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glowyjellyfish · 1 year

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I started rewatching OUAT. Apparently my brain decided it was just time. I considered doing a full liveblog with silly gifs, but that would be a lot more effort than I want to put into it.

1. I know I still have one follower from my OUAT days, but am not sure about anybody else. So to recap: I loved OUAT to pieces and probably put more thought into things like the timeline and side characters than the writers did. And I loved OUAT in Wonderland EVEN MORE and still think they did a better job on that tightly plotted story than meandering on OUAT. I stopped watching mid-season 4, after they did and didn’t do several things to my favorite characters that broke my faith in the quality, but I did keep watching and mostly enjoying through the Frozen arc and the main reason I didn’t continue was just… I never got the urge to watch a new episode again. And then I was glad I stopped when I did, because what little I heard about it sounded increasingly dumb, bonkers, and, in the case of that soft reboot or whatever that was, insulting. I’m only planning to rewatch the first two seasons plus Wonderland, but if I’m enjoying myself I will probably keep going until I am not. Probably making more fun of it than before.

2. My favorites, in rough order of when I glimpse into them, are Graham, Dr. Whale, Neal, and Will. Anyone familiar with the show will probably understand exactly how the show broke my heart. I also love Rumple and Regina, and find the rest of the main cast pretty great, but there is a difference between loving a character and A Favorite.

3. I watched through the first five episodes, and was pleased to find I still liked it, and not only that, I still felt it was pretty good overall. The cheesiest parts so far are the fairy outfits, the CG, the Cinderella parts of the Cinderella episode, and some awkward dialogue when a writer didn’t know how to write old fashioned well. It shines in its characters, and the development of Regina and Rumple has so far been the absolute highlight. Emma has never been particularly high on my list of beloved characters, but she delivers fantastic feelings throughout. I know logically that way too much focus will be given to them down the road, but Snow and Charming are so damn charming and cute. The parallels between the flashbacks and the present day are also really well done, using them for character development. That’s something I think the show fumbled a little with after season 1, and got worse and worse about over time, and I also think it’s something OUATW did EXTREMELY well. But I’ll see how it looks as I watch it.

4. I do wish the show had been a little bit more clear about the town being basically in a time loop, because man what a fucked up place to raise a child. I guess they wanted to pretend it could just be Henry’s imagination for a while there to hedge their bets, but why not have Henry say “I was in the same class as that kid last year and now he’s still 9 and in third grade and I’m 10 now, what more proof do you need??” (And then Regina starts insisting he skipped a grade or something). I’m not anti-Regina at all, but lady you cannot raise a child and have him be the only person that ages and expect him to grow up normal.

5. I was on Regina’s side re Emma not being allowed to come into Henry’s life up until Regina started doing illegal shady shit to try to force Emma to leave. That’s obviously the point, but she really shot herself in the foot.

6. …I feel so bad for Graham. Poor guy. He’s the one sticking point that I wish Regina had ever made up for or felt bad about. She’s super sympathetic until you remember she literally had a sex slave who she then murdered. I mean, she’s the evil Queen, I did not expect her to behave otherwise. They just really wanted to quietly forget about it when they wanted to redeem her. Also, was Graham’s wolf dragged along to the curse—was the wolf cursed, too? Or did the wolf spend 28 years running around the woods, trying to figure out what happened to Graham and why his brother didn’t come to the woods with him anymore? The wolf also made Emma stay in town the first night, so my gut says “the wolf knew what was up”. Ugh, if I was writing the show I would have made Graham’s spirit survive death by going into his wolf and then bring him back later, like a certain wolf-bonded man from another fandom I love, but ugh it’s fine. I feel bad for him, but the character was clearly designed to flirt with Emma and then die.

7. I also think it’s fucking wild that, while cursed, Rumple somehow managed to procure for Regina a child that was both the son of the breaker of the curse and his grandson. I expect it’s a function of the breakability of the curse that Emma’s son was brought in—that perhaps Rumple was aware of that when he was going to lengthy measures to set up a trigger for his memories and everything else. I guess, within what I remember of the show thus far, Henry being his grandson and thus his downfall is the price he’s paying for constructing this elaborate curse manipulating generations of people to get his son back? Idk, we’ll see.

8. So like… if most people are cursed in a specific way that denies them what they love most, and some people definitely had details specifically curated by Regina personally, and Regina also had to go out of her way to make sure and curse Jefferson and Whale, because they weren’t in Fairy Tale Land at the time… well, I’m just wondering whether Whale’s cursed womanizer personality is because it’s amusingly apt for Dr. Frankenstein, or if it’s something Regina designed for him specifically because she saw him as breaking her heart, or something.

9. Not really feeling any ships atm. I never shipped Swan Queen, but periodically a scene between Emma and Regina will make me go “…okay I get it.” In theory I ship Emma/Graham, but mostly I shipped it because I loved him and felt so bad for him. Snow and Charming are precious, but I never found there to be much point in shipping them because they’re so canon, and they’re not the type of couple I find most intriguing. I should note that I was always actively against Emma/Hook, and really Emma/anyone; I wanted her to take more time for herself. I loved Neal, but didn’t particularly care whether he ended up with Emma, and felt that reducing him to a point on a love triangle is what made the writers get rid of him despite there being SO MUCH MORE they could do with him. I used to ship Whale/Ruby, we’ll see how I feel about that this time but I do still believe it was being set up for a while. And I still ship Rumple/Belle and Will/Ana. We’ll get there. I am sort of hoping I will spot new ships to ship as I go along, but perhaps not because I do know how things go for the most part.

And that’s all so far. I really don’t know that anybody will care, but I like giving my little reports if I cannot muster up the wherewithal to actively liveblog.

A few gifs describing Rumple because they amused me:

#ouat

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vveakfish · 6 months

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re: tags on lrb

thinking abt the journey and a half my DC hyperfixation has been.

I was a DCAU only girlie for so long. (BTAS, Batman Beyond, Teen Titans, YJtv, GLtv). I enjoyed the DCEU too, but i was WAY too wrapped up in MCU brain-rot to dive too deeply into those. But that was it. Zero interest in comics themselves as a lil squirt.

Eventually I stopped caring abt the DCEU entirely. (around WW’84, tho it had nothing to do with that movie, i just never saw it — and didnt see any of the movies that came after). And got WAY into Marvel™. And i kinda just rode that wave.

When Marvel started branching out into shows i was HYPED — esp since they started that shit off with WandVision. I’d always loved Wanda, and the fact that they brought Billy and Tommy in was all i needed to push me into reading comics

i tore through the young avengers (UGH i miss them <;/3), and other titles associated with them, and was having a blast. At some point around the season finale of Loki (good show, this was just also how the cookie crumbled) I just fell off Marvel in general. A lot of this probably had to do with school ramping up around this time — but i stopped reading comics & watching their shows and movies almost entirely.

Around this time tho, bc i Missed reading comics — i started reading webcomics. And as much as i enjoyed reading Marvel comics for that short period of time, webcomics were what made me fall in love with Comics™ as a medium.

6th semester ended, i was elbows deep in world building for my own webcomic project, and started watching anime while working on it. Again, anime was always one of those things i enjoyed (Digimon, Sailor Moon, and Pokémon were some of the most influential pieces of media in my entire childhood), but my love for it as an art form was really solidified during this time

[side note: can you Tell i was dealing with art school shit during all of this? couldn’t turn the critique brain off literally Ever, so anything i enjoyed got put under the art student lens]

But my interest in anime stayed entirely on the animated side of things for a Long Ass Time. It wasn’t until Jujutsu Kaisen that i got shoved headlong into manga. God that stupid fucking anime changed my life, ANYWAY.

I finished the anime (umm maybe like. 5 times), and then HAD to know what happened next. So i devoured the manga. Every spare moment i had was spent reading it, until i was Done. then i was like orz. what do u do now ??

The answer was do the exact same thing with Demon Slayer. which was ALSO a life changing experience. read 鬼滅の刃 pls pls pls

Now. When i finished KNY, i was also like *head in hands* how do i even keep on living?? But this was also while working on my thesis project, and still doing a lot of work on the side as far as my own comic was concerned. (like… 60k words worth of world building & drafting scripts + designing characters), so its not like i had all that much free time.

anyway — i finished up my 8th semester, and barely gave myself a chance to breathe before i threw myself into working on my comic practically full time.

I was working on a one shot to submit to a contest for Webtoon, and they were asking for a pretty substantial amount of content (60+ panel Action comic one shot. and I, as always, love to make things harder on myself, so i think in one of the later drafts it ended up having over 100 panels).

needless to say, i Did Not finish the oneshot in time (its still not done to this day T~T i’ll come back for you forge, dont worry). But, toward the end of that… 3 month span of feverishly working on this project, i found myself falling in love with DC all over again.

I mentioned YJtv before, but that show was Also something that changed my life as a 10 year old.

(its really funny to think about that show now & how it’s release date lines up with the beginning of the N52 continuity, and how both the show & that particular reboot are so strongly disliked by a vast majority of DC’s fanbase — but thats a post for another day)

I’ve rewatched the show at least once a year since my roommate let me start using their HBOMax login. I know seasons 1 and 2 like the back of my hand bc of how much i watched them growing up, and i like season three well enough. But the thing was that on this unsuspecting summer night, i was about to discover that there were New Episodes.

Dude i was hyped, i was losing my shit. I had resigned myself to the knowledge that this show was never coming back. I was okay with it too. But here it was, alive and kicking after what felt like forever.

Heres the thing tho. They killed off Kon.

okay not really, but at the Time boy boy was Dead, and i was devastated. Thats My Boy. He had been my favorite character from the jump, and i did not know how to process him being gone. So i took a break from the show, and turned to ao3 instead.

At this point i was Not an avid fic reader. I wasn’t an avid reader period – outside of manga – but i had read a few really good fics recommended to my by some of my JJK pals. So i looked at the Kon-El | Conner Kent character tag on ao3 and just scrolled until i found something interesting.

In this case: a Timkon fic (this one in particular).

I knew who Tim was before this (He shows up in YJtv. He's there in BTAS), but I had never thought about him and Kon as... anything really. In the versions of them i was familiar with, they don't interact all that much. They're from different generations of heroes, but i was like, hey, what the hell this sounds cute. And man oh man, it was all down hill from there.

I read more TimKon fic, and just fell in love with them. But i was also... confused. Like... why do these two guys have such a robust fanbase... wheres the link.

THAT is what pushed me to start reading Detective Comics Comics for the first time. I wanted to get to know these guys For Real, and the only way to do that was by digging into the source material.

This post is So long oh shit. I have thoughts about How I got to know the kiddos & how the comics i read (as well as the order i read them in) have influenced my understandings of these little guys. But i think thats a post for another day. I have other things to do than write out a post about my media consumption habits

o7 signing off.

#𓆟 #fish food #this actually feels like Such a Blog post lol #just realized i copied over a portion of this post i had sitting in my clipboard so i could add my '𓆟' tag...#oh welllll the thoughts are still in my head #i can add them to this later i Guess

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arrogantsoap · 6 months

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Reviewing horror movies I watched for the first time this halloween season

(I'll keep updating this post as I watch more. Also I'm going for the classics here, if you have recommendations feel free to tell me)

- The Blair Witch Project: 7/10

I guess watching it in cinema when it came out must have been so good and I appreciate it for the originality. It's great at portraying the fear of being lost and haunted and shit and i wasn't bored for a single minute. But idk i guess knowing everything that happens in it before even watching it made the plot kinda... meh lol

- Friday the 13th (1980): 5/10

Had I not known who the killer was maybe it would've been surprising and I would've liked it better. But it's just y'know a product of its time and it's alright i just didn't like it very much, it's clumsy and funny at best and at its worst it makes murder seem boring. I have yet to watch the sequels because from what I've heard they're better.

- Evil dead (1981): 7/10

Really good! Love the plot, but most of the main characters are so dumb i just got angry sometimes. The practical effects got a good laugh out of me sometimes but overall it's really impressive. I had watched Evil Dead: Rise before this one. That one I found better because it improves on the mistakes of the original, but you have to appreciate the source material because it's already pretty fucking good.

- Sinister: 8/10

When it comes to the haunting subgenre this one really nails it. I've deducted a few points because it's pretty cliche, most horror movies with little kids tend to do the same thing and this one rarely escapes those tropes. But the ending was impressive and I liked it a lot. Plus Ethan Hawke playing a dad. Do I need to say more?

- Scream (1996): 10/10

Was it really supposed to be a horror movie and not a gay romcom? Anyway........ It's a classic and it deserves that title. Fucking awesome. Perfect characters. The main girl is not dumb. Great ending. I've watched it like five times in a week. Am not doing okay.

- Scream 2 and 3: 6/10

Okay I think it's pretty safe to assume from now on the series is hardly even trying to be a horror series. As comedies, these are great. The meta elements always get me. But they just lack the spiciness of the first one. Tbh would only recommend if you got time to spare otherwise you wouldn't be missing much.

- I know what you did last summer: 9/10

Exactly my cup of tea. It's a shame Julie is SO. FUCKING. STUPID. But I loooooove me some who done it horror. It's sort of a distant sibling of Scream so if you liked that you'll probably like this one too.

- Poltergeist (1982): 9/10

Really great. It's a classic for a reason. It nails everything right on the head. Love the metaphor behind it too. It's just not exactly my type of thing so yeah...

- Scream 4: 7/10

So far I found this to be the best sequel. The "reboot" thing works well, but Emma Roberts' performance annoys me deeply idk. Everything else was very entertaining idk. Still kinda mid comparing to the first one

- Signs: 10/10

I think a close second to horror/murder mystery/slasher to me are these apocalypse/end of the world type of movie. And this one is probably the best one I've watched so far. I don't even get scared watching movies anymore but this one made my heart drop to the bottom of my stomach. Also the family drama makes me really emotional lol. This movie does everything right, loved it. Is it even horror? Idk, but I liked it a lot.

#horror movies #halloween #my post #scream #i know what you did last summer #poltergeist #friday the 13th #the blair witch project #sinister #evil dead #signs

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inkfrigs · 4 years

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I have decided a slow burn best friend squad DND quest is necessary and I will be the one to write it

#i know its been done before but i need a season 5 reboot #she ra #dnd au #best friend squad

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mk-wizard · 3 years

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Big Hero 6 The Series: It could have been better

Hello, friends. Today, I will be analyzing a TV series based on a movie that I fell in love with for its colourful themes, deep plot, compelling characters, great CGI and memorable messages. Before I get into it, I want to take a moment to say that I have quit doing videos. They are too big of a pain in the petunia to make and I write better than I speak, so I will stick to writing essays, reviews and more. Anyway, onto the analysis.

