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#digital director
shalida · 1 year
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✨ masterpost for all of my 2021 film journal posters !!! ✨(i re-edited a bunch bc i switched from working traditionally to strictly digital nearly halfway through~) hope you like them!
my letterboxd / inprnt / society6 / ko-fi / instagram / twitter
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allisonperryart · 4 months
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Interrupting your regularly scheduled Carol art for Carol FANart! I've been itching to share this for awhile, and now I finally can! I just thought Carol looked so adorable in her little office outfit that I wanted to draw her super cute and pastel-core! Thanks for looking, watch Carol and the End of the World on Netflix if you haven't already, and catch the process video later this week!!
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perhaps-perhaps-not · 2 years
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Finally painted + These Assholes +
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Don’t ya just love it when ideas work out?
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madam-monarch · 17 days
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[ Omg madness combat art from me in 2024 who would have though… ]
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corvidist · 3 months
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A slightly dry dinner in northern Antarctica. Although meals are secondary to snacking throughout the day, they are still social events for the community. In part because of the beak notch, most cultures tend to eat dryer food earlier in the day and then less solid food later on. Friends will tend to gather when they eat, and out of all meals, dinner becomes a significant social occasion resulting from the large number of Directors heading back to sleeping areas/recreation and such after eating and cleaning off. Much of the food is served in what it was made in, though not all of it. Water is regularly dumped out and refilled. This being one of the first groups to arrive since the area was cleaned, there isn't much in the way of spillage, but there will be.
The beak notch:
It was smaller in the past, and its slow expansion has been attributed to the increased necessity of tool use. It's not large enough to prevent adequate food/water intake, but it does mean that some will inevitably spill out. When this actually became a problem for sanitation as larger communities developed, it became common for eating areas to have floor mats dedicated to collecting what drops down that and are then washed afterward, having them on platforms so the food can be dropped down, or a mix of both.
Recycling:
In the past, they've used food waste as biomass for insect farms/compost. It is also now used to help with biotech cultivation.
As a community activity:
Meals contribute quite a bit to daily life since communities tend to eat in the same place as a social activity. Wake up, eat a fairly dry snack with water, and start the day, with meals typically getting less dry and drinks more flavorful as the day goes on. At least one large meal is often had in the evening where most of the community gathers at once and groups interact, share gossip, and otherwise just chill for a bit. After that, most will head to communal bath houses where they'll clean up before dispersing again, either to sleep for the night or begin community nighttime functions.
Bragging to the other collectives about how many dead things they harvested from the biomass pile but then the engineering collective challenges the plant ag collective to a platform duel for fun (king of the hill but the platform is suspended like 50 feet in the air) so like half the group breaks off and the sanitation collective gets angry and starts scolding them because the fuckers just made their job 10 times more difficult by making a mess everywhere because they tried to take their food out of the eating area to watch without making prior arrangements.
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crypticthumbs · 2 months
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(me: keep in mind.the angle! of the light source!!! keep in mind the angle!!ofthelightsource!!!keepinmymindtheangl- me, adding yet another highlight: uhh yeah... the light suuure comes from somewhere)
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mail-me-a-snail · 2 months
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minutes of the meeting a control fic
“Dr. Darling,” Trench murmurs, “appears distracted.” Darling thins his lips. He’s anything but distracted, now; his eyes had held Trench’s the whole time the Director had been speaking. “You forgot a point,” he responds, carefully, at the same volume. “Did I.” “11:15am: Director Trench lights a cigarette.” A pause. “He looks Dr. Darling in the eye as he does it.” Trench considers this. He hums--the sound rumbles in the back of his throat. “So you were paying attention.” “To all the wrong things, maybe.” -- a trench/darling fic about the path that had been laid out for trench, 23 years in the making.
i haven't even finished this game but those two old men are haunting me. there is something deeply wrong with the both of them and i think they can only see that through the eyes of the other.
image descriptions and transcript under the cut
[id: the post contains two images of the same size. the first image has a light gray background. on the left side of the page, the words "federal bureau of control" are printed in bold, black letters. underneath it is "quarterly assessment" in the same style.
on the right side of the page is the logo of the federal bureau of control from the game control.
transcript begins:
10:30am: Meeting begins.
In attendance are Director Zachariah Trench, Dr. Casper Darling, alongside Helen Marshall and Alberto Tommasi. The meeting had been called to assess each department’s quarterly status.
10:45am: Tommasi releases an object of power into Dr. Darling’s care.
10:50am: After careful inspection, Dr. Darling remarks that the (here, the text is obscured by a black rectangle) may have power of its own, or it may be the power in question.
11:00am: Marshall, head of Operations, reports another venture into The Pit. Exact number of casualties is unknown, as the Mold had begun digestion immediately.
11:15; Director Trench lights a cigarette. He looks Dr. Darling in the eye as he does it.
11:20am: Director Trench then questions Dr. Darling about the entity, and the progress his department has made in containing it. 
Dr. Darling does not answer. Dr. Darling appears distracted.
11:30am: Break for lunch.
11:45am: Dr Darling sits in Director Trench’s office. He’s been thoroughly (another black rectangle censors the text).
on the bottom left of the image is the number 1, denoting the page number.
end transcript and id]
[id of page 2: the second image is the same shade of light gray as the first.
transcript begins:
12:00pm: Director Trench puts his cigarette out on Dr. Darling’s neck. Dr. Darling wishes he had done it sooner. 
12:05pm: Director Trench runs his (text is obscured) up the inside of Dr. Darling’s (text is obscured).
Dr. Darling lets him.
Dr. Darling reminds him they have 
the font changes to bigger, bolder text. the page's gray color turns white in a gradient. each sentence that follows is enclosed in angle brackets.
