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#hawking theory
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Right now, Heinz is helping with the second-year's musical function. I'm overseeing to make sure nothing catches fire. And yes, I've met Professor Shelly. She seems good.
As for his voice, I like it, he is always passionate with music, I'm used to it.
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namelessroyalraven · 7 months
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So I started reading call down the hawk,,
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(Not exactly how I pictured it since I don’t have the art skills but we all start somewhere rIghT
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poppy5991 · 1 month
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Can we talk about how bold Tokoyami is? 😂 Imagine turning to your mentor and going “Hey, what’s your biggest weakness?”
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sparkles-and-trash · 1 year
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Big MHA 385 spoilers ahead!
Okay but fr some reasons I think Hawks will not get his wings back BUT be okay:
Fantasy and winter Keigo has no wings (the white ones are just a part of hus coat) and short hair and in the fantasy one he looks slightly older, and in both he looks at peace
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The Hori sketch here, where his feathers are in the air, but blowing out of frame, and his wings are gone, hair is short and he is smiling kinda weird, looking both happy, relieved and distraught.
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He has always had a complicated relationship with his wings. Recently he has refered to them as dirty and a negative thing several times, and he obviously has some work to do with the whole Twice thing.
It was one of his own feathers that killed him, and I hope that with losing his wings, it will give him an opportunity to reflect on his feelings, and let go of the guilt and anger and the past in general.
Honestly idk at all ofc, but I just very seriously doubt he will have a sad ending.
Of course I hate seeing him go trough all of this, but honestly the others are going trough it, too, and I still choose to feel somewhat hopeful about the ending of MHA.
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zestirial · 3 months
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Okay, now let's all get on the same page. Izuku has never been without a birth alter, that's impossible.
I elaborate, in chapter 410 All for one dies, which means that all the alters he'd stolen so far are returned to their owners, dead or alive.
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Now, right after that, his hair is turning white, for no good reason.
Because if we follow the famous "he doesn't have an alter" reasoning, this color change is just a mistake by Horikoshi. But it isn't ;)
In chapter 413, the owners of the One for All decide that Izuku must give the One for All to shigaraki so that they can beat him from the inside.
Because it's impossible for Izuku to beat him physically.
But let's agree, Izuku is definitely dead if he passes the Ofa. By the time they react after the transfer, enlarge the breach and do their thing. Shigaraki will have had all the time he needs to destroy everything. With deku left with NO defense.
So I sincerely believe that his stolen alter will save him when the One for All no longer belongs to him.
Because there's no way he'll survive without an alter against shigaraki, who'll have the two most powerful alters. Knowing that even with the One for All it wasn't a foregone conclusion 🧍‍♀️
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feelingpure · 6 months
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Fellow Travelers | The Orange Elephant in the Room
Alright, let's talk about it.
For those who've watched the available episodes of FT so far; I'm sure we've all noticed the citrus haze they all seem to be living in.
Especially if you've attempted to edit/GIF any portion of it. The struggle is real and I'm sure has inspired many colouring dilemmas.
And we're all asking "WHY?!".
Now, I'm writing this having not looked up anything about it. So I dunno if anyone responsible has made a formal confession.
One of my initial thoughts around it was; okay... so is this just a 1950s thing? But after watching (and rewatching) episode 2, I feel like it's part of the story in a different way; It's clearly a stylistic choice, yes (I should hope that doesn't just happen by accident). But it also seems to double as a narrative choice.
Putting the rest, with image examples, under a cut because it's kinda long.
Warm vs Cool
The conclusion I've come to is pretty simply, one that we've seen used across media in a lot of movies and shows. Warm tones used to colour scenes that are meant to literally be 'warm'; a loving environment or somewhere where the character(s) feel like they can be themselves. Cool tones used for scenes where it's quite the opposite; a cold hostile environment where the character(s) does not feel welcome. Gradients in between for all the neutral/'greyarea' spaces.
Consider
Cool/neutral outdoor bench scene (with park spies around):
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Maybe it's an indoor/outdoor thing? No...
Indoors (even with the mandatory orange lamps nearby) they stay pretty neutral:
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Night time/day time thing? No...
Night time vs day time in Tim's apartment:
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Compare it to day time neutral alone Tim in the same room before. The difference is that he's with Hawk, out of sight of any would be naysayers.
So yeah, while I am mad about the colouring for giffing needs, I do think what they're doing is pretty neat, and the POC in the show look glorious in the warm tones.