All I can say about Big Hero 6 the series is that it had a great concept, it presented some great ideas and tried hard to be a cartoon of the times, but it could have and should have been a lot better. The show’s downfall all centers around trying too hard to be kid friendly which makes the shame sting all the more because Big Hero 6 was already kid friendly even with its dark themes, sharp edges and intelligent writing. If anything, even the brightest kid friendly cartoons (Steven Universe, She-Ra, etc.) had those things and actually benefitted from them. By needlessly trying too hard, character development got scrapped, the edges were all smoothed out, storytelling was subpar, the humour was too silly and the executive meddling in the end produced a dismal final season. However, I don’t want this analysis to be one lengthy negative rant about how awful the series was because in its defense, awful is an unfair word. It did have potential and ideas which are worth carrying over to a reboot that I hope will be done someday in the future. Also, we should root for a reboot because Big Hero 6 would not be the first story that needs it before striking gold. Just look at how many times Spider-Man was rebooted in film before MCU found the version that worked. Anyway, I will list all the things in Big Hero 6 that could have been better in my opinion;

1- Go easy on the laughs and be more generous with the action. - I love adding comedy to my own writing because I think a good sense of humour makes everything better, but Big Hero 6 is not a stand up comedy routine. It is a superhero story where we expect action, suspense and life or death situations that are to be taken seriously first. The comedy should be for relief and with the right timing. Also, the chibi cutscenes and having characters act like fools aren’t funny. Ren and Stimpy are the exception not the standard and their way of making you laugh doesn’t fit an action series. In a show as big as Big Hero 6, real life physics and danger matters.

2- Make the villains menacing and gritty. - I admit that after having a movie villain like Yokai who was the stuff of nightmares, it is going to be a challenging act to follow, but it was obvious that the writers were trying especially with some villains who could have easily gone into some dark relatable territory. For example, Mr. Sparkles (the gentleman in the photo above) embodies social media and Internet personalities. Right off the bat, you have a long list of things which embody the dark side of that like scams, fraud, using social media to dox or harass, driving people to suicide, online predators, the Internet personalities being very depressed people in real life, and much more horrifying things. When you stop and look at it, Mr. Sparkles even looks like the Joker which hints how dark and scary he could have been if the stops were removed. The same goes for enemies like Hardlight who embodies online gaming, Liv with cloning, Obake an amoral and insane scientist, and Trina and Noodle Burger Boy (more on him later) being evil robots. Globby especially should have been painted and written in much darker colours rather being played off for laughs because he has many parallels with Clay Face. The only two villains who I can say were supposed to be campy, charming and comical were Baron Von Steamer and Supersonic Sue because they were a satire of the Adam West style villains.

The rest of them needed to be dark and threatening including Mr. Sparkles. In fact, I would love a rebooted version of Mr. Sparkles who gives me the heebie-jeebies. Going back to Noodle Burger Boy, I must confess that I was actually excited when I heard that he was going to be the main villain of the final season because I thought he was going to fulfill his master’s final wish and as a reminder, Noodle Burger Boy was based on a super robot for military purposes.

It would have been fantastic if Noodle Burger Boy was upgraded into a full military war machine with a new threatening look. For that, I think all of the villains deserve to be rebooted and have their full potential unlocked for better or for worse.

3- A show about geniuses merits genius level art quality. - I am usually forgiving towards art styles, but in the case of Big Hero 6, the oversimplified style with minimal details and lack of textures did not suit the show. The characters blend in with the background which makes them look flat and the special effects were extremely dulled down. I also know for a fact that Disney can do a lot better than this because I saw how superbly Tangled the Series was drawn.

You can see and almost feel the difference in quality, the number of layers and level of detail between the two styles. I think there was no excuse Big Hero 6 was not done in the same style and at the same level if not better as Tangled.

3- Don’t dumb down or flanderize amazing characters. - I absolutely detest it when characters are flanderized because it makes them one dimensional and grating. For example, Go Go is tough as nails and extremely calm, but she is not cold or hesitant towards helping her friends. She doesn’t require very special episodes for us to know that. If anything, the movie version of Go Go reminded me a lot of Garnet in how she deconstructed the broody character. She isn’t cold or emotionless. Just calm and mature. Another good example was how Honey Lemon was rewritten to be overly positive to the point of toxicity, naïve and oblivious with a juvenile obsession with stickers. Then you have poor Fred who was rewritten to be an incompetent fool. The spark that makes Big Hero 6 shine is that they are a team of geniuses meaning they are all intelligent. Even Fred is genius in his own way just not a scientific one. He has a vivid imagination, he is resourceful and can get himself out of tight spots. Please, don’t turn characters into dummies especially if their intelligence is a part of them. It doesn’t make them better or funnier. It ruins them.

4- Tadashi needs closure and honour. - I am all for Hiro making peace with the loss of his brother, but Tadashi is to the Big Hero 6 team what Uncle Ben was to Spider-Man. His loss was the catalyst if not the reason. He should never be forgotten. Moreover, there was never any true closure to him especially with the possibility that he may still be alive up in the air. After all, like Callaghan, his body was never found and it turned out that Callaghan was still alive.

With that said, who is to say that Tadashi was not secretly still alive and just hiding or being hidden? This is something that Disney really needed to clear up if not for the fans, then at least as a service to such an important character. Never just forget about them.

5- The format can only be episodic with a deep plots, continuity and character development. - Random episodes with a mere monster of the day is an outdated format which doesn’t fit Big Hero 6′s modern and bright setting. In seasons 1 and 2, when the episodes were plot heavy with character development, the series shined brightest. It also helped move the story along, but with the final season, plot was removed, closure was abandoned or poorly written if any was given, and characters were disallowed from growing. A good example at how plot and character development could have made this series and its characters better was the relationship between Hiro and Megan. Would it have truly survived or would they have broken up?

Would Richardson Mole have eventually lost interest in his obsession with besting and bullying Fred or would his obsession consume him compelling him to become a super villain? I do see quite a few similarities between Mole and Reverse Flash.

Then you have Karmi who is in my opinion, the biggest wild card of the bunch. She was intentionally introduced as an arrogant, prickly and unlikable yet complex character who rivaled Hiro bitterly.

Yet had a huge crush on his alter ego and as time went on, started to grow up and even form a friendship with Hiro. What would have happened further down the road with her? Would she have become a super hero herself? Or maybe even another love interest for Hiro kind of like how Black Cat is for Spider-Man?

Is Obake really gone?

What does the future hold Diana (Liv’s clone), Liv herself or the Sycorax the genetics company?

Is Alistair Krei going to become an ally to Big Hero 6 or an antagonist? There is also the issue at how little we know about the other Big Hero 6 characters other than Fred, Hiro and Baymax. What are Honey Lemon, Wasabi and Go Go’s backstories? These questions matter and while not every mystery can be solved, leaving none of them solved is lazy writing.

6- Executives, kindly stay out of the writing and any other part of the creative process. - I’m sorry, execs, but there is no nice way to say it. History itself proves that every time executives got involved in the creative process of any media, it got worse not better. Leave the writing to the creative team and the execs should only handle the legal stuff. Please. We understand that TV is a business, but writing itself is not. It is an art which you just don’t have a talent for. Let the creative people do their thing with the freedom necessary and you do your thing, deal? Deal.

7- Focus on Hiro and Baymax. - The are the main characters so keep them at the heart of the series no matter what happens around them. That is all I can say.

And that sums up all the things that could have made Big Hero 6 the series better, but this is all just my opinion. What is yours?

PS: I am well aware that the Big Hero 6 series is being retconned because a new series called Baymax is in the works as well as the long awaited sequel to the first movie. I am looking forward to both with an open mind. PPS: I also am aware that some people liked this show the way it was including the art style and I am cool with that. An analysis for art that includes cartoons is never right or wrong. It is solely based on opinion. I may have thought this series could have been better, but there are people who make arguments that it could have been worse.

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merry-kuroo · 3 years

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Top 10 2020 Anime

Hello everyone! Its the last day of 2020, and like with every year, here is my top 10 anime list. This list covers anime that aired this year only :) Hopefully you can use this list as a recommendation for something to watch. But tbh this list is for me to remember which wonderful anime made my year a little brighter :D I apologize for any typos lol.

1.) Tower of God

AHHH! I love Tower of God so much!! So, I almost dropped it at episode 1 because I was really confused. But I stuck with it and I’m glad I did. Tower of God gave me HxH vibes, but it was still different enough where I didn’t need to compare the two. The opening and ending by Stray Kids was amazing too.

Because I loved Tower of God so much, I made a Webtoon account and ever since then I’ve been hooked on Webtoons. I’m really glad they partnered with Crunchyroll to bring us this anime!

I read the TOG Webtoon and it explained things a lot better. I highly recommend going to read it after watching the anime!

I hope there is a season 2, but I won’t get my hopes up :( I’m sure this anime was just advertisement for the comic.

So, yeah, go check out Tower of God <3

2.) Great Pretender

WIT Studio has done it again. First with Attack on Titan, then Seraph of the End. They keep bringing me my favorite animes.

I love animes that feature a found family, and cons. Great Pretender brought all of that and more. Great characters, jokes, missions, and music. The music in Great Pretender is fantastic (I mean the ending song is a Queen song!)

I still stand by my opinion that Part 1 was better. I wasn’t a huge fan of season 2 and the ending as well. I think they dropped the ball. But I still won’t let that stop me from recommending it to you! It was still fun to watch :D

I’m going to miss Team Confidence <3

3.) Weathering With You

So, I have been a fan of Makoto Shinkai’s movies for a long time (5 Centimeters Per Second will always have a special place in my heart). So, when I saw that Weathering With You was coming to the movie theater, I immediately purchased a ticket. It was such a surreal experience watching in the theaters.

This was the last movie I saw in theaters before...you know >.> I’m glad this movie was my last too. It makes it even more special.

Everyone, please go see this movie. It’s beautiful. It will make you laugh and cry. I left the theater with tears in my eyes. It was such a amazing experience. I’m patiently waiting for his next movie!

4.) Kaguya Sama: Love is War Season 2

My favorite rom-com returned with a season 2. The opening is still stuck in my head. It always will be lol.

Anyway, this season was not only hilarious, but there was development between Kaguya and Miyuki <3

Miko IIno was also a interesting character. She is so different from everyone else, so I’m excited to see how being on the student council will change her. Maybe she and Ishigami will start to get long lol.

Another thing that made this season special was Ishigami’s backstory, and how Miyuki saved him. I just really love their bromance, okay?

Please go check out Kaguya Sama: Love is War if you haven’t! It’s funny and heart warming <3

5.) Jujutsu Kaisen

I’ve been hyped for this anime for like a year! When it was announced last November, I was like AFJAIOFJAOGLJMAPOGJ

I love the manga, and the adaption is doing a fantastic job so far. I definitely ended up loving Sukuna more due to the anime adaption though lmaooo.

Not a lot to say here except, go watch Jujutsu Kaisen <3 and read the manga!

6.) Moriarty the Patriot

I wasn’t sure if I was going to like this anime or not. I only started watching it because people said Sebastian Moran was Daddy! Kuroo lmaooo

But I have to say...I do like that Albert was like “Oh yes lets bring William and Albert into our home” then William was like “Haha hey Albert do you hate the upper class and nobility too? You wanna murder your brother and parents, burn down the house, and reform society?” And Albert is like “DON’T MIND IF I DO!” (The Moriarty brothers are wild af, my God.)

I liked each individual case, and it got even more intense when Sherlock and John were introduced. Super excited for season 2!

The opening and ending songs are also fantastic. Go give them a listen!

7.) Digimon Adventure 2020/Digimon Adventure Tri/Last Evolution Kizuna

Tfw you go to buy tickets Digimon Last Evolution Kizuna, but all the movie theaters shut down :(

ANYWAY

I was super hyped when Last Evolution Kizuna was announced, and then the reboot of the 1999 anime. I finished up Digimon Adventure Tri...which could’ve been better tbh. I only liked the first three movies, so at least I got some good content out of them lol.

I like the new spin on the new Digimon anime, and I’m excited to see what they’ll do next. I kinda want a reboot of 02 Digimon...and Digimon Tamers and Frontier, but that may be pushing it lmao.

Last Evolution Kizuna was absolutely phenomenal. It was the perfect 20th anniversary movie :)

8.) Jibaku Shounen Hanako-kun

Another show I started at the beginning of the year! I read the manga in 2019, and I was happy to hear it was getting a anime adaption! I enjoyed this series a lot, and I really want there to be a second season. I feel like some stuff was left out. But the anime might have been created just to promote the manga.

The opening song, the different wonders of the school, and the art style quickly made this one of my favorites!

9.) Idolish7 Second Beat

Idolish7 is vastly underrated. It’s more than just pretty guys singing and dancing. Every character in the show has gone through their own hardships, and all the characters are fleshed out well.

The second season did not disappoint. It still served me with a good dose of angst, drama, and comedy.

And season 3 was announced!!! I wasn’t expecting that, so that surprise made me really happy <3.

I was really sad when Idolish7 stopped airing back in the spring, but I’m glad they were able to finish up the season this year :D

10.) Haikyuu!! To the Top

Alright, so my excitement deflated when Part 1 aired back in January. I hated the new art style and while Part 1 did have some good character development moments, I was really bored :/

The OVAs were really good though >.> I love Nekoma and Fukrodani so those were fun to watch.

Part 2 was a 100 times better. I accepted the fact that the art style wasn’t going to change and we wouldn’t have those cute breaks where the volleyball players would serve the ball and hit the water bottle. Once I got over that, I found myself enjoying part 2.

The two Nekoma episodes,the episodes focusing on the Miya Twins and Kita were my personal favorites. But overall, Karasuno vs. Inarizaki was fantastic and I enjoyed it a lot!

I need season 5 to be announced already!!!!!!! PLEASE!!!

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barren-heart · 3 years

Text

If you’re Jensen Ackles, Misha Collins, or Jared Padalecki.

STOP.

Read this post.

Dear J2M,

This is an open letter for you three written by a couple of unhappy passionate fans.

We write this to you because we know at least one of you has a secret Stan account and creeps on the destiel hashtag from time to time. Don’t lie. (Ahem. Misha Collins. Looking at you, Sir.)

With the subtle hints and possibility of a revival, us here at BarrenHeart (Bee and Jay) have some thoughts on what we think a reboot/continuation/revival would look like if it was done well.

Note: we don’t speak for the whole fandom(obviously). And we don’t even speak for all of the Cas/destiel fans. This is from our observation of the fandom after 15x18 and the finale, plus our own opinions.

Here are our demands suggestions for the potential revival.

--Castiel--

First things first. Castiel is brought back.

And by that, we mean he is either shown to be rescued from the empty, Jack rescues him from the empty, or by some other means, that man is not left there to suffer for all of eternity.

Castiel is a lead character.

Not a guest star, not “and Misha Collins.” No. Misha Collins gets to be in every d*mn episode. He is an equal lead alongside Dean and Sam. Which leads into the next point.

Castiel gets his own storyline.

It can be connected to Dean in some way, but he needs his own arc, y’all. Don't care what that is, but he IS his own character. So, some form of personal growth or whatever needs to happen. He is a badass and deserves a good storyline. Also…

Give this M-- F-- (mother father) his wings back!

Yes, he died without ever having his wings return to their full power. Like? We know he was nerfed so he wouldn't overpower Sam and Dean. Prove to us that he can be a fully powered badass and still work alongside Sam and Dean. No need to get rid of that.

Human!Cas does not mean pathetic Cas.

There is a divide on whether Castiel should stay an angel. Personally, we like human Cas. However, human Cas was shafted in the series. If you make him human in any way, shape, or form, he’s gonna still have to be a badass. Don’t whimp him!

