignoring his own need. Pulling away he let you catch your breath, giving him the chance to move down your body one kiss under your breasts. The next above your naval – stomach contracting slightly. He added one more above the hem of your night pants. 
He looked up at you, silently checking with you if it was alright to continue again. When you nodded, he helped you out of the pants. Gently tugging them down from the waist band, lifting each separate leg himself, careful to not hurt your already injured feet. “You alright?” “Y-yeah.” 
“Let me know if anything hurts, ok?” “Ok.” “Good girl.” 
Leon tugged his leather jacket off discarding it on the floor before rolling up the sleeves of his button up. He claimed a spot between your legs, lifting one over his shoulder for better access to what he was about to do. He gave a reassuring kiss to your thigh, using a free hand to part your folds, rubbing his thumb over your clit gently. He eyed you watching as you melted under his touch, soft whimpers tickling at his eardrums. “Such a pretty girl.” He cooed, replacing his thumb with his tongue, swirling it around the sensitive bud. 
He had to grind down on the bed himself to relieve some of his own tension, reminding himself to keep his focus on you. His grip on your leg tightened as you arched your back, squirming more and more against his touch.  “God…oh god…” You chanted, head tossed back, the leg draped over his shoulder kicking at his back. He knew you were close when your voice cracked, soft gasps escaped your lips. He continued lapping at you as you ground against his face, letting you ride through your orgasm – only stopping when your hands made purchase in his hair to get his attention. “C-can’t…can’t.” 
Pulling back, he wiped your slick off his chin with his forearm, looking down at you. He watched as your chest heaved slowly, returning to a normal rhythm. Your uninjured eye was lidded less with shock and more with that familiar coming down of pleasure. He went to move back when you grabbed his arm, looking directly at him. “What about you?”  He was a little shocked by the words, your concern for him. “I said I wanted to make you feel good.” He chalked it up to your likely traumatized and now lust hazed brain. “Don’t worry about me.” Leon made the motion to move again.  “Wait.” You called, grip on his arm tightening. “What if… what if I want to?” 
He didn’t move, unsure of how to respond. He’d already fucked up the mission, already covered you in his DNA, yours on him – but he couldn’t do what you were asking. That was too far.
“P-please?” You choked out, tears now welling in your eyes, spilling over and staining your cheeks again. 
And just like that he was taken back to that day again, right before Raccoon City. A night he swore was the worst of his life, until he knew better. Sitting there across from him, begging him not to go – you sounded just like her too, like she was frozen in time beneath him. Even worse, this was the opposite of what he wanted, he wanted to make things easier for you, relax you.  “I just want to be close, please? Please?” You were full on crying now, face scrunching up, barely able to catch your breath.  “Ok. Ok.” He said, leaning down to kiss you again. “Shhh, don’t cry. Don’t cry. How do you want me to take you?” Your words came out between sniffles and hiccups. “Any way, you want.” 
He nodded, sitting back enough to help you sit up, slipping your shirt off all the way. “Can you flip over for me? Lay down flat on your stomach.” He helped you comply with the command, still careful of your injuries. He could see the bandages on your feet had turned a slight pink. Once you were laid out the way he wanted, relaxed, face down into the pillow, he worked his own shirt off, tossing it over in a pile atop his jacket. His gun was removed from the holster, he was careful to lock the safety, discarding it with his other items. He left his pants on, undoing them enough to free his half hard cock, the head still weeping. 
He spat in his hand, giving himself a few good tugs, feeling himself hardening fully again. “You ready?”  “Yeah.”  He crawled forward, gently lifting your butt up just enough for him to line himself at your soaking entrance. He grunted when he pressed in, you sucking him in warm and wet. He let you take a moment  to relax down again as he leaned forward, pressing the entirety of his bare chest to your back, sinking his cock in slowly until he was buried all the way inside of your heat. 
He kissed up your shoulders, and neck, rolling his hips into your slowly. “God you’re tight baby.” He whispered against your ear. He didn’t have the heart to rail you into the mattress, wanting to abate your request for closeness, intimacy.  “S’big…” You lazily mumbled into the pillow.  “I know, I know.” He crooned your neck just enough for him to lock your lips together again. “But you’re doing so good, taking me so well.” Letting you rest, he returned to focusing on the motion of setting a steady but not too rough pace, angling himself so that he hit that spot inside of you that had you whimpering again. He rewarded the noises by rolling you both onto the side, where he could wrap an arm around you like a tight hug, leg gently pulled over over his own so he had a better angle.  Likely for the best, Leon was close already, he slowed down more, returning to simply rolling his hips as he trailed his hand down your stomach, ghosting it over your naval and thighs before rubbing at your clit for a bit as he kissed and sucked softly against your neck. He fucked you like he would’ve done to her, like you were his lover, the most important thing to him. 
Your velvet walls felt like heaven as they squeezed against him, closer and closer to your own second orgasm. “That’s it baby.” He whispered hotly against your ear. “One more time for me, ok?” He sped up his fingers, feeling you tighten around him so much that he nearly felt his own eyes roll back. “G-good girl.” He praised, gripping your hip to speed up his own movements, his balls tightening as he came, cock throbbing as spurts of his seed painted your insides. 
Leon held you like that for a while, curling in on you, offering soft praises as he nuzzled into your neck from behind. He didn’t move a muscle until your breath evened out completely, and he could tell by the low thrum of your heartbeat that you were incredibly close, if not already asleep. He looked up at the clock on the nightstand – 4:45am it read. He had about 20 more minutes max before someone from HQ would be sent in as backup, now that he’d been MIA for so long. 
