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#it’s 3000 words
everyone in the bau is just like me
they all wanna fuck emily prentiss
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time-woods · 6 months
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yes. yes he did hit him with a pipe
(medieval fantasy drama au??)
The Carmine Cavalier (Carma (like karma)) and Sīdus the Fallen star
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deeeaahh · 2 months
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sinfullyrosey · 2 months
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How to Tame Your Dragon
Malleus Draconia X Male!Reader
Warnings: Dom!Reader, Blowjob, Deep Throating, Mild Bondage (via a tail), Scent Kink, Degradation & Praise (aimed at Malleus), Rimming, Anal, Orgasm Denial, Malleus is a Simp Needy Sub
I put my whole ass pussy and braincell into this fic lol
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The meeting had run a little later than expected, advisors droning on about some new laws drafted up and issues brought forth by the people. Others asking him his input on certain political issues and how he’s going to address them. All was just so draining and mind numbing to the young king.
But all of that doesn’t matter now what with the room having been evacuated of everyone save for himself and his human companion. The very same magicless human he had met at Night Raven College all those years ago and who had now become his partner in marriage.
You.
A mere child of man.
The one who has his heart in your hands and whose vision blesses his thoughts each and every day that goes by. The one who became his first friend, his first adviser, his first and only love.
The same lover who is currently sitting comfortably atop his throne, one leg over the other, your chin resting in your palm as you lean against the armrest. And he, sitting down on his knees at your feet, gazing up at you with unbridled adoration.
A cold look of fake indifference plastered itself upon your face as you leer down at your horned husband. Slitted eyes gaze back up at you, nothing but love and the desire to serve swirling in those gorgeous green eyes of his. He was being obedient, sitting back and waiting for your command.
“Hm, is there something you want, Malleus? You’re staring at me like I’m the last bowl of ice cream in the fridge.”
His expression brightened at your acknowledgment, scooting ever so slightly closer, hands still remaining firmly on his knees. His tail tip wagged slowly in building excitement.
“You, my love. I want you. Only you. Please, if I may, can I pleasure you once more?”
You snort at that.
Such a poetic sap he is. Speaking about you as if you were some fine jewel to be added to his growing hoard. You roll your eyes and sigh out a soft, “I suppose.” making his tail pick up in speed.
You shifted in your seat, moving to push aside your silken, black robe and pull your undergarments down, revealing your now unclothed dick and balls. You were semi-hard, his earlier words having more of an effect on you than you’re willing to admit, let alone acknowledge.
“You may worship my cock like you have done so many times before, but only with your mouth and tongue. You keep those hands away from me or else.”
“Yes, my dear prince. I won’t. Only my mouth shall serve my loveliest briar rose.”
“Good, good. Now, get to it.”
You lean back and watch as the mighty king of Briar Valley, royal fae who all fearfully respected, stuck out his tongue and began to lap at a mere human’s cock like some common brothel whore. His long, darkened tongue licked along the sides and underside, starting from the base and moving all the way to the tip.
You let out a long, blissful sigh as you felt your dick start to harden more under his ministries, his mouth sucking and kissing at the hot flesh. Malleus enjoyed the sounds you were making and worked to get more out of you.
He’d kiss and lick all the way up to the tip before wrapping his lips around your red, swollen head, and suck. He’d suck and hum in delight, sending vibrations throughout your length, making you leak precum directly into his awaiting maw. He began to swirl his tongue around the head and slit, forked tongue gathering as much of your precious cream as he could to swallow and savor.
Malleus could never get enough of anything you had to offer him, cum included.
“Mmmalleus… Oh, you’re doing such a good job…Aah~ Keep that up.”
Your praise fueled and prompted him to go further. Now he started to gently bob his mouth against your length, still sucking and lapping away. He wanted to take in as much of you as possible, to swallow you whole and gift you with all the sweet pleasures you so rightfully deserved from him.
You moaned louder as you felt your cock hit the back of his throat, walls squeezing around you as he gagged slightly. In his eagerness to please, he failed to properly prepare himself to take you. Your blurry eyes started to flutter closed, and you chuckled to yourself at your lover’s desperate mistake.