He can be a good hunter/pretend FBI agent just like Sam and Dean!

So, make him one! Let him do more cases. On his own. With other people. With Sam. With Dean. He can fight without powers, too.

Give him love!

For the love of freaking Jack, let that man know he is loved by people. Not even mentioning anything romantic, he still needs platonic love y’all. Let Sam say it, let Jack say it. Let anyone in his family tell him that he is loved. Not once in this series did Cas hear that anyone loved him. So, fix it!

New style, anyone?

Cas needs other clothes! Please now. The black trenchcoat we never saw in-show? Boss. Cas in a black leather jacket? Coolness. Hunter plaid? Do it.

Confession Resolution

Speaking of love, come to some conclusion please about him and Dean. Give a resolution somehow, somewhere. We personally don’t really care how it’s done, but there needs to be something said here. You cannot just drop a confession there and just leave like it never happened. So, talk about it.

Adding this, I swear, if this is bros only, you WILL lose Cas fans. So, think about what you’re doing.

--Sam--

Sam is important!

Now, personally we have a soft spot for Sam. His character arc in Season 1-5 was great. Demon blood, powerful Sam was amazing. So, don’t sideline Sam. Seriously. We are gonna say in an unpopular way (as if this post isn’t already unpopular to some), but Sam got sidelined real hard in the last few seasons of the show. Now, was that what Jared wanted? Don’t know. But, Sam needs his own storyline too that isn’t just revolved around Dean. Figure it out.

Witch!Sam

Speaking of which, let this man be powerful. Sam is best when he has powers. Sorry but also not. He has been given all of Rowena’s (who is arguably the best witch around) spell books and decides to not really do much with it? No. He’s becoming a BAMF witch. Full-out, no word spells and shit. End point.

Sam in Charge

He’s not just a baby brother. He’s a grown man. Give him room to grow. Allow him to be a leader. Let him lead a group of hunters, witches, a whole team of people! He’s strong on his own, too. He's a big boy. Prove it.

He should fall in love.

Like, get married and all that. It’s a part of his arc, so keep it there. No blurry wife, my god! Personally it should be Eileen. She’s a badass. They also have a lot in common! Holy hell. They make a good team. So, keep that suggestion in mind.

Let him have the hero’s journey.

We want a good ending that shows growth for this character! He saw himself as a freak with powers, so…maybe he can use his powers now in a way that in empowering instead? Let him have an ending that doesn't just return to the beginning. Let him have gone through all of this changed for the better.

Don't be creepy.

Still keep the brotherly bond with Dean, but don’t make it weird, y’all. Don’t. Please.

Sam as a dad.

He can have a kid. But, Dean Jr? Eh. You might want to reconsider some other (Bobby) possibilities.

--Dean--

Now, with Dean, I wanna make this clear.

DO NOT K word THIS MAN.

This man here has dealt with unbelievable trauma, suicidal thoughts and even almost died by suicide in the show (okay, it was for another reason, but still!) He dies way too many times in this show. It’s not new anymore. Perhaps, when the show was newer, death might have been a bittersweet ending. But, now. It’s tarnished. It happened too much and the message of “carry on” got tainted to mean “there is only peace when you die.” That’s not okay.

Resolve his issues!

He has so much pain and trauma. Let him seek help. Let your audience know that it’s okay to process these emotions. Let him heal. He deserves it.

Dean’s internal struggles

This is piggybacking a little off of point two, but Dean has a lot of things he needs to figure out. We feel like his journey is more internal. While processing his trauma, he needs to learn that it's okay to be himself. This could include things about himself that he feels ashamed of or scared to admit. Things he may have repressed or suppressed over time. No more hiding who he is or brushing it off or making jokes. Be your true self, Dean. It's time.

Dean’s still important, of course

That said, Dean should still be integral to the overall narrative of the plot. Of course he's gonna go head to head with the Big Bad of the season/limited series, but he really should focus on what's inside first before he can take this monster down.

The Bro bond

No more dependent/unhealthy bond with Sam. Of course they are family and brothers, and will always be close. That's perfectly fine. However, its important to note that Dean was Sam’s mom/Dad most of his whole life. And, well, that never came to a resolution. Please let Dean resolve this issue. Sam is grown and older now, and even though Dean will always feel protective of him as his Big brother, Dean shouldn't feel like his life only revolves around taking care of Sam. There is more to Dean and his life.

Dean is complex

Also, Dean is not only about cars, burgers, and pie. It's like some of the writers forgot this. There are so many things/interests of Dean’s that are really cool and add to the complexity of his character. Keep those things.

He needs to resolve his issue with Jack.

He never said sorry to the kid. Not once after telling Sam that Jack wasn't family. He needs to tell Jack he is loved.

Speaking of which, Dean needs to tell Cas he loves him.

Okay. Who knows if you will make destiel reciprocal at this point.

Do we think Dean would have reciprocated based on context clues and what we have seen in the show? Yes.

Do we think this love is romantic? Yes.

Do we think you'll actually fully make it canon in a reboot/continuation? Eh.

Regardless, Dean loves Cas, so make it known.

Other demands considerations.

‘The found family’ needs to not be forgotten.

All the friends that were made along the way need to be included. What happened with Garth was great, actually. Do more of that. And by that, we mean include Jody and Donna. What are the girls doing now? Wayward sisters anyone? Bring Kevin back. Don't leave him to roam the earth all along like that. Either make him human again like Eileen or send him to rest in Heaven.

Where’s Eileen?

Hello??? Where? Tell us she made it back.

Claire

No idea if you can get Kathryn Newton back, but it would be cool at least for one episode. Please. Kaia? Resolve her storyline.

Also, Charlie.

Wtf happened? That was not resolved. We love Felicia Day. Charlie’s friendship with Dean is amazing. She deserves a few episodes.

Crowley!

Seriously. What happened to Mark was super disappointing. You gotta bring him back. His death wasn't great. Bring him back and give him his damn line already!

Jack!

I'm not fully on the Baby!Jack train, but he does deserve a normal life. He's three years old technically. He had no normal life whatsoever. He deserves that. So, give him that.

More Rowena please!

That's it. She's awesome.

Have a wedding.

No, really. Someone's gotta get married. Our pick: Sam and Eileen. Charlie is also a good contender for having a wedding with her partner, too. So there. Weddings are happy. We want a happy ending.

I will reiterate. Team free will lives. That's it.

Okay. Now, moving on to the next part of this. The elephant in the room. The thing a lot of us actually want from this, but frankly, we aren't sure if you'll do it.

Explicit Destiel.

If you've read this far J2M, then you're probably wondering when this was going to be addressed. So, here are the stipulations on destiel.

Go big or go home.

Yep. We said it. Make it explicit, full out, no ambiguity.

Honestly, you might be thinking what you could do to make it explicitly canon? Well, since there were tons of people who still think Cas’ love confession was just a platonic exchange between two bros (like wtf? How?), you're gonna have to spell it out for people.

But, some things that we may perceive as romantic, some people may not.

--Like, holding hands could be considered platonic between two men to some people.

--Cheek kissing could also be considered platonic to some people.

Not to say we need Jensen and Misha doing full on *** scenes to prove anything, but something more than a hand hold. Okay? Okay.

What we’re saying is basically, you're gonna have to kiss. On the lips. Yep.

So...I guess you'll have to figure out how you want to do that.

On when to make it canon:

You can decide if it makes sense to make it canon towards the beginning or towards the end. Honestly, there could be an argument for either. If it's made canon earlier, you could prove there can be a relationship alongside the main storyline. If you wait until the end, you'll leave fans wondering if you'll actually do it. But, the kiss being the major event of the finale could be worth it. Whichever you do, remember there are upsides and downsides to both.

Other other considerations:

Just realize who your fanbase is now. We’ve grown and changed. Like Becky, your fans have gone through a huge change in what they want from the show. Is the fandom all on the same page? Nope. Will they ever be? No.

You will not please everyone. That's a given. But, a lot of fans want to see the show wrap up in a better way than what we got. Destiel fans aside, the finale was not great overall. There are plenty of negative finale reviews that have nothing to do with destiel.

On top of that, society is changing. Slowly. The attitudes in regards to lgbtq media is quite different than before. You have the chance to make history. Really. If you make this canon, that will be a part of your legacy. You'll hit the news. I mean, 15x18 wasn't even the finale and it trended #1 that day.

We suggest that if you do decide to make it canon, it’s meaningful and you take the time to do it right.

So, consider your fans. Consider the part of the fandom that trended your show over the election. Consider the fans that trended a fictional wedding on Valentine's Day. Consider Misha/Cas fans who felt slighted. Consider your LGBTQA + fans. Just, think about what the reboot could achieve. What it could mean to a lot of people.

As always, we just want happiness and peace when we are done.

Thanks for reading Misha J2M.

Sincerely,

Bee 🐝 and Jay 🐦

#supernatural #destiel #castiel #spn #deancas #dean x castiel #misha collins

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gale-gentlepenguin · 3 years

Text

Gale Reviews: Animaniacs 2020

(CREDIT TO @knightsweeties for this rendition of Gentlepenguin support her work and webcomic)

This review will be a bit different then my other reviews, where I just gush about what I saw and give the highlights.

Im going to be dividing it into several sections.

1. Overview.

2. The Good

3. The Bad

4. The Zany (How does each character compare to the original, Yakko, Wakko, Dot, Pinky and Brain.

5. Final Thoughts

With That settled, lets get to it. I’ve got Baloney in My Slacks.

Time to review the Animaniacs

1. Overview

Animaniacs 2020 is a reboot of the Original series that stopped after 1998. Now 22 years later Yakko, Wakko and Dot now face the challenge of being relevant in the age of the smart phones and absolute chaos. Can the Warner siblings show they are Zany to the max even in the chaotic year of 2020?

The interesting thing about the Animaniacs 2020 reboot is that it can be seen as a sequel series. Since it takes place AFTER the original series.

2. The Good

Yakko, Wakko and Dot are solid. The new theme song is very fitting.

They still make fun of all the things they should. They have good parodies, hilarious jokes, and there was not a segment that they were in that didn't give me at least a bit of a chuckle.

I was worried on what they would do with Dot, because of the trailer. Especially with cliché ‘#Feminism’ tropes being pushed. (the ones that are clear market grabs and aren't because people actually care. You know what I am talking about ). But everything was handled relatively well. In fact, Dot’s Suffrage song is one of my favorite parts of the new series. Dot was always feminist, so nothing they did was out of character for her regarding this and I am glad. Also her First Lady song was great. For the most part, Dot was phenomenal and I found myself laughing more often at her jokes more than the other two.

Yakko got some interesting character development, and even comes off as more mature. I will say

Pinky and The Brain: OMG PINKY AND THE BRAIN! I don't know how they did it, but outside of the animation improvements, these two fit SEAMLESSLY into the new age! I don't think there was a single Pinky and the Brain segment I didn't like. All of it was hilarious. Brain and Pinky’s dynamic is explored further and we even get a heart clenching back story on WHY brain wants to take over the world.

The songs are just hilarious, and it is just as self aware as before. The meta jokes are great.

3. The Bad

Okay, so outside of the Warner siblings and Pinky and the brain. The other animated bits, where they were trying new characters.... They were lacking.

Like the contrast between those segments and the main cast are as large as night and Day.

Also, I miss a lot of the extended cast (Slappy squirrel and the hippos especially)

They have one episode that explains what happens to them (which is my personal favorite episode, especially with the plot twist that I didn't see coming).I get why some of the characters didn't come back. But you're telling me SLAPPY SQUIRREL isn't good enough for this? Bull s***

They played it very safe with this season.

That isn't bad, but its clear that in some instances they held their punches.

The show also makes it clear that this was written in 2018, not 2020.

This is a double edge sword.

On one hand, this means they don't have to be 100% on the ball with everything happening in 2020 (which is perfectly fine, I think we could all use a break from 2020)

But on the other hand it also means you get a lot of the jokes that had been topical at the time but done to death by this year. Thankfully the jokes were still somewhat funny so it wasn't too bad, (some were hilarious) but others fell flat.

I miss Hello Nurse, but the reason she isn't in the show canonically is actually very in character (but the reason she isn't in the show in general is ANNOYING)

4. The Zany

For this I will be comparing how I feel about each of the characters and how they stack up compared to their previous iterations.

Wakko:

He was pretty much the same. Like I really can't distinguish much between the two. Wakko’s antics are timeless and his character was not changed much, if at all through this. So if we are giving a most in-character character for a reboot, Wakko wins.

So 1990′s Wakko = 2020′s Wakko.

Yakko:

This iteration of Yakko was a lot less girl crazy and more centered on his comedy. Yakko double downs on his puns and Jokes, showing that his banter is something he truly focuses on. I think the reason for this is because the show needed to tone it down.

Yakko’s smart Alec routine felt more reminiscent of Bugs bunny rather than his traditional style. But, the change makes sense.

Yakko’s comedic jokes are still the best and when he gets a good joke, Its hilarious.

Overall, giving Yakko more Dry humor and less gags actually did hit rather well.

So I would say

1990′s Yakko >= 2020′s Yakko. But maybe season 2 will have me change my mind.

Dot:

The show has me rather split on my opinion on dot, and its not the reasons you think.

Whenever they give her a joke regarding women or anything feminist. It is handled really well and she gets the jokes great.

And her general jokes are handled well, but then there are instances where, she is just a less funny Yakko. I found some of the deliveries of jokes or bits Yakko would have done in the past and Dot just delivered them in a way so similar to Yakko, it was practically interchangeable. I think the problem also is seen in the new theme song. They changed the original lyric from “Dot is cute” to “Dot has Wit”. But they also kept Yakko’s original lyric of “Yakko yaks”.

I still think Dot is great and I really think the reboot can help Dot shine even more, but the new show needs to find a way to differentiate Dot and Yakko’s humor more.

1990′s Dot >= 2020′s Dot. I do think that Season 2 will improve on it, but they need to be willing to push the envelop more.

Pinky and The Brain:

Perfectly captured.

Pinky and the Brain are timeless. Both of them play off of each other very well. There were instances that I found myself enjoying them more then the original. The two are able to play off of each other flawlessly and these segments of the show, they don't hold any punches.

Honestly, they are the best part of the reboot and if you could only watch one part of an episode, watch the Pinky and the Brain segments. They are the best parts 9 times out of 10.

1990′s Pinky and the Brain =< 2020′s Pinky and the Brain

Final thoughts:

Overall, I give this show 8.0 /10

I think there can be some improvement and I am sure by season 2 the show will be willing to throw more on the wall to see what sticks.

The meta jokes, the bits, the cultural jokes usually land and aside from nitpicks, the show is wonderful.

I do think there are a few things lacking but I think that it can improve more.

I can't wait to see season 2, and I will be sure to bring toast for the Baloney in their slacks.

If you liked this review, and want to show support. Share it.

Or if you want to help me out, you can buy me a Ko-fi here

#the animaniacs #the animaniacs 2020 #gale reviews #zany to the max #pinky and the brain #animaniacs 2020 #animaniacs

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anotheruserwithnoname · 3 years

Text

What am I looking forward to?