Now fully soft, he gently pulled himself out of you, and carefully rolled off the bed. He watched you for any more signs of movement as he buckled back up and redressed. There was that eerie silence settling over the house again, he felt heavy with the weight of the evening crushing against him like an invisible force. He wished for a moment that the world would swallow him up where he stood so he didn’t have to face his responsibilities, the consequences. 
You looked peaceful laying there. He knew it was just the exhaustion, shock, and grief, that kept you tugged under the waves of unconsciousness, but for his own sake he pretended you were in a truly relaxed state. Moreso, he was glad you wouldn’t experience any more of that pain or fear tonight.  Leon clicked the safety off the gun, watching you for any signs of movement. Not even a twitch as he cocked the gun again. He walked over, sitting at the side of the bed again, eyeing you over one more time. It felt like he was saying goodbye to a lot of things at that moment, his ex all over again, your future,  another piece of the man he wanted to be.  “I’m sorry. You don’t deserve this, you know?” He whispered, mostly to himself as he pressed the barrel of the pistol to the pillow. 
He couldn’t look this time. He wouldn’t look this time.  His chest tightened, having to take a moment to stop the bile trying to work its way up, and the urge to cry that had him wanting to heave against the floor. He grabbed his earpiece as he made his exit. 
“This is Kennedy to HQ – the last target has been exterminated.” 
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sednas · 1 year
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as always, the baji one is longer because I am still in love with him
༘♡ ft. draken, mikey, mitsuya, chifuyu, baji, ran, hanma x gn!reader
✶࿐ tw: cry cry cry cry cry
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draken is the kind of guy who would pull you into a bear hug as soon as he sees the tears in the corner of your eyes
he's warm and big, providing a much needed sense of security
you would drown in his scent and his oversized hoodie as you keep crying
"you're okay, I'm here, nothing's going to hurt you now." is the kind of thing he would say, insisting on the fact that he will protect you
mikey would hold your hand through your whole crying session
he'd give your hand a soft squeeze every now and then, to let you know that he's still here
if you tell him why you're crying he will already think of a way to fix your problem
but he wouldn't mind sitting in silence until you're done crying either, he's a patient man, even more so when it comes to you
he would probably cry once he's alone too, because he absolutely hates it when you're sad
mitsuya wouldn't want to overstep and would wait until you want to talk about it
but if you keep crying, he'll start to worry and end up touching you anyway
he would start by softly touching your hair until his hand is behind the back of your head and then he would pull you closer so you can cry on his shoulder
he will make you something to eat or run you a bath once you finally stop crying
baji hates to see you cry, it's something that makes him physically angry at the world because why someone as nice as you would deserve such pain?
baji is the best hugger out there, his back rubs are amazing
he would lay down on his bed with you and start rubbing your back
he's the kind of guy who would try to make you laugh or at least try to make you think about something else
at some point he would invent a dumb game where you have to guess which animal he's thinking about by the way he's tracing its name behind your back
a few minutes go by and you're suddenly laughing because you guessed it was an elephant while he was in fact thinking of an alligator
he tells you that you suck at this game and you gently bite on his chin as a comeback and you can't even remember why you were crying a few seconds ago
chifuyu would cry with you, maybe not as hard as you but he would shed a few tears
actually, he would get a bit overwhelmed seeing you so sad and he wouldn't know what to do for the first few minutes
but if you ask him to hold you he would react within a second
"of course, please don't cry, just tell me what's going on."
it's okay if you don't answer him, he'll hold you the whole time
by the end of your crying session he makes sure you've calm down and you do the same because he looks as moved as you
ran would first make sure you are not physically injured before doing anything else
once he's sure you're not hurt he would pull you into his arms, wrapping them behind your back
"why are you crying uh?" he would ask in his usual deep voice, like he's not really concerned
but his hands are slightly shaking, and if it's a person who caused your sadness, he's already ready to cut off their throat
hanma would let you stain his shirt with your tears for as long as you need it
he would laugh at anybody else crying but you are the only exception
he would play with your hair until you stop crying or he would start smoking with you still in his arms
he would stay silent for the most part, simply humming whenever he hears a strangled sob coming from you
but in the end he would want to know the reason why you were crying
he wants to say a quick hello to the one who made you sad
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tokyo revengers masterlist
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themidnightcrimson · 1 year
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palette ࿏ wm
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summary: in which your mother commissions a renowned painter to paint your portrait.
words: 6.0K
warnings: top!wanda, fem!reader, oral (r receiving), fingering (r receiving), lots of tense gay ogling, so much sexual tension, minor use of paint in sex, very victorian era girlie themed, mentions of men (scary!)
this post is for 18+ only. minors dni.
masterlist.
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Your mother was being incredulous about the situation. Time and time again, you tried to convince her that you were not the marrying type, that she need not go to her extreme ends to find you a husband. Whether it was showing you off like show cattle at parties, offering to pay men to marry you with money or titles, or throwing you at the nearest man around, which one time ended up being the innocent post boy, she was relentless in marrying you off.
Any time a man did take an interest in you, which was not unreasonable due to your fair beauty and youth, you hated and despised him and dwindled down his integrity until he ran away like a dog clutching the remnants of his masculinity between his legs. Relief was momentary, for once you ran one off, she only brought around another.