He attempted to correct himself while still sucking you off without interruption, making you purr in sadistic glee. He knew better than to stop over his own discomfort. No, he would never put his own comfort of yours, too desperate to keep you happy and moaning.
So, you let him, merely relaxing in your seat while he choked on your dick like a good cock-hungry slut. You let out a sigh and continued to focus on the tight, warm mouth you were fucking.
But your eyes suddenly shot back open when you realized a pair of soft, smooth hands were gently stroking your balls in just the right way that you liked. Your panting increased as he cupped the swollen sacks of flesh, rubbing his thumb pads along them and making them tighten and flex.
But as much as you enjoyed getting your balls fondled, you don’t enjoy how Malleus disobeyed you. Just as he started to use his sharp claws to softly graze along the sensitive flesh, you leaned forward to slap his hands away, sending him a stern glare.
“Hey! What did I say about keeping your filthy hands to yourself?! Mouth and tongue only!”
Malleus startled but obeyed. Keeping his hands off of you and slipping your length out of him so he could bow in apology. You continued to scowl down at him and crossed your arms angrily.
“Use your tail to wrap around your arms and keep them secured behind your back. Disobey me again and I won’t allow you to touch me, at all, for a whole month. Understood, Malleus?”
His eyes widened ever so slightly in worry, but nodded his head in understanding, nonetheless.
“Yes, my love. Please, forgive me…” He said, doing as you ordered and secured his tail around his arms behind his back, preventing him from using them any further.
You huff at his sad apology and roll your eyes. Still a bit tiffed, you promptly grabbed at one of his horns, holding it in a vice grip and forcefully shoved his face into your heavy, round balls. The sudden movement caught him off guard as he was met with the sweet, musky scent of your cum-filled balls.
“Since you seem to be so interested in them, then why don’t you put that mouth of yours to good use and lavish them? I might just be willing to forgive you then, my sweet, slutty king.~”
The fae inhaled your scent, the smell of you making his head spin and mouth water. Your grip didn’t let up so he had no other choice but to do as you requested and started lapping at the full orbs. You hummed in approval as his wet, warm tongue worked their magic.
“That’s it, just cover them in your messy drool. Disobedient dragons should atone for their naughty behavior.~”
Malleus moaned, maw giving open-mouthed kisses to the swollen pair. Your scent was filling his nostrils as he sucked on one of the meaty spheres, your large, leaking member resting atop his head.
“Mmm, you taste so divine my love. So sweet and lovely.~ I can’t… help myself…”
Your husband was moaning against you, lost in the euphoria your aroma brought. The sight alone caused a spike of satisfaction to shoot right to your growing ego… and dick. Causing it to twitch and pulse with the need to cum.
So, as much as you were enjoying watching him make a pathetic fool of himself, you still wanted to move things along already. You were getting impatient and he seemed too balls deep to do so himself.
“Alright, that’s enough of that. I want you back to sucking me off, mouth stuffed with my cock.”
You shoved his head away from you, startling him once more from your rough, abrupt nature.
“Now, open up, Mal~” You cooed.
He barely had parted his lips when you suddenly grabbed both horns firmly in your hands and shoved his head all the way down onto your length, forcing yourself into his mouth and down his throat in one swift motion.
The fae’s eyes widened as he gagged from the sudden intrusion, trying to accommodate for the newfound size taking up all of his space.
“MPH! Mm..!”
“Haah, you take me so nicely Malleus, as always. How does that feel, hm? Finally getting what you wanted you needy, little tart? Do I taste good shoved down your throat? Because you sure as hell feel wonderful around my cock.~”
“Mmmph, mm…”
You could see his eyes water at the corners over the strain in his mouth. While he may be struggling to gather his bearings, you knew all too well how much Malleus was enjoying your whole dick in his mouth again, able to taste and smell you so intensely.
His back even arching slightly, body trembling in some places. He was incredibly aroused right now and no doubt his own pair of dick and balls were just bursting to be set free and touched too.
You chuckle and release one hand to push back his bangs and reveal his patterned scales underneath.