I get asked what I’m looking forward to in terms of entertainment as 2021 trundles along. I thought I’d put together a list of my thoughts of the things I have marked on my calendar (or am prepared to buy, as the case may be!)

Klokkenluider, The Sandman, The War Rooms: Obviously I’d be failing at my duty to not include Jenna Coleman’s trio of upcoming projects! I have a confession - I’ve yet to watch all of The Serpent, too. Hoping for a DVD or (even better) Blu-ray release of that later in the year too. UK has one already. Netflix does release many of its shows to permanent media so hopefully The Serpent will be one of them (ditto Sandman and War Rooms down the line).

Free Guy: the much-delayed video game-based film starring Ryan Reynolds and Jodie Comer. Reminds me of Ready Player One, which was one of my favourite films of the last few years. And it’s the first leading film role for Jodie Comer from Killing Eve and it looks like she might be playing a nerdy version of Villanelle (without all the murdery sociopathic stuff; at least, I assume!).

No Time to Die: Some aspects of the trailers have me concerned, and whenever I hear people talk about “new directions” I get antsy because that rarely ends well. But this is Bond and while there has been the occasional poor 007 film in the past (A View to a Kill and Quantum of Solace are the only Bond films I dislike and avoid; not a bad ratio out of 25) the odds of me liking it are pretty good (hell, I even consider Spectre to be one of the best Bonds ever, and I know that’s unpopular opinion). I was concerned about Phoebe Waller-Bridge being one of the writers due to my opinion that Fleabag is overrated (I know, another unpopular opinion), but that was before I saw her work on Killing Eve. If she brings some of that spirit to the film, it’ll work. Some of the things people are complaining about don’t bug me, especially regarding the 007 designation which belonged to somebody else before the events of the 2006 Casino Royale film and in all likelihood they’ll reboot continuity with whoever follows Daniel Craig anyway so none of that matters. They could kill Bond off and it wouldn’t make a difference.

Lower Decks Season 2: Speaking of unpopular opinion, Season 1 was one of the most pleasant surprises of last year. I think the backlash against Lower Decks is primarily a case that, for many fans, their dislike and disappointment of the current state of the franchise is so high that even if they do something good, it’s rejected automatically. I’ve given up on Discovery, have little interest in Picard (I had good things to say about it last year but it’s not aged well) and don’t care to see Strange New Worlds. So I was prepared to pooh-pooh on Lower Decks (I could have worded that a bit more elegantly; I dedicate that to Seth McFarlane) but, while it’s obviously a non-canon spoof, it still feels like Trek, which I cannot say for the current live-action shows. Basically that means it’s The Orville done for Star Trek. Which is fine, because it works better than Discovery’s and definitely Short Trek’s attempts at Orvilling (which in my opinion was about as entertaining as gerbilling - did I type that out loud?). And I think Beckett Mariner is the most interesting lead character of a Trek series in years. Speaking of The Orville...

The Orville Season 3: It’s in Red Dwarf territory right now in terms of it taking forever between seasons, and I am worried that being on Hulu might make it too edgy and turn away the many who latched onto it because Discovery was too edgy. But I have faith in Seth McFarlane, so eventually we’ll see it. If not, maybe I’ll give Avenue 5 a shot. Oh, and I am expecting Season 3 to be the end. It feels like getting it made - even taking C19 into account - was very difficult this time around and McFarlane sounds like he has a lot on his plate. If it does end, I hope somebody continues it in novel or comic book form (the comics have been incredible - seriously some of the best tie-ins I’ve read in years, and they’re canon too apparently thanks to being written by the show’s producer).

Magnum PI Season 4: It’s a sweet show and I watch it for the Magnum-Higgins ship (which is currently following the Clara-Danny trajectory). And I keep hoping co-star Perdita Weeks is able to recruit BFF Jenna Coleman to appear someday. So there’s that.

Legends of Tomorrow Season 7 and the conclusion of Supergirl Season 6. Another unpopular take is I happen to really like these two CW shows. Supergirl is calling it a day after 6 seasons, with the final season split into two parts, with the second half airing later this summer. Legends is still midway through S6 but has been renewed for a 7th. Both are fun, with Legends literally being the only show on TV that is legitimately unpredictable (seriously, this past week was a riff on Baby Yoda of all things - and no, Beebo was a riff on Furby. Different merch magnet, pay attention.), plus it’s most likely (IMO) the reason why John Constantine the character is unavailable for The Sandman series (which opened the door for Jenna Coleman to be cast as his ancestor Johanna, which is fine by me!).

Killing Eve Season 4: obviously. It’s only because of Jenna Coleman that you’re not getting wall-to-wall Jodie Comer on this blog. If she and Jenna are ever cast together in anything, I might need to call an ambulance.

Peter Capaldi’s debut album. It’s about time! No it’s not, that would be silly. And I don’t want to thank C19 for creating the circumstances that led to Peter doing a record. But still - a Peter Capaldi album is coming. It just better not be digital-only. I want to see him on the New Release rack at Sunrise Records.

So looks like I have a lot of stuff to occupy my time coming up!

#upcoming entertainment #free guy #no time to die #star trek lower decks #the orville #legends of tomorrow #supergirl #killing eve #new magnum pi #jenna coleman #peter capaldi #lots of fun stuff ahead

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medea10 · 3 years

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My Review of Higurashi no Naku Koro Ni GOU

(a.k.a. When They Cry Gou)

I know what you’re thinking. Why the heck am I reviewing this anime again? I’ve already written a review in 2009 and re-polished it in 2016. (Here it is BTW) I’ve made my point on who I like, hate, what ships are worthy, and poked fun at all the deaths that happened throughout the series. I think some time has passed that I should say some thoughts on this…um, story. After all, Higurashi is one of my favorite animes.

STORY: Ah shit, here we go again!

Higurashi or When They Cry is about a boy named Keiichi Maebara who recently moved to a place called Hinamizawa. And ever since moving to this town, he’s found his days are filled with fun mischief with fellow friends Rena Ryuuguu, Satoko Hojo, Mion Sonozaki, and Rika Furude. But little does Keiichi know that there’s a little murder mystery that surrounds the town. During a town festival known as Watanagashi (or Cotton Drifting), there’s usually one or two people that go missing or turn up dead. And this year, Keiichi is next. So let’s relive the horrors that plague the town of Hinamizawa and…

One episode later.

Wait, what the…?! It’s episode 2, why are we seeing Hanyuu? I don’t remember that in the manga. The visual! THE VISUAL! WHAT THE FUCK?! ISN’T THIS SUPPOSED TO BE A REBOOT? WHAT THE FUCK?! WHAT THE FUCK?! WHY IS THERE AN ADULT RIKA?! WAIT, IS THAT ADULT RIKA OR BERN? IS THIS GOING TO BE THE PARALLEL UNIVERSE TO THE WITCHES OF UMINEKO?! THE SHADOWS IN THE OPENING ARE TOO FAMILIAR FROM OTHER WORKS! Ryukishi07, you magnificent, fucking troll master for keeping this hidden until the second episode’s air date!

Many of us did not see this coming. When they announced a new Higurashi series that was going to be done by a different studio, many of us speculated whether this was going to be a reboot or a sequel. But then we got the PV trailers and it looked like we were going to get a reboot to correct the mistakes Studio Deen made years ago. Rika’s head doesn’t look like its gonna snap off because her body is so small in comparison. Improvements! I mean, they showed everything we were already used to like the yandere girls, the original soundtrack, the original freakin’ cast, and death by baseball bat. Hell, the first episode ended with an Eiko Shimamiya song! It was on track to being a reboot! A better looking reboot!

Here in lies the sequel aspect! After episode one, we get a scene that isn’t usually seen until the Kai part of Higurashi (a good 4-5 arcs away). And they give away the secret that Rika Furude is repeating the timeline of June 1983 over and over because she keeps dying. And as the series progresses, you notice little things different from the original series. Many of the well-known storylines end much differently than what you remember. Instead of Keiichi killing Rena and Mion with a baseball bat, you’ve got Rena going psycho on Keiichi. And Rika’s fate is somehow worse than the stories of the original series. So let’s head back to Hinamizawa to hear the cicadas cry and watch a murder mystery unfold.

THE SUB: All the original voice actors have returned to voice their respected roles. Perfection in a nutshell!

LICENSING: You’ve gotta be shitting me!

As I’ve mentioned years ago in my review, the original Higurashi anime went through a turbulent time being licensed in the states. It was originally licensed and dubbed by Geneon. But once Geneon collapsed, FUNimation licensed it and did absolutely fuck all with it. Geneon could only manage to squeak out one season. At this point, FUNimation was picking up titles that Geneon used to have before it fell under including Familiar of Zero, Kyou Kara Maou, and yes, Higurashi. All of these titles mentioned here were done absolutely nothing with despite having cult followings, second seasons, and OVA’s.

A year or two after licensing it, the license expired for Higurashi. For nearly six years, the only copies you could get were out of print and estimating at $500 at the very least for a full collection. Single DVD’s could be found in rare shops, but it would take like 13 years to complete the fucking collection if you did it that way. And that was only for the first season. Second season, the best all of us could do was bootleg DVD’s from Japan Town or fansubs with glaring errors for the best season to Higurashi. We had to deal with this shit until Sentai Filmworks licensed and released the first 2 seasons and the Rei OVA’s.

AND NOW YOU’RE TELLING ME FUNIMATION IS CLAIMING HIGURASHI ALL FOR THEMSELVES?!

Where the shit was this love 10 years ago when we were asking politely to release Kai? People ignorantly blew Higurashi off for years because season two was never released in the states until 2016 because they thought the damn anime ended after Rena held up the school. I’m already irritated with FUNimation after the Interspecies Reviewers debacle and I’m still quite butt-hurt over them re-releasing Nichijou with a dub to make a quick buck. Licensing Higurashi just brings back old anger. Don’t get me wrong, I’m happy Higurashi is legally licensed and can be seen on at the very least Hulu. It’s just that I hold grudges and this was a big one.

THE DUB: Holy…um, okay! This is a rather big gulp to take in. As I’ve repeatedly mentioned in past reviews, the Higurashi dub was a mixed bag of okay, bad, and oh gasperts kill it with fire. So, not great! The good folks at Geneon (before bankrupting in America) dubbed the first season with a good chunk of folks that put their fake names to the credits. Again, not great! To me, there were some aspects of Megan Hollingshed, Mela Lee, and Grant George’s performances of Mion, Rena, and Keiichi that were okay. SOME! John Snyder and Karen Strassmen as Ooishi and Takano were the best out of that dub. Everything else was just irredeemable! It needed a redub, an overhaul, and a spit-shine. For years, I’ve wondered who would be the dream cast. Sentai Filmworks unfortunately never dubbed the remaining seasons when they released them. Would Luci Christian be the heavenly voice to do Rika Furude? Could we get Hilary Haag to do Satoko? Okay, that never came to pass.

This dub is a breath of fresh air. Rika doesn’t sound like Mihoshi. Satoko doesn’t sound fake, Keiichi doesn’t sound like a weird Sonic the Hedgehog. It’s perfect. ESPECIALLY BRITTANY LAUDA AS SATOKO! I knew the second she was cast as Satoko that she was going to excel the fuck out of this role. And I was not disappointed! The only voice I’m still not quite used to is Michelle Rojas as the Sonozaki twins. Probably because I was somewhat okay with Megan Hollingshed’s voice in the 2006 version that it’ll take some time! And we FINALLY got a voice for Hanyuu. I am super excited that Xanthe Huynh is the voice and I know she’ll do great with this role! With all of that said, here’s what you might recognize these folks from.

*Keiichi is now played by Khoi Dao (known for Kiriyama on March Comes in Like a Lion, Murata on Demon Slayer, Chaka on Jojo’s Bizarre Adventure Pt. 3, and Iskhan on SAO: Alicization)

*Rena is now played by Emi Lo

*Mion/Shion is now played by Michelle Rojas (known for Shizu Delta on Overlord, Touka on Assassination Classroom, Minase on Psycho Pass, Kanan on Love Live Sunshine, and Kusakai on Keijo!!!!!!!!)

*Rika is now played by Apphia Yu (known for Rio on Assassination Classroom, Marie on Black Clover, You on Love Live Sunshine, Victorique on Gosick, Natsumi on Danganronpa 3, and Laki on Fairy Tail)

*Satoko is now played by Brittany Lauda (known for Riko on Made in Abyss, Meidri on Interspecies Reviewers, Lessar on Index III, and Ichigo on Darling in the FranXX)

*Hanyuu is played by Xanthe Huynh (known for Menma on Anohana, Haru on Persona 5, Hanayo on Love Live, Hidomi on FLCL: Progressive, PallaPalla on Sailor Moon Super S [redub], and Sachi on SAO)

ANY CHANGES IN YOUR HATE-O-RADE:

Okay Medea, let-a-rip!

*inhales and exhales*

Teppei Hojo is trash. He is ultimate trash. This fucker needs to be murdered in every timeline. He is a turd in a Glenn Quagmire shirt. Him and his wife are trash. And when this pile of trash is cheating on that pile of trash, he sleeps with peak trash named Ritsuko. Teppei Hojo needs to die in every timeline. Whenever Keiichi bashes this cum-burger’s head in with a blunt instrument, I scream at the top of my lungs, “DIE SCUM, DIE”! And nothing, I repeat, NOTHING will change my opinion of Teppei Hojo.

Episode 23.

Oh, fuck you Higurashi Gou!

MUSIC: Okay, thank you for proving me wrong. I did not despise the opening theme. Having Higurashi with no Eiko Shimamiya is like having Pokemon with no Rika Matsumoto. Or Rozen Maiden with no ALI PROJECT. But this new opening is fine by my standards.

That’s right, get the niceness of the review before I get angry down below.

THESE TIMELOOPS: Rika tries to find solutions to end her time-loop in June 1983. Much like the original series, we follow stories from the Onikakushi-hen, Watanagashi-hen, and Tatarigoroshi-hen arcs (the first three stories to Higurashi, although now these have different names). However, all of these arcs have different endings. And after a positive turnaround with Satoko escaping from her abusive uncle, shit goes south when Detective Ooishi, who up to this point has never suffered under the Hinamizawa Syndrome or died a painful death goes on a murderous rampage. Higurashi style! That means, he’s after Rika Furude, will slaughter anyone in his way, and scratching his neck because he sees maggots (part of the hallucination effect).

What the shit? Ooishi for the most part has been a great guy. With the exception of the Tatarigoroshi-hen storyline, he was a nice guy! In the limbo with Hanyuu, Rika now remembers who has killed her. Every time Rika dies up to this point, she never remembers who was the cause of her demise. Hanyuu implanted that power to remember the deaths and a clue for Rika to use and then she disappears.

