#it was like the hello hello my my my what have we here scene

[hxnbi]

❀ not so secret — inumaki toge

synopsis: you and toge were having a secret rendezvous, far away from all the others, or so you both thought

tags: fluff, gn reader

word count: 1.4k

“Look at him… He’s infatuated....” 

Maki sighed, rolling her eyes at the scene happening around the corner between you and Toge—that is, if she could even see anything, as Panda was practically blocking her vision. 

Just peering from the bushes she and Panda were hiding from, they could see you two—very explicitly, she might mention, holding hands.

She knew something was afoot when Toge grabbed you by the hand the second you finished your dinner and dragged you somewhere, unbeknownst to her. Their curiosity was piqued, only for the two to find you two, alone, sitting together on a bench, enjoying each other's company in the moonlight.

Or so you two thought.

Cue having Maki and Panda staring at you two with wide-eyed eyes and curious spirits. Well, for Panda, anyway.

Now, they were a reasonable distance away—enough to see you two together but not enough to hear a word, and neither could you guys. 

Maki squinted her eyes, trying to decipher what exactly was going on between you and Toge through the dense and overgrown foliage that was Panda’s ass. 

Your silhouette was barely discernible against all the bushes blocking her view and the dimming twilight in the sky, but the subtle gestures and hushed whispers from both your and Toge’s figures spoke volumes. 

Maki leaned in closer, her curiosity piqued despite her initial reluctance. She could not lie. Seeing Toge this intimate with someone was somewhat unexpected, unsettling even. “...Don’t you think that Toge’s demeanour is a lot more, different? We’ve never seen this before from him,” she noted, squinting her eyes at the bench you both were still sitting on, now laughing.

“Shush Maki! We’re getting to the good part!”

Maki sweatdropped at how invested Panda was. At this rate, she may as well think that Panda was also included in your guys’ relationship. “Good part, my ass. The hell are we even stalking them for?”

“For reconnaissance,” Panda replied matter-of-factly.

“Well, yeah. They’re definitely close,” she shrugged begrudgingly, her voice hardly even audible. After all, they were stalking you two from behind the bushes. “But dating? I’m not so sure.”

“What else could it be? Look at the way they’re leaning towards each other like they’re sharing some big secret!” Panda leaned his body forward eagerly, eyes wide with excitement. He appeared to be more invested than Maki was, as if this were all some kind of romance drama in real-time.  

But Maki, ever being the voice of reason, remained skeptical, her arms crossed tightly against her chest. “Maybe they’re just friends?” she clicked her tongue sarcastically, still in a whisper. “Ever heard of that? We can’t jump to conclusions based on a few stolen glances.”

But the Panda was undeterred. “I doubt it. I believe that there’s definitely something more. I can feel it in my bones!”

“You’re being delusional.”

“Hello, everyone~!” a voice suddenly interrupted their conversation, startling them into silence. 

‘Oh god…’ 

“It’s your good-looking teacher, Gojo Satoru, here to— What are you both doing, hunched down in the bushes like that? Oh no! Don’t tell me you’re now homeless!”

Maki shot her teacher a withering glare, her patience wearing thin with each passing moment.

“Now, what are you doing here, huh, Satoru?”

“So cruel!” he cried out mockingly, but his trademark arrogance and his shit-eating, mischievous grin were on full display. "I was just thinking of checking in on my favourite students, of course. But it seems like I've stumbled upon something much more interesting."

‘...Ugh.’

That’s it. All hope was lost. A lack of privacy did not exist. Not in Jujutsu Tech, where the most unlikely of people—or animals, for that matter—were always watching.

“Honestly, I didn’t think I’d see them here alone again since the last time,” Gojo hummed.

“They’ve been meeting here in this exact spot for the last four days now,” Maki noted. “You think theres something going on that we don’t know about?”

“Well, of course!” Panda said a matter of factly. “Isn’t it clear that they're dating?”

All eyeballs shifted to the scene where they saw Toge holding your hand close to his face, and you leaned on his shoulder. The intimacy between you two was evident even from a distance from where they were watching.

Toge’s fingers brushed past yours before grabbing them firmly, your fingers intertwining with his. Toge's gaze met yours, and a soft smile graced both your lips. A silent exchange of warmth without an onigiri ingredient was said from Toge in sight.

“Oh shit! They’re getting handsy!” Gojo gasped, seeing this happen first-hand. 

“Be quiet,” Maki hissed. “You’re loud-ass is going to get us caught.”

“That's right. We’re just getting to the good part!” Panda added with a playful smirk, thoroughly enjoying the spectacle before them. It was comedic, really. 

Maki sighed. There really was no reasoning with those idiots…

Gojo bent over to Maki and Panda. “So, are we just waiting for them to make out?”

A tick mark appeared on Maki and Panda’s faces. ‘This guy…’

Just as they were spying on you two, Panda’s hefty weight, along with the shock of Gojo’s surprise appearance, poured over the scene. But their attempt at stealth was quickly foiled as they toppled over each other like a cascade of dominoes, making a loud noise, something that you two very much picked up on in this seemingly quiet space. 

Caught off guard, you and Toge stood up and turned towards the commotion, eyebrows raised in surprise, eyes and ears attuned to the noise that had just come unexpectedly from behind where you once sat.

“What the—”

Maki began to sweat. ‘Just great.’

You and Toge, now standing before the toppled mound of bodies, exchanged a puzzled glance, eyebrows raised in surprise, only to be quickly replaced by amusement at the spectacle unfolding before your eyes. 

“Salmon salmon.”

“Huh? Maki, Panda, and— Gojo too!?”

Everyone’s necks turned, only to see you and Toge standing before them, holding hands. You and Toge exchanged knowing glances. 

“Ahem…” your eyes flushed in embarrassment, your voice faltering as your hand remained enlaced with Toge’s, glued to the moment. “Did you… see everything?” 

Caught red-handed, their faces flushed with embarrassment. Well, Maki, mostly. Panda and Gojo could not give a single damn; they were more interested in the fact that you were there.

Finally, they asked the burning question, "Are you and Toge dating?"

They exchanged looks filled with curiosity and anticipation, making you sweat. Their gazes shifted between you and Toge, practically demanding an answer from either of you, clearly not willing to take no for an answer. 

There was silence, right before… 

“Huh? Oh, yeah, we are.”

“WHAT?!”

“I was right!” Panda started dancing around.

With a tilt of your head, you turned to face the pale blonde, who blinked at you, all with the innocent expression he always had. 

“Toge, I thought you said you were going to tell them?”

“Tuna.”

The boy gave you a sheepish expression, Toge’s small muffles speaking through the layered shirt he always wore. You inhaled deeply and continued to hold his hand, tightening your grip. “Don’t worry. I could never get mad at you, Toge. Like, come on, just look at the expressions on their faces. The poor souls.”

‘Huh…?’

Toge's gaze softened at your words as he nodded in agreement. "Salmon roe.”

His expression said it all. It was one of adoration, to be able to hold your hand and spend time with you, that brought him immeasurable joy in his quiet world. One that the others hardly ever saw in the pale-haired boy let alone a mere smile, all but hidden away under his mask, quite literally. 

You couldn't help but chuckle softly at his choice of words. You rubbed at his straightened, pale hair, utterly oblivious to the incredulous stares of Maki, Panda, and Gojo. "Yes, yes, salmon roe," you replied with a wide grin of your own, feeling a warmth spread fruitfully in your chest as if the three were mere background props in your own quirky sitcom.

As for the second years? Well…

‘If this supposed to be romantic…?’ they all sweatdropped.

Heaven forbid the words of onigiri ingredients could ever be considered “romantic.”

“Are we… interrupting something personal here?” Panda neared closer to Maki, whispering in her ear, only to receive a punch right in the gullet.

“So, were we the first to learn about your relationship?” Panda sparkled as if they weren’t just interrupting a moment of yours a moment ago, or even that he was just punched. Having a puppy body has its advantages, perhaps.

“Oh,” you blinked. “No. It was Ijichi, actually, a few days ago.”

“SO YOU BOTH WERE GETTING HANDSY!” 

“Not really. He walked into the classroom while me and Toge were in the middle of-”

“I CAN'T BELIEVE IT! YOU TWO REALLY WERE MAKING OUT!”

“That’s not it either…”

©hxnbi. please do not modify, edit, copy or reproduce any of my works.

#jujutsu kaisen #jujutsu kaisen x reader #jjk #jjk x reader #jjk x you #y/n #gn reader #x reader #fanfiction #fanfic #jujutsu kaisen fluff #jjk fluff #jjk drabbles #fluff headcanons #jujutsu kaisen headcanons #jujutsu kaisen comfort #fluff #comfort #scenarios #headcanons #drabbles #inumaki toge #inumaki #inumaki x reader #inumaki toge x reader #inumaki toge x you #inumaki x you

[twelvemonkeyswere]

Brienne and Femininity (and Masculinity)

I’ve been musing how one of the most important topics in Brienne's storyline is femininity, and even though her story isn't finished, we can fairly see what some of her major themes are around this—particularly, how performing or failing at performing femininity affects her both internally and externally.

Often I see people pointing out that, in spite of all of Brienne’s traditionally masculine ways—her clothes, her skill set, her body shape, to name a few—she does not fully reject femininity. That she likes little cute animals and fairy tales and wears dresses, and is shy and blushes frequently. This is an important point because, very often, fantasy settings made the assumption that a woman can only be taken seriously if she goes beyond “her womanhood” and acts and thinks “like a man,” as opposed to other girls who are too busy mending or wanting romance. Brienne challenges those tendencies that GRRM saw in his contemporaries. Things have changed a lot since (hello The Locked Tomb, for example), but you can still see where he is working from, and how many of the aspects of Brienne's story still resonate with more modern audiences because, well, sexism hasn't stopped existing. It's also important because the larger asoiaf and got fandoms often refuse to see this side of her, reducing her to a walking sword or a cardboard cut out of a pushover.

Now, my main issue here is that I feel several interpretations of Brienne have now gone on the other direction, and focus so much on Brienne PERFORMING traditional femininity—wearing luxurious dresses, using make up, accepting lavishing gifts, or wondering if she can be desired, for example—that we've gone sometimes on the opposite direction. I feel like many times we’re afraid or do not know how to approach characterizing her as someone who rejects aspects of femininity without making her into another “not like other girls” stereotype.

My two cents on the matter is that if we focus too much in what Brienne can't but "wants" to perform, we forget that she is, in fact, gladly rejecting some common impositions of femininity in her society.

Beginning with swordplay at a young age, for example, she was very glad to ditch a more traditional education in order to learn how to fight the way we know men are taught in asoiaf/got. She is also explicitly more comfortable in men's clothes. We all like the scene where Jaime makes an effort to give her a dress and she appreciates it, but we don't even find out what happened to the dress, because, presumably, the dress itself is not THAT important, at least not as much as the fact Jaime gave her gifts as a form of appreciation. Dresses have been used in Brienne's past to mock her (the event with the bear being the most recent one), and the important part is that Jaime is the only one who has given her one without that ulterior motive. The point of the scene is that where everyone undermines and underestimates her, he is acting the opposite way. We’re seeing how the relationship between them has evolved and that he is doing his best to mend what has happened and what he has done. She is given a dress and a sword as symbols that someone else in the story is beginning to appreciate her for all she is.

Beyond that, we even get details on the old shield Brienne got at Harrenhal, but not a word about the dress. Brienne explicitly doesn't really like being in dresses, she prefers mail and breeches, and feels more at ease in them than anything else. This is not her hating dresses because she is above them. I can’t remember well but as far as we know it’s just her preference: I don’t recall her saying she hates dresses, just that she prefers trousers. She must have been wearing dresses her whole life! It’s not likely she is unused to them. But we do know the act of being given a dress is important in Brienne’s story. The problem is not that they can’t make dresses for her, the problem is that everyone who forces her to wear a dress wants to signal how lacking she is as a woman, trying to fit her in a box too small for her real shape and then mocking her because she doesn’t meet their standard. The problem is they want to make her uncomfortable and they want to humiliate her, because she dares to exist in a way that doesn’t conform to patriarchal ideals. And the problem is that she likes to wear trousers and mail. She likes to wear masculine clothes, and they want her to be very aware of how much they disapprove.

And we also hear a great deal about marrying and having children out of duty. There's a certain loss she feels there because she believes that, at that point, all those missed opportunities will never present themselves again. All her life, she grew up with a dichotomy that dictated that the chance of having a family or children was through duty or none at all, because she is her father’s heir and—they kept telling her—nobody would want an ugly, masculine, temperamental girl as a wife. They could only want her for the money she brought. The point of the story is that, once again, failing the standards of femininity has forced her into a mentality where she thinks she can’t be loved because nobody would like who and what she is. But even then, even with that thorn in her mind, she still feels relieved she didn't have to perform these particular duties. The only thing she’s sad about is that she thinks she's missed any chance at having a family at all and will never know what that might be like. She doesn’t actively want babies or even to be married. She is still young, and at least to me, she seems to view these things in hypothetical rather than explicit goals or wants. She thinks that, at 20, there is no opportunity for her to experience these things because of how her society works. It’s the lack of choice that she mourns, down the line. But she rejects that particularly role that femininity imposes on her now. She didn’t want it, and she is happy it didn’t go through. She literally fought an old man to prove how much she didn’t want those impositions.

All this is interesting to me because Brienne also sort of thinks of herself as her father's son as well as her father's daughter. It almost slips her mouth once or twice. She is aware, I think, that many times the differences between a son and a daughter boil down not really to gender but to the sort of duty they perform. And she wants to do the sorts of things sons do, too. Men regularly learned to fight and wore the clothes she liked best and used hard-earned skills in a way she wanted to use them. There are layers to this (we’ll get to that in a bit) but she is, I think, very aware of her masculinity, and, if left to her own devices, she seems comfortable in it. The problem is she is NOT left to her own devices.