The warm/cool motif is dialled up even more in episode 2, with the contrast of Mary's warm welcoming party and Hawk's cold af family gathering (even though they still have the orange lamps/sconces around, they add nothing to the warmth):
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🥺 Ugh, Tim at Mary's party. Might be my favourite part of the episode, alongside the kissing n spooning. Anyway...
The transition of Mary from the same living room where she hosted that party, to the kitchen they were just questioned in:
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That transition made me start paying more attention and go back to rewatch previous scenes just for colour themes.
Interestingly Hawk's apartment seems to live in this neutral/warmish space. It was more warm earlier in the episode, especially when they were in the bedroom the morning Tim left his glasses. But in general it's a lot less warm than Tim's apartment when compared; still their skin glows with a hint of tangerine:
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Of course, not only the lighting/colouring but their outfit choices say a lot. Tim is usually in the warm browns with his dress, while Hawk pretty much sticks to black, white, grey (hints of a cool toned blues and reds in his ties). This coupled with the differences in their own living space probably reflects a lot about the character and how 'welcoming' they are to others. Idk... or I could just be thinking too much about it.
This is another really interesting transition in episode 2. As Hawk hangs up the phone in that cool toned side room, opens the door to the main room of a gay bar, the warm tones literally seem to absorb him in. Which makes sense, this is obviously a gay friendly place in San Francisco. He doesn't have to try to hide any part of himself, like he probably was still trying to do on that voicemail to Lucy just before.
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Now, I could go through and screenshot a load more examples (some scenes with Lucy are interesting, and that lounge/club), but you probably get the gist, you see the pattern. If not before, on your next watch, you'll certainly see it.
This has got longer than intended; I'd be surprised if anyone got this far, I did NOT fully organise my thoughts before I started this, I just began rambling and I feel like it could've been more organised and laid out better. But if you have thoughts about the colouring, I'd really like to see those too. 🤗
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transhawks · 4 months
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I’m not sure I’m convinced that Keigo and the others wouldn’t get their quirks back. Like I’m sure Hori will go into an explanation, but personally I think Hori is gonna go in depth on it and I feel like Keigo losing his quirk in its entirety is a bad ending if not actually discussed by the plot but what’s your thoughts? Cause I just figure, the quirks have to go somewhere, right?
My actual crackpot theory is keigo is going to have a quirk awakening on that battlefield when he realizes it's not been Fierce Wings (rip to a real one) trapping him, but himself, and mentally break-down himself into a "new" quirk. Like is it a far-fetched theory? Yes, but it also like addresses an issue where Keigo gets to feel free because the thing that "tied" him down (or so he believes) is now gone. Because I think that's too neat an end. Sure, I want Keigo to figure out who he is outside of Hawks, but I think his own personal role in it is emphasized if he still has a quirk he has to deal with. It's why while I've been very happy we lost Fierce Wings since afo took it, I think Keigo might have a surpise or two. I also think Hori's kind of circling around explaining what quirks are and their origin and that we'll get an explanation. So far my whole view is that quirks are very dependent on the person and how they view themselves. There's a genetic component, undoubtedly, but I think they're more epigenetic. I don't think they fit neatly into genotype and phenotype as we are accustomed for traits to do (though there is definitely that, since Hawks is still a mutant).
Like what, did having fierce wings removed mean that the entire like section of DNA/Chromosome responsible for it got removed from every cell in Keigo's body and that further replications will not have it?
But if he doesn't get anything else, I'm sure it will be addressed. Again, there's definitely some breakdown coming soon the moment we focus back on him and I think he'll definitely reflect on the loss of his quirk. Thoughts?
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alcalystrasz · 24 days
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Here's the list of all my theories about Stranger Things 5 (not in order):
-Robin dies -> either to sacrifice herself (for Vickie or Steve) or she gets killed by Vecna.
-Max dies -> she doesn't wake up of her coma (episode 6 or 7, preferably after Robin's death).
=> After everyone starts to lose hope, they all get the courage to read her letters and they get determined to avenge her and the other deaths (even from previous seasons, such as Barbara for Nancy).
-Jonathan dies -> by saving Nancy or Will.
=> causes an emotional damage to Will, losing his big brother, the only one who knew about who he was.
-Mike and Eleven break up because Mike wants them to be just friends.
-Mike finally tells Will he's in love with him (episode 6 or 7, preferably after Max's death).
-Mike and Will go in the Upside Down (no reason in my mind right now, except it could be to find something).