“Oh, does that feel good Malleus? I bet it does. I bet that empty, little head of yours is now being filled with nothing but the thoughts of me and what you’d want to do with me, huh? Such a needy, hungry thing you are.~”
You crooned down at him, affectionately running your fingers over the scales, earning a muffled moan from him. You continued your petting, gently scratching your nails at the spot, making his eyes flutter and roll back in pure euphoric, lovesick bliss.
It truly was a sight to behold.
The very ruler of Briar Valley, a proud and powerful dragon fae, renowned for his skills in magic, on his knees for a mere human. The Malleus Draconia, slobbering on the dick of a much weaker and magicless pheasant, and doing so with such submission and reverence!
The thought alone had you grinning down at him, watching his shameful display of swallowing your whole length down as you used his horns as leverage to thrust into him rhythmically. You listened to the sweet sounds of his muffled moans mixed with the slick noise of his saliva and your precum dripping passed his lips.
You sped up your pace once you felt your approaching orgasm reaching its peak. Having long since lost your patience and just wanting to cum already, you focused solely on getting to your release.
And release you did. With a final shudder and the sudden feeling of your body and balls tightening up, your member finally squirted out all that built up emission. Ribbons of hot, creamy cum shot directly down Malleus’ throat, making him gag and struggle to gulp it all down, some still slipping past his dark lips and drip down his chin.
You slipped your still twitching length out of him, using your slick and his saliva to jerk yourself off in order to get every last remaining drop out of you and into his awaiting mouth.
“Keep your mouth open for me. That’s it, nice and wide. Show me that lovely, long tongue of yours. And make sure to swallow every, last, drop.~”
Obeying, he kept his mouth nice and wide for you, sticking his white-stained tongue out and catching any stray drops you oh so graciously gifted him. And once you were all through, he closed his mouth to swallow it all up, savoring the salty-sweet flavor of your essence.
“Good boy.~ You’re just as good at following orders as you are giving them.”
Malleus crooned under your praise; a deep rumble one could mistake for a purr reverberated from his chest. The dragon’s brain was near mush by this point, thoughts of only you rolling around in there. Your taste was still lingering on his tongue and scent wafting in the air, making his head even heavier with the presence of you. It was all so overwhelming yet not unwelcome.
“Oh Malleus~”
At the sound of your sweet voice calling to him, Malleus broke out of his thoughts to give you his full, undivided attention once more.
Only to be met with the sight of you with your back turned to him, body leaning over the throne, and ass in full view, swaying slowly back and forth as to tease him. A lazy smirk and lidded eyes were present on your face.
“Aren’t you forgetting something? I’m not finished being spoiled yet, my king.~”
In a sudden fit of excitement, the fae quickly stood up, untangling his tail from his arms and rushed to remove his own member from his attire in order to spoil you some more.
You let out an unimpressed ‘tsk’ and stopped him before he could go any further and attempt to stick it in you before being properly prepared first. Malleus was no small fellow, after all.
“Ah ah ah, I wasn’t referring to your member, Malleus. I was referring to that sinful tongue of yours.~”
Emphasizing your point, you placed both hands on either side of your tight hole and spread it open, making it wink at your aghast lover.
Malleus halted his previous ministries, licking his lips in lust-filled hunger. Seems like you were making the dragon work for it and wanted him to almost grovel at your feet. And grovel he will, because the moment the wafting scent of your sweet musk reached his nostrils, he was done for.
Immediately returning to his previous position on his knees, Malleus leaned forward to inhale as much of your scent before diving in. And just like with your previous spoiling, he had no scruples with lavishing your hole with his tongue.
You let out pleased sounds with each lap of his dark tongue along your tight ring. Each one opening up the puckered hole more and sending a buzzing feeling throughout your body. The feeling making you let out a satisfied, shaky sigh.
“Such an eager pleaser, aren’t you, Malleus?~” You mused.
The dragon hummed affectionately, sending vibrations that had you moaning and leaning into his touch. His whorish nature only made you chuckle more as you decided that you had also run out of patience and would now move on to the main course.
You turned around and shoved him away, earning a confused growl from the dragon. You simply stood up and gestured for him to sit on the now unoccupied throne. He did so, still confused but still eager to carry out any orders you have for him.
