Can we just appreciate Six of Crows for a moment?
Like, the characters each have their own elaborate backstories and reasons for wanting the money and the whole plot line is so well put together.
Also, it's just completely bonkers because one moment they're planning a heist and how to get back at Van Eck, and the next Kaz is making a "your mum" joke.
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"Young Baldwin seems to have possessed a naturally strong constitution, and he was also gifted with undeniable qualities of character and a strong, lively intelligence. William of Tyre, who was his tutor, says that 'in his childhood he was very handsome, with a quick and open mind, and he rode very well, better than his forebears had done.' 'Never forgetting an injury, and still less a kindness,' he had 'a retentive memory, was well educated with an excellent memory for tales and a fondness for telling them.'
The child must have realized very early that his disease was incurable, and his reaction shows great strength of character. He wanted to forget and make everyone else forget, right up to the end, that he was sick. But by the time King Amalric died, young Baldwin's disease had made such progress that it was already beginning to show, and 'the people of the kingdom felt great grief when they looked at him.'
From 1175 onward, the regent and the barons of Jerusalem were able to count on an unexpected ally, and a more valuable one than might have at first been thought. At fourteen years the young King Baldwin emerged as an intrepid fighter, capable of leading his troops into battle and later on of commanding them personally in the field. He was seen at the side of the constable and the Count of Tripoli, riding at the head of his troops and taking part in raids and diversionary campaigns [...]. At the time the King was still too young to actually command his army, and his principal function was as a symbol and an inspiration for his men. They were all happier marching under command of their lawful King. Young though he was, he was like the flag, to be protected and followed through the thickest of the fight, and he was not afraid of personal danger. [...]
When he came to the throne, he had [...] been a leper for ten years, and although the disease did not begin to make rapid strides until puberty, it must, even in early adolescence, have weakened and exhausted him. It is unlikely that anyone would have dared to reproach him had he wished to consider himself an invalid, yet he behaved as though he were perfectly well.
He had been educated, as became a prince, by knights and masters of arms and also by churchmen [...], and these had not failed to teach him patience and prepare him for the harsh trial that was to be his life, and to arouse in him a sense of duty and pride in being, despite his infirmity, King of Jerusalem and Defender of the Holy Sepulcher. Whether as a result of education or temperament, Baldwin IV seems to have had little inclination to self-pity. The young King overcame his illness with all the determination of an adolescent who knows he is physically weak and is bent on proving to everyone, himself included, that he can equal and even surpass others. He may have been a king who had the misfortune to be a leper, but he was also a leper lucky enough to be a king.
He loved power because it was all life had to offer him, and he very early evinced a wish to govern by himself, and would not tolerate disobedience. A temperament of this kind can easily degenerate into tyranny and capriciousness in one so young, but Baldwin IV had a lively and precociously mature mind, and was sincerely concerned to do his best for the good of the kingdom; and this right up to the time when his sufferings began to drive him out of his mind. [...] Up to the last moment he wanted to be a king and a general, and he wanted to be obeyed. It was his way of clinging to life, and he was a terrible fighter."
- Zoé Oldenbourg, The Crusades (1966)
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I'm extremely excited to announce that I'm writing a column on fans and fandom for Atlas Obscura!!! And the first piece went up today!!! This one is on sentiment albums—a variation on the commonplace book—and the threads connecting them to modern fan practices.
FYI: This piece features the work of the brilliant Dr. Evan Hayles Gledhill, who first introduced me to these albums when they were our guest on ep 10 (!!) of @fansplaining approx. 8,000 years ago.
It also features my own pre-modern-internet sentiment album. 🥰
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Peeta Mellark is one of the greatest fictional men ever created.
He’s not some godlike figure that is beautiful and perfect and angelic and mystical. He’s a literal human being who acts as any human being would in a tough situation, whilst still being decent and kind and devoted to the woman he loves. He speaks like a normal person, he behaves like a normal person, he is a normal person.
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Headcanon that Nico dies and he's just like "really, dad? You couldn't keep me alive like Zeus did for Thalia?" and Hades is so offended bc he just got compared to Zeus.
And Will marches down to the Underworld and drags Nico's ass back out
He's like "hell nah you ain't leaving me"
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Patroclus: your mother scares me. 😟
Achilles: I know but she can't see us in this cave 🤷
Patroclus: oh okay, cool ☺️
Achilles: no dude, she CAN'T SEE US right now 😏
WHEN I TELL YOU I CLOSED THE BOOK SO FAST. (just to open it again 3 seconds later but damn deep breath in and out.)
this scene changed me and I won't miss who I was before it.
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