=> They find Eddie alive (not dead because or the following reason: it's impossible to get killed in the Upside Down if you're not killed by Vecna himself -> Barb was killed by Vecna in the Upside Down since we see her in the pool she died, trapped like Chrissy, Vecna's mother etc. This could explain why Vecna didn't die when Nancy, Steve and Robin tried in S4). ((This theory is the least possible one in my mind, just so you know)) => he really dies though in the end.
Then, mostly everyone becomes a target of Vecna. Here's the list and the causes (why are they a target) and the characters that saves them (in order):
-Dustin is a target -> cause: Eddie's death, as he feels guilt for letting him go back in the Upside Down without him -> Steve or Lucas saves him because of their strong friendship.
-Lucas is a target -> cause: He feels guilt for not saving Max before Vecna takes her -> Max (if she doesn't die) or Erica saves him.
*Robin dies at this moment before the others gets targeted*
-Steve is a target -> cause: He feels guilt because he couldn't save Robin from the hands of Vecna -> Nancy saves him.
-Nancy is a target -> cause: She feels guilt because of Barbara and Steve being a target, but mostly of Barb -> Jonathan saves her by dying = she feels a second guilt and Steve feels guilt too.
*Jonathan dies at this moment*
-Will is a target -> cause: Vecna shows him his old memories (with his mom, Jonathan, Mike and the Party), but mostly bad memories to show him how his life is miserable. He asks Will to join him but refuses -> The music "Should I Stay or Should I Go" gets a door to open (just like Max when "Running up That Hill" started), and Mike's voice gets Will to escape Vecna's lair. He crushes his left eye before escaping (foreshadowing from Eddie during the DnD campaign in S4).
-Mike is a target (endgame, mostly end of episode 7 or beginning of episode 8) -> El saves him by fighting with Vecna but she still doesn't kill him. She gets hurt because he got stronger.
Now, the most crazy theory:
-Everyone finds a plan: Time travel.
=> They think, if the time in the Upside Down stopped the day Will got into the U.D, maybe he's the key of the U.D. Why? Maybe Vecna gave him this "power" because they're alike (sensitive, lonely, and good drawer). So they think if Will goes back inside, they can come back to the day he got kidnapped by Vecna and kill him when he was less strong.
And the Endgame theories (so episode 8 or end of episode 7):
-The Party finally gets back together and are going to be the leaders of the last episode.
-Eleven saves Hawkins by killing Vecna.
=> Parallel with the first season: Eleven gets Vecna on the wall, being ready to kill him but before that, she turns her head to Mike or the Party and says "Goodbye" one last time just like in the final of season 1. She then kills Vecna inside of the U.D creating a sort of supernova (because she erases him like the Demogorgon in s1, but since she did that outside of the U.D and she teleported them in it, and this time she's inside, this world can't support it and it makes a sort of supernova). This causes the U.D to get closed forever and Eleven dies, closing the possibility of interacting with the U.D from the real world.
That's it!! Tell me what you guys think about this, it's the main theories in big lines, some things a more precise obviously.
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lgbtlunaverse · 5 months
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My baby sister has heard of bnha and apparently watched some clips but only some tidbits from the 6th season (mainly the fight with Nagant, who is her favorite) And she very confidently told me that she knows all about keigo, who is hawks. I asked if he knew who dabi has, and she rolled her eyes and told me that yes, she knows he's touya, and that he used to be friends with keigo as kids!
She was very confused when I told her that... no, they weren't. They didn't know each other until adulthood. She insisted that she'd seen a video of them as kids together. I told her it was probably a fan animation, because a lot of people thought Dabi and Hawks knew each other as kids, since Dabi was the only one who knew hawks' real name. But it turned out he just tracked his mom down in secret. She insists that this is stupid, once again confirming that the "dabihawks secret childhood friends/rivals" theory is the only time fanon has ever been better than canon.
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delawaredetroit · 2 months
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This idea that justice is born from evil is a common theme that runs through BNHA. Here, All Might is referring to the evil act that created One for All, a power that has been used by heroes to oppose All for One. But this theme also applies to at least Shouto (a hero born from Endeavor's ugly ambition and an illegal quirk marriage) and Hawks (a pro hero who is the son of a villain). It may even apply to Eri, who is the grandchild of the Shie Hassaikai's leader
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linkspooky · 1 year
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My Hero Academia, Chapter 374 Thoughts. 
Why did the tide turn in the battle, just when Deku was about to finish off a ShigAfo who was well past his limit. Well, it was because Spinner managed to wake up Kurogiri, therefore teleporting all of the villains to the same battlefield sabotaging the hero’s strategy to keep them separate and finish them off individually. However, there are deeper thematic reasons beyond just the strategic aspects of the battle. The villains triumph when the heroes refuse to fix or face their mistakes, so how appropriate the last page of the chapter is Dabi and Twice facing two heroes who don’t want to own up to their mistakes?