With a grin and now thoroughly prepared hole, you moved aside his robes to reveal his thick, neglected cock, then smoothly made your way into Malleus’s lap. He instinctually placed both hands onto your sides, claws digging slightly into your supple skin. Your ass was rubbing up against his throbbing member, sending his mind into a frenzy.
You looked up at him with lidded eyes, a knowing, seductive smile on your face. You could feel his tip leaking and dick twitch, just begging to fill you up. You gave him one quick, fleeting kiss under his jaw before you, finally, and ever so slowly, sunk yourself down fully onto his awaiting cock.
The sensation had the fae sighing in relief. A deep rumble sounded from his chest once more and you started to tentatively move your hips.
“You’ve been waiting for this, haven’t you, Malleus?”
“Yes, my love! I’ve been waiting ever since you first sat down on my throne and demanded I began pleasuring you. I only want to pleasure you my precious briar rose.~”
You rolled your eyes at that, but still kept that same smile.
“Just be a good boy for me now. Behave. No moving or thrusting back. Just sit here while I bounce on this slutty cock of yours. Or else I’ll leave you dry and needy without a second thought.” You playfully threaten, wrapping your arms around his neck as support while you bounced in his lap.
Your lover heard you loud and clear and nodded his head in understanding. He rested his face in the crook of your neck as you bounced vicariously on his dick. He’ll be good for you, he promises.
“Mm, I know you will. Such a greedy dragon, after all. Wanting nothing but my cock, my hole, my attention.”
He crooned at your words, letting out a huff that sent a small, dark cloud puffing from his nostrils. You gently pat his head, keeping a slow, steady rhythm as he desperately restrained himself, shoving himself further against your neck to breath in as much of your scent as possible.
Your fingers slid into his silky locks once more, this time, more tenderly. You lovingly played with his hair as he grew closer and closer to his ineffable climax, soaking up as much of you as he possibly could. And yet, you still took it slow, ceasing your movements whenever you felt he was about ready to burst, and then continuing when he had calmed down. You repeated this cycle until you were ready to allow him to cum.
After all, you planned to savor this moment and milk it, and him, for all its worth.
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blueeofsl · 8 months
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Page 17. We see that Donnie is just laughing at the joke now. It might be because it’s right after Leo sobbing for a while and then he just pulls that joke out of nowhere, or the fact that Donnie is exhausted. Or maybe, Donnie just really missed his stupid jokes
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But it relaxes Donnie out of whatever caffeine or adrenaline high he’s been in for so long, and he passes out on Leo. Literally laughs himself to sleep.
However for Leo, this was probably really worrying. Because Donnie was active and talking to him and suddenly he’s passed out. (Also is it just me or does it look like Leo’s stump is sorta holding Donnie’s head up?)
~~~~~
In Page 18, Leo gently lays Donnie down on the bed he had woken up from. Staring at Donnie the whole way through with a sort of attentiveness to any sort of discomfort/pain.
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He’d probably noticed the eyebags under Donnies eyes too.
In the second panel, Leo’s worry shows through again and seems to need to take a breath before checking Donnie’s pulse in panel three.
The fact that Donnie lets this happen so willingly (even when passed out. I would guess that over the years in the apocalypse, the turtles have learned a way to protect themselves even in their sleep.) shows that he is fully out and probably wont wake up for a while.
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In page 19, notice how there wasn’t just one panel being used to show Leo focusing on Donnie’s pulse, but two. We can tell by Leo’s facial expression that he’s still having doubts of seeing Donnie alive again.
Still doubting that things are real in the third panel as he goes to check his own pulse. His own pulse being much quicker than Donnies. This could be because of the fact that Donnie’s asleep while Leo is awake. Or it could be the fact that Leo is very alert now that he’s alone.
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In the last panel, Leo finally lets himself say what he’s thinking at the moment “what the fuck”. I don’t think ive ever read those words with so much emotion behind them because yes. Leo is just… so confused on how he got here. He has no clue that they’re in the present timeline, where Donnie can resurrect people. He has no idea if there are other people out there other than him and Donnie. He doesn’t even know that the sky is now free of krang and is blue instead of the apocalyptic red.
The last panel also shows us that Leo is also finally starting to take note of his surroundings, past just trying to reach for Donnie.