Her new tactic that she invented in that stubborn little head of hers was to commission a renowned painter to paint your portrait to be hung in the halls of your wealthy home. With all the parties and dinners she hosted so desperately often to cling to her respected name in society, she thought that surely a young man would see the portrait of her jeweled and beautiful daughter and demand to own her. Of course, your mother demanded the best, so she hired the infamous Maximoff artist to paint your portrait.
“He will be here any minute,” she whispered behind you as she violently tightened the strings of your corset until you felt your stomach was tucked inside your ribcage.
Taking a shallow breath, the deepest one you could breathe, you looked down at the emerald green dress. It was a beautiful dress, sure. Gold lace crawled over the green corset at your waist, and the green parted at a low point in your bosom, opening wide to reveal your entire chest, metal wires ensuring that your breasts were pushed up and on full display. One thing about your mother was that she hid no tricks. You were her trick, and you were sure she would have you painted naked like a whore if it meant having a son-in-law and grandchildren.
“Mother,” you gasped when she tightened the corset even further, struggling to breathe. “Do you not expect a common man to want a wife who breathes?”
“Hush,” she snapped as she tied off the strings at your back. The dress’s intricate under-weavings made sure that your hips looked wider than your own intellect. Most of the time, you liked to prance around in delicate underdresses in which you could breathe and move freely. This dress, with its constricting corset and heavy hips and layers upon layers of white underskirts, made you feel like you were standing with your head in a noose.
“If he’s such an excellent painter, can’t he just use his own imagination about what I’m wearing? That’s what most men do in their heads, anyway.”
“Mr. Maximoff is the most respected artist in the country,” she breathed, circling you to look you once over. Her hands went to the breast of the corset, trying to lower it down even more.
“Mother!” you shrieked, widening your eyes at her and tugging the fabric back up. “Why are you trying to make me look like a whore in front of who you say is the most respected artist in the country?!”
“He’s Sokovian,” she argued. “They’re exotic.”
You rolled your eyes at her bitter distaste for foreigners, and if you could breathe, you would have let the venomous words roll off your tongue.
“Besides, even if he doesn’t paint you as a doable wife, perhaps he would graciously take you himself.” Her eyes flickered up to your hair which was swooped high up on your head, a few curls of your hair hanging over your cheeks. The earrings on your ears were heavy, and the jewels on your neck were even heavier. You felt like your outer bearings weighed a thousand pounds and were crushing your frail body with every passing second. It wasn’t that you didn’t want to die in that moment, you certainly did, but you would be damned if it was in such a ridiculous outfit.
A housemaid rushed into the room suddenly and declared, “The painter has arrived.”
Your mother nearly slapped you across the face with how fast her hands went to fixing your hair. “Send him in!”
There was a hesitant look on the maid’s face, but she left with her hands fumbling together. Your mother turned your shoulders towards the door, harshly slapping your lower back to make your back straighten. You sighed, feeling anxious at how little you could breathe. You grabbed at your neck as if that would help you breathe, but your mother slapped your hand away. “Don’t fidget.”
She stood next to you, her hands posed at her front, a wide smile on her face. You were pretty sure that she wanted her men to desire herself as much as they desired you, and sometimes you wondered if you might marry a man just so he could fuck your mother and get her out of your own ass.
“Smile,” she whispered, but that was one thing she would have to slap across your face before you ever would.
The door to the library opened slowly, and you could feel your mother’s excited breaths beside you. A booted foot stepped into the room first, your eyes following the body that stepped through. A leg clothed in wide grey trousers, a frilly cream blouse tucked into the pants. You were offput by a mane of long, wavy brunette hair, though your first instinct was maybe Sokovian men donned long hair as a cultural preference. But when you saw the face that glowed into the room, those viridescent eyes, sharp cheekbones with a feminine curve, supple pink lips, your own lips fell open as you realized that Mr. Maximoff was, in fact, a woman.
You thought your mother was going to spontaneously combust in a theatrical display of steaming, rageful sparks. You looked over at her—her eyes were glancing down the woman over and over again, trying to figure out how in the world this person could possibly be a woman, this person who she had built up to the be the key to breeding her own daughter.
You couldn’t help but gleam at the impossibly devastated look on her face. This painter was a woman standing here in pants, holding an easel with a canvas under one strong arm and a bag full of paints in the other.
“Mr. Maximoff?” your mother gasped stupidly.
By the look on the woman’s face, you could tell this wasn’t the first time. “Ms. Maximoff. Wanda.” She stepped forward, setting her supplies down on the floor. “It is a pleasure to meet you and have the honor of being commissioned by your name.” Her Sokovian accent was thick and velvety. She came closer, holding out a hand to your mother. She eyed it like it was a snake, but took it, and Wanda shook her hand like a man.
Her snakelike eyes flickered to you. “I presume this is your daughter—my subject?”
“Uh…” Your mother began, her eyes focused on the shape of Wanda’s breasts under her shirt as if in disbelief. “Yes, this is my daughter, y/n.”
Your eyes were trained on Wanda’s. They were looking at you pointedly, a little wide, soaking up every inch of your presence as if you were the only source of light in the room. Her lips curved into a coy smirk. “Pleasure,” she gently spoke, reaching for your hand. You gave it to her, expecting her to shake it, but she gently turned your palm over, her thumb tracing the soft skin on the back of your hand, before she lowered down and pressed her lips there.