1. Endeavor and Hawks. 
There is a lot that can be said about Endeavor and Hawks, but I think for the sake of directness rather than delving into their backstory and motivations, it’s more appropriate to focus in on why they haven’t changed.   
Before I being though let me explain personal narrative. Narrative is well.. you know... a story. It is how a series of events are told. There are different kinds of ways narrative are written up, for example first person is told as a limited personal account from a single narrator using “I”. In third person the perspective is told from outside of the characters. There are even differences in third person, third person limited can still be told in one character’s limited perspective so they are not privvy to the thoughts and motivations of another character, whereas third person omniscient can randomly jump around into anyone’s heads. 
All of this to say is that narrative is telling a story, so one step ahead personal narrative would be like a first person narrative, or a third person limited... it is the story as told in the character’s own head. Oftentimes however, this personal narrative they have will be different from the objective events that are happening in the story. 
There’s one thing you should always remember when reading a story, “Characters are liars.” There is text, which is the things either they through internal or external dialogue, or the narrative through prose blatantly say and then there is subtext the underlying theme or implications and you have to consider both when reading. 
In other words, Endeavor and Hawks are liars. The internal monologues inside their own heads, often disagree with the reality of their actions. Many times viewers have commented they seem out of touch with the reality around them and this is caused by them being so wrapped up in their personal narratives they can’t see what is happening around them. ANd in doing so, they ignore the feelings of the people around them. I think AFO, as awful as he is, makes some good points sometimes. 
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I’ve said as much in previous metas, but the heroes as a whole tend to dismiss or even outright ignore the feelings of the villains they are facing, even when villains make honest attempts to communciate why they are doing what they’re doing. When AFO is making that speech, who shows up but Dabi and Twice, the two people that Endeavor and Hawks ignored the personal feelings of. 
Toya, was created by the Todoroki Family at the behest of Endeavor ignoring his feelings until they exploded out of him accidentally starting a fire and burning him to death, Twice’s return was facilitated by Hawks coldly stabbing him in the back because Twice did not accept his offer to betray his friends for a chance at rehabilitation. Something which also trampled all over Twice’s personal feelings of affection and desire to protect his loved ones, by asking him to do something he would never do. 
Hawks and Enji also have character arcs that have basically ground to a halt, ever since the first War Arc. Hawks reaction this chapter is pretty much proof of this, when he is faced with his failure to help rehabilitate Hawks his only reaction is “Just kill him again” which is exactly what he had done in the war arc. This is what I mean by character stagnation, characters refusing to grow or learn over time and instead making the same decisions over and over. 
In Enji’s case the reason is much clearer, because we spend more time in his head than we do Hawks. It is a common criticism that has been levvied against Enji’s “redemption” since the start. Enji’s redemption really isn’t about doing what is best for the feelings of his victims, but rather Enji is always focused on himself, he doesn’t want to be a better father, he wants to be a better hero. He doesn’t want to help ease the pain of his victims, but rather the guilt he feels over it. Nowhere is this best exampled then his own internal monologue. Enji has a single moment where he might have let things be about his sons and not him for once. 
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But, then it immediately centers on himself. For the most part, Enji seems to truly be upset not about the people he hurt, but rather he’s lamenting the fact his life has gone so wrong that he has to feel guilt in the first place. I think this is central to Enji’s stagnation and the lack of overall progress in Enji’s arc, he still doesn’t really think he did anything wrong. 
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Or rather. Look at hos he frames Toya’s funeral portrait a “Mistake.” He also repeats the same thing when he tries to talk to Natsuo. He says that he was never trying to neglect any of them. Which is, you know, a blatant lie if there ever was one. Toya calls himself a failure, because Enji literally referred to him and his brother and sister as a failure. We’re shown the flashback where he was kept away from his brother and sisters multiple times. He literally chose to treat three of his children like they didn’t exist, and not even let the youngest talk to them and he can’t own up to the fact afterwards. 
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And, this once again ties back to personal narrative. Enji believes, and this has been the problem with him since the Pro Hero Arc that his true problem is that he wasn’t a good enough hero. A lot of people didn’t like the sudden inclusion of Enji’s backstory, but it makes sense to some extent, Enji’s regret is his father wasn’t strong enough to protect an innocent girl from a villain and died when he was young, therefore becoming the strongest hero makes it so he can never die and abandon his family the way his father did. Except. He does abandon his family. 