~~~~~
Some other theories/notes; I’m guessing that Leo is going to need a lot of guidance/reassurance of the fact that things are real and that he can relax. Like Casey, he probably wont be a fan of the big crowds in NYC and would rather stay hidden.
I’m also guessing that the family will have some sort of “talk” about what has happened overall. The war, the people they’ve lost, everything. Maybe Cass wont add this in, but I think Mikey will try to have everyone at least address the fact that not only are they survivors, but they are also veterans from a long, long war.
~~~~~~~~~~
Phew… that was a lot of writing! Loved checking through all 59 panels and finding the little details/ focusing on the emotion Cass was trying to portray there.
Would like to thank @somerandomdudelmao for the comics and also @tapakah0 and @ryanthel0ser for being wonderful motivators hehe
PART 1
PART 2
PART 3 (here)
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rockcattomato · 5 months
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How interested are y’all in a mumscarian fic in which Grian and Scar are arranged to be married but Grian is already dating Mumbo and so he asks to keep their relationship political. Except, as the husbands get closer, Scar also starts falling for the royal redstoner.
Because I for one am having a great time writing it.
Edit: (I’ve stated posting! Check the reblogs!)
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n7punk · 20 days
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You have no idea how long this took, but I made some phone case designs! And you can get them as other stuff, but I started this project when I get a new phone. One of these is transparent and designed for stickers specifically. These are available on both Redbubble and Society6. See my post with details/disclaimers about the platform/quality differences here.
Designs: 1) “Promise?” S1 Sword of Protection (Base Version) Inspired by a season 5 promotional poster (near the bottom). Left to right, the First Ones script says “Promise?” and “I promise.” (Note: I chose to curve the final sound on “Promise?” to represent the upward tilt of a question) Colorways: sky blue (RB / S6), navy (RB / S6).
2) “Promise?” Broken S1 Sword of Protection (Variant) The addition at the bottom is an inversion of “She-ra”, a striking point for the sword. Colorways: sky blue (RB / S6), navy (RB / S6).
3) “Promise?” S5 Sword of Protection (Variant) Updated for season five, colorways are shifted to accommodate the new sword’s color palate, but otherwise it’s the same as the first version. Colorways: sky blue (RB / S6), pink (RB / S6), navy (RB / S6), maroon (RB / S6), lilac (RB only — I ran out of design slots on S6). Can you tell which design is my favorite child (which is funny because this is the last idea I had)?
4) Swords of Protection Decal Meant more for stickers and the like, this is a variant includes both the season 1 and season 5 sword design. (RB / S6)
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shaykai · 6 months
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Durgetash doodle based off of a fic I’m writing
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thexoelove · 5 months
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Your New Blue Sun ✨
Come stretch with me?
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graedari · 1 month
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If no one else is going to give Corvo a crow- I will
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lab-gr0wn-lambs · 4 months
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Distracted by horse show, what else is new
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blacknedsoul-blog · 4 months
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Annabel Lee Whitlock: The Hypocrite, the Vampire and the Femme Fatale. A review of archetypes
Good news: I'm on vacation. Bad news: I'm on vacation.
And that means rest. A positive externality. But on the other hand, it also means that my brain, which is constantly thirsting for stimulation, has lost eight hours of activity a day that it has to fill with something. You know what happens to orange tabbies who suddenly become quiet and behave as if possessed by all the demons of Ars Goetia? Well, sort of.
So my brain in need of stimulation decided to dust off my college notes and talk about archetypes, because it's a thorough enough job to keep me away from climbing walls or checking random stuff on the Internet for 10 hours a day.
What is an archetype?
Just to make sure we're all on the same page, an archetype (a "type character") is a writing model that describes a role and has certain characteristics.
The term was coined by Honoré de Balzac, a French writer obsessed with what he called "micro-history. His life's work, "La Comédie humaine", is a massive collection of more than 80 novels, which, when read, will give you more information about that historical period than any theoretical book on the subject.
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You may not know this sir or the protagonist of "Illusions perdues", but you do know the archetype that Lucien Rumempré represents: a young from the provinces, full of dreams, who moves to the city only to discover that the lights are there to dazzle and distract from the misery.