It became even harder to breathe as the woman rose back up, the feeling of her lips still tingling on the skin of your hand. “You are as beautiful as your mother spoke of you.”
For once, you actually smiled without your mother forcing you to. Wanda stepped away, looking between you and your mother expectantly. “Well, shall I get to work? I do charge by the hour.”
Your mother was in some sort of trance. “Oh, um… Sure—well, you see Mr.—Ms. Maximoff—”
“Wanda.”
“… Wanda. I was, admittedly, under the impression that the painter I commissioned to paint my daughter’s portrait would be a man. Are you sure that you do not have a father or brother by the same name, or even a husband, who can come instead? You see, this portrait is going to be very important to me. I intend to show my daughter’s beauty and wealth so that I can find her a proper husband, and given that is such an important cause, I need a painter with the highest skill and artistry to do it properly.”
Wanda only blinked. “There is no other Maximoff but myself. I understand your concern about this portrait, but I ensure you that my skill and artistry will serve the best purpose for your daughter, though her beauty so obvious that even a street painter could convey it.” Her eyes flickered to you again, drawing up another smile on your face. It was funny how she was painting your face without even holding a brush.
Your mother’s eyes danced around uncomfortably. “Well…” She paused, looking over Wanda once again. “Alright.”
“Shall we do it here?” Wanda asked, pointing towards a sofa that sat in the corner of the library against a beautifully wallpapered wall.
“Alright,” your mother said reluctantly. Wanda instantly went to work, setting up her easel and canvas in front of the sofa. She then turned to you, holding out her hand with that sort of smirk on her face. “Come.”
Hesitating, you stepped forward, sliding your hand into her soft, gentle one. She led you over to the sofa, gesturing you to sit, holding your hand until you were fully seated. You squirmed a little as she looked down at you, her eyes appearing darker now that she was turned away from your mother who stood watching with nervous eyes and fidgeting hands. Wanda was staring down at you with an unreadable expression, and when your mother cleared her throat in the silence, it seemed she almost forgot she was there.
Wanda turned to look at your mother, clasping her hands behind her back and taking a few steps towards her.
“My lady, I do find my creative focus more intent when in the presence of only my muse and myself,” Wanda spoke confidently. Your mother was obviously taken aback by this, as if she had expected to watch the entire process, her hand of control over every little thing. She liked to think she was God, or at least God of your world and everything that had to do with you.
“Oh—are you sure?”
Wanda smiled graciously and nodded.
Your mother looked between Wanda and you reluctantly before finally nodding and stepping away. “Well, if you need me, you can ring the bell for the maid.” She paused again, waiting to be told to stay, but Wanda only stared at her, so finally she left, closing the door gently behind her.
You could breathe a little easier now that your mother wasn’t in the room. Wanda sighed and turned on her heel to face you. Your back straightened instinctively under her prolonged stare, your eyebrows creasing to try and figure out why she was staring at you with her head tilted as if you were already a painting hung in a gallery.
“Confusion doesn’t look good on you, darling, and it surprises me so that anything could not look good on you,” she smoothly murmured, taking slow steps parallel from you. She disappeared behind the easel before reappearing on the other side of it, her eyes still trained on you.
You shifted uncomfortably on the sofa. “You’re staring at me.”
She blinked, a smile widening on her face. “I’m supposed to paint you. How can I do that without ever looking at you?”
Your face warmed a little, eyes darting down to the floor. She made a noise with her tongue before she went over to the large window of the grand library, pulling on a chain to close the thick, heavy curtains until the room was blanketed in darkness. You could hardly see anything now—you heard the fumbling of things and the striking of a match before a golden light emanated from the table nearby. Wanda had lit a candle, bringing the match near her lips and blowing on it to put it out.
“What are you doing?”
She walked to the other side of the sofa where another smaller table was and lit a candle there too, so that now you were blanketed in a soft, orange huge.
“This painting is to attract men to you for the purpose of marriage, correct?” she asked as she blew the second match out. “What’s more attractive than dim lighting under the intimate glow of candles?” Her eyes, darker now, flickered to you as she walked back to her easel, dragging a nearby stool to the easel and lighting one last candle there so that she could see her work.
“How sensual,” you remarked, to which a hidden smile curled on her lips, shadowed by her hair.
Wanda reached into her bag and brought out a palette, a tin can of brushes, a jug of water, and several bottles of paint, placing them all on the stool beside the easel. You expected her to just be quiet and start painting, but she walked towards you. Your chin rose to keep your eyes on hers as she neared you, looking down at you analytically.
“Sit back a little,” she said softly, “So your back is against the cushion.” You did as she said, scooting back until you could sit up straight with the support of the cushion. “Good. Now, your hands…” She looked at where you had placed them, lying mindlessly on either side of your lap. “What are we going to about those?” She smirked again.
“What do you mean?”
“Hands are as integral part of a portrait as is the face,” she tilted her head and leaned back, imagining your visage as a whole. “Cross them over your lap.”
You plopped them over each other on your knees, expecting that to be good enough, but when you glanced back at her, she was trying not to laugh. “What?” you asked defensively.
“Nothing,” she said, her Sokovian accent edged with amusement. “Here.” She knelt down in front of you, gently taking your wrists into her hands. You held your breath as she positioned them very particularly over your lap, trying to ignore the way her fingertips grazed the fabric of your skirt and left wrinkles in the fabric there, indentions of her touch. Her hands touching yours so delicately was sending jolts of electricity up your spine. You blasphemed yourself for being so shy of a simple touch, from a girl, nonetheless.