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Enji can’t face what he has done wrong, because of his self-justification. He is a hero, and therefore he always has good intentions, and he can’t be the villain even when his own actions would make him one. Enji is on such an insane level of sunk cost fallacy, that in his mind, after the death of one son continuing to abuse another son is justifiable because otherwise he quite literally let one son die for nothing.
And, it’s this refusal to even face the fact that he can be wrong, which is why Enji ignores the feelings of everyone around him, and generally lets things fall into ruin. All Enji had to do was show up on that hill the day Toya burned to death, but something so small as lifting a finger is just impossible to Enji who cannot confront his own flaws, or even think of himself as the bad guy in any way.
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Which is where we get a common trend between both Hawks and Endeavor, in which, they do not want to face the feelings or even the memories of their victims. In the Todofam dinner arc Enji tells the funeral portrait of Toya he wants him to come home and have dinner, but when he has the oppurtunity for that he won’t even face him and talk to him. Toya is just so much more convenient to face when he is a regretful memory, a mistake on Enji’s part, because then Enji is completely in control of the narrative. He barely thinks of Toya at all, and when he does it’s almost entirely on his own terms. 
Toya even comments on this, that he was always running and crying to Natsuo and Enji didn’t even know because he didn’t care to know. We have this same behavior repeated in Hawks. Hawks is really only comfortable seeing himself as the good guy. 
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@thyandrawrites​ wrote two meta in regards to Hawks I want to reference now. This one on how Hawks thinks he has to continually justify his existence by acting as a support and helping others, and this one how Hawks in turn dodges responsibility when it comes to light he’s not the good guy. 
Hawks is someone a lot more complicated than Enji, because he’s not selfish, and he doesn’t really hurt others for self-gain. If Enji is a black hole, then Hawks is more like a sattelite. He does everything, including dirtying his own hands for the sake of others, and a greater good he likes to believe he is serving rather than for himself. In fact, it often comes at expense of himself, as Hawks has no real life, or friends or place in the world outside of being a hero. 
While he is different in intention than Enji, however, I believe it’s still right to call him out on basically everything he does to avoid guilt after the fact. “Doing dirty things for the sake of the greater good” is one thing, but Hawks in total denial of his actions can’t even see himself as dirty. Which once again we return to personal narrative, Hawks’ personal narrative and his self perception trumps everything, even the feelings of other people he is stomping on. 
To quote Thy on this: 
So this brings us to the present arc. Right after a raid that failed largely because Hawks wasn’t able to warn the heroes of the threat they were about to face, Hawks reacts by shutting down. If his existence is defined by how helpful he is, it goes without saying that he cannot accept being responsible for the huge death toll resulting from the failed ambush. So we witness Hawks not thinking critically at all about his share of responsibilities. He doesn’t think about what it meant to kill Twice.
This was the post-apocalyptic scenario that Hawks envisioned and wanted to avoid, the scenario he killed Twice in order to avoid. But it still happened, and yet we don’t see him reflect on it at all. What he does instead is clinging to something that gave him a sense of purpose before.
Being a tool instrumental to other people’s success.
Which in a way means that the same character stagnation that is present in Endeavor is there for Hawks as well. He has not changed in any significant way since his introduction in the Pro Hero Arc, effectively holding the same beliefs and making the same decisions as he did back then. That he needs to uplift Enji as a hero, and his own personal hero, even after learning the truth of who Enji was. 
And, we have this same guilt-avoidance mechanism that is at the root of Hawks’ stagnation the same way it is with Enji’s. Hawks practically does the same thing that Enji does to Toya with Twice, despite literally murdering him with his own hands, instead of taking responsibility for his own actions, or even I don’t know... at the bare minimum... feeling sorry about it, he chooses to remember Twice as an idealized memory, compartmented into a neat little box in a way that’s very flattering to Twice. 
It’s not “I killed Twice and I regret it” it’s “I want to learn from Twice and be helpful just like he was.” 
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In doing so he belittles and ignores not only Twice’s feelings, but also his entire memory. Hawks and Enji both kind of want to believe their own internal narration that deep down they are good people, and their intentions and actions are those of a good person, and therefore everything they might have done wrong along the way is just a mistake or a slip-up on the road. Hawks always returns to the memory of him selflessly helping the people on the bus, because he wasnts to believe who he is at heart, but that’s also not how he is. 