Now seriously, imagine Rika’s plight here. She has been repeating the month of June 1983 for over a hundred years. And each of these times she repeats, she’s horribly murdered. Rika got the shit-end of the deal in the murder department in the original series, including being dissected on while alive. Then, leaving her bloody, naked corpse out in the open of the Oyashiro altar! She’s tired of this shit! She wants to live a happy life away from Hinamizawa. She wants to grow older, become a teenager, and have fun. And this series made it worse by having her die four times in one episode. Not just that, but murdered by the most unexpected people including Akasaka, Chief Kimiyoshi, Mion’s mother Akane, and Keiichi. Keiichi has never killed Rika in any of the timelines up to this point. He has killed Mion and Rena, but never Rika. Keiichi loves Rika! Welcome back to A Million Ways to Die in Hinamizawa.

I’ll just add decapitation, drowning in a lake, set on fire, drowning in a sewage pipe, and death by…um…

Alexa, play Chandelier by Sia.

ENDING: We all know by now that in the original series, Miyo Takano is the betrayer and the reason behind all the murders during the Cotton Drifting Festival. This time, it’s someone closer to Rika that’s causing Rika so much pain. After we watched the worst kinds of murders happen to Rika, the episode after gave us our answer. Satoko, Rika’s friend and confidant is not happy that Rika is turning her back on Oyashiro and Hinamizawa. All the while pulling out her intestines!

Oh Higurashi, don’t stop being gory!

Yes, Satoko is aware of past timelines much like Rika and is almost on a god-like state. So what the hell happened to her? I know Satoko’s past has been a cluster-fuck of horror with her brother disappearing, her parents dying, and every form of abuse from her uncle. But she was able to prevail after all that. After surviving 1983, a lot has changed in Hinamizawa. The three big families of Hinamizawa put an end to the Cotton Drifting Festival and claiming there is no curse of Oyashiro. Mion and Shion moved on and are going to high school. And Rika decides she wants to move away from this village. By attending St. Lucia! And she wants to do this with Satoko.

Oh, if you don’t recall St. Lucia, Shion attended this academy until she escaped during the Meakashi-hen arc. It was also the same school that Ange from Umineko attended. But of course Ange attended it in the 90’s and we are clearly in the 80’s. Moving on!

Rika and Satoko studied their butts off for years and their hard work paid off as both were admitted into St. Lucia. Now Rika was able to prevail and fit in with everyone. Satoko on the other hand couldn’t do the same as her grades took a dip, her manners are atrocious, and she doesn’t seem to fit in with anyone. And this caused a drift between Rika and Satoko! And so during a trip to Hinamizawa, Satoko went to the old shrine where she ended up getting sent to that limbo place Rika and Hanyuu were at many times before. There, she meets Eua (God, I hope that really isn’t her name). She’s much like Hanyuu except a lot more condescending. Oh, and she’s that mysterious shadow during the opening theme. She bestows the power to Satoko of reviving on death and returning to a certain point in time. In the hopes that Satoko is able to stop Rika from going to St. Lucia! But Rika is not going to budge. She wants out of Hinamizawa no matter what. And Satoko just wants to be with her friend no matter what. Satoko is even shown Rika’s past and still no dent in…Okay, this is bugging the fuck outta me. Pause the Ending portion!

MY GRIPES WITH SATOKO: Satoko, girl, the fuck is wrong with you?! I know Rika is like your main chick and everything, but for fuck’s sake loosen the grip you have with Rika. This season has changed you and not for the better. You made a connection with ALL OF YOUR FRIENDS from Hinamizawa. Big connections! At least in the original series you did. Look at your moments with Keiichi and Shion. Are you just going to shove them off? And what really sets me off is that Satoko literally had the opportunity to learn about Rika’s hundred year’s loop of death. And feels nothing about it! Only that it’s a challenge to break her herself! God damn, at the end of season one, Keiichi learned the truth and he was remorseful. This bitch doesn’t care that her friends were murdered in such a way. And Rika’s been shot in the head, had a live dissection performed on her, and other forms of torture…AND IT DOESN’T FAZE SATOKO!

I know in my original Higurashi review, I felt sorry for Satoko as she did seem to get the short-end of the stick living in Hinamizawa. I mean, her parents died right in front of her, she suffered abuse from her uncle, abuse from her aunt, ostrisized by the town for years, and a myriad of all types of shit to befall her. But Higurashi Gou has ruined this character. Rika didn’t really do anything wrong to Satoko. She didn’t snitch on her when Satoko got in trouble. She offered help to Satoko when she thought her grades were slipping. Satoko just held onto this petty vendetta. Satoko acted like Rika sexually assaulted her and have two other people gang rape her while drugging her. Okay, that’s a call for revenge, not your petty shit.

YOU SEE WHERE I’M AT WITH YOU SATOKO?! Your actions are so bad that you have me siding with the protagonist from Redo of Healer.

REDO.

OF.

HEALER!!!

I’m done with you! Girl, bye! We now return you to my talk about the ending already in progress.

BACK TO THE ENDING: Sorry, had to get that off my chest. Yeah, Satoko is leaving a bad impression on many of us who have been following the Higurashi story for years. And it just gets worse as she uses her new power for petty shit and abusing it at that. I mean, we saw Rika use her power in order to find a way to live past June 1983. Satoko is just using that shit to win some games and have things go her way. What else could this series bless us with? How about an epiphany from Teppei Hojo?

What?!

Teppei changes for the better.

What?!

Look, I admit that these moments with Teppei and Satoko were tame compared to the shit she’s pulled in the last several episodes. But this is Teppei Hojo! The same guy that used Satoko as his personal punching bag! The same guy who fleeced Rena’s father! The same guy many of us who cheer every time we see him on a moped because we know someone’s going to bash his head in with a baseball bat. Even my best friend knows how I am with this guy. When she gave me Higurashi free swag, I took everything except for Teppei. I don’t take trash. So seeing him so remorseful makes me…conflicted.

So now Satoko’s got things turned around for her. Her uncle has…changed?! Add to that, her God-like power. Satoko decides to change the past for her own advantage. This includes changing one of the biggest stories in Higurashi Kai with the kids vs. Miyo Takano. If Rika doesn’t experience the pain in those timelines, she won’t think about leaving Hinamizawa. And if she doesn’t leave Hinamizawa, she’ll stay with Satoko forever.

Oh what a tangled web of crazy Higurashi Gou was! I gotta tell you, Higurashi got me excited all the way up until we learn it was Satoko. And then it went straight to Hell. They turned Satoko into a straight-up selfish monster. Totally unlike the Satoko we’ve all grown to love in the original series. Yes, Satoko had those moments where, yeah, you would want to throw a chair at her and beat her ass with it. But that was only temporary! You would always see the good in Satoko despite that mischievous laugh and those episodes in Higurashi Rei. And God help me, I was a shipper of Rika x Satoko 10 years ago. Not a big one, but a supporter of it. Now, I would rather support Amourshipping from Pokemon than root for this. And I despise the living fuck out of Amourshipping. That should tell you something!

If original Satoko were bestowed the powers from Eua, I think things would be different. Satoko would probably use her powers to prevent all the bad stuff from happening to her friends and to her brother Satoshi. I mean, my goodness, not once did I see her think, hey maybe I should find a way to help my ailing brother. Change a few timelines, make him all better! And of course, feel sympathy for Rika’s plight. Do it for Rika’s sake, not your own selfish desires! Rika has died horrificly for hundreds of years. And I seriously just can’t get over Satoko’s reaction to that when she learned the truth. Instead, she wants to treat Rika like a caged bird. Best friend my ass!

Now can Higurashi SOTSU fix the hot mess of Satoko? Time will only tell! And good on them for having Higurashi air in the summertime. Summertime is for Higurashi! Autum is for Umineko. Speaking of, it’s been since 2009. Any chance you want to give Umineko the old reboot or sequel it sorely needs? Oh forget it! My likeness for this season is conflicted. I was annoyed by it, but I didn’t fully hate it. It’s just that last arc with Satoko really burned my beans. And I’m sure a lot of you all feel the same way.

Guys, if you want to watch Higurashi Gou, do yourselves a favor and watch the original series first. Let that swirl around your heads for a while. I know the creator tricked us at the beginning of this series thinking it was going to be an honest-to-God retelling. It is not! It is a sequel. And a sequel that isn’t based off a game or manga of all things. So fans are jumping into this with eyes closed! And if you’re a fan of Satoko Hojo, I’m sorry. I’m just sorry.

If you want to check out Higurashi Gou, it is available to watch on FUNimation and Hulu. But please, if you haven’t watched the original series, go to HI-DIVE now and watch “When They Cry” and “When They Cry Kai”. I think you can manage without watching any of the OVA’s.

I’d rather watch that Kira OVA where the fanservice is thin, you can practically lick off the whipped cream from the Sonozaki’s tit.

That should tell you something if I’m starting to say something nice about Higurashi Kira.

See you in a few months when Higurashi SOTSU comes out.

#anime review #Higurashi no Naku Koro ni #higurashi no naku koro ni gou #When they cry #when they cry gou #Rika Furude #satoko hojo #mion sonozaki #keiichi maebara #hanyuu #rena ryuugu #miyo takano #eua #teppei hojo

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aros001 · 3 years

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Going in blind: Watching season 4 for the first time. Random thoughts.

I never said anything about it before but I love Shadow Weaver's DCAU Batman eyes. They're so expressive.

Episode 1: Okay...I wasn't expecting Catra to do that. I mean, it makes sense. If she has leverage over Hordak then she's basically in charge of the Horde and that's what she's wanted (or at least believes she wants) since episode 1. It's an aspect that made her a good antagonist, that she's not blind to the evil of the Horde, she just doesn't care as long as she herself is secure. Which naturally begs the question, when the rebellion and the princesses are crushed, when the Horde is on top, when Adora is dead, when Catra finally has everything she's ever wanted...will she actually finally be happy? Somehow, I have my doubts.

I definitely feel for Glimmer in this. When you go through as big a loss as she did you need to be able to feel and vent if you're ever going to get through it. It doesn't have to be right away but everyone doing everything in their power to avoid the topic entirely can make you feel like you're going crazy. It'a especially bad for her since it unintentionally makes it feel like everyone is acting like it doesn't matter that Angela is gone when it clearly means everything to Glimmer.

Episode 2: I actually had a potted cactus plant once. Accidentally forgot about it and left it outside for an entire winter. Once the snow was gone the cactus looked like it had melted.

I kind of want to see what an interaction between Double Trouble and Clayface from the Harley Quinn animated series would look like. I'm guess Catra was just testing how good Double Trouble was as a doppelganger because it doesn't seem like she did anything while Adora was being distracted, though I suppose that could be a reveal in a later episode.

Not much to say except that I love how buff Huntara is while still clearly being a woman. Like, women can have a variety of different body types, as this series and Steven Universe show, and Huntara's build isn't just, like, Bow's body with lipstick and ponytail and the animators calling it a day. No, she looks like a freakin' jacked adult woman.

Episode 3: I didn't figure out the Flutterina = Double Trouble twist until a minute before it was revealed, so good job there. Before that I was wondering if Flutterina was some fan's original character where they won some contest where their OC got to be in the show for an episode. She was giving off some weird self-insert vibes. That twist made it all work though. It's honestly not a bad plan. Shapeshifters haven't really been a thing in the series before now so there's no reason to suspect it. Even if they did they'd probably be expecting it by way of magic or technology, while Double Trouble's seems to be a natural ability.

I like that even though Bow is definitely the goofier one of the trio he is still consistently shown as competent. That's never in question. He was very heroic and reassuring to the villagers this episode. I get why those kids idolize him so much.

Catra's having guilt over what she did with the portal and to Entrapta and her response is basically to just double-down. She doesn't know any other way to be. Not going to lie, I am kind of hoping we get another moment in the show where Adora just completely overwhelms Catra with the sheer power of She-Ra. I'm not saying like brutalize her or anything but just something where Catra is made to realize just how powerful Adora is and that she could just destroy Catra if she had a mind to do so.

Episode 4: Well, I was saying I wanted Adora to do it but I guess I don't mind Glimmer being the one to get some good shots in on Catra. Like I predicted, Shadow Weaver's moving in to become her teacher like she was with her father. Honestly I like that that was more Adora's problem than Glimmer using her as bait, which she seemed to get over pretty quick. Yeah, it was kind of a heartless thing to do but it was an understandable tactic and she clearly outright told Adora that she did it and why afterwards, which at least means she's still being honest.

It occurs to me that Glimmer and Catra may be the ones running parallel right now. Both are basically leading their respective sides of the war. They both have lost someone very important to them. And both are trusting someone they probably shouldn't. Both even have outfits that've been updated in the intro. The difference is Glimmer's just trying to deal with a bad situation while Catra's is entirely self-inflicted.

Minor thing but I like Glimmer's new outfit this season. I'm sure this is the intention but it makes her look older and more mature. A little more muscular in some shots too.

Episode 5: Heart of Etheria project. No idea what that is but assumedly whoever's a part of it doesn't like Light Hope and Mara being friends. Sounds like it's very much interested in She-Ra being just a warrior, and perhaps a tool, for the greater good. It does make me wonder though how much Light Hope remember from when she was rebooting. Even if she deleted the Mara memory she could potentially still have the memory of her and Adora watching the Mara memory, as well as Adora asking to be her friend.

Episode 6: Yep. Scorpia; definitely favorite supporting character. There is something kind of funny about her whole "Scorpions are loyal" line when you remember the story about the Frog and the Scorpion, where it stings the frog despite it meaning death for itself as well simply because that is its nature. But finally we're having someone go save Entrapta, and I can only assume at some point Scorpia's going to access the power of the Black Garnet.

The parallels between Catra and Hordak are definitely at their max here with that speech of hers to him. She's basically trying to convince herself that she doesn't need anyone, the timing of which is appropriate since she just drove away Scorpia and now truly doesn't have anyone. Not that I blame Scorpia, obviously. Like Adora before her, however good you believe someone can be and that you can help them, at some point you just have to cut the toxic people out of your life. You have the right to be happy too.

And man, Bow is just the best. He saw something was wrong between Adora and Glimmer and defused the situation like (snap) that, pushing them to talk like any sane person would.

Episode 7: I'm sure it is just because I've seen way too many TV shows and movies (both animated and live action) that don't do it but it is just such a relief to have a show where the characters just TALK and LISTEN to each other. It doesn't solve all their issues but they're at least not being stupid and freakin' petty. It helps the drama feel a lot less forced and contrived.

Episode 8: A little bit of amusement in Bow thinking at first that Glimmer and Adora didn't even notice he was gone despite them coming to his rescue very shortly afterwards, given Catra is only now realizing Scorpia has left and assumedly she did so a while ago. Bow and Sea Hawk hadn't been gone for that long so it's not unreasonable Glimmer and Adora wouldn't be worried about their absence (Bow was literally talking about "me time" when they last saw him), while Catra is only noticing Scorpia's absence now and it was because she wanted something. Like Scorpia said, she's a bad friend.

Kind of ironic given that a lot of Catra's issues are the direct result of Shadow Weaver giving her very little love growing up but it does seem this tough love is probably what'll get through to Catra the best. She might finally stop making bad decisions and lashing out if she's forced to live with the consequences of them, like Adora told her last season.