Most of Brienne's self doubt comes from outside forces. As a woman, they underestimate her. As a woman, they think she is stupid. As a gender non-conforming woman, every jape uttered goes directly to her womanhood. As a woman, if she looks the way she does and dresses the way she does and fights the way she does, when she expresses any vulnerable emotion, any shred of “femininity,” she is mocked for it. She likes dancing and beautiful things and pretty boys but a woman as masculine as she is is not the sort of person who gets to express those preferences without judgment from those around her.

The point is Brienne’s world wants her miserable either way: being unable to be a woman the way they demand of her, because she is too much “like a man” for it, or being unable to be a man, because she is too much a woman for that. The point is she can’t win regardless of what she does. Because that’s how sexism works.

But Brienne’s story is, I think, one about choices. The thing is that the world makes it harder for her, but she shouldn't have to be one thing or the other. She shouldn’t have to be defined by one or the other. If she wants to fight in the mud and smell roses and wear chain-mail and talk to charming men, she should be able to choose all of those things. I think it’s easy to focus too much in what aspects of femininity Brienne likes or dislikes instead of looking at what the story is proposing, which is to look at what Brienne,as a person, likes or dislikes. What she wants. Her parallel story to Jaime is about how the world will always try to put folks in boxes, especially those who, for some reason or another, do not easily fit in those boxes. The question is not “what feminine/masculine parts of Brienne is she happy performing” but rather “what does Brienne want, and why does she feel like she cannot get it and doesn't dare ask.”

This is also what drives her to servitude. There’s a phrase out there that says that if you don’t think you can be liked, you try to become useful, so at least there’s a reason to keep you around. It’s heartbreaking to see how Brienne’s vision of herself has been so skewed by the emotional abuse, parental neglect, and bullying she’s experienced since a young age. She doesn’t think anyone will grow close to her, so at least she can be close to people by serving them. She wants to put her skills to use, she wants to find a place where she fits, where she can be more herself, but she isn’t sure what that looks like or how to find it. She’s still searching, and learning many things on the way.

And Brienne is still very young. We can see her confidence growing and her worldview challenged and she is beginning to see the realities of herself and of the world around her through various trials by fire. Misogyny makes her feel incomplete, but we know the things she trusts about herself while simultaneously seeing the way she constantly doubts others. How she can't never express all of herself without constant judgment or mockery.

I feel like yes, the fact Brienne doesn't reject all traditional femininity is really important to her themes, but by extension, it's as important that shedoes reject some of those traditional expressions of femininity. What she is truly rejecting is imposition, not femininity. What she truly needs to embrace is freedom, not masculinity. She's making her own vows, breaking her own promises, going through her own mistakes. She is learning the hard way. Agency in a world of limited choices is one of Brienne's main themes too. There are moral issues that go deep within her story as well as examinations of the effects of war and the struggle to find authenticity and connection in a community that refuses to acknowledge yours, a community drenched in pretense and lost in performance.

And I think it’s easy to get too caught up in her wanting to be a girlfriend or a mother or wearing a dress that we bypass the whole conversation around why that matters at all. I feel like Brienne's success isn't going to come from her fully embracing all her feminine traits or fully accepting all her masculine traits but from being able, down the line, to be exactly who she is.

#i was looking at my drafts and here are some scrambled ideas I had that I wanted to release so I've tried to make them more organized #brienne of tarth #asoiaf

[aziraphales-library]

Hello beautiful librarians! Thank you for keeping me sorted with fic to fill the long gap between now and series three. (As I'm writing this S3 hasn't been commissioned yet but who knows, maybe by the time you post it will be?!)

Anyway, I'm looking for some recs for spicy fic, Aziraphale/Crowley pairing, where one of them is wearing lingerie / stockings and the other is taking their time to appreciate it fully before ravishing them. Any gender presentation, any "downstairs effort", as part of a larger fic or just a smaller delicious scene. Anything is welcome! I just saw some lingerie type fanart and I need moooore! Big thanks in advance!

Hi! We have a #lingerie tag. Here are some more fics to add...

The Way That You Hold Me by AngieWords (E)

"Have you ever had any thoughts about my other...forms?" Crowley is interested to find out how Aziraphale will react to exploring a different corporation together. Aziraphale is very interested indeed. Or: Crowley gets nostalgic for his femme-presenting days

Underdrawing by spunknbite (E)

Lace. Just a hint of it: white, peeping out from under the waistband of Aziraphale’s trousers. A finely woven pattern of sprigs of roses and briony linked together with intricate diamond thread work. There was something vaguely Victorian about it, suggesting a handcrafted wedding veil or perhaps the contents of a hope chest. The lattice clung tightly to the pale skin beneath it, pearly lace on pearly skin, creating an almost tattoo-like appearance as if the design was threaded onto his very flesh in only a shade lighter than his own tone. Well, fuck.

Pin An Angel Up by Dibs_Drabbles (E)

Aziraphale was a lingerie model for a newlyweds' magazine, under the guise of Miss Azra Fell. Despite her short-term career, Miss Fell was granted her own special edition magazine, featuring her and only her. The angel had kept it hidden in plain view, quite oblivious to the chance of a certain demon stumbling upon it. And that certain demon was very much thrilled with what he found. - Aziraphale modelled for a lingerie magazine back in 1950, Crowley finds them and thus uncovers a whole arsenal of kinks to explore for the two of them.

Spread Your Wings by foolishlovers (E)

In the glamorous world of high fashion, Crowley shines as a household name. Unfortunately, so does supermodel Aziraphale, who repeatedly lands bookings for the same jobs. When a photoshoot mishap traps them in a studio overnight, their simmering animosity escalates to its peak. Literally.

Tryst at the Ritz by almaasi (E)

Aziraphale nodded, and said, sweetly, “After dinner, Crowley, you and I, we’re going up to a private, luxury suite, and we’re going to make love.” Crowley blasted red wine across the table in a fine spray. (A fic in which Crowley and Aziraphale get a wiggle on, in the Biblical sense.)

Dangerous like Spun Sugar by Nejinee (E)

Crowley really wasn't prepared for any of this. She was a demon of hell, a fallen angel, and also - evidently - a fucking idiot. -- Or, how Crowley had never cared about the inherent sexiness of lingerie until Aziraphale started talking about her own lingerie.

- Mod D

#good omens #ineffable husbands #ineffable wives #ineffable partners #adult omens #lingerie #mod d

[naompspsps]

Hi hello may I request octavinelle with a clingy and shy/quiet reader please and ty!! :D

Count once, Count again.

Summary: You wanna stay with them for a while. But you just made them want to stay with you too! Oh, How lucky you truly are.

Ft. Octavinelle boys

A/n: Hiii, Love the idea of that!! I've been writing this all day thinking of what else to add to the amazing idea ✨

Taglist: @frootloopscos

! do not repost or translate my works anywhere. do not copy or use my works in any site, Reblogs are appreciated alot though !

The first time you appeared in Twisted Wonderland, You couldn't help but look at three people. People feared them due to.. Reasons in their job and stuff, You knew about what they do, yet you still felt like being friends with them.

How should you do this?.. You thought carefully. You don't really know how to be friends with them..

Nor do people know how to mind their own business.

You've gotten quite popular for your quiet and shy self. Definitely the opposite from what you wanted. People know you just for being shy and quiet, no matter how funny a scene is.

Some people call you nonchalant, the others call you boring, but you're just.. Different from them. You don't really know how to express it because you're shy of people looking at you when you laugh just once.

It is going to be shocking for all of them, but is it necessary to look and point it out loudly to other people? No. You don't understand why pointing something out is relevant to anything good.

That popularity happened to reach in the octavinelle trio's ears. You didn't know about it, You were just living your life peacefully.

They were.. Intrigued. At first, Azul planned to take you to sign a contract, so they had to befriend you first, obviously. But, who knew you would have such a sweet effect on them?

You were in the library, chilling and reading books, when Floyd and Jade appear out of nowhere. "Hiiii~ Sooo what cha reading?" Floyd kneels down beside you, who is confused. Who is he?- Oh..

The other boy you've been longing to be friends with. You quietly mumble. "Floyd, Don't scare them away now." Azul walks closer to you three, sitting infront of you.

"Hi."

Well that was awkward. "That's so awkward of you, Azul~" Floyd laughs. "Be quiet, Eel." Azul whispers. He switches his attention to you. "Hello, You must be [Name]? I must say, I'm amused and intrigued, that you managed to catch such a loud crowd within a week. Didn't know you would become so popular in a blink of an eye."

"Are you jealous?" Jade asks, Trying not to let out a laugh. "What?! No! I'm just saying, Someone as fragile and shy like them could be overwhelmed with the popularity, Don't you think?"

You look back down at your book. "I-I'm.. Uumh... A- A bit." You manage to mumble out. "See? This poor unfortunate soul is suffering from the crowd!" Azul chuckles. "Don't worry, We aren't here to talk about that, We would just like to have a chat, a conversation. It is optional if you would like to talk aswell, No pressure."

"It's not called a Conversation if the other doesn't speak, You knoww-.." Floyd rolls his eyes and leans his back against the shelf behind you and Jade. "Be quiet, Eel." Azul and Jade say together, but Jade just knew Azul would say that.

You give the three a small smile, You have to admit, That was a bit funny, The expression Azul had on his face while he looks at Jade and Jade looking away is.. Just something else.

"I.. I don't mind having a conversation with you three." You say, closing your book and putting it aside. "Oh? Well then, If you say so." Jade fixes his sitting position. "I am Azul Ashengrotto, Housewarden of-"

"Octavinelle?.. And Jade Leech, Vice Housewarden? And Floyd Leech...- I-I- Sorry.. I didn't mean to interrupt your introductions..."

"No no, that's alright. If anything, That was impressive, You even know Floyd." Azul nods. You hums softly. "Wow. You're pretending like I don't deserve popularity." Floyd crosses his arms. "Because you really don't, you menace to society." Jade smiles at Floyd.

"Ow?! Remember that you're my twin, so we're completely the same!" Floyd points at Jade, As Azul sighs. "Enough fighting, We're here making a new friend and you two are making a new fight instead."

That's.. Yeah, True. You nod in agreement. "See? Even our new friend agrees with me, so quit that." Azul lets out a soft chuckle. "So, [Name], How would you like to study together? I plan to study with Floyd and Jade but Floyd here doesn't seem to be careful enough with his reviews."

"Can you stop having dramatic comments about me."

"No."

You look at the two fighting, then someone puts a hand on your shoulder. You look to the side. "Jade?.. What's wrong?.." You ask him. "Oh no, nothing's wrong, I may have just assumed you felt uncomfortable with them arguing like this."

You look back at Azul and Floyd. "Well.. Around you guys, I probably wouldn't." You smile. Jade chuckles. "I'm happy to hear that." He nods his head. You turn your head away from Jade, your eyes sparkling at the fact that you've literally won.

After waiting, You're finally friends with them. You can't wait to get on your knees infront of Ursula's statue and thank her.

Wait nevermind- People could be watching.

After Floyd and Azul are done arguing, You sigh softly. "..You both done?" You ask. "Yea." Floyd sits back down, And drags Azul down, making him hit his butt down on the floor as Floyd just watches him and laughs.

"Floyd!" Azul shouts. You and Jade look at each other ad an attempt to not laugh, but ended up failing. You cover your face with a book while laughing quietly, and Jade's laughing lowly.

Only a few minutes with being friends, and you're already comfortable around them. You wonder, though.. Are they comfortable with you?

You start to feel shy again, Covering yourself with the book in your hands. "Heyyy, What's wrong??" Floyd asks, pulling the book down. "Whoops, Someone's getting shy again." Jade whispers.

"I-I'm just.." There. No defense. Before you start to feel the tension, Azul speaks up. "[Name]. Hit Floyd with the book." He fixes his glasses, smiling deviously. You knew he was obviously joking.. Or was he..

You get rid of the thoughts in your head. Don't be shy.. Just say the things you wanna say.. Don't..

[Name]. You're hesitating again. You're getting shy again.

You think again, you don't need to be shy around them.. They're your friends. Some people that don't judge you before they even talk and get to know you.

"Say, Since we have all the free time, Why don't we all walk around the campus?" Jade suggests, and Floyd scoffs. "Ya'r only finding a way to get mushrooms, Aren't you?" He looks at Azul, Who also nods at Floyd's guess. "Shush." Jade puts a finger over Floyd's mouth, smiling.

You already knew that smile meant something else.. Like he was gonna shove mushrooms in Floyd's mouth anytime now.

And that's the story of how you became friends with them. Maybe you forgot to add one more thing, is that you've gone completely clingy around them.

First thing in the morning when they arrive at school, They already know whose footsteps they're gonna hear. That's right: Yours.

Not that they don't like it, They very much enjoy your company. Your quiet yet funny company, You follow them everywhere. And if you don't go with them, Floyd might aswell just carry you like a sack of rice and take you with them.

Most people have seen you all together, and seeing the happy look on your face is something else. They didn't take you for a happy type, but here you are, chasing the others around while Azul tiredly walks, trying to catch up.

"Wait up- Sevens!" Azul stops walking. Goodness, He won't even try anymore. You stop your tracks and look back at Azul, Turning around and walking closer to him. He looks up, seeing you offering him a hand. "So sweet of you." Azul whispers, takes your hand as you continue dragging him.

Maybe he's completely forgotten the reason why they befriended you, or maybe they realized you were too precious to get scammed by a contract, so Azul just abandoned the reason and actually became friends with you.

You were still quiet at usual, Yes, But around them you're a quiet chaotic person. That should be enough for your persona, You'll just forever be quiet.

Like that one time when you were feeding Azul, and he refused so you looked away, thinking of a plan. And when you did, you thought of treating him like a child. But when you look back at Azul, It was suddenly Floyd right infront of your eyes.

That caused you to jump and hold on your chest, avoiding in having a heart attack, of course.. The laughs of your three friends were something that calmed you down.

They had different approvals about you.

Azul had an approval for your amazing comebacks, and fighting back with a reasonable sentence that could shut half the world up.

Jade loves having you as his mushroom inspector, you stare at one, and you say all your honest comments about it that in the end, is right.

Floyd loves having you as his partner in crime, You and him on the same level, pulling pranks on others, running around and having a staring contest, intense edition.