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They have no identity outside of being heroes, and yes it’s tragic to think they would crumple if ever faced with or trying to process the feelings they outright ignore, and also doubly tragic in Hawks case that he was groomed to feel that way by hero society at large from a young age, I also think it’s important to look at the cost of their actions. Hawks and Enji actively harm people, and get away with it with a slap on the wrist, and because of that they don’t reflect or change on their actions and they continue their bad behavior. 
It’s important to remember in Toya’s backstory, if Enji had just stopped and given up on his abuse of Shoto after Toya died, then Dabi would never have come about, and Toya would have come home. It’s this subtle escalation that happens when Enji is not confronted about his actions, and even enabled by the people around him to keep doing his bad behavior, it gets worse and worse over time. 
The whole point of the Todoroki household is that it didn’t have to get as bad as it did, but it happened because no one tried to stop Enji, and Enji was so good at self-justification he didn’t try to stop. Which is why I want to point out, it’s not just harmful for Hawks himself, it doesn’t just stunt his growth as a person, it’s extremely harmful to the people around him, because he cannot admit his mistakes and he cannot grow for them and so therefore inevitably he will repeat them again. In fact Hawks has gotten worse in some ways, which is where I want to reference Thy again.
Hawks even outright plays the victim. He’s not doing a public apology through a press conference because his personal ethics tells him it’s the right thing to do. He’s doing it because he knows it’s expected of him, which just isn’t the mindframe of someone who understood the gravity of his actions. From his phrasing, we can parse that he thinks that heroes like the top three are being put under scrutiny for no good reason, and like this is a test of his own endurance, when it should be a matter of proving his good faith. Hawks just killed a man who was running away, and he’s acting like it’s unfair that the world is holding him accountable for it.
The reason why Hawks thinks that society turned on him is because he justified Twice’s extrajudicial killing to himself as something he was doing to protect that same society that is now ungrateful for his personal sacrifice.
Hawks own motive of doing everything for the greater public good has been corrupted, because his killing of Twice did not give him the validation he was seeking. Which reveals once again, Hawks is not entirely selfless, just like a person he wants validation, he wants encouragement, he doesn’t do everything for the sake of the greater good. If he really believed his own personal narrative that he can sacrifice himself and others for the greater good and get his hands dirty and it will all be justified in the end, he wouldn’t be pouting because people criticized him. 
There’s a certain fragility to the ego of both Hawks and Endeavor where they can’t really accept any outsiders perspective on their actions at all, because everything has to be in line with their narrative, their own personal hero stories. 
Everyone talks about the differences between Nagant and Hawks, but there is one new angle I would like to bring in. Perspective. 
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In the end what stopped Nagant from blindly following orders was her seeing her own self as dirty, after doing the dirty works of others. Nagant accepted the guilt of murder, and realized in comparison to the ideal way that the kids she was signing autographs for her saw her, she wasn’t living up to the hero they saw. 
Nagant was able to divorce herself from her own self image, and because of that she actually changed and took action against the corruption of the hero’s council. Lad Nagant if anything is capable of change in a way that Hawks isn’t, because Hawks can’t perceive any fault in his own self.
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“I am optimistic to a fault.” almost quite literally in this case. When he is confronted with the reality of who Endeavor is he prefers to choose the image of a hero he saw as a child, and on the way he actively enables Endeavor to keep doing wrong by his abuse victims. Of course he says Endeavor is living to atone, but Hawks essentially advocates for doing what is worst to Toya which is ignoring Toya entirely, and on top of that making Shoto fight against him for Enji’s convenience. 
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He remembers Twice in a positive light as someone who was helpful and wants to be like him, but when faced with a Twice who returned from the dead just wants to murder him again. Nagant says, the public gets to stargaze at the bright and shiny side, while the dark truth gnaws away from someone else.
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And this, I think is key to understanding why Hawks mental spiral is so harmful because it doesn’t just harm himself, other people are always going to get hurt too so Hawks can maintain his fragile ego and sense of self. Hawks may be a brave hero able to courageously risk his life but at the same time he is an emotional coward, he cannot face himself or his own emotions or even when he does something wrong simply because he is too scared to.
And, yes the villains do this too but they at least at the bare minimum do not think they are good people. 
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r-0-x · 6 months
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Okay, i might just be making it up in my head because I want it to be true, and I'm sad but when hawk makes tim write the letter, hawk is saying the words for Tim to write but it seems like those words are ment for Tim and not for the purpose that they are ment to be for.
He looks at tim with such longing when he says these words that he can't just have thought of them on the spot they must have been there already in his mind.