Once she had your hands positioned the way she wanted, she stood back up and assessed your top half. You caught the way her eyes fed upon your chest for a brief, startling moment before she looked up to your face. “Sit up a little straighter.” She put her hands on your shoulders, gently guiding you to sit up, her fingertips sliding to your upper back. You grew bothered at how handsy she was being. Her hands moved to your face, adjusting the curls of hair that were left out of your updo. Her face was close to yours now, her cool breath fanning across your mouth and leaving you no room to breathe, a heat forming under the skin of your face.
You recoiled suddenly, and she looked at you with unnerved eyes. “Did I hurt you?”
Her sudden change of confidence at the thought of somehow paining you by moving your hair eased your discomfort a little. “You’re reminding me of my mother. Always picking at me, fixing me.”
Her lips pursed together. “Your mother fixes you to her liking. I’m fixing you to yours.”
You eyed her suspiciously. “I haven’t said a word to you about any of my likings.” You noticed how quiet you were speaking, how quiet the room was, how close you were together in the corner of the large room.
“You don’t have to. I can tell,” she whispered with a crawling smile, adjusting your hair one last time before finally moving away from you. “Now, just sit.”
“Seems simple enough,” you breathed once she was finally behind her easel, trying your best to stay still.
She picked up her palette and started mixing paints and water, tussling through some brushes before finding one she wanted, and you finally heard the scraping of her brush on the canvas. You would have much rather been behind the easel with her, watching with as much curiosity and intrigue as you had then as she worked, than be sitting still like a lifeless doll as her eyes stared at you.
After several minutes of having her look between you and the easel, you started to get uncomfortable. The corset was still restricting your breath, and it felt impossible to keep your hands completely still. The dress was making your back hurt, and the painful silence and the feeling of Wanda’s eyes constantly on yours was enough to make you go mad. You hadn’t even realized that you were starting to squirm, accidentally moving your hands and your position.
You heard a sigh which led you to look back up at Wanda. She set the palette down, along with her brush, and stepped out from behind the easel, pacing back and forth with her eyes set upon you in a sort of disappointed and confused stare.
“What?” you blurted, feeling offended that somehow she thought you couldn’t even just sit to her liking. “What am I doing wrong?”
“You’re fidgeting,” she said with more seriousness, her artistic focus shining through.
You looked down and realized that somehow over the course of a few minutes you had completely lost the original position she had you in. You sighed, deflating as sharp pains ran up your torso. “I’ve never been painted before.”
“Well, it’s an honor to take your portrait virginity,” she countered with a little smirk, ceasing her pacing to stand staring at you with a tilted head.
A searing hot blush fled to your cheeks. “You speak like a man.”
“You’re sitting like one.”
You realized you were lounging disgracefully on the sofa with your back hunched and legs open. Snapping your legs shut, you groaned and laid back on the sofa dramatically. “I can’t do this. I don’t want to do this.”
“You don’t want to be painted?”
“No! And I don’t want to be married off to some bastard and bred like swine until I die. I cannot breathe without her trying to stuff me into a man’s side like an armpiece. I cannot breathe with her constantly in my ear speaking to me how I should talk better, walk better, sit better, stand better, look better. I cannot breathe—I just cannot breathe!” You leaned forward suddenly, feeling faint and gasping for air, clawing helplessly at the front of your corset whose fabric was stuck to your skin.
Wanda neared you calmly, holding out a hand in front of your face. Still gasping, you looked up at her, eyes falling to her hand. Feeling helpless, you slid your hand into yours and stood to face her. You realized then suddenly just how beautiful she was, with her full mouth and sharp eyes that were always piercing into you. Without speaking, her hands slid over your shoulders and smoothly turned you around. You froze, confused about what she was doing until you felt her fingers at your back and the sound of strings being undone.
“What are you doing?!” you exclaimed, knowing how long it took your mother to zip you up in that dreadful thing and how, if she knew you had undone it, she would tie it up even tighter.
“I cannot paint you like this,” her husky voice spoke close behind you. “You look dead in this dress.”
“God,” you breathed as she tugged at the strings, causing your body to move with her force. “That’s an interesting way to call someone ugly.”
“You are not alive like this,” she explained, “I can tell that this is not you. This is only a shell, a makeup of your mother. I am not here to paint your mother—I am here to paint you. My muse has to be completely herself, with no facades or lies. I need to see you as you are, truly and honestly. And also, you do look two heartbeats away from death by asphyxiation in this damned thing.” With a forceful tug, she ripped the back of the corset open so forcefully that your body was yanked backwards towards her, but she caught you, hands firmly on your waist.
You gasped in a full breath of air, and although it was a dusty library, it was the freshest breath of air you had ever taken. You were leaning back against her chest now, strands of her brown hair over your chest. Her hands holding your waist slid upwards a little, your body shivering at the feeling.
Her mouth was close to your ear as she whispered, “I’m going to undress you as gently as I can…” As her breath fanned against your ear, alighting all kinds of nerves in your spine that you’d never felt before, her hands slid around the front of your abdomen. “But forgive me if my creative expressions make me a little…forceful.”
She punctuated her words with an aggressive tug on your corset, which made you gasp sharply. She peeled it off your upper body, grabbing at the hips of the dress and tugging it down, also, bending and pulling all the green off your body until it was pooled at your ankles in a pathetic lump of fabric. You turned your head, looking down at Wanda who was crouched at your calves and staring up at you with parted lips and seductive eyes.