But at the same time, the characters that come to mind are likely to be very different from the good Lucien. This is because the archetype is a different construct from the cliché.
If I had to explain the difference, I would say that the cliché is a recipe, while the archetype is a mold.
If you follow a recipe, you will always get results that are very similar, even if you make small variations in the recipe. But if you have a star cookie cutter, the contents of the cookies can be quite different: no one would dare say that a chocolate chip cookie tastes the same as an oatmeal cookie or a gingerbread cookie. Even if all three are cut in the shape of a star.
So I'm going to do a little review of the archetypes that Annabel notices. The differences, the similarities, and let's see what comes out.
The Hypocrite
Not "hypocrite" in the sense of a personality, but in the sense of a way of behaving in the world: The Hypocrite is a character whose way of relating to the world is a pantomime, whose role is to build themselves up to fit into a system (which, by the way, they despise). If they don't have what you want, they will at least pretend enough to make you think they do. Usually for personal gain.
The founder of this archetype is Julien Sorel, the protagonist of "Le Rogue et Le Noir", the most famous work of Stendhal, one of the most prominent writers of the literary realism founded by Balzac.
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Julien is this poor boy, but smart enough to memorize the Bible, which makes him seem educated enough to get him a job as a tutor in a rich house, and eventually a priest's cassock.
A more modern example is Nick Wilde from Zootopia. This fox has decided that if he alone can be a con man, he will be one, though he desperately wants someone to see him as an individual beyond that. He hates the system that condemns him, but he wants to be a part of it and will play by the rules he is given in order to profit.
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Annabel, like Julien and Nick, has built her entire identity around being what is expected of her, in her case a perfect Victorian high society lady. Something that has given her a tremendous amount of knowledge about how people move in such circles. And from her point of view, people are the same everywhere (Miss Marple would be proud of her).
And in this oppressive context that fosters an environment where people kill each other, she knows what currency to give in return for loyalty: people will look for a leader, someone competent, someone who knows what they're doing.
Annabel has no idea what's going on, what awaits them outside the Nevermore gate, or even if there's a way to escape. But she can pretend to know. The quietest person in the room wins, and she's the one who takes the prizes to achieve her goal. The performance is justified as a means to an end.
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Another thing that characterizes stories with a Hypocrite as a relevant character is the exploration of the consequences of this lifestyle: identity is consumed by the role, the line between actor and character is lost, and the Hypocrite is often faced with the reality that they have put so much of themselves into the character they are playing that once it is exposed, there is nothing underneath, or at least nothing worth saving.
In Annabel's case, this is expressed in her utter horror at not being trusted by Lenore. She puts her hypocrisy at the disposal of her lover and comforts herself with the reward of her affection, but Lenore's love for her is the only thread that binds her own identity: that Lenore does not trust her means that the role has completely consumed her, the complete confirmation that she, as an individual, is no longer a disturbed poseur.
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Related to this point, we have the final transversal line in the conflicts that Hypocrites tend to have: loneliness. When all their relationships are based on a carefully rehearsed performance, the Hypocrite knows that they are alone in the world, that no one really knows them, and they are usually so deep in the role by this point that they don't want to (or can't) leave it. The longing for honest relationships overlaps with their self-destructive tendencies.
As much as Annabel insists that it's her and Lenore against the world, that her life is meaningless without Lenore, and that she is enough, these phrases indicate that Annabel is painfully aware of how she is perceived by others, and though she tells herself that Lenore's love is all she needs, it seems more like a mantra to keep her sane than a reality.
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As you may have noticed, the main difference from the usual Hypocrite is that Annabel has Lenore. A bit like Nick has Judy. But Nevermore is a story that takes the psychology of its characters much more seriously, so while Nick just needs someone to reach out to in order to form honest relationships, Annabel passes because she has no fucking idea how to form an honest, healthy bond.
That Annabel is extraordinarily self-destructive, emotionally dependent, and so afraid to step outside the box she knows so well are, in this light, natural consequences of the Hypocrite lifestyle.
The Vampire
Here we must make a leap to another movement: during the Romantic period, the Gothic novel was at its best, and it was Edgar Allan Poe who squeezed out the last drops of what this genre had to offer.