And if we look at it this way, it could be why Tim appears sad because number 1 he's having to help his friends to get out of such a terrible situation and number 2 because he thinks about what hawk is saying when he says 'I've always known we had no real future together' and that hurts him because if hawk is saying this to tim and not for the letter then this is what hawk thinks .😭
It also seems like Hawk is having a hard time getting out what he is trying to say, and yes, this could be because of the fact that in the same way as Tim, he has to try and get his friend out of the terrible situation but it also could be that he is scared to open up to Tim about how he feels because he thinks their relationship can't go any further.
Also, when Hawk says,'I know you love me' Tim stops writing, which could infer that if this is the case that he knows what the other is trying to do. And that Tim has very strong feelings for hawk.
Anyway I'm tried and i saw this video, and my brain turned on, so yeah
I know this might be overthinking what happened in this scene, but oh well, what can you do
(Ps:I still have a big🏳️‍🌈 crush on Jonathan bailey, and I think it's here to stay)
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robin-buck1ey · 2 years
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Them saying this… AFTER these posts vv
(Meaning they were well aware of the ship)
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Only to then advertise them as so?
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“Introducing dream team”
“New couple”
Hmmmm duffers care to explain?
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giggly-squiggily · 7 months
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Caught In The Smoke (My Hero Academia)
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Heyo! I wrote this little ol' fic for the wonderful @cupcake-spice13 a while back and- much like the fic from earlier this week- forgot to post it! Hehe, it's been one of those weeks y'all. Anywho- I hope y'all like it! :D
CW: Swearing
Summary: Dabi finds Hawks during a fight for a quick chat. In the process of that, he discovers something quite interesting about the bird man.
Cloud 9 (Taglist Peeps):
@myreygn @thatbigbisexual29 @duckymcdoorknob @baby-tickles2022 @backy-san @nutzgunray-lvt @sarahmaystock5578 @rachi-roo
“No! Nohoohohohohoho, wait plhehehehhehhahhhhse!”
“Aww, can’t take it, birdy?” Dabi’s voice was a low rumble, close enough to his ear so no one else could hear him. “Such a proud hero, taken down by a few flicks of my fingers. Come on birdie, sing me a song~”
~~20 Minutes Earlier~~
“Hawks, MOVE!” Endeavor called out, the only warning the Number 2 hero received before a flaming tin soared their way. With a leap and shout, Hawks was in the air, just narrowly avoiding the explosion that followed. His vision was filled with smoke tinged with blue, choking his lungs and making his eyes water. 
“Shit- Endeavor? Endeavor, where are you?” Hawks yelled, trying to find a beacon of red among the smoke. There was the faint sound of screaming- civilians. He needed to get to them- he needed to help them escape-
“Where are you going, birdy?” A new voice purred from behind. Hawks twisted- finding none other than Dabi standing among the smoke. “Surely you aren’t planning on running away so soon?”
“Miss me already?” Hawks pulled out a sword of feathers, readying the blade. “And here I had the impression you didn’t like me that much.” He shot forward, sliding under a blaze of flames that Dabi released. The sword caught fire almost immediately, burning into a crisp before fading into ash. Alright- no weapons then. We’re doing this barehanded.
“Possibly.” Dabi’s lips pulled into a grin as he evaded Hawk’s various attacks, dodging flying kicks and fists. “Figured since I was in the area I might as well surprise you.”
“You really shouldn’t have.” Hawks ducked down to kick his feet out- but the clog of smoke was thick, and his swipe was too short. “Most people prefer flowers as their surprise- not exploding tins of oil.”
“Good thing we’re not most people.” Dabi grabbed his ankle, yanking once. Hawks slipped, his hands scraping into gravel and cooling tar as the flame-villain dragged him over. “Come here, Birdie. We’ve got quite a bit to talk about.”
“Flattered, but I’d prefer candlelight dinner to this.” Hawks twisted to his belly, readying his wings. A flick of them will send the gust away- giving Endeavor the chance he needed to attack. “Why don’t you ask me on a proper date next time, eh Hot Stuff?”
“Now now- what’s the rush?” Dabi’s hand shot down to Hawk’s wings, pushing down slightly. “Ready to leave so soon-”
“EEH!”
Both of them paused. It suddenly seemed like the chaos around them faded away as they both took in the sound Hawks let out. Dabi blinked, eyes wide. Hawks felt his face burn.
“Oh wow.” Dabi finally spoke, something sly and mischievous in his tone. “What do we have here?”