Wanda’s hand snaked around your smooth ankle first, cupping your shin as she started to rise, moving back around to behind your knees, lifting up your layers of underskirts as she went. She rose up behind you now, dragging her hand all the way up your leg under your skirt until it was on your hip, centimeters away from your bum.
Your heart was beating fast in your body that was growing warmer even without the top layer of clothing now. All that was left was the white slip that covered your body and the second underskirt.
“I need to see the real you, detka,” she spoke, Sokovian accent think and sensual in your ear.
You could smell her strong perfume of fig, her soft hair tickling your shoulders. You couldn’t believe that this woman had just ripped your dress from you and had you standing in barely any clothing that you wouldn’t even let your mother see you in.
“How can I convey you on canvas if I don’t know you?” She whispered, and the slightest graze of her lips against your ear sent a jolt down your body.
Her fingertips went to your shoulders, tickling your skin as she guided the thin strap of your slip down your shoulders, bringing you to shiver.
“Wanda,” you breathed, unsure of what you wanted to say. Sliding her hands over your skin, keeping her touch on you, she circled you, coming in front of you to look into your eyes.
“Trust me, detka,” she whispered, “I’m a master of the arts. I know what I am doing.”
That she did, with a smirk as she slowly pulled your slip down. You tried to stand confidently under her gaze and touch, but when you felt the silky fabric catch over your breasts and then fall below to reveal them, you gasped desperately for air. Her eyes flickered down, feasting upon the sight of you with utter desire and sensuality. Her mouth was open, lip nearly trembling as she pulled the slip down over your intimate stomach, and then pushed it along with the second skirt off your hips so that you were standing bare and entirely naked in front of her.
“Beautiful,” she breathed with ragged voice. “So… fucking beautiful.”
The vulgar word pierced your spine and made your body heat even more. Your skin was flush and pink under the close, golden hue of the flickering candles, that same unsteady light revealing Wanda’s bulging pupils and darkened irises. She was devouring you with her eyes, and through the lust you saw the creative plates molding perfectly together in her mind.
“Lay down,” she said with faltering voice, clearing her throat as she guided you to the sofa.
No one had ever seen you naked before, and you kept that thought in mind as you carefully climbed onto the sofa, her hand on your lower back leading the way. “On your back,” she demanded, but suddenly she caught you before you laid down, reaching into your hair and undoing it with one pull of a pin. Your hair flooded down your shoulders messily, and you gasped, knowing just how undone you looked. Was she going to paint you like this? In the nude? You knew that was far from what your mother wanted in the portrait, but your mother was even farther away from your thoughts as the Sokovian artist’s hands guided you to lay on the sofa.
“Move on your side slightly,” she instructed, voice taught with many different emotions you couldn’t completely discern. You were halfway on your back and halfway on your side, some of your hair over your chest and some of it cascading down the arm of the sofa above your head.
Finally, she stepped away from you, and you thought you would feel cold without her touch, but her eyes were enough to keep the fire broiling in your stomach alive.
You were sprawled out on the couch like a whore. One leg reaching over the other end of the sofa, the other one halfway off the edge of the cushion. One arm laying on the cushion lifeless, the other one reaching across the top of the sofa. You were wearing nothing but the thick jewels on your upper chest and the earrings hidden behind your hair except for a few twinkles where the light shone through the strands. The golden light of the candles sparkled on the erected rosy peaks of your breasts, flickered off the skin of your stomach.
“Perfect,” Wanda said, grabbing a towel that she had laid on the stool and casting it over her shoulder, her ravenous eyes not leaving yours as she picked up the palette and brush, beginning to scratch across the canvas madly, hardly tearing her eyes from yours.
Your chest rose up and down with the tension in your lungs. Something within you was throbbing at being laid out like this, having this sensual woman tear you apart with her eyes as she painted your likeness on the canvas.
The tension did not die with the silent minutes. It grew and built with every stroke of Wanda’s brush, with her every darting, overfilling look, with your every weak breath and throb of the multiple heartbeats throughout your body. It grew to a head until you felt like you were going to burn right through the cushions of the sofa like a soaring comet.
Every time her hand left the canvas to roll her brush into the pools of paint on the palette, her rings sparkled under the candlelight. There was a gleam on her skin, a craze in her eyes, a moistness to her lips that she repeatedly licked and bit. She was driving you mad without even touching you, and you could tell that you were doing the same to her with the way she painted the canvas so hard that it trembled on the easel.
Finally, without you having to even say anything, she dropped the palette and brush on the stool and dragged the towel away from her shoulder, eyes trained on your body. She had painted so wildly that there were smudges of color on the white sleeves of her blouse and covering her hands. She came to you so quickly that you didn’t even know she was there until she was knelt beside the sofa, placing a hand on your lower stomach.
Her hand sent a streak of color up your skin as she slowly slid it up your abdomen. Red, yellow, green, blue, all streaked together from her hands as she touched the smooth expanse of your skin.
“When I first came in,” she began in a tremulous whisper, “I knew it would be impossible to hold my focus while I painted your portrait.” Her hand swiftly curved around your breast and cupped it, relishing in the supple feeling of your flesh. Your eyes fluttered closed, legs mindlessly moving as she touched you shamelessly, and you let her. “You’re the most beautiful girl I’ve ever seen. I don’t even have to paint you to make you a walking piece of art.”