You got along with the three very well, other people don't even see a connection to how you got along with them so easily if you were just shy and quiet. But now they shouldn't think that way.

Some started thinking you were too clingy, and quiet. But others just happily sighed that you finally found your happiness. Nothing too bad, just some on and off's about you to other people's perspective.

It's class time, you're in your classroom, waiting for dismissal. Even if you want it to end, you still study like a goody-two shoes. What kind of work did you put up with the Octavinelle Trio if you ended up failing?

Then finally, The bell rings. The teacher dismissed all of you, and you quickly get up and grabbed your things.

You walk outside and to your surprise, You see them waiting for you. It's supposed to be the other way around, but you can't lie, this is a nice change..

"So how was class, Shrimpy??" Floyd elbows you. "Oh, Just.. Some lessons that we already studied." You answer, quite silently. Jade hands you a milkshake. "Mm, Floyd and I went to the cafeteria and sae that they were selling this, So we bought one for each of us." He chews through the black pearls.

"For great seven's, Jade, Stop talking with your mouth full." Azul sips from his milkshake, he should tell you what the Leech twins did to him when he wanted to refuse the milkshake later. That's a promise. You shake the milkshake gently.

"It ain't poisoned, Right?.." You ask Jade, And he only looks at you with an evil smile. "Is it? Take a guess." He whispers. "Nah.." You answered, finally sipping, hm, you're surprised they even remember your favorite flavor.

Jade sips from his straw again. "Correct guess. It's not." You shrug. "Good.." You mumble.

You arrive at Octavinelle, Walking inside the lounge. You've seen this place alot of times, You couldn't even count it. All because of Floyd taking you with him and asking you to pull a prank on Jade and Azul.

Floyd plops on the couch, raising his milkshake up and swallowing the black pearls instead of chewing it first. "You-" Azul sighs. He's not even gonna try. You sit beside Azul, clinging on him again. "How's your day?.." You ask him.

"Oh, It's good, It'd be a better good if It wasn't for these two trying to squeeze me." He answers. "Huh? Why is that?" You chuckle quietly. "Because I tried refusing the milkshake."

"Oh.. I see why. Who wouldn't want to squeeze you for saying that?.." You sit back up, this time laying on Jade's shoulder. "Ouch, That kind of hurts. You know?" Azul dramatically wipes his tear. "Hm, Reality hurts, Azul." Floyd laughs.

You notice some students looking at you. Not in a good way. A weird look on their faces. You slowly feel the shyness fill up your body again.. Wait, No. Don't get shy now. You thought to yourself. Be brave.

One of the student walks up to you four, standing tall infront of you all. "It's actually be better if [Name] goes back to getting all shy and lonely. It's irritating seeing them cling on you all like that."

"How many times have they hung on you all like a koala? I counted once before, now I can't even keep count."

Jade pulls you closer to him, covering your head with his arm. "What's your deal?" Floyd gets up, threateningly walking closer to the student. "You're hanging on my patience like a monkey, boy." He warns.

"Now now Floyd, Don't start a fight.. Yet." Azul pulls Floyd back down. "Now you see, My dear dorm mate, [Name] is someone we consider as a friend. A best friend, so they have all the permission to cling on us."

"You don't get the permission to point it out, At all."

Azul gives the student a smug smile. "If you truly did count once before then lost count, I say the best way to solve that is count again from the starting." Azul leans in closer to him, narrowing his eyes in a menacing way. "If you seem to have a problem with our special friend's personality, then we might have a problem ourselves." He threatens.

"I'll have Floyd deal with you instead, Animal." He whispers, taking a small moment of silence before he sighs happily and sits back down. "So if you would just be kind, Please leave us to hang out." That cheeky grin on Azul is back..

You peek through Jade's fingers, and he immediately sticks his fingers together and covers your eyes.

"Jade!..-" You try to push his hands away, but he keeps himself steady. "Nuh uh."

"Jade, You can let go of [Name] now." Azul gestures him. Jade finally lets you go, you blink a few times before hugging Azul. "Thanks.." You mumble. "Ah!- I-.. Well, You're very welcome, my friend." Azul pats your head.

"Heyyyy, We don't get a thank you?" Floyd pouts. "Calm down, You two.. Thanks aswell.." You tilt your head to the side ever-so-slightly, placing your milkshake on the table right beside Jade.

"..Hmph, I was looking forward to dealin' with that so called 'courageous' boy." Floyd crosses his arms, having a small tantrum. Azul and Jade sighs, but you chuckle. "I was looking forward to that too." You admit.

"Why don't we all just enjoy the day and hang out, forget all the people judging." Jade suggests, And you hum softly. "Sure." Azul shrugs. "Cool, That's totally not something we were already doing now." Floyd sassily rolls his eyes.

"Be quiet, Eel." You, Azul and Jade say together.

"Ow, even my own partner in crime?"

"Yeah." You answer.

You smile, wanting to giggle happily at how much this friendship has grown so quick. It feels like you've known them since childhood even if you didn't, but you're just so comfortable around them, you don't even know why and how.

Who said you didn't like that? You're glad you have them to stand up for you.

Author's End Note: Khee hee hee hee hee im done, finally!! (Imagine finishing this in class because your teacher allowed the class to use their phones 💪💪)

! do not repost or translate my works anywhere. do not copy or use my works in any site, Reblogs are appreciated alot though !

#twisted wonderland #disney twst #gn reader #twst #twst disney #azul ashengrotto #twst azul #jade leech #twst jade #floyd leech #twst floyd #twst fluff #octavinelle

[the-conversation-pod]

Let's Go, Lesbians! (A Japanese GL Episode)

And we're back! This week we're back with @ginnymoonbeam to talk about Toxic Yuri in Chaser Game W and Food Yuri in She Loves to Cook, and She Loves to Eat. Join us as we talk about pouring champagne on your ex's head, slapping your mean boss and her big ass red outfit into next week, choosing yourself over your cruel family, becoming the best gay you can be, and marshmallow parties.

Also, because we did not talk about it in the recording, we want to repost Rina Sawayama's Chosen Family song because this scene was so powerful in SLTCSLTE.

Timestamps

The timestamps will now correspond with chapters on Spotify for easier navigation.

00:00:00 - Welcome 00:01:15 - Introduction 00:02:45 - Chaser Game W: A Flop 00:18:31 - She Loves To Cook, and She Loves To Eat 00:23:14 - SLTCSLTE: The Women 00:34:18 - SLTCSLTE: Yako and The New House 00:39:17 - SLTCSLTE: The Food and Nagumo 00:43:02 - SLTCSLTE: Depictions of Intimacy 00:50:53 - SLTCSLTE Ratings and Outro

The Conversation Transcripts!

Thanks to the continued efforts of @ginnymoonbeam as transcriber, and @lurkingshan as an editor and proofreader, we are able to bring you transcripts of the episodes.

We will endeavor to make the transcripts available when the episodes launch, and it is our goal to make them available for past episodes (Coming soon thanks to @wen-kexing-apologist). When transcripts are available, we will attach them to the episode post (like this one) and put the transcript behind a Read More cut to cut down on scrolling.

Please send our volunteers your thanks!

00:00:00 - Welcome

NiNi

Welcome to The Conversation About BL, aka The Brown Liquor Podcast.

Ben

And there it is. I’m Ben.

NiNi

I’m NiNi.

Ben

And we’re your drunk Caribbean uncle and auntie here sitting on the porch in the rocking chairs.

NiNi

Four times a year we pop in to talk about what’s going on in the BL world.

Ben

We shoot the shit about stories and all the drama going into them. I review from a queer media lens.

NiNi

And I review from a romance and drama lens.

Ben

So if you like cracked-out takes and really intense emotional analysis…

NiNi

If you like talking about artistry, industry, and the discourse…

Ben

And if you generally just love simping…

NiNi

There is a lot of simping on this podcast…

Ben

We are the show for you!

00:01:15 - Introduction

Ben

And we're back. This week, we're talking about lesbians, finally! And we brought a friend along.

NiNi

Say hi Ginny.

Ginny

Hello!

NiNi

Ginny is here with us and we are going to talk two Japanese GLs, Chaser Game W and She Loves to Cook and She Loves to Eat. 

Ben, what did you think, like, sort of overarching about these two before we delve into the nitty gritty?

Ben

I thought Chaser Game W gave us a lot to anticipate early on, and unfortunately went in the direction we did not want it to go. Ended up being kind of a mess toward the end? I did not end up walking away too happy with it. 

With She Loves to Cook and She Loves to Eat season 2, this time we had twenty 15-minute episodes and they had things to do and say with that time and I have a lot of things to say about that show. [laughs]

NiNi

Ginny, what are your overarching thoughts about these two shows?

Ginny

I had high hopes for Chaser Game W because I always want more toxic lesbians. [NiNi laughs] I want to see the girls get to be messy, I want to see complicated dynamics. And I did really enjoy the first couple episodes, but it kind of felt like the characterizations really fell apart as the series progressed, which was a big disappointment. 

She Loves to Cook and She Loves to Eat was a delight. Every time I sat down to watch it, my heart was full and happy and warm.

00:02:45 - Chaser Game W: A Flop

NiNi

We always go from worst to first on this show, so let's start with Chaser Game W. 

Ben, what is Chaser Game W about?

Ben

Chaser Game W is about a team of women at a game development studio in Japan who have been contracted to develop basically a demo for a GL adaptation, by a Chinese company named Vincent. It gets complicated by their project manager from the Chinese team, who clearly has beef with one of their team members and just spends most of the early show fucking with her because she's mad that they broke up in college. And then a bunch of other shit happens that is kind of weird.

NiNi

Okay, that's a hell of a description [laughs].

Ben

I'm sorry! Like, it starts off being a show that looks like it's playing into the complex dynamics about workplace power and possibly sexual harassment, and then kind of loses its way because it wants to be this mess of a story about lesbians with families and the difficult choices they have to make, and where do the husbands and children fit in this, and how does this play into career expectations? Bosses who might also be queer but evil queers?

And it's not necessarily a very coherent experience. There's a lot of ideas that sound good when you describe them to people, but in practice really weren't that satisfying to watch. This was not the Japanese GL experience I was hoping for.

NiNi

Ginny, what about you? What are your thoughts on Chaser Game W?

Ginny

It did seem like it was setting up to have some messages about not only the sexuality components, but also things about women in the workplace and being a mother and balancing those expectations… dealing with sexual harassment… all of that. But it didn't end up saying much that was meaningful to me about it, it just was like, ‘these are issues!’ If you try to draw any kind of conclusion from what the show is doing, you end up with some really messy messages. 

The way that the evil queer boss came in was so funny to me. One of the selling points of this show is this strong femdom, woman in power exacting humiliation dynamic. But halfway through the show, we're resolving the relationship between the two women, so Fuyu, our previous femdom power boss, is not going to be that anymore. So we have to bring in a new one — and it just did not work for me.

NiNi

It was the dom getting dommed. It was like an inception of domming. It was a little strange. There were definitely some Chinese-Japanese dynamics in there. I don't have the cultural competency to pick up on entirely what they were doing, but it was pretty clear from the way that the show was operating. I don't know if it's stereotype, but it was clear that there was something going on there; my cultural competency in this area is not enough to figure out exactly what was going on there.

Ben

It was kind of weird seeing a Japanese show complaining about unrealistic expectations of Chinese developers? This is not a uniquely Chinese problem.

NiNi

I feel like it being set in gaming almost didn't matter to that side of things? They wanted to have this difference the show sees in working cultures be stark and to say something about that difference. But the supposed center of this, aside from the game and the development of the game, is a relationship between Fuyu and Itsuki. It's an extremely convoluted central story that just seems to serve as an excuse for why Fuyu, when she comes back to Japan, hates Itsuki so much. 

The writing feels slightly unnecessarily complicated, but I actually rather enjoyed quite a lot of bits of this. I enjoyed, for example, the direction. I thought the camera was very assured, I thought it was very clear. I don't know if this is an original story or if it's coming from manga, but the direction is very very clear to me. I really enjoyed watching the camera move. The shots are really effective. But the story itself? It's not like I thought necessarily that… the story was badly told? I'm just not sure that it was the story that I wanted. Where we're going in the beginning with Fuyu, a mean lesbian comes back and is mean to her ex-girlfriend, I felt like, okay, that's where we're going. And then, suddenly, Fuyu is married and Fuyu has a daughter and there's all this stuff around the husband and Fuyu’s feelings, or not-feelings, about the husband. It got a little muddy. 

But even with all of that, I think I probably enjoyed it more than you guys did. And I think part of the reason is that I binged it? So I didn't sit with a lot of these feelings or a lot of the confusion for very long.

Ben

It was not a fun week to week watch. As it started to deviate and get lost in itself, it was not fun to be like, 'oh right, this is where we were, all right, let's go and see how this week goes. Ohh… no. Okay.' 

You asked about whether it's original or an adaptation. It is an adaptation. The original work is about power harassment, but I believe Itsuki’s character is a man? A lot about the show made sense once we realized that it was not an original queer story being adapted. A lot of it felt really tacked on to justify the drama and not really something that the writing really contextualized or dwelled on, at all.

Ginny

There were a lot of big character turns and big decisions made without a lot of grounding in why this character would make this choice. Once the mystery of their past is explained, you do understand why they reconcile suddenly, but then all of their choices afterwards just felt baffling to me. I'm not getting any kind of character journey. The show is like, well, this happens now, and then this happens now, and then they do this thing that you didn't expect. And I want to know why!

NiNi

I… feel like in some bits I was cottoning onto it, and then in some bits I was not. For example, when Itsuki starts to take care of Fuyu’s daughter, when she comes over and realizes that the husband's left and her daughter needs taking care of. I followed that bit of the character journey. I understood in some ways why, when the husband came back, Fuyu felt maybe guilty? 

There was also, like, a little thing which I was really surprised didn't go anywhere. Early in the show the husband was video chatting with, I think his mother. And she says something like, 'you know, you have to be good to Fuyu. You're so lacking, and she is with you anyway.' that made me think that their marriage was lavender? I genuinely thought that they had some kind of arrangement or agreement — and then to find out later down the line that the husband actually was in love with her and was jealous of the thing that she had with Itsuki? That came out of nowhere for me. And then everything that followed on from there kind of didn't track, almost. 