Twenty-five Minutes/Not Enough Time
to Themselves/To Enjoy
12:05pm: Director Trench  
The Push/the Pull
Synapses/Tendons
The Question/(text in red) The Answer
1:00pm:
Dot, Dot, Dot/...
The font returns to its original style.
Meeting adjourned.
end transcript and id]
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kianapaints · 9 months
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seems that she's terrified of her acting!
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faoluoo · 7 months
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lets just get out of here, together
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laughing-gunslinger · 4 months
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I love you Alan Wake Control connected universe (image refs under read more)
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leulahart · 5 months
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"I think your days of pink lipstick and ribbons are behind you." -Cinna
I have always hated the Victory Tour outfits in the movie, because besides being Ugly, they also go way off base from the intention of making Katniss seem like a sweet innocent teenage girl. I think they were just too afraid of Katniss seeming "girly" and not a #girlboss. So here are vague doodles of different outfits from the Victory Tour in my head + an interpretation of the weird mini skirt outfit they have in the movie which you KNOW would've been scandalous and impractical to her.
Bonus: Taking a break on the train
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kennico · 3 months
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concept ezreal my beloved
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octaee · 2 months
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joke fanart i made of clavel a long time ago
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art--harridan · 6 months
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[Image description: A digital drawing based on the film Jeepers Creepers. It depicts Darry Jenner, laying unconcious with his arms splayed out by his sides. He's drawn in black and coloured with yellow. Behind this, there's a drawing of him, in a more realistic style, with his eyes carved out. This is duplicated in a dark mauve, though a lot more transparent. There's a red outline around the first drawing of Darry, and this colour is used to draw a few simple eye shapes around the piece. Around this drawings there's the words "jeepers creepers", the first word is written in a fancy font while the second word is written in a wiggly font. The background is a dark yellow.]
Inktober - Day 26 (Remove)
Film - Jeepers Creepers (Victor Salva, 2001)
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corvidist · 7 months
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Alright, Equatorial nomads (They don’t usually get that far south but it’s the Equatorial Desert regardless.)
These groups have been around in various forms since the Yellowstone eruption around 250,000 PA, when large numbers were pushed south when a global cooling effect took hold. As temperatures warmed back up, these groups in many instances either left, or in the case of these ones often began to follow vultures in order to find sources of water, eventually developing into a symbiotic relationship that lasts into the present day. The vultures get protection from ground predators and higher quality food, Directors get water. The cultures started off in the Americas however have become present in Afroeurasia as well.
The original cultures’ use of gliders largely began in response to widespread heat-related death due to exposure to ground temperatures and general idolization of vultures through stories and observation, who seemed to be able to stay in the air almost indefinitely when compared to Directors. Initially, it was believed that families each would collectively reincarnate into vultures. When they allowed Directors to get close enough, much like with corvids in western afroeurasia, groups of Directors would decorate the vultures with a variety of dyes and such. With time, northern desert populations grew, tools became more complex, and flying techniques developed to keep individuals in the air for longer. This led some groups to wonder about the idea of craft that could help them stay aloft for longer, carry tools, and make it easier and safer to move from place to place. 
The first gliders were modeled pretty closely after vultures, essentially being half-dangling, half-gliding knockoff airsleds that individuals would harness to themselves to carry supplies and would regularly go out of control and detach themselves or in some cases bring down the Director as well. Still, techniques improved with time and eventually the idea emerged that much of the issue with the individual sleds resulted from failure to be able to control them directly. Some essentially scaled them up into light surfaces that could (hopefully) be picked up by the wind in the right conditions or after being pulled by Directors, and be controlled afterwards. 
These improved with time, eventually developing into craft that could be lifted up with high winds and the right pitch, kept aloft by the desert’s strong updrafts and controlled by the crew directly manipulating flight controls. The most aerodynamic usually carry a maximum of about a dozen adult directors, with gliders traveling in groups from water source to water source, in many cases using vultures that are found along their path as indicators. When they land, depending on the craft and culture they may take off again using their own power, wait for the wind to pick up, or in later periods use propellers and such to get them in the air. 
These craft have also helped contribute to perhaps some of their most utilitarian and collectivist cultures, as the craft themselves, tools, etc. are made from the carcasses and bones that they come across, from snakes and coyotes to vultures and Directors in their groups, as there simply isn’t much that’s as simultaneously sturdy and lightweight that far in the desert. As such, in some places the gliders are treated as family members, carrying the collective consciousness of the beings that comprise them. These groups regularly will speak to the gliders, decorate them heavily with paints, dyes, and ornaments, purposefully fly over interesting areas as a means of showing them, etc. If a glider crashes, they will be repaired, and if it can't it is considered a major tragedy among the group, and whatever parts that can be salvaged are. Individuals in some of these groups don’t take names, instead opting to be identified by their role in operating the glider, with each role being held in equal value (hence the varied colors of feather dyes in the drawing, also serve the purpose of helping cool them down). Religions, spirituality, and lack of either are present among these cultures as there is an incredible degree of variation among them from family to family. 
It is common for groups that spot one another to merge, following one another to their destination where it is common for a period of celebration (or just general relaxation if it gets long enough) to occur that often lasts until the next time winds are strong enough to pick up the craft by themselves. Groups will exchange food and other gifts, young adults will often engage in courtship, and by the end of it, you typically have some individuals joining one crew or another if things have gone well. These cultures are also known to salvage from crashed airships and abandoned beacons, and to work with both for rescue and recovery. It is not uncommon for stricken airships to be greeted by one group or another to assist in navigation or repairs. It is also common in the present day for beacons to originate in or cease operation and join glider cultures, and many regional Beaconer cultures are heavily influenced by glider cultures.
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