You didn’t know what to say as her compliments landed on your skin like warm raindrops and evaporated into your pores, seeping into you and imbuing you with warmth. She bit her lip as she looked down to your breasts which she fondled, rolling her thumb over your hardened nipples. Your skin there was covered in her paint now, colors mixing and melting on the warmth of your skin.
“Is this your creative expressions speaking?” you whispered to her, and she smirked and tilted her head.
“No, it’s just me.” Her eyes flickered to your lips, and without hesitance she leaned forward and kissed you hungrily. You moaned, and with your lips parted she dove her tongue into your mouth. Her other hand found your delicate neck and squeezed it, the cold paint smearing on your skin as her tongue explored your mouth with utter force and desperation, like she needed to know every single corner and texture of your mouth and tongue.
She clambered on top of you, pinning you down on the sofa beneath. Her hands went mad across your body, squeezing and rubbing you everywhere she could, memorizing every single curve and sweet spot that made you arch up against her. Her kisses trailed down your skin, sucking and biting harshly until she made bright red and purple spots that blended in with the paint she had already left there. She made a painted mess of you right there on those cushions, mercilessly sucking on your nipples and pinching them until you were squirming beneath you with desperate need, grabbing at her soft hair and shoulders.
“Wanda,” you moaned as she lowered down your body, leaving wet kisses down your painted stomach until she was at your hips. She growled, glancing up at your bare, marked body before her, lowering herself down between your legs.
“You’re the sort of art that needs to be worshipped,” she grunted as she ran her hand over your thigh, swiveling around it to yank it up over her shoulder. Crouched down, she parted your legs open, moaning at the sight between your legs. She had dwindled you down into a wet mess, and the feeling of her warm breaths fanning against you there did no good for how much you wanted her to touch you.
Most of the paint that was on her hands had been transferred to your body, so she brought her fingers to your slippery folds, groaning at how soft and wet you were. “No one has touched you before?”
“No one,” you whispered, looking down at the lewd sight of this woman between your legs, even her slight touch on your folds making you jolt.
“Let me be the first.”
“Please.”
She wasted no time in lowering her head down and placing her mouth over your slit, running her tongue up your folds and to your clit, circling it with exact pressure. The moan that escaped your mouth was foul, and you bucked your hips towards her face as she started to lap at your clit, pausing every now and then to purse her lips and suckle at it.
“Oh, Wanda!” you exclaimed, forgetting that your mother could be right outside.
Reaching her hand up your belly, she clasped it over your mouth to silence your moans. You held her wrist, nails sinking into her skin as you trembled beneath her.
“You must be quiet, detka. What happens between an artist and her muse, stays there,” she whispered thickly, her mouth glistening with your own juices. She brought her fingers to your clit, pushing into it before lowering them down to your slick entrance. She watched your every expression and movement of your body as she slid two of her fingers inside you slowly, stretching your virgin hole around their length and width.
Your muffled moans were under her hand as she pumped her fingers deep inside you, curling them to graze the inner sweet spots inside you. Your hips jerked as she lowered her mouth again to suckle at your clit while her fingers thrusted into you.
“You’re just as perfect inside as you are on the outside,” she moaned into your clit as she spread her fingers inside you, moving them more to just feel you than to pleasure you, but it certainly pleasured you all the same.
“Fuck, Wanda,” you cursed under her hand, feeling a coil spring tight in your lower belly. She trailed her kisses over that part of your belly, as if she could feel the tension there.
“You’re being such a good muse, such a good girl for me,” she whispered, rubbing your clit with her thumb as she squeezed a third finger inside you. “I’m inclined to take you away with me and make you the muse for all my work. You’d like that, wouldn’t you? Living with me, a slave to my touch and my kiss, a wet little hole for me to fuck when I’m creatively and sexually frustrated. Wouldn’t you?”
Her thrusts were hard now, her voice snaky and thick. You whined and moaned pathetically under her hands, bucking your hips wildly off the sofa. You nodded to her question, burning at the way she laughed. “My little whore, letting me fuck her right here on the sofa, all naked and covered in paint.”
Wanda’s words twisted in your ears and wound you up even tighter, your inner walls squeezing around her fingers that pushed through them. She bit the skin of your belly hard, and with a few more pumps of her fingers, she wound you so tight that you snapped, the coil in your stomach breaking and unleashing screams and shivers of climactic pleasure and euphoria that blinded you. She talked you through it, praising you for being such a good muse, kissing your stomach and rocking her fingers more gently inside you.
You finally came down from your orgasmic high, knees trembling around her shoulders as she crawled up you, giving you a multitude of calming kisses all over your face. You sighed and looked at her with a shy smile, still struggling to catch your breath.
Grinning, she stepped back and looked at you. Your face was bright red with pleasure, a gleam shining off your skin, your body looking even more relaxed with the post-fuck glow that she had been craving to carve out of you from the very beginning. Grabbing her palette and brush, she eyed you from behind the easel, smirking under the candlelight that remarked her viridescent eyes.
“Stay just like that.”
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briebysabs · 5 months
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The recent chapter has reinforced what I’ve been screaming about Noé from day one. If you will not take anything else from Noé Archiviste, take this. To analyze him you are required to understand that Noé is disconnected from everything.