Did either of you get that feeling initially from the husband and were surprised or was that just me?

Ginny

My sense was that the husband had been perceived as not a good marriage prospect. Probably it was not earning a lot of money and had other loserish qualities or something. So my sense from the conversation was that that was what she was talking about. I certainly didn't ever get the sense that he was in love with her, exactly? Even when he's upset, it felt more to me kind of about pride. You can't have your wife sleeping around. That's an embarrassment. I don't think there were any deep feelings in that marriage.

NiNi

I don't even think either of them really had extremely deep feelings for their daughter. Like I think Fuyu loves her daughter, but in a distracted kind of way, almost? The only depth of feeling that I felt anywhere was between Fuyu and Itsuki, and even that was tied up in all this anger and bitterness and guilt and whatever else. That's a direction to go in for sure, but it really didn't make me understand why they wanted to be together, and then why they decided not to be together… and then in the end, why Fuyu comes back out of nowhere. 

It's all muddled and mixed for me, especially the closer that we get to the end. But like I said, I don't think that I had as bad a time with it as other people might have.

Ben

I had a very bad time. [Ben and NiNi laugh] 

This show was aggravating. We've been talking about this a lot on the show lately about how much work we think we should do for a show to like, meet them emotionally, where they're trying to take us. There are times when either the writing or the performance doesn't necessarily get you all the way there? And you kind of have to just feel it for the show. But this show just does not feel complete. There are a bunch of ideas that are fine on their own, like, ‘and then she comes in here and then she pours a fucking champagne on her head.’ That's an unhinged lesbian behavior that I have seen happen in person! So like, I totally believed that.

NiNi

Oh yeah.

Ben

But then Fuyu’s turn where she’s suddenly nice to other women in the company that they're in and stops being a huge dick to the other moms, that just doesn't really track? Like, what changed in that moment? I don't really know how we went there. They had her suddenly start being nice to them so they could be on the same team against Big Red.

NiNi

I'm so mad that you called her Big Red, but it kinda works. [Ben and NiNi laugh] I'm not gonna call her anything except Big Red now.

Ben

I did not remember what her character name was. Her name was Big Red.

Ginny

That's her name now, yep [laughs].

Ben

Like it was funny when Itsuki was like, 'Fuck off, Big Red' and knocked her ass down. [all laugh]

All these moments are like, well, that was amusing on its own, but it doesn't really come together as a coherent story unto itself. There’s this huge branching point later on where it's basically the supporting cast trying to seduce a guy to give them information to save the game, and that's happening separately from the drama with Itsuki, Fuyu, Fuyu’s husband, Big Red and all the drama going on there. 

NiNi 

I want to talk a little bit about the actual game development plot, because that stuff was wild. They're preparing whatever they have to do to develop this game, and along the way they're going through literal sexual harassment. There's a point in time that they're trying to get information from this artist. And this guy is a caricature of a sexual harasser, like at one point there are five of these female game developers in his house, and they're literally peeling this guy off of each other as he gropes them. And I'm just like, is this normal or is this exaggerated? I don't even know?

Ben 

Actually, it felt like most of that was actually normal. 

NiNi 

That is terrifying. 

Ben 

The drama with the team felt pretty straightforward for me. You had women in the team having varied responses to the sexual harassment. One of them was like, 'I will absolutely not compromise myself and use sex to get ahead' and another one was like, 'I will, I got this for us.' [Ben and NiNi laugh] I thought that was fine. I didn't mind there being a character who is willing to use men's desire to advance her goals and her team’s goals. I liked that it wasn't required only for her to do that, that there were other people who didn't want to do it that way accomplishing things for their team. The up and down of, ‘is this game going to get developed or not, the expectations of our client keep changing, it seems to be for reasons well beyond us and other drama’ — that felt fairly normal for trying to get any sort of major creative endeavor with the expensive team off the ground. Most of the game development stuff tracked normally for me. Even the whole plot line about poaching talent and then dumping talent: that is a real problem right now. That sort of stuff mostly tracked for me. I wasn't that fussed about the game development stuff and the workplace conditions that they were working under. 

It was the stuff about Fuyu and Itsuki's relationship and the motivations around them romantically, and other characters’ reactions to it, that is where I struggled the most with this. It wasn't a show that left you in a cool place at the end of an episode and picked up in a great place with the next episode. Spending two months watching this was not a great experience. 

NiNi 

I think my rating’s definitely going to be higher than you guys, so I'll go first. 

Ben 

Okay. 

NiNi 

I'm gonna say 7. To me, bits are cool and I can follow generally where this is going, and the bits that I thought were weird were not offensive. It wasn’t very good, but it wasn't terrible. 

Ben 

Ginny? 

Ginny 

I gave it a 5.5. 6 is my mad-I-watched-it threshold. Anything 6 or higher might be very bad, but I'm not mad I watched it. Below a 6 I'm kind of mad that I watched it. That's where this one landed for me. 

Fuyu was very beautiful, and I did enjoy watching her every week. But when that's the nicest thing I have to say about a show, it's not good. 

Ben 

It gave this a 4. It is not recommended. I don't think this is a good lesbian story. I don't think this is a good game development story. I don't think it's a good workplace story. It is a mess. This was developed by the same person who made His the movie, so I am very confused how we ended up with something that absolutely failed on the queer front like this. I do not get it. When this show was confused, it lands on the wrong side of the coin a lot. And it felt like at the very last five minutes they were doing a shit ton of clean up. I don't think this show is worthwhile. 

NiNi 

That's gonna land us somewhere in the 5ish range overall?

Ben 

Round it down, because it sucks! [all laugh] It gets a 5 from The Conversation. 

NiNi 

So that is officially a chop. 

00:18:31 - She Loves To Cook, and She Loves To Eat

NiNi 

All right. So we're gonna leave that behind and we're going to move on to She Loves to Cook, and She Loves to Eat. 

Ben, give us the synopsis. What is She Loves to Cook, and She Loves to Eat about?

Ben 

Okay, let me be much nicer now because this is one of my favorite shows now. So, [laughs] She Loves to Cook, and She Loves to Eat is like the lesbian neighbor of What Did You Eat Yesterday? We have a young woman who's a programmer. She feels like she's like late 20s, early 30s. Her name is Nomoto. She runs like a food account on Instagram, and whenever she's in a bad mood and needs to work through some stuff, she ends up making too much food, and she has a small appetite, so it goes to waste. She has a neighbor who is a taller, bigger woman, and on a whim one night she invites her over to share food with her. And this is the beginning of their friendship that eventually becomes a more serious relationship.

Second season picks up with twice as many episodes, and boy did they need them. We spend this season with Nomoto and Kasuga befriending their new, younger woman neighbor. Nomoto becomes a full-time employee at her work and develops a more reliable friendship with Sayama. She also befriends her Twitter friend Yako, who is basically one of us. She loves her stories, she loves her little food, and she loves hearing about other people's drama and poking them to get their shit together. I love her so much. 

It was a really delightful season watching these two grow closer, figure out what their relationship was going to be, and develop that into more as they dealt with some of their real personal and professional issues. I really, truly loved the season. 

Ginny, you were fairly recent to watching this, so you watched the first and second season basically as one dedicated viewing experience. What was your experience engaging with this for the first time in the last month or so? 

Ginny 

It was very fun. I did this as my unwinding as I was moving in with my girlfriend who is the loves to eat in our relationship, where I'm the loves to cook. So it was a lovely experience. The two seasons flow so seamlessly into each other. Season 2 picks up right where season 1 left off so I'm kind of glad I did it this way. I think I might have been a little frustrated at the end of season 1, especially having to wait and not knowing if we'd get more, because they don't entirely confirm their relationship by the end of that? It's understood that they're very important to each other and they have this very meaningful place in each other's lives, celebrating holidays together, but they don't even start to have conversations about what their relationship is until we're a little ways into season 2. So I'm glad that I got to watch it all unfold as a single story. 

So many details of, just the way that that develops between them felt so realistic to journeys that I've seen between two women who are close friends and realize that they might have romantic feelings for each other. All of the angsting you do about that, and the 'what does this mean' and the 'what does it even mean to love someone romantically instead of as just this very special, most importantest friend in the world,' — just so many little details were perfectly done and extremely relatable. It was just gorgeous. 

Ben 

NiNi, since you watched the first season and angsted with the rest of us about whether or not it was going to come back, and whether or not that second season was gonna be good, what were your overall impressions of the second season after you walked away from it? 

NiNi 

I loved it, but I knew I was going to love it. I had some angst in the middle of the season that we're probably gonna get to, not bad angst. Just, ‘oh, I wonder if they're doing this thing that I think that they're doing.’ But I thoroughly enjoyed it. 

I love so much how the show expands in this season. The first season is very tightly focused, mostly on Nomoto and Kasuga, whereas this season expands outward to show you some of the other people in their life and show you them developing their relationships with these other people, some new, some not. I always love stories that show you the life that these people are living. So I thoroughly enjoyed this season, had a great time with it. 

00:23:14 - SLTCSLTE: The Women

Ben

There were a lot of presentations of various women's issues that played out this season. Do the two of you have particular storylines that you especially enjoyed, or connected to?

Ginny

I love Nagumo's story. I think the one I connected to most was probably Kasuga, but I thought bringing in Nagumo as someone who could receive some mentorship from these two women and also [laughs] kind of help coach Kasuga through her feelings revelation, and relationship transition… it was a beautiful relationship and a wonderful addition, and the way that her character brings a different perspective on the whole nature of food and communal eating was also just a gorgeous touch.

Ben

What about you, NiNi? Did you have a particular plot line that you enjoyed or connected to?

NiNi

We got some stuff on the fringes about Sayama trying to date and looking to potentially get married, realizing and talking to Nomoto that she can't get married if she wants to, and then that leading Sayama to think about whether she even wants to get married. That resonated in a particular kind of way. It was a quiet little side runner, it didn't take up a lot of space in the story, but it did hit me. We end the season without really an answer from Sayama on that, but the fact that she started thinking about it? That resonated with me, for sure.

Ben

What I love about Sayama as a straight character in this narrative is: queer people don't fit the heterosexual mold, and loving queer people forces you to reckon with why we don't. And then that can often open up things for you, as well. I really loved her apology scene with Nomoto. Recognizing that her working through her own ambivalence about marriage is dismissive of the fact that it's not even an option available for Nomoto.

Ginny

You also have Kasuga's coworker, who's older and is getting a divorce after her children have grown up. Getting a divorce is extremely liberating for her. It really does show this kind of 360 view of heterosexual marriage not necessarily being right for all heterosexual women.

Ben

I think it's notable that when they show multiple older women working at this grocery store, they're all like, 'mm-mm, divorce was the right call for me, because I don't think it's right that I'm expected to take care of my husband's family and everybody else does nothing, and that's gonna be my entire existence.' And I love how explicit she was, she told Kasuga straight up: if you were my own daughter, who I do have, I would tell her the same thing, and I would say please live your life. Do not sacrifice your life for a bunch of other people who do not appreciate what you want for your life. Because Kasuga decided to sever ties with her family, because they did not respect her and they wanted her to just take care of them, and sacrifice anything she wanted for her life. It was really lovely that the show went out of its way to be explicit about that.

NiNi

Since we're already sort of diving into it, let's lean into that storyline. Kasuga left home a long time ago and decided to live her life. Kasuga has a brother who is the favored child, but Kasuga’s brother does nothing. Now Kasuga's parents are older and ill, and her grandparents are older and ill and need taking care of. And so Kasuga's dad has started looking for her now. He's like, 'Well, you're not married, whatever you're doing isn't important, you gotta come home and take care of everybody.' It only comes to her doorstep because her aunt gives her father both her number and address, because 'oh, you’re a family, you shouldn’t not talk to each other.' Her aunt thinks she's doing the right thing, but this is definitely not the right thing for Kasuga. Kasuga's father has never appreciated her as a person, has never cared about her as a person, has only focused on his son. And now he wants Kasuga to take care of him essentially until he dies. Kasuga really struggles with this. She wonders, is this my responsibility? Is this something that I have to do? Is she a bad daughter if she doesn't do this? What does this mean for her? Fujita tells her, 'Look, if you were my daughter, I would tell you do not go. You don't have a responsibility to give up your life for somebody else.'

All the conversations that Kasuga has with her father, she has them in her car. She does not talk to him when she is in her house, her safe space? She does not speak to her father in there. When she has decided that she's not going home, not just not going home, but never going home again, she sits in the car and has the conversation where she tells him, 'I'm not ever coming home. Don't contact me again.' And then she goes from the car straight to Nomoto. And Nomoto gets so furious on her behalf that she starts to cry. She's like, 'I can't believe that this man made you feel this way about yourself. He's a horrible person.' Basically, everything that Kasuga needed to hear, she got from Nomoto in that moment. 

I am an eldest daughter. I have a fantastic relationship with my family. And any caregiving I do is of my own volition, and I am happy to do it. It is still tiring. It is still exhausting. Even when it is received with gratitude and happiness and love, it is hard to do. If you have to take care of people who don't care about you? You can feel like you're dying. I am certain about it. That expectation being placed on you is hard enough. To do it for people [who] do not love you — because I do not think Kasuga’s father loves her — is impossible. And so I had a lot of feelings about it while it was happening, but watching her say, 'No, I am not going to just let go of my entire life and everything that I want for this person.' 

And then to have Fujita tell her, 'if you were my daughter,' which releases her from that burden of thinking about her mother — because that's the other part of the guilt that she's feeling. Not necessarily guilt towards her father, but the fact that if she doesn't come home, her mother's gonna have to do all of this. And she thinks about her mother all the time. It's just, it's so much. It's so deep. It's so intense. It's so delicious. And it's not what you expect to get out of a story that's told in little 15-minute episodes! It really isn't.