Glimmer gets a bit of slack from me since she suffered through a huge loss, that being her mother, and then was immediately thrown into being queen right after. It'd be hard for anyone to be 100% on their game and well-adjusted in a situation like that, and I buy that she was on some level resentful of Adora for coming back instead of her mother, even if unintentionally so. What definitely helps is that Glimmer very clearly and immediately regretted what she said to Adora. Like Catra she's lashing out but unlike Catra Glimmer recognizes some of the damage she's doing and knows, at least in this case, that she went too far.

Episode 9: Now that I can see the design in color I definitely prefer Mara's She-Ra with pants to Adora's She-Ra with shorts. Honestly, while the differences are pretty minor, I do think Mara's She-Ra design is overall a lot better than Adora's. Sharper shoulder guards. Bigger cape (especially the cape, I love capes). I don't know, there's just a lot that clicks with it and I wouldn't mind Adora getting a similar outfit later.

Madam Razz definitely had a Yoda feel this episode. I was very much expecting her to start wacking Mara with a stick over the sugar like Yoda did with R2. Though while that was Yoda acting crazy, for Razz it's because she experiences time out of order, and I don't think I've ever seen that concept taken to this extent, or at least done this way before. There are characters like River Song from Doctor Who, Professor Paradox from Ben 10, or even the Reverse-Flash who interact with other characters in time out of order but those characters are still on a linear path from their own perspective, even when travelling through time. Razz is just bouncing around her own timeline, seemingly not even any real reason or cause to it like Subaru from Re:Zero. Clearly she's not just remembering things oddly because her talk about things of the present are heard by people in the past and have an effect. I wonder if maybe the reason why is because Razz was at ground zero of Mara's actions and this is a side-effect of pulling Etheria away from the rest of the universe.

Bringing more Star Wars into this, it basically sounds like the Heart of Etheria project has turned Etheria into a magic Starkiller Base; storing power that'll be unleashed to destroy whole planets. And jeez, I think this was the first time I really felt creeped out by Light Hope when she was talking to Mara.

I'm looking forward to seeing what it means that the First Ones only made the sword and that Etheria made She-Ra. If that's the case, why is only the sword able to bring out the She-Ra form? Is it like MCU Thor's hammer and the weapon was just meant to help him control the power he already had? Or is what we think is She-Ra not actually She-Ra and that form that Adora and Mara take is just a stand-in for the real thing?

Episode 10: It didn't even occur to me until now but Double Trouble's capture is another blow to Catra's circle of "friends" too. They were at least able to make her laugh. One less person for her to talk to and just...really just distract her from her thoughts.

It's a good dilemma this episode presents about what to do with the Heart of Etheria. The safest and probably best option is to just dismantle it, like Adora and Bow want, since it could easily lead to the destruction of the entire planet if it goes off. Not the mention there's so little they know about it and what it was intended for and the one person who can potentially tell them, Light Hope, they were warned not to trust. But it's not hard to understand where Glimmer is coming from in wanting to use that power to fight the Horde. They're already losing the war and now she knows Hordak Prime and his FAR more powerful forces are on the way. Tapping into the Heart is a huge risk but she's not seeing any other paths for the rebels to win. It's a really good dilemma, with good arguments presented from both sides, and I buy this widening the schism between Adora and Glimmer.

Episode 11: I have mixed feelings on King Micah still being alive. On the one hand there's a lot of good potential interactions we can now have with him, primarily between Glimmer and Shadow Weaver, and he is a fun character. But on the other I can't help but wonder if this kind of lessens the impact of what Angela gave up to overcome the false reality. Part of what made it so emotional was that she had to accept the person she loved was dead and not coming back...except now we see that he wasn't dead and now he is coming back. Yeah, their family lost out on years together and that does still carry some emotional weight but I was already also half-expecting Angela to come back later in the series because she's stuck between dimensions, meaning there's a chance she could still be alive. If both Glimmer's parents come back then that really feels like it takes a lot of weight out of her story. But I guess we'll see what happens.

Also, why did the Horde exile him to Beast Island? Why not just kill him?!

Episode 12: So the Horde exiles Micah to Beast Island instead of killing him. The First Ones protect their secrets by sending their bad tech to Beast Island. Does no one know how to just destroy things in this world?

Ohhh, I am so looking forward to next episode. While it's debatable whether Glimmer should be going through with her plan she is at least being smart with how she's going about it. Double Trouble was being paid by Catra to work for the Horde, not out of any sense of loyalty. Glimmer has the resources of Bright Moon at her disposal so it's reasonable she could pay them more to switch sides. Double Trouble was very good at sabotaging even a group as tight-nit as the heroes, so Hordak and Catra are probably easy pickings with all their issues.

Episode 13: ....WELL THAT AIN'T GOOD!

I'll admit, I had a little bit of an unintended laugh. After all we've heard about Horde Prime, like this shadowy all-powerful monster, I wasn't expecting the fabulous flowing dreadlocks and smoothness. Credit where it's due, man has charisma and charm, which goes a long way in helping your big evil world conqueror not be a very flat character, because it's doubtful he's going to have the same kind of sympathetic motivation as Hordak or complexity as Catra to keep him elevated.

LOVE, LOVE, LOVE Double Trouble kicking at Catra while she's down. Adora and Scorpia were honest but they never wanted to hurt Catra. Not so much with Double Trouble and they just shove reality into her face. Everyone leaves Catra because of Catra. She's the common factor. It's her fault and no one else's. Again, I don't know for certain if Adora and Catra get together at the end (Catra would have a LOT to make amends for regardless) but Double Trouble was definitely implying Catra had feelings for her with the way they put Catra's hand on "Adora's" cheek while talking about how she left her.

I like that we see Glimmer's plan actually working at first. The princesses get a massive power boost and decimate the Horde forces. But the minute it starts going wrong she immediately admits Adora was right and she tries to stop the energy flow. I imagine having her there with Catra was intentional by the writers. Despite some parallels, Glimmer can actually accept her failures and work to try and fix things. Unlike Catra, she didn't blame Adora for things going wrong.

So the sword allows the First Ones to control She-Ra and the energy she'd be absorbing from the planet. Assumedly that means there are at least some parts to She-Ra that have nothing to do with the First Ones and thus maybe Adora can still use some of those powers without the sword.

Season 4 verdict: Yeah, the show keeps getting better, though I will admit last season's finale had me more emotional, but that's a bit of an unfair comparison given everything that happened in that finale vs. this one. This is definitely the series hitting its darkest hour, where it feels like EVERYONE lost. Not just the rebels but the Horde as well. The sword and Light Hope are gone and She-Ra (for now) along with them. Glimmer and Catra are basically prisoners. Hordak's probably going to have his personality stripped away. The Fright Zone is in ruins. The only one who's gained anything is Prime.

Really looking forward to what the final season has in store, especially since there seems to be the implication that Catra just saved Glimmer's life.

Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/o1j5gk/going_in_blind_watching_season_4_for_the_first/

#she ra #she ra spop #random thoughts #reddit repost

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yukisohmasmokesweed · 4 years

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heeey... so, might be still a bit early to ask, but: top 10 "things" about season 2? could be eps, moments, characters, things they did, whatever you feel like, literally ur top 10 favorites from it

i interpreted this to mean top 10 moments so....top 10 moments!

10. (from 2x4)

i love this whole fight so much. it’s kind of an unspoken thing after it’s first established that they have to hide a huge part of their lives from everyone around them since it’s a given, so i like this bottled-up frustration over having to live constantly walking on eggshells coming out. i also really really like that we get to see haru acting genuinely scary as dark haru; it’s introduced as a comedic thing and haru is a generally well-adjusted character compared to the rest of the zodiac, and so i like that we get to see just how destructive and chaotic his coping mechanism really is. filmmaking-wise it’s a little boring but i don’t really mind because it’s tense enough that i don’t really notice it.

9. (from 2x17)

this is the only funny one on my list because i live for the drama haha but i like this scene for more than its humor! this episode takes place at a point in the season where yuki has been able to accept that he is allowed to put himself and his recovery first, and has spent enough time with others and pushed himself out of his comfort zone enough to shake off the instantaneous automatic fear of rejection that his social anxiety manifests as. because of the slow undoing of this hardwired reaction and because he’s become very comfortable around kakeru, though, his real, unrestrained personality as well as his actual opinions start slipping out. i like that this scene shows us 1. that he cares for tohru so deeply that he would end a friendship over her getting hurt, even though he thinks it’s childish after he says it and 2. that not even yuki knows what his real personality is like because he’s kept it repressed for so long. and i think for people with social anxiety the reaction to this kind of thing is embarrassment, but despite his embarrassment kakeru accepts what he says at face value because he likes yuki for who he is, not who he pretends to be for other people’s comfort. this is a very sweet moment between the two of them even if it’s buried a bit underneath the humor and kakeru’s easy acceptance of yuki’s more dramatic and snarky side is one of the reasons yuki trusts him so much when it comes to heavy stuff. i don’t love the bg changes to this cartoony thing in fb but in comedic scenes like this one it didn’t bother me, and i thought all of the art in this episode was really nice. this was also one of my favorite voice acting moments from shimazaki, i looooved loved loved him stuttering as he turns around right after he has this revelation, i think it’s super funny and also very natural-sounding, plus it’s a different kind of delivery from yuki but it fits him so well.

8. (from 2x19)

i love this little moment between shigure and hatori. the way they talk about the curse in this scene is very indicative of their characters and how they feel about the curse: shigure is flippant and casual when he says rin visits him to see if he knows how to break it, and hatori is shocked at the idea of it, then instantly becomes resigned, claiming it’s not possible. but this moment right at the end is just *chefs kiss* the way shigure says hatori’s name so weighty, and the delivery of “...do you hear it?” is curious if not hesitantly hopeful, some of my fav line readings in the whole show. i also really love the pan up the stairs back up to the house when he says “the sound of breaking,” the implication of tohru’s involvement in this clear. this scene is also visually stunning and i like the track under it a lot.

7. (from 2x18)

i’m obsessed with this scene and i’m obsessed with every line reading from nakamura, he is so incredible. i thought the art in this scene was gorgeous and every blocking choice was amazing, the body language and where they moved and when was perfect. also one of my favorite tracks off the ost plays under this scene, and i love that it ends just before shigure delivers his line, “i’m the worst.” and rin looks over her shoulder in silence other than the sound of the door(!) sliding closed as shigure exits. you can feel in this scene how desperate rin is and how frustrated shigure’s flippancy is making her. i also really like rin’s body language in general, she’s a good amount touchier than anyone else, and she’s all over shigure in this scene, both because she’s propositioning him but also because of her implied closeness (gure-nii) to him.

this is an excellent shigure scene, and i love these lines included in particular as well as the repeat of them in the finale. it’s a moment of actual self-awareness and self-reflection from shigure for sure, you can tell by his face, but in true shigure form he is not saying it because he’s trying to be emotionally open with rin; he’s saying it to get her off his back. he knows that the curse is weakening but he also knows that the harder he pushes people and the harder they struggle to get out, the more likely the curse is to break. it’s cruel and manipulative and the most painful way to go about things, but hey at least he knows it!

6. (from 2x25)

this whole scene between shigure and hatori in the finale is a super hard hitter; they both know everything about one another and have nothing to hide and they are also very desensitized to cruelty, and so their conversations are incredibly frank, and they don’t skirt around anything, either. i like that hatori doesn’t hesitate to put shigure in his place regarding akito’s status (a good example of hatori as akito’s enabler and the upkeeper of the status quo in order to keep everyone’s lives as calm as possible at the cost of his own happiness), and i like that shigure immediately gives it back by calling out hatori’s attachment to the bond—which is an interesting thing to bring up and speaks to the bond as not just a curse, but of how it is also their family and community. their lives do revolve around it, so the curse breaking would be an unthinkable change to something integral to their existence.

i chose this moment in particular because it’s a great insight into shigure’s emotional state, one of deep jealousy and pain over akito’s rejection of him. i like that it’s a close-up of his eyes here; shigure’s eyes are important in the reboot, and seeing them here tells us that this is his emotional truth. when hatori calls him out, though, they are hidden again. these lines are also delivered so well, i love how low in his register he’s speaking, it’s not something we hear from shigure a lot. it’s very heavy and very indicative of his pain.

also, i like when they copy things exactly from the manga, so i liked this shot a lot as the closer of the scene:

5. (from 2x21)

ok obviously i had to put this because it’s my favorite scene in the manga...i thought this was very visually beautiful, loved that they had yuki standing in darkness (in front of a door!) and kyo illuminated by the light, but a light from a place he’s not allowed to enter. i think the lighting design speaks to how yuki views kyo, not only when he’s a little older as someone who is naturally charismatic and attractive, but in the moment, as a potential ray of light, a possible friend who could understand his situation through shared life experience. i just love the puff of breath yuki gives in reaction to kyo confirming what akito has been saying to him about how everyone hates him and everything is his fault, and i love yuki’s hands folded in front of his chest, protecting the most vulnerable part of his body as a reflex to words that deeply wounded him.

i like this scene for its function of the root of yuki and kyo’s conflict: that kyo needs to hate yuki and scapegoat him for his own problems due to yuki’s status in the family, and yuki hates kyo back to protect himself. it’s a very nuanced and deep take on a fictional rivalry that comes from a very realistic place of maladaptive coping and morphs into something more habitual and every day over time. also big love the casting choices for these two as children. this scene was amazing, it’s super short but i like this specific moment in it because it does a great job visually showcasing yuki and kyo’s immediate reactions and emotions to meeting one another for the first time.

4. (from 2x25)

i thought this whole sequence was incredibly well-done, but specifically i loved this part where the music swells and the loom crashes down onto the floor over akito’s repeated lines. also one of my favorite voice acting moments of the season, i loved akito delivering these lines through hiccups and sobs and trailing off into childish crying, and the art and animation was very visceral. seeing akito this out of control was amazing and kureno’s reactions to akito hit very very hard; it’s easy to sympathize with him and see why he would agree to this, and it contextualizes his decision to do so when all we the audience has seen before this is akito’s terrible and abusive behavior.

i also really liked kureno’s hands coming in towards akito to comfort, it reminded me of this

from 1x9 but flipped; instead of kureno’s hands coming forward to comfort akito but representing his choice to trap himself in the curse, it’s akito’s hands coming from behind to force yuki to stay with akito against his will. they also both cut off very suddenly, which i like a lot.

3. (from 2x8)

this transition makes me go absolutely ballistic. visually i love akito and tohru turning to look over their shoulders in opposite directions, i just think it looks very sexy and it was a cool way to transition out of one scene and into another. i also like the mirrored body language to set them up as each other’s foils in these two scenes. akito brings kureno, who is functionally their love interest, out for a walk and then proceeds to belittle him, his status, and his opinions. tohru goes out with kyo, her love interest, so they can have a nice time at the beach. they have a very open conversation about the “monstrous” aspect to kyo where tohru validates and appreciates his thoughts and emotions. having these two scenes back to back was a really smart move to contrast our protagonist and antagonist and set them up as each other’s foils, and it’s definitely my favorite scene transition in the season.