Now, looking at the bibliography, Annabel does not have much in common with the gothic heroine (that is something Lenore takes care of), neither on an aesthetic level nor on a value level. To find her in the works that inspire her, one must look in a slightly different direction: the female vampires of gothic fiction.
Aurelia ("Vampirismus" by E.T.A. Hoffmann), Carmilla ("Carmilla" by Sheridan Le Fanu), Clarimonde ("The death woman in love" by Théophile Gautier), the vampire in the poem "The Metamorphosis of the Vampire" by Baudelaire, the three vampire women, and Lucy ("Dracula" by Bram Stoker).
All these characters have something more in common than their fangs: they are beautiful women capable of making anyone who sees them fall completely into their arms, as opposed to their role of making the one they have chosen as their prey "fall".
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The Gothic vampire is practically a succubus, but much less sexualized than one might think. Although many of these works, with the exception of the poem by the good Baudelaire (an author who should be fed separately on these matters), spare no pages in describing how beautiful they are, neither do they overly sexualize them, nor are they particularly flirtatious: even Clarimonde is dedicated to simply being there and letting her presence alone do the work.
This is something Annabel shares with the gothic vampire: though physically gorgeous, the framing in the comic doesn't tend to focus on her as an object of sexual desire, her beauty is highlighted, but in a way that is more akin to an ethereal or unattainable entity.
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This is due to a mixture of two things: the Gothic novel is steeped in Catholic puritanism, and even if it is to present a villain who uses her attractiveness as a weapon, the erotic component is subtly exposed, and the vampire's angelic beauty offers a contrast to her status as an antagonist: beautiful on the outside, insidious on the inside.
This is another thing Annabel has in common with the gothic vampire: she is aware that her appearance gives her a haughty, elegant, and dignified air, identifiable enough to earn nicknames like "Queen" or "Queenie," and she knows how to capitalize on it. This contrasts with the darker parts of her personality.
Another thing that terrifies romantics about vampires is that these fangirl succubi possess a quality that makes us 21st-century readers raise an eyebrow because it's supposed to make us uncomfortable: a deep, honest, and sincere willingness to be affectionate.
In context, this makes sense: the vampire is a representation of sin, temptation, and lust. So their affection is something that leads the object of it away from the path of morality (this is the 19th century, this is really important).
I understand that because of the vampire's role in all of this, she is a devoted lover. Incredibly devoted, in fact: Clarimonde is Romuald's sugar mommy (no, I'm not kidding, I'm not exaggerating either), and Carmilla never stops showering Laura with affection and attention, satisfying this girl's craving for companionship after living in isolation.
Annabel does something similar: there is a genuine interest on her part to reach out and connect with Lenore, and in scenes like this, she goes out of her way to show her that she is an amazing person in her own right, rather than being her brother's shadow.
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All kidding aside, I think of the archetypes I could find to analyze Annabel, this is the one that fits her best, even though she is not, well, literally a vampire. She seems to have several things in common with Carmilla in particular.
The Femme Fatale
We all have a more or less clear idea of what a femme fatale is: this extremely attractive, sexually active, badass woman who is there to make the male character's life miserable and has a 50% chance of smoking fine cigarettes with a cigarette holder. This is…partially true, but also highly inaccurate.
Although these characters can be traced back much further in mythology, this archetype gets its name and very specific form from Raymond Chandler, the founder of the noir novel. I'm not going to go into too much detail on this topic, as entire books could be written about it, so let's just focus on what's important.
The thing to understand about the context to understand the Femme Fatale is that we are in the 30-40's and although she has many more rights than 19th century women, the decadence shown in these works emphasizes that she is in a macho context where every single rule of the game is stacked against her. This is something that Femme Fatale is acutely aware of: no matter how well she plays the game, she will always lose.
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This is something that Annabel shares with this archetype: she is very aware of the rules of the game, she knows backwards and forwards how the world works, so she is also aware that they are too heavily stacked against her to ever win. All she can do is resign herself, play the role as best she can, and find small distractions to cling to like a burning nail so as not to lose her head altogether.