Ginny

I'm also an eldest daughter and feel so much of that. I spent my childhood, really, like Kasuga, very aware that there were a lot of things I was expected to give up. The way that that sinks into your brain… you just feel like, 'I am worth what I can do for people.' 

What struck me the most in that conversation with Nomoto when Kasuga first tells her what she's done, is Nomoto begs her to keep living her life here where she's thriving, and to keep being happy. Through their whole relationship, Nomoto has taken such joy in Kasuga’s love of eating and just celebrated that this gives you pleasure and you're taking pleasure, and that's a wonderful thing. And in this moment, she kind of expands it to Kasuga's whole life. And she says, please don't ever go somewhere where you can't thrive, where you can't feel joy, where you can't feel loved, and yourself. To hear someone say that? I think I did cry in that scene. You need to hear someone say that. Someone who grew up like Kasuga needs someone who loves you begging you to take care of yourself and to do what brings you joy. The heart of their relationship and what draws them together is how deeply Nomoto celebrates Kasuga taking care of herself and being taken care of and experiencing pleasure. It's beautiful.

Ben

I really enjoyed the way that continued in the whole strawberry debacle.

NiNi

[laughs] The strawberry thing. It was so funny. [Ginny laughs] It was so cute, too. It was really cute. This is after they've started dating, but their relationship hasn't changed very much. And so she asked Nagumo, is there something that she should be doing? Which I found adorable.

Ginny

It's so real.

Ben

It's funny, too, because Nagumo admits she doesn't have much experience either [Ginny laughs], and is like, 'You could, like, go do things you both like doing? Together? That sounds right.' [all laugh]

NiNi

It’s so funny. And that's when she sees this flyer for the strawberry picking. And she's like, 'Oh, okay, I like strawberry picking. I should ask Nomoto to go strawberry picking with me. That's like the kind of thing that people do when they're in relationships, right?'

Ben

'That's, like, a food thing. She likes to make food. This might be fun!' Kasuga doesn't really say what she wants to do, she just hands it to Nomoto and is like, 'Hey, I thought this might be fun for us to do' and Nomoto’s like, 'Oh, yeah, that sounds great. We can maybe go vegetable picking and then make some stuff afterwards.' And Kasuga doesn't really speak up about what she maybe wanted. 

Late in the day Nomoto realizes Kasuga maybe wanted to go check out a restaurant in the area, and wanted to maybe do strawberry picking instead. And Nomoto ends up feeling so bad about this, feeling like she was not really receptive to what Kasuga actually wanted, and like she was steamrolling her. This plays out across almost two or three episodes, but the culmination is Nomoto saying very clearly to Kasuga, 'I want you to be selfish with me. I want you to feel like you can want things and express them. It's really important to me that you are doing the things you enjoy.'

Ginny

And Kasuga admits that that's hard for her. Another moment that rang so true for me, for both of them.

Ben

So much of their relationship is Nomoto getting intense pleasure [laughs] out of watching Kasuga enjoy herself.

00:34:18 - SLTCSLTE: Yako and The New House

Ben

I'd like to talk about my favorite character of the season.

NiNi

Ben wants to talk about Yako. Let's go.

Ben

Yako is the best thing that has happened to BL and GL in the last two years. [laughs]

NiNi

She's really just like us. [laughs]

Ben

No character’s been a better audience stand in than an asexual lesbian enjoying her wine and her takeout, watching gay movies with other girls, and then hearing about their relationship drama and giving completely reasonable advice by just asking questions.

Ginny

Best life.

Ben

I love her so much. She is everything that I am trying to be every day. [NiNi laughs] And she's good at it! [laughs] She never tells anybody, 'Just do it.' She's just like, 'What are you feeling? How do you feel if you don't do it? Well, there you go.’

And then they have the curry party? That looked like so much fun. They all go over to Yako's house and meet her properly. Nomoto and Kasuga take Nagumo with them. And they make a bunch of different curry, and naan, and some fancy juice, and they have themselves a good-ass time. And this leads to Yako becoming friends with Nagumo, and she ends up becoming a confidante to Nagumo as well. She recognizes after the girls reveal they're gonna move out that somebody should check on Nagumo, who has probably gotten used to having two really reliable neighbors who care about her, and how Nagumo might be anxious about saying, like, she misses them and still wants to see them. Even as Nagumo admits, moving out is the right call for them, I love that Yako gave Nagumo space to admit that she was a bit bummed that she was gonna not be living next to two solid friends anymore. 

I love Yako so much. She is in competition for blorbo of the year.

NiNi

Yako has the best ideas for parties, too, like the first time she had the watch party with Nomoto, they've both got snacks and drinks, and they're talking about what they've got for their snacks and their drinks and then they watch a lesbian movie and they cry. [Ben and Ginny laugh] It’s so good. Literally, Yako is really just like us. 

The only thing I'm sad about in this entire season is that Sayama hasn't yet become a part of this whole little group that they have, but she will. I know she will.

Ben

They just moved in together. They got a big space. There's room for Fujita and Sayama to show up for another party they're gonna have. These two could host all six major female characters at their new place. 

Let's talk about the new place while we're here. Where…?

[all laugh]

NiNi

Go ahead. I know you want to.

Ben

I love Kasuga. I love everything about her. I love her big chair, I love her big bed, I love her big TV. I need to know where these things are going to go in the new space. [NiNi laughs] Nomoto is totally fine to just use her iPad as her fill-in device for all of her tech needs and entertainment needs. I understand Kasuga. When I moved out, I got myself two big-ass TVs! I need to know where this goes in their new space.

NiNi

[laughs] Doing it real big, right?

Ben

Mhmm! Her car real big. Shoes real big. TV real big. Everything real big.

NiNi

We can talk a little bit about the new space. It looks really good. I like the way that it feels like both of them, which is exactly what you want in a place where you’re gonna be moving in together. But can we just talk about how U-Haul lesbian it is of them to get together and immediately start talking about moving in together?

Ginny

Hang on, they started talking about moving in together [Ben laughs] and then got together. That was the order! [NiNi laughs] They were like—

NiNi

That is true, that is fair.

Ginny

—'I’m gonna move.' 

'Oh my God. I can't bear the thought of you leaving, but I understand why you have to.' 

'Well, it's okay ‘cause I was going to ask if you wanted to move in. Also, are we in love with each other?'

Like, that was the conversation. [NiNi laughs]

Ben

'And we finally picked a place to live. Do you wanna make out for the first time?' 

NiNi

[laughs] And the other good part of it is that before any of this, they somehow adopted a child together.

Ben

Right?

Ginny

Yeah! This all tracks. This is all very typical. 

NiNi

Mmhmm. This felt like the correct order of things for lesbians.

00:39:17 - SLTCSLTE: The Food and Nagumo

NiNi

Okay, we need to talk about food.

Ben

Okay.

NiNi

Because Ben started talking about the curry party and I got excited.

Ben

I got hungry, I need to go make food after this. [Ben and Ginny laugh]

NiNi

We didn't even talk yet about the takoyaki party. I am not a huge fan of takoyaki, but that looked really good.

Ben

All right, as we go into the food, let's talk about Nagumo's eating disorder, because I think that this is one of my favorite food plots in a food show in a long time.

NiNi

One of the things about these food shows is that it's about the communal experience of food. Nagumo has a social anxiety disorder where she can't eat in front of other people. The way that this is brought to the surface, and then the way that Kasuga and Nomoto figure out how to include her in the communal experience without trying to force her to eat or making it an anxious space for her where other people are eating… There's something about Kasuga that just reads incredibly reliable from the off. So when Nagumo first meets Kasuga, she very quickly gets very comfortable and feels like she can tell this woman anything. And Kasuga is just so forthright and so understanding about things, that when Nagumo tells her, you know, 'I really can't eat in front of other people,' the first thing she asks her is 'oh, well, can you drink something? Can I make you a cup of tea?' And that sort of becomes a jumping off point for the way that they interact when they're having these communal experiences around food, and the way that Kasuga explains to other people for Nagumo, but without giving too many details of Nagumo's private business. The way that these women make a comfortable space for her to still have the community of meals together without forcing her to eat, drives Nagumo to say, 'I want to go and get myself treated because I want to be able to eat with these women, because I care about them.'

Ben

I really love the arc of that. In a show about two people bonding over food, they met somebody who they couldn't necessarily do that with right away, they had to work into it. And I love the way that they slowly built that out — like the donut party was so satisfying.

NiNi

Donut party was fantastic.

Ben

There’s the donut party. There's the marshmallow party.

NiNi

Don't get me started on Nomoto and her, like, zoning out thinking about Kasuga with these marshmallows. [laughs] It was almost erotic but not in a male gaze erotic kind of way. She's got a comically large number of bags of marshmallows in Nomoto’s mind that she's hugging to her, and then she starts eating the marshmallows with a smile on her face. [laughs] All this is happening in Nomoto’s imagination and I'm just like, 'Yes, girl. Yeah, I understand what is happening to you right now.' [laughs] She's zoning out thinking about Kasuga and these marshmallows and I am cracking up. I'm having a whale of a—Oh, it's so good. 

Okay. I'm gonna get over Kasuga and marshmallows, but [laughs] not immediately. So good, so funny. No notes.

00:43:02 - SLTCSLTE: Depictions of Intimacy

Ben

You had a little bit of hesitation in the middle of the second season. Do you want to talk about that on the show? And do you feel resolved by the way they played it out?

NiNi

Not resolved, but more… comforted, I guess. Part of the agita, I think that I was having, is that I was working through myself. Yako and Nomoto are watching these lesbian films. Yako is introducing Nomoto to these lesbian movies, and they're watching them together. And Nomoto is saying she's watching these movies and all these women are so passionate, and she knows that she likes Kasuga in a romantic way, but she doesn't think that she has these passionate feelings like these women in these films. That's when Yako tells her, 'Well, you know, I'm asexual, this is how I feel about these things.' 

And in the middle of the season when this is happening, I had a bit of a moment where I'm just like, okay, is it that they're doing this purity thing where it's fine to be a lesbian if you don't have sex or sexual feelings? It was something that I was worried about. I think it was a little bit of burden of representation stuff that I was maybe putting on the show? That I felt like it was important to show female sexuality as being good and okay and fine, and not to wrap female sexuality and women loving women up in this thing of it being somehow chaste and pure. That was something that was coming from my own thoughts about it. There's not a lot of ace spectrum rep out there in terms of media and dramas in this field, so intellectually I felt like, oh, well, this is fine. But emotionally, I was having a hard time with. Intellectually, I'm like, okay, yes, if it is that this is an ace lesbian story, this is fine because there's not a lot of representation of that, either. But then I was also, like, feeling that even if it was ace lesbian representation, it was being done in this weird binary where you're either sexual or you're not, when acespec is just a whole spectrum of things. I was getting tied up in my own feelings about a lot of this, and it was giving me a little bit of grief and a little bit of gripe. 

But when we come down through the season and come down towards the end of the season, it starts to feel more like a journey of discovery, of Nomoto figuring out what labels that she would apply to herself that make her feel comfortable with the relationship, and understanding how she feels about Kasuga and in what ways they want to proceed with their relationship and the things that they want to try or not try, and having those conversations with Kasuga, as well. And that eased me in the way that I was feeling about it. I fully admit that I got tied up in my own feelings about this, because it didn't have anything to do with what the show was doing. It works out well. I feel comfortable and comforted by the way that the story goes down through to the end. I'm good with where they've decided to take Nomoto, and Nomoto and Kasuga’s relationship, and where they have hopefully paused, not stopped.

Ginny

I understand that feeling completely. I feel some kind of meta regret that the two lesbian shows we’re talking about, the horny kinky concept one was bad, and the very chaste, ace spectrum one was good. I would love more horny kinky concept lesbians that are also actually well done. But as you said, that's not a problem with this show as it is just sort of with the bigger media landscape, and the show is giving also voice to really important, very representative experiences. 

I love where they land on the question of physical intimacy, because I was wondering what they were going to do having gotten so far into the season. They hardly ever touch each other. There is this sensuality in their relationship around food, and I don't think it functions as a metaphor or a substitute for sex — it's just a different kind and source of pleasure that is important to their relationship, and that's so cool and I love it! But I love where they end up on the question of touch. Kasuga saying, 'yes, I would like to try things out one by one with you.' That's such a lovely way to say, we don't know where this ends. We don't know how we're going to feel about it, but we trust each other enough and we want to explore together at whatever pace feels right for both of us.

Ben

I am less concerned, I think, with certain styles of Japanese shows delving into onscreen depictions of sex and sexuality because of the space those shows fill. Zenra Meshi, What Did You Eat Yesterday?, and this show. The ton of sensuality in the food stuff supports the thinking around sex and intimacy, and I'm really glad they had the hug and kiss scene to make sure that we didn't skip that? But I don't necessarily need to see it in the show, in the sense that I'm okay with just confirming that it's gonna happen, or it is happening. What I do need NHK and TV Tokyo to figure out is: how does the cast of this show meet the cast of What Did You Eat Yesterday? There has to be a way to get these two stories a crossover.

NiNi

It does feel like there needs to be a crossover between these two stories. The new place that they've moved into, I'm pretty sure it's in Shiro and Kenji's building, like it has to be. That's the only thing that makes any sense to me in my head. [laughs]

What you were saying about seeing it on screen, it's not necessarily that I need to see their physical intimacy on screen, or whether there is physical intimacy on screen. I just need to understand, I think, if it was something that they were even gonna talk about or discuss, or if it was something that they wanted or not wanted. I think that it's fine for me for them to have the conversation and say, 'Okay, let's figure this out.' And if that lands upon them not being physically intimate that's fine, if it lands up on them being physically intimate, that's fine, but I think what I was worried about, and maybe I shouldn't have been, was that they were not going to talk about it at all.

Ben

I'm very glad that they had a conversation about it before they moved out, and established that it is something that they want, even if it's something they're gonna have to figure it out.

NiNi

Most definitely, but let's move back to the part where they're moving into Shiro and Kenji's building, because I feel like somehow that has to happen. And I feel like somebody needs to slip Nishijima and Uchino a note that says, 'Hey. Y'all are good at making stuff happen. Make this happen, too. Find a way.'