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He is disconnected from himself, his past, the world, and reality. And this isn’t simply from being sheltered (though that plays a significant role). Because of this, he offers an honest, open and “pure” view of a situation. Even without going into the psychological rabbit hole mochijun executed in Pandora Hearts, you can see Noe’s lines/scenes are chosen with calculation and are very layered. A minor example, him getting lost all the time. It makes for a funny gag but it feeds into the point I’m making here. Conceptually, Noé is a floating balloon, hovering over the world. He can give you the best perspective because he’s not on the ground. That is why Noé sees himself as too strong or untouchable. Because he believes he is in a different world from anyone else. And I think this is something many people can relate to. But then it becomes complicated when Noé chooses to be unaware. Noé knows treating Dante and his companions like shit is wrong. But the gears turned in his head, people that he likes are doing something harmful. And he picks the option that won’t make him dwell on it: it’s an accident. Oh perhaps they didn’t know their names.
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Noé depends on toxic optimism. From this we’ve seen it, several times throughout the story, turn into utter delusion. This is why some ppl, including myself, get Jack vibes from him. If you know you know, that man invented the word delusional. In order to keep himself together, to distract himself from his own self-loathing and loneliness, he has clung onto this thinking like a lifeline. Noe and Vanitas are very similar but chose different ways of coping which is a reason he is able to reach him. It’s easier to focus and believe in the beauty of everything else than looking at your own reflection. It’s easier to proclaim that the world is beautiful than to say that it wronged you and you feel so different and so you hate yourself.
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Which is why I believe Noé will be the final antagonist, anti-hero whatever the fuck. Not bc it’ll be a cool twist, the writing is on the wall. This is the logical destination of his character. Will he be saved at the end? Probably but who fucking knows mochijun. Noé is going be confronted with so many harsh truths and Vanitas dying is the biggest one. It is set in stone, an event that is fated to happen no matter what Noé does. Whether he’s time-looping this shit or living on alone. Vanitas’ death is the biggest reality Noé cannot escape from. And thus, that will break him. He will try to remain in his dreams, memories, and delusions. But eventually....you’re going to wake up.
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imagine-shenanigans · 3 months
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Ugh I neeeeeed more of that ghost fic where he basically assigns himself as your boyfriend after defending you from a creep 😭😭 he’s so yuck but also where my men at
great news i started writing it as a oneshot but in the meantime heres some extra ideas to tide you over that im not sure if theyre going in the fic or not
Ghost doesnt end up touching you sexually at first, its all just grounding to him. Almost reverent, at times, when you wake up to him in your bed and he wasnt there before, fingertips running along your skin, eyes half lidded. Like something he never thought he could have. Presses his face to the crook of your neck and breathes. Its so soft and... well, tender, that you almost forget he broke in again. (Almost.)
calling the cops on him does absolutely nothing. every complaint is wiped from the database, any time you try and report him to a commanding officer... nothing. He's a fucking ghost, what did you expect? To invite him in and be done wirh him when he gets scary? No sweetheart, you take the whole of him whether you like it or not. (And you will like it, he will make sure of it.) The first time you call the cops and go to a hotel room, he flips you onto your stomach and spanks you raw, makes you cockwarm him with your mouth for an hour at least while he tells you exactly what you did wrong. Slips a remote control vibrator in you and then a chastity belt and sends you on your merry way back home when he's done. Sets the vibrator off at random times during the night
The first time you complain to Price, the captain just raises an eyebrow, and sighs. Tells you that he's not going to get involved in anyone's marriage, and you blink at him, dumbly, until Ghost walks in. When Price repeats himself, this time to Ghost, Simon huffs and takes you home. He spanks your pussy hard between edges, but eats you out reverently for the rest of the night, rutting his hips into the mattress as you sob and writhe against where your wrists are bound behind your back. When you're all wrung out he slips a ring on your finger and warns you not to take it off.
Simon pulls you into his lap while watching movies, running his hand along your sides soothingly. He doesn't watch horror movies, or slashers, surprisingly enough. He won't entertain the idea of anything even remotely scary and flicks it off with a displeased hum, turning it to cartoons when you try and put on Scream (half to make a point, half for the joke) and pulls you down onto hsi chest so youre cuddling.
This Simon hates to see you cry, hates discomfort, hates anything negative (but understands ehen it happens). You're his girl, and hes your man, and so that means you should be happy. He wants to treat you right, even as he chips your phone so he can find it anywhere. Can find YOU anywhere. Won't take no for an answer. He does whatever he pleases, because you're his. And you do whatever you please because he's YOURS. Gets rock fucking hard if you push him down and ride his face or his cock, hell if you lay next to him, and press his fingers to your clit he'll take care of you for hours until you stop.
You punish HIM once, just to see if you can, and are astonished when Simon lets you mark him up with hickies because he was out too late drinking. He lets you edge him for an hour, and takes it because youre his wife and he knows he fucked up. (Only lets you do this when he feels like it though. When he decides you're right. Or thinks its fun.)
Also gets rock hard when you're jealous - even if you try not to be. to remjnd yourself that hes invented a relationship in his head, that hes a creep, etc... he just presses you into the mattress and coos softly at you, his thick cock pumping in and out of you as tears bead in your eyes. Tells you how precious you are, and fucks the jealousy out of you for hours if need be. Then he holds you close, making you cockwarm him. He presses soft kisses to your head and runs his hands over your skin. Lets you drool on his chest and snore and shuffle around in your sleep. Chuckles when you snuggle into him
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