2. (from 2x10)

i loooove how insanely tense this scene is. i really like that shigure and akito are sitting in silence here until akito starts their monologue in full, and then the track is cut off at its crescendo by kureno’s knocking. the track being bookended by low ambient sound from outside makes it more impactful when it does start playing, and the track cutting off with the knocking makes the sound of akito’s clothes moving as they get up and the door sliding open while the camera is still trained on shigure’s expression deafening. i also like the shot choices in this scene, particularly the close-up of akito’s hands around shigure’s jaw and that we can only see their mouths, as well as the shot of shigure seething but partially blocked by akito’s torso. the voice acting in this scene is also bonkers good, particularly yuichi nakamura’s shigure.

this is the first time the audience has seen shigure mad, not just annoyed or frustrated, and that’s definitely a big part of why i love this scene. his conflict with akito adds a lot of depth to his character and i like seeing a different range of emotion from him than normal. i also just love the introduction of their whole relationship drama love triangle thing going on with the adults, i honestly think it’s hilarious that takaya baits the audience into thinking it’s going to be a love triangle between the teens and it just completely is not but is instead a deeply fucked up one between the older characters. truly a stroke of genius

1. (from 2x8)

i love this whole scene so much. i think cinematically it’s gorgeous, i love that they’re surrounded by greenery and i really like the leaves starting to fall around them and the beams of sunlight behind tohru. those choices could have come off flashy and overdone but i feel the way it was directed was subtle enough that it didn’t feel like ibata was holding my hand through my emotions, but impactful enough that it’s an emotional gut punch every time i watch it. the moment where the flute ends with tohru’s internal line and transitions into strings/chimes mixed with the sfx of the wind rustling through the leaves is beautiful and probably my favorite use of soundtrack this season.

the reason i love this moment in particular so much is because it so encapsulates yuki and tohru’s relationship. she sees him so clearly and has been in his life long enough to tell that his reaction to rin is a marked change from who he was when they first met. she also knows that yuki working through his trauma over akito is something he needs to do on his own, and that the best thing she can do for him is to support him and show him that she loves him. on yuki’s end, he already knows tohru will support him unconditionally, but he’s now at a place where he’s able to accept it in stride and knows without a doubt that she’s there for him. this little moment really showcases what their whole relationship is about and was gorgeously done. this scene very quickly became one of my favorites when the episode came out and i’m pleasantly surprised that it’s stayed there; in fact, it was totally enhanced by the development of their relationship this season, which has undoubtedly become my favorite relationship in all of fruits basket. i think a friendship as deep as this one is a rare gem in fiction, let alone one between a man and a woman. this whole exchange is very beautiful and touching and a great summation of what they both mean to each other.

#fruits basket #fruits basket season 2 #yeah im putting this on the tag because i spent a long ass time on this post #meta???#anonymous #ask #takes a huge bong rip

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rebelcourtesan · 4 years

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Hordak - Peeling Back the Layers

Alright, if you’ve been following my blog for a while, then you know how much I like villains. A show is only as good as its villain and She-Ra and the Princesses of Power have given us several awesome villains.

Since it’s a reboot, all of the characters have underwent redesigns. From She-ra’s more modest outfit that brought out raging fanboys, and the wide range of ridiculous 80′s outfits remodeled to be more practical and stylish. Perfuma isn’t wearing a flower on her head and Catra is actually a cat girl and not a lady stalking around in a tight red dress.

long post below

One of the biggest changes is Hordak himself. Instead of some muscle bound brute, they remodel him to have a slimmer build and wearing a tunic/tabard with a technological mind.

In season 1, we actually do not see him in person until the end of the THIRD episode. Though he is the leader of the Horde which should put him as the main antagonist, I consider Shadow Weaver to be the main antagonist of season 1, mainly because she makes more appearances and has more influence over the actions that hamper the heroes (BFF Squad). At best, he’s a recurring character, at least in the first season.

However, even then, I was drawn to him because I liked his redesign so much and was quite intrigued with him. He was shrouded in mystery and kept himself distant from current affairs unless it’s to make a brief appearance to intimidate Shadow Weaver and receive reports on what’s happening outside his sanctum via monitors.

In the original She-Ra series, Hordak was much more attached to Adora. In SPOP, he dismisses her as a lost cause and in turn makes Catra the new Force Captain, overruling Shadow Weaver’s selection, which shows a very pragmatic side to him. He also overruled her when it came to using the Garnet runestone to attack Bright Moon.

He pretty much remains a static character throughout season 1. We still don’t know more about him other than his being the Leader of the Horde and he has a cool disposition towards his underlings.

It not until we hit season 2-3 that multiple layers are stripped away to allow us a closer look. And the one responsible for peeling back those layers is Entrapta.

I’ve gone on in length about why these two work so well together as a couple. With her lack of social skills and obsession with science and experimentation made her to the perfect companion of a man who isolates himself from others and considers Etheria a backwater planet with no concept of interstellar travel. They suited each other as if cut from the same cloth.

Imperfection is beautiful.

These are the words that sparked a deep relationship he had never experienced before, that he had never imagined and we’re given Hordak’s background . . . or a side of it.

Hordak plays the part of an unreliable narrator when he talks about his past. An unreliable narrator. An unreliable narrator is a narrator whose credibility is compromised. Whether its someone who is bias towards events (racist), naive of certain events (a child), has an askew perception (Humbert Humber, the pedophile narrator in Lolita.

In Hordak’s case, it’s his programming as a clone and strong attachment to his ‘brother’ progenitor Horde Prime. We’re given only one part of the story and we’re led to believe that his ‘defection’ was a physical disability that causes his body to break down and chronic pain. And for a long time, until the end of Season 4, this is what we the audience believed was the case.

However, we are quickly shown the true reason why he was discarded. He had attained a mind of his own and individuality.

Which asks the question, did Horde Prime allow Hordak to come to the conclusion that it was a physical defect? Or was it Hordak’s won misconception that led him to believe such? There had to be a reason why his ‘brother’ would reject him so and he body was falling apart. So that must be the reason, and therefore he must rise above his frailties to prove himself strong in Horde Prime’s eyes.

Yet, he meets Entrapta and experiences genuine acceptance. Unconditional love and affection from someone he didn’t have to prove himself to. Entrapta who created a suit to ease his pain and make him more functional without expecting nor asking for anything in return, but did it simply out of friendship and love. It’s literally an eye opening moment for him.

From this point on, he shows a wider range of emotion beyond that of anger, cool reception, or frustration.

He struggles to give his thanks to Entrapta, even going as far as to assure her she was worth something.

He demonstrates regret at the thought of returning to the Horde Prime.

Hurt when he believes Entrapta betrayed him.

Loss and grief over loosing her.

Pleasure in the battle field.

Embarrassment when the Imp teases him for thinking about Entrapta.

Season 4 has Hordak leaving his shell or sanctum to lead the Horde army in taking over Salineas and has a taste for battle.

For Season 4, he has the mannerisms of something had just been spurned by a lover. He disallows Entrapta’s name to be spoken in his presence, has her things thrown out, and yearns for her while desiring her work and recordings to help him finish his arm cannon. He even wanted to face in her battle as if he wanted to show her up or have a confrontation.

He has become a leader that is more open with his underlings now, more confidant and isn’t a malignant being that intimidates his followers from the shadows as he had done in Season 1.

Then another layer is stripped away when Double Trouble (lauded as a hero for this) reveals what really happened to Entrapta.

Now we see him as a man in pain, suffering loss and grieving for a loved one. He had been the fool that had discounted her loyalty. And with sending someone to Beast Island is considered a death sentence, in his mind, Entrapta is dead, murdered by Catra to gain his trust and steal power.

Then he does something out of character for himself.

Remember, in Season One, he was calm and collected, pragmatic and cold with his mind focus on his goal.

Then as the Horde is posed to win the war, he attacks his second in command Catra. Which is understandable reaction to see revenge, but it’s a very human thing to do. I’m using the term ‘human’ loosely as many of our favorite characters aren’t human as a race, but you know what I mean.

He destroys a good portion of the Fright Zone, his own lair and base, trying to kill Catra, consumed with fury over Entrapta and being tricked. One doesn’t need to be a soldier or a general to know how this would weaken his position in a war. Yet, the emotional pain has put him past caring of how this would weaken him. All he wants is to avenge Entrapta.

Then we have the final layer removed. The false hope.

We are finally given a missing piece of a puzzle that we didn’t know was missing. We learn that Hordak’s true defect was having a will of his own.

When we are introduced to Horde Prime (and brutally so), he completely outstrips Hordak as the main villain of the series and lays him bare to raw vulnerable person seeking affection he never truly had.

Let’s compare.

We went from this, when we first see him in the series. Cold, calculating and feared.

to this. On his knees, begging for approval, and frightened.

What I love about this is that it happened so naturally over the course of four seasons in a way I cannot find fault or call bullshit on. This is a character whose barriers have been stripped from him, first through love and then fury, and then fear and rejection.

His motivation throughout his life had been to please Horde Prime and his actions which has been the cause of so much strife in the series from the war, banishing King Micah, Shadow Weaver betraying Mystacore, Adora’s seperation from her family, Catra, Lonnie, Kyle, and Rogolio’s childhoods, have all been to reunite with an abuser that not only outright rejects him, but then rips away what was left of his mind.

When Season 5 comes around, we’re going to see a new Hordak. Not a reprogram amnesiac (though I believe he’ll start that way), but someone who has to find a new purpose. And in finding a new purpose, he’ll likely become a new man.

But predictions are for another post.

#hordak #essay #she pop

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floatingcatacombs · 3 years

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Evaluting Gatchaman Crowds Through Rui’s Outfits

12 Days of Aniblogging 2020, Day 1

Oh, I’m fashionably late to this one. Gatchaman Crowds is a 2013 superhero anime that serves as a soft reboot of the old tokusatsu franchise, only now with 21st century shitty anime tropes. From this painfully generic setup emerges a surprisingly layered evaluation of technological disruption in the smartphone era. For this reason, Crowds is a favorite amongst anime bloggers as a superhero work that’s actually trying to do something interesting.

Unfortunately I don’t care about any of these guys

But it’s also a favorite amongst all sorts of weirdos because of the character Rui Ninomiya. A horrifying amalgamation of the technolibertarian CEO and trans femme hacker archetypes, Rui is by far the most interesting character in the show, because they’re a surprisingly prescient look at how the tech industry will function throughout the 2010s. But they’re also a ‘boy’ who never leaves their house without dressing in the most girly clothes imaginable. Predictably, this is catnip for me. But the funniest part of the whole situation is that nobody ever addresses it. Rui never provides an explanation for their outfits and the rest of the cast just uses she/her until they properly get acquainted and switch to he/him.

I could tell you that Rui’s obviously trans and wrap up the post right there, but that’s honestly not the most interesting angle of attack here. So I’m just going to use whatever pronouns I feel like in the moment for them and focus on what really matters: fashion! Rui has a surprisingly large wardrobe throughout the show, so I’ll be doing the heavy lifting of ranking each of her outfits. Oh, and also maybe a little analysis of what she represents. Spoilers for the whole show, of course.

7. The Yellow Dress

Let me lay out Rui’s ideology before I lay into their fashion disaster. You see, they’re a tech disruptor who believes that governments and bureaucracies are too slow to achieve the monumental (yet unspecified) change that society needs. So, they preside over a smartphone app called GALAX that successfully predicts Pokemon Go’s geosocial AR gimmick three years early. GALAX is a technolibertarian’s wet dream – crowdsourced emergency response, interest-based meetups, and matchmaking for people who need specific help and the people who can help them, all deeply gamified.

Their outfit here is about as messy as their politics, but at the same time, what a look. She’s got blue-and-white-striped programming thigh highs on under her combat boots, which are both such trans iconography, you know? While they may just be a reflection of early-2010s 4chan crossdressing culture, it’s also totally possible that Rui directly influenced or reinforced trans girl fashion, like the accelerationist she is. What a prescient show, in all sorts of weird ways.

6. Lace-up Dress with Bunny Ears

It wouldn’t be an anime girl cosplay without some bunny ears, now would it? Rui spends 5 minutes in an early episode just wandering around the city in this outfit, listening to people’s conversations and feelings on GALAX. There’s something very funny about how nobody even notices them, like they’re completely invisible despite their ridiculous outfit. This actually factors back into the tech stuff! Like pretty much every tech company, Rui’s app and vision are both sleek and shiny but rely on tremendous amounts of dirty labor kept as hidden as possible. From Amazon’s inhumane warehouse conditions to Facebook’s trauma-inducing moderator farms to Apple’s child labor-tainted supply chains, there’s always suffering humans behind the too-good-to-be-true magic of tech companies. Rui’s lie by omission is failing to mention that the app relies on invisible extradimensional beings called CROWDS that are manually controlled by underpaid workers to assist its users. One of the workers comes to Rui challenging their vision and arguing that they should be sharing this tech with the movers and shakers of the world, not trying to keep it invisible. He threatens a collective walkout and Rui fires him. At this point, we’re not even operating on metaphors.

5. Green Business Casual

Sure, most tech companies have cruel labor underbellies, but there’s also the separate risk of moral rot. It’s what causes Microsoft to take on ICE contracts and Google to develop censored versions of their search engine at the whims of authoritarians. Many tech companies start off with an altruistic message, but without a serious ethical core, they will start doing a whole lot of evil as they bend to financial and other pressures. Rui’s version of this is extremely literal: she made a deal with the devil to gain the ability to use the CROWDS and launch her app. Except this devil is also a butch gender-noncomforming alien (there is a Lot of other gender going on in this show that I don’t even have time for) and the two of them seem to have an extremely fucked-up relationship. Like any good Faustian bargain or any bad attempt at raising more venture capital without a viable business model, eventually the whole thing comes tumbling down and now you’re doing something terribly fucked up. Rui looks good in a dress shirt, at least!

4. Whatever your abusive partner puts on when she body-snatches you

Of course the center won’t hold, GALAX is subject to a hostile takeover, and to nobody’s surprise, an app with the flimsy promise to change the world for the better can actually be way better at ripping it all apart. I guess the prescient social media parallel here is Facebook being used to propagate Myanmar’s ethnic cleansing, or really anything related to Twitter for the last 5 years. FuckedUpAlienMimic!Rui sure does have cute fangs and a way more refined fashion sense though. I don’t feel like looking into that one.

3. Business....Futch?

I know I’m not done outlining Rui’s arc, but I’m going to skip ahead for a moment to say that Gatchaman Crowds also has a second season! I’m largely ignoring it here because Rui is pretty much stripped of all plot relevance and most of her outfits are less exciting, but I had to include this one. For two episodes, she puts on bright yellow stirrup leggings and an oversized polo shirt, with a cute ponytail to boot. It’s a ridiculous look, but still feels really evocative to me. Sometimes a girl just has to put together completely uncoordinated outfits and see what happens.

Unlike the disruption-focused first season, Gatchaman Crowds season two, which aired in 2015, is about how unfettered technolibertarianism can easily descend into fascism. Goddammit.

2. The Bunny Ears Outfit Again Oh God Who Hurt Her

The weight of the world comes crashing down in Rui’s hands, she’s bruised and beaten in a surprisingly sadistic manner by her alien ex-business partner/girlfriend, and she’s locked out of her own company which is very quickly causing society to fall apart. So what does she do? She puts the bunny dress back on, and wanders the streets again until she has to call upon the powers that be to fix her own mess. It’s silly that the powers that be in this world are superheroes, but I bet you forgot that this was technically a superhero show at this point. Anyways, my extended metaphor is quickly drifting off course, but I guess this is the part where Rui gets grilled by Congress and slapped with an antitrust case.