“N-Nothing!” Hawks yelped trying to wiggle forward, but a knee to his lower back kept him there. “Nothing at all! St-Stay back!”
“Nothing? Then why do you sound so nervous?” Dabi teased softly, his voice close as fingers began slowly walking up Hawks spine, starting at the curve of his hips to the dreaded spot between his shoulder blades; just where the base of his wings sat. “I think you’re hiding something from me birdie; and you know how I get when secrets are brought up.”
“This is hahahrdly the time for that!” Hawks barely held back a giggle when the fingers against his back rested directly between his wings, tapping softly. “Leheheht me up, we chahan talk about it lahahhater!”
“Hm…no. I wanna talk about it now.” Dabi smirked. “Come on, let’s see just how ticklish you really are.”
~~Current Time~~
Endeavor wheezed around the thick fog of smoke, waving it away from his vision as he searched for Hawks. He heard him yell out, he couldn’t be that far. “Hawks! Hawks were are-”
“EEEH!”
The high pitched noise made him freeze, spinning on his heels. That was Hawks for sure- did he get hurt in the explosion? The civilians were escorted out- it had to be him. He charged forward. “HAWKS-”
What he witnessed left him speechless.
“Ahehahahahhaha! Nohoohohohoho! Nohooohohh, sthahahhahaap ihihihihihihit!” Hawks was on the ground, kicking and flailing like a child having a tantrum. Above him sat a figure, his face hidden by the smoke. What wasn’t hidden was his hands, currently massaging the space between the Pro-Hero’s wings like a trained masseuse. “Geheheheheht oohohohoohohff!”
What the actual- Endeavor blinked, shaking his head. Was this person a villain? Were they the cause of all this? And if so…why tickling? Was he trying to get information?
He should run over there- swat away this supposed tickle villain; capture him for interrogation. That’s what a number 1 hero does, right?
And yet…seeing Hawks on the ground laughing so hard, his face red as a beet and cheeks dimpled…it was an oddly wholesome sight. Satisfying even, given how Hawks was constantly finding ways to get under his skin. He hoped the smoke hid his grin as he shook his head; amazed by the sight.
Hawks eyes shot to him, widening some when they met Endeavors. “Yohoohhoohohhou! Nohohoohohho, lohoohohoohohohk aawhhahhahahahhahy!” He cried, face flushing an even deeper shade of red. He tried to hide his face, but this mysterious attacker dug their hands into his armpits, making him arch with a squeal. “ENDHEHEHEHEHVOR HEHEHHEELP!”
Snapping out of his reverie, Endeavor nodded. Right- middle of a fight. He shot his arms out, sending a burst of fire overhead.
~~~
“Shows over. Gotta go, Birdie.” Dabi, watching the smoke start to fade, smirked down at the giggly hero. In a rare show of fondness, he leaned forward, kissing the top of Hawk’s head before climbing off. “Find me later.”
The smoke cleared, leaving Hawks lying across the pavement with the ghost of Dabi’s lips against his hair. He winced when Endeavor’s feet came to view, slowly peeking up at him with a flushed face. “Dohoohhn’t say…a woohohohrd.”
Endeavor, to his credit, stayed silent. Even if his lips were twitching with restrained mirth. Even when he averted his gaze to hide a chuckle with a stern cough. Even as he helped Hawks up to his feet, his hand “accidentally” brushed against his wings, making him jump with a squeak.
“Are you a-alright?” He grunted, taking a short breath. Hawks glared, hoping it would hide his mortification. “Not hurt?”
“Besides my ego? Nah. Though these are gonna sting.” He held up his hands, wincing at the red lashes against his skin. “Is there any way we can leave out…that?”
“I’ll just say you were unconscious due to the smoke.” Endeavor concluded as they made their way back to their randevu point. “On one condition- you stop making dumb jokes about me for the next few weeks.”
“What?...Okay fine.” Hawks gave in, wings tucked firmly against his back. “Hey erm…thanks, Enji.”
“Anytime.”
Thanks for reading!
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CABARET!!!
My gifs from Playbill video "Cabaret Made Eddie Redmayne want to be an actor"
Are you ready??
April 1st, 2024, August Wilson Theatre, Broadway
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corujalesbica · 1 year
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Endeavor * upon reading an article about how they found out this hero was actually friends with a villain * : This is scandalous! Fucking traitors, nasty people.
Shoto * who hangs out with his brother on the regular * : ...
Hawks * who's literally dating dabi * : ....
Ochaco * who's secretly Togas friend * : ....
Midoryia * who's AFOs son * : ....
Midoryia : Yikes
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