Therefore, the Femme Fatale's approach to life is this: if the rules are stacked against her, that means she has the right to do whatever it takes to survive. These tactics usually include manipulation, deception, exploitation, and, of course, making the most of her sexual attractiveness because, unlike the vampire, she knows how to flirt and use sex as a weapon. What needs to be kept in mind here is that for this character archetype, the use of these wiles comes not because she is factory evil, but as a coping mechanism within a system she cannot win against. If this ultimately makes her a villain, it's more about her role within the story in which it plays out than anything about the archetype itself.
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Here's an interesting difference between the Annabel we see in Lenore's memories and the one we see in the present day of the comic: Annabel used to be willing to play by the rules, but the thing she learned from Lenore is that cheating is more than possible. As a result, her attitude has become much closer to that of a Femme Fatale, using her extensive knowledge of the rules to her advantage, going with the flow for personal gain. Her methods are much closer to those of the Hypocrite (especially since we haven't seen Annabel use her body or affection as currency yet), but there are definitely similarities.
Another thing about the Femme Fatale (when she is NOT a villain) is that, like the Vampire, she operates within a duality: an exterior built to be sexy in a somewhat intimidating way (which is why the aesthetics of many of these characters can be interpreted within BDSM culture), but with some goodness in her heart. A really clear example of this is Vivian Sternwood from The Big Sleep (the first novel on the subject published by Raymond Chandler): her own father describes her as "rude, demanding, clever, and quite ruthless," and Marlow, our detective, will have a long series of uncomfortable encounters with her. But by the end of the novel, when he is faced with the same choice Vivian must have made in the past, he cannot help but realize that despite everything, this woman would rather keep painful secrets than harm her family, whom she loves dearly.
So if you're wondering why the framing of scenes like this looks familiar, that's why.
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Add to that the three layers of how her aesthetic works: an angelic appearance for when she needs to play dumb, her gaslighting, gatekeeping, girlboss bullshit face for when she needs to demonstrate authority, and framing where it should make you directly uncomfortable.
Looks are one of the strengths of Femmel Fatale's performance. And it's one of the strengths of Annabel's performance.
Conclusions
One interesting thing about looking at Annabel in this light is to realize two things: first, that many of the archetypes her character seems to take notes from are often in the role of antagonists or, for that matter, villains. 
The other is that these archetypes are quite well ordered and connected: the gothic vampire is the inspiration for the Femme Fatale of Noir (her beta version, if you can call it that), and the Hypocrite shares a historical writing period with many female vampires. From her conception, Annabel is constructed in a fairly orderly fashion, and believe me, that's a huge contrast to what's going to happen with Lenore (which I'll get to soon, but I need to brush up on my picaresque novel notes). 
The last thing I want to point out in this review is this: unless you're a Nick Wilde-style Hypocrite, Hypocrites and Vampires in general tend to have utter destruction in store for them. The Noir, for its part, puts us in a situation where the Femme Fatale, even if she wants to change, is generally too deep in this tangle to get out. 
So what I find interesting about Annabel in this regard is:
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This is actually THE scene that shows us Annabel timidly stepping out of the scheme of things. She doesn't seem to want to change, in fact I'd bet she's terrified to change, but even though she's repeating her father's toxic pattern here, she's also breaking it without realizing it. 
It's too early to tell if we'll see Annabel have some sort of redemption towards less harmful behavior, or if we'll end up seeing her become a villain altogether. But I'm really curious to see where this story goes with all of these elements.
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deeeaahh · 1 month
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coffinmotif · 6 months
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Chapter 372: Ep. 70 - A story that can't be shared, IV // Chapter 535: Epilogue 3 - Author's words, IV
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drizztdohurtin · 12 hours
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Out of general curiosity...
How long should a fanfic chapter be?
I was going to include a "doesn't matter" option but I'd like some more precision! If it doesn't matter to you, then think about what is the length of the chapters in fics you find yourself enjoying most often?
I know people like to get content and are excited when new chapters for their preferred fics come out, but some may still have a preference in how long these chapters are. So I'm just curious!
Please RB for a larger sample size, and so that newer writers might come across this and find it to be insightful!
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weakly-skoodge · 1 month
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Week Sixty Seven!
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