1. Every Trans Girl Stereotype Rolled Into One

I’ve been incredibly harsh on Rui throughout this writeup, because I’m harsh on the industry she represents, but I’ll make it up with this section. Look at what she’s wearing! A choker, the gothiest Hot Topic dress imaginable, arm warmers, no less than three asymmetric garters not even holding up anything, and the tallest black boots she could find. It’s incredible! If the first outfit on this list was hinting at her relationship to stereotypical trans fashion, then this outfit just screams it. It’s the perfect goth femme hacker look, a style commitment I have no choice but to respect.

Gatchaman is a weird show. After spending most of its runtime thoroughly dunking on tech disruptors for being too optimistic and uncritical, it takes a last-minute turn into Lockean state of nature arguments. It settles on “the masses are inherently good enough that empowering people through technology shouldn’t ever be a problem”, ignoring all the suffering that happened due to Rui’s unwillingness to curate their own technology. I’d give Gatchaman Crowds an average rating, but it’s one of those interesting average ratings where instead of being milquetoast, they tried something and failed and wrote themselves into a corner. But hey, at least there’s an interestingly gendered character!

#12 days of anime #gatchaman crowds #rui ninomiya #trans #technology

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takerfoxx · 4 years

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She-Ra and the Princesses of Power, Season 5, Episode 13, “The Heart, Part 2,” First Impressions!

I am going to miss this show, I really am.

Well. Here we are. The final episode of She-Ra and the Princesses of Power, an almost three decade later reboot of a show I’ve never seen, which in turn was a spin-off of a show I’ve never seen, and yet somehow became one of my favorite shows of all time.

Now, when this show was first announced, there was a lot of pushback. You had the usual murder’s row of so-called anti-SJW troglodytes who like to swoop in on anything that looks like it wasn’t designed with straight white guys in mind (and speaking as a straight white guy, these guys are just. So. Tiresome!), as well as fans of the original who didn’t care for the new character designs, direction, or lack of connection to Masters of the Universe. Which, okay, I get it, and to be honest the little to no He-Man business still strikes me as weird, but come on guys. It’s been almost thirty years! Times have changed, audiences have changed, and the targeted audience of kids’ shows today are very different from what they were in the eighties.

But despite all that nontroversy, She-Ra rose above and established itself as a genuinely great show in it’s own right, becoming both a critical and commercial success. Like, okay, it wasn’t Avatar the Last Airbender or Steven Universe-level big, but it definitely established a real niche for itself and gathered a sizeable fanbase. The excellent writing, incredibly on-point comedic timing, superb voice acting, casual diversity, oodles of complex and likeable characters, tight-plotting, mature handling of difficult topics, and immaculate direction made it out to be an amazing children’s show from a decade that has had no shortage of amazing children’s shows, and expectations were insane for the final season, with the climatic final episode being under incredible scrutiny.

I mean, it makes sense, right? For once, given the huge LGBTQ fanbase the show has, and given how many times the LGBTQ community have been burned at the last second, there is little wonder that they would be wary. And while some shows like the aforementioned Avatar the Last Airbender and Breaking Bad have remained of high quality throughout its run and delivered with an excellent finale (or so I’m told, still working my way through), others like Voltron Legendary Defender and Game of Thrones have become notorious for shitting the bed in their latter halves, and other shows like Steven Universe have had more mixed receptions. So how would She-Ra turn out? Would it end up flopping at the end, or would it stick the landing and enter the pantheon of shows that actually completed their entire story arcs and are fondly remembered?

Yes. Yes, it did.

The final season was spectacular. It started off all right, but from the third episode on immediately turned into pure brilliance, one that seemed to constantly top itself with wonderful character development, emotional payoffs, scenes of gripping tension, ballsy writing, and fantastic action. And any finale that makes me cry gets a thumb’s up from me.

Now, obviously I have a lot of gushing to do, but before it do, I should point out that I don’t think the finale is 100% perfect. There are things that kind of bugged me, and a few others that I felt really could have done better. Of course none of them were deal breakers, only little flaws that I feel could have stood to either have had more focus or different execution. And I might as well get the negative things out of the way.

And for me, the biggest problem is Shadow Weaver’s exit.

And to be clear, I don’t have a problem whatsoever with Shadow Weaver dying. I wanted her to die. I’m glad she died. Nor do I have a problem for her dying to save the two girls she’s spent two decades abusing. And nor do I have a problem with them mourning her death, given that they never actually forgave her, and it only made sense that they would have complicated feelings toward her. All of those are fine!

What I have a problem with is how that moment was framed and directed. It was framed like a heroic sacrifice, from the dramatic final stand moment to Shadow Weaver being suddenly acting selfless to her telling Catra how proud she was of her and finally showing her face.

Everything about that moment was exceptionally well done, yes, but the problem I have is that it doesn’t feel earned. That’s the sort of end you give a morally complex character that has been struggling with their negative qualities throughout a long character arc. And I’m sorry, but while Shadow Weaver is a pretty great and complicated character in her own right, she as never even tried to redeem herself until that moment. With Catra, we still saw how much her actions haunted and tormented her, even when she was at her worst. We saw her wrestling with her ingrained toxic behaviors and her conscience, so that when she finally makes the decision to do something right and, as far as she knew, sacrificed her life to rescue Glimmer and save Adora, it felt all kinds of earned!

But even after defecting to the Princess Rebellion, Shadow Weaver showed no signs of wanting to change. She showed no signs of regretting her mistreatment of Adora and Catra, and still continued to demean, undercut, and gaslight them whenever she was with them, and whenever she was called out on it, she would just brush it off and/or roll her eyes. Even when she was “helping” and “praising” her golden child Adora, she still continued to try to twist her head and mold her into what she wanted Adora would be. And her treatment of Catra didn’t change at all.

So I’m sorry, but that moment just didn’t work for me. Yes, I know Noelle has said that her sacrifice was still selfishly motivated, and I believe it, but it still felt off, especially with her finally telling Catra that she was proud of her, when she was AGAIN demeaning her earlier in that same episode! It carries the unintentional implication that Catra needed Shadow Weaver’s validation in order to move on. I honestly would have preferred that she never got it but realized that she didn’t need it to begin with. And that “You’re welcome,” which is incredibly condescending, was framed as a badass final line. There’s a disconnect between her character arc and its payoff that feels off. I wish something had been handled differently.

The second issue I had was just how rushed a lot of the character payoffs felt at the end. Yes, I know Noelle said that she doesn’t want to do an epilogue and would like us to decide for ourselves how things turned out, and that’s fine. But one day later wouldn’t hurt. Wrong Hordak was shown a couple times cowering next to Swift Wind in group shots and then straight up disappeared. And given their complicated history together, Scorpia and Catra deserved so much more than just a hi and a hug. Chipped Micah was given more time to harm and demean Glimmer than real Micah was given to love her. The Entrapdak thing got more focus and despite what I said about Hordak needing to either die or lose his memories, I’m not too upset that he didn’t do either, but instead simply broke free and got a happy ending, and Mermista’s line of, “So, are we like okay with this?” was great, but it feels like there should have been more. And I know they never had their own character arc and did all they needed to do last season, but if you’re going to bring Double Trouble back, then give us more than just one episode and a two-second cameo at the end.

Like, just give us some kind of montage of the rebuilding stage. Show us Wrong Hordak leading his scared and confused brothers in becoming individuals. Have him meet the real Hordak and show us how they would respond to one another! Give us a proper Catra/Scorpia reconciliation! Do more with Double Trouble or don’t bring them back at all. Hell, pair them up with Wrong Hordak partway through the season so they could bounce off each other, because that would be comedy GOLD! And while I’m glad that we at least got to see Lonnie, Kyle, and Rogelio (and they adopted Imp!), it sucks that that was their only scene this season, and it didn’t even have any lines. I’m not so upset about Huntara, because I know her voice actress is hard to get ahold of, so I’m okay with her just getting a wordless scene, but the others kind of bug.

I understand that time was a factor, but surely something could have been done.

All right, now I got all those out my system, let the gushing BEGIN!

Catra and Adora. Oh man. Oh man oh man oh man oh man. Now, I know I said that Catra needs to leave in order for her redemption to work, but even though she didn’t and got pretty much forgiven and accepted by everyone she hurt, I’m still very happy with how her redemption arc went down. Because she made the switch early in the season, showed genuine regret for what she did, made real attempts to apologize to those she hurt without expecting forgiveness, was shown wrestling with her bad traits, sometimes falling back into them, sometimes almost succumbing to bad habits, but was also shown finally making the right decisions and rising above them. She was the best-written character in the show with the most complex character arc, and they fucking NAILED the landing.

And that is because of her love of Adora.

Catra and Adora, two white-hot messes of weirdly compatible issues. Catra is so afraid of abandonment that she instinctively pushes those she loves away or runs away herself rather than let them leave her, and Adora only knows how to place others before herself, to be selfless to a fault, take all the blame for everything, and not let herself be the one who’s loved and protected. The two needed each other in order to overcome their issues, to put aside the damage Shadow Weaver instilled in them.

And they finally did.

Catra came back for Adora. She stayed by her side, refused to leave, and refused to let Adora give up. And Adora rose above her feelings of failure, allowed herself to be loved by another, and became whole.

And then we got it. We finally got the moment we’ve all been waiting for, all been praying for, all wanted so goddamned desperately.

We got the Big Goddamn Kiss.

The love each other. They’re lovers. They’re soulmates. After everything, how could they be anything else? It’s pure, 100% romantic love, a full, no ambiguity friends-to-rivals-to-enemies-to-allies-to-lovers storyline. Not subtext, no reading between the lines. It’s real, it’s canon, it’s between the two main leaders, and it happened right on the screen and saved the goddamned world.

Catra finally reached out to someone and showed love, and Adora finally allowed herself to be brought up and loved. And it’s that love that overcame Horde Prime’s virus and destroyed the Heart of Etheria. It’s that love that freed the magic, released She-Ra, and allowed her to vanquish Horde Prime once and for all.

And hey, two girls kissing, turning into a rainbow, and annihilating the influence of a controlling religious cult and the symbol of exploitative colonizers? Hmmm, subtle!

I love it.

Look, after everyone talking about how much the finale made them cry, and after already sobbing my eyes out when Angella sacrificed herself in season 3, I was worried that I wouldn’t feel the same, that everything had already been spoiled for me so it wouldn’t have the same emotional impact. Hell, the kiss itself had been spoiled for me! So if I knew it was coming, how could it affect me like it did others.

I was wrong. I was so wrong. When Catra screamed at Adora that she loved her and always had, the tears came gushing out. And when they finally did kiss, it made me happier than I had been for a long time. It was such a beautiful moment, and it was so wonderful to see all the magic unleashed, turning Etheria back into the paradise it was meant to be, and the Spire into a giant floating sprig of broccoli!

The Horde was finally defeat, and Horde Prime ripped out of his Wi-Fi network and destroyed once and for all. He will not rise again. His corrupted vision of purity is finally eradicated once and for all, and the galaxy is free again.

It was wonderful.

Other moments I want to highlight! Beginning with Bow!

Oh Bow. I haven’t talked as much about you as I did at the start of the show, but you really are wonderful. After similar unpowered male goofball sidekicks like Xander and Sokka being big balls of toxic masculinity and ingrained misogyny caused by insecurities that they had to overcome, we get an unpowered male goofball sidekick who is a shining example of positive masculinity, someone who knows who he is and is comfortable with it, someone who more than holds his own in battle, constantly makes himself useful, and stands proud with his superpowered friends. And even then, he still feels like real person, one that gets frustrated, feels down, and gets angry at both himself and his friends, but still continues on, because he’s a soldier and that’s what he does.

So it was wonderful that he got the Rise Up and Fight speech, because he deserved it, and oh it felt so good, seeing all those instances of people throwing off Horde Prime’s control while his words were playing. Bow really is wonderful.

And Hordak! Look, I know what I said about wanting more from his ending, but my God, that moment when he threw off Horde Prime’s control and shot Horde Prime in the back to save Entrapta and reclaim his identity was so! Fucking! Cool! I was cheering in my car when that happened! So good!

And hey, give it up for Glimmer for not listening to Chipped Micah and refusing to back down. She overcame a brilliant sorcerer wielding dark magic through the power of sheer stubbornness! Chef kiss, beautiful!

Though I really do think she got most of her stubbornness from her mom. Miss yah, Angie.

And Scorpia and Perfuma? Why, I think I like that quite a lot! Why yes, give Perfuma a big, strong girlfriend with a huge heart! Give Scorpia tiny, cute hippie girlfriend who will take no shit from anyone. Yes, I like this very much.

So...yeah. This really was wonderful. The world is saved, the Best Friend Squad is about to go on a space romp, and it feels good. And from there? Well, Noelle told us to come with that ourselves, so yeah, I’m sure Etheria was able to fully rebuild following the Horde’s destruction. I’m sure that Wrong Hordak became some kind of benevolent leader to his lost brothers and helped them come to grips with their individuality. I’m sure that Scorpia rebuilt the Scorpion Kingdom from the Fright Zone’s ruins and made it a haven to the lost Horde soldiers. I’m sure that Sea Hawk and Mermista burned down a boat together. I’m sure that Glimmer and Bow were married and became king and queen of Brightmoon and had a long and loving reign with lots of babies. I’m sure that Entrapta was given all the discarded Horde and First Ones tech to crack and find good uses for and remained as happy as a clam, especially considering the Hordak harem she’s built. I’m sure that Adora and Catra continued to build each other up, helped and supported one another to keep themselves from falling into bad habits, and Melog was always there as a faithful therapy magi-cat. I’m sure that Perfuma helped Catra along with meditative exercises and Catra never had the heart to tell her that she was just napping. I’m sure that Frosta grew up to be a strong and powerful queen who also founded her own iceball league. I’m sure that everyone started going to Netossa and Spinnerella’s game nights and just decided to put up with Netossa when she got like...that, because at that point she deserved to. I’m sure that Swift Wind finally did emancipate the horses and taught them to form their own weird society, but still made time to visit Madam Razz. I’m sure that Kyle and Rogelio became proud adopted fathers of little Imp, and one day while chilling at the local pub, Lonnie caught the eye of a big, strong purple woman.

I’m sure they were all very happy from there on.

I am going to miss this show. It was a wonderful experience, one that’s given me so much. It made me laugh,it made me cry, it made me cheer, it made me shiver, it made me bite my nails, but most of all, it made me happy.

So thank you Noelle and Molly. Thank you Chuck and Mary Elizabeth. Thank you Sunna and Aaliyah. Thank you Aimee, AJ, Karen, Marcus, Keston, Reshma, Lorraine, Christine, Adam, Genesis, Vella, Merit, Gina, and Jordan. Thank you to all the writers, animators, and directors. Thank you to everyone who worked on this show. Thank you all.

And a very special thank you to @smxmuffinpeddling for filling my dash with She-Ra content, which convinced me to check this show out in the first place!

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