Ben

It's just difficult because it's an NHK adaptation versus TV Tokyo and I don't know how that plays out because one is a for-profit broadcaster and the other is explicitly a public entity.

NiNi

Figure it out. [Ben and NiNi laugh] I don't care if it's a movie, I don't care if it's a special, I don't care what it is. They need to figure this out, because there's no way that these two shows are not existing in the same universe. They have to.

00:50:53 - SLTCSLTE Ratings and Outro

Ben

I think that's it. This show is excellent. I guess we should rate it. Let's go around. 

Ginny, you're newest to this. What's your rating for this?

Ginny

I gave season one a 9 and season two a 10. Season one felt a little incomplete to me, but season two sewed it up. If I was rating them together, I would give them a 10 as a single experience.

Ben

What about you, NiNi?

NiNi

Why you even asking me? You know my answer. This is a 10.

Ben

It's a 10! 10s across the board. Go watch it right now and then when you're finished, go show it to a friend, and then make them show it to a friend. I'm not even kidding. This is excellent. This is going to have to get a new supercut for me on the show. I’m gonna have to mention this every goddamn recording we do after this. [Ginny and NiNi laugh]

NiNi

It's a good thing Ginny's here because now she goes, she's like, okay, so I'm looking for What Did You Eat Yesterday? and then She Loves to Cook, She Loves to Eat.

Ginny

Making notes.

Ben

It was really just so lovely. One of the things I really enjoy in my queer stories is realistic and believable-feeling friend groups around them. It's really important for me, not just that I believe in the integrity of the couple, but also the integrity of their network. And I really like when queer friend groups grow as a result of two other people finding something in each other, that was really important for me. And it's why this particular show is so special to me. I really love this show, so much. Please go watch it.

NiNi

And with that, that's all she wrote. That is going to wrap us up, say bye to the people. 

Say bye Ginny!

Ginny

Bye!

NiNi

Say bye to the people, Ben.

Ben

Peace.

#chaser game w #she loves to cook and she loves to eat #tsukuritai onna to tabetai onna #japanese gl #gl series #ben and nini's conversations #the conversation #lgbtq #podcast #spring series #spring 2024

[the-darkestminds]

E/riel’s laugh at how Azriel rejected/ignored Gwyn’s handshake (I’m assuming the part where Gwyn reaches the finish line and says “Well?” while extending her hand), but Gwyn never offered a handshake. She did reach out her hand, yes, but not for Azriel to shake her hand. Gwyn didn’t want a handshake, she wanted her prize. When she reached out her hand it was like “hello I proved you wrong now give me my prize!”. I never interpreted it as Gwyn wanting a handshake.

Or they bring up how Azriel didn’t care that Gwyn was kidnapped for the Blood Rite. Azriel’s shadows deepened and his siphons flowed at the mention of her name, and in the audiobook there was a pause before Cassian said Gwyn’s name and there was an emphasis put on it. If Cassian and Azriel did anything to help the girls, then not only would both of them probably face execution, but the Valkyries as well. Not even Rhys could do anything. And Azriel brought up how maybe Amren could find loopholes in the law. And he spoke to Rhys with urgency, and I think he even stammered (for the first time in the entire series). If Rhys couldn’t do anything (most powerful High Lord), then what the hell could Azriel and Cassian do?

And when Azriel saved Gwyn, he slaughtered all the soldiers without hesitation, and we know that he usually keeps two alive for interrogation/torture, but in this one instance he didn’t. Thought sounds like going feral/being in rage to me. Yes, after Mor arrived he left, but he had to go after the Cauldron pieces (war was literally on the horizon here). And Mor had to heal Gwyn from her assault, and Gwyn being left with Mor (another woman) was probably the better thing to do. Maybe Azriel thought Gwyn would’ve felt better with another woman by her.

And they laugh at how Gwyn tried to get Azriel to open up but he shuts her down and tells her to the cut ribbon. Azriel did open up to Gwyn by admitting that he does sing. He didn’t demonstrate his singing, but we still got something from him. Something that we didn’t know, and this is a man who is very private and a bit closed off. And Gwyn gave Azriel multiple chances to leave. She even dismissed him and he asked her “Are you kicking me out?” and he chose to stay and talk. He made that choice himself. He could’ve left at any time, but didn’t. “He was being polite and didn’t want to be rude” he still could’ve left and gave a polite reason. He also smiled and laughed more in ONE scene with Gwyn than he ever has in the entire series.

They argue about the necklace being Elain’s (and yes it was originally her gift), but would Elain really want that necklace back if she knew that Azriel gave it to another woman? And let’s not forget that Elain GAVE it back to Azriel (like she did Truth Teller). She made that choice to return it. “Azriel specifically picked it out for Elain!” I honestly don’t know why they would want Elain to have it back. It was generic enough that he didn’t have any problem with giving it to another woman. What does Azriel know about Elain other than she loves to garden and bake (there’s nothing wrong with baking & gardening btw)? Are roses even her favorite flower? I personally think tulips might be, but that’s just my little headcanon. And I’ve seen some E/riel’s say that Clotho didn’t give Gwyn the necklace (?), but Clotho and Gwyn are friends so? And even if she didn’t give the necklace to Gwyn it still doesn’t erase the fact that Azriel felt a spark in his chest, buried the image of Gwyn smiling/her joy and tucked it into his chest where it glowed, and that it brought a slight smile to his face. (I don’t think the necklace will end up being a big deal though.)

(And in case E/riel’s try and twist canon, Azriel first offered it to Gwyn and then he told Clotho that if there’s another priestess who wants it to give it to her).

Anon here is making a lot of good points ☝️ I have seen all of this and more. Things that don’t support their ship are brushed aside or ignored. Also yes, they definitely misinterpret a lot of what’s written, like the scene you mentioned when Gwyn holds out her hand. They also like to ignore the second half of the bonus chapter. Yes it started with Elain but ended with Azriel distracted and thinking of another female, his chest glowing at the thought of her smile. They also like to pretend that forbidden love would be hot and romantic for Azriel when really it would be the worst possible thing for his character. We got to see more of Azriel’s personality in his very short interaction with Gwyn than we have in the rest of the books combined. Also that moment when he’s watching Gwyn cut the ribbon with “admiration and quiet encouragement...Only time will tell what happens but I think it’s very clear who will be end game. 🙂‍↕️

#thank u anon #you are speaking facts #☝️ #gwynriel #pro gwynriel #anti elriel

[raspberryblondeambition]

I love getting snaps like this from my boyfriend at almost 2am it's totally not concerning at all /j

#self ship #f/o #f/o x s/i #self shipping #bee talks shit #sparky x me #ship: burning roses #self ship art #lennie #sparky #literally this boy got into mit at like 17 #he's so fucking smart #me and his mom were SO GODDAMN PROUD #HOLY SHIT CORE MEMORY #but yeah #never thought watching someone do math could be sexy #then i saw him do math #it was like the hello hello my my my what have we here scene #from gnomeo and juliet #hang this in the louvre

[iwritenarrativesandstuff]

started watching the new live action avatar

it’s. It’s pretty ok I guess? But there’s a lot of things I’m not altogether happy about. It feels very. Generic. Which is kind of sad.

I’m only two episodes in though, so I won’t be too harsh. But there are a few things that I really don’t like, and number one was Aang going into the Avatar State in front of Sokka and Katara for the first time when seeing Monk Gyatso instead of when escaping Zuko, and that moment being isolated instead of the moment everyone in the world knew the Avatar had returned

in the original series, Aang goes into the Avatar State when confronted by irrefutable proof in the form of the skeleton of his best friend and mentor - the airbenders really were massacred and he can no longer deny it.

every statue of the Avatar around the globe lights up in a single moment. the legendary figure’s destined return is announced to the world by an overwhelming outpouring of grief and rage from a young child who just discovered that everyone he ever knew and loved is gone. it’s poignant. the Avatar’s return in that moment is not a triumph. that terrifying show of strength and power, enough to light up the world in its glow, is pure emotional anguish from a small twelve year old, who just saw the dead body of his mentor and now believes he is all alone

and Katara and Sokka having seen the Avatar State before means that there is less of the shock and “what is happening” in this pivotal scene (which was the main focus in the live action). of course Sokka is still concerned about them potentially getting flung off the mountain. but both of them know this reaction for what it is - mysterious power, sure, but primarily, they see and recognize his grief.

I just. what happened to “we’re your family now” and “neither of us are gonna let anything happen to you”??? :(

on a side note, I do feel like Katara and Sokka themselves have been heavily (heh) watered down. it’s a shame. Sokka’s my favourite, and I just think that I. Don’t trust writers with Katara now. (Why is her waterbending a secret? The whole reason she didn’t learn was because there was no one to teach her and she couldn’t leave… also where is her instant connection with Aang… where is their silliness… where did it go…)

however! I did like a couple things that were done and I want to be a bit positive so here

love Zuko and Suki’s actors. they did a great job

Sokka and Suki’s training together was cute ☺️ (though I wish he had worn the uniform of the Kyoshi Warriors…)

Aang himself is adorable :) (wish he got to be a little more silly but Netflix adaptations always are more serious for some reason)

I actually kind of enjoyed getting to see some of the scenes from the war’s outbreak. I prefer the way the original show portrays it, with a lot of info being learned reverse chronologically, but it was cool to see Sozin, and some of the airbenders, and a little more of Gyatso (who I also really enjoyed :’) )

Katara bending water at Aang and it reducing to them splashing each other without even trying to bend. Rare sillies!

I thought Kyoshi herself coming to defend her island was pretty sweet!!!

Katara getting flashbacks to her mother’s death on seeing firebending. Well I don’t like this, obviously, but it clearly shows how her mother’s death haunts her, and if they have Katara face off against Zuko again at the North Pole, it’ll be all the more triumphant.

Suki’s mom!!! Damn she was so cool!!!!!!

#also whyyy was Katara not the first person Aang saw??? this is really important!!! #and what is Katara’s role here. She didn’t even seem to break the iceberg. That’s. That’s her whole. That’s. She. She kickstarts it. Gah. #Katara my beloved my sweetie I don’t know why your writing got fucked up in the comics and now here #you deserve so much better #also why no Aang and Zuko confrontation? hello? that’s really important??? #they had him meet Iroh though. so that was actually pretty interesting #no agni kai between Zhao and Zuko either? maybe it’ll happen next episode? #ugh. I actually don’t like a lot of things. But I’ve only watched two episode so I’ll be chill and wait for more #storyrambles #atla #also this is just me being nitpicky but if we were going to actually see gyatso’s death (which. Idk it was more impactful not seeing it tbh #there’s this implication that gyatso may have broken his vow of pacifism since his skeleton was surrounded by tons of fire nation soldiers #implying he may have killed them #it wouldn’t have fit or made sense at the beginning of the show #but if they were going to show his death scene. Idk. Guess I just expected something more substantial #personally from what little we knew of Gyatso it actually does seem likely he’d break his vow if he really did die protecting the children #also. he was supposed to be the strongest airbender at the time. come on now. he just gets roasted?

[hauntingblue]

Yabushige count your fucking days. I am so mad

#the fucking flash forward. insane #toranaga in the fucking forest... ALL YOU HAVE LEFT IS THAT FUCKING EAGLE!!!!! NO SON NO FRIENDS!!!! #ishido blaming toranaga...... you should seppuku yourself...... shameless.... #so all out war now??? no toranaga invasion???? mmm..... #yabushige has lost it.... all that for nothing... oof #oshiba and her kid finishing marikoa poem..... i think i huave covid #HIS SHIP?????? #toranaga did this to keep him here knowing he wont stay now that mariko is dead.... i know it #the christians???? mariko???? to keep him here too?? #omg fuji......... #toranagas baby is so big ajdhaksj 'i have more sons thanks to you' hello???? #OSHIBA TURNED!!! ISHIDO ITS SO OVER!!!! #NO!!! LEAVE FUJI ALONE LET HER BECOME A NUN!!! ANJIN YOU ARE ON THIN ICE #toranaga is sucha bad bitch #i feel like anjin really felt ashamed about his first intent to arrive to japan and that mixed with marikos death... he said fuck it #and then toranaga turns it around and says nah... I am using YOU!! get your pussy up!! get your ships up!!! #'que la muerte le sea leve' thats what me and my friends say when we say goodbye to go to class ajshajanaakak i love this guy #favourite secondary character #this shot is so pretty... with the tree and the sea... the framing.... #SEE how toranaga burned his ship!!!! bc he wants to keep him!!! thats his foreign pet!! #he makes him laugh and distracts his enemies ajdhajdjsj.... his jester... #beef squashed with my girlfriends husband 🤝🏻 now we hold respect for each other #that was so good #i said yabushige better count his days and here we are.... #i post about someone and they die. 3/3 sobfar #if i reach far enough shogun is about a daimyo and the psychosexual relationship between him and his foreign pet... #he makes me laugh... and the last scene is the anjin laughing while looking at him... okay..... #talking tag #watching shogun #also!!! toranaga wanting to be shogun!!! this man is so complex!!! i hate him!!!

[mecharose]

maybe i'll write ndot <- guy abt to make a terrible decision

#but like.... what if I did tho 👀 #maybe if I write it out of order like my newer stuff it'll turn out better than last time... 👀 #(i just think it's easier to not get off track when I have later scenes lookin at me like Hello. we need to get Here at some point) #liv shouts into the void #adventures in writing #ndot

[cyncity2000]

this was too long for twitter but honestly i was pleasantly surprised about the publicity for heartstopper because i expected everyone on twitter to be like "wELL if every single actor doesn't immediately come out to everyone then how do we KNOW all the queer characters are actually being played by queer actors hmMM??" bc yknow. the internet is just Like That 🙃

and heartstopper's response (bc they almost certainly anticipated this) was literally just like "we have a queer cast, trust us, and not a single person in the cast owes you any more information than that. not to MENTION we go above and beyond to show you that this tv series was CREATED not only by an openly queer author who was given FULL control to write the entire screen adaptation of their own graphic novels, but also by a openly queer director who specifically made sure to hire as many queer workers as possible for every. other. department of the show. because yes, it's super important that queer actors play queer characters; but it's even MORE important that the representation extends FAR beyond the people you see on screen."

bc THAT IS HOW YOU HAVE GOOD REPRESENTATION. NOT forcing all of your actors to spend every single interview fielding questions about their own personal gender & sexual identities. good representation is making sure that―unlike the majority of films and tv shows, sadly―if you look beyond the main cast, the roles of director/producer/writer/photographer/makeup artist/crew member/etc are ACTUALLY fulfilled by a diverse group of talented people. true representation doesn't stop at the actors, or the portrayal of characters. it goes all the way up the ladder to everyone making the movie/tv show/etc happen in the first place. change can't happen long-term unless "older," well-established people in the industry (like euros lyn) use their position to create opportunities for fresh, new, young, diverse talent.

tldr heartstopper is a brilliant example of how to properly create a series both by and for the lgbtq+ community, and i was SO relieved to see all the publicity revolve around the story and the actors and the importance of representation WITHOUT requiring anybody who wasn't already out to clarify anything about themselves.

(ramble mostly inspired by this and sourced from this, if you haven't watched the video you 100% should !!! also ofc special shoutout to kit for taking absolutely no shit from twitter)

#obviously no representation is perfect. but when i watched that video and listened to euros lyn...oh i can't tell you how EXCITED i was #i specify alice being allowed to have full control over the adapted screenplay bc we know that isn't always the case with adaptations #there's always a fear that when something is adapted the control is taken away from the author and given to people who dont know the story #well enough to portray it authentically. even though alice has said it was difficult for them to write she DID IT #and that fact + the fact the whole cast and crew was genuinely in love with this story is why the adaptation was so true to the original #which i am ABSOLUTELY sure would not have been the case if the people behind the scenes didn't identify with the story in any way #also ofc some actors HAVE spoken out about their identities which is great! but what i noticed is that most of them talk v generally abt it #but it's not bc they feel like they can't come out or anything bc i wouldn't say anyone's particularly closeted #they just...feel free to be themselves? i'm sure they're out to anybody important in their lives and that's all that matters #idk this got Way Too Long sorry #i just have Lots of thoughts on this lol my dms and askbox are always open if anyone wants to talk abt it #this is Weird i've never posted about heartstopper on here before hello #heartstopper #heartstopper netflix

[wolves-etc]

hello folks we just realised the timeline probably goes:

– anton waiting tables

– scooped up by virgil (for six months)

– arrested by the same arresting officer for probably vampire-cult-ish-adjacent-offences

– anton is then in prison for six months. there is no mention of virgil serving time. there is no mention of anton and virgil being known associates before this episode. (anton kept quiet.)

– [pause for internal screaming]

– when anton gets out he gets the vampire fang dental veneers, if we believe the arrest record that doesn't mention them. they're possibly a reward. probably tethering him to the cause. to virgil.

– and as @darkfinch pointed out to me he is now an ex-con with limited job prospects and cut off from previous community ties.

– six months later virgil tests him on his resolve (anton fails) and frames him for murder :)

#like my assumption previously was that it went prison -> waiting tables -> scooped into the cult #but finch just checked with me about the timelines and. I previously thought they didn't make sense. I can see them making sense now. #also :) we know virgil tried to send anton to prison the SECOND time :) #we know virgil likes to test him (thanks to finch for helping me understand that incomprehensibly-written middle scene) #and we know isolating a victim is abuser 101 #there is an extra possible reading here and it is bad thank you for listening <3 #lost children of the blood #angst tag #orig #hello I'm back and I have more <3 the first time anton was tested for unquestioning trust and loyalty #and the second time that's what dooms him #because he'll obey virgil in a heartbeat but he hesitates to go out on his own and do a murder in order to ascend </3 #(AGAIN thanks to finch‚ that scene is So badly done I did Not get it but it makes sense to me now. much to the detriment of everyone else.) #(like it is Unclear it is Up For Interpretation it is Badly Written Television) #(and I am Invested <3)

[insertcoolnameherethanks]

Me and a friend saw Bones and All cause she really likes Chalamet, and we watched the trailer and read the synopsis from Google. So perhaps me and my friend are dumb, but we did not realize it was about cannibalism and we sat there like :o like it doesn't say that at ALL in the synopsis.

"They have to overcome their differences"- they're cannibals Susan. It isnt a lil funny quirk.

#Wasn't even realistic at least I hope not #The only reason we stayed is cause the theater was having issues and they worked so hard to get the movie to play for us #Not only that tho the acting sucked except for Chalamet #The scenes were also stitched together weirdly like they weren't cohesive #If you asked me about the movie other then the end I could not tell you what point came first #Bones and All #Out of 5 stars it was a 1 #The whole theater experience was bad lmao I dont go to that theater often but never again #The movie also just wasn't my cup of tea #Timothee Chalamet #Hello I'm speaking here

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION HAVE ISSUED AN APOLOGY AND A RE-INVITATION. HERE IS MY STATEMENT

hello buckaroos. the TEXAS LIBRARY ASSOCIATION have issued a formal statement and apology which you can read at the attached link.

while i find the language used to discuss what was done a little unsatisfying, i would like to start by saying i appreciate anyone taking steps to prove love is real and make things right. the genuine feeling of ‘realizing you have made a mistake and hurt someone else’ is a terrible one, and i have so much empathy for this group as they reckon with their choices causing harm. i appreciate their apology.

i also think more good than bad has come from this situation. i am so thankful this happened to me (someone with a large social media presence) and not a smaller buckaroo author without the means to stand up for themselves. i think the next time someone comes to the TXLA with an accommodation need, they will hopefully be taken more seriously

lets trot down to business about specifics now. the TXLA has re-invited chuck to the original panel and even offered to take a moment at the top of the panel to talk about what happened. this is very kind of them and i will say THANK YOU. 

unfortunately i will also have to decline.

the fact that it took this much effort, social media backlash, and discussion to let me simply EXIST PHYSICALLY in a way that is authentic to myself is not a good sign. if this organization immediately questions an authors chosen presentation in this manner, i cannot imagine what my other accommodations would be met with.

sometimes i am at an event and i very quickly need extra space to breathe. sometimes i am at an event and i need special guides to help me along from place to place. these are not ‘big asks’ and every other conference has gladly provided them, but if the TXLA had this kind of initial reaction to my physical appearance, i cannot imagine them readily helping with my other needs without ‘proof’.

this is clearly not a safe place to trot for those who require additional accommodations. regardless of any apology, their ACTIONS have shown that people who appear unusual or unique are not welcome at this event on a subconscious level. i believe the TXLA have some serious inner work to do beyond this apology, and i believe this inner work will involve actions more than words.

but even more importantly i would like to make this very important point: IT DOES NOT MATTER IF MY MASK IS A DISABILITY AID OR NOT. i appreciate the way this discussion has allowed us to trot out some deep talks on autism and proved love in this way, but i think there is a much more important point at hand.

regardless of WHAT someone looks like, it is not the job of an event or conference to pick apart WHY. physical presentation can be a part of someones neurodivergence, or gender, or sexuality, but i can also just exist as a nebulous undefined part of their inner self. it can be a piece they are not ready to openly discuss yet. the guests at TXLA are authors (aka ARTISTS) and the idea that a conference dedicated to an ART is going to deny people with unique and unusual presentations for ANY reason is absurd. since when are we applying a ‘dress code’ to our artists?

without knowing it, i personally believe there is an element of the ‘good queer, bad queer’ phenomenon going on here. there is a push to say ‘LOOK we accept these marginalized groups and cultures’ but behind the scenes that means ‘we accept these marginalized groups and cultures who are quiet and speak in turn and wear the metaphorical suit and tie’. it is easy to show diversity when you only take on the voices that arent too ‘strange’.

to prove my point i ask you this: do you think orville peck would have FOR ONE SECOND been asked to perform at the texas library association event without his mask?

so with that i say ‘very sincerely, thank you, but i will have to decline the re-invitation. maybe next year’

#love is real #txla #chuck tingle #buckaroo lifestyle

[dreamlifebunny]

how to script your dream life and use it with any method!

hello friends! today i want to share with you how i personally script my dream life, and how this script is both my void list, states list, and precursor to almost every manifestation method i've ever used. i love scripting because it is not only a method in and of itself but it is also a simple list of everything you desire that you can now manifest using any method you love!

check back later for a link to my scripting templates. in the meantime, here are the steps to creating your perfect script from scratch with examples! all you need is a place to write it down.

step one:

time to brain dump! at the top of your page, write out every desire that comes to your head in list format. don't overthink it and don't worry if they sound silly or unrealistic; remember, absolutely anything is possible! you can write out a few desires to start or go hardcore and write out hundreds, whatever you feel inspired by. you can always come back to this step later. here is my example:

step two:

now its time to get organized! look at the desires you've written and figure out what subcategories they fall under. for example, "my eyes are light blue and gorgeous" could fall under the category of "appearance," and "i have $100,000 in my bank account" could fall under the category of "wealth and items." feel free to use any category name that makes sense to you.

step three:

now that you have a couple of categories written out and understand the structure of the script, your mind might start to have even more ideas. "ooh, now that i see revision is a category, there are a couple more things i'd like to revise..." or "why stop at one SP when i could have everyone chasing after me?" for step three, we go a little deeper into these categories and add more details of what our dream life will look like. you can also add new categories that pop into your head - in the example below, i've added "the world and society" and "skills and abilities."

note: the reason why i broke this up into multiple steps instead of just writing "write out all your desires at once" is because our brains can be mean to us and make us procrastinate if something isn't done "perfectly," so that's why adding an extra step is important to bypass the perfectionism.

optional steps:

because scripting is such a creative and expansive process, we might think of ideas we'd like to manifest in the future but not right now/not instantly. i like to organize my script further by adding another category: "future manifestations." these are ideas that i would love to manifest at some point later on but not necessarily while my dream life is manifesting right now.

another idea is separating categories even further into "instant manifestations" (manifestations that happen right now without things needing to unfold) or "perfect timing manifestations" (manifestations that slowly unfold naturally and linearly), if you want to get specific about how they show up in your life! however, these steps are completely optional and just fun details for specificity, and i can make a more detailed post on this later.

how you can use your script with any method:

scripting has been used as a successful manifesting and shifting method on its own forever because it specifically addresses one of the most important steps in the manifesting process - deciding what you want! by writing out what you want in your dream life, you can now decide that your script will manifest on its own or you can use any method under the sun to fulfill yourself within:

the void state: if you enter the void state to manifest, you could affirm "i have everything in my dream life script"

affirming: you can affirm "everything in my dream life script has come true"

visualization: you could create an imaginative scene where all of your desires from your script are fulfilled, or you can imagine looking at your script and smiling because everything came true

subliminals: you can create a very simple subliminal where all of your desires are included, or even a sub where the only affirmation is "i have everything in my dream life script"

the possibilities with scripting are absolutely endless. i hope that this guide has given you the inspiration and direction to write your own wonderful and unique script. now, go and get your dream life!

have fun! bunny 💕

#law of assumption #neville goddard #manifestation #edward art #manifesting #loa #loassumption #dream life #scripting #reality shifting #manifest #master manifestor #dream girl #that girl #bunny's originals #script

[reiderwriter]

Hi Kacie!! Now that your requests are open... Could I request a smutty fic where Spencer finds out reader has a not-so-common sensitive spot (like her legs, hair, arms, whatever body part you want). Maybe he finds out kinda in a public setting after she gets all flustered and wants to keep pushing to test his theory?? You can take as much inspo from this as you want<3

(If this emoji's not taken)-💃 anon

A/N: Hello! Sorry for going MIA for a while there. It was the beginning of a new school year here in SK, so I've been really busy! I've been chipping away at this one little by little, and it's finally done! I hope you enjoy it ♡

Warnings; Smut, 18+ Minors DNI, case details, misogyny from a bartender in the opening scene, Semi-public sexual experimentation, edging, PinV sex, use of pet names (good girl), slight degradation, cum play, etc.

Masterlist

The back of the bar was dimly lit as you walked through it, keeping pace with your teammate as you kept one eye on the shady inhabitants of the bar. 

You'd been sent - with Spencer of all people - to ask the local dive bar staff about suspicious regulars. A fact that didn't exactly take into account his general lack of intimidating looks and your status as the newest member of the team. 

A trial by fire if you'd ever seen one. 

You tried your best not to stick out like a sore thumb, but the people in these parts could spot a Fed from a mile away. And though Spencer was remarkably pipe-cleaner-like, they'd certainly recognised enough FBI in him to clam up upon your entrance. 

“We got some visitors, I see. What can I be getting you, little lady?” The barman greeted you as you reached the first stool at the counter, a patronizing smile on his moustache clad lips. 

“If it's okay, we'd like to ask you some questions. I'm Agent Y/N with the FBI. This is my partner, Doctor Spencer Reid.”

“You're a Fed? Now, why would you bother doing all that hard work when you could be warming my bed, girl. It's definitely more honest and satisfying work.” 

The way the man leered at you over the counter has you freezing momentarily. Your instincts were saying fight, but you held your tongue just long enough to not ruin any rapport your team could build with locals. 

“I'm flattered, but already spoken for I'm afraid. Have you seen any suspicious men in here in the last six months, one that would pass through only semi-regularly, maybe with a few female companions, though never the same.” 

Professionalism at the cost of your peace of mind was going to be a hard learn for you as you grit your teeth and swallowed the bile in your throat. 

He just continued to leer at you as he dried up beer glasses. 

“You're looking for a man who likes cheap whores? Maybe you are in the market for a career change after all.” 

That was about all you could take, and luckily, Spencer Reid was well aware. 

Quickly grabbing you by the wrist, he pulled you behind him defensively and leaned over the bar, his voice low and somewhat chilling. 

“Disrespect my partner like that again, and I'll have you charged with aiding and abetting a murderer who has kidnapped and ended the lives of three local girls. Local girls whose fathers you're more than likely acquainted with, who absolutely have multiple acres of property and just enough bullets to put you in the ground.” 

The blood rushed to your ears at his voice, but the light grip of your wrist held you in place indefinitely. 

All the fight left your body, as you found yourself coming dangerously close to melting into Spencer in relief. 

He forced the man to answer some more basic questions, but it wasn't as if you could hear them. He stroked a quick thumb back and forth across your wrist as all the thoughts fled your head, and the words fell asleep on your tongue, resting there until he released you from his grip. 

You'd known that the area was slightly sensitive for a while, having accidentally brushed up against things and felt serious chills shoot up your spine. What you hadn't known was that it was that kind of sensitivity. 

Though, in all honesty, you hadn't exactly known that you could feel that kind of excitement for Spencer either. You just hoped he wouldn't notice. That much. 

Having finished his line of questioning and reiterating his threat, he moved his hand from your wrist to the small of your back and adeptly guided you from the restaurant and out of the line of vision of every pair of eyes in the place. 

“Are you okay?” He asked when he finally got you to the car, voice still quiet and low, and slightly too close to let you fully relax. 

“Peachy. He talked to you at least.” You turned away from him and began opening the passenger side door. 

“Nothing new or useful, though. Your bpm is high,” he joined you in the car, putting on his seat belt while you completely let go of yours, letting it zip back into itself.

“My… my what?” 

“Your bpm is high. Your heart was beating so fast,” he said, reaching over you to help you reclip it. “Were you nervous, Y/n? Or just sensitive?”

“Your mouth is entirely too close to mine to be asking that question,” you breathed out, cursing your eyes from stealing a glance at his lips. 

Only five minutes into this sudden attraction to Spencer Reid, and you were already mortified and extremely horny. In equal measures. 

“What would be the appropriate distance to ask that, then?” 

“I hear Australia is lovely this time of year.” 

He chuckled softly at you as he finished adjusting your seat and then moved far enough away to let the ground swallow you in peace. 

Never one to leave well enough alone, it seemed that Spencer took it upon himself to experiment with you for weeks on end after that. 

He'd constantly ask you to pass him papers, pens, anything that'd allow him to run a finger across the inside of your wrist. On more than one occasion you'd caught him staring into your eyes as he did it, and it took a nearly embarrassing amount of time to realise he was checking how dilated your pupils were before and after. 

When he'd gathered enough data for that line of questioning, he moved on to bigger things. 

You knew you were in danger of seriously falling head over ads when he offered to walk you to your motel door in a seedier case location. 

You, an FBI agent with a real-life gun and badge and job at Quantico, and you were jumping at the chance to have a man walk you to your room. You'd have been embarrassed if you weren't burning with anticipation. 

You hoped that like every other man in history, he was gently trying to insinuate himself into your bedroom, and by extension, your bed and more intimate places. 

So you were more than slightly disappointed when he started wishing you a good night. All of the aforementioned disappointment fled your body, though, when he picked up your hand and dropped a kiss to the inside of your left wrist, repeating the action on the right before wordlessly retreating. 

You stared at his back as he walked purposefully down the corridor and into his own room, leaving you to pick up your jaw and retreat to your room to lick your wounds. 

You wished it was him picking you up instead and found your brain imagining just that as your fingers dropped between your thighs that night. 

It became a case tradition for him to tease you like this, kissing your wrist after innocently walking you back to your hotel room. The others thought it chivalrous, almost cute and childlike, a form of courting that graced the good old days. They didn't know he grabbed you by the waist and held you against his hard-on every time you rode an elevator together. They didn't know his tongue darted out a few times to lick your wrist on occasion. They didn't know how you once mentally begged him to bite you there and how you shuddered as he ran his teeth along the vein there. 

Spencer was coming to the crux of his research regarding how far he could push you before you cracked. Only now, it was how far he could get without pushing you against a wall and jumping your bones. 

You knew you were in danger when he offered to escort you home after a case. 

“To walk you to your door, you know? Like always,” he smiled at you, the picture of innocence as you became damp between your thighs. 

“Sure. Yeah, okay, I'll get my keys, let's go.” 

You weren't sure how no one else noticed that Spencer didn't have a car to drive himself home after taking you to yours. You were unsure if they'd connect the dots between him escorting you home and his own apartment being 45 minutes in the opposite direction. 

Luckily for you, you could keep your hands at 2 and 10 the entire journey, away from his grasp. If he'd have touched you right then, you're sure you'd have driven both of you right off the road into a ditch. 

Or a pedestrian. 

The drive was calm, but pulling up forced your heart to your throat and kept it suspended there, almost like it was frozen at gunpoint, a deer in the headlights. 

“We're here.” 

“Great. Let me walk you in.” 

In. You swallowed hard, wishing very much for him to be inside of your apartment. 

“Okay.” 

Stepping into the elevator a few minutes later, he waited mere seconds after the doors began closing to pull you into his personal space. He was hard, he was so hard once again and his cock was now straining against your ass.

“Spencer, we need to talk about t-that,” he stroked your wrist as his hand splayed across your stomach, holding you firmly against him. 

“About what, Y/N?” 

He pulled your arm up almost as if inspecting the wrist for imperfections, and your head melted back into his chest. Why was this elevator so goddamn slow? 

You sprung out quickly when the doors pinged open finally and moved straight towards your door without a glance back, but you felt him close behind you. 

“Y/N, wait for me, wait, I'm sorry,” he called out quietly as you forced your keys into the lock as fast as possible. 

“Y/N, I'm sorry if I stepped over the line, I didn't mean too, please look at me-” 

You got the door open and turned back around to grab a firm hold of his tie and yank him into the apartment behind you. 

“Months. Spencer, you have been edging me for months, and I am sick of it.” You half growled at him, slamming the door behind him and then pushing him up against it. 

“I can feel how hard you are right now. Obviously you want to fuck me, so why aren't you?” 

His face went from shocked to intrigued, then shot straight for mischievous as he cracked a smile, and you felt his hands wrap around your wrists slowly. 

Before you could react, he had your positions swapped, your arms above your head pinned at the wrists and his breath hitting your neck as he answered. 

“I wanted to see how long it would take you to break.” 

Your lips leapt to his, hitting him angrily as you searched for more pleasure in his touch, one leg pushing up to wrap around his waist as his hips settled between yours. 

He met you at your level, giving just as good as he got.   

“Call it scientific curiosity,” he murmured, lips trailing down your neck, but hips pinning you in closer to the wall, keeping you trapped there. He made his way along your shoulders and then pressed light teasing kisses up your arms while rutting his hips into you, dry humping you against the wall as your eyes glazed over in lust. 

“You react when I touch you, you heat up. But it gets worse if I touch you here, right Y/N?” His lips again found your wrist, but this time his teeth grazed across the veins he found there. 

“You get so horny now when I look at you. I can grab your wrist and make you beg for my cock, isn't that right?” His mouth was back by your ear as your legs went limp under you. He still had you caged against your own door, and you had no idea what to say to that. 

Part of you wanted to protest purely because of the rough tone of voice he was using. The other wanted to flood to the floor and tell him yes, beg him to just fuck you and be done with this pure torture. 

“I asked you a question, Y/N. Isn't that right?” 

“Yes, yes, Spencer fuck, I don't care anymore, yes. You can touch me and I'll react to you, please help me.”

“Good girl.” 

He pulled away instantly, but his hands wrapped firmly still around your wrists. Slowly, he pulled you towards him as he slowly walked backwards further into your apartment. You thought for a second about just throwing yourself back into his arms, to close the space he'd created again between the two of you. 

You tried it, lifted your head slightly, begging his lips to return there, but he held firm. Each step was an agony of need, and you fought to hold your tongue, begging yourself not to beg him so pathetically. 

“Such a good girl, I'm holding you by the wrist, and you won't even protest about how slow I'm being.” 

Your mouth fell open as you registered his words. 

“You're being an ass.” 

“What was that? You want me to touch your ass?”

“Spencer!”

“Don't worry, we'll get to that.”

His back finally made contact with your bedroom door, and you stumbled forward into his chest as he kept his grip even still. 

“You're going to listen, right? You're going to listen to me and do what I ask you to do, aren't you?”

You wavered again. He'd been teasing you, but now he was serious, his tone light and his voice soft, but you could feel the strength in his grip. You could feel his arousal at your hip. 

“Yes, Spencer.”

“Good. Get on your knees on the bed. No clothes.”

He released your hands and opened the door for you as you tried your best to walk forward calmly. 

By the time you reached the bed, you'd removed most of your clothes, but you hesitated at the underwear as he watched from behind you. A quick glance over your shoulder saw him palming his cock through his pants, still leaning against the door he'd opened for you. 

He was getting off watching you, and you were frozen in arousal. 

“No clothes, Y/N.” 

“I know.”

“Underwear is clothing.” 

“I know that, too, Spencer.”

“Then take it off.” 

You shot a quick glare over your shoulder as you unclaimed your bra behind your back and threw it to the floor. 

“On my knees, right?” You said, climbing on the bed still clad in your panties. 

“I also said no clothes.” 

“If you're so invested in my state of dress, how about you come and help me rectify it.”

His lips twitched in small annoyance, but he followed the trail of clothes you'd left, ridding himself of his tie, shirt, jacket, and pants along the way. 

He climbed on the bed slowly behind you, not opposite as you'd presumed he would. His hands reached out to touch your back before slowly sliding all the way up to your neck and pushing your upper body down into the sheets. 

You let out a little squeak in shock, but let his hands guide you, feeling especially pliant when he grabbed your hands and crossed them behind your back. 

“Maybe the panties can stay. I'll just decorate them afterwards,” he said, and with that, he pulled your hips up with his free hand  guiding you into the position he wanted you in, and pushed two fingers into you. 

“Fuck, Spencer-” your brain short circuited as he pumped the digits slowly in and out of you, setting an agonizing pace but holding you so tight that.you couldn't even press your cunt back into his fingers. 

“What? What is it, Y/N? Tell me how you feel?” 

“Feel good, so good Spencer, p-please more.” 

He shifted slowly behind you, pulling his fingers out almost completely before pushing them back in, this time with another finger added. He didn't quicken his pace as you assumed he would, but he took his time stretching you out further as you moaned and whined underneath him. 

“More. You wanted more,” he reminded you, and his voice was like a sharp hit straight to your cunt, rough and hot and filling you completely. 

You barely registered the orgasm that flowed over you, your brain replaying his words on a loop as he continued pleasuring you. 

“That's it. That's a good girl. Get my fingers nice and wet.” 

When you finally grounded yourself in the moment again, your cheeks flushed as you realized just how wet you'd gotten. You felt your arousal still dripping down your leg and turned your face further into the sheets to hide your embarrassment. 

He pulled his fingers out of you, though, and with his now free hand he crouched over you and hooked his fingers under your jaw lifting your head and body up, forcing your crotch back into his as your back arched. 

“Don't hide from this. Look how wet you are for me, Y/N. Taste it.” He tapped his fingers against your mouth and you were ashamed at how fast your lips dropped open, tongue falling out to let him wipe his cum stained fingers against your pretty little lips. 

You tasted yourself on his fingers, wrapping your tongue around them and sucking as he dragged his dick across your back, trying to relieve himself in any way he could. 

“Good girl. It's time for one more, Y/N.” 

You released his fingers with a wet pop as he pushed you back into the sheets. Lining himself up, he entered you easily, your cum providing ample lubricant. 

You whined at his first few pumps, certain he was going to continue his torturous pace and leave you begging for more hours into the night. 

Instead, he let himself work you up to it, each thrust gaining in speed and strength until you could hear the slap of your skin against his more vividly than your own heartbeat. 

His cock was thick, filling you perfectly as you lost yourself in the sensations. 

“One day, I'll handcuff you to this bed,” he said, leaning down and whispering in your ear as each part of your body vibrated with lust. 

“I'll tie you down to this bed, and I'll treat you like a princess. I'll eat your cunt for hours until you cum every time my breath hits your cunt, and I'll cover your pretty tits in my seed. I'll let you use my cock as your personal sex toy, and I'll fulfill every single need you have.” 

His hand released your wrists as both of his hands came to wrap around your waist, pushing you deeper into the plush covers and changing the angle of his dick. 

You screamed at the pleasure, forgetting the paper thin walls your apartment boasted. 

“Fuck, Spencer.” 

“And you're going to love every single second because your brain switches off every time I touch your delicate little wrists.”

With that, another wave of pleasure spread through your body, sending prolonged shivers throughout your body. 

You felt him withdraw and heard the sticky mess of him stroking himself behind you until he made good on his promise and sprayed his generous load across your ass and panties before collapsing on the bed next to you. 

The two of you laid there for what felt like hours, sharing nothing but your labored breaths and the space of the bed before he finally rose. 

You tried not to sleep, but your entire body felt stiff from the awkward, if enjoyable, position he'd held you in. 

Your eyes drifted shut, and you just listened to his movements. A creaking floorboard here, a stumble against some furniture there, culminating in some running water and a return to your space. 

“Y/N,” he whispered, cautious to rise you from what he assumed was much needed sleep. 

“Mmmm,” was all you could reply.

“I realize now that I made a pretty big mess, so we need to get you in the bath.” 

“Mmm,” you protested, brows furrowing as you tried to gather your sheets closer around you, cradling yourself in the warmth. 

But doing so only made you more aware of the sticky wet mess around your torso and legs, and you let out a small, frustrated sigh. 

“You're stubborn, you know that, right?” He said, admiration coating his tongue as he lifted you slowly and helped you place your feet on the floor and walk towards your bathroom. 

“Spencer, shouldn't have a bath, too sleepy.” 

“I know, I'm going to stay.”

“In the bath?” 

“In the bath.” 

“Good.”

And it was. You let him lift your legs one by one into the scorching water and melted back into him, your head resting on his shoulder as if it were the most comfortable pillow you'd ever used, and you slept. 

#spencer reid #criminal minds #spencer reid x reader #spencer reid fanfic #mgg #spencer reid smut #criminal minds fanfiction #criminal minds fandom #spencer reid criminal minds #dr spencer reid #spencer reid x reader smut #spencer reid x self insert #spencer reid x you #spencer